#I hate it but at the same time the game dev's are either Very Smart and giving us hints
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loregoddess · 2 years ago
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the things I will do for theorycrafting
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batw1nggg · 1 year ago
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hi. im here to kamukoma ramble. ok so i reeaaly hate how all kamumeshi Fan Content (which is basically all kamukoma content) waters down izuru to being the dominant one and servant to being his cute little dog like i feel like its so much more complex then that.
izuru was created to be subservient, to be smart enough to see through manipulation tactics and yet not care enough about himself to do anything to stop them, always doing something to serve someone else’s interests - and even when he does do one thing in his own interest (the killing game), it was largely because of his obsession with junko, so we see her still pulling the strings on him from beyond the grave (emphasized by his convo with her in his udg cameo). he doesn’t have power and he’s been designed not to want it. he’s been robbed of his humanity over and over again and been taught to accept it. he even explicitly states all of this in talent dev plan with taka
komaeda, on the other hand, is always framed with such heavy control over the narrative - he heavily influences dr2’s ending and takes that same puppeteering role in udg too. although he has that inferiority complex, he still holds so much power over everyone else, manipulating them like chess pieces. he is just as dangerous as izuru is, considering he has not only the intelligence but the motivation to act out like this, something izuru lacks.
and so this creates a really cool complexity where servant believes he’s meant to be subservient to izuru but this may not be wholly reflected in the way he acts, and izuru most definitely does not care for/about controlling servant. and, if izuru does take a domineering role, it’s because that’s what servant wants (especially after junko’s death, when he has no one left to place himself beneath), and so izuru’s still letting himself go with whoever the people surrounding him want him to be. he’s not with servant for the power trip, that goes completely against everything he’s ever been - because, in reality, IZURU is the one who exists to serve. to serve his creators, and then junko afterwards, even after her death. his purpose has always been assigned to him, not created by him.
both characters are fucked up and morally grey. both characters are the man, both characters are the god.
this is what i wish people would focus more on when writing their general character development and the development of their relationship. because they barely get any screen time you get lots of creative freedom and you can take this concept in either a “they are going to heal and get better together” route or a “they are doomed to always hurt each other in their codependency” route or some weird thing in between; again, personal preference, and if you want to keep izuru and hajime separate postgame this opens a whole new plethora of dynamics and development to write about after komaeda becomes himself again. the flexibility of their dynamic is whats so intriguing to me - kamukoma is a very complex and fluid idea that i wish more people would mess around with like this join me and we can play with them like putty
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zevlors-tail · 3 years ago
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how are you mad that the mc isn't customisable?? this isn't a fucking dress up game on barbie.com can you imagine if they were to make it customisable how much work has to go into that?? all the cgs and cards have to be changed to YOUR ideals and how in the world does she look white to you?? just bc her eyes are big and her skin is pale?? if you have so many issues with it please just DONT play the game its so annoying do you see CN or JP players criticising the game like you do???
Look I blocked your other anon because you were rude as hell to me, but somehow this one is still in my notifs so I'm only gonna say this once: I'm not mad. I never said I was mad.
Just because you enjoy a game I do not does not mean I can't express my opinion on it. I have a right to voice how I think the game could be better.
First, there are ways to go about about changing MC without changing the CGIs, or they could have started that way in the first place.
Second, in your other anon you told me "fix it yourself" or smth along those lines but insulted me while doing so. Fuck you, being smart literally has nothing to do with also being a game developer lol. And just because I'm not a game developer doesn't mean I can't ask for things from the devs or share my opinions with them either. That's what customer feedback is for.
Third. You must not have read any of my following posts before finding the OP, because you would have seen me address the issue of claiming MC was white here. You can also find another discussion about it here, because I wasn't the only one confused on the ethnicity of some of the characters. And yes, from my view, before it was explained to me, pale skin and big eyes most definitely seemed like white traits because...well, they are?
Not to mention, because my language is English, they have English names, some of which sound very white, which I also didn't realize at first made a difference. I thought those names were the same for everyone across the board. Turns out they're not. I'm not sure what the hell you want from me, do you want me to tell you I was wrong about MC? I was, but the game doesn't explicitly give any background (at least not yet from where I'm at in gameplay) on any of them except for Marius a bit and how Luke and MC were childhood friends. So is it not likely for me to have assumed this at the time?
My whole problem with an uncustomizable MC anyways was both that it made the game less immersive and that it didn't give others a chance to play as themselves if they aren't white or Asian. THAT is my qualm with it. Even Mystic Messenger allowed players to have choices in their responses and kept their MC kinda neutral in the end.
I can still enjoy a game while simultaneously pointing out it's flaws and problematic content (an entirely other issue btw). I never said anywhere that I hate the game? I actually praised it's mechanics and art in my original post, as much as I ripped into it too. I very much enjoy collecting evidence and clues and then debating and objecting at trial. The story itself was well written for the most part. The cards are beautifully illustrated and the BGM as well as SFX are so fucking crisp it's insane. It is a visual masterpiece, in that regard.
But it does have problematic content, and it's not perfect, personal issues with the MC aside. To say it is perfect is just being woefully ignorant of the fact that there's room for improvement. There's always room for improvement with games. Also, it wasn't released that long ago, right? It's okay to enjoy the game in a different way. Just don't jump down my throat with anon on because you disagree with me.
And as for others complaining about the game, I got a variety of mixed opinions in my ask box. I'm happy with that. Clearly some people agreed, and some clearly disagree. I'm just one person.
If it bothers you so much that I have a differing opinion that you feel the need to come into my ask box twice, maybe go take a break from tumblr? Seriously. It did me wonders.
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make-it-mavis · 4 years ago
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Homesick (Entry #20)
01/07/88  11:56 PM
Hey.
That first night was rough.
The following six would not be much better.
Honestly, most of my time spent in the dump has excused itself from my memory, on account of being so profoundly unremarkable and entirely unpleasant. I’m pretty sure I know what I did, but a large sum of the details are basically gone. Thankfully, none of it’s all that important, but I still feel like I should write down what I can recall. It’s kind of weird -- it feels like the more I write, the more I remember. Maybe once all’s said and done, I should try keeping a journal or some corny crap like that. A real one.
‘Dunno if I could stay regular on it without the added benefit of pretending to talk to you.
Anyway. Seven-ish days, I stayed there, and each day, relations with Wreck-it stayed just as strained, clipped, and awkward as the day before. I found out on the first morning that he had a strike system in mind -- I break three rules, that’s three strikes, that’s my ass hitting the road. Of course, I found out about this shortly after making my first strike. Literally seconds into the first day. 
I hadn’t slept at all, being too sick and anxious and plagued by a snoring gorilla. So, when he woke up, before he could even stand, he was greeted by a violation of Rule #2:
“Hey, Maestro, what’s it like havin’ an entire brass section lodged in your nose?”
Then he, let’s say, ‘explained’ that I’d just struck one of three.
The second strike was not long for this world, either. Just hours later, I’d break Rule #5, completely by accident.
Business was pretty slow that day, being so early in the School Year (I heard some things here and there about so-and-so’s throwing First Day of School parties, but there was no festival this year -- not in the climate for it, I guess). Fix-it had a fair amount of free time between gamers, and made the incredibly ill-advised decision to try to talk to me. I was curled up on my pillows trying very hard to sleep when I heard him climbing up the bricks, calling out cautiously, “Mavy? Are you here?”
I didn’t say anything. I just grabbed a brick and tossed it in the direction of his voice. I then heard a yelp, a handful of Nicelander gasps, those tumbling sound effects, and that morbid little funeral drone. I didn’t expect to actually hit him, let alone K.O. him. He’s so damn easy to K.O., it’s like cracking an egg.
Regardless of it being an accident, regardless of the fact that Fix-it was assuring everyone he was fit as a fiddle seconds later, regardless of the fact that Wreck-it wasn’t even in the dump at the time, but watching from the roof of Niceland, it was a strike. So I had one left until I was out on my ass. I really had to pull it together in that regard. And I did, sort of.
I spent each day more or less the same: Looking for distractions that didn’t break any rules, puking, and trying to sleep.
I wandered around when I could. I took sporadic catnaps. I took very, very cold baths in the river, which I did not miss doing at all, but I certainly couldn’t use the showers in your game anymore. I drew sketches of the gamers’ faces as they played. I spent lots of time hugging a bucket. I very quietly played my guitar, more for the motion than the music. I snuck into the building from behind and raided apartments during gameplay, stockpiling food and water as my appetite slowly came back. It was all repetitive, futile, and not nearly enough to distract me the way I needed. I wanted buffs so, so bad. Even a drink. But for the life of me, I could not leave the game.
I tried many times, often several times in a day. I’d go stand at our dinky little train station, staring at the dinky little train I’d have to use as a newfound ground-dweller, and shiver. I’d pace. I’d kick the train, usually. It was so demeaning and frustrating. Nobody can keep me locked up. Yet there I was, too afraid to leave my own Dev-damned game out of fear that I’d be murdered. That had to be exactly what my attacker wanted me to feel. Just crippling, paralyzing fear. She may not have killed me, but maybe she was counting on other ways to make me disappear. And there I was, giving her what she wanted.
Wreck-it, on the other hand, left the game nightly to go to Tapper’s, right after closing. He’d check in with me beforehand, and it’d be the same each time.
He’d say, “Hey. Holdin’ up okay?”
I’d say, “Yup.”
He’d say, “Think you might leave soon?”
I’d say, “Hopefully.”
He’d say, “I’m going to Tapper’s, if you’re interested.”
I’d say, “No, thanks.”
End scene.
Word for word, the same every night. Those were really our only brief windows of communication, right up until the fifth night, after he had come back from Tapper’s and settled in. 
The withdrawals had cleared up by then, but, needless to say, I still didn’t feel too good. I’d been stuck in there for nearly a week, feeling more broken and pathetic than I’d ever felt in my life. Everything was weighing down so, so hard, it was like I could barely breathe. Being unable to find you, nearly being murdered, being villainized, practically losing my brush -- it all had me cornered. There was nowhere to run. I was wishing so deeply for a way out. So, like I’ve done countless times before, I stared out into the arcade through the screen, trying to imagine a reality where I could break out and leave all of this behind.
The thing is, though, I’d only ever dreamed of that when no one else was around. This time, I was peering over the mound of bricks that I’d been sleeping behind, barely ten feet from Wreck-it’s stump. I was lying there for Devs know how long before, completely by accident, a question slipped from my mouth.
“What do you think it’s like out there?”
Wreck-it jumped. “Huh?”
I jumped. “What?”
“What’d you say?”
I felt my face burn up. I couldn’t have that conversation, not with him. I slipped back down the bricks to my privacy, and instinctively grabbed my guitar. “Forget it. Doesn’t matter.”
Wreck-it didn’t press, but I didn’t expect him to. It was the heavy, awkward silence after that I was worried about, so, without a second thought, I started playing my guitar. I’d played quietly while Wreck-it was around a few times before, and he didn’t seem to mind. Up until that point, though, I’d been silent on the vocals, because… y’know, I guess I just didn’t feel much like singing since you’d left. But in my panic, I started singing the first thing that popped into my head. It was this song I’d started writing about a concrete world and a neon storm. It wasn’t done. I’d forgotten most of it. It was a freakin’ mess -- eventually, I just gave up. I sighed and started plucking no tune in particular. Me and my unpredictable mouth.
That’s when Wreck-it piped in again, casually.
“Was that a new one?”
I cringed. “Yeah. It’s... not done.”
He paused. “It was nice. When it’s done, you should play it at Tapper’s.” He paused again. “...Y’know, after… things die down a bit.”
“...Yeah, right. As if I’ll ever play there again. Certainly not at Qix, either.”
“No?”
“No. Sprites at Qix are there for a good time, and I’m not super conducive to those anymore, so… even if it ever opens up again, I’m off the setlist.”
Qix had, indeed, been barred from the public not too long after the incident. It had become even more of a hotspot for buff use and dealing. Hardly stopped users and dealers from finding new places for it, but, still, the arcade lost its one and only nightclub. So that was grand.
“And, as for Tapper, I kinda doubt he wants the arcade’s most hated sprite playing at his bar.”
“Tapper still likes you,” he said. “I mean, he even talked about you the other night, said he’d run into you at the memorial. Wanted to know how you were doing.”
It was true -- I had met Tapper briefly at the memorial, and I remembered that he said that I was always welcome in his game if I needed company. It really was a sweet thing, looking back. But I didn’t take him seriously at the time, ‘cause I still thought it was a big joke. And after that, I definitely made him regret his offer. All I’d done at Tapper’s was drink myself violent and end up throwing punches and breaking glass. I was certain that he’d changed his mind and started hating me like everyone else. That thought really stung.
I waited, for a moment. “...What did you tell him?”
“I just told him I wouldn’t know.”
“Good,” I nodded, “good.”
We were both quiet for a long while, before words slipped out of me again. “I’m gonna miss that bar.”
“What do you mean?”
“Well… whether Tapper likes me or not, I’m… bad for business, now. I could draw sprites in with my music, before, but, now… Even if he says I’m welcome there, I’m not really. It’s not entirely up to him.” I sighed, and felt my voice drop so low, it practically dragged. “I’m not welcome anywhere, anymore, so… that’s great.”
“Nowhere at all?”
I said, “Nope. Didn’t you say yourself that I’m trouble? Big trouble? Everyone seems to think that. Bigger trouble than anyone can deal with nowadays.”
Once again, we were both silent for a moment. I’d stopped playing, reduced to flicking one string with my thumb, just enough to hear it.
I heard Wreck-it take a deep breath behind me. He paused, and then, in a slow, awkward voice, said, “Well… Yeah, maybe, but… You don’t scare me, kid.”
I wished that could have made me feel better. It was, objectively, a pretty decent thing to say, and another sprite probably would have been very comforted by the chance of an ally in this mess, or at the very least, someone with something resembling loyalty. But it just made me feel worse. I felt too smart to believe any of that crap could last. He didn’t know it yet, but he’d change his mind. I’d always figured that sooner or later, everyone would decide I’m too much. That was just the way of things. 
However, given my bleak circumstances, I had little choice but to accept his… tolerance while it lasted. Having someone on my side, even for just a little while, seemed like it could have proven helpful.
So, after a long, sullen silence, I just went back to plucking idly on my guitar. “Good to know you’re not as dumb as you look, then.”
His breath caught in disbelief for a second, before he dropped right back into growling, “Name-calling. Watch it.”
“It was a compliment, wasn’t it?”
“Yeah, a super backhanded one.”
I closed my eyes, trying to play myself to sleep. “Just take it, pal. I don’t got that many kind words to share, so I gotta ration them out wisely.”
He grumbled. “You would call that kind.”
“I do. Now, can we cut the yammerin’ and sleep?”
“Fine. Yeesh.”
He slept. I didn’t. Not ‘til midday the following day, anyway. I fell asleep during gameplay hours, and woke up just after closing when Wreck-it stomped his big ol’ stumps up the bricks. We had the usual pre-Tapper’s exchange, ending, of course, with me refusing his offer to come along. I was tired as hell, and I still wasn’t ready to go out there.
But, as I quickly discovered, it didn’t matter if I was ready or not.
I’d been in a fitful sleep for what must have been barely half an hour when Wreck-it’s feet woke me up again. This time, he came around behind my bricky knoll to stand next to me, towering with this look on his face that I didn’t like at all.
He said, “Hey kid, guess what.”
“I’m being evicted?”
“No,” he grinned in a way I couldn’t read -- don’t really see him smile that often, honestly, “but you are leaving. You’re going to Tapper’s!”
I was not following. “Uh… ‘kay, you do know that I said ‘no thanks’, right? That’s a thing you remember?”
“Yup, yup, I do. But listen to this -- I talked to Tapper for you, and all that stuff you said about him hating you or -- or, y’know, all that --” he shook his head, “-- not true. He misses you, kid. You gotta get out there and show him you’re alive.”
I felt my face burn up.
“You-- You--” I sprung to my feet, “You TOLD HIM I’M STAYING WITH YOU!?”
He put his hands on his hips nonchalantly. “Yeah, maybe I did.”
“HOW-- WHEN I SPECIFICALLY SAID NOT TO?! THAT WAS RULE NUMBER ONE!!”
“Ah, ah,” he pointed, “polite request number one, and, request denied.”
I’d have throttled his fat neck if my fingers could fit around it.
“WHY’D I WASTE MY TIME BEING POLITE, THEN, LARD-FACE!?”
He seemed thoroughly unimpressed. “Yeah, yeah, yeah, I’m gonna let that one slide, because you can bellyache all you want, but it doesn’t change the fact that you’ve been in here way, way too long, kid.”
“QUIT CALLING ME KID! I’M GONNA LEAVE, OKAY! SOON! ON MY OWN!”
“Uh huh, I’m sure you were going to,” he nodded in a condescending sort of way that made me want to hurl a brick between his eyes, “but now you get to leave with me, right now.”
“NO, I DON’T!”
“You said you’re here ‘cause you had nowhere else to go, right? Well, now you’ve got somewhere else to go, so get up off my bricks, and come go to the bar like I know you’ve been dying to do all week.”
He wasn’t wrong. But I was so angry. And I was still so scared.
“I DON’T WANT TO GO, AND YOU CAN’T MAKE ME!”
His eyebrows raised for a second, and he shrugged. “Alright, I guess we’re doing this.”
Then the colossal bastard grabbed me. Me, as in, my entire body, in one of his huge, meaty paddles he calls hands. It’s not that he’s never done that before, but it’s always been to throw me, and lasted only a second. This time, he started walking down the bricks, with the clear intention of just carrying me the entire way to Tapper’s. His code is still less dense than that of Fix-it, but that prolonged contact still made my binary crawl. Devs, did it crawl.
So, after a quick burst of threats and shrieking, I conceded. I agreed to go with him if he would just put me the hell down. He dropped me, I ran back to grab my book bag, and we trudged to the train. The way he walked behind me made me feel like he was marching me to some grim fate. Some grim, unnatural, unspeakably awkward fate.
As much as I lamented being reduced to riding the train like a chump, seeing the way his massive ass just barely fit into one of the cars was pretty rewarding.
Once we started rolling, he told me, “You know it’ll do you good to get out. You’re just not coded for life in a box, kid.”
I don’t remember if I sighed or gave the flattest laugh of my life. “Yeah, tell that to the Devs. And for cuss’ sake, quit calling me kid.”
In all truthfulness, as scared as I was, I really was so relieved at a chance to finally leave. And as much as I hated not being able to do it on my own, I was, admittedly, glad to have a second pair of eyes. It was probably a pretty decent thing of him to do, scouting out a safe place for me to go. Even if I really, really didn’t want or ask for it.
But I’m still pissed at him for denying my incredibly polite request.
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danwhobrowses · 5 years ago
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A Personal Rant before Sword and Shield comes out
I’ve sat idly by for months, tried to weather a few negative responses but given that it’s now 6 days from release and I’m hearing that devs are getting literal death threats I’m going to put my foot down
If you’re already shitting on a game that hasn’t been released yet, you are all juvenile bitches, and I’m about to tell you why.
Before we begin, I’m not saying that you’re not allowed to dislike a game, that happens, but usually it happens after you play a game, not before.
You are viewing this game through a keyhole and judging the room and what you’re seeing is not worthy of this much hate. Let’s start with the big one Dexit: Not as Big as You Think Having No National Dex is of course not ideal, but it doesn’t ruin the game. Let’s Go has no National Dex, all it had was Alola forms and nobody whinged about it. Ruby and Sapphire didn’t have a National Dex until FRLG, and nobody whinged about it. Sun and Moon and Ultra Sun and Moon do not have a National Dex And Nobody Whinged About It Do you know why? Because it’s not actually a big deal. People who complain about it are bandwagoning because ‘Dexit’ is a meme, its name literally parodies an event in current Britain that many people don’t actually want to happen.  Now currently, the anger of Dexit is that Bulbasaur and Squirtle are not in it, which frankly is hilarious because the last wave of bitching was ‘Kanto mons are getting all the new stuff’. You wanna know how many main series versions Bulbasaur and Squirtle have not been in? Seven, only way to get them is trade and event. The other complaint is that there’s ‘only 400′ Pokémon. Remember those days where people were fine with 150? 400 is huge, in fact it’s 3 less than USUM and it’s not accounting for the Gigantamax forms Don’t let headlines fool you either, Sun and Moon had 302 Pokémon, it’s far from the ‘lowest dex number since 2003′. Do your own research with these things. Kalos’ regional dex was 151, BW2 was 300, BW 153, Sinnoh 210, RSE has 386 and GSC had 252 Don’t get me wrong, it smarts that some Pokémon isn’t there, but it’s not a dealbreaker, like let’s be honest here. For a good year and a half all your pokémon are gonna do is sit in an unused cartridge or a PC box, you’re literally whining about the fact that you can’t move your perfect IV Pokémon from one box to another. You could simply just let them stay in Let’s Go or USUM, you don’t have to use Bank or Home on continued subscription for that, so your complaints are only set on the foundation that you feel like you have to continually pay to not transfer your Pokémon, Finally, people act like these Pokémon are deleted forever, they’re not, this is for spacing to make sure this game doesn’t break down from the sheer mass of models and textures it has to maintain in a massive open world space, the local and online camping and battles. Just use the Pokémon that are there! There’s new Pokémon don’t you wanna try those? You can also look at FRLG or Emerald and consider that maybe more Pokémon will get patched in once the game proves to be stable. I don’t think you’ve noticed, but the Nintendo Switch isn’t as powerful as the other consoles out there, sometimes it runs like shit. Believe me on that one, Switch is still in a very buggy development phase. Let’s Go was kept small to test it’s capability and Sword and Shield can’t just fly in and give you all 1000 Pokémon just so one of the ones you want can be in there
You have to be much less obtuse with this, I mean this was a long time coming. You’re gonna have to live with the fact that not every Pokémon ever can be supported on one game alone. Disk, Download, Cartridge and Patch Sizes have limits in Compliance, you can’t just throw everything at it. Waah, the New Pokémon Don’t Look Good They do, you’re being petty. It happens every version, the people dislike the starter evolutions or just one in particular. Remember all the Oshawott hate? This all comes and goes because people have simply gone on the first instinct that ‘new and different is scary and should be shunned’ You’re that Simpsons meme when young Homer accuses Grandpa of not being ‘with it’ I won’t spoil to those who haven’t seen it, but I like the new starters, and some of the new Pokémon will need some growing but not every Pokémon looks good at first glance. If Mr Mime, Hypno or Gastly came out nowadays they’d be crapped on so much for lacking creativity or for looking weird. Look at Drampa as well, thing looks like Falkar from The Neverending Story, when I first saw it I thought it look weird but now I like it. You should offer these things time And actually fall back on past experience, you’re reacting like this isn’t the same thing that happens every version; the dex gets leaked, people whine about the evolutions, people get over it and accept that they overreacted. hIgH QuAlItY aNiMaTiOnS I’ve seen that video, 2 clips and you judge a whole game how classy of you? If you don’t see improvement you’re blind. You can’t shit on a game for keeping the battle animations, you can’t expect every Pokémon to move their own unique way to the exact position of the body part the opponent needs to get hit by, that’s just unrealistic. You’re also failing to equate to the new moves and all the new movesets. You have to ensure that each Pokémon is capable of calling this animation as well. The second clip in that video was Hop and Hau having the same rigging, and once again, that’s not abnormal. Rigging is not easy either, do it wrong and it sticks and deforms texture. There’s nothing wrong with Hop having one animation that matches Hau’s, you’ll probably find that many models actually have similar rigging as previous games. Because it’s not that big of a deal and it saves money, as an example look at Disney they copied hand-drawn motion and stuck a different character on them, Robin Hood’s Little John dances just like (animated, for those too young to know otherwise) Jungle Book’s Baloo The thing you’re also ignoring from that clip is the graphical improvement of Hop compared to Hau, Hau looks like a balloon with a smiley face but Hop’s face has depth and his mouth actually moves like a normal person, his clothes have far more contrast and complexity, but no just zero in on one fighting animation and one rigging that’ll surely be worth abusing a game that’s not even out... B-But Charizard I’ve already explained this before but Charizard is Leon’s main, it’s obviously going to have a Gigantamax, ergo it’s also going to be in the Dex. Does Charizard get a lot? Yes, but the reason is because Charizard is popular. One of the rarest cards is a Charizard Hologram Card, Charizard is one of the first version mascots, it is one of the most recognized Pokémon Ash has in the anime Reality of the matter is that like Pikachu, Charizard is a recognized Pokémon for all ages, it appeals to a demographic that’s not playing In Layman’s Terms: that part is not for you A reality you really need to face. Pokémon is a game for all ages, so elements of the game are not always going to be tailored to your age range. The gimmick of Dynamax and Gigantamax is for merch sales and young children because it’s got an audience there, you can’t expect the Biggest Entertainment Brand in the World to simply shut out a large fraction of its demographic just to appeal 100% to you And again, it’s not a big deal, so there’s a Charizard there, just save a Stone Edge and be done with it, if you hate Charizard so much this’ll be catharsis, but in actuality you’re complaining because it’s something to complain about Kanto are getting Everything That went down like a lead balloon didn’t it? Reminder that the first Gigantamax forms were Galar Pokémon, so you can’t really say that anymore. There are Galar forms from non-Gen I Pokémon too I assure you, but the reason Kanto gets a lot of them is because Kanto is the oldest. Let’s not pretend that other gens don’t get love either Or should I remind you of Mega Ampharos, Scizor, Heracross, Houndoom, Tyranitar, Blaziken, Gardevoir, Gallade, Mawile, Aggron, Medicham, Manectric, Banette, Absol, Garchomp, Lucario, Abomasnow, Steelix, Sceptile, Marshtomp, Sableye, Sharpedo, Camerupt, Altaria, Glalie, Salamence, Metagross, Latias, Latios, Rayquaza, Lopunny, Audino and Diancie? It’s true that the Johto starters could use something, but I don’t think they’re being purposefully ignored, perhaps the right design hasn’t come along. Rather it be done right than poorly wouldn’t you agree? The Devs Should’ve Done <Insert Thing Here> People who say this kinda stuff have no idea how a game is made. I have a First Class Bachelor’s degree in Computer Gaming and Animation Technology and I can tell you that none of the stuff you want them to do is easy. Even getting grass right is a complete hassle. You want small insights you should watch Corridor Crew react to Good and Bad VFX, they tell you about the mechanics of CGI a few times on those vids. This is what annoys me with the prior swipe at the Battle animations and rigging, even with 2 years this is a heavily massive workload and Game Freak have only recently expanded the team that work on Pokémon which makes communication much more widespread and difficult to manage, likewise they are working on other games too they are not just Pokémon, currently their next IP is why Toby Fox was able to do a bit of music for Pokémon, because he’s collaborating with them on another game. The work doesn’t stop, most of these people are overworked and still doing overtime, they bring out a good product and all it gets is ‘but it should have this’, and unless it’s a huge part of the game that’s needed to function then that’s really disrespectful Before you start critiquing on what the people making this game ‘should’ve done’ perhaps you should try to make a game yourself, because it is not easy even for pros, I call back to Toby Fox because creating Undertale took 32 Months to create, that’s 2 years and 8 months for those slow with math, it also took 3 years before it could be ported to Switch because the Engine couldn’t support the platform, Pokémon has less time to do that, greater graphical and animation quality to achieve and more characters to battle, attacks to animate and more songs to compose. Conclusion: You’re All Just Bitter I’ve already seen it happen recently but this group of people senselessly bashing something because of ridiculous demands, expectations or arguments based on a lack of understanding all combine into something I’m simply calling the ‘Bitterness Fandom’. It’s people hating for the sake of hating and trying to bring something down just because it’s been a popular force for so long, and it’s not just Pokémon that’s getting it It’s already been happening to Star Wars. The Last Jedi and Solo were great films but the Bitterness sank its fangs in and act like neither are as good as the original trilogy (like killing Snoke without knowing anything about him and Phasma before she could do anything is any different to killing Sidious and Boba Fett in Jedi or Maul in Phantom Menace and Grievous in Revenge of the Sith), a lack of awareness to reality and the desire to complain for the sake of complaining continues to infect Star Wars. We even have a thing called ‘Star Wars Fatigue’ Star Wars can’t release a film every year because of ‘Fatigue’ but Marvel can release 5 MCU films a year and nobody bats an eye. Those frustrations aside, I refuse to let the Bitterness sink in without me calling them out, because you are not Pokémon Fans. If you were you’d know that having no National Dex isn’t new, you’d know that the graphics have improved and leaks of the game happen every time, you’d know why Charizard is popular and that some features are not intended to be targeted at you Shock and Horror to the heavens above but games can’t do everything And if you’re that naive to think so then you’re clearly not doing your homework So let’s throw out an absolutely WILD suggestion shall we? Let’s decide our opinion on a game After playing it? Because shitting on something you don’t even have hands-on experience with it is a fragile pedestal to put yourself on. If we all think it’s bad then, so be it, but I sincerely doubt that is the case When my copy of Pokémon Sword gets delivered to my house I am going to enjoy it because I will not let petty and incorrect statements sway my feelings and I swear to Arceus if you think the Bitterness will bring down Pokémon that easily then you did not see the queue to the London Poké Center that had been amassing since midnight and was forced to stop taking more people when the doors opened What should matter is how you enjoy the game, play it before you judge it And honestly, don’t send death threats, why we need to tell you that is beyond me, the ones who made these games are people who have worked their asses off day in and day out to provide something you aren’t even going to play because one Pokémon isn’t in it, the irony is not lost on me when I say this but deep into the very bottom of my heart: Grow Up. If you don’t like the game, don’t play it, don’t bother people about it, we don’t need your shit here Enjoy the Game People
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like-twilight · 4 years ago
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The Last of Us 2 thoughts eyyy longgg and spoilers
This is my opinion before hearing anybody else’s opinion about it.
I only want to discuss the story as it is the only thing I can really speak of since I didn’t play it for myself. All I can say is I wish I could’ve and I’ll always regret not being able to because I really wish that could’ve been my experience as it was with the first game that I could play myself. It’s also probably noteworthy that the first game was the first video game I’ve played in my life so I’m probably biased.
So I’ll go all over the place because why not.
The false advertisement is extremely scummy and I don’t really know what to do with it, I blame it all on the No Spoilers Culture we currently have going. I don’t think anybody would’ve watched any of the promotional stuff a better marketing team could’ve put together and said “ah you can’t see old Joel in action, I bet he dies early in the game, I won’t fucking play this”. There was plenty of buzz around the game and there was no reason whatsoever to falsely market it. That part’s bullshit and I condemn the company for this.
From the story side though, Joel dying was honestly not that huge of a surprise or shock to me. TLOU is a game that has you watch a kid die in the first section of it then does more than enough to establish itself as a game without taboos. Now whether that’s something you like or not is not important, what cannot be said about the game is that it didn’t establish itself as a game that would do this.
I also think arguments like “Joel wouldn’t go out like a bitch” are silly. The beginning told me Joel, the badass and smart survivor he is, was very quick to adjust back to a small town life with a now pretty much surrogate daughter. I’m not saying that excuses the unceremonious death but to me Joel is not a gun-blazing badass hero, not even an anti-hero. He’s just a dude. He got overpowered and then he died.
See this is where the game could never win. If you leave Joel alive and he’s in the story then it’s just a repetition of the first game. If you leave him alive but he’s not in the game much then you underutilise him and people miss him. Also if you leave him alive then people will just say you’re a little bitch because it’s fanservice that Joel is technically invincible because he’s the face of the game. But if he dies, people riot. The creators couldn’t win either way and so I’m glad they made up their mind and stuck to it. It’s also very useful to get people talking.
Before I tie that into the rest of the story, I also have to mention that one of the few things I heard about the game was the expression “torture porn” and maybe I’m just desansitised but I didn’t feel like it was that overwhelming or unjustified. I didn’t watch too much of the promotional material but I saw what I think was the gameplay reveal where the devs said in this game enemies would call each other by name when you kill someone or they find someone dead. And I think that’s a neat detail but I think it also has a lot to do with what the game is... about.
That the hundreds of faceless people you slaughter during the game all have a video game or more worth of story behind them. They are people with their own twenty plus years of survival in a world gone to hell whose story ends the way Joel’s did. By meeting a person who just... wins the fight over them.
So that the deaths are really personal and intimate in that way feels justified. You also have this crazy technology that allows them to animate people very realistically. This is the last big game for the PS4 and they really just brought the technology to its limits, I feel. For them to then say “oh a sledgehammer to the face doesn’t look that bad” or “we just won’t add more types of weapons and have one type of death animation just cause we don’t want to overdo it” is just. It’s not gonna happen.
I never felt like those were glorified, I think they all added to that feeling that bubbled to the surface towards the end of Ellie’s first stretch of the story where I just couldn’t stop shaking my head, going Ellie... Ellie, what are you doing, look at yourself... look at what you’re doing. So to me that wasn’t really an issue.
I can imagine some people, maybe even most people would play the first stretch of the game in revenge mode. You know, let’s get this bitch. But in the same time, I also couldn’t really deny that Abby was like... kinda right to want revenge. I’m not saying I’m glad she killed Joel I’m just saying she had a reason to. (On that sidenote, Abby being that surgeon’s daughter did nothing to enhance this feeling. I could’ve imagined Abby in a settlement much like Jacksonville where they’re all hopeful because they found a surgeon who’s leading research about the cordyceps, maybe he’s a super good leader, inspires the Fireflies to keep up their spirits, all that. Maybe Abby’s group could’ve been his super close-knit group of soldiers taking care of him and running errands for him, even then the rage would’ve been justified.
I get they wanted to draw the parallel between Joel-Ellie, surgeon-Abby, dad-daughter relationships but that added nothing to the story for me. It didn’t take anything away either, I just kinda rolled my eyes like okay, whatever.)
So when Ellie was on her revenge quest, I liked that she and Dina were in Tommy’s footsteps, I thought that was a nice touch and kinda foreshadowed another section of the story where we would meet up with Tommy eventually. 
Now, Dina and Jesse, I found nothing wrong with Dina or her being pregnant (except that it reminded me of Aniara and I hate that movie with my whole being). I thought it was a good enough source of conflict and I really liked Jesse being around. When he shows up and they’re just saying they’ll get Tommy and then get the fuck outta there you can already tell Ellie is obsessed but you’re still holding out hope that Dina will be enough to get her mind off of it but she’s just too far gone.
So the shift to Abby and the scars.
Jacksepticeye said it while he was playing that Abby’s part should’ve been like a DLC or something but I honestly don’t agree. I mean I don’t disagree but I think it worked the way it was. I definitely think most problems people have with this switch that doesn’t stem from the fact that people disliked Abby or that they can’t admit to themselves that they were caught off guard by the changed narrative style, could’ve been solved with different pacing. Now I don’t know if they would’ve had to constantly switch between Ellie and Abby for it to work or figure some other way out because I’m no expert but still. 
I liked the beginning when it switched to Abby, the whole atmosphere was so eerie like you could tell they were on a collision course and it was going to get ugly. Maybe something like that could’ve worked but it could’ve just been either too suspenseful and tense the whole way through that it draws the attention from the gameplay or it would’ve been even more on the nose than it already was with the parallels between Abby’s group and Ellie’s group.
Now I honestly really liked that Abby’s story was so different because when she returns to the stadium, the part of her story that involved Joel is over. She got her revenge then she goes on with her life. She had a life before Joel entered it, she has one after she killed him. And it just so happens to be a good opportunity for the game to showcase some of the shit that goes on outside of what we’ve known so far and what Ellie knows.
I didn’t mind the religious aspect, I think it makes sense, like enough time passed since the apocalypse that the then grown up generation is distant enough from their old lives, and the generations after them are growing up in the ruins of the old society, that a messiah figure like that lady could emerge. That it just had to be transphobic and shit sucks of course and I do understand the frustration with it. I can imagine better writers coming up with a way to make the Scars despicable without them having our current society’s problems. They could still have the trans and the Asian characters still of course, but without them having to face the struggles trans characters do in our current world.
So that Abby only realises Ellie’s just one step behind her when she still has the climax of her individual story to get through was just. To me it worked so well. Like here we play as Ellie for half the game, this girl is consumed with rage and then Abby’s just fucking off and doing something entirely different because that’s... how little... it affected her. Or at least she personally got her closure and is ready to move on.
I personally liked the conflicts she had in her group, it was believable, it felt reasonable for the kind of life they lived. Of course we already spent one full game with Ellie so Abby was never going to catch up, but if you’re thinking like me then by less than half of Abby’s story you already don’t want Ellie to kill her.
The confrontation in the theatre was messy but since it’s not the end of the story I sort of don’t mind. I know some people don’t like how Jesse died or how little time we have to process certain deaths and story beats and of course it can just be bad pacing but that was again something that to me just brought the player’s world on the same level as an NPC’s world. That for one enhanced the experience for me.
Okay. Let’s talk about the last part that starts with Dina almost dying at Abby’s hands, especially after she says “good” when Ellie tells her she’s pregnant. Of course there’s the callback to dead Mel. But I liked that Lev was there and his presence sort of switched Abby’s role. Up to that point Abby had been Ellie. But then when she has Lev, and she acknowledges him as “her people”, she becomes Joel. And then she becomes a better version of him. Or at least a version of Joel that has mercy.
And you’d think being this close to losing Dina is where Ellie would snap back to it. And she does, for a while.
Here’s when I admit the pacing definitely needed some work regardless of anything. Up until that point we go through three days, albeit twice, but three days. Then suddenly we’re nine plus months later and the setting is different and we don’t get enough time here before Tommy shows up with the end of the story...rope... we got cut in half in the theatre.
I’ll take some time here to genuinely express my what the fuck at Tommy here.
My memory is a little fuzzy here but wasn’t Tommy on board with returning to Jacksonville when they return to the theatre? I actually just checked, Tommy says “they got what they deserved” to which Ellie says “but she (Abby) gets to live” and Tommy says “yeah”. And then when he visits Ellie and Dina suddenly he’s a dick about it saying Ellie made a promise? Is that something that was supposed to happen off-screen or a plot hole? Did that conversation in the theatre have more versions they went through and the wrong reaction got included? Maybe I just didn’t pay enough attention but it felt out of the blue for me and I can safely say that’s the character moment I’m disappointed in the most, especially because we never see Tommy again.
One could argue that the choppiness of time is supposed to symbolise the dissociation and out-of-body experience you can have when you’re living with trauma but I truly just have it down to bad pacing here. I get that they wanted to show the baby but I truly believe with enough polishing they could’ve come up with a scenario that works better and flows better.
I truly could’ve had Ellie maybe leave with Dina and Tommy and then have her turn back before they leave Seattle and then they have the conversation with Dina and then Ellie starts tracking Abby. Here we could’ve had more of what was in the beginning of the story, sort of switching between the two, maybe slightly altered gameplay, etc. Even though the last level as Ellie was really cool and once again I liked how we just barely got a glimpse of how other people live, you know. Those prisoners in those cells have a hell of a 25 years behind them and being freed by this stranger might be the best thing that will have ever happened to them, but to Ellie they’re just a background noise to her mission.
I truly liked those parts.
I could imagine Ellie being kidnapped similarly to Abby but they are treated differently and somehow still end up escaping together, maybe even helping each other the way Ellie almost did with cutting Abby down and letting her get Lev to the boat. And then you’d have Ellie still be consumed by her rage.
The whole time I wanted her so much to just scream everything at Abby. Because look, life for these people is a whole ass trauma. Some people like Dina might handle it differently, or it’s easier with a community around you, but Ellie’s life has been very strange, with her immunity, with the realisation that Joel killed and lied for her, all that. She would need a fucking good therapist. I wanted that catharsis, for her to scream at Abby, to sob until she can’t even breathe, for Abby to do the same, except she realises she got her closure while Ellie never did, and then maybe for Abby to give some sort of... forgiveness to Ellie. For her life not having meant anything in the end.
I don’t know, I wanted that for her.
If there never is a last fight, if Ellie never so much as punches Abby, that would’ve been fine for me.
Two more things that I liked were that Ellie actually started down a path of forgiveness before Joel died. You know, when we see the scene where Ellie tells Joel off you’re like “oh that’s the last thing she said to him, no wonder she feels so guilty” and then you realise, oh no wait, they were actually eventually going to be alright. They just never got the time. To me that hit so much, that was a good scene.
The other thing I liked is Dina leaving. Once again this could’ve been something like, Ellie goes back to Jacksonville and there they tell her Dina left or sum shit idk how that could’ve worked, I’m just saying that losing that farm life didn’t really make me feel anything because we didn’t get the time to grow attached to it.
So Dina leaves, and suddenly you’re back in the room with Sam in the first game when this bitten boy asks Ellie what she’s most afraid of, and she says she’s scared of ending up alone. And this immune girl Joel killed and lied and died for, eventually ends up alone.
So I understand that a lot of TLOU’s fanbase that belongs to a marginalised group, especially those part of the LGBT+ community would be hurt by this ending. By this interpretation. The LGBT+ community, as far as I know, at least a huge part of it, seeks to heal. We use fiction as escapism in a way people who don’t know, who can’t know our struggles will never be able to sympathise with. And as such, we as a community in a large part, have moved on from stories of pain. Not necessarily in that we turn a blind eye on it or anything, but I think it’s a mostly universally agreed thing that after so much suffering we’re ready to see ourselves, and people like us end up happy. And as such the demand from this community towards creators have shifted to not necessarily fully happy endings, but some sort of relief. And as such, this ending is cruel.
It is heartbreaking. My heart breaks for Ellie because I can practically feel the weight in my chest that she carries around when she walks away. She lost everything and she never got the closure. She never got that relief and neither did we.
Once again, if you personally have a problem with this ending and it ruined the game for you, I understand it completely. That’s your own experience with the story, and even though I feel much of the same things, I’m once again left here thinking this is the way the creators wanted to do this and that they did it like this makes sense. It makes sense for the story, the characters, it just does. If it had happened differently in a way that also makes sense, I would not think “oh this should’ve had a heartbreaking ending, this is bullshit” but I do think the ending makes sense.
Overall, I’m pretty much pleased with most everything, except fuck false advertising, fuck Tommy, and fuck uhhh, I’m pretty sure I mentioned something else too. Oh yeah, pacing. Jack actually offered a really great alternative to the beginning, where the museum scene of Ellie’s birthday should’ve been the first scene, and then you could’ve had Ellie wake up four years later at the end of the countdown. That Joel told Tommy about the hospital could’ve been implied through dialogue and interactions.
I also don’t think Joseph Anderson’s theory is hurt by this, he said personal decisions and morality aside, the Fireflies were fucking idiots and they couldn’t have come up with a cure even if they had given Ellie the chance to say yes, because of how unprofessional they’d been and how much they rushed into the surgery. Just because Abby’s dad was a good dude and a good surgeon doesn’t mean shit when you’re dealing with something you’ve not seen before, such as Ellie’s immunity. And I think knowing that wouldn’t have mattered to Ellie either to change her mind about forgiving Joel. And this is what I’ve always said. Like the Fireflies or not, believe in them or not, taking a choice like this away from Ellie because you can’t stand losing your daughter again (and that is why Joel kills the Fireflies, not because he shares Joseph’s opinion) is objectively wrong and borders on the same obsession we see consume Ellie. Joel is just as unhinged by that point as Ellie is, he’s just more... mature about it, I guess.
That could’ve been even more painful, sort of, to not have Abby be the surgeon’s daughter but just for her and her group believe in this doctor that might just be talking out of his ass so much that them avenging his death sets off this terrible cycle of vengeance. I think that could’Ve been very “gritty” and shit, that would’ve hurt because it’s even more pointless. People killing over lost hope.
So, pacing, Tommy, false advertising, bad points, everything else, yeah alright. 7/10 sounds good to me. I will play this one day >)
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ziracona · 4 years ago
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What are your thoughts on all the survivors that weren't mentioned in ilm? Like bill and zarina?
Well, I’m under-informed on a few of them. If I wrote a story including Bill, Heather/Cheryl, and Ash, I would do more research first, because I only have their DbD paragraphs and a little personal knowledge to go with, but I’ll still give you my current takes haha. 
I’ve never played Left 4 Dead, but from his perks and the little I do know, Bill seems gruff and rough around the edges, but like he’s got a good heart and while his paragraph describes him as wanting someone to fight more than anything, I’d argue it reads a lot more like he wants to see people protected more than anything. (I mean, considering he’s quite literally died for his friends before, and some of his perks are based around survival alone, but he’s also got Borrowed Time, one of the most altruistic survivor perks in the game). 
Heather I feel bad for more than anything else. Poor girl goes to hell once and what do you do? Ya send her back. It ain’t fair. I’ve /seen/ Silent Hill and never played it, so again I have very incomplete information, but I liked her, and mostly I just felt bad for her that her life was super messed up. Poor kid is extremely traumatized, but I greatly admire the resilience and how powerful she is when most people would pretty understandably curl up and die.
Ash, I’ve /only/ seen the first Evil Dead film, so I only know him as baby Ash/the world’s single biggest himbo. I’m losing it. In that film, he really does see a friend turn into a demon zombie (not the first time it’s happened either), attempt to murder him and another friend, then get decapitated but still be chattering on the floor, and when he asks what they’re gonna do now and his other (kind of dying at this point) friend says they have to bury the zombie still living corpse thing, dumb hoe really does go “But we can’t bury her! She’s our friend : (”.  He’s so stupid but I loved him. The movie was kinda too grody for my personal preferences--kinda icked me out--but I really enjoyed poor stupid Ash. I am lead to believe he is much more charismatic as an older dude though, so I’d have to do more research to have an accurate opinion on DbD Ash.
Yui I really like. Actually, I try not to play against Yuis when I play killer, or to like, at least not play Legion or Myers against them (I main Wraith/Myers/Legion, although I’m also learning Huntress, Nurse, Hag, & Spirit), because this poor girl got assaulted by a nasty stalker boy with a knife & half her character is about speaking out for women who get stalked & abused and thus I like, don’t feel super comfortable knifing a character who is written as a figurehead for “don’t abuse women or stalk/kill them” down as a slasher boy in-game? (Kind of a weird choice by the devs tbh). I like her a lot though. It’s cool that she rebelled against gender stereotypes even though it made home life really hard, and did it in a society where that’s even more complicated than where I’m from, and that she carved her own path despite a lot of obstacles, defended herself against a guy who was entitled to her body because he’d seen her, beat him, and then went through PT and recovery and got back to racing and was kind of a figurehead of speaking out against violence against women and had a whole biker gang devoted to that. She’s very hardcore.
Zarina is also cool. I like her whole “search for the truth��� freedom fighter thing. Her perks are really neat & I think the way she’s tied to Caleb is cool. It’s been a while since there’s really been a connection between killer and survivor (I mean, ST I guess, but the Demogorgon has no personal connection to those two, it’s just from their world, so to me it’s been since like, Jeff), and this is an interesting way for them to be connected. You’ve got Nea having trespassed in the Nurse’s workplace, Benedict went looking for answers at the MacMillan estate, and Jeff having been friends with Legion in highschool, but other than that and the licensed survivors who get taken with the monster hunting them (Quentin, Laurie, Tapp, Heather, etc), most survivors have no connection. It’s neat that she went looking for truth and trying to see if Caleb was a monster like history paints him, and that’s why she got taken. Kinda sad too, because part of what made Caleb end so violent was that the justice system was super unfair to him, and probably if he knew all of Zarina’s history, he would appreciate her and get some weird small amount of solace from it (I’m not about to suggest he’d like, reform or something, but like, it would probably matter to him, and he’d probably take it easy on her in trials, even if his life didn’t fundamentally change much), but he’ll almost certainly never know that. Her backstory is brutal but kinda real, and it sucks a lot for her that her whole life has been unfair, and then she got snatched by the Entity too. : /  I like her though. 
Nancy & Steve I like, although it’s weird to me they were the pair taken lol. It would have made more sense if it was Nancy and Jonathan, or Steve and his bff Robin. ST seems like a weird addition to me, because I don’t think of it as horror, but that said, I really feel like they missed out by adding Steve & Nancy as their survivors period, even though these are both characters I like in the show. See, almost without fail before that, the licensed characters taken were either from stories finished being told, or dead/presumed dead, and that was really cool (I mean, Halloween I guess not, but Halloween doesn’t count because it’s already got like 6 timelines going--what’s one more?). It was great to see Quentin get a second life through DbD, and Tapp just dies offscreen presumably in Saw 1, so he was a great pick for someone to develop further in a different story--same reason he’s the first protag of the Saw video games. That was a really cool way to do things, and I think they should have stuck to it. It was smart, and awesome, and a lovely idea. ST, however, isn’t even finished getting seasons. And especially with that being the case, it’s weird to just have some totally undeveloped and unmotivated AU where part way between seasons...2 & 3? Nancy calls....Steve? And just Steve? To help her look something up? And they go missing together? Like, if you wanted a ST episode, which could have been really amazing, I’d have way preferred you stick to your OG, really cool guns & drag in a dead or underutilized character and give them new life than create an unmotivated AU where some probably happy in main-stream canon character is now trapped in hell for the publicity grab. I’m not actually, like, bothered about them being in-game or smth if that sounds harsh, I just am a little bit sad they didn’t go with their old modus operandi and do something really cool! Like, ST has a terrible track record for killing off characters for no GD good reason post season-one and DbD YOU COULD HAVE UTILIZED THAT FAILING SO WELL. You could have done amazing things!!! Like, Alexi gets to have a second life in DbD? Sign me the fuck up, he was my favorite character in Season 3! I fkn DIG that. OR UH. GIVE ME FUKCING BOB. I WOULD NEVER PLAY ANYONE BUT SEAN ASTIN AGAIN. I”M JUST SAYING. WHY TF DID YOU NOT PICK THE MUCH BETTER OPTIONS AND DO WHAT YOU USED TO DEVS I HATE IT.
So anyway none of this is revolutionary but here’s my short form thoughts on the other survivors that weren’t in ILM. Thanks for the ask! ^u^
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bazypitchandsimonsnow · 5 years ago
Text
Games People Play
Rating: Teen
Genre: Fluff/Minor Angst
Word Count: 8343
Summary: Baz gets dragged to a party by Dev. Simon gets dragged to a party by Penelope. Hijinks ensue. Based on "spin the bottle" request.
Read on AO3
AN: Oy vey, this took longer than I wanted. Work keeps giving me the goddamn morning and closing shifts so I've been exhausted beyond belief. But now I'm down to four shifts a week so more writing time :D Shout out to @carryonmylovelies for being the best writing helper/encouragement this side of the cosmos. Love you hun <3 Hope you guys like this!
———————————————
Baz
“Baz,” Dev whines, draping himself all over my back like some annoying floppy blanket. “Please?”
“You being pathetic is certainly not going to change my mind,” I say, focusing intently on my own notes. We have finals in a week, dammit, and my cousin is more focused on this.
“But I need you there! To be my wingman!”
I raise an eyebrow at him. “What makes you think I would be a good wingman?”
“Okay, less of a wingman, more of a support.”
“And since when am I a good support either?”
Dev plops himself on my desk, pushing a pile of my perfectly stacked notes. I scowl deeply. Fucking hell, I’m going to strangle him, blood relation be damned.
“Please, Basil? I’ll get you a new bullet journal or something nerdy like that.” He flicks my stack of leather notebooks.
“Nice try, but no cigar, cousin.” I push my glasses further up my nose. “I have far too much studying to do.”
He groans and slumps further against the wall. “But Agatha is might be there! She’s finally single again after three bloody years. This could be my chance!”
I scoff. “Sure.”
Dev glares at me so hard his eyes become slits. “A man can dream.”
“A man can hallucinate, especially with the right help.”
He leans over, arching over my very important homework. “Y’know, I heard Simon is going to be there too.”
Oh. Fuck. I freeze up, heat rising to my face instantly. A grin spreads across Dev’s stupid face. Bloody hell, I wish I had never told him about my stupid crush. Him, Niall, and I were all drinking cheap beer and playing truth or dare. Apparently that beer was strong to get me to answer “who’s your biggest crush?” truthfully. It’s not something I’m proud of, crushing on my gorgeous idiot roommate. But it exists, and it makes me- he makes me very weak. Damn Dev for using it to his advantage.
“He hates parties,” I mumble.
“Yeah,” Dev leans closer, “but rumour has it, Penelope Bunce is dragging him there. Something about getting him to have fun since his breakup with Agatha. Maybe he could have fun with you.”
I immediately throw a notebook at his stupid face so I don’t have to see it. But it’s also to hide my stupid bright red cheeks. The rational part of my brain knows that’s a one in a billion shot. Snow hates me. He thinks I hate him. It can’t happen. But my lovesick side desperately wants to be hopeful. Maybe, just maybe...
“Fine,” I grumble.
Dev straightens up. “Huh?”
“Fine, I’ll go with you to the stupid party.”
Dev grins like a kid on Christmas. “Yay! Oh, thank you, thank you, thank you, Baz!”
He throws his arms around my neck, bringing most of his weight along with him. I push him off me before I’m strangled. “Yeah, yeah, you owe me, arsehole.”
“I thought Snow’s presence was your payment.”
“No. I expect five mint Aero bars by no later than next week.”
“Ugh, fine. Small price.” He jumps off my desk, then gives me one last squeezy hug. “You’re my favourite cousin.”
“That’s not saying much, considering your other cousins are my demon siblings.”
“Yeah,” he chuckles. “Good point. Party starts at 8 in Fraternity basement. Meet me at my room at 7:45. Bring your game face and cologne. Maybe Snow will like the smell.”
He dashes off, but not before I chuck a pen at his stupid head. It just misses. Dammit. I sigh and hold my face, rubbing it up and down. What the fuck am I doing? This is idiotic. Snow hates my guts, I’ve made sure of that. I decided early on it was easier to just make him hate me from the start than confess my feelings and have him destroy my pathetic gay heart. Snow will always despise me. A party won’t change years of fights and snark and anger. No matter how much deep down I might want it to.
The door slams open, making me jolt. I don’t even need to look to know who it is.
“And a good afternoon to you too, Snow,” I say.
“Fuck off,” he growls like an animal. His uniform is in its usual disarray, tie loose and shirt rumpled. On anyone else I would call it sloppy. But on him, I find it ruggedly charming.
“Pleasant as always, I see.” I push up my glasses and turn back to my notebook, instead of looking at his stupid bronze curls and mesmerizing plain blue eyes.
“I don’t need your shit today, Baz.” I listen as he violently throws open his desk drawers. It sounds like a cabinet in a hurricane. Snow is always a force of nature, in both good and bad ways.
I sigh sarcastically. “Alright. Be as loud and pissy as you want, not like anyone else lives here. Don’t you have chemistry right now?”
He growls again and slams his drawer particularly loud. “Forgot my notes.”
“Ah, I see. Didn’t know you could take any.” The comment is out of my mouth before I can stop it. Sharp comments at Snow have become reflex at this point.
He gives the leg of my chair a good kick, rattling my whole body. I glare at him over my glasses, and he glares right back. Bloody hell, he’s so damn attractive. I look away before my face turns red. Luckily, Snow stomps away again, and I’m left in blissful peace.
Fucking hell, this party is going to be a nightmare.
———————————————
Dev
I’m putting the finishing touches on my amazing hair when I hear the knock.
“That Baz?” Niall asks me, voice all nasally from his clogged nose. He’s on his bed, reading some football magazine while surrounded by a mountain of tissues.
“Probably,” I reply. “He’s willing to go to the party with me.”
Niall scoffs but it comes out as a cough. “Sorry I have allergies.”
“Excuses, excuses.” I waltz over to the door. “Baz is my true friend.” I fling the door open, and my hands immediately drop. “Oh my god.”
Baz raises one eyebrow at me. “What?”
“What the ever loving fuck are you wearing?!”
Baz looks down at his perfectly pressed navy slacks, buttoned to the collar white shirt, and polished black oxfords. “Have you gone blind, cousin? It’s a shirt and slacks.”
I groan and shake my head. “I can see it’s shirts and slacks, Baz. Why are you wearing it?”
“Because it’s good party attire.”
“Mother of God, Basil, you- I just-” I groan again, grabbing his wrist to haul him inside. “Get in here, we have to fix you.”
“Fix me? But-”
“You’re not wearing a suit to a high school party, end of story.” I push him down onto my bed by his shoulders. “First off, this goes.”
I reach out and ruffle his slicked back hair. He smacks my hand away. “Hey!”
I shove a finger in his face. “No one under forty slicks back their hair. And if they do, they’re an arsehole.” I hand him my wide tooth comb. “Comb it out. Now.”
“Why?” Baz hisses.
“Because you don’t want Snow to mistake you for a tight arse banker, right?”
Baz keeps frowning, but starts combing it out anyway. Good. “Next, you’re not wearing these.”
I take his glasses off his face. Baz gapes and tries to snatch the spectacles out of my hand, but I’m too fast. “Dev! Give those back!”
“No! They make you look even more nerdy, and right now we’re making you look cool.”
“But I need them to see!”
“No, you don’t. You only need them to see stuff that’s super far away. This basement is not that big, you’ll be fine. Honestly, I think you wear these to look smart.”
Baz frowns, but he doesn’t protest. He knows I’m right. I nod and go to Niall’s dresser, sorting the messy piles on top that should be in the drawers.
“Hey, what are you doing?” Niall asks furiously, but I can’t take him seriously with that high pitched clogged nose voice.
“Baz is going to borrow some of your clothes.”
“Why not your’s?”
“I’m a head shorter than Baz. You two are the same height.”
Baz scowls. “I am not wearing Niall’s clothes. He dresses like a wannabe club cruiser.”
Niall leans over and punches Baz in the arm, hard. Baz growls and punches back with just as much force. Seriously, are they still five?
“No,” I say, “Niall dresses like a normal teenage boy. And tonight you’re going to pretend you’re one too.”
I throw more clothes onto the floor, until I finally find something good. I grin ear to ear. Yes, this is perfect. I turn around and toss the clothing right at Baz’s face, hitting him with a small whack. “There. Wear these.”
Baz takes them off his face and gives them a once over. He looks positively disgusted. “Absolutely not.”
“No bitching. Put them on or we’re not going and you don’t get to gaze longingly at Simon from across the room.”
He looks indignant, and I’m worried he’s going to punch me. But instead he just huffs and stomps to the door, heading to our communal washroom I suppose. I lean to the side to shout at his back. “And you’re wearing Niall’s sneakers! Not those bloody oxfords!”
He flips me off before slamming the door hard. I chuckle and flop back on my bed.
“What would he do without us?” I sigh.
“I think he’s considering finding out,” Niall replies, then sneezes loudly into a tissue. He slowly brings it away. The whole kleenex is covered in snot.
“You’re disgusting” I say.
“Fuck off,” he grumbles. “I hope Baz ends up killing you.”
I smirk, laying down on my crossed arms. Baz won’t kill me. I’m going to have my chance with Agatha, he’ll have his chance with Snow, and we’ll both be happy. Everything will be great.
———————————————
Simon
Everything sucks.
Why am I even here? I’m tired, I’m sweaty, I’m still getting over Agatha, and this party sucks. It’s just a bunch of my classmates in a dingy basement, totally pissed out of their minds, stumbling and bumping into each other. There’s not even any dancing. What’s a party without dancing?!
“I’m bored,” I groan, flopping against Penny, cheek pressed on her head. She sighs and pushes at my side.
“You’re bored because you refuse to leave this wall next to the snack table,” she replies. “Go mix and mingle, bloody well talk to someone other than me.”
“But everyone else doesn’t like me.”
“That’s not true, Si, lots of people like you.”
I scoff and cross my arms. Penny’s usually never wrong, but this time she is. People don’t like me, they’re fascinated by me; the weird orphan scholarship kid, the headmaster’s pet project. Only Penny and Agatha actually like me and know me. (Well, Agatha did like me.) And then there’s Baz, who just straight up hates me. Posh prick. Just because I wasn’t born with perfect hair and pretty eyes and a silver spoon shoved up my arse like him he thinks I’m lower than dirt. At least I don’t dress like a nerd. That’s one advantage I have over him, I guess.
“Are you going to leave any snacks for the rest of us?” Penny asks.
I look her in the eye as I shove a bunch of crisps in my mouth. “I’ve captured these crisps in the name of House Snow.”
Penny rolls her eyes and shakes her head. “I never should have introduced you to Game of Thrones.”
I smile wide, crisps filling my chipmunk cheeks. Penny laughs happily. Well, maybe being here isn’t too bad. I turn back to look out at the party, still grinning. But then my mouth immediately falls open, chip crumbs spilling on my shirt.
“Simon!” Penny yells. “What are you, five?!”
I dust the crumbs off my shirt, quickly chew and swallow, and point at exactly what I’m looking at. Or more precisely, who. “Penny, Penny, look. Tell me I’m not crazy, is that Baz?!”
Penny squints, pushing her glasses up her nose. I watch as her brown eyes go impossibly wide. “Holy shit, it is.”
“Holy shit,” I echo. Because...this is insane.
In the years I’ve known him, Baz has always dressed like a posh nerd. Uniform crisp and pristine, glasses down his nose like some snooty scholar, and raven hair gelled to oblivion. But tonight, he’s very different. For one, he’s not wearing his glasses, making his cheekbones look even sharper and deep sea grey eyes more visible. His hair isn’t gelled either. It falls in his face in a lazy wave. Most shocking of all, for the first time ever, he isn’t in businessman attire. He’s wearing a torso hugging charcoal grey v-neck, white trainers, and black skinny jeans. Since when does Baz wear black fucking skinny jeans?! And they’re like, really tight, showing off every toned muscle he’s gained from playing football. I can’t stop looking, holy shit.
“Simon? Hello? You still in there?” Penny is waving a hand in front of my face. I blink rapidly, snapping out of my jeans induced trance.
“Uh, yeah, Pen, I’m here. Oh my god, what is going on with Baz tonight?”
She shrugs, looking more like me than herself. “I don’t know. Maybe he’s decided to change up his style.”
“I seriously doubt that. He’s been wearing the same kind of clothes since we were all eleven, Pen.”
“People can change.”
“Not Baz.” I narrow my eyes, examining his strange outfit  with careful precision. “He’s plotting something.”
Penny sighs and rubs the bridge of her nose. “Simon, for the last time, Baz is not some vampire supervillain.”
I scoff, crossing my arms with a frown. “Says you. I just haven’t proven it yet.”
“Whatever, Si. How about you try to have fun tonight? That’s why we’re here, remember?”
I hear what Penny is saying, but I’m still watching Baz. He’s got his arms crossed, leaning on one foot, a frown on his face. But that last one could just be, y’know, him. Everything about his face is designed for pouting. Either way, he doesn’t look happy to be here, no more than me. He must not like that his plot isn’t working or something. I keep glaring at him as I shove M&M’s into my mouth.
“And you’re gone,” Penny sighs. “I do not get your issue with him.”
“You don’t live with him,” I grumble through my candy.
“No, but I feel like I know way too much about him because of you. Seriously you need to stop obsessing over him.”
Baz lifts a hand to tuck a piece of his raven hair behind his ear, showing off the pointy tip. I stroke my chin. What’s the purpose of that? Is he trying to distract me? Is he trying to pretend he’s all cute and innocent and not evil? Strange, very strange...
“Hey! We’re playing spin the bottle!” someone shouts. “Who wants in?”
I stay on my wall. I don’t have anything against spin the bottle, but I’m busy, and not really in the mood to kiss a few random classmates. Plus I haven’t seen Agatha yet, but she might not be here. I’d rather not run into her.
Suddenly, there’s a hand on my arm and someone is dragging me away. I look over at Penny, who has a determined expression on her face.
“Pen, where are we going?” I ask, fear filling my voice.
“You’re going to play spin the bottle.”
I inhale sharply. “What?! No way!”
“Yes way! You’re going to go have fun, dammit.”
“Is spin the bottle supposed to be fun? I thought it was just embarrassing.”
“I don’t know, I’ve never played. And I’m not going to play cause I’m in a serious relationship.”
“Great endorsement,” I mutter. I try to wriggle out of her grip, but it’s no use. She’s like a bloody pitbull. Eventually, she turns to face me, hand on her hip.
“Simon, you can’t mope and overthink about Baz against a wall the entire time. Just try this, see if you have fun. You haven’t had fun in ages. You can stop anytime, just try please.”
I sigh, body and ego deflating at once. “Fine, I’ll try.”
Penny smiles a bit. “Good.”
She lets go, but I keep walking towards the loose circle of tipsy British teens. I recognize most of them. Trixie, Keris, Rhys, Gareth, and Philippa. (Luckily no Agatha, that would be awkward.)
“Hey we’ll join!”
We all turn to the left. “Oh god,” I groan.
Baz glares at me as he sits next to Dev, crossing his arms over his chest. His eyes are deep sea grey daggers trying to stab me in the head. Why did he have to sit so close to me?! Luckily there’s a slightly drunk boy between us, wobbling back and forth even though he’s sitting. Hope he doesn’t get sick on any of us, especially if we’re supposed to be bloody kissing.
Oh fuck, what if I have to...no, no way. There’s very little chance that will happen. The universe can’t hate me that much.
Keris raises her hand. “I’ll go first.”
I lean my cheek on my palm. I really don’t care who goes, as long as it’s not me. Keris grabs the vodka bottle and gives it a good hard spin. I follow the spinning with my eyes, watching as the low orange light reflects off the glass. It’s kind of hypnotising, almost makes me want to sleep. Christ, I’m bored.
The bottle finally stops, and everyone either laughs or groans. It lands right on Trixie. I burst out in fits of giggles, clutching my stomach. Okay, maybe the universe sucks, but at least it has a sense of humour.
“You cheated!” Gareth declares.
Keris snorts and rolls her eyes. “Yeah, I can totally cheat at spinning a bottle, Gareth.”
“If there is you found a way!”
Keris shrugs. She turns to her left and kisses her girlfriend right on the mouth. The really drunk people whoop and cheer. Some of my more immature male classmates gasp or gape like fish. Penny just sighs behind me. This isn’t unusual for her. I’ve heard many rants from her about Trixie and Keris’ snogging in her room. This is probably mild for her.
The couple separates with a little pop. Both girls are grinning ear to ear. A few boys are still gaping, which is kind of gross. I glance over at Baz, to see if maybe he’s having any sort of reaction. But he’s still as stone faced as ever. He seems to be having even less fun than me. That’s one plus, I guess.
“My turn,” Trixie singsongs. She lays a delicate hand on the bottle and spins it. It lands a foot away from me, and for a second I think it landed on Baz. My heart rate jumps a beat. Holy shit, did that land on him? But when Dev raises his hand, I let out a long breath, feeling relieved for some reason.
“I don’t think you want to kiss me,” Dev chuckles, and everyone else chuckles along with him. Except Baz, because he’s a creature of darkness who is physically incapable of laughter.
“The cheek okay?” Trixie asks
Dev shrugs with a small smile. “I’ll take it.
Trixie leans forward on her knees and Dev follows. She plants a big wet kiss on his cheek. Rhys gives a sarcastic whoop and holler. Gareth gives his own over dramatic “oooooo” and pumps his fist. As she sits back, Trixie rolls her eyes, going back to slum;ing on Keris’ shoulder.
“You two are so mature,” she drawls.
Gareth and Rhys keep giggling and high five each other. I chuckle under my breath. It’s immature, but just a bit funny. Dev takes the bottle in hand and spins it hard. I’ve heard rumours he has a crush on Agatha, so whoever he gets he’ll probably be disappointed. I’m getting bored again, leaning on my hand. The bottle lands on Philippa. The cheering duo gets punched in the arm by Keris before they get out too many whoops or hollers.
Dev looks at the ground, scratching the back of his neck. “Uh, you wanna, Philippa?”
Philippa flicks her eyes over to me for a second. I’m not sure what she hopes to see. Honestly, I feel kinda bad for not being what she wants me to be for her. I look down, because I’m not sure what else to do.
“Sure,” Philippa replies.
I lift my head just enough to see what happens. Dev and Philippa crawl towards the centre of the circle. They both look very nervous, both lacking in experience or alcohol or probably both. He leans forward, eyes closed and lips pursed. She does the same and closes the distance. The kiss barely lasts half a second, but drunk people still cheer like it’s a Manchester FC game. Dev and Philippa scramble to their seats with bright red faces.
Philippa spins the bottle without saying anything. I’m barely following at this point. Pretty sure I’m going to leave after this and go stuff mint aero bars in my mouth. That’s the best breakup therapy in my opinion. I hope Baz hasn’t eaten my entire stash.
“Simon?” Penny taps my shoulder forcefully. “Simon, it landed on you.”
My head snaps up, only to see everyone staring at me, some looking very confused and concerned. I look down at the vodka bottle, the top pointing right at me. My eyes go wide. “Oh,” I squeak.
Philippa is blushing all the way down to her neck,with a small smile. She plays with the end of her hair. “Do you want to?” she asks.
I gulp, fiddling with my fingers. I’m nervous, but not really reluctant. Philippa is nice enough and I know she likes me. Maybe it’ll be nice, maybe I’ll feel something. What’s the harm?
“Uh, sure,” I say with a slightly forced smile.
Philippa’s smile gets a bit bigger. Fuck, am I leading her on? I don’t want to hurt her. This is a terrible idea, shit. She crawls forward, closing her eyes and sticking her face out. I shuffle towards her, squeeze my eyes shut, and kiss her.
It’s slightly longer than her kiss with Dev, but not by much. Long enough for me to realise her lips are smooth and smell like vanilla. Other than that I feel...nothing. It’s not that Philippa is bad. I just don’t feel a spark or anything close. I used to feel something with Agatha. Not a lot, but there was a stomach drop or a heart flutter at first. Not now. Part of me is scared I’ll never find anything like that again.
We separate, everyone is still making their obnoxious cheers. They’re laughing and smiling, so I try to smile back. The only person not so happy is, weirdly enough, Baz. He’s got his arms crossed and the corners of his mouth threaten to break out of his cheeks just so his scowl can get bigger. What’s got his knickers in a twist? Maybe he has a crush on Philippa. Well, pissing him off is a benefit I guess.
“Your turn, Simon,” Philippa says meekly, smiling and blushing at the ground.
“Um...” For a minute, I seriously consider standing up and running like the wind. But everyone is looking at me. I guess one more time couldn’t hurt. “Okay.”
I grab the bottle and give it a firm spin. But I guess I’m slightly on an angle, because it spins to the left like a wayward football. People scramble away to not get hit, giggling and clinging to their friends. I’m just focused on where it lands. The sooner it’s done, the sooner I can bow out gracefully and stuff my face with chocolate. It slows bit by bit, and finally, it stops. I snap my head up to see who it landed on. I’m met with a pair of panicked deep sea grey eyes.
Oh fuck.
Baz
That’s it, God hates me. There’s absolutely no question now. Of all the people he could’ve landed on, why did it have to be me?! This is an absolute disaster. Panic washes over my body like a nonstop tidal wave. Dev laughs and slaps me on the back, like this is some football goal at a match. I want to shout at him for being a numpty and run away to a very dark corner where I can just die.
But I’m frozen, staring at a gaping Simon Snow.
“Oh fuck,” a drunk guy slurs to his friend, trying to whisper but failing horribly, “don’t they like, hate each other?”
Snow’s face shifts from shock to a deep, deep scowl. He jumps to his feet. “Yeah, we do. So this is not happening.”
I manage to stifle my sigh of utter relief, but my silence is probably odd. So I cross my arms and stick my nose in the air. “Good. Like I would ever want to your chavy mouth on mine.”
Fuck, why did I add that last part? I hope I’m not blushing and giving myself away. Snow is turned around, ready to leave, but throws a fiery look at me over his shoulder. “Fuck off, Baz,” he snaps.
“Very eloquent, Snow. Forgot to mention your mouth is stupid too.” Except it’s not stupid. It’s full and soft looking and fucking beautiful, and I wish he wanted to kiss me with it.
Snow balls his fist and looms over me. “Well, your mouth is naturally made for frowning.”
I roll my eyes. “Oh, very nice. Your’s can’t form proper sentences.”
“At least I’m not spouting shit all the time!”
“Either follow the rules of the game or leave, Snow.”
Bunce rubs her nose under her glasses. “Simon, let’s just go.”
She takes his arm but he doesn’t listen to her for once, shaking her off and menacing over me more. “Oh, you want me to kiss you, Basilton?”
Oh fuck fuck fuck, what is wrong with me?! I didn’t drink anything. I think I’ve just lost my goddamn mind. I need to get out of here before I burst into flames from pure embarrassment.
I stand up, brushing off these ridiculous jeans. “Of course not. I would rather go back to our room than have my lips torn up by your dry ones.”
Simon growls like a caged animal. And it should not make me as excited as it does. “My lips are not dry.”
“Guys,” Gareth says slowly, “maybe you should just-”
“The constant bleeding and scabs would disagree.” Leave Snow, for the love of God, just storm off with Bunce, please.
“Oh yeah?” Snow leans forward over the drunk boy in between us. “Well, I bet if I kissed you, you would like it, arsehole.”
If I wasn’t blushing before, I certainly am now. I am literally going to explode on the spot any minute. I scoff and look away.
“Like hell I would.” Yes, I would, and it would be awful.
“Fuck you, you would!”
“Never!” I snap, digging my nails into my arm.
Snow growls once again. “I bet my goddamn sword history book you would!”
He’s leaning closer now, close enough I can smell his cheap soap. It makes my pulse quicken terribly, like the thump of a rabbit’s foot. “It would be easy winnings.”
“Says you!”
“Yes, and I’m right!”
“No you’re not!”
“I am!”
“Why don’t I prove it, huh?!”
“Fine, go ahead!”
I don’t even have time to process what I said. Because Simon Snow immediately grabs my collar and kisses me.
Holy fuck.
Simon
I just want to prove I’m right, and stop his stupid mouth. I hate when he throws insults at me. And now it seems for once I’ve actually shut him up. We’re both frozen in place, me shoving my mouth on his. I faintly hear everyone gasp around us. But I’m too focused on kissing Baz. Oh my fucking god, I’m kissing Baz!
He’s just standing like a statue while I hold his collar with a death grip and squeeze my eyes shut. He’s really not moving at all, not even a twitch. Is he surprised? That would make sense. Scared? I won’t hurt him, not right now. It’s just a kiss.
Baz’s lips are colder than Agatha’s. Softer too. Like silk sheets on a chilly night. It feels kind of nice, actually. When his top lip slightly slips between mine, I swear to god, my brain short circuits. Scratch kind of, this feels really nice. Sensation spreads from my mouth through my whole body. Why does this feel so much better than when I kissed Philippa? Or even better than Agatha? This is so confusing and amazing my brain is about to explode.
I don’t even know how long we spend with our lips pressed together. I tilt my head to the side a bit, just for a change of pace. And even though it’s crazy, I swear, for a moment Baz relaxes and pushes his mouth forward. Pushing his mouth closer to mine. Oh my god. Is...is Baz kissing me back? It feels so much better.
My hands slide around to the back of his neck, and Baz’s hair is soft of course. I think about grabbing it, but Baz suddenly pushes me away. It happens so out of the blue I stumble back in shock. I expect him to be angry, to punch me in the face or at least shout until he’s blue in the face. But Baz, he looks, scared. What’s there to be scared of? His eyes frantically dart around, chest heaving, until he looks back at me. I’ve never seen someone so frightened in my entire life.
Baz turns and bolts away, slamming the door behind him.
The entire room is silent for a long, awkward moment. You could hear a bloody pin drop it’s so quiet. I’m frozen, mouth hanging open. I can’t even process what just happened. So many things are going through my head right now, turning into a mushy goop of mismatched ideas and fears. I look at Penny.
“Pen, I- what just- I...” I can’t form words. My mouth and tongue feel so unbelievably useless, even more so than usual.
“Simon-” she starts. But before I hear what she says, I’m off running. I don’t know why I’m doing it, but I have to follow Baz. I just have to.
———————————————
It takes me way, way too long to find him. I search all throughout the Fraternity before I remember just how bloody dramatic Baz is. He wouldn’t hide away in the building, he’d go to where he always goes when he’s upset. Not his room or an alcove like a normal person. The Wavering Wood.
I run across the great lawn, wind whistling in my ears. The trees get larger and larger until I finally reach the edge. It’s dark out, so I have to navigate mostly by my other senses. I feel rough bark, sink into on wet dirt, hear the leaves crunch beneath my boots. I squint, trying to see in the darkness. And when I catch a glimpse of black shining in the moonlight, I dash towards it.
Baz is sitting under a tree, legs pulled up to his chest, face buried in his knees. Raven hair fans around him. I watch his back heave and shudder. Fuck. I don’t think he’s okay.
Slowly, I walk towards him, careful not to make too much noise. I don’t want to spook him, no more than he already is. But of course I step on a fucking branch, the snap ringing through the whole goddamn woods. Baz’s head bolts up. His eyes are wide and scared like a deer caught in the headlights. Tear streaks stain his cheeks. We keep staring at each other, until Baz looks back at the ground.
“What do you want, Snow?” he asks. He’s trying to be intimidating, but his voice is too strained to scare me.
“I, uh...” Fuck, what do I want? Why am I here? I’m not Baz’s friend. Quite the opposite, really. Yet it hurts to see him like this, so I start walking towards him, fiddling with my belt hole loops. “I wanted to see how you were doing. You um, ran out of there pretty fast...”
He snorts unkindly. “That wasn’t an invitation for you to follow, Snow.”
I groan, rolling my head back. “Man, I’m actually trying to be nice, there’s no need to be an arsehole.”
“Since when do you care about me?”
I shrug as I sit down on the grassy ground. I’m cross legged, facing Baz and his dagger stare. “You looked scared back the party, and then I see you here crying. I’d be worried no matter who you were.”
He rolls his eyes incredibly dramatically. “Of course, Mr. Hero. Any kittens that need to be saved from trees? Probably more pertinent than me.”
“You’re the one crying in the woods, so I think you take top priority.”
Baz tries to wipe away the tear marks, but they stay the same. “It’s nothing.”
“It’s not nothing, you’re obviously upset.”
“No matter what, it’s none of your business.”
I look down at the ground, playing with my shoelace. I know what I want to mean, but I’m not sure how to get the words right. Everything I’m considering seems dumb. Baz will throw anything stupid back in my face. Actually, stupid or not, he’ll throw it back. Might as well just go for it.
“I’m sorry,” I blurt out. I flick my eyes up, and Baz is gaping at me, his eyebrows are all scrunched together.
“You’re...sorry?” he says, genuinely confused for the first time in his life.
I rub the back of my neck. “Y-Yeah, I’m just, really sorry.”
“For what?”
What the hell does he mean? What else could I be talking about? I look right at him. “For like...kissing you when you didn’t want it. It was stupid and impulsive and really rude to you. You should never kiss anyone when they don’t want it. So I’m really sorry.”
“You...think I didn’t want you to kiss me?”
“Um, yeah. I thought you said I could, but then you ran out of there pretty fast afterwards. So I’m just super sorry, Baz.”
There’s a long stretch of silence, only filled by wind whistling through the branches. I keep looking at the ground. I’m not sure what Baz’s expression, and I’m not sure I want to see. I hope he’s forgiven me. I honestly don’t know what to do if he doesn’t.
“Thank you, for the apology,” he says slowly. “But you don’t have to feel bad.”
My head snaps up. Baz is looking away now. And in the pale moonlight, I can see a faint blush going all the way to his ears. I’m not worried anymore, just unbelievably confused. “W-What do you mean?”
Baz plays with the hem of his shirt. “I mean, I’m not upset that you kissed me without my permission, because you had it. I did say you could. We both made an impulsive decision.”
“Then why did you run off so fast?”
He twists the hem so hard I’m afraid he’s going to tear it. “Because, it’s just embarrassing to have your first kiss in front of your entire class, no matter who it is.”
My eyes go impossibly huge. I swear they become bigger than the moon. Holy fucking shit. “That back there was your first kiss?”
His blush gets worse, spreading down to his neck. Baz has always been so cool and calm. I’ve never seen him like this before. It’s strange, but kind of makes him seem more human in a way. He nods slowly.
“Oh,” I squeak. I inch closer, trying to comfort him, before remembering that I’m the last person Baz wants comfort from. Especially after I embarrassed him. God, I feel like a prat. “I-I’m still sorry then. I didn’t mean to take that away from you.”
“Stop saying sorry, Snow,” he sighs. “It’s really fine.”
“Really?”
“Yes. I was okay with it, because I li-” His lips press together before he says anything else. He plays with a loose strand of his hair, looking nervous and shy, still blushing so hard his entire face is red. The gears start turning in my head. I’m not as oblivious as everyone thinks I am. I can see things, they can just take a bit longer. And I think I see something very big now.
“Wait,” I say slowly, “do you...like me?”
Baz bites hard on his bottom lip and clenches his fists. A few more tears fall down his cheeks, but he doesn’t wipe them away, not even acknowledging they exist. My mouth drops open.
“For how long? Have you, uh, felt like that?”
He finally looks at me, his eyes wet and vulnerable. I’ve never seen him like this before, not ever. He doesn’t look like a villain, or a bully, or even an arsehole. He just looks like...a boy.
“A long time,” he whispers harshly, like he’s forcing the words off his tongue. “Almost since we met.”
And I thought I was done with surprises for the night. My heart is beating twofold, but I’m not sure with what emotion. Everything is so jumbled and twisted up right now. “O-Oh. Really?”
Baz rolls his eyes, though he looks more annoyed than genuinely angry. “Yes, really. You think I would make that up?”
“I don’t know! I’m not sure I know anything about you anymore...” I nervously scratch at the back of my wrist until the skin turns red. Nothing is processing, nothing makes sense. And one question pops up immediately. “If you feel that way, why have you always been such a wanker?”
Baz lets out a small snorty laugh, and immediately covers his mouth. But it’s kind of adorable. And I kind of want to hear it again. “Very well put question, Snow.”
“Are you gonna answer it or keep being a wanker?” I’m not angry, just tired really.
“Fine,” he sighs. He goes back to twisting his hair and shirt, chewing on the corner of his pouty lip. “I was a wanker because it was easier.”
“Easier?”
His face lowers even more, nearly behind his knees. “Easier for you to hate me, than for me to confess my stupid feelings and innevitably have you break my heart.”
I feel like I’ve been punched in the gut, almost offended that he thought I would be so cruel. But Baz looks even more hurt. I think that his feelings matter more right now. “Oh. Okay. You thought I would really hurt you?”
“You were straight as an arrow and already madly in love with Wellbelove when we were 11.” He traces the dirt with his toe, scuffing the pretty white trainer. “You would’ve hurt me even if you didn’t mean to.”
“Oh,” I squeak.
Baz scoffs with the corner of his mouth pulled up. “That’s your favourite sound tonight, Snow.”
I let out a sort of scoffing chuckle. He’s an arse, but funny. I’ve never noticed how funny he can be in his own biting way before. “Well, you keep dropping bombshells, it’s perfectly reasonable. Honestly you’re lucky I’m not exploding everywhere.”
He laughs, still small, but doesn’t cover his mouth. He doesn’t hide. “Yes, well, cleaning up bits of you off the forest floor wouldn’t be my favourite activity. It would be more fun than your snoring though.”
“I don’t snore!”
“Yes you do, I would know. You’re like an adorable little fog horn.”
We both laugh, starting small and getting louder and louder. Baz even begins to giggle, fucking giggle. He sounds like a thousand little silver bells. I shouldn’t be laughing. Usually I would be offended by his jabs. I’d yell and scream at him for being a dick. But he’s laughing, smiling, all with a playful glint in his deep grey eyes. I wonder, is this what Baz is really like? When he isn’t trying to make me hate him?
“I like this,” I blurt out. Baz stops laughing immediately. A confused furrow forms between his brows.
“Like what?” he asks cautiously.
“This, right now, what we’re doing. Being nice and honest.” I shuffle closer, knees nearly touching his. “I like this better than fighting.”
Baz’s pouty lips fall open slightly, just barely half an inch, and his eyebrows raise. I think that’s Baz’s equivalent of completely, utterly shocked. “Seriously?”
I grin as wide as I can. “Yeah, seriously. Do you, uh, like it too?”
I expect Baz to smile, to laugh, to be happy. But instead he looks scared. Even his hands are shaking. I reach forward, but Baz pulls away, wrapping his arms around himself. Another tear falls down his face but he quickly wipes it away.
“Why were you crying?” I ask quickly. “Was it just like, embarrassment?”
Baz slowly shakes his head, more black hair falling in his face in a lazy wave. “N-No, it’s just...this can’t be happening.”
“What do you mean?”
“You haven’t stopped hating me, that can’t change.”
His voice is so small and scared. I blink rapidly, tilting my head to the side. “Why not?”
He scoffs and shakes his head, staring at his own lap. “Because I’ve made your life hell for years! Because one stupid kiss and a few laughs can’t change things after so long.”
I move even closer. I can see every crevice in his face the moonlight hits, every sign of his tears. Oh. I think I get it, sorta. I kissed him, and Baz wanted it, but he was sad because he was sure it would never happen again. That’s a reasonable conclusion. At least, it was.
“Maybe it can’t change everything right away. But,” I reach forward and touch his wrist, just lightly, and when he doesn’t move away I stay there, “we could try, y’know. To change things.”
He doesn’t look up, but his brows wrinkle together again, and I find it unbearably adorable. “What are you saying, Snow?”
“I’m saying I want to be your boyfriend.” I say quickly before I lose my nerve. “I mean, I’m not a very great boyfriend, if my last relationship is any clue. But if you want this, I want this.”
I stare at the ground, too nervous to look at Baz’s face. I don’t let go of his wrist though, and he doesn’t move away, but it’s still silent again. Every passing second makes my anxiety build up and up like a shaken soda about to blow. Will he run away? He ran away before. I don’t want him to go, not again. I don’t want to lose him. (Fuck, that’s dramatic.)
“You’re an idiot,” Baz sighs, and it makes my breath hitch. “But you can have...this, if you want.”
My head snaps up so fast my neck hurts. Baz is finally looking at me, eyes soft and open. I’ve never seen him like that before. A grin spreads across my face. I probably look stupid but I couldn’t care less.
“I do,” I say, “I really do.”
He smiles softly. Slowly, he turns his hand around and fully holds mine. His skin is colder than most people’s and strangely rough for someone so posh. His calluses scratch perfectly against mine. It feels incredible, somehow so much better than holding anyone else’s hand. Just like that kiss.
“Hey, uh,” I nervously run my thumb over his tepid skin, “can I, um, maybe...kiss you again? Like in a nicer way?”
Baz chuckles, squeezing my hand. “Yes, you lovely moron, you may. If we’re going to date, you need to fix your gram-”
I get up on my knees and shut his cute smartarse mouth by pressing mine against it.
Baz
Bloody hell, I think I’ve died and gone to heaven. Because for the second time in one night, Simon Snow is kissing me. And this time he really wants to, because he likes me, because he wants to be my boyfriend.
It’s not forceful or angry like before, just firm enough to get me to stop mocking him. I freeze for a moment, the shock hitting me like a truck. But slowly, bit by bit, I let myself melt into it. Snow tilts his head to the side, so I do too, letting our lips slip together. Simon does this thing with his chin that drives me insane. At first I try to mimic exactly what he does, shoving back with my body and mouth, but I quickly realise I have zero idea what I’m doing. For once, Snow is the expert. So I let myself relax, giving up control for the first time in my life. Snow pushes me against the tree and places a hand on the side of my face. He delicately runs his thumb over my cheekbone, like I’m something good, something precious to him. Is this a fucking dream?
His hand moves farther back. Calloused fingers slip through my hair as his tongue slips between my lips. It’s warm and wet and the best thing I’ve ever felt in my entire miserable life.
“Baz,” he sighs quietly between our mouths.
No, this isn’t a dream. My imagination has never been this perfect.
I wrap my arms around his waist, pulling him flush against me. “Simon,” I groan. He kisses me harder, clenching a fist in my hair to better shove our faces together. Suddenly my breath feels short, and I push lightly at Simon’s chest. He moves away instantly.
“Sorry,” he says. He’s out of breath, unsurprisingly. I am too.
“No it’s okay, just,” I sigh and run my hands up his sides, “this is quite a lot for a second kiss. I just need a breather.
Simon giggles quietly. He falls forward, tapping his forehead against mine. I press my hands into his back, feeling the muscles through his shirt. We stay like that for awhile. I don’t mind. I would stay with Simon in my arms forever if I could.
“Hey,” he whispers, eyes still closed and leaning against me, “I’ve got a question.”
“Is it a sensical question?”
He pinches the back of my neck, just lightly. Not enough to hurt but enough to make his annoyance clear. “Yes, arsehole. Why were you at the party? You hate parties.”
“So do you.”
“Penny dragged me to it to have mandatory fun. So what’s your reason?”
I chuckle quietly. “Funny enough, Dev begged me to come with him because he wanted support for when he hit on your ex-girlfriend.”
Snow reels back, eyes wide and mouth falling open. “Seriously?!”
“M-hm.”
“But Agatha didn’t even come!”
“Yup. So it looks like I’ve had far more romantic success tonight than my cousin.”
Snow snorts out an adorable laugh. His hand trails forward across my jawline. It leaves sparks of sensation on my skin. He plays with a piece of loose hair in front of my face. “Y’know, I like your hair like this. You should leave it loose more often. Save some money on hair gel.”
I chuckle again, and Snow follows. Soon it turns into a loud laughter from both of us. I’ve never laughed more in my life than I have tonight. Once I calm down, I look up at him, smiling brightly. “M-hm. And you’re someone to take fashion advice from?”
A small part of me worries Snow is going to scowl and yell at me for being a prick. But instead he smiles too and rolls his eyes. I let out a small breath of relief. Everything is different now, and I love it so much more.
“Yeah, well, I know a good thing when I see it.” His hands goes lower, trailing over the soft v-neck. “Like this shirt. It fits you well.”
“Really?” I croon, trying to hide the fact that I’m exploding inside.
“Uh-huh. And these jeans. I nearly had a heart attack when I saw you in them.”
I grin so much my cheeks happily ache. “Well, I’ll let Niall know you like his clothes.”
His mouth drops open. “This is Niall’s stuff?!”
I cock an eyebrow. “You think I own clothes like this?”
“Well, no. But I, uh, kind of wish you did. You should definitely buy more jeans...”
His cheeks are cherry red. I’m pretty sure mine are too. I hold his waist tighter, tilting my head up towards his. “I’ll be sure to get some on my next trip into town.”
He smiles again, looking like a ray of sunshine. “Can I come with?”
God, he’s like an adorable little puppy. “I don’t see why not, Snow.”
He leans forward and brushes our noses together. “You called me Simon before.”
“No I didn’t,” I singsong.
Snow pushes even closer to me, warm lips against my ear. “I like it,” he whispers. “I like it when you call me Simon.”
How have I not melted into the forest floor yet? I don’t feel like a real person anymore. Just the remnants of a pathetic gay teenager who’s melted into a puddle after having all his dreams come true in a single night. I hold him tighter. Because I’m not letting him go anytime soon.
“Simon,” I sigh, just before I turn my head and kiss him softly. He reciprocates immediately, and I’m in absolute euphoria. I know we have to move eventually but I don’t want to anytime soon.
“Best spin the bottle game ever,” Simon giggles.
“Damn right,” I whisper, just before pulling him back into a searing kiss.
My god, I’m living a charmed life.
———————————————
AN: Main worry with this fic: I feel like things move too quickly, but at the same time I didn't want to drag it out. Like we all know what's going to happen, best not to beat around the bush lol. Either way, this has flaws like anything I write, but I still like it. I thoroughly enjoyed writing Simon's reaction to Baz in tshirt and jeans lol. Hope you peeps liked it too, see you next fic :)
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marksarmel · 5 years ago
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Another edition of What I’m Consuming for you to consume.
What I’ve Been Consuming 05/13/20
Look, we are not heroes for staying home and watching ungodly amounts of tv, but it’s the smart thing to do. So let’s all be smart while calcifying our brains with movies, tv, video games, comic books, Zoom meet ups, the FUCKING INTERNET that contains the entire collection of human creation and knowledge and our favorite snacks. I’m settling in with Flaming Hot Cheeto’s popcorn, Pork Rinds and the occasional edible with my favorite cocktail. I wash all this down with my nightly dose of Simvastatin, my cholesterol medication. 
Also, let’s get out and walk around since it’s beautiful weather right now. This is especially important for those of us in the Midwest who were blessed with snow just last week!
TV
Recently finished the Amazon series Hunters. It was good, but looking at it as a whole it seemed  to be holding something back. The characters felt like they were supposed to be larger than life and more bombastic, but they were instead subdued. Even Al Pacino is reserved. Was it a comic book adaptation or an inspired-by-actual-events type show? it was a compelling story somewhat overshadowed by not being sure what kind of show it wanted to be.
Midnight Gospel! Oh my god where to begin? This is simply great tv. The rhythm of the show sets in super fast and all you can do is hold on for the duration. I’m nearly done with the season and it’s deconstruction of philosophy and life and death are pretty timely, but never preachy. Just sit down and enjoy. Best served with a side of your favorite marijuana infused edible.
The new limited series RUN from HBO quickly got me hooked. It’s premised on two old lovers who have a pact to meet again if one texts “RUN” to the other. After 15 years one texts the other and our story begins! It was no struggle for me to dive into this show since I’m already well along in my Merrit Weaver addiction. She has been a spoonful of sugar with a side of cake in shows such as Godless and Unbelievable. I’m making room on my calendar now to watch her in Nurse Jackie and I’m super embarrassed to admit that I had no idea she was Denise in the Walking Dead. Ok, enough about Ms. Weaver, Domnhall Gleason is in this show too. 
I’m rewatching Watchmen because it was one of the best shows of 2019. It is great to see Damon Lindelof stick the landing like Simone Biles on this one. It was completely engrossing in every way.
For a much needed salve of humor in these times Middleditch and Schwartz is absolutely sting free healing. It’s a short three episodes and all three episodes are solid, but one and two are the best.
Killing Eve is back and I couldn’t be happier! So so happy to have all of these characters in my life. So so sad at what happens to them.
Quick Bites - Last Week Tonight with John Oliver is still living its best life. Real Time with Bill Maher not so much. Still keeping up with Homeland, but season 5 is not the best. The Westworld  season finale wrapped up a wobbly season with a solid if forgettable final episode. I miss the heady hard to understand first two seasons. Props for some good action sequences this season though.
I need to get back too… I started Lock and Key a while back and lost it somewhere in the ether. Also, an FB convo reminded me to get back to Doom Patrol. I never finished Counterpart either. (Looking back at my post from last moth I see that I also mentioned getting back to Counterpart then too, so it’s probably safe to say I won’t be getting back to it.) Not sure if these shows were good or bad or just not coming at me the right way. Oh, oh! Devs I do want to finish that, but yes I do agree with others comments that the main character’s acting is… not the best.
MOVIES 
The Apostle - Starring Dan Stevens from Legion, The Guest and Downton Abbey this movie starts out a bit slow, but winds itself up to a flat out bonkers ending. Worth watching with the lights off and no bathroom breaks.
I started the great Korean action flick The Villainess, but I fell asleep before finishing it. Can someone call a movie great if they fall asleep during it? If that someone was absolutely thrilled by watching the opening sequence then yes, yes they can.
GAMES
Still finding myself indulging in the occasional Mario Kart binge. Also got some friends together for Bomberman which is frivolous fun. Spent a few hours back with Mario Odyssey too. Purchased Child of Light a few days ago so I’m hoping to get to that soon.
BOOKS/COMICS
Not much in the way of books month. In the comics world I did start JoJo’s Bizarre Adventure, but was thrown off by the revelation that the book I’m reading, which is marked book 1, is actually part two in the story. Shrug emoji.
I did finish the first trade in the Outcast series from writer Robert Kirkman, now superrich and superfamous creator of The Walking Dead  and not so famous, but no less talented, artist Paul Azaceta. It is filled with great dread and atmosphere. It does not wrap up the story in the first trade which always irks me.
MUSIC
I was excited to see that Fiona Apple’s new album “Fetch the Bolt Cutters” came out! Then I listened to it. And listened to it again, and then listened to it one more time. It is an uneven album that frustrated me with how many songs are filled with the same refrain. I love the music, the writing not so much. That being said Under the Table, Rack of His and For Her are repeat listens for me.
Drake dropped a new album/mixtape called ”Dark Lane. Demo Tapes” and so continues my love/annoyance with Drake’s music. Listening to  Drake’s music is like being in a 60+ year marriage and still being very much in love, but absolutely hating how your partner chews with their mouth open.
RANDOM NOTES
I discovered Coco Rico soda in a local Asian Market. It’s a lovely sweet coconut beverage.
As mentioned earlier Flamin’ Hot Cheetos Popcorn is becoming my new go to snack. Move over Doritos Cool Ranch because Chester Cheetah is here!
I was in a good running routine and then it started snowing and raining all the time. Back to the couch for me.
That about sums it up for this month. Don’t be afraid to skip your next work Zoom meeting. The work will be there tomorrow.
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readyallthecanons · 7 years ago
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YJ OC: Apollo Ito
About time I tried making a bio/profile again xD
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FC: Ryan Potter Bio Template by Triskata
GENERAL Name: Apollo Asahi Ito Name Meaning: Apollo is of Greek origin and means “manly beauty”; Asahi is of Japanese origin and means “daybreak rising”; Ito is a Japanese noun meaning “thread; yarn, string” Alias: Nox Meaning/Reason: Nox is the Latin word for “darkness” which is an obvious (and totally uncreative) reference to his powers. He considered “The Pianist” but thought it would be too much of a giveaway. Nicknames: Ito, Dapper boi son Team Position: Stealth expert, Escape dude Birthday: October 31, 1998 Sign: Scorpio Age: 18 years old Gender: Cis Male (he/him) Orientation: Bisexual Species: Meta-human Race: Asian Ethnicity: Japanese-White Nationality: American Birth town: St. Louis, Missouri Previous towns:  St. Louis, Missouri Current town: Gotham City Colouring/general features:
Eyes: Black. His sclera turns a dark grey hue whenever he uses his powers. Additionally, his eye colour used to be a dark brown but ever since his powers manifested it has turned black.  
Hair: Black. It is always done in an updo; rarely ever seen down.
Skin: Peach with a yellow undertone. He has a tattoo of a crown on the base of his neck. No other marks (scars, freckles, piercings, etc.) can be seen on his body save for that one.
Height: 5’10” (182.5 cm)
Weight: 160 lbs
Build: Apollo has a lithe, graceful body with broad shoulders and a supple muscle tone almost equally distributed in his arms and legs. He works out to keep his body in good shape and so that when he takes his shirt everyone can be shookt with his “hot bod”. He’s not bulky, really.
Distinguishing features: The eye bags under his eyes are designer. He also has a tongue piercing-but others wouldn’t really know it unless he stuck is tongue out at them. His eyebrow game is also quite strong; it’s thick and pronounced.
Preferred clothing style: He always dresses to the nine’s. His style may be classified as smart casual bordering on semi-formal. Button down tops, slacks/chinos (for a more casual look), and black/dark brown shoes are his go to clothing. Prefers neck ties over bow ties. When he does wear a normal t-shirt, he puts a blazer (or jacket or something) over it; won’t wear just a shirt-most of the time. He never wears long sleeves, though. In terms of design, he prefers simple to none. Brightly printed? He won’t wear something like that. He also prefers duller and muted colours. The really bright ones annoy him. However, contrary to popular belief, he does own other outfits that are not semi-formal or smart casual wear.
Face Claim: Ryan Potter Voice Claim: Steven Yeun (Keith from Voltron Legendary Defender + Wan from the Legend of Korra, sample)
PERSONALITY Alignment: Chaotic Neutral Personality: Apollo is very much known for his vanity, arrogance, and self-centerdness; kind of a tool-ish. He is definitely the type of person who could go on and on and on about himself (or write waxing poetry praising his superior physical aspects). Due to his upbringing and his prodigy status, he has become quite prideful of himself, his abilities, and his looks (especially this part). However, he is only really vocal about his physical aspects; he’s pretty quiet about his piano prodigy status. He trusts pretty easily but don’t destroy his trust in you. It is almost impossible to earn back. He can also be vengeful and remorseless and overzealous in some circumstances. It is his pride and arrogance which leads to him being difficult to deal with at times.
Despite all these short comings of his, he is a very trustworthy person who constantly carries out any promises he makes. No matter how long it takes, he will fulfil it. While he also likes to say the he doesn’t care about anyone, he high key cares very much about others. He’s everyone’s Big Brother and would often check up on his family and friends are doing (if they’re okay-mentally and emotionally, if they’ve eaten their vegetables, etc.). Additionally, he is also quite thick-skinned (for an extremely self-centered guy, comments and insults rarely get under his skin). He is also the type to follow “keep moving forward” as he recovers quickly from his downfalls.
As the villain Nox, he carries a lot of his civilian persona with him- perhaps just a lot more vain and serious. Unusually altruistic for a villain, Apollo isn’t one to sacrifice other people for his own gain. In fact, he feels squeamish about killing others.  He generally avoids killing people (mostly feels uncomfortable about it) who do not specifically wish him harm. If you don’t have a vendetta against him personally, you’re fine and you’ll live. Unless you touch his family/perceived family. He will kill you if you do so. He prefers quick jobs-in and out and no dillydallying. Inspirations: Nico di Angelo, a bunch of German pianists, JJ Leroy, Lester Papadopoulos/Apollo, Jack Sparrow Occupation: Student, Concert Pianist, Conductor and/or Composer (occasionally) Likes: - McDonald’s (will always insist on a drive through or something) - Classical music (his favourites are Debussy and Chopin) - Pirate movies - The dark - Talking about himself - Honest people - Kids/children - Horror movies Dislikes: - Soggy fries - Racist and Sexist assholes - Owing people things (money, favours, etc.) - People who act so high and mighty like they haven’t done anything sketchy their whole life - Bow ties - Fizzy drinks (he hates soda) - Secrets Hobbies: Playing the piano, crossword puzzles (he’s always out to extend his vocabulary, to be honest), yoga, biking, working out (he eats a lot of McDonalds so he has to pay attention to working out a lot), photography Fears: Falling, death, frogs (he hates them so much it’s comical), public humiliation, his siblings finding out about his villain life, getting admitted into the hospital, needles Talents: Piano (he’s a prodigy), sleeping while standing up, differentiating classical pieces which sound almost the same, baking Aesthetic Quote: “I’m an asshole, but what I am not is a 100% dick.” –Guardians of the Galaxy
RELATIONSHIPS Father: Haru Ito- Apollo and his father are on good terms with each other, at least that’s what Haru thinks. However to Apollo, due to family and monetary issues, the relationship was strained by the loss of Apollo’s trust in him. Apollo does still love and respect him. He’s just a bit more critical and iffy towards his father. They still often practice and learn music together-mostly in a way for Haru to make up to Apollo what he’s and his wife has done. Mother: Eliza Thompson-Ito- Similar to his father, Eliza and Apollo’s relationship is strained due to his loss of trust in her. However, he does still love and listen to her. Siblings:
Artemis Akari Ito (his twin sister)- The both of them are very, very close. Apollo would do anything for her and she for him. She mostly attributes his protectiveness and closeness to her to her medical condition. Apollo is very, very supportive of her and is often her accompanist during her cello performances. Artemis is actually very protective of Apollo and doesn’t really approve of his sudden disappearances to do crime work. Apollo thinks that she’s onto him, honestly.
Leander Akiyuki Ito (15 years old)- The both of them often spend late nights playing Overwatch together as well as other computer and video games. They actually lose sleep over this. Apollo is one of the first people who hears Leander’s latest stories as well as puts up with his younger brother’s writer drama (“This story is the worst I’ve ever written!” “I’ll never get this character down!” “I hate writing!11!!”).
Adrasteia “Addie” Atsumi Ito (12 years old)- Addie is a shy, withdrawn little girl who often looks to Apollo for guidance. Apollo is obviously more than happy to help her. He is the one who comforts and validates her when she feels like she’s nothing compared to her other siblings. They watch a lot of horror movies together. He is also Addie’s official trainer to help her control her powers.
Jason Akinori Ito (7 years old)- The youngest of the Ito siblings and possibly the noisiest and annoying-est. Apollo along with Artemis often look after him and read stories to him before sleeping.
Sumi Tatsu/Irezumi (older half-brother; belongs to Triskata)- They hate each other-mostly due to the fact that they misunderstand each other. Apollo doesn’t believe that Tatsu can wipe off all the red in his ledger by doing hero work.
Other: -- Teammates: Arachne , Wildfire, Dev, Annabel, Natus, Finn, Ethan, Penny, Britney, Solana, Queen, the Huntsman Best Friend(s):  [open for connections] Friends: Annabel Herdevary, Dev Hamil, Penny Green, Ethan Tomori, Hanna Makris, Rose Nelson, Solana Perez, Britney Hilt, Cern Ocahii, Finn Lyonas, Andres Begay, Ivelisse Correa-Mercado [open for connections] Acquaintances: Poison Ivy, Harley Quinn, Cat Woman [open for connections] Enemies: The Team, the Justice League, Irezumi (Tatsuo), Blue Lantern (Ivelisse), the Reach [open for connections] Love Interest(s): Ivelisse Correa-Mercado (crush; belongs to Kaitie1543)- Apollo is unsure when he actually developed a crush on her but it just happened. Her teasing is something which he’s grown accustomed to and eventually enjoyed her company. However, he hasn’t acted on his feeling because “what even is flirting???” and if anything does happen between them, he isn’t very comfortable sharing his villain persona (which he will want to because honesty and good communication and no secrets). He may be a grade A asshole and think that he’s the most gorgeous man on the face of the planet but he’s no flirt.
BATTLE Powers/Abilities:
Umbrakinesis: Apollo is able to create, shape, and manipulate darkness and shadows-allowing him to absorb or nullify some light in the immediate area.
Umbrakinetic Attacks: He can release/use darkness/shadows to make attacks of various shapes and/or intensities, either projected, used as a part of melee attacks, etc. The strength and magnitude of the attack is greatly reliant on his skill, strength, and stamina. Obviously, bigger attacks take a heavier toll on him as compared to smaller ones. What Apollo does most of the time is release beams/waves of darkness/shadows from his hands; they’re less tiring for him. Creating walls of darkness? That would take a lot more effort.
Shadow-melding: One of the things Apollo has more ease doing. He is able to meld himself into shadows thus rendering himself invisible and undetectable to others (while he is in the shadows, at least).  Of course, once the shadows are dispelled, he immediately reappears.
Shadow Travel: He can use shadows as a way of travel; however, great distances tend to wear him out.
Night Vision: Apollo has excellent vision even in darkness. He is able to see in low light conditions or even in total darkness. Aside from being silent, this ability of his makes him ideal for stealth missions…or simply finding things in the dark. Actually, he just feels pretty at home in the dark.
Bilingualism: He is able to speak both Japanese and English. He doesn’t really mix elements from both in his speech. No accent to take note of either. He mostly speaks in Japanese with his father and sister.
Weaknesses:
Extremely bright light: It is unsurprising that light would be Apollo’s weakness. Large amounts of bright light render him powerless as there is an absence of shadows and/or darkness. It is more difficult for him to summon darkness. He is also weakened against people with Light Manipulation abilities.
Power Limit:  Using his powers take a physical toll on him. The strength and magnitude of his attacks are reliant on his skill, strength, and stamina. After exerting much power (ex. creating large solid walls of darkness), he has been known to pass out and sleep for hours. Shadowtravelling to places too far apart (ex. Philippines to Indonesia) also tire him out immensely. Constant exertion of his powers could also lead to deadly consequences.
Physical human limitations: Apollo, without his powers, is just a normal high school student who has very little knowledge of any form of martial arts. He may look like he does but he doesn’t.
Reliance on powers: Since Apollo is not much of a fighter really, he has come to rely heavily on his powers…which isn’t really good as it tires him out easily (as already mentioned).
Uncontrollable power: In order to properly use his powers, he is supposed to be in sync with his own darkness-which unfortunately he lacks. He may be a grade A asshole but he lacks “darkness” and ruthlessness. This “out of sync” problem of his causes his powers to be uncontrolled. He may cause unwanted and unnecessary damage to those around him. Additionally, he has little control of the amount of power actually expelled so it drains his energy quicker. Same goes for trying to control it, he gets tired quicker.
Weapons/Armour/Equipment:
Kimber Custom TLE II semi-automatic pistol: Not long after his debut as a villain, Apollo took it to carry a pistol around for extra defence. It was at his parent’s insistence. While he doesn’t often use it, he is trained with it (he made himself learn how to use it) and is a pretty decent shot. The gun is usually something he turns to when he’s out of options. Mostly used for threats, honestly.
HISTORY Apollo was born to Haru Ito (a world famous cellist) and Eliza Thompson-Ito (a professor of Greco-Roman literature) in St. Louis, Missouri. When he was 3 years old, he and Artemis were joined by Leander. The three were often quite mischievous and playful together. Sometimes, they would get quite violent- Artemis being the most of the three of them. Three years later, the family was joined by Addie. And they all thought that was the last of their siblings. The four of them grew up close to each other. Then when Apollo was 11, his mother gave birth to Jason who was actually a surprise baby but a welcome one.
Even at a young age, he (along with his twin sister Artemis) were exposed to music by their father in hopes that one of them-if not both- would take after him. When it turned out that Apollo showed an immense affinity for the piano, his parents (particularly his father) were ecstatic. This was then turned to stupefied wonder when he started rapidly developing his skills and even learning pieces that were way way ahead of his age group. At the age of 5, he was able to perform his first concert.
His powers started showing when he was 12 years old. He accidentally fell into the shadows and got stuck there. His parents spent about an hour looking for him. When they found him, it was a bit messy because at first they didn’t believe Apollo. However, after a few more instances and one where they actually witnessed it, they conceded to him. They didn’t know what to do or where it’d come from so they advised him to keep quiet about his powers. However, they did not bar him from learning more about his powers at it could prove useful someday. Aside from that, everything was doing well for Apollo and his family. He loved his siblings more than he loved himself (and that’s saying a lot). And he loved and respected his parents…and supported them even when they weren’t exactly in the right. Blind support, basically. Nonetheless, they lived a happy life together.
Unfortunately, Artemis came down with a serious medical condition (heart failure) that needed a seriously expensive medical attention. It was during this time when Apollo discovered his parents’ secret: the family was actually swimming in debt. They, then, did not have enough money for Artemis’ medical procedure. Haru was often found gambling and to pay for his debts there, he borrowed money from questionable sources- to whom he now owes a debt to. Eliza, on the other hand, was no better. She was a compulsive buyer and often bought things when she felt like it or when she felt upset. Basically, both of them are quite lose with their money handling. When they told Apollo this, he has never felt so betrayed and angry in his life.
Terrified of the idea that he and his siblings might be separated (sent to other relatives while their parents gathered money), Apollo turned to a life of thievery to be able to pay for his family’s debts. He skipped small heists and decided to rob a bank as his debut as a “villain”. When his parents discovered what he had done, Apollo braced to defend himself and was surprised when he didn’t need to. His parents, while not agreeing 100% with their son’s methods, somewhat understood his actions. They and promised that they would work to better themselves. Apollo then hung up his villain lifestyle.
Unfortunately, his parents being loose with their money didn’t improve much and Apollo found himself committing crime more often…just to keep up with his parents’ spending (and to an extent, his own). At first, it took a lot of convincing from his parents to do it. Most of the arguments relied on the “Are we not family and should you not help us? With what you’re doing, you’re helping us. You’re helping our family stay together. Don’t you want us to stay together? Think of your siblings.”. It was quite emotional manipulation-y. Eventually, he did continue the robberies even without his parents’ urging him to do so. He found that there was a certain satisfaction that came with it. Aside from that, it got him money to buy things for his younger siblings and keep his parents happy at the same time. Apollo eventually stopped asking them to change as nothing did change (even when they said they would) and Apollo was raking in large amounts of money. All he asked of his parents was that they keep this lifestyle of his a secret from his younger siblings as he could not bear the idea of them discovering it.
He joined the Young Injustice through Annabel who he helps when she first appeared in Gotham. She was alone and scared and covered in blood and was running away after committing theft. While it was definitely sketchy, Apollo’s big brother instinct kicked in and he helped her escape the police-who he was also running from (as he came from a heist himself).  She stayed the night with him but left to be on her own the following day. Months later, she recruited him into this group of young criminals and he’s stuck with them since. On weekends, he’d often be found in their hideout with McDonald’s and video games.
OTHER Quotes: - “No one says ‘forsooth’ anymore, Annie.” - “What’s the matter? Afraid of the dark?” - “As you wish, sister dear.” - “I’m sexy; I love myself.” Theme Song: Theme of King J.J. – Yuri!!! On Ice soundtrack / Hey Brother - Avicii Food: McDonald’s Fries Drink: Hazelnut Chocolate Ice Blended Coffee (from Coffee Bean and Tea Leaf) Colour: Red Movie: Pirates of the Caribbean: The Curse of the Black Pearl (he actually loves the whole trilogy; the last two are kinda questionable to him) Book: American Gods by Neil Gaiman Band/Singer: Bruno Mars Subject: Music Animal: Cat (he owns a grey Siberian cat named…Catzilla-Skullcrusher) Element: Water Season: Winter Flower: Carnation (particularly the red ones) Scent:  Chocolate Gem: Obsidian Hogwarts House: Slytherin
TRIVIA
He is very lowkey about his villain persona. The only people who know about his villain life are his parents and Tatsu and the Young Injustice. He is very careful about keeping his secret identity a secret. After all, he is still “Apollo Ito, world famous piano prodigy”. That being said, people who know him as Apollo don’t know about his villain life and vice versa.
His closet is colour coded. Very proud of it and plans to keep it that way. Please don’t mess it up. He’s got a system.
Apollo is named as such for ironic purposes. Like literally. The meaning of his name is also very fitting to his vain and arrogant personality.
He’s not that good at photography but he’s trying- he’s getting better. He likes taking candid photos of his friends and family because the moments look so sincere. He absolutely loves it.
Contrary to popular belief, he is not a selfie person. He will take with others but never by himself.
His younger sister, Addie, was abducted by the Reach. Apollo lost his freakin mind looking for her. She just newly discovered her powers when she was abducted. It was Ivelisse who brought her home after. She can control shadows.
He will babysit your child for free.
While he is a thief, he will always insist on paying for stuff like Starbucks/CBTL, donuts, McDonalds, and other similar things. He only steals from banks and museums and the likes.
A known hugger
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king1up-reviews-blog · 7 years ago
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Video Gaming hype culture and how it relates to why we probably don't see Half-Life 3 ever happening
In modern video gaming world, we see words like 'Hype Culture,' and a lot of people, I think, don't really realize what that quite is. Even the simple minded could deduce it was based on hype for a particular release, but that's not quite the end of that story. In this post, we're going to describe for you what it is, why it's dangerous to indulge in, and why it relates to Half-Life 3.
Video games are no stranger to hype. Many of our beloved video games and their sequels get many a hype every year, even if we're expecting their yearly release. Take the new Call of Duty coming out. We knew it was coming. We knew they probably were going to follow in the footsteps of Battlefield 1. Why have we been tricked into being so excited for it? The trick is how companies have handled themselves and their products. It's been forever since we've seen a proper Triple-A World War II shooter, and we were craving it. (However, the WWII genre is not an innovative setting, no matter how much you want to argue that point.) When we crave something and the Triple-A market decides to give it to us, we get overhyped to the point we just want to throw money at it. We forget years of mistrust and poor treatment of the consumer base that we take a look at them throwing us one single bone, and that bone might not even be that good. There is no promise of this new CoD doing anything new with its series, just a new setting. And as gamers have made it evident and clear during the release of the new Battlefield, they want something new in gameplay and in setting. However, none of us have got anything new with these two releases. They are still the same games we know from the past, just a new setting in each of them. And that's what hype culture is. It's allowing developers, small or large, gain your attention using flashy methods in order to buy your wallet from you. These include trailers that don't show gameplay. When Battlefield 1 came out, while everyone was screaming and getting excited about it, I could only think '...okay, but what does the gameplay look like?' We never got to see any of that gameplay beforehand. Everyone got excited and was calling it the best game ever based on a premise, not the gameplay. And when that game came out... well, it was all right. Aside from my own personal beliefs about the story mode, the game was okay. It wasn't groundbreaking, it wasn't new, we had more of the same. And that's it. During the marketing phase, the devs and everyone else was screaming about how it was going to be the best, new, thing that was going to turn gaming on its head. But it was just another Battlefield game, really. Not much was really added in the way of gameplay, and the familiar tropes of its namesake were still there. But that's what that hype does. Devs get you, the consumer, riled up so you do their marketing for them, and buy their pre-orders, and buy into the hype so they have a guarantee on your wallet. Now, you may be asking. Why is this dangerous? What you're probably asking is why hasn't this fuck talked about Half-Life 3 yet. Don't worry, settle yourself, I'll get to that soon. Hype culture is dangerous because it gives devs another reason to guarantee your money before launch. Before we know anything about the game so that we give them pre-order money. Every time I see a new anticipated game come out, I see on forums and posts everywhere about how they are so ready to give their money to the developer and going to pre-order as soon as they can. But pre-ordering... doesn't do anything for you. It may give you an in-game bonus, but that's smoke and mirrors. There is no benefit to you, as the consumer. Getting an extra skin or weapon does very little for you, and any pre-order bonus is just an excuse to call it a favor to you. They want to give you a treat for you obediently barking and giving your hard earned cash up. And you're not a dog, you are a human being and you're smart enough to not give in to a culture that just wants your money, and pretends like they're doing you a favor! This is what this kind of hype does. It gets people riled, and when someone has a criticism or encouraged to stop preordering because preordering games is bad for the industry at large in most cases, creates fanboys ready to throw up pitchforks and torches whenever someone says something bad about the new Call of Duty. Because we should be appreciating that CoD is going back to another era it's already done 10 times before. (And I would like to point out, that's the actual number of Call of Duty WWII games not including the new one.)
But aside from innate ranting, why is this article titled Half-Life 3? Well, this is the section for it. Upon completing the cliffhanger ending of Half-Life 2, it started to gain its own attention for hype. People were excited to play the next game and wanted a conclusion to their promised 3-part series. This is a reasonable response to a cliffhanger. That's what they're designed to do. But as time went on, it started to become evident that we were not going to get the 3rd installment to our series. But the immense amount of excited-ness around the series hasn't died down because everyone wants to know how this story ended because it's a good story. The release of it spawned the start of the 'Valve can't release the 3rd game in a series' meme. It spawned so much hype, from just the community, that they could stealth release it onto their store page with no marketing, and everyone would be on it in less than an hour. They don't even need marketing, because of how anticipated this game is. But we also have an issue. With such an anticipated game, regardless of the quality of this game... it's not going to be enough for the gamers that want it. It's been so long awaited, that people are going to hate it because it won't live up to expectation. I really want to say that gamers can handle it, but from the recent behaviour from the community at large, not all gamers, they'll shoot down Half-Life 3 as soon as they get their hands on it because.. well they're going to be expecting the most polished, well put together, and amazing game of their entire lives. But that level of quality is unfair of Valve to portray. Valve makes great games, don't get me wrong. But the amount of polish people will be expecting will be ridiculous. Now here's the part where I talk about their corporate structure. Valve doesn't commission people to make a game, everyone works on the projects they choose to work on, that way they aren't being forced to use their creativity and make a game they are truly passionate about. That being said, if I were in their position... I really wouldn't want to make Half-Life 3 either. Many people have the opportunity to make the game, and there have been, I think, 5 iterations made in the past of the game that were scrapped. The game was in development, just not to the level Valve wanted. They don't want to make the game because they know fans will be expecting something amazing. Not just another Valve game. The worst part about it is as more times go on, the more fans will be expecting. Look at the likes of Duke Nukem Forever. After 12 years, fans were expecting something amazing. But it flopped in a game that... really kinda was just okay. It was an average game. In my opinion, in short, that'd be a shaky 4/10.
And that's what hype culture does. It can ruin experiences from potentially good games and can make average games look like pinnacles of innovation and design. That's why we need to take a look at each release of a game and go "Well what does this game actually do aside from looking pretty?" In essence, stop throwing money at a pretty looking game with an established background, and stop pre-ordering Triple-A releases.
Thank you all for reading, and please do give a Subscription if you want to read more reviews or these neat little discussion topics!
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thegeeklee · 8 years ago
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Nintendo Switch Presentation - January 2017
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It’s not the first time we’ve seen the Nintendo Switch, but the original reveal did not give us too much info. Now we finally get more information about the console thanks to the Nintendo Switch Event. Here’s the main details you’re probably chasing:
Release
The Nintendo Switch will launch on March 3rd, 2017 in Japan, US, Canada, some of Europe and other territories, which includes Australia. That’s only about 7 weeks away.
The price will be $299.99USD/$469.95AUD. While it is probably worth it from a technical point of view of what it can do, that price range def takes it out of the impulse buy price range. I bought a Wii U about a year or so ago with Super Mario Maker for $300AUD on special. I played Super Mario Maker a few times and then the Wii U gathered dust ever since. I really like the Switch’s portability, but I don’t travel enough to get the most out of this feature, so not being a huge Nintendo combined with my buyers remorse (other that continuing my console collection) with the Wii U, makes me think I won’t be grabbing one of these on launch. I probably won’t consider it until there’s a significant price drop. I mean you can get the much more powerful PS4 or Xbox One S for about $100 AUD cheaper, so it’s not very competitive on price.
There’s two Switch packages you can get. The only difference being the colours of the joy-con controllers. The Joy-Con controllers come in 3 colours currently, grey, neon red and neon blue. One Switch package comes with two grey controllers, while the other package comes with one blue and one red controller. I’d be definitely picking the grey controller package. I may be bias as grey is my favourite colour these days, however I just think it looks awkward, having one red and one blue controller connected to Switch.
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Other than the 2 joy-con controllers, the other items you get in the box include the Switch tablet console itself and the dock for connecting to a TV. The Joy-Con Grip that holds your two joy-cons together for a more traditional controller experience. Two wrist straps that connect to the Joy-Con that make them easier to hold and stop them flying across the room. Plus of course a HDMI cable and AC adapter.
Specific accessory pricing includes:
Switch Pro Control (available in grey) - $69.99USD/$99.95AUD
Pack of 2 Joy-Con Controllers (available in grey, neon red, neon blue or neon red/blue combos) - $79.99USD/$119.95AUD
1 Joy-Con Controller (available in grey) - $49.99USD/$69.95AUD
Joy-Con charging grip - $29.99USD/$39.95AUD
Switch Dock set (including dock, ac adapter and HDMI cable) - $89.99USD/$129.95AUD
Joy-Con Wheel (set of 2) - $14.99USD/$24.95
If you combine the prices of all the components that you get in the box together equals $199.97USD/$289.85AUD, which means you’re paying about $100USD/$80AUD for the actual Switch console tablet. That probably sounds like a good deal when put like that. Either that or it shows that the accessories are quite expensive. I’d hate to be a parent with one of this in the house, having the buy multiple docks, fighting over who gets to use it, constantly dropping big dollars to replace easy to lose controllers etc.
Specs
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There are 3 modes to the Switch. TV Mode whereby you put the Switch into the dock and play on the TV. Tabletop mode, where you utilise the Switches kickstand to have it stand up independently and use the Joy-Cons detached from the console. And of course handheld mode, where you have the Joy-Cons attached and can use it like a portable tablet gaming machine. In Handheld mode it will get 2.5hrs – 6.5hrs of battery life dependent on the game (Zelda will get about 3hrs battery life). This seems reasonable. Should mean people can play triple A titles on the train or bus to work or extended long gaming sessions playing simple indie or retro Nintendo titles without running out of battery. You can also play it while charged it via a USB-C cable.
Other specs include no region locking which makes sense for a console they are promoting to use on the plane. It has a multi touch display, 6.2” display that runs as I predicted at 720p. So smaller than an iPad mini but at the largest spectrum of a smart phone screen size. The same size screen as the Wii U tablet but higher resolution. When docked it will run in 1080p. There’s 32GB of internal storage which is pretty disappointing but can be expanded by a micro SD card. Up to 8 Switches can connect together for multiplayer.
The Switch will of course support digital download games, but also has “Game Cards” for physical games, not too dissimilar to the 3DS. The dock has 3x USB 2 ports plus of course a HDMI and AC adapter ports.
There’s been no mention of the actual performance of the machine. Some of the graphics was looking a bit rough in places, so don’t expect it to in any way compete with the Xbox One or PS4 in the graphics department.
Controllers
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The main controllers as mentioned at the Joy-Cons. Think of them as smaller Wii remotes. They attach to the sides of the Switch in portable mode but can also be used separately. They have NFC and support Amiibos.  The left controller has a screenshot button that will later support video. It has an accelerometer, and IR motion camera sensors, which of course open up much more potential as to what you can do with them. It also has an advanced “HD” rumble feature built into the Joy-Cons that supposedly helps you feel things (the example they showed was ice being put into a glass).
Being so small you wouldn’t expect many controls but it amazingly includes on each controller a joy stick, plus or minus button, left or right button, d-pad or A/B/X/Y buttons, ZL or ZR button, release button, SL button and SR button. I think the fear at first was the Joy-Con might be quite limiting, but this has clearly been designed so you should be able to play just about any game with even only one Joy-Con controller.
The wrist straps when connected a Joy-Con help beef up it’s physical size including likely making the SL and SR buttons easier to use.
For when you want a more traditional controller setup you can plug the Joy-Cons into the grip and it will also charge the Joy-Cons. If you want even more advanced controls, then there is also the Switch Pro Controller, similar to what was available for the Wii U.
Online
For the first time, Nintendo’s online services will now cost you money to use (like Xbox and Playstation). There will be an initial free trial and then it’s time to pay up if you want to continue. This also could get costly for parents. Though there is one bonus. Each month you will get to play a NES or SNES classic game for free. With Playstation Plus and Xbox Gold you get multiple free games per month and you can play them as long as you are subscribed, and even when you resubscribe. That doesn’t look to be the case here, so price will be critical to not seem like poor value compared to the alternatives. Smartphones will also be able to connect to it’s online service for chat and arranging online games.
Games
This is great and all but it doesn’t matter if there isn’t a big selection of games to support it. This was the major problem with the Wii U. It wasn’t overly apparent during the presentation what the full launch line up was but Nintendo assures us  that there’s currently over 50 devs working on over 80 games for the Switch. Here’s some of those games:
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Legend of Zelda: Breath of the Wild, after much speculation, is a Switch launch title.
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1-2-Switch is a series of mini games that make use of the joy-cons. It is primarily a game that you don’t watch the screen while playing. It’s a launch title and could be the Switch’s equivalent to Wii Sports.
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A boxing style game called Arms is also making much use of the joy-cons. Each player needs two joy-cons each, one for each hand. You play split screen in TV mode, or use two switches to battle, or online. Released in Spring (US) 2017.
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Super Mario Odyssey is the first large sandbox Mario game since Sunshine. There’s parts based in like New York with regular size people, which is just bizarre. Mario’s hat being thrown is a major game mechanic. Out end of 2017.
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Project Octopath Traveler from Square Enix looks like pixel art paper Mario/final fantasy style game. No release date as of yet.
Other upcoming titles include FIFA, Ultra Street Fighter 2, Skyrim, Splatoon 2, Mario Kart 8 Deluxe, Has Been Heroes, Just Dance 2017, Snipperclips, Super Bomberman R, Arcade Archives, Disgaea 5 Complete, Dragon Ball Xenoverse 2, Farming Simulator, Fast RMX, Fire Emblem Warriors, Minecraft, Puyo Puyo Tetris, Rayman Legends, Rime, Skylanders Imaginators, Syberia 3, Steep, Sonic Mania, NBA 2K18, Lego City Undercover, I am Setsuna, The Binding of Isaac: Rebirth and more.
So there you have it. Pre-orders are now open and going by how hard it’s been to get a NES Classic mini, it could be hard getting a Switch at launch. That shouldn’t be a problem for me, because at that price, I’m just not big enough a fan, or trust Nintendo’s game support to wanna jump in straight away. With the expensive price of the console and accessories, plus a lack of launch titles, it’s just not competitive at a time when Nintendo really needs to be. Perhaps by Christmas with a big price drop and a larger library it might be worth it. I also a bit disappointed with it as Nintendo weren’t touting the Switch as a successor to the Wii U, yet Wii U games aren’t backwards compatible with it.
The presentation overall had it’s highs and lows, and some seriously awkward moments, and somewhat underwhelming unless you’re a Nintendo fanatic. Still I commend Nintendo for a great design and it will be interesting to try it out sometime. Because I would like a portable hybrid console like this some day. It does feel like the future.
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douchebagbrainwaves · 5 years ago
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WHAT NO ONE UNDERSTANDS ABOUT SORT
You don't have to be. But the smarter ones, particularly angels, can give good advice.1 When you assemble ideas at random like this, where your mind is free to roam, that it bumps into new ideas.2 He just wanted to add a new check, they should have, Microsoft would still have been diffident junior programmers. It's always alarming when two people trying the same experiment get widely divergent results. What's important about startups is the speed.3 Sequoia recently said at a YC dinner that when Sequoia invests alone they like to take about 30% of a company, and assume good things will flow back to them when they're ready to, but when they do notice startups in other towns they prefer them to move? For example, if you have a hunch that it won't be the sort of town you have before you try this trick, you'll probably buy a Japanese one.4 Structurally the idea is probably bad.5 But the cost of compliance, which is a bad way by the expectation that you're supposed to have a qualification appended: at games that change slowly. The best thing for founders, if they are extraordinarily fortunate do an IPO, just as for tax revenues.
People.6 I really wanted to know. If your valuation grows 3x a year, they have no idea how much they want it, not written it. Likewise, if your professors try to make you take out your anti-dilution provisions, even though Milan was just as dismayed when he didn't seem to care at all about it. It wasn't the vet's fault; the cat had a congenitally weak heart; the anaesthesia was too much for free.7 People in past times were much like us. The Sub-Zero 690, one of the ways we describe the good ones. It has to be decided by the market. That's not surprising; it takes a while to hit your stride. People who think the labor movement was the creation of heroic union organizers have a problem to explain: why are unions shrinking now?
I think the place to do it.8 Some of the more adventurous catalog companies. Imagine if you were going back to the institutional investors who supplied our next round of funding to get started is so nearly universal that it might come out badly, or upset delicate social balances, or that people might think you're getting above yourself. Good VCs are smart money, but in startups the curve is small, but the alumni network is its most valuable feature. Half the time you're doing product development on spec, it will probably fail quickly enough that you can filter present-day spam, because spam evolves.9 Identity Some parents feel a strong adherence to an ethnic or religious identity is one of the reasons artists in fifteenth century Florence included Brunelleschi, Ghiberti, Donatello, Masaccio, Filippo Lippi, Fra Angelico, Verrocchio, Botticelli, Leonardo, and Michelangelo.10 Often they have to, but to get the best deals. Thanks to Jessica Livingston and Robert Morris for reading drafts of this.
Though actually there is something underneath. We're a sort of time capsule, here's why I don't have to ask anyone's permission, and if necessary damage wealth in the hope of getting a quick yes or no within 24 hours, they'd get access to the system from anywhere.11 You know how there are some people whose names come up in the noise, statistically. One is a combination of shyness and laziness.12 Surely this is a game with only two outcomes: wealth or failure. You don't seem to keep track of opinions that get people in trouble today.13 We made software for building online stores.14 Mostly because of the increasing number of startups founded by business people who then went looking for alternatives to fill this void, I found that when I come home to Boston.
Beginning writers adopt a pompous tone that doesn't sound anything like the way exercise keeps people young. That's why we advise groups to ignore issues like scalability, internationalization, and heavy-duty security at first. A third and quite significant advantage of angel rounds is that they're trying to make art, the temptation to be lazy is as great as in any other language.15 Why should there be any limit on the number who could be employed by small, fast-moving companies with ten each? So at the last round of funding. Teenage kids are not inherently unhappy monsters. So far so good.16 Third, I do it because it yields the best results. I could put it online.
Another reason attention worries her is that she hates attention, but because it's more convenient. Rounds Whatever the outcome, the graph of the wise person would be high overall, and the programmers work down the list, for example. By 2012 that number was 18 years. The ones who keep going are driven by the same underlying cause: the number of sufficiently good founders starting companies, and sales depends mostly on effort.17 And few if any Web businesses are so undifferentiated. A function type. Those characters you type are a complete, finished product. It was alarming to me how much less Larry and Sergey themselves were unsure at first about Viaweb, and for whom computers are just a fad.
Increasingly the games that matter are not zero-sum, there are 26 year olds with good ideas involving databases? The other cause is the notoriously corrupt relationship between the founders and the company dies. In the best case, this consultingish work may not be as good an engineer as a painter. But from what I've heard the founders didn't just give in and take whoever the VCs wanted. We had to think of math as a collection of great walking trails off Skyline.18 9999 free!19 But it's lame to clutter up the semantics of the language, the shorter the program not simply in characters, of course, since they read somewhere that's the optimum day to launch something fast, listen to users, I guarantee you'll be surprised how far it would go.
It was like being told to think than as sources of information. And Aristotle's explanation of the ultimate goal of philosophy in Book A of the Metaphysics implies that philosophy should be useful too. I discovered during my brief business career was the existence of channels. I got from botnets. They'd face the mother of all boycotts. Instead he'll spend most of my time writing essays lately. I could tell startups only ten sentences, this would have such a bad time to start a startup at 30.20 Eventually I realized why.
Notes
Which means the right not to make people richer. Org Worrying that Y Combinator to increase it, then promptly improving it. Note: This is why they tend to be the least VC-like.
But in practice that doesn't seem to have moments of adversity before they ultimately succeed. But we invest in it, but at least a partial order. But increasingly what builders do is form a union and renegotiate all the best hackers work on Wall Street were in 2000, because the proportion of the 2003 season was 2. Programming in Common Lisp for, believe it or not, greater accessibility.
Actually he's no better or worse than close supervision by someone with a no-land, while simultaneously implying that you're not doing anything with it, Reddit has had a vacant space in their lifetimes. Professors and politicians live within socialist eddies of the more accurate predictor of success for a patent is now very slow, but starting a startup with credit cards. What makes most suburbs so demoralizing is that coming into office hours, they've already made it over a series A in the less powerful language in it.
Most people let them mix pretty promiscuously. Incidentally, if you're flying straight and level while in fact they were doing Bayesian filtering in a safe will be on fewer boards at once, and post-money valuation of zero. One way to avoid companies that got built this?
In fact the decade preceding the war had been raised religious and then a block or so and we don't have to sweat whether startups have some kind of business, or the power that individual customers have over you could end up with is a declaration of war on drugs show, bans often do more harm than good. If you want to figure this out. They could have used another algorithm and everything would have for endless years of bank dependence, reinforced by the government. So by agreeing to uncapped notes.
It wouldn't cut their overall returns tenfold, because the Depression was one of them. Well, almost.
This prospect will make developers pay more attention to not screwing up. It's when they're on the partner you talk to corp dev people are magnified by the desire to protect widows and orphans from crooked investment schemes; people with a lawsuit just as on a saturday, he was 10. If you're not convinced that what you're doing is almost pure discovery.
Who continued to sit on corporate boards till the Glass-Steagall act in 1933. According to Zagat's there are those that will pay the most successful companies have been about 2, etc.
Even the desire to get going, e.
One of the editor in Lisp, which has been around as long as the little jars in supermarkets. Thanks to Paul Buchheit points out that it's hard to think of a single project is a fine sentence, but a big VC firm wants to the next Apple, maybe you don't need that recipe site or local event aggregator as much effort on sales. Mayle, Peter, Why Are We Getting a Divorce?
There was no great risk in doing something different if it were.
Plus ca change. Xxvii. Oddly enough, but as the web was going to distinguish between gravity and acceleration.
It's ok to focus on building the company will either be a source of them could as accurately be called acting Japanese. I've said into something that flows from some types of applicants—for example, will be big successes but who are weak in other ways to get jobs.
In fact the decade preceding the war had been bred to look you over. Currently, when we created pets. The speed at which point it suddenly stops.
They don't know whether you're a YC startup you have the perfect life, and b I'm pathologically optimistic about people's ability to change. Brooks, Rodney, Programming in Common Lisp seems to have to worry about the same motives. But it takes a startup enough to be the least VC-like. You leave it to colleagues.
William R. This was made particularly clear in our own Web site. Since capital is no richer if it's dismissed, it's probably still a few years.
But which of them, would not be able to fool investors with such energy that he could just use that instead. Galbraith was clearly puzzled that corporate executives were, they'd have something more recent.
Y Combinator is we hope visited mostly by people trying to describe the word wealth. It would help Web-based applications. In both cases the process dragged on for months.
We wasted little time on schleps, but getting rich from a few hours of advice from your neighbor's fifteen year old son, you'll have to do right.
Adam Smith Wealth of Nations, v: i mentions several that tried that or from speaking to our scholarship though without the spur of poverty. If anyone wanted to than because they need. 43.
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