#I have a lot of complicated thoughts on the matter

[blackynsupremacy]

ARE WE STILL

FRIENDS?

pairing: smallville!clark kent x black!fem!reader

summary: as a junior at smallville high, you’re known as many things: captain of the girl’s basketball team, straight a-student, a bit of a tomboy, and the younger sister of pete ross by three minutes. as twins, you share many things, including your childhood best friend, clark kent. prom is nearing soon and you’re both dateless, so you and clark agree to arrive together as friends. after the view of a yellow dress, a slow dance, and a moment in the photo booth, you start to doubt if you’ll both leave the same way you came.

a/n: you can imagine jeremy as whoever you want.

contains: lots of words. fluff, brother’s best friend trope, reader is pete’s twin sister, reader knows, angst, mild swearing, arguing, friends to lovers, kissing/making out, hurt/comfort, love confession, clana is broken up, jealousy, betrayal.

a/n: finally another clark fic! anybody got ideas for tsay chapter 5? i want it to be action packed fr.

taglist: @afrogirl3005 @rosiestalez @paisholotus @sabrinasopposite @stereotypicalbarbie @ellethespaceunicorn @hnch33rios @xoxoglittergossip @thabiddie23 @sheydnni @tryingtograspctrl @elitesanjisimp @jkr820 @simply-the-best23 @camiesully @supaprettyg

“come on, kent! is that all you got?”

you were taunting him as he tried to guard you from making winning shot of your one v. one basketball game on kent farm. clark kent may have been six-foot-four with a strapping athletic build, but he wasn’t the captain of smallville high’s lady crows basketball team. due to your skill, leadership, and strategy, your girls have had an undefeated season so far. you continue to dribble and swiftly turn around to catch clark off guard before you jump to shoot the basketball which dove perfectly within the net. clark exasperatedly chuckles while you break down into an enthusiastic shimmy of a victory dance. your twin brother, pete ross, shook his head with a smirk after observing clark’s defeat. you both knew that for an exceptional farm boy that hailed from another planet couldn’t even school you on the court, had to mean something was off. in these playful competitions, you’ve had your fair share of wins with clark, but also definitely some losses. with a slow clap of his hands, pete approached clark to pat him on the back in playful sympathy,

“damn. it looks like you’ve lost your mojo, clark.” he quipped.

you and clark playfully roll your eyes. you sauntered to your brother and flick him in the forehead before you sassily chimed in,

“boy, shut up! you do realize that even clark can lose to me, right?”

“hey—ow! i’m just saying. clark, could’ve super sped around you and easily taken that shot.” he yelped in pain. clark chuckled before contributing to the conversation,

“first of all, pete, that would be cheating. second, my focus has been everywhere with prom coming up this weekend. you’re still going with me, aren’t you, pete?”

clark stretched his arms and you didn’t miss the slight flex of the bulging biceps he possessed. you always thought he was attractive, smart, and overall the perfect candidate for a boyfriend, but there was already so many complications entailed in that. first, there was the principle that he was your friend and your brother’s best friend. you basically grew up together, so you always thought lines like that should never be crossed no matter how much your heart desired for him at times. second, there was lana lang, clark’s first love. lana and clark’s relationship was complicated as well. one minute they’re together in perfect loving bliss, then the next, it’s back to being friends. this time, they were back to friend zone for a long while. lana was a friend of yours along with chloe. it was odd being tight with girls you knew had feelings for the same guy as you, but somehow, you try not to let that cause a rift between you. plus, you’re starting to develop a new crush on this guy named, jeremy ford. he was a senior and the captain of the boy’s basketball team. you’ve had opportunities where you would practice with him one on one after school and hang out at the talon occasionally to share strategies to help out your teams. he was handsome, athletic, funny, popular, and a scholar, so you’ve figured that he would be perfect as your date to the prom. when you get the chance this week, you were finally going to ask him. lastly, there was the fact that you knew clark’s secret along with your brother.

you’ve never forgotten that shift in your friendship with clark after finding that ship in his shed. it all made sense on how he was able to get to places so fast and subdue the people who were powered by those damned green rocks. pete already had to deal with clark having the attention of chloe and him being friends with their long-time family enemy, lex luthor. it was such a shock to you, but unlike those others who had powers and abused them, you knew that clark only wanted to use his abilities for good. to clark’s relief, you were quicker to forgive and swear to secrecy than your brother who eventually came around.

“thanks, y/n. i knew i could count on you to understand.” clark said when you visited him in loft the night after finding out. “at least you can consider yourself the first girl to know—besides my mom, of course!” he’d joke and for some reason that made you feel special.

now, your bond was stronger as you had to show that he was still the boy you called a good friend whose ass you’d occasionally kick in some hoops, but another part of you knew that things could be riskier than before with all of the bizarre occurrences of smallville.

“about that—” pete hesitantly stated, rubbing the back of his neck. “teresa campbell asked me last week, man. i know that ever since you and lana split, we’d make it a stag night, but we can all still go as a group. as far as i know, it could be me, you, teresa, and y/n.” he explained cringing a bit at the look of slight disappointment on clark’s face. you were a bit peeved that pete had sideswiped clark like that and that he assumed you were dateless. well, you were, but just because you were twins didn’t mean he fully knew you and your plans.

“it’s no worries, man. we can all still have a great time. right, y/n?” clark inquired, shifting his blue eyes on figure and he bounced the basketball in your direction.

“yeah, but, whose to say i didn’t already have a date, pete? we may be twins, but i don’t have to tell you everything.” you rebutted with a sharp glare towards your brother, catching the ball and placing it on your hip. pete threw his hands up in surrender,

“now, hold up, n/n. the last time i checked you never mentioned him, okay? look, i’m sorry for assuming. who’d you have in mind?”

your bashfully shift your eyes between the two awaiting males before you answer,

“uh,— jeremy ford.”

you were a bit shocked as there was a pause of silence. like there was something you didn’t know. you sighed ready for whatever was about to come,

“what is it now?”

clark held onto your shoulders and turned you to face him to deliver the news in the most gentle, but direct manner possible.

“y/n, lana is going to prom with jeremy.”

you stood there in silence, trying to register the words that were spoken to you. maybe this was sick prank the guys were playing on you to hurt your already bruised ego.

“what? psh, no way. lana would’ve told me.” you deny, dismissing what you thought was a ludacris claim.

pete shook his head and crossed his arms before serving the explanation of the knowledge. given the fact they lived together, lana had told chloe that jeremy had been hanging around late at the talon after you’d leave. eventually, he and lana got to know each other and before they knew it, lana agreed to jeremy’s proposal of prom. then chloe passed the news on to clark and pete. as an aspiring journalist, chloe was going to get it straight from a reliable source, so it all had to be true.

chloe and lana knew for a fact that you had a crush on him and they’d tease you to just go for it, but you’d always dismiss them with the excuse of focusing on your studies to achieve a full-ride athletic scholarship. plus, you’ve never really had that much dating experience to begin with, so it was all a bit of a mess. pete and clark could see the dark cloud of hurt loom over your face. there was a stabbing, tingling pain within your gut. you thought that you and jeremy would be the perfect match. you both shared the same goals and interests, how could you have missed the signs of lost chances? what else were you expecting? lana had already dated clark, but no human nor alien had control over their feelings. it would’ve hurt a little less if lana gave you a head’s up. possibly she was afraid of how you would’ve react or affected your friendship. you never wanted to be the type of girl to end friendships over a crush anyway.

“n/n, say something. are you oka—” clark began to question, but you sharply cut him off.

“i’m fine, clark. lana and jeremy can do what they want, it’s not like he was my boyfriend or anything. what about you? lana is your ex.” clark watched in silence as you tried to play it off so cool, but it didn’t take his x-ray vision to see that you were crushed on the inside. he believed you didn’t deserve this at all. you’ve always been a great friend to him and lana. sometimes, you’d give him advice or a listening ear whenever there was a conflict weighing on him. you were the type of person that gave their all. you gave your all in your sport, teammates, academics, family, and friends. who was giving something back to you?

without another word, you looked at your watch and turned to your brother,

“it’s about time we head home, pete. mom will be calling if we don’t make it in time for dinner.— see you at school, clark?” you bid him a goodbye with a tight lipped smile and a side hug before placing the basketball back in his arms. you cross your arms and make your way into the passenger seat of pete’s car. the boys give each other a silent knowing glance and a casual dap of farewell before pete follows suit to drive you both back home. during dinner, your parents, abigail and bill ross, noticed that you weren’t your usual talkative self due to your obvious lack of appetite and dry responses to their questions about your day. when your mother mentioned the prom, you promptly asked to be excused to your bedroom, so that you could “study”. you wrapped up your plate, placed it in the fridge, and took your leave. once in your room, you didn’t waste time in plopping yourself into your bed. you bury your face into your pillow to muffle your sobs of agony. romance looked so good in the movies you’ve watched, but why did it have to hurt so bad in reality?

you lay on your side, facing the large, purple stuffed bear that sat on your other pillow. you sat up and smiled at it fondly. you picked it up and gave it a tight squeeze. clark had won it for you at the smallville harvest festival during your freshman year. it was one of those carnival games where you had to get three basketball shots in a row. you were just a rookie on the team and you were struggling because you wanted that bear so badly. clark happened to be there to watch the whole thing and like a superboy, he swooped in and made those three shots. there was a jovial glint within his baby blue eyes as he observed you spinning with the bear in your arms like a little child. you were so happy that you thought you could kiss him that day. clark simply saw you in a jam and was kind enough to help. that was when you started developing feelings. even though he was your brother’s best friend, you’d grown to see him as a prince charming of sorts. he had his flaws, but he always found a way to make it up somehow. your thoughts were interrupted by a familiar voice. it was his voice.

“there’s that smile i like to see.” you quickly wiped away your tears and whipped your head in his direction. there was clark kent, casually leaning against your door frame

“clark! uh, hey. what are you doing here? look, if you need to see pete, i think he’s in the den playing that game—” you try to explain, but he interrupted as he took his body away from the door and approached closer to your bed.

“actually, i came by to see you, y/n. may i?” you nod, acknowledging his request to sit on your bed. you nod, scooting over to make room and he proceeds to sit at your side. you gaze at his side profile. his perfectly fine nose, sculpted jawline, and who could miss the subtle pout in his naturally pink lips. now, his eyes met yours. the melanated skin of your cheeks begin to heat up the longer he held eye contact. there was an air of silence in the room. you were both deciding who should be the first to speak amidst this high school prom drama. clark then glanced at the stuffed bear in your arms, he tried not to blush as he was surprised that you kept it all of these years. he noticed how you held onto it with such a tight grip as if someone were to take it away at any moment. how wholesome he found that to be. a lopsided smile played on his lips as he spoke,

“you still kept that bear after all these years?”

you sniffled with a bashful chuckle,

“yeah, it seems so embarrassing. i’m pushing eighteen, but it’s my favorite thing—well, besides my backstreet boys t-shirt.” you both fill the room with soft laughter, enjoying each other’s presence.

“no, no. not embarrassing. it’s humiliating, actually—hey, ahaha!” clark jokes in which that earns him a couple whacks in the head from your pillow. your stomach cramps as you dissolve into laughter again,

“god, you’re such an ass! you just love to ruin the moment.” you giggle, trying to catch your breath. you place the pillow to its original spot. clark flashes his pearly canines and leans back onto your bed.

“as long as i get to see you cry tears of joy instead of sadness, i’d gladly do it again.” he responds, gingerly reaching a hand towards your face to swipe a loose tear with his thumb. your cheeks heat up again as your stomach flips from his touch.

“i know today wasn’t exactly the greatest, but it’s good to hear you laugh, y/n.”

your own lopsided grin graces your features before you shift your gaze to the bear,

“i appreciate it, clark. you’re always swooping in to save the day, whether it’d be meteor freaks or teenage heartbreak.”

there was another beat of silence. before practically speeding to the ross house, clark couldn’t erase the image of your somber expression from his mind. this was everyone’s first prom and even though clark didn’t get the chance to go with lana, he didn’t want to experience it on a sour note. now that you were down in the dumps, he definitely didn’t want you to have that same feeling. he didn’t want you to look back on such a significant event with disdain, so he came over and took his chance.

“y/n, would you go to prom with me—as my date?”

upon hearing his question, you froze for a second before peering at the farm boy beside you. you were in a tough spot, sure, but you didn’t want to be his pity date, no matter how much you liked him.

“what?! clark—i know i seemed pretty tight about the jeremy thing, but i don’t want your pity. we can just go as a group of friends with pete and teresa. just like he planned.” you protested, but clark took ahold of your hands as the expression of sincerity etched on his face.

“y/n, please, just hear me out,” he urged, caressing his thumbs along your hands. “i promise you, it’s not pity. i genuinely want to spend time with you and i want us to enjoy our first prom.” you fell silent as your gaze softened while listening to his plea, “we could make it one of the best nights of our lives, even if it’s just for a little while—besides, who better to go to prom with than the best victory dancer i know?”

yet again, he flashed his contagious smile that you’ve silently adored for years as a twinkle danced within his eyes. you pondered on this impromptu proposal. clark had a point, this was going to be your first prom, an awaited moment in most teenaged girls lives that they would look back on in the future. you wanted to have a good time regardless of the jeremy situation. plus, if you accept, you’d have a date with your longtime crush! your brother’s best friend of all people. you were going as friends of course, but you couldn’t imagine this moment with anyone else. what could possibly go wrong? a smile you couldn’t contain plays on your full lips as your brown eyes matched his gaze before you finally said,

“you know what? i’d love to clark!”

“you would? really?”

“yes. we’ll come in together as friends, let loose, and bust a move or two.” you answer already envisioning the pleasant evening ahead. “why? do you want me to take back my answer?” you jokingly quiz with an arched brow.

“oh, n-no, no! i’m actually really glad you said yes.” he protested with relief washing over his features.

“then it’s a date, kent!” you take one of your hands to rest it on his shoulder before placing a brief kiss upon his cheek before you whisper, “you got super speed, so don’t i expect you to be late.”

clark’s cheeks flushed with the red shade of excitement from your touch. he surely didn’t expect that from you, but he certainly wasn’t going to complain.

“well, in that case, i’ll pick you up at seven, ross.”

clark bids you goodnight and you could hardly sleep with the knowledge of this upcoming weekend. the very next morning at the breakfast table, your parents are ecstatic to learn the news of your plans for prom, especially your mother. you both enthusiastically converse, conjuring up ideas of a dress, shoes, accessories, makeup, and hair. she helps to make the necessary appointments for the days leading up to it. while at school, you decided to stick around to clark, pete, or fly solo rather than you usually did with chloe and lana. you would be cordial when you see them in the hallway, but before they could talk about prom, you’d find a way to promptly excuse yourself. the last thing you wanted to hear was anything about lana and jeremy. you didn’t want to hear the conversation as if they didn’t know that you know.

“i gotta go. i have a meeting with my coach.”

“can’t. i don’t wanna be late for class!”

even when jeremy tried to catch you in the hallway. you’d gave him the same energy,

“i can’t go to the talon today, jere. i have an appointment after school.”

“i think i’ll just practice solo today.”

with each passing day after school, your mother had taken you shopping to find the dress that was perfectly made for you along with getting a well deserved mani-pedi and an eyebrow wax. she would just help with hair and makeup on the day of. your mother doted on you every step of the way. you couldn’t forget how you had to ask the dress shop employee for kleenex because she was going to burst into tears when saw you in the dress you’ve chosen. you were shocked because this was abigail ross, the no nonsense county judge of smallville that fights for justice with an iron fist. you weren’t really big on dresses in general, but for this occasion with clark, you wanted him to see that you were more than pete’s twin.

the early evening of prom makes its presence known. throughout the entire day, your stomach rumbles with an immense amount of anxiety and piquancy. you burst out into a song while taking your shower, a soft muffled hum fills the bathroom when you brush your teeth. as your mother helps you to get ready, she affirms your beauty with each dab and blend of the cosmetics applied to your face. her gifted hands gingerly work through the coiled tresses of your dark hair in the desired style that you’ve seen one of your favorite singers sport in a magazine. as if it were like a cinderella-esque transformation, your final look was completed once you’ve donned your dress, jewelry, and heels. it was finally time for one of the best nights of your life.

clark stands at the front door of the ross house. he’s not sure how many times he’s been fidgeting with his black bow tie or glancing down at the freshly arranged corsage within the plastic container, but he knows one thing for a fact.

he was nervous.

he’s been looking forward to this all week. it was a casual plan set up by two friends, but why did he feel like he was going to mess everything up? were things going to change between you and him like how it did with him and lana? or him and chloe? he was psyching himself out, but he needed to swallow whatever doubt he had and just enjoy this like a somewhat normal teenager would, especially with someone he enjoyed spending time with. with a steady hand, his knuckles raise to knock on the front door to which pete answers within seconds. they perform their casual greeting with a hello and a dap.

“hey, clark! you’re right on time. i see you styling with the corsage.” pete joked to which clark chuckled as he invited clark to step in the living room.

“i’d sure hate to disappoint your sister, so thanks! it’s still cool with you that she’s my date, right?” clark questioned, a trace of timidity within his voice. when he first told pete about being your date, he’d surely thought his friend would tell him off by crossing that boundary. to clark’s surprise, pete took the news well.

“yeah, man! she’s been looking forward to this all week. besides, you’re going as friends, so it’s not anything that i’m worried about. my mom’s up there with her now, so she should be down in a few.” pete replied, standing coolly with his hands tucked in his pockets.

they compliment each other on their respective ensembles before clark’s eyes peruses the room. his sensitive ears pick up on the sound of the bustling, grating voices of the other ross brothers who had came to visit to see the twins off for their first prom. mark, mike, and sam along with your father all hurry to the living room to greet clark with more daps and hugs as if clark were their own. it seemed that every ross had made an appearance, all except for you. abigail hurriedly came down the staircase. she frantically waved her hands to signal for the men to keep their voices down as you were about to make your grand entrance. she turns to clark with an elated expression,

“clark, i’m so glad you’ve made it. she’s all done and ready.” your mother pauses, turning her head up to the staircase to call out your name.

“honey, clark’s here! let’s see you, so you don’t be late!”

after a sixty second beat of silence, the sound of your heels reverberated through the air as you descended from the staircase. every head turned in your direction. clark’s soft blue gaze didn’t dare to pull away as you reached the bottom of the steps. you were front and center. you were the belle of the ball. he stared in awe with his mouth slightly agape as you wore a lemon, satin maxi dress that accentuated the warm toned glow of your brown skin. it had a heavy hearted cut in the front while it exposed the skin of your back like a halter top. the garment complimented your figure perfectly and matched with the golden hoop earrings your mother let you borrow. the soft makeup that was applied to your features made each of them stand out. the sleek mascara, shimmering eyeshadow and the luminous pink gloss painted on your pouty lips made you look like you’ve walked out of a magazine. even though you received the warm gazes and compliments of your parents and brothers, you were still awaiting for what clark had to say. he only stood there staring at you as if he were trying to silently analyze a piece in an art museum. he looked so dashing in the sleek, noir tux that he wore. his physique had grown to be bulkier over the years, so you certainly didn’t miss the toned outline of his body. you gave him your full attention as he softly called out your name. you spectated as he deliberately approached you. his adam’s apple bobbed within his throat and he gulped, so that he didn’t fumble over what he had to say because he meant the next words that escaped from his mouth,

“you’re so beautiful.” he proclaims, to which your family coos. he easily opens the plastic container that withheld the corsage and holds his palm out for you place your wrist in. there was a certain spark that you weren’t sure that both of you felt when his fingers brushed against your skin as he slid the floral accessory on your wrist. his soft grip on your wrist lingered as you know that he can hear your heart racing within your chest, but he’d never call you out because he didn’t want to embarrass you. with the widest smile you reply with a tone of gratitude,

“thank you, clark! you look handsome as always.” his expression matches yours and he thanks you for the compliment before your mother urges you both to pose for some pictures. after some photographs and a wise talk of safety, you all bid your family goodbye. pete had to leave to go pick up teresa in his car, so it was only fair that you’d ride with clark. with your hand wrapped around clark’s bicep, he leads you to the faithful, red pickup truck that you’ve ridden in on several occasions, but now you look at it as your awaiting chariot while clark opens the passenger side for you to sit and safely buckle in.

after a brisk ride of small talk, wise cracking, and car karaoke, he pulls into the student parking lot where students who were dressed to impress were flooding towards the entrance to get into the gym. you sat there hesitantly, releasing a breath you didn’t know you were holding. at the sound, clark turns his eyes to the glowing profile of your fretting countenance. he can already tell that you’re internally freaking out. you haven’t really talked to lana nor jeremy all week and now what were you going to do if you ran into them? you couldn’t make too many excuses to avoid them in this situation. with a gentle hand, clark reaches over to intertwine your fingers together.

“hey—look at me.” his tenor voice softly urges. you reluctantly look at the signature benevolent, blue gaze of your best friend. you hate how weak it makes you when clark holds such intense eye contact, he means business.

“you’re going to have a great time, y/n. whatever worry is going on in your head right now, forget about it just for tonight. would you do that for me?”

“that’s not fair, clark. you know i’d do anything for you.” you both dissolve into a fit of laughter. when it dies down, you squeeze onto his hand and unbuckle your seatbelt before turning to him again, “what are you waiting for, kent? you said i was gonna have a great time, so show me a great time.”

with a grin of anticipation on his lips, he briefly releases your hand to exit the drivers’ seat and open the passenger in which your hand is instantly reunited with his. you both stroll together through the entrance, down the hallway, and into the wide, dark gym that was illuminated by colorful lights, the pumped up bass of the music playing through the stereo, and the multitude of conversations between your classmates. your brown eyes darted around the area. you see there was some tables, a couple of them were filled with concessions. there was even a line forming for what seemed to be a photo booth, in which you keep a mental note for it because you want a stab at it before you go.

most of their talking is ceased when they saw you two walking arm in arm, their eyes observed you two in awe the further you both stepped in. at first, you were starting to feel awkward under the several pairs of eyes on you. were these looks also varying in curiosity? admiration? envy? they expected clark to clean up well, but as for you, they were stunned to see the tomboyish basketball captain pop out as if she was tyra banks. although he didn’t want to seem too arrogant, clark experienced a mix of satisfaction and jealousy from the attention you were getting, especially from some of the guys. especially from jeremy, who was at first enthusiastically conversing with lana until he saw what all the commotion was about: you. piqued, jeremy peered at you from across the room as you were caught off guard when clark instinctively, yet smoothly snaked an arm around your waist to bring you closer.

“it’s okay. they’re just experiencing true beauty for the first time, it’s a very common reaction.” he wittily said with a cheeky smile. with a heated face, you looked at your friend, still convincing yourself of his status in your life, that just blatantly called you beautiful again. was this real life? he even clung to you as if one of these dudes would sweep you away. you were sure, he would instantly approach lana at the mere sight of her.

within a minute or two, pete and his date, teresa, meet you guys at the side of the dance floor. you instantly hit it off with your brother’s date as you two enthusiastically compliment each other on your dresses and engage in small girl talk. clark felt lucky that he had the prettiest girl on his arm tonight. he wasn’t sure why, but that was all he could he see you as right now. not the athlete, nor his best friend’s sister. he just saw you, y/n ross, in her element. the more he carried on in casual conversation with you, the more drawn in he seemed to be by your presence. it warmed his heart to be called your friend or — so he thought. it was all coming together when the upbeat tempo of the music shifted to something that presented an opportunity for you and clark to know each other better like you haven’t before.

the iconic opening notes of the piano from des’ree’s “kissing you” began to fill the room as couples swiftly gather together to the dance floor. when you listen to the songstress’ soprano voice, the butterflies in your stomach are frolicking when you see clark’s open palm before you. you loved this song. it was from the soundtrack of romeo + juliet, film about a forbidden love, a line crossed. why were you having these thoughts? you were just friends, it would just be a dance. nothing less, nothing more.

“may i have this dance? out of the many abilities i have, two left feet isn’t one of them, so i got you.” he lightly smiles, awaiting for your answer. he attentively watches as you rub your glossed lips together, a habit of your nervousness. you turn to him. in this moment, there was no thought of lana, nor jeremy. there was no thought of heartbreak, and certainly no inhibitions. without hesitation, you grasp his hand before meeting his gaze.

“you may, just don’t step on my toes. this pedicure wasn’t cheap!” you whisper with soft laughter following from you both before he leads you to the dance floor. when you find your place, his eyes don’t leave yours when he takes your hands to rest on his broad shoulders while his rest on your waist. his thumbs barely graze against the exposed skin of your back as his feet lead you both to sway so easily to the orchestral sound of the ballad. the world outside fades, leaving only the warmth of his presence. you find solace as you feel the soft press of his hands on your waist, the comforting weight of his fingers resting just above the curve of your hips. your fingers wrap a little tighter around his neck to the point where your fingertips graze against the nape where part of his dark curls flawlessly cascade. you’re not tripping, there’s an undeniable electricity between you when your bodies absentmindedly draw closer while you continue to engage in this “platonic” dance.

“you sure you can keep up?” clark teases, a playful glint in his eyes, breaking the silence as you sway together. the light catches his pearly smile, his pristine canines illuminating from the way he looks at you—as if you were more than what you’ve always seemed to be in his life. you giggle, feeling the deliberate rhythm pull you even closer.

“boy, please. if i can break your ankles on the court, i can have you twirling like a ballerina on this dance floor, trust.” you saucily yet softly quip, your heartbeat growing as the vocal riffs of des’ree grow more passionate. with each step on the floor, clark guides you effortlessly, his movements confident yet unhurried, as if savoring every moment like it’s the last dance of the night. more like the last night of your lives.

“alright, n/n, just don’t get too dizzy on me,” he murmurs, his breath warm against your ear, sending shivers down your spine. you were sure he could feel the goosebumps forming on your skin. you’re so sprung in the sway of his words and the gentle pulse of the music, the outside world completely forgotten. he even takes the opportunity to release one of your hands from his shoulder to smoothly spin you around at the bridge. when you come back, your body is flush against his. you’re basically heart to heart at this point. you don’t even notice the speculating eyes that burned into you. you don’t even notice the look of realization that dawned upon clark, lana, and pete: you were obviously in love with clark kent and it wasn’t just now. it’s been brewing within your heart for years. the weight of reality seems to dissipate, leaving behind only the two of you and this connection beyond friendship that felt so real. his powder blue gaze locked on yours, an unspoken spark flickering between you.

“you know,” he begins, his voice lowers as if he just wanted you to hear what he had to say. like your own little secret, “i’d never thought that finding ourselves dancing like this would feel so—perfect. like out of a movie or something.”

you tilt your head slightly, the air between you shifted as you reply softly, “it really does, doesn’t it? plus, i love this song. it’s from one of my favorite movies.” his thumbs brush against your bare back, igniting a warmth that spreads through your absolute everything. he gulps, getting himself together for what he’s about to say next,

“between you and me—i’d either rewind to this part over and over, or i wouldn’t want the movie to end at all.”

the pale skin of clark’s face paint with a shade of crimson as you lose yourselves in each other’s eyes, the last notes of the song begin to fade. you find yourselves leaning in closer and closer. was this actually happening? in front of lana? in front of your brother? were you both going to—reality creeps back in, the echo of the final chord concludes this ethereal moment. yet, in that fleeting instant, it feels as if time has stood still—if only for a little while. as the final note lingers in the air. you pull back slightly, just enough to read the mixture of emotions in his eyes���surprise, contentment, and something deeper lurking beneath the surface. you clear your throat and join in the applause of the crowd of students when the music instantly reverts back to the vibe of something upbeat to rock with. you clark retire yourselves to sit at one of the empty tables as you were complaining about your feet hurting from the heels you’ve been wearing. being the gentleman that he was, he helps to release your ailing feet from the shoes before venturing off to use the restroom and get some refreshments from the concession table.

while you were occupied massaging your feet, you now feel the presence of two beings sit at each side of you. you just assume it’s your brother coming to rag on you.

“pete, if you’re here to rub in my face about how i shouldn’t have worn heels this high, i will literally bop you with one.” you sass, still looking down until hear familiar feminine chuckles.

“if that’s the case, then i wouldn’t dare to say a word!” you know that quick and precise wit to be none other than your friend, chloe sullivan. you froze and turn your head to see her sitting on your right with lana lang on your left. they both looked radiant in their evening gowns as if they were contestants in a beauty pageant, especially lana. your mood starts to shift once you remembered why you avoided them in the first place. you were praying to god that clark could use his kryptonian speed to rescue you from this awkward situation.

“hey, guys. long time, no see.” you neutrally greet as you place the heels back on.

“long time, no see indeed. it feels like you haven’t had the time to be around us lately—we miss you!” lana mentioned, placing a manicured hand on your knee. what gives her the right to touch you after what she’s done. you were gonna keep your cool because clark should be back any minute now.

“yeah, i’ve just been working to get this full-ride and trying to get ready for tonight. i never knew how much time that would take.” you quip, earning a chuckle from both of the girls.

“well, it looks like it all paid off— you look beautiful!” chloe says flashing her pearly smile, a twinkle within her green eyes as lana nods in agreement. although you were peeved with them, you couldn’t help, but to smile at her compliment.

“i appreciate it, guys. ya’ll look great, too.”

there was a few beats of silence, lana finally removes her hand from your knee and twiddles with her fingers. with the clearing of her throat, she addresses the elephant in the room,

“so—um, it looks like you came with clark tonight. how did your brother take that?” you shoot her a side glance and lean back within your seat, glancing at the corsage on your wrist.

“pete’s cool with it. clark and i just happened to be dateless and he asked me to go with him. we’re just here as friends, of course.” you shrug.

“oh really, now?” she further questioned.

after the slow dance, all three of you found it bit hard to believe when you brought that up. something in lana faltered when she heard that clark had asked you. there was that pressure weighing in her stomach and chest, when she swallowed it felt like there was a lump. her hands gripped onto the fabric of her dress as she was trying to keep her facial expression as normal as possible. you didn’t miss the trace of jealousy within her hazel gaze. if that’s how she wanted to do this, you were about to go in for the kill.

“mhm. sorta like how i’m cool with you going with jeremy ford.”

lana furrowed her brows in confusion at your statement.

“what’s that supposed to mean, y/n?”

“lana, let’s not play games. i’ve told you about my crush on him, you tell me that i should go for him, but then here you are, on his arm here tonight! what’s crazier is that i had to find out from clark and pete.” you comment cutting your gaze over at chloe, letting her know that she wasn’t out of the woods for her role in this disaster.

“i’m sorry, i didn’t know that i had to tell you every single that happens in my life. especially in who i date. besides, he was the only one who asked me and i just went along with it because neither of you never made a move!” lana made a valid point, but the mystery was why didn’t she just give you a head’s up, so you still combatted her claim.

“lana. i don’t give a damn about who you date because obviously you didn’t when you and clark got together, knowing that chloe and i had feelings for him. it hurt us, yes, but you were decent enough to say it to our faces because our friendship mattered. i’m not even sure if that’s true now because this time, you just told chloe. i get that she’s roommate, but why? why couldn’t tell me—

“because i didn’t want you telling clark that i’ve moved on so quickly, okay? i’m not exactly over him and he didn’t ask me, so i felt that i didn’t have a choice.” the word vomit spews after she you cuts off. you all take a beat of silence before she continues,

“i’ve seen how close you two have been getting. i-i don’t know what it is, but suddenly he’s like an open book when he’s around you. even when we were together, on and off, he’d never be that way with me, so i guess i didn’t tell you because i was afraid you’d run off and tell him in a heartbeat. i-i guess i went out with jeremy and didn’t tell you because i was—”

it was now your turn to cut her off.

“jealous?”

conceding, lana silently nodded. it’s amazing how she was so quick to call clark a coward back in the past and pressure him for a truth she wasn’t sure she could even handle, but now look at her. being secretive all because of her obsession with clark exposing himself as who he truly is while they were together.

“wow, so i guess that dance really burned you up. didn’t it, lana? now you see what happens when you’re not completely honest with people who you claim to be their friend.” you sharply retort, venom in your tone.

“y/n, i’m—” she started to speak, but stopped as she did a double take to the male in question heading in your direction. speak of the devil—well, alien in your case. as if his timing weren’t perfect enough, clark had finally appeared with two cups of punch along with two decorated cupcakes. your favorite dessert.

“i hope i didn’t keep you waiting that long, y/n. there was a long line for the both bathroom and the snacks.” he chuckled as his eyes took notice of his friends, but he felt there was something that went down between you. there was a tension and the vibe wasn’t very pleasant.

“lana, chloe hey!” he cordially greets them both while handing you the refreshments. he grins as your facial expression softens in contentment at the sight of the delicacies, you thank him as you take it into your hands. he makes small talk with lana and chloe, asking them if they’re enjoying the event in which they respond with a “yes” and “mhm” as they nod. it was only a matter of time before what you were worrying about came to fruition. although you were glad at his presence, he could see that you were clearly uncomfortable with the girls sitting at your sides. clark kent guaranteed a good night for both of you, so he had to do what he had to do.

“i’d hate to intrude, but you guys mind if i sat with y/n? i believe i owe her some quality time back for being away for so long.” he requests, awaiting for the girls departure. as soon as lana and chloe heard the words, “quality time”, they instantly acknowledged that he wanted to sit with you, alone. after witnessing what happened, chloe saw it in their best interest if they did leave you and clark alone. no matter how much lana wanted to stay, she still had jeremy to entertain for the night.

“that’s no problem! we were actually just leaving.” with that, chloe stood and took lana’s arm, whisking them both to the other side of the gym before lana could say another word. clark took the seat that chloe had sat in, he peered over to see you happily, but silently indulging in the cupcake. although he didn’t want to ruin the vibe, he still had a hunch and questioned you about what happened previously in his absence.

“hey—are you okay? it looked like you wanted to get out of there.” it was sweet of him to check in on you so you just gave it to him straight.

“yeah, i’ll be fine, clark. lana and i had a fight. it was obviously about jeremy and—” you paused, gazing in his direction, “other things, but i don’t wanna talk about it now. i’m still gonna have a good night with you.” you glance over to the area where the photo-booth station is. “it looks like the line at the photo-booth is slowing down. let’s get a picture after i’m done.”

“yeah, sure! i’m up for that it’s gonna be fun.” he enthusiastically nods, agreeing to the next step.

“you gonna eat that?” you question gesturing to the cupcake that was still in his hand. you had this habit where he would have a morsel of food and you would always ask if he would finish it. no matter what, clark would always give it to you and this was no different. with a chuckle, he gave in. you didn’t notice that some icing had spread to the corner of your lip, but he did.

“hey, hold still. you got something right—” he paused, using his hand to guide your chin, so that you could be face to face. with a gentle swipe of his thumb, the icing disappears. “there.” he finishes, “don’t want anything to spoil our photo op, now would we?” you both erupt in giggles. after serving him a thank you, you both refresh with some punch and make your way to the short line of the photo booth. you two carry on in casual conversation as the first two couples go in, do their thing, and come out leaving with one strip of about five photos. it was now your turn to go in the rectangular booth. it was a bit of a squeeze. given clark’s tall stature. there was a bench, but it looked like it could only hold one person once clark sat down. you inwardly thought a “bless his heart” as his body almost took up the whole bench. still standing, you giggle when he’s about to push the “start” button and you both see a ten second countdown presented on the screen.

“clark! how are we supposed to take pictures when i can’t even sit down? now, i only have five seconds.”

he gazed at you and simply patted his leg, suggesting you’d sit there. you frantically shake your head, quickly declining his offer. you weren’t sure if you should cross that line in this tight space with the your brother’s best friend.

“i know it may look weird to you, but we literally don’t have time. i’m good with it, so c’mon!” he urges, laughing.

“clark, no!” you resist not containing your own chuckles. you’re hysterical as he grasps your wrist and pulls your body to his, so that you were sitting upon his leg. you both look at the direction of the screen count to one and then you hear the first click as it captured your giggling faces. another timer starts when you shift to a normal pose of you wrapping an arm around his shoulder and his around your waist. you both promptly smile for the second time. at the third click, he’s gazing at your profile smiling while you stick your tongue out while throwing up a peace sign. at the fourth, you look over at him to match the never ceasing eye contact which the camera captures. as the timer starts for the final photo, your head is spinning as your senses are all over the place. within these last ten seconds, you look down at his rose red lips while his arm pulls you in closer on his lap. you free hand goes on a journey to reach for his jawline where your fingers graze against the sharp edge of the bone before stopping to completely hold his face. clark leans forward, brushing the tip of his nose against yours. your awaiting lips barely ghosting over one another. both of your eyes shut as you pass the point of no return. at the final click, it captures the moment of you and clark kent, tenderly kissing each other for the first time. you’re both lost in the kiss between you lingers for a few more seconds before you open your eyes and the realization of what you’re doing dawns on you.

what the hell just happened?

as if you inherited kryptonian speed, you shoot up from your place on clark’s lap and hastily walk out of the gym towards the back exit. without wasting time, clark called out for you in protest snd was swift enough to collect your photo strip and jog in the direction of where you left. when you pushed open the door, you stood with your back against the brick wall as you let the hot tears cascade down your brown cheeks. you didn’t care if your mascara was running, what were you thinking? you loved the kiss, you loved clark. it was obvious that he was enjoying it as much as you did, but did it hold that same sentiment for him as it did for you? you cross your arms, scolding yourself for being such a hypocrite. you just told lana off for going out with a guy you liked while you, her trusted friend, kissed her ex-boyfriend. you weren’t having a good night and it all seemed so screwed up now.

you sob quietly and stop when you hear the door creak open to reveal clark. he softly calls your name and attempts to reach out to you, but you turn from him and wipe away at your face.

“clark, w-we shouldn’t have done that! we should not have done that.” you reiterate, and start to ramble after you turn to face him again, “clark, what about pete? what’s he gonna say if he finds out? it was already hard enough when you told us about your secret, but i don’t want you to lose him as a friend because of me. i don’t want to lose you because i love you and our friendship too much for that to happen.” silently, he looks down at and you pause, sobbing out your confession.

“you want to know why lana didn’t tell me about jeremy? she’s mad because of how close we’re getting. she’s mad because i know a part of you that she doesn’t, clark— and you know what? i love how close we’ve been getting. i love that you can be honest with me without holding back. i love that you can come to me about the issues with your family. i love that you use your abilities to help and protect others, including me. now i don’t blame her for getting jealous because—” you stop to take his hands within your own and stare straight into his eyes, finally mustering up the courage to say, “i love you, clark. i love you so much. alien or not, it’ll never change how i’ve felt about you. you may think it all you want, but you’re not a monster and you’re not a freak of nature. you’re you. that’s why i’ll always be there for you the best that i can, clark. whether you feel the same way or not.”

clark’s heart raced as he absorbed your words, the weight of your recent confession hanging thick in the air as you wait for an answer, any sign for how he felt. he felt a warmth spread through him, his mind trailing back through memories of late-night conversations, stolen glances, and moments filled with unspoken understanding between you two.

“i-i…don’t know what to say,” he finally uttered, his voice barely above a whisper.

“then show me, clark.” you softly urged with a firmness not daring to break eye contact, “you either stay or leave. you make the call.”

deep inside him, something stirred—a realization that had been hiding deep in the shadows of his heart that’s been there all along. as he looked into your brown eyes, the intensity of your gaze opened something within. so gingerly, he stepped closer, his breath hitching as he reached out to cup your face in his hands. “y/n, i—i want to stay. i want to give you the chance that you deserve because you’ve always been there for me and you just get me. you’re the only girl i can truly be myself with and when you said that you don’t see me as a freak, it only confirmed what i’ve been feeling.”

he gulped, his gaze softening upon your figure as his adam’s apple bobs in his throat before concluding his statement,

“what if i showed you—that i believe what we did in the photo-booth wasn’t a mistake?”

“oh, clark.” you sigh out in resolve before placing your hands on his shoulders, promptly leaning in, and finally closing the distance of your lips for the second time. the first time was gentle, magical, and tender. this kiss however, had more desperation and your movements more fervent. he backed himself up against the wall, naturally guiding you closer, so your bodies were connected. he snakes his arms securely around your waist while your lips move in sync with each other. you lean your head back, sighing as he holds your jaw to sensually entrap your full bottom lip within his. if you wanted to know the feeling of being drunk, this, right here, had to be the epitome of it when you took the bold step of swirling your tongue around his. a hum vibrates deep from his chest and into your mouth when he plays along. this was it—no more doubt, no more guarding your hearts against the unknowns of what you could be together.

while you were lost in each other, lana lang had wanted to find you so, she could hopefully talk things out with you after the confrontation. she left jeremy behind and stepped out of the gym, trying seeking you amidst the crowd before going outside and around to the back of the school. ever so stealthily, her steps faltered as she caught sight of you, her friend, and clark, her ex, caught in the rapture of the most passionate of kisses. she didn’t dare to utter a word nor spoil the moment with an outburst. she didn’t want to ruin things than they already were between you. feeling a mixed pang of hurt, anger, jealousy and defeat, the last thread of hope snapped inside her. with the sting of her watering hazel eyes, she turned back to quietly retreat and find chloe, so they could immediately go home. now, she was leaving behind the remnants of what could have been between her and clark, while you and him are unaware of the heartbreak left lingering in the night.

[balioc]

Looking at the world from a manager's perspective, you can productively model the pool of workers as being divided into a few basic groups, which are defined and characterized by their driving motivations.

Insert all the usual disclaimers for this sort of thing - this is the roughest type of rough typology. I pulled these categories out of my raw intuition, and possibly a few more would crop up with some additional thought. In reality, the boundaries of these categories are incredibly fuzzy, and almost every individual is actually going to be motivated by a complicated mix of all the relevant motivations; we're talking REALLY SIMPLE HEURISTICS here. Etc.

There have been other well-known worker typologies that share a lot in common with my thoughts here; this is mostly not novel, it's mostly meant to refine a few ideas for particular purposes.

Hustlers are motivated by concrete personal advantage. Most commonly, and most straightforwardly, they want money - as much of it as they can get. They may also be interested in fame, idiosyncratic perks, etc. They do whatever they have to do in order to get what they want.

No surprise: you see huge preponderances of these guys in fields that provide outsize concrete rewards, e.g. finance, the upper echelons of management, etc. But not every natural-born Hustler is in a position to enter a glitzy high-paying field, and in fact you find Hustlers all throughout society and all throughout the economy, finding or making hustles wherever they go.

Having Hustlers working for you is mostly pretty great. They get shit done. They can be induced to work incredibly hard - probably harder than anyone else, under most circumstances - and they'll shank their own mothers if the price is right. If you need anything really important from them, anything at all, it's just a matter of bribing them enough.

...they will also, of course, cheerfully shank you if the price is right. Hustlers aren't the only wellsprings of institutional politics and infighting, but they're the most dangerous ones; they're always potential rivals to everyone around them. Also, you need to keep the tangible rewards flowing in a steady stream in order to get anything out of them, or else they'll put most of their effort into jumping ship (one way or another).

Craftsmen are motivated by the desire to do good work in their chosen fields, for its own sake and for the sake of their treasured self-image as people who do good work.

As you'd expect, for the most part, they're excellent workers and should be prized. But they're not perfect workers. Common weaknesses and downsides include:

They tend to have their own ideas about How Things Should Get Done; they're often resistant to externally-imposed product/service requirements or process changes (and bad at implementing those things) (no matter how important or well-conceived they are), and they're very resistant to "just get it out the door, right now done is better than good."

Being driven chiefly by internal motivation is great, but sometimes it's useful to be able to push things along with external motivators, and Craftsmen are pretty resistant to those. They don't like working more or harder than they're naturally inclined to work, they mostly sneer at carrots, and sticks make them sad and unproductive.

It's important to note that, while noteworthy skill within a field correlates with having a Craftsman temperament and motivation suite - for obvious reasons - those things are not identical at all. Plenty of Craftsmen are bad at their jobs, or just average, and plenty of the best workers are most motivated by things other than the Excellence of the Work Itself.

Fanatics are a relatively rare and specialized group, whom you find mostly within a few specific sorts of culturally-valorized fields. They're motivated by a desire to be part of something Important and Good in a Broader Sense: to Save the World, or some smaller-bore version of that.

They make amazing front-line soldiers, in the sorts of institutions that have "front-line soldiers." They work super hard, and you don't even need to bribe them, you just need to keep them hopped up on inspiration.

The big problem with them is that they're mostly motivated by a feeling - the feeling of Being Righteous - and it's not easy to control where they get that feeling, in any kind of precise way. They're just as resistant to external motivators as Craftsmen are, or even more so, but they're also not being guided by an ideal of effective quality. (No, not even if their chosen cause is theoretically all about an ideal of effective quality, hem hem.) They will happily waste vast amounts of time and money doing useless things, or even counterproductive things, so long as they're engaged in tasks that hit the right psychological buttons for them. There's also a constant risk that a Fanatic will decide that his employer is unrighteous, or that one of his coworkers is unrighteous, and start an internal conflict; the risk scales in a more-than-linear fashion with the number of Fanatics you keep around.

The biggest group, unsurprisingly, is the Normies. In most fields, it is much the biggest group. Normies are motivated by the desire to be members in good standing of their communities, to have positive relationships with the people around them, and to live up to basic norms and expectations.

Managerial skills, in the traditional sense, are incredibly important with Normies. If you want them to do good work for you - and you should want that, as a manager, you've almost certainly got a whole bunch of them - not only do you have to keep them pointed in the right direction, you have to make sure that they're supporting each other. With Hustlers, you just have to throw money at them (and avoid their power plays); with Craftsmen, you just have to let them do their thing, and occasionally badger them into giving you what you need; with Fanatics, you just have to be inspirational; but with Normies, you have to lead, and construct a productive community. You have to set reasonable, achievable norms and expectations that will get you what you need.

This wouldn't be complete if I didn't talk about the Defectors. The Defectors are motivated by not working. They don't want to be there, they resent having to do their jobs, and their primary goal is to shirk as much as possible. They will, by default, put much more effort into shirking than into their assigned tasks.

Obviously, managers don't want to have to deal with them, for good reason. But they're out there, in large numbers - not always in the places and fields where you'd expect to find them - and learning to manage them is sometimes more viable than trying to get rid of them. ("Moving Heaven and Earth to find them jobs that will change their attitude" is often a good plan, although of course it's not always possible and not always worth it.)

Crucially, Defectors are not Normies. If you start with the assumption that the average baseline worker is lazy and sour, you will make some incredibly stupid decisions. There are some fields where, for structural reasons, you can expect that a very large number of your workers will be Defectors; this is a huge and complicated challenge, well beyond the scope of this post, and good luck to you if you have to handle it, but it's not the default.

----------------------

Once you have those categories in your head, and can play with them, a number of obvious-seeming ideas present themselves. Just a couple, for now:

Most high-level executives are Hustlers, or have strong Hustler tendencies, for obvious reasons. Most of the people around them are Hustlers, or have strong Hustler tendencies. This means that they tend to overweight the Hustler outlook, by a lot, when they try to model what their workers are like. More specifically, I'd wager that a lot of them intuitively divide the world into "good workers" ( = Hustlers) and "bad workers" ( = Defectors). This will lead to a heavy overreliance on tangible rewards, a systematic shortchanging of community-building, etc. Which is in fact just what we see.

In particular - crucially - Hustlers and Defectors are the only worker types who ever become more productive under heavy stress. Hustlers actually benefit from it, because it raises the stakes of the game that they're already playing. (If you succeed, you'll be king of the world! If you fail, you'll be shark food! Go go go!) Defectors suffer terribly from stress, of course, but they can sometimes be spooked into doing their jobs as opposed to doing nothing, and sometimes that's the best/easiest way to get something out of them. But stress is terrible for everyone else. Craftsmen lose their focus. Fanatics lose their hope. It's worst of all for Normies, because they take all their cues from the vibes around them; they're productive when they learn to associate work with comfort and happiness, and when you fill their working world with frantic desperation, you just put them in a permanent cringe state.

stop trying to pit your Normies against each other in competitions for status and rewards dear God what are you stupid

To some extent, you can control your institution by controlling what types of workers you have. But only to some extent. There are only so many Hustlers and Craftsmen to go around, and if you want them, you will have to (a) be able to identify them reliably on little information [HINT: you are probably very bad at this], and (b) provide them with what they want [tangible rewards / comfortable security and interesting work]. "We are going to employ only the good special people" is feasible if you're an outfit of four workers; at a dozen, it's already become a stretch; at a few hundred, uh, pfffffffft. If you want to operate at scale, you need to be able to make Normies do good work, there is no substitute for it.

[kittenwriter]

Cure narratives: when fiction depicts a disability being cured. Because no one on the internet has nuance, it wound up getting overwhelmingly presented as "you should never depict curing disabilities because that's ableist." This rested on the fact that for neurodivergence-type disabilities, "curing" the disability means fundamentally changing the person; you're born neurodivergent and it's an integral part of who you are. (And also this slides really, really easily into eugenics.)

But disability is a broad umbrella! Even with the social model of disability (and if you want a beautiful fictional examination of the social model, look up The Fledging of Az Gabrielson; the author thought through every detail of what it would mean to not have wings in a world where everyone has wings), chronic pain is disabling no matter how well society accommodates it. The vast majority of people with chronic pain would like to not have chronic pain.

There are also some things that exist on a spectrum. I'm not qualified to give an expansive discourse on Deaf culture, but there is a schism between the people who are culturally Deaf and see that as worth preserving and the oralists who lean into cochlear implants and seeking to eliminate it. (For that matter, while it's highly taboo to talk about it and I don't think it's common, neurodivergent people who want a cure do exist. I'm not going to get into all the complications and controversies of John Elder Robison because that's an essay in itself, but look at his book Switched On for something adjacent to that perspective.)

So you wind up with a lengthy set of discussions about what is and isn't acceptable to depict-- and it's a lot like every other diversity discussion in that market-level generalizations wind up getting held against individual authors. It's a problem if every depiction of disability shows cures (and then you get the related things like the "not really blind" trope where you have characters who are supposedly blind but magic or technology allows them to function as though they weren't with no problems)-- but that got turned into (because no one on the internet has nuance) "you should never depict cures and if you do you're ableist," which in turn sparked backlash from the people for whom the cure narrative is wish fulfillment. (I have myself joked about being a Bad Disabled because my own desires as regards cure do not align with the "You must be proud of your ENTIRE DISABILITY" narrative.)

There's also the fact that even among the wish-fulfillment people, sometimes you want to read about someone who is suffering what you're suffering the way you're suffering it without it being magically cured at the end! Or what's desired is fantasy assistance devices that function like actual assistance devices in that they have drawbacks and trade-offs and assist without making the character functionally not disabled.

So I feel like the people in anon's fandoms probably got into the "it is ableist to depict cures" thing with the same level of nuance typical of People On The Internet (which is to say, none) and then mangled it even farther. There's probably also some influence here from a related conversation, that of using fantasy substitutes instead of giving your character real-life actual disabilities, but again, that's a spectrum and depends a lot on how well you do it, and I see it happening more frequently with people wanting to write Stereotype Neurodivergence without considering whether it has any resemblance to actual neurodivergence than I see it with physical disabilities. (See also Sheldon Cooper.)

So now that we've gotten to the end of my essay (this is probably a bit more than you thought you were getting when you asked the question), further reading if you're still so inclined:

"The Trope of Curing Disability" at Disability in Kid Lit

"Disability Tropes 101: The Magical Cure" at Dis(abled) Embodiment

Brilliant Imperfection by Eli Clare

The Disability Visibility Project

"The Complexities of Curing Disabilities" by Emily Ladeau

And finally, a bunch of people having a conversation on Reddit.

(And now we have proved once again that you can take the girl out of the library but you can't take the librarian out of the girl.)

Tagging question! In canon, a character has a magic-induced health problem. Basically, every so often, he has days moving his back in any way causes staggering amounts of pain and he has severe fatigue. He can't get upright under his own power during severe episodes. Painkillers do not work. The frequency of episodes starts off once every few months but by this point in canon has become a once or twice a week problem. It can hit right out of nowhere even if he was fine all day today or he can wake up with it.

Fandom wank being what it is, people keep insisting to me that this is not a disability. I tagged the fic with Disabled Character because since he's the main character of the fic and this... look, I'm not disabled? I could be wrong. But to me this feels like a disability. If I met someone with this IRL with a non-magical cause I would go, "I 100% believe this qualifies as a disability" without question. But oh, wow. The fandom does NOT agree with me on this. I've gotten several annoyed remarks by people informing me that this is belittling the pain actual disabled people have because disabilities, unlike curses, can't be lifted. And I can see that there's a difference. Thing is, he can't canonically afford to pay to have the curse lifted. He's stuck with it.

Because every single person in this conversation is abled, though, I feel like they're not who I should be listening to. OTNF, I know your readership includes disabled people. Do you/they have any suggestions? Does he qualify as disabled, or am I too attached to my headcanon-y idea of him as being a metaphor for disability?

--

I don't think that's a metaphor. I think that's a canonically (magically) disabled character.

What say you, readers?

[puppyeared]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you

[yepmadness]

Yeah so. I gave into the urges. I’ve never felt the need to write fanfic. Ever. But here I am I guess.

I wrote this at midnight soooo, who knows how this is. Just wanted to write John thoughts because he’s my guy—so have this short little piece that I hope other people can enjoy too :)

Fic under the cut: 1.8k words.

The memory of Arthur’s silence will remain more prettifying than his agony, but that doesn’t mean that his pain … his terror as the light and awareness left his eyes—their eyes—is what John was hoping to hear.

He doesn’t know what he was hoping for. Relief? A gasping thank you? Pride in saving him? Would it be foolish to wish that the talisman fixed everything? That he would just be okay? Perhaps it is. He thinks it is. He was never going to have that. It would be unreasonable to think he would get any of that, but any joy of him living, of John fixing this, was ripped away when Arthur opened his mouth. All John wanted was a sound. A single noise, a response, any response to prove the talisman worked. He got that. He should be happy that he got that.

But he isn’t.

And Arthur is silent again.

And the world is dark—but not as dark as it could be.

John does not know what to consider if Arthur didn’t end up in the dark world … when he died. That place was the last thing he wanted for Arthur, and yet, it was always treated as a last resort. Of a sort. Between them, spoken only aloud by Arthur, so long ago now. A place they would end up together in—if they failed. It was not a future he ever wanted, but it was a possibility, even if it was one he despised the thought of. But now he knows that if Arthur dies he does not follow, instead he is left here to deal with the repercussions. To play the marker for lifeless remains, having to have witnessed, and experienced death without a choice. What if there is no place meant for them? Past all of this. He can’t exactly bury Arthur himself, if it came to it, he wouldn’t let him stay dead after all. Graves are a place of permanency, one they do not deserve, because they can be forgotten. Especially here. But John would never forget. He would never abandon him like that.

He would find a way, like today. They are stuck in this together. They both have to make their own path through this, together.

Except his body is no longer a weighted grave for them both, a tomb he would never dare leave, it is breathing. Arthur is alive—and so they are both alive, whatever that may entail. He is tentatively okay. Arthur, is okay. As okay as he can be, as they both can be. What matters is that he is alive—what matters now is keeping him alive.

John has almost lost Arthur more than once, twice, more than three times, and he wasn’t always there to fix it but he has tried to be. He often was. Every moment where Arthur falls, where he becomes immobile and lost to John, he feels himself succumb to a fragility accustomed to human bodies. Accustom to loss and fear. It’s horribly quiet without him. Even so, he saves him, he saves them both—because Arthur trusts him, and he trusts Arthur. He loves Arthur, and he is going to tell him that. He has to tell him that. Even if they both know it, to an extent. This can’t happen again without John making sure he knows it.

But this is never going to happen again.

Because Arthur died this time, and he almost lost everything. John felt the cold stone visage that he left in his absence. There was nothing here without Arthur, more so than just the lack of connection to their body, but the emptiness was staggering. He was alone. Completely and wholly alone in a space meant for two.

He hadn't felt terror like that since Arthur slit his throat before the King—but this was worse. They’ve grown … so much—and John wasn’t there to see the aftermath of his actions back then. This, he was aware of, in every aching moment of uncertainty. This could have been prevented, couldn’t it? They didn't need to go after the talisman, but they did, and John didn’t see her—not until it was too late. It was his words that made her kill him—an appeal made to the wrong person. Arthur wouldn’t have died if made the right decisions. But he always seems to make the wrong ones, no matter how hard he tries, that he and Arthur have in common.

But Arthur is alive again, so why does it still feel like he is grieving?

Arthur wouldn’t have gotten hurt, wouldn’t have died, if John wasn’t here. But John wouldn’t be here, who he is now, without Arthur. Perhaps that would be more demoralizing if Arthur hasn’t so vehemently stated that he doesn’t want to be rid of John, that they are in this together, until they both get what they want … no matter what that may be. Perhaps that is just happiness, in the end, no matter what it looks like. From one harrowing experience to the next, until they may finally rest. Arthur wants him here, in spite of all the pain it causes, and will continue to cause. Because Arthur is his friend, and more than that, but he is his friend.

Arthur might even be … pleased with his actions. That he has found himself, both with him, and all that he has learned for himself. That he knows who he is, in truth, after everything.

Even if he knows who he is now, who he wants to be, who he will always be—he knows he will want Arthur there too. Arthur who has been there for all his mistakes, his achievements, their joy and sorrow. Arthur deserved to be here for this too, but he wasn’t, and maybe that was the push he needed. He used to defend so much of himself to Arthur, expectation after expectation, misstep after misstep. But Arthur also gave him hope, the sanctity of trust, showed him love and sacrifice, and remained alongside him even when that trust was broken. Even if some mistakes can’t be forgiven … They let them rest. Arthur lets it rest, so they can move on, so they can grow.

Is it so wrong to become … whole without him there to witness it? Or is that how it was always meant to be. To be entirely his own, must he first be alone?

He hopes not, it is a terribly bleak thought, besides it can’t be. Not in every single world, even if Kayne said he … doesn’t change much. There must be some place where there is more joy to be held in his ownership of self. A better circumstance that does not lace his pride in one of their darkest moments. In his choosing of hope. In his choosing of Arthur. One that doesn’t extend off of a devastating fear, off of death. He doesn’t know if he would wish to change this, he would have—if Arthur was truly gone—but he isn’t, so he will just have to see how this plays out.

He is going to share everything he said—everything he did, with Arthur. Because he deserves to be a part of it. Because they do this, all of this, together. Because he wouldn’t be here without him. Because together they are whole of two, just like he said, just like he will say.

It’s not as if he will ever fit into the messy expectations of what it means to be human, per say, but he doesn’t need to. All he needs is to perceive himself as what he wants to be—and Arthur’s perception helps to, even if he doesn’t always meet that. Humanity will be whatever he wants it to be. However he defines it to be. A neutral point, in it all. For he is not a piece to be slotted away, but a piece to be shelved along the masses, every individual part given a space of its own, and it is a space he deserves. A space he had long since earned.

A space they both deserve, to play their own key.

Because Arthur is alive—and so is he, in every sense of the word.

He’d panicked, when Arthur lost consciousness again, for a second he thought he had lost him once more. John had been so ready to reach for the talisman for a second time—for he wasn’t going to allow Arthur to leave, not yet, not ever. But he was breathing, albeit raggedly, but he was. John was going to keep his promises, he had to. He was going to take care of this, of him, and they were both going to be okay. Just like the times before this, and everytime that may come after, because Arthur isn’t going to die.

They’re going to get their happy ending, despite what she said, one where Arthur does not end up as a corpse.

An ending where they both know want they want, what they deserve, who they are.

Moving Arthur to the witch’s bed was difficult, to say the least, without exasperating the wound and the subpar stitching ... even if it has improved. John won’t allow it to get any worse—and Yorrick keeps telling him it’s survivable, or that he is more likely to survive anyway. Even so, John periodically checks to make sure Arthur is still breathing, that his heart is still beating.

Arthur is alive. He will stay alive.

He should stop worrying, Yorrick keeps spouting that he is arguably fine. He should stop.

But the reality is that he can’t, and he doubts will for a long while to come.

He is intimately aware of every minuscule movement Arthur makes, of every second of awareness he gains, and he coaxes him back to the present through all of it. A melody of promises, of reaffirming how he feels, telling Arthur everything over and over and over. It doesn’t matter if he is aware of what he says, if he hears him at all, John will repeat his words for as long as they are needed.

John never lets him arrive to the dread of waking up alone, speaking as soon as he stirs and recognition strike, each and every time. They are never going to be alone again, severed or separated, and John tells him that. Because they are whole together.

And eventually, when Arthur finds his speech, a gentle—hoarse voice long since worn by constant yelling born from the suffering of the waking. He repeats back everything John has been telling him through the suffering of uncertainty, of recovery and knowing and fear.

Arthur moves, ever so slightly, before John can protest—and he brushes his hand, John’s hand. It is a little thing, but it is such a stark constant to the stillness he had before. After the pain of it all, this is a relief, a reprieve. Arthur is alive and John can tell he’s weakly smiling, even if that is not something he can see, when he speaks up for the first time in hours.

John isn’t surprised by what he hears, he already knew, after all. They’ve both said it before. But John it is nice to hear regardless, because together, they are whole. A comfort to both him and Arthur both. He does not want to live, to experience life as it was shown to him, without him. He wouldn’t have gotten here without him. Together they are whole. Both their own wills, colliding, and depending on each other. Made by each other.

Arthur is alive.

Arthur is alive and he breaks the one sided silence by saying, “I love you too.”

Perhaps that, for now, is enough.

[incoherentpanickedscreaming]

one of my favorite Michael headcanons are the people who decide that Michael is actually his middle name because William is totally narcissistic enough to name his son after himself

[anotherdyingstar]

Around fourteen and a half, and the older brother for Ari and Elmery

he/him, having tits is a nightmare

Probably a hoodie and jeans, in reds, blacks and dark blues.

It’s complicated. The first time I fronted, both my other headmates had the worst breakdown ever (voice of insecurity went ballistic on us + external factors) and both Ari and Elmery went dormant (I thought they were dead, it felt like that). That was the first time I really fronted and I had a presence, but I went dark again with few exceptions. Tl;dr: I’m not really all that present in headspace unless the other two go dormant/I have to help them or urgently pitch into conversation, in which case I front and nobody else really can.

I think a cross between Michael Holden from heartstopper and the Detective (our OC from @.the-gimmick-authority). Basically just brown hair, brown eyes, brown skin, red clothes and a bad mood. yay.

I don’t really know, because I don’t front much. I think I’d like skating and throwball, though.

Again, no clue! Sad folk pop is cool, and indie music, and the Heartstopper soundtrack to some extent? I dunno, but something a bit catchy with sad lyrics.

We all kind of share a mental room, I guess. We have bunk beds and it’s a bit cramped and I’m mostly out of that room and god knows where, but when I’m around I have my own bunk.

Never tried, the others don’t play.

Heartstopper, I think. And this doesn’t count, but I like roleplay and I’m as invested in that as I can be.

A lot of my time goes in comforting the others and stepping in for them and fielding questions when I front, and I don’t particularly mind. I do like headcannoning and bantering with the others, though.

Honestly? I mentioned our OC, the Detective, and I think I’m similar to him. In terms of headmates, I’m the most similar to Ari

Me and Elmery are chalk and cheese.

Not really, no. Ari’s catkin, but I’m pretty sure I’m human.

When you share a head with Ari and Elmery (emphasis on Mery) teasing is bound to happen. And I don’t usually tease other people, but I can be genuinely hurtful at times. I do tease my headmates back a little, though.

i dunno, just a voice.

I don’t think I or anyone intended my appearance, really. I turned up, I felt like a Michael, and that reminded me of Michael Holden, hence my original appereance. I lean a bit towards the Detective, though, probably because of how much he matters to us.

My emotions/thoughts leeching out is rare. Usually, I’m separate and unreachable, but when I do front I don’t think anyone else really can. So, I’d say I don’t affect it till I front.

I don’t really know, nobody’s exactly complimented me before. Being told that I help the people I care about and that I’m a good brother/substitute/protector would be nice.

22. Ari.

24. @thatoneaceidiot tagged me in this, and while I don’t really know him, I think he’s really great! I don’t interact (or particularly like) most of Ari’s friends, but he’s kind and respectful and doesn’t singularly care about just Ari, and that’s awesome.

25. Not much. In times of distress, I hover below their perception and swoop in if necesarry, but otherwise most of my time is spend dormant.

26. Red.

28. They’re a method of expressing emotion, which I find difficult. I prefer maintaining neutrality, but when I’m happy, I use :] or rarely :). Emojis are a no.

29. I’m the only one who usually punctuates properly, but I do sometimes just use lowercase sentences with no breaks. I prefer good punctuation.

33. I don’t even know what I do when I’m not fronting or co-fronting, so I’d say in headspace.

34. It’s a good name! I’d consider using Jamie or the Detective, too. Because OCs.

35. Not silly.

36. I admire Elmery for staying positive and herself as much as she can, and for listening to us. :)

37. @wet-leaf and Michael Holden, I think.

38. They’re my younger sisters, and the only people I have. I’m exasperated by them sometimes, but I love them to hell and back.

39. Whenever I front completely, the others are dormant. I do talk to the other two sometimes, though, and I like that! I’d want to casually talk more, in a non-distressed situation.

40. Does a binder count? /lh (in all seriousness, not really. Maybe a compass, like the

41. A compass, a binder, a red hoodie, short hair, maybe a watch and a belt.

This was fun to answer, so I’m tagging the other systems we know: @mothco002 @the-artemis-sys @the-capricorn-system @nanochittle @abyss-behind-empty-eyes

@maryland-officially and whoever would like to participate. No pressure, of course.

Good Questions to Ask a Headmate

This is a list of questions I collected over time of good, general things to ask someone in a system/collective, presented in no particular order other than when they occurred to me. You can use it like an ask game, if you want, but I’d also encourage using this to get an idea for good asks, and come up with some of your own! And as you get to know them, just ask whatever questions occur to you.

Also, the receiver has no obligation to answer these, especially if it makes them uncomfortable. Nor do they have an obligation to tell you why they didn’t answer a question.

How old are you/do you feel?

What are your pronouns?

What kinds of clothes do you (or would you) like wearing bodily?

Do you have much of a presence in headspace?

What do you look like in headspace?

What hobbies do you enjoy?

What kinds of music do you like?

Do you have a space designated for you in headspace? What does it look like?

Do you like playing any games? What kind?

Do you like any movies or shows?

What do you like doing in headspace?

Who are you most similar to?

Who are you least similar to?

Do you have any non-human attributes or tendencies?

Do you more often tease or get teased?

What does your voice sound like?

What parts of your appearance happened naturally? What parts were done intentionally?

How much can you affect headspace?

What kinds of compliments do you like to receive?

Any particular flavors you enjoy (or associate with yourself)?

What’s your favorite out of these: breakfast, lunch, dinner, or dessert?

Who do you spend the most time with in headspace?

How much time do you spend near front?

What do you think of the asker?

How much energy do you typically have?

If you have a favorite color, what is it?

Do you have any special powers (unrelated to controlling headspace)?

Do you prefer emojis or emoticons? Or neither?

Where do you fall between proper punctuation and no punctuation?

Are you more active in or out of headspace?

Do you have tall vibes or short vibes?

Do you have a favorite flower?

How do you feel about your name, if you have one?

How silly are you?

Do you like animals? If so, do you have a favorite animal?

Say something nice about a random headmate!

Have you ever been confused for someone else?

What do you think of your headmates?

Do you usually interact with all your headmates, or just a select few? Would you like to change that?

Is there anything unusual you’d like to own outside of headspace?

What’s something you could own, carry, or wear bodily that would make you feel more like you?

Freebie! Asker comes up with their own question!

[not-poignant]

hiiii! have you considered releasing tradewinds as a single purchase through a site like gumroad?

Hi anon!

So the reason Tradewinds was shelved and not published like 8 years ago, is because I couldn't find an Aboriginal sensitivity reader willing to read m/m with disturbing themes. I had sensitivity readers for the other side of things (like Matan and his heritage), but I kept either not finding anyone, or the one person I found took my $200 USD deposit and vanished and never spoke to me / responded to any of my emails.

As a result, I was uncomfortable distributing it anywhere broadly, even though I was relatively confident the novel isn't offensive, because I just don't know 100%.

I am a lot more confident releasing it via subscription as an exclusive novel, because the people who pay for subscription are often folks who are a) already used to my style of writing and b) generally know what to expect from me, vs. cold audiences who don't. I'm kind of kicking myself that I didn't realise that Tradewinds would make a great exclusive/paywalled release for subscription, because it means it's only ever going to find a very narrow bandwidth of readers.

Basically if I could release it for single purchase - as basically an ebook - I would have released it like 8 years ago, anon. And the reason I have actually released it this specific way is down to the fact that I'm just not really confident offering it for broader distribution.

That might change one day, if I happen to stumble across a sensitivity reader who is okay with my style of writing, who is reputable + has references (i.e. so I know I won't lose a fair chunk of money in the process, because that burned me pretty badly, not gonna lie). But until then, having Tradewinds be limited is the only way I'm comfortable releasing it at all.

Folks are more than welcome to sign up for one month, download the book (and read any other early access they want) and then leave. They can even just put 'I only wanted one thing and now I have it' in the exit survey so I know what they were there for if they want. Then it's still a single purchase (with some early access extras), and they still access the downloadable file. :)

[ofwhimsicaldreams]

30 DAYS MUSIC CHALLENGE: 2024 edition by @x--daughters-of-darkness--x

Day 25: A non-english song -> Rammstein: Reise, Reise

Gotta say I hesitated a lot between that one and Nebel but well... Reise, Reise is my favorite Rammstein song for a reason... Very sad I never got to hear it live sadly, but such things happen.

[wewillbeseen-butnotbeheard]

okay. genuinely

i think there’s a subtle layer of insecurity over your entire community. it’s hard to describe but a lot of the “i hate my body” talk could be questioned. how many hate it because it’s just them? or how many don’t know how to articulate those feelings so they come to the conclusion that they’re somehow another creature entirely, instead. if it’s not all of you, it’s some of you. i don’t have to directly prove that (that in itself isn’t that important) as much as i can safely estimate

i do understand all of this though. over the last few months i’ve gained a genuine understanding of “nonhuman/alterhuman”s, etc. i don’t come from a natural stance of opposing the concept or anything. it’s actually hard to stand with my own thoughts on this, especially because i WOULD agree. why not? i don’t know. it doesn’t really matter

i don’t think i can go so far into this without contradicting myself. i feel as if my position on this subject is volatile so i apologise if i end up doing exactly that

i should again insist that your community is in fact comprised of humans, but the argument doesn’t hold up if i deny that it’s based on self-perception and you are arguably animals in some way. (arguably.) i do not know you better than you know yourself, yet outside perception is also something to consider

“why does it bother you so much that i am the way i am?” i would say that is slightly confusing and kind of vulnerable to explain. i think i have some idea but i’m not sure

i’m willing to deprecate myself in this, and “being in the wrong” doesn’t necessarily mean that i’m wrong myself, and it doesn’t mean that i’m doing to flip my beliefs

what i think i mean is that; it’s complicated. i’m not afraid to say that my own view is hard to hold up, but that’s only because i already have some understanding/experience in this sort of thing. i don’t want to do a 180 on myself(again) yet i’m not ignorant enough to NOT give the the time of day to self-reflection if it comes down to it. i hope that makes sense, sorry

i don’t think my words hold much value to people like you, and i don’t think you would be willing to listen or take it to heart, but it’s still worth trying. i would like you to realise that you are human in every way. you are not an animal, you are not a dragon. (you probably already know this. maybe you’re in denial. i don’t know) either way, none of you would actually be willing to give it even a second of thought because you’re insecure about yourself, and you’re insecure because you know you’re human. i assure you that you will not reach full personal contentment until you live out your life without pretending to be a mythical creature. wtv have a good day

Ooh, I haven’t gotten one of these asks in a few years.

So I ask this, and every other question I will follow up with, completely genuinely, and if you’re willing to really get into the weeds discussing it I’d love to do so (though I’ll probably reblog any follow-ups to my other blog): why do you think you know me and my experiences better than I do?

Why do you think you can armchair diagnose me with insecurity? What evidence do you actually have for that, besides the fact that I’m nonhuman? What evidence do you have that I’m not already content and fulfilled in my life?

Is it possible that identifying as nonhuman is unrelated to those things entirely, and you’re making a false assumption?

I get it. It looks crazy, when you’re completely new to the concept. It’s weird - it is! But pause and listen to us when we talk about our experiences for a moment.

For many of us, myself included, finding nonhumanity is a moment of suddenly understanding - of pieces falling into place, of my life experiences suddenly making sense. Awakening is something that made me more content and fulfilled, not less - there’s a sadness in it sometimes, yes, but so too is there the comfort of understanding yourself in a new way, of realizing, oh. I’m not just weird. There’s not something wrong with me. There are other people like me.

(If this sounds a lot like the experience of figuring out you’re queer, there’s a reason for that.)

To use myself as an example of the flaws in your hypothesis: there’s… honestly not much dissatisfaction with my life right now. I’ve got a stable job with decent income. I’d like to be able to cut back my hours a bit, but that will come in time. I’ve got enough free time as it is to do my art and play my tabletop games with friends in my off time. I’ve got family and friends around me. Sure, I miss my wings, but I’m hoping to pick up powered paragliding in the near future and hoping that’ll scratch that itch at least somewhat. I’m doing pretty well, honestly. This isn’t the case for all otherkin, but it’s not the case for all orthohumans (people who aren’t alterhuman in any way) either. What it does indicate, however, is that your hypothesis that being otherkin inherently means you’re insecure and unhappy with your life is false, or at minimum flawed - if it were true, I wouldn’t exist.

So, I ask again: why do you think you understand my own experiences better than I do? And moreover, why does it bother you so much that I am the way I am?

The name for the thing you’re doing here, intentionally or not, is concern trolling - trying to push me out of an identity by professing concern for problems that don’t exist. Why? Why are you going out of your way to tell other people they’re wrong about their own identity? Why is your reaction, when you see an identity you don’t understand, to decide it’s unhealthy, or just make-believe, or whatever, and then to make that the problem of the people who identify that way? What exactly makes you think this is inherently unhealthy?

Would it not be better to devote that energy to trying to understand us, instead of trying to change us?

You don’t have to answer these questions to me, obviously, but I do encourage you to answer them to yourself at least. Pick apart your worldview for a minute and see if it actually holds up under scrutiny - it’s good for you, and mental enrichment to boot! If you are willing to really get into the weeds of this discussion with me, again, I’d love to do that - I love having discussions like this, and it’s good for me to have my worldview challenged every so often too! Please, genuinely, pick at the flaws in my logic if you see them - if it can be pulled apart under scrutiny, it needs to be pulled apart and rebuilt. No one on the internet is obligated to let a stranger do that, obviously, but personally I enjoy it - it’s a meat pumpkin for me - so let’s talk, if you’re up for it. It’s been a hot minute since I’ve gotten a good interesting antikin to debate with.

[chiarrara]

i caught up on jjk. favorite panels in the last few chapters, plus:

thematic catharsis coming around

[scare-ard--sleigh]

i think what a lot of people misunderstand about the oz Fantasy(TM) is that it's not about denying that he's done anything wrong -- we fully know that he's made some awful, selfish decisions. the fantasy's more like;; what if my affection was powerful enough to make him into something good (whatever that means)? what if my love could change the trajectory of his life? this is not how it works in real life (and I think we all know that) which is what makes it a really satisfying fantasy <3

[wheelercore]

Constantly thinking abour karen wheeler btw but in a way that makes everyone here super madsies

[autumnhobbit]

I’m gonna be real with you guys, I kind of dread the idea of trying to raise any future kids in this church

[opens-up-4-nobody]

...

[upsidedowngrass]

im thinking abt liam and bryce SO much rn now. theyre dynamic is so. sorry liam. sorry bryce