#I hate Macbeth

[yepthisiskay]

Wrote a 5 paragraph essay about how lady Macbeth and light yagami are similar.

Link to the essay

[pockyyasii]

no bcz no shit i dont want to analyse macbeth or do sum linear equations its not even funny how my weekends are caught up doing this. not cool broski

[thatsnotahoodjason]

imagine tim drake passing his english lit classes purely because of his stalkerish obsession with jason todd leading to him hacking into jason's laptop and reading all his old lit essays and book blog

[silverdoe]

I still cannot believe this man hasn't earned all the praise and awards a performance of this level merits

[suddenly-stickmin]

Replayed Henry Stickmin for the 6 Trillionth time and kept thinking about the Stickmin Space Resort ending... Like I'm sure some Toppats reformed themselves and liked their new occupation [and liked Henry himself], but I feel like soooo many of them just tolerate it because it's rather 'Work at this resort' OR 'Get thrown into space'/'Get sent back down to Earth where the gov. could arrest you'.

I think the older Toppat members especially despise their new roles. Going from heists, stealing riches beyond your imagination, getting so many new weapons and vehicles, among other items to spoil yourself with, to 'A Stick Who Helps Show The Rich Folks Their Room For The Night'? It'd be so degrading.

[tetheredfeathers]

Macbeth and Snow as parallels (a comparative analysis on ambitious protagonists)

Collins is no stranger to Shakespearean references, whether through character names or the deeper parallels that emerge between her characters and those in Shakespeare's plays. This is especially evident in the striking similarities between Coriolanus Snow in The Ballad of Songbirds and Snakes and the main characters in Macbeth, where their ambition ultimately leads to their downfalls.

At the outset, both protagonists show potential. Macbeth begins with a relatively clean slate, while Snow is (debatably) portrayed as a morally grey character. Snow's narcissistic tendencies surface early on, as seen in his disdain for everyone around him and his deep-seated resentment of his own poverty. He believes he is entitled to wealth and power, much like Sejanus. Snow's entitlement is also evident in his condemnation of Tigris when she implies that she might have sold her body to feed their family. He begins to harbor skeptical feelings about her. Though Snow’s selfish and narcissistic tendencies are apparent from the beginning, they remain largely internalized, leaving his true nature ambiguous.

Macbeth and Snow heavily parallel each other at the beginning of their reign.They both encounter a major turning point—a moment of epiphany where they become so entangled in bloodshed that there is no return. For Snow, this moment occurs when he kills the tribute, Bobbin. Although the act is driven by desperation and survival, the way he kills is undeniably cruel. Snow chooses to brutally murder Bobbin even after the tribute is incapacitated and poses no real threat. This shift changes Snow's motivation from self-defence to pure hatred, reflecting his view of the districts as barbaric and savage. Similarly, Macbeth’s major turning point comes in Act I, Scene VII, during his soliloquy when he resolves to kill King Duncan. This decision marks the beginning of his irreversible descent into bloodshed and tyranny. This leads us to a common thread among literary antagonists: their ambition often ignites in a crucial moment of life, where they feel wronged or misunderstood.

So, we ask ourselves now, why is that one scene so crucial, and if it is, who is to blame—the circumstances or the person themselves? In other words, nature vs. nurture. Were Snow and Macbeth simply victims of their environments, or did they always harbour the potential for such destruction?

As we have already established, Snow exposes his corrupt disposition early in the book. He is willing to destroy, use, and manipulate anyone standing in his way, which is heavily focused on in his internal monologue. Each minute action is calculated and executed accordingly. In the scene where a tribute kills Lavinia, Snow's response is a striking reflection of his character. Instead of reacting with immediate panic or concern for Lavinia’s well-being, Snow remains unnervingly composed. His first instinct is not to help or comfort the person in distress but to deliberate on how his actions might affect his public image. As Lavinia's body writhes, Snow’s focus is on the potential repercussions of the situation rather than the immediate human tragedy unfolding before him. Snow’s pragmatic, calculated nature is evident right here.

Similarly, Macbeth’s nature is inherently ambitious, which is hinted at through the witches' prophecy that eventually drives him to regicide: "I have no spur to prick the sides of my intent, but only vaulting ambition, which o'erleaps itself and falls on the other." (Act 1, Scene 7) However, an observation can be made: Macbeth’s actions are only executed after being persuaded by Lady Macbeth. At the very beginning, Macbeth is constantly unsure of his actions and needs to be swayed by external forces. So how much of Macbeth’s nature can we hold accountable?

We see at the beginning that the witches are the ones who plant the seed of ambition in his mind. Even more so, Macbeth’s initial reaction to the prophecy is curiosity; it is the witches who nudge him down that path, which he might have otherwise not taken. Another critical factor is Lady Macbeth’s manipulation; her relentless questioning of his masculinity pushes him toward the edge. It can be said that Macbeth is more of a victim of external forces. It is also plausible to say that Macbeth’s initial ambition might have remained unchecked, and thus would not have committed regicide.

Naturally, we ask ourselves the following question: Was Snow a victim of nurture? Snow makes it very clear from the beginning that he is not here to play the game, but to control it. Despite the cutthroat politics in the Capitol, Snow finds a way to be cultivated by his environment instead of being exploited. Take Snow’s relationship with Doctor Gaul—time and time again, he goes out of his way to obey Dr. Gaul, to the point where he submits his best friend to her. He is not a victim but a willing student. In contrast to Macbeth, Snow lacks guilt and shows little to no moral conflict in his decisions. And hence, being devoid of guilt and hesitation makes Snow not a victim of his nurture but a product of it.

Circling back to the topic of guilt—we find ourselves in the position to ask whether Macbeth’s guilt is his greatest weakness. Macbeth’s guilt and paranoia begin immediately after his murder of King Duncan. He is plagued with insomnia and hallucinations as his guilt manifests, and he descends into madness. As his paranoia and guilt fester, he begins to act out of fear rather than necessity. His ability to think straight and calculate his actions completely erodes by this point. Macbeth certainly does not achieve that prosperous reign, but his guilt is one aspect that humanizes him and allows the audience to relate to him.

But what of Snow—was his lack of guilt and empathy his greatest strength? Snow certainly reigned for a long, prosperous period—longer than Macbeth could, that’s for sure. What was it that upheld him for so long? What did he possess that no other antagonist before him had? The answer to all our questions rests in one quote: “You take your own humanity out of the equation. And then you’re free to do whatever’s necessary. It’s the only way to be safe.” This is it—Snow’s dire philosophy encapsulated in one line. Snow completely rejects the idea of humanity; notice he uses the word "free." It is almost as if Snow views humanity as a burden, something that is tying him down, from which he wants to be freed. So, is rejecting humanity the only way to achieve such a long rule? Is it really a strength?

While we can certainly say Snow avails a longer rule than anyone that came before him, Snow’s lack of guilt and empathy is a double-edged sword. It most certainly helps him make swift, calculated decisions without bringing his victims' emotions into the equation, but it ultimately destroys him in the end. It is his incapability of understanding Peeta and Katniss’ effect that annihilates his rule. “Hope is the only thing stronger than fear. A little hope is effective; a lot of hope is dangerous.” Snow recognizing hope is accurate, yet it is his lack of empathy that blinds him from seeing the uncontrollable aspect of hope. His approach to overcoming hope is to manage it—notice I use the word "manage." His perception of hope is in a very technical manner, just like we see in The Ballad of Songbirds and Snakes. Snow is prone to formulating plans, and thus, he uses this approach on Katniss as if she is just a step along his plan. But his failure to truly understand the power of hope is what leads him to make decisions that only spark the rebellion even more.

In conclusion, ambition is a powerful force in shaping the paths of literary antagonists like Snow and Macbeth. While their environments certainly played a role in nurturing their darker tendencies, it is their inherent ambition and how they choose to wield it that seals their fates. Macbeth's guilt humanizes him, making him a somewhat tragic figure who is ultimately consumed by his ambition. Snow, on the other hand, thrives by rejecting humanity altogether, but this very rejection blinds him to the power of hope, leading to his eventual downfall. Both characters remind us that unchecked ambition, whether fuelled by internal desires or external influences, can lead to self-destruction.

[hlkproductions]

yu yu doodlesho

[therighthandofvengeance]

out, damned spot; out, i say.

[alien-til-i-stage]

Dropping this and running

Inna - Pansexual He/Him

Macbeth - Aroace Genderfluid (any pronouns)

Lilith - Lesbian She/They

[crowned-as-king]

au where jon isnt just A Theater Kid, but The Theater Kid. like, rivaling tim. they probably fought over leading parts in highschool. i believe he would quote macbeth all the fucking time, and its why all the bs happens to them

[evan-buck]

macbethed my last macbeth this evening and being the only one to stand up from front row of the circle at the end is a lot of fun actually 10/10 do recommend

[yepthisiskay]

Here is the essay people have been asking for :D

Were I compare lady Macbeth (Macbeth) to light yagami (death note)

Tags for the people who wanted to read it: @rawrlight @gilyoungroach

Characters in Media are often compared to different Characters Whether they have a similar backstory, appearance, or Personality. The Comparison of characters have been happening In Fandom spaces for years. Its not a new concept however not Many People Compare Shakespeare characters to Characters in Modern media, however despite the time difference they are Similar. Lady Macbeth and Light yagami. This essay will compare their Personalities, backstory and Motives. comparing and contrasting them.

Overall characters personalities are, the Most compared thing, Many tropes rely on personality traits. Despite the time however, personality is a Constant. Light is often described as Smart and Lawful however his personality Shifts after he gains power he is More Manipulative than he was before picking up the death note. Lady Macbeth did not have a drastic change, she had always been Manipulative it had gotten worse after she had heard the Prophecy. They both have Strong Personalities and know how to use this power to gain insight on get What they want from others. Light Uses this to Manipulate Misa into helping him Kill L, lady Macbeth Manipulates Macbeth into Killing Duncan. They have Similar Personalities and are powerful people.

Backstories are important, oftentimes the past affects Who the character is now. Light had a good childhood his dad is a cop with a Strong sense Of Morality. Light gained a Strong Sense Of Justice Making him want to be a CoP. Light Picked up the death note not realizing the Power he would gain. He used it to kill criminals at first for the world's gain but then he used it to kill anyone who got in his way, Self proclaimed "god of the now world", Lady Macbeth began killing For personal gains, She grew up in a Rich household. Not Much is Stated regarding her backstory however for someone to resort to Murder to get what She wants that Must be Influenced by previous events, when it comes to backstory they aren't Similar besides both coming from financially Stable Families.

The Motives is a big piece to learning about a Character. Light killed People For Justice before later killing for his own personal gain. Lady Macbeth Killed for her husband's gain however it was also for selfish reasons. She wanted Power manipulating others for Personal gain. Despite Motives not being the same at the start they later became the Same Both doing things to protect themselves turning greedy.

overall they are Similar Characters despite being From different times. They have similar goals, personalities and Motives. An Interesting comparison yet a fitting one nonetheless. Overall if you compare the plot of Death note to the story of Macbeth there are shocking similarities. The stories despite being centuries apart are similar in aspects and the characters reflect that.

[sunberry-strawflower]

Y'all know the drill

[fiendishartist2]

jon becomes an english teacher in their somewhere else and is completely baffled by how much highschoolers hate english class

transcript:

(left): "mr. sims, can we pls watch you play chess.com?" (macbeth essays submitted: 5/27) [i'm too old for this shit"]

(right): "and they're like obsessed with chess? but only on the computer" "at least they're engaged?"

[unproduciblesmackdown]

(genderly) chill as hell if i was only ever glimpsed / detected like this

[thealogie]

yeah its insane she was still auditioning into her 30’s and like has said she probably will never make it america cause she refuses to do the ���im just a girlfriend/wife role” because she finds them boring i always wanted her to be the lady macbeth v davids macbeth (im sure cush is amazing but yeah) i need them in a drama together like tomorrow it makes me sad they havent worked together since doctor who since they obviously have such great chemistry

I need them on stage together. I can’t tell in what but in something. They should do something so against type! They have the range!