#I don't think he would like musicals

[pyechmushy]

What musical do you think Scott would like/be obsessed with?

[poorly-drawn-mdzs]

Look what we've become.

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[cursedcola]

MallYuu + Red String Theory + Multiverse Theory + Epic The Musical = 2 days of my time and brainrot.

Song: https://youtu.be/d0LNkNI3Y80?si=W0oNGfjk8-eu1iXY

[juicysnoop]

watched like 7 seasons of buffy in half a month something is wrong with me anyway ... him

[gingermintpepper]

Okay, let's finally talk about EPIC's Apollo

I feel very compelled to say, first of all, that I do not dislike Epic. In fact, I am very fond of Epic and have been following its production and status very eagerly! I attend all the launch streams, I watch all of Herrans' update videos; I am, at the end of the day, a fan and I want it to be known that my words are spoken out of love and passion as much as they are spoken from a place of critique.

So really, what my problem with Epic's Apollo?

In the briefest possible terms; the choice to have Apollo be defined by his musical aspect in God Games is thematically strange. And not in the 'oh well in the Odyssey, Apollo was important to Odysseus and his family so it's weird that that wasn't kept in Epic' strange, strange in the sense that Odysseus' character arc since My Goodbye has been getting more and more obviously Apollonian and so it is positively bizarre that when we get to meet Apollo, the god seems entirely disinterested in him and his affairs. So much so that he is not even defined by any station that would indicate that he has been watching over and protecting Odysseus and his family.

What do I mean by 'Odysseus has been following an Apollonian arc'? I'm so glad you asked!

Remember Them is the last song in which Odysseus explicitly uses his sword until Mutiny where he must use it to defend himself against Eurylochus' blade. He uses it to help enact the plan to conquer Polyphemus and, due to Polites dying in that battle, Polites who wished for Odysseus to put the blade down entirely and embrace a post-war life, Odysseus also retires his sword. This is an action that symbolically separates him from Athena - and the image of Odysseus as a traditional warrior set for him in Horse and Infant - as much as My Goodbye physically separates him from the goddess and her war-ways - from this point onwards, Odysseus will no longer be leaning on Athena's wisdom or methods to solve his problems. Likewise, he will no longer be able to rely on her protection.

Odysseus thusly solves most of his upcoming problems through diplomacy and avoidance. He approaches Aeolus - a strange and ambiguous god (both in gender and in motivation) and appeals to them for help. Circe too, he approaches not with wishes to conquer or for revenge, but for the safe returning of his men and an alternate way forward. In all of these scenarios, there is some Apollonian element which is subtly interweaved alongside the influence of other gods; it is with a bow and arrows that Polyphemus' sheep is slain (and thus it is this Apollonian element which is at the root of Odysseus' spat with Poseidon), it is a vision of Penelope that warns Odysseus that his men are about to open Aeolus' wind-bag, Circe's peace offering to Odysseus is to refer him to a prophet of Apollo who has since died.

In this way, Apollo is walking alongside Odysseus for all of his journey after Athena departs - even in the Underworld, he is guiding him. It is Tiresias' proclamation that is the last straw for Odysseus, it is by the power of a mouthpiece of Apollo that Odysseus decides to embrace his ruthlessness. It is with the bow and arrow that Odysseus subdues the siren who sought to trick him, likewise, Odysseus does not attempt to undermine or escape the fate of paying Scylla's passage price - he knows of the doom about to befall the six men and quite unlike the rest of the journey until this point, he does not fight against it. This all comes to a head on Thrinacia where it is a blade which sacrifices the sun god's cow and brings destruction upon the crew once more.

My point with all of this is that when I heard the teasers for God Games years ago, it made perfect sense to me that Apollo would be Round One - he is not Odysseus' adversary and has no reason to oppose Athena's wish to free him. From other teasers about what will happen in the climax of Epic, Apollo will still be walking alongside Odysseus - it is Apollo's bow that Penelope will give the suitors to string. Likewise, it is Apollo's bow that will prove Odysseus' legitimacy and identity. That bow will be the power by which Odysseus hunts his adversaries and cleans out his palace - it is Apollo who is the avatar of Odysseus' ruthlessness, not Athena.

So tell me, truly, what was the point of having Apollo raise a non-argument in God Games? Why have him appear unconcerned, aloof and slightly oblivious? Why have him appear in his capacity as the Lord of Music at all?? And if the intention was never to make Apollo an active player in Odysseus' life like he was in the Odyssey, why keep Odysseus as a primary archer?

The answer of course is that Apollo is inextricable from the fabric of the Odyssey - his influence and favour exudes from Odysseus just as much as Athena's. In Athena's ten year sulk, it would have been Apollo who kept Telemachus and Penelope safe. It would have been Apollo protecting Odysseus from Poseidon's gaze as he travelled the seas (according to the Odyssey anyway)

Forgive me for not being excited about something that I thought was being purposefully set up. I was extremely ecstatic about all of the little Apollonian details that litter the sagas because I know where this story ends up (loosely) but all God Games did was reveal that maybe those Apollonian details were not intentional at all, but merely the ghost of the Apollo who persistently haunts those he favours, even if he cannot explicitly come to their aide in an adaptation.

[rin-solo]

Pls tell me I'm not alone—

[nyssasatelier]

Tiresias art dump :

Ps: You can kind of see the designing process for him from beginning to end

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[cillyscribbles]

obsessed with ideas of what a fight between those two would look like...

[seeminglyseph]

Apollo's entire vibe in God Games feels like "Dad Said I Had to Be Here" and I feel like that's so Golden Child of him

[sysig]

I think they’re the same guy, somehow (Patreon)

[silvertws]

My idea of Odysseus and the Odyssey in general has been now clouded by the musical.

It's cool to know what's gonna happen, love having to study that in elementary.

Hey, Odysseus, when are you going to tell your family you're actually leaving again to die at sea? :D

[firestorm09890]

before the realization fully set in that Naminé is being forced to work for the worst people ever she would show the Castle Oblivion crew her drawings and one time she draws them all as cats but like in that deviantart sparklecat way, yknow? and Larxene says something horribly mean and Marluxia says something weird but then Axel sees and is like "lol. you should show Zexion this he'll get a kick out of it" and Naminé goes "!!!!!!" and rushes over to show him but Zexion looks at his cat with the bangs and everything and says "I would not look like this as a cat."

"huh"

and then he pulls out a piece of charcoal and sketches a realistic cat which just looks like it came out of a research journal with the only really distinguishing feature being the shading on the cat and Naminé thinks he's just fucking with her like the others like to all the time but he's dead serious about this being his catsona

[deoidesign]

how did u learn to paint?? like i just cant wrap my head around it

<3 I love answering asks like this!

You will have to bare with me, I don't save many of my studies, and my files aren't that organized so I don't have as many images as I would like.

The studies I've found most helpful for myself personally with painting are various master studies. (This is also, as always, alongside study of fundamentals.) And always follow a study with self-critique (and, if you can get it, outside critique!)

"Master" in this sense means anyone who you want to learn something from.

One way you can do this is by copying an artist's work directly. This is to try and understand some of their stylistic techniques. Leyendecker, Andrew Loomis, and John Singer Sargent are personal favorites of mine! I try to keep these quick, I'm not trying to get an exact copy.

I also get a lot out of copying photos. In this case, I'm not trying to glean some technique, rather, I'm trying to interpret the photo and explore my own stylizations.

(photo credit mountain men of alaska )

I also really enjoy taking a painting or piece that already exists, and making it "mine" by putting my characters in it haha, which is sort of a combination of master studies and photo studies!

(William Bruce Ellis - Covent Garden (1930)) (Barberini Faun)

And then, in my work that's not a study at all, I'm informed by all of these!

What master studies do is help me refine my style and practice my technique, but also I'm communicating with artists of the past through my art! They're teaching me! And I have so much to learn.

And of course... most importantly... I paint.

a lot.

I don't do as much study anymore, not because I feel I've learned all I need to, but because for work I draw 50+ drawings a week. 'Drawing for work' and 'study' occupy the same space in my brain and I need some fun drawing time!

So to sum up, draw a lot, reference constantly, and copy the people you want to draw more like!

(and, of course, when doing a study off of someone else's work, always give them credit. If it's your photos there's no need.)

[screamingwiththewolves]

I generally don't make posts like this, cause I don't wanna start an argument or disagreement, but I do find the "Is Hyde really a person?" discourse, a bit odd...I know it's a comic, and maybe I'll be proved horribly incorrect but...

Does he have emotions, with personality traits and preferences? Yes.

Does he insist he's a person? Yes.

Then he is, in fact, a person.

[tiredgeekgirl]

fellas it has been three months since the beach episode and thinking about neil and eva in any capacity still makes me ILL

[hauntedhopeghost]

windmill.

He looks on. 

There were other things out there, besides that black-and-white home. Other places he could be that didn’t have him being thrown around and sparring all the time. 

And he was staring at a house; something that he hadn’t seen before yet. 

As Orange presented him with the block. 

It had color. A house with color and little paintings on the side. 

And wood. It was made of wood. 

He jumps, in excitement. lifting it up so high like a treasure to be held. 

He should try it out! Something special! 

And he bolts away before Orange can reach out for him.

Something! Something he can do! 

And he builds. And builds. 

He didn’t have any plan, in particular, the blocks were placed down automatically, painting a picture that he already had planned out. 

Then it was done, and he jumped down and watched, admiring the result despite the blocky feeling it reflected. 

A windmill. 

Built at seemingly lightning speed. 

And sure, there were some things he could’ve done better, and he knew that. The back of his mind nudging him to change. 

Still, he dashes back like an excited child, gesturing for Orange to come see it.

With his hands on his hips, and watching it turn, around and around.

Orange looks on in awe, as they step down the stairway.

(Something they like! Something he might be good at!) 

“It’s amazing.” They remarked. 

Amazing. 

Amazing. 

It was Amazing. 

They were patting him on the back, too. 

And elated, he held the block up again, pumping his arms up and pointing. 

And he’s still in a daze, shaking Orange’s hand, again, like the first time they met. 

It would be embarrassing if they knew how much it made him want to soar. 

See, they've already changed his life. 

He had wanted to make something else too, something better than that;  before Blue had arrived, seemingly out of nowhere, snatching it from him to plant crops and trees. 

He hopped onto his own creation, leaning against cobblestone as Yellow made a beacon, with stained glass. 

Orange’s words continued to echo and replay in his mind. Again and again.

Amazing. Amazing. 

That’s what he it was. 

He didn't forget. Even after the whole incident with Red. Even after all this time.

Amazing.