Wind looked around the room to his brothers, down to his shoes, and back to his brothers.
“Sky, you got a lighter?” He asked.
Sky looked at him with an eyebrow raised and asked, “What do you need a lighter for?”
“My shoelaces are frayed and it’s driving me nuts! I want to burn the ends so they don’t get more messed up.”
“Oh!” Sky looked more closely at the worn sneakers and replied, “Sorry, I don’t, and none of us smokes, so I doubt anyone carries one. You may have to wait until we get home.”
“I will go insane if I have to spend the whole day like this!” Raising his voice, he asked the rest of his brothers, “Hey! Anybody got a lighter? It’s an emergency!”
“Of course!” Wild replied almost immediately, producing a small bic lighter from… the inside pocket of his jacket, to which Sky gave questioning look. Wild shrugged and explained, “I always carry one with me.”
“Well… I guess it’s good to always be prepared”, Sky’s uncertain response made Wild beam.
“Exactly! You never know when it will be a good day for arson.”
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Me: *stubbornly holds onto the same hyper fixation for years and makes it my entire personality on Tumblr but only discusses it in the presence of a select few people in real life* Great news guys I'm actually nuerotypical
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Mystra showed him the secrets beneath the veils. The gossamer veils first, draped across the Weave. The delicate veils next, draped across her body. 'Chosen One' she whispered, as she slipped them off completely.
poor gale :'(
- the dialogue is from ea gale's explanation about his folly
- i kinda like that she ended up looking like a mother-of-pearl inlay lacquerware!
- oh this was a subconscious choice, but Gale is sitting in seiza which is a posture for showing respect especially to elders. it's also known to be a painful position to sit in for extended periods of time, which is why it was sometimes used as a method of (morally dubious) punishment. however, experienced people can maintain this posture for much longer. food for thought :-)
- (edit: deleted this point bcs it didn't really make sense + detracted from the art a little;;)
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💖🎊the end, & thank you for reading!!🎊💖
im so thankful for all the support i got on this story, and i wouldn't have finished it if not for all of you, and for the love i got for seb and clora. so thank you again for giving me the motivation to write this 600k+ monster, and to see it through to the very end. LOVE YALL💖🫶 (ao3/wattpad)
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there are a lot of evil people in the world and a lot of darkness in the world and so it’s very important for me to stress that now more than ever is the time to spread kindness and compassion. combat the evil by not only not partaking in it, but actively refuting it. destroy the notion that being compassionate or generous or kind to someone is uncool or embarrassing or even scary. be the change you want to see. start a chain reaction. positivity only breeds more positivity. do an act of kindness for someone so that that person who is too afraid to do it themselves can see you, realize that they’re not alone, and perhaps sheepishly follow your example. and then the next person who is too afraid but sees that person can do the same. when bad news comes out about bad people or horrible atrocities in the world it’s such an easy impulse to despair, and obviously it’s important to feel what you need to feel. grieve. be angry. be sorrowful. be empathetic. but dust off your pants and get up and be a part of a chain reaction that, no matter how small the scale, and spread compassion and love and care. all the reasons why you might not—“it’s hard! it’s scary! people will make fun of me! it’s useless because there’s too much evil!” are all grade A arguments as to why you should. you have no idea how many people you could inspire to do the same. even if it doesn’t get you anyway far, you can at least say you have the nobility of trying. please choose love and please choose life. you are worth loving and you are worth inspiring others to love
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I love libraries.
I'm browsing the WWI shelves (as you do) and notice a very old book about the war. I glance at the first pages that talk about how one day the war will be over and we'll look at this place and not see any signs of the battlefield.
Then it hits me. And I check the publishing date.
This book was printed before the war's end. Not written. Printed. The physical object was created in 1918, while the war in question was raging and the end was as yet uncertain.
Now I'm standing on the other side of the apocalypse, with this physical link to that era in my hands. I'm living proof that the war did end and life did go on and we can all look at the end of the world as a long-ago memory.
Reading old books is cool enough, connecting our minds and hearts through the ideas of people who lived long ago, but there's something extra profound about holding a copy of the book that comes from the time that it was written. It's a physical link between the past and the present connecting me to those long-ago people. A piece of the past come into the future that gives me the chance to almost take the hand of some long-ago reader, to hold something they could have held, connecting not just mentally but physically to their era, a moment of connection across more than a century.
Excuse me while I go weep.
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hiii im sure you’ve answered this before but in regards to your twst x Pokémon, how do you choose which Pokémon go give to the cast?? really curious since your choices are unique :O
unique in a good way, I hope? 😅 (jk jk I haven't come across too many pokemon AUs, so I was going in without preconceptions, I guess!) I was sorta aiming somewhere between doing, like, a full AU with internal consistency and everything, and just picking entirely based on theme/character, so maybe that's why! basically I just set some arbitrary rules (no legendaries/no repeats/evo stages based on year) and then went on ~vibes~. a couple were also suggestions (thank you guys!) and last-minute decisions, so it was a bit of a delightful mess of ideas!
my one regret is that I should have given Riddle a Togedemaru after all. ...you know what, he can have one now, why not
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Victim. Animator vs Animation. Suffering falling on deaf ears.
Been thinking about this 2mm thick stickfigure. Why is it so fun drawing these stupid weirdos. I kinda wonder if he knows if Alan is a human or not.
Anyways, I hope I cry my eyes out at the finale <3.
I find spiteful antagonists so intrinsically poetic. When a character's motives are laid out so simply as "I have been hurt and I need others to feel the same", we empathize. We all have felt rejection, or anger, or fear. And we all have felt that need to express it. We may not agree to a characters motives or actions, but we understand on such a deep level WHY they feel that way. And if that person isn't too far gone, we beg for them to step down. We beg for them to understand they are not alone. Because, somehow someway, we see ourselves in their suffering.
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one of my favorite things about zedaph is that on a server full of people that find strange and oft-overlooked minecraft mechanics or rare events and then see just how far they can push them in the name of spectacle or efficiency or world-breaking, zed is over here finding these mechanics in order to do the weirdest things he can think of in as entertaining a manner as possible
like i 100% have faith in zedaph's theoretical ability to be just as efficient or spectacular or world-breaking. if he wanted to do that stuff, i trust that he absolutely could. but thats so far from being his priority. instead, hes going to spend around a week of irl time focused entirely on eventually having the good luck to spawn in something insanely rare so that he can convert it into something even rarer, the result of which being something that 99% of the server reacts with complete and utter shock that it even exists in the first place, just because its zany and funny and he wanted to. and i love that
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