#I don't know why it took me so long to draw this

[moon-buggg]

28 for the micro story post ?

28. Something about [them]

Goth!yn time, also yn is a big fan of bugs in this one if you're not into that. This one got away from me a little bit I don't think it can be called micro anymore lol

When you had first been hired on as daycare assistant, Sun was absolutely, positively, one thousand percent certain you were not the right fit for the position.

Your dark, dreary clothes stood out like a sore thumb against the bright, cheery plastic of the daycare. Your eye makeup was heavy and dark, and judging by your taste in jewelry you were far, far too interested in awful awful creepy-crawlies. He'd caught glimpses of you before you changed into your employee uniform, and it was all too easy to slot you into the role of 'villain' when your chosen outfits fit so neatly in with the story book illustrations of evil, scary characters that the heros would defeat without fail.

...admittedly, it soon became rather difficult to keep up that assumption.

There was just... something about you. Something that kept drawing him back to you, try as he might to resist.

Eventually, despite his initial coldness, he found himself warming up to you. Sun is nothing if not stubborn, and he's honestly a little embarrassed nowadays at how long it took him to admit that he may have misjudged you.

But, those days were far behind him.

Today, he sits at a table much too small for him, trying his best to seperate his focus between colouring and chatting with his table of little superstars, and listening in on your conversation a table or two away.

"Did you know your bracelet has a bug in it?" A boy at your table asks. Sun knows exactly which bracelet he's referring to, probably his least favourite of your jewelry. A braided cored with a scorpion encased in resin. For all that you two had gotten closer, he could not for the life of him figure out why you were so fond of the awful thing.

"Yes I did!" you rely, excitement clear in your voice, turning your wrist to let him see better. "I picked it because of the bug, in fact."

"Oh," the boy responds before pausing. "...Why?" He eventually asks. Sun grabs for a blue crayon, nodding along with the particularly complicated story being told at his table.

"I like them," is your simple but honest answer. "Did you know some scorpions glow in the dark?"

Sun sneaks a quick glance back at your table. The boy has grabbed your wrist, and is studying your bracelet very intensely, like if he just looks hard enough, he'll be able to figure out all the secrets the scorpion holds. You've got a smile on your face as you patiently let the boy twist your wrist this way and that to examine the little preserved pest. Sun quickly looks back to his paper, ignoring the way his fans start running just a little bit faster.

Time passes. The boy does not resume his questioning, and Sun is quickly pulled into a lively debate about which is better- fairy princesses or fairy ninja princesses. He's so caught up in the debate, he doesn't notice the little pair of eyes watching him. Soon enough, arts and crafts time is over and it's time for clean up.

Sun goes around the room, collecting all the drawings so they can be sent home. When he reaches your table, however, he becomes very aware of the boy you were talking to glaring up at him with all the seriousness of a heart attack.

"Mr Sun, are you a bug?"

"What!?" Sun's voice is strained. It's a miracle he's able to stop himself from ripping the papers in his surprise. "Whatever makes you say that, friend?" Oh how he wishes he could glare at you right now, as you try desperately to hide your laughter. The other children at the table are not so shy in their amusement.

"You look like one," he declares like it's the most obvious thing in the world. "And, and you've got an ummm... exo-skeleton! Like a bug!"

"Noo friend, I'm not a bug, not a bug at all!" He clarifies, swiftly recovering as he gathers the drawings. "I'm a robot!"

The boy considers this. He must not like whatever it is he decides because he looks at Sun a tad angry as he asks his next question. "Why aren't you a bug?"

You seem to have developed an awful cough right at this exact moment. How unfortunate.

"Well, I'm simply far too big!" He eventually lands on. "Bugs are tiny tiny tiny, right friend? I'm simply too tall!"

The boy seems satisfied with this answer, nodding his head and going back to helping put all the crayons back into their box. You stand up, leaving him to cleanup while you prepare the next activity.

You pat him on the arm as you pass, throwing him a grin. "Dont worry Sun, you're my favourite bug," you say, walking away before he has a chance to react.

It's probably for the best. Sun doesn't think he'd ever live it down if you saw how flustered being call a bug, your favourite bug, made him.

[georgeweasleyslostearhq]

Eddie munson x reader fic based on this?

https://www.tiktok.com/t/ZTYTgsBwR/

cute!! thank you for requesting <3

BEST FRIEND'S BROTHER

Pairings: Eddie munson x fem! Summary: your best friend's little brother has a crush on you, which you use to your advantage. Warnings: a kiss

──── ୨୧ ────

you entered the Munson Trailer with a bag full of movies you rented from Family video.

it was friday night, which meant you watch shitty movies and get fat with your best friend.

you were immediately greeted with a bunch of muffled screaming from the room down the hall, Eddie's room, your best friend's little brother

although, he wasn't really little anymore, and he was only 2 years younger than you. so was he ever really little?

you frowned and looked over at your friend, Beth, wondering what was going on

"oh, yeah, Eddie invited his band over. I told them to be quiet" she sighed with a smile as you took off your jacket

"i don't think they listened" you laughed

she shook her head "no, they definitely didn't"

you got settled on the couch beside her after digging in the fridge for a drink.

"oh, yeah. i ordered Pizza but they were like, super early, the boys took it from me as soon as they smelt it. good luck if they even give you a peice, if there's any left" she snorted

she usually didn't give a fuck about her brother, unless he really pissed off or tried to get your attention during your hangouts

which raises the idea in your mind.

from the very start of your friendship, you noticed Eddie and his attempts to drag you away from Beth.

and it wasn't until you were 16 and him 14 when Beth told you he had a major crush on you

she told you the whole story of going in his room to find a drawing of you in his sketchbook while he was out.

her telling you made it so awkward when you's came over, you noticed every shy smile and glance he'd give you when he thought you weren't looking.

you'd notice when he'd go out of his way to do things for you.

when you'd come over, he would rush out of his room at the sound of your voice and offer you a drink

"Can I get you anything? we have pretzels, and coke" he'd ask

you declined every time, feeling a small pang in your chest, watching the smile of his face falter as he backed up into his room

"okay... just call out to me if you need anything!" he'd say before shutting his door

in highschool, he would go out of his way to say hi to you, but frown everytime you'd brush him off, looking at him like everyone did, like he was a freak.

Eddie gave up on liking you for a while at that point, the poor 16-year old's heart was broken, but it's not like he ever thought you'd like him back.

you were just so pretty.

he was so heartbroken he had put everything he made for you away in a box and put it under his bed, long forgotten by now.

every lyric sheet of a song he made for you, every trinket that made him think of you, everything you'd leave at the trailer that he was able to swipe before anyone noticed.

it wasn't until you graduated that you began to be nice to him again. now, 4 years later, his crush on you was known by everyone, and he knew that you knew about it.

at 20 years old he had finally grown a little more confident when around you, sending you little comments of flirtation or winking at you. though, he'd miss the way you'd blush as you rolled your eyes.

he wants you to know. he's definitely not shy about letting you know.

which is why you stand up and smile

"I have a feeling they'll let me have some" you speak confidently

you walk up to his room down the hall and knock

"first one to get me a slice of pizza gets a kiss!"

you giggle and look back at Beth when you hear screaming and rustling on the other side of the door

"BACK OFF! MOVE! GIVE ME THE PIZZA, GIVE IT!" you hear Eddie scream at the others.

it's silent after a few seconds before the door slowly opens.

Eddie's head pops out from his room and gives you a smile

he opens the door wider and bows down in front of you, presenting a paper plate with a slice of pizza on it

"One slice of pepperpni pizza for the fair lady" he smiles cheekily

you smile and take the plate

"thank you, kind sir" you curtsey and take the plate. you turn around and go to walk back to the livingroom when he clears his throat

you looked back as see him still standing there, his eyes wondering around the room, his hands behind his back as he rolls on the heels of his feet.

you blush when he puckers his his lips like a child ready to have his first kiss with his girl crush.

you roll your eyes "oh how could I forget, I apologise" you speak in the same way he did a few seconds ago

you walk back over to him and lean up on your tippy toes. he looked at you happily when he leans in.

you swerve his lips and connect you mouth with his cheek, right on his dimple, wiping your thumb over the lipstick mark as you pull away

he looks at you lazily as you back away, a dumb smile on his face as he backs up into his room

"pleasure doing business with you" he says before shutting the door.

you walked back to the livingroom, taking the pizza into your mouth, taking a bite when you see Beth roll her eyes.

as you sat down next to your best friend, you could more screaming and cheering

"he's such a dork" Beth mumbled

you look down the hall, where his bedroom door was shut and shrugged

"he's cute"

Beth's head snapped to the side to where you sat "what!?"

your eyes went wide when you realise what you said "what?"

──── ୨୧ ────

[themagicoolcat]

sorry for my lateness in responding to this but thank you so much for the contributions oh my gosh!!

i love your labelled diagram of all the actors i definetily was going to struggle with finding those odd ensemble kitties trying to dig around for the names. it's also nice to see that we do actually have a cat that's cassandra which does obliterate my jellicle theory of jordy's cat being cass but i don't mind because at least i was aiming in the right direction and the production still has a) cass and b) a really cool design for cass. i'll try and see if i can dig a name up for gus' actor considering that featuring gus the theatre cat the song seemed to appear frequently in the promotional descriptions for the production i don't doubt they've said gus' actors name somewhere!

it's nice to see the great rumpus cat in the production! despite having an image from the show featuring rumpus i completely forgot about him. with this confirmation of rumpus cat's existence it actually explains some images which i had initially deemed to be part of the gumbie cat number due to the use of some props (i'm not exactly sure if the production featured the cats doing the beetles tattoo or the cats cleaning the junkyard under the instruction of jenny) that i know realise are probably from the battle of the pekes and the pollicles! also having an unmasked appearance of the rumpus cat as one of the ensemble cats there are four possibilities as to who this cat could be outside of playing the great rumpus cat during the battle of the peakes and the pollicles. most often it's the tall ensemble cats who are cast to double as the rumpus cat and depending on the production it could be alonzo, plato (unlikely in this case because of tori-cat) or george! there could also be the possibility that the perth/mandurah production took the shiki cats initiative and has an ensemble cast member called rumpus cat. whatever that case may be it's a win for the few males in the show!

i would like to give a personal thank you for solving my victoria confusion because it never would've dawned on me that that could be avie's drag persona. it makes absolute complete sense that it's the same person!

i am so incredibly intrigued by this tori-cat to plato transition. femme!platoria is so real to me now i absolutely love this information and will be drawing fanart of the pair. this also makes a whole lot of sense to the facebook comment i quoted, it was not in fact a piece of social context that i was missing it was a piece of the show lore. it makes a lot of sense why they'd have assigned the roles of the tom ensemble cats to the mollies of the ensemble because well, it's a female dominant cast, and just knowing of tori-cat plato fills me with joy. as much as i love calling her tori-cat (which i will still most likely do out of affection for her character) it's nice knowing she has true name!

i don't know a whole lot about the art of aerial performance arts but a quick search and video or too of what an aerial cube is has made me come to the conclusion that that's cool as hell and perth/mandurah bomba is even cooler for doing that as well silks. no idea where in the show she's preforming this by the way (the leading theory is the jellicle ball now that taking over the platoria dance is out of the question because tori-cat is plato) but she's cool as hell!!!

oh sick we love a transition!!!

i love the fluffy coats of this production but i can only just begin to imagine what a nightmare they would be to preform in during any time of the year. preforming in the jellicle ball for 10 minutes straight in coats like those doesn't sound very fun. i can also see them being removed as a safety precaution as the long coats could become a hazard while dancing as an actor could trip or fall or get seriously injured or again overheat. it's the same reason why when misto changes from his ensemble costume in productions to his costume for his number his tail becomes shorter (notably loosing the white tip also) as it could be a hazard for the preformer during the number with the amount of tricks and spinning misto does during his number. it's much like how they wouldn't get old duet to preform any form of heavy dancing during the show because of his massive coat that he wears and also because he's really old, kind of irrelevant to my point, if they were to get the performer for old duet do dance he wouldn't be wearing the big coat he'd be in his ensemble outfit seen at the start of the show.

the promotional material for cats perth/mandurah is odd because even after they had started preforming and had their professional photos shot for the show they were still using the shots from their early promotional materials with the early costume designs. i'm really not sure why they continued to use the beta designs after the fact but they did and i love the early costume jemi and jenny they're very silly. that's also a neat thing to know for future reference that it was joanna appearing as jenny in the promo materials! i love the jemima design the most out of any design in the production so i'm very glad she got to keep her coat!

thank you thank you thank you for the misto telethon link!!! i hadn't scene the clip before it's a shame they were adamant on showing everybody but misto but i love it nonetheless!! another one for the collection!

hi i know you had posted about perth cats back way back in march but i was wondering if you knew anything more about the production? i’ve went down a rabbit hole trying to figure out who is what cat and who plays who using your list as a base to go off of and several hours and a good little stockpile of images later i still haven’t found anything more.

what i have found though is jemima’s actor’s full name is charlotte louise, victoria’s actor was an actor called avie grey (though i don’t know what cat is victoria) and other actors of unnamed cats include: lisa williams, tori brown, ella tweedle, rebekah wilson, lavina monk, caitlin atherton, jordy andrews and jaxon coke (all found through tagged images and birthdays posts by platinum productions on facebook) i can provide images of each of these unnamed actors so there is a cat face to attach to them just not any names still - @themagicoolcat

Not weird! I haven't looked much into Perth lately but I took another peek around with the names you listed. I didn't find much (but I did stumble upon some of those birthday posts you mentioned, I don't know how I didn't find them the first time).

It looks like Avie Grey played the clown cat, so if she's Victoria that means Vicky is the clown?

Plus Tori Brown would then be straight-haired pink cat, but I didn't see any names for that character.

I did find some of costume pictures of Sooz Bennet/Bennett? who plays Skimble, so based off of my (poor) sense of facial recognition, I think the orange long-haired one is Skimble

(Ignore the crazy person pin board vibe of my notes lmao)

Only other thing I really came up with is that I think (think) Tara Lynette Elliot mightve been on the production. Specifically and only bc she's been employed by the same company for other musicals + she looks a hell of a lot like the half pink-half orange jacket cat, which could mean nothing but I'm choosing to believe.

Given that it seems like none of the ensemble characters have ever had their names posted (by official or cast accounts) I honestly wonder if theyre just not named characters. Notably this cast skews heavily female, and quite a few of the usual Cats ensemble characters are male. So it's very possible that they just weren't named if their role wasn't 1-1 to some replica character's role (Demeter, Bomba, Victoria, etc).

I feel like the cast members would say something in the caption alongside a picture of their role ('had fun playing Alonzo in Cats this year!' or whatever) if they did have names and yet I have yet to come across anything of the like. Which is the lame disappointing answer unfortunately, but this production wouldnt be the only nonrep (or rep honestly) with a handful of unnamed ensemble or swing characters.

[dzhfaer]

Hashimada #4

next will be kakairu. maybe. more likely. we'll see.

I also read a lot of hashimadas fanfiction! there will be fanarts!! :DD

[eva-birdman]

ayo no way!!!!

[kalihoffs]

Sylaise and June

[nono-uwu]

Happy Birthday Horn!!!!! Drew her in the prsk 3rd round birthday cards style <3

Bonus :3

[seaofreverie]

Sparkstember Day 19: Lil' Beethoven (Ride 'Em Cowboy)

First of all, let this very important fact be known: the love I have for all three albums in the Lil' Beethoven trilogy cannot be overstated. I think I can safely call them my favourite pieces of art ever made. You know, when you look forward to something and it not only lives up to all your expectations but it's also just SO SO much more? Something about this neoclassical / dada / deconstruction of pop music / whatever-you-should-even-call-it approach is absolutely PERFECTLY suited for my tastes, and I didn't even know I was looking for something EXACTLY like this until I found it.

I think the circumstances of my first hearing of this album are pretty funny and something I got pretty lucky with actually (I often think about this with Sparks in general, as much as I wish I've known about them sooner I also do feel like they appeared in my life when I needed that the most. But anyway.) I was very eagerly looking forward to hearing it and finally seeing for myself what the genius of this album is all about. But I insisted that I can only do it through a physical format because yesss, let's make it even more *special*! The moment I've been waiting for! So yeah let's gooo, I need to wait until my CD arrives in the mail (that was one of the longest weeks of my life). And then I started to wonder, well, maybe I actually won't like it that much. To hype myself up to this extent and then be severly dissapointed - would have sucked!

Well, I was NOT dissapointed. Instead I was perplexed, confused, but also very intrigued and quite, ok not just quite, *completely* amazed already. That was the initial reaction and I think it's a rare but very beautiful moment when this happens - no need to *fully* grasp it right away, but enough to be all like "oh that was SOMETHING. I need more." As I said after that first listen (and I actually have my whole LIVE reaction to hearing LB written down lmao, that's how much of a big deal this was for me), I felt like it actually has to grow on me a bit still, gradually but surely with each next listen, rather than the 1st listen being THE prime listening experience. And that was very true! But it wasn't even gradual, it was very fast, seriously. And something very important that stood out to me right away too were the melodies - something about them, and that continues into HYL and ECOTD too. It's this classic feeling of: this always existed, or at least it feels like I've known it for years already. And as I listen more and become more familiar with them the magic still grows.

It's of course no coincidence to me that an album that relies so much on extreme levels of repetition is so addicting, even hypnotising. And once upon a time I thought that I couldn't like something that's too repetitive and therefore could be considered monotonous or "predictable". But nothing is predictable about LB actually. (Besides... ok, I'll get to that one bit later). But yeah, it's good for the brain. And it's been said before by others but this music definitely has this certain neurodivergent appeal thanks to all this, and, well, I love that aspect of it so much and I definitely relate to it on some level that goes even deeper than just song topics and instrumentation choices. It's in the structure and the fundaments of it all too.

I legally can't finish this without a dedicated paragraph to the 2004 Live In Stockholm performance because HOLY SHIT. Feeling so lucky again that all three of these albums got this treatment and we have recordings of these half-concert-half-performance-art pieces that we can now marvel at. I will say that like, a pretty big part of the sum of the appeal that LB has as an album is stored in this show and its visual and narrative elaboration on its themes. And also it's just so fun to watch! Sometimes I thought about how this might be an even better introduction to LB / this era of Sparks / Sparks in general than the actual album but well, never had a chance to test that and you know. Maybe shouldn't recommend Sparks with one of the most leftfield things there is to be found from them. Either way, very good, very important, felt like experiencing the power of LB for the first time all over again.

So now, please hear my exact reasonings for why I so deeply love (almost) every single one of these songs......

The Rhythm Thief

NO song made such a big impression on me the first time I heard it as this. I might have gotten more used to it after all this time but man, The Rhythm Thief, you will always be the realest one to me. This is what made me look forward to the whole album so much and convinced me that it would be like nothing else I've heard before. And that turned out to be so very beautifully true!

How Do I Get To Carnegie Hall?

I could listen to this one a hundred times in a row over and over and not get sick of it one bit. That's it, idk what else to add, beautiful and ethereal in every way

What Are All These Bands So Angry About?

Mostly I just want to direct everyone's attention to the bridge section, at the 2:26-2:52 time mark, which as far as I can say is the most heavenly piece of music ever made. Feeling like that Winnie The Pooh soul leaving his body gif each time I hear this

I Married Myself

Aromantic anthem, to me. Not that much to say actually but it's just, a very sweet and pretty song even when it might be taken as just this sort of ironic piece, I think it's this situation where a song can be taken more or less literally and it doesn't lose anything, rather the sincerity takes on a new sort of meaning? Because yes, maybe this hyperbolic situation (marrying yourself) COULD be the solution to the heartbreak of failed relationships. Ever thought about that??? Ok, stopping right here and leaving my I Married Myself analysis for another day

Ride 'Em Cowboy

My mind is blank on this one suddenly. But it's so good believe me. I love it a lot. It just has this LB spirit that makes it very addicting to listen to

My Baby's Taking Me Home

This was sort of the first Sparks song I've ever heard, or maybe that I quote-unquote purposefully listened to, and I think that's pretty important considering that it was the moment that ultimately lead to... all this. This song has always been incredibly beautiful and powerful to me, but lately it just makes me emotional to an extent that makes it hard to listen to most of the time. I WOULD sell all my material possessions for even one chance to experience this song live by the way

Your Call Is Very Important To Us. Please Hold

Earns soooo much as a live version, but even without that I think it's genius in the same way as The Rhythm Thief, and maybe the most disquieting piece here overall... If we ignore the next one maybe

Ugly Guys With Beautiful Girls

Sitting there hearing the intro of this song all like "huh, this is so chill and calm... too calm..." and then being hit with, well, everything that's going on in this song afterwards was truly THE MOMENT back in the day (and re: the predictability thing. idk though, it's not like, really an issue). Later on I decided that this sort of narrative nature of the song makes it have less replayability value than the rest (???) but I abandoned that opinion soon enough, thank god. I love it how long it took me to realize that this song and the ending of MBTMH are the only times when drums appear on this entire album (I mean no, I'm not very proud of that fact actually, as the self-proclaimed biggest LB fan in my area. And The Rhythm Thief literally saying "say goodbye to the beat"... come on man). So yes, sometimes less is more! I adore this song now it's such a treat I would gladly terrorize my neighbours with it

Suburban Homeboy

Ok, I'm sorry Suburban Homeboy fans but this is the only song here that I'm not a HUGE fan of. I still think it's brilliant and an incredibly fitting ending for the whole thing - the mood whiplash is amazing as this is the only "vaguely happy sounding" song on here, per my words from months back. And what's better than yelling WE ARE THE SUBURBAN HOMEBOYS! (I'm actually awaiting today's Sparks karaoke rating reveal very impatiently lol the reveal happened before I posted this and I'm very happy about it)

One more actually, a quick word on Wunderbar because it gave us two things that we might have not been able to do without: 1) this whole album actually (the fact that LB exists because of Wunderbar giving the Maels the idea to continue meddling with this style. Up there as one of my fav pieces of Sparks trivia) 2) anddddd the 21×21 performance of it of course

[randomciabatta724]

Sharing my AU with the world because I can.

Basically thanks to sheer luck Polites lives past the Cyclops (yay!) and then everything directly after that pretty much goes on as normal.

The wind bag still gets opened (I tagged the post where I kinda explain the general dynamic) and then Poseidon finds them. His original plan is to drown them all, but then he sees Mr. Open Arms himself is still alive and is like "I have the opportunity to do the funniest thing ever rn" (turning him into a sea monster and sending him to kill Odysseus)

[sysig]

Don’t tell me what to do! (Do, do it, he likes it) (Patreon)

[enhanced-operatives-division]

i would love to hear about the ollie and handler crack ship here’s a silly doodle as well

LOVE THE DOODLE YOU SEE THE VISION!!!

Also this got my ass to design Ollie so:

(Love him - Also redesigned Reggie for this too so thanks!!)

And idk if it's moreso a crackship or a rarepair that only works in an AU (HACKS up Starstruck), but Reggie's line of "...and I hope Ollie made it out too. I hope a lot of things." It's totally me reading into it but like,,,,I want them to talk because Ollie is not dead to me in my heart of hearts.

Maybe the only change is like Reggie taps into the communication on the radio in Hot Water instead of using the earpiece, so Ollie ends up hearing him also? And they end up getting along really well (with Reggie having to jump through a couple hoops to be like "haha what agency..."). There's an Agency base in the South-East coast of Australia and maybe the Agency ends up adopting him after he washes up on the shore with the escape pod (after HEAVY questioning).

Alas take a doodle of my own:

Transcript (it's just canon lines):

Ollie: "She's being controlled, it's not her fault."

Reggie: "Agent, I have 0 experience dealing with giant security squids."

[ashtonisvibing]

my dad: mentioning the idea of me having kids one day, or at least getting with someone who would want kids

me: trying so fucking hard so subtly convey with my face that i will never have kids and will never be with someone who wants kids without having to outright say it

[knackfandomarchive]

Okay boom. I'll try to use these as references.

[discoreptile]

Beasties of Greenhollow soundtrack! Some tracks on this are from older projects like elphame but all of them have been reworked in some way. Most of them are entirely new. Enjoy!

[malachitezmeyka]

I think That Woman is genuinely trying to kill me

[lothbats9000]

Happy last couple days of Pride Month!!

And also since I missed it, happy late birthday Sonic!