#I hate reading my writing

[munasnook]

Dream of the Horseman

Short story from a few years ago, unedited. (AKA, Try Not To Cringe Challenge for Muna)

It is dark and damp, and smells like a distant memory. As I slowly reconnect with my senses, I come to the unpleasant realization that my mouth is filled with dirt. A sour taste, with hints of blood, grits of gravel between my teeth. I attempt to spit the taste out, and to my disgust, my spit falls down and drips down my chin. The feeling of grime and my own mucus dripping down my neck makes me shudder, I’d rather smell a crow’s blood. I do not know how long I have slept, nor do I understand how I recognize that I have woken here before. As my eyes begin to adjust to the darkness, I realize my face is met with a dirt wall. Worms wrangle through cracks between the gravel, immediately associating this image with a spoonful of intestines fed into my mouth, I press my lips together, attempting to replace this dream with something more pleasant. A tart, maybe. Sweet blood dripping from full lips.

The wall pushes towards me, gravel crumbles into my eyes. I cannot stand this pit much longer, a possible fortune awaits me behind this wall. I reach for my pistol in my boot, the only one that stays with me, even through death. Each movement I make rewards me with a pang, as if all my muscles have been torn, and each inch of my body is kissed with bruises. Elbows bumping into the walls around me sends me into a slight panic. Though I’ve lived in worse conditions, it’s as if this place was meant to welcome me with every bit of discomfort.

I wrap my fingers around the handle. The trigger is so cold it nearly burns me.

I aim the barrel to the wall, take in one breath and bite down on my cheek, and take 4 shots at the wall.
I fall face first, my mouth is met with dry redgrass and mud. It reeks out here, even worse than the underground. One foot still in the grave, I close my eyes before I must travel through this dream again.

When I open my eyes again, I see nothing but two large green eyes and the blurred shape of a nose. I blink a few times, and a few more when she exhales. I adjust myself, propping myself up on my elbow. Red lips peek through gaps of blond hair, clumps of dirt, mud, and blood clinging on.

“I think the hat suits you best,” I say. She pauses before glancing up to the top of my head.

“I could say the same for you; you would need more than moss than that to keep the top of your head dry here.” I brush the top of my head with my free hand, a few more times just for measure, moss tumbles down my back. Her green eyes set on mine again.

She rolls onto her back, stretching her arms out. The moonlight highlights each of her features. So delicate and smooth, sculpted. She looks as if she was carved out of moonstone. Perfect. Her eyes don’t even shrink when she looks directly at the moon, it seems like they might even grow.

“Tonight it is clear. Tomorrow, though... well. Who is to say? I can smell another storm, you know.”

“Worse than before?”

She pauses for a moment before turning her head to me again. As she does, her hair collects more mud. I can’t help but cringe a little when I hear it squelching, almost as if I can feel the cold mud and bugs crawling onto my own scalp.

“Who’s to say, hunter... maybe if you find your horse, we might have a chance to escape. What are we without our hats?”

“What do you mean?” Her face freezes, in a calm surprise. She props her head up on her fist and looks at me with her huge eyes. I can see my reflection in them.

“Have you lost your head again?”
“I don’t understand your meaning.”
“Louis, every morning you wake, decades have passed in the night. Why must you forget every sleep?”

I began my search.
The swan beckoned me. The swinging of its tail disrupted the peace in the water. A shame a creature so beautiful must cause so much suffering.


A song broke from the mountain, echoing to the bottom of the canyon. The voices of each stream in the land screamed its own testimony as it fell to the mirror below. The avalanche erupted in the water beneath the mirror. Thousands of feathers burst from the impact, a chorus sprung from the death of a landmark. Needles of ice sprung out, ripping my skin slightly, exposing myself to the cold air.

Though the mirror is long gone, I can still see myself in the pool’s reflection, through the eyes of Sonya. I drag myself towards her, waiting for her reach. I am crushed by the relentless power of the fall, so cold it burns, pressure enough to melt off my flesh. My eyes begin to cloud with the light of heaven, and the walls that once stared down at me began to close its eyes, wrapping its arms around its self, to become nothing but its own memory. Layers of my skin begin to slidel away from my bone, i have never understood the origin of my purple cloth until now. The water around me begins to mix my lost flesh and draining blood into its own creation, I swallow the last breath of sunlight; I may rest on my death’s eve. The last ring of her voice wraps around my heart, before I am devoured by the fall. without asking, I know her name. I know she feels the same. We have both awakened again, in this dream we can not explain.

I pull myself off the ground, dust off what dirt I can. Sonya’s gaze does not change slightly, rested in the same spot as if I were still there. I slip my gun back into its slinger, a second nature. In three days, I will be free.

The swan beckoned me .I followed, the softly bent neck and elegant mannar it drifts. A creature, that of destruction. I found the swan on land, between a small opening in an undergrowth. Their eyes used to haunt me, I seek them for guidance now. I follow it to water.

I cannot tell if I am horrified or amazed when Sonya sinks into the swan’s neck. I can hear it’s flesh ripping, and it’s bones crunching under her teeth. Her eyes flutter shut, and her tongue dances round the swan’s wound as it struggles.

Until I wake in the new storm.

[anx1oustig3r]

fixed my clown ass mistake now this is in a readable state

[inkskinned]

this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.

good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.

sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.

so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.

one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.

[poorly-drawn-mdzs]

HOT, SINGLE, UNSTUDIED SPONGES. 3000 NAUTICAL MILES AWAY. Come sail the distance and read Tiger Tiger!

[singlearrowquiver]

Fanart of the fic by Budinca / @miribalis called Bedtime Rituals to Try out Before the Next Angelic War.

;-;

[frownyalfred]

I cannot emphasize this enough: sometimes the draft sucks because you keep looking at it. It doesn’t actually suck. You just need to post it and stop beating yourself up.

[sugarcoatednightshade]

thinking about how Humans Are Space Orcs stories always talk about how indestructible humans are, our endurance, our ability to withstand common poisons, etc. and thats all well and good, its really fun to read, but it gets repetitive after a while because we aren't all like that.

And that got me thinking about why this trope is so common in the first place, and the conclusion I came to is actually kind of obvious if you think about it. Not everyone is allowed to go into space. This is true now, with the number of physical restrictions placed on astronauts (including height limits), but I imagine it's just as strict in some imaginary future where humans are first coming into contact with alien species. Because in that case there will definitely be military personnel alongside any possible diplomatic parties.

And I imagine that all interactions aliens have ever had up until this point have been with trained personnel. Even basic military troops conform to this standard, to some degree. So aliens meet us and they're shocked and horrified to discover that we have no obvious weaknesses, we're all either crazy smart or crazy strong (still always a little crazy, academia and war will do that to you), and not only that but we like, literally all the same height so there's no way to tell any of us apart.

And Humans Are Death Worlders stories spread throughout the galaxy. Years or decades or centuries of interspecies suspicion and hostilities preventing any alien from setting foot/claw/limb/appendage/etc. on Earth until slowly more beings are allowed to come through. And not just diplomats who keep to government buildings, but tourists. Exchange students. Temporary visitors granted permission to go wherever they please, so they go out in search of 'real terran culture' and what do they find?

Humans with innate heart defects that prevent them from drinking caffeine. Humans with chronic pain and chronic fatigue who lack the boundless endurance humans are supposedly famous for. Humans too tall or too short or too fat to be allowed into space. Humans who are so scared of the world they need to take pills just to function. Humans with IBS who can't stand spicy foods, capsaicin really is poison to them. Lactose intolerance and celiac disease, my god all the autoimmune disorders out there, humans who struggle to function because their own bodies fight them. Humans who bruise easily and take too long to heal. Humans who sustained one too many concussions and now struggle to talk and read and write. Humans who've had strokes. Humans who were born unable to talk or hear or speak, and humans who through some accident lost that ability later.

Aliens visit Earth, and do you know what they find? Humanity, in all its wholeness.

[lokiswifeduh]

Long Night

Pairings - Roommate!tfatws!Bucky x Fem!Roommate!Reader

Summary - You've been stood up twice in a row now. Bucky is tired of seeing you disappointed. So he takes you on a date.

Warnings - angst, being stood up, angry/annoyed bucky

Notes - I'm horrible at summaries, I know!! This happened to me a couple days ago, wishing I had a Bucky to take me on a date in Brooklyn right about now! Not proofread so lmk if there are any mistakes! Thank you for reading loves!!

WC - 1,750

masterlist

"Whatcha gettin' ready for, doll?" Bucky leaned on your bedroom doorframe, watching you straighten your hair in the mirror on top of your dresser.

"I have a date." You smiled, not noticing the slight drop in Bucky's smile.

"Oh, with anyone I know?"

You shook your head. "His name's Nash. Someone Sam set me up with," You explained. "He's supposed to pick me up in twenty minutes."

Bucky internally rolled his eyes. The guys Sam hung around with were nice, yes. However, he never got the guts to take you out on the date you deserved. A date with him.

"Are you sure you want him picking you up?" Bucky asked, making you look back in confusion. "I mean you don't know him that well... You could meet him there or uh, I'll drop you off." You let out a small laugh, "Yeah Buck, I'll just have my male roommate drop me off at a date, that'll go over well."

Bucky shrugged. He walked away from your bedroom to grab a beer from the fridge before sitting on the couch. He turned on whatever channel didn't require him to use the remote too much before slouching into the cushions.

Twenty minutes passed by when you slipped out of your bedroom, shutting the door behind you.

"Wow, doll. You.." Bucky's eyes widened slightly, "You look great."

You grinned, looking down at your outfit. It was basic but it was the most comfortable yet fashionable outfit you had. Black flared leggings with a sage green sweater and some white sneakers. It was simple yet appropriate for a late-night-diner date.

And to top it all off your makeup had cooperated for once. Both eyebrows looked like twins and not sisters. Your highlight was perfect, shimmering, but not too much. And you had the perfect lipgloss that made your lips look sunkissed. Perfect.

"He should be here any minute!" You sprayed some perfume, your favorite vanilla scent, and went to sit in the armchair across from the couch.

Bucky hummed, keeping his eyes on the Tv, taking another sip of beer.

However, twenty more minutes went by and Nash hadn't texted you, hadn't called, and hadn't shown up. Bucky was starting to feel bad and you could tell by the pity looks he kept throwing your way.

"He uhm," Bucky cleared his throat, "Maybe he hit traffic. You know, with it being New York and everything." You nodded, trying to hold onto at least a small bit of hope. "Yeah, traffic." But then another forty minutes went by and he still hadn't even texted.

And then another hour.

And another hour.

By the time Bucky finally turned off the Tv it was three and a half hours since the time Nash was supposed to come pick you up.

You were still sitting in the armchair, having dozed off with a couple tears streaked down your face. Ruining your once-perfect makeup.

Bucky sighed, silently cursing Sam even though he knew it wasn't his fault.

"Alright, doll," Bucky whispered, placing his metal arm behind your back, and lifting your legs with his right. You groaned awake, holding your phone in your palm as you wiped your cheek. "What time is it?" Your eyes shoot open, "Did he show up?" Bucky placed you in your bed, handing you one of his t-shirts you had stolen a while ago. "No, doll. I'm sorry." You stripped your shirt off to change as Bucky went into your bathroom, grabbing a couple of makeup wipes.

"Here." He softly spoke, hating your distraught and disappointed expression.

You wiped your makeup off, shedding a couple more tears in the process. The tears dripped from your cheek to the grey henley Bucky had given you. "It's okay. Maybe he was just busy." Bucky wanted to roll his eyes. He wanted to tell you that any respectful man, any gentleman wouldn't have done what Nash did to you. But he kept his mouth shut, opting to hum in your favor, and threw the makeup wipes in the trash when your face was completely bare.

"Goodnight, Doll." He placed a kiss on the crown of your head as you hummed in response. "Goodnight, Buck."

---

A couple days later, you finally got a text back from Nash.

"Bucky I was right!!" You came sliding into the kitchen, your socks making it easy to ice-skate on the smooth wood floor.

Bucky chuckled at your ability to skid so gracefully without falling. He had tried it once but vowed to never do it again after he slid into the dining room table. You would never let him live it down.

"Right about what, doll?" Bucky flipped the pancake, adding some vanilla to the dough.

"About Nash! He actually was busy!" Bucky quirked an eyebrow. Wondering why he had waited this long to text you back. Six days to be exact. "Did he say with what?" Bucky turned back to making breakfast.

"He said he got busy with work, and that something at work pissed him off so he didn't wanna see me while he was upset." You explained what Nash had told you.

Bucky had never wanted to hit someone in the face so hard.

Well, actually that wasn't true. But he did want to sock Nash in the face for standing you up and giving you a half-ass excuse days later.

"I mean that explains things, yeah..." Your brows furrowed at Bucky's flat tone. "Do you not believe it?" Bucky sighed, pulling the milk and eggs from the fridge as you sat on the countertop. "It's not that I don't believe it, it's just that it kinda seems like he forgot and or didn't wanna see you so he made up an excuse a little less than a week later to not seem like a dick." You nodded, taking in the information. Bucky couldn't sense your reaction quite yet, seeing how you were just staring at the ground with your hands in your lap, swinging your legs in the air.

"I mean, I'm seeing him tonight. If everything goes well after then I'll know it really was true."

"You're seeing him again?" You nod, "But this time I'm meeting him at the fourth corner Bakery. And I'm meeting him earlier this time, around noon."

Bucky looked over at the clock, seeing it was already 10:45. "Well you better go get ready," He said almost reluctantly, "Breakfast will be done before you need to leave."

You smiled, hopping off the countertop as you gave Bucky a quick kiss on the cheek. "Thanks, Buck. You're the best!"

He smiled, but then remembered he's only making you breakfast before you go on a date with a guy who's already stood you up once. Rolling his eyes, he scrambled the eyes, listening to your music in the other room.

---

You had already left for your date three hours ago when Bucky decided to go over to see Sam. His excuse was wanting to discuss the next mission they were due to go on in a week. But he just didn't want to sit at home all day, thinking about how you were on a date with another guy.

However, before he could reach Sam's he had to pass by the bakery where you were meeting Nash.

Yet when he looked through the window, there you were, sitting all alone at a table for two, eating a piece of cheesecake. No Nash in sight.

An internal war started in Bucky's mind. Should he go in and see if you were okay? Or should he believe Nash was in the bathroom and you were just sitting by yourself for a minute or two?

But then he noticed the solemn look on your face. The way your fork poked at the half-eaten cake. And that was your favorite kind. Bucky mumbled a soft curse, opening the door to the bakery and making his way over to you.

Without words, he sat down, his gloved hand resting on the table in front of your plate. You kept your head down, not quite looking at Bucky but knowing he was there.

"He didn't show, again." You mumbled. If Bucky didn't have super soldier hearing he doubted he could've heard what you had said.

"I know, doll. I'm sorry." You finally looked up, tears in your eyes which made Bucky's heart clench. "Why me, Buck? Why am I the one who's alone?" Bucky stayed silent, knowing you needed to vent.

"Am I unlovable? Is that what it is? Why does every single one of my friends get to find the one? Get to fall in love, get married, and have kids and I'm the one without someone?!" Your outburst made some other customers look over in concern.

You groaned, resting your head on your hand and hiding your face from the rest of the bakery. "I- uh, I'm not sure, doll. But I know one thing.. you're not unlovable. You just haven't found the one who wants to take the effort to show you how effortless you are to love."

You looked up at Bucky, fresh tears gleaming in your eyes. You had never seen him look so vulnerable before. He usually grumped his way through emotions. But not with you, not anymore.

He gave you a sad smile, clearing his throat before he stood, "Y'know what, doll. Let's go." He held out his hand. You looked around, "Where are we going?" Bucky took your palm in his gloved hand, "It's a surprise." You laughed, before standing and throwing the rest of your soggy cheesecake away. "You know how I feel about surprises." "Okay, I'll give you a hint." Bucky opened the door for you, making sure to walk on the side of the road with the bustling cars and traffic. Bucky called a taxi, opening the door for you. "You're about to have the best date of your life." You stared at him in awe before laughing and climbing in the taxi. Bucky's knees barely fit as he scooted in next to you. The driver asked where to go as Bucky licked his lips, "Brooklyn, please." You smiled, "Brooklyn?"

Bucky nodded, throwing an arm around your shoulder. "I may be old but I still know some good spots to take my best girl on a date." A blush rose to your cheeks as you looked over to him. "Your best girl?" Bucky nodded, picking up your hand with his metal one before leaving a soft kiss on your knuckles. "Always and forever, doll."

---

masterlist

[arunneronthird]

oh, to be the protagonist of a tragedy where the villain is your creators hatred

[jadecantcreate]

i wanted to write a quick 3-chapter fic for day 4 of loa shiptober (how they met i think) and i (a fool) was like. yeah. i could totally write 3 chapters in a few hours. i was wrong. SO wrong. haven’t even finished kremy’s (the first one).

so instead have a maybe-past-kremy design that im conflicted about compared to his current design, as a peace offering

[anna-scribbles]

what a shame, i can see it all now that we’re through

- firearm by lizzy mcalpine

(chapter 5 of call it even is making me feel bonkers insane. thank u @sha-nwa)

[toytulini]

listen im ace and im pro kink at pride and whatever, but the way some of yall are wording your posts in response to the backlash against it is uh. really taking me back to the ace shitcourse era.

yall know theres nothing wrong with being a "virgin", right? that its not inherently shameful to have not had sex, to never have sex, even if youre not ace, even if you do want to have sex someday, like, its fine that you haven't had sex?

maybe if your problem is that theyre trying to police your behavior and shame you for expressing your sexuality, you can say that? instead of resorting to "haha stupid virgin gets no bitches" like my god. do you not hear how fucking regressive that attitude is? i know, i know, youre "joking".

get a better joke

[raggedy-spaceman]

"I don’t know this man!" David Tennant and Michael Sheen on Good Omens 2, jetpacks and Jon Hamm nude

Michael Christopher Sheen you are a menace to society!

[stagefoureddiediaz]

We’ve been looking at this all wrong the entire time...

So my brain is a weird place that I don’t fully understand, but sometimes it connects dots and I figure something out that has been staring us in the face the entire time! Lets just say it explains so many things - right down to the very pointed use of tommy calling Buck Evan!

This all stemmed from me looking at colour theory and costuming for Buck and Eddie (and by extension Tommy) season 7 again, because I was going to try write the buddie costume metas for episodes 9 and 10 that I never managed to get done before we started season 8 I will hopefully get to those posts, but this post - while technically about Tommy and his costumes (yes me ant Tommy person writing a post on him I know!) it does also look at the costuming for Buck and to a lesser extent Eddie more widely across the season and what the colours used actually mean - getting some distance and some time on the season has been a blessing!

Im not going to go into it in detail, but, broadly speaking the show has given each character a signature colour - this doesn’t mean they wear it all of the time - but they do wear it a lot of the time and especially in key scenes - characters can have more than one key/ signature colour, and it can change and develop over time. We can ignore season 1 because it was a pilot season and very often shows won’t choose to establish a signature colour for a character (911 s1 is all over the place from a costuming perspective - because they had several designers working across the 10 episodes but since s2 we’ve had much more continuity with Alayna Bell-Price at the helm for most of it). So for example Athena’s signature colour is mostly black with white and khaki green also in the mix. She’s moved away from that subsequently - wearing less black and more white/creams but both colours are still staples of her wardrobe.

Eddie we all know mirrors Athena from a costuming perspective - his signature colours are also black and khaki green with some white/cream as well. The khaki green was much more dominant than the black to begin with - which played into his military past -  that had evened out on the black and khaki front whilst the cream had stayed fairly steady, but now we’re also starting to see a little bit more of it as well as some darker blues. this mirrors Athenas own journey t healing - the more she heals the less Khaki we see and the more white/cream - Eddie is starting to follow the same path from a costume perspective. 

Bucks signature colour has always been blue, but he also wears a fair amount of yellow and grey, so those are his three colours. He obviously wears a lot of other colours, especially white, but white has its own specific use in Bucks costumes that sits separately from his signature colours. 

We all know about yellow/ blue and green blue colour theory - I’ve gone on about it enough (especially yellow blue colour theory and its queer coding) and others such as @lover-of-mine have as well. Well both yellow/blue and green/blue continued to play out in season 7, I’m not going to go into them in too much detail - there are posts on my pinned post that cover that much better and I want to get to the good stuff (and I know you all do too!) 

We do need to remember that Buck and Eddie very very rarely wear blue and green in scenes together - if Eddie is in green Buck won’t be in blue, and vice versa - this is because of the ties to blue/green being Buck and Eddies break up colours - the colours they wear opposite their respective girlfriends when the relationships are ending. This is a little less set for Eddie - who actually wears white/cream much more when he’s ending relationships than blue or green - but the one time he has actively done the breaking up he was in green.

As I was starting to do a bit of work on the 7x9 and 7x10 metas, I ended up going back and looking over the Buck and Eddie costumes for the season as a whole, and how Tommy fit into all of that as well - as we’ve all been billing him as Eddie lite.

While I do still think there is an element of Tommy being Eddie lite, I don’t actually think that is what the show has been doing -that concept is a bit of a red herring. I’m sorry that this is likely to get a bit convoluted and wordy - but my brain is  still reeling and incoherent so bear with me - I hope it all makes sense.

Right this post is super long so the rest is going below the cut! I hope you enjoy!

Because I was looking for Eddie and Tommy parallels in the costuming for the season, I had been looking at the choice to put Eddie in red/black for his dinner date with Kim and Buck being in green for the scene at Bucks loft, and the fact that back in 7x04 Tommy had been dressed in the same colours - a red henley which was shot with black giving it a red/black colour way. I naturally started looking at the other Eddie - Tommy costume parallels - and there are plenty - lots of the khaki green we see Eddie in - playing into Tommys own military background.

These are Tommy’s scenes - where he wasn’t in uniform of some description (which is a good chunk of his scenes to be fair) 

7x04 

at the hangar - white tee, greenish stone coloured shirt and a tan jacket with stonewash jeans

at the court - light grey marl cut off hoodie and bright blue shorts

at Bucks loft - red/black short sleeve henley and stone wash jeans

7x05

at the restaurant -dark khaki green shirt (I would also like to point out the blue green colour theory here with the addition of tommy having a blue phone case - which is relevant later I promise!)

coffee meet up - light grey henley and navy blue hoodie with mid wash jeans

7x06

karaoke club - navy blue short sleeved henley

7x10

light grey marl tee and greenish denim shirt 

So what you can see from this is that besides the use of henley’s, the only time we get actually get direct reference to Eddies costuming is through the use of khaki green and his first outfit at the hangar. There is of course the direct parallel of the red/black colour way I spoke of before, but, beyond that if you look you’ll see that Tommys outfits actually parallel Bucks far far more. I would even argue the Henley’s are more similar to Buck than Eddie - because they are short sleeved and Eddies are invariably long sleeved.

Bucks colours are blue and grey - and so are Tommy’s - particularly in scenes that are 1-1 with Buck. What I’m trying to get at and will explain is that this has never ever been about Tommy being Eddie lite - this is all about Tommy being Buck - Buck’s subconscious if you will. (I know you all this I’m completely mad at this point - but stick with me!) I have a lot to say about all of this which will explain the why of it all and how we ended up here so we’re going to go through it Tommy costume by Tommy costume!

Lets start with the hangar scene - the most Eddie like Tommy looks throughout the entire season. this is very much intentional - this is about the red herring of it all, but it is also about Eddie (I’m not discrediting anything we’ve talked about regarding Tommy being Eddie lite etc - it is all relevant - but that’s what makes it such a good red herring!) and about Buck being an unreliable narrator. This is in part why we also still see Buck in his too short trousers and his white sneakers. This is his journey (the sneakers), but he’s still trapped in his old self at this moment in time - but aware that he doesn’t fit his skin anymore (as an aside I will be writing a post about Bucks trousers and their changing fit throughout the seasons at some point soon!)

Script wise the key lines are plentiful - the entire scene is full of double meaning. We get Buck stating that he is ‘happy where he’s at’ and Tommy’s response of ‘you’re thinking of changing things up’. viewed through the idea that Tommy is a version of Buck, this then plays out as an internal conflict - a battle about wanting what you already have - being happy with what you have, but also wanting to change things.

Eddie saying ‘you aren’t thinking of leaving us are you’ and Bucks response ‘I’m keeping my options fluid.’ Eddie needing reassurance that what they have isn’t going to change, while Bucks reply is about him not really being sure of himself - of who he is - keeping his options open because he’s figuring out if he wants to change - the line is said to and directed at Eddie so its about Buck keeping his options open about possibly changing their dynamic - becoming something more, even in the face of Eddie not wanting things to be different.  Tommy stating in this scene that Buck doesn’t need to leave the 118 to get certified to fly - that its something he could do for fun on his days off - becomes even more loaded through the internal monologue lens - Buck considering how he can stay at the 118 and have the joy, fun and benefits of ‘flying’ when he isn’t at work - that he could fly with Eddie (Eddie going flying with Tommy to do something fun and date like is a very literal visual metaphor for Bucks internal monologue - showing him what it could be like if he changed things up). There not being three tickets - only two is also important - its again a metaphor this time about how if Buck and Eddies relationship changes - it would only change for the two of them - it would become a relationship that doesn’t have room for another in it. When I say that’s about Chris not being involved it sounds really harsh, but the reality is Chris cannot be a a part of Buddie - he cannot be a part of something romantic. it isn’t saying Chris isn’t important or central to Buck and Eddie - simply that he cannot be a factor in a romantic relationship - that has to be just between Buck and Eddie alone - its kind of about Eddie (and also to a certain extent the same is true for Buck) not being able to hide behind Chris anymore when it comes to Buck.

Fundamentally its all tied back to his death in season 6 (we even get the being struck by lightening reference from Buck just to bring that aspect home) and subsequent resurrection and rebirth  (post linked on my pinned post if anyone wants to read it!). we have to keep at the front of our minds that Buck has died and that is still playing on his mind - its still influencing who he is and who he is becoming and it was all throughout season 7 - even if it wasn’t obvious or stated.

The basketball costume is actually the one that has always stood out for me - Its the most Buck outfit of all Tommys outfits. The bright blue shorts especially. 

So in that scene, which we know is supposed to read as being from Bucks view point, not only are we getting golden haloed super happy bouncy Eddie - Eddie the way Buck sees him -  but Buck is also projecting and seeing Tommy in the place he (Buck) has always existed in. It’s a visual representation of what Buck talked about with Maddie and Tommy replacing him in Eddies life.  Its unreliable narrator buck in visuals he’s seeing Eddie replacing him with Tommy - occupying the same places Buck has and more - from the calendar to the basketball court.

But that’s actually wonderful, because not only does it give us information on how Buck views himself (as expendable/replaceable) and how he thinks others view him - because if he thinks he’s similar to Tommy (which for a purely visual stand point he is - Lou looks more like Oliver than Ryan) but it also gives us information about the reality of how much Buck is actually intwined in Eddies (and Christophers) life - its telling us that Buck is in fact on Eddies calendar (and therefore fridge - fridge magnet theory for the win!) and how much space and conversation he occupies in the Diaz’s everyday life.

So he isn’t actually seeing Eddie in Tommy at all - he’s actually seeing the version of himself he doesn’t think he is but wants to be in Tommy. The version of himself that takes Eddie to vegas etc - that’s the Buck that Buck wants to be - the one openly flirting with Eddie and taking him on dates etc. That’s why the vegas fight is so seemingly ott (especially when you think about the fact Tommy and Eddie have known each other a week or so at most by this point) its the grand gesture Buck wishes he could be making.

All of this also makes Bucks ‘attack on Eddie’ more telling (it’s still the boy pulling the girl he likes pig tails in the playground concept) because Eddie is being receptive to all of these advances by Tommy - adding further weight to the Buck being jealous of and threatened by Tommy. 

Tommy is this version of Buck swooping in and doing all this stuff that Buck wants to be doing (subconsciously still at this point - willful ignorance be winning) but either didn’t know how to or didn’t know Eddie if would be receptive to. Remembering that this is all Bucks viewpoint of things its essentially Bucks brain showing him what dating Eddie would be like and Buck being Buck misunderstands what his brain is telling him (forever misunderstanding the assignment).

There is a second aspect to this and it ties into Tim’s comments about the hamster wheel Buck has a been stuck on and it being time he got off it - the hamster wheel is actually multifaceted and has more than one meaning. The most important is that the hamster wheel hasn’t ever been about his relationships or about the women he’s dating (or men now). The hamster wheel he’s stuck on is actually the fact that he’s built this strong relationship and family with Eddie and Chris - (you don’t find it son you make it) and its something safe and stable and predictable in his life. Getting off that hamster wheel is about being brave and moving that relationship - that family dynamic onto the next level - removing the platonic aspect of their family and making it a fully formed family for real - romantic love and all - so the ‘platonic’ family is the hamster wheel he actually needs to get off of. 

The other aspect of Tommy actually being Buck and the hamster wheel of it all is that hamster wheels are solitary pursuits - the implication is that Buck is the one standing in his own way - and coming back to the basketball game we see that played out in the moment where Buck tries to literally run through Tommy - only you can’t act out at yourself, and Tommy is a literal solid unmoving barrier and Buck won’t get past himself by just trying to bulldoze his way through.

This all then plays into the final Buck and Tommy scene of the episode - in bucks loft. I already spoke above about the red/black of it all, but now with the added concept of Tommy being A version of Buck things start to become more interesting. The red/black of it all is a warning (and the poker date red/black velvet suit and eddies red and black suit from s6 actually play into this as well!) - its dark romance - ‘forbidden’ dangerous romance or love. So for Eddie and his date with Kim that meaning is very self explanatory. The two season 6 suits are also fairly self explanatory - for Eddie again its the dangers of looking for romance that isn’t on your own terms and for Buck at the poker game its about the danger of falling in love with the person you are when you aren’t being truly yourself. Tommy being a version of Buck and this concept is a little more murky - essentially is about a similar thing to his poker suit - with a twist - its about the danger of seeing more value and loving a version of yourself that ‘used to exist’ as well as a version of yourself that you think will make you more attractive to others.

We do also need to Talk about Bucks costume here as well - the fact that it fits him almost perfectly - he’s in well fitted if slightly loose jeans and a navy shirt that isn’t tight with buttons not clinging on for dear life (to the same extent). The colouring is still on the dark side - so its not entirely positive - much in the same way that other scenes with buck in a dark navy shirt are moments where things go a bit askew for Buck (think the  taylor ‘I kinda love you for it’ scene from s5 as an example). The implication is that - before Tommy comes along Buck is at his most content with who he is - he’s fitting into his skin better than he has in a long while but it’s not perfect. This is key, firstly because of how the scene unfolds and secondly, because of how he is then costumed from here on out for the rest of the season.

I do also want to mention the yellow blue colour coding in this scene and that is mostly done through the lighting - Buck is in blue and the light behind him is always yellow - he is surrounded by yellow light. In contrast - Tommy is barely touched by the yellow light - not until Buck starts to figure things out - then we get him briefly touched by the yellow light - the rest of the time he is lit very cooly - which is in contrast to the warmth of the loft - and further plays into the idea of Tommy being a stand in for Evan - Evan who isn't loved and accepted in the same way Buck is - Evan who Buck needs to learn to love.

If we look at the script for this scene, it also fits in perfectly with the idea of Bucks internal monologue.  Tommy and Eddie being ‘buddie’s’ making perfect sense is a literal aside to the audience telling them that Buddie makes perfect sense - but it is more than that. This is where I have to bring up the ‘Evan’ of it all. I know a lot of us shudder with horror because of the fact Tommy only ever calls Buck ‘Evan’ and how both jarring and rude it is. How it shows how little Tommy knows Buck. We’ve always known it was being done intentionally. Well, if we view the use of Evan through the lens of Tommy being a version of Buck and things become clearer.  Because Tommy is basically the old version of Buck - the Buck who existed before he knew Eddie - before he joined the 118. And this is where the choice to bring back Tommy specifically for this role becomes a really smart one - because ‘Evan call me Buck Buckley’ was Tommys replacement at the 118. Tommy who has a problematic past that has never been dealt with on screen. This isn’t about the nature of the problematic past. This is the show playing on the idea of Buck’s software upgrades - before Buck 1.0 there was Evan, and using who Buck replaced at the 118 as a plot device to actually dig into Evan more so that Buck can deal with, accept and move on from Evan and become who Buck is meant to be.

Tommy saying he couldn’t replace Buck furthers this - because Buck cannot go back to being Evan - Evan can never replace Buck. invoking Christopher adds weight to this - because Chris never knew Evan - he’s only ever known Buck and Buck is ‘his Buck’ and irreplaceable. Tommy then stating his jealousy is about Evan feeling the lack of family that he grew up with - the recognition that as Buck he has made a family for himself - Bucks assertion that Tommy (Evan) was a part of it is valid - because without Evan Buck couldn’t build the family he has. The entirety of this conversation is about Buck choosing to ‘get to know’ his past (remember this is coming of the back of Buck crossing out the ‘LEY’ on his nameplate in s6 and his struggles with his parents acceptance in that season before the lightening strike), choosing to learn about Evan and embrace him as a part of Buck.  

Bucks assertion that he was ‘trying to get [Tommys] attention and it being exhausting’ is part of that as is the confusion Tommy expresses. The choice for Buck to use the word ‘exhausting’ - it’s Bucks subconscious trying to get his own attention - its his subconscious telling Buck that he’s exhausting himself by not listening to what his inner voice is saying. It’s of course a play on Buck being called exhausting by other people (and is perhaps why he doesn’t have the confidence to listen to that inner voice) and that also plays into the Evan of it all and how Buck views himself. Tommys confusion also plays into that - bucks own mind is confused - it was getting ready to ‘pursue’ Eddie but now we’re pivoting into what is essentially self love.

The continued bringing up of Eddie also makes sense with the contact of Tommy being alt Buck - because Eddie Eddie Eddie fills Bucks heart and mind - Both Evan and Buck recognise Eddies importance if not his full relevance in this moment. The resulting kiss then becomes less about Bucks bi awakening (I am not diminishing the importance of that in any way shape or form - its a vital aspect of Bucks journey) and more about Bucks decision to pursue loving himself - this ties into his statement ‘it wasn’t about me wanting to leave the 118 - it was about wanting to get to know you’ - its about Buck wanting to get to know himself - on the other side of his death and resurrection. It’s a continuation of his comments about Natalia ‘seeing him perhaps better than he sees himself’ - it’s about Buck starting to see himself better now he’s died and essentially been reborn and bout Buck now being in a place where he feels ready to confront that idea of being reborn and becoming someone new.

At the restaurant in 7x05 we have Tommy in an Eddie colour, but in a shirt that is much more Bucks style. There is also the green/blue colour play with Tommy stating Buck isn’t ready and Tommys ‘mismatched’ clothing bears that up - the play is on Bucks lingering confusion and uncertainty about what he wants - is it the Eddie side of things we’re pursuing the self love of Evan aspect we’re looking to explore? The entire scene is not just about Bucks first ‘date with a dude’ its also about Bucks fumbled attempts at self love - at not getting it right - its why Bucks outfit doesn’t fit him- why they’re now too big and baggy (I wrote about this in my costume meta for that episode - which like all the other costume posts can be found linked on my pinned post).  The innuendo about closets and Buck going into masculine bro mode is as much about his nervousness about being on a date with Tommy and being seen as it is about the fact that a man practicing self love is still taboo and so often met with derision - hiding that you are pursuing that is a kin to hiding queerness - at the start - until you get to a good place with it.

We side step into the Buck and Eddie loft scene briefly to look at Bucks confession to Eddie - I could write a whole thing on Eddies acceptance of Buck and its importance - but that is for a different post that isn’t already a million words long! what I want to mention in this scene is the why Buck can’t stop thinking about Tommy of it all - how it is essentially establishing the idea that Buck is starting to listen to himself.  He can’t stop thinking about Tommy because it isn’t Tommy he can’t stop thinking about it’s actually himself - Evan - in a learning to love himself and embrace who he is and was kind of way - all being done through a bi lens. it is essentially about Buck doing the thing he needs to do to be ready for a forever relationship with Eddie - which is love and accept himself - all of himself and acknowledging that to Eddie.

Buck switches back to better fitting clothes for the coffee date - and tommy is now dressed back in Buck colours and no trace of anything resembling Eddie in sight - making it clear that Buck has chosen to pursue himself. To get himself to the place he needs and wants to be first - the line about not knowing what it is he’s ready for but being ready for something is key - its a very self love line, but it also puts a very clear time frame on things - it makes it clear that Tommy is not endgame - because Bucks choosing self love and embracing and understanding ‘Evan’ isn’t his end game but a part of his bigger journey - a part of becoming who he needs to be to achieve what he actually wants - to get him to his endgame.

Then we have the Karaoke - brief scene(s). There isn’t really a huge amount in these scenes. But I do want to point out two things - the awkwardness of Buck and Tommys hug - and how that plays into the tentative nature of Bucks self love journey - and also Eddies behaviour towards Tommy - and the way it was very very clearly a lot cooler than we saw in 7x04.

We all jumped on the Petty Eddie train - and I agree there is an element of that. But - there is also the fact we are not seeing that scene through Bucks eyes - its through external eyes and we are therefore seeing the actual reality of Eddie and Tommys friendship - in that it isn’t this heightened date like - flirty new love type relationship - its simply two people who are loosely friends. Its remarkably normal and no threatening - only furthering the entire purpose of 7x04 being from Bucks viewpoint and Tommy being an alt Buck rather than an alt Eddie. It also therefore serves to further establish the Buddie of it all (but we all already knew that!). Tommy is still in Buck colours and the short sleeved henley is still something I would put more into the Buck costume camp than the Eddie one - especially in this season! 

The final Tommy scene and costume is the date at Bucks loft and the conversation about daddy kink. I still don’t like this scene (which has a lot more to do with execution and the script than the actual daddy kink of it all) but I am much more sanguine about it now that I understand what it is setting up.

Bear with me here I probably won’t make sense, but with the knowledge that Tommy is actually buck lite - a less good and developed version buck (Evan and in part the version of Buck that Buck himself thinks he is) the daddy kink scene actually becomes about setting up Buck addressing his past and his actual real daddy issues - because bucks past self sees his worth in those issues and without them it means both Evan and Buck have no worth. Buck confronting and dealing with them and choosing to forgive and move on means the end of Buck and Tommy because Tommy is no longer needed - he has served his purpose and Buck would be ready to start his future - Evan stays in the past and Buck completes his rebirth and closes his lightening strike arc.

Onto Bucks season 8 journey - Bringing Gerrard in to Bucks arc rather than the others who have far more connection to Gerrard now begins to make much more sense. Tommys past under Gerrard actually echoes Bucks past - in different ways and to vastly different degrees, but the parallel is there.  S1 Buck being a play boy and sleeping around and not treating women especially well (objectifying them etc) because of his own hang ups - is a pale echo of Tommy being closeted and racist sexist and homophobic under Gerrard. Like I said before - Buck is a pale imitation to Tommy here and that’s intentional (more in a sec) because once Tommy is under the wing of Bobby when he takes over the 118 we see him begin to grow and change. Buck follows the same pattern - Bobbys guidance pulls him away from his destructive behaviours and sets him onto the right path (Bobby is arguably the birther of Buck - Look I could write a whole thing off the back of my death and resurrection of Buck post about Bobbys role as God - the heavenly father - in Bucks life and how that is the overarching theme of Bobby and the show but I don’t have the time tbh!) to ‘redemption’.

Bucks behaviour is very intentionally not as bad as Tommys behaviour, because if Tommy is the plot device meant to essentially represent Bucks subconscious and how he views himself, then the reason we haven’t been shown Tommy atoning for any of his past sins and behaviours is because Buck hasn’t forgiven himself for his own. Buck is his own worst critic and will self flagellate to a ridiculous degree - and again with him being an unreliable narrator - he views his past indiscretions as being the equivalent of Tommys - therefore in his mind he hasn’t yet done enough to deserve absolution (Buck and Bobby being father and son in this as well!). 

Which brings me to s8 and the return of Gerrard and what Bucks arc is going to be (this is slightly incoherent and not fully formed - I’m still percolating!). Gerrard being central to Bucks arc - and Bucks push back is imo going to be about Buck taking a good look at himself and recognising/ facing up to and accepting his past. And that actually does come down to the daddy issues of it all. Because if Bobby is as good as Bucks dad - and allowed him (and his subconscious in the form of Tommy) to develop and grow - then Gerrard is Phillip Buckley (obviously a heightened more terrible version of reality in the same way Tommy is a much worse version of Buck) who parented Evan through apathy and taking the easy route - we saw Evan pushing back against Phillip in Buck Begins and being rewarded for it and thus establishing Bucks self destructive and self sacrificing pattern of behaviour. Acting out and getting hurt got him attention - so Buck acting out against Gerrard is this reduced and will ultimately have the same results just in an essentially more destructive way.  This is is a good thing - because this is about Buck recognising that he is worth and acting out etc is detrimental to him progressing as a person - its going to actively prevent his self love journey to flourish (and this is why in part I maintain my belief that Tommy is going to, if not encourage Bucks behaviour, then at least tell him to go along with Gerrard demands - for an easy life and also part of why I don’t think we’ll see a huge amount of Tommy - at least to begin with - until we get to a point where Buck is really motoring on the self love journey and getting to the point where he needs to do some pre break up face to face conversations that move him forward!).  It’s about forgiving and accepting his father for how Evan was raised - Bucks arc is going to be about forgiving himself and allowing himself to be happy, and he cannot do that if he doesn’t go through the Gerrard stuff - which is essentially a type of therapy. That’s also where I think the golf comes into it - it’s a metaphor for Buck building bridges, gaining understanding and accepting his past with his father - the metaphor of the driving range being the idea of standing side by side and performing the same thing, but landing in different places. There is also the concept of improving ones self and choosing to not repeat the mistakes of the past.

It also means the thing Tim said about Buck and Tommy becoming more comfortable with one another makes much more sense, and why he’d flip the question to talk about Eddie and about Eddie feeling a bit left out in the cold but not out in the cold! Buck is becoming more comfortable with himself and while he’s doing that and learning to be happy etc as I described above. Eddie is going to feel left out - because this is about Buck not Eddie - because it’s about Buck being ready for forever with Eddie - and Eddie ultimately cannot be a part of that journey - Buck has to do it for himself in the same way that Buck cannot help or be there while Eddie goes through his reckoning with the Catholic Church, and faiths place in his life and also dealing with the ghost of Shannon and his mother issues(because he has those and they are all set up to go in s8 - Chris being in Texas really sets that up nicely!

Bahaha Tim I’ve finally figured out your question answering methods and how they tell us all we need to know!! 

All this to say - Tommy is actually alt Buck - not Eddie lite (I mean he is still also that but it’s a bit of a red herring) he is a plot device for the biggest thing about Buck as a character and it all means Buddie here we come!

Thank you so so much if you have read this epic piece of waffle - I hope you enjoyed and I truly look forward to hearing all your thoughts on this and to you being as insane about it as I am!

Tagging some people who asked (and some who didn’t but might be interested anyway!)

@spotsandsocks @exhuastedpigeon @lover-of-mine @fruityfirehose @leothil

@bewitchedbewilderedbisexual @theladyyavilee @livingwherethesidewalkends @craigyxo

@izzysbeans @buddiediaz118 @inell @hotshotsxyz @winterskydragonx

[milla984]

With Neighbors Like These

Summary: Jack goes away for the weekend and Aaron and Reader can finally have some alone time (inspired by this concept)

Pairing: post season 12 Aaron Hotchner x fem!reader

Category: smut (NSFW, 18+, MDNI)

TW/CW: kissing, mutual masturbation, moderate dirty talk, penetrative sex, protected sex, established relationship, unspecified age gap, Hotch dealing with parenting issues, Jack is mentioned but not present

Word Count: 2k

The house was unusually quiet as you walked in, leaving your shoes at the entrance to proceed barefoot towards the small office Aaron had arranged for himself with a few retouches to the spare room in the back.

Despite having a key in case of emergencies and whatnot, like a very good neighbor, it was a common decision you’d only use it on specific occasions and mostly when Jack wasn’t around. A single soccer cleat lay abandoned in a corner in the living room; were it to happen on a regular day you knew the mere sight of it would have sparked a fierce argument, but this morning was different. 

The evening before a very concerned father had driven his fourteen-year-old son to the arranged meeting point, camping gear in tow, and Jack was now enjoying a two nights excursion somewhere in the local woods. You had a feeling that, conversely, Aaron wasn’t getting a kick out of the child-free weekend - confirmed by his rapid typing on the keyboard when you knocked on the wooden frame of the French door to catch his attention.

He looked at you and cracked a smile, still too focused on what he was doing. “It won’t take too long. I promise.”  

You dropped your purse under his chair and hugged him from behind, the scent of his aftershave filling your nose with pure delight.

“Feeling lonely, already?” 

“Why?!” he enquired. “I didn’t have to shout five times to turn off that damn videogame, last night… and nobody guzzled down half a gallon of milk directly from the bottle, at breakfast!”

“You’re also worried, I can tell,” you added and he shrugged, defeated, then went back to focusing on the screen.

He’d been working part-time as an FBI consultant for a law firm for about a year and you had never seen him putting his job before his kid: he was an active member of the PTA and even volunteered to chaperone whenever he could (something that many moms and other dads found incredibly hot, without a doubt). If he was working on a Saturday he was a hundred percent desperate for a distraction.

Your palms brushed over his shoulders and a delicate touch soon turned into a proper massage, kneading his muscles through the polo shirt he was wearing. 

“Relax. You’re too tense,” you mumbled. He had only shared a few unpleasant details about his life as a member of the Behavioral Analysis Unit in D.C. before he and Jack moved into the neighborhood; nevertheless, it didn’t take a genius to figure out his former employment as an FBI agent had taken a huge toll on both of them.

“I’m not sure I should have signed that consent form,” he confessed. 

“His entire class is with him and his teachers all have cell phones, nothing’s going to happen. Save for a few mosquito bites,” you replied. “And don’t get me wrong... but aren’t you being just a bit overprotective?!”

“Jack told me the same thing when I said I wanted to think about it. Except, he didn’t phrase it so nicely,” Aaron grinned and shook his head while he rose to his feet. “Sorry, enough with the family issues,” he apologized, “it’s a lovely Saturday morning. Have you got any interesting plans?” 

“I have. And they don’t involve homework,” you declared, and as you pushed his laptop to the opposite side of the desk he locked an arm around your waist, his expression reverting to a serious one.

“... so you’re a bad influence.”

The intimidating attitude he could pull off with a single stare never failed to make your legs turn into jelly. 

You lowered your voice to a purr. “You don’t even kn—”

His soft lips pressed onto yours stopped you mid-sentence. The fact he had a teenage son registered in your mind only as a foggy thought and the power he’d had on you since the instant you saw him jogging around the block was almost inexplicable.

“You’re right, no more homework. How about I take you out for lunch?” he proposed and the warmth of his breath on your skin ignited a fire you weren’t at all convinced you could control. Or would.

You hugged him tight, your bodies finally making contact. “How about we take care of something else, first?”

Aaron’s attitude towards romantic relationships exuded manners and consideration, the portrait of a gentleman from a different era, so the response to your suggestion came as a surprise: he’d always shown a preference for the intimacy of his bedroom, even though his palms stroking over your breasts to make your nipples grow stiff and visible through the fabric was the perfect sign he had no intention of wasting any time to move the action upstairs. 

Your tongues lustfully met in a second kiss, prompting you to let out an excited sigh as you blindly undid and removed his belt before letting it fall on the floor with a loud clunk. You reached for his zipper and he sighed in return but gasped a second later when you gave him a light push that forced him to sit down again. 

“Show me how you do it when we’re not together.”

Aaron’s eyes widened - confusion and stupor at the beginning, then the sheer thrill of the idea lit up his gaze. And made him hard entirely.

He sank into the cushion behind his back to finish unzipping his pants and pulling them down his hips so that his swollen erection was only contained by a thin layer of underwear. 

“You’re just going to watch?” he asked, locking eyes with you. You could have sworn that look alone increased the temperature in the room by a couple of degrees. “Doesn’t seem fair.”

You reached under the flowy dress to roll your panties along your thighs, letting them crumple around your ankles; you sat on the desk and lifted the skirt up to your waist, your feet resting on Aaron’s parted knees. 

“I’ll show you mine if you show me yours.”

He swallowed nervously but didn’t miss a movement of your fingers starting to draw circles around your most sensitive spot, guided by the aching tension in your belly; your mouth watered at the sight of his cock whipping free and he noticed, so he took his time to wrap his right hand around it.

You knew how to work his length, moving up and down in slow and long strokes as foreplay, nevertheless witnessing such a handsome man masturbating for you proved to be one of the most lascivious experiences of your life.

“I always think about you when I touch myself…” you confessed, and he held on to your ankle with his free hand while you rubbed your clit. 

“Are you trying to make me lose control?”

You nodded in confirmation and he growled. 

He was now coating his shaft and palm with the leaking precum, using only his index and middle finger to collect some of the slickness and spread it over the bulging head, the exposed glans glistening in the process. That was when he usually begged you to move faster, since his delicate skin was lubricated enough and increased friction meant pleasure - not pain.

“I’m really wet for you,” you teased him, your own desire pooling at your core, but his reaction threw you off balance. 

“Stop, please… stop,” he whimpered, “this is not…”    

His ragged breath made it difficult for him to articulate his words. “I need you.”

You gestured at the purse that was still under his chair and he handed it to you; sharing the house with a teenager meant Aaron had grown accustomed to some of his clean t-shirts randomly disappearing from his drawers and wardrobe, so you both knew nothing out of the ordinary could be hidden among his personal stuff. 

He stared at you, entranced, as you retrieved the small box you’d carried with you and tore one of the foil packages open. 

“A little closer, maybe…?” you joked, and when he stood up you bit your lower lip in anticipation. He kissed you lightly on your forehead as you unrolled the latex down his hardness, then you pinched his chin and smiled at him.

“Better?!”   

He whined again. “Not exactly.”

You grabbed him by the nape of his neck, speaking softly to his ear. “Make me come. I can’t wait anymore.”

The uninhibited request seemed to have flipped a switch in him: the sound of a pencil holder spilling its content made you laugh as Aaron enthusiastically raised your legs in the air and held them to his chest, so he could start rubbing the tip of his cock up and down your folds.

It was torture but he was damn good at it.

When he managed to get himself covered in your arousal he slipped the bulbous head past your entrance. “It’s so big…” you muttered.

Truth be told he wasn’t that well-endowed and you had nothing against it, since you’d never been keen on painful sex, still you welcomed him with a loud moan once he buried himself inside of you. Even a gentleman from another era didn’t mind a bit of flattering and appreciation of his manhood. 

He wasn’t as vocal, though, but his deep groans reverberated in his throat in a manifestation of primal, untamed passion; he looked so solemn it drove you insane, his brows furrowed and tiny droplets of sweat trapped between his short hair, almost as if he was directing all of his energies into screwing your brains out.

When his thrusts grew slower but more intense you wriggled your legs free and locked them around his waist: with a last, fierce grunt he twitched several times and you closed your eyes to enjoy the moment, which was always the biggest turn-on for you.

With your eyes still closed you welcomed the pressure on your lips, a not-so-subtle invitation to take his index and middle finger in your mouth; you sucked on them alternately, happy to oblige, tasting traces of the salty precum. You clawed at his forearm when he brought the wet digits to your clit, rubbing and drawing circles just like you’d shown him before.

“Aaron… I’m…” you mewled, grabbing a fistful of his hair as you - indeed - came with his throbbing cock still inside you, lungs pleading for air and inner muscles clenching around him.

He collapsed on top of you, the additional weight making you realize how harsh the desk’s smooth surface was on your back, yet you cupped his face and stroked his flustered cheeks with your thumbs. 

“I missed you so much,” you breathed out as soon as you were able to.

He pulled out and started to fix his clothes, and before he got rid of the condom he planted the sweetest kiss on your lips. “I’m sorry about the other weekend. Jack wasn’t supposed to play, last minute change of plans—”

“Don’t be sorry, I know you love going to his games,” you said, propping up on one elbow to straighten yourself as he stood in front of you. “Besides, you wouldn’t want to disappoint your biggest fans, would you?”

He was still heaving a little and looked at you with a pensive pout. “... what?!”

“I mean, you’ve seriously never noticed…?” you locked your hands behind his neck as you tried to come up with a good imitation of the cooing voice of the soccer moms who you knew swarmed the sidelines every time he was present.

“Aaron, can you help us move the coolers? Aaron, we need to rearrange those chairs! Aaron, come here and have some cake! We made it for you ‘cause you’re such a good dad and it’s soooooo hot!”

He laughed, the vibrations in his ribcage making your breasts jiggle, then he gave you his best smile to date. “You’re jealous?!”

You shrugged, holding him closer. “No. To be honest I don’t even blame them, you are a good dad. Which is very hot, by the way.”

“Thank you,” he laughed again as he wrapped you in his arms to kiss you one more time, forcing you to close your eyes and get lost in his tender embrace. You muffled a surprised gasp when he playfully nipped at your earlobe with another heart-stopping smile. 

“But just to be clear…” he added, his voice dropping to a whisper, “it’s usually cookies, not cake!”

NB: I don't really have an Aaron Hotchner fic taglist 'cause I usually write about Spencer Reid but if you wish to be tagged in future Hotch-centric works (SFW or not, who knows?) you can either send me an ask or leave a comment below.

[slavhew]

Posting my thoughts here too.

PPS; there is something about BGD still looking the same while jake has so clearly changed in appearance. I don't have anything clever to add, except that that stupid fingerless-gloved hand is so quintessentially Dirk, it looks like an aesthetic choice that belongs to a man much younger than Jake. Because it does. Because Dirk stopped, while Jake had to keep going.