#I don't know how the people in the Good Omens fandom do it

[theoldandnewfirm]

Finally finished my Marley backstory thing!

To answer the question of "why is Scrooge 2022's Marley Like That," I wrote a profile of Jacob Marley's life from birth to death. Each chapter represents a time period indicated by the chapter title.

Feel free to use as inspiration/reference for art/fics/whatever if you so desire. Enjoy!

@undeadchestnut​

[ineffable-doll]

Remembering when I joined the fandom in 2020 and no one would explain where the whole South Downs thing came from

[beastsovrevelation]

Anyone want Crowley x Readers? Or War x Readers? I don't know how long I'll take to start uploading my WIPs, and I don't like to not upload. Female Reder. Both male and female Crowley (not at the same time). War'd be... Herself.

What are you saying? I'm procastrinating? Why, ✨yes✨, how did you know? On my WIPs, original works, and papers for uni.

[weirdly-specific-but-ok]

for whom good omens is being written

Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:

The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.

And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:

'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."

'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'

He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'

(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'

And, finally, this paragraph:

"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"

I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.

Share this post, if you can, please, so that more people can read these excerpts :")

Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)

[dalla-mia-isola-strana]

Neil Gaiman is accused of sexual assault, sexual coercion and rape

A third woman came forward a couple of days ago.

None of the problems people had with the other podcast (and to be honest, I think those arguments mostly just represent the denial and bargaining phases of grief) apply to this one. This woman says she only came forward because the Tortoise podcast made her aware she wasn't alone. Until then she'd believed him when he told her it was just her. Good Omens fans, I'm sorry if you're hearing this from me (although unfortunately it does matter that you hear it from someone). If you had heard but tried to look the other way -- listen, I know this is shocking and heartbreaking. It is of course up to you how you participate in fandom from here. But please stop tagging your fandom posts "Neil Gaiman". You are ensuring that anyone searching for information is going be swamped with Good Omens fanart and S3 countdown posts and pictures of socks(?) and photos of actors who have nothing to do with this. They might then conclude that there's nothing to these allegations. And that matters: at present, aside from Rolling Stone and the two podcasts, this story hasn't received much press attention. The latest survivor says that she tried reaching out to reporters and was told her story "wasn't enough." So at least for now, social media sites do matter as a record on this. When you drown out this story with your fandom feelings, you are helping, whether or not you realise it, to cover it up. And considering that he seems to have targeted fans who trusted him... I don't even want to finish that thought. So please, stop. Do what you want in the other, more relevant tags. But you're likely to have a better experience if you start trying to separate it from him, anyway.

UPDATE, 01/08/2024: Two more women have come forward, bringing the current total to five. The very grim details are here.

[ariaste]

Apparently there was some lil drama in Good Omens fandom again about people being deeply nervous and scared of the end of Season 3, and I wrote this in the replies of one of the asks that Neil Gaiman answered, but I feel like it is deserving of being crossposted into its own post (in a slightly expanded form) so folks actually see it.

cmere, good omens fandom, we're having an intervention. a Come To Jesus talk, if you will.

First of all, I'm literally begging the fandom to:

learn what personal boundaries are, especially around parasocial relationships with strangers. (Suggestion: When sending asks to authors you like, use "polite work email" etiquette, not "joking with a friend" etiquette. The latter comes off REAL weird sometimes, and sometimes outright mean/rude/bullying).

take a couple deep fucking breaths

embrace the philosophy of The Author's Intent Only HAS To Matter To The Author, It Does Not Have To Matter To YOU. If you do not like the author's intent, you can say "hmmmm no thanks" and write some fanfic. That's what it's for.

Friends, Romans, countrymen..... Stop trying to make Neil Gaiman responsible for your happiness. For one thing, that is an absolutely unfair and cruel burden to put on a stranger who doesn't know you. Neil is only responsible for Neil's happiness. You're responsible for your own happiness. In fact, do not rely on ANY external source to guarantee your happiness, not even very nice people like Neil, not even your significant other, not even your family members. Yes, those people might be able to help you with your happiness, but they cannot guarantee it. Expecting a third party to guarantee your happiness is how corporations exploit you, and it is the source of all media trauma. Take agency over your own joy! Don't give away your power! Plan to DIY your personal ideal ending!

Neil is not telepathic, Neil cannot know all your hopes and dreams and wishes, nor SHOULD he be expected to know them, nor does he have space to know them. He is busy with things like his own and Terry's hopes and dreams and wishes. Their hopes/dreams/wishes are just as valid and important as yours, aren't they? Yes, they are. So calm down. caaaaaaaallllllm dowwwwwn.

Yes, I love the show very much too, but at the end of the day it is just a story. And the great thing about stories is that you are empowered to retell them in a different way. It is not real, so if you end up unsatisfied by S3, then blithely impose your own reality and build your own joy. It's not like it's the End Of The World or anything (lil fandom joke there for you)

And look, if you read this and you're feeling Mad and Upset or Frustrated about it, that is a symptom that you are maybe feeling a little stung in your Media Trauma parts. I am sorry that other stories have let you down in the past, and I really sympathize that you are feeling scared about the fate of this story that really matters to you. You've invested a lot of love into it! I really understand the fear! You don't want to be hurt again, and that's super understandable and normal.

But bestie, literally the only way for you to find a story that's exactly perfect for you and that won't hurt you at all is for you to write it yourself. I know that sucks to hear, but it is the truth. If you keep pinning a hope of perfection on other people's stories, you will keep getting traumatized by the media you consume. Love other people's stories for what they ARE, not for the stories that you WANTED them to be -- the same way that we love people, you know? You have to let a person be their own person; you can't force them to be someone else. That's fucked up, so if you notice that you keep trying to do that, maybe go to therapy so you can be that Someone-Else person for yourself (or, if you can't afford therapy, read some self-help books from the library or find some good channels on Youtube who make content that might help with that (I really like JulienHimself)).

If you need a story to be something big and important for you, if you are seeking catharsis and healing from a story that matters to you and you're really scared that you won't get it, then open a Word document and start typing. You can do it. You're a human being, and you evolved to tell stories. Literally it's a species specialization. You got this. It's gonna be okay, because you're going to seize the means of production and MAKE it okay. Yes? Yes.

Good Omens S3 will be what it will be. It will be what Neil wants it to be and what Terry would have wanted it to be. Period. That IS actually the highest achievement and the most noble and admirable accomplishment that we can hope for. And hey, maybe what they want overlaps with what you want, and that will be wonderful! But that will be merely a happy coincidence. The only person who can TRULY center your wants is YOU. So stop trying to trap Neil into doing it, please, because he's busy and it's not his job, AND because your wants do matter and you deserve to have someone who can give your wants their 100% full attention (aka you. that's you. only you can do that. Not even your best friends in the world can do it. Not even your mom can do it, at least not if you're old enough to know how to read.)

It's gonna be okay. Really. Really, it is. No, stop typing the snarky melodramatic reply. This is not the time for jokes; I'm being serious. It's going to be okay. Neil Gaiman can only break your heart exactly as much as you allow him to do so. That's how art works. You have to consent in order to be affected by it, and you can withdraw your consent at any time. You're going to be okay. I promise. As long as you choose to claim your own agency and your own empowerment as an individual, then all will be well and all manner of things will be well.

[paperclipninja]

I'm gonna sound very old person yells at cloud but I don't care, I feel like I need to say this. We all (well most of us) know that messaging Neil with any headcanons/theories/wishes/hopes/dreams to do with the show is a no-go because it could potentially compromise the story he wants to tell or ends up telling. And yes, he is a grown up who chooses what to respond to etc and I think it's wonderful he engages with fans and answers a lot of lovely and interesting questions about his process, writing and journey etc.

However, there is another reason not to send theories and ideas about how the show should go to the show creator in the hope of a response: it doesn't matter. It doesn't matter whether a theory is correct, or a speculation may or may not play out. That is why fandom exists.

Online fandom is where we all come together to yell and cry and throw around weird-ass ideas and theories and look at art and read fanfic and unite in our love of characters and a show. A huge part of being in fandom, is the way fandom theories become like an understood little bit of fanon lore that some people attach to, others disregard. But it doesn't matter. And part of the fun of fandom, is when a new season or a new episode of the show comes out, you have this collective catalogue of ideas and theories and headcanons and you get to yell and scream, "omg it happened1" or "lol that that thing was ever talked about" or "thank god that theory didn't come to pass".

Wanting to know now (not that we ever will) and not wanting to wait until the next season to find out the answers diminishes the fandom experience. I cannot stress enough how much we are in the absolute peak of the fandom experience right now. The between seasons time is the ultimate time to be a part of a fandom (as I'm sure many people are well aware), knowing there's another season coming energises everyone to create and connect and speculate and it's glorious! I know it feels like it'll be like this forever, but it won't. Next season is the last and yes, there will be a flurry and uptick of all the energy and excitement once again, and I absolutely believe Good Omens fandom will live on and remain active and thrumming. But there won't be theories and what ifs and hunting for clues for the next season, and over time it will dwindle a little and plateau and some people will fall into other fandoms, and while it will probably bubble away, there won't be the anticipation that sits with us now.

My point is, fandom is where we get to throw around ideas and flail and be ridiculous and also serious sometimes, but it's all for us. For the fans. Showing Neil theories or getting in a flap about a particular speculation and asking if x, y, or z might happen isn't just about putting the creator in an awkward spot, it takes away what fandom is about. Just let this time be ours. If you haven't been in fandom before, enjoy it! Don't be in a hurry to seek definitive answers or know things either way.

It doesn't matter if any or none or all of the things that float around end up being correct or incorrect. Fandom isn't about being right. It's about being a part of a community and being able to share ideas and it's about it being FUN.

So TL;DR Stop sending Neil fan ideas because that is for fandom, not for the creator.

[joycrispy]

I'm seeing some confusion out and about over the title A Companion to Owls (generally along the lines of 'what have owls got to do with it???'), so I'd like to offer my interpretation (with a general disclaimer that the Bible and particularly the Old Testament are damn complicated and I'm not able to address every nuance in a fandom tumblr post, okay? Okay):

It's a phrase taken from the Book of Job. Here's the quote in full (King James version):

When I looked for good, then evil came unto me: and when I waited for light, there came darkness. My bowels boiled, and rested not: the days of affliction prevented me. I went mourning without the sun: I stood up, and I cried in the congregation. I am a brother to dragons, and a companion to owls. --(Job 30:29)

Job is describing the depths of his grief, but also, with that last line, his position in the web of providence.

Throughout the Old Testament, owls are a recurring symbol of spiritual devastation. Deuteronomy 4:17 - Isaiah 34:11 - Psalm 102: 3 - Jeremiah 50: 39...just to name a few (there's more). The general shape of the metaphor is this: owls are solitary, night-stalking creatures, that let out either mournful cries or terrible shrieks, that inhabit the desolate places of the world...and (this is important) they are unclean.

They represent a despair that is to be shunned, not pitied, because their condition is self-inflicted. You defied God (so the owl signifies), and your punishment is...separation. From God, from others, from the world itself. To call and call and never, ever receive an answer.

Your punishment is terrible, tormenting loneliness.

(and that exact phrase, "tormenting loneliness," doesn't come from me...I'm pulling it from actual debate/academia on this exact topic. The owls, and what they are an omen for. Oof.)

To call yourself a 'companion to owls,' then, is to count yourself alongside perhaps the most tragic of the damned --not the ones who defy God out of wickedness or ignorance, and in exile take up diabolical ends readily enough...but the ones who know enough to mourn what they have lost.

So, that's how the title relates to Job: directly. Of course, all that is just context. The titular "companion to owls," in this case, isn't Job at all.

Because this story is about Aziraphale.

The thing is that Job never actually defied God at all, but Aziraphale does, and he does so fully believing that he will fall.

He does so fully believing that he's giving in to a temptation.

He's wrong about that, but still...he's realized something terrifying. Which is that doing God's will and doing what's right are sometimes mutually exclusive. Even more terrifying: it turns out that, given the choice between the two...he chooses what's right.

And he's seemingly the only angel who does. He's seemingly the only angel who can even see what's wrong.

Fallen or not, that's the kind of knowledge that...separates you.

(Whoooo-eeeeee, tormenting loneliness!!!)

Aziraphale is the companion.

...I don't think I need to wax poetic about Aziraphale's loneliness and grappling with devotion --I think we all, like, get it, and other people have likely said it better anyway. So, one last thing before I stop rambling:

Check out Crowley's glasses.

(screenshots from @seedsofwinter)

Crowley is the owl.

Crowley is the goddamn owl.

[nutmeggery]

I need Neil Gaiman to know that Good Omens 2 made me feel emotions I haven't felt in nearly a decade.

When I heard there was going to be a Good Omens 2 I was looking forward to it, of course. I just wasn't expecting it do anything super special to my emotions. I was sure I'd enjoy it, though. I really enjoyed s1.

But, for the last few years, I watched shows and afterwards basically thought well, that was fun, and I quickly moved on and didn't think much about them. There was only about 3 shows in the last 5 years that had made me feel truly emotional and stayed on my mind to the point where I felt like I needed to engage in fandom for a while. (Good Omens 1 was one of them.)

I wasn't spoiled by the leak. I never even knew there was a leak. So I had no idea what was coming in s2. And oh boy...

See, I'd watched Our Flag Means Death, a show where you don't expect the lead characters to kiss, because, well, that never happens in these types of shows, right? And this is important because when they did kiss, it felt like a door that had been locked with just about all the high security locks in the world had suddenly, inexplicably, been opened. Something switched inside me. It took me months to understand what it was, but when I thought about Good Omens before s2 came out, I realized what it was.

I would never truly enjoy a bromance they're-only-queer/in love-by-your-own-interpreation story ever again. Stories where nothing is confirmed, just subtext that anyone who doesn't want to see it can easily deny and mock those who wish it was more.

While it was clear that Crowley and Aziraphale cared a lot about each other in s1, and were probably in love, it was still just a fun ship for fans to play with in fanfiction and fanart. Do they love each other? Oh sure. In what way? Well, that's up to interpretation. Ok, cool. But it's not quite Our Flag Means Death, is it?

Then I watched Good Omens 2. And from episode 1 I saw my favourite Angel and Demon duo love each other. And I was having the best time. I hadn't had such a good time watching a show in a long while. It was not only right up my alley, it was an alley I wasn't even aware was my alley until I saw it. I enjoyed seeing the old characters, the new characters. Oh, I was wonderful.

It was clear to me that, of course Crowley and Aziraphale love each other, are IN love with each other, showing it in their own way. And I wasn't expecting it to be THIS obvious.

And then when the kiss happened, I couldn't believe it. I covered my mouth with both hands and gasped and sat up straight in my seat. I had never expected it--the heartbreak it added to the already heartbreaking scene--it rewired something inside me.

It was like my emotions had been locked up in a stall like a horse for so, so long, and now the gate had been opened, the stable door kicked down, and the horse was running out onto the large pasture into the daylight, bucking and kicking up grass. Oh my god, I have to take a few minutes to process that entire 6 hour marathon of emotions.

And by a few minutes I meant a few days.

More than a few, actually.

I didn't need a kiss to understand how much they loved each other, but I did need the kiss to understand how intense and heartbreaking their separation is for them after everything.

But more than that, the kiss broke a barrier. They really did it, I thought. They really dared.

Aziraphale and Crowley aren't human males, no, but they're played by male actors. And that is significant. That makes the kiss significant. In the world we currently live in.

Weeks later, I'm still obsessed with the show, re-watching s1 and 2, reading the book again, listening to the audio drama. And I'm on tumblr, seeing people's posts and art to somehow sate my hunger for a s3 that doesn't exist (yet).

And I'm having a wonderful time.

[neil-gaiman]

Hello, I am writing an essay on the relationship between authors and fandom and would be immensely grateful if you could answer some questions I have about your experience on the topic.

Have your interactions with fans online and viewing fan discussion and content ever influenced how you view your own writing? If so does this impact how you write future stories?

I am wondering if the fan made content on the characters Gabriel and Beelzebub influenced how you wrote season two of the Good Omens TV show.

Do you believe there has been a change in how you engage with and view fandom from the time before the internet?

Thank you for your time, I hope you have a wonderful day.

1) Not that I can think of, other than it makes it a bit harder to write when you know people are waiting.

2) I don't think so.

3) I never saw it. But I'm glad that other people saw the same sparks fly between Gabriel and Beelzebub that I did.

4) Definitely. In the days of CompuServe and Genie the online conversations were longer and more nuanced. These days there's less nuance and less conversation.

[avoicebehindthestars]

About bootlegging Good Omens...

I don't have the ranges to reach a lot of people, but I'm going to say this nonetheless.

If you feel like you can't bare anything that NG has ever created, you don't want to hear about Good Omens, Sandman, Coraline etc. ever again, that's perfectly fine and a decision to be respected. Quite frankly, I've found myself feeling uneasy while I tried to read Sandman recently because I can't stop perceiving it through what I found out about the author. Hell, even the sex scene in Stardust doesn't sit right with me anymore...

BUT

If you are still a fan of any of Neil's ongoing franchise (GO, Sandman, DBD, Anansi Boys) and choosing to bootleg them just to "punish" him - think again. Neil's current net worth is $18M. Even if he doesn't ever earn another penny, he can spend up to $0.5M a year and live to be nearly a hundred without a care in the world.

What you'll actually be doing is informing the streaming networks (Prime and Netflix) that Neil's franchise isn't worth investing in anymore. And, as a result, you guessed it - the shows you still love WILL get CANCELLED. Make no mistake, just because Prime has greenlit Good Omens s3 doesn't mean that can't pull out on a whim.

Neil hates showrunning, he said as much himself. He's only persevering on Good Omens because he'd made a promise to Pratchett. So let me say it again: by bootlegging, you won't be punishing Neil. You'll be punishing YOURSELVES by literally telling the networks to cancel the show, because they won't get any money out of it. Or, if not cancel - limit the investment, as they did with GO s2, which will result in shorter episodes (in case of GO right now we're looking at 6x45m... would you rather get 6x30m instead?), fewer extras, lower budget on CGI and sets, and overall poorer quality.

In other words - you'll be cutting multiple artists' income. I'm not talking about top-tier actors like MS or DT - they'll do all right either way (although MS will mostly likely be heartbroken, as we know how much he loves Good Omens). I'm talking about all the extras and less known actors who perform minor roles! I'm talking about everyone involved in the production - in making of the sets, in creating the special effects, hell, in carrying equipment and pouring coffee! Those are the people you'll be punishing.

Seriously, aside from his promise to Terry, I'm convinced Neil couldn't care less. Otherwise why would he be so adamant about wrapping it up in just 3 seasons when it's winning distinction after distinction?

Last but not least, watching Good Omens legally and buying franchise doesn't harm the victims. If Neil really committed the atrocities he's accussed of, he'll be punished by the court! Punishing Neil isn't your responsibility!

So before you make a decision, please remember:

if the show you bootleg is cancelled as a result, you will have punished: yourself, the fandom, all the artists and people involved in the production

punishing Neil is NOT your responsibility

wanting the networks to continue the franchise you like doesn't harm the victims

[beastsovrevelation]

I was looking through my notes for Good Omens fanfiction, and realized almost every damn story includes Crowley having a baby.

There's the one where Heaven and Hell decide to use an angel baby carried by a demon as a diplomatic tool, leading into Crowley being protected by Michael, and them falling in love.

There's the one where she leaves her baby with Anathema and disappears, which triggers all the following events - from the search, to Aziraphale's trial, and everything else.

There's the one where she has to supply the new Antichrist, which leads to her and Lucifer falling in love, and her being crowned the Queen of Hell. (Well, this one is really two stories set in different timelines, in the second one the "baby" is like 27)

In the one inspired by a dream, she does have a baby eventually, but that's far from the worst thing that happens to her. Gabriel's treatment of her after is... How the Hell will I write this damn thing if I can't even think about it.

There's no baby in the one where she gets tortured with diluted holy water.

I see I have no storyline with male Crowley just yet... Fine, that's not true. I do have some thoughts for Crowley x Fem!Lucifer... It could include a new Antichrist, too. And, Crowley wouldn't be the pregnant one for once. But, dealing with pregnant Lucifer would probably be even scarier.

[cassowariess]

Look, I'm not a Gaiman fan, I've just been keeping up with the tag for updates about the allegations, and I have to say I'm deeply disturbed at how many young people I've seen say things like: "I want to kill myself" over the possibility of Good Omens 3 being cancelled.

I'm not going to scold you, but I cannot stress enough that this is not a normal response to have about a tv show, let alone any form of media. So as someone who lost a family member to suicide last year(for reasons unrelated to fandom) here is some advice I hope you will heed. Some of this advice is geared towards people with hyperfixations as I know the neurodivergent brain works differently.

First of all, for the future:

Do not put all your eggs in one basket.

It's going to become more and more likely in the future that you will be disappointed in someone who created something you loved. That's why it's important to have multiple things going in your life that keep you tethered instead of projecting all your emotional well being on the status of one thing. I know hyperfixations cannot be chosen, but extra interests can, so you need to cultivate a bunch of them. Go for walks and keep a nature journal, learn a new skill with free videos online (there are also communities built around certain hobbies like knitting etc so there's the possibility of making new friends too). You might not feel better right away, which is why it's important you do these things as a routine (such as once a week or more). It will flex and strengthen your emotional muscles.

It's not always possible, but have at least one of these interests be something that has nothing to do with being online. Maybe there's a book group in your town. Check local boards or listings for activities. Once again, there's the opportunity to make friends.

If you're stuck online, watch a movie with your online friends in Hyperbeam. Do this every week and pick a movie from a list of films everyone has chosen. Pick entertainment that has nothing to do with your fandom. Roll a dice for each week's movie.

If it is available to you, access therapy.

I realize this is not always possible due to costs or waiting lists depending on what part of the world you live in. Sometimes there are free groups that talk about depression. I live in the UK so unfortunately I don't know how prevalent this stuff is in the USA or other parts of the world, but your local council might have leaflets about community services and activities that are good for your mental health too, like community gardening once a week.

You don't need to tell the groups about why you are specifically upset, but you can tell them "life feels dull and pointless" which is why you're reading this, right? But the more you talk to people and try to do activities around other people, the less dull and pointless it will feel. I know it's hard to drag yourself outside, but it becomes easier the more you do it.

Talk to friends in your fandom, but also talk to friends that have nothing to do with it. I've been in enough fandom spaces to know how insular fandom can get and maladpative coping mechanisms some people can share that actually make things worse, not better. Go talk to some normies once in a while. Your fandom friends will still be there.

Finally, some suicide prevention hotlines, should you need them.

Link to international phone numbers and resources.

Look after yourself, remember people love you and remember, it's just a TV show. There will be other TV shows and other joyous things in your life, and next time you will have more of them. <3

Signed,

A fandom old who is not in your fandom.

[elenthyaolyenths]

𝐌𝐲 𝐚𝐫𝐭 𝐡𝐚𝐬 𝐛𝐞𝐞𝐧 "𝐬𝐭𝐨𝐥𝐞𝐧".

This post is a little bit about me ranting, but mostly about education and how to appreciate fanarts on socials. Please I'm not trying to hurt anybody, I just realised today that, maybe, there are things we artists all need to say one day, and so it's my turn.

A very kind person (Thanks again, dear.) just told me that someone was reposting my art, without even naming me, on a public group on Facebook. I reported it to the admins, but I still don't know if they will do something about this problem, or if they'll do nothing about it or if they'll simply kick me out of their group so I won't be able anymore to see what they are doing with my reposted art. So, for now, I won't cite this Public group.

So. Hello, my name is Elenthya Olyenths, a.k.a @searchingforakeythatdoesntexist on Tumblr.

And my art has been stolen. Again.

Even if there was my signature on it, and a discrete stamp with my name right in the middle of the canvas. It's... awful to see. Because this time, it's clearly not from someone who doesn't know yet the basic "share and reblog but DO NOT REPOST" rule. And it's not someone who reposted my art crediting the wrong name either because they have found my art with the wrong name, in a illegal re-post on another social.

This time, it's someone who downloaded my art pictures, reposted it in the same order, and even copy-pasted my personal explanations (about my injured wrist!!). The stealing intention is quite clear.

(and please don't tell me it's probably a bot aka a programm doing it, because we will never know but it FEELS THE SAME AWFULLY WRONG and whatever, if it's a bot, someone DO has created this bot and so we need to talk about this and teach to people how to recognise a illegal repost.)

So, please, dear Good Omens fans, and my dear fellows from other fandoms.

I just want to kindly remind you all that seeing our art reposted, even with credits, even with our signature, is very hard to live for us artists.

Please, if you see an official artist post that you like, think about using the "share" functions (reblog on tumblr, "Share" on FB and Instagram, etc...), it helps us artists to see where and how our art is appreciated. And for me it's a wonderful way to bring back motivation to me and then to draw/write even more. 𝐒𝐞𝐞, 𝐢𝐭'𝐬 𝐚 𝐰𝐨𝐧𝐝𝐞𝐫f𝐮𝐥 𝐰𝐢𝐧-𝐰𝐢𝐧 𝐩𝐫𝐨𝐜𝐞𝐬𝐬! *^__^*

And about reposting art but crediting the artist with the @ (like in here @searchingforakeythatdoesntexist):

Sometimes it's quite okay... but not so great in my own personal opinion. Because it still might be misunderstood by other fans that can't always see the @ and just repost the art with the reposter wrong name on it - or whitout any name at all, which is not better.

Signatures and stamps and watermarks can help us to avoid these problems, but reposting art whitout explicit and personal agreement from the artist is still a issue and in my humble opinion it's NOT RIGHT.

Reposting, even with credits, even made by trustworthy followers, is an issue. T𝐡𝐢𝐬 𝐢𝐬 𝐡𝐨𝐰 𝐈 𝐡𝐚𝐯𝐞 f𝐨𝐮𝐧𝐝 𝐦𝐲 𝐨𝐰𝐧 𝐚𝐫𝐭 𝐰𝐢𝐭𝐡𝐨𝐮𝐭 𝐦𝐲 𝐧𝐚𝐦𝐞, f𝐢𝐧𝐝𝐢𝐧𝐠 𝐬𝐮𝐜𝐜𝐞𝐬𝐬 𝐨𝐧 𝐚𝐧𝐨𝐭𝐡𝐞𝐫 𝐬𝐨𝐜𝐢𝐚𝐥𝐬 𝐰𝐡𝐢𝐥𝐞 𝐦𝐲 𝐨𝐰𝐧 𝐩𝐨𝐬𝐭𝐬 𝐨f 𝐭𝐡𝐞 𝐬𝐚𝐦𝐞 𝐚𝐫𝐭 𝐰𝐞𝐫𝐞 𝐧𝐞𝐠𝐥𝐢𝐜𝐭𝐞𝐝 𝐚𝐧𝐝 f𝐨𝐫𝐠𝐨𝐭𝐭𝐞𝐧. It hurts, believe me.

And I alreay know that the current situation will bother me for several days, and it will make me struggle about my drawing schedule, and it will make me brainstorm about which huge and ugly watermarks i need to use again for avoiding such issues.

This is why I can't allow anybody else to repost my art anymore, except for a collab and only with my explicit consent.

Please. Thank you.

Have you all a happy timezone and a wonderful week.

Elen, aka Elenthya Olyenths, aka @searchingforakeythatdoesntexist

Thanks to the TNAN Discord for their amazing support and @itsscottiesstark for her kind advice on this text.

Linktree - Tumblr Masterpost

Tag-List below (tell me if you want to be in or out)

@goodomensafterdark ;

@floscrap-blog ; @demonsandpieohmy ; @amagnificentobsession ; @captainblou

@ineffable-hyperfixation ; @itsscottiesstark ; @moralsofanalleycatsposts

@fearandhatred ; @eybefioro ; @crowleys-bentley-and-plants ; @ashfae ; @crowleys-hips;

@paperclipninja ; @silverdphantom ; @neverlet ; @naturallyteal

@mad-aims ; @daisydimple20092 ; @seraphhiim ; @rebeccakatmauri

[thedeepmiracleperfection]

As most are already aware, Neil Gaiman has been accused of sexual assault by two women. The nature of this news is horrific in and of itself. Assault is a disgusting and abhorrent crime, no matter who it is committed by, and the victims deserve healing, peace, and justice, regardless of public awareness of the crime. It is already extremely difficult for victims to come forward about their abuse in the most normal of circumstances. If you add on the fact that the abuser in question is a well-loved public figure, then I imagine that these women are going through one of the most difficult periods of their lives at the moment. I wish them safety, and I sincerely hope that they are well supported during this time.

There has been some discussion on whether talking about the affects this news has had on the fandom is insensitive to the victims. I believe some people feel that Good Omens fans have been too quick to focus on the ramifications for the show rather than the affects the public allegations will have on the victims themselves. While I do think there is a conversation to be had there, I want to remind everyone that fandom is the reason this case is relevant to so many of us in the first place.

Before I go further, I will make it clear that I believe and support the victims. Like I said above, even if this was a random case of assault between completely average individuals, the crime would still be disgusting, and the victims would still be deserving of support. The abuser in this case being a public figure doesn't change that. However, the fact that the abuser in question is the creator of the very pieces of media that this fandom centers around is the only reason many of us know about it. Unless you are personally involved with any of the people in this case, chances are the only reason you know about this case in particular, is because the abuser involved has a direct affect on the media we consume. That is not to say that this case is only important because the abuser involved is high-profile. It is important because it is a crime and should not have happened. I would feel the same about any case of sexual assault I knew about. I'm just saying that the reason we know about it to begin with is because of fandom involvement. For most of us, the fandom is the only connection through which this case is at all relevant in our lives. I truly believe we would be concerned about any sexual assault we were made aware of, but the level of disruption this case has caused within this online space is a direct consequence of the notoriety of the specific person involved.

All of this is to say, I resent the messages others have been spreading, saying things like, "if two people have been assaulted and the only thing you're talking about is your fave show then you're heartless and disgusting." Babygirl the only reason I even know about any of this is because of my fave show! The show is the connection through which this news is relevant to me. And the same is true whether you know Neil Gaiman from this show or any of his other works. This case is public because he is public, and he is public because we consume his works. It's only natural that I'm going to want to discuss the direct consequences it will have in my life. Like, if I received news that my dentist had assaulted two women, my first thoughts would be in sympathy for the women and in hoping that my dentist had been brought to justice. But then my very next thought would be "But now I have cavities that need to be filled, and no dentist, How will this situation affect me personally?" Like! I don't think it is inherently cruel to wonder how the actions of another person will affect our own lives. It is a bit fucking silly to complain that we are taking too much about our faves on the "talking too much about your faves" webbed site. The reason we are here in this community in the first place is because we have an invested passion in this particular media. I don't think it is cruel to be concerned on some level about the future of this community. And the fandom wondering about the effects on the fandom doesn't mean that we don't care about the victims involved. Two things can be true at the same time.

I think it is important to remember that this fandom has had a profound effect on many people's lives. Some people rely on this community to make a living selling art and merch. Others rely on it as the only form of connection and belonging they have. For me personally, the characters of Crowley and Aziraphale have been greatly influential on my queer identity and journey of self discovery. Fuck's sake people have gotten married because of this show! It has a huge place in many of our lives. It is not selfish to want to discuss how and in what way that might change!

Also important to remember: what people post online is not the entirety of their opinions. I have many thoughts and feelings regarding this situation that don't make it onto tumblr.com because I am a whole ass person outside of what I post. It can be tempting to say that blogs which post only about how the show will be affected by Gaiman's actions are only concerned about the show. But that is just because that is what is publicly available online. You do not know what private thoughts and conversations people have had on the matter. This is the Good Omens fandom, we're going to talk about how this news affects the Good Omens fandom. If that upsets or disgusts you, you need to be responsible and leave this online space for another. That's not even broaching the subject on whether or not we can morally continue consuming this media, which is a whole other discussion with heated opinions on both sides. I'm talking about the people who think it is wrong to be focused on Good Omens at all during this time.

Like I said before, I truly feel that we as a fandom would be concerned over any case of sexual assault we were made aware of. It's just that this particular one has an influence on our community, therefore there is more discussion surrounding it. We can absolutely support the victims while also discussing how to move forward as a fandom. The two are not mutually exclusive, and to suggest otherwise is not helpful to any meaningful discussion.

[twilightcitysky]

This post is less Good Omens- related and more personal, but there's been a lot of arguing over "representation" in the fandom the past few days. The strong feelings people express are awesome but ALSO I really want us in the community to appreciate and listen to one another.

People want to KILL queer people. There are still many, many places where it is not safe to have any identity other than cis het. Fighting that means sticking together, not tearing each OTHER apart. Allosexual, asexual, lesbian, gay, cis, trans, nonbinary, gender queer, GNC... we're all part of this community and we're stronger together.

In Good Omens, Neil Gaiman gave us a glimpse of what a world could be if people got to decide for themselves how to present and who to love without the hate and prejudice that inevitably comes along with that in the real world. I know people are questioning exactly what Crowley and Aziraphale are and how they identify, which is fine (honestly I don't know that we'll ever find out for sure. It may be something private between the two of them). But saying things like "it's homophobic" (for them to be ace), or "it's acephobic" (for them to be gay) sort of defeats the purpose of "it's a love story", doesn't it? At the end of the day, maybe it doesn't matter what EXACTLY they are. They're unapologetically QUEER and their story is for and about all of us.

It's okay to disagree. It's okay to ask questions. I mean, that's the moral of Good Omens, isn't it? We don't have to be the same; we SHOULDN'T all be the same... there's strength and beauty in our differences. But even if we don't all agree with one another, let's support each other.

I see them as gay male coded beings who have chosen that identity for themselves and would enjoy sexual pleasure as much as any other earthly pleasure. If YOU see them as agender or nonbinary sexless entities who are QPR or ace or aroace and would never have sex, I SUPPORT THE HELL OUT OF YOUR RIGHT TO DO SO. I'm in your corner and I will fight for you.

Love you all. Love that we love the ineffable love story of Good Omens, whatever form that takes, and let's lift each other up rather than tearing each other down.