#I figure if people who don't care or aren't good at writing can get shows and make movies

[cupcakesmoothie]

Something about me and mean lesbians with their cute sweet girlfriends that they're absolutely whipped for

Lesbians

[shadowmaat]

Jedi Service Corps

The Legends-fueled propaganda of "bad students get sent to the Agricorp/Services" has always bothered me. First of all, forcing kids into a career not of their choosing isn't the best way to encourage them to perform well.

The Services in general seem to get a bad rap, and TBH it's kind of bizarre to assume that every kid who winds up being taken in by the Jedi wants to grow up to be a cop. LOL!

There is so much untapped potential being ignored, and even within the four pseudo-canon branches there's a lot to explore.

Agriculture. Farmers Without Borders. LOL! It isn't just about growing plants, it's about analyzing trends, understanding ecosystems, geology, climatology, politics, etc. There's mechanical engineering so you know how to fix the machines that do the hardest labor (often illegally, given corporate software locks and so forth). Probably a lot of fiddly stuff with plant genetics, too, given similar issues with seed corporations.

Being Jedi, I'm sure they're also aware of the need to include "ornamental" plants to help with the emotional welfare of hurting/devastated populations.

Education. This field must be fucking wild. Sure, you have your future creche masters and archivists, but I imagine there are those who do public outreach, too, and go to schools to teach kids about what the Jedi do beyond waving laser swords. There's probably also a need for teachers in isolated/rural areas to help with basic things like reading, writing, and maths. Ditto areas devastated by wars and natural disasters, where kids need a safe distraction from trauma. I bet Educorp and Agricorp team up more often than people might think.

There's also the sheer variety of topics. Even something basic like history will have a wide net. Galactic history, region-specific, planetary, etc. And then there's the arts. Music, singing, dance, physical media, holo media, theatre, and so much more. There will be differences between species, understanding what they need to know, how they learn best, and what their aging process is like. Teachers to cover the full range of mortal maturity, from teaching toddlers to old-timers. And don't get me started on teaching "forbidden" topics in repressive communities.

Medical. LOL. Every. Single. Species. And often subtypes between them. So many specialists needed. And again, you probably have a number that specialize in helping in disaster areas. Hello, Educorp, let's help teach these people how to best care for themselves. Maybe Agricorp can help with showing folks how to purify their air and water. There must be SO many diseases, some of which have inoculations and so that don't. And again, figuring ways to smuggle medicine and supplies to those who need it despite the extortionist rates corporations charge. Repairing faulty equipment, finding work-arounds when the parts aren't there. Triage. Using the Force to help heal is all well and good, but sometimes they still have to get hands-on.

Even with non-emergency stuff, I imagine they're still kept busy. The idea of a Jedi "country doctor" settled in some remote area sounds delightful. Communities that get "lost" in the shuffle or otherwise overlooked. Veterinary medicine as a sub-specialty.

Jedi having a special "knack" for determining what's wrong with someone, finding early warning signs before it's too late, etc. Comforting the dying. Comforting the survivors. ALL the mental health stuff and neurodivergence.

Exploration. Jedi Starfleet. LOL! It isn't all about discovering new worlds, though. Sometimes it's rediscovering planets and cultures that have been forgotten. Charting new hyperlane routes and hoping the end doesn't pop you out in the middle of a star.

I betcha you could fold so many things into this one. Botany. Archaeology. Xenoanthropology. Medicine, of course, since new worlds/people means new poisons, venoms, and diseases. New or ancient languages? It'd help to have someone around who could work on translating. Diplomats to help you talk to people. Geologists. Zoologists. A bit of everything.

Sure, there'd be room for solo missions, but I imagine there'd be bigger ships that they'd launch from. A place to come back to so the brains can pore over everything you brought back and see what they can determine from it. And big ships (or any ships really) means pilots, engineers, general crew, logistics, and all those fun things.

Anyway, I can see plenty of room for additional corps, too, but of the ones that get mentioned in Legends there's still a huge playing field.

[rewh0re]

2:55 AM

Ft. Itoshi Sae

Got this idea and i just had to write it because why not. Anyways. Reblogs + feedbacks are highly appreciated!!

It's late. It's way past midnight and you both should be sleeping instead of sitting on the sofa with your heads in your hands trying to figure out how to get out of the problem at hand. You tried your best to sleep but the persistent buzzing of your phone due to the incoming notifications left you sleepless.

"I thought we were careful enough," you took your phone in your hand, opening Instagram only to be spammed by notifications that said you were tagged in several photos and comments by random accounts. There were also thousands of follow requests from said accounts.

"We were careful. They just get their way every single time," Sae had talked to his manager a few hours ago about how a picture of the both of you had taken the internet by storm.

You were out for a date with Sae after his recent victory. The picture was taken after the date when Sae had kissed you under the street light beside an empty park or at least what you thought was an empty park. When you first saw the picture trending, the fans did not yet know who you were, you were still an unknown person who seemed to be Sae's significant other. Within a few hours however, they had found out your name and your account and since then you were on the receiving side of several hate comments and a few supportive ones.

'Sae can do better.'

'They aren't all that.'

'ugh Sae, leave them and date me.'

And other such comments were plaguing the picture. You got several such DMs too that honestly made you feel a bit down and you weren't feeling your best after seeing these.

But along with these there were also a few supportive comments that asked the people to leave you both alone and show you some respect and that it was Sae's choice who he dated and if he was happy it was enough. These comments made you smile. People could be bitter as well as sweet, you concluded.

"What's wrong with the people commenting all of this bullshit? Don't they have anything better to do in life?" Sae's eyes narrowed as he scanned through the various comments and captions.

"This was bound to be the result once our relationship was made public. I'm not complaining, some people can be weird about their idols getting into a relationship," you sighed as you silenced your phone and kept it on the coffee table. This was definitely not good for your mental health as you already thought about Sae finding someone better, probably some pretty fan of his. These thoughts plagued you at night.

"Don't you dare think about me leaving you or something. Don't you let these petty jobless people make you think that you're anything less than perfect for me," Sae held your hand as he seemed to catch on your troubling thoughts. He somehow always knew what was going on with you. Somehow he could read you like an open book. His eyes told you how much he loved you and how important your presence was in his life.

"I'll try Sae. That's the only thing I can do right now. Anyways, these will die down with time. We should sleep now. It's late," you kissed his cheek as you got up from the sofa and headed towards your bedroom.

You stopped midway through, as you noticed your boyfriend was not following you. Instead, he was still on the sofa and it looked like he was deep in his thoughts.

"Aren't you coming? Let them be, as I said it'll die down--"

"I'm gonna make it public first thing in the morning," he turned around to look at you, a serious look in his eyes.

"Sae..people already know, there's no need to--"

"No no, I'm gonna confirm it in the morning. It's been long enough. I'm not doing this for the media either, I'm doing this because I cannot keep loving you in private any longer. I'm tired of always being so on guard with you when we go out," he interrupted you yet again as he closed the distance between you both, now standing in front of you with your face in his hands.

"Sae.." you started but you honestly did not know what to say.

"Are you okay with that?" He looked deep into your eyes as if he was searching for your answer in them.

"Okay," you let out a little laughter as you pecked his lips and broke away from him. "But for now, please, please come to bed."

And true to his words, the next morning you were tagged on Sae's official Instagram post which was a picture of you kissing his cheek as a small, barely there smile was plastered on Sae's face. You smiled a little at the post, not caring about the incessant buzzing of your phone.

'I love you a bit too much' read the caption.

[dandylovesturtles]

Hello! I just wanna say that I love your writing and thanks so much for sharing it :) I noticed a really cool thing you do in how you’ve extrapolated on and built upon Leo and Draxum’s father + son relationship, like in Port in a Storm, the Room fic, and I think there was another one shot where Draxum gave Leo tea after screaming himself hoarse (apologies if I’m confusing you with another author on that one). You’ve given them a really interesting dynamic. I’m curious if there was anything in particular that inspired the way you write them or maybe what your thought process was behind it?

Awww, thank you so much! And yes, you have the right person! That was one of my Bad Things Happen Bingo fics.

I'll admit I kind of Draxum-pilled myself, haha. I love a good redemption arc, and while the one we got in canon was unfortunately cut short (not their fault, of course), the bones of what Draxum and the boys could be are strong, and I love playing with them, particularly where it comes to Draxum and Leo, who initially seem like they'd have the hardest time becoming close. My feelings about them really started to grow in IMBI, where Draxum was initially supposed to only show up in one scene but then steadily integrated himself more and more into the story.

I don't really know if I have a specific inspiration, but I think Draxum and Leo have a dynamic that is particularly interesting to explore and I just like diving into that. Draxum is entering these kids' lives as an adult authority figure pretty late, something that's always contentious even when you aren't a reformed bad guy who dropped one of your "step-sons" off a roof. And Leo holds a grudge, so that makes him particularly resistant to coming around on Draxum (even though I headcanon that he doesn't actively fight Draxum's presence within the family, because it makes Mikey happy). At the same time, Leo seems generally desperate for adults he feels safe coming to, which is why he seeks out Hueso so readily and what gets him in trouble with Jupiter Jim and that one basketball guy. Leo is a pretty insecure kid and he doesn't want to be the one calling the shots (even though he's good at it) - he wants a "dad" around that he can run to when things get scary, who will make it all better for him. And unfortunately his own dad hasn't always done so well at that (though I do think he's had his moments and is getting better!).

On Draxum's end, I take him at his word that he's come to care for all four of the boys by the end of S2 (I just handwave that some development happened we didn't get to see). But while he may genuinely care for Leo's wellbeing, the two of them don't really... mesh. Besides the grudge Leo is holding, there's other things working against them: not having much in common, Leo's propensity for trolling, the fact that he's kinda annoying (but he's a kid, kids are supposed to be annoying), having personalities that go together like oil and water, etc. So while I think that Draxum has accepted Leo as one of his sons and would move heaven and earth to save him if something were to happen to him, he doesn't really want to hang out with Leo. He's not going to ask him to come play catch, as it were. And Leo really really wants a dad to come play catch with him, so that just furthers the contentious relationship between them.

This is why I like forcing them into situations where Draxum does have to directly show he cares for Leo's wellbeing. Left to their own devices, Draxum would be content in knowing that he cares for Leo even if Leo doesn't know this himself, and Leo would just accept that Draxum doesn't like him and he doesn't like Draxum and he's! totally! fine with that!! for real!!! And they would probably never grow closer as people as a result. But forced into a situation where Draxum has to show he cares for Leo, has to show he will move heaven and earth to protect him, lowers Leo's own walls as he starts to open himself up to the possibility that Draxum is one of those adults he can feel safe with.

I don't think Draxum and Leo ever get to a point where they're each other's first choice to spend their free time with, even as Draxum will spend quality time with Mikey, Raph, and Donnie, and I do think Leo will razz him about dropping him off a roof until the end of time. But Draxum becomes someone Leo knows is a safe place, somewhere he can go when he has a problem, when he needs help, when he's just scared, and Draxum will be there for him. He may not shower Leo in hugs and kisses and he may not offer him honeyed words of comfort, but he'll make sure Leo has food and a place to sleep, that Leo can talk out what he's feeling without judgement, that he can just exist without any expectations placed on him, unconditionally, forever.

Because that's what a dad is supposed to do. ^^

Thanks for the ask!

[writersdrug]

Ok ok ok I'm feeling creative today - how yall feeling about these ideas?

You drag Konig to a metal concert, he's not entirely happy with crowds but you're all smiles and singing so he's happy - ends up dragging you somewhere private (not enough, though) and REALLY makes you happy ;)

Konig comes home to you asleep, sees that you were listening to a GWA audio from Reddit, he decides to play it again on your phone and shares an earbud, acts out everything the voice actor does.

Working from home when Ghost is on leave, he gets bored having to sit around and wait for you to get off (gets a taste of his own medicine, huh), decides to pass the time by eating you out while you work on emails - oh! Boss needs to have an urgent video call? Don't mind him down there, just don't get distracted. - based on a request :)

John Price taking you, his favorite tailor, as his date to a military awards ceremony - oh, and don't worry about him introducing you as his fiancé, he may or may not have been telling everyone about his fake engagement just to get people to stop asking "When are you planning to settle down and have kids?" It's only for one night, so who cares? Well, you get your revenge and make it known that you are NOT to be mistaken as some cheap escort: if he really wants you to play this role, you will. Perfectly. And why not tease the poor captain, just for fun? Don't worry, he'll get back at you for it later. :3

First date with Gaz, he's a super sweet, observant, caring guy. Second date is for sure gonna happen, no doubt in either of your minds. Darts/card games/board games and the chance to meet the rest of his team? Awesome!! Until you figure out that Gaz is a competitive little shit, and he rubs it in, too. You've thought about throwing in the towel after that second date, it was honestly too much. But mama didn't raise no quitter!! So, date #3, you try again. He still wins every time - in your frustration, you comment that he's probably so good at board games and card games because he's horrible in bed. You could last FAR longer than he could. His response: "Wanna bet, love?"

Soap has been watching you since you joined the medic team. Told Ghost he called dibs. Ghost said dibs aren't a real thing, and proceeded to steal you away from Soap. You admire them both, but Ghost is giving you so much attention and he's one hell of a smooth talker... Johnny knows he's got so much more than Ghost does. He talks big, but Johnny would wipe the floor with him when it comes to sex. Ghost said he'll make you cum more than once, hmm? "Well, what if I show ye how hard I can make ye cum, hen?"

Imma write all of these istg some creative gear is turning in my head today

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[ryo-apologist]

Racer! Link

Racer! Link x Reader

CW: Smut, Minors DNI, I will block your ass, author knows nothing about racing and it shows

AN: Yes, this is about that Link. The one with the elf ears, says "Hyah!". Yeah I'm a Linked Universe Nerd. Sucks to be y'all. Keep ya guessing on which fandom has my balls this week.

~Darling XOXO

☾ So, I hesitated writing this for a number of reasons, but I decided I don't care. Hozier has a new song, April has me face down in the mattress with how hard it's fucked me and I just want to write about a Link near and and dear to my heart.

☾ Mario Kart Link.

☾ He's just a silly lil goober who's always having a good time. Especially when I play as him because what is second place? He'll never know.

☾ I know, canonically, both are Skyward Sword! Link and Breath of the Wild! Link. I do not care.

☾ Because come with me, sinner, as we explore a whole new world. A world where Mario Kart isn't a silly lil game. It's an empire.

☾ Like Fast and the Furious (I think, idk I never watched any of them). OR like sk8 the infinity at S. I do know that one.

☾ There are real things at stake here. It's intense, and it's heavy.

☾ Here, give me a break while I do some worldbuilding here. Mystery blocks are still a thing, they work by magic idk, except getting hit by one of those things is devastating. It's why the newcomers don't last long.

☾ All the main screen players (Mario, Luigi, Bowser, Inkling boy, etc.) are high level racers. They are A-listed and the ones you look out for if you see them in the lineup.

☾ Including Link himself. He drives a motorcycle he named Epona, which he built himself from scratch.

☾ I spent a lot of time (three minutes) trying to figure out a clever nickname for him, and then I saw some of the names other people gave their Linksona's and, while there's nothing wrong with them, I quickly realized I was overthinking things.

☾ It's mostly a stage name, his name is Link and outside of the raceway, he goes by it.

☾ But, for shits and giggles, and point of discerning him from the others, I don't care. Call him ratchet, greaser, racer, cypher, tank, axel, sparks. I'm giving you all the freedom! Me? Personally? I'm going to call him:

☾ Neo- a combining form meaning “new,” “recent,” “revived,” “modified,”

☾ Great I gave you some background, let's get into the fun parts.

☾ Neo, where do we begin with you.

☾ Have y'all read A Court of Mist and Fury? You know Rhysand?

☾ He's Cassian coded.

☾ LMAO You thought.

☾ He's a fun, kind-of guy but when shit gets real, he can shift from zero to a hundred like that.

☾ He'll be laughing with a newbie, patting them on the shoulder, but the second that visor comes down, he's unrecognizable. He's an A-lister for a reason.

☾ He's infamous for taking shortcuts that are insanely dangerous. He's almost always bandaged somewhere, but not his pretty boy, play bunny face.

☾ So Cassian and Lightning McQueen.

☾ He's totally the kind to shoot a wink and a flirty wave, spend the night and then be gone by morning. Or have them escorted out by his Zelda in the morning, Tony Stark style

☾ He's a slut.

☾ Can you tell I like my men slutty?

☾ And he's such a....character in bed.

☾ He's a selfish lover, but make no mistake about it. His partner gets their end. That's right. I said lover. He's fucked bowser.

☾ I'm kidding

☾ No I'm not.

☾ He doesn't care who's in his bed. Man, woman, the funky others who say FUCK YOU to the gender spectrum /pos

☾ He'll bottom, top, switch it up mid-way through. He just like me fr.

☾But he's not lazy. Selfish, yes, but lazy? No. He's the best rider both on and off Epona, yk yk.

☾ And he has such a pretty cock too. A pretty flushed pink, circumcised with such a lovely vein running up the bottom of it. And while pretty, sorry his balls aren't much to write home about.

☾ They are dangerously sensitive though. Suck on them and run your thumb along the head of his dick and he'll whimper.

☾ SPEAKING OF-

☾ He whimpers so nicely. God, when he's in the middle of bouncing up and down on you (artificial or organic both are good), and his own hands are running up his chest, plucking at his own pebbled nipples and playing with the piercings as his head is thrown back in pure bliss-

☾ He's probably sponsored by Monster Energy

☾ Has a sugar daddy FOR SURE. God wish I was HIM.

[that-one-kiddo-in-the-back]

The Forgotten Gays of Western Animation... apparently.

Tw Lily says the F-slur despite her having a problem with Q-slur and talks about incest... again.

Now I'm not from Canada, nor was I old enough to have seen these shows that she's talking about, meaning I have no choice but to assume she's telling the truth about these shows.

To get this out of the way. Lily, throughout the whole video, was also making jabs at people who like lore based shows how they're the ones who are ruining shows because she thinks people on Twitter have any power over what a creator does on the show I mean if that was the case then JK Rowling would actually shut up about her transphobic thoughts. To put it simply, people on Twitter with their egos don't have much or any power over a show their not a part of, not even the people who are in charge of drawing the frames. now a creator can see multiple people asking about the lore of the world they worked so hard on. Lore might not be important to Lily, but anyone who's worked on making a completely new world wants to talk about and show the lore of the world. To get a bit personal, one of my siblings is writing a book, and there are days they will talk about the lore for hours because they're proud of it.

Now. Lily is very much wrong about moving the goal post for LGBTQ rep. Moving the goal post for LGBTQ characters means we are highering our expectations for what's good rep and what's not. To keep that post in the same place would be doing more damage than good.

Personally, I think (if we have to) the goal post should stick where the owl house is as that's one of the few shows that doesn't really have straight ships, hunter x willow and amity's parents are the only straight cannon relationships (and that's straight in quotes BTW) and I only think that because I haven't seen any of the nickelodeon shows with LGBTQ rep.

Something lily really needs to understand is that CEOs and the men in suits have a huge say in what goes into shows, so most shows aimed at children that want LGBTQ rep have to fight to have it Steven universe and the owl house all had to fight to get the rep they wanted. The reason you didn't see much of ruby and sapphire is because they are always fused together in perfect harmony. Every permafustion in SU were in a healthy relationship and only unfused was when they need to play the part their made for or fighting she also needs to remember that SU had the FIRST same-sex wedding in a kid show. The owl house was already set to be canceled, so who cares if they have a main gay couple it's not like they were gonna see them for long anyway. To me, it seems that if the character isn't kissing, holding hands, or cuddling, then that's not good enough that the LGBTQ rep has to be the most perfect relationship and never show what a real relationship can be like i.e. sometimes unhealthy, one-sided, and unrequited.

Lily then goes through a really long rant about how we shouldn’t hold She-ra to such a high platform because of the incest and how abusive the relationship was... completely forgetting that catra was the scapegoat while adora was the golden child. Both were in an abusive relationship with their perennial figures, with catra getting the brunt of it. Catra and adora are friends to enemies to lovers. Just because you wrote your incest story (scars, pokemadhouse) as some sort of coffee shop, AU, you think that you have any footing about complaining about catradora? Lily can't talk smack about adora and catra being technical sister when all of her fanfiction and even the books she reads aren't technical incest. It is incest. For all the mud slinging Lily does to She-ra, TLOK, and SU, you'd think the creators killed her family.

Also, I haven't heard of anyone saying that those slice of life relaxing shows that have the same rep as "not counting." In fact, people who like those types of shows have praised and really liked it, there's no one saying that shows with rep aren't valid just because there slow pace I've seen that's not valid because it's not good enough rep as in the LGBTQ character dies, doesn't get into a relationship, never get screen time, or how in Steven universe pearls love with rose is one sided and therefore pearl is an incel and "doesn’t count" funny enough all the complaints about rep not being good enough is from Lily herself. Steven universe doesn't count because you don't see enough, TLOK doesn't count because korra and asami didn't kiss as they walked into the spirit world, she-ra doesn't count because catradora is "fetishist towards abuse" and the list goes on.

Despite how much Lily praises Brace face for having a good gay character that wasn't the butt of the joke, he's still a stereotype, 6teen had one episode with a gay character and is never seen again, Lloyd in space had one Non binary character that in the end chose their gender and the main characters forcing gender norms on them. All of those in Lily's own words and past videos those shows aren't good enough.

No one has forgotten about the Canadian shows with LGBTQ characters their just not talked about, which is a shame. If I had seen these shows when I was struggling with my identity, it might have helped me deal with it better. As time goes on and millennials who grew up with the shows that said "its okay to be different and that just because you have no one now doesn't mean you will be alone forever." Begin to make their art. What was good then just isn't good now. Sure, those shows were ahead of their time, but now we are getting shows with better rep that don't need to use slurs or stereotypes.

[creation-help]

Advice and tips on how to make your character feel more genuine/real

- Pettiness and shallowness. Obviously it can manifest in different ways, but IRL everyone has at least one or two little things that they're a bit surface level and "Just because!" about. Be it clothes, how they do certain rituals, what color m&ms they prefer ect ect. It can be little details or even major characteristics, and depending on which (and what) they are, it can be really telling about the character! Plus, it just adds a little extra depth and fun. Some examples including but not limited to: Being fussy over getting their clothes wet or dirty, only preferring some items because they look good, insisting on doing some action or tradition exactly a certain way, disliking an aspect of a thing or a person because they just don't like it, and so on. Obviously the big worldview points like morality and beliefs are very important, but when you've figured those out, take a moment to think about the smaller, everyday things your character feels about the world around them. No matter how good or wise a person is, they'll still always have some little thing that they can't give some profound noble answer to. Use this to your advantage to explore your character's shortcomings or flaws!

(In the same vein, Pet peeves is another detail that can flesh out a character!)

- How does your character perceive things? What do they notice about people first? How would they talk about, or describe another person to someone, if asked? How would they describe themself? And why? Just some things to consider. If your character maps out all the little details and deeply analyzes everything they see, it'll show in their interactions very differently than, for example, if they have the perception of a cabbage and are more oblivious than the love interest in a teen drama that the writers are stretching out for five seasons for no reason. Ykno.

- Additionally: what's their opinion of the people around them? Or if you've already mapped that out, what's their opinion of people they've never met before, or people who aren't in their immediate bubble, friends of friends, relatives of relatives, neighbours, or celebrities, mythical/historical figures and so on. Delve into hypotheticals sometimes, it can help you exercise your knowledge of the character. Even if none of these encounters or situations would happen in Canon.

- I'm sure you've already figured out what your character is most passionate about, ykno, whatever drives the story and impacts their relationships with other characters. But how about stuff they really don't care to think about? Just shrug? Not interesting? Doesn't pay attention to this? What is low on their priorities? It doesn't have to be negative (but can be!), it can just be "Meh", or something your character hasn't even noticed before, simply because it's not in their thoughtscape to think about.

- Does your character have any of those "What? I thought everyone did that/thought that/was like that!" - things? What do they take for granted, or weren't aware isn't a universal experience? Did they have a wildly different experience with something that most other characters hadn't even thought of? And yes I understand this is good for exploring trauma and other angsty things, but besides the obvious, think about maybe something that could be related to your character's species/living environment/abilities/opinions ect. This is great for exploring cultural differences, and anything that takes place in a fantasy setting. Very useful for villains and heroes alike! It's insightful. Everyone has small little perceptive differences or big and small thoughts that for some reason just haven't been properly challenged yet. Or brought up even. For whatever reason. Explore maybe what that reason could be, and figure out why it's been unchallenged for so long.

- Imperfections. Little divergences. It's fully possible to write a compelling and genuine feeling character using just archetypes, if you really explore them deeply. And whether you're doing that or not, think about the lines and molds you've set your character into, and let them spill out of them a little bit. Can be one huge aspect or one teensy detail, but make some diversion. Some crack in the picture. Doesn't have to be a flaw but can be! Just have some little aspects that set them apart and make the character themself. Get weird with it. Getting weird is one huge way you can truly make a character stand out and feel more unique and, oddly enough, genuine and real. Actual people have little oddities or things that don't line up with everything else about their person. And again it doesn't necessarily have to be anything big or shocking, in fact I'd argue it's even better if sometimes it's just a small, very ordinary, humanizing detail. Maybe unexpected, or maybe just something that doesn't factor into the surface image your character has. Think about characters similar to yours that you see often. What traits do they all share, or most usually have? Think about the kinds of people your character is inspired by. What are they often like? Make a diversion from that. Make multiple even? It can be the most random thing but think about it, even if you threw a dart at a wall of sticky notes, really chew out what this little thing says about your character. And focus on little cracks, imperfections, diversions and other odd details of your character. Over time they can grow bigger, or maybe not.

- Keep a clear picture of who your character is. Sounds obvious but I'll elaborate. Your character will obviously change and develop over the time you're working on them and whatever story events take place but I think it's very important to keep in mind who they fundamentally are. Basically I'm saying that try to keep them in character, yes even if you did drastic character development, you can still show that it's the same person in other ways even if one of their core traits was flipped. Be aware of what things will never change about your character no matter what they'd go through. Keep some consistency. Consistency matters alot in making a character seem genuine and, ykno, a good character. Even if that consistent trait is that they're inconsistent! The character can be that, yes, but as their creator, you should still keep sights of what's consistent for this character, you feel? If your character is a glunk of slime that slips out of it's container constantly and subsequently molds into whatever situation it gets put in, that's not really a character, that's.. Idk, plot device..? I know this may sound contradicting to my previous point but I fully think that, and this one can and should coexist.

You need to simultaneously be aware of the ways your character will differ from something and be fluid, and the ways your character will not bend, and cannot become. It's simply a matter of knowing their boundaries and restrictions, knowing which way they can lean and which way not. Obviously this'll be up to you as their creator, bc yeah you're allowed to drastically edit your character if you feel like it's for the better, but try to commit to that change then. Don't let the character slip from your hands, or let the story bend them into whatever shape it needs to make the plot go forward. Your character, and more importantly you, should be in control of that.

I emphasize the point of you controlling your character and not the other way around also. I've seen some character owners slip into "Well it's just what the character would do! I can't help it, it'd be out of character if they didn't do x!" even if the thing is completely awful, doesn't fit, or would ruin an aspect of the story. A smart writer will know how to work with your character's traits in a way that prevents them from running off the tracks and becoming their own little gremlin, while also complying with the story. Respect your character's.. Character, while also respecting yourself and the point of the story. This is even more crucial if it's a roleplay character, by the way..

I'm just saying, find ways to write the story in cooperation with your character. That means knowing what situations to avoid and which ones to steer for, in order to keep your character functioning with the plot and other characters. Sometimes you simply have to prevent some event from happening, or some characters from ever meeting, for the sole reason that it wouldn't make the story work the way it should. Or the way you want it to. You hold the pencil, be aware of what that means

[bloodycyrano]

I want to lore dump about my BG3 storyline and OCs so bad, but at the same time I don't want to release any information before it would come out in the future chapters of my fanfic, so to stave off the dark urge, here's.... 🥁🥁🥁

Team Tadpole doing sweet things for each other part 2!

Sometimes, when Astarion has trouble resting at night, Gale will stay up with him and play chess- They started with card games, but Astarion cheats like a fox. He still cheats at chess, but not as often.

Karlach probably notices when her comrades are in pain after battle, and will hug a sack of rocks until they heat up to make a sort of makeshift heating pad for sore muscles.- Bonus points, She'll borrow some scented oils from Halsin to add an element of aromatherapy.

Gale has 100% done talis card readings for Team tadpole when they deal with heavy emotional stuff, if only to help them find their path forward. Maybe he isn't the best at verbal comfort, but magic is one thing he knows he can use for at least some benefit.

I feel like Gale also notices when people aren't dealing well with things, and will purposefully annoy Durge so they have someone to pick on and hopefully feel a little better afterwards. They're definitely the sort of friends that pretend to hate each other, but are there when you need them. Durge definitely brings out his petty side, but its all in good fun. Usually.

While maybe they have a bit of a rocky relationship, I also believe Durge would indulge Gales special interests and let him ramble about things, because they know what it's like to have to shut up to make other people happy. I also feel like Gale would return the favor and deliberately ask about weird, macabre things so that Durge actually has an excuse to bring up topics that interest them.

Wyll has a knitting hobby. You probably wouldn't expect it, but he definitely does. And he's really really good at it, too. He uses every holiday as an excuse to gift people things like socks, scarves, mittens, etc. And I mean EVERY holiday. Earth day, valentines day, national owlbear day (Which is totally not something he made up as an excuse to give people their presents early), etc. The thing is, he notices when people complain about their socks getting worn from traveling, and gets random ideas for gifts at 3 AM, and then spends the rest of the night knitting. He has also been known to make cute little knitted outfits for the group pets in the winter, because he thought Scratch was getting cold.

Adding onto this, Lae'zel is the only person Wyll is willing to go to for a blunt and honest opinion on the gifts he makes before he gives them. Lae'zel doesn't take this lightly, either. While maybe she doesn't show it, she takes this very seriously and is somewhat honored that Wyll came to her instead of anyone else.

Shadowheart tends to replenish Wylls yarn reserve without telling him as well. She asks Lae’zel what colours he's run out of, and then sneak some extra spools into his pack. Wyll still doesn't know who's been doing it, but he's thankful nonetheless. And it's one thing the cleric and the gith can actually be somewhat peaceful about.

Durge doesn't take all of their kills lightly. When it comes to someone they actually respected, there's a ritual they perform afterward that they read about in Withers old temple. They'll grind bone and ash into ink and take time to write out the names of those they respected, and bury it with the bodies. As well as little offerings as well. It isn't a short process either.. Durge will spend the entire night locked in their caravan burning incense, praying their name to Jergal in hopes that the spirit will find rest, and doing little things in honor of the dead.- It isn't hard for team tadpole to figure out when Durge has taken the life of someone they held a genuine respect for, and will be careful not to disturb them, or leave bones or herbs/flowers on the steps of their caravan. Karlach and Astarion will occasionally come to check on them. While maybe it doesn't happen often, it does happen. Withers was particularly surprise to begin receiving prayers after all this time, but it strengthened a sort of bond between the two.

[cosmics-beings]

okay so finally my unpopular opinions on the starscream es episode.i liked the starscream episode as you know, because it was nice and important for his abuse to be validated. and it was even more libearting to see a Steve Blum voiced starscream get his justice because of how poorly tfp starscream was abused and it was made into a joke and seen as something he 'deserved'.

but I've been wanting to also just share my critique on it for some time! it's a little critical, so just putting that out there if you don't like earthspark or starscream critique you should skip over this. I've spoken a lot of positive things about the episode so these are just my thoughts. so warning, heavy critique.

my main issues are fandom's treatment of hashtag, and people using the episode to perpetuate the 'perfect victim' mentality on starscream and forget that he's flawed and nuanced.

starting with hashtag, i really don't like how a lot of fans make hashtag "mother" starscream and act almost as if she's supposed to be his caretaker, when she is a minor, who is facing her own trauma. i think she was needed to validate starscream and to make him feel that his own abuse is real and that it isn't his fault for getting abused.

but i also think people took that and decided to a.) make hashtag his mother figure and b.) use it to excuse the way he treated and was borderline abusive to others (i.e him kicking his trine mates when they were on the ground, and since they were female character no one actually cared).

i think hashtag was needed as a completely neutral source to make starscream's own trauma's validated and to show the viewers that his abuse isn't funny, and that just because megatron is 'good' doesn't mean that it's excusable and that starscream has to like him. moreso, it's important to show that children can also call out and understand abuse. that was why hashtag needed to do it. it doesn't matter how much megatron was a part of her family and practically an uncle figure to her, he still abused someone and she still recognized that.

BUT at the same time, i don't like the idea that the fandom props his emotional trauma and responsibility on HER. in a lot of fics, aus, etc, hashtag is usually made to be starscream's caretaker without any sort of care for her or her trauma. and i think people forget hashtag is a child, shit some people ship them (ew) because they like to make her the one to care for him. Hashtag is a child, and is completely innocent and he own trauma should be validated and honestly, discussed as much as starscream's. People don't really see her or let her exist outside of Starscream. Her trauma is at large, ignored by the fandom and if people care about it, it's only to validate what starscream went through, and never to have him actually caring about her. that's why i like to write fics where HE helps her, because she is still a child and he is an adult.

ths isn't talking about fan content where starscream is literally hashtag's father figure, which i enjoy. i like when content portrays hashtag being a kid, and starscream being a parental figure to her, but that tends to be a small majority of hashtag and starscream content.

and this brings me to the perfect victim mentality that is harmful in fandom spaces but i see it's impacting starscream.

the perfect victim mentality is this idea that in order for an abuse victim's abuse to be validated, they have to be perfect and innocent. they can do no wrong and even their own actions need to be pacified or excused because if they are one bit of flawed or problematic, then that ruins their victim status.

this is why tfp wasn't seen as a victim, because he was evil, he was abusive, he was dangerous, and the writers made a choice to perpetrate the thought that all abuse victims MUST be perfect and if they aren't, then they deserve their abuse.

this is what's happening to es starscream, but the opposite way.

starscream isn't responsible at all for the abuse megatron put him through, and no amount of think pieces are going to change that. but hashtag telling starscream that his abuse isn't his fault, isn't an excuse for how he's treated and abused others. he was a fascist, a war criminal, committed multiple genocides, and in various continuities abused others both before and after he met megatron.

again he was even physically kicking his trine mates and that implies that it's a common occurrence and it's happened before. hashtag also pretty much confirmed it. i know BCS skywarp and nova are women you guys don't really care about them, but the way starscream was treating them wasn't okay.

he is still an abuse victim, but that doesn't excuse his treatment of others.

A lot of people tend to use megatron's treatment of starscream to excuse Starscream's abusive action toward others. Meaning there is this idea that because Megatron abused Starscream, then we can't really hold him (starscream) accountable for his actions toward others, and that is false. Yes, Megatron abused starscream but that doesn't give him a slap on the wrist or an excuse for things he did! And if you are trying to excuse Starscream's actions because of how megatron treated him, then you are also saying that we can't hold megatron accountable for how he treated starscream.

because megatron abuses starscream in response to his own trauma and abuse. and even if he does, he still needs to be called out for it. JUST as starscream should be held accountable for his actions.

Starscream still is a villain, he still did terrible awful things that i hope earthspark addresses. He still caused genocide, because he could, he still killed, because he wanted to! again, it was implied that he was abusive to his crew, if hashtag didn't call him out, he would've been abusive to her because he was going to use her as a hostage. earlier i saw someone trying to explain and excuse that starscream wasn't a problematic person because 'the other seekers are following him' but they had no choice. and then this person really tried to act as if him being 'toxic' to them isn't problematic and that's the issue. you can't cherry pick what is and what isn't abusive because it's a character you like, even if that character is a victim.

the perfect victim mentality skews people's perspective on abuse and makes it seem like you have to be innocent to be an abuse victim. and it scares me because a lot of people have tricked themselves into believing that starscream is a good person who doesn't need redemption and hasn't done anything wrong. and I'm terrified because when he actually starts to act like Starscream, fandom is either gonna turn on him or try to excuse his villainous actions.

So that said, those are my main two critiques with the starscream earthspark episode.

hashtag isn't starscream's mother but it seems the majority of the fandom went with it. and ties her worth and her importance to him.

and likewise, starscream is an abusive victim but he isn't perfect, and that's okay. abuse victims don't have to be perfect to have their abuse taken seriously and i don't think that's realized enough in fandom spaces.

[xieliansbignaturals]

Pinned post! (ok to reblog)

I talk about Mastodon every so often, so I tend to want a quick "and here's how to join" guide I can link to. Here it is! (updated Sep 2024)

First: the fandom side of Mastodon is great. There aren't a lot of us, but it's cozy and well-moderated. We have nice conversations and fun events. I'm currently running a daily mini prompt game, we've had ship bingo games go around, I want to get back to running character tournaments, and danmei read- and watch-alongs pop up every so often (there's a TGCF readalong ongoing). It's a bit like a cross between Tumblr and a Discord server.

Also: YOU CAN POST PORN. Full-on cocks in holes and everything! Or you can easily avoid it, because marking it as NSFW is required, and the filtering options are excellent.

Anyway. How to join:

The server I recommend is blorbo.social. It's an 18+ multifandom server, and it allows personal posts as well. The mods are fandom people who care about fandom creators (attributing works, preventing harassment, etc.) There is a 3,000 character limit per post (about 750 words, a bit longer than this post).

If that sounds good, here is a walk-through to minimize confusion. Of course, please do what you want, but I find that a lot of people want to be told what to do here!

Don't look at the app store yet.

Sign up on the website (blorbo.social/auth/sign_up) in your browser. No need to write an essay, just mention fandom

Wait for your approval email

NOW check the app store. If/when you want an app, search for "Ice Cubes" (on iOS) or "Moshidon" (on Android) (not "Mastodon")

When the app asks, your "server" or "instance" is "blorbo.social"

(You can also just use the website - I'm adding app instructions because everyone seems to want them!)

Add something to your profile to show that you're a real person, just like on Tumblr: you can add a profile picture and bio, and you can make your first post! You can introduce yourself and list tags for your favorite fandoms (it can be as simple as "hiiiii I like #TGCF!"). Pinning that post is also good.

Follow a bunch of people and hashtags, since there's no algorithm. You can search for "xieliansbignaturals", if you'd like to follow me!

From there, you'll figure it out! I'm very happy to answer questions, but I don't want to load this post with so much information that it's overwhelming.

I hope you'll consider joining us!

[writingquestionsanswered]

I have a small question where I would like to hear your opinion on. My MC died in her original world and was reborn into a new one. So she died at 27 and started back again at 2 years old from the body she took over. She is mentally at the original age. So my hiccup is that the story take place when she is 25 in the new world and I'm having a bit of a hard time figuring out how to have her carry herself. Theoretically, she is mentally in her 50's but 25 physically. How should I go on to write her personality? I don't want to say I want her to "act old", but what are some things that might be different between a 25 year old and a 50 year old and how could I best make her more mature? Should I make her more immature in the beginning (pre-death) So that change could be put in place?

Character is Mentally Older Due to Reincarnation

Here's the problem... there are two things needed in order for someone to mature: physical development and emotional development through experience. If your character died at 27, not only is that about the time that brains stop physically developing anyway, she also does not go through any further emotional development through experience.

Even if she is "mentally 27" when she is transported to the body of the two-year old, and even if we say her mental age somehow overrides the physical capabilities of a two-year-old brain, the kinds of experiences she's having over the 23 years in her second body aren't the kinds of experiences that are going to add significantly to her emotional experience. These are all things she has already experienced and learned in her first life. As a 2 to 25-year-old, she's not gaining a lot of experience in things like career, marriage, parenting, layoffs, career changes, divorce, single parenting, dating after divorce, caring for aging parents, etc. Instead, she's experiencing some of the things (again) that are natural for 2 to 25-year-olds to experience, like going to school, making friends, trying to get good grades, social drama, first kiss, first love, learning to drive, first job, graduation, going to college, first-time independence, getting to vote, serious relationships and serious break-ups, perhaps even getting married and having a kid or two, though not getting very far into that.

So, my point is, your character has to live the life of a 25 to 50-year-old in order to gain the experience and maturity of a 25 to 50-year-old brain.

BUT... having said that, I am speaking to you as a person who has lived the life of a 25 to 50-year-old, and I don't feel mentally different from who I was when I was 25. Maybe a little, but not significantly. I have certainly experienced a lot of things during those 25 years, but I still like a lot of the same things, still do a lot of the same things, still think and feel a lot of the same things. I still wear clothes (sweaters, jackets, and coats, mostly) I wore when I was 25. I still watch a lot of the same TV shows and movies, and like a lot of the same music. But also... I'm sitting over here singing to songs that are popular on the radio, watching TV shows that are popular with the 15 to 30 crowd, and comfortably conversing with family members who are in their teens and 20s.

So, a part of it, too, is that once you get past a certain age (mid-20s, really, when the brain stops developing), there's not always this catastrophic difference between who a person is at 25 and who they are at 50 or 70. I mean, there can be... there are definitely those adults who turn into weird adulty robots who feel like they can only drink wine, eat salmon, play golf, and throw wine and cheese parties, but not everyone is like that. Most people aren't. You'll get into your fifties and laugh that you thought you'd be so significantly different from 25-year-old you. :)

Another issue to consider is this: if your character is a 27-year-old trapped in a 2-year-old's body, does that make her like Stewie Griffin, except that's the way she actually sounds to everyone around her. Do you have a two-year-old sitting in the baby seat in the shopping cart at Target, looking at her "new" mother and literally saying out loud, "Oh, Diane... please tell me you're not thinking about buying that. You know how gluten wrecks your stomach. Put it back and get the gluten free one, would you?" Or, do you have a 27-year-old woman who has to pretend to be a two-year-old, and has to sit there making baby talk and saying things like, "Ma-ma... can get cookie? Pwweeeease?" It's really awkward, to be honest, and I can't imagine how mentally taxing, frustrating, and demeaning it would be for your character.

So... what to do? There are two options that I can see, but keep an eye on the reblogs in case anyone else has a suggestion:

1 - Compartmentalize her adult consciousness from her two-year-old consciousness until she's maybe ten or twelve. So, almost like she's a prisoner inside the body of a child, but she doesn't know what it's thinking and can't control what it says or does. Like they're two independent beings and she's just along for the ride, silently commentating and even trying to get through to the kid to little or no avail. Maybe sometimes, if she mentally screams loud enough, she pops into the child's consciousness as a subconscious thought. Then, for whatever reason, as the child ages, her voice gets through more and more, and she gains control of what the child says and does little by little, until finally she has fully become the child when it's maybe 12 or 15 or whatever age you think makes sense. So, that might look something like this:

Childhood: I'm dressed in my--rather, Bella's--favorite Bluey shirt and a pair of shorts. The birthday party is at an indoor play area called Bounce, and I can almost feel Bella's excitement as she drops her gift off at the table and runs to join the other kids on a giant trampoline. They didn't really have places like this when I was a kid--the first time, I mean. My next door neighbors--the Andersons--they had a trampoline in their backyard, the kind with the net cage around it, but my parents wouldn't let me jump on it except during neighborhood parties when there were lots of parents watching. At least I... Bella... will sleep well tonight.

Teens: "Hey, Bella!" Maxine said as I joined her at the lockers. "Are you going to Brant's party tomorrow night?" Ugh, Brant's party. I had forgotten about that. What an absolute turd. He reminds me too much of this guy Jared I dated briefly in college, in my first life. I'm obviously not going to tell Maxine that. "Nah," I say at last. "I don't like that guy enough to go to his party." "Why don't you like him? I think he's cool!" "Oh, he just reminds me of someone I used to know. Wanna head to lunch?"

2 - Give the adult consciousness a bit of amnesia and have her start to remember things over time. In this sense, there would still be some compartmentalization early on as far as being a separate consciousness from the child's, but in this sense she would be less like an adult imprisoned in a child's body, along for the ride and commenting from the peanut gallery, and more like a faint awareness that is more distant, but becomes more aware and close as time goes on. That might look something like this:

Child: Bella is wears her favorite Bluey shirt to the birthday party. She is such a happy, friendly child. The other kids welcome her with smiles and open arms as she joins them on the trampoline. I wonder if I went to parties like this in my first life?

Teen: Bella's friend--my friend--Maxine greets me as I join her by the lockers. "Are you going to Brant's party tonight?" My stomach sours at the thought of that guy, though I don't know why. Perhaps I knew someone like him in my past life. The name Jared suddenly pops into my head, and I briefly wonder what this guy did to past life me that I carried dislike for him into my second life. Not wanting to get into all that, I make an excuse about having to help my mom wallpaper the guest room. "See you on Sunday, though, so we can study for the test?" "Yeah, see you then," Maxine says, closing her locker. She smiles, but I can tell she's a little salty. She knows social gatherings exhaust me, though. Sometimes I wish I could tell her why--that I've been through all of this before, not even that long ago. But she wouldn't understand.

So, in either case, you're not really worrying too much about the nuances of maturity, but rather a general "adult" perspective as it relates to this child whose body it's inhabiting.

Anyway, I hope that helps! Edited to add: see a related question here.

•••••••••••••••••••••••••••••••••

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[leggerefiore]

Headcanons for (Pokémon) Cyrus, Grimsley, Grusha, and Larry with shy s/o?

anon did u figure out my interest in pretty men and know I like grusha lmao

also first time writing for him so it might suck😔

characters: Cyrus, Grimsley, Larry, Grusha

---

🌌Cyrus🛰

☄️ Honestly bad at handling it. He already struggles with emotions as is, and is not sure how to deal with your obvious discomfort in a lot of social situations. Cyrus would probably accidentally make your shyness worse. He can talk about things with his odd charisma that somehow got him an entire bowl-cut cult, but he isn't sure how to handle your more reserved behaviour. The leader unexpectedly gets scolded by Mars and Jupiter about needing to be more aware.

☄️ He doesn't like to go out to places with many people, excluding the Galactic HQ. Places like Sinnoh's ancient ruin sights aren't exactly attracting a large crowds. So, in a way, he tries with that. Of course, in situations where you get taken to places with many people, he may forget your discomfort and meekness. You will have to ask for your own ketchup in restaurants. He will apologise if it obviously upset you, but this is aiding in his belief that emotions are useless by seeing you like this.

☄️ If your shyness leads to initiating of affections in your relationship with him, he will never initiate. Well, there are a few exceptions when he does (a long tiring day at “work”, when he feels vulnerable, when an odd loneliness eats at him), but he does not see the point in it unless you start it. His usual scowl certainly does not help with bravely getting a hug from him. Don't be afraid, however, at worst he will just stand there with strong indifference. (He does enjoy it.)

☄️ Overall, probably not the best with a shy partner, but he does try. Somewhat. Numerous discussions are probably required, but he does understand the urge to be more reserved around people. He just isn't a very emotional, comforting type who is aware of how to handle people. He does care; he is just bad at showing it.

♠️Grimsley❤️

♤ He actually might laugh at your more reserved nature. The elite four member is known to be a bit of a tease and somewhat cruel. He does, however, try to help you with it. People are hard at times, he gets it. While has the amazing ability to really understand body language due to his love of gambling, not everyone does. He can read your tense shoulders and obvious curling into yourself with ease. This is when the teasing comes alongside his aide.

♡ His favourite places to go are bustling and social heavy, so he wonders how to take you out to places you can both enjoy. He does not want to keep forcing you into uncomfortable situations in which you may not enjoy yourself, after all. Grimsley settles on things like cat cafés and city walks as a good in-between. There are other people around for him to observe and degrees of separation involved to keep you from having to force yourself out in the open too much. Unlike Cyrus, he may or may not order for you, too, if you are struggling too much. It's a coin-flip. Literally.

◇ If you are more reserved in your relationship, he views you like a shy Purrloin. He quite literally says as much. Even if you struggle to initiate affection, he can easily slither his arms around you for a hug and tease you about how obvious it was that you wanted to cuddle. Much like a cat, he gets you to a point where you can easily come to him for affection. He's smug about how he helped get you over it, though. Be warned.

♧ Grimsley is a bit mean, but he does mean to help you. He wants you to come out of your shell more but respects how difficult that can be for you. If ever does anything that is genuinely too much and upsets you, he instantly shifts from his smug persona into a softer, more apologetic one. He cares a lot, actually. You may find your shyness eased quite a bit by the gambler.

💼Larry🏢

🍙 He is uncertain. His overworked brain ponders how to handle your more reserved nature. His job(s) requires him to deal with countless people. Even extremely difficult people. He shudders at the thought of his boss. The ordinary everyman understands why one would want to be more reserved completely. Larry decides to mostly help you in whichever way seems best for the situation you are in.

🍙 While his favourite date locations are the restaurants are Medali, he can forfeit it easily for evenings in. He has seen your obvious reservation in social situations and doesn't want you to be forced out into a lot and run out your social battery. Though, should you both end out at a restaurant together, he does help a lot. Larry can talk for you if needed, or just be silent support. He gets it. If you want to come out of your shell more, he encourages you in a subtle way.

🍙 If you are reserved in your relationship, he finds himself at an impasse. He struggles to be overly affectionate himself. It will be an extremely awkward thing if you both want to cuddle, but neither wants to initiate it. Larry will force himself to get over it and start it, eventually. Tired man does really hope you can get to a point where you initiate it on your own, though. If you do, you get a rare Larry smile and contented sigh from the man.

🍙 He is the best at giving subtle comfort and picking up on things easily, but not so much at helping your shyness. He understands being reserved, too. You can be an awkward pair. Together. A perfect match.

🏔Grusha🏂

❄️ He might take it the wrong way, honestly. Grusha is always in a bit of a mood. When he realises you are actually struggling, he has a moment of feeling like a dick and being annoyed. Your meeker nature is something he can't wrap his head around. Well, he gets it. Grusha likes you, though, so he bravely swallows back his feelings and tries to figure out how to best work with you on this. He recalls how people treated him after his accident. Yeah, he gets it a bit. (He is going back and forth on his feelings, like many things.)

❄️ Lucky for you, he doesn't really like overly busy places for dates. He mostly prefers walks alone with you on the mountains. Grusha likes it just being you two, since it gives him time to get away from his position as gym leader. If you both do end up at a place with people, he does turn full “they asked for no pickles” for you. Grusha will handle conversations if you don't want to. His icy demeanour does hold a certain softer side under it. He doesn't like seeing you uncomfortable, especially at the hands of another. He does try to encourage you to better stand up for yourself, though.

❄️ If you are shy about affections in your relationship, he debates how to go about this. See, he thinks initiating cuddling is a bit uncool. He finds roundabout ways to get you to initiate, but if that fails, he does eventually give in and starts off affection. In a way, he does help you get over your shyness about cuddling and kissing, since he manages to get over his obvious struggles about starting it himself. Not to mention, he's a great cuddler.

❄️ Overall, he struggles with your shyness but does try to help you since he doesn't like you being upset and uncomfortable. Grusha does try to help you better come out of your shell, though. He just isn't the best with words or helping. The snowboarder cares about you a lot, but he just is terribly awkward in his own way.

[shelbgrey]

hello hope ur doing well! could i possibly request writing prompt 1.6 with rusty asking danny if two people can be happy together forever bc rusty wants to ask his gf/reader to marry him ? i think it would be super cute ^.^ thank you!

Short story: The Big Question (Rusty Ryan)

Paring: Rusty Ryan x Ocean!Reader X Brother!Danny Ocean

Summary: Rusty wants to pop the big question, but part of him fears he still isn't right for her. He goes to Danny for some advice.

Prompt: 1.6) “I need to know if it's possible that two people can stay happy together forever.” - “in my opinion, the best thing you can do is find a person who loves you for exactly what you are”

MasterList ML2

Rusty sat the bar bouncing his knee up and down nervously as he sipped his scotch. The more the thought about this life changing decisions, the more nervous he got. Danny knew where he would be hiding and went looking for him.

“figured I find you here” Danny took the seat next to Rusty. “what's eating you?”

Rusty tilted his head back and downed the rest of the drink before setting the glass down. The suddenly asks, “when did you know you wanted to marry Tess?”

Danny raised an eyebrow, not expecting thst questions and honesty he didn't know how to awnser right off the bat. The guy could be perfect match, but what man can honestly awnser that question right off the bat. Danny shrugged. “I don't know... I guess I just knew” Danny paused and nodded. “no, I knew with outta dought she was the one...of course it wasn't easy with her, but then again I wasn't either”

Rusty sighed and dug somthing out of his pocket then set it on the bar counter without a word. Danny looked down and it was a small, red velvet box. “oh, you bought a ring?”

“yeah...” Rusty said, letting out a airy chuckle.

“and your gonna ask her...”

“yep” Rusty quickly respond, popping the 'P' at the end. He fiddled with the box, not mentioning he's been carrying it in his pocket for a month and a half almost. He opened the box and showed Danny the beautiful ring. It wasn't overy extravagant, just how she liked it.

“pretty ring... You did a lot better than I did the first time around” Danny said, drinking the Scotch that was brought over to him by the bar tender.

“ya know, this is the first honest thing I ever bought? I don't know man, I couldn't bring myself to by it with the money we stole”

Danny chuckled. “hey, we worked hard for that money” Danny thought for a moment, wrinkled his eyebrows together in confusion as he turned his head back to Rusty. “okay... If you didn't use the money from the heist, where did you get it?”

“grandma's inharatens... That old bat still takin' care of me even when she's dead... Spent every last penny”

Danny picked up the box, looking at the Dimond ring. Not in a million year would he have expected Rusty to buy a ring, let alone buy a ring for his little sister. Looking back now Danny could see the signs he didn't see back then, at first he thought y/n just had a little crush and before he knew it Rusty and y/n pick him up from prison and tell him they are dating.

To this day the team doesn't know how it happened, it's kind of a inside joke now and if anybody asks the stories get more and more ridiculous. Then y/n and Rusty settled with just calling it 'the incident'.

Rusty took a deep breath “I need to know if it's possible that two people can stay happy together forever.”

Danny sighed and sat back in his chair, he thought about what he should say and shouldn't say. Then he thought about Tess and their past. “in my opinion, the best thing you can do is find a person who loves you for exactly what you are”

“you and Tess got devorced once... What if that happens with me and y/n?” Rusty asked. “What if in the end my just not good for her?”

“well, you and y/n aren't me and Tess” Danny said matter of factly. “and falling down the 'I'm not good enough for her' hole is just pointless and suffocating”

Rusty went to open is mouth but Danny cut him off. “if you thought you weren't good enough you wouldn't have bought the damn ring” Rusty put his hands up in defense. “What if she says no?”

Danny snorted, that was the stupidest thing he's ever heard. “you both are glued to the hip... I think you'll be fine” Danny looked over at Rusty. “but if you do end up hurting her... I will kill you”

“I'm lucky I even got her, ya think I'm gonna screw that up?” Rusty smirked and shook his head. “no fucking way”

Rusty downed his drink. “you know what? Fuck it. I'm asking her tonight”

--------(1st pov)--------

“where are we going?” I asked as Rusty pulled me along the streets of Vegas. “you'll see” he smiled.

Rusty held my hand tight and pulled along untill we stop infront of the The Westgate Las Vegas Resort. He stoped infront of me and held both of my shoulders then looked up at the Westgate sign. “remember this place?”

I looked up at the building it was significant for a couple of reasons, one it's the place Elvis Presley preformed at for months, but also it was the place me and Rusty first met. “we met in this exact spot... Officially at least”

---(Flashback)---

Before they knew who each other were thay were just two people at a poker table. Y/n sat across from Rusty at the table, she was in red dress and a leather jacket. Covering her eyes was Elvis looking sunglasses so he couldn't see the thoughts in her eyes. She was cleaning everyone out except for rusty as the night went on each guy gave up with fire in their eyes and on a occasion sent a threat or two.

Rusty was impressed at how unbothrted she was. “rise you 400” she said. Even though there was no emotion in the way she said it, Rusty still thought it was the sweetest sound he ever heard.

“brave little thing, ain't ya?” Rusty smirked as he threw his poker chips in with hers. “brave, smart, whatever you want to call it” she responded.

“hmm...” Rusty smirked, he glanced at her then back down at his cards. A Royal flush was in his hands, he kept his poker face and waited with anticipation.

“straight flush” y/n smirked and set her cards down, she thought she had this in the bag. Rusty chuckled. “That's cute,” Rusty set his hand down, y/n's eyes bugged out and her heart dropped. “Royal Flush, I win Darlin'”

“Fuck” y/n groaned, her streek was broken and so was her bank. She rolled her eyes and threw about 1,000 dollars rolled up in a rubber band at Rusty. He smirked and put in his pocket, part of him felt bad for taking that much money from a lady.

“that was fun, you got skill” Rusty and y/n stood up at the same time and bumped into each other. His tall frame almost knocking her down. She grabed his waist out of instincted, not expecting to feel the sum of money she just lost. Rusty's hands fell to her hips to keep her steady. He could barely see her eyes behind the sunglasses and he wanted to see them so bad.

Y/n knew she had him distracted, she could tell just by looking into his eyes. Rusty smirked and looked down at her. “how about a drink? To make up for the poker losss”

Y/n chuckled sarcastically and shook her head. Rusty was enchanted by her, that laugh was the sweetest thing he's ever heard. He wanted to hear it again. Y/n smirked and slipped her hand into his jacket pocket with out him realizing it. “maybe next time” she smirked and walked past him, putting the money her leather jacket pocket.

As she left, Rusty stuck his hands in his pockets, his smile fell when he felt his pockets were now empty. “son of a bitch” he darted after.

He ran out of the poker room and saw her at the entrance of the Westgate. “hey!” he yelled after her, she looked over her shoulder and gave him a innocent smile and continued walking. Rusty ran after her, he moved around a bunch of people till eventually catching up with her at the entrance. Just as he grabed her shoulder he was on his back on the side walk outside of the building. He groaned as y/n walked past him, not giving up he quickly stood up and pushed her against the building.

“I think you have somthing of mine” Rusty said with a raised an eyebrow. Y/n rolled her eyes and kneed him in the crotch, not hard but enough to make him back away. She tried to make a run for it, but Rusty had her tackled to the ground. “I don't fight girls, but I will take what's mine”

Y/n quickly flipped them, she put her forearm into his neck, pinning him to the ground. “I can see why”

Rusty felt his skin heat up in frustration, he was about to push her off but he was scolded. “Rusty, what the hell?” it was Danny.

“Danny?” y/n looked suprised to her older brother. She pushed Rusty away, he let out an oof as she stood up.

“Danny?” Rusty groaned, standing up. Danny ignored rusty and turned to his sister. “What the hell are you doing? How many times do I have to tell you not to hastl poker games, to stay away from casinos”

Danny looked between Rusty and y/n, looking both confused and frustrated. “and why the hell are you two doing?”

“she started it” Rusty quickly said. Y/n rolled her eyes. “I lost 1000 to this jackass”

“a thousand?!” Danny did a double take, then to Rusty's suprise started scolding the girl. “see this is why you don't gamble, yes your good but you also don't know when to quit. Yeah you cleaned out the other idiots, but he comes along and you lose it all”

Y/n was about to say something, but Rusty cut her off. “wait a damn minute, how the hell do you two know each other”

“Rusty, this is my little sister Y/n... Y/n this is Rusty”

---(end Flashback)---

“we met here for the first time and even though you kicked my ass, I knew you were the one” he smirked. “and I don't care how fucking cheesy that sounds... I love you y/n Ocean”

His blue eyes stared into mine with nothing but love and admiration. He held her face in his hands and leaned down, kissing her softly then pulled away. “I love you too” I said softly.

“good because what I'm about to ask you is pretty big” his blue eyes stared into mine and he knelt to the ground with a red box in his hand. My heart pounded and I felt tears pricking my eyes. “Rusty...” I said softly, covering my mouth.

Rusty pulled the ring out. “What do ya say? Will you marry me?” I smiled big and immediately nodded. “Yes, you idiot. Of course I'll marry you”

Rusty eyes went wide, the biggest smile spreading across his face. Upon hearing my awnser, he nearly leapt up off the ground and practically tackled me with a tight hug, lifting me up into the air, and spinning me around in a circle.

He sat me down I slipped the ring on to my finger. “there, your stuck with me now” Rusty smirked.

“good” I smiled, I placed my hand on his jaw and kissed him lovingly. I had the man of my dreams and that's all that mattered.

[keydekyie]

𝕋𝕙𝕖 𝕄𝕠𝕥𝕙 𝕒𝕟𝕕 𝕥𝕙𝕖 𝔹𝕖𝕒𝕣

~Frequently asked questions~

Wondering what the hell that human-faced bear monster was that you saw on your dash? Can't figure out whether it's supposed to be scary or cute? Confused deeply?

Well do I have the solution for you: All your questions answered, and more!

First of all: what am I looking at?

The creature you've seen is called a Kanai. They're basically a sphinx, a creature with a human face, but instead of the body of a lion, it's a bear! It's not that weird! (right?) Oh, and they're also the size of a house. Don't worry about it, it's fine. It's fine.

What is this setting?

The story is set in my headworld, which is a sort of an alternate-reality Earth, and specifically in a country called Kellabor. Here's a big worldbuilding dump if you're curious, but there's no need to read it all before diving into the books. You'll discover everything important along the way.

So there are books?

Yes! I've written three books in the series, and am working on the fourth and final book. I have a masterpost explaining them with content warnings here.

Okay but what is the story about? What happens?

It's a very PG (maybe edging on PG-13 in the fourth book) slow-burn fantasy romance adventure story with a dash of horror.

Oh, so there's romance?

Yep! It's been planned that way since the first words I put down. If you get through the first two books and are wondering where the hell the romance happens, just remember: it's a slow burn. A sloooow burn. We'll get there.

How many books are there going to be?

So far, I'm planning on four. Originally, I had three planned, but the second one was getting too long and I had to split it in half. That's why book II: The Crossing ends on a cliffhanger. Don't worry, it's not going to take four books to get to the cute parts.

Is there going to be a happy ending?

Yes! Yes, I promise there will be a happy ending. Might not, uh... seem very likely, at times, but yes.

What's the inspiration behind this story?

If you want a long, somewhat-spoilery answer, you can read this, but the tl;dr non-spoilery version is:

I wanted to write a story about a monster and a human where the monster is the one facing the ethical dilemma, and they come to be friends and care about each other. And go on adventures. And love each other.

Wait, so... are the giant bear monsters the good guys?

Um... yes and no. There really aren't clear good guys or bad guys in this story. I'm going to have to ask you to have a bit of an open mind, here.

Okay, but I swear I saw a gif of one of these monsters eating someone. Was that from this?

Yeah, that gif is from a side-project set in the same world. It's a little more explicit than anything that happens on screen in TMatB, but let's just say it's not... uncharacteristic. That's the dash of horror I mentioned.

Listen... it's the dash of horror that makes the cute stuff that much cuter. The horror is the flavor. Trust me on this one.

Wait so if the bear monsters eat people, how are they not obviously the bad guys?

It's complicated! You'll find nothing is black and white here in Kellabor. The country has a long, mysterious, complex history, and so do each of my characters.

Okay but... what happens, though? Who's this girl I keep seeing in these drawings? Why does it sometimes seem like they are enemies and sometimes not?

The protagonists start out in conflict in book I due to ✨circumstances✨. They have a lot of issues to work out. Depending on where they are in the story, drawings of them might show them being more antagonistic or more sweet. It'll all make sense with context.

I'm still confused...

Ask box is always open! ♥️

You can get the books on my webbed site: graceohare.com