#I don't have a meta tag for this blog

[stellarish]

The Tai Sui ending is like. What if Orpheus and Eurydice were brothers instead of lovers. What if Eurydice wanted to go to the underworld, and knowing Orpheus would do anything to chase after her, she sought him out before she died and told him that he musn't? What if Orpheus fought every instinct in his body and didn't go after Eurydice because he trusted her? Because she'd promised they'd see each other again if he'd only loosen the gates to the underworld while she was gone?

What if Orpheus never once looked back because he trusted Eurydice so perfectly, until hundreds of years later the underworld opened its gates to him entirely, and he entered to find no Eurydice after all. What if Orpheus saved every single person in the world except his brother and himself, and Eurydice was the only soul he never got to see again?

[gideonysis]

uh guys

[poorly-drawn-mdzs]

Happy Pride month everyone B*) Allow me to reveal a little behind the scenes detail behind my Banner and Icon. Love was always winning <3

[2hoothoots]

i was having a chuckle to myself last night about Gristol, and how his plans are basically:

Restore Ford Cruller's memory

Find Maligula

???

Profit

but then... of course they are, right? this is Gristol we're talking about. Fatherland Follies drives home again and again that he's still operating on a child's logic, a warped and reductive version of the world that he never bothered to grow out of. both of his memory vaults center on the images of his childhood, this idealized version of the past that he clings to no matter what. and that's still how he remembers Maligula, too - as this saviour figure, who rushes in to help him when he's in trouble.

[ID: Two slides from Gristol's memory vault, Glory to Grulovia! Left: Gristol clings to Maligula's back as she summons waves to sweep away his assailants. Right: Gristol and Maligula waving from a balcony as the people cheer. Gzar Theodore brandishes a dagger in the background.]

like so much else, Maligula represents a return to this idyllic childhood - to the peace and simplicity of his youth, when he was free from worries and responsibilities. in his mind, he doesn't need to make any further plans - once Maligula's back, everything will go back to normal. Maligula will make everything better.

...is what i thought, but then i remembered this line:

[Screenshot source. ID: Gristol, in Truman's body, bows on his hands and knees in front of the newly-awaked Maligula. The caption reads: "Yes, High Priestess! I am here to correct the mistakes made by my father!"]

and that's kind of interesting, right?

to be clear: this happens directly after Maligula sees Helmut-in-Gristol's-body, and recognises him. her line before this is:

"Little Gzesaravich! Have you come to pay for your father's sins?"

my first thought was that Gristol hadn't expected to still be in Truman's body by the time he managed to find Maligula, and this was him trying to placate her and buy some time until he could explain the situation. but watching the cutscene back, that's clearly not what's happening here. Gristol is answering as himself, and his response of throwing himself to his knees before her is, as far as i can tell, genuine.

so what is going on here?

in Fatherland Follies, there's this line in the ride narration that stuck out to me:

"Why didn't the Gzar help Maligula in her time of need? No one knows, but historians agree - it is Gzar Theodore's biggest failure."

other lines mention Gzar Theodore's "mistake", and it's wording Gristol himself echoes in the screencap above. evidently, he believes that his father abandoned Maligula, leaving her to her fate at the hands of the Psychonauts, and it was that mistake that lead to them being driven out of the country - that mistake which he seeks to correct. maybe he even feels like he has a debt to repay to her for his family turning their backs on her all those years ago.

the 'High Priestess' thing, though - that's kinda weird, and threw me for a loop the first time i played the game. it took me until my second playthrough to connect the dots, and remember how the room in the Lady Luctopus - Gristol's room - was full of Delugionist scribblings and symbols.

[Screenshot source. ID: left, the walls of the hidden backroom in Gristol's hotel suite, covered in scrawlings of eyeballs and Maligula's name. Right, the pinboard from the hidden backroom. On its surface are photographs and newspaper clippings connected by pieces of string.]

i mean, look at this stuff! he had a whole conspiracy board and everything!

we learn very little about the Delugionists and their beliefs as a whole during the game, but i think drawing the connection here suggests two important things. one: that Gristol was in deep with this stuff. i don't know how he linked up with them - maybe via old family connections, or just good old-fashioned digging (we know he's skilled at worming his way into peoples' good graces, after all) - but it seems likely that he's begun to internalise their ideas, maybe even warping his own memories of events. and two: the Delugionists themselves are, if you'll pardon the pun, pretty far off the deep end.

like... i understand why PN2 didn't go heavy on the "mass-murderer cult worship" aspect of things, in the end, but man this is such a tantalising glimpse into the wider mythos around Maligula. Gristol is proud and haughty and thinks himself above everyone else; the fact that his first reaction seeing Maligula is to throw himself to the ground at her feet says so much about the way he's come to see her. he's not just trying to bring back Maligula, his childhood bodyguard. he's trying to bring back Maligula, the High Priestess of the deluge, the semi-mythical figure whose supporters believe even death couldn't stop. he doesn't even flinch at the way she confronts him, and maybe it's because he's bought in so completely to this deified figurehead, this idea of Maligula; more a living force of nature than a person. and it all comes back to the same place: an abdication of responsibility, not just to the person who protected him when he was little but to this avatar of floods and destruction. Maligula will make everything better.

i'd write more about my thoughts on the Delugionists but that'd be taking a hard turn into speculation, and this is already kind of long and rambling so i'd better end it here. but what an unexpected and evocative line, right? it's some of the only stuff we have to go off of regarding the Delugionists as a whole, but i think it does such a good job of hinting at the wider story - at teasing another layer to the mythos surrounding Maligula, one whose ripples we see throughout the game but which never quite breaches the surface.

[necrotic-nephilim]

-debby ryans at you- how are you feeling about that thunderbolts* trailer, snookums. your old blog is trying to crawl from its grave.

you are an unhinged rat for sending me this ask i hope you know <3 you already knew that but i'm telling you anyway bc you're a rat bc now i have to explain myself-

this is from @eebuckley my partner <3 i've alluded to it in the tags of this blog but i used to be a semi-popular MCU blogger from like 2018 to 2020. (semi-popular for the ship i wrote, anyway) and since like, probably Infinity War/Endgame i have been slowly more and more disillusioned by the MCU ranging from only passively being interested in projects to outright despising them if i saw them. which sort of sucks, given how much i loved the MCU at it's height. i was like. aggressively into it. like a "i had asthma attacks watching trailers bc i got so excited" level of into it. maybe cringey in hindsight, honestly but yk. whatever brings you joy, ig.

and anyway- my partner witnessed my very real and normal reaction to the Thunderbolts* trailer and now i'm *mad* bc i'm actually excited about it. it made me feel about the MCU a way i haven't felt in years, especially after a lot of announcements that rlly pissed me off.

cannot believe it looks like we might actually get a comics-accurate Yelena and a comics-accurate Bucky. i'm such a sucker for Bucky Barnes, he's one of the only Marvel characters i actually read Marve comics for and i'm forever bitter how badly he got screwed over. if that movie is good i'm going to end up writing fanfiction. probably crossover fanfiction bc over my dead body will i write just plain MCU fanfic. and i'm a Jason Todd/Bucky shipper anyway so i could make it work, i think-

anyway TLDR is i'm excited and i'm mad about it and how dare yo expose me for being an MCU fan on THIS blog. you coulda send this ask to my MCU blog that still exists and i have occasionally used. but instead you *exposed* my ass on my refined DC blog as a filthy Marvel fan. i will be divorcing you again. ty gn ily

[moongothic]

[spirkme915]

I made the decision to be extra-judicious on deciding what constituted a spoiler for the new season of Strange New Worlds and I'm sticking with that.

But I have thoughts and I’ve spent way too much time thinking about them for a season and a half and I can’t hold them in anymore. So here you go.

Definite spoilers for episode 5 and everything before it under the cut. TL;DR at the very bottom of this way too long post.

Episode 5 was an absolute banger of an episode in terms of Hollywood entertainment value. But, and this is a big BUT, what the actual hell are the writers doing?

The Christine/Spock/T’Pring love triangle is tarnishing the gift that was given to Trek fans when Strange New Worlds was announced and it's becoming way too obvious not to comment on.

It’s maddening that they’ve decided to take a thirty second scene of a one-sided crush from the original series (Chapel confessing her love for Spock in The Naked Time) and turned it into a two-sided love affair that's part of a love triangle. It is, quite literally, derailing what is otherwise an incredible show.

I hear you asking… Seriously? Aren’t you being extreme? How could a consensual affair do that? Or.... You're a Spirk blog. Aren't you biased? Oh boy, I wish it were that simple. This is coming from a literal lifelong Trek fan who had Trouble with Tribbles memorized before I had an inkling what romance even was, and who - fortunately - was taught by my Trekkie father what made good writing.

The love triangle is not good Trek or good writing.

For reasons that likely have to do with Spock being arguably the most well known character in Star Trek canon (pop culture wise), the writers have chosen to focus on him. And what kind of storyline can they give us since Spock goes through a massive, decades long character arc in the original series and movies? (Spoiler alert, I answer that at the end and it's not a love triangle.)

For reasons that likely have to do with Peck’s appearance and natural charisma, they’ve decided to give Spock love interests - not just one but two.

Let’s ignore that Spock doesn’t show interest in either Christine or T’Pring in the original series. Really, that’s the least of the problems and easily explained away.

Where the problems arise are two fold - Spock’s emotional journey and the minimization of two strong female characters to love interests.

Spock’s emotional journey - As great as parts of this episode were (looking at you, Amanda), what it achieved was Spock coming to terms with his human side in a way that the Spock we know from the original series hasn’t accepted. It takes original series Spock until The Motion Picture (perhaps not until after The Voyage Home), to be comfortable in being both human and Vulcan. So the ground Spock gained in this episode? Strange New Worlds, if it continues as part of the prime timeline, can only result in character regression for Spock. As a fan of Spock in all iterations, that regression will be a heartbreaking and horrible way to end a hopeful show.

Christine and T’Pring as love interests - Dear god, can these women exist without being defined by a man please? It’s 2023. This shouldn’t be something female characters have to ask for. Sure, there was more about Christine in this episode, but her arc still revolved around Spock. And not only that, but we got the Korby name drop in this episode (her future fiancé). I'd love to think that this isn't headed in a direction where Christine will hook up with Spock then he’ll pull away and she jumps ship to Korby only to be defined again by a man. But for fuck's sake, this last season and a half hasn't given me much hope. Jess Bush is amazing as Christine. Is it too much to let Christine be her own woman? And T’Pring? I adore T'Pring way more in Strange New Worlds than I expected to. So, please, help a Vulcan woman out. T’Pring is already relegated to nothing in the narrative after Amok Time.  If there’s going to be an insistence on bringing her into the story can she please not be defined by Spock then Stonn? I'm BEGGING the Strange New Worlds writers - let these characters and actors shine as fully realized women.

But the larger problem is that this single decision for a love triangle has not only fated these three characters to regression and minimization - IT'S DIMMING THE POSSIBILITIES FOR EVERYONE.

When Strange New Worlds was announced, there were so many possibilities. A whole new part of canon to be explored and expanded. NEW CHARACTERS, NEW PLACES, NEW MORAL QUANDARIES, NEW EXPLORATIONS.

But we only get 10 episodes a season, right? Not the 26ish we got with the original series, The Next Generation, Deep Space Nine, Voyager, and Enterprise. (Discovery, I'm looking at you and weeping too.)

So, why are the writers insisting on episodes focusing on an unnecessary love triangle when they could be doing this:

Uhura - Hello? SHE'S RIGHT THERE AND CELIA IS INCREDIBLE. The original series is notorious for brushing Uhura under the rug and other people can speak way more intelligently on Uhura meta than I can. But, I mean, she didn't even have a canon first name until 2009. So. Yeah. Good news, Strange New Worlds can change all of that. Build her history, show us her successes, her fears, her failings, glimpses into her past. Give her a chance to have a dalliance with the "alien of the week." Uhura is a beloved character for so so so many wonderful reasons. Give us the stories about her that deepen that love.

Erica - Oh, Erica. My beloved Erica. Paramount PR keeps saying that last week's episode was "Erica's Big Moment" and if it truly was her biggest moment of the season, then I weep for her and Melissa Navia. All we learned in that episode was that she's Erica Ortegas and she flies the ship (and, well, that Navia has a depth in her they haven't let her show with Erica so far). Erica does pilot and flies really goddamn well, but we already knew that. What about her time in the Klingon War? What about her family? Her friends off the ship? What was it that either made her determined to become the best pilot or that happened in her past that inspired her to become that pilot? How does she feel about being on the Enterprise? How does she feel about soup or carpet or art? There's nothing, literally NOTHING, in future canon about her and right now her Memory Alpha entries for her life before Strange New Worlds is seven sentences. SEVEN SENTENCES. All of this for a fan favorite character. *sigh*

Sam - The potential for this character is limitless and all we've really gotten is him touching something he shouldn't have, being xenophobic to Spock, and that he doesn't pick up his dirty dishes. Seriously? We know more about Jim Kirk in Strange New Worlds and he's not even on the Enterprise or in the same timeline! When we rewatch Operation Annihilate, give us a reason to mourn with Jim. Make that episode a billion times worse because Sam is a character that we know and care about outside of being Jim's brother.

Pike - Okay, so admittedly, Pike is probably the most fleshed out character besides Spock in canon and they're not shying away from the future he knows is coming. That's been handled really well. And they've also done a great job of showing how much Pike cares. But, what makes Pike one of the "great captains" and how has his past turned him into who he is today (the canon pieces with his father have so much possibility) and what is he doing behind the scenes to fight for his crew and his ship? I feel like we got more of the "great captain" in Discovery than we've gotten in Strange New Worlds. And, dear god again with the "romance," can his love interest get a canon first name please? Hard to buy he loves her when he calls her Captain Batel even in his personal log.

Una - She was pretty much a canonical blank slate going into Strange New Worlds and they've done some incredible episodes with her, but I'd love to see her actually be the XO? Making that a question because she absolutely is, but we have yet to really see that in practice. The relationship between Pike and Una deserves so so much more screen time. Let them be captain and first officer. Explore Pike mentoring her, and give way more of her mentoring crew. Let her be more than Illyrian. What are the unique challenges she faces as the highest ranked woman and non-Human on the ship? Is she a fighter or a negotiator or some secret third thing? Does she have an intricate knowledge of some space anomaly or ship function that no one else on board does? What are her future goals and plans? I'm rambling now, but the point is that she's a character who disappears from canon after Strange New Worlds and she's the goddamn FIRST OFFICER OF THE ENTERPRISE. Let her be that until she isn't anymore.

La’An and M'Benga - Honestly, I'm not going to put much here for La'An because out of all the "new" characters in Strange New Worlds, La'An has been fleshed out the most. And, out of all the "barely exists in canon" characters, M'Benga is the same. But I'm listing them because they make my point. La'An and M'Benga are good examples of what happens when the writers focus on characters who either don't exist in canon or barely exist there. We know pieces of their backstory and their motivations. We know what keeps them up at night. Both actors have given performances that tie the audience to their characters emotionally. And yet, there's seasons worth of more material for both of them.

So. To come back to my original point - why are the writers focusing on a love triangle that tramples on canon and minimizes female characters when they are wealthy af with primo characters?

I mean, there are so many other ways they could have gone with Christine (making her bisexuality more than a one-off line, having her struggle with what happened on the Farragut, exploring her role during the Klingon War, family, friends, facing moral quandaries in her research...), and Spock (his relationship with Sarek, Vulcan rituals and practices we've never seen ((double parentheses here to emphasize that to us, as viewers, Vulcan *is* a strange new world and there's still a hell of a lot of Vulcan stuff that's veiled in mystery)), and MICHAEL ((remember Michael, his sister, who got a one line mention in the first episode then nothing?? Yeah, that Michael)), Spock's grief over losing Hemmer and Michael so closely together, etc...). Poor T'Pring is pretty much relegated to love interest and plot device at this point unfortunately. Instead of the love triangle route, they could've cut the sex scenes and made her a cool, calculating advisor to Spock and the Angel/Sybok plotline could've still happened. But alas, was not meant to be.

I've written a lot of words and taken up way too much of my day with this, but I seriously couldn't hold it in any longer. Look, I love Strange New Worlds, but I also seriously grieve for the show that it could've been and I seriously hope it will become that show in future seasons.

Strange New Worlds is gorgeous, the sets and special effects are A+, the actors are all pretty too and know how to command a scene. There's a lot to work with. But let's not forget that the original series was put together with styrofoam, glitter, and a prayer and it birthed this 60 year franchise. What kept people coming back to Trek were the relationships and a found family working together to explore, not a forced love triangle.

TL;DR

The insistence on the Christine/Spock/T'Pring love triangle is dooming all of their characters to massive character regression and minimization *and* cheating us out of learning about and loving the characters who are practically unknown in canon.

[windandwater]

I've been using "ofmd season 2" for spoilers but this is a big one for the finale and I'm being bitchy so it's under the cut

sorry but izzy's death was lazy. I know exactly the kind of things they're going to say to justify it and I'm mad in advance about it because I hate narratives that take a miserable character, teach them to be happy, and then kill them off.

what the fuck. no. it's so much harder to live. it's so much harder to retain happiness and to stay with your family and continue to love them through the ups and downs. you don't just kill someone off once they're at peace. maybe they get to fucking stay happy. maybe Izzy should've got a chance to be alive and whole for a long long time and retire and get his own boyfriend and be okay. maybe "they love you" was about him and he should keep living because honestly I dunno how everyone on that boat felt about Ed at that point, they never showed us that part, but we know they cared about Izzy.

(maybe I'm mad because this is realistic. my mom keeps saying this about my dad; he had just learned to be happy. maybe this pisses me off because he went too young and too suddenly and deserved years and years of that happiness. maybe I would be happier if the story said, no, it's not fair, he didn't deserve this, and didn't try to tell me he was okay with it.)

anyway. fuck stories that do this. it's harder to live. show me the character who drags themself out of their loneliness and isolation and toxic relationship and finds a family and gets to live. and hey: you don't actually have to kill anyone. you don't. you can just. you can just give them happiness.

[chipped-chimera]

A 'good' dash pirate-clown: OFMD got a new season announced, show that is arguably more relevant to tumblr fandom, not my show, haven't watched it but lets go gays! Love that for us.

The actual, bad dash pirate-clown: More-One-Piece-Netflix-Advertising-Masquerading-As-Content-On-My-Dash :|

anyways -

And for those with uBlock who just want the filter -

||assets.tumblr.com/pop/src/components/one-piece/assets/toggle-dff697e4.png$image

[picaroroboto]

thinking today about how much I like stories that take the idea of "saving the world" more seriously. Because I feel like a lot of the time, it's just used as a way to raise the stakes, without thinking about what saving the world actually means, yeah?

Because saving the world means saving everyone on it - even the people you hate, the people who hate you, those who don't want to be saved and those who will do everything in their power to dismantle everything you do. How does your would-be world-saving hero reckon with that? How do they even wrap their mind around the sheer number of lives they've been asked to save, and the fact that all those people would die if they fail or give up? Could you realistically write the sort of anxiety and psychological burden that comes with that?

If your hero is a social outcast or comes from tragic backstory land, why are they saving a world that has never been kind to them? It might be interesting to see a hero who doesn't care about most of humanity and only saves the world because without it there'd be nowhere for them and their friends to hang out. Or in the opposite direction, picture a hero who's been through hell and a half but still manages to find something about the world that's worth saving.

Think about what happens after the world is saved, too. Depending on the sort of apocalypse you avert, the day after the would-be end of the world might look the same as the day before. Is that a good thing? Do your heroes learn how to love peace and normalcy since they know how much effort and sacrifice it cost them? Or, after rescuing the status quo, do they then decide to fix the things that were broken even before the apocalypse loomed?

I just think there's a lot of value in looking at this idea more closely.

[gildedmuse]

So, I just know all of Tumblr was wondering, "hey, you remember that really weird ZoLaw fan with the annoyingly overly stylized post? I wonder if she's seen this and if she has any theories or thoughts, an observation or two?"

Well, allow me to set your wandering mind at ease, fictional Tumblr fan. The answer is: No. No, I really don't.

I have like three hundred.

[I also spent time just trying to track down as many translations as possible. Is Tera A Criminal's Daughter or The Daughter Of Thieving Bandits! These are CLEARLY separate things and can ENTIRELY change how her utter nonpresence in Zoro's life shaped him! Though I can take comfort in knowing that, regardless of what kind of crimes her father was committing they were more important than anything his daughter ever did in her entire life.]

And, hey, as might as well jump right into that whole mess.

1. Wait, Zoro's mom is dead? Thank goodness, I was worried Oda forgot one!

(AKA: Stop. Murdering. Moms.)

I'll go first, I don't mind saying when I was wrong. True, in the past I may have suggested that the vast majority of female characters in One Piece come off as ever so slightly, "leaning into sexist tropes with unadulterated joy; it's the misogynistic tropes equivalent of a child running naked through a grocery store. It's right there, everyone sees it, yet people shut up and continue shopping in part because, well, these days you just expect most people to cover that junk! What would you even say? And if you DO speak up and call out the inappropriate, be prepared for blank stares and tantrums; but THEY don't mind! THEY don't think it's wrong! You're just being mean!"

More or less a direct quote.

However, I see now that I rushed to judgement and the reality of the situation is far more nuanced. With that in mind, I was just wondering if someone could help answer some of the questions I have.

Like: Why does Oda believe that it's illegal for (maternal) female characters to survive other character's backstories?

More importantly, why hasn't someone just reached out to explain the misconception!? It can't be that difficult. If nothing else, just have a lawyer or judge or other expert in censorship on hand. Or is the one of those cases where back in highschool his friends made something up and then kept pretending it was real to see if he'd believe you and not only did he fall for it, it took over 20 years before he learned that, what, no that's not illegal. That would be crazy if it were an actual law. Cause you know, after the first 10 years I think yeah you have to just lean into it. Pretend it's a creative decision on your part and definitely not because you were terrified of being sentenced to a slow and humiliating public death.

Just to be clear that's definitely what's up, right? I mean, I'm struggling to think of another reason....able excuse why a story that I really enjoy keeps playing the same old sexist tropes cards again and again to the point of absurdity. It would just help if I had a valid excus- explanation. I almost mistyped the word explanation.

....

....

So I imagine it went like.

"That's the third mangaka they've had to Publically Execute this week!"

"They've started taking this law way more serious lately."

"This one really deserved it though! I heard his main character has a mother in her late forties!"

"That does seem old to have your first child."

"No, he's the middle of three and 22 years old. The story even has flashbacks of defining moments in his childhood and never once did she try to sacrifice herself for him, get murdered by his enemies, or die in meaningless unrelated accidents."

"Damn, that's cold to be there for all the protagonist core moments and not die and help him develop and grow a character? They must have a very antagonistic relationship. Is she actually the villain."

"Not that we know, and when they asked about this being a possible plot twist since - obviously if she's evil no laws are being broken."

"Well, of course, that's the whole reason Statue 2-dash-57 exists; if creators can show they have consistently been building up to a surprise twist then the female character in question can continue to live so long as she continues to be unrepentant and unlikable until the resolution of her arch by the protagonist."

"That's the thing! Under oath not only did man present no evidence to support her identity as a secret villain, he went on the record stating he wanted to depict their relationship as one of a normal modern 20 year old and his mother."

"That can't be true! What publishing company would even print that!?"

"It gets worse. I told you he was a middle child? Well, according to those who've read the actual manga, his younger sister was really sick as a child."

"Oh, well, at least-"

"It was just a fish allergy. She's perfectly fine."

"Sometimes I feel this law is unnecessarily harsh but.... Then you hear stories like that, and you realize that some people really are monsters."

[madeimpact]

Y'know I think it could be interesting to write a thread where my little man just gets to go completely apeshit. The problem is it takes a LOT to get him to that point. But it can be done

[orchideae]

!!!!!!!!! I don't want to turn my camera so people don't see Qiaoying Village (but these two are directly looking down to the village from atop a hill next to it) if they haven't seen it yet. Now, I know through Yelan's signature dish, that Yanshang has a delivery route directly to this village. Like I knew this, but seeing people here has me absolutely buzzing. Also, also, also, also, also. I'M BUZZING. BUZZING!! I'd put all of this under a read more, but I need it for the actual little spoiler tied to a HC (non-canon-based) at the bottom, so excuse my mania.

AAAAAAAAAAAAAAAA IT'S CRUMBS OF MY GIRL. But also!!! This makes me so happy, it's not just a casino at night, it truly is a proper teahouse during the daytime. Aaaaaaa, I'm not a 'I'm right!!!' kind of person, but it's just... it's just nice to be like 'Okay, I'm on the right track' It's like a little confirmation that she clicks, and makes sense to me, you know? God, but also, I'm so proud. She's so multi-layered and multi-faceted and this is kicking so much more motivation into my heart even if I didn't need any more (and just need my brain to calm down after months of severe stress so I can focus), but god, she's just such a good one. I love her immensely, for so many reasons. But just, this whole thing isn't even ambition, because WE LITERALLY KNOW that she isn't ambitious per se (since she refused the position of Tianshu, even if part of the reason why is also because she doesn't want to be tied down to Liyue Harbor), she simply wants Liyue and its people to be safe (like so many who live in it, I LOVE THIS REGION WITH SUCH A BIG PART OF MY HEART, guys), it's also why she patrols the Chasm. Ugh, ugh, ugh.

Also, a little liberty of a HC that isn't tied to canon, and I wouldn't suggest peeking under the read more unless you don't care about very minor spoilers (it doesn't touch on the main SQ at all, it's tied to 'The Roaming Abode', ultimately tied to a house at a tiny distance from the village itself). So if you haven't played that specific WQ yet, don't peek! But, 1005 headcanon that Yelan has 'purchased' property here, and let me talk about it under the read more.

The Roaming Abode is a WQ that starts with a little girl who tells you that her grandfather has gone missing, or rather that he's gone to get 'blessed waters' from Mt. Xianluan for this 'divine plant' that he claimed he kept in his yard that needed that kind of water. Throughout this shorter quest, you learn that this man died (and you're left to question who the little girl is, or whether she's a little girl at all), and left behind a home in Qiaoying Village. This is what's said about both the man and his home by Uncle Luo:

Uncle Luo: He was an outsider, and we discovered that he was a bit... touched in the head the moment he arrived. He claimed that he'd picked divine herbs, but the pharmacy couldn't recognize them — much less buy them from him. Uncle Luo: But he had no other skills, and couldn't make the Mora needed to feed himself, so he had to knock on doors to ask for help. We took pity on him, and decided to feed him. His house was also built using Mora the villagers pooled together.

And then continues:

Uncle Luo: No one expected something that terrible to happen to him afterward, but once it did, everyone thought that this must've been him repaying us by protecting the village! Uncle Luo: Everyone thanked him, and thus people have been reliably caring for his own home. We're almost there, by the way.

This is the house, and the view from it. Now, I think most of us know that when a house isn't lived in, it'll inevitably fall into disrepair, no matter how much people may try to take care of its exterior and even cleaning inside if possible. A house needs to know the kind of maintenance that you can only truly give it when it's lived in. So, it's a little headcanon that as Yelan actually has a good tie to Qiaoying Village, and especially as she ages (and in my main verse, develops a tie to Fontaine), that she comes to negotiate and purchase this. Not out of greed whatsoever, but because she comes to thoroughly enjoy its environment (and if you know of her lines in the teapot, Yelan greatly enjoys tea drinking and the social aspect of it through which she learns about people), and also because it's a shame to let things get neglected to a point where they may perish at some point (I mean remember, most of Liyue consists of ruins). It's not a base of operation like Yanshang is, but it is simply a home, along with the one she has some distance away from Liyue Harbor, or she may simply replace one with the other.

Also, important to note: on top of all the above, this also works in the favor of the village in general, as now the cost of its maintenance will no longer have to keep coming from the villagers who take care of it (just like the mora to build it came from them), it will come from Yelan, which can be done through the likely decently substantial profits of Yanshang.

And to note: no, she doesn't 'take it over' as she did with Yanshang Teahouse, she literally purchases it, which also feeds money into the local community. Which is something that, based on the references above in terms of her character, Yanshang's new reputation, her loyalties, her foci— I'm confident in saying wholly fits her character.

[layzeal]

okay i'm gonna ask something very real right now. since we'll be receiving even more influx of users, lots of people will be using the main tags to find and be found by potential new mutuals

so, can we all agree to please keep discourse-bait posts outside the main tag?

this is like. the #1 reason i don't go into the main tag. it's exhausting. i rely almost entirely on mdzsartreblogs and my friends reblogs to find new posts, because the main tag is filled with #hot takes and discourse bait and people trying to start shit on purpose, which is silly cause most of the time you'll be posting that for your followers who already agree with you anyway

so, for the sake of welcoming new people, can we keep the main tag clear, please? if you do, use a different tag (you've must all have seen by now how i only ever tag my posts as #modao) i hate blocking people on tumblr, but because there's no mute button, it's the only option, but that also means i miss any other non-discourse bait post they might make

so like, let's keep it chill, let's keep it respectful. post whatever you wish on your blog, but if you're tagging it as #mdzs (or any main fandom tag), then please first wonder if it's a post you genuinely think would add value to it and help boost the artists and writers trying to look for audiences, or are you just looking for people to anger and causing people to not want to go into the tag anymore

[skinsort]

Hello, I've been thinking about code and selling code and sharing code in the rpc because someone posed the question to me of what I'd want to happen if someone was heavily editing a skin I sold, and to be honest, my first instinct was 'take my name off it'. That was met with some surprise, but let me explain why.

Code, to me, is a largely democratic landscape. If you want to learn, hundreds of thousands of people and websites have come together to teach you. Masses of people share open source work on codepen, stack overflow etc. Code as a skill is like assembling an especially abstract puzzle where you can only think about the pieces, not really see them. But most puzzles have similar strategies to solve- start with the corner pieces, then the edges, then the most recognizable patterns etc etc etc working your way down to the more and more difficult details. Most of code- most of my job writing code- involves minimizing the amount of time working on those shared strategies so we can have more time to work on the the interesting bits, the hard bits. the bits that make the site we're working on unique and useful. Frankly, jcink is the easy part of code, by and large. Your data is already structured and provided to you in a very particular way. It is inefficiently, but largely documented. Many other people have solved all the problems you are likely to have trying to build a skin. Skinning is html and css for the vast majority of items. It is the easy stuff. If I sell code, that code is now the property of the person I sold it to. It is not shareable or redistributable. You can't take my code and resell it as your own, but as far as I'm concerned you can do whatever you want with it. If I solved problems that might otherwise feel difficult (accessibility and responsiveness come to mind) cool. You can solve the easy ones, like styling and colors and fonts you like. You can add or subtract things that vibe with what you want that code to do. Once it is sold, it is yours to do with what you like when it comes to personal use. This is true of almost all coding contracts that exist in the entire world. If it weren't, no one would ever hire external contractors to do any work for their company, and I can tell you now, even companies which could fully afford to do all their tech in house absolutely do not in 99% of cases if their business isn't selling their own tech. The rule is generally- you may do anything you like with this, except resell it to someone else. So why take my name off it? I don't endorse how other people code. Even in my professional life, I've taken projects off my portfolio because the client took a project I worked on and broke it (imo), often with other professional developers doing the breaking. If a prospective employer were to go look at it, I'd be embarrassed by what it looks like today. Tell me why I (and my team) created a website that was fully responsive, and they went back to make it adaptive in the year of our lord 2022 because they preferred to have pixel perfect views at 3 specific breakpoints rather than a responsive site. I don't know, it's infuriating. I can't cite that project as an example of my work anymore, because it isn't. I would never leave a site in that state.

So, my first instinct with the idea of people using a skin i sell them as a base is 'take my name off it.' I don't want to be associated if responsive/accessible features are lost due to others working on a skin I wrote. But at the same time, where is the line between using something as a base, and editing a few small features? I certainly don't want to be an arbiter of that, or have to field questions or navigate feelings about it. In fact, personally I would not feel upset at all if someone used a paid for skin as a base, and inviting that kind of discussion is the only way I possibly could get upset since people have weird attitudes about a lot of this stuff. So I think the more practical standard is just to put credit, but make it explicit that the work has been heavily altered. Don't resell or redistribute, and you're golden, imo. Anyway, those are my feelings as someone who writes code for a living. I'm interested to hear counterpoints - constructively of course.

[dimiclaudeblaigan]

Have officially begun the process of moving all my content onto the new blog bc my faith in support to actually fix the issue does not actually exist.

If it gets fixed I'll keep using this blog like I've been and just consider the other one a backup. Otherwise I won't be deleted this blog, but I won't be using it regularly (if I continue to), and not for posts meant to go into tags.

I'm not following people yet bc I'm still in the process of moving posts, which means mass reblogging, which means 200 posts straight per day until I'm caught up.