#I feel like wars might
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lu-polls · 3 months ago
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illusioncanthurtme--art · 4 months ago
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Physically? I am sitting in my bedroom. Mentally? Spiritually? I AM DEAD ON THE FLOOR!!!!! THESE TWO HAVE KILLED ME!!!!
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(Another drawing! This was originally attempt #1 at drawing stan, and then fiddleford just showed up. Kinda feels like them five minutes after the above acting like nothing happened though, so it works sdjkgkjfshj)
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thatdiabolicalfeminist · 1 year ago
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just to be completely clear, the amount of military power and political influence Israel has has NOTHING to do with its settlers being Jewish. Israel is a force for American & European interests in the region and they're just doing what America does and allows/encourages its close allies to do.
war crimes aren't considered war crimes when someone America finds useful is doing them. european and american pushback against anyone criticizing Israeli apartheid & genocide is 100% because these crimes are useful to American & European hegemony.
Governments that are deeply antisemitic, like France, aren't suddenly caring about Jewish people. Jewish people, persecuted the world over, don't hold some kind of hegemonic power outside of Israel.
The state of Israel and its attendant brutal treatment of the locals are both incredibly useful to the US, and American hegemony means we're expected to celebrate both.
not bc they're Jewish. this isn't a break in the pattern of western antisemitism and it's not evidence that antisemitism doesn't exist.
it's just like how you could get fired for saying shit against the US war in Afghanistan when i was growing up. it is 100% about US military and political interests (ok slightly western europe too but lbr)
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mroddmod · 10 months ago
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little scrapped comic bc it felt a bit ooc to me in hindsight
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epicthemusicalstuff · 1 month ago
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Countdown to the Ithaca Saga: 4 Days!!!
The name Telemachus means “fighting from afar”!
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literallyjusttoa · 2 months ago
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Heading out to perpetuate the family's cycle of patricide! #YOLO #slay #girlboss
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greywoe · 1 year ago
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"The she-wolf laid into the squires with a tourney sword, scattering them all. The crannogman was bruised and bloodied, so she took him back to her lair to clean his cuts and bind them up with linen."
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th3e-m4ng0 · 1 year ago
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re: that post about the lack of enrichment in trucks
i bring yet another megop au where op is another depressed fellow whose EM field is always emitting gloomy and tired vibes. vs megatron who is at his happiest when hauling materials and messing with his coworkers/friends
they haven't seen each other in years since the war ended and they signed all these treaties and paperwork !
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fusionsprunt · 10 hours ago
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Non-canon instance where Beatrix accidentally falls into another dimension in which Holloway's Comet didn't make it to planet Zona.
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phereshift · 1 month ago
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it's important for ships to show signs of life [id: A simple sketch on a dark grey background of an empty spaceship corridor. The corridor walls are covered in a vibrant gold mural, with a star in the centre of the wall and wave-like spirals surrounding it. There are some painted words scattered across the door and equipment in the same shade of gold. The mural is the only spot of warmth in the otherwise cool interior. /end id]
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walkingstackofbooks · 6 months ago
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"Are you happier? Now that the war is over?"
It had been meant as a serious question, but from the look on Kira's face, she hadn't caught onto that. "What sort of question is that, 'am I happier'?" she asked, laughing a little as she spoke. "Of course I am! Who isn't?"
Shrugging, Julian forced himself to smile back at her. "No, of course," he agreed. "Silly question."
His smile clearly hadn't been convincing: Kira's own smile had faded as she looked at him more closely, her eyebrows creasing into a frown.
"Have I done something to make you think I'm not?" she asked sharply. "Why wouldn't I be?"
"No-- no, nothing like that," Julian said hurriedly. "I mean, obviously Odo's gone now, and Keiko and the Chief, and Worf, and... and the Captain... But that-- That's different, isn't it, I guess. You can be sad and happy at the same time, right?"
He cringed, knowing that he hadn't quite managed to make sense there: years of practice had made him very good at recognising Kira's 'baffled' expression.
"All these years," said Kira, slowly shaking here head, "and I still don't understand you, sometimes. Of course I miss Odo, and the others -- and while we're at it, of course I'm still angry and-- and upset about the things that happened during the war..." She made a face, banging her fist lightly against the table. "Damn you, you know I'm no good with feelings, that's... there's a lot more there, besides," she added. "And I'm sure as hell not going into that right now...
"But if you're asking whether I'd rather be here, now, living without the threat of the Dominion or the Cardassians, knowing my friends are alive and safe -- and if they're not, at least being able to mourn them in peace, not having to make decisions that could get us all killed if it goes even slightly wrong... or if I'd rather be back there, in the war -- well. It's no contest, is it?"
"In theory, no, of course--"
"In theory?" Kira asked incredulously. "Julian, are you saying you were happier in the war?"
"No!" he exclaimed: that hadn't been what he'd meant at all. "The war was-- it was... Well, you couldn't be happy during the war, could you? Everything was too awful, it was impossible."
"A lot of the time, yeah," Kira said softly. "And that's gonna stick with us for a long time -- but they're only memories, now. We made it."
"We did," Julian said quietly, his eyes fixed on the table. "I just... I thought I'd be happier, I guess. Now that it's all over."
Kira reached forward, brushing her hand over his. "That's what this is all about?" she asked. "You aren't happy?"
"I never said I'm not," Julian objected hotly, looking back up at her -- but a sigh slipped out of him as he realised he didn't actually have an argument, and he shook his head, slumping back into his chair. Kira watched him, not saying anything.
"No, you're right," he admitted, pulling his arms across himself, almost too tight. "I know I'm supposed to be-- I know, after everything, it's so stupid... But, Nerys, I don't-- I don't think I am?"
Stopping to swallow the lump that had risen in his throat, he noticed he eyes had grown wet, which for some reason made him chuckle. "Isn't that silly?" he asked, leaning forward again. "We won the war, but I'm still not happy."
"No, Julian," Kira replied slowly. "I don't think that's silly at all. It's just... It's just very, very sad." She took a breath, reaching out to hold both his hands this time. "I'm sorry," she continued. "I didn't know."
"It's not your fault," he said, squeezing her hands tightly. "For a while, I just thought everyone else was pretending, too, so I just went along with it... And then I started to realise that no, you were all actually at least a little bit okay, and so I had to keep pretending, because happiness is so fragile and I didn't, you know, want to make anyone else feel bad just because I..."
He trailed off, shrugging a little. "I don't know, Nerys. I guess I just wanted to check that it wasn't just me, but it is just me, and now I've told you, and I'm sorry, I didn't mean to make you feel bad--"
"Julian, no," Kira interrupted. "Thank you for sharing this with me -- I'm glad you told me, okay?"
Ears growing hot, Julian ducked his head, not quite sure to do with the wave of emotion spilling over him. Now that he'd told her some of it, he kind of wanted to let everything out. Distractedly, he started tracing patterns on her hands, pushing into them with increasing intensity.
"It's just-- I'm just..." He stumbled over his words, struggling to give voice to the one thought that he'd been trying to ignore for months. "What if this is it for me? What if I'm like this forever? It's been years, Nerys--"
To his horror, his voice cracked, and he covered his mouth, trying to hold back the sobs that were threatening to burst out. Hoping that no-one else had noticed, he looked around the replimat; thankfully the other diners seemed more interested in their own conversations than in him and Kira.
"Would you like to go somewhere less public?" Kira asked. Not quite trusting himself to speak, he nodded, and together they left the replimat.
As they walked down the promenade and up to the habitat ring, Kira steered clear of their previous conversation, chatting about the station, her week, her latest grievance with Quark, and Julian was grateful for the respite. But as soon as they were sat down in her quarters, she turned to him with a most serious expression.
"It isn't right, you feeling like that, you know," she said. "I don't have the answers, I don't know how it gets better -- but we both know someone who would. You haven't tried telling Ezri any of this, have you?"
Julian's stomach tightened: Ezri was the last person he wanted to have this particular conversation with. "Oh, yes, because that would go so well," he retorted sarcastically. "Hi Ezri, I love you, but you don't make me happy. Don't worry, it's not you, I'm just unhappy most of the time. Most of the time? Yeah, it gets better when I'm around you, because then I just kind of feel... nothing. What an improvement!"
"Julian..." whispered Kira, but it was all coming out now and Julian couldn't make it stop. He rose from the sofa, starting to pace as he spoke.
"Did you ever make me happy? Maybe, sweetheart, but I'm not even certain of that. I might have been so desperate for anything even resembling happiness that I just deluded myself into thinking I was in love... Do I even love you? Who the fuck knows, Ezri. Is love even real, or did it die in the war along with every-fucking-thing else?"
His voice had risen louder than he'd intended, condemning him with every word it pushed forcefully into the air. He'd made Kira cry, he thought, but he couldn't quite be sure, his vision being clouded by his own mess of tears.
"How could I possibly tell her that?" he asked, sitting back down heavily, his voice dropping to a hollow whisper. "Kira, how the hell do I tell her that?"
"Come here," she said in way of a response, pulling him against her and holding him tightly, so that he could feel her lips move against his hair as she answered him. "I don't know," she was saying, "but you have to, Julian. I can be there with you if you want but, Prophets, Julian, you have to. How could you not?"
How could he not?
Julian closed his eyes and let himself fall apart against his friend, not even bothering to try to answer her. It was terrifying, after all this time, to finally allow someone to see how broken he really was, but he was far, far too tired to keep it in any longer.
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monsterbrush · 2 months ago
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I've gotten like three separate asks specifically mentioning a desire to see more of Magni with his hair down.
Y'all are freaks about seeing him lettin' it all hang out.
Enjoy though!
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altcvnningham · 3 months ago
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up late bc i keep thinking ab adlerbell and how bell is this vehicle of and for adler’s pain…….. like literally in the sense that all of bell’s memories and trauma of vietnam is imprinted onto them by adler, but also based on adler’s own memories of vietnam, how bell’s trauma and pain isn’t only theirs but adler’s too- that the two are not bound by the false camaraderie bell believes they share but instead bound by suffering, borne of adler’s. bell’s pain IS HIS pain.
and like,, does he know what bell dreams about when they wake screaming in the middle of the night?? does he share those same dreams too?? does he ever listen to bell talk about vietnam and feel, in a way nobody else possibly can, understood?? or does he feel angry, that they carry his trauma and his pain as though it were their own?? or envious, that the pain they feel isn’t even real, and that they were, for a time, spared of the horrors he endured?? or does he feel some sick satisfaction in knowing that the pain they feel is his?? that his enemy feels what he feels?? that they are bound and locked together, nearly sanctified in joint suffering??
does he care?? does he care????? i need to sit down,,,,,
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specialagentartemis · 1 year ago
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Did Penelope talk to Odysseus about it? When Odysseus was told that Helen had been abducted by a Trojan prince and all the kings of Greece were being summoned to go to war against Troy and bring her back, Odysseus didn’t think that was any of his concern and didn’t want to go, but what did Penelope think? Helen is her cousin. Penelope was raised alongside her like a sister. Did Penelope think of her beloved cousin kidnapped and taken to foreign lands? Was she afraid for her? Did she encourage her husband to go, to give the war his all, to rescue Helen and bring her home, because Helen is her family? Not for Menelaus’s sake, or even for Helen’s, but for hers. For Penelope. For Odysseus’s love for her, for him to go and join the rescue attempt for her cousin.
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here-comes-the-moose · 7 months ago
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Since I get a lot of my Bad Batch thoughts from my own family and friends and how we act, I thought I would share the latest thought I had.
I feel like Crosshair would make jokes about his trauma and mental issues, and Hunter would respond to this by saying “you shouldn’t joke about that, Cross” and would have that look that he does that’s a mix of sad and sympathetic.
Echo, on the other hand, is absolutely DYING at the joke and is occasionally brought to tears from laughing so hard.
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puppppppppy · 7 months ago
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i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you
#im reading that post that says artists are directors of audience reaction and not its dictator:#'you cannot guarantee that everyone viewing your work will react as you are trying t make them react. a good artist knows that this is what#allows work to breath. by definition you cannot have art where the viewer brings nothing to the table ... this is why you have to let go of#the urge to plainly state in text exactly how you think the work should be interpreted ... its better to be misinterpreted sometimes than#to talk down to your audience. you wont even gain any control that way; people will still develop their opinions no matter what you do#im thinking abt this again cuz i was thinking maybe the thing that lets adventure time work so well the way it does is cuz it doesnt#take itself too seriously that it gives the audience enough room to fuck with subtext and then fuck with them back yknow. i think it was#mentioned somewhere that they werent even planning to run with the postapocalyptic elements that are hinted in the show but changed their#mind after the one off with the frozen businessmen and dominoed into marcy and simons backstory. on the other side there are stories that#explain too much to let the story speak for itself and i think it ends up having to do more with the crew trying to lead ppl in a certain#direction than expand on what they have and i see a lot of this with miraculous. like when interviews and tweets are used as word of god in#arguments and it becomes a little stifling to play around with it knowing the creator can just interject. u can say its the crews effort to#engage with its audience but it feels more like micromanaging. and none of this is to say there ISNT room for stories that spell things out#theyre just suited for different things. if sesame street tried abstract approaches to themes and nuance itd be counterproductive#a lot of things fly over my head so i need help picking things apart to get it- but it doesnt have to be from the story itself. ive picked#picked up or built on my own interpretations listening to other ppl share their thoughts which creates conversation around the same thing#sometimes stories will spell things out for you without being so obvious abt it that it feels like its woven into the text. my fav example#for this might be ATLA using younger characters as its main cast but instead of feeling like its dumbed down for kids to understand why war#is bad its framed from a childs point of view so younger audiences can pick up on it by relating to the characters. maybe an 8 year old#wont get how geopolitics works but at least they get 'hey the world is a little more complicated than everyone vs. fire nation'. same for#steven universe bc its like theyre trying to describe and put feelings into words that kids might not have so they have smth to start with#especially with the metaphors around relationships bc even if it looks unfamiliar as a kid now maybe the hope is for it to be smth you can#look back to. thats why it feels like these shows grew up with me.. instead of saving difficult topics for 'when im ready for it'#as if its preparing me for high school it gave me smth to turn in my hands and revisit again and again as i grow. stories that never#treated u as dumb all along. just someone who could learn and come back to it as many times as u need to. i loved SU for the longest time#but i felt guilty for enjoying it hearing the way ppl bash it. bc i was a kid and thought other ppl understood it better than me and made#feel bad for leaning into the message of paying forward kindness and not questioning why steven didnt punish the diamonds or hold them#accountable. but im rewatching it now and going oh. i still love this show and what it was trying to teach me#yapping#diary
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