#I had a version with his Style B but it got corrupted

[williamshamspeare]

Do Jojo the food critic doing a Jojo's Bizarre Adventure Pose✔️💙🖤 (I drew his stand design)

it's been a while! I may not be able to recreate the stand design, and I don't know much about Jojo's Bizarre Adventure in general, but I do hope that this is still a decent recreation of that one Jojo pose

[foureyes802]

hiiiiii 💕 <- for ask game not just random love

ohhhoho favorite character time to spread the good word about the worst x-man, Angel

I think Angel/Warren is one of the X-Men characters who is chronically squandered. My belief is that when people adapt the Archangel plot they often do it as a last resort because they don't know what else to do with him, and once it's resolved (or even before then) they go back to not knowing what to do with him so the whole thing just fizzles out. But I have thoughts and ideas and I see his potential. This is code for "most of what you are about to read is headcanons, because I have been putting off reading the comics and rely heavily on the X-men cartoons right now." More under the cut :3

The whole thing about Warren is that his character conflicts are almost completely internal. He's got a ton of internalized anti-mutant hangups because his dad in most iterations is the billionaire CEO of a pharmaceutical company that's trying to develop a mutant cure. He's anxious, angry, even severely depressed, but he doesn't let that show to any of his teammates. He feels the need to rely only on himself (something something, child neglect) and by putting on a flirty rich "bad boy" front he is able to get away with it for a long time. That is until he loses his wings.

This is how the Archangel arc starts, usually. Warren gets severely injured in some kind of freak accident and ends up in the hospital, where his wings are amputated without his knowledge or consent. FTR this is not even close to the most extreme case of medical abuse in this soap opera ass series. A villain, usually Apocalypse, promises to be able to get his wings back and coerces him into a contraption that brainwashes him and turns him blue and gives him wings made out of metal blades and it's all very late-80s edgy. The X-Men come to stop him and they knock him out of the brainwashing and he leaves forever because now that he's not evil I guess he's no fun anymore. What I'm doing is standing on the rooftops and screaming ARCHANGEL IS NOT A CHARACTER!!! HE IS A NARRATIVE DEVICE!!!!! Yes his knife-wings are very cool and more fun to write and draw combat scenes with but Archangel is a corrupted version of a character we know who has been overtaken by rage. Archangel is REVENGE, Archangel is GRIEF!! He had an integral part of his identity, a literal piece of his body taken away from him and he turned to a very dark place to try and get that back and it changed him permanently. THAT'S INTERESTING! If you work backwards from that it can also make normal-style Angel really interesting too. Does he snap at people? Is he directing his self-loathing outwards? Does he grow at peace with his mutant identity and reject fully the prejudice of his family, content with the family he has found in other mutants, and THAT'S when you strike and take his wings away? MUCH TO THINK ABOUT!!

Wolverine And The X-Men is not a good cartoon, being especially notable for its sidelining and disempowerment of the women X-Men, but it gets the closest to understanding Warren. He's not super present in the show prior, but in "Guardian Angel" he gets the spotlight and this single episode tackles the becoming Archangel part of the arc so well that it's the reason I'm obsessed with this B-list white man. Weirdly it's Mr. Sinister who turns him and not Apocalypse, which doesn't *not* make sense in context unless you remember that if they got a season 2 they were gonna do Apocalypse. But that's a tangent in itself. Anyway the episode is really really great as a somewhat-standalone. The stuff about a mutant cure is an interesting take on fantasy eugenics and Warren is so queercoded it's insane. He's so queercoded that Storm is his girlfriend for no reason and it never comes up again in any other episode. The show also drops the ball on following through with anything Archangel does; see the aforementioned Apocalypse thing, they were probably going to resolve it in season 2. Honestly it's a tossup whether that would have been satisfying had it gotten to exist. WATX is weird, don't watch it.

That's a lot of my thoughts on Warren. It's not all angst, I also think the moments where he's a prankster bastard are really fun. It's just clear to me that so many writers see him as the guy whose boring power is "having wings" and nothing more and that's really disappointing to me, the world's number one enjoyer of arrogant pricks who secretly hate themselves.

[autoplaysdigimon]

Top Five Villains

HERE WE GO, THE FUN LIST.

#5 Gatomon

Controversial, maybe, to have her be on the Villains list as well, but she was a villainous character for a while.

I’m a real sucker for a good redemption storyline; failing that, at least a turncoat character. While Gatomon didn’t really commit any real atrocities onscreen to atone for later in the story, she still proved a fun villain while she was one. She was no nonsense, efficient, knew exactly what she was doing... if she’d stayed on Myotismon’s side, she could have been a real force to be reckoned with. One of the things that I’d have really liked to have seen explored more in this series was Gatomon’s time with Myotismon, and how much she’s changed since then.

Plus there’s something so weirdly entertaining about a group of creepy, ominous, obviously evil monsters and then a small white kitty cat who’s just as dangerous as them.

#4 Myotismon

This guy.

When this guy came onto the scene, the entire show changed. Devimon’s arc was fun, if a little generic; Etemon’s was very similar with a different villain, and then Demidevimon’s arc came along and we got a fun, goofy villain who can’t Evil properly. Even so, we knew he was following orders from a higher power, and Myotismon’s eventual appearance changed the dynamic from “Team Rocket Fools Children Repeatedly” to “oh shit an actual vampire is going to kill us”. And then the whole Eighth Digidestined thing happened... Plus, that #aesthetic, amirite? 

To tie into Gatomon’s thing up there, the Eighth Digidestined arc was one of the best of the season, if not the best. Taking the fight to the Real World made it more, well, real. It was fun as hell watching the parents interact with the Digimon, both good and bad, and finding out exactly what the kids had been up to lately. The kids watching their families getting dragged into the fight was TOP. NOTCH. Plus Myotismon actually knew what he was doing as a villain so.

He knew to go after the one kid without protection. He knew how to cut everything off effectively. He did take a shot at some of the kids when they were on their own, instead of thinking only of killing Kari. Death didn’t stop him the first time. Even when he pulled the classic villain “You Have Outlived Your Use” thing and killed his own minions, it was on Digimon who had already turned against him, like Wizardmon, Pumpkinmon, Gotsumon and (arguably) Darktyrannomon.

(No, wait, they’re still alive because he sent them to his Dungeon, isn’t that RIGHT DUB TEAM.)

(Even though pieces of them were left behind and dissolved on their own.)

(No, I’m still not over that.)

#3 Ogremon

Another redeemed villain! I just like them, okay

Maybe it’s just me, but just the act of Ogremon turning good at the end made me like him. He was a little bit generic in the Devimon arc, though at least he had the feud with Leomon to make him interesting. (Any logical reason to that, by the way? Was it just that we had these two Digimon who could fill in the character roles we’d set out for them? Nothing mythological about lions and ogres hating each other or anything? No? Okay then.)

All Ogremon really did in that first arc was serve as the henchman. He made some... interesting choices, and then he was absorbed into Devimon for power. And then he came out of the back of Devimon’s knee. Sure. When Devimon was defeated, he ran screaming off into the distance, shaking his fist and yelling “NEXT TIME, GADGET. NEXT TIIIIME.” The very act of bringing him back when he wasn’t employed by the Big Bad of the moment made him an interesting character, who had to atone for what he did. I’m a sucker for redemption, like I said, and the best part of it is watching them go soft.

Plus, how great is it to have multiple conflicting alliances within a group? When Leomon returned, even though Ogremon was firmly on the Digidestined side now, he had absolutely no problems with trying to immediately murder Leomon. There’s nothing wrong with that, right? They’re rivals, it’s just natural! He’s also kind of a shithead in general, even still.

Also, Ogremon is incredibly hard to draw. I’d just like to bring that up.

Okay, next!

#2 Etemon

HE’S A MONKEY WHO TALKS LIKE ELVIS, NEXT QUESTION.

But for real, Etemon is such a fucking great villain. Great character all around, I’d love a version where he was an ally or something, but how else would we get the trademark Elvis-laugh-turns-into-villainous-laugh thing that Etemon has going?! Come on, that’s great.

Devimon’s villainous style was one of corruption; he wasn’t all that powerful on his own, but by using the Black Gears he could build his own damn forces and control small areas. He only managed to control a handful of Digimon in the end. He was also taken out by a single Digimon in a single one-on-one, though you could argue that the others had weakened him by that point, they hadn’t really.

Etemon’s style was drastically different - he was far more comical, but far more dangerous. His introduction scene involved him panicking over the Digidestined already being in the area. He sang a lot, he cracked jokes, he threw childish tantrums, and again, he was a monkey who sounded like Elvis. There is nothing not awesome about this guy. And yes, he was deadlier - his main attack can undo Digivolutions and leave the Digimon vulnerable as hell. He ended up taking a couple of episodes to take out, only losing because another villain tried to sabotage him in the end.

And coming back partway through the Dark Masters arc as Metaletemon?! FUCK YEAH. Every pun he made, I laughed at and I don’t apologise for that. Even starting a series-wide tradition, he was stylish until the end.

Also he called Ikkakumon a goat that one time.

#1 Demidevimon

T H E  B A S T A R D  O R B

Nobody is surprised that he’s my #1, right? It was a close call between him and Etemon, but ultimately I just like Demidevimon’s arc more. We have Devimon and Etemon, as I discussed above. After that wave of villains who are dangerous because they’re powerful, we have one who is dangerous because he’s just a little bastard.

Demidevimon wasn’t strong. Most villains had their huge beatdown happen in the form of a Digimon Digivolving to Champion, Ultimate or Mega for the first time, Demidevimon had his when Patamon reached Rookie level again. In his debut episode. He was never a threat physically once the kids realised that he was not to be trusted. His arc came right after two arcs of the kids being stranded in this strange world together, only briefly separated - and then everyone was torn apart, and he could manipulate them individually. 

I’ve argued in the past that Demidevimon was a more effective manipulator than even Puppetmon, one of the Dark Masters, and I stand by it. Puppetmon managed to physically manipulate them with the dolls, sure, and he had Cherrymon convince Matt to attack Tai. But, uh, he didn’t exactly have to twist his arm very hard to get that to happen, and that was Cherrymon’s doing anyway. Plus you could argue that physically manipulating someone isn’t much of a social power as it is more a matter of strength. (also Puppetmon is more of a “play with them like toys” type, but still, being a literal puppetmaster, you’d think that manipulation was more of his domain than a BAT.) Demidevimon, however, managed to:

convince TK that Matt didn’t want him as a brother anymore and to ditch Tokomon

 nearly have TK, Tai and Agumon eat poisonous mind-wiping mushrooms

convince Digitamamon to keep Joe and Matt in the restaurant, simultaneously threatening Joe to help keep Matt there and sabotaged them constantly to manipulate them all further

trick Izzy and Tentomon into Vademon’s trap

tell the Gekomon and Otamamon about Mimi’s singing voice, somehow knowing that they’d end up hindering her progress somehow(???)

And, even after knowing that he’s an evil manipulating Digimon, he managed to convince Sora that she’d never manage to activate her crest, causing her to believe it in a self-fulfilling prophecy, even as she worked to sabotage his efforts otherwise.

I mean, apart from all that, I just like Demidevimon as a Digimon. He’s a tiny flying motherfucker and that’s great! He had some of my favourite lines, even his death was kind of tragically funny, and I have a clear bias when it comes to his voice acting, because I just like Derek Stephen Prince. He does it well! I don’t know how Demidevimon closes his eyes like that, though, those appear to be his pupils closing. I don’t even know.

Really, I just find great nostalgia in comical villains. They were all the rage back in the day, especially in children’s media. They’re still around sometimes - Doctor Doofenshmirtz from Phineas and Ferb, the Rubies from Steven Universe, the Ice King from Adventure Time, even Team Rocket from Pokemon are thriving still. Good, menacing villains are great and all, but where’s the fun?

Honourable Mentions

Scorpiomon, who probably benefited the most from the dub’s style - his constant cried of “hey, stop it, come baaaack” while chasing Joe and Mimi are more remnicient of a kid trying to get his toy back from the bully who just took it away from him than someone trying to murder children, and that’s just fucking hilarious.

Mimi, when she was briefly an antagonist in that one episode. Just as I really like Heel-Face turns, I really like Face-Heel turns, even temporarily, and even as petty as this whole thing was. It was the perfect trap for her, who just craved the comfort of home, and who could be easily confinced to go for more. And it was the perfect trap because she was the jailor and the jailed at the same time, trapped as long as her own selfishness would allow. It was one of my favourite episodes.

Datamon, who had his own agenda and didn’t care that he was stepping on Etemon’s toes to get what he wanted. Just like Leomon and Ogremon had conflicting alliances on the protagonist’s side, Datamon and Etemon were opposing forces on the antagonist’s side, and multiple villains fighting each other are always fun to see.

Actually, Etemon later fought Puppetmon as Metaletemon, didn’t he? Wow, dude just doesn’t get along with other villains.

Gizamon. Give them more lines, you cowards.

The Dark Masters, as a whole. Just as Myotismon changed the entire tone of the show, these guys took the entire first half of the show and murdered every safe thing about it. They immediately started playing with the Digidestined, fully intending to off them all right then and there as a team. They were competent, for the most part - only failing when they were forced to split up, and their dirty tricks could be dismantled one by one. I’ve never seen a more co-operative group of antagonists, who never tried to dethrone each other and take everything for themselves.

And okay, sure, Kokatorimon. Purely for this.

Dishonourable Mention

Apocalymon.

Look, dude, I’m sorry, you’re cool and everything, but where the fuck did you come from? We killed Piedmon, it’s over, no, wait, here’s one last guy, no wait he’s dead, nevermind. What?

The fact that Apocalymon didn’t get any fanfare before being dropped on the Digidestined without warning made him seem like an afterthought, like the writers forgot their own endgame until they got there. Even if there had been a mention of the effect that caused his existence before he showed up - a “hey, did you know that not every Digimon survives Digivolution? Their data just gets deleted or something,” really would have helped, but even then. 

Apocalymon’s existence in the show really highlights how disjointed the series as a whole is - Devimon has no relation to Etemon, who has no relation to Myotismon, who has no relation to the Dark Masters, who have no relation to Apocalymon. The kids face a constant load of “okay, so we beat this guy and we can go home, right? ...no, maybe this guy??” where every new villain is dropped on the like a hot potato, making their first appearance in less time after their existence is revealed in less time than it takes to heat up said hot potato. Myotismon is the only one who gets any decent buildup before his first appearance before the children, and he’s often said to be the best villain of the show, so see how that works?

Digimon Adventure is the story of a bunch of kids who were brought to the Digital World to take care of one guy, and hey, while you’re here, we’ve also got some sort of demon on this island causing trouble, and there’s this monkey threatening us, and also a vampire, and then these four have joined together... It was a fun adventure, and I love that it could be part of my childhood and my life, but wow it really needed a more cohesive throughline for the story.

I hate to leave this post on a negative note, because it was full of mostly nice things, so here’s another picture of the bastard orb.

Hahahaha, oh you silly little man.

[warsmith-38]

How I would do RWBY pt.8

Season eight.

Salem knows Cinder is coming back home.

Is patiently waiting for her to arrive with Myrmidon at her side.

Cinder shows up, hoping for mercy.

Salem suddenly has an inconvenient gap in her vocabulary when Cinder says that word.

Reminds Cinder that not only did she tell them her plan, she told them how to destroy said plan.

Cinder makes her excuses, “I had to. I didn’t have a choice. We can make another plan,” et cetera.

Salem decides to give Cinder one last chance after fucking up a plan that was older than she was.

Defeat Myrmidon and she can have her old position of number two again.

Myrmidon kicks the absolute shit out of her.

Cinder keeps making little mistakes, blames her new (metal) arm, and Myrmidon exploits every opening.

Myrmidon is sadistically playing with Cinder at this point.

Cinder pops smoke and runs the fuck away.

Myrmidon is stopped from chasing her, being told that Cinder’s execution can wait.

They must finish preparing Plan B.

She does in fact owe this latest plan to Cinder in a roundabout fashion.

The dramatics in Atlas have made Salem remember a little detail that has helped her in the past.

Nothing unites quite like a war.

The free peoples of the world either need a single enemy to face together or they need a factory reset apocalypse to recover from.

Either or, Salem isn’t picky.

The people will be all the stronger no matter which problem they have to overcome.

Ozpin getting directly involved is a snag, but she’s worked around him before.

Regardless of outcome she’ll go dormant for a few generations until most people forget she existed and then it’s back to work.

Her first target is Vacuo.

She would have preferred Vale, but she’s willing to compromise.

Grimm begin to swarm into Vacuo territory.

They had their own version of The Maginot Line, for all the good it does them.

Myrmidon is leading the charge and is the one that tears a big ass hole in their defenses.

Ozpin realizes that Salem has decided ‘fuck it’ on the whole illuminati conflict thing they’ve been doing.

Open warfare it is.

Ozpin has RWBY, JN(P)R, and SSSN sent to Vacuo to see if they can help while he calls the banners with the rest of his council.

RWBY, SSSN, and JN(P)R link up with the Vacuo Defense Force.

Meet the grimm assault with an assault of their own.

Fierce fighting pushes the grimm back to The Maginot Line.

Victory is at hand.

Everyone has a moment or two for a breather and conversations.

Then the second wave of grimm arrive.

They’re not acting like grimm usually do.

They’re using actual military tactics.

Feigning retreats, denying strategic points, and attacking weak spots you wouldn’t think would be weak.

The Black Myrmidon is directing them.

RWBY and JN(P)R have a go at her.

Myrmidon is giving a good fight, but it’s still eight on one.

Penny starts convulsing then starts attacking RWBY and JNR while saying she’s not in control.

Yang’s arm stops doing what she wants it to.

Suddenly nobody can land a hit.

Reminds people of old sparring matches.

Ren dumps his pistols and goes full kung-fu badass on Myrmidon.

Knocks off her helmet.

It’s Pyrrha. (Audience was meant to know because obvious. It’s more about the in story reveal)

She may be fucked up with grimm taint and looking like a mini-Salem, but it’s very much the Pyrrha they knew and mourned.

Everyone is stunned.

Grimm are starting to lose more ground.

Pyrrha sounds the retreat.

Grimm pull back and Grimm Blitzkrieg has been halted.

RWBY and JN(P)R are reeling from events.

Nora is inconsolable and even Ren is failing to hold it back.

Jaune is just quiet.

Penny is trying to help her new teammates as best as she can, but they’re only so much that she can do.

Ask Ozpin + The Council and EMN via video call if they knew anything about this. They didn’t.

Qrow theorizes that Tyrian was a prototype of what was done to Pyrrha.

A dead huntress revived and controlled via grimm corruption that emulates an aura.

Not only still capable as she was in life, still being able to use her semblance, and still as intelligent, but also being powered up by Salem herself.

The Council shudders to imagine an entire army of that.

To take their mind off of the thing, RWBY go scouting to see if they can find any sort of intel.

On mission they find a beaten and almost dead Cinder.

Ruby says there’s nothing to see here.

WBY say that she could have intel they could use.

Ruby says there’s nothing. To. See. Here.

WBY pick up Cinder and take her back to base.

Ruby wants it on record that this was munity from WBY.

Cinder regains consciousness and is genuinely shocked that they helped her.

Finally realizes that Salem does not give the faintest shit about her anymore if she ever really did.

Doesn’t really vibe with Ozpin, but wants to fuck over Salem as much as she can now.

Ozpin says he does not trust her, but does trust her desire for revenge.

Sends EMN, who are firmly on Ozpin’s side now (if only for self-preservation), as reinforcements and to try to help keep Cinder compliant.

Cinder tells Ruby not to worry.

After Salem is dealt with they can sort things out between them.

Cinder provides as much strategic and tactical advice as she can.

Her intel wins a few engagements and saves quite a few lives.

Despite this, Jaune says that he refuses to directly work with Cinder. Nora and Ren both mirror that statement.

They say that they’ll work with her intel, but can’t be held responsible for what might happen if they are left in the same room as her.

To them, the current situation with Pyrrha is actively Cinder’s fault.

It would have been less egregious if Pyrrha was just dead and not some insane zombie.

Penny volunteers to operate as the middlebot.

Ruby is on Jaune’s side and her clout helps keep Jaune at the strategist’s table.

The Myrmidon is spotted at a forward position without a large garrison.

JN(P)R take it on themselves to go to her despite everyone saying it’s bait.

JN(P)R fight through cursory amount of grimm and get to Myrmidon.

Conversation is mired with combat.

Nora says that Ozpin might be able to help her.

Pyrrha says that Ozpin ‘helping’ her is the reason she died.

Penny says that her team still love her and miss her.

Pyrrha says that they replaced her with a robot the first chance they got.

Ren tries to appeal to her sense of logic and morality that Salem is an evil shithead.

Pyrrha says that Ozpin is no better and would rather work with the one that brought her back to life and didn’t lead her to an early grave.

Gets to the point where N(P)R is down and Jaune is the only one standing.

Their duel is hard fought, but brief.

Jaune tells Pyrrha that he knows that even with Salem’s ‘enhancements’ she still won’t kill him.

If she does, then Pyrrha Nikos is still dead no matter what magic Salem does.

Pyrrha says that that’s one of Jaune’s worst plans ever.

He tells her to shut up and do it if she can actually do it.

Pyrrha is having troubles not talking and is clearly delaying herself.

Jaune is shouting ‘do it!’ Rorschach style.

Pyrrha doesn’t. Still gives Jaune a concussion to try and take him out of the strategic fight.

Jaune, when scolded for doing something so stupid, says that he now knows there’s still enough of Pyrrha in there that he believes he can plan around her style.

Now begins the wait for the next offensive.

Cinder has moment with EMN, trying to continue as was, giving them orders and such.

EMN call her a shit and say that they ain’t got to do shit she says. Neo flips her off double deuce style.

Cinder has moment realizing just how hated she is by everyone.

Gets sad, then angry, then sad again.

Ruby and Jaune have a moment talking about their time as team leaders.

Heavy is the head that wears the crown type of thing.

The assault happens in the middle of the night.

Salem herself is leading the charge, riding a huge-ass T-rex looking grimm.

Gives a great big ultimatum to the defenders.

Surrender and join her crusade or die.

RWBY get on the loudspeaker.

Call her a bitch.

Salem does not appreciate their humor and signals the assault.

Myrmidon directing the grimm was bad enough but Salem is terrifyingly worse.

Myrmidon was connected to a sort of grimm hivemind, but Salem directly controls said hivemind.

Salem hits them like a truck on steroids.

The defenders formed a strategy, sure, but that strategy was for Myrmidon.

This was preparing for a linebacker to hit you then getting hit by, y’know, a truck on steroids.

The defensive line is swarmed, ripped apart, and overrun with little effort.

RWBY is separated by the horde.

The fighting is desperate and vicious.

Plenty of jobbers are killed or taken away behind enemy lines.

Then it stops.

The grimm just stop moving for a moment and then they retreat.

Salem then tells everyone that she did this to prove that she could kill all of them whenever she wants.

Does kowtowing sound a little more appealing now?

All the people that were just taken are released to further the point that Salem can do as she pleases.

She gives them all forty-eight hours before her next assault.

She also says that she won’t be taking prisoners that time.

Everyone has a collective moment of ‘wow, we are fucked’.

Cinder has an epiphany and takes it on herself to force a conversation with Jaune.

Jaune is about to try (and fail) to tear her head off when she says that she might have the solution to their problem.

Fuck the grimm, fuck mitigating loss, they need to snipe Salem herself with everything they have.

They can’t permanently kill her, no, but dropping her should send a sort of mental shock to the grimm and stun them for a good amount of time and make them vulnerable.

Vulnerable enough that the large amount of experienced hunters and defense troops will have the breathing space to kill as many as possible before they even get back to their default state.

It’s not much but having a window of working space before Salem gets back up is better than nothing.

Jaune asks her how the fuck are they going to manage to even touch Salem to begin with.

Cinder says to leave that to team CEMN.

He tells her to tell him or else he’s going to call in Ruby.

The plan is to exploit Salem’s fear of Ozpin using Emerald’s hallucinations and Neo’s illusions.

Salem is rarely scared, but when she is she is panicky and rather cowardly.

Cinder has only seen it once when Salem believed that Ozpin had somehow snuck into her sanctum.

They just need her to panic for a moment and then hit her with the biggest single hit they can muster.

Jaune says it’s a longshot and with the remaining forty hours they have he’ll be thinking of a better one.

But, y’know, needs must.

The next day Jaune, having failed to think of another plan, tells everyone of Cinder’s idea.

They do not care for it.

Everyone is skeptical of Cinder’s intentions (even EMN).

Cinder reminds them all that Salem wants to kill her more than most of the people present.

Even if she lets the rest of them live, ha ha, Salem is probably going to take the time to brutally execute her just to make a point.

That or Myrmidon will.

Her intention is doing the thing most likely to keep herself alive, despite the risk.

Ruby is about to threaten her until Ozpin (via video call) tells them to go through with it.

It’s basically all they have and they can’t spend their remaining time bitching about without a plan.

With great reluctance, they begin to work out a proper strategy.

One hour remains.

Weiss and Ruby have brief conversation.

Weiss commends Ruby on her maturity of being able to deal with Cinder in a non-violent manner.

Cinder has moment with EMN telling them not to take unnecessary risks.

The plan relies on them more than it does her and if they fail/die then she does too.

She also, believe it or not, cares enough about them to not want to see them die.

Salem arrives early.

She didn’t lie about the time of her attack, she just allotted about half an hour for a speech.

She gets interrupted.

By Ozpin.

Ozpin says that it’s time to settle things.

Salem wigs out a little and shies back from the front.

This behavior is mirrored by the grimm.

Defense forces strike out.

Salem is trying to organize and fight but her terror of Ozpin is keeping her on the ropes.

Eventually gets annoyed enough to try and send grimm to attack Ozpin.

Can’t land a hit.

Gets angry enough to try and attack Ozpin directly.

Lands a hit.

The illusion breaks away, revealing Neo and Emerald.

She gets attacked by Cinder and Mercury as a distraction.

Ruby has Salem in the scope of her rifle (have we all just forgotten the sniper part of Ruby’s weapon?).

Ruby has a specialized incendiary round that she can infuse with her white fire in the chamber.

She designed and fabricated it herself.

Takes the shot.

It gets blocked by Myrmidon’s thrown shield.

Myrmidon begins fighting CEMN.

Salem realizes just what has happened.

She’s impressed. Incredibly mad, but impressed.

She orders a halt to the combat.

Says that they deserve a token chance for their effort.

She will take one of the defenders for a one-on-one duel.

She’ll even hold back on her more overpowered abilities to make it more sporting.

If they win she will end her assault (and probably go somewhere else instead or just come back later).

If they lose she will continue her swarm into Vacuo.

Ruby volunteers.

WBY say that taking more than two seconds to make the decision might be a good idea.

Ruby volunteers.

JNPR, CEMN, SSSN, and the rest all agree with WBY that-

Ruby. Volunteers.

Salem has Ruby swarmed with bat/bug/whatever type grim and carries her into occupied territory.

Deep enough that they shouldn’t be easily interrupted.

Salem tells her that what she did to Summer was nothing personal, and now with the grimm nuke failed, there isn’t any reason for Salem to be against her personally.

The Cabal could use a few more capable members.

She reiterates her points on Ozpin.

He just wants to dominate the world ‘for its own good’.

Can’t have wars if you no longer have the mental ability to think for yourself.

Offer freedoms that Ozpin could nor would never give.

Tells her that she recognizes Ruby’s personality type.

She’s in love with combat.

Ruby admits that fighting makes her happy, that kicking ass gets her engines running.

Salem offers her war eternal, the chance to be fighting and winning for all time.

Ruby, once again, calls her a bitch.

Says that fighting is pointless without a good reason, like peace, to give it a purpose.

Also says that after they’ve all finally beaten her, Ozpin’s next.

Salem thought that the offer wouldn’t work but had to try.

Salem boss fight.

Salem is able to form myriad magic weapons out of thin air and change her fighting style at random.

Ruby fights as hard as she’s ever fought before.

Salem is, to her word, holding back a good amount.

It’s not helping that much.

Meanwhile, back at the ranch.

Myrmidon and the grimm were left to just awkwardly stand around the battlefield.

JN(P)R tries to approach her but she (conveniently) approaches CEMN.

She was told not to continue attacking the defensive line, not the bitch that killed her.

JN(P)R is now conflicted.

They could go and help an ally fight an enemy.

The problem is that that ally is Cinder and that enemy is Pyrrha.

Myrmidon has her hands full until she starts using her semblance.

Magnetism vs a team where two members have metal limbs, you do the math.

Cinder tells her to leave the rest of them alone. It’s her she wants.

Myrmidon says that since they got involved, they die too.

This is what prompts JN(P)R to action, saying it’s more about helping EMN than C.

Myrmidon grows enraged, turning her attention to JN(P)R in earnest.

In fact, everyone is so engaged that they don’t notice a dropship flying past them overhead.

Ruby is growing tired while Salem has quite literally godlike endurance.

Salem commends her for lasting far longer than she imagined.

She hasn’t been this worked up in ages.

But all good things must come to an end.

Tells her to say hello to Summer for her.

Right as she’s about to deal the final blow she gets cut off with a dropship ramming (crashing) into her.

WBY file out and scold Ruby for agreeing to try and solo a fucking demi-goddess.

Ruby apologizes but points at the dropship that Salem just threw past them.

Salem amends the fight conditions to welcome the new challengers.

RWBY vs Salem.

First real fight against the main antagonist.

Challenging fight, magic bullshit, brutal close combat, the whole nine yards.

Sways both ways until RWBY gains the upper hand.

Culminates in a big team hit that finishes the fight.

Salem congratulates them and begins pulling the grimm back from Vacuo.

She says that this is not over and reminds them that, no, she was not fighting as hard as she could have.

They eked out a win by the skin of their teeth mostly because of Salem’s survival of the fittest/fight smarter not harder type ideology was being pandered too.

Salem is then swept away in a swarm of bat/bug/bird/whatever grimm.

Myrmidon abruptly pulls away from the fight along with the grimm, giving JN(P)R one last glance.

Ozpin finally shows up in person, tardy to the party.

Gets reports from everyone that Salem has turned the Grimmland’s southern coast into a deathtrap.

If they’re going to get at her through Vacuo they’ll need a lot to dislodge her.

Ozpin tells them that he never said they were going to get her through Vacuo.

Season eight done.

[dajokahhh]

Alright, time for some pretentious sociological-esque rambling. This is gonna be long as hell (its 1822 words to be specific) and I don’t begrudge anyone for not having the patience to read my over-thought perspectives on a murder clown. CWs for: child abuse, 

I think a lot of things have to go wrong in someone’s life for them to decide to become a clown themed supervillain. A lot of people in Gotham have issues but they don’t become the Joker. I think that as a writer it’s an interesting topic to explore, and this is especially true for roleplaying where a character might be in different scenarios or universes. This isn’t some peer reviewed or researched essay, it’s more my own personal beliefs and perspectives as they affect my writing. I think villains, generally, reflect societal understandings or fears about the world around us. This is obviously going to mean villains shift a lot over time and the perspective of the writer. In my case, I’m a queer, fat, mentally ill (cluster B personality disorder specifically) woman-thing who holds some pretty socialist ideas and political perspectives. My educational background is in history and legal studies. This definitely impacts how I write this character, how I see crime and violence, and how my particular villains reflect my understandings of the society I live in. I want to get this stuff out of the way now so that my particular take on what a potential origin story of a version of the Joker could be makes more sense.

Additionally, these backstory factors I want to discuss aren’t meant to excuse someone’s behaviour, especially not the fucking Joker’s of all people. It’s merely meant to explain how a person (because as far as we know that’s all he is) could get to that point in a way that doesn’t blame only one factor or chalk it up to “this is just an evil person.” I don’t find that particularly compelling as a writer or an audience member, so I write villains differently. I also don’t find it to be particularly true in real life either. If you like that style of writing or see the Joker or other fictional villains in this way, that’s fine. I’m not here to convince anyone they’re wrong, especially not when it comes to people’s perspectives on the nature of evil or anything that lofty. Nobody has to agree with me, or even like my headcanons; they’re just here to express the very specific position I’m writing from. 

The first thing I wanna do is set up some terms. These aren’t academic or anything, but I want to use specific and consistent phrasing for this post. When it comes to the factors that screw up someone’s life significantly (and in some instances push people towards crime), I’ll split them into micro and macro factors. Micro factors are interpersonal and personal issues, so things like personality traits, personal beliefs, mental health, family history, where and how someone is raised, and individual relationships with the people around them. Macro factors are sociological and deal with systems of oppression, cultural or social trends/norms, political and legal restrictions and/or discrimination, etc. These two groups of factors interact, sometimes in a fashion that is causative and sometimes not, but they aren’t entirely separate and the line between what is a micro vs macro issue isn’t always fixed or clear.

We’ll start in and work out. For this character, the micro factors are what determine the specifics of his actions, demeanor, and aesthetic. I think the main reason he’s the Joker and not just some guy with a whole lot of issues is his world view combined with his personality. He has a very pessimistic worldview, one that is steeped in a very toxic form of individualism, cynicism, and misanthropy. His life experience tells him the world is a cold place where everyone is on their own. To him the world is not a moral place. He doesn’t think people in general have much value. He learned at a young age that his life had no value to others, and he has internalized that view and extrapolated it to the world at large; if his life didn’t matter and doesn’t matter, why would anyone else’s? This worldview, in the case of my specific Joker, comes from a childhood rife with abandonment, abuse, and marginalization. While I will say he is definitively queer (in terms fo gender expression and non conformity, and sexuality), I’m not terribly interested in giving specific diagnoses of any mental health issues. Those will be discussed more broadly and in terms of specific symptoms with relation to how they affect the Joker’s internal experience, and externalized behaviours.

His childhood was, to say the least, pretty fucked up. The details I do have for him are that he was surrendered at birth because his parents, for some reason, did not want to care for him or could not care for him; which it was, he isn’t sure. He grew up effectively orphaned, and ended up in the foster care system. He wasn’t very “adoptable”; he had behavioural issues, mostly violent behaviours towards authority figures and other children. He never exactly grew out of these either, and the older he got the harder it was to actually be adopted. His legal name was Baby Boy Doe for a number of years, but the name he would identify the most with is Jack. Eventually he took on the surname of one of his more stable foster families, becoming Jack Napier as far as the government was concerned. By the time he had that stability in his mid to late teens, however, most of the damage had already been done. In his younger years he was passed between foster families and government agencies, always a ward of the government, something that would follow him to his time in Arkham and Gotham’s city jails. Some of his foster families were decent, others were just okay, but some were physically and psychologically abusive. This abuse is part of what defines his worldview and causes him to see the world as inherently hostile and unjust. It also became one of the things that taught him that violence is how you solve problems, particularly when emotions run high. 

This was definitely a problem at school too; moving around a lot meant going to a lot of different schools. Always being the new student made him a target, and being poor, exhibiting increasingly apparent signs of some sort of mental illness or disorder, and being typically suspected as queer (even moreso as he got into high school) typically did more harm than good for him. He never got to stay anywhere long enough to form deep relationships, and even in the places where he did have more time to do that he often ended up isolated from his peers. He was often bullied, sometimes just verbally but often physically which got worse as he got older and was more easily read as queer. This is part of why he’s so good at combat and used to taking hits; he’s been doing it since he was a kid, and got a hell of a lot of practice at school. He would tend to group up with other kids like him, other outcasts or social rejects, which in some ways meant being around some pretty negative influences in terms of peers. A lot of his acquaintances were fine, but some were more... rebellious and ended up introducing Jack to things like drinking, smoking cigarettes, using recreational drugs, and most important to his backstory, to petty crimes like theft and vandalism, sometimes even physical fights. This is another micro factor in that maybe if he had different friends, or a different school experience individually, he might have avoided getting involved in criminal activities annd may have been able to avoid taking up the mantle of The Joker.

Then there’s how his adult life has reinforced these experiences and beliefs. Being institutionalized, dealing with police and jails, and losing what little support he had as a minor and foster child just reinforced his worldview and told him that being The Joker was the right thing to do, that he was correct in his actions and perspectives. Becoming The Joker was his birthday present to himself at age 18, how he ushered himself into adulthood, and I plan to make a post about that on its own. But the fact that he decided to determine this part of his identity so young means that this has defined how he sees himself as an adult. It’s one of the last micro factors (when in life he adopted this identity) that have gotten him so entrenched in his typical behaviours and self image.

As for macro factors, a lot of them have to do specifically with the failing of Gotham’s institutions. Someone like Bruce Wayne, for example, was also orphaned and also deals with trauma; the difference for the Joker is that he had no safety net to catch him when he fell (or rather, was dropped). Someone like Wayne could fall into the cushioning of wealth and the care of someone like Alfred, whereas the Joker (metaphorically) hit the pavement hard and alone. Someone like the Joker should never have become the Joker in the first place because the systems in place in Gotham should have seen every red flag and done something to intervene; this just didn’t happen for him, and not out of coincidence but because Gotham seems like a pretty corrupt place with a lot of systemic issues. Critically underfunded social services (healthcare, welfare, children & family services) that result in a lack of resources for the people who need them and critically underfunded schools that can’t offer extra curricular activities or solid educations that allow kids to stay occupied and develop life skills are probably the most directly influential macro factors that shaped Jack into someone who could resent people and the society around him so much that he’d lose all regard for it to the point of exacting violence against others. There’s also the reality of living in a violent culture, and in violent neighbourhoods exacerbated by poverty, poor policing or overpolicing, and being raised as a boy and then a young man with certain gendered expectations about violence but especially ideas/narratives that minimalize or excuse male violence (especially when it comes to bullying or violent peer-to-peer behaviour under the guise of ‘boys will be boys’). 

Beyond that, there’s the same basic prejudices and societal forces that affect so many people: classism, homphobia/queerphobia, (toxic) masculinity/masculine expectations, and ableism (specifically in regards to people who are mentally ill or otherwise neurodivergent) stand out as the primary factors. I’m touching on these broadly because if I were to talk about them all, they would probably need their own posts just to illustrate how they affect this character. But they definitely exist in Gotham if it’s anything like the real world, and I think it’s fair to extrapolate that these kinds of these exist in Gotham and would impact someone like The Joker with the background I’ve given him.

I have no idea how to end this so if you got this far, thank you for reading!

[ick25]

What I think about Inuyasha’s writing.

I used  to be a huge Inuyasha fan because I watched it in my teen years (The Latin Spanish dub, not the English dub where I find their voices to be pretty annoying). I would stay awake until eleven o’ clock just to watch a new episode on Cartoon Network and sing along with the translated versions of the intros. My early submissions on Deviantart were fanarts of Inuyasha, I used to draw him like crazy, and the show is even one of my original comic’s main inspirations. So what happened?

I love Inuyasha’s character, but as I grew older, I started hating or not caring about the other characters of the show (Except for Sesshomaru, of course) and grew tired of the story because I felt it wasn’t going anywhere. Inuyasha has good writing, but the pacing and how sometimes you can’t really take it seriously ruins it for me.

I want to talk about this now since I just heard about the sequel that is gonna happen soon with Inuyasha’s Lina Inverse of a daughter and Sesshomaru’s very confused twin daughters, and I’m thinking to myself: “How is Rumiko gonna ruin this story even more”. Don’t get me wrong, the creator, Rumiko Takahashii, is a very talented manga artist and writer, and I respect her, at one point I even saw her as my heroine, but now I want to surpass her. 

How can Inuyasha, a story about a half demon, who falls in love with the reincarnation of his ex-girlfriend who can travel through time whenever she feels like it, has a hot demon brother that tried to kill him several times, wields a powerful magical sword forged from the fang of his deceased yet very famous demon father who I want to know more about, a dead human mother who may or may not have been a princess... Where was I going with this? o_o

As an aspiring storyteller/ animator, I want to talk about the problems with Inuyasha’s story, the things I love about it, as well as the bad things in it, and see why Inuyasha isn’t the writing masterpiece everyone likes to believe it is. And by the end, talking about what I would do to improve the story.

This is how I analyze Inuyasha. I never read the manga, so I’m gonna focus on the anime.

1. Inuyasha is a romantic comedy?

Rumiko Takashii is a successful manga artist and considered “The queen of anime”, because her art Style and humor have inspired many of the anime cliches we know today such as the nose bleeds shots, the beach episodes with fan service, and good o’l scenes where the girl calls a boy a pervert before comically sending them flying. She is the creator of another famous work called Ranma 1/2, an anime I used to love as a kid, but now...

I studied how to draw and create mangas and I have learned how to make a good story. After returning to Ranma recently, I have figured out the problem with Inuyasha, Rumiko Takahashii’s style is repetitive. Rumiko is capable of writing a good plot and creating very good characters from time to time, but now many of her main characters feel very cliche. In her stories there is always gonna be a pervert, there is always gonna be a bad parent, a rivalry, crazy and or exaggerated situations, goofy looking characters, wise old men or women, beautiful female characters, Japanese or Chinese folklore, fighting, but most importantly, a girl with a love/hate relationship with a dumb, rowdy tsundere boy, where they argue so much that the girl ends up physically abusing the boy and the show passes it for something funny; and those are the ingredients for making a Rumiko Takahashii styled manga/anime.

Rumiko’s forte is in Romantic comedy, sometimes mixing different genres makes a story good and very realistic... If done right, which brings me to my next point.

2. Time travel just for fun.

What is Inuyasha about? It is about a half-demon teenage boy that has to partner with a teenage girl from the modern times, who accidentally travels through time via a magical well that has been in her family’s shinto shrine for generations, to find the shards of a powerful magical jewel that said girl accidentally shatters and scatters all over feudal Japan. This idea alone makes it a very interesting series, either for a book or a TV show.

What went wrong then? I believe the problem started around the third episode were it was shown that Kagome can easily go back to the present, have dinner with her family, take a bath, gather provisions, and even take her god damn bike with her to the past every time she wants without caring about creating a time paradox.

This is played for laughs because of the romantic comedy element, but if you do this in an show with action, deaths, and evil spirits wanting to take over the world, then that fact alone makes the entire story lose credibility, I mean, what is stopping Naraku or any other demon from finding a way to travel to the future through the well to take over a world where demons and magical powers are basically extinct? The fact that only Kagome AND Inuyasha are the only ones who can go through the well? How convenient!

If the time travel well was taken more seriously it could’ve lead to a much more interesting story, but apparently nobody cares about time travel and the effects it could have in the history of Japan. I think there were two instances that I recall from the anime (Before Inuyasha Second Act, because I already stopped caring about the show when it came out) where time travel was or could’ve been relevant; the episode about the man eating mask that had a Shikon shard for hundreds of years, and the second movie of Inuyasha where the whole group was immune to a time stopping spell because Kagome’s medical kit and necklace from the future created some kind of time barrier around them.

And nobody cared about any of those things afterwards! Not the fact that there could’ve been one extra shard, or that Naraku was present during the time barrier incident and never wondered about it. Both the episode and movie scene were just ways to have Inuyasha being the only one who can come to Kagome’s rescue because their love is the main focus. Speaking of love...

3. Frustrating love drama.

Part of Inuyasha’s tsundere personality comes from the fact that he had his heart broken by everyone’s favorite b***, Kikyo.

Kikyo was the young priestess who sealed Inuyasha in a tree for 50 years, at first it looked like the typical holy person trying to protect her village from a dangerous demon, but in reality, she was in a relationship with him and thought that Inuyasha tricked her so he could steal the Shikon jewel from her. This was because everyone’s favorite a**h*** , Naraku, shape-shifted into both of them to trick them into killing each other.

It’s easy to blame Naraku for this, but that actually shows how they didn’t really “love” each other because of how quickly they turned against the other. 

I take this as a cautionary tale for first love. Inuyasha was just infatuated with Kikyo because of her beauty and kindness towards him, and when someone falls in love for the first time they don’t think straight, they don’t know what a real relationship entails, and not knowing that is exactly what happened to these two.

There was a special episode in the anime where we see how Inuyasha and Kikyo met and fell in love, in it we get a scene where Kikyo told Inuyasha that she was gonna give him a gift, which was gonna be the subduing necklace that Kagome tends to abuse a lot, however, Inuyasha decided to give her a gift as well, his mother’s lip balm she left him after dying. A very sweet gesture, right? How does Kikyo react to this?

That’s not a look of love, that’s a look of pity. RECIPROCATE, WOMAN! HE OPENED HIS HEART TO YOU AND YOU JUST FEEL SORRY FOR HIM?!

She does end up changing her mind about the subduing charm, but before this, she didn’t saw him as a person, and she was considered a saint by everyone in the village, but I guess that feeding the poor, nursing people, and playing with children is alright as long as they are humans, that’s almost racist. I hate Shippo, but I bet she wouldn’t be so caring about him or his dad if she saw them.

Kikyo absolutely sucks as a romantic partner! She doesn’t express anything, she doesn’t talk about her feelings, she doesn’t show any emotion apart from anger and slight contentment, and based on what we saw after Naraku set them up, I believe she never told him ANYTHING about herself. Unlike Kagome who he got to know very well as a person, Inuyasha didn’t even questioned her motives for attacking him, he automatically assumed that she manipulated him the whole time, and ran to the village to get the Shikon Jewel.

Rumiko wanted to make Kikyo more relatable so we could feel sorry for her and pass Naraku as an evil monster who destroyed what could’ve been a beautiful relationship, by having Kikyo wanting to live life as a normal girl, but can’t because she is the only one who can keep the Shikon jewel from being corrupted, and ultimately falling in love with Inuyasha because he saw her as a normal person (Unlike her with him). Well, it didn’t work, at least not for me.

I did feel sympathy for Kikyo... When she was alive! The series had a witch bring her back to life in a body made out of clay and using part of Kagome’s soul because she is the reincarnation of Kikyo. Why do this? To create drama by adding a love triangle into this romantic comedy of a show.

Feels like Rumiko doesn’t understand how reincarnation works because I think Kagome would’ve died during that ritual, and I really doubt Kikyo would’ve become such a B just out of jealousy; she wanted to take Inuyasha to hell with her, and he was not even dead yet! If this Kikyo really loved him, she would’ve let him go on with his life instead of roaming Japan feeling sorry for herself, taking advantage of a situation to keep Kagome away from Inuyasha, and barely doing anything to stop Naraku which was supposed to be her main goal. All of this made Kikyo unlikable instead of a relatable character trying to fix her past mistakes before going back to the grave.

4. Inuyasha’s background.

Something I absolutely love from Inuyasha’s story is the fact that it is set during a historical time period in Japan but with magical elements incorporated since many of the Japanese myths and folklore originated during those dark times. I love the fact that since everything was so dark back then, people would often see things that weren’t really there and made up stories to explain certain phenomena or just to keep children from misbehaving.

Inuyasha is full of Japanese folktales and magical creatures, and it clearly took inspiration from “Journey to the west”, a classic Chinese novel that’s one of the best adventure/ fantasy stories of all time, and that’s also been the main inspiration for many mangas and animes; it’s one of my favorites too.

Inuyasha’s background is one of the most interesting ones I’ve ever seen, it’s something common in fairy tales and myths where a human falls in love with a being from a magical race, like fairies, mermaids, gods, or in Asian folklore’s case, spirits or demons. In Inuyasha’s case, his mother was a human named Izayoi who fell in love with a powerful dog demon named Toga who was known as Inu no taisho  (Dog general), animal spirits or demons can take human form, and the dog spirits are very common in Japanese folklore.

The third movie of Inuyasha shows us what Toga looked like before and how he died, and I’m actually more interested in how Inuyasha’s parents met more than his love triangle drama. In fact, Toga’s story sounds much more interesting because he was built up as this great demon lord who fought countless enemies, he was a gigantic dog monster that stopped a demon invasion from China, he could destroy multiple armies with one swing of a sword he forged from one of his fangs, he had disciples and loyal subjects, but he ultimately lost his status, he let his reputation be destroyed because he fell in love with a woman from a race that was considered inferior, and had a half demon child with her.

One of Inuyasha’s motivation’s (the main one being killing Naraku) is proving that he is stronger than his father who was a full demon, while Inuyasha himself is considered a weak half human who is unworthy of the tittle of being a descendant of Inu no taisho. Every time Inuyasha hears about a demon that his father couldn’t defeat in the past, he gets excited because, with the powerful sword his dad left him, he now has a chance to prove to everyone that he is not weak and that he is stronger than his father was.

Inuyasha never met his father because Toga died the very day he was born, so he was raised by his mother who died when he was still a child. His older brother, Sesshomaru, is a full demon that never really forgave his father for throwing his reputation away because of a human woman, and leaving him a magical sword that can also resurrect the dead instead of the one that can destroy numerous souls in one blow.

I’m not really sure, but I think the Sesshomaru from the beginning of the third movie looked like he was around Inuyasha’s age when Toga died.

Before:

After:

I like to think that’s the case.

Inuyasha’s background alone can hold up the entire series, as well as his tense relationship with his only living relative, however, the main focus is something else, something that I personally find very repetitive, boring, and even lame.

5. Is Naraku really worth it?

Note that I am not defending Naraku, he is unlikable, mainly because of all the bad things he’s done to the main characters, but the truth is that I don’t really hate him as much as I should, granted, he is a manipulative b*st**d and I don’t like him, but he is just evil for the sake of being evil in the story. If anything, I see him as pathetic.

Let’s see his main crimes: He cursed Miroku’s family, for some reason, killed Sango’s entire family by using her inexperience demon slayer little brother as a puppet, he basically conned Sesshomaru in hopes of killing Inuyasha, but most importantly, he is the reason Inuyasha and Kikyo broke up! :0

To me, Naraku is just a coward that likes to manipulate others for his own personal gain, he was born from a bandit named Onigumo who was burned in a fire after betraying the leader of his group of thieves so he could take his place, and allowed his bodied to be consumed by demons in order to get... Kikyo! The gross part is that Kikyo was like 15 at the time while he could easily be in his 20′s or 30′s. Kikyo, being a “saint”, found Onigumo’s burned body and nursed him in a cave, this ultimately made the bandit fall in love with her and allowed his body to be devoured by evil spirits in exchange for power, he was then reborn as Naraku who is basically a half demon like Inuyasha.

I heard that the manga didn’t really mentioned Naraku’s past life, but I think that’s for the best. Naraku became Inuyasha’s group’s ( and other characters’s) main target, but every single time they find him and think they got him cornered, he manages to escape in some way because of how much of a coward he really is. Because this happens over and over and over and over again in every season, it get’s tiresome and frustrating, to the point where I even ask myself: “Is this MF even worth it?!” Anyone would’ve just given up a long time ago. I liked it when they focused on fighting other demons and enemies with different motives, but after a while it was just Naraku, Naraku, Naraku!

At some point I even forgot what started this adventure in the first place, the Shikon Jewel shards that were accidentally shattered and scattered through out Japan! One shard alone can power up a demon, this idea alone makes it an interesting story, collect the shards before Japan is destroyed by overpowered demons and evil spirits, but no, turns out  Naraku is collecting the shards too to the point that he already has a nearly complete jewel, well, that saves a lot of time!

I know, killing Naraku will get rid of Miroku’s wind tunnel curse, free Sango’s undead brother from his control, and Sesshomaru and other demons wanting revenge because he tried to use them, but what’s really Inuyasha’s beef with Naraku? Is he just mad because Naraku showed him just how totally incompatible he was with Kikyo? That’s what pisses me the most, to be honest.

As for Kagome, she definitely has no reason to be there, Naraku is the main antagonist and yet, he is kinda indifferent to Kagome. I don’t remember seeing Naraku doing anything bad to her or her family living in modern times that can be accessed through a magical well where he could easily... You know what? I’m done here.

Conclusion.

Inuyasha’s story has so much potential and yet it doesn’t take itself too serious. As I mentioned before, Inuyasha is treated more as a romantic comedy than a fantastical adventure kind of story. there is so much dept to the world building, but when focusing only on Inuyasha and Kagome falling in love, nothing else seem to matter. This could’ve worked if it had better writing. A simple or silly premise for a story can work if it has clever writing, something that Inuyasha really needed at times.

I liked to be surprised with clever writing in movies and shows, but if it was up to me, I’d definitely change a few things.

1. If you want a serious story, make Kagome be stuck in feudal Japan until the shards of the Shikon Jewel are recovered, or if this has to stay, don’t make the the stakes in the adventure so dire, either its a fantastical journey with two teenagers falling in love as the main focus, or a very serious adventure where their love is the only thing that can save the day.

2. Make Inuyasha and kikyo just friends, the love drama is unnecessary, specially since kikyo has almost no personality what so ever, unless you re-write her entire character. Or make Inuyasha fall in love with Kikyo, but Kikyo doesn’t feel the same and just sees him as a good friend, that at least would create some drama instead of the jealous ex-girlfriend that wants to kill everyone because she lost her chance in life.

3. Get rid of Naraku, the ultimate villain troupe gets tired very quickly, specially in a very long show that takes like 8 seasons to end. Or at least write him better and not turn the show into an endless chase for just one guy, specially since the main goal is to collect the shards of the Shikon jewel to destroy it once and for all.

This is just my opinion of course, and if you like the show just the way it is, then that’s alright, but seeing things you like with a critical eye, makes you appreciate them even more.

[shipping-receiving]

JB Fav Fics

Ages ago, I reblogged @chickren​‘s post (from 2013!) and I promised to give it a shot but got all tied up with my dissertation and my own fic. Now that my dissertation is done, I HAVE COMPLETED THIS. Bear in mind these answers might be a bit ‘dated’ as well (by a few months) because I’ve not been reading much fic on my end. Turns out when I’m writing my own, I can only hold one version of J/B in my head. 

Anyway this list is LONG AND TOOK ME FOREVER and I also wrote comments because I can’t help myself. So everything is under the cut. I took out the Shuffled Challenge one (very 2013 lol) and I replaced it with a category called... favourite S8 fix-it. Can you believe it? After I made all this noise about not being able to read fix-its?

[J/B Fic Recs: Master Post if anyone needs it before we start things off]

Favourite fic set immediately after ADWD Second to fucking none: Honor Thy Regard by SigilBroken Nights Without Armor by bratanimus

Favourite fic set a long time after ADWD Oh. Salt Wife by Lady_in_Red. Breathtaking simplicity.

Favourite TV canon fic Pretty and Traveling Far by astolat A Man for All Seasons by dreadwulf

Favourite S8 fix-it Yes, I know. I can’t deal with fix-its. And yet. Ice by Gwen77 Ring Them Bells by kirazi Battle is the Great Redeemer by Lady_In_Red

Favourite modern AU Clean hands by you-know-who (... it’s Gwen77) + all the classics:  Fever by Lady_In_Red On the Night’s Watch by Miss_M It’s Like Weather by ssstrychnine Beast and the Beast by SigilBroken And of course our recent fandom favourite: two halves of a soul by angel_deux

Favourite kiss (Don’t specify chapter) Okay this is kind of a random one but I remember re-reading Roommate Wanted by JustAGirl24 a couple months back, and when they finally kissed I wanted to freaking throw my phone across the room. It’s not even described in detail, it was just such a perfectly timed OMFG!!! THEY KISSED! moment.

Favourite smut Anything by Miss_M, good lord. My all-time favourite is Golden and True (modern AU, sequel to Ball and Chain), but for canon!verse it has to be Heart’s Desire and Spring Awakening. And obviously I have to say Flawed by francoeurs – smut exploring J/B’s Issues with a capital I? I’m THERE.

And for multi-chapter fic, Everyone Has Secrets by ellaria is fire. Oh and also, everyone’s favourite professor AU, Stacked by QuizzicalQuinnia.

Favourite UST On the Night’s Watch and Someone to Watch Over Me by Miss_M. I love that these two fics take place over such a short time (a few days) but they manage to feel like slow burns. That’s fucking skill right there.

Best written fic I hate this question. You want me to pick the best-written fic out of the FIVE THOUSAND J/B FICS ON AO3? Lmao I’m skipping.

Favourite fic with an unusual premise Multiverse central: All the Roads are Winding by ShirleyAnn66 In which Brienne can turn into a sea lion: This Is Your Wilderness by hardlyfatal GENDER SWAP: all knights are gallant and all maids are beautiful by janie_tangerine Jaime is a sculptor: Madonna of the Balcony by QuizzicalQuinnia Jaime does needlework: Hold This Threadbare Heart at Needlepoint by nire

Favourite action scene Words by astolat. The entire battle sequence.

Favourite dialogue Clean hands by Gwen77, Chapter 9. So cathartic, and SO MUCH HAPPENING. Not just J/B but Tyrion and Cersei on the phone too. I mean I just tried to re-read it to pick an excerpt (I can’t) and I already started crying lmao

Favourite characterization of Jaime A Man for All Seasons by dreadwulf. THE NUANCE. THE DETAIL.

Favourite characterization of Brienne Any fucking thing by Gwen77. Especially Clean hands, Diplomacy and Ice.

Favourite relationship development Where I follow, you’ll go by Lady_In_Red Beast and the Beast by SigilBroken, OBVIOUSLY It’s Like Weather by ssstrychnine Patience on a Monument by betts, even though they’re already friends, because betts makes me sit through Jaime/Sansa and Brienne/Tormund and yet I still re-read this.

Favourite use of non-typical character. Exclude these: Jaime, Brienne, Podrick, Hyle, Cersei, Sansa, Margaery, Tyrion, Daenerys, Selwyn, Tywin. Hmm this is a tough one. Maybe Loras the photographer in Living Fiction by Archetype_Electraheart

Favourite plot In This Light by SigilBroken for canon!verse endgame On the Night’s Watch by Miss_M and Everyone Has Secrets by ellaria for modern AU. I love J/B investigating stuff together.

Favourite title Nobody Knows / You Know and I Know by Miss_M “There’s a story,” Brienne says, “about a corrupt official who went to a sage and offered him to take part in a scheme, promising no one would ever know. ‘How can you say that?’ the sage replied. ‘I know, and you know, and the earth knows, and the sky knows.’”

Favourite WiP (finished or unfinished) With All Your Faults by seaspirit (close to the end!!!) The Descent by openmouthwideeye And this is finished but Tale As Old As Time by BrienneofThrace. She came back after like four years to finish it?! That alone is fandom magic.

Favourite long one-shot Pretty by astolat (wtf this is 30k?)

Favourite short one-shot OH MY GOD THE GLASSES FIC. Age Gap by ikkiM

Favourite drabble Mmmmm I don’t really read drabbles so I’ll skip this too.

Favourite beginning What is True, But Not Ideal by Vera: Jaime doesn’t appear for like four chapters and yet I was still on board.

Favourite ending IT’S FUCKING Clean hands by Gwen77 OKAY DON’T @ ME. Traveling Far by astolat – because she just Went There and gave J/B five kids The Sorrows That Women Cause by Mussimm (seventh and final part of Works and Days, in which they just... bang)

Favourite story twist more like the man you were meant to be by janie_tangerine. I mean, this isn’t really an internal twist, more like a twist on canon The Importance of Knocking by Miss_M, since it’s a story twist for Cersei lol.

Funniest story St George's Day by sansasparky The Best Legs You've Ever Seen by ikkiM

Favourite angst In the first version of this list I said I wouldn’t pick Gwen77 again for this one, and then I re-read Ice and cried my eyes out for like, the whole thing. Special mention for catherineflowers’ series We Need to Talk About…, because of how much she just commits entirely to some really dark stuff. It’s something I wouldn’t necessarily re-read, but just the audacity it took for her to write this is really impressive.

Favourite fluff The Higher Education of Brienne of Tarth and Drunken Shenanigans with Jaime and Brienne by BrienneofThrace. Anything by BrienneofThrace to be honest. She does the purest J/B. Also, Nothing That Is So, Is So by RoseHeart, and i get to be the other half of you + The 'Kiss Me' Series by sameboots.

Favourite Jaime line Yooooooo that part in Laying Siege by astolat when Jaime just launches into his wedding proposal: “I swear to you before these witnesses that I will protect Sansa Stark with my life, beside you. I will never take the field against her. I will take your name and your crest and your house as my own—”... I can feel myself being Brienne going WHAT THE FUCK WHAT THE FUCK WHAT THE FUCK

Favourite Brienne line Yeah yeah here I go picking Gwen77 again. The very last lines of all her fics always slay me, but this is the only line I can quote verbatim, from Diplomacy: “Trapped, he had said, worry in his voice. Ruined. She had never felt so free.”

Favourite general line or excerpt I love the way Gwen77 commits to the motif of walls in Ice. I freaked out about it here. And then after all that talk about Brienne building up her walls she just HITS US WITH THIS FINAL LINE:

“Jaime was hers, encircling, warm, solid as a wall. He would catch her if she fell.”

Favourite non-romantic fic The tale of Squire!Brienne series by LadyRhiyana

Favourite maiming adaptation in a modern AU Fever by Lady_In_Red, because I love how the whole story is built on Jaime learning how to ride again with a mangled hand

Favourite kidfic Not really a full-on kidfic, but You Know and I Know (sequel to Nobody Knows) for that Jaime & Tommen relationship, plus that conversation J/B have about having kids in future. Oh, and so brief, but Traveling Far by astolat.

Craziest scene that was in character and made sense (Don’t specify chapter) Let’s just go for the entirety of Stannis Baratheon, Fantasy Football League Commissioner by ikkiM AND THAT FUCKING J/B/C FIC THAT I READ BECAUSE I DIDN’T LOOK AT THE TAGS OKAY: Pride by astolat

Most underrated fic My Fall by TeamGwenee. Witches in 1600s colonial America AND in first person POV? IT WORKS THO. Such an interesting and original premise, and written in a very refreshing succinct style, and yet this multi-chapter fic has less than 200 kudos. Another one with less than 200 kudos: and you’ve whispered what I’m worth by angel_deux, a really lovely Mad Max: Fury Road AU.

Most desperate to see updated NO PRESSURE!!! for our world is cold and full of monsters by chancellor_valdez room service by ssstrychnine A Star Within the Mere by isavedlatin (sigh)

Favourite J/B as a secondary couple Some Kind of Family by crossingwinter

Most haunting Fool by astolat. I don’t know why. It’s a very beautiful story and it’s not even a bad ending for J/B necessarily, but the fact that it ends the way it does just really fucks me up. It’s the only fic in my bookmarks that I don’t think I can ever bear to re-read.

Favourite (friendship or hate) relationship between Jaime and another character One Of The Few Things by anniebibananie (Sansa) – I’m picking this just for the sheer I-can’t-believe-you-made-this-work-and-I-applaud-you factor

Favourite (friendship or hate) relationship between Brienne and another character What Is True, But Not Ideal by Vera (Tyrion)

[kob131]

https://www.youtube.com/watch?v=6XgKp9jj4Is

*sigh* Great, yet ANOTHER ‘Let’s rewrite Adam’ argument made by miss ‘It’s hard to keep track of RWBY characters like Zwei.’

“Degredation of Adam’s character from Blake’s mentor to an abusive ex to a whiny incel who makes insults like it’s his Pokémon name.”

A. “Blake’s mentor” is not a character. It is a description and not even a bare bones one.

B. What is the difference between an abusive ex and an incel exactly? They’re both used to describe despicable people in relation to romance.

C. That is not what incel. You’re using it as a generic insult and thus that last description may as well say ‘Adam bad’ for all the substance it has.

D. Adam always made stupid insults. People laughed at his voice in the Black Trailer and in Volume 3 for fuck’s sake.

And E. What WOULD you make Adam that wouldn’t just make him every generic freedom fighter?

“We’re gonna drop the abusive angel completely and go with Monty’s original plan-”

Done.

You just killed your own video by assuming a dead man’s intention with no fucking reason other than ‘mouthpiece.’

I have no reason to accept anything you say in good faith after this. Before you say that you wanted to change as little as possible then change a massive aspect while using a corpse as a meat shield from criticism.

You are owed nothing from this point on.

‘You don’t doodle your abuser in your notebook-”

Unless, you know, think about them. But hey, why use your brain when you can rely on the inevitable RWBY haters to drown out all criticism?

‘The abuse angle is the worst explored in the show-”

Proof?

No?

Considering your history, I HIGHLY doubt that.

“*Insert Adam into the Volume 2 train fight instead of the WF Lieutennat because he was an out of nowhere threta*”

...

So the Black Trailer and the Volume 2 finale never happened...or you’re an incompetent idiot.

“It gives the scene more weight because we know who Adam is-”

We also know who the WF lieutenant is AND we don’t waste an important character for a worthless fight that amounts to nothing as the train fights ultimately mean NOTHING.

Congrats, you made Adam worse because his first in series fight had him giving a good performance. Here, he can’t even kill Weiss (and in fact, as I am about to explain, he’d get CURB STOMPED by Weiss.)

Just as well, you’ll need to completely change his weakness. Adam is a glass cannon, he can dish out a lot of damage and move quickly but one good hit knocks him down. Makes sense since he’s not exactly big and buff and he can’t fight back when someone isn’t intimidated by him. It also makes him dangerous to Yang as she relies on taking hits at first which she can’t do with Adam because she often flings herself in ways that make dodging impossible. It also makes sense why Blake can fuck him over and why she can get fucked over: she’s also fragile but evasive which connects her with Adam too.

But say he fights, I dunno, someone who can zip around quickly in a manner that he can’t block the attacks and would logically get fucked over quickly by. Like say, a Semblance that zips you from spot to spot like WEISS’. 

Yeah, he’d lose in an instant against Weiss because he’s never seen to be able to block attacks moving that fast and he’d get fucked over quick. So you’d need to up his durability and suddenly he loses a logical weakness that is represented by his personality, connecting him to Blake, basically making him a Yang clone and now you need a NEW weakness. Suddenly a lot of Adam’s interesting elements SHATTER.

This is why Adam rewrites suck. None of you think through your writing. You make the same mistakes that Miles and Kerry made but with less experience, less insight and less care and then pile on EVEN MORE flaws.

Worst of all, the bullshit you give about ‘knowing his threat level’ ignores other factors like appearance, attitude and fighting style. Oh wait, I know why. If we include those, the WF Lieutennat suddenly becomes a clear threat. His appearance is distinctly different from the WF goons, with his tall and thick frame indicating he’s strong and durable while his choice of weapon shows he would have a strong but slow fighting style and his attitude shows that if Weiss loses she could very well die a PAINFUL death by a sadist chainsaw wielding terrorist. (’More tension’ my ass.)

You throw out so much just for ONE point that was accomplished in the original anyway. What the fuck else are you gonna muck up?

“Have adam be there to show Adam working with Torchwick-”

Which Blake would already assume since the WF is working with Torchwick and Adam LEADS the WF. But I guess Blake is too stupid to do basic math.

“Then have Adam let Blake run away-”

WHAT THE FUCK?!

Run to where?! They are in an enclosed space! Adam should be chasing after her! He has every reason to chase after her, both personal and professional!

“Then we can have dialogue that goes something like this in Volume 3: Adam: “I don’t want to have to fight you but I will if I have to. Blake: No no, Humans aren’t bad people! Adam: I have seen what they can do. Your family kept you safe. I wasn’t so lucky-”

Cool, so he’s every generic ‘sympathetic’ freedom fighter now.

Instead of being a deconstruction of the noble wounded freedom fighter, showing how such a person would be impossible for such a situation from the extremity of the harm done to him, the manipulation by his superiors for their own ends and his own faults, he’s just a generic pity bag now.

No wait, a SHITTY generic pity bag now because in the Black Trailer, he explictedly tried to blow up innocent people on a train. Blake even questioned him on it and he said ‘So?’. That isn’t the reaction of some noble but misguided person, that’s the reaction of someone so far off the deep end they’ve lost basic sympathy.

Trying to make him out to be noble here would be like trying to make me believe Raven is this secret loving mother or this protector: their actions in the past CONTRADICT this.

‘But Twiinks never said that-’

Her choice of words did. The words you choose your characters to say speaks about how we are suppose to view them. Adam’s word choice in the original communicates a dangerous sadism and madness built from pain and a lack of emotional maturity. This version communicates a sadness stemming from a supposed kindness that Adam SHOULDN’T have.

‘But it tells us what they’re stances on humans are-’

So did the original while also why we should route for Blake over Adam (i.e. she’s still sane and tries to be kind while Adam has lost it and is being cruel and vindictive.)

We literally lost something here.

“He truly feels like this is the only way to help Fanaus-”

So we're now working off the assumption he cares about the Fanaus and not just himself and his own pain, deconstructing how real life movements become corrupted from their original purpose by focusing on their own personal pain than a universal kindness.

Cool, so Adam isn’t Adam anymore.

“Adam still stabs Sienna but it’s about the orgnazation instead of a lame power grab-”

*rolls eyes*

I really hate these rewrites. Why do you even bother with Adam if you tear out the character and insert someone completely different? 

“Adam is remorseful, Sienna says something like ‘I would rather die than give you the organization’, and Adam apologizes. Perfect scene.”

A cheesy line that rings hollow and more OOC. Wonder-fucking-ful. I also looked ahead and saw that you are changing Adam’s character short to be about getting his scar. (More on that mess when we get to it.) So Adam being used by Sienna to push for her more violent agenda over Ghira’s peaceful one, something used by the show to show we shouldn’t be shitty to each other (AKA A core theme) still exists. Meaning that what should be Sienna paying for her sins by having the very person she used to push her agenda take it to its logical extreme, kill her in turn and destroy her work is just nonsensical pity begging.

I also assume Adam declaring his idea of Fanaus Supremacy and basically quoting Mein Kampf is still in the show since you never address that. Cool, so either I pity a woman who screwed this man’s life or I pity Furry Hitler. *slow claps*

“During the Volume 5 fight, his breaks and we see his scar-”

...

I’m not even surprised by how dumb this shit is. 

Adam’s scarf reveal in Volume 6 was wonderful and one of the best moments in the show. For so long, we saw Adam as someone who was destructive and hateful for no reason and right there, the audience is forced to see that while his actions are inexcusable, his reasons are very human and very real. He’s not a monster, he’s a person whose consumed by pain. At the very end of his life, Adam wasn’t a monster: he was a sorrowful reminder of what pain does to a person.

What does the scar reveal do here? ... Nothing. Seeing his face in full means nothing. Twiinks doesn’t even say anything about it. It’s just there because she wants a look of remorse and thinks that can’t be accomplished with the mask. Even though we could see him cry or have a look of sorrowful anguish. Adam can emote fine without his mask.

I just-I can’t believe this.

”The Adam short is now instead of a bunch of emotionless fight scenes now about how Adam got his scar-”

...

Just more pissing on what makes Adam good. Yeah yeah...

The Adam short is not just a bunch of emotionless fight scenes. The fight scene you show (of Adam protecting Ghira) shows so much. It shows the struggles of the peaceful White Fang, it shows Adam being shocked at killing a human as he hadn’t fallen yet, it shows Sienna using Adam to push her violence without concern for his well being and it shows how he got it into his head killing was fine.

That was ONE scene. ONE. Your scar replacement as a whole would have less impact (as we can tell how got it from context clues) than ONE scene.

Are you guys getting WHY I hate rewrites of RWBY so much?

“Adam finds Oscar-”

If this doesn’t end with “and then he kills Oscar” I don’t care. Even this version of Adam would jump at killing a human and would have no idea Oscar knows Blake.

And it doesn’t. Great. BTW, Oscar wouldn’t know about the plan at this point so him showing up at the CCT tower isn’t explained and this scene is pointless.

“Adam would show up at the CCT tower, killing the CCT guards while ranting about equality and justice. Blake jumps in, leading him away to the waterfall. She says ‘Adam, you’ve gone too far! You’re just as bad as the people who hurt you!’“

Gee, that wasn’t clear when he tried BLOWING UP A TRAIN FULL OF INNOCENT PEOPLE?!

Also, Twiinks tries to push this idea that Blake wants to reconnect with Adam (which makes no sense as she LEFT Adam).

“Now we have the decapitation scene-”

We know she’s not gonna die, the fear came from the destruction of beacon and Yang being injuried. Of course Blake isn’t gonna die here.

“-moved to a thematically appreciate moment in the story-”

Considering you didn’t give two shits about thematic before, why the fuck would I care now?

“-Yang isn’t involved as to not muddy how if it was self defense.-”

So Yang’s arc is just scrapped and instead of having someone around who went through similar shit as Adam with a similar mindset and personality to dislay how wrong he is, we have a far shittier version that doesn’t even serve it’s purpose as protecting friends and family is covered by self defense and the people who bitched now would still bitch because Adam dying is the issue, not self defense.

“We see regret in Adam’s eyes-”

Means nothing because he was just a loon at this point out of nowhere and he’s still a terrible person. See, the thing is you can give a pitiable side to characters like Adam but you have to accept there is still good reason to hate him. Trying to hammer sympathy at us is just gonna make him less sympathetic.

“We shouldn’t be developing the budding relationship-”

It wasn’t.

That wasn’t a fucking romantic scene, it was an emotional breakdown after a stressful 

“By making Adam an understandable character-”

This is perhaps the most insulting part.

Adam IS understandable. Just because you don’t sympathize with him doesn’t mean you can’t see how he became this way. He was enslaved at a young age, branded in a way that robbed him of so much, he tried to make things better but because of forces outside of his control and his own issues, he lost his way and became what made him: someone cruel and uncaring of others. And yet, even as he does terrible things, we can still see that even he is a victim of the world, lamenting his fall and who he could have been.

That is something that fits the tone of RWBY so much better than a generic freedom fighter turned crazy person. Not to mention all the brilliant details you scrapped for shallow and boring details that any run of the mill show could do.

You improved NOTHING here. You just turned Adam from an interesting deconstruction and a cautionary tale of what we can become to every revolutionary in western media which, considering America’s origins, are a dime a dozen.

I’ll say it again: This is why I hate rewrites. You didn’t put nearly as much thought and effort into the show as the creators did and yet you stand on their work, rot it from the inside and try pedaling a worse version because it fits some people’s delusions.

Every time I look into you Twiinks, you become worse. How far will YOU fall?

[meanstreetspodcasts]

The Story You’re About to Hear is True

“Dragnet - the documented drama of an actual crime.  For the next thirty minutes, in cooperation with the Los Angeles Police Department, you will travel step by step on the side of the law through an actual case transcribed from police files.  From beginning to end, from crime to punishment, Dragnet is the story of your police force in action.”

Is there anybody who doesn’t know Dragnet?  Even if you don’t know the series or couldn’t pick Jack Webb out of a line-up, chances are you know the distinct “dum-da-dum-dum” opening. Like the eerie sounds of the theme to The Twilight Zone, the opening notes of the Dragnet march have become shorthand for someone in trouble about to get busted, or the arrival of an authority figure on the scene. This writer discovered the taut police series in between Get Smart and The Dick Van Dyke Show on Nick at Nite in the early nineties, and it wasn’t until years later that he discovered the radio series. It’s hard for modern audiences to appreciate just how revolutionary Dragnet was when it hit radio. The style it perfected and the approach to docudrama realism it produced can still be seen in TV procedurals and films today, more than seventy years after it premiered on June 3, 1949.

The series was the brainchild of actor, writer, and producer Jack Webb. In 1948, he was in between runs as Pat Novak For Hire when he appeared in He Walked by Night in a small role as a police forensic scientist. During the shoot, Webb struck up a friendship with the film’s Los Angeles Police Department technical advisor, Sgt. Marty Wynn. The two discussed how police officers were depicted in films and on the radio and how far that portrayal strayed from the real day-in, day-out work of a policeman. Webb thought that a realistic representation of policework could be a hit. Convincing a network would prove to be tricky.

NBC wasn’t enthusiastic when Webb pitched them the series.  Police shows were a dime a dozen on radio, and the network did not see the merits of adding one more to its schedule. Two things helped sell the series. The first was Webb himself, who in 1949 had returned to Pat Novak for a run over ABC’s national network and was making a name for himself. The second was the network’s recent loss of big stars like Jack Benny, Red Skelton, and George Burns and Gracie Allen to CBS in a raid of comedic talent.  In need of programming, NBC commissioned an audition program. Webb and writer James Moser already had a script prepared, but they needed the cooperation of the Los Angeles Police Department. Without it, Webb couldn’t hope to leverage the department’s case files and official procedures. Then-Chief of Police Clemence B. Horrall granted permission with two conditions. First, the LAPD would get to okay the program’s sponsors. Second, the department would not be portrayed in an unflattering light. As a result, certain practices - including allegations of department racism and corruption - were not addressed on the series, and that can make the show an occasional tough listen especially in the wake of nationwide protests about police brutality and unchecked aggression.

With a network behind him and access to the police department, Webb set to work on preparing the series. Webb was known for his own style of understated acting, and he sought actors who could bring that style of realism to the scripts.  He responded to criticism of this performance style: “Underplaying is still acting.  We try to make it as real as a guy pouring a cup of coffee."  Some actors got it; others did not.  Raymond Burr, who so memorably tangled with Webb on Pat Novak, could not adapt to the understated style and he left the show after a few episodes. But Webb was able to build a stock cast of actors who were heard throughout the series and who could deliver the style of performance he needed; this company included Stacy Harris, Harry Bartell, Peggy Webber, Virginia Gregg, Barney Phillips, and Jack Kruschen. Radio veteran Barton Yarborough (below, famous for I Love a Mystery and One Man’s Family, along with earlier collaborations with Webb) played Sgt. Ben Romero, partner to Webb’s Sgt. Joe Friday.

At the center of the Dragnet universe were the police officers, not supermen but hard working professionals who put in the hours to see justice done.  As Webb said, "We try to make cops human beings.  We try to combine the best qualities of the men I’ve seen downtown, incorporate their way of speaking, make a composite."  This realistic approach to presenting the police seems cliche today; Law & Order, CSI, and their various spin-offs and imitators try to present authentic portrayals of law enforcement, but at the time Webb introduced his cops to radio listeners, it was groundbreaking.  The "odd couple” dynamic of Dragnet’s lead investigators is one that continues to be seen in police dramas today.

Webb’s Friday was a bachelor, married only to the job, who lived with his mother.  Yarborough’s Romero was a family man with a wife and two kids.  Though the series rarely got personal, the banter between the two about weekend plans, Romero’s domestic frustrations, and Friday’s confirmed bachelor status gave the series moments of levity.  More importantly, it made these two men seem real.  It was broad strokes storytelling, but Webb was able to convey a sense of who they were outside of the office.

Beyond the cast, production value was crucial to the success of Dragnet.  Webb employed a team of sound effects artists tasked with recreating the world of the LAPD. He counted the number of steps it took to walk to various spots at headquarters. When Friday walked from his desk to the crime lab, listeners heard the exact number of steps he’d be walking downtown.

By the fall of 1949, critics were calling it the best crime show on radio and the Liggett and Meyers Tobacco Company had signed on as a sponsor. NBC had a hit on their hands, and they turned their attention to the emerging medium of television. Webb wanted to use his radio cast, and a pilot was filmed for a Dragnet TV series with Webb and Yarborough as Friday and Romero.

The series was dealt a blow when Barton Yarborough passed away on December 19, 1951.  Yarborough had filmed two episodes of the Dragnet TV series before he was felled by a heart attack. The loss of the veteran actor and co-star hit Jack Webb hard.  He wrote out the character of Ben Romero (in the December 27, 1951 episode “The Big Sorrow,” Romero passes away from a heart attack offstage) and allowed an unprecedented display of emotion from the usually stoic Joe Friday.

Webb knew who he wanted as Friday’s new partner - actor Ben Alexander, who had started in Hollywood as a child star and who found new success on radio in the 1940s. However, Alexander wasn’t immediately available, so Webb used a number of “temporary” partners to bide time before Alexander could take the role.  From December 1951 until April 1952, Friday was partnered with Sgt. Ed Jacobs, voiced by Barney Phillips. Officer Bill Lockwood, introduced as Ben Romero’s nephew, was played by Martin Milner and served as Friday’s partner for just about a month until May 1952. (Milner would later go on to star in the Dragnet spin-off Adam-12, also produced by Jack Webb.)  Herb Ellis briefly filled in before Alexander was finally clear to accept the role. Alexander brought the same sort of humor to Smith as Yarborough had to Romero, and he and Webb shared a chemistry that kept the series going on radio until 1955 and on television until 1959.

The series spawned a feature film version starring Webb and Alexander in 1954, and legendary comedian Stan Freberg scored a hit with his parody record “St. George and the Dragonet” in 1953.  Interestingly, it was Freberg’s record that cemented the phrase “just the facts, ma'am” in the public mindset.  Friday never said it on the series.  Webb joked with Freberg that he had to start saying it after the parody became so popular.

Webb said goodbye to Dragnet to focus on his production company and his work as a producer of new shows. In the 1960s, however, he worked with NBC to revive the series for a four season run. At the time, Ben Alexander was unavailable and actor Harry Morgan (Col. Potter on M*A*S*H*) played Friday’s new partner Bill Gannon.  Another revival was planned for the early 1980s but was scrapped when Webb passed away. The man who had done so much to change the perception of police officers was honored by them; Joe Friday’s badge number was retired and the LAPD flew its flags at half staff after Webb’s passing.  Since then, Dragnet has endured in reruns, remakes, and the style that Jack Webb took a gamble on nearly 70 years ago.

[skyfallensoldier]

Mobile Navigation || Rules & Mun ↓

DISCLAIMER: I just want to note here at the beginning that while I am considering this RP blog to be historically based, i.e. remaining true to the time period and overall details of John Laurens' biographical information and whatnot, I do not consider myself a historically accurate blog, not entirely. Historical fiction is a well known genre of literature and many, MANY creative liberties are taken within that genre. Think of this blog like you would if you saw an Anastasia Romanov blog. She's dead, we know she didn't survive, and she's been dead a long-ass time; so has Laurens. People still have included her in many works of fiction, even after her body was identified and it was proven she did not survive her family's massacre. I saw a romance book a couple of months ago where she survived that was recently published. Historical fiction, while a controversial thing at times, is a legitimate form of literature.

You don't have to tell me if you think John isn't acting exactly like the real man himself would have, I know that. I'm not going to call John my 'perfect sunshine boy cinnamon roll' or dismiss the privilege he was raised on due to his father, I'm aware he was a real person who had his own personality, virtues and prejudices. I won't deny that while he was certainly a progressive thinking man for the time he grew up in he definitely still had racist thoughts and actions that were indicative of his upbringing. But I'm not on here to debate modern, real life politics, or get into arguments about whether he was a good abolitionist or not. At the end of the day, this is still a hobby for me, and I'm writing for fun.

Basically, don't take it too seriously. I'm a 21st century bisexual woman writing from the POV of an 18th century (likely gay) male soldier, the way I write him is obviously not going to be a perfect representation of who he was. I know he wasn't an amazing, perfect person, but I've still chosen to write a fictionalized version of him for my own entertainment. Please try to respect that; thank you.

Mun Stuff

Name: Luna Gender: Female (She/Her or They/Them) D.o.B: July 23rd, 1996 Age: 24 Nationality: Canadian Sexuality: Bisexual Timezone: Eastern Time (US & Canada) Activity: Daily BIOGRAPHY (SORT OF)

Hello, there! You can call me Luna! I've been interested in writing ever since I first got the internet when I was 14 and discovered FanFiction.Net and now I'm an aspiring author and Roleplay enthusiast. If you include acting/talking out DnD like games with friends then I've been 'roleplaying' since the fifth grade, but I like to think there's always room for improvement. If you ever want to chat I'd love to make a new friend or plot out a roleplay, so don't be afraid to shoot me an ask or send me a private message. Just because my muse can be a jackass doesn't mean I am! I’m a huge advocate for mental health, and if you ever need someone to talk to, please don’t ever hesitate to reach out! Some of my hobbies including literature and writing (of course), digging into mythology from various cultures, practicing solitary eclectic paganism/new age spirituality, drinking tea, and collecting crystals/minerals.

Please note that for the sake of disclosure, I am considered ‘Neurodivergent’, in that I suffer from ADHD, diagnosed at about age six, and have Anxiety and Depression which are directly tied to it. This doesn’t often effect my life on here, but I sometimes have an unpredictable sleep schedule (stay up all night, sleep in late into the morning, etc). I’m usually quick to reply to threads for the most part! I work every Tuesday and Thursday from 5pm to 7pm in addition to odd jobs here and there, during which time I won’t have access to the Internet. The rest of the week I’m on and off all day basically, so you can feel free to contact me any time.

RP Style

⭐️ Please use basic spelling/grammar/punctuation when you RP with me. I'm not a drill sergeant about these kinds of things, I know that typos happen, and if you have a vision problem or such we can absolutely find a way to work around that, I also have no problem roleplaying with people whose first language is not English, so that's totally fine and I’m happy to accomodate in whatever way I can, but it does make it a little difficult to play with you if I don't know what you're trying to say. For this reason I prefer if you not use any text shorthand (lol, idk, brb, jk, etc) unless our muses are messaging each other. Using it in the tags is fine.

⭐️ I roleplay Laurens in a past-tense 3rd Person Point of View (think story-telling format), and generally I don't use icons or text formatting unless I notice my partner does, then I will try to match their style (for example if you use icons and small-text, I will try to do the same, though because formatting isn't possible on mobile, any mobile replies might take longer to be posted than if I were on my laptop). If you have any issues with how I'm writing or need me to adjust my style for any reason don't be afraid to ask.

Contact

⭐️ If you spam me with messages over and over again about something I haven't replied to, chances are I'll drop the thread. I don't mind being reminded because I know Tumblr's notifications are notoriously unreliable sometimes, and humans can forget/lose things, but if you keep poking at me after I've acknowledged you the first and second time, I won't be pleased. Things can get busy on here, or in real life, or sometimes you're just lacking muse for that particular thread, y'know? It doesn't mean I hate you and don't want to RP, I'm almost always up for plotting, but muse tends to fluctuate.

⭐️ My ‘Discord’ is available to mutuals upon request. I don't mind roleplaying on there if Tumblr is being glitchy or you're just not feeling up to formatted/heavily plotted threads, sometimes Discord is fun in that you can do immediate replies without needing the effort of putting icons and formatting into it. I also have a Kik but I never use it. I don't RP in Tumblr's IMs, that's purely for OOC interaction.

⭐️ I also occasionally stream movies/TV shows in group chats or play “in character” Cards Against Humanity game nights, Among Us, etc. If you’re interested, lemme know, I’m always looking for more people to hang out with!

Important

I have no actual triggers that I'm aware of, although snakes do creep me out (mostly shots of them coiled up or images of their pupils), but there are some things I will not roleplay personally for comfort reasons:

⭐️ Cannibalism. You can mention it, for example I won't freak out if someone tells my muse that somebody else ate a person (he might, assuming its not a Supernatural type verse), but I won't RP him engaging in cannibalism, not even in AUs (blood-drinking vampires are fine). I'm just not sure I could stomach writing about eating people. I managed to watch Hannibal, barely, but writing about it? Nah. I can handle lots of horror, gore and disturbing content but not this. Sorry.

⭐ Incest/Pedophilia. I do not SEXUALLY ship with characters under the age of 18. John is not attracted to children, and would never consider sleeping with someone much younger than him.

⭐ I will not write anything sexual with muns who are under 18 years old, even if your muse is an adult. I'll still ROLEPLAY with you if you are under 18 but probably no younger than 16 just because things tend to get explicit on my blogs and I don't want to be accused of corrupting the youth with my foul language and weird opinions, lol. Seriously though, this blog covers a lot of dark subjects and while I’m all for minors exploring that safely through writing rather than in real life, some people aren’t comfortable with interacting with under age people for legal or personal reasons, please respect that.

⭐ Necrophilia. Just... no. Vampire threads don't count, as they're undead and not 'dead dead'.

⭐ Rape. I won't write it with you. I'm okay with mentions of rape, with rape/sexual assault survivor/recovery plots, and even with one character intervening to rescue another from an attempted sexual assault (if an attempted assault does occur, it will be thoroughly tagged and under a cut). I'm fully open to discussing rape recovery/trauma plots as those are things that happen in real life, and it can be interesting to explore how a character reacts to trauma. But anything else is a no-go, sorry!

⭐ Please be aware that I write Laurens as a gay man. However! Because of the time period, violent homophobia and social stigma, he has slept with women before and may be seen flirting with or referencing relationships with women in the past. He is still gay, and still uninterested in being with women long term, he's simply closeted to all but a few individuals. So, unless your muse is Martha Manning (who Laurens DOES love in a manner, and he always will), shipping with female characters on here most likely isn't going to happen unless it's heavily plotted/developed and part of an overall plot, and you understand that it will not be a conventional sexual relationship. I'm sorry if that disappoints you but I've read Laurens as a gay male for so long I have trouble seeing him any other way.

⭐ I will not roleplay slavery plots. This is not up for debate. Roleplaying a highly fictionalized version of a long dead real person who existed during a troubling time is one thing, but I draw the line at that. For this reason, while I'll happily play with non-white muses, muses using non white faceclaims, and crossovers with characters of all sorts, I'll have to decline playing with any muse claiming to actually be writing slavery. There’s a difference between, say, roleplaying a character like Daenerys, a fictional character who was technically a slave-bride sold by her brother, and writing actual slavery from a very real, horrible time period. Slave ownership will of course be mentioned on this blog, that's unavoidable, but just like the mention of rape may happen on this blog from time to time, it will be in reference to a past event or speaking about the subject in general, not roleplaying a scene of it. Please respect this rule, I was hesitant to make this blog at first, because I know it makes some people uncomfortable, but I won't glorify such a horrible real thing that happened to so many people.

Exclusives/Mains

Just a head's up, unless I develop a bunch of chemistry with a particular portrayal of a muse I'm not likely to agree to being exclusives with anyone, unless perhaps it's a very niche or divergent character that has formed a good relationship of some sort with John and I'd have trouble interacting with other versions of that muse. For major characters I just feel it would be unfair to say no to someone who I click with in every other way, solely because I have already befriended someone else writing that character.

I will, however, discuss becoming mains with someone whom I've either developed or plotted out detailed storylines/interactions with regarding our specific portrayals of our characters. This means that I tend to reply to them quickly when I'm online, or may make little gifts (moodboards, aesthetic things, mini ficlets, whatever) for them unprompted, have a verse dedicated just to them, etc. Even if it seems like we haven't done much on Tumblr, there may be a lot of off-site development on Discord or whatnot that led to us plotting out intricate stories for our muses.

Current Mains:

Alexander Hamilton - @quillborn​

DO

⭐️ Send private messages.

⭐️ Send my character asks/starters/memes.

⭐️ Tag me in things.

⭐️ Ask to plot or ship.

⭐️ Ask for angst, fluff, etc.

⭐️ Submit things to me & my muse.

⭐️ Do crack and other ridiculous things with me!

⭐️ Like my RP threads.

⭐️ Like my personal posts.

⭐️ Comment on my personal/OOC posts (if you want to).

⭐️ Comment on my crack threads.

⭐️ Instant Message (IM) me if you'd like to talk, whether we're friends already or not!

DON'T

⭐️ Send hateful messages to me about other people and especially my mutuals; doesn't count if it's about the muse and not the person playing them, however. Also, if I’ve got beef with someone for whatever reason, don’t harass them/send hate to them on my behalf, please. I don’t condone anonymous abuse, attacking others, or harassment. I’m a big girl and I can take care of myself, I promise.

⭐️ Introduce yourself with ‘wanna ship?’ For one, I prefer if we’ve at least started a roleplay together, or have spoken OOC. Auto shipping doesn’t always work out and I hate promising people something only to realize there’s zero chemistry, because then I feel like I’m letting them down.

⭐️ Come into my inbox with just ‘wanna rp?’ and that’s it. Please at least have some idea of what you want to roleplay, it’s not very fun when someone approaches you to RP but then doesn’t offer up any suggestions at all. Remember, you are always free to send me memes, whether we’re mutuals or not, and hit me up for whatever plot you think might interest me! I want to hear about it!

⭐️ Spam me with "reminder" messages if I've already acknowledged you the first few times.

⭐️ Reblog my RP threads if you're not a participant in them.

⭐️ Send me anonymous OOC hate. Hate for Laurens is fine, it's just another form of roleplay.

⭐️ Kill off my character or severely injure/maim my character without permission or having plotted something involving that with me first.

⭐️ Follow me if you're a porn blog. I don't mind blogs that post NSFW content, or smut a lot, etc. I mean blogs that aren't for RP and are literally just a normal looking blog until you click on it and the header and first twenty posts are hardcore nudity and porn. I hate those things.

⭐️ Shame my ships.

⭐️ Complain about my tagging. I put my smut under a 'read more' without exception and tag them as "NSFW //" with two dashes. Things that are not necessarily graphic but still have sexual undertones go under "Suggestive //". I use these tags to avoid attracting attention from porn blogs and porn bots that track certain key words, as such I do not tag my content with "Smut" or trigger words such as "dick, oral, anal, nudity, etc", please block my NSFW and Suggestive tags if you're uncomfortable. Triggery subjects (mentions of rape, animal abuse, torture, mental illness) will be tagged under the name of said trigger with a space and two dashes, example: "Self Harm //", “Suicidal Ideation //” or "PTSD //".

⭐️ Godmod my character. If you’re not sure what is/isn’t okay, come talk to me! I don’t bite! If you’re looking for an example of god mod behavior, here: “X lunged at Laurens, taking him by surprise, and hit him square in the nose, causing blood to spurt.” It might not seem like a big deal but it means that you decided how your character’s actions affected my muse, and not only that, didn’t give him a chance to dodge or anything. Not cool.

⭐️ Ship with me without permission (sending in shippy asks is A-Ok if you're interested in exploring a ship between our muses, I'm talking about things like claiming that our muses are in a relationship without discussing it with me, referencing dates or sexual acts that never happened, etc. I ship mainly with chemistry otherwise things get boring fast.

⭐️ Assume/act like our characters know each other/are closely connected (friends/family/lovers) if we've never discussed it unless it is established in canon/history. This especially goes for original characters. I'm open to Laurens forming deep relationships with OCs obviously, but those have to be developed in character, not just assumed from the first interaction.

⭐️ Attempt to roleplay with me if you are not a roleplay blog/or if you're just trying to RP as "yourself." I don't do Character X Reader imagines stuff. I don't RP with 'fan' accounts, only RP blogs. You can still send asks so long as you're not trying to initiate an RP scenario. For example, asking Laurens what his hobbies are, asking for a blessing etc? That's fine. Spamming me with different actions "you" are talking to Laurens is weird. Stop that. I will also not RP with blogs that claim to roleplay as real life people, such as Markiplier, that's super creepy. This does NOT apply to "historical fiction" roleplay (obviously since that's what this blog is), which is considered its own genre of literature. I'm talking about the above where people will 'roleplay' as real life, currently alive people like YouTube celebrities and ship them with their friends, even if they've made it clear that they're uncomfortable with it. 

⭐️ Get angry at me for doing something you don't like if you don't even have a rules page for me to go by. It's not fair; you can't expect your partners to just read your mind and magically know how you feel. If something bothers you let me know, I’ll make a note about it so I avoid it during our interactions!

⭐️ Use me as a meme resource blog without ever interacting with me. I don't require "reblog karma" for you to follow me, partners are more than welcome to reblog from me, but if we never interact and I just occasionally see you reblog fifteen posts from my meme tag and then disappear again I'm not gonna be happy. Go to the source or to an archived blog no longer getting notifications, please!

⭐️ Reblog my Meta/Headcanons. If they're from a different blog it's fine but the ones I've personally written are for MY portrayal of Laurens. I work hard on most of my stuff and I'd prefer if you didn't reblog it, not because you aren't allowed to have the same headcanon ideas as me, but because then it ends up getting liked or reblogged by lots of other people, spamming my notifications, etc.

OCs & Multimuses

I love OCs and multi-muse blogs (I have my own multimuse sideblog over at @historyremembers, which has other 18th century characters including the Hamilton children and some OCs), so feel free to interact! That being said, please have an about page of some sort on your blog. I can't follow back blogs that have absolutely no information available regarding their character(s). I don't RP with OC children of Laurens. This is nothing personal, but I'm fairly certain he was gay in real life and prefer to play him that way, and he only had one child - who he never even got to meet - in real life, so it just wouldn't make sense to me for him to have other kids running around unless he'd adopted some. If you're a multimuse, I may not follow you back if I'm only familiar with two of your muses if you have a blog of fifteen characters, simply because I'd prefer to keep my dash clean and only have characters/fandoms I'm familiar with on it. I'll still RP with you if you have a character I'm interested in! I just might not follow back if the majority of your characters I do not know, I apologize for this.

If you’ve made it to the end of this, congrats! I know it couldn’t be easy (my ADHD brain was frustrated trying to just write all this up) but it’s necessary so there’s not misunderstandings on what I am/am not willing to RP. I won’t ask for a password since I trust most people to have the courtesy to at least skim the rules of those they want to RP with. 

Have a nice day!

[ravenwolfie97]

2019 Art Summary

Once again, it is time for the annual art summary! I can’t believe this is the fifth year in a row I’ve done this, so I’m very proud about continuing to make art throughout the years and getting better at it every day. Anyways, let’s get into the good stuff!

I kicked off the year with a big inspiration from The True Lives of the Fabulous Killjoys comic series and made up my own original Killjoy just before the new year began. Their name is Violet Crime, and I had created an entire backstory with them being involved with the Ultra V’s, and even proposed running a roleplay blog with them and introducing story events such as meeting a pornodroid, but that never came to pass. Maybe next year I can try getting their story off the ground.

This month, I had suddenly gotten the idea for a TOME (2011) AU where the Forbidden Power slowly corrupted and altered Alpha’s model and mind, and I did a bunch of art of the different stages of corruption and drafted certain scenes that would play out if it happened in the show. I continued exploring this  a little more throughout the year, and I hope to flesh it out even more later on.

This batch has an interesting background - I was taking a Religions class in the winter quarter, and for my final project we had the option of creating our own religion based on principles from those we learned about. So, since I had already made up a religion in Legends: Children of the Dragons, I jumped on that opportunity and started expanding upon it! Because of that, I started thinking about Legends a lot, and got inspired to write and draw a bunch! I worked a lot on figuring out the story’s structure and plot, since for the longest time it’s been very disorganized, so that inspiration boost was really helpful.

I didn’t draw too much this month, but I did want to showcase two more detailed drawings in particular. The first is a climactic scene from my friend Mana’s story Empire Tale: Starlight Speedway, where Argento (the character shown) finds out his friend was in alliance with the heir of his empire’s rival nation. The second was drawn for Adam Tilford, creator of the book and webseries Shattered Heaven, as part of an opportunity to feature fan art of a certain character in part of the show. I did my best to emulate Adam’s art style in both lineart and coloring, but it still definitely looks like mine, which is totally cool. Still super honored to have contributed it!

The TOME fandom is still a huge part of my life, and this month in particular was chock full of RPG content to draw. First was my own idea based on the official fanart contest, where members of my TOME Discord server paired TOMERPG OCs and drew a picture with them interacting, and my OC Circutree was randomly matched with @scribblehooves​ and her OC Valentina! There was also a trend (I forget who started it) where we designed our own versions of the White Hat Hacker, and since my choice was the Animalistic one, I gave it some details that more resembled my personal TOME OC / overall persona. Lastly, I just... really love Phaxal from TVTOME Adventures, and I felt an overwhelming need to make him into a TOMERPG character. He’s obviously a lot different from his aughts’ counterpart, but he’s still got that dark snark goin’ on.

June was actually rather slow in terms of art, with me being more preoccupied with binging TV shows and video games, as well as going on adventures in the outside world. However, I did make a cute piece for Mana with Lux and her girlfriend/wife Nexus from ETSS as part of an art trade. In the middle of the month, I had had a dream with a super cool character in it, and immediately I went to go and draw him, and that’s who the other character is; he doesn’t have a name, but he’s supposed to be a secret agent type of guy. Definitely inspired by Azure Striker Gunvolt, which I got super obsessed with again during that time.

I worked more on developing Legends stuff, so I wrote and drew out some more scene ideas along with various sketches. My big pieces for this month, though, were very summery and all about the TOME RPG and me and my friends’ OCs having a fun time. Not much to say other than it was really weird drawing everyone in swimsuits instead of their normal designs.

My favorite piece this month, by far, is my entry into Adam Tilford’s Shattered Heaven fanart contest. I got to draw a mecha, for goodness sake - I NEVER draw stuff like that because it’s so complicated. I’m really proud of the lighting on the piece, too. In addition to that, me and @mew-cake​ did an art trade of our personas! And it was super cool and fun! Friendship! :D

So, the Steven Universe movie came out this month. And that made fall super hard back into the fandom. And now I can actually draw the characters decently, which I think is super cool. Also TOME stuff continues to be a thing, and I continue to try new perspectives and poses and lighting and everything because I need to GROW and LEARN.

I participated in the actual #Inktober prompt challenge this year, and did so for a lot longer than I thought I’d be able to. I made a lot of pieces I’m actually quite proud of, and even though I didn’t complete it, I’m happy I did it as long as I did.

November was a pretty experimental month in terms of art. I tasked myself with drawing in the Pokemon and Hazbin Hotel styles, and I randomly got inspired by a color palette to do a very minimalist digital painting. In addition to all of these personal drawings, I got to work really hard as a member of my university’s fledgling Queer Art Collective (QuAC for short), and our first big project was to decorate a canvas for Trans Day of Remembrance and Resilience, and I contributed five pieces to that: the trans flag with a human silhouette, the NB flag with a heart, the pastel genderfluid butterfly, the construction paper PROUD 2 B TRANS, and the lyrics to “Masquerade” by Tokio Hotel.

As the year closed, it’s been slow, with finals and holiday break and stuff. I can tell that I’m improving in my art, but there are still a lot of things I don’t know and things that I need to continue to improve upon. Hoping I can keep up the work in my last months of college and my transition into full-on adulthood.

See you all in the new year.

[legobiwan]

UUUOOOHH LEGO ILY AND YOUR META! Please please one of these days can I read how you feel about dooku's nihilism and all that like In Detail bc holy shit would that be the most delicious thing. Also. Also I just adore him and obi wan, like you have no idea how happy you make me with all the stuff you post, like honestly dude. Incredible. Thank you so much!!!!

OH THANK YOU, FRIEND! This is so fun and I’m happy to have pleased at least one person with my ramblings. And I now *finally* have a moment to sit down and expand on my Dooku thoughts, so on that note - 

OHHHH BOI OH BOI HERE WE GO

This is going to get long, so I’ll put a bunch of stuff under the break because I came in with CVS-style receipts for this.

Let’s start what with what we know about Dooku.

He’s a patrician. (Dark Disciple)

He has a snark side as well as a dark side. (Citadel Rescue)

He was pretty broken up about Qui-gon’s death. (Star Wars Galaxy Series 7)

Albeit with an interesting interpretation… (Star Wars: Jedi - Count Dooku)

But what is Dooku’s deal? Why does he turn? And what makes him tick?

Corrupt Jedi/Qui-gon’s death

A lot has been said about this by others (and me) already, and since that’s not the point of this ask, I’m just going to skate over this topic. Dooku mentions more than once that he feels the Jedi have become corrupt, that they serve politics, that they have abandoned their ideals. If we take the EU into account, it really seems like the Battle of Galidraan had a huge effect on Dooku, after the Jedi got involved with the Mandalorian Civil War (of course it was the Mandalorians. Interesting stuff, although almost always referred to in an oblique manner.) Bottom line, the Jedi killed close to 300 Mandalorians, Dooku became appalled and started to lose faith, with the culmination being in Qui-gon’s murder by Darth Maul, as pictured above. 

Home/Orphans/Parents/Existential Angst

Now, this is where it gets interesting. 

Dooku seems to have never really gotten over the fact that his parents handed him over to the Jedi. This is fascinating in that a) he can remember that and b) he feels such a sharp sting of betrayal that this happened. I mean, look how he chews out someone else later on in Dark Rendezvous for giving up her child to the Temple. 

WOAH. Dooku, even into his adulthood, has some MASSIVE abandonment issues. 

And it’s not only in Dark Rendezvous. Check out this snippet Karen Traviss’s Clone Wars novelization:

“The galaxy will be torn apart by orphans,” Dooku said at last. “I think that everyone I know who has the potential to bring down empires has been robbed of parents.” He seemed to be talking to himself. 

Even Sidious has picked up on it, when he visits Dooku on Serenno in the Jango Fett: Open Season series. 

There’s this…hole, it seems, in Dooku, this emptiness that sees the universe as a pointless, lonely place and it seems to stem from the very action of Dooku being given up to the Temple in the first place. And so in some ways he almost expects betrayal, goes looking for it, and finds it within the Jedi, prompting him to nurse that open wound deep inside himself, to rage against it, turn to turn to the Dark Side. 

It also totally explains his teaching obsession, and, in my mind, his desire to bring Obi-wan to his side. As a teacher, Dooku can delude himself into thinking he is in control of this relationship, that he is not dependent on his students for companionship, for someone to share his knowledge his life with. This, of course, is a damn lie, but seen in this light, it explains his never-ending parade of Padawans and apprentices, and surely why he wanted Obi-wan, who, as I have mentioned before, shared so many characteristics with Dooku - just without the existential malaise. 

Because Obi-wan has that light in him. He has to, it’s the only way the man wouldn’t have completely broken after the life he led. And it’s a choice, to be a light in a universe that is ultimately uncaring, and no one understands this better than Dooku’s teacher.

But Yoda goes on to explain -

Dooku tried to choose the light, but ultimately could not. (Again, from the Clone Wars novelization.)

Don’t think, Padawan Dooku.

“You were wrong then, Jedi,” he said aloud. “And you’re wrong now.”

Destiny was not about feeling; destiny was about thinking, about rationality. Dooku didn’t see reacting blindly to feelings as some mystic virtue, but as a weakness.

In a child, he would have punished it as giving in to impulses, a lack of maturity and self-control.

As a child, he had been trained not to think. As a child, he had been trained to be a Jedi.

Don’t question so much, Padawan Dooku. Feel. Don’t doubt. Believe.

Well, he questioned things now. And he didn’t believe.

Because Dooku does not believe in a kind universe, not with betrayal bored so deep in his soul. 

No belief in the afterlife, in the Force, so unlike the Jedi.

I mean, that is BLEAK. And so he rages against the meaninglessness of his existence, because what does it matter? He is alone in the universe, merely a sack of flesh, another life that will dissolve into the “featureless wet spill.”

And yet he cares enough about the Jedi to turn to the Dark Side, cares enough about the Republic to try and save it through his twisted means. The opposite of love is not hate, but apathy, and Dooku loves (and hates) but would never admit to it. Otherwise, why even try? Why not leave the Order and retire to Serenno in peace? Because he was abandoned in his own mind? Because his new family in the Jedi also eventually betrayed him by betraying their ideals? Because it is easier to be alone, to think yourself alone - to be beholden to no one, to nothing - to pretend that none of it matters when in fact you are just looking for ways to fill that void? Your last student murdered, your family absent, the ideals you tried to cling to now fetid, rank with hypocrisy. 

Yeah, Dooku has an ongoing crisis, and the sad part is, he would probably have never filled that void unless he was able to reach out and accept Yoda’s offer. And even in trying to recruit Obi-wan - it would be the next best thing, would give meaning to Dooku’s existence, but it would still be a fractured relationship, even if Obi-wan gave himself totally to the dark (and Obi-wan’s own reasons for turning are very different than Dooku’s). And yet, I think he yearns for this messed-up version of family he keeps pushing away. Look at Dooku’s first reaction when Jango asks for an unadulterated clone:

A son? I mean, wow, that’s a telling statement on Dooku’s part. And yet he never quite gets there - not with Ventress, not with Savage, and not (most likely to his severe disappointment) with Obi-wan. 

[dcarevu]

Batman TAS: Fear of Victory

“He’s locked up in Arkham…isn’t he?”

Episode: 24 Robin: Yes Writer: Samuel Warren Joseph Director: Dick Sebast Animator: TMS Airdate: September 29, 1992 Grade: B

Hey! Robin is back! About time, huh? This is the first time that we have seen him since episode two, but the show explains this by showing him living in his college dorm. And it makes sense that, with his roommate being directly affected by the Scarecrow, he would get involved, working with Batman, even if he is not on any vacations or anything. I asked Char what she thought about seeing Robin again, since she is a DCAU-virgin, remember. Her response was honestly not what I expected, but it was nice to hear! I figured she would be really surprised that he was absent for so long, but she did not think all that much of i. I did tell her he was generally away at college after we watched Christmas With the Joker, so I suppose that’s what she was expecting early on. It was a nice treat to have him back, she said, but she seems to like the flow of Robin that we have gotten so far. And so do I. They were very smart about how they handled it. The show is stylistically best when it is just Batman for most of the time, but Robin is also a nice character, so seeing him occasionally is okay with me. He could have been overdone very easily, though. Like, if we got the Joker every episode, even though we love the Joker, that would get old. Same with Robin, noting his more happy-go-lucky/smartass personality. He is the type where it is wise to wait for an episode that needs him instead of attempting to work him into an episode. And while even though Robin worked fine this time, did they truly accomplish this task? Did this episode need Robin to work, or would it have worked better without him? There is a difference between being okay with Robin because we like him and we haven’t seen him in a while vs being okay with Robin because he actually adds something meaningful to the episode. Personally, I think that this episode falls into the trap of making Batman slightly less competent so that Robin seems more needed, while also making Robin the “damsel in distress”.

With Batman’s competence (or lack there of), I am referring to the end battle up high above the football field. The part where Scarecrow threatens to drop a vile of his fear powder onto the audience below, resulting in utter chaos, and at least a handful of injuries. After all, people in crowds are fucking crazy as it is. Just look at Black Friday. Now add some Scarecrow chemicals, and you have a messy situation. But what happens is that Batman seems to have an awfully hard time preventing Scarecrow from dropping the vial, despite Scarecrow really not providing any type of physical threat to Batman. They both fumble around on the catwalk, and I get that it is a small space, but I feel as though Batman could have done something to prevent one or two of the vial scares. And that box of lightbulbs up there is a little bit contrived too. It seems a little bit dangerous that anyone who works there would keep a box of lightbulbs above a football field, it could fall off and hurt somebody. And well, here it does hurt somebody! Batman was not even ready for it. The same guy who can quite often predict when someone is right about to jump him from behind. All this is to allow Robin the chance to save the day, catching the vial in midair. Which is fun, I like how his actions aligned with the football announcer’s commentary and all. Yeah, this segment was still enjoyable to me, don’t get the wrong idea…it just helps not to think about some of the silliness too hard. At least, as an adult. I think what could have been much more interesting is if Batman ended up absorbing some of this fear powder. Maybe Scarecrow could have ended up smashing the vial in his face or something. Then Robin could have had a much better chance at being the hero, without making Batman look like a putz. Batman has been affected by Scarecrow’s toxins before, and the imagery that he gets is incredibly powerful. What if he saw his parents, but then it was his own adopted son that snapped him out of it and kicked Scarecrow to unconsciousness, facing both of their fears and ending the problem.

And also, as I said, Robin kind of portrayed the damsel-in-distress. I’m referring to the scene where he first becomes affected by the toxin, and nearly falls off of a building from high above the ground. I think if Robin did something a little bit more meaningful at the end of the ep, like the idea that I had, this would work better and seem a little bit less flimsy. But this is only Robin’s second DCAU appearance, and already he is screwing things up like the ol’ trope goes. Again, though, this scene was perfectly enjoyable, and if Robin was not already jokingly known for this by comic book fans, I likely wouldn’t even mention it, but in the grand context of the character, I couldn't help but roll my eyes a little bit. As positives, his voice actor, Loren Lester, did a great job of the emoting, and it is hard not to feel scared for Robin. This scene also highlights the danger of what Batman and Robin partake in every time they don their costumes. Even something as simple as using their grappling hook to go from building-to-building is not recommended for your everyday, average Joe. One little mis-step and you can fall to your death. So in a way, Robin experiencing this adrenaline rush is bringing Robin down to our level, and lifting the veil for him, reminding him of what exactly he’s doing with his life. And he is not like Batman, where he needs to be a crimefighter to feel that fulfillment, to clear himself of guilt. So if Batman were to be affected by this particular fear-powder, I don’t think that Batman would gain that fear of heights that Robin did. I think that his visions would be much different. Batman simply does not share the same reality that Robin does. They are truly very different people, and the more I think about it, the more I am not surprised with what happens later on down the road with these two, but I will not give any hints to avoid spoilers. Let’s just say that once Robin grows up, there is an unavoidable relationship change just waiting to happen.

Scarecrow got a redesign in this episode, looking quite a bit different from when we last saw him in Nothing to Fear. Char ad I both much prefer the new version, but she noted to me that the straw hair is a little bit much. Yeah, I can see how that would bring the intimidation levels down a bit, but the face and body look so much better (partially because of TMS’ awesome animation) that it doesn’t bother me. I was surprised to see such great animation with this episode, honestly. Maybe it was because the last Scarecrow episode didn’t turn out looking that great (despite the debatably better story elements that it had), and they wanted to make sure that they could make Scarecrow seem like a more intimidating villain than he did prior. The show has also come a long way since then, and even though I’d call this episode a more mid-tier one, episodes like Nothing to Fear were once the standard! Seeing the new Scarecrow design can kind of represent that evolution, and it’s like we’re starting fresh now that Batman the Animated Series has most certainly found its footing. It’s as if they meant to say, “Here’s how we actually envisioned Scarecrow, guys, now that we are running a show that has the potential to display it!” If they redid Nothing to Fear this far into the show, I have zero doubts that it would have been way better than Fear of Victory. But we’ll have other opportunities for great Scarecrow episodes soon enough… For now, here, as usual, are some screenshots!

I love how in keeping with the show’s aesthetic, the player’s get old-style Football uniforms/padding. Great detail!

Take a look at that funky remote-control.

Robin’s first scene since Christmas With the Joker!

Awesome foreshadowing here, putting that heavy shadow onto Brian’s face, telling us subtly that something bad is coming.

Coupled with the roar that they give, this was way scarier than anything from the first Scarecrow episode. Great work by TMS!

Does Scarecrow really need to change into his costume just to watch the game from above? I guess he is an Arkham patient, though.

“Oh no! Not him!” Referring to Batman. Way to acknowledge Robin, guys.

Robin the height like many of us would if we ever tried this!

Another gorgeous movement, capturing the dizzying heights.

“Oh my...” Too bad Batman has work to do.

But that doesn’t mean Batman can’t give her a little smile as he leaves her apartment...

So where did Batman exactly get all these cats? Could they be Selena’s, and he’s looking after them? If so, I doubt she’s appreciate you testing some possibly harmful chemicals on them! This didn’t seem very Batman-like to me.

“Hey! Corn on the cob! A scarecrow’s gotta love that!”

Batman fades into visibility as he walks through Arkham Asylum. And in here we get to see...

Joker...

Ivy...

And Harvey! Oh. Harvey. This is the first time we’ve seen him since the end of Two-Face, showing us that he indeed ending up at the asylum. Poor guy. 

But of course, Scarecrow is gone. The corrupt guard, who obviously helped Scarecrow out (maybe by bribe?) shows how some of these baddies always seem to escape.

“Be persuasive.” he knows what that means.

Once we see the powder coming off the envelope, we know what’s coming. A nice moment of anticipation. 

Such a better design!

That’s the look of a man who just shit his pants.

Not your wisest idea, Robin.

“I’ll drive real slow.” I was half-expecting him to then blast out of there as top speed, hahahaha.

Again, Scarecrow, why do you need to be in full costume right now? You’re going to give yourself away! What if someone happened to walk by? Or, I don’t know, be hiding in the jerseys..?

That “R” on his shirt here is huge.

I love the way that Batman throws him across the catwalk. Also, I feel like his costume was inspired by Freddy Krueger. 

This is why we don’t leave lightbulbs around.

Char’s grade: B

Next time: The Clock King Full episode list here!

[rolliwo]

Sirius black actor

#Sirius black actor movie#

#Sirius black actor series#

#Sirius black actor tv#

“At one point, they were worried about casting me because of my association with bad guys and pointed out that I had not played one in ten years,” Oldman explained during an interview with the E! television channel. Harry Potter and the Deathly Hallows: Part 2 Sirius Black (2011).

#Sirius black actor movie#

You would think that all of that cache would be good enough to secure future baddie roles until the end of time, but evidently, Oldman had a difficult time procuring the leading villain role in 2010 film The Book of Eli due to his lack of antagonistic roles in the years prior. Gary Oldman is a talented English movie star and character actor, renowned for his. Actor Oldman, who played it, thats how he. Although he was the heir of the House of Black, Sirius disagreed with his family's belief in blood purity and defied tradition when he was Sorted. Any information you publish in a comment, profile, work, or Content that you post or import onto AO3 including in summaries, notes and tags, will be accessible. The main character has many good allies and, of course, evil enemies, but there is also a mystery man - Sirius Black. That was largely thanks to his numerous turns as villains, whether it was the bumpkin-esque Lee Harvey Oswald in JFK, the ludicrously twangy corporate space overlord Zorg in The Fifth Element, the unhinged corrupt DEA agent Norman Stansfield in Leon: The Professional, or the captivatingly disgusting pimp Drexl of True Romance.Įven if he was playing ostensible protagonists, they were still morally ambiguous and physically repugnant characters, like the title roles of Dracula and Sid Vicious in Bram Stoker’s Dracula and Sid & Nancy, respectively. Sirius Black III (3 November, 195918 June, 1996), also known as Padfoot or Snuffles (in his Animagus form), was an English pure-blood wizard, the older son of Orion and Walburga Black, the brother of Regulus Black, and godfather of Harry Potter.

#Sirius black actor series#

"A series with the older generation, that could be very cool.Gary Oldman had established himself as one of the most versatile actors of his generation by the time the new millennium began. A Who played Sirius Black in the Harry Potter movies - Answers Sirius Black F D B is played by Gary Oldman and Jamie Walters plays him as teenager.

#Sirius black actor tv#

He added: "I feel like there are other stories from that world that you could absolutely turn into a TV series, 100 percent. I know I'm not the last Harry Potter I'm gonna see in my lifetime – we've already got a few more. Harry Potter star Daniel Radcliffe has opened up about a possible reboot.īack in 2019, the star said: "I'm sure there will be some other version of it. Known for his versatility and intense acting style, he has received various accolades, including an. However, Daniel previously said he predicts a reboot is definitely on the way. Gary Leonard Oldman is an English actor and filmmaker. Meanwhile, HBO Max and Warner Bros., have previously banished rumours that a Harry Potter TV series is in the works, as they told The Post: “There are no ‘Harry Potter’ series in development at the studio or on the streaming platform.” Children know him as the Sirius Black actor from the Harry Potter franchise, but adults are. “They were some of the first scenes on the third and the fifth film where I started to feel like I was a young man who was just starting to figure out what acting was, and they were pretty cool people to be around.” Few performers have had such a versatile career as Gary Oldman.

[schraubd]

On the Latest Academic Hoax

A new academic hoax story has broken, and it's bigger than ever before. Three scholars wrote twenty papers, none of which contained the arguments the authors believed (and all of which contained arguments the authors considered to be ridiculous) and sent them off to journals in the "grievance studies" set. By the time they had to pull the plug on the hoax, seven had been accepted, six were either still under review or under some form of "revise and resubmit", and six were rejected outright. This project was an expansion on an earlier hoax where a gibberish paper called "The Conceptual Penis" was published in a pay-to-publish journal. The present effort distinguished itself both in the number of papers written and in the decision to submit to what the authors called highly-ranked journals in their disciplines. On that latter note, it's hard to assess -- once you start getting into the sub(-sub-sub)field weeds, what really counts as "highly-ranked" -- but at least a couple of the journals they scored with are recognizable names (Hypatia, in particular, was a good get). It's also true, as any observer of peer-reviewed scholarly literature can tell you, that a lot of peer-reviewed scholarly literature even in top journals is dreck. So the fact that the authors were able to get arguments that are (or they viewed as, anyway) dreck published is not itself surprising; though perhaps it gives insight into exactly what and how dreck gets through the process. Nonetheless, I think there are some important limitations on what one can draw from this "study", including significant ethical ramifications in how the "data" was presented. One might say I'm being overly credulous in even treating this project as one that seeks to earnestly improve the quality of academic publishing standards (hint: if that's your goal, sneeringly referring to your targeted disciplines as "grievance studies" is a bad way to start). But, in part we should be self-reflective about the quality of writing and reasoning in academia, I'll take it on its terms. First, the limits on the conclusion. The authors methodology was to take arguments that they figured would be appealing to the editorial staff of a given journal but which they, personally, found to be outlandish, and see if they could get them published. They say that proves a serious malfunction in the peer-review process. I say "haven't they just passed an ideological Turing test?" An ideological Turing test measures one's ability to mimic the beliefs of the "other side". You "pass" if you successfully convince members of that side that you really are one of them. So let's say I, a liberal, adopt a pseudonym and submit an article to Breitbart. I do my best to make it look, feel, and sound like a Breitbart-style conservative article. Now clearly, I wouldn't believe what I was writing about them. The key question is whether they'd recognize the sham: would they say "this sounds like what a liberal thinks a conservative sounds like" (which is, indeed, what it actually is) or would they believe that this is an actual conservative writing? If the latter, then I've passed the test. The thing is, nothing about passing the Turing test, on its own, demonstrates the falsity of the beliefs or arguments successfully mimicked. Someone on Twitter (I can't remember who) suggested the case of a young-Earth Creationist who submits an article to a biology journal that "mimics" tenets and presumptions of mainstream biological science. If his "hoax" succeeds, would we say "aha! The biological sciences are hopelessly corrupted, to be taken in by this prankster!" No -- we'd say that the author has, albeit disingenuously, written an actual good argument (that he happens not to believe). Likewise, if I successfully spoof Breitbart, I doubt they'd take that as decisive evidence that they've gone off the rails. The case for why these papers are different, then, can't simply turn on the fact that (a) the authors don't believe the arguments they made and (b) they were nonetheless accepted. There has to be something else in the argument that makes them objectively bad, such that it represents a failure (beyond the fact of the disingenuous motives of the author) for the journal to have accepted it. So what might these be? This is hard to assess, because the authors don't link to the full papers (the accepted versions have, unsurprisingly, now all been retracted) and because their summaries are by design written to make their claims sound as outlandish as possible. But at least in some cases this isn't facially self-evident. Take the paper they got into Hypatia. Its thesis is "That academic hoaxes or other forms of satirical or ironic critique of social justice scholarship are unethical, characterized by ignorance and rooted in a desire to preserve privilege." One certainly understands the extra-dose of gleeful "gotcha-ness" the hoaxers enjoyed in getting this paper into Hypatia. But it's hardly the sort of article whose "wrongness" transparently stands out such that reviewers should have obviously known, on face, that it was ridiculous. After all, one could absolutely believe that satirical critiques of this sort of scholarship are unethical and rooted in a desire to preserve privilege (the "characterized by ignorance" is, I concede, at least arguably performatively contradicted by the ability of the authors to sufficiently effectively mimic these arguments such that they got their papers published. But even then, that would just show that one prong of the element was, after the fact, demonstrated to be falsified). Ditto their Fat Studies paper on fat bodybuilding. Again, the article isn't accessible anymore, but if the basic thesis is that there could be various ways to present "fat" bodies as (in the authors' words "legitimately-built bodies") worthy of attention and praise, even now I won't say that isn't a transparently ridiculous assertion. Think of what the ESPN Body Issue has done on this score, for example -- quite a few of its models, at the very least, undermine the notion that "fat" and "athletic" (or even "muscular") are mutually exclusively categories (quoth one of the athletes, a Major League pitcher: "As a baseball player, if I'm pitching 35 times a season, seven innings a pop, 100 pitches a game, I need some fat. I need some extra meat on my body."). And to the extent the "obvious wrongness" is based on the thesis being "positively dangerous to health", I call foul both because it oversimplifies what the research actually shows regarding the linkage between health and what is deemed "fat" in contemporary American society, and because "mainstream" bodybuilding very obviously also doesn't represent the apogee of healthy living either. Again, I'm not saying that either of these claims are clearly right. But they're not, at least as presented, transparently wrong such that nobody (not just not-the-authors) could find them believable or worth engaging with. Another potential reason why we could say that reviewers "failed" in not recognizing the wrongness of the article is where there is outright falsification of data. This is something they (apparently) did in the "Portland dog park" paper (they claim to have "tactfully inspected the genitals of slightly fewer than 10,000 dogs whilst interrogating owners as to their sexuality"). Maybe a good reviewer should have recognized that this seemed suspicious. But here I'd say that peer review is actually quite bad at catching this sort of outright fabrication (political science had it's own scandal on this score not too long ago). Perhaps unsurprisingly, peer review works best on the presumption that the author is earnestly presenting genuine arguments obtained by honest means. Our peer-review system would be even more dysfunctional than it already is if the first question reviewers asked is "is this paper lying to me?" And that moves me to the ethical qualms I have in how the hoax authors have presented their findings -- most notably, in how they treat the peer reviewer comments. Each of the papers they submitted -- including those which were rejected -- comes with a selection of peer review comments, all of which are positive. The idea, presumably, is to demonstrate that even their worst papers that didn't get accepted nonetheless were not treated with the sneering dismissal they deserved. There are two problems with this presentation. First, I think it is actually capturing trends in peer-review to be more constructive, charitable, and supportive towards the papers under consideration -- all good things. One of the reviewers quoted (who had recommended rejecting the article) explained his more positive feedback as an attempt to "buy in" to the paper and provide constructive comments explaining why the article itself didn't work without discouraging the author from the field entirely. It is, I think, a good thing to read articles in their strongest possible light -- to try to think of the best interpretation of the claims the authors are trying to make rather than the most nefarious. This is a practice that hoaxes, in particular, exploit -- they gain their force precisely in the knowledge that their readers will commit the terrible sin of trying to take them seriously. The second problem with the way the reviewer comments were presented is simultaneously more and less serious. Simply put: if the hoaxer's goal really was to provide a pathway for identifying what is and isn't "working" in these academic disciplines (and I concede that may be far too optimistic), then there is no justification for not including the negative or critical reviewer comments that (presumably) explained why papers were not accepted. Partially, this is simply a matter of misrepresentation -- only giving the positive comments but not the negative ones oversells how receptive readers were to these pieces. But more importantly, the part of me that wanted to earnestly take this hoax seriously as a genuine effort to constructively critique certain academic disciplines was the most thirsty for learning the content of the negative reviews. What is it that gets a paper rejected in Sociology of Race and Ethnicity (or what have you)? Clearly, it isn't a wild west where anything goes so long as you mimic the right politics (the authors -- somewhat begrudgingly -- admit that their project conclusively falsified that hypothesis). Consequently, figuring out where the borders are, what raises flags and what doesn't, is actually incredibly important to the extent the project is actually meant to have any sort of constructive edge. That these weren't included is powerful evidence about what the ambitions of the hoaxers really were. So it's a more serious critique to the extent I take the hoaxers seriously as trying to have a constructive impact on academic publishing; and a less serious critique to the extent that ascribing such seriousness of purpose is absurd. In any event. I don't need persuading that academic publishing includes a lot of terrible work, and I don't need persuading that there are certain common markers as to what gets terrible work published. But this hoax overshoots the mark -- mostly because its goal isn't really to build a better scholarly mousetrap but rather to grind certain ideological axes. My recommendation, therefore, is revise and resubmit. via The Debate Link https://ift.tt/2Nl8iPv

[brownstonearmy]

2021-10-24: The Final Showdown (Part 1)

Sunday September 27 (early afternoon)

Guess who's back from the Nine Hells! That's right, it's your favorite party of adventurers; the real-deal heroes of Brownstone. They come back to town with an entire flock of sheep following behind Lucky. No, we're not calling the other adventurers sheep; they're actual sheep that were summoned by Lucky's wild magic and also they serve as a convenient narrative device indicating that "An Amount Of Time Has Passed." The town is now a scene of destruction and devastation.

Everything is covered in poop that seems seems to be growing and crawling before their very eyes. The Montclare River is now a solid putrid brown. Oh, and the sky is darkening because it's time for the eclipse! As the moon blocks out the sunlight, a blast of necromantic energy radiates through the portal. Looks like someone left the oven on, and it's time for our beloved adventurers to do some heroics to stop the world from burning down!

We jump forward in time a bit with a travel montage. Helicopter shots of the party trekking single file up the mountain, close-ups showing the grim determination on our party's faces. A rousing orchestral score plays in the background, so you know it's epic. And now they go through the portal to their final conflict, where combat has already started?

Already started? Yep! The B-Team is here (plus Anaxilas), waging war against a horde of demons as best they can. The necromantic energy that spilled out of the portal during the eclipse has the same feel as the energy throbbing through the crystal above the tumorous growth in the center of the bowelarium.

Q has one last thing they need to take care of before their untimely demise: change their name one last time. For this most climactic of battles, Q discloses to the party their real name: Jamie Mellerel. Related out-of-character note: the player behind Q/Jamie had established this secret at the very beginning of the campaign and kept this secret for literally the entire campaign specifically for this moment. That's some dedication!

Anyway, Jamie casts true strike on Norozogaan to learn of its defenses and weaknesses, because now is not the time to be taking chances and accidentally healing this demon lord of filth by attacking with the wrong damage type. Speaking of filth... Did you know that the word "filth" is really hard for me to spell today? Because I have literally misspelled it as "filfth" or "filf" every time I have written the word.

But yeah, y'all are here for the combat play by play, not my humorous misspellings. So let's cut to Luck blasting a chaos bolt across the map to protect Hilaria from a mob of maw demons. The damage was going to be acid at first, but it turned into pure force that accelerated the mass of the affected maw demons until they exploded, particle-accelerator style.

Norozogaan has morphed into a what appears to be five separate pseudopods that can move independently of each other. Tweazle busts out the his gift from Asmodeus received for his compassion to the Lord of the Nine Hells: that scroll of Meteor Swarm. Big ol' flaming balls of fire rain down on the floating crystal and the mobs of demons encroaching on the B-team, and finishes off his turn by launching a magic arrow into one of the pseudopods. One of the meteor blasts knocks Anaxilas off a narrow ledge and flings him into corrosive bile at the bottom of the tumor's pit. Das Cornelius (yep, we still got all the Cornelius clones in the fight) smashes his warhammer into the hordes of maw demons. "I am zee popcorn!" he yells as the maw demons explode into viscera.

Norm straps on the wings of flying to rescue Anaxilas, but is hit mid-flight with one of Norozogaan's corrupting acid lashes. Two large tusks suddenly grow from Norm's mouth. The pseudopods merge together and form the version of Norozogaan that the B-team was fighting earlier. Yula unloads on some of the demons with Eldritch Blast, sending one of them toppling over the edge into the river of bile. Die and Deuce Cornelius augment their warhammers with magical effects to lay the hurt on the demons. Lightning Lure even got a moment to tug one of those fiendish creatures to a corrosive death in the pit.

Spleenifer casts Find Greater Steed and Tony Bear Androgen the Pegasus appears. It's time to fly! Meanwhile, Hilaria is running up the slippery stone steps from the lower portions of the bowelarium. She slashes one of the demons in half with her mighty sword before throwing axes at some other nearby demons. Three demons are slaughtered by thrown axes before she even passes by, one demon for every axe thrown.

Norozogaan belches forth a bile blast at Tony Bear in flight, but the attack misses. Large flying ants begin climbing out of cracks in the ground. They zip through the air and then each of the ants lets loose the most heinous fart imaginable. The air quality gets worse in the bowelarium and our heroes have to make a concerted effort to keep fighting in spite of the stink. In case you were wondering, these little buggers are called Flatulants, and yes, I made up and statted a new enemy specifically for that joke.

Jamie absolutely obliterates Norozogaan with vicious mockery, proving once again that words can hurt. Anaxilas climbs the tumor and shoves the floating crystal away. Anaxilas believes the crystal can focus energy that can directly harm Norozogaan's essence, but he's going to need help getting the crystal into position. Lucky teleports herself, Jamie, Tony Bear, and Spleenifer to grab a grab the decanter of endless water and get to safety. She's got a plan, and it's about to go down. Tweazle is sickened by the stench, but manages to summon a water elemental and fend off some more of the maw demons. Melboarne enters the fray behind Tweazle and provides Pumbaa-style combat assistance. Das Cornelius and one of the Minimum Bidets toss a winch down to help lift the crystal out of the pit. Norm slips Anaxilas a potion of growth (no, not that kind of potion) and Anaxilas hulks out. Yula tries to magically hold a monster, but the aura of filth (I MISSPELLED IT AGAIN!) gets the better of Yula's casting. Tony Bear Androgeno and Spleenifer go on an aerial offensive against Norozogaan, and Deuce Cornelius slaps a warding bond on Spleenifer to make sure she doesn't suffer from any ill effects from her mount's extended warranty being expired.

The stench emanating from Norozogaan is overwhelming this close up, and even though Spleenifer has a certain tolerance for stinky things, she's dangerously close to blowing chunks. Lucky's luck rubbed off on her, though, and a flash of genius from one of the other Cornelii kept Spleenifer safe long enough to unleash a divine smite on the foul creature that is Norozogaan. The smack does damage, but Norozogaan is able to mostly shake it off and retaliates with a warping acid lash against Yula.

Yula ends up sprouting a pair of wings and gains a flying speed. But you wanna know the even weirder part about those wings? They're both feathery and leathery. In the sense that all the feathers on the wings are actually made of pieces of feather-shaped leather. Sorry, going off on cool tangents again. Anyway, Hilaria is still cleaving her way through demons to reunite with Lucky. You'd think those demons would learn by now to not mess with the lady carrying the sword and axes, but alas, the educational opportunities for demons appear to be less than adequate when it comes to addressing those concepts. More Flatulants emerge from the ground and fart, poisoning the air further. It's getting almost to the point of suffocation here, but it doesn't seem to bother Norozogaan. The demon lashes out a lot, but ultimately whiffs all of the attacks. Lucky activates The Plan.

She triggers a wild magic surge that grants her +1 temporary hit points and puts an arrow over Lucky's head that always points to the left, then casts Time Stop. Now she's got time stopped for three turns. She casts wall of stone to make a wide and flat bridge that covers up the holes the Flatulants are coming out of, unstoppers the decanter of endless water and sets it to Geyser Mode aimed at some of the precariously-positioned trash mobs, and finally casts Mass Suggestion on all the remaining enemies with the command phrase "Clean up." All the remaining minions start tidying up, because a clean bowelarium is a happy bowelarium. Or something.

Tweazle unleashes a steel wind strike, zipping around the map like a gosh-danged anime ninja and slashes through a whole bunch of enemies. Melboarne charges at one of the demons and kills it, but Norozogaan is still standing and unaffected by the suggestion. How will they defeat the demon lord? Stay tuned next time for the thrilling conclusion!