#I first drew them back in 2014 for class
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ybkitten · 10 months ago
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I always post pictures of Ga, my moth girl, but never her wife: Rosoku!
Rosoku is a candle that burns so hot that she cannot safely touch her girlfriend and she's very self-conscious about it. Unfortunately, if she cools down, she cannot move. When her legs are close together they melt into one shape!
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classcursehq · 1 year ago
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welcome  back  ,  class  of  2014  !  i  was  so  glad  to  see  so  many  of  you  rsvp  yes to  attend  the  new  horizons  alumni  event  and  share  some  of  your  time  with  me  and  eventually  ,  the  student  body  .  please  ,  make  sure  you  reply  to  this  email  with  your  latest  contact  details  and  a  mailing  address  for  when  you  will  be  in  town  should  we  need  to  forward  on  information  packets  (  make  sure  your  ask  is  open  )  .  we  cannot  express  enough  how  deeply  we  appreciate  your  attendance  . 
CATALINA BLANCO ( eva de dominici ) penned by ali 
DANTE GORDON ( jonathan daviss ) penned by alma 
DION HUANG ( courtney eaton ) penned by mary
HELEN CARVALHO ( giovana cordeiro ) penned by di 
HOLLIS GIBBS ( corteon moore ) penned by ali 
IRIS ARGYLLE ( ella purnell ) played by di  
JODIE KINSKI ( daisy edgar jones ) penned by lauren 
KAI WILDER ( drew starkey ) penned by axel 
LEILAH AMIN ( pinar deniz ) penned by ci  
LUCARDO ADAN DELGARDO CABRERA ( enzo vogrincic ) played by mia 
MALCOLM WRIGHT ( paul mescal ) penned by b 
“MEENA” ANANYA SAOWALUK ( pat chayanit ) penned by idalis 
NICHOLAS LEHOY ( michael evans behling ) penned by ci 
NOEL CRAWFORD ( charles leclerc ) penned by maeve 
SANEM KEMAL ( ayca aysin turan ) penned by harper 
VINCENT ATWOOD ( mason gooding ) penned by harper 
ZAHRA MARINA BURCH ( maddison jaizani ) penned by mhai 
ZEPPELIN CARDOSO ( shawn mendes ) penned by axel 
additional ooc information :
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we  tried  to  keep  our  guidance  and  pages  as  simple  as  possible  ,  obviously  please  tag  any  and  all  triggering  content  in  the  format  trigger  tw  .  if  you  are  tagging  about  certain  topics  then  please  be  careful  as  tumblr  can  sometimes  flag  posts  due  to  believing  they  are  images  related  to  the  trigger  warnings  (  especially  in  terms  of  gore  or  bodily  harm  )  .  we  don't  want  you  to  get  shadow  banned  !  at  present  and  at  least  for  the  first  week  of  the  roleplay  ,  we  are  going  to  use  an  old  school  ooc  blog  as  out  only  ooc  function  (  of  course  you  can  message  other  people  / add them on discord !  )  .  the  reason  for  this  choice  is  that  sometimes  when  discords  are  set  up  early  on  ,  we  feel  that  they  can  make  some  people  who  are  less  comfortable  feel  more  pressured  or  excluded  for  conversation  .  while  discord  isn't  off  the  table  forever  ,  we  really  want  this  group  to  be  low  pressure  and  give  everyone  a  chance  to  get  established  with  their  characters  before  we  introduce  these  types  of  interactions  which  can  sometimes  feel  unnatural  .  we  would  like  to  use  discord  in  the  future  and  will  open  up  opportunities  for  everyone  to  voice  whether  this  is  something  they  feel  comfortable  with  or  if  the  tumblr  only  system  is  working  ! 
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redrocketpanda · 2 years ago
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Today is my 1 year anniversary of fic writing! I wanted to do something to celebrate but couldn't think of anything, so here's a little reflective ramble post about writing instead
For well over a decade (tbh closer to 15 years) I struggled with severe writing anxiety and, with the exception of one thing I posted in 2014, my anxiety became so bad that I completely disengaged from writing altogether. Whenever I sat down to write I would be filled with such powerful negative thoughts that I would become paralysed by them. I tried so many things to help combat this including writing workshops + classes, nanowrimo, mentoring, journaling, and reading tonnes of self-help advice, but nothing seemed to work. I grew increasingly despondent, afraid that nothing would "fix" me, which was incredibly depressing because when I was younger I loved writing. I wanted to get back to that space of creativity and joy that writing brought but instead felt like I was being pushed further and further away from it.
Then, in November 2022, I was talking to one of my best friends - @parad0xymoron - about how distressing I was finding S6 of My Hero Academia, to the point where I was struggling to watch it. Socket's suggestion? Write fic! If something is happening that I don't like or is upsetting me, then I can write a different version of events. And thus the first chapter of Just Watch Me - my Kirishima/Bakugou fic - was born.
And once I'd started, I found I couldn't stop.
Suddenly, all of the characters, and scenarios, and plots I was imagining in my head came spilling out onto the page. Between November - April, I not only posted all 4 chapters of Just Watch Me but I also wrote and published 7 other one-shots as well. This isn't to say that writing "suddenly" became easy. Of course it didn't. It was - and is - still stressful for me. There were times when I felt that all too familiar sense of paralysis creeping up on me, but I drew on all the tools I had learned over a decade to deal with it.
I stopped. Took a deep breath. Looked inside to see what was going on: What was I scared or anxious of? Then I addressed the issue myself, or spoke to friends who helped me process. And then I kept going. I didn't let the fear or the anxiety or the obsessive need for perfection to stop me.
In exactly 1 year (27th November 2022 - 27th November 2023) I went from 0 words to:
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I repeat: In exactly 1 year I went from 0 words in (almost) 10 years to 87, 852 words across 12 published fics for 5 different fandoms. And that's not even including the thousands of words I have from my wips.
During this time, I didn't just write though. I spent time devouring other people's fics and learning from their writing. I spoke to a whole bunch of wonderful fic writers who gave me tonnes of useful feedback, ideas, reassurance, and validation. I began analysing media I enjoy to begin breaking down the parts of them that I loved so that I could learn from it. I joined a bunch of bang events (which, honestly, has been incredible). And I made friends with some of the most wonderful people + writers who are now very dear to my heart.
Perhaps ironically, I cannot even put into words how life changing writing fic and participating in fandom has been for me. It has given me back what no workshops or classes or professionals has ever been able to give me - my ability to write, and to enjoy writing.
So let me just be a sap for a minute and say a very tearful thank you to any of you who have been part of my journey - whether that's been in leaving kudos or comments on my fics, or talking through ideas with me, or beta-reading my fics, or gifting me your valuable writing advice, or sharing your own writing journeys with me, or being someone who I've made friends with.
I'm literally so grateful to every single experience I've had over the past year, and it makes me very excited to see what the next year brings. I still have far to go and much to learn, but damn am I revelling in the fucking joy of being able to write. I'm so excited to keep writing, keep creating, and keep sharing with you all <3
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nopizzaaftermidnight · 2 years ago
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 For our last celebratory TENPAM anniversary post, I thought I'd do some character history. As you've seen, Lily's been around the longest, and I got Savvy worked out in math class the year before I started NPAM. Besides Lily's sporadically appearing parents, the first character I came up with for the strip was actually the Grub Guy.
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A greasy looking fellow who has the monopoly on all pop-up shops, typically selling Grub but also seen slinging coffee, sweets, squid, stuff, and milkshakes, among other things. Over the years, we've learned that his name is Mike, he has a twin (or perhaps any number of identical siblings all with one-syllable M names), and his mom is the manager of the local grocery store. She looks just like him but with a bit more hair. Though the Grub Guy doesn't show up in the comic too often, I still think his totally blank face and superhuman franchise abilities are hilarious. The Grub guy debuted on July 13, 2013.
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Just after Mike the Grub guy, Champ arrives on the scene! Everyone in his family is named after plants (his given name is Basil). When I was designing him, I was trying to go for a breezy, casual beach style. I accidentally completely designed (the yet-unnamed) Tyler, but it wasn't the right look for Champ. I pivoted at the last moment, adding the trademark hat and worn out jeans. You can see it on the far right above. Funnily enough, year later when I went back to figure out Champ's real hair, it looks a lot like those swoopy ones I started out with on the left! Champ debuted on July 23, 2013
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Another side character, Bike Shorts Guy, showed up a month later! I think he's really funny in a very bizarre and inexplicable way. His main traits are his good posture and his hobby of hunting wild pastries. He has never been seen on a bike. I don't think he's been featured recently, but he always makes me laugh. Bike Shorts Guy debuted on August 31, 2013
Tyler came next. That early Champ design stayed in my mind, and so our sensitive artist showed up on the scene. He and Savvy became unlikely friends. Imagine, he could've been named Hamlet.
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Tyler debuted on September 10, 2013
In eighth and ninth grade I went to school online. Eventually, every school subject had a main representative character, a sport/hobby, and a sidekick. (That's what happens when you spend two years at home and it's just you and your gel pens and workbooks). Zo was my science girl, with a bonus human, Nelly the assistant. Their pet friend was a plain cat named Kitty. Looks familiar…
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(The lines under their eyes are safety goggles. My mom thought they were mustaches.)
Though I risked following the formula of every ensemble-cast comic, NPAM got its own fluffy friend, the precocious cat Herriman! He's named for George Herriman, creator of the historically iconic Krazy Kat comic. I fooled around with markings, whiskers, and noses, but ultimately made him very plain, just like Kitty. Herriman debuted January 6, 2014
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I tossed out an anti-joke right around the time I was graduating high school. It was intentionally unfunny. I figured it was just a silly one-off sort of thing. I was... very wrong. Early on, I returned to the Slug every Saturday because they were an easy way to whip out that last comic as I drew them in sets of six week to week. To this day, the Slug is definitely my most popular character. The Slug debuted May 29, 2014
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I had plenty of characters, so I didn't feel moved to make another until over a year later. I developed Sera Sophia and Dart at the same time, knowing they'd be best buddies, but Sera Sophia snuck into the comic a bit earlier. I wanted her to have that sort of earthy hippy fairy look. (It's pretty common around where I grew up.) Though this was way before I decided to literally make her part fairy! Sera Sophia debuted on July 6, 2015
I posit that Dart was always around the NPAM world, living his merboy life happily unobserved by the NPAM audience. Savvy, who knows all the living creatures on land and sea, has known him for ages. But she's very discreet, and never told any of the humans about him. Dart and Sera Sophia hit it off instantly, as Sera Sophia is very accepting of unusual (magical) phenomena. Dart debuted July 27, 2015
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And that's our main cast! Savvy retired in 2020, and other characters have come and gone (anyone remember Kai, the Japanese fish?). This concludes our TENPAM celebration. I'd like to thank all of YOU, readers, for your continued support and kind words. I'm glad that this silly ol' comic can brighten your days. Ever onward we go!
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romulanartbird · 2 years ago
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Tell us about your STO blorbos!
ldsjfsdkj I'm so sorry I made that post and then ran away from tumblr for a couple days -- hi anon, thank you for asking!!
I'll throw in another WIP shot here since it'll help with context:
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T'Ihsek, a Vulcan, is the captain of the USS Pallantias (a Pathfinder-class long range science vessel). The senior officers pictured are Commander/First Officer Tospha Zh'Yzoti (Andorian), Commander Dherys Ajhlim (Aenar), Lieutenant Commander Rreri (Caitian), Lieutenant Commander 5 of 7 (Liberated Borg/xB), Lieutenant Kuurshem (Kentari), and Lieutenant T'Peyra (Vulcan).
T'Ihsek was my first captain in Star Trek Online back in 2014, though she was originally an OC I made for the TNG era! She started out as a medic, and since then I've waffled around with her occupying a variety of medical roles. I think if STO can magically bestow upon you command of a starship as a literal fresh academy graduate, then surely she can go from being a doctor to a captain within a reasonable amount of time... right? Let's go with that. Her background in medicine inspires her command style: she prioritizes neutrality whenever possible and strictly follows the spirit of the law Starfleet general orders and regulations. One of her goals is to never have a run-in with the Temporal Integrity Commission.
The Pallantias is a science-focused ship and typically does Science Things™. However, the STO timeline is unfortunately filled to the brim with conflict and war, and so the ship and its crew are both battle-worn... like Doctor Bashir in the latter half of the Dominion War. Leaked footage of T'Ihsek on the job:
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Honestly, I'm still fleshing out the remainder of her crew! Even though she's been an OC of mine for nearly a decade, I've never focused much on the crew of her ships. I'd love to do more work on them as time allows.
I can say for certain though that Dherys is a big himbo teddy bear. With the way his uniform makes him stand out in the composition above, it makes me think that the Pallantias has a "baby on board!" sticker in a rear window somewhere, but it reads "doctor on board!"
While I slowly work on finishing this illustration, you all might get a kick out of this picture I drew of them in the style of Lower Decks hahah: https://romulanartbird.tumblr.com/post/675386920451358720/the-senior-officers-of-the-uss-pallantias-having-a
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jujutsu-headcanons · 5 years ago
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Gojo Satoru general headcanons
Let's get one thing clear: this man is absolutely chaotic. He is always full of energy. His energy levels never reach below 50%. He is loud and proud, always running, and never takes a minute to relax.
Do not give him Monster. Shoko did that once and it took her forever to get him off the ceiling. Also, avoid caffeine. Shoko replaces his normal coffee with decaf and he still hasn't noticed the difference. Keep it that way.
He was the class clown when he was younger. He wasn't exactly a trouble maker, but he may as well be. I cannot word that sentence and I am sorry. Next.
All of his teachers assumed he never listened in class, so they always called in him when they thought he wasn't paying attention. It still shocked them every time he rattled off the correct answer.
Not only did he answer the question correctly, but he could also explain his reasoning behind the answer, and if it was multiple choice, explain why the other answers were wrong. 
This tall man child would march up to the board and absolutely fill it to the brim with work, turn around, drop the chalk-like a mic drop and walk back to his desk with the smuggest look on his face.
That doesn't mean he did the work tho
Idk how schools in japan work but we all know schools in America only care about the amount of work you do and not what you actually know so we'll use that for the sake of the headcanon: he had straight D's bc he never turned in his work
Despite not doing the work snd goofing off, teachers actually really liked him
A lot of people liked him and he was super popular, but he still felt alone
Fake friends, you know how that works, he didn't meet any real friends until he became a shaman
Clean freak. This dude actually makes his bed. He scrubs his bathroom twice a week. His desk can get cluttered but he straightens up once a week. He's not exactly a germaphobe because
He cannot respect your personal space and that's actually canon but let me take it a step further 
He's a slapper. Especially when he laughs. It doesn't hurt, it's playful dw. He hugs you from behind especially when he's cold. He picks you up and carries you around. He will grab your wrist, arm, or hand and lead you around even if you're following him. He lays his legs across you or lays across your lap. Puts his head on your shoulder. Platonic cuddling between friends is mandatory. He's just so hands-on it's ridiculous.
Unless you explicitly tell him you're uncomfortable he won't stop
Don't worry, if you aren't in that type of relationship, your no-no square is safe. Except, if you seem chill, he will slap your ass regardless of friendship status. His ass is also slappable. You can't tell me Geto and Gojo didn't run around slapping each other asses, okay
He was weird and scrawny as a child. He didn't start beefing out until he started training to be a shaman and he's still kinda smaller than most beefy boys
He can pick you up and throw you around easily. He carried around a 170 pound Yuji like a sack of potatoes and can easily carry around three times that weight
It's amazing he's so tiny because you remember 2014 Shane Dawson making all of those wack ass desserts that was just s pile of chaos wrapped in chocolate?
He can eat every last bite of one of those monstrosities without getting a stomach ache, gaining weight, or dying basically
He knows bc Yuji dared him to do it
He has really cold hands and feet
He sounds old. Let me elaborate. He's constantly cracking his joints. They also creak when he moves. He complains about body pains like he's 80 y/o
He also shares wisdom with the kids as if he's actually 80 y/o
It's irrelevant advice that doesn't make sense but is also useful. Megumi can't count the number of times he's asked Gojo for feedback on his technique but had been told to remember to chew 40 times or never go to bed angry
Starts off sentences with "now son" and "when I was your age"
He uses his blindfold as a headband when he wants his hair out of his face. He also uses headbands as... Headbands... When he wants to wear sunglasses but get his hair out of his face
He owns so many pairs of sunglasses but he always wears the same pair
He's only bought a handful of them himself, most of them are gifts
No one knows what to get him for Christmas or his birthday bc he has everything, so they resort to sunglasses
His favorite pair is a pair that Shoko and Geto bought him as a gag. He thought they were dead serious, though, so he wore them around for a month
They were heart-shaped, rose-tinted glasses
Can you believe this man doesn't use any gel or anything to keep his hair spiky with the blindfold on? It just naturally defies gravity when the blindfold is on
Tell this man he's pretty because he already knows. He's narcissistic but not the cringy kind
Photogenic as hell. Takes great pictures from any angle. 
He gives everyone a different story as to why he covers his eyes. Sometimes he says it's because his eyes are too pretty and are a distraction. Sometimes he says it's because the sunglasses/bandages/blindfold look cooler than his eyes. Sometimes he says it's to protect the six eyes from seeing things he doesn't want to see. The world may never know
He's tried covering his whole face before, but he thinks he's too pretty for that. He at least wants one of his many amazing features to be shown at all times.
So about his driver's license;
He knows how to drive. He can be a good driver. When he wants to be. He just doesn't have a driver's license.
Now he TELLS people he just never got around to getting one, however, there's a rumor he lost it due to too many parking tickets
It's amazing the only tickets he's ever gotten have been from that and once he got caught without a seatbelt; he would have gotten out of that one if he hadn't been flirting with the police officer so bad
This doesn't stop Gojo from driving places though
He steals Ijichi's car a LOT and Ijichi DOESN'T KNOW HOW like??? The windows are never broken and it doesn't look hotwired-
Gojo has a key
You're not even supposed to be able to duplicate car keys but Gojo did 
Also; none of the first-year trio knows he doesn't have a driver's license, though that much should be painfully obvious
He whips around corners, speeds up at yellow lights, goes "watch this" and does a donut, it's just a mess
The poor students have to sit in the backseat too. Just imagine Megumi with all three seatbelts around him like that one meme.
He thrives off of Nobara and Yuji screaming from the backseat, and he can see Megumi being smooshed because he thought the middle seat was the safest through the rearview mirror
Which he doesn't even need because of the six eyes
Despite being such a reckless driver, he knows when danger will happen, so he's never once gotten in a wreck
He blasts the radio, which makes up for the driving.
Has a habit of getting in a car and ending up in the McDonalds drive-thru
Steals other people's fries and keeps the fullest one for himself.
He was rebellious as a kid and teenager, but hey, at least his juvie record is sealed 
He's been detained and in the back of a cop car many times, but the reason was never really bad enough for him to be arrested. Mostly he's just being mouthy. And the time he got caught spray painting on the side of a building. And that one time he and Getou hopped the fence to get into the local pool. And that other time-
It got worse after Getou wasn't around to get him out of trouble. Suddenly, breaking the rules wasn't fun anymore and he mellowed out. 
Tried alcohol and cigarettes before he was legal. Decided neither was his thing, however, he did start drinking occasionally when he was legal.
He's a fucking chaotic drunk. Oh my god he's absolutely feral
Most bars in the vicinity know him by name and they sigh whenever he walks in
Shoko is his emergency contact. She hates it
Shoko has to drag drunk Gojo home at least twice a month and is not happy about it
Once she left him in an alley. He made it home okay so she guesses it's fine
Once he got so drunk he spilled beer on his sock. The thought the fastest way to dry them was by sticking them in the microwave. Forgot about it until someone asked, "Who the fuck is cooking socks???"
I feel it important he was in the break room of the local grocery store and no one knows how he got there
As he was escorted out he stole a grocery cart and rode away in it while singing Don't Threaten Me (With A Good Time) by Panic! At The Disco
He has no alcohol tolerance at all what so ever
He will literally just stare at you and giggle
It's funny he's really flirty but also doesn't seal the deal. Literally, every woman in that bar is willing to get in his bed but he declines every offer. No one knows why
Its because he respects women
He helps his students break the rules as long as they're within reason. Once night Yuji was really hungry and after having a temper tantrum he couldn't order Uber eats bc the school is supposed to be secret Gojo helped sneak him out to get food. Who needs curfew anyway.
The shirts in his closet range from like twenty bucks to the iconic rich bitch shirt the kids ruined in that one chapter we all know the one 
He still wears that by the way, he calls it "art" 
When he was younger, Megumi drew a picture of Gojo being eaten by his shadow dogs. Gojo found it and now it's framed in his room.
He keeps up with current trends and memes like no one's business. This is how he bonds with his kids.
Don't call him old, but also, he'll tell you to respect your elders it's a mess
He has a lot of games on his phone. You can usually find him holding his phone sideways playing some RPG game he probably spent too much money on 
He did hop on the Pokemon Go hype train but after becoming overpowered he got bored
This happens to a lot of games. He pays way too much money, gets to be the strongest in the server, and gets bored
He likes games where you can kill other people's troops and likes to watch as they lose all their power
I canon him as being borderline sadistic
This is why he's Sakata Gintoki reincarnated
White hair, sweet tooth, black leather clothes, dad vibes, never takes anything seriously bc when he does he's scary as fuck, the works.
He is Sakata Gintoki
He liked Gintama growing up. He watched a lot of iconic shows as they aired. He considers himself an og
He's hella bilingual
Because he's the strongest he goes overseas for missions a lot. Because of this he speaks a lot of languages and knows a lot about international cuisine 
He takes pictures of himself eating disgusting foods like snails. He never likes them but he loves the idea of Nobara gagging back in japan
Has paperwork sitting untouched on his desk from three months ago that he will not touch for at least another three months
Does the crossword puzzles in the newspaper every week
Uses humor as a coping mechanism and it honestly just became a personality
Constantly popping his joints. I'm sorry if you find this gross I too find it gross.
Probably brought home every stray animal he ever met ever until he was at least like 22 y/o
Tags: @wasabito @kittaliapenn
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whoiskt · 2 years ago
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Evolution of my art. Made this for myself because I wanted to see my own progress but I accidentally just made myself sad with how much of my art I've lost and the years when I hardly drew anything.
2011- One of my first digital art pieces. Redraw of a photo I found on Google. Eyebrow and mouth are immediately off-portion, but as a fully colored piece I think it is pretty good for a beginner. It was really small tho, I didn't understand resolutions yet!
2012- Homestuck phase. A year full of art to choose from, this was one of the last drawings I made that year, and honestly I still think it looks really good. The way I drew eyes back then was totally different.
2013- Supernatural phase. I was doodling a lot on homework and notebooks, but actual finished pieces are hard to find now. I've lost sketchbooks from this era. Perhaps even burned them, haha. This was done on whiteboard.
2014- This self-portrait was my magnum opus at the time, done for art class. There was a level of detailing textures here that I'd never care to revisit and this piece easily could have taken me 50 hours or more to complete. The nose/mouth feels so off to me, now, although I clearly broke my bad habit of drawing small pointed chins with this one. Each year I look at it hanging in my parent's house it makes me cringe more. Charcoal.
2015- Mostly MIA. I have some pen drawings from this time but I thought they were skippable and I only had room for 10 years here. I went to film school so I was focused on that creatively.
2016- Got into watercolor this year. Wasn't done on watercolor paper so it warped a lot. I don't really mind. End of my vanity era. I was in an art class, animation class, and character design class this year. Maybe got a little burnt out on art.
2017- Height of my pen drawing obsession, although most of the drawings I did were at work, and were hung up at work, and may still be there even though I am long gone now? Sorry about the weird crop it was a horizontal piece.
2018- Yes, similar to the previous year, but I see improvement in pen technique. I rarely took time to just sit down and draw other than in-class doodles.
2019- Wedding gift for my sister of her and her husband (although I cropped her out lol). Large watercolor piece where I was rushed and had to finish the background as an abstract fall leaves. I'm still on the fence about it overall.
2020- My digital art renaissance. This was the year I started to really realize I was utterly incompetent at backgrounds.
2021- I was really focused on photography this year, although I did do some sketching here and there. My laptop became mostly unusable for digital rendering so that cut down on my motivation.
2022- I discovered watercolor brushes, my beloved. I closed the door on many of my other creative outlets which seemed to bring back my love, passion, and motivation for drawing again.
Hopefully I can share a 2023 piece with you soon to show my improvements 🤗 I've been sketching a lot like I did back when I was 13 and it feels good!
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thesims4blogger · 4 years ago
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The Sims 4: Sims Sessions Official Details and Web Page
The Sims team has announced Sims Sessions, a social media and in-game experience that will be free for players who own The Sims 4. Maxis has launched the Sims Sessions web page with details and information on the music artists featured in the event.
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Sims Sessions (Key Features)
Light up your summer with the hottest tracks from your favorite artists. Experience Bebe Rexha, Glass Animals, and Joy Oladokun for the first time all over again—in Simlish! Catch the live event from June 29 at 10 a.m. PT to July 7 at 10 p.m. PT.
Shop the Festival – Buy artist-themed merchandise, run your own craft sales table, or snack like a rockstar at a food stand!
Camp Out – Festivals are fun but exhausting! Get some sleep in one of the tents—or Woohoo to the music.
Enjoy the Show – Gather around the stage to watch, dance, and cheer on the performances!
Perform on Stage – After the performances, go on stage and keep the tunes flowing. Jam on the piano and sing your heart out.
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Sims Sessions (Featured Artists)
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Bebe Rexha
Diamond-selling and two-time GRAMMY®-nominated New York City native Bebe Rexha is a musical force to be reckoned with. Her RIAA Platinum-certified debut album Expectations (released June 2018 on Warner Records) contained the Platinum single “I’m a Mess” and the global chart-topping smash “Meant to Be” (featuring Florida Georgia Line), now RIAA Certified Diamond. “Meant to Be” held the #1 spot on the Billboard Hot Country Songs chart for a record-setting 50 straight weeks, the longest reign ever by a female lead artist, and won Top Country Song at the 2019 Billboard Music Awards and Best Collaboration at the 2018 iHeart Radio Music Awards. It was subsequently nominated for Best Country Duo/Group Performance at the 61st annual GRAMMY Awards® in February 2019, where Bebe was also nominated for Best New Artist.
Early in her career, Bebe won the National Academy of Recording Arts and Sciences’ Best Teen Songwriter Award, and then formally burst onto the scene when she wrote “The Monster,” a worldwide hit for Eminem and Rihanna that was certified 6x Platinum by the RIAA. Bebe went on to co-write and carry the instantly recognizable hook for the 3x Platinum “Hey Mama,” by David Guetta, which was nominated for a Billboard Music Award for Top Dance/Electronic Song. Bebe also hit #1 on the Billboard Pop and Rap charts with her 5x Platinum “Me, Myself & I” with G-Eazy. In 2017, Bebe released the critically acclaimed EPs, All Your Fault: Part 1 (with the Platinum single “I Got You”) and All Your Fault: Part 2 (with “Meant to Be”). In conjunction with GRAMMY® Week 2019, Bebe launched the GRAMMY® Music Education Coalition’s (GMEC) national campaign on behalf of its new All-Star Ambassador program. Better Mistakes, her new album, includes the hit singles “Baby, I’m Jealous” feat. Doja Cat and “Sacrifice.” To date, Bebe has amassed over four billion YouTube views and over 12 billion total global streams.
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Glass Animals
Since 2010, Glass Animals have redefined alternative pop with their experimental sounds, cinematic visuals, and narrative lyrics. The Platinum-Certified UK quartet—Dave Bayley [lead vocals, guitar], Drew MacFarlane [guitar, keys, backing vocals], Ed Irwin-Singer [bass, keys, backing vocals], and Joe Seaward [drums, backing vocals]—first presented their signature style on their 2014 breakout debut, ZABA. It yielded the Platinum single “Gooey” and elevated the band into the global spotlight. 2016’s How To Be A Human Being notably garnered a nomination for the prestigious Mercury Prize. However, Glass Animals lifted off to a new stratosphere with Dreamland in 2020. It marked their first Top 10 debut on the Billboard Top 200, while their global smash hit “Heat Waves” has amassed millions of streams to date, went Platinum in numerous countries, gave the band their first #1 on the U.S. Alternative Radio Chart, Top 15 at Top 40 Radio, and hit Top 10 on Spotify’s US Chart. Skyrocketing to the forefront of popular culture, they garnered nominations in the categories of “Top Rock Song” and “Top Rock Album” at the 2021 Billboard Music Awards, delivered knockout performances on Billboard Music Awards, The Tonight Show Starring Jimmy Fallon, The Late Show with Stephen Colbert, The Late Late Show with James Corden, and Ellen, and lined up global headline dates for the 2021 Dreamland Tour everywhere from legendary amphitheaters such as Red Rocks to Bonnaroo, Life Is Beautiful, Outside Lands, and more. The band sold over 130,000 tickets in three days for their 2021-2022 North American tour, with the majority of the tickets selling out instantly. All the while maintaining their unique connection to their fans by creating their open sourced website where fans can create artwork based on the world of Dreamland, putting on a “Live In The Internet” concert that sold 25,000 tickets worldwide, and more. They created unique music videos during the 2020 pandemic by DIY-shooting solo in Dave Bayley’s apartment directed solely over Zoom (“Dreamland”), asking neighbors to shoot on their iPhones while Dave walked down the street (“Heat Waves”), and inviting fans to take 3D scans of their heads (“Tangerine”). Racking up billions of streams across their catalogue, they even made history as “the first UK band to capture #1 on Triple J’s Hottest 100 since 2009” with “Heat Waves” down under in Australia, leading to the longest run at #1 in 2021 on the ARIA Official Singles Chart. Ultimately, Glass Animals continue to redefine what alternative can be, while they quietly overtake the mainstream.
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Joy Oladokun
With a guitar in hand, baseball cap over her eyes, and hooded sweatshirt loose, a woman sings with all of the poetry, pain, passion, and power her soul can muster. She is a new kind of American troubadour. She is Joy Oladokun. The Delaware-born, Arizona-raised, and Nashville-based Nigerian-American singer, songwriter, and producer projects unfiltered spirit over stark piano and delicate guitar. Her music and story galvanized a growing fan base as she completed a successful Kickstarter campaign to release her independent debut, Carry. Her song “No Turning Back” soundtracked a viral baby announcement by Ciara and Russell Wilson, opening up the floodgates. She landed a string of high-profile syncs, including NBC’s This Is Us, ABC’s Grey’s Anatomy, and Showtime’s The L Word: Generation Q. On the heels of in defense of my own happiness (the beginnings), she garnered unanimous critical praise. Billboard touted the album as one of the “Top 10 Best LGBTQ Albums of 2020,” while NPR included “i see america” among the “100 Best Songs of 2020.” Predicted as on the verge of a massive breakthrough, she emerged on various tastemaker lists, including Spotify’s RADAR Artists to Watch 2021, YouTube “Black Voices Class of 2021,” NPR’s 2021 “Artists To Watch,” and Amazon Music’s “Artist To Watch 2021.” Not to mention, Vogue crowned her #1 “LBTQ+ Musician To Listen To.” She kicked off the new year by making her television debut on NBC’s The Tonight Show Starring Jimmy Fallon with a stunning and stirring performance of “breathe again.”After attracting acclaim from Vogue, NPR, and American Songwriter, her words arrive at a time right when we need them the most.
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missjanjie · 4 years ago
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Better Than Revenge | Chapter 3
Title: Better Than Revenge Summary: Karma Inc.’s business structure is simple - clients hire them when they’ve been grievously wronged and they send one of their revenge mercenaries to right them. As painstaking as their efforts to remain ethical may be, that may be tested when former detective, Rosé, enlists the squad to pick up where she couldn’t on a much higher scale, with potentially greater consequences. Word Count: ~2.7k (this chapter) | ~8k (total) Relationship(s): Rosnali (Rosé/Denali Foxx), Jankie (Jackie Cox/Jan Sport), Halldoll (Nicky Doll/Jaida Essence Hall), Gimone (Gigi Goode/Symone), Gottlux (Gottmik/Olivia Lux) Rating: T
Read on AO3 | Ko-Fi
Chapter Summary: Rosé learns Gigi, Symone, and Denali's revenge origin stories
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Woodstock, IL — 2016
Gigi took a deep breath as she stared at herself in the mirror. She could do this, it was fine. Every time her suspicions or confusion would bubble up, she forced them back down. Hannah was nice, she was different from the other popular girls. She didn’t see the ‘weird art lesbian’ with the braces and thick-rimmed glasses, who rarely got pop culture references post-1989, at least, that’s how she made her feel.
“I’ll text you in the morning,” she assured her mother as she threw her bag over her shoulder. “It’ll be fine, I’m just hanging out with a friend.” She was out to her mom, of course, that was her biggest ally. But she wasn’t ready to tell her that the head cheerleader had taken an interest in her. Maybe when and if they became official. Until then, she shook off the last of her nerves and drove to her house, only pulled from her thoughts by the time she was sitting on Hannah’s bed.
“I’ve been thinking about you all day,” Hannah cooed, batting her lashes and resting her hand on Gigi’s thigh.
If Gigi hadn’t been so blinded by her crush, she might’ve thought Hannah was laying it on a little thick, but she couldn’t act like she didn’t enjoy the attention. “Me too, a-about you, I mean. Sorry, I’m just nervous…”
“How come? I didn’t come on too strong over text, did I?”
“No, no I liked it, it’s just… I’m a virgin, like, I’ve only ever kissed before,” she confessed, her cheeks flushing rosy pink. She had talked a big game over text, but being faced with the chance of starting a physical relationship brought her back to reality.
Hannah pouted, rubbing Gigi’s thigh as she thought, letting her hand inch higher. “Well, you’ve got fantasies, don’t you? I know you’ve masturbated before. What do you think about while you touch yourself?”
Gigi hesitated, chewing on her bottom lip. The other girl wasn’t wrong, she did know what she liked, could conjure up vivid imagery to get herself aroused, but she had never said any of it out loud. “I like powerful, confident women. I guess that’s something that drew me to you,” she started, “I wanna just… give up control, be dominated.”
“Really? Tell me more,” Hannah prompted, kissing along her neck and jaw and slowly tugging Gigi’s shirt off in an attempt to coax her to continue.
When Hannah didn’t seem deterred by her confession, Gigi started to relax. “It’s just, I don’t know, I always feel the need to be in control of my life and with sex, I just wanna let go and give up that power.”
“So like, what would you want someone to do to you?” she asked, a smirk tugging at the corners of her lips.
She bit down on her lip. “Um… tie me up, spank me, choke me, and I know it’s kind of intense but maybe something like cnc or—” the incessant buzzing of her phone distracted her and, concerned it might be an urgent call or text from home, she took her phone out. “Sorry, one sec.”
It wasn’t from home, she had two missed calls from her best friend, Crystal, followed by several texts.
Crystal: GIGI STOP Crystal: SHUT UP! SHUT THE FUCK UP!!! Crystal: She’s broadcasting you on IG live! Crystal: We can see and hear everything…
Gigi’s face fell, her first instinct to pull her shirt back on. Then she slowly looked up and in front of her, that’s when she saw it, nestled between stuffed animals — Hannah’s phone with an instagram live going. She didn’t say anything, just ran out of the house as fast as her legs would take her and through her tears drove right to Crystal’s house. That was when the two of them formed their plot.
In and of itself, it was simple. Gigi waited one day until Hannah was away for a cheer competition and went to her house. “I’m so sorry to bother you, Mrs. Andrews, but I think I left some of my homework in Hannah’s room, she just said to let you know so I can run in and grab it.” Once inside, she found exactly what she was looking for, sliding Hannah’s diary into her backpack and went right back out.
“This feels very Mean Girls, I love it,” Crystal remarked as they taped page after page of the diary on lockers, walls, anywhere they could.
“Well, plan B was to go the Heathers route, so let’s just hope it works.”
And to say it worked was an understatement. As it turned out, Hannah had written things far more incriminating, and because it came from someone of her social ranking, it made everyone immediately lose interest in Gigi’s livestream scandal, and she graduated with the anonymity she needed for survival.
Present Day
“I’ll be honest with you,” Rosé remarked, “it’s kinda hard to picture you as an ugly duckling, especially the way you described it.” Gigi was too pretty, too perfect. Something didn’t add up.
Gigi got out her phone and scrolled through her photos until she found one from her senior year. “Believe it, doll,” she said as she held her phone up. She watched with an amused expression as Rosé looked from her phone, to her, and back with her eyes wide and mouth agape. “Braces off, lasik, learned a lot about how to dress while going to FIDM, which is where I met Symone, who helped fill in the blanks.”
“And made sure she got to do all them things she listed to that bitch without feeling ashamed about it,” Symone added with a smirk, draping her arm around Gigi and pulling her close, pressing a kiss to the top of her head.
“Why don’t you tell her your story next, baby?” Gigi prompted.
Conway, AR — 2014
Symone watched her sister throw her bag over her shoulder and start to sneak out the window. “Look, I ain’t snitching or nothing, but I still don’t think this is a good idea.”
She and her sister, Lala, were close, sometimes referring to themselves as twins – they were only ten months apart, in the same grade at school. And until the summer after sophomore year, they had the same group of friends. But the crowd Lala ran with now just rubbed her the wrong way.
“You worry too much,” Lala brushed it off. “I’ll be fine, in bed by morning like nothing happened.”
But when Symone got a collect call two hours later, she found out things were far from fine. She drove down to the county jail as fast as she could without getting pulled over herself. Luckily bail was a mere fifty dollars, but once she got her sister back in the car, she looked at her incredulously. “What the fuck happened?”
“One of ‘em brought weed, another brought booze, but when the cops rolled up on us, they said it all was mine. And who was they gonna believe, me or three white kids?” Lala sniffled, wiping her eyes. “I don’t know what’s gonna happen to me,” she whispered.
“I don’t either,” Symone admitted quietly, frustrated at her inability to come up with an immediate solution. “But we’re gonna do our best to get you out of this, okay?”
The best they could do wasn’t easy. It involved a lot of legal maneuvering, meetings with one person in a suit after another. The end result wasn’t ideal, but it was far better than what could have been. Lala was fined three hundred dollars and put on thirty days of probation. In and of itself, it didn’t seem so bad, but the residual consequences took their toll.
“I lost my scholarship, ‘mone. That was my ticket into college,” Lala sighed. “I mean, don’t get me wrong, I know I’m getting off with a slap on the wrist, but I really ain’t thrilled about taking out student loans,” she sat down on the floor beside the bed, head leaning against it. “Or maybe I’ll start with community college, I dunno. It just fucking sucks that they all got off with warnings.”
Symone’s brows knitted together, her lips pressed into a fine line. “Don’t you worry baby,” she said after a moment, “they gon’ face consequences one way or another.”
It had taken most of spring break, but Symone finally had all of the pieces for her plan. “Not the most convoluted thing in the world, but it’ll get the job done,” she mused.
Lala looked at her sister, then at her desk and back. “Do I even wanna know where the hell you got coke from?”
“No, you do not.”
Getting the drugs was the hard part. Getting into school early to plant the drugs in the lockers of Lala’s former friends was far easier, as was leaving an ‘anonymous tip’ from a ‘concerned student’ on the principal’s desk.
“God, I wish I could’ve seen them get hauled off in cop cars,” Lala remarked as she and Symone drove home from school. The three students were quietly escorted out of class and arrested, the school wanting to bring as little attention as possible. “Shame that they rich daddies will still get them off lightly.”
Symone sighed and nodded. “Sure, but they’re still gonna get something, which is more than what they got when they threw you under the bus. Bet they’re gonna think twice before they let someone else take the fall for them.”
Her sister smiled softly and shook her head. “You really ain’t gotta do all that for me, you know?”
“I know,” she hummed, “not gonna stop me, though.”
Present Day
“Wow, that’s both selfless and hardcore,” Rosé remarked with an impressed nod. “Did she ever find out where you got the coke from?”
Symone laughed and shook her head. “Nah, that secret I’m taking to the grave.”
Rosé jokingly put her hands up in surrender. “Okay, okay, fair enough,” she chuckled. After a moment, she turned her attention to Denali. “That just leaves you, princess,” she remarked, a slight smirk tugging at her lips. “What’s your claim to infamy?”
Denali tossed her hair off her shoulder and grinned softly. “Who, me?” she cooed, fluttering her lashes. “Well, it is kind of an interesting story…”
Nicky rolled her eyes and tossed one of the couch pillows at her head. “Stop flirting and get on with it already.”
Fairbanks, AK — 2011
Denali groaned when the sound of loud footsteps racing up the stairs pulled her from her quasi-asleep state, then pulled a pillow over her head when the door swung open.
“What the hell are you still doing in bed when the qualifiers are in two hours?” her friend, Kahmora, asked with incredulous horror. She yanked the covers off of her, but stepped back in concern when she finally caught sight of Denali’s face. “Oh god, you look like shit.”
She frowned and rolled over to face away from her. “I feel like I died and was in the process of being reanimated, then killed again,” she lamented. “It’s probably food poisoning… or maybe swine flu came back, I dunno.”
“Did you eat anything unusual?”
Denali furrowed her brows as she wracked her brain. “I mean, Tara gave me those brownies and I had one, but when she said they were ‘special’, I just thought she meant they had weed in them, but that sure as hell isn’t it.” With as much energy as she could muster, she sat upright. “Oh my god, do you think she poisoned me?”
Kahmora arched her brow. “I think that’s a bit much, even for her. Do I think she put something like a laxative in there so it’d take you out long enough that you couldn’t beat her out in the international qualifiers? Yeah, probably. She’s a cunt.”
The skater scowled, her jaw clenched. “She’s a dead cunt,” she corrected, then suddenly shot out of bed. “Fuck, fuck, fuck,” she muttered as she raced to the bathroom yet again.
There wasn’t an obvious revenge plan for Denali. She knew that nothing she did would get her spot in the competition, and she wondered if it was even worth it. But her pettiness and spite won out and she began planning out her course of action.
“Remember,” she was saying, “if all else fails, we go the Tonya Harding route.”
Kahmora sighed. “For the last time, you are not whacking Tara’s kneecaps, now let’s go.” Despite some pouting from Denali, they went to get the gears turning in their plan. They got to the ice rink and slipped into the locker room without being noticed by Tara, who was in the middle of practice.
Denali picked the lock and took out Tara’s change of clothes. Then she reached into her own bag and pulled on latex gloves and a plastic bag containing several leaves of poison ivy. She turned the shirt, pants, and socks inside out and firmly rubbed the leaves against the fabric, making sure she left as little fabric uncovered as possible. “She’s lucky I’m merciful or I’d rub it on her panties too,” she remarked offhandedly.
Kahmora tilted her head as she watched her. “Do you actually think it’ll take her out of the competition?” she asked as her friend put the leaves and gloves into the ziploc bag.
“I don’t know,” she admitted. “I mean, it’s possible, probable really, that the constant itching might make it too difficult for her to skate. But this is more about getting even with her. I might not ever get another chance to compete for internationals. She’s lucky the only retribution she’s getting is a few weeks of itchy blisters.”
“Otherwise you’d Tonya Harding her?”
Denali nodded brightly. “Exactly! Now come on, we have to get rid of the evidence.” And with that, they scurried out of the locker room as inconspicuously as they’d entered it and threw out the evidence in a trash can several blocks over.
When the news broke that Tara had withdrawn from the competition due to ‘unexpected physical problems’, Denali did her best to feign shock and didn’t celebrate until she and Kahmora were alone.
“So, what do you wanna do now?” Kahmora asked.
Denali tilted her head in thought, then smirked. “Let’s go get brownies.”
Present Day
“Personally, I still think you should’ve busted her knees,” Mik mused offhandedly. “Like, I bet you would’ve figured out a way to get away with it, you conniving bitch,” he teased.
Denali shrugged. “Maybe, but it’s not very original and it’d look a lot more suspicious on my end.”
“I think it was pretty badass,” Rosé offered, making the other woman smile which, in turn, made her heart flutter — something she chose to actively ignore. Instead, she let all of their stories sink in. None of their reasons for revenge were out of line, none of their victims undeserving. And none of the consequences were as severe as some of the things she had seen in her time. “You all really know what you’re doing, huh?”
“We wouldn’t have been able to keep this up for three years if we didn’t,” Jan replied. “We had all of the potential on our own, but we make a difference together, and then we added Jackie to tie up the loose ends. It’s been smooth sailing from there.”
“Yeah, and now Jackie ties you up instead,” Nicky teased, earning an eye roll in response.
Rosé watched the group interact with a fond smile. She had assumed they all got along to be working together for as long as they have been, but she hadn’t anticipated them truly behaving like a family. It was a stark contrast to the constant coldness and curtness she had grown accustomed to, both in her previous career and in the environment she grew up in. She only hoped it would make the tasks ahead that much easier for them.
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harketspetter · 4 years ago
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From “Man In The Mirror” to “Echoes”
It has been 12 years since I fell in love with music. It was an interesting journey on discovering artists that meant a lot to me. 
Here’s a small timeline of artists have a special place in my heart. 
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April 2008 - I was 10 years old when I discovered Michael Jackson and it all began there.
Michael Jackson was pretty much the only thing in my childhood that stood out to me. I was going through a difficult time in my school and his music was the only thing that motivated me to get on with my life. His charisma, his dance moves, his fashion statement and his music - was just amazing!
First Song : Bad
Favorite Song : Man In The Mirror
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Then came so many artists from the legendary Motown label - which included The Temptations, Stevie Wonder, Lionel Riche and so on --- 
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March 2014 - I discovered Coldplay during my High School years. It was a massive shift from old school music to Contemporary. But when i started listening to the later albums such as Mylo Xyloto , i realized that i was more into contemporary rock than contemporary pop. 
First Song : Paradise 
Favorite Song : Everything from the album “Viva La Vida’ and “A Rush Of Blood To The Head” 
Coldplay’s music further drew me into Imagine Dragons, One Republic, Maroon 5 and all the contemporary stuff we may have encountered with, during the 2010s. -- out of all the bands apart from Coldplay, Imagine Dragons stood out to me the most. 
First Song : Radioactive
Favorite Song : Shots, Gold 
Some time during my final years in my high school - for some reason, i reverted back into old school and for some reason  i felt young and fresh - listening to them . 
And thanks to Coldplay, i discovered one of the most misunderstood bands in the world.
On November 2015 - I discovered a-ha. 
And honestly, it was like a new dish which eventually became my favorite.
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 This band impacted me so much that ‘ I started developing feelings for that one particular guy’. I had a proper crush on that guy for years - it coincided with my college years, my studies in literature and psychology -- to such a point that, he made me understand my sexual orientation. 
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Morten Harket. 
Never in my life, i had that thought that i would feel emotionally and spiritually connected with him, his music and his wonderful voice. 
By the time i have reached my final year in my undergraduate course, I began to understand the philosophical aspect of a-ha’s music - just to realize how much the world has lost the ability and the chance to witness the beauty of their creations. Dismissing them as a teeny bop band and reducing them into one song was a massive mistake. 
I was glad that i discovered this band. It was beautiful. 
First Song : Hunting High And Low
Favorite Song : East Of The Sun West Of The Moon 
a-ha made me discover other synth pop bands such as Tears For Fears, Depeche Mode, The Cutting Crew, Spandau Ballet.
a-ha’s 4th album - East Of The Sun further sparked my interest in Progressive and Psychedelic Rock and guess which band a-ha introduced me to.. 
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This is soo insanely beautiful , I can’t :’) 
And yes, I had a thing for Jim Morrison.
First Song: Light My Fire
Favorite Song: Riders On The Storm , Strange Days, Break On Through (To The Other Side) 
My sophomore year was defined by Psychedelic and Progressive Rock music. Thanks to The Doors to begin with. 
I was introduced to the OG of Progressive Rock way before I started listening to Michael Jackson. Sometime in Feb-March 2008, there was this guy in my class who sang “WE DON’T NEED NO EDUCATION” as a silly protest for more recess and playtime hours - and i kept humming that tune for quite a while (without knowing anything about the background of the track). In fact, that song ( Another Brick In The Wall pt 2) was the FIRST ENGLISH SONG I HAVE HEARD IN MY LIFE.
It took me 10 years to finally learn the name of the artist and actually listen to the discography. 
 Around March 2018 , a friend of mine told me to listen to ‘The Dark Side Of The Moon’ by Pink Floyd. 
And IT BLEW MY MIND - like crazy. 
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PINK FLOYD OFFICIALLY ENTERED MY LIFE DURING MY SOPHOMORE YEARS IN COLLEGE. And being an Arts students, I was drawn into the philosophy of their music.
I also had a platonic crush on the guitarist lol. 
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The COVID-19 Pandemic also introduced me to the Psychedelic roots of the band as well, and Syd Barrett. 
First Song : Another Brick In The Wall (pt 2) // Astronomy Domine
Favorite Song : Echoes // Apples And Oranges, Paintbox, Everything from Meddle, The Dark Side Of The Moon, Wish You Were Here, Animals , The Wall , The Division Bell
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Out of everything I have listened, some of the most amazing songs to ever exist was -- Man In The Mirror, A Rush Of Blood To The Head,  East Of The Sun and Echoes. 
Damn, Echoes was just like -- OG of Music and symbolically my current favorite song of all time. 
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padfootmadfoot · 5 years ago
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Teddy Lupin - Thinking Out Loud
Thinking Out Loud By Ed Sheeran   (Year 2014)
Ps- Didn’t know the years would coordinate perfectly, I love it!
Word Count-3.1K
Send Requests Here
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Teddy sat in McGonagall's classroom for the third time today, first cleaning up the glass he shattered well running away from Agrus Flitch, and having to report to Mcgonagall since it was at her hands dealing with him, the second was bringing McGonagall a apple for a sincere apology and the third was learning about Transfiguration his favorite class
But his ears or eyes were concentrated on what McGonagall had been teaching that day but a long brunette haired girl who sat across the room from Teddy, writing her notes down and concinderating on the lesson.
Teddy felt his best mate Louis Weasley, nudge his shoulder, causing him to lose concentration of the girl and look over at McGonagall who had her hands on her hips.
“Mr Lupin, care to show the class how to turn that teacup infront of you into a rat,” McGonagall stammered, shaking her head at the boy who was not near the level of concentration he should be at in his sixth year at hogwarts. 
Teddy picked up his wand, thinking to himself for a second, gosh he was a metamorphmagus, he should know this stuff. His flicked his wrist, pressing his wand against the teacup, nothing happened for a couple seconds then teacup drew a tail, then a  face, soon after turning into a full rat.
“Perfect see, look at him, i’ll call him Flameboy,” Teddy joked touching his wand against the rat that looked around, slowly turning him back into a teacup.
McGonagall went back to teaching, when Teddy went to look back at the brunette girl he noticed that she had been looking at him, causing the pair to blush out of control.
Mila Abbot, a shy girl was nearly a outcast to the school, a Ravenclaw, her best friend Victoire Weasley was her only friend, and summer came by with a quick jolt, ending their sixth year at hogwarts.
“Your saying your parents are gone for the whole summer, and you’ll be home alone, no one home, and celebrating your birthday alone!” Victoire complained as her and Mila walked down the halls with bags in hand, ready to board the Hogwarts Express home.
“Thats what i’m saying Vic, all alone,” Mila smiled, knowing where the conversation was heading, Victorie and her became friends shortly after coming to hogwarts. Her a Gryffindor and Mila a Ravenclaw didn’t matter.
“Then why don’t you come over, my whole family is celebrating my uncle Harry's promotion, and I don’t think your parents would mind,” Victorie said swinging her arm around  Mila back. “And Teddy will be there, don’t you fancy him now,”
Mila’s face turned a bright red, not helping herself to smile. “I don’t fancy him, it’s merely a little crush and I guess, if your parents are okay with it,” Her face calmed a bit, feeling her blood blushing inside of her.
“That’s great, my parents will never mind they love you like a daughter, and plus Teddy won’t either, I hear he fancies you as well,” Victie chuckled making Milas face return back to her red state. “Plus Plus, i’ve got us tickets to the Quidditch Championships on my dresser at home mom says,”
Milas eyes widened with every word that came out of Victorie mouth. “No you don’t are you serious!” Her voice was excited. “I love you Vic!” If her bags weren’t hanging out of her hand and the grass wasn’t wet from the fog she’d have her hands wrapped around her best friend.
Victorie and Mila borned the train, filled with first years trying to excitedly find a seat, seventh years pushing and shoving, boys and girls snogging left and right.
“Come on, you can sit with us,” Victories took Milas hand, pulling her around everyone and placing her in a cart, Dominique, Vics sister and Louis, her brother sat chatting, then a blue haired boy sat beside Louis, laughing.
“Look at trouble roaming in,” Dominique smiled, pushing herself over to fit Victorie and Mila down.  “You both excited for summer break?” She asked, Dominique was the oldest of the children, then Vic then Louis, all a year apart.
“Actually, Milas family is gone and i’ve invited her to stay with us for a couple weeks, isn’t that great,” Vic smiled wrapped her arms around Mila, pressing their cheeks together, once again making Milas face turn red with embarrassment. 
“Teddys coming over tonight too, since Harry's coming over with his kids and Teddy lives with them, Mila i’m glad your coming over, i’ll write to mom and let her know,” Dominique had been a older sister to Mila, maker her as close as family.
Teddy and Louis were having their own conversation, whispering to each other, with the occasional laughs and snickered from the two.
“Anything from the trolley dear?” A little plumped woman asked, stopping at the cart door with a smile.
Louis and Teddy stood up, walking passed the woman, leaving on Dominique, Victoire and Mila. Victoire moved to the other side, grabbing a couple of pasties from the cart.
“What are those twos problem?” Victorie asked placing her feet on the seat and munching down on her pastie, passing one to her sister and Mila.
“They’ve been like that all day, Teddy was a real trouble maker, sliding out of detention, i’m sure the sorting hat made a wrong decision with him, been acting out recently according to Louis.
“Yeah in class he couldn’t focus, you guys wanna know why,” Victoire stammer with a mouth full of dough. “Because he was two busy looking at Mila.
Milas thoughts were blown up as her head shot towards Victorie, shaking her head. “He was not!” Mila defended herself, knowing what she was saying was the truth and she was to, looking at Teddy in Transfiguration class.
“We both know you two fancy each other, since year four, why don’t you guys just admit it, you both are gonna be at the same house tonight anyways,” Dominique chimed in, ebowing Mila playfully.
“Hello Ladies, we’ve brought some snacks,” Louis shouted walking into the cart with Teddy, both carrying food in each hand.
“I’m not moving to comfortable,” Victoire said, only moving her legs for one, Louis knowing full well the connection between Teddy and Mila.
“I guess i’ll sit here,” Teddy awkwardly smiled, Mila pushed over for the boy, moving almost on top of Dominique to give Teddy room, her face a bright pink color, her whole body felt flustered and warm all over.
The train ride home was filled with lots off food, Mila and Louis fought over who could catch more marshmallows in their mouths, Mila winning by a lucky shot, Teddy turning his hair different colors with the flavor of Bertie Botts he ate. Victorie fell asleep soon after the train took off and Dominique sent out the letter for her parents about Mila.
London grew dark as the five arrived at platform nine and three quarters, Louis face was pressed up against the window, looking for his parents.
“Look look, I see mom and Dad, and I see uncle Harry, come on!” Louis was a excited boy when he came to seeing his parents, being just like his father, his orange hair was a mess at most times.
Louis left the cart with Teddy behind him, Dominique walking out and leaving Victoire and Mila to walk alone.
“Are you sure your mom let me stay, what if she says no and i’ll have to sleep on the streets cause my home is to far away,” Mila said nervously, rubbing her fingers together as the pair walked through the train, coming to the door.
“Guess i’ll just have to sleep on the streets with you,” Victoire joked jumping off the train, followed by Mila. “My mom and dad love you, and you’ve stayed at my house more times then I could remember,” 
Victoire and Mila came into the sights of Fleur first, who took the pair of girls into a hug. “it’s so good to see you both, i’ve already got your bedrooms all set up, we’re going to grimmauld tonight so i’ve hope you’ve brought something nice to wear Mila,” Fleur let the pair go, she was a mom to Mila, since her parents were never around, traveling for a job she’d stay wherever she could, mostly at the Weasleys.
“Ahh girls,” Bill smiled, walking over with Dominique, Louis, Teddy and Harry Potter beside him. “Come on, we’ve got to be going home, we’ll see you tonight then Harry,” Bill smiled placing his hand on Harry's shoulder.
“You will indeed, thanks to Ginny who insisted on having everyone over, it’s nice to see you two girls,” Harry smiled looking at Mila and Victorie. “Come on Teddy, Ginny’s waiting for our arrival, she’s made your favorite,” Harry and Teddy walked off.
But all on Teddys mine on the moment was the conversation Louis and him had, how he was going to ask Mila out tonight, he had to make it perfect, Louis was in charge of getting the pair alone, getting his siblings along with it. His head was filled with ideas, some tossed right away and others sounded to ridiculous and more like pranks he could pull at school.
“Come on girls, your fathers leaving,” Fluer called out, taking Mila out of her thoughts, she followed the Weasleys out of platform nine and three quarters and to the magical car that was parked outside.
Louis sat in the front seat with Bill and Fluer, well Dominique, Mila and Victorie all squished into the back, magainging themselves, their bags all sat in the trunk that's to Bill.
“So Mila, where are you parents gone now?” Bill asked pressing the invisible cloak around the car and taking off into the sky.
“Scotland, site seeing I think, their job took them their, I just don’t ask cause the answers aren’t always spectacular,” Mila smiled, knowing her parents weren’t coming back for her just yet and that she had to learn to live by herself next summer.
“Well you know your always happy to say with us love, we’re home,” Fleur smiled looking out her window, we quickly came down to a little driveway, a cottage.
“I never get over the fact that your house is perfect,” I chuckled bracing myself for the landing, since Bill wasn’t always the best as landing the car.
“Why don’t you guys go settle yourself in your rooms, when your done we can leave for the Potters, that sound good?” Bill commanded as the car hit the ground, landing in the driveway, surrounded by sand.
“Come on then Mila, i’ve got new things to show you,” Victorie excitedly said opening her car door and grabbing Milas hand, they walked to the trunk, only pulling out their trunks only and rushing inside.
“What do you have to show me,” Mila chuckled as the two girls ran downstairs into Victories room and shutting the door.
“Dresses for tonight, and a early early birthday gift for you,” Victorie dropped her things, walking over to her closet and opening it up. “It used to be Lily and Marlene's but my aunt gave them to me when cleaning out the house,” The girls admired Lily and Marlene, how the two were best friends, almost reminding them of themselves.
Victore turned around holding two dresses in her hand, two short cut ones, one a bright red color in her left, in her right a bright white.
“Lily and Marlene wore those,” Mila said with a smile walking over to Victorie and pulling her into a hug. “Thank you Vic, i’m sure we’re going to look wonderful tonight,”
Victoire knew of Louis and Teddys plan, overhearing the two boys talking before Harry and Teddy left, determined to make Mila the best girlfriend ever.
“Go try on the red one, it’ll match your eyes, i’ll change in my room, you can take the bathroom,” Victoire pressed the red one against Milas chest and walking away.
“You know my birthdays not tell December right,” Mila chuckled as she walked into the bathroom, keeping the door open just a bit to continue their conversation.
“That's why it’s called a early early birthday gift, you’ll thank me when in six months for it,” Victoire chuckled slipping her clothes off quickly and slipping the dress on from the bottom.
“Thank you Vic, for being a good friend, can I tell you something,” Mila smiled walking out of the bathroom, her school clothes dripped over her arm and her red dress on, just stopping bellow her knees. “I do fancy Teddy, but you can’t tell anyone okay,”
Victories face lit up, wanting to tell her best friend of the plan, but not wanting to spoil the fun she was going to have tonight. “The first step is admitting it, we all know you do, all you do is look at him, I even swore you were drawing hearts with his name in them,” Milas face went red.
“That is not true, I don’t know what your talking about,” Mila gushed placing her clothes on top of her trunk.
“Girls we’re leaving with or without you!” Fluer called out, her english getting better and better by the days going on, moving from France to London and staying here for years really helped.
“Come on, i’m excited to see everyone!” Victore called out, grabbing Milas hand and dragging her upstairs. “Wait wait,” Victorie stopped at the top of the stairs, running quickly back down to her room and coming up with two hair ties in her hand. 
“Smart thinking,” Mila smiled, they continued walking to the fireplace, only Bill left waiting for the pair.
“See you two there,” The scared faced man smiled at the two, taking pounder into his hands. “Grimmauld place!” He shouted tossing the sand down, green fire came up and Bill was gone.
“Together?” The girls said at the same time, simultaneously laughing, squeezing themselves into the tiny fireplace. 
Mila grabbed the pouder, looking at Victoire, since forever the pair did everything together, this was their favorite thing, starting at Molly Weasley's and now here.
“Grimmauld Place!” Victoire shouted, Mila tossed the powder down and the girls disappeared, appearing in a almost dark room, a blue haired boy sitting at a table.
“Thank you for coming to the party, the living room is filled with people,” His voice was bland and clearly bored.
“Where is the energetic funny Teddy we saw only a hour ago,” Victoire chuckled stepping out of the fireplace first, followed by Mila, Teddy's eyes nearly almost couldn’t keep his eyes off her.
“I have to greet the guests, but I guess since your the last ones here energetic Teddy can come back,” Teddy's hair turned into a brownish color and stood up. “Shall we?” He asked opening the door, Victorie gave the boy a wink before walking through the door, shutting it quickly behind her, leaving Mila facing the door and with Teddys.
“She's a funny one,” Mila smiled awkwardly, pushing the door open and walking into a party scene, spotting Hermione, her godmother sitting down, she quickly walked over with a smile.
“Mila daring, how are you doing?” Hermione asked patting a seat beside her for Mila to sit down with her.
“I’m good, about to graduate in a year, how are you doing?” Mila asked, looking around and spotting Rose and Hugo running around the room with James, Albus and Lily.
“Very good, Rose turned eleven in august and Hugo nine in september,” Hermione chuckled placing her hand on her forehead. “Gosh I feel so old sometimes, I can’t believe you’ll be graduating, do you know what you’ll be doing after hogwarts?” 
Mila was honest with herself, she wasn’t sure what to do, she wanted to open a little clothing shop in diagon alley, it was her dream, but she didn’t think she’d be worthy enough.
“I wanna open a little shop for myself, my parents left me some money and I think that’s what i’ll use to get started,” Mila let out a sigh, expecting disappointment.
“I know two boys who did the same thing, i’m sure George could help you, if you talk to him about it,” Hermione started to say but her eyes drifted off. “Oh gosh Hugo, don’t touch that,” Hermione shouted, standing up and walking away from Mila.
“Mila, i’ve got to show you something, Harry told me about it,” Louis whispered in her ear making her jump, she looked at Louis confused, a bit smile was on his face.
“Later Lou, I just wanna relax, I have a lot on my mind,” Mila huffed, leaning back into the couch but the boy was resistant, grabbing her hand and pulling her up.
“It’s the first room on the left, we’ll all be up their waiting for you,” Louis took off causing Mila to be more confused then she was this morning when Victorie jumped on her back causing her to fall to the ground.
MIla took a look around the room, everyone seemed to be chatting away, so Mila pushed herself off the couch, took one more look around the room then walked out, the placed smelt nice, like fernwood and ivry water on a warm day.
The stairs crept with every step Mila took, until she got to the top, looking left then right, tempted to open the right door but choice the left, walking into a bright room.
“What are you doing in here?” Mila jumped at the noice, then looked at Teddy who stood up from one of the beds he was sitting on.
“Louis told me to come up here, said everyone was up here but,” Mila was cut off with the door slamming behind her and the sound of it locking, she turned around, placing her hand on the doorknob, her head fell on the door knowing what her friends had done, her face going bright red.
“Mila,” Teddy stuttered, causing Mila to turn back around, and look at Teddy who had flowers in his hand, and a smile on her face.
“What are you doing Teddy,” Mila chuckled walking towards the boy, he handed her the flowers.
“A early birthday present,” Teddy smiled, getting the line from Victorie when they first got into the party. 
“Victoire told you that didn’t see,” Mila smiled looking around the room. “She told you I fancies you I suppose?” She knew her best friend so well that she knew even if Teddy denied it.
“She also told you that I fancy you I supposed?” Teddy took the flowers out of MIlas hand, gently placing them down on the bed. “I like your dress, and your hair,” He stumbled his words, getting nervous. “I actually like everything about you, I think you're really pretty, and,” Teddy was cut off by Mila stepping up and planting her lips on Teddy.
His hands soon gravitated to her back, pulling her forward, their bodies touching, Milas hand were wrapped around Teddys shoulder, she couldn’t help but smile with every kiss.
“You two are so adorable!” Victoire squealed from the door,  the pair turned around and looked at Victorie, Dominique and Louis smiling, with James Potter and Albus Severus hanging out behind them
“Disgusting, i’m going to tell dad!” James chuckled, grabbing Albus and dragging him down the stairs.
“Told you it would work,” Louis winked at Teddy, making him nervous laugh, Mila faced Teddy, resting her head on his chest and smiling, her whole body felt flustered, and so happy.
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tillidontneedfantasy · 5 years ago
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A Track-by-Track Breakdown of Taylor Swift’s 8th Studio Album: ‘folklore’
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Taylor Swift’s 8th studio album, folklore, starts off with the lie, “I’m on some new shit.” Perhaps to someone who hasn’t been paying attention this would seem to be true. But to those listening, folklore is the essence of her skill and success throughout her entire career stripped down for all to see, but more refined, enhanced, and impressive than ever.
Even prior to her pop-world domination with 1989 (2014), Taylor’s storytelling ability has always been her most compelling strength as a writer. In 2010, she released her third album, Speak Now, penned fully solo to prove to the cynics that she does, in fact, write her own music. And it’s damn good. Widely considered her best song, “All Too Well” from Red (2012) is a five and a half minute epic about love had and lost, all in walks through autumn trees, almost running red lights, dancing round the kitchen, and a scarf reminiscent of innocence, unreturned.  
Yet her pop prowess over the last six years perhaps leads to her storytelling being overlooked to those more focused on the music. There is a particular genius in writing a successful pop song, let alone three successful pop albums, that still has hard-hitting lyrics underneath the synth. Take the excellent “Cruel Summer” from Lover (2019) for example. The song is just under 3 minutes, and the production is so enthralling and infectious that it can take such a hold on you, you might miss the tale being told along with it about a fraught summer relationship that was actually just the beginning of her own love story.
But without the pop production, her stories on folklore demand attention. Swept up by a strong wave of creativity and inspiration, Swift secretly wrote and produced this album in around three months with Aaron Dessner of The National, one of Swift’s favorite bands, and long-time collaborator and friend Jack Antonoff. A surprise album is a new endeavor for Swift, as she generally spends months meticulously planning an album rollout. It is refreshing, and as a dedicated, long-time fan of Taylor, it is thrilling. Due to the album cover where she is standing in the woods, and the genre of the album itself, there have been think pieces regarding the “man in the woods” trope and what it means that Taylor seems to be embodying it. As a result of over-exposure, people are unable to stop focusing on her image and the way she presents herself. It’s understandable, as she is a very smart and deliberate businesswoman, and clearly cares about how she is perceived. But with this album, it is clear that none of that was at play. We are in the middle of a pandemic. Her mother has been battling cancer for years. Isolate a creative person in a dangerous world and they will dream up an escape. She understands more than ever how precious each moment is, and does not want to waste another one. The woods being the landscape for the photo-shoot is most likely attributed to the fact that it is the safest place to have one under these circumstances. She’s not pretending she removed herself from society and became enlightened, she didn’t dabble into a more alternative sound to prove anything; she is just sharing stories she wants to tell that she is proud of, and nothing more.
Of course the music of the album is important, but the lyrics are the heart of it all, and I wanted to focus on them. Upon its release, Taylor explained in a foreword that the album was a mixture of personal and fictional accounts. The beauty of stories is that once they are shared, they never live one single life; each person who consumes a story interprets it uniquely, and the story becomes a multiverse, with different meanings and outcomes than what initially drove the pen to the paper. As explained by Swift in a YouTube comment prior to the album’s release, three songs on the album are all one story, which she has dubbed “the teenage love triangle.” The three points of the triangle are “cardigan,” “august,” and “betty.” But if someone had not seen her say that, they might not have figured it out. Maybe they’d interpret each song as their own story, and connect it to their own. Taylor knows this. It is why she loves storytelling and is why she is so good at it. The album itself is a mirror ball, shimmering with every version of the stories being told, reflecting a bit of each person who listens. These are my interpretations, but they can mean whatever you make of them. 
1. the 1 The melody of this song helps set the scene; picture yourself skipping rocks on a lake, reminiscing on the one that got away. “the 1” is about learning to assimilate into a life without them, resentfully accepting that they might be moving on, too. She ruminates on what went wrong and what could have been. In a very Swift fashion, she puts the blame on herself when she sings, “in my defense, I have none / for digging up the grave another time.” Perhaps this song is fictional, perhaps it’s a revisit of a past feeling or relationship, but its relatability makes it feel real and present. She searches for explanations, restraining herself from asking, “if one thing had been different, would everything be different today?” But it’s good she didn’t ask, because she’d never find the answer, anyway. Best lyric: “We never painted by the numbers, baby, but we were making it count / You know the greatest loves of all time are over now.”
2. cardigan (teenage love triangle, part 1: betty’s perspective) “When you are young they assume you know nothing,” Swift sings in her smooth low-register on this Lana del Rey-esque single. “But I knew everything when I was young,” she asserts. They say wisdom comes with age, but there is wisdom lost, too, of what it felt like to be young; but she has held onto it. In this track, the narrator (Betty) is looking back on her relationship with someone she once loved (James, as name-dropped in “betty” later on in the album). Her insight on his character was always spot on; she knew he’d try to kiss it better, change the ending, miss her once the thrill expired and come back, begging for her forgiveness in her front porch light. As soon as she was feeling forgotten, he made her feel wanted, his favorite. The ending in question is unclear, whether she granted him her forgiveness or not. But what is clear is Taylor’s understanding of the pull of young love, the intensity, the immortalization of all the smallest of details, the longing to be someone’s favorite. It’s why we look back on it so often, read stories and watch films about it, even as we grow old. It’s the cardigan we put back on when we want to be Peter Pan and remember what it was like to fly with Wendy. Best lyric: “You drew stars around my scars / but now I’m bleeding.”
3. the last great american dynasty The story of Rebekah Harkness and her destruction of the last great American dynasty, Standard Oil, is documented in this track, as each verse covers a different part of Rebekah’s life, going from a middle class divorcee to one of the wealthiest women in America by marrying into an empire. Swift paints Rebekah as an outcast, the Rhode Island town blaming her for her husband’s heart giving out. Rebekah used her inherited fortune on her ballet company, throwing lavish parties with her friends who went by the “Bitch Pack,” playing cards with Dali (Yes, as in Salvador Dali. It’s not clear if they actually played cards together, but her ashes were placed in an urn designed by him), and feuding with her neighbors. Then, fifty years later, Taylor Swift bought that very house and ruined the neighborhood all over again, bringing with her the triumphant return of champagne pool parties and women with madness, their men and bad habits. It’s a note on how women will be blamed for tarnishing what is sacred to men rather than celebrated, specifically when its related to wealth and power. They will call them mad, shameless, loud. But just like Rebekah, Taylor learned to pay them no mind, and just have a marvelous time. It is also interesting to note that Rebekah went by Betty. Perhaps Taylor felt inspired by and connected to her and gave her a whole backstory, and thus the birth of “the teenage love triangle,” or maybe it’s just a coincidence; but that’s the fun of it all. Either way, this track is a standout showcase of how Swift has truly mastered her craft as a songwriter. Best lyric: “Holiday House sat quietly on that beach / free of women with madness, their men and bad habits / and then it was bought by me.”
4. exile ft. Bon Iver You know that feeling when your parents are fighting and it’s upsetting you but you can’t help but listen? That’s kind of what listening to this song feels like. Bon Iver’s Justin Vernon co-wrote the track, and he lends his gorgeous vocals to play a man who has been exiled by his ex who has moved on with someone else while he desperately tries to understand where it all went wrong. The bridge is particularly poignant, both proclaiming, “you didn’t even hear me out,” while talking over each other. He thinks he was expected to read her mind, but she is adamant that she gave him plenty of warning signs. Miscommunication is one of the most common downfalls of a relationship, and the emotion in Swift’s and Vernon’s voices really draws you into the argument with them, transporting you back into your own exile from people you once called home. Best lyric: “I couldn’t turn things around / (You never turned things around) / ‘cause you never gave a warning sign / (I gave so many signs.)”
5. my tears ricochet Taylor describes this song in the foreword as “an embittered tormentor showing up to the funeral of his fallen object of obsession.” If you know enough, you can put the pieces together that the tormentor is Scott Borchetta, the head of Big Machine Records, and the funeral is of their professional and personal relationship. Taylor was the first artist ever signed to Big Machine. Borchetta and Swift had to trust each other in their partnership for it to be a success, and oh, how it was. But prior to Lover’s release, Taylor announced that she would be signing to Republic Records as her contract with Big Machine had ended and Republic offered her the opportunity to own all of her masters moving forward and negotiate on Spotify shares for all their artists. It all could have ended amicably there, but then Scott Borchetta sold all of Big Machine, along with Taylor’s masters from every album prior, to Scooter Braun. Braun manages some of the biggest stars out there, and had previously managed Kanye West. Taylor publicly spoke out about this purchase, stating that she was not made aware of this before the announcement, and how much of a betrayal it was considering she had cried to Scott before about Scooter’s mistreatment of her. Taylor has continued to be vocal about this, and so she sings, “I didn’t have it in myself to go with grace.” There is a lot to unpack in this song, but the main takeaway is that this betrayal hurts him just as much if not more than it hurts her, because his career was built on her achievements. He buried her while decorated in her success, becoming what he swore he wouldn’t, erasing the good times for greed, all just to be haunted with regret for pushing her out and stealing her lullabies. The pain is palpable, and it is notable that this is song is placed at track 5, the spot generally reserved for the most vulnerable on the album; it shows that there are different types of heartbreak that can shatter you just as much as those from romance. Best lyric: “If I’m dead to you, why are you at the wake? / Cursing my name, wishing I stayed.”
6. mirrorball On Lover’s “The Archer,” Taylor expresses her anxiety over people seeing through her act, her own grief at seeing through it herself, wondering if her lover does and whether he would stay with her regardless. “mirrorball” is about the act, one of the more obviously confessional songs on the album. She talks about how a mirror ball can illuminate all the different versions of a person, while also reflecting the light to fit in with the scene. Taylor’s critical self-awareness is heart wrenching, and it’s clear that the anxiety that surrounds the public perception of her is still prevalent. She describes herself as a member of a circus, still on the tightrope and the trapeze even after everyone else has packed up and left, doing anything she can to keep the public’s attention. It hurts to hear the desperation in her voice, but there’s hope in the song, too. She is speaking to someone (we can assume her long-term boyfriend, Joe Alwyn) and thanking them for not being like “the regulars, the masquerade revelers drunk as they watch my shattered edges glisten.” In 2016, the height of Taylor’s fame and subsequently her farthest fall from grace, all the people who pretended to be her friends and attended all her parties celebrated her (temporary) demise, continuing to dance over her broken pieces on the floor. But he stayed by her side as she put herself back together. And so now, when no one is around, she’ll shine just for him, standing even taller than she does for the circus. Best lyric: “I’m still a believer, but I don’t know why / I’ve never been a natural, all I do is try, try, try / I’m still on that trapeze, I’m still trying everything / to keep you looking at me.”
7. seven Her voice gentle and haunting, Taylor recalls the freedom and innocence of her childhood in Pennsylvania. She asks to be remembered for how she was, swinging over the creek, before she learned civility when she would scream anytime she wanted, then letting out a very pretty one. She sings to her old friend soothingly about taking them away from their haunted house that their father is always shouting in, where they feel the need to hide in a closet, perhaps literally, or figuratively, or both. They can move into Taylor’s house instead, or maybe just to India, just be sure to pack their dolls and a sweater and then they’ll hit the road. She can no longer recall her friend’s face, but the love she had for them still lives in her heart, and she wants it to live forever through story. Just in the way that folklore itself blends reality and fiction, but the truth within it passes on, so will the purity of that love and friendship. Best lyric: “Please picture me in the weeds / before I learned civility / I used to scream ferociously / any time I wanted.”
8. august (teenage love triangle, part 2: the other girl’s perspective) If you had to assign the feeling of longing to a song, it’d be “august.” It’s when you’re teetering at the edge with someone, unsure of where you stand with them, clinging to anything they give you and doing anything just to raise your chances, “living for the hope of it all.” August, the last month of summer, its heat causing it to slip away the fastest in a haze before reality hits. This track is a display of how sometimes losing something you never had causes an even deeper ache than losing something that was yours, and Jack Antonoff’s signature production intensifies the emotion even more. It’s the story of shattered hope, and the longing for the days where it could still fuel you. Best lyric: “To live for the hope of it all / cancel plans just in case you’d call.”
9. this is me trying “this is me trying” is like a drive through a tunnel at night, hearing your loudest anxieties and insecurities echo all around you, caving in. The track is another apt insight into Swift’s struggles with her self-image, with the pressure she puts on herself, so much so that she sometimes pushes herself too close to the edge, her fears luring her out of the tunnel and down, down, down into her own cage, stunting her own growth and keeping those who care out of reach. She tells us how she was “so ahead of the curve, the curve became a sphere.” Every action has an equal, opposite reaction, meaning that she was pushing herself so hard, she rolled back to where she started, and now has to reset. This could be referring to the period between the end of the 1989 era and the release of reputation (2017), or a different time in her life, or just a general sentiment. It doesn’t really matter, though, because no one’s growth is a neat, straight line; growth is jagged. Just like any of us, Taylor will always have to face new obstacles, new pitfalls, new reasons to get back up. She sounds most vulnerable as she cries, “at least I’m trying,” and you feel comforted knowing someone so beautiful and successful has to push herself to try, too, and yet that motivates you more to try yourself. Best lyric: “They told me all of my cages were mental / so I got wasted, like all my potential.”
10. illicit affairs A quiet, slow-build testament of the passion, the tragedy, the secrecy, the inimitability of a romance that shouldn’t exist, “illicit affairs” demonstrates how you can ruin yourself for someone from just one moment of possibility or truth, quite like the narrator of “august” does for the hope of it all. An illicit affair can be many different things: infidelity, forbidden love, a love that can never be fully realized, a relationship that is inherently wrong but electrifying all the same. It’s a reminder of what so many of us would do just to see new colors, to learn a new language, even if the one moment of enlightenment destroys us forever. We might lose the iridescent glow but we don’t forget it; we carry it with us, but must be careful to remember its blinding effect, to remember how fatal the fall is from the dwindling, mercurial high. Best lyric: “Tell your friends you’re out for a run / you’ll be flushed when you return.”
11. invisible string Clearly the most outright autobiographical track, “invisible string” is the plucky pick-me-up needed. The song is like sunshine, as Swift endearingly links all the little connections between her and her boyfriend, Joe Alwyn, since before they even met. She compares the green grass at the Nashville park she’d sit at in hopes of a meet-cute to the teal of his yogurt shop uniform shirt, and gives a nod to her smash hit “Bad Blood” from 1989 with the delightful line “bad was the blood of the song in the cab on your first trip to LA.” She reasons these coincidences as a fateful, invisible, golden string tying them together since the beginning, always destined to meet at the knot in the middle. She thanks time for healing her, (a callback to “Fifteen” from Fearless [2008]), fighting through hell to make it to heaven, transforming her from an axe grinder to a gift giver for her ex’s baby (the ex in question, Joe Jonas, and his wife Sophie Turner, happened to have their first daughter two days before this album’s release). As she has on her previous two albums, she uses the color gold to illustrate how prized their love is to one another. It’s sweet to know in all the gloom that the string has not been severed, and the trees are still golden somewhere. Best lyric: “Cold was the steel of my axe to grind for the boys who broke my heart / now I send their babies presents.”
12. mad woman Throughout her entire career, Taylor Swift has defiantly defended female rage, all the way back from throwing a chair off a platform on her Fearless Tour during the impassioned “Forever & Always,” to her patient, vengeful reliance on karma in reputation’s lead single, “Look What You Made Me Do,” to her most recent tackling of the matter on Lover’s last and final single, “The Man,” where she explores society’s acceptance and encouragement of angry men yet disdain for angry women. “The Man” is catchy and upbeat, and a fun thought experiment into how Swift’s career would be perceived if she was a man, something that is even more interesting to think about now as she releases an album in a genre heavily dominated and lauded by males. But on “mad woman,” she further explores the creation and perception of female rage, though masked under a smooth, haunting piano melody, her vocals subdued, taunting. In the album foreword, she describes the inspiration behind this song as “a misfit widow getting gleeful revenge on the town that cast her out.” This could be the continuation of Rebekah “Betty” Harkness’s story at her Holiday House in Watch Hill, RI, and how she further alienated herself from the rest of the neighborhood as they cast stones at her for the collapse of the last great American dynasty. (Or perhaps Daenerys Targaryen’s descent as the Mad Queen played a part in the song’s inspiration, as Swift has spoken of her love for Game of Thrones and her character specifically.) Taylor herself could also represent the widow, her music and masters as her love lost, and the men behind the crime as the “town that cast her out.” In the first verse she sings, “What do you sing on your drive home? / Do you see my face in the neighbor’s lawn? / Does she smile, or does she mouth ‘fuck you forever’?” It’s the first f-bomb of Taylor’s career (though a much more playful one will come two tracks later in “betty”) and it speaks volume. Taylor has received a lot of condemnation for expressing her anger at their transaction, for calling out their greed for what it is. Some view Swift’s stance on the ordeal as petty and trivial; they see the men as orchestrating a good business deal, and Swift as the girl throwing a tantrum. Ask any woman, and they can tell you about a time a man told them they were crazy for being justifiably angry; it only makes us angrier. “No one likes a mad woman,” Taylor states, “You made her like that.” Swift underscores that here, how they will poke and poke the bear but then blame it for attacking, as if they had never provoked it at all, and how dare it defend itself. Just as they blamed Rebekah for her husband’s heart giving out, they somehow manage to blame Swift for not being allowed to purchase the rights to her own work. And yes, she’s mad, but the song is measured and controlled; she’s used to her anger now, and knows just how to wield it. Best lyric: “Women like hunting witches, too / doing your dirtiest work for you / It’s obvious that wanting me dead has really brought you two together.”
13. epiphany This is another track Swift provided some background on, stating it was inspired by her “grandfather, Dean, landing at Guadalcanal in 1942” during WWII. The first verse paints this image, while the second verse depicts a different kind of war, happening right now, fought by doctors and nurses. She speaks of holding hands through plastic, and the escape folklore has granted you suddenly lifts. Watching someone’s daughter, or mother, or anyone suffer at the hands of the COVID-19 pandemic, just as watching a soldier bleed out, helpless, is too much to speak about. As she points out, they don’t teach you about that vicarious trauma in med school. We are living in a tireless world with barely any time time to rest our eyes, but too much going on while we’re awake to make sense of any of it. “epiphany” is a cinematic prayer, pleading for some quiet in order to find an answer in all the noise. We’re still waiting for that glimpse of relief. Best lyric: “Only twenty minutes to sleep / but you dream of some epiphany / Just one single glimpse of relief / to make some sense of what you’ve seen.”
14. betty (teenage love triangle, part 3: james’s perspective) It makes sense that a song reminiscent of Fearless would exemplify some of the best story-telling on folklore. The final puzzle piece of the teen love triangle, “betty” is a song sung by Swift from the perspective of the character of her own creation, James, attempting to win back his true love, Betty, who he slighted in some way. He proclaims that the worst thing he ever did is what he did to her, without explicitly stating it. Though the infamous deed is unclear, here’s the information we collect from this song: James saw Betty dancing with another boy at a school dance, one day when he was walking home another girl (from “august”) picked him up and he ended up spending his summer with her yet still loved Betty, and though he ended things with his fling and wanted to reconcile with Betty, he had returned to school to see she switched her homeroom (James assumes, after saying he won’t make assumptions. Classic men). So in order to make it up to her, he shows up at her party with the risk of being told to go fuck himself (the second and charming “fuck” on the album! Which is repeated!). Upon his arrival, there is a glorious key change (ala “Love Story”) and all the pieces fall into place for the listener; we realize Betty is the girl singing in “cardigan” as he lists the things he misses about her since the thrill expired, like the way she looks standing in her cardigan, and kissing in his car. He’s 17 and doesn’t know anything, but she knew everything when she was young, and she knew he’d come back. The way I see their story conclude is that she led him to the garden and trusted him, but as they grew older they grew apart, but the love she had for him never faded completely. Listening to this song is like being back in high school, whether you were the person who did someone wrong or the person so willing to forgive in the name of young love, or Inez, the school gossip, you’re right there with them. The other great thing about this song is that it is sung to a girl, and though it is set up so we understand it is most likely from a boy’s perspective, it doesn’t have to be. It’s really great that girls in the LGBTQ community can have a song in Taylor’s voice to fully connect to without changing the pronouns or names (even James, which is unisex and is one of the names of the daughters of Blake Lively and Ryan Reynolds, Taylor’s close friends, mentioned in this song). That is the beauty of folklore: the infinite ways a story can be told, perceived, retold from a different perspective, and told again. Maybe you’ll hear it from Inez. Best lyric: “But if I just showed up at your party / would you have me? Would you want me? / Would you tell me to go fuck myself, or lead me to the garden?”
15. peace One of the most beautifully solemn songs of her career, “peace” echoes the same fears explored in “Dancing With Our Hands Tied” from reputation; will the person she loves be able to weather the ever-present storm that comes with the life of a superstar, but also dwells within herself? Will holding him as the water rushes in be enough? Will giving him her wild, a child, her sunshine, her best, be a fair consolation? Presumably another confessional track and about Alwyn, Swift puts him up on a pedestal, praising his integrity and his dare to dream. She proclaims that she would die for him in secret, just as she told him she’d be on her tallest tip toes, spinning in her highest heels, shining just for him in “mirrorball.” She highlights some of the greatest gifts of love, such as comfortable silence and chosen family. She knows what they have is special, but she also knows the value of peace, the ultimate nirvana, and does not want to deprive him of that. It is so deeply relatable- to me, at least- to feel like you can give someone so much of yourself but know it still may never be enough, and to fear either losing them or robbing them of something better. But looking at what they have together, maybe peace is overrated. Or maybe, she’s looking for peace in the wrong places. The calm is in the eye of the storm, and sometimes, there’s nothing more freeing than throwing away the umbrella and soaking in the rain. Best lyric: “I never had the courage of my convictions / as long as danger is near / and it’s just around the corner, darling / ‘cause it lives in me / no, I could never give you peace.”
16. hoax The truest enigma of the album, the closer, “hoax” is a devastatingly dark ballad about the uncertainty, or perhaps incredulity, of someone’s love for you, a love that is your lifeline. The lyrics are ambiguous, which gives way to a plethora of interpretations. Perhaps she is speaking about a hypothetical situation that has yet to happen (and hopefully doesn’t) in which someone she loves and trusts betrays her. Maybe she is talking about a relationship, real (hopefully not) or fictional, in which despite the torment it brings her she holds onto it for dear life. I’m most inclined to believe that the song represents her difficulty in accepting that someone is willing to love her through such dark periods, that their love must actually be a hoax, but she chooses to believe in it anyway and uses it as the motivation to rebuild her kingdom, to rise from the ashes on her barren land. And even through the downs that come at some point in every relationship, she can still see the beauty in it all. Yes, their love is golden, but waves of blue will crash down around any partnership, because life does not exist without them. So even when things are as blue as can be, she’s at least grateful it’s with him. Best lyric: “Don’t want no other shade of blue but you / no other sadness in the world would do.”
Although we still have yet to hear the deluxe track, “the lakes,” as a fan of Taylor for almost 12 years, it feels so obvious that this is her strongest work yet. The storytelling I fell in love with on Fearless as a teenager (which, much like folklore, was highly inspired by imaginary situations and real emotions) is even sharper now as we have both grown into adults. The music on this album might not be everyone’s speed, and that’s okay. But it allowed Taylor to dip back into what made Fearless such a success: using pieces of her own truth and the whims of her imagination to develop a multi-faceted narrative that becomes universal. During her Tiny Desk concert, before performing “Death By A Thousand Cuts” from Lover, Swift explained the anxiety she felt around the possibility of stunted creativity when people would ask her what she would write about once she was happy. Taylor has released an abundance of beautiful, fun, complex love songs since the start of her relationship almost four years ago now. But “Death By A Thousand Cuts,” which is a fan favorite, helped her prove to herself that she can still write a killer breakup song while being in a happy, fulfilling relationship; the song was the last track written for Lover and was inspired by the film Something Great on Netflix. And so it makes perfect sense that Taylor used folklore to continue exploring this new avenue for songwriting. All of her discography and all of her life experiences have culminated to the folklore moment: as all the best artists do, she will never stop finding inspiration in hidden corners of this dark, mystical, wondrous universe, and falling in love with new ways to share those wonders. And that love will be passed on.
DISCLAIMER - REVIEWER’S BIAS: I love Taylor Swift more than any person in my life, yes including my parents, they are aware and have accepted this fact long ago ❤️
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spnfanficpond · 4 years ago
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Pond Diving - Imagineteamfreewill
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Welcome to today’s Pond Diving Spotlight! We hope that you enjoy this little insight to our members and perhaps even find some useful tips for your own writing. Happy reading!
Want to volunteer, send us an ask! We’re looking forward to learning more about all of you! Not sure what PD is, you can learn more here.
“Don’t Be Koi About It” - All About You
Name: Meg
Age: 20s
Location: United States
URL: @imagineteamfreewill
Why did you choose your URL: I first started out structuring my stories as imagines, and the “Team Free Will” part was pretty obvious.
What inspired you to become a writer: Reading Supernatural fanfiction inspired me to get back into writing, but I’ve always enjoyed it. My mom likes to talk about how when I was in Kindergarten, I drew a picture about how I wanted to be an author and now I write in my free time.
How long have you been writing: According to tumblr, I’ve been writing fanfiction since 2014, but I’ve been writing for as long as I can remember.
What do you do when you are not writing i.e. Job/Hobbies etc? I’m a music teacher, so I sing and play piano, and I’ve played a bit of cello and tenor saxophone as well. I love movies, baking, sleeping, and a few video games.
How long have you been in the SPN Fandom? I joined sometime around Season 8 or 9, I think. I don’t really remember!
Are you in any other fandoms and do you write for them? I really enjoy Marvel and I’ve read a lot of Marvel fics, but I don’t write for them. I like a lot of TV shows (New Girl, Parks and Rec, The Good Place, Outlander, etc), but I wouldn’t consider myself part of the fandom.
Do you do any writing outside of fanfiction? If so, tell us about it? I love to write poetry. I had a poetry blog at truenorth-ink a while ago, but I haven’t updated it recently at all. Most of my poems aren’t published or posted anywhere.
Favorite published author: I love some of the early series by Rick Riordan and I also really enjoy poetry by Nikita Gill and Atticus. Lately, I've really been getting into Leigh Bardugo's books.
Have you ever read a book that made an impact on your life? Which one and why?: I think "East" by Edith Pattou really affected me! I read it when I was in 6th-8th grade and I think about it often. I think it's something that really stuck with me and got me interested in fantasy books so much. I read it at least once a year.
Favorite genre of fanfic (smut, angst, fluff, crack, rpf, etc): I love angsty stuff, and most of the time I prefer it when it has some fluff mixed in. Straight fluff is often hard for me to read because I need something that’s more realistic for my own life and point of view. I also really like whump, but that can be a lot sometimes so it depends on my mood.
Favorite piece of your own writing: I don’t know if I have a favorite, but I loved writing Back to the Start (my mermaid series) and The Switch (a canon-divergent apocalyptic Reader x Sam series). Right now, I'm really enjoying my Consort series (a Goddess!Reader x Dean series). Creating my own rules in my own little universes is one of my favorite things to do, especially since I can’t always do whatever I want in real life.
Most underrated fic you have written: Empire. I loved getting to write Boyking!Sam because it was so different from my normal Sam stories and I did a lot of research for it. I’m pretty proud that the story never got too bloody or gory, too, so if you want some Boyking!Sam that’s not drenched in blood (for lack of a better term), I’m your girl!
Story of yours that you’d most like to see turned into a movie/tv show: Probably Back to the Start or The Switch. I think those two series would be amazing to see with J2, the rest of the cast/characters I included, and special effects! There’s so much I’d want to explore with both of them that I didn’t put into the series.
Favorite Tumblr Writer(s): @luci-in-trenchcoats, @sunlightdances, @supernaturalfreewill, @lipstickandwhiskey, @smol-and-grumpy, @percywinchester27, and @kaz2y5-imagines
Favorite fic from another writer:  I don’t think I could pick just one, but I’ve read all of @sunlightdances Dean fics multiple times. Her works got me through some pretty sucky times in my life and I don’t think I’ll ever get sick of her writing! I’ve also been reading her Bucky fics recently and it’s made me love Marvel fics even more than before!​
Favorite character to write: Sam Winchester
Favorite Pairing to write: Reader x Sam (Reader x Dean is a close second)
Least favorite character to write (and why): I don’t like to write for Crowley or Gabriel. Gadreel is hard for me even though I can do it, but I don’t understand Crowley or Gabriel’s personalities at all because they’re literally so far away from mine.
Do you have anyone you consider a mentor? No, although @lipstickandwhiskey and @kaz2y5-imagines really encouraged me in my writing!​
Do you have any aspirations involving your writing? I would love to write a non-Supernatural work of fiction to publish, but that’s a long way off.
How many work-in-progress stories do you have: Oh Lord, I have so many! I have at least four series and two one shots in the works right now. I've also got over 100 one shots/series plotlines written out in the notes on my phone and various Google Docs.
What are you currently working on? I’m currently working on a Cinderella series, my Underworld series, my Puer Rex series, my Consort series, an Author!Sam fic, and an Author!Dean fic. I also write stories for my Words series now and again.
“Pond Diving” - All About The Writing
What/who has had the biggest influence on your writing? Reading other people’s work. The intense storylines of @luci-in-trenchcoats ’s fics have gotten me to be more bold with my writing and the emotions and description in @supernaturalfreewill’s works have inspired me to let my work have more feeling.
Best writing advice you've been given: Not necessarily writing advice, but I was once told that anything worth doing is worth doing at least a little bit every day. Think about it—if you wrote even just five minutes a day, how much better will you get over the course of a month? A year?
Biggest obstacle you’ve faced in your writing: Repetition of words and commas. So many commas and so many uses of the same word over and over again. It’s a hard balance between using the word and using synonyms without sounding like I’m sitting there googling synonyms for “said”. I also tend to spend a lot of time on things that I think are super important but aren’t really important in the long run. I’m wordy as hell and my writing would be dull if I didn’t edit it as thoroughly as I do.
What aspects of writing do you find difficult when you write fanfiction? A lot of times I have these ideas that I think would make a great series but I don’t think through them, so planning out the plot of a series (or even a standalone fic) beforehand is something I struggle with.
Is there anything you want to write but are afraid to (and why): I would love to write more fics that have the characters dealing with severe mental disorders or that take place in a mental hospital, but I’m afraid that I’ll portray something wrong and solidify harmful stereotypes about what it’s like to deal with those things.
What inspires/motivates you to write: Honestly, just wanting to write things that I enjoy. Sometimes I get sick of reading other peoples’ stuff since it’s not exactly what I want, so I just write my own!
How do you deal with self doubt: Understand that sometimes it happens. You’ll doubt yourself—everybody does. If I’m doubting myself or my writing, I’ll take a break until I remember why I write. Then I’ll remember that yeah, writing for an audience is fun, but I write because I have cool ideas I want to explore, not because I need the attention or love of strangers. Lastly, I’ll reread my old fics, especially the ones I love, and then I’ll go back and edit old fics that I haven’t looked at in a while. That way I can see how I’ve improved and I don’t feel so terrible anymore! Reading my own fics is a bit of a guilty pleasure of mine, and I’ll read through my masterlists every once a while just to remind myself of the things I’ve loved, where I’ve been, and where I’m going.
How do you deal with writer's block: Like I said, I reread old fics and edit old fics that I haven’t looked at in a while. Seeing the things I’ve done before always helps to focus me. I’ll also read other people’s stuff or talk about headcanons with some friends to try and find some inspiration.
Do you plan/outline your story before you start: Lately I have been, but only because my periods of intense inspiration and productivity are getting farther and farther apart because of my job. I’ve found planning it out to be more and more helpful, especially for my series. A lot of times if I get a great idea, I’ll outline the whole plot or any significant details I want to put in that one shot/series so that I can come back to it whenever I have the time or I’m inspired for it again.
Do you have any weird writing habits: I write best in places that are unfamiliar to me or in places/times where I shouldn’t be writing. Class? Writing. Airport terminal? Writing. 4am when I have to be up at 6? Writing.
Have you ever received hateful comments on your fic and how do you deal with it? Not that I remember! I feel like there’s probably been one or two over the years, but I probably just got upset about it with my friends for a while and then got over it.
Conversely: what’s been some of your favorite feedback on your fanfic? A long time ago, when I was writing Back to the Start, I had one person who sent me asks for every single series update. I screenshotted them and saved them on my laptop. There’s one particular one where they say that they’re happier because of my writing and honestly, isn’t that what we all strive for? That people’s lives are better because of our stories? I’ve also had some pretty great friends recently who’ve made it a point to reblog and send asks/messages on all my works, which has been so meaningful that I never replied to the asks. They’re sitting in my inbox and I go through and reread them sometimes when I’m feeling down.
If you could give one piece of advice to a new and/or struggling writer, what would it be?  ​Write down everything. If you come up with an amazing piece of dialogue, even if it’s just one sentence or one person talking, or if you come up with something you’d think would be a great title… WRITE IT DOWN. It doesn’t matter if it fits into whatever you’re currently writing or not, it’ll come in handy! I don’t know how many times I’ve gone through my idea list and found really obscure lines/titles/inspiration that didn’t make sense when I wrote them down, but are now exactly what I need to finish a fic. Even if you don’t end up using it, jotting down your ideas is still writing, and that’s good practice!
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unholyeverything · 5 years ago
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Hello. Today I wanted to talk about something that has bothered me ever since I drew my last comic. When I had to figure out what their school uniformes looked like from the back.
And then I noticed how atrocious their clothes are in general. And I’m not just speaking about their style. Because that’s actually decent.
I’m talking about the patterns and how these things would have to be assembled.
The poor seemstresses that had to work on these……
Some background on myself and why I feel allowed to complain: I started sewing my own clothes with homemade patterns in 2014 and now that I’m studying Textile Design with my main focus on fashion and pattern making I had the opportunity to take actual sewing classes with professional instructions. And I’m usually able to draw out patterns from just looking at the clothes in question.
 But these things are just messed up.
 Let’s start with their goddamed collars. These things would be such a pain in the ass to draft and sewing them would be even worse. Because why make a regular lapel collar when you can make pattern pieces that look like exhibit A.
Like good luck trying get this shit lined. Because these jackets are lined, fully from what it looks like. And noone should make fancy jackets without a lining.
 Right side is equally horrendous. That front collar thing that should be the other side of the lapel. Looks like it’s a separate piece. Which might look nice on the first glance.
But how would one attach that to the back?????
Only sane explanation with the collar of the left side overlapping with the shoulder seam would be that it would simply be topstiched in place. But I’m not sure if that won’t restrict movement by blocking the shoulder???
View B for more details.
 Things that are nice to see: Buttons and buttonholes are drawn correctly. With two lines of buttons on jackets like the one closer tot he side seam is always fake, with the button holes not actually working and just being decoartion. There are push buttons to ensure proper closure on the other side, easier to close than normal buttons, though you most certainly won’t need that much.
 First the zippers in the sleeves gave me a headache too, but they aren’t as bad as I thought they where as these sleeve seem to be simple one pattern piece sleeves with the zipper just being inserted in their side seam which is easily doable, see C.
 Once you got the outer layer figured out, lining them shouldn’t be that hard. Don’t forget to add a slit fort he ones being knee lengh. You need one, trust me.
Facing fort he collar pieces should be doable by just tracing the outer layers until the second row of buttons. Don’t forget to sew on the fancy golden trim first.
 Next, have fun making your own quilted fabric and sew on little dangling beeds by hand. Will take ages.
No idea why there is a piece of outer fabric attaced to the lining around the sleeves. Unecessary.
 I love the white topstiching though! I’m a big fan of topstiching.
 And finally let’s talk about their capes. The only way I would be able to explain them sitting where they are and starting how they do is that there is a safety pin involved. Like just why are they there in the first place.
Leave the capes to superman. For real. There is also nowhere to tuck them in when their belts are undone????? More safety pins?????
 I’ll have a frame with all the hypothetical pattern pieces attached.
Maybe some cosplayers will benefit from my rambling…..
 I just wanted to combine my two interest for once, and I will trash all their clothes. Trust me.
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penmankendallinterlude · 4 years ago
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Extensive Press Release
from the pen of Mat Smith:
PAUL KENDALL
Boundary Macro
Boundary Macro is the fifth solo album from producer, engineer and electronic musician Paul Kendall.
Beginning with his tenure in anarchic London post-punk unit Dry Rib and on through his respected studio work with Recoil, Wire, Barry Adamson, Nine Inch Nails and many others, Kendall has always maintained an acute focus on the intricate properties of sound. Each of his solo albums has showcased an approach to complex sound design as well as the darker, emotive side of sonic processing. His pre-lockdown live sets with Daniel Dickel as LeCabLe were noisy, highly sculpted improvisations that drew a connective line to his work on the grimy fringes of industrial music.
The impetus for Boundary Macro came through a remix completed for Downwards, the label run by Karl O’Connor (aka Regis). O’Connor was familiar with Kendall’s tenure as an in-house producer, engineer and mixer for Mute Records in the 1980s and 1990s, and sought him out for the remix of Veronica Vasicka’s ‘From Here’ in 2018. “He liked the remix I did for him and I remember him saying to send him some of my stuff if I so wished,” recalls Kendall. “I sent him the ten tracks that make up Boundary Macro. He came flying back to me having fallen in love with a couple of pieces and offered to put the album out on Downwards. It really was a seductive enthusiasm and I readily agreed.”
Boundary Macro was recorded after the COVID-19 pandemic had first emerged and our daily lives were suddenly put on hold. “I experienced a sort of creative paralysis from the start of March until the end of April due to early lockdown and an endless concern about food supplies,” Kendall reflects. “Around May I started to experiment sound processing apps on my iPad – apps like Borderlands Granular, Tardigrain and Enso. I was astonished at the relative affordability of these apps in comparison to studio multi-effects units or computer plug-ins.”
Having identified the tools to unlock his lockdown-inflicted writer's block, Kendall began experimenting with recordings of his own voice and the Leaf Audio Soundbox instrument, capturing hours of improvised performances which were then microscopically edited, superimposed and processed to form eight of the tracks on the album. The album was completed by the addition of two older pieces created using completely different methods (‘Distor ADIO’ and ‘Are You In?’), but which were entirely in keeping with Kendall’s May 2020 experiments.
It’s easy to see why O’Connor fell for these tracks. These pieces each have a latent energy, like industrial techno with all the familiar references points suppressed under heavy distortion, blocks of noise and an oppressive, cloying blanket of impenetrable tension; music devoid of any discernible certainty, made at a time when life’s certainties had become abruptly upended. The name of the thunderous, vaguely orchestral opening track – ‘Restless’ – encapsulates the mood of this album: sounds and ideas arrive, hang around, evolve, mutate and are then immediately replaced.
On ‘The Chattering, Class’, we hear Kendall’s distinctive attention to atomised detail, with an ever-changing array of fluttering, backward sounds and brittle textures, while a subtle hint of an exotica melody feels like lonely wind chimes in an abandoned landscape. On ‘InHarmonic’ we experience a characteristic disquiet, built from a dense and unswerving drone and pulsing signals offset by minimalistic, shamanistic percussion patterns. On ‘ReBurst’ rumbling, ghostly processed voices jab at you viciously, like a pissed-off demon roused from its sleep, its relentless onslaught buffeting you like a wild storm; in its wake comes a distorted, sinewy sequence, as insistent, angular and thrilling as a prowling heavy metal solo.
The concept for Boundary Macro unifies an approach that Kendall takes to both images and sound. “I absolutely love macro photography,” he explains. “Macro photography is where you magnify the minutiae of an object. It's a similar method that I’ve used a lot in sound design, where I take found sounds then exploit and zoom in on them.”
If ‘macro’ is the descriptor for Kendall’s process, then ‘boundary’ is about revealing another personal side of himself – his hearing difficulties, a condition caused by too many loud studio sessions. “A boundary can be thought of as being like binary, with its two states – on and off. With this album, the boundary in question is the one between my ability to hear and not hear. Because of that deafness, I sometimes have to rely on graphical representations of sound to ensure there’s not something happening sound-wise which I am unable to hear. It’s also about the supposed boundary between sound and noise, which, for me, does not exist. It’s also the idea of the boundary as a limit – but a limit to go beyond, not one that stops you. Suffering with loss of hearing could have easily acted as a limit for me. Boundary Macro is the sound of me going beyond that limit.”
Boundary Macro by Paul Kendall is released on vinyl and digital on Downwards Records, 29 July 2021 through Boomkat: https://boomkat.com/products/boundary-macro
Track list:
Restless
The Chattering, Class
Nowhere, A Twisty
Missing The Fierce
Contrail
InHarmonic
Distor ADIO
ReBurst
No Door
Are You In?
Paul Kendall solo discography
The Faulty Caress (as Piquet) (Parallel Series / Mute, 1996)
Angleterror (Cat Werk Imprint, 2011)
Family Value Pack (Ant-Zen, 2014)
Mechanical Generation (Vol. 1) (self-released 2017)
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percywinchester27 · 4 years ago
Text
A lot like ‘Us’ (Part-40)
Word count: 4.8K
Pairing: Sam X Reader AU
Warnings: Fluff, angst, feels, sickness
Series Summary: Y/N Y/L/N is eager and honestly, still in awe that she managed to get herself an acceptance from Stanford Law School. On the face of it, her life seems as put together, mysterious and independent as one might hope for. On the insides, she carries the burden of past that haunts her till date. Seemingly, she’d left it all behind; that is until she sets foot in the class of the Law School’s youngest, most promising professor.
A/N: The story employs two different timelines. The present timeline for the story takes place in 2014. Please let me know what you guys think :)
Beta: @deanssweetheart23​​. You’re a Rockstar <3
A lot like ‘Us’ masterlist
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No one talked to you today, the whispers though, had escalated. No one was bothering to keep it quiet either. Not just your classmates, even the faculty kept giving you looks, ranging from distrust to pity. Professor Whitman, who never cared much about anything, took a whole minute to find you in the class and give you a once over, like he was seeing you for the first time- Sam Winchester’s flighty wife, back to ruin his life again.
The judgement you could take. The pity was painful. What did they see? A girl who couldn’t appreciate a good man? Or as much as you hated to think of it that way- a girl who couldn't be a mother again.
It came as a surprise when Jody called you to her office after the class. When you followed her in, she closed the door behind and unexpectedly pulled you into a hug.
“I’m sorry about all of this, Y/N,” she said. “It’s awful.”
You waited for her to let go of you then asked, “How much trouble is Sam in?”
Jody pursed her lips. “I want to say, ‘not much’ but we’ll only know on Monday, I suppose.”
“Are you part of the enquiry committee?”
She nodded. “All of the freshman faculty panel is on there. You have nothing to worry about, Y/N. Your grades are impeccable. You can’t possibly be sleeping with all of us.”
“I’m not even sleeping with Sam!” You let out, frustrated. “And I’m more worried about what happens to him.” You were a student. The most they could do is sack you from the students committee and bump down your grades. 
Jody regarded you for a moment. “The two of you are so similar. It’s uncanny.”
She sighed. “I’ll be upfront with you, Y/N. As much as I’ve tried to shake them, Sam’s priorities are set. Even absent, you were very high up on that list. With you in front of him, there are very few things Sam wouldn’t give up for you.”
You already knew that. But was it right to let him make all those sacrifices for someone as undeserving as you?
The thought plagued you after you’d left Jody’s office, just as it had plagued you for the past two days. Outside, you ran into Madison.
“Oh, I was looking for you,” she said. “Sorry, I missed the first few lectures, but I have news for you. One good, one bad.”
“Bad one first,” you said, apprehensive. 
Madison made a face. “Starting the day after tomorrow, I have no place to live.”
“What? Didn’t you have a lease for the whole year?”
“Lacey is screwing someone, who knows someone else who knows the hostel director. And, well, long story short, my lease got prematurely terminated.”
Anger flared inside you again. This was happening to Madison only because she was staunchly standing with you. 
“I want you to come house hunting with me. My brother’s agreed to help me out with the money. So, I’m good to go.”
The idea popped up in your head immediately. “Why don’t you move in with me?” 
Her eyebrows knitted together. “Meg?”
“Meg’s almost moved out next door. I was supposed to put out an add for a roommate but with everything that’s going on…” Convincing Meg to continue with the move had been very difficult. She thought it was some sort of betrayal to leave you by yourself in all this mess. Cas supported her on that. However, everyone was camping in your living room anyway. 
Ultimately, you had to put your foot down and tell her to move her ass out. Your life might always remain a tragedy. It shouldn’t pause her or Cas’s life. She had still slept on your sofa last night.
“You’re serious?” Madison was trying her best to contain her excitement.
“As a heart attack.”
She let out a loud squeal and tackled you. “This is the best thing ever. We’ll be roomies!”
“Not if you call me that.”
Madison’s laughter rang out in your ears. “Now you’ve already offered. You can’t take it back, roomie.”
“Wait, what’s the good news?” 
Her face split into a huge grin. “I heard from the HR at Acton Gris. They won’t hire me as an intern. But she asked me to apply for the position of summer associate next year. She said my chances looked great.”
“That’s wonderful!”
“Yes! I’m thinking of applying for an on campus job this year.”
Madison was sincere, smart and she worked very hard. No wonder good things were in store for her. “Let me talk to Molly today. See if she has some inside intel on vacancies.”
“You’d do that?” Madison couldn’t stop beaming and you smiled right along with her. “The world is a much better place with you in it.”
Not everyone thought that. Following the pattern of the past few days, Rebecca decided to show her face again after the lecture. You had been expecting her at this point. Maybe she couldn’t sleep without venting off her frustration on you. As usual, she had Lacey next to her, who really had gone fully darkside.
“Missing your Professor?”
You saw Madison start, but Rebecca put in. “Oh, stop being her Lapdog, Maxwell. You don’t have to rollover each time she blows a whistle.”
“It’s alright, Maddie,” you said in a calm voice. “As it happens, I do miss him very much.”
“I hope at least the sex was worth it,” said Lacey.
You grinned at her. “Mind-blowing, actually. I remember this one time, I was screaming his name for literal hours. God, the things that man can do. It’s in-credi-ble.” You drew out the last word with a relish.
Lacey’s jaw dropped.
Rebecca recovered quickly. “Christ! You’re shameless. That man’s married with a son. Have you got no shame at all?”
“Weren’t you the one making out with Sam at Maddie’s birthday party in the bar restroom?” You shot back. “I remember you described the bit about feeling his abs in extreme details. He wore his wedding ring around his neck. So how are you not shameless?”
Rebecca’s face reddened in an instant. “What… how…?”
“Doesn’t feel so good when the finger is pointed at you. Right, Rebecca? When you’re the one being put on a spot and your character is being brought into question. It was okay for you to make out with a professor. Why are the rules so different for me?”
“I- I was drunk that night. And I never slept with him!”
“Don’t you dare paint him in that light. As if you were some drunk woman he took advantage of in a toilet cubicle.” You spat. “You’re so desperate that you don’t think twice about lying over something so demeaning. You didn’t touch Sam because at 2 in the night, he wasn’t even there in that bar. So shut that bullshit.”
There was a crowd gathered around you now, and she didn’t like her words coming back to bite her.
“How do you know where Sam was that night?” Rebecca questioned, clearly baffled and out of her element, but trying to salvage the situation and save face.
You rolled your eyes. “We’re having an affair, remember? Keep up, Rebecca. You filed that complaint. Also, don’t worry about his wife, really. She totally doesn’t mind.” You winked.
The murmur around you was starting to intensify. You didn’t know how long it would be before the actual story came out. Or if it ever would come out. Neither did you care. You didn’t owe an explanation to any of these people. 
Rebecca breathed out harshly, and spoke through her teeth, contempt dripping in each word. “You’re disgusting. That child of his-”
“Don’t. Don’t utter a word about that boy,” you hissed, the anger finally burning through. “You’ve done enough harm to Sam’s reputation. But I swear to God, Rebecca, you’ll live to regret it if you so much as dare to think about Max, you deplorable excuse of a living thing.”
The warning was so raw, she flinched back from you as you stormed out. 
Madison did not follow you to the library. She knew when you wanted to be left alone. Attacking Sam was one thing, but you really did want to rip Rebecca’s throat for wanting to bring Max in the middle of it. The fierce protectiveness you felt for him was like nothing else you had experienced before. 
Throughout the following hour, you kept glancing at the door of the library, expecting Max to walk in. Sam had said he would visit. 
Maybe you would ask him to read out to you today. If anything, that could fix your mood.
“Umm… Y/N?”
You looked up to see Molly standing over you. 
“Hey. I didn’t see you there.”
She shuffled from one foot to the other looking at you awkwardly.
You squared your shoulders, realising what she might’ve heard. “Anything you want?”
“I- I wanted to say sorry.”
That brought you up short. “Why?”
Molly ran her fingers through her red hair. “I didn’t know you were… you know… Sam’s wife, and I said horrible stuff to you the other day.”
It hadn’t actually been that horrible. 
“I’d heard the rumours but I swear I didn’t believe a word. Then I ran into Chase Lincoln yesterday. He told me.”
“Everything?”
Molly nodded sadly. “It was wrong of me to make assumptions, Y/N. What happened in Sam’s life was none of my business. And for the reason you left to be so horrifying? I could have never imagined. I’m really, really sorry. I don’t know how to apologize.”
“Stop saying sorry,” you said at once. “I know you’ve always meant well for Sam and for me, Molly. Everyone likes to gossip. It’s no big deal. You didn’t hurt or offend me.”
“There must be something I can do, novia.”
“Never bring it up again. Please. Let’s just forget that conversation happened.”
You saw her eyes start to fill up. “Take the rest of the week off, yeah? Come back Monday.”
“You’re low on staff already.” You did not want anyone’s sympathy.
“I’m not doing this for you,” she said. “Spend the weekend with Sam. He’ll need a distraction more than ever before that hearing on Monday. Okay?”
“Okay.”
Molly disappeared into the librarian’s room before the waterworks started. She didn’t want you to see her tear up so you didn’t follow her in, continuing with your sideways glances at the door. The sharp ring of your phone made you jump.
“Hello?” You answered the unknown number
“Y/N? It’s Alex. Sam left me your number in case of emergencies.” She sounded frantic.
“Is everything okay?” 
“Can you please come over? Max is really sick and… he’s… he’s asking for you.”
*****
Instead of knocking on the door, you straight up punched the security key and barged into the house.
“Max? Alex?”
“Up here!” You heard Alex’s voice. Taking two steps at a time you made it to Max’s room. Your chest contracted, seeing Max in the bed. He was curled up on his side, cheeks wet, face puffy from crying. 
Alex was sitting on a chair next to him, distressed.
“What’s wrong?” You asked, rushing to Max’s side and placing a hand against his forehead. He was burning up.
“I don’t know,” said Alex, “He was fine when I picked him up from school. He said he was feeling sick half an hour ago and now he’s running a fever. I tried calling his usual doctor but it says the number doesn’t exist anymore. He’s been crying and calling out for Sam and... you.”
“Did you try Sam?”
“He’s not reachable.”
“Max, honey, what’s wrong?” You asked as gently as you could. “Do you hurt somewhere?”
He opened his eyes and your heart lurched at the tears in them. “Stomach. My stomach hurts. I want dad.”
“Sam will be home at night. He’ll be with you.” You turned to Alex. “Is he allergic to something?” 
“Not that I know of.”
You were sure he hadn’t had outside food in at least a week, so food poisoning was out.
“Does your body hurt, baby?”
Max nodded slowly, drawing into himself. “And my head.”
“Alex, could you please find the first aid box and get me a thermometer?”
She scampered off to find it, relieved to have someone else take charge of the situation. Keeping one hand on Max’s forehead, you reached out for your purse with the other and pulled out your phone. Thankfully, the number was on the speed dial. He picked up the phone on the second ring.
“Cas, where are you?”
“At the hospital. Everything okay?”
“No. Max is running a high fever. I’d guess around 101. He says he’s feeling sick, and has stomach and body ache.”
There was a pause, then Cas said. “Can you drive him to the hospital? Bring him directly to the paeds ward on the 7th floor. I’ll see you there in fifteen minutes.”
Alex was back with the thermometer. 102.3. Thankfully, she had a license and Claire’s car was in their driveway. You asked her to bring it out front.
After she left, you gently coaxed Max into a sitting position, he looked drowsy and was still sniffling a little. “Honey, listen to me. You’re going to have to deal with a little inconvenience, okay? We’re going to drive you to the hospital very quickly.”
“Hospital?” He mumbled. eyes filling up again. 
“It’s just Cas there,” you soothed him. “You remember Cas, right? We all played jenga together.”
Max opened his mouth to say something, instead his eyes widened and threw up over the front of your sweater and into your lap. 
He started crying immediately. “I’m sorry. I’m so sorry.”
Your eyes filled up. “It’s okay, baby. It’s no big deal.” You removed the puke covered sweater and used to wipe away the vomit stuck to your jeans. “See, it’s all gone. No need to worry at all.”
The retching had left him weak and shivering. 
“Just stay put a minute.” You hurriedly tossed your sweater in the hamper by the door, and pulled on one of Sam’s overlarge shirts over your T-shirt. Once back, you grabbed Max’s grey blanket and wrapped it around him. Slinging your purse around your torso, you lifted him in your arms and carried into the car that was already waiting at the curb. You held Max close to your chest in the backseat, whispering soft reassurances in his ears. 
Just as Alex pulled up in front of the hospital, Max threw up on you again. It made him cry harder. You realised it was not just humiliating for him, he was missing his dad terribly. 
“Max, honey, it’s totally okay,” you assured him, kissing his brow. “I used to throw up so much as a kid, gran used to call me projectile Y/N. Just puke all around me all the time. Hell, ask your dad. He held my hair when I threw up in the toilet. It’s my jam. And we’ve got a  towel now. Let’s clean you up, okay?”
Thankfully, the blanket wasn’t soiled, so you could keep it around him as you carried him in the lift.
Cas was waiting for you there. He immediately guided you to a bed and laid Max down on it. You started to step back.
“Y/N, don’t go,” Max rasped out. 
“I’m right here, Chirp. I’m not going anywhere, but Cas needs to take a look at you.”
Max still reached out with his hand. You looked at Cas. He gave you a quick nod and you rushed to Max’s side once more, grasping his outstretched fingers tightly. Cas pressed Max’s tummy, asking where exactly it hurt, then checked the temperature again along with the pulse. You watched apprehensively as Cas pulled down Max’s eyelids and asked more questions. Meanwhile, the chills kept getting worse.
“It looks like he’s caught a viral fever. The nurse outside told me it’s been doing a round at the school. We’ve had many kids this week.”
“Why is he throwing up then?”
“It’s probably the phlegm. I don’t think there’s a reason to worry. I’ll give him an IV with paracetamol and nausea suppressants. He’ll feel much better in a few hours.” Cas hesitated. “Maybe you should ask Sam before we start the treatment. Only he can sign off on the papers. You’ll need the details of the health insurance.”
“I can’t get to him. We’ve been trying non-stop.” 
Would Sam want you to make such decisions on his behalf? Max was looking paler than usual and was clearly in pain. You couldn’t wait till midnight to start him on medication. It was killing you to see him hurting like this.
“Screw the insurance. I’ll pay whatever the bill comes out to be… and I’ll sign off on the papers as well.”
Cas gave you an apprehensive look. “Y/N?”
“Look,” you said through your teeth, “I’m still his legal guardian. I have that right. Just start him on the medication. I can’t bear to see him like this.”
“Alright.” Cas said something to the nurse behind him who rushed out and then came back with a syringe. 
“This is going to hurt just a little, Max,” Cas said, flicking at the needle.
You crouched down next to Max’s head. “You’re my brave boy, aren’t you? One little prick and that will be all. You’ll feel so much better afterwards. Can you do that?” 
Max gave you one quick jerk of his neck. “Close your eyes.” He did. 
Cas pushed the needle into the tiny crease of Max’s arm and you flinched, tears pouring down your cheeks. Max did not even make a whimper. The nurse stuck a piece of white tape over the puncture mark after Cas was done.
“You need to swallow these two little tablets,” Cas said, handing them to Max along with a glass of water. Max looked at you and you nodded encouragingly. Without any fuss, he did as Cas said. You hugged Max very tightly to your chest. “You’re the bravest little thing in this world, you know that? And I’m so damn proud of you. You get every cookie you can think of when you feel better, yeah?”
“We’ll keep him here till the nausea subsides,” said Cas. “Once he feels better, you can take him home.”
Cas seemed concerned, but it wasn’t directed at Max- which made you feel better. It was directed at you. “You better sign off on those papers, Y/N.”
“Can you please bring them here?” You pleaded. “I don’t want to leave Max.” The boy in question was still hugging your middle tightly.
“Of course.”
It was with shivering hands that you filled out the form. You stared at the paper for a whole minute before ticking off on the small box in the relationship to the patient column against mother. Max had fallen asleep in your arms and the tears just wouldn’t stop. You knew he was going to be okay, the fever was already coming down and he had stopped shivering. Sweat dewed up on his forehead. 
Occasionally you wiped it off with the back of your sleeve. 
But you were terrified of this feeling- like the world would go dark if a single wrong thing happened to this boy. There was a point in your life when you were ready to own up to this feeling, looking forward to it even- and then you had lost it, along with every other emotion in your heart. Since the day you had met Max, you’d been dancing along the edge of the precipice of this very feeling- this selfless, immense love. Not ready to take the leap. Scared that you’d be shattered if you did.
Were you scared of being a bad mother? Or were you simply scared of being a mother? 
As you sat there, alone, in the small clinical room, with Max softly snoring in your lap, you realised that what you truly feared above and beyond everything was giving in to feeling this love and losing it again. 
If you accepted him as your son, and then something happened to him, you wouldn’t make it out of it alive. Literally. Not accepting Sam’s love and a place in his and Max’s life was not only a product of your doubts and self-hatred. It was a plain survival instinct. The epiphany was so strong, it left you breathless.
You felt a hand against your shoulder. Cas’s blue eyes were sympathetic in their depth. “You can take him home now, Y/N.” He didn’t try to reassure you beyond it. He had a subtle way of comforting without saying the words out loud.
You called Alex again, who had been reading in the waiting room and she drove you back to Max’s place. He’d been asleep through the ride, right until you put him to bed. Insisting that Alex go back home and study for her exams, you stripped down to your tank top, pulled on a pair of Sam’s tracks. After making sure that Max was still out, you cleaned up your clothes, and the mess on the floor and side of Max’s bed. You didn’t dare close the door of the bathroom, lest Max call out to you and you couldn’t answer. 
Taking the chance, you made some chicken soup for him, and only then did you wake him up, gently. 
Max called out for Sam the moment he opened his eyes and your heart broke again. Doing your best to reassure him that Sam was on his way, you cajoled Max into changing out of his dirty clothes and into fresh ones. 
He refused to eat the soup, but with soft insistence, you persuaded him to finish half a bowl of it. 
“You’ll read to me?” He said in a muted, dull voice as you tucked him back in the bed.
“Of course, sweetheart, what do you want me to read?”
“Anything.”
You looked around the room, your eyes landing on the only book over his nightstand. 
“Alright, here we go.” You flipped to the page with a bookmark. “We could not wait for Atticus to come home for dinner, but called and said we had a big surprise for him. He seemed surprised when he saw most of the back yard in the front yard, but he said we had done a jim-dandy job. “I didn’t know how you were going to do it,” he said to Jem, “but from now on I’ll never worry about what’ll become of you, son, you’ll always have an idea...”
*********
It was stupid and incredibly irresponsible on Sam’s part to let his phone drain out completely. Even worse, he’d left it to charge in the meeting room and forgotten to check it in the next couple of hours while he met with the children in the boy’s home. He came back to 17 missed calls and 23 text messages- from Alex and Y/N. 
Max was sick and he’d had no idea.
Sam had frantically called first thing after going through the texts. Y/N had picked up only to whisper that Max was better and asleep, and that Sam needn’t worry. For the next five hours, Sam worried ceaselessly anyway. It drove Chase up the wall, but he played his music loudly in the car all the way till Sam dropped him off and didn’t point out how Sam was a total maniac. 
The clock on his dashboard blinked 1:22 as he made the bend to his house.
Sam parked the car all wrong in the driveway, barely giving it a second thought before running inside. He should’ve been quieter, knowing Max was asleep, but the anxiety barely kept his legs moving. He would have continued at the same rate through Max’s door if the scene before him hadn’t made him stop.
On the bed, Max was sleeping peacefully. He was dressed in a thin cotton t-shirt, the lower half of his body was covered in his blanket. That wasn’t what made Sam stop. Y/N was curled up beside him, her arm thrown around Max, who was nextled so comfortably in her embrace that he belonged there. Max’s book was balanced over Y/N’s hip, wedged open on the page she had been reading out of. On the nightstand, stood a bowl of cold soup, half empty, along with water and strips of medicine. The table on Y/N’s side held a cooking pot filled with water and a washcloth lay dipped in it. She’d been nursing him- from fever or the sweat, Sam couldn’t say.
Slowly, he walked up to Max, and very very carefully placed the back of his hand on his forehead. No fever. 
Sam looked about himself. The floor was strewn with Max’s clothes that smelled like he had been sick over them. Sam picked up the clothes and carried them to the washing machine. Inside was already a dry load of clothes that belonged to Y/N and him. So Max had thrown up on her. More than once.
Sam knew from the messages that Y/N had taken Max to the hospital- had her friend, whom she trusted implicitly take a look at his son, signed the papers as his guardian and paid the bill out of her pocket.
The thought occurred to Sam as he undressed for the night. In that last message, Y/N had apologised for signing off on Sam’s behalf, as if he could ever be mad at her for dropping whatever she was doing to look after his son, the way a mother would.
Sam understood now why Max had thrown a fit when Sam had forbidden him from seeing Y/N. It had hurt Sam that he couldn’t be enough for Max, that Max was looking for something more in Y/N. But seeing them together now, Sam could see he had been completely wrong. Max wasn’t asking something more, he’d been asking for what already belonged to him- Y/N’s love. Max had been right all along.
Sam pulled the covers and duvet off his bed and dragged to Max’s room where he laid them out at the foot of Max’s bed, so he’d be sleeping next to him on the floor. An alarm started going off on Y/N’s phone, and Sam jumped to turn it off. It was already 2 O’ clock. She had set successive alarms for every hour of the night, Sam presumed to check on Max. Sam turned off all of them. He was home now, he could take care of it. 
He checked Max’s temperature once more- still normal- and then bent down to place a kiss on his forehead. It was almost November. Max always had bouts of viral or flu in the cold months. He should have foreseen it. If Y/N hadn’t been around…
The expression on her face was so peaceful as she held onto his boy, tears sprang into Sam’s eyes. This was everything he wanted in his life. Everything. Right in front of him. He bent down once more and planted a soft kiss on her cheek. She didn’t wake at his touch, but adjusted herself closer to Max on the tiny bed, the book falling off her hip with a soft thud onto the thick carpet. 
Sam lay down on the floor, thinking of a night very long ago when Y/N had fallen asleep on the  sofa in his house, back in Lawrence. He’d read to her from this very book that night- for the first time. Sam had slept besides her on the floor that night as well. A writer would have called the parallel poetic… but Sam saw it for what it was, shrouded in a mist of uncertainty all around him- a haunting ache inside his soul.
He couldn’t thank her for what she’d done for his Max today- not only would that gesture be insufficient, it would be insulting. No, Sam wouldn’t thank her. Instead, he would check up on Max every hour, make her breakfast in bed, and iron her clothes before she woke up, so she wouldn't be late for classes tomorrow. He would pack her a lunch and kiss her goodbye at the door. Maybe she would see through him and understand how incredibly grateful he was for today… and how tragically hopeful he was for the future, when he could do these simple things everyday without the excuse of an unsaid thank you.
“I love you, Darling,” he whispered. “It can only ever be you.”
*****************************
A/N 2: It’s been a hard, awful few days. I must be made up of stronger stuff than I thought I was.
Please do let me know if you liked this part. Reblogs and comments are very much appreciated. 
Five more chapters to go!
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