#I have had to see several of the above examples on tumblr and it's been increasing recently literally what the fuck is happening

[lesbianwyllravengard]

Why are joking about being a misogynist. Why are you joking about hating women. Why are you joking about being a "men's rights activist". Why are you using the phrase "girl [x]". Why are you perpetuating misogyny in a morbidly palatable manner on purpose. I'm. Am I in another world rn. What the fuck is going on.

[talaricula]

Things I've seen tumblr memeing about James Somerton doing à la "How did no one see how bigoted he was!" as if those things haven't been a significant part of tumblr culture for over a decade :

Presenting untrue and bordering on conspiratorial versions of (queer or otherwise marginalised) history without any sources

Completely disregarding and disrespecting any expertise on socio-cultural topics/humanities and distrusting academics and historians (incl. acting as if no academics or historians could be queer or marginalised)

Downplaying the role misogyny played in the historical oppression of queer women and concluding that queer men must have been more oppressed than queer women

Bi women are, at best, not as queer as "real" queer ppl, and at worst, simply equivalent to straight women

Despite nominal trans inclusivity, transmasculine ppl are functionally women when convenient (combined with the above, bi transmascs are functionally straight women)

Despite nominal trans inclusivity (bis), shamelessly attacking, threatening and actively endangering any trans woman who questions them or smth they find important (often by unfairly presenting her as violent or as a threat)

Having absolutely fucking wild and reductive takes about ace ppl, the oppression they face and their place in the queer community

Stating that marriage equality is an assimilationist fight while completely ignoring its direct roots in the horrifying consequences of the AIDS crisis for partners of ppl who died of AIDS

Praising western media creators from the past for queer coding even under censure and in the same breath condemning current non western media creators for being homophobic bc their representation isn't explicit enough

Blaming China for all existing homophobic censoring in western media

Assuming all queer media would be better told by western creators and by western standards

Only out queer ppl get to tell queer stories

Heavily criticising almost all queer media created by women or ppl they see as such (see above points about trans ppl) or involving/starring a significant amount of women for any perceived or real amount of "problematicness", but fawning over and praising and negating criticism of queer media created by and starring mostly or even functionally exclusively men (even when it could be argued that, you know, not involving/seriously sidelining women is a pretty clear example of misogyny which should probably be considered "problematic")

And I'm probably forgetting stuff or there's stuff I have internalised myself and don't recognise as an issue

Like idk but I feel like the takeaway from Hbomberguy and Toddintheshadow's videos should maybe be "be aware of such patterns in your communities bc they definitely exist" and not "this guy is uniquely awful" and I feel like a lot of the discussion I've seen surrounding this has been severely failing at that. Most ppl who've spent any significant amount of time on tumblr prob either have internalised at least one of those thought patterns, have had to de-internalise them, or have had to be extremely vigilant to not internalise them (which is done by, you know, seeking out other sources, which also seemed like an important takeaway from the videos)

[calder]

please reblog for sample size.

edit

good job dude

edit 2

i have been permanently banned from nukapedia for this post

edit 3

the following posts were screencapped and posted to nukapedia as the other reason for upgrading my 1yr ban to permanent

several patrollers have resigned in solidarity or disgust

you can read the bans and see for yourself, where admins repeatedly vaguely accuse me of presenting these messages under false pretense.

i was also harassed by a nukapedia admin on tumblr who attempted to delete the message before i could engage with it. when i mentioned it to the other acting admin, i was told to re-read the harassment so i might be a better person in a year.

further, a channel was collectively scolded last month by an admin who had been triggered upon being compelled to review the messages of the anti-Woke mod. during an argument, the mod had compared transness to blackface in defense of JK Rowling, earning him a 3-day ban. when i said i was traumatized from dealing with his targeted harassment of myself and my queer peers throughout pride month, i was accused of "emotionally manipulating admins"

all of this had begun two months ago when someone shared a personal anecdote about a racial microaggression they had experienced and wrapped it up with "such a white thing to say." for weeks thereafter, this woman was namedropped by the mod whenever racism came up, as an example of a racist. he would ultimately accuse her of being no better than a holocaust denier because she said "the far left is not associated with mass murder and bigotry."

during the mod's three-day ban he participated in the coordinated monitoring and harassment of a minor. the user sent five replies to the effect of "you are never to contact me in private" and "stop talking to me" before the mod stopped messaging him. this was not addressed when the mod was unbanned. however, the morning before this, the woman mentioned above was banned for leaving an incredulous emoji react face on a backhanded admin post targeting her.

the mod believes he is protecting the community from "reverse racism." he has also asked me if i "think hostility towards white people is justice" and when i excused myself from the conversation he asked if i was "triggered"

at one point i announced i would be absent for several days to attend a funeral. the mod invoked me by name and characterized me as a bad person while i was attending my grandmother's service

he remains on-staff, surrounded by silence. my 1yr ban was prompted by my confronting the community with proof of him stalking a minor, but that incident did not come up at all in the text of my ban

please reblog for public awareness. please show this to every fallout fan you know.

[pepper-steam-milkshake]

Every Instance of Dazai's Ability Being Used, and the Few Times it Doesn't Work

Because I really wanted to look into the logistics of Dazai's ability, I decided that I wanted to look through every source of media (barring BEAST) I could for when his ability has been used. This includes:

Dazai, Chuuya, Age Fifteen (Light Novel)

STORMBRINGER (Light Novel)

DEAD APPLE (Light Novel, pre-manga)

Dazai Osamu and the Dark Era (Light Novel)

Dazai Osamu's Entrance Exam (Light Novel)

Bungou Stray Dogs Manga

DEAD APPLE (Light Novel)

55 Minutes (Light Novel)

This list does not include:

The Day I Picked Up Dazai

The Untold Origins of the Detective Agency (no instances)

BEAST (Did not use)

Any instances in the anime

Any instances with general descriptions ('a guy who used his ability to nullify', 'he used his ability', etc. Was looking for instances with explicit explanation/visuals of what he does)

Spoilers ahead for all the above, and the manga through Chapter 101. Read at your own discretion.

The First Time we See it Used (Chronologically) - Dazai, Chuuya, Age Fifteen

The first instance that Dazai's ability is ever used is on Nakahara Chuuya in Phase.01, as written below.

(Dazai) placed a hand on Chuuya's neck. "Sorry, but gravity is no longer yours to control." Dazai's skill also activated when he touched his target. He had the power to halt and nullify all skills. It was the ultimate anti-skill, no exceptions.

Dazai, Chuuya, Age Fifteen, Phase.01, Page 23

This is a classic example of Dazai's ability working traditionally, where he has direct skin-to-skin contact with Chuuya. Since Chuuya's ability is internal, as long Dazai touches him, he cannot use it.

Then, near the end of the novel, he uses his ability to nullify Arthur Rimbaud's ability against Nakahara Chuuya.

In (Dazai's) left hand was a piece of fabric: a garland he'd used as decoration for Chuuya's fake party. The long garland dragged along the ground, cleverly hidden in the shadows of floating debris. One end of the cloth was stuffed inside Chuuya's clothes. "I told Chuuya to pick up this garland when you destroyed the nearby building," Dazai said with a child-like grin. "Then I tied it to myself using my skill," Chuuya added with the scythe still piercing his arm. "I wrapped it around my entire body and made sure it was hidden underneath my clothes." "After that, I simply touched the other end." Dazai held up the cloth. "Want to guess what happened then?" "The skill affecting the cloth you touched... was nullified."

Dazai, Chuuya, Age Fifteen, Phase.04, Page 115

For that instance, instead of physical contact with the ability user, Dazai extended his ability across an object to Chuuya. This made the object nullified against Rimbaud's ability, forming a shield of sorts to block his skill from attacking further.

The First Time it's Used On a Singularity - STORMBRINGER

NOTE: I own a copy of STORMBRINGER, but at the time of making this post, I was loaning it out to a friend. With that said, I used a translation that I have read previously. If you wish to locate it, go to bsd-bibliophile's Tumblr and search from there. I don't want to directly link it for obvious reasons.

Dazai's ability is seen twice in STORMBRINGER. The first instance is near the beginning of it, as written in the translation below.

(Dazai) casually grabbed Chuuya's arm and lifted it up. At that moment, the abnormal gravitational field that surrounded them immediately disappeared, along with the insufferable pain Chuuya had felt.

STORMBRINGER, [CODE ; 01]

Like before, we have yet another example of Dazai using direct skin-to-skin contact to nullify. However, in this instance, it is used to nullify a partial singularity, as Corruption has not been fully unleashed here. (At least, that is how I am interpreting it.)

Then, near the end of STORMBRINGER:

Chuuya limply drifted in the air for several seconds before the black wings on his back slowly lowered him. Dazai caught his body. The minute he touched his body, Dazai's ability nullification activated. The self-contradictory singularity energy that sustained him retracted in on itself as the singularity's power outlet decreased. He eventually returned to normal and his gate closed. The red marks plaguing Chuuya's body pulled away. The field of gravity disappeared and the stillness of night was restored.

STORMBRINGER, [CODE ; 04]

Yet again, nullification through direct skin contact. This instance doesn't provide an exact idea of where they touched, but it's reasonable to assume he touched Chuuya on his back or something.

This is the first time Dazai's ability has been used related to a singularity.

Singularity Time - DEAD APPLE Prologue

Dazai continues to use his ability to nullify Chuuya's singularity as seen in the prologue of DEAD APPLE. Though this is not shown in the light novel or in the movie, it can be seen in the manga, as shown here:

DEAD APPLE Manga, Volume 3, Chapter 10

Dazai touches Chuuya's face to nullify corruption.

Other Instances Before Dazai Joins the ADA - The Heartless Cur and BSD Manga Chapter 12

The Heartless Cur is a short story provided in the sixth volume of the Bungou Stray Dogs Manga, which tells of how Akutagawa and Dazai first met. Akutagawa attempts to use his ability on Dazai as written below:

Akutagawa turned his own sleeve into a wide blade, and thrust it into the boy's neck without a shred of hesitation. "Not bad," Dazai said, quietly. Akutagawa was stunned. He was sure the boy should have died. However, Akutagawa's blade had vanished like mist right where it would have touched the boy's neck.

The Heartless Cur, Bungou Stray Dogs Manga #6

Then, a flashback is shown from when Dazai was mentoring Akutagawa. During that, Akutagawa attempts to use his ability against him.

Bungou Stray Dogs Manga #3, Chapter 12

As seen here, Dazai directly touches Rashoumon with his hand, nullifying the ability upon contact.

Dazai Gets Tested and Tests Others - Dazai Osamu's Entrance Exam

Dazai gets to use his ability a whopping four times in this Light Novel, which can also be seen in the remarkably inaccurate two-episode Azure Apostle arc in the anime.

It's used twice on Kunikida in a short period of time, as shown below:

The bullet tears through the air until it hits (Dazai) right between the eyes.

Dazai Osamu's Entrance Exam, Chapter 3, Page 127

I take the pistol I shot earlier and toss it at Dazai. He catches it, and almost instantly, it transforms back into a piece of notebook paper in his hands.

Dazai Osamu's Entrance Exam, Chapter 3, Page 129

Since the bullets were also created using my skill, they were nullified and vaporized by Dazai's own skill on contact.

Dazai Osamu's Entrance Exam, Chapter 3, Page 130

Again, direct contact with Dazai's skin gets rid of the bullets, vaporizing them, while turning Kunikida's pistol back to its original state. This is interesting to me in how Dazai's ability impacts them differently. Because the bullets were created with the pistol, the bullets vanished. However, when Dazai touched the pistol, it reverted back to notebook paper with whatever Kunikida wrote on it.

This is also the second instance where Dazai touches an object and uses his ability on it.

Then, his ability is used twice on the numbers terrorist.

"Why...?! Why won't any numbers appear?! I can't accelerate, either! Why, why, why is this happening?!" "You should've done your homework. Skills don't work on me."

Dazai Osamu's Entrance Exam, Chapter 3, Page 150

What I find interesting about this is that he isn't touching an object or the ability user here. I'm assuming that since it would require to impact Dazai's skin, that is where the nullification occurred. If the ability didn't show up on his skin, would it still have been nullified? We shall never know.

However, him nullifying the ability against himself does not nullify it against anyone else. This is further encouraged by the below:

Dazai's right fist connects with the young man's face, spinning him a full 180 degrees.

Dazai Osamu's Entrance Exam, Chapter 3, Page 150

(Kunikida's POV) Then I look at my body to find that the numbers have vanished. Dazai must have defeated that skill user.

Dazai Osamu's Entrance Exam, Chapter 3, Page 151

It appears that if Dazai wants to end an ability user's ability on everyone at that moment, he has to touch that ability user physically. So, to be clear, Dazai's skin can nullify the effect of an ability on himself. Dazai touching skin-to-skin with an active ability user nullifies the effect of their ability on everyone.

Examples We See in the Present - Bungou Stray Dogs Manga

Dazai uses his ability quite a few times at the beginning of the series, but it begins to be many more chapters between once we finish with the Guild Arc. It goes from less than twenty to twenty, then, fifty. The last time (as of posting this) that Dazai has used his ability was in Chapter 101. Make of that what you will.

Bungou Stray Dogs Manga #1, Chapter 1

Direct skin-to-skin contact. Atsushi returns to his original human form.

Bungou Stray Dogs Manga #1, Chapter 4

ATSUSHI - Direct skin-to-skin contact. Atsushi returns to his original human form.

AKUTAGAWA - Skin-to-ability-infused-object contact. Rashoumon vanishes.

Bungou Stray Dogs Manga #3, Chapter 9

Skin-to-ability-infused-object contact. Rashoumon vanishes after cutting through Dazai's bandages to his neck.

Bungou Stray Dogs Manga #7, Chapter 25

Skin-to-ability-infused-object contact. Q's doll disintegrates, and the ability deactivates against Atsushi.

Bungou Stray Dogs Manga #7, Chapter 29

Skin-to-ability-infused-object contact. Q's doll disintegrates, and everyone affected by the ability is released from it.

Note: Touching those affected by the ability would not nullify its impact on them. He would actively have to touch the catalyst of the ability (the doll) or Q themself.

Bungou Stray Dogs Manga #8, Chapter 30

Skin-to-skin contact. Because Steinbeck's vines are in the middle of being created and used by him, Dazai touching him on the neck nullifies them and causes them to disintegrate.

I explain this because there is an instance in the future where Dazai touches Steinbeck's vines and they don't disintegrate, which I will attempt to explain.

Bungou Stray Dogs Manga #8, Chapter 31

Skin-to-skin contact. Dazai nullifies Chuuya's Corruption.

We Will Now Take a Break From Our Scheduled Programming - DEAD APPLE

Dazai uses his ability three times during DEAD APPLE.

The moment his fingers touched the crystals, their hard gem-like surfaces cracked, and they melted away. Drip. Trails of light suddenly transformed into a liquid-like blood, swirling around and mixing together in the air. The two lights melted into one and spun until they formed a single sphere.

DEAD APPLE, Interlude-3, Page 126

In this, he is touching Shibusawa's ability-infused objects. At least, that is how I'm interpreting it. It doesn't change the fact that the users behind them are dead, but it means they are no longer being contained.

Then, in a classic instance that I'm sure everyone will recognize:

The viscous liquid slid down Dazai's throat until eventually, long, slender fingers touched Chuuya's ghastly, corrupted face. When they made contact, it instantly nullified his skill.

DEAD APPLE, 5-4, Page 154

Skin-to-skin.

The next instance, however, is considerably interesting to me.

"Get off me," he demanded, but Dazai kept him still. "Don't move." "The hell?" Chuuya grimaced as Dazai held his head down. While glancing around, Dazai admitted, "Looks like the fog hasn't completely cleared yet, and I'd rather not have to protect you from your skill right now."

DEAD APPLE, 5-4, Page 155

By maintaining skin-to-skin contact with Chuuya, Dazai prevents Shibusawa's ability (the fog) from affecting Chuuya. Since Chuuya's ability is nullified, there is none to steal in that moment.

And Back to the Manga! - Bungou Stray Dogs Manga

This instance is not a very explicit one, but it is heavily implied that he is using his ability in this moment.

Bungou Stray Dogs Manga #12, Chapter 51

As per usual, skin-to-skin with Atsushi, and skin-to-ability-infused-object with Akutagawa (well, potential, as it's not active at that moment).

The next instance is in Bungou Stray Dogs Manga #22, Chapter 101. There's no specific panel or image of how exactly it works, because it's not tangible.

To be clear, Dazai nullifies the cat burglar's time control ability's effect on him. The reason for this is assuming that if it affects a certain amount of space (as stated, a few kilometers within her radius), it is technically tangible, and therefore can be viewed as touching everyone within that space. If it touches Dazai's skin, it won't impact him.

I had to think about this a lot more than I thought I would. Initially, I thought, 'it has no corporeal form or anything, it's not as if he's touching her... there's no rational explanation for why he can nullify it.' This thought was further encouraged by the fact that Fukuchi turned back time repeatedly, and Dazai couldn't have been not impacted by that.

Then, I realized that Asagiri specifically stated that there is a limited space in which her ability can take effect. By giving it a spatial limit, it is implied that it has to make some sort of barely visible contact to freeze everyone in time, as it doesn't do that for everyone else.

Asagiri, you clever son of a bitch. For fuck's sake.

These are all the instances where Dazai's ability has been successfully used. However, there are times where it fails to work. I want to explore those moments and explain why. Some are more self-explanatory than others.

He's Only Human - Dazai's Entrance Exam, BSD Manga, and 55 Minutes

There are six different points where Dazai's ability doesn't activate. I think it's important to look at them, because it shows exceptions to his ability.

The first instance is in Dazai Osamu's Entrance Exam. You're going to laugh at me for putting this example in, but I feel it is necessary.

"Heh-heh. What surprised me the most was the fact that Ranpo's 'skill' isn't actually a skill at all." ...Huh? "Don't be ridiculous. As if someone without a skill could really do something like that." "That's what makes it so amazing! Listen to this. When Ranpo was thinking, I sneaked up behind him and pinched some of his hair."

Dazai Osamu's Entrance Exam, Chapter 3, Pages 110-111

It goes without saying, but Dazai's ability can't impact an ability that doesn't exist. Ranpo's Super Deduction is imaginary, and thus, Dazai can't nullify it.

Next is a few instances in the manga.

Bungou Stray Dogs Manga #2, Chapter 7

Because Kyouka purposefully does not touch Dazai's skin, she could activate her ability, Demon Snow. Now, could it be said that theoretically, Dazai could've blocked this by extending his ability to his coat? Maybe. Considering previous examples, it's fair to say that if Dazai didn't want to get abducted here? He probably could've avoided it easily. Just some food for thought.

There's no visual of it in the manga, but I brought this up earlier. In Bungou Stray Dogs Manga #8, Chapter 31, Dazai and Chuuya go to rescue Q. They are entrapped by Steinbeck's roots, and Dazai has to cut them out of it. Please keep in mind that when I say this, this is based off theory alone and no direct proof, panel, animation-wise or otherwise. I believe that when Dazai is cutting Q out of the roots, odds are, he probably brushes against them with his knife-holding hand a little. Since these roots were all created together, wouldn't it be reasonable to think that they would disintegrate under Dazai's touch? Which brings up another point: why wouldn't Dazai just touch the roots if that was the case? That would be far easier than cutting them all away, unless he's intentionally trying to annoy Chuuya (which is incredibly possible but time-consuming). This makes me think that Dazai's ability can stop ability-created objects if they are still actively being made or used by the ability user, but if they are no longer attached to the user (activity-wise) and were not created from an object (like Doppo Poet or Dogra Magra for example), they remain existing.

Anyways. Sorry about the rant. Back to actual examples.

Bungou Stray Dogs Manga #8, Chapter 31

As Dazai will clearly state himself after recovering from this, Lovecraft's tentacles are not an ability. If it's not related to an ability, he can do nothing against it.

Then, we have 55 Minutes, which introduces this fascinating tidbit:

(Wells) "Skills that nullify other skills will not activate if the user is dead. In other words, Dazai--or rather, his body--won't be nullifying any skills since his heart has stopped."

55 Minutes, Page 186

First, when Dazai's heart came to a stop, the blood supply to the brain would cease, and Dazai would die. When this happened, his skill would cease to exist, and other skills would start working on him again. Therefore, his wounds needed to be swiftly treated, and he'd need immediate resuscitation afterward--even the kind of resuscitation they perform at any ordinary hospital through electric stimulation. And if that worked, Dazai would going from being "dead" to being "on the brink of death." After that, Yosano could use her skill to completely heal his wounds. In other words, it should be possible to heal Dazai as long as he was on the brink of death.

55 Minutes, Page 186-187

Yeah, so if he's dead-ish? Abilities will work on him. Albeit, it's a very, very short time-frame, but it does in fact exist.

Bungou Stray Dogs Manga #21, Chapter 95

In this panel, Nikolai uses his ability, The Overcoat, on Dazai. This shows that yet again, as long as the ability does not touch him directly skin-to-skin, it will work as intended.

SUMMARY

Dazai's ability can be used against anyone or anything that he can touch. Examples being:

Ability users he is touching skin-to-skin with

Objects he is actively touching and willing his ability into

Abilities that are infused into external objects (ex: Rashoumon in Akutagawa's jacket, a gun created from a sheet of paper in Kunikida's notebook)

Abilities that would have direct contact with his skin (ex: the numbers skill from Dazai Osamu's Entrance Exam)

Dazai's ability cannot affect:

Skill users he is not touching skin-to-skin (ex: Kyouka grabbing his jacket when abducting him so she can continue using Demon Snow)

Objects that are no longer actively a part of an ability (ex: Steinbeck's vines on Q) [ASSUMPTION]

Not abilities (Ranpo, Lovecraft)

Abilities he is not touching with his skin (ex: Nikolai's ability)

Abilities when his heart isn't beating/he's dead

So. Do with this information what you will.

Also, for shits and giggles, here's a running tally of how many times his ability has been used on an individual, and who it has failed to impact.

SUCCESSFUL NULLIFICATION

Nakahara Chuuya: six

Akutagawa Ryuunosuke: five (one time implied)

Nakajima Atsushi: three (one time implied)

Kunikida Doppo: two

Numbers Guy from DOEE: two

Q: two

Shibusawa Tatsuhiko: two

John Steinbeck: one

Arthur Rimbaud: one

Cat Burglar: at least once

FAILED NULLIFICATION

Edogawa Ranpo

Izumi Kyouka

John Steinbeck [ASSUMPTION]

Lovecraft

Yosano Akiko

Nikolai Gogol

[purity-town]

No update this week as I had some stuff going on. We're really close to the end of this chapter, though -- two pages left! I've started cleaning up the script for Chapter 9 and am looking forward to getting there. In the meantime, ask responses are below the cut!

First off -- I'll admit that heights aren't all that consistent in-comic. I've improved in my art in a lot of ways through this comic, and have gotten better dealing with perspective, but when it comes to characters being closer/farther away I tend to do whatever looks/feels nice and works with the framing of that panel. A good example is this one:

The only real height reference you could get from here is that the Dryad is taller than the Arms Dealer. Andrew, Chris, the Zoologist, and the Merchant are all just placed in whichever way fit well with the background, and don't "measure up" to their other appearances -- especially considering the Merchant is shown as being very short here, but taller than the Nurse two panels earlier. I was just struggling to fit him in in the gap between the Dryad and the Arms Dealer.

I do have a loose sense of "X character is this amount taller than Y character" but it's not a very definitive thing. (I've also changed character designs and heights over the course of the comic as I've settled into how I want characters to look, which exacerbates the problem a bit.)

To answer your first question: Chris is intended to be/drawn in more recent pages as very slightly taller than Andrew. The sort of height difference where on paper you're different heights but you don't really register it.

In the earliest pages, Andrew came up more to around Chris' eyebrows -- over time I decided I didn't want Chris to be "the tall one" anymore, especially standing next to characters who are actually supposed to be tall, so the height gap lessened. He's supposed to be around average or slightly above average height, with Andrew being average or slightly below average.

As for other NPCs -- yep, the Dryad is the tallest by far, haha. And although you can't tell when the Arms Dealer is standing next to her, he's pretty tall himself. He (and the Merchant) are both slightly taller than the Nurse. The Old Man is also around this range -- one of the taller characters but not extremely so.

The Zoologist is one of the shortest characters, but her ears make up the height difference! Most of the rest of the "shorter" characters haven't appeared yet or haven't been shown standing next to someone else, so I haven't had to decide on their exact heights yet.

I know that I had responded to this before, but since that was in the Tumblr replies field I was fighting with limited word count at the time. So, longer answer:

Out of universe, I needed something to tag my AU art with and didn't want it to be long/annoying to use. I had written out a lot of my initial ideas for the world/story several months before starting on the comic, so the town was named Purity Town long before I ever started posting art for it -- and when I needed a proper name for the comic, I just decided to grab that and roll with it. It felt descriptive enough, both in terms of "yep this is where the comic is placed" and in representing the struggle/fight for the world's balance and recovery in the story. Interestingly enough, I dug up my old notes on the fanfic ideas that would eventually become Purity Town, and the original working title for the story was "Barely Human" -- in hindsight, I much prefer Purity Town :>

As for the town having the name in-universe, I could see it having two levels of meaning. The obvious reason for the name is that it's just a practical/descriptive name originally intended as more of a placeholder in a newly-settled region, and it ended up just getting picked up and sticking around. The other reason being more hopeful -- a vow/plea that the town would remain free from the Corruption and whatever other monsters roam in those unsettled, wild areas that make up most of the region.

Within the lore of Terraria, there are references to "purity" and being "pure" scattered around here and there. Bunnies are pure beings, Dryads can analyze the purity of the world, Crimeras attack pure things, and the green clentaminator solution spreads the Purity. So that's where the actual "Purity" term comes from!

That's horrifying; thanks for sharing!

Jokes aside, I do quite love the idea of the Eye Of Cthulhu being able to see through every smaller eye it spawns, or at least receive information back through them as "messengers."

[cr-pisacs-evil-brother]

Pathologic Bachelor ARG Megapost

This post is a culmination of months of (mostly my own) research into the Bachelor ARG. For far too many days and far too many hours, I’ve been doing my best to solve this, with the help of a few other people. I looked very deep into most Fyodor Vitin posts, played through The Marble Nest several times, looked extensively through the Pathologic wiki, and read/analyzed countless outside sources for this post, and I will link as many of them as I can. (If there are links that you think would help the ARG that you’d like included in here with credit please let me know.) For any people that are credited, an “@” before their name implies that it’s a Tumblr username, while a “u/” proceeding their name implies it’s a Reddit username. I have discovered and analyzed dozens of leads, some of which are more likely to be important or intentional on the part of IPL than others. The primary purpose of this post is to give all of you Pathologic fans new leads and theories to analyze in pursuit of solving the mystery behind this ARG, so many of the things within this post should be looked into further! With this post, I will lay out my findings in a series of sections, all of them having several connections to each other. This post is more than 10,000 words and is not meant to be read all at once, so feel free to read sections, take breaks, re-read sections, or skip around if you'd like. “Observations, Research, Analysis” is a vast majority of this post and consists of observations made about the ARG material, as well as any research I did into those findings that bore fruit, and analysis/connections to other things. The additional notes section consists of some of the conclusions I’ve reached after putting all of my evidence together, as well as some connections I didn't really make in the previous section, but keep in mind they’re still just theories so they could obviously be wrong. I would like to emphasize that I am not a native Russian speaker, but I did have many native Russian speakers helping me along the way, and in particular, I’d like to thank @kurury-chan for her massive help with this. She transcribed the newspaper for me, provided tons of consulting, translated many other Russian sources, and actually went out of the way to go on an irl tour of a certain ARG-related location to see if my theories about it could hold any ground! Because I'm not a native Russian speaker, the sections where I'm required to analyze Russian text (notably the newspaper section) will probably be the least interesting and I'll probably end up making a lot of points that aren't valid. Additionally, I’d like to thank @cryingsyren (who also happens to be my bf) and @ded-not-ded for their help. As for formatting, since Tumblr doesn't have tiered lists for some fucking reason, all main points will be written as bullet points, and any sub-points within that bullet will then have numbered points afterward. For example like this:

The first main point about a topic

Sub-point of the first point

Second sub-point

The second main point about a topic

I'll either do that or I'll do it like this:

First main point

First sub-point First sub-sub-point

Second sub-point

Second main point

Edit 1: I've had to revert much of the Chat text (the font I used for the sub-points above) to regular text because of a formatting glitch that irreversibly changed most of the Chat text to bold, which was very confusing.

Depending on which looks better in the context of the points. Because that formatting is so awkward and clunky I'll try to minimize the use of tiered lists as I convert this from the Google Docs format to the Tumblr Format. Most of the time that I use tiered lists here it's to deal with the character limit Tumblr has on single blocks of text within a post. With that out of the way, let's just get into the post.

Observations, Research, Analysis:

"The Accident" Fyodor Vitin post

The first thing I noticed about the newspaper when I took a good look at it was the use of bolding with certain letters. If you look at the Newspaper you’ll also see ink splattered on the page in several areas, which could be a clue toward noticing the bolded letters, or it could be something else I’ve yet to discover. I knew I wouldn’t be able to transcribe the entire newspaper by myself, not being a Russian speaker (although I’ve just started learning!) so I enlisted the help of @kurury-chan, a native Russian speaker, and she transcribed the entire newspaper for me in Cyrillic. After getting this transcription I went through and spent a couple of days looking for which letters were bolded, writing them down, and coming up with possible translations/meanings. I’ve come up with lots of possible meanings for these, but for many of them I couldn’t figure anything out, and I’d love help if anyone has any idea what they could mean! To me many of them seem like word fragments that are simply missing one or two letters, and so in the document where I list all of the bolded letters I put some words/phrases that are very close to the seemingly fragmented words. Once again keep in mind that, while I’m trying to learn Russian, my understanding of the language is still rather weak, so I may have mistranslated some of these. Another small detail to mention is that there’s a prominent crease on the left side of the paper that runs through a decent portion of the bolded words. First, I’ll start with the bolded letters on the left side of the page. I may have missed a couple, and I may have written some of them down as bolded when maybe they aren’t supposed to be seen as such.

Here is a link to a list of all the letters I think are bolded on the left side, which lines they’re on, and possible meanings, many of which I’ll be discussing here. I will not go individually through what I believe all the bolded letters mean, but I will go through and explain the ones I think are most meaningful and important, as well as some connections I’ve made with them. And here is a link to the original Russian transcription and my best attempt at an English translation.

It’s possible that the crease that runs through the left side of the paper and notably runs through many bolded words somehow denotes that those particular bolded words are special, or perhaps that they should be seen as separate from the other bolded words.

Line 15 has a rather interesting bolded phrase, because it actually appears to make a somewhat coherent 3-word phrase, but one of the words seems to be a surname, “Pepe.” Additionally, the crease on the left side of the page starts right above the word “ПЕПЕЛИЩЕ” in the title, and splits it so that “ПЕПЕ” is separate from the rest of the word. (ПЕПЕ is Pepe in Cyrillic.) If you want to know what the non-Pepe words say, skip to the next bullet point, because the rest of this one is my analysis of the ПЕПЕ part. So, of course, I looked into the name a bit, looking through all notable historical figures with the last name, and found one that I think is of special interest: Guglielmo Pepe. Born in the small ancient town of Squillace, Pepe entered the army at a very young age, and was an Italian commander during the early 1800s, but his military career was fraught with trouble, as he also had rather revolutionary politics, which angered both the government he was serving and many of his peers, and he was exiled on several occasions. Upon Pepe’s return to Italy at the age of 30, he was given the rank of general. After this, the most notable events in his life would largely consist of his attempts at going rogue in revolutionary attempts to change the existing power structure, for which he was usually punished. (It’s also perhaps worth mentioning that his brother was part of the attempted French invasion of Russia.) All of this is to say, Pepe obviously shares some striking similarities to General Block, perhaps the most striking of which is his status as a 30-year-old general, which is an aspect of Block’s character that is highlighted several times. So, of course, I looked into Block’s character a bit more, and discovered that in the Russian version of the game he is called “General Ash” instead of “General Ashes.” “Strange,” I thought, until I saw that in Russian, Ash is “Пепел” which is pronounced as “Pepel” for anyone that isn’t familiar with Cyrillic. If we look into it, we do see that the letter after the Пепе is л, but it is notably not bold. This is, if you're counting, two separate times in this paper where the plural for ash, пепелище, is split up so that only the пепе is emphasized. As for other connections between Pepe and Block, we could look at them both harboring some revolutionary tendencies and being punished for it, both by The Powers That Be and his peers. General Block also tells Artemy that he was born in a town not too dissimilar to the Town on Gorkhon; this is interesting because there are some connections to be drawn between Squillace and Gorkhon, primarily that both of them preserve the beauties of ancient times that have all but been lost to most people. Related to this, it should also be noted that I believe the plot of The Marble Nest was heavily based on the plot of The Seventh Seal, which is the same movie that inspired the character Alexander Block.

The rest of line 15 is also interesting, but I’m not sure exactly what it’s supposed to mean yet. It translates to “Heaven on Pepe” basically. I consider the “Pepe” part to probably be the most important, since there’s a large crease that runs through it, which I think probably denotes a level of importance? The line’s meaning might be related to the fact that “heaven” is sort of a synonym for “utopia,” or the character that Block is based on is the protagonist of a movie that revolves around the ideas of heaven and Christianity, which is something we saw very briefly with Block in Pathologic 1. If you have any ideas please post about them and tag me, or simply comment/reblog this with your ideas!

Line 1 and line 18’s bolded letters both start out with “ов”, and for my English speakers out there it is pronounced sorta like “ove.” ов is interesting because if you translate it as о-в it actually is the shortened form of “island” in Russian. Line 1’s bolded letters read as “ов попо”, and for people not familiar with Cyrillic попо is basically “popo.” There are, apparently, many Popo islands in the world, and I couldn’t find one that I think directly connects to the ARG or Pathologic, but maybe someone else out there will, or perhaps that line has a different meaning to it. As for line 18, it says “ов испустивших” and according to Russian wiktionary, the second word is one letter off from the word “Emitted.” I looked a bit deeper, though, because that didn’t satisfy me (why would they use the incorrect spelling of a word after all?) and I didn’t see much, but I did find two things that used the exact word “испустивших” that interested me: A Saudi Arabian newspaper that has been translated into Russian, as well as a Russian poem from 1777 celebrating the birth of Grand Duke Alexander Pavlovich, also known as Alexander I of Russia. The latter is more interesting to me for numerous reasons, the first one being that it might serve my theory about the connection between line 1 and 15, as line 1’s bolded letters end with попо and line 15’s end with пепе. The connection is weak, too weak for me to make it a separate bullet point, but strong enough for me to want to explain. So, as we know, there is a connection between line 1 and 18, it’s what this whole bullet point is about, and this theory (using the term ���theory” loosely) relies on us seeing them as very closely connected. Basically, Alexander I was the ruler of Russia during the French invasion, which is interesting because, if you’ll remember, Guglielmo Pepe’s brother, Florestano Pepe, took part in the French invasion. This, to me, is an interesting connection, but I do admit it’s definitely a reach.

That’s where I’ll stop talking about the bolded letters on the left side of the paper. If you’d like to see what other bolded letters there are, what they could possibly mean, and try to decipher the meaning for yourself please go to my linked Google Doc(s).

As for the right side of the Newspaper, there are some bolded letters, but I can't seem to make much sense out of them, and by this point in my research I was starting to pursue more promising ARG leads, so this section is rather incomplete. Just as a reminder, the right side of the newspaper is an advertisement for a lantern/kerosene shop. I personally think the right side is more interesting than the left for a couple reasons, but most of them are either self-evident or will be discussed later.

The lantern on the right side of the paper is the same model that’s used throughout the Haruspex’s route, but most notably it’s used a ton during The Marble Nest as set dressing. And when I say "a ton" I really mean it.

I also remembered vaguely an unused lantern item found in the game files of Pathologic 2, so I went to the Pathologic wiki to look for it, and surely enough the exact lantern used by Artemy, the one that appears so many times in The Marble Nest, is also an unused item present in the game files. When using console commands to give yourself the item, you’re able to click on it and select the “touch” option, upon which you’ll see the number 6192355001378070 where the name of the item should be, and 6192355001378072 where the touch text should be. I’m not sure exactly what these numbers are supposed to mean; my first thought was that they seemed long enough to be coordinates, so I put them into google maps and it does lead to a location in Russia! Nonetheless, the numbers are a little bit too long to make sense as cohesive coordinates. Still, it might be something worth investigating. You'll see later in this post just how significant numbers and number patterns are in this ARG.

The word used to describe one of the victims of this inferno, “academician,” has sorta interesting connotations in countries that were once part of or heavily influenced by the USSR. This person is referred to as “Mr. F.L.” in the article. This guy is also said to be a historian and a “бытооописателя,” which as you can probably tell by the fact that I’m not using the translated English version is a weird word. Perhaps the strangest thing about this word is the fact that it clearly has 3 o’s where there should only be one. The actual meaning of this word is odd, as it’s very rarely used, and according to all sources I could find (including native Russian speaker and linguistics enthusiast @kurury-chan) it is either an archaic term for a historian or a term meaning “writer of everyday life.” I’m honestly not sure what that means, and at first, I thought it meant something like a blogger. The most complete and coherent definition I could find describes it as “author of works describing everyday life.” A different translation I found seems to say it means something like "chronicler," which I suppose makes some sense.

In the bottom right part of the paper, you will notice what at first appears to be a signature. Admittedly I had almost no hand in this part of the investigation, except for the isolation and upscaling of the text. Most of the work here was done by @cryingsyren with some help from @kurury-chan and @ded-not-ded. Here is the image that I got for them of the text, and here is our current interpretation of it: It at first seemed to be Russian cursive (and it probably is supposed to be), which complicates things quite a bit, and @cryingsyren spent a couple days trying to figure out exactly what it says, (with some help from @kurury-chan) and as far as we can tell it’s four letters, which are separated into either two or three sections. I think we have a decent grasp on what they’re supposed to be in Cyrillic, but the interesting thing is that they do look a lot like both Russian and Latin cursive. I’ll describe them now using what Latin character they look like in quotes followed by what Cyrillic character they look like in parenthesis. The first section is an “M” (М) and a “K” (К), which are very clearly connected. The next section is either an “H” (Н) or an “H” and an “n/u”. We’re not exactly sure whether the H and the n/u are supposed to be connected, but the n/u being lowercase seems to imply it is. The interesting thing about the n/u is that, while it looks like it could be a Latin n or u, it also looks like it could be a Cyrillic и, which is the italicized version of the Russian letter и. It seems all too coincidental that all of the letters they used have almost exact visual counterparts in the Latin alphabet. At the moment our working theory is that it could be initials, and this is where I come in, because for days I knew I recognized the "MK" part of the signature, but I couldn't remember exactly where from until today. For anyone that has played too much Pathologic Classic HD like me, you may recognize the "MK" signature from the center of the loading screen in that game, scrawled in a way that most people wouldn't pay attention to it, and certainly that most people wouldn't have it committed to memory like me. During the roughly 170 hours I've spent playing the game I've probably looked at that MK more than I've looked at my youngest brother. This presents the question, who is MK? Well at first I thought it could be Mr. Katzman, as referenced in the "Mask" post, but that didn't seem right to me. This is when the fact that so much of my brain is Pathologic lore facts came to help again, when I remembered state inquisitor Mark Karminsky, who you may remember as being one of the men people thought would come to the town before Aglaya Lilich showed up. As for the rest of the writing, I'll leave that up to you guys to figure out.

Something to note for later on: We know there to be 19 inquisitors when Pathologic takes place, and in this ARG the number 19 becomes very important with later clues.

"Mask" Fyodor Vitin post

Arguably this is the Fyodor Vitin post I’ve done the most research into, and it eventually led me to develop a very deep and passionate interest in the Buryat peoples that has so far caused me to read several books and around a dozen academic papers about them. I haven’t only done research into the Buryats for this post, though, because although the Buryats are the primary inspiration for The Kin, they’re not the only inspiration. Despite all of this research work, this section will be rather short because I’ve already been through and exhausted most possible leads I’ve found, and this is what remains. Since the post is in English, and I think everyone that follows me presumably knows English (если вы не говорите по-английски, я хвалю вас за то, что вы зашли так далеко) I won’t summarize it, so I’d recommend reading the Vitin post and then coming back.

We see in the post the mask of “Muu Shubuun,” which we’ll immediately notice is almost the exact same mask as is used by the Executors in the game. Actually, in the Marble Nest, you can acquire the Executor mask, and its touch text reads, “The mask of Muu Shubuun, ‘the wicked bird.’ Part of the Reaper costume from the local theatre.” I have found several different sources that lead me to believe this is based on actual Buryat folklore, however, I’ve heard several conflicting accounts on whether Muu Shubuun is an evil spirit that tricks people by taking the shape of a beautiful woman, or if it’s closer to what we see in the game/ARG, but both seem to be documented as existing within sources on the Buryats. I think this confusion between the two likely means the stories and connotations associated with Muu Shubuun vary based on different groups of Buryats. An alternate spelling I’ve seen used is “Mu Shuvuu.” Possibly related to this is the character “Shar Shuvuu” (which means “eagle owl”), who appears in The Marble Nest during the “marriage” scene in the steppe camp behind the cathedral. In fact, a surprisingly high number of NPC characters in this DLC are named after birds.

The phrase used in the post to describe a seasonal festival, “dosoo ba beshē tēēhēē” is where I’ve devoted much of my research, with most of that research being from about a month ago. Only the third word in this phrase, beshē, appears as a kin word in the games as far as I know. However, we can use a method here that people in the Pathologic community have been using for years to figure out the meaning of kin words: Most of the steppe language in the game is based on one of many languages: Buryat mostly, Mongolian sometimes, Tibetan sometimes, and some parts of it also take inspiration from other languages of similar origin to these. A majority of the language seems to be based on Buryat, and many Kin words come straight from the language. A few words in the game seem to be made up entirely by Ice-Pick Lodge, and many are based on words from the aforementioned real languages but tweaked slightly, as if to indicate that the steppe language spawned from those languages but has some distinctive elements. To determine what this phrase means, I tried my best to dig into the languages and find parallels:

“Dosö” in Buryat means “inside”

In Mongolian “dooshoo” means “down”

In Mongolian “ba” means either “and,” “we,” or “sorcery”

In Tibetan, “ba” means “cow”

“Beshē” in the game’s steppe language means either “not” or “other”

The prefix “të-” in Buryat means “to transport”

In Mongolian the prefix “te'e-” also means “to transport”

As for the “-hee” part of the word, I have not found a single source that could tell me what it means. I’ve found several Buryat words that end in “he,” but I can’t seem to find a connection between them strong enough to suggest what it denotes.

Upon first seeing this festival mentioned, I believe I commented somewhere on the Pathologic subreddit that it might be the same one we see in the Kin’s camp behind the cathedral in The Marble Nest. While I’m not 100% convinced still, I also don’t doubt it that much. One interesting thing to note for any people that might wanna investigate this in the future is that I’m pretty sure what we see in the Marble Nest is the same thing that Nara and the Haruspex perform in the abattoir, as they both seem to happen on day 10, and if you look close you can see that Nara is the one that is cut open in The Marble Nest. Seemingly with the Haruspex gone, there is no one that knows the lines and so the ritual doesn’t go as smoothly as it could.

“Messages” Fyodor Vitin Post:

This particular Fyodor Vitin post is the third one, which if you know Ice-Pick Lodge certainly has some importance to it. The post is a series of letters and images, one depicting an Executor and one depicting Voronika Kroy, who's a minor character in Pathologic 2 and the main character in the Pathologic Feverish Feelings ARG. The letters detail how the recipient’s reports about Voronika Kroy have been seen and have started an investigation by the Federal Bureau. What’s most interesting to me are two things: the jumble of (Latin alphabet) letters in the bottom left, and the number used within the letters (the post-card letters in this case).

The number in question is “196-17-1” which is apparently the case number used for the Voronika Kroy investigation. This number will be more important later in relation to other clues. One interesting thing I've found is that the RGB value for 196-17-1 is a deep red.

The jumble of letters at the bottom of the picture is “eiamrucdvrturxoevecid”. It is 21 letters and can be divided up into chunks of 3 or 7 letters. 3 and 7 of course being Ice-Pick Lodge’s favorite numbers. Up until this point, it has been assumed that this is an anagram, and I have no reason to doubt that. It has already been pointed out in the Pathologic subreddit that the words “Executor” and “Corvid” can be found in the anagram, as well as the Latin words “Cura”, “Curare”, “Curari”, “Medici”, and “Vivam.” Credit for finding the Latin words goes to u/apostforisaac who is apparently studying Latin at university! Additionally, u/Own_Sympathy_9814 deduced a possible meaning by unscrambling the anagram and finding “MAVRUD + VERIDIC + EXECUTOR”, which they believe hints toward the answers lying in the Marble Nest (I wrote the entire Marble Nest section of this post before finding their post about that, so I do feel pretty validated by it). Many people have been approaching this anagram, like many other parts of the ARG, as if they have one right answer, and frankly, I just don’t think that’s in the style of Ice-Pick Lodge. I’ll quickly list out some words/phrases I found in the anagram and what they mean/how they could relate. I will also include words that have already been discussed, and they’ll be marked with a “*” so you don’t think I found them. Most of the ones marked with a * I won’t be discussing, as most have already been discussed extensively. I also won’t be discussing the ones that I think probably don’t have much meaning, but I’m including them because it still could be something later on down the road.

I am You don’t actually even have to unscramble the letters to get this one, as the second, third, and fourth letters of the jumble simply spell it out. What's interesting is that the 7 "I am" discourses are a crucial part of the Christian Gospel according to John. The Gospel according to John was an important clue during the Feverish Feelings ARG, which revolved around Voronika Kroy and her Inquisitor father, Peter Kroy. If we're speaking of the four canonical gospels, we must also address the Gospel according to Mark, which coincidentally is the name of an inquisitor that has popped up elsewhere in this ARG. Following this theme, there is actually a non-canonical Gospel According to Peter, which seems too cool to be a coincidence.

Eve This is one you don’t have to unscramble also. Interestingly, Daniil is often compared to a snake, even being called a snake-man in Marble Nest by Shaazgai, a man belonging to the Kin. In the biblical story of Adam and Eve, it is a snake, often thought to be the devil, that convinces Eve to eat the forbidden fruit from the tree of the knowledge of good and evil.

Retroviridae The scientific name for a retrovirus. If I was more knowledgeable about biology I would say more, but this seems important.

Rex Iudaeorum Translating in Latin to “King of the Jews,” this was the inscription that allegedly was put on the cross that held Jesus of Nazareth, as detailed by 19:19 in the book of John. Very interesting as Daniil does compare himself to Jesus at least once in the Haruspex route, on the night before Aglaya comes. The Gospels, as discussed before, all detail the life and crucifixion of Jesus Christ. The "19" connection is also interesting because of the inquisitor detail, and I'll talk about more of the connections to 19 later in the post.

Cardio Commonly used medically as a prefix for heart conditions, “cardio” is a Latinized version of the Greek “kardia,” which simply means heart. Heart imagery is very common and significant to the Bachelor.

Eva This is similar to the Russian version of Eve.

Corvid*

Cura*

Curare*

Curari*

Medici*

Vivam*

Mavrud*

Veridic*

Executor*

Order Could relate to the committee in The Marble Nest and the fact that after they’re replaced by tragedians the absurd order begins getting sent out to the orderlies.

Carex ericetorum This is a plant that would almost definitely be present in/around the Town on GorkhonThis is a plant that would almost definitely be present in/around the Town on Gorkhon

Creature

Marble Nest:

The Marble Nest, as we know, is very concise, only really lasting half a day in-game. Because of this, the dialogue does tend to feel a lot more intentional, as though the named characters are not necessarily speaking only to The Bachelor but also trying to convey a message to the player. This, of course, is because The Marble Nest takes place inside Dankovsky’s head. If this ARG will be revolving partly around The Bachelor, as it seems to be, then there’s no better place to start than digging into his head, which is why I’ve played so much of the Marble Nest for this.

There are several specific stories/myths/historical figures that are mentioned through Marble Nest. First, we’ll go through some of these.

There is a very interesting conversation that The Bachelor has with Georgiy Kain, where he is trying to justify his decision to lift the quarantine restrictions to The Bachelor, who is rather upset obviously. I’ll cut down and paraphrase most of the dialogue, since if I didn’t this would be much longer, but basically the conversation goes as:

[Georgiy introduces himself, and says he decided to let The Bachelor sleep so that he would have the strength to face the upcoming trial] [Daniil asks if Georgiy lifted the restrictions and let the plague into The Stone Yard] Georgiy: “Quite so. It's plain to me that you are on the verge of shredding me into pieces. But still your wrath. As a great Athenian once said, ‘Strike, if you will, but hear.’” Daniil: “Themistocles, I know. He met a rather gruesome end, by the way. Died of plague.” Georgiy: “No, it was Pericles. You are a learned man, but history is not your strong suit. Which is why you should listen to me. Perhaps it will help you see something that you missed in your previous studies.” [Georgiy then goes on to explain a bunch of other stuff about the plague, which as far as I’m concerned isn’t all that useful to the task at hand.]

I find this so interesting because The Bachelor, in his own head, poses a question to himself, gets it wrong, and then has another separate figment of his imagination correct him, and then proceeds to tell The Bachelor that he’s not great at history and should listen to Georgiy more. What’s even more interesting is that, as far as I can tell, Georgiy and Daniil are both wrong, it was actually Themistocles that said “Strike, if you will, but hear,” and it was Pericles that died of plague. I found this interesting enough to look into who Themistocles and Pericles were, and here’s what I found:

Themistocles was a politician and general that broke the mold by being non-aristocratic and populist, which gave him the support of the people but put him at odds with the nobles and some of his peers. He turned 30 in 494 BC, which qualified him to run for the position of Archon, which he did, and won the position the following year. He had a prominent rivalry with another politician named Aristides. Whereas Themistocles was populist, Aristides primarily fought for the upper class. Themistocles eventually 20the rivalry after Aristides was exiled. Years later, though, Themistocles himself was exiled, and while he was gone his enemies took the opportunity to charge him with treasonous activities, knowing he could not defend himself. Because of this, Themistocles could never return to Athens, and so found employment and a home among the people that he once fought against while serving Athens. Given military command once more, he was actually Themistocles who said “Strike, if you will, but hear,” and it was Pericles who died of plague. I found this interesting enough to look into who Themistocles and Pericles were, and here’s what I found: Pericles, to me, has less interesting things about him in relation to Pathologic, with the main two being that he rehabilitated the image of Themistocles and he died of a plague. What could be interesting is the fact that General Block and Captain Longin are in both Pathologic 1 and 2 often compared to Achilles and Patroclus, two Greek soldiers from ancient folktales, primarily known for being two of the most important characters in The Iliad. To me, drawing a connection between Achilles and Block, as well as Pericles and Longin, isn’t that absurd. What could also be interesting to note is that Pericles was the main character in a play written in part by William Shakespeare. While Themistocles' life almost exactly fits the character arc of General Block, down to the weird connection between him dying of the plague in The Marble Nest and Themistocles drinking bull blood (as well as Dankovsky thinking Themistocles died of the plague), I think how Pericles fits in could lie in the Shakespearean play, as we all know how important theater is to Pathologic. You see by now at least partially what I think this alludes to, but I’ll talk more about it in the additional notes section.

Next, I’ll discuss a mythical story brought up in the Marble Nest: The Tower of Babel. This is brought up by the clerks sitting directly outside Georgiy Kain’s house. I think most people would talk to these guys right before talking to Georgiy, but I have more to say about it so it’s written second. When talking to one of the clerks during their argument about the plague, one man mentions that he thinks The Polyhedron is at fault, and no matter how Dankovsky replies (he has 3 options), the man then says “History already knows an example of people trying to erect an impossible tower. It ended in tragedy.” I could go on explaining why I believe this guy is talking specifically about the Tower of Babel, this post is already long enough so just trust my reasoning here, please. Notable to the point I’m trying to make, one of the other clerks brings up that he thinks the plague was started because of the irreconcilable differences between The Kin and the town, and the fact that the Kin have been forcibly mashed into the town. When Dankovsky asks the man if something is holding the Kin in the town, preventing them from leaving and returning to the earth, the man says “Someone is… our rulers. They have embedded the steppe people into this town, carved them into its warm flesh. This isn't a town, it's an honest-to-God minotaur. A chimera. And chimeras have remarkably short lifespans and bad health. Can you breed a snake and a crane? You can, yes. But the progeny won't live long.” This dialogue is interesting for a few reasons, one related to the tower of Babel and two related to other possible ARG clues. The first interesting thing is that what he’s describing, drawing a connection between the Tower of Babel and the Polyhedron, actually makes a lot of sense. To him, the Polyhedron is not only an affront to God, but its accentuation of human hubris coincides with a beating down of nature and the earth, represented in part by most of the Polyhedron’s mass being concentrated far above the earth while also piercing the earth’s heart. The story of the mythical tower, to oversimplify it, is essentially a tale of people from many different walks of life all coming together to construct a giant, seemingly impossibly tall tower in order to avoid the possibility of a second biblical flood destroying most of humanity. God sees this attempt as an affront to both him and the natural order, and so before the men are able to finish the tower he divides them all by making them speak different languages, making it impossible for them to understand each other. So, in this second clerk’s interpretation, the plague is a result of the town both rebelling against/abusing nature and also taking the Kin into itself. Unlike the first man, who believes the tower itself is at fault, this second one believes it’s all because of the town making itself into a “chimera,” which he believes cannot live long. What’s clear to me, though, is that although these men believe they disagree, their explanations complement each other very well, which brings us to our third man, who has a rather simple but somewhat confusing explanation. This clerk believes that this plague occurred in the town because men should not be “remodeled or altered,” and when asked what that has to do with the epidemic he replies “I don’t know… It wasn't we who designed the world like this. I believe in men, Doctor; in superhumans, I do not. This earthly life wouldn't fit them. Immortals have no place in the world of the living. This is just how it works. Take from it what you will.” This man seems to be implying that Simon Kain, the immortal man, is the reason why this plague appeared in the town. This is when it all started to come together for me: these men's stories do really all complement each other, because here they are posing the Polyhedron, chimera, and Simon as all the same. This will further be explained in the additional notes section. Three parts of one whole if you will.

Now, the mention of the Tower of Babel is interesting for two other reasons, one of which will be discussed in the additional notes section and one of which I’ll discuss here. In the Fyodor Vitin “One can work here” post there are numerous items displayed in the room pictured, but perhaps most interesting to me is the golden bull statue that sits at the front and center of the photo. My first thought when seeing that image was “Oh! This reminds me of the biblical story of the golden calf statue, which I bet is what they’re referencing.” For those who aren’t familiar, I’ll be oversimplifying another biblical story now. While trekking from Egypt to the holy land, Moses leaves his people behind to climb to the top of a mountain and commune with God. Moses is gone for forty days, upon which the people are fearful that he will not return, and so they molded a calf statue out of gold to worship. God, upon seeing this, sends Moses down to the base of the mountain to punish his people for their sins. Moses burns the golden calf in a fire, ground it to powder and water, and forced his people to drink it. He then killed all of them basically. My thought process was related to the fact that The Bachelor is punished severely by The Powers That Be for his own affront to God, the pursuit of immortality. Now, after that previous discussion about the Tower of Babel, I am noticing some very interesting things in this picture, and primarily that there are two other related statues. Now that we have the previous context about The Tower of Babel and the clerks in our mind, we can see new meaning in these statues: a black statue of a centaur, and a white bust of a man. The interesting thing about the centaur should be obvious, it is another chimera. The bust of the man, which seems to be made of marble, reminded me somewhat of ancient Greek statues that are chiseled to glorify certain leaders and make them seem somewhat perfect while also immortalizing them in stone. You can probably see the connection I’m making here, and so I will leave the rest of the explanation for the additional notes section.

Another thing that's interesting to note is the aforementioned three men, unlike most characters in Pathologic 2 and the Marble Nest, do not stop moving when you pause the game; their animations continue to play even after you bring up the pause menu. If you’re unaware, there is actually a small detail in Pathologic 2 where pretty much everything nature-based or that is a natural force of the world, as well as everything that’s supposed to be seen in a meta-narrative sense, does not stop moving when you pause the game. This includes rain, leaves falling, the particle effects that come off the clocks, fire, executors (not orderlies), plague particles, etc. Once I noticed this (while trying to get a screenshot of some things to analyze) I tested out some other NPCs in The Marble Nest, and all of the other people I tested seemed to freeze when the game was paused. However, this is not to say that no other characters in the Marble Nest move when the game is paused. I only tested about 4 guys besides the primary trio we're discussing, mostly just to make sure it's not a thing that all Marble Nest characters do. If one of you people reading this would like to go through and see which characters in The Marble Nest also possess this trait, it could prove fascinating.

Finally, I’ll talk about two somewhat modern (at least modern compared to the previous two) stories that are brought up in The Marble Nest, although not directly: The Time Machine by H.G. Wells and The Masque of the Red Death by Edgar Allan Poe. Admittedly, I have not read either of these stories (it’s possible I read the EAP story 5-6 years ago and just don’t remember it), but I do actually know quite a bit about the stories and their themes from a couple of literary studies on specific genres I’ve done over the years. Additionally, for this section, I have done some more research on the plots and themes of these stories which yielded fascinating results.

The Time Machine is brought up when The Bachelor visits The Cathedral and speaks to a Tragedian standing within. The Tragedian talks about how the building is not a temple, but a machine. Daniil asks what kind of machine, and The Tragedian responds “This is a time machine. Time works differently on the inside and on the outside. It's frozen now. I think something's broken.” To which Dankovsky can say “A time machine? Are you saying it can transport me to the past or to the future? Like in that Englishman's book, what's his name…” For this, I did some research into what book he could be referring to, and almost instantly Time Machine stood out to me for a number of reasons. I think there might be something interesting to be said about how this relates to the ARG, but I’m not going to be the one to say it, because I’m honestly not sure how or if it does. I will describe how it connects to Pathologic though, in case that sparks anyones mind. The work is apparently seen as popularizing the idea of time travel and the time machine, which relates to what IPL has said about The Bachelor’s route I suppose. As for the plot, it’s about a Victorian man using a time machine to travel to the year of A.D. 802,701. He meets two races of people, one descended from the oppressed working class and one descended from the pampered owning class. Over hundreds of thousands of years of this lifestyle, the two races have started to diverge, with the owning class becoming child-like and basically useless, while the working class has been forced into a life of toil and hardship which has shaped them into a race of underground-dwelling animalistic race of people. Essentially the novel is a depiction of class struggle and the class contradictions inherent within capitalism, but with a bit of a metaphorical twist. The toiling of the working class underground is what allows the upper class to live in abundance without the need for work. There is very interesting commentary here to be made on the worms/odonghs in the game, as well as the eternal youth that is present in some elements of the stone yard, but this isn’t a Pathologic essay, it’s a Pathologic ARG essay.

The Masque of the Red Death is alluded to by The Bachelor in a dialogue with a wandering citizen, who opens up the conversation by saying “A masquerade ball will be held in the main square this evening. People want to celebrate our victory over the sand pest. You don't mind…?” To which The Bachelor has 3 possible replies, one of them being “I seem to vaguely remember a rather famous story about a masquerade held to celebrate a victory over a plague. Remember how it ended?” To summarize, The Masque of the Red Death is about a group of noblemen taking refuge in an abbey to hide from a plague (the plague is known as the Red Death). The plague’s symptoms are gruesome, and all people who contract it apparently die within a half hour. The main character, Prince Prospero, and his fellow noblemen believe themselves to be entirely safe, though, as they have welded shut all the doors and isolated themselves in the abbey. To entertain the guests, the prince holds a masquerade ball that takes place in seven of the rooms of his abbey, each colored differently. The first six rooms are blue, purple, green, orange, white, and violet, with the last being black and illuminated by a red window. No guests venture into the seventh room, as they are all scared to enter it. Every hour a clock in that room chimes, upon which the guests freeze and go silent momentarily, before resuming normal activity once the chiming stops, only to do the same thing after an hour. Once midnight comes, a person appears in robes covered in blood and resembling a funeral shroud, wearing a mask that depicts a person clearly infected with the Red Death. This figure walks through six of the chambers before the prince starts chasing them with a dagger. Confronting them in the seventh room, the prince immediately falls dead upon seeing this person’s face. The other party-goers all charge the figure, stripping them of their clothes and mask, only to find that there is no one underneath. The conclusion of the story states that the figure was not a person, but rather an embodiment of the Red Death. The Red Death also appears as a reference in the novel The Phantom of the Opera, as well as several film and musical adaptations. The titular phantom dresses up as The Red Death, and in many adaptations wears a skull mask as part of the costume.

I believe Hamlet is also brought up at some point in The Marble Nest, but I can’t seem to find the dialogue so I’m unsure if that’s true.

Next, I'll talk about another random Marble Nest clue

The Bachelor’s hover text for the beetle item says “I used to collect these as a kid. Left the collection with my father.” @pseudoquiddity found that a paper on the top of “The Beginning” Fyodor Vitin post spells out Mechnikov, which is almost definitely referencing Ilya Ilyich Mechnikov, who was a Russian zoologist and immunologist who achieved incredible scientific discovery during his life, and notably for us he was largely focused on the issue of aging and extending human life. Mechnikov was actually brought up in an IPL teletype post as one of the Bachelor’s main influences scientifically, alongside Albert Einstein and Max Planck. The relevant thing about Mechnikov here is that, as a zoologist, he did many notable studies on insects throughout his career to see how their bodies reacted to things compared to how ours did. One thing that’s interesting to me is that the type of beetles we see in the game, I believe, are based on Trypocopris Vernalis, commonly known as the spring dumbledor or spring dor beetle, which is not known to inhibit the region that the Town on Gorkhon would reside in. Another thing I find interesting is the touch text from the Alpha version of the game, which reads “Some fifteen years ago, the Soul-and-a-Halves, the gang of children who are defined by sharing special bonds with their pets, actually considered to allow flower chafers as their "Halves" due to the beetles ‘looking as though they knew something’. The idea was quickly abandoned as ridiculous.” Maybe I’m just 8.6 thousand words into this post and have finally gone insane, but I think the beetles “looking as though they know something”, combined with their close connection to Dankovsky, it seems too intentional.

In the “Feverish Feelings” ARG, the Beatles (the band) were brought up indirectly and used by the players as a clue to get more information. This also related to the clue relating to the Gospel according to John. Additionally, speaking of Mechnikov, u/Fantastic_Advice5593 theorized that the numbers on Daniil’s train ticket from one of the original ARG notes could be hinting toward the date May 15th, or 5/15 (15/5 if you use the non-American dating system I believe), which is Mechnikov Day, and is commonly recognized as Mechnikov’s date of birth. Proving this connection further, the “Messages” Fyodor Vitin post was posted on May 15th. Another interesting thing is that if we convert the time that the “Messages” image was posted to the time scheme used in Pathologic (that is, a 24-hour clock), it comes out to 19:35 (Using GMT+3 time zone, as that’s where Moscow is located.) This is interesting because “Messages” was also posted 19 days after the previous post, and I know for a fact that 19 is an important number in this ARG: The newspaper from the “The Accident” post was labeled as issue number 19, the bible passage that we saw referenced in the anagram from the “Messages” post is John 19:19, the jumble of letters that we found in the touch text for the unused lantern item includes “19,” and so does the 196-17-1 number from Messages. In a way, the number 19 is sort of a self-checking method to substantiate some of the clues we’ve found thus far.

Griffins’ Tower

Many of the details in this section wouldn’t be possible without @kurury-chan who, upon my inquiry about the tower and its accompanying pharmacy, actually visited it, got tons of cool pictures, and translated a ton of the history for me! I literally cannot thank her enough for her help with many elements of this post, but especially in this section. In the original Pathologic ARG, “Feverish Feelings,” the Griffins’ Tower is brought up a couple of times throughout, and was part of an intensive fandom discussion because many elements of it paralleled many themes and plot points of Pathologic. The following connections/possibly related facts are a combination of fandom discussion from the time and my own research:

The tower is connected to a pharmacy that has existed since the 18th century. Both were once owned by the Poehl family, who were a rather eccentric yet somewhat mysterious rich family. Rumors from the time (The 18th/19th century) speculate that members of the family engaged in “…alchemy and witchcraft, and in the basements of the house he turned mercury into gold and bred griffins. Since ancient times, it was believed that griffins, mythical creatures with the body of a lion and the head of an eagle, were the guardians to secret sacred knowledge and treasures.”

In 1994, the artist Alexey Kostroma, together with the society "Here and There" (Tut i tam), organized a demonstration/art-piece to advocate for the preservation of the tower and the revitalization of the city, which they believed was falling apart before their very eyes. During this demonstration, they hoisted a large egg (approximately 1.5 meters) onto the top of the tower, and they painted (I’m not sure what was used to put the numbers on the tower, but I assume it was paint) numbers on almost every brick of the tower. While the purposes for the those two additions rarely get brought up in conversations surrounding it, the egg and the numbers are now some of the most well-known parts of the tower, despite the fact that neither of the two are there anymore. The Polyhedron, as we know, is a tower that at the top houses children and is made from its own complex blueprints. Additionally, in the Marble Nest, but also throughout Pathologic as a whole, there is a common piece of imagery that connects eggs and the Utopians. In the opening of The Marble Nest, the item that’s used on the loading screen is an egg. If you look at the egg sprite in P2, you’ll see a crack in it that heavily resembles the Polyhedron. Daniil Dankovsky commonly uses the Latin phrase “ab ovo,” which means “from the beginning” but when literally translated means “from the egg,” and his touch text for the egg in Marble Nest reads “To understand anything, start ab ovo — ‘from the egg.’”

While playing through The Marble Nest several times for this ARG, I noticed something that gave me more confidence in The Griffins’ Tower playing a role in it. If you guys have played Pathologic as much as I have you’ll know there’s a tower in between the Stone Yard and the steppe that you can’t enter and is barely ever really explained. If I’m picking apart my brain correctly for Pathologic 1 knowledge, I believe it is implied to be a Focus of some sort. If you’ve only played Pathologic 2, or you haven’t played through The Bachelor’s route in P1 enough, or you haven’t read through the Pathologic “Corpus” entries, you probably have an incomplete idea of what a “focus” is and all that it entails. I won’t go too deep into it now, but it’s said in one of the Corpus entries that, on top of the Polyhedron, Cathedral, Stillwater, Crucible, etc., there were a number of experimental Focuses that were built for Simon Kain to test the limits of what buildings could capture the human soul and memories. It’s a building you can’t ever enter, but it does have a visible door, which is very similar to the way that Simon’s focus is described by Victor Kain. I’d like to draw your attention to the visual similarities between that tower and the Griffin Tower. I’d also like to draw your attention to the fact that, in the original design concepts of Pathologic 1 every character is associated with a specific animal, and Simon Kain’s is a griffin. What is a griffin? Well, it’s a fusion between two drastically different creatures, a lion and an eagle; a griffin is a chimera.

Interestingly, in 2005 (the year Pathologic came out) the pharmacy connected to The Griffins Tower was closed for a while because it became flooded with water while trying to extinguish a fire.

There is a photo in the pharmacy connected to the tower (which has now been converted into a museum about the history of the place and pharmacies in general) that depicts, during the early 1900s, the pharmacy sitting next to a theater called “Simpatiya” (Sympathy).

While @kurury-chan was on a tour of the pharmacy/museum she found an interesting marmite that was on display. It was created by Samuel Clarke and it’s called “Pyramid,” and the marmite has an accompanying poem: Когда ночи темные, подумайте о Кларке, который попал точно в цель. Его ночные огни создают светлые ночи, в которых вы прекрасно видите. (When the nights are dark, think of Clark hitting the mark. His night lights create bright nights in which you can see perfectly) This is interesting largely because the poem reminds me somewhat of the body text for the lantern ad found in the newspaper post.

In the original email mentioning the Griffin’s Tower, Voronika Kroy appends the message by saying “P.S. I feel like I’ll need this memory later.”

Seventh Seal

I watched this movie after discovering all of the allusions to General Block we’ve seen thus far, but being unsure what to do with any of them. For those that don’t know, the movie The Seventh Seal’s protagonist Octavius Block has been listed as one of the main inspirations for Alexander Block, and since IPL seems intent on leading us to analyze certain works of literature/film/theater for this, I decided to look into it. What I found is incredibly interesting I think, because it seems that one of the main inspirations for The Marble Nest is The Seventh Seal.

The title is based on a bible verse (from the Book of Revelations) that reads “And when the Lamb had opened the seventh seal, there was silence in heaven about the space of half an hour.” This verse appears both at the very beginning of the movie and then again toward the end. This thirty minutes/half-an-hour element appears prominently in both this story and The Masque of the Red Death. One other place it appears is on the pocket watch in the first Fyodor Vitin post, where the time on it is 2:30. I am very confident that it also appears in The Marble Nest once or twice, but despite looking I was unable to find it. If anyone else knows where it might be, either comment on this post or message me, and I will put it in this section and credit you.

The movie's plot revolves around Antonius Block, a disillusioned medieval knight returning from the Crusades. Block is struggling throughout the movie with his inability to believe in God and his realization that his whole life has been wasted. He wishes more than anything to do one last deed before his death to give his life meaning. The movie is set during the Black Death, with prominent elements of the story revolving around the plague. The movie largely focuses on how Block takes in several poor and out-of-luck folks fleeing the plague, inviting them to stay at his castle and escorting them along the way.

Toward the beginning of the movie, Death comes to take Block, but he convinces Death to play him in a game of chess for his life. This game of chess continues throughout the movie, with Death allowing Block to take several breaks in order to find clarity about his life and death. Toward the end of the movie, he allows Death to take his queen, effectively ensuring he would lose the game in the next turn, so that his companions could get away without Death noticing. After returning to his castle, everyone has a nice meal before Death arrives and takes everyone, excluding the people that Block helped get away by tricking Death.

Many things from Pathologic seem to take inspiration from this movie; most notable being the storyline of The Marble Nest (Dankovsky’s “People” screen categorizes people as chess pieces, essentially implying that his struggle against death is a sort of chess match), but there are also some smaller things. For example, there is a scene where the characters encounter someone afflicted with the plague who cries out for help, and one of the women tries to get closer to give the man water, but another person stops her, as giving water to a plague victim is futile and dangerous; almost immediately after this, a personification of Death appears. This heavily reminds me of the intro/tutorial of Pathologic 2, where a similar scene occurs.

While watching the movie, it’s very easy to see how Block was directly inspired by the main character, but it’s hard to convey exactly how without describing many scenes in detail, so I will simply describe one of them. After leaving a church confessional where he admits to his faith faltering and wanting to perform one meaningful deed before he dies, Block encounters a young woman who’s about to be burned at the stake for allegedly having ties to the devil. He takes pity on this woman, seeing something special in her, and believes she can tell him about life after death. This, to me, seems very reminiscent of Block’s storyline with the Changeling in P1.

Another small lead before this part of the post is finished: This lead, I will admit, I stumbled across completely at random, and will not talk about much because there’s not much I can say about it that isn’t obvious. It might be worth looking into the Russian philosopher Nikolai Fyodorovich Fyodorov, and perhaps thinking about if Fyodor Vitin was based partially on him, since we know Vitin works closely with Daniil.

Additional Notes/Comments:

In the newspaper clipping, it is said that a man with the initials “F.L.” had been one of the apparent two victims of the fire that burned down several buildings. This man (who I’ll simply refer to as “F” from now on) is an academician, historian, and writer of everyday life, which obviously fits well with the man that we know as Fyodor Vitin, and it has been assumed up until this point that he was the victim of this fire. I think there are three possibilities here: Fyodor Vitin was not the victim of this fire somehow, Fyodor Vitin is not his real name, or the newspaper is lying to us. In connection to the light/lantern emphasis in the newspaper, it might be worth it to note that the word “vitin” in Faroese means something like “the lighthouse”/“the beacon”, while in old Swedish it means something like “to know.” What’s more interesting is that Vitin in old Swedish is a second-person plural present indicative, and for people that got a useful education, that means it’s a verb that’s used to factually describe the current actions of the people that the speaker is saying it to. If Vitin isn’t his real surname, his username could mean “Fyodor beacon”, or “Fyodor (that you all) know”.

As discussed extensively in the section on the Tower of Babel, there is a direct connection drawn between the Polyhedron, Simon, and chimeras. We elaborated a bit on this connection in the section on the Griffins’ Tower. What’s especially interesting then is the fact that, in The Marble Nest, the Polyhedron is labeled as “focus,” implying that Simon’s essence is infused in the Polyhedron, as is what happens in the first game. This, I believe, confirms our theory about the connection even further. What then makes this even more related to the ARG is the fact that in the “One can work here” post by Fyodor Vitin, we see the three statues depicting the golden bull, the centaur, and the marble bust of a man. It is then worth noting that this bust of a man made of marble could be a reference to The Marble Nest, perhaps trying to get us to look there for clues. I believe, if the golden bull is meant to represent the Polyhedron (or at least the Polyhedron argument in The Marble Nest), and the centaur is meant to represent the chimera, then the marble bust of the man is meant to represent Simon (or, once again, represent the Simon/immortal man argument from the Marble Nest). This is supported by my point about the marble busts both immortalizing men and also making them more into concepts than men (as the statue can only depict a small part of a man’s life, usually depicting him in battle, leading a governmental position, etc). In the original game, and as can slightly be seen in hints of the second game, Simon is sometimes seen as more of a concept than a man; he is the ideology of the utopians incarnate, the perfect man that represents everything humanity could be. As a chimera is vital to Burakh’s quest, so too is it vital for Dankovsky’s (and it’s interesting to note that Burakh has the chimera revelation while in conversation with Dankovsky.) If the Marble Nest is used to represent the stone yard, or the “town” in its purest form, then Simon Kain is the marble man. It then becomes important to figure out where the “One can work here” picture is supposed to be depicting. I believe, if the statues there are supposed to represent all that we’ve said so far, the location should be representative of Dankovsky’s fight against death, and therefore I say it probably has to be Thanatica.

Now, as for all the connections with General Block, there are obviously many of them, from the Guglielmo Pepe hypothesis to the mention of Aristides/Pericles to The Seventh Seal to the whole “ash” thing, it seems far too much to be a series of coincidences. I don’t think it’s too crazy to connect the prominent appearance of the number 30 in the Block/Pepe/Aristides context to the prominent appearance of the number 30 (as in half an hour) in The Seventh Seal, which makes the appearance of the number 30 in that first Fyodor Vitin post even more interesting. It’s long been theorized that, from what we see in the Haruspex’s route and what we’ve seen in Pathologic 1, the Bachelor’s new route will probably feature General Block much more prominently. Perhaps, as the first ARG was so focused on the inquisitors, we’ll also get to learn more about the army in this one. Maybe General Ashes even had something to do with the building that was reduced to ashes?

The topic of religion, and specifically Christianity, comes up a lot in The Marble Nest. I think all the connections I’ve made in this post to Christianity have convinced you that it’s seemingly an important part of this ARG. In the first ARG, there were certain biblical passages that acted as clues, specifically from the Gospel according to John, which we talked about in the section on the “Messages” post. As is also mentioned in that section, the connection to Inquisitors Peter Kroy and Mark Karminsky seems to be driving us toward looking into The Gospel according to Peter and The Gospel according to Mark. It’s also talked about in that section how these both relate to Daniil. Mark Karminsky specifically also seems to have had something to do with the "Accident" mentioned in the newspaper, and so perhaps combining numbers from the newspaper within the Gospel of Mark could lead to some clues.

Still, as much as I’ve said in this post, there is more I wish to analyze but have not yet. This post has been in the works for a while, though, and I don’t want people to be waiting any longer, so I’ll have to save that other stuff for another day.

If anyone can somehow get into the game files of the Marble Nest and retrieve the texture/model for any of the letters or books (like the two linked images), that will end up being very helpful.

Other screenshots from Pathologic 2/The Marble Nest that could be of interest:

Grigory Gorky (Pathologic 2) Grigory Gorky (The Marble Nest) Mikhail Goba (The Marble Nest) Daniil Death Certificate (The Marble Nest) Rug (The Marble Nest) Book (The Marble Nest) Familiar Bloody Handprint (The Marble Nest) Tipped Over Lantern (The Marble Nest) Staff Sergeant Plover (The Marble Nest) Avrely Gubar (The Marble Nest) Odd use of Roman Numerals (The Marble Nest) Cathedral Letter (The Marble Nest) Plant that I found several times in the Cathedral (The Marble Nest)

[cleolinda]

Weekend links

My posts

I have been amorphously unwell (migraines, dizziness, aches) this week, which is super great. I am, in fact, daunted by the complexities and unknowns.

See "Personal tag of the week" at the bottom for updates on the Tumblr happenings.

Reblogs of interest

Thousands of Israelis protest in Tel Aviv, demanding a hostage release/ceasefire deal and new elections.

I never know how to segue from a serious news item.

Theseus liveblogs the labyrinth, and it’s heartbreaking.

Before hbomberguy was going after plagiarism, he was playing Donkey Kong for trans rights.

“to touch is to interact, and when you put your hand on your dog the universe does not know that you are separate”

The universe knows you are separate from this cat’s Absolute Terror Field

Cats named Pigeon

The most dramatic cat

Figure out what starts your engine and ride the waves of your brain

This is not van fundamentalism

Lawful good werebears

The Godmother is not committed to the kindness

Escape room employees reveal the worst, or best, things they’ve seen on the job.

“So I explained to him the story of ‘Alice’s Restaurant,’ and he began to get MAD”

It seems that y’all do not understand that the Better Call Saul ads are just how we live in the US, and that I pass five Alexander Shunnarah billboards just to get a quesadilla. 

1) Don’t take your native animals for granted. 2) This jay is the bluebird of happiness, apparently.

Wisdom from a Tumblr longtimer

Benign chain posts: the Money Garf

Video

Every now and then I fall apaaaaaart

Click through for a massive gothic rock playlist on YouTube

It’s a great dance contest entry--but then they tell you it’s also randomly-paired improv

Capybara capybara (capybara)

The sacred texts

You have not seen a sacred internet text until you have seen the Lolrus (2006)

Personal tag of the week

“the happenings” is my tag for all internet platform bullshit. This week, it’s Tumblr, as CEO Matt Mullenweg lost his shit and started harassing a trans user (including on another platform). This is a factual explanation early in the week of what happened and how it started: 

predstrogen (the first blog) was allegedly deleted for “sexually explicit material” despite any posts that may have been labelled as such being marked with a community label and her blog recently being manually approved as NOT containing adult content. she also talks in this post, as well as here, about how she has had a support ticket open for several months for harassment she was receiving that has not been dealt with

the CEO of tumblr made a post wherin he publicly aired information regarding her deletion and threatened legal action against her , showing examples of the alleged death threats where no actual threats were made and telling people in the replies to just leave if they were unhappy with the moderation of the site

Specifically, he was upset by the expressed wish that he perish in a car covered in hammers that would explode multiple times, a serious threat that could surely come to fruition in reality. If you can't tell that I'm being sarcastic, congratulations, you're CEO material.

It spiraled from there, but suffice it to say, it ended with trans employees posting on the Staff account (reblog here with commentaries):

The reality of predstrogen’s suspension was not accurately conveyed, and made it seem like we were reaching for opportunities to ban trans feminine people on the platform. This is not the case. The example comment shared in the post linked above does not meet our definition of a realistic threat of violence, and was not the deciding factor in the account suspension. Matt thereafter failed to recognize the harm to the community as a result of this suspension. Matt does not speak on behalf of the LGBTQ+ people who help run Tumblr or Automattic, and we were not consulted in the construction of a response to these events.

While the post is sincerely emotional and brave, the real chess move is this part:

We appreciate the space we have been given to express our concerns and dissent, and we are thankful that Matt’s (and Automattic’s) strong commitment to freedom of expression has facilitated it. We will continue to fight to make Tumblr safe for us all.

Matt Mullenweg now either has to nod and go, “Yeah, yeah... I’m a great guy committed to freedom...” Or he can, I don’t know, shut the site down in a fit of defiant pique? All I’m going to say about this is that the day all this first went down, I started archiving any posts I’d put significant effort into last year, and I’ll be crossposting them on Dreamwidth and Patreon. I don’t want to lose Tumblr’s culture and unique platform--I mean, I think the Weekend Links themselves make a case for the fact that there is nothing else like Tumblr on the internet. And shutting down is not even necessarily the most likely outcome--but I’m not gonna be caught unprepared, either. 

[wlwcatalogue]

Valentine's Special ~ Aerith/Tifa from Final Fantasy VII: Remake (Compilation)

Since today is Valentine’s Day, and FFVII: Rebirth is releasing at the end of this month, it’s the perfect time to get caught up on Aerith/Tifa, a.k.a. Aerti, a.k.a. possibly the most unexpected F/F ship in gaming! Here is what I consider to be the most comprehensive compilation of Aerti scenes from FFVII: Remake, prepared by yours truly for your viewing (and shipping) pleasure :)

Quick sales pitch: While Aerith is famously The One Who Dies and Tifa is known for her sexy character design, they are also popularly remembered as main character Cloud’s two equally appealing love interests, as attested to by one Robert Pattinson. However, just as the elements present in the original 1997 game Final Fantasy VII were expanded on and added to in FFVII: Remake, the relationship between Aerith and Tifa was also fleshed out… to the point where it became very, very easy to ship them together. To put it in Tumblr terms, it’s like Betty and Veronica, but taken in a different – but still (subtextually) gay – direction compared to Riverdale. Check out the video above, it's just 1.5 hours!

(Longer sales pitch / commentary below the cut)

Originally from the hit 1997 Japanese role-playing game Final Fantasy VII, Aerith and Tifa, along with the main character Cloud Strife, were one of the most famous love triangles of video games at the time, and arguably even now. (Note: Think Betty and Veronica (Archie but pre-Riverdale), or if you’re more familiar with anime, Rei and Asuka (Neon Genesis: Evangelion) or Saber and Rin (Fate: Stay Night).) Although they barely had any interactions together and really were primarily love interests for Cloud in the original game (and subsequent related works), the relationship between Aerith and Tifa was significantly more fleshed out in Final Fantasy VII: Remake (2020), going beyond your standard box-ticking “look, girl power!” exercise. There seems to have been many a fan who walked out of playing Remake who found Aerti (i.e. Aerith and Tifa’s relationship) memorable – whether read romantically or platonically – resulting in many GIFs, fanart, and even compilations of memorable scenes of their “friendship”.

Not only do they interact with each other outside of speaking about Cloud or other male characters (scraping a pass in the Bechdel test, yay!), Remake gives the relationship space to develop from “strangers who hit it off” to “individuals who care about and trust each other”. Significantly, Aerith is the one who seems to take Tifa’s concerns the most seriously and comfort her, and Tifa is also able to see past Aerith’s cheery façade and reach out to her at her times of greatest need. In my opinion, each of the pair offers the greatest emotional support to the other out of all the characters – even more than what they do for Cloud (or what Cloud does for them).

So what makes their relationship romantic rather than simply platonic to me (other than sheer force of will)? Even though there isn’t really any direct flirting or explicitly romantic lines, there are a number of moments which are framed romantically or parallel romantic moments between Cloud/Aerith or Cloud/Tifa. Perhaps the most obvious of this is when Tifa protects Aerith from falling (twice), which is animated and shot in a way which suggests that it’s just as swoon-worthy as when Cloud protected Tifa from a fall in a prior scene. However, another notable example is how the high-five gesture is linked to Cloud’s opening up to Aerith (as he has to be persuaded over the course of several scenes to do the high-five), but Aerith also high-fives Tifa in other scenes later, effectively appropriating the gesture. So while I never expect it to ever become canon, Remake’s Aerti has been a wonderful surprise and I hope to see even greater developments in their relationship within this subtextual space as the FFVII: Remake trilogy progresses.

Let's all hope for the best-- in the meantime, please enjoy this compilation!

[riahlynn101]

First off I’m sorry if none of this makes sense, I somehow misunderstood something in the manga/anime, or if someone else has already touched on this. 

Secondly, MAJOR SPOILERS FOR THE MANGA!!! (Up to the current chapter 417!)

–

I have one very important question:

If Izuku is quirkless now, given that all eight of the vestiges have been “transferred”, then how is he still in the vestige realm? 

There are only three possible reasons for this:

Izuku has made OFA his quirk. Maybe by using it in such a unique way, some part of OFA will always remain within Izuku. 

My personal gripes with this theory:

Kind of boring, as we’ve already seen it with All Might.

It ignores the fact that it was Izuku that unlocked all eight(?) quirks.

Izuku, unlike All Might, hasn’t been reduced to a wispy state like vestige!Might. 

I don’t have definitive proof for this, as OFA is mostly likely not gone-gone. But there’s no one left in OFA, at least on Izuku’s side. None of the predecessors. Not even Yoichi as an anchor quirk. 

Since AFO-OFA are “resonating” , Izuku (and Tomura) are immune to regular vestige/quirk rules. For example, being reduced to a being like vestige!Might. 

My personal gripes with this theory:

All the same ones as above.

Although, this is a little less boring. 

If Hori uses this reasoning to delve more into Tomura and Izuku’s connection (OFA-AFO connection), then I wouldn’t hate it. 

It still ignores Izuku’s inherent connection to OFA (unlocking all the quirks, and seeing vestiges without any medical procedures like Tomura). 

My favorite theory that’s come out of the DFO fandom: Izuku has had a quirk all along!

This one makes the most sense.

I won’t go into all the specifics, but if you’re interested Marunalu has gone over the theory several times on their Tumblr. 

It answers everything.

Why Izuku was able to unlock the quirks.

Why Izuku could see the vestiges.

Why Izuku is still in Tomura’s vestige realm despite being “quirkless” now. 

And why Izuku is able to handle several quirks at a time without becoming braindead. 

*All the other ones could maybe be disproven (maybe), but the last point can’t. No amount of quirk singularity can fix how much brainspace a person has. Tomura had to get major surgery to be able to handle AFO (which while different from OFA, both have more than one quirk). Meanwhile, Izuku unlocks his predecessors’ quirks like he’s beating a video game (heh). 

*One other reason that I just thought of while typing this: maybe there’s a AFO vestige in the vault. I’ve seen this theory tossed around for a while now, but I feel like there would have been more proof outside of that one chapter. Alternatively, if there is an AFO vestige kicking around OFA, that could be AFO’s final play. By being the only one left in OFA, there’s no one to protect Izuku from being taken over, or possessed by the AFO quirk. I really hope it isn’t this one, but it would make an excellent fanfic. Especially if combined with DFO and/or Tomura having to be the one to save Izuku. 

Or maybe it’s none of these, and Hori will surprise us. He certainly has before, and I’m 100% sure he will again :D!!

[cappymightwrite]

An Unexpected Norse Detail in Winterfell

I was scrolling through tumblr yesterday, as you do, and suddenly paused on a gifset of the Lannister party in Winterfell during the early episodes of season 1. What caught my eye was this:

Behind the long table in Winterfell's great hall is some kind of large wooden screen/divider featuring some very interesting carvings. These carvings are near identical to those found on the Urnes Stave Church in western Norway, which dates from the 12th century:

I don't think we ever see this wooden screen in Winterfell again, but it's an interesting inclusion nonetheless, back when the show stuck more closely to the source material.

In The Vikings (Penguin, revised edition, 2016) Else Roesdahl talks a bit about this particular style of ornamentation:

The Urnes style is the last phase of the long development of Scandinavian animal ornament. This seems to have developed shortly before the middle of the eleventh century and was popular for nearly a century, that is into the early Middle Ages. After a final phase where it gave rise to details and influences in Romanesque art, now predominant in Scandinavia, it had died out completely before the year 1200. Many other forms of Viking Age followed the same course. The vigour and vitality of the Ringerike style gave way to this sophisticated, elegant, indeed almost decadent, style. It is named after the exquisite wood carvings that were re-used in Urnes Church in western Norway: a portal and a door, two wall planks, a corner post and two gable ends, one complete [...] The large, four-legged animal is still one of the main motifs, but it has become as slim as a greyhound. Snake-like animals with one foreleg, snakes and thin tendrils sometimes ending in a snake's head are also featured. The designs characteristic of this style form open, asymetric patterns, creating an impression of an undulating interweaving of animals and snakes. The large loops are often figures-of-eight and the shapes grow and diminish evenly; there are no abrupt transitions. The style is also used with virtuosity on brooches and on large numbers of rune stones in central Sweden, where the undulating ornament follows the shape of the stone and the long bodies of the snakes are used as rune bands [...] Several examples of the style have been found in England, and in Ireland it became as popular as the Ringerike style.

What's so intriguing about the original carving though is that it is depicting pagan symbolism... but on a Christian church. As mentioned above, the Ringerike style predate Urnes and was "roughly contemporary with the intial spread within Scandinavia of Christianity, and was the first to contain Christian iconography, although pagan symbolism was still present," notes Philip Parker (The Northmen's Fury, Vintage, 2014). By around 1050, it gave way to the Urnes style, named for the stave church shown above.

But what do these carvings mean? In Tree of Salvation: Yggdrasil and the Cross in the North (Oxford University Press, 2013), G. Ronald Murphy offers this explanation:

The door is simply surrounded with whorls of writhing snakes and vines. The tangle is so perfectly executed in a welter of animal elongation and plant reduction to vines, that it is difficult to identify where a head begins or where a tail finally ends, if at all, or to trace what seems like a joint to a neck or a leg or a vine. The main point seems to be the inter-twined-ness itself of all living things, animal or vegetable, in one huge tangle [...] Now as one looks at the left side of the doorway there is one animal standing on four legs [see above!] that is simply startling in the clarity of its depiction. It has been called a lion and explained as the Lion of Judah (Christ) fighting with evil. I think that such an interpretation makes the mistake of using an inappropriately biblical explanation when the artist, by his very Viking-like pictorial style as well as his tangle of animal and plants, tells you he is here using a Germanic one. If you look at the animal you can see that he is eating at the vine or branch which in turn is a serpent biting at him in the neck. Look at the animal's head and you can see two small horns protruding—that animal is a young male deer, a hart. Now it becomes clear it is not the Old Testament that is giving the context here for the meaning of the portal: this is an allusion to the Elder Edda and its description of Yggsdrasill as the suffering tree with many serpents forever biting on its twigs and branches, as those twigs and branches are also being devoured by a hart. The traditiona of the single deer may also come from a previous stanza in the Grímnismál where the hart is named: Eikþyrnir [Oak-thorn] is the hart's name, who stands on Father of Hosts' hall and grazes Læraðr's [kenning for Yggdrasill] branches; and from his horns liquid drips into Hvergelmir [seething cauldron], from thence all waters have their flowing (Poetic Edda 55 and 270n)

According to Murphy, "to enter the door of the Urnes stave church is to enter Yggdrasill." So, to bring this back to the world of asoiaf, it´s an interesting piece of set design to include this screen or divider in Winterfell, a place closely connected with the "old gods" of the north and that has its own world tree, in a sense: the weirwood tree, or heart tree, of the godswood. Moreover, beneath one of Yggdrasill's three large roots is the spring Hvergelmir (mentioned above, meaning 'seething cauldron'), beneath another is Mímisbrunnr ('Mímir's well) and beneath the third is Urðarbrunnr ('Well of Urðr'), this is interesting to note in parallel to the hots springs and ice-lidded pool in Winterfell's godswood, close to its heart tree.

In the Prose Edda, one of our foremost sources on Norse mythology, Yggsdrasill is also connected with Ragnarök, the doom of the gods. In chapter 54, it is told that Óðinn will ride to the well Mímisbrunnr and consult Mímir on behalf of himself and his people. After this, "the ash Yggdrasill will shake and nothing will be unafraid in heaven or on earth," and then the Æsir and Einherjar will don their war gear and advance to the field of Vígríðr. In asoiaf, the north has its own legend very reminiscent of Ragnarök, called the Long Night and I've written about their similiarities before and keep meaning to return to that.

Anyway, I just think it's pretty cool they included that detail of the Urnes style screen in Winterfell — I'm always putting Norse details into my fics wherever I can, most recently the Oseberg tapestry.

[caramelstarlight]

Despite our differences…

(Two Words One Heart: Despite our differences…)

(Grinding for Tighnari on genshin until October 8th. If you want to help out lmk on wattpad or tumblr. America server: UID:630853256)

(Credit to Etheries for title!)(Honestly forgot if I was supposed to make us do one thing or different…)(Cuddling near the end. <33

Waking up on the fennec foxes bed, you say up. Staying silent and enjoying the warmth of the sun. Looking through the window for a few moments. You smiled softly at the thought of learning more about Sumerus culture. You lifted yourself off the bed carefully. Taking spare clothes out of your bag. Changing into them quickly. (Yes you closed the window- and used its curtains to block out any wandering eyes.) 

You checked your phone and it was currently 8:42 am. You figured Tighnari was already awake, taking him for an early bird and a night owl mixed together. Waking up at the break of Dawn and not resting till he’s finished at nighttime. Your species are nocturnal after all. You smelt something… a bit of batter and syrup… Pancakes? Yes! (Sorry waffle lovers :d but you can pretend you ate waffles. I prefer pancakes bc it’s easier for me to eat-)

You snapped your fingers. Your bag floating at your side as you peered into the living room. Peaking your head and a few fingers around the wall. Your ears perked and flicked. Intrigued by the scent and the sight. The tail wagging softly as it matched your smile, soft. Staying silent as you watched him cook pancakes. Gazing at his features slowly, from his ears to his tail. Blushing slightly as you realized he saw you. Lowering your ears slightly as you moved away from the wall. 

“Are you tired? Did I wake you up-? If you are go back to sleep it’s okay. I’ll wake you up later.”The male offered as he went back to cooking. Humming a slight tune of some sort. Realizing he wasn’t mad. You peeked against the wall again. Slightly nervous. (Ohh… is it weird if I enjoy his scent…?! He smells like Nilotpala lotuses..) (if it’s lotus’s I’ll cry bc I do Lotuses-) You thought as you slowly came into the room. Staying silent as he grabbed plates from a cabinet above. Keeping your focus on him as he came closer towards the table. 

Placing the pancakes down as he laughed softly. Looking at your amazed expression, stars in your eyes. With your tail wagging, you made a pretend cough. Trying to remove embarrassment from yourself. “Good morning and Thank you Tighnari.” You’d say. Recovering from it quickly. 

“Good morning sleepyhead and  you’re welcome”. He’d reply. Slightly teasing you for waking up at 8. In fact it’s almost 9am. “You don’t have to call me a sleepy head when I woke up at 8am!” You’d state. Eating a bit of the pancake. “I can if I want to. I woke up at 6.” The fennec fox told you. 

You’d mumble slightly eating pancakes as he laughed again softly. Both of your and his tails wagging as you ate. Enjoying the comfortable silence with birds chirping every now and then. Wondering how collei was doing as you finished. “I can clean the dishes for you if you want, I’m return for a bit of your hospitality?” You’d ask him as the male finished his pancake/s. “That’d be great. Thank you.” Tighnari stated. Watching you take the plates toward the sink. Cleaning them with dish soap. 

“Should we start learning around 9:30?” You’d ask him. Wanting to know his thoughts on the trade you guys did. “Yeah that’s sounds nice. We both can prepare in the meantime.” He’d say. Standing up and getting a few lengthy books. (He seemed to be off today… wouldn’t he have to tend to his duties or did he already did it earlier at 6am…) you thought to yourself as you opened your bag. Looking for your sketchbook and your notebook.(Full of inazuma specialties with a few Mondstadt and liyue)

You both sat down at the table again. Both ready to tell each other what you had bfdi taught about the plants. “You see, the dendrobium grows in places where blood has been shed severely for example, the Nazuchi beach. A war between the shogun and the Sangonomiya occurred here.” You’d tell him, showing a sketch of the beach and the dendrobium pressed into the book. 

“It’s said that, if you deny eternity, you’ll become one of them in inazuma.” You continued, seeing as he was focused and finished. You went to the next flower, the Sakura. “Do you want me to continue or do you want to talk?” You’d ask. Realizing he could’ve wanted to ask questions. “No you can keep going.” 

“Alright, the Sakura of inazuma are important to us. Especially the shrine maidens. Legends says that the root of the Thunder sakura are linked beneath the earth if you trace back to it. You’ll appear at the Sacred Sakura tree at our Grand Narukami Shrine. Some others say the Thunder Sakura is apart of the Almighty Narukami Ogosho. When she split the islands in half with a slice. I don’t know if they have healing purposes. But they can be used in a lot of food choices, as long as you gather them with electro or electrogana.” “I see, but isn’t the Grand Narukami Shrine hard to get too? So how do you manage?” “I climb and walk…-?” “My mistake then.” 

“The Nilotpala lotus, blooms at nighttime and is often found in some bodies of water in sumeru. As long as it’s a forest wetland it’ll grow there. There are some tales about it but I prefer to not believe in them. Do you still want to head me explain them?” Tighnari questioned as you wrote in your book. “Yeah I’m interested, I’m here to learn a lot about sumeru after all.”

“The moon goddess’s chariot once had a light that matched the sun. Everything was at peace till destruction. The flowers would serve a new master. But the Nilotpala lotuses would bathe in the moonlight and continue to remember the songs of that time.” “It sounds wonderful…” you said slightly amazed at the tale. “It does. I wonder how it was back then.” 

“Y’know…” you said as you got closer and sat beside him. “Despite our differences… I think we get along great. Maybe even better in the future. Only time will tell.” He’d nod at your words. “I believe that the best way to get to know someone is spending time with them. Other methods are Illogical and idiotic. Glad we can agree on that.” You’d nod as you showed him more of your sketches and illustrations along with your writing.

 After a few hours of exchanging information you apparently were getting sleepy. You yawned lowering your ears down slightly as you laid your head on his shoulder. Leaving it there for a few moments before jolting back up. “Ah sorry Tighnari! I’m not used to talking so much for hours. My voice must be getting tired and myself for being in this position for long.” You’d admit. Apologizing to Tighnari. “If you can’t stay up and want to take a nap I don’t really mind. I can read what you put down in your writing. I can read it clearly.”(you have neat handwriting dw if you don’t irl-) 

“Are you sure I won’t bother you if I do?” “I’m sure.” “Alright I’ll try my best to not sleep on you.” You said falling asleep around a few minutes later. Your head had again, went onto his shoulder but he didn’t mind (He’s in his mom state /j) Reading what you wrote as he listens slightly to bird chirping. (Debating if I should have you just bring your arm around his. Ehh why not? I’m clingy as hell)  Realizing you wrapped your arms against one of his. Muttering something in your dream as you tail swished behind you. (Gonna make you fall asleep on the couch together you’re welcome.) He touched your ears slightly. Hearing purrs as he began to fall asleep. Lured in by the soothing sounds and slight silence. Curling his tail around you in subconsciously(without him thinking about it just immediately) laying his head onto yours. In response you curled one of your tails around him. (Wanted to this bc it was stuck in my head) 

Collei came into the room seeing you both snuggled against one another. Ears slightly twitching every now and then with the tails flicking as well. Taking a picture of you both before leaving a message on the paper. Of her asking a few questions that could wait. For now she wanted to go make flower crowns for the three of you. Coming back and placing it on the table as she looked at the plants and pictures in the book. Admiring the detail and how pretty the flowers were. Learning more about them.Staying quiet to not wake the both of you up from her. Finally finished with her duties and she can relax. Using this as her spare time. (2pm btw if your curious do that’s like 5 hours of taking about this back and forth or just showing pictures.) 

She gently smiled as she left going to her room and getting Cuilien-Anbar to hug. 

[princeescaluswords]

(contd2) And then in S4 he only trusts/remembers Scott when he's deaged, he's ready to die for him when he thinks it's inevitable, and ofc later there's his whole thing about only coming back *for Scott* and not for the town (or anybody else in it). Idk, I just find it so funny how insistent he is about his motivations and how his admiration and affection for Scott overshadow his connections with literally anybody else and people?? Don't get the memo?? HE MADE SEVERAL WHOLE SPEECHES ABOUT IT!

Hey, do you remember this scene from The Wolves of War (6x20)? I do. It is the culmination of a story that began in Wolf Moon (1x01). What started as "We're brothers now." ended in "No. Came back for you."

When that scene first aired, an individual made a gifset of the scene. Within the first twenty or so reactions, there was a reply to it. I remember it as much as I remember a splinter dug under my skin: "As a Sterek shipper, I reject this." I'm sure it's still out there somewhere. We could find it no matter how bad Tumblr's search engine is, if we put our minds to it.

Of course, several people responded to the reply with what you might expect, explanations of shock, dismay and outrage that a self-identified member of a group with the motto "Derek Hale Deserves Nice Things" would look at a scene of deep friendship between Derek and Scott and "reject" it. My response, though, was different. My first thought was "How the hell is that relevant to Sterek?"

If you take the concept of the Sterek ship at its basic principles, it's the idea that Derek and Stiles are not only sexually compatible, but uniquely positioned to enhance each other's lives and fulfill each other's emotional needs. I can fully get behind that. I think that there is definitely an aesthetic argument to be made for the pairing; it seems the fandom agrees with me.

My enormous and undying problem is that when you examine the overwhelming Sterek content created, there is an undeniable aspect to it that adds a completely unnecessary complication. For some reason, Scott hate (or at least the idea that Scott is an impediment to Sterek) is a major component of the Sterek fandom. And that just doesn't track. Derek and Scott have conflicts at the beginning, but given the situation that is unavoidable. On the other hand, as you have so carefully pointed out, they grow into a mutually beneficial friendship. How can the fact that Canon Derek and Canon Scott come to mean so much to each other interfere with Sterek? Scott and Stiles's friendship is the beating heart of the show, even as it is Scott's story, so much so that Stiles has to be mentioned repeatedly even when he's not present on the screen. How can the fact that Canon Stiles and Canon Scott love each other so much be seen as an impediment to Sterek?

My premise: it is not, and the prevalence of anti scott hatred in the Sterek fandom has nothing to do with shipping Derek and Stiles, and everything to do with racism.

Take the example above. I could see it, maybe, if Stiles had been living in Beacon Hills and standing in the background, and Derek had specifically proclaimed that he had only come back to Beacon Hills for Scott, then it would be reasonable for a Sterek shipper to have a problem with the scene. But that didn't happen. Stiles was not only no longer in Beacon Hills, he came back to Beacon Hills with Derek. There is nothing in that scene that infringes or diminishes or prevents Sterek. So why the hostility?

There's nothing in canon in any of the relationships involved -- Scott and Stiles, Stiles and Derek, Scott and Derek -- that is hostile to Sterek shipping.

It can't be because Scott said a few mean things to Derek in the early seasons. For every slightly mean thing Scott said, such as "Then they had a reason" in Magic Bullet (1x04), Stiles said two to three, such as "Oh, is that contagious? You know what, you should probably just get out." or when he tells Scott that Derek is beginning to smell like death when Derek is sitting right next to him, or "You know, that really doesn't look like anything some echinacea and a good night of sleep couldn't take care of." all three of which happened in the same episode.

It can't be because Scott resisted accepting Derek's leadership, because for every time Scott rejected Derek's guidance, Stiles undermined Derek's positions openly.

It can't be because Scott took antagonistic actions toward Derek, such as deceiving him about joining his pack to save Jackson's life in Raving (2x08) or valuing Allison's life over Derek's discomfort in Master Plan (2x12), because Stiles literally tries to convince Scott to let the Argents kill Derek to stop Peter in Formality (1x11) and for Allison to shoot Derek "preferably in the head" in Venomous (2x05) because he valued Scott's and Lydia's life over Derek.

It can't be an aversion to queerbaiting, because the show had multiple significant gay relationships. For every scene that made us question Stiles's sexuality, there was a scene which put Scott in a similar situation. Derek never had a scene like that, but even so, all three of them only pursued women romantically.

It can't be because Tyler Posey once said something negative about the ship overwhelming all other fandom activities, because both Tyler Hoechlin and Dylan O'Brien said things inimical to Sterek as well.

So, there's got to be a reason that a major component of Sterek shipping, superfluous to the ship itself, is hostility to Scott McCall and his actor. Some factor that drives some participants in a ship to viciously hate the main character who is canonically not an impediment to their ship and enables the rest of participants in the ship to tacitly support it.

BUT IT'S NOT RACISM.

[burnt-to-cynders]

Okay, I’m gonna stick to the raw evidence I’ve seen, so here’s the facts that I have available to me.

I have barely ever even seen predstrogen post pictures, period, let alone seen a mistagged nsfw picture on her blog. That doesn’t mean it hasn’t happened, but I can’t find it so I can’t assume it’s there.

On the other hand, I have seen examples of several anonymous asks, sent both to her and other tumblr users about her, that would definitely constitute harassment.

A few of those asks were sent by non-anonymous users and all the one’s I have seen have been banned

I have seen the cars and hammers post.

The cars and hammers post is so hilariously not a threat I’d be laughing if the subject of the post were not taking it as an excuse to ban a trans woman for life from the platform he executives.

Several different tumblr users have pointed out that there is an ongoing harassment campaign against predstrogen, presumably referring to the asks I mentioned in 2.

@photomatt answered an ask last night about the growing sentiment among trans women on tumblr that staff is transphobic, in which he claimed that she had made multiple TOS violations, including posting unlabeled nsfw pictures, threatening people, and harassing them. He also misgendered her initially, but edited the post after several people pointed it out(although first he changed the wording to refer to “the account”)

When pressed to show these tos violations, Matt provided a screenshot of (initially url-less, later shown to be) predstrogen commenting on how she thought posting about her death wishes about Matt would get her banned, which he later added the context of the above post being the cars and hammers post.

Predstrogen’s account was banned, as well as the second account(apparently she has had to make new accounts a few times due to getting banned for similar issues, but I’ve only followed her for less than a year) she made to document most of the things that happened to her.

Specifcslly, her first account was banned after posting a completely sfw transition timeline photo, and her second account was banned right after posting a screenshot of the above mentioned reply, with more or less incredulity at the fact that the ask response referenced contacting the police and fbi.

Matt seems to be taking the backlash personally, publicly apologizing for the perceptions of transphobia on his personal blog and lamenting the initial ask reply. He has not done anything to indicate a reversal on the predstrogen decision, and insists that there are many more examples of harassment from her. He has answered several more asks and repeatedly encouraged people to “not patronize a business you think is transphobic”

SO, what can we draw from these facts? Well, one thing I can say, for sure, is that with what I currently know and what I have seen, predstrogen should not have been banned. Unless Matt has some significantly more egregious examples of threats, or examples of harrassment(people calling you transphobic isn’t harassment), or any examples of an unlabeled mature post(hell I don’t think I’ve even seen a labeled mature posts on her blog), then I think any bans applied to her accounts are in error and if staff are sitting on a big pile of nothing and not doing that, that is gonna draw their morality and ability to effectively moderate this site into even further question than it has been.

The terfs I’ve seen harassing Rita, at least when they’re stupid enough to leave their names visible, have been banned. I can’t follow the thread to see if claims about them being able to easily remake accounts and continue doing terf shit because i don’t run in terf circles enough to know who they were and what happened afterward. Assuming they aren’t back, this is a good thing, and I’ll give that point of credit where it’s due. However, it is worth noting that while Rita remains banned, this still looks like transphobia and deplatforming and threatening a trans woman(actually threatening her. With, y’know, the fbi). If I wanted to be extremely uncharitable, I could point out that banning terfs and trans women doesn’t make a space safe for trans women, and in fact makes it look like you’re only banning the terfs so you can say “well we don’t allow terfs so we can’t be transphobic!”

Conclusión: Im really disappointed with staff and with tumblr’s ceo in particular. It’s not hard to see why a lot of popular trans blogs are considering moving off platform and tons more are expressing general frustration. In particular, what has happened to predstrogen demonstrates a terrifying cycle that scares me and makes me worried for my own safety if I ever attract a large following on here. She has been targeted by terfs, apparently for years, in an open harassment campaign and has been threatened multiple times. She has referenced having stalkers. She is repeatedly suspended for community violations that are later referred to as “bugs”, but then suddenly one day she’s banned permanently for a post that doesn’t violate tos at all, and when she makes another account to call attention to this wrongful ban, she is banned again and threats about bringing in law enforcement are made by the ceo of the website. A woman that is the subject of years of harassment and credible threats to her safety is being gaslit about being the perpetrator of those very same things, and nothing is being brought to light to verify those claims.

[simply-sithel]

The Obstruction of Action by the Existence of Form

A good reminder that having friends enriches many things-- adding or heightening the joy of something that one might not initially highly value on it's own.

Walking through the Blanton art museum in Austin, TX this weekend I did a sudden double take when I passed the image on the left- turns out I do in fact love all the work by R. Eric McMaster the museum had- but the initial "hockey = @aetherseer = good!" knee jerk association brought special delight. The image on the right, beautiful on its own right, also made me think of several Discord folks and thus held extra charm.

Normally I'd say I have negative interest in all things "sports ball" but second hand Tumblr mutual subject matter and view points does leave a mark. The helmets above provoked a sudden "I should show this to @odense" thought.

Thankfully the whole thing appears to have been uploaded to Vimeo by the artist.

Text accompanying the exhibit below the cut

R. Eric McMaster's work explores the protocols that govern various sports by manipulating, isolating, or restricting the rules and conditions that determine athletes' movements. For example, the gymnast in the video A Change of Atmosphere performs his pommel horse routine underwater, struggling with the awkwardness of breathing and the challenge of buoyancy rather than balance in the absence of gravity. In the photograph and video The Obstruction of Action by the Existence of Form, two hockey teams play shoulder to shoulder in a rink McMaster constructed at less than one- tenth of regulation size. The compressed space creates an event that is both comical and even more combative than a typical match-the players cannot avoid physical contact. The Obstruction of Action by the Presence of Order appropriates footage from the 2012 Summer Olympics of gymnasts awaiting the signal to perform. The video is silent, with no sportscaster commentary distracting from the tension evident in the athletes' faces as they await permission from an unseen, unheard authority figure. Despite years of practice, they-and we-know that perfection is impossible. McMaster has stated, "When we experience the familiar disrupted, we often can't clearly categorize the experience." His challenging of athletic norms suggests the possibility of new ways of seeing and being in the world. While the results are often humorous, they also create empathy for the vulnerability and pressure athletes experience. Heightened awareness of the regulations to which they are subjected likewise encourages us to reflect on the social dynamics and conventions governing our own lives.

I sat through all the videos & watched The Obstruction of Action by the Presence of Order twice in fact as A joined me halfway through A Change of Atmosphere. The gif comes from the brief shaky video I took to immediately send to @aetherseer -- not captured was the snickering and snorting of A & I laughing throughout the game (w/ much respect and admiration for the piece)

If you can, you should absolutely check it out-- it's on display till August 25, 2024

[synonymouswithanonymous]

film as catharsis

"When we watch movies and see a depiction of something familiar from our own lives, it can be validating. Think about the first time you saw someone who looked like you in a movie or who was from a similar small town or had the same type of heartbreak you just endured. Instead of feeling isolated in your identity or experiences, you felt seen and not so alone. 

Watching similar traumas to our own play out on the big screen can have a similar effect. Since common tactics of abusers include isolation and gaslighting, survivors can end up feeling like they’re the only one this is happening to and that they’re crazy to think something is wrong. Films depicting domestic violence can validate that our gut instincts are right, that abusers are in the wrong, and that we’re not the only ones being targeted. "

--------------------

I agree with above, and I think film/art are a great way to explore different ideas, emotions or to use it as a tool to break through your own emotions. 😊 this is often an overlooked/downplayed subject (look at any criminal sentence, or youtube video concerning this, lots of people in the comments saying horrible things about people who are abused or here on tumblr bc it's JM. And haters no matter what gotta hate on her for being the victim of abuse). Or there are thoughtless people who only want to see someone as bad, and can't understand that like photography.....films can be therapy.

Just an example of why someone who has experienced abuse, might want to see a movie about domestic abuse.

Again to attack a woman for being abused, or to say shes using her abuse as a career tool is both an outrageous baseless nasty lie, but it's sick as well. Just bc you don't like she's dating your celebrity crush is no excuse to downplay/dismiss real abuse. I hope the people doing that never have to go through it themselves. Edited: Bc if they have already gone through it, that would make those lies even worse imo, bc how can you be that cruel about someone who has also been abused?

But anyway, on a more positive note!

What a great way to get more attention for this subject, hugely famous book, even more famous actress (BL) and several premieres. I hope it gets lots of attention and does well at the box office.

I think it's great so many women came out for this movie!! Women should stand together, be supportive, show up, and help each other especially when the subject is as important as DV.

Edited: please support your local shelters, any money helps them help those that need it (women/men/children). Like RAINN (rainn.org)

[so-i-grudgingly-joined-this-site]

Part 5: “It sure is exhausting always rooting for the anti-hero”: Should We Even Care?

Note: this is a part of my essay "The Awkward Meta-Tragedy of Neil Gaiman's The Sandman", see [here] for the masterpost of all links, reading order, and content warnings.

Now, of course, thus far I’ve been discussing events as if we’re meant to be at least somewhat sad that Morpheus apparently dies at the end, and especially sad if he died by suicide.  However, upon my reread of the comics in preparation for writing this essay, I hit a bit of a snag.  Are we even supposed to like him enough to care?

                It seems like Morpheus is supposed to be a likeable, if SEVERELY flawed, protagonist up until around Brief Lives.  Even though he sentenced an ex-girlfriend to 10,000 years in Hell unjustly, a huge point was that he was changing; he had the character development to realize his error and set things right in Season of Mists.  But then, in Brief Lives, we get his romance with the witch Thessaly, and the sympathetically-portrayed goddess Ishtar openly accusing him of misogyny.  And as of The Kindly Ones, if you consider his arc to be a straightforward suicide, you have him willingly letting his own subjects get slaughtered just so he can end himself.

                Now, Thessaly is unpopular, at least among the current tumblr crowd, because she’s apparently transphobic and her actions lead to the death of a well-liked and heroically portrayed trans character.  This has led to the semi-meme of “Thessaly is a TERF.”  However, that’s far too simplistic a way to describe how terrible she is.  She’s the epitome of the immoral immortal, living out of spite and anger rather than actual love for life, killing for fun, and putting her own interests above everyone else’s.  She’s a thoroughly unpleasant, violent, hateful person; even if she were written without the transphobia she would not be easy to cheer for.

                And according to Lucien, Morpheus may have been deeply in love with her.

                Well, Luce doesn’t say that in so many words, but he does state that Morpheus’ mourning when Thessaly dumps him is far more extreme, intense, and different from all of Morpheus’ other dramatic breakups.  He even states that Morpheus is being more intense about it than when Calliope left him in the wake of their son’s death!  A breakup after a couple-months fling hit him harder than a divorce of a decades-long marriage spurred by the tragedy of losing a child.  She meant that much to him.  Thankfully Merv is there to rebut Lucien’s observations, complaining that Morpheus “does this every time” there’s a breakup, but the reader is seriously left to question who to believe—the loveable but ditzy Merv, or the Dreaming’s head librarian and Morpheus’ closest confidant.

                If Morpheus was the most heartbroken ever over someone who’s basically a serial killer only out for her own gain, who he likely knew about going into the relationship, that doesn’t reflect well on his character at all.  His punishment of the serial killers at the Cereal Convention comes across as arbitrary and hypocritical, for sure.  It makes one wonder why he’d admonish Hob for getting into the slave trade (pre-character-development, no less!), if his own girlfriend is just as likely to use people in horrific ways.  Why would he be so broken up over killing Vortexes if one of his closest associates is downright eager to kill in the name of self-preservation?  Is it just “opposites attract” but written poorly? 

(Actually I could go on and on about how women in The Kindly Ones, Thessaly included, are prime examples of “women being obviously written by a straight white man”—the man in question being generally progressive doesn’t mean he’s immune to the occasional iffy writing—and how questionable their portrayals as characters are, but that’s beyond the scope of this essay.  It’s also likely an artifact from these books being from the 80s-90s and then-progressive tropes from that era not aging well.  For now, let’s just say that I side-eye that the evil immortal human just happens to be the female one while the good immortal human is male, and that the major forces that end up killing Morpheus/facilitating his suicide are all female…)

Ishtar straight up accuses Morpheus of being sexist towards women when he confronts her over the whereabouts of Destruction.  And, well, his treatment of his ex-girlfriends certainly doesn’t point towards him being respectful to them at least.  He cruelly discarded Alianora to live on a skerry when he tired of her, in addition to the infamous sentencing of Nada to hell.  The official analysis book The Sandman Companion even went so far as to suggest that Madoc’s treatment of Calliope was also indicative of Morpheus’ treatment of her during their marriage, with Morpheus also callously using her as inspiration for his dream-creations.  However, since Calliope herself emphatically says otherwise, I consider the Companion analysis to be near-offensively wrong and seriously question the other analyses in that book as a result (it was not written by Gaiman, for those wondering).  Morpheus also sure seems to send his inspirational abilities primarily towards male authors, but then again there’s not a large sample size in the text.  Besides Lady Bast and Mad Hettie (both of whom are notably portrayed as old/past their prime), the only women he seems to care about are either ones he’s related to, or ones he can sleep with, and in the case of the second category things go badly once he tires of sleeping with them (or if they refuse him, yikes).  One could easily argue towards Book!Morpheus being a canon misogynist, at least by 2020s standards.

(Another side note here: Thank GOD the live action adaptation made Lucien a woman.  Dream’s relationship with Lucienne finally portrays him as having a, for the most part, mutually respectful, presumably non-sexual, relationship with a woman who is neither related to him nor portrayed as old or undesirable.  Show!Dream might, just might, be able to respect women beyond the ability to sleep with them.)

And then there’s the sequence where The Kindly Ones rampage through the Dreaming on their way to the palace, brutally slaughtering all the whimsical denizens we’ve come to know and love throughout the story’s run.  If one assumes that Morpheus intentionally invoked their wrath in order to die, that means he facilitated all of their suffering on purpose.  Once again this paints him as a massive hypocrite; if seeing his realm in tatters after his imprisonment was so painful for him, why tear it all down on purpose?  Of course, “A Midsummer Night’s Dream” shows that he isn’t always aware of what consequences his actions might have, so maybe it somehow slipped his mind that this would be the consequence of his plan.

Um, anyways, what was I saying?  Oh yeah, so, Morpheus’ intense relationship with one of the least likeable characters, along with his general misogynist and jerkass behavior, especially strains potential reader sympathy for him, painting him as a hypocrite regarding his unambiguously heroic moments—which were already few and far between overall.  Then again, perhaps it is wrong to judge him as a “hypocrite” when he isn’t even human.  We don’t judge dolphins for the ways they treat other dolphins, after all. (They’re quite violent: look it up.)  Even though they’re intelligent and sentient and it’s unethical to keep them in a fishbowl, they’re so separate from humans that imposing any sort of human motivations to their actions is a failure. 

But yet, this series is a book intended for an audience of humans, so the human reader’s perspective IS important regarding Morpheus’ actions.  Regardless of whether he or the other Endless “should” be subject to modern moral standards is irrelevant to how we’re supposed to perceive them as subjects of the texts, especially when the culmination of the whole story is one of them dying.  The line between tragedy and comedy might lie solely in the audience’s perception of a character. 

There’s also the matter of narrative satisfaction.  If Morpheus is meant to be a villain, completely self-disposing villain isn’t satisfying, no matter how unsympathetic they might be to the audience.  Imagine if Palpatine just offed himself, with no intervention at all from Luke or Vader!  What would be the point of the story then?  If Morpheus is intentionally unsympathetic, is this some kind of meta ploy about storytelling expectations?  Like, we expect a sympathetic (if flawed) protagonist due to the first arc starting with him torturously imprisoned, but then he’s actually a complete villain protagonist?  Or, we expect to be cheering for him to change, but we end up cheering for him to die instead?  Is this an early case of the “subverting expectations” type twists where the only point is playing the audience?  (Admittedly, a work with such strong metafictional themes might be one of the few places where such subversions might be justified rather than contrived.)

Are we supposed to be glad Morpheus dies and is replaced, because he was what we might consider “an asshole”?  Are we supposed to be sad, because his more humanlike and relatable traits contributed to his downfall, and we see ourselves in his plight?  Both?  Neither?

Honestly, I have no idea.

Likewise complicating matters of “should we care” are two scenes from The Wake.  One is Fiddler’s Green refusing Daniel’s offer of resurrection because “death is the only thing that gives life meaning” and the other is Lucien’s insistence that nobody has died besides a point of view, because Dream of the Endless is an idea and you cannot kill an idea.  While I suspect that Lucien’s statement is supposed to be taken optimistically, when paired with the former scene it comes across as callous towards the reader and edges close to “we shouldn’t care because they’re not human” territory.  If nothing has died besides a bad or flawed point of view, then why go through the trouble of asking the reader to ever care about Morpheus?  Were we supposed to be rooting against him all along?  Is he just supposed to be the “bad side” of Dream of the Endless?  Should we be celebrating because nothing of value was lost? 

Is dying the only meaningful thing that Morpheus can even do, because it would make way for the positive Daniel to take over?