#I genuinely had fun playing it!

[chloesimaginationthings]

FNAF Into the pit got William Afton a new hater..

[drgnflyteabox]

the lusty cabin-dweller

pairing: ghost / Simon riley x fem reader summary: your life gets wider when you find an injured man outside of your cabin. tags/warnings: Skyrim!ghost, secrets, graphic injuries, some angst, facial injuries, nursing Simon back to health one stew at a time <3, listen to this for the vibes, vaginal + anal sex, oral (f), animal attacks, blood, processing an animal for meat and fur, violence, death (non-major), mention of Skyrim racism, softdom!Simon, some backstory, please hmu if i forgot anything, one bed trope, simon backstory adapted to skyrim lol (so past abuse, murder, theft, domstic violence) but nothing graphic w.c: 5k

Honey-nut is squealing again. Some days you think she might not be worth the milk and cheese she gives you for all the trouble she causes. A high, strange bleating cuts through the chilled night air like a knife, sharp and terrifying only for a moment.

She's been at this since Frostfall. Maybe it was the weather causing Honey-nut distress - she was getting old, after all. For a goat.

In the time it takes you to trudge out of bed, pull on a wool shift and a fur, two things happen: one, Honey-nut stops bleating, and the woods surrounding your cottage becomes deathly silent.

Two, a crunch.

Just one, but it's enough. Someone is outside.

For a brief, hysterical moment, you worry for Honey-nuts safety. Have they hurt her to be quiet? No, you'd have heard that at least. Your breath comes fast, chest squeezing. Bandits? Probably not. It's a decent hike up to your wooden cottage. But it is nearing winter, and soon it will be Sun's Dusk. It's not unheard of that they'd be looking for a place to take over for the colder months.

Your hand goes to your heart, fingertips touching your throat. Be calm, you tell yourself. You aren't helpless, look. The axe, leaning by your front door. You can see in the dark well enough, and you're more familiar with your homestead than they are.

The axe feels right in your hands. Too-familiar, weighty, deadly. You touch your ear to the door, trying to reign in your fear. Nothing. Then, a wheeze, strangled and restrained like whoever it is can't afford to be heard. But you have heard it, and you push the door open.

"Show yourself!" You shout, voice surer than you feel. Your knees quake a little, but your grip on the axe is strong.

The animal pen is a mere few steps away from your front door. Past the front garden, it's wide open aside from the little shelter you built the past Mid Year. A foot sticks out, clad in armor.

"I'm armed," you add. "You're not getting anything from me!" The world is dark, the woods quiet. Adrenaline burns in you, bright enough to guide your steps.

"You gonna kill me with that, girl?"

Gruff voice, like scraping rocks. Coming into view, you see that this man poses no threat. He's half dead, slumped and pale, clutching his side.

"Who are you? What's your business here?" The axe is a deterrent, now. Just for show. You hold it above him, but nearly drop it when you see his face. It's sliced right through the middle, from his forehead to his jaw. "Oh, gods-"

"Mind yourself with that," his eyes flit to the axe. "Or put me out of my misery now."

Your shoulders dip down, lowering your weapon. Guilt crawls into your belly and settles there when you notice that yes- his feet are armored, but the rest of him is dressed in miners attire. White, coal-dusted shirt. Workman's pants, tucked into woolen calf wraps. God, he must be freezing. Maybe that's saved his life, staunched the bloodflow. It's tacky on him, not shining wet like you expected.

"What's happened to you?" You cringe at the sound of your voice. It's gone from fierce defensiveness to cloying concern, staring only at the blood staining his skin.

He breathes hard, staring at you a moment. It's hard to tell what he's thinking, what he's feeling. Outside of obvious pain. Leaves around you shiver in the breeze, a light snow beginning to fall when he finally speaks.

"Bandits," he grunts. "An ambush." Every word is a fight, a wheeze. Empathy drives away caution and you drop your weapon in favour of kneeling beside him.

"Come on, then. Let me help you," lifting him is a monumental task, even with him helping. He's as big as horse, thick as one too. Legs like tree trucks that hold him up just barely, feet sliding weakly on the uneven ground.

Looking back, Honey-nut watches you bring him through the doorway with a judgmental twinkle in her eye. Maybe it's time for goatherd pie.

///

Your bed is too small. His feet hang off comically, and the wood creaks under his weight. It'll have to do. Your mother would have beaten you black and blue for this - for inviting a stranger in, for settling him in your bed without so much as a what’s your name? But you know how to stitch and turning away someone in as bad a shape as he is would weigh on your conscience.

You light the sconces along the wall, and then a lantern to keep by his bedside. Warm, orange light fills the cottage, flickering every so often, inspiring calm.

"I'm no healer," you warn him. "Nor an alchemist." It’s not necessarily a lie. You had done a brief stint as a volunteer for the temple of Kynareth, lending your hands and your time to help nurse wounded soldiers. There had been supervision then, though. Guidance.

"I’m shit out of luck for choices, sweetheart,” his facial wound leaks a little when he speaks, blood running down the side of his face in thin rivulets. The wound at his side, however, is what worries you the most.

“Let me,” you murmur. Your fingers find the edge of his shirt, pulling them out of his pants, and up, up, gently. Looking him in the eye, watching his pain win over his weariness.

Another gash, swaddled in cloth wrapped sloppily around his middle. Without moving him you have to cut them off, slicing off his shirt at the same time. This one bleeds sluggishly, skin shredded, like he’d been dragged over coarse rock.

He words slur, energy leaving him. Mumbles under his breath things you can’t make out, and don’t try to. You’re busy rinsing, cleaning, and patting his ribs dry. Tensing every so often, he breathes hard through his nose to offset the pain. Mumbles some more, hands making fists.

It’s bad, but he’ll live. Exhaustion might trump over all, anyhow, what with how his eyelids have begun closing. Through the slit of them his eyes are pale, like sunlight through deep blue ice. Blonde lashes, stark against the dirt and coal smearing his skin.

You work in silence, letting him sleep through this one so he’ll hopefully be unconscious for the work you have yet to do on his face.

“Who did this?” You whisper to no one. You’re a breeze in the night, alone, hunched over this man and wiping his face with a cloth.

Clear of blood and grime, you gather a sewing needle and dip it into the lantern flame. Stitching is easy, but on his face? You falter a moment, worried, until you think of how proud men often are of their scars. Boasting battles won and creatures slain.

It’s that thought that pushes you through to the end, weaving the needle through until he's sewn and clean of blood.

///

Sweat and iron. The smell of it, sharp and salty, sea foam and earth, is the first thing you're aware of.

Then, the light of morning. Pale, almost white, invading through the windows in rays. A chill. Your eyes open with a not insignificant amount of effort, back twinging in different places as you become aware of the world again.

"Awake?" You startle, jerking up. It's the man from the night before, laying as he was, a little curled against the pain and big as an ox. "W's startin' t'think you'd sleep all day."

"It's morning, is it not?" You're not used to talking this early - or at all. "How's the- how are you feeling?"

He grunts, shuffling. His wrapped side has some blood peeking through, little spots of leakage, not enough to lose your head over. His face has swelled some overnight though, and you're awake enough now to hear the muffled quality to his voice. Part of the cut pulls his upper lip tightly. You wince.

"Just wait. I have something for the," you pause, crossing your space on stiff legs to find the bookshelf. Clay pots, glass bottles, books. Ah, here it is. "For the pain." It's some elixir. Purchased the last time you'd made the trek to Markarth from Muiri, the alchemists apprentice. It brings forth a distant memory of pain, of twisting your ankle running after Honey-nut.

Your ankle hadn't quite healed right, but this was good for when winter came and stiffness made the pain worse again.

He eyes you wearily as you approach. Suspiciously. As if you haven't been helping him out of the kindness of your heart…

"This will help," a promise.

"Don't need'it." He slurs, then cringes as it pulls his lip again.

"You'll recover faster if you're in less pain."

In the end he acquiesces, if not just to take the edge of the purpling that's beginning to show on the edges of his bandage. Broken ribs, maybe?

///

Chores need to be done whether or not there's an obstinate patient in your bed. Honey-nut needs to be milked, and she fights you every step of the way. You discover her pen open from last night and sigh with relief that she's still there.

The chickens have laid eggs for you, and you collect them diligently in your apron. Then, the garden. And finally a sweep of your traps in the woods.

Just one rabbit, but it's enough. You hope the man likes stew, and that his swelling goes down enough for him to tell you his name.

///

He tells you his name is Ghost. Strange, but you've heard stranger. Maybe he's a follower of Namira, you wonder not without an inkling of apprehension. Ghost is quiet, even as he heals. After you'd made yourself a straw bed on the other side of the cabin, you'd wake to him sitting up and stretching. Testing himself. Always silent.

The exhaustion was the worst of it. One nearly empty bottle of elixir later, the swelling on his face has gone down significantly. His ribs sore but on the mend. It was sleep that he needed, and lots of it.

Days passed like this. Switching bandages, wiping and cleaning, cooking enough stew for two. Nearly a week until he was up and about insisting to help around the cottage.

"No need," you tried to gently push him back into the warmth of the open door. He was too big, and having none of it. "You'll be better in no time."

He was just so tall. Were he to stand still at your doorway, half his face would be covered by the top of it. Despite his condition, you could tell that your initial comparison to a horse was completely on the nose. Stocky as a boar, arms thick as mammoth tusks. Hairy like blonde wheat shining in the sun. You'd noticed as much, watching him rest, watching his eyelashes flutter on his cheeks as he dreamt.

///

Ghost works like you're paying him in gold. He sweats, arms swinging down over and over again above the chopping block. There's enough wood to last three winters now - maybe four. Every job he takes is finished to excess. Your roof has never looked better, re-thatched in rotting places and swept clear of mildew. The old wood fence in your garden? Replaced.

Honey-nut finds her new favourite person when he dismantles what he calls shoddy work, and rebuilds her a shelter twice as big. The chickens are still weary, but enjoy receiving the kitchen scraps he tosses.

"There's really no need for all this," you insist again, because he's come back this afternoon with an elk on his back.

"Didn't need to fix me up, either, did'ya?"

You break it down together. Ghost does the harder part, while you take cuts of meat to dry for jerky. The rest will go into a venison casserole, with juniper berries.

"Hey- Ghost?" You call. He's skinning the rest of it for furs. "I'm off to gather some berries for dinner."

A nod, and you're off.

Your basket is old, woven, carried once by your mother and now you. Silly, but special all the same. It's stained with many years of berry collecting, many years of winter nights spent tucking into fruity crostatas or summers full of juniper mead.

The hills are rife with the low, rough trees. They grow like weeds here in the Reach, mountain pocked with patches of light green and little blue berries. Once, as a child, you'd made the mistake of eating one straight off the branch. Bitter as burnt coffee, it was lesson you'd learned through tears of laughter with your mother. A happy memory.

Does Ghost have a family? You wonder again about him, about why a man like that is wasting his time mining. He could've climbed the ranks as an imperial and been a General or - divines forbid - a stormcloak. You prayed he wasn't so craven as to follow Ulfric and his band of Nord supremacists.

It's this distraction that leads you right into the waiting jaws of a sabre cat. Quick and silent, it reminds you of your patient for an absurd moment before you're tripping backwards, basket full of berries scattered and forgotten. Your hip makes contact with the ground hard, pain lancing through your joint like a spear.

Fuck, how could you be so stupid? This was a mountain, leagues away from the nearest town. Sabres, bears, wolves. You'd always, always used awareness as a first precaution. Sight, sounds, keeping your ears tuned to the slightest crack in a twig. If not, there was the bow and arrow stowed away under your bed.

Now, you were caught unawares. Muscles under it's fur rippled, a low growl in it's barrel chest, creeping toward you. Adrenaline burned through you like a fever, hot and electric all at once, freezing you in place by the weight of your heart in your stomach.

Stendarr's mercy, dying from an animal attack after living years on the craggy peaks of the mountains, avoiding ambushes and robberies. Living on goats cheese and chicken eggs, nothing yet achieved. What a waste. Miserable, hopeless tears prick at your eyes. Your breath leaves you in quick, desperate puffs. Running wasn't an option - it would only encourage the sabre. Sovngarde, here you come-

"Aaarghgh aaaaa!" A roar. Loud, ringing in your ears, as fierce as a cave bear. It's Ghost, jumping through the brush towards you with his arms above his head. "Bugger off!" He's screaming loud, voice cracking a little, the stitches at his lip tearing just enough for droplets of blood to fall.

"I'll put you down!" It's nonsense, but it's loud, and he's massive. Taller than the sabre even if it stood on two legs. When he reaches you, he steps in front of you. Shields you.

The face-off is likely less than a few minutes, but it feels like time moves as slow as honey. Ghost faces of the sabre, screaming like a madman, beating his chest and waving his arms. It creeps backward, hissing and fighting, but is cowed by his stance and size.

When it's disappeared through the maze of juniper trees, he turns to you. Extends a palm rough like bark.

"How long have you lived here, again?" His voice grates as usual, made worse by his shouting.

Your face heats in embarrassment. "A few years. I'm not usually so distracted," you dust your dress, patting yourself. Twigs and dirt fall from the wool. "I swear. I got lost picking berries."

He snorts, like you're stupid. You feel stupid.

The basket is half empty when you call it quits, tired from fear. Ghost is hunched beside you, holding his ribs again, rubbing his lip almost compulsively.

"Stop that, you'll get a thicker scar," you reach for his elbow.

"Don't care much about that, love," he shrugs your hand away.

Dinner is made in silence. It's a miracle you have the energy, but while you're physically drained your mind is running in circles. You watch with concern as he sits gingerly back on the bed. The pain in your hip pulses with sympathy, pulsing heat travelling down your leg and up your back.

"Need me to take a look at anything?" Besides his obvious discomfort, you'll have to fix his face back up. You'd prefer for him to be in a welcoming mood.

"I can handle it," Mr Stoic over here. "Did'ya take a fall?"

You drop dried frost mirriam into chopped, boiled potatoes. Then a pad of butter.

"Yes, but I'm alright," the cream sauce comes together, ladled over the venison. You're out of eidar cheese, but Honey-nuts goat cheese crumbled over everything is perfectly fine. Ghost eats like a furnace taking coal, anyhow.

"Let me see," he's up close. Again, you've been taken unawares. A sharp inhale like a gasp, heart beat picking up, breathing in the smell of him. It's gone from bloody to pine, to earth, to fresh wood. His hands find your hip and you hiss, trying to jerk away. In doing so you press your side into his chest, curled close, warm not just from the fire. "It's alright, sweet girl." He murmurs into the top of your head.

This tenderness is new. His fingers are as gentle as you've seen them in the last few weeks, pulling up the thick skirts of your dress and assessing the tender skin. It's a little hot to the touch, painful. The rough pad of his thumb brushes against you softly, making you whine.

His lips brush your hair, not quite kissing you, but affectionate nonetheless. You're close enough to see his throat bob when he swallows.

"Just a bump, huh, sweet girl?" He takes over, mashing the potatoes, setting out plates at your little wooden table, guiding you by your lower back.

You eat in relative silence, thighs brushing, a tension bubbling to the surface like stew on the fire. He spares you a few glances between bites, still wincing whenever he has to bend down.

"I'll take a look at that again before bed," you speak through a mouthful of creamy venison.

Sure enough, he's reopened some of his stitches. Not worst case scenario, but you spend a few minutes hunched over and bandaging him up again. He stares at you intently, eyes so clear and focused you wish he wouldn't. It makes your hand shake.

Moving to get up and back to your straw bed, his arm shoots out as quick as an arrow and takes your wrist in his hand. His stare is the same, squinting at you like he's waiting for you to confess something. Like he's waiting for you to give in.

"You're not sleeping on the floor," he says, sure, chest puffed. "Not with your hip. Come on now, come lay down." Gently, he tugs you down. Protests make it to the tip of your tongue and nowhere else, not with the promise of a mattress on your sore muscles and screaming hip.

It's too small though, much too small. Already he was hanging off, shoulders taking up the entire width. You curl forward, on your good side, facing away from him and into the dark. The cabin is still warm from cooking dinner.

His breath puffs on the back of your neck, hand finding your arm and stroking up and down. Soothing you. He curls around you, following the natural bend of your body.

"Simon," he whispers.

Your brow almost touches your hairline. "That's not my name."

"No," his reply is half spoken, half physical. He wraps an arm around your shoulders, bicep under you, cradling you, his big bear paw hugging your shoulder. A stray pinky ventures dangerously close to your nipple, fingers spread. "It's mine."

The world widens. "Yours?" You breathe in, out. It's trust, is what it is. He's giving you a piece of himself, this stranger, for you to hold. "Simon," you taste it in your mouth. "Simon."

He laughs against your hair. "Was watching you," he confesses. "After we got- after the ambush. Walked for days, till I found you."

"How long did you watch?" You're curious, if not a little suspicious. "You weren't casing it, were you?"

"No, nothing like that. Couldn't keep walking," he sighs loud like a dog. "Hadn't eaten, hadn't drank. Needed to know if you were somewhere I could stay."

"That's why Honey-nut was losing her mind," the realization is half funny, half scary. By the eight, you really hadn't noticed someone living so close-by for so long?

"Honey-nut?"

"You've met her, Simon. She's the goat."

"Ah," he snorts. "I've been calling her Molag-Bal, for how she's got us in the palm of her hand."

"Simon!" You shriek with laughter, shaking until he squeezes you from behind. So close his heartbeat taps against your back.

///

A week goes by, and each night is the same. You wake together, sleep together, eat together. Simon regains his strength and his wounds turn into scars. His face is deeply marked, but you've never known him another way. Truthfully, it adds to his handsomeness. There's a ruggedness there that one can only develop living in the rough.

The air gets colder, frigid in the mornings and nights. Light snows have begun falling, and Honey-nut begins her bleating until you put up the winter wall of her shelter, boxing her in. The chickens slowly cease laying eggs, bundling together, clucking at Simon when he checks for the seasons last bounty.

The time to make a trek to Markarth is creeping. You need dried goods, grain, seeds for spring, dried meats, elixirs - everything. It'll be your last trip before you're stuck in the freezing mountains with nobody but Honey-nut to talk to.

Books are your salvation during the cold months.

"I have to get supplies soon," you break the news to Simon early in the morning, when the light just barely creeps over the craggy peaks of the mountains. "In Markarth."

There. It's over with - telling him. You know you're being a coward by not asking directly, but you need to know. What is he going to do now that he's healed? Spend a few more months with you? You're still mostly strangers, practicing domesticity together, but strangers nonetheless.

"Can't go to Markarth," he says.

"Why's that?"

Simon looks at you then, eyes hard and tender at the same time. He grimaces a little, scar twisting wit his expression.

"Used to work there," A pause. "Used to… mine there."

"What?" Cidhna mine is for prisoners. You take a small step back, shaking your head. "What?" You repeat. Cidhna mine? Is that how- oh. His injuries, his waiting to see who you were before approaching. By the gods, you've been tricked!

"You tricked me-" you start, upset. Was he a killer, a robber? Images dredged from the recesses of your mind float to the surface. Men, fire, your mother cut down before you.

"No, no," he interrupts. He's shaking his head, not quite stepping forward but leaning toward you. Eyebrows drawn up, palms facing you in supplication. "Sweet girl, I," he looks around then, as if the words will appear written in smoke from the hearthfire. "Listen to me please," he pleads.

"Tell me what you did!" It's a near-shout, but you're upset. He's been cozying up to you while running from the law. Not that you're a total stickler for rules, but the men at Cidhna mine aren't there without reason.

The most secure prison in Skyrim.

"I will, I'll tell you. Just sit down please, sit with me." He pats a chair, sitting in the one beside it. Beseeching you. "Cm'ere, sweet girl. M'sorry."

///

You sit quietly while he tells you, choking a little on the rising tide of emotions. The biggest question is should you believe him? This story of his past, his father, a childhood spent learning to steal and bully to survive. Elixirs for a brother hooked on skooma, food for a mother grown sickly from her husbands abuse. Eventually getting rid of his father altogether, and wining up in Cidhna.

"If what you say is true," your voice wavers, throat tight with emotion. "Why not tell me?"

He shrugs his shoulders, looking up for a moment as if asking the divines for guidance.

"You never asked."

For a moment, you want to be indignant. You laid with him, cooked for him, wiped blood and sweat off his brow.

But he's right. You never asked, never thought to - just wondered, minded your business, content to help someone in need of it. The feeling of betrayal loosens in your chest, releasing it's vice grip on your heart, a calmer acceptance taking place.

The position it leaves you in is awkward, even if you're content to believe him. You've been too yielding since you met him. Accepted him into your home, accepted his story. Ambushed by bandits? A silly lie, now that you think of it. Vague, believable. Easier than explaining that guards had slashed him as he escaped imprisonment. That he couldn't go back because he was so recognizable.

You don't speak as you get ready. It's not an angry silence, but one brought by embarrassment. How stupid he must think you are, cozying up up to him like that.

The question of where he'll go burns still in your mind, in your gut. You're nervous, fingers shaking a little as you wrap long strips of warm wool on your calves, forearms, and between your fingers. Your dress is double-layered, boots sturdy.

It's a trip and half, lugging everything. You're on foot until you reach the nearest inn, and from there you rent a horse and cargo carriage. Easier from there, with Jazbay the white mare to pull you along.

"I know someone in Cidhna," Simon interrupts your thoughts. He's always tall, imposing, a little intimidating. Now he looks as sheepish as a man like him can look. "Could you…" He extends his hand, a letter clasped in it.

You grimace, but nod curtly.

"Thank you, honey," he breathes a sigh of relief. Honey. That ones new. It fills you with warmth.

"You're welcome to stay with me," you blurt. Impulsive, stupid. Brought on by the familiarity of his affection. "For the winter, I mean."

He's across the cabin in two steps. He presses his front to yours, hands cupping your cheeks, thumbs gently rubbing your cheekbones.

He kisses you, then, and everything slides into place. Your stomach tightens, hands coming up to grasp his shoulders, gasping into his mouth. It's wet, lips smacking noisily, the only sound in the near-frozen forest. Acceptance, sweet and buttery. This is a man whose never had a home.

"I can't stall any longer-" you try. He interrupts you with his mouth again, long kisses like it's reviving him, revitalizing him. "I gotta-"

"Shh, sweetheart," he hums lowly. Gods, you've never been this wet. It soaks into your cotton underwear, clit pulsing in time with your heart. "Let me take care of you, yeah?"

///

He's so solid, firm muscle and hard cock. It leaks between his legs, bobbing with his abdomen where he's kneeled on the floor, face in your cunt.

"Simon!" You're shouting, unabashed. Years have passed since anyone's touched you last, and you're sensitive as a maid, gripping his too-long hair almost meanly. Simon licks you like a starving man, slurping, letting you drip and then sucking it off your skin. His fingers find the entrance of your pussy, fitting himself in two at a time.

Once you've begun, you can't stop. He fucks you on the bed, letting it creak dangerously. Bends you over the table, cock dragging in and out of you deliciously. You shake and shiver in his arms, wrung out and insatiable all at once.

"Can I have you here, sweet girl?" He thumbs at your other hole, dipping in, kissing your inner thighs.

"Yes, gods yes, Simon," you drag his name out. Si-i-mon. It sounds good that way, breathy, not spoken but moaned and screamed. It's late evening, dark, colder now that you haven't lit the fire.

No need, when his cock is as hot as coals and slides between your arsecheeks like a divining rod. Your pussy is aching and hot, too-sensitive. You're belly down on the bed again, hands gripped in the sheets.

When you deliberately relax your muscles, he fits his fingers in your ass using come as lubricant. Spits down onto you, watches you start to rub yourself into the bedding desperately.

"None of that," he pants, pulling you up by your hips. A whine builds in your throat, which he shushes by pushing his other two fingers in your cunt. You yelp, moving toward him and away from him. He keeps you still, firmly holding your hips.

You come, tears beginning to leak into your sheets, when he presses his cock against the notch of your hole and pushes in.

A long, deep groan from the pit of his stomach starts and doesn't stop until he's sheathed. You're frozen, stuck in a gasp that doesn't end, filled to the brim.

Simon begins to rock, shallowly, stealing your breath and breathing it back into you with every thrust. It's then that you begin to make sound, crying out and fisting the sheets, rocking your hips with him. He reaches around, leaning down to kiss your shoulders and play with your clit at the same time.

"Not gonna last," he says into your skin. "Gonna come inside you again."

You're easy - so sensitive that if he breathed on you long enough you're sure you'd peak. His fingers twisting and pinching your clit is pure madness, and you tighten like a vice around him as you yowl your last orgasm of the night.

His hips snap into yours roughly, abandoning your clit for the flesh of your hips, pounding, dragging, grunting into you as he finds his own release.

Half-asleep, you fell him roll over onto his side and turn your head to face him. He's smiling lazily, stroking your skin, still sweating from exertion.

"I'll come with you tomorrow," he whispers.

"I thought you couldn't come to Markarth?" Confusion prickles at you, brows coming together. He finds the furrow with his thumb and smooths it away.

"I can't, honey. But I can come down and wait for you."

"You will?" Hope rises in you, in tandem with affection.

"Always," his voice is a soft murmur.

"Tomorrow, then."

"Tomorrow. Goodnight, sweet girl."

<3

[gabe-lovebot]

councilor 3D model

i learnt 3d modelling from the ground up to bring him to life. he's yours now. do whatever you want with him

[link]

please credit me if you make something using the model (or even ping/link me to it, i would love to see what you made!)

currently available as a .blend, .fbx and an SFM port.

[blackkatdraws2]

I have a lot of leftover drawings in my gallery. [Blank Scripts AU]

[Content Warning: Images below contain Gore, Death, and Disturbing/Uncomfortable Imagery]

I find it a bit cute knowing they start out as crazy and then slowly settle into something calmer and relatively healthier after learning to adapt to each other's lust-turned-love. [Stanley did it first but hey :3]

[moeblob]

So does he, Gallagher.

[seventytwoowls]

“When my skin feels like a barrier between /Everything else in this universe and me / Then I try to remember / That there may very well be a link between us / That I can't see / Something underneath the surface / Buried / In among the weeds.”

ID: A watercolor painting outlined with ballpoint pen of a human heart. The heart has been colored brown, and the arteries have been drawn as the caps of Armillaria Ostoyae, a brown mushroom with speckled caps. the veins running over the chambers of the heart are dark brown. The painting has been titled, “Armillaria Ostoyae”.

Art that I made for @narcissistcookbook , who I saw in the flesh tonight :) they and their audience were very cool, soaring over the (low) bar set by the only other concert I have ever been to.

[ohzone]

aa1 edgeworth you will quite literally always be famous

[ann-chovi]

14) Who's a character Mari cannot stand! It's on sight when she sees them!

MELLI♡

These idiots are absurdly, openly antagonistic towards each other from Day 1 and honestly I can't WAIT to get to their interactions later in the comic lol.

Their relationship is literally:

[alongtidesoflight]

so here's my honest thoughts on dragon age: the veilguard, after ~40 hours of playing. i finished the main quest after having finished all companion quests and major faction quests. just to clear up what content i saw, i played as an elven transmasc rook who is a member of the lords of fortune. he romanced lucanis (although after finishing the game i'm now leaning towards taash). i don't know what's happening in playthroughs that have a different race, gender identity, romance or faction going on.

full spoilers ahead, i mean it. don't read further if you want to avoid them. i don't want complaining about it in my asks.

oh and also, if you're worried because of a few negative reviews online i can comfort you by saying don't give a fuck about a certain big name youtuber who is very much tied to bethesda franchises giving this a negative review. i'll explain why.

i'm starting off with the things i liked

the game looks really pretty. i was worried it wouldn't feel like thedas anymore (with them trying to "focus on northern thedas only" i thought they'd make a clear cut in environmental design. they do and they don't. it's complicated. i'll elaborate on it when talking about the negative stuff). anyway it does. minrathous feels like kirkwall. treviso enchanted me like the winter palace did. the hossberg wetlands reminded me of the hinterlands and a couple other inquisition maps. arlathan looked like... arlathan. the crossroads were different, but familiar. overall i like the way it looks and feels. it's thedas, with a twist. it's a good one, and gives everything a solid but unique feel.

combat is top tier. if you're a hardcore dragon age player you WILL miss the tactical aspect of it for a bit, but i promise you, once you're used to the way the combat works, you will be lapping that shit up. and once you get to ability combos you'll mourn the control you used to have over your companions in battle a bit less

the MAIN quest and its story. i expected worse, way worse. and for a while the game even had me tricked (harr harr you'll get it in a second) it is Really That Much Worse. but holy shit was it good. i walked away satisfied ngl.

your choices have SOLID weight. there's consequences, good AND bad. i got minrathous blighted, ruled over by venatori, and the leader of the shadow dragons ultimately died because of my decisions. i made those at the beginning and throughout the game. he died at the end. DAVRIN died because i didn't expect what i was saying to have that much weight. i thought i was in the clear. he had hero status. well turns out, your choices can still get your companions killed even if you do everything right. i fucking love him. he shouldn't have made that sacrifice just because i told him to do everything it takes once.

the inquisitor, morrigan and dorian being there, surprisingly. there's also negatives to this though, see below.

speaking of companions dying and the inquisitor playing a bigger role: the final quest feels like me2's suicide mission. i was blown away by it and the fact that i got to see the results of all my efforts playing out in front of me.

bioware are NOT trying to redeem solas. they love him as a character yes, but i wasn't forced to see any good in him. he betrays you. he fucked my rook over twice. he fucked him over right back, for good this time (the veil wasn't torn down, i anchored it by binding him to it, he's doomed to uphold it). but solas really lives up to his name as the trickster elven god. rip to all the people who grew really attached to him over the years.

varric died. if you like him that's probably as hard reading it as it was watching it. varric died and the game lies about it until the very end. when the realisation hits, it hurts. but in the very best way.

the amount of care they put into gender expression and trans identities this time around. (i'll add onto this with negative points as well too).

rook feels very much ingrained in the world of thedas. he doesn't ask questions that expose the player to lore through dialogue as if he's stepped foot into thedas for the first time. those conversations feel very solid and good. i hope other faction players got as much joy out of this as i did.

and the things i didn't like and boy there's a lot unfortunately

the music. let's just get that out of the way holy shit. it doesn't feel like it belongs in this universe. it gets so incredibly sci-fi-y at times you'd think it's taken straight from mass effect andromeda. there's not a single song unique to veilguard that i really enjoyed. it broke my immersion, real bad. hearing a busker play the tavern songs from inquisition on a lute right after i killed some venatori with wobbly bass songs playing in the background is just odd. weird tonal shift. don't like it. it's made for people who like flashy light-weight cinema.

tevinter nights is required reading. the podcasts are required listening exercises. the game is so fast paced, especially at the start, that there's no time to introduce you to characters and how much weight their names carry in-game. i would not have known who half these people are if i hadn't skimmed over tevinter nights. i'd care even less about them than i already did. there is no time to get properly attached to them. people will act as if you're talking to a legend personified and you'll be thinking man goddamn which chapter of tevinter night were they in again and what did they do???

there's a weird mismatch with the animations. you'll have beautifully fluid ones, like emmrich casting spells. and then you'll have rook's face animating in the most unnatural manner that's sorta reminiscent of mass effect andromeda's "my face is tired" addison, when their emotions SHOULD be landing with the player rn instead.

i'm not vibing with the art style. sometimes it works. most of the time it doesn't. at points i felt like i was watching tangled.

that also brings me to some of the dialogue. same issue. i am watching frozen. i am watching tangled. someone on the writer's team really likes the adorkable trope. bellara is its victim.

for all the talk about identity, bioware sure doesn't like theirs. the grey warden armor got a redesign again and it just makes them look like a generic army. i hate it lol

in general, i don't like the armor design. the wardrobe/appearances system is fine, but it's just not helping if all the armors are just... kinda bland or downight bad looking? and don't get me started on the lords of fortune armor. that is orientalism personified.

the world states should have been carried over, full stop. i know they said they didn't because they want to separate what happens in the north from what happens in the south, which... i could have lived with that. but the inquisitor sends you letters that keep you up to date on... the south of thedas. you learn that there's a blight again, that people are standing strong but it's difficult, denerim's fallen, the rulers are taking care of it, orlais is fighting and they're successful for a while, etc etc. what's good bioware. i thought we don't care about the south this time around. why are you feeding me so much boring generic information. if you're not gonna show any of it and just write letters, then carrying the world state over should not have been an issue. i have a game dev background. those few lines of code would not have broken your budget or pushed your engine's limits. fuck right off.

this gripe of mine carries over to all the cameos. as a lord of fortune you have to deal with isabela a lot. it's fun. i missed her. you get to go drinking with her and taash and bellara! also my hawke romanced her. she's not mentioned once. they had the opportunity to put a sentence or two about her in there with not a lot of effort, trust me.

when varric dies, all she has is a single line about it. for gold, for fortune, for varric. she only says it if you interact with her on your way to the final push. that's not mandatory.

morrigan is there. kieran isn't. the old god soul that mythal and then solas absorbed? who cares at this point, the gods are dead now and solas is locked away for eternity. i suppose? why is morrigan there. she feels unneeded. i wish they'd just left her down south, at least that way i wouldn't have had to witness her god awful redesign.

dorian at least feels as if he belongs in this story. the shadow dragons are a crucial part to protecting minrathous. he's also weirdly underutilised. isabela and morrigan had more lines than him in my playthrough.

on the topic of romance: bro that was underwhelming. no, genuinely. you know when romance picked up a bit? after the point of no return. i heard maybe two lines of companion banter about it before that. maybe i missed something which i honestly doubt, but romance did not play much of a role in lucanis's storyline. i saved his grandmother as he wished me to (and if you read tevinter nights you know she was rather abusive and their relationship not the healthiest) and told him to focus on his family. a reunified family my rook wasn't even introduced to as a partner at the end of all that.

really, do not buy this game if you're only in it for the romances. others might be better, lucanis's basically gave me nothing. except for an outing (the second coffee date i had with him, it was getting repetitive) all of it played out once i committed to the final quest. the sex scene was a fade to black. annoyingly right after davrin died. if you're looking for well paced and good spice, pick up something else. the sweet talk and the final goodbye were nice though.

for all the good the ever-presence of gender identity does, it is brought up in such a disruptive manner too. it doesn't even play out naturally if you CHOOSE the lines that are meant to be said. hearing the words trans and non-binary in this setting doesn't feel right, and i'm saying this as a trans guy. i think it could have been handled more gracefully. the amount of times my rook went "i'm a MAN" as if he's about to start drumming on his chest and roaring any second now got super nerve-grating. "i'm so glad you're into me... the me who is trans. remember?" just. tell me one trans person who'd talk like that to a person they've grown close with and are trying to romance. this game doesn't handle sexuality well, so all this hey my body might not look like the way you're expecting it to look talk amounts to nothing anyway. i feel about this the way i feel about krem: this is partial exposition to trans experiences... packaged up for cis consumption. the ONLY exception to that is interacting with taash. holy shit was all of that heartwarming and bro did it feel good and natural to talk to them about theirs and rook's gender.

rivain and nevarra are new locations added by veilguard. they're also incredibly underwhelming, small and constricted maps. rivain is a coastline with a few ruins. the hall of valor is a partial ruin nestled into a cave on a beach, with a fighting pit. isabela is there in her skimpy outfit commentating your pit fights. that's it. i'm sorry if you were looking for a bustling pirate cove or whatever. you're not gonna get it. the nevarran crypts btw are a long ass dungeon crawl. that's it.

speaking of maps. i thought people were being dramatic when they said you're gonna be fighting the same enemies on them again and again. i thought they were figure of speeching it. they're not. you WILL fight the same amount of enemies. in the same spot. every time you reload the map. best to stay on a map and clear out the enemies and do as much questing on that map as you can before leaving, because you WILL have to do it all over again once you return.

the three choices i made for my inquisitor didn't matter lol she didn't have to face solas and therefore couldn't stop him at any cost as she had sworn (maybe because my rook tricked solas into binding himself to the veil, there was also an option to fight him. would she have stepped in? who knows). blackwall wasn't mentioned. and either her using a small amount of her forces in the final fight was the reason the civilians of minrathous fared so well..... or it just didn't matter. ultimately i think she had very little impact on anything

[gingermintpepper]

I saw it in your tag game post that you're also fond of the Apollo-Heracles conflict 👀 for a myth that appears in only a couple of sources, it sure has a lot of presence in the vase paintings (no seriously, everytime I think I've seen the last of it, I find ten more)

SO do you have any favorites among the paintings that represent this story??

OMG OMG THIS ASK IS A GIFT. IT IS A GIFT THANK YOU VERY MUCH FOR LETTING ME TALK ABOUT THIS

I also think it's extremely interesting that it's a story so popularly portrayed by vase paintings and in such a variety of ways!! It's certainly one of the stories that gets left out of written compilation of Heracles' legend a bit (which is a shame, I think it's a fantastic story) but Apollo had a very peculiar relationship with Heracles in general that I just kind of find amazing (and very, very funny).

Apollo is not a god with any legitimate grudge against Heracles, but he does argue with the mortal a bit like he argues with his favourite brothers 😂Part of why I love the story of Apollo and Heracles fighting over the tripod so much is that it is such a little brother thing for Heracles to be upset with the proclamation his elder brother has given him and so, he throws a great fit, taking up the chair and declaring that he'll just give himself a better prophecy! And Apollo, instead of being a marginally professional big brother, decides to fight him for it until their father has to break up their cat-fight. Like was that not just the plot of the Homeric Hymn to Hermes? Is this not exactly how Apollo treated Hermes when he was a child and now those two are inseparable? 💀

Because of this, my favourite vase paintings tend to be the ones that highlight the personal squabbling between Apollo and Heracles the most. There are some very elaborate ones that have the full host of them - Athena, Heracles, Apollo, Artemis, usually a dog and a doe, I've even seen a couple that had birds and plants etched on them, but the simplest ones that show Heracles about to bonk Apollo with his club out of frustration or depict Heracles nyooming away from Apollo while Apollo (presumably) yells curses about how he's going to fling Heracles head first into Tartarus for daring to take his things? Yeah, those are the premium big brother/little brother things I'm looking for.

(Photo. Marie-Lan Ngyuen)

(Photo. Museo Claudio Faina)

Also the one in the Theoi.com archives is a real classic - perfect energy.

[roorreer]

I think maybe we should apologize for acting that way about Mass Effect Andromeda when at the very least they knew better than to write well loved characters they'd never worked with before

[3416]

can't stop thinking about how o'dog said mitch was auston's superpower and whipped out the technical fact that mitch is a right handed shot, which just makes it extra easy for him to pass right into auston's wheelhouse when he has the puck.... their play styles and strengths complement each others... it's so clear when both of them are out there they're always looking for each other and making themselves open for each other, and it's so funny to me that people have tried to say that they don't work well together longterm bc they're predictable and the league will catch on... meanwhile they're pulling off the same sorts of goals they were the second they were allowed to play together back in 19-20....... just.............. it never gets old.

[diverbots]

Hi anon. Here you go.

[aces-to-apples]

I'm gonna be real, so little of previous games have actually mattered in any way beyond flavor text that I literally could not give less of a shit about this whole debacle. Like it's such a non-issue to me. Idk what games y'all have been playing for 15 years but truly this is the norm. Barely anything carried over from Origins to Hawke and all pretty minor shit, and I genuinely cannot think of anything beyond flavor text carrying over to Inquisition. Oh you could customize Hawke and they can answer a few vague questions with vague bullshit? Cool, presumably that's what the Inquisitor will give us. Like idk guys but I think maybe building up your expectations for a decade has had a detrimental effect on what should be reasonable expectations for a video game that's truly been in development hell for like eight years and wants to be functionably playable to brand new players without alienating them.

[oopsallmabari]

....why are the youtube comments so mad lol don't y'all like to have fun. don't we like to have fun here

[defiledtomb]

something I (with a uncomfortable past like a cyst on my current behavior) didn't understand when embarking on a huge writing project is that. If you get even a little bit chalant it won't work. You can't even get a little bit chalant. Not even a little bit! The non is in there for a reason. To taunt you. You just have to have fun. But you can't force it. You have to pspspsps it out by being genuinely forgiving and. and being a bit dorky.