#I don't find catharsis out of it anymore
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crush3dmary · 1 year ago
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Sad posting in the tags, you're free to ignore. Just need to get it out of my system and twit circle isn't sufficing.
#I think posting someone else's art they did for me#To the same audience with all the same tags and thematic matter#And having their art get way more interaction than mine is the final straw to make me give up on art#I don't get any joy out of it#I don't find catharsis out of it anymore#I used to do art because it was like spewing my innermost workings on a page and saying to the world 'this is how I feel'#There was something very vulnerable with sharing that with people but#I wanted to make people understand what's in my head#A cry for help if you will#Or more like a cry for understanding#And it feels so hollow when people who get plenty of interaction say 'oh if you're upset by no interaction#Then you're doing it for the wrong reasons etc etc'#And for one it's easy to say when your stuff DOES get plenty of interaction#But for two as a teenager I was viral on deviantart. Thousands of followers and multiple daily deviations#Before I even turned 18#I literally grew up and am conditioned to thrive on external validation and I just don't get that anymore#Ever since I deleted my deviantart in 2014 because my abuser was literally using it to stalk me I haven't been able to hold an audience#I threw it all away and now I can't get it back. Not here not twit not insta not anywhere#So I'm giving up. That's it that's all. Not like anybody gives a shit anyways#It kind of feels like ripping out a piece of your soul#Putting it on display and then having no one care#I'm tired of destroying myself just to be ignored over and over again#I really did peak when I was 17 didn't I
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beatbawksradio · 7 months ago
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hm
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violetsiren90 · 4 months ago
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today is so depressing and scary and I was wondering if I could request some binnie gurt and comfort with the couple from the light in your eyes? ty in advance and take care ❤‍🩹
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Pairing: Changbin/Reader (gender not mentioned, but this does reference the Light of Your Eyes couple)
Genre: drabble; established relationship; hurt/comfort
Summary: Sometimes everything is wrong...everything but him.
Content warnings: PG for content, but all my work is 18+ (minors, DNI); descriptions of feelings of deep unhappiness; implied dissociation; emotional catharsis; tears; hugs and being HELD 🥺❤
Word Count: ~500
Author's Note: Here you are, Anon! Today is indeed bleak, and I hope this helps even a tiny bit. Please take care of yourself, my friend.
Precious readers and moots: If any of you find yourself feeling hurt, despondent, and unsafe and need someone to turn to, please feel free to message me or send me an ask. Don't let anyone or anything induce you to doubt that you are so incredibly deserving of being seen and held.
You, each and every one of you, are so loved and worthy of it. 🧜💜
***********************
It’s not raining - in fact, there’s not a cloud in the sky. The autumn air is crisp and clear and the leaves hang brightly and decadently on the branches of the trees as you stand at your own front door. You can feel your features tugging downward in dejection, your body aching and shivering with the deep sort of unhappiness that feels like a chill as you hesitate to take your misery over the threshold.
It's not raining, but it should be. Pouring. Thunder rumbling somewhere afar as you stand in the torrent. Then at least it would feel right, and maybe you would feel like you belonged in that body, standing in that place instead of whatever this is - with the sunshine and the calls of the migrating geese.
Your lip trembles and your heart hammers with the adrenaline of anger and pain...
And then you remember.
He’d asked you not to do this to yourself, said that he wanted it. To share it.
So you curse at the sun and the gentle breeze and turn your key in the lock.
“Bin?” You call instantly, desperately, kicking off your shoes and tossing away your bag.
“Bin!” You drop your coat in the hall as your legs carry you with stumbling steps to his home studio.
When you open the door, he’s already halfway out of his chair with his headphones around his neck, dark lovely eyes wide behind his black-rimmed glasses, and when you reach for him he sinks back down and pulls you over his lap.
Strong arms circle your waist as his head tilts against yours where you press your face into the crook of his neck.
One of his hands splays over your back as he rubs it in wide, soothing circles. He doesn’t ask you what’s wrong, that will come later. Right now he holds you.
Some wrongs can’t be righted. Not by you. Life can be terribly unfair. It can be downright cruel. But you can be afraid and angry and confused and sad…and in his arms.
Releasing a breath you hadn’t realized you’d been holding, your tears silently begin to fall.
He kisses into your hair.
His body is sturdy and soft and you breathe in cologne and detergent and the scent of his skin and you feel his chest expand and contract, silently beckoning your own to match its steady pace where you're pressed against him.
His presence washes over you and draws you in - deeper, softer. Safer.
Safe. Held. Of nothing required.
One of your hands slides up to tangle your fingers in the dark curls at the back of his head.
And then you’re not wishing for rain anymore. The warmth and peace feel like they belong to you - to your body, to your soul - even in your grief.
“I love you,” comes his gentle, deep murmur.
Not in placation, but in promise.
When you find your words again you’ll whisper those three in return, as you always do. But until then, and in every moment hideous or lovely thereafter, you’ll reach for Changbin, and he will hold you.
-Fin-
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tritoch · 6 months ago
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the witch of the cave: matoya, y'shtola, and the night's blessed
long rambly and extremely unedited post about y'shtola and matoya, two characters i really feel like we don't talk about or take seriously enough. i think the popular (and in many ways intended) perception of FFXIV as a game about dramatic high-tension moments and attendant emotional catharsis makes it easy to overlook the fact that there's plenty of subtext to mine from, especially for characters like these two who can come off as somewhat reserved and also have very little screen time together. i find the night's blessed very helpful for thinking about them both. spoilers through endwalker below. tl;dr version of the post can be found by reading the bolded text below.
on my first playthrough the whole rak'tika thing felt very underdeveloped, and i still think a lot of the story beats are weak. here's y'shtola she's your last member to rejoin she has a new village now(?) and OH she's dead again WAIT she's back and then we're off into "zodiark and hydaelyn are primals" land and there's no time to think anymore about the night's blessed. but on reflection i think this works out okay imo because the night's blessed are only just barely there for plot reasons. they serve instead, like the outfit redesign, to establish the game's new baseline concept for who y'shtola is going to be as a character going forward. the night's blessed let the writing shorthand a lot of y'shtola's off-screen development and set her up as a powerful and extremely self-actualized person, using matoya as her foil.
in brief: matoya is implied to have lived her life prior to the sharlayan exodus constantly at odds with the (imo obviously sexist and hide-bound) forum. as a result, she was pretty isolated from and in conflict with much of sharlayan society, to the point that while y'shtola leaves with everyone else in the exodus to presumably matriculate at the studium and earn her archon's marks, matoya stays behind, with no company but her familiars.
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and this is agonizingly sad, i think. 15 years alone in a cave. dravania's isolation means she has no one to talk to but frogs she has magic'ed and trained into familiars. little to occupy her but her work and her memories, and her memories of y'shtola are so painful to her she locks them away. even when y'shtola returns to eorzea after ten years away she can't find the time to see her until the scion's issues demand it (to be fair to y'shtola, getting to matoya overland means traveling through ishgard and dravania, and prior to the calamity they're totally occupied with that and afterwards there's the whole dragon thing).
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(hey also this whole thing is even SADDER when read in light of the encyclopedia eorzea text that "the day [Matoya] begins to remember her students fondly will be the day that her work ends." she won't let herself take these memories back until she retires!)
they barely talk at their reunion, and while there's some brief honest fondness from matoya early on they soon turn to their characteristic deflecting and sardonic back-and-forth for what little time they get to talk, before matoya delivers a poorly-translated and confusing warning on aethersight and exits the 3.0 story. even by the time of shadowbringers, y'shtola can't bring herself to admit that when alone in a foreign land, she took on her master's name, and neither will straightforwardly admit to missing the other. in a game full of effusive and warm relationships between master and pupil or guardian and ward, matoya and y'shtola's relationship is warm, but specifically characterized by distance and deflection, consistent with how matoya has rejected (and/or isolated herself from) others her whole life.
that's not to say there's not love there, obviously, and not all expressions of love look or the same. but this is not how y'shtola behaves elsewhere. when she visits you at the annex in endwalker, she's quite sincere and direct there, coming to you with her concerns and stating plainly that doesn't want to see you harmed, making it clear she was actively worried about how you were doing. she even pre-emptively apologizes when she fears she's inappropriately joked about your misfortunes. she's also obviously much more direct and deflects less with the night's blessed themselves, or runar, or urianger after rak'tika, or zero. she can be funny or glib or arch, but she makes no effort to conceal how much these relationships mean to her, or how she feels at any given point.
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y'shtola can be sharp, she can be sarcastic, she can go for the throat or be dismissive and imperious, but she's generally not those things with people she cares about in private conversation. for a woman who makes it quite clear that she cares a lot about the image she projects to others, she is never ashamed of her own feelings or afraid to voice them, but neither is she harsh or cruel. the one time she does the matoya-style thing of being so honest and brusque it tips over to backbreakingly blunt, it's to thancred in rak'tika, over her concerns that as the sole guardian of an isolated young ward, he isn't doing enough to affirm her as her own person or to be emotionally honest and supportive of her. i have some thoughts as to why that might be; you may be able to guess what they are!
so shadowbringers sets up a parallel for the player: remember matoya in the cave, having spurned sharlayan politics, left to pursue her research and guard the antitower, a solitary hermit for fifteen years? well here's y'shtola as matoya, in a cave, having spurned the lies and half-truths of two specific sharlayan men. she initially comes off alternately distant and brusque, unable to recognize you and perhaps changed herself. the fact that y'shtola's not just the local cave witch to the night's blessed ends up being a sort of narrative reveal, and her characterization as a beloved and respected leader who feels a deep attachment to the community in turn shows how much she's grown and surpassed her mentor. (and note in turn urianger, over there in fairyland pretty much actually doing the matoya thing except, in accordance with his whole deal, in a way that is both slightly healthier and much weirder).
and there's narrative payoff for this: y'shtola, having been fairly closed-off and mission-focused up until now, flings herself into a fucking pit and casts "hope this doesn't kill me lmao" the very second she learns the night's blessed have been harmed and she has a chance to save them (and that's not a romance thing; she has no idea runar's been harmed. she only knows the villagers of slitherbough have been poisoned, and an antidote exists). and from her (annoyingly obviously fake) death you learn that she isn't just valued and respected by the community, but has formed close enough relationships for people to feel real and deep attachment to her.
y'shtola notes at several points that she and master matoya dedicated their lives to the pursuit of truth above all else. but in the end y'shtola was also a student of louisoix, a man who far valued compassion for the plight of others above all else (and, not for nothing, he's not exactly #1 parent/guardian/mentor of the astral era either). in rak'tika, all the finest qualities of y'shtola reach a kind of culmination. the relentless pursuit of what is true and what is right, but as part of a healthy, caring community, without the isolating and painful pride of her mentor. and she sacrifices nothing of herself to attain this. she is exactly who she was before rak'tika, if anything a little more brusque. she's even still a little withholding about herself, noting that she cultivated an "image of restraint" among the night's blessed. but none of this interferes with her ability to be a powerful and respected and admired leader of a close-knit community.
and again none of this is really a critique of matoya, who i have enormous affection for as effectively the game's only representation (until endwalker) of an older woman in STEM. but she is a product of what her circumstances allowed: where matoya, as a sincere believer in truth, had only rivals in a deeply conservative and isolationist society, y'shtola, carrying forward the same principles, has friends and comrades in an increasingly open and free world. she turns her mentor's unflinching honesty from an alienating political weakness into a pillar of both slitherbough and the scions. matoya's self-imposed exile from sharlayan is, by her own acknowledgement, petty and in some ways goes against her own values. and listen you've gotten far enough in this rambling, we can all be real for a second: matoya is definitely kind of an asshole and went into self-imposed exile and sealed up her research because of a disagreement with the Forum over weapons development. y'shtola's leveraging the integrity and searing honesty she learned from matoya to far more altruistic ends!
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i think a lot of players have a vision of y'shtola somewhere on a continuum from badass avatar of destruction to powerful and solitary archmage. and i agree that's cool as hell but i also think ffxiv is a game that believes, at its core, that community is one of the most important things in the world, both in terms of what it can do for a flourishing society and as a critical element for people to find value and fulfillment in their own lives. y'shtola developing her own close attachment to a community in shadowbringers is meant to serve as shorthand for how she has come into her own as a person and found a fulfilling and meaningful life in line with her ideals, living up to matoya's ideal of all knowledge existing to advance mankind. it is no coincidence that this happens at the same time as she goes from "a pretty good mage" to being consistently portrayed as one of the more powerful mages in the setting and the scions' magical powerhouse. the genre trappings and the character arc work in harmony.
i think what this means becomes a little clearer set against characters like thancred (who spends 5.0 getting to "can have a mostly emotionally honest conversation with his surrogate daughter and make her feel loved and valued") and estinien (who, after twenty years living in and dying for one walled city, had one of the worst months anyone has ever had and ever since can't be in the same place for more than two seconds). their permanent states as vagabonds reflect their lack of close ties (what with all the tragic death) and still-healing emotional wounds. by contrast, y'shtola has achieved the wisdom and grace to live life as part of a connected whole, and has found a way to bring her values to bear in all parts of her life and in her leadership of this community, in so doing improving the lives of herself and everyone around her. y'shtola doesn't settle down with the night's blessed as a natural progression of her life or as a precondition to her maturation, but instead is capable of forming this kind of attachment to the night's blessed precisely because she has developed the integrity and emotional honesty to live in accordance with her values. and she can cast LB3 meteor in cutscenes now.
and also, conveniently, this is done in a way that lets them shorthand/off-screen a lot of this arc and do the rest of it with very minimal screentime for y'shtola and it has an associated romance subplot and also conveniently she's immediately severed from this important community so she can stay footlose and fancy-free in the protagonist group and Isn't It Funny How Scion Women Settle Down Or Die While We Keep Accumulating Permanent Bachelors, I Just Think It's Funny. obviously none of this is above critique. but i think the narrative takes pretty seriously the idea that y'shtola is actually the team's most emotionally developed and mature member in a lot of ways and slitherbough is where a lot of that starts, and you can't understand all that without matoya.
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kurtsvonneslut · 2 months ago
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Wait... what was the swanqueen fic recs? ...and are there more (...esp if theyre smutty) 👀👀👀
oh there are more!!!
first of all i'm just going to plug myself because why not. i have 78 swan queen works up - mostly oneshots, a couple longfics, including the fic i'm currently writing, change with the seasons. a lot of my fics are older (for example my 52 weeks of swan queen series was written in 2015) and i was a teenager when i wrote them, but i still find a lot of joy in them!!
now for the rest of the recs, i'm going to organize them as best i can into a few categories. also, a lot of these recs will be a bit older as i've been away from the fandom for a while, and am only just now coming back again. this is an open question if anyone else has recommendations to add in the reblogs!!!
longfics:
satin town by @coalitiongirl is probably my all time favorite fanfic, period. everything she's written for the fandom is incredible, but this one has always stuck with me. the dynamic between emma and regina (who is in full on evil queen mode) is just DELICIOUS and i love how she worked henry into the story. an absolute must as far as i'm concerned. PLUS she has a whole NOVEL out now, so go support that if you like the fic!!!!
the secret's in the telling by @the-pyrophoric-one is another classic in the fandom, and for good reason. the characterization is so spot on, and i absolutely love the arc of this story. the chapters are suuuuuper long though so it's a time investment!!
somewhere, someone must know the ending by maleficently who is not on tumblr as far as i'm aware is a divorce au. lots of angst with a happy ending. the same author also wrote an incredible three-part series called the fatal plunge, which remains, tragically, unfinished.
you gotta play dirty by amycarey who i'm not tagging because they don't write fic anymore. there's so many fics by amycarey that i absolutely adore (temporary distractions and keep the wolves outside by living well are also up there!!) but i chose this one because it's so unique to me. it's an au in which emma and regina are in a concert band together. i was a band kid myself, specifically a clarinetist, so i was pretty geeked over this!!
all that glitters is not (olypmic) gold by @queststar is another super niche but super fun and well-written au. in this one, emma and regina are olympic speed skaters. i just love the competitive energy between the two of them and the arc as they grow closer and eventually fall for each other. the author even got elizabeth mitchell to read some of it which is just. next level.
one fine star away by @bytherosebushlaughing is another au that gets a little meta, but it's sooooo much fun. in this fic, once upon a time is a tv show that regina, emma, and the others starred in. 20 some years later, the cast is reuniting, and the reunion is being covered by none other than one henry mills. it's such a clever fic, and i absolutely love it so far!!
oneshots:
of love and loss and love again by @snowivyimconfusi oh this one. this one is so bittersweet. emma and regina, grieving the losses of their partners, find comfort in each other. and more. it's so beautifully done, and i just adore ivy's writing style!!
what you thought you had to do by hoovahhoopah is the very first fic i read after making my ao3 account and it's still one that i love!! it's part of a six part series of oneshots called ill fitting pieces, but it also stands on its own just as well. just a beautiful, classic, canon-but-make-it-better kind of fic.
a woman moves when her heart has been broken by etotheswan because who among us wasn't absolutely destroyed by the season 3 finale???? this offered a lot of swan queen based catharsis while we waited for season 4.
monster-in-law by seriousfic is just a funny, light-hearted little oneshot about mary margaret trying to stop emma and regina's wedding by reminding them that they're all sort of related. a big departure from the seriousfic work we all know and miss dearly..... but enjoyable nonetheless thanks to their talent!!
and now, the moment we've all been waiting for, smut:
top of the list is, of course, our prophet of swan queen smut @angstbotfic. the making amends series is my all time favorite, and one that i recommended to my dear friend 27, but you can't go wrong with literally anything they've written.
wicked games by @starsthatburn is so. is so. it left me basically speechless. also recommended this one to 27, and i believe this is the one referenced in the ask they sent. it's the most insanely hot BDSM fantasy. if you like domme regina, look no further.
the thing she won't admit by beattheodds if you like butt stuff, here's swan queen butt stuff. need i say more?
paint it black by wily_one24 heed the warnings, this one is pretty dark. but if that's what you're into, this is the one. it's like if 50 shades of grey was swan queen and also good.
of love and loathing by morganlegaye and its sequel, transgressions of the heart are a hatefuck lover's dream. transgressions of the heart remains unfinished, but god is it good.
fealty by standbackufools you like throne sex? you like honorifics? you like D/s dynamic? enjoy :)
thank god it's BDSM friday by carrotlucky13 this one covers soooooo many kinks. emma and regina enter into a 24/7 BDSM lifestyle. for 95k words. i don't know what else to say but WOWOWOWOW. even if you're not into every kink in here it's still hot af.
emma's little problem by juicecup it's a magic!cock story with a slight humiliation kink if you squint, but otherwise mostly vanilla sex to round out a very kinky rec list.
go give these incredible creators some love!!! and remember, nothing motivates a fic writer quite like a nice comment :)
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insert-something-funy-here · 3 months ago
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PHIGHT OR PHLIGHT
This is part 2!! Part three is in the works!!
Part 1 || Part 3
I hope yall know it makes me so happy to know people are interested in this HEHEHEGRHEJHEGEHRGR,,,,
Anyway, enjoy!!!
What a wholesome moment.
A ship kept safe by its anchor, the ocean nourished by the sand it wears at. But there’s a storm rolling in, one that will force its light upon this resonant scene. 
Steps echo in the alley, a slow clap accompanied by thunderous laughter. 
“Wonderful job my beautiful creation! I expected nothing less of you!” Shocked expressions made they way to Medkit’s and Biograft’s faces upon hearing Subspace’s voice. 
Anxiety greets them both in Subspace's presence, for one it's an old friend, and the other, it's something entirely new. "What? Did you really think I didn't know know this would happen?" He sighs, good thing this experiment has served it's purpose. "You've changed from how I designed you, and look at how you've been dulled."
"I knew Meddy would never let me close to him outside of a phight, but then you presented me a new experiment to run! As tough as he may act, I know he feels some guilt. Enough to see you at least." Even with his mask and eyepatch, it was easy to see Subspace’s smile. Finally, after spending so long trying find Medkit, he would get his chance at vengence. "Come now my dear creation, help me finish this, and we'll-"
"No."
"No? What do you mean no?" Some defiance was to be expected with this. Allowing this variable to grow within him. But he's being led astray, and I have a parently duty to pull him back. "I was fine with a little disobedience, it served a purpose, but it seems you've strayed too far from my brilliance." He reached into a pocket and pulled out a remote. He sighs, "It's alright though, because unlike that man there, I can fix you!"
That remote. One of the emergency shut downs for Biografts. This one specifically was made for gen## Zeta Biografts. In Subspaces mind, Blackrock could handle the hit in security for a bit. Anyone who's worth something has a personal Biograft not connected to any of the servers one of those remotes would shut down anyway. And with one press, Biograft fell apart, "Well, isn't this familiar?" His laughter brought back memories, and it was sickening. Medkit felt himself back in that SFoTH forsaken lab, back against the wall, a deer in the headlights.
Though Biograft had fallen apart, there was a few seconds before his software finished shutting down. In these precious moments he saw a version of himself standing before him.
"Leave."
"If I do that we'll be back where we started."
"We're not the same anymore. You've changed your directive. Follow it before he makes you like us again."
A slight pause. "You're not yourself either."
"I'm surprised your body is still holding up." A desperate attempt at keeping composure.
"You didn't do that much to me!!" Evidence of how he's failing. "Him on the other hand," He looks at the fallen Biograft and back up Medkit. He steps forward, using mist walk, he clears the distance before Medkit could react. Biograft was supposed to be here to help, but perhaps Medkit watching his last chance at some sort of temporary catharsis die will put him at enough of a disadvantage.
Grabbing him by his tie Subspace shoves him into the wall, "Brings back memories doesn't it? Don't worry, you won't have to remember for much longer!" His other hand hovering dangerously close to Medkit’s last eye. Subspace's freezes for a moment, feeling Medkit’s revolver against his chest, and begins laughing. "What do you think you're going to accomplish with that, hmm? You use that to heal people remember? It's the only reason you keep it after all-"
"What do you know?" His grip tightened, "These bullets can end lives as quick just as they can save them."
"Oh please," Subspace moves his freehand to grip Medkit’s gun, "If you had the strength for that," he pulls it closer, "you would've shot me already."
In flash of teal light, Subspace is on the ground and Medkit has been freed. A familiar alarm blares in both their ears. Subspace sits back up and stares in shock, but before he can call out to the newly reformed Biograft, he's already left with Medkit.
"My creation... my once beautiful invention... my son..." it doesn't take long for this Biograft’s absence to eat away at him.
Biograft runs as far as he can, Medkit in his arms. He makes wide jumps across rooftops, no real direction other than away. Away from Subspace, away from his 'siblings', away from Blackrock. He's overheating, he's going to collapse again.
"Go left here."
Which meant they needed somewhere safe to go, and to follow the quickest directions there. Medkit knew somewhere they could stop, the two of them just had to hope Biograft could make it that far.
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tanadrin · 4 months ago
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i don't have any special insights or strong evidence for this, this is 1000% just Political Vibes, but i feel like there's a good chance this phase of political development sees a realignment that cashes out in, on the one hand, what you might call "revisionist ideology" opposed to "status quo ideology." and here by "revisionist" i mean the term in the way bret devereaux uses the term "revisionist powers," i.e., states that seek to challenge the current international diplomatic order, vs. the "coalition of the status quo" (roughly, but not 100%, the West/Global North/NATO+allies).
by modern standards the revisionist faction is made up of both left and right elements; the coinciding forces here isn't horseshoe theory all-non-liberals-are-the-same type stuff, but simply an alignment of what are in some respects ideologies coming out of very different traditions that are brought together by circumstance. part of this circumstance is that both are nostalgic: tankies who miss the USSR, right-wing populists who miss not having so many immigrants around, social conservatives who miss getting to call gay and trans people slurs, etc. There's a strain of strongman authoritarianism, social conservatism, and economic populism that cuts across what used to be historically very different categories, which is why you see leftist commentators who have defined themselves primarily through their opposition to liberalism rather than right-wing reaction arguing themselves into supporting trumpism; why socially-conservative parties who nonetheless claim the mantle of leftism, like BSW, can cannibalize a lot of the leftist vote in countries like Germany (or, in other countries, the former Marxist-Leninist parties just become outright conservatives and nationalists)--and the germ of this kind of shit goes back as far as like the original red-brown third way types from the 20th century, it's not like the angry contary reactionaries on both the left and right just now noticed they had stuff in common!
but one reason i am cautious about this thesis is that i think this is a type overrepresented online; and i am cautious about extrapolating too enthusiastically to the real world. i suspect that at some point somebody like sahra wagenknecht is going to realize she has quite a lot in common with someone like alice weidel. but maybe not! maybe i am too cynical.
and the "status quo" ideology is not, like, Objectively The Good Guys, here. this is the liberal, rule of law faction, but it's also the unabashedly capitalist faction, and in many ways the neoliberal faction, too--one that includes a lot of left-liberals, too, but left liberals who by virtue of finding themselves making common cause with other flavors of liberal are going to find their power diluted. and this is a faction that is happy to embrace social freedoms, albeit within certain frameworks: the "we heart gay prison guards" guys, in other words. insofar as it is the party of the status quo it's also the party that finds it harder to imagine things could be better, to push the envelope in terms of policy or even to provide a strong ideological account of what the world should be working toward. the pure grievance-and-xenophobia politics of revisionist politics don't provide much of a narrative in that department, either, but at least they provide someone to blame, and promise the catharsis of taking your anger out on the hated outgroup.
i think this would be a pretty dismal politics, but i think it would be a stable equilibrium for a while--at least as stable as left vs right proved for much of the 20th century. i think there are also a lot of other ways for the zillions of tiny incentive gradients and interest groups that make up society to align themselves in broad political dichotomies, though. i don't think there's anything inevitable or necessary about this alignment, anymore than there was about left vs right or, before that, court vs country or barons vs emperor or guelphs vs ghibellines or populares vs optimates. so if we do find ourselves there i think that's a trap we can escape--if we care to
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thesudokukid · 3 months ago
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Finished one of my fics recently, added a surprise one-shot to another. Figured it couldn't hurt to poke my toe into the water with my most popular fic. See if posting on Tumblr is a good idea for me.
Personal Question (why are you apologizing)
Pairing: Autistic! Connor x Autistic! Nonbinary! Reader
Word Count: 2433
AO3 Next: Basic Decency (we're being watched)
Machine Connor Variant on AO3 On Tumblr
“Why are you apologizing?”
Four words you have always wanted to hear after an infodumping session. Four impossible, sacred words induce the sweetest pain you've ever felt.
You can't have heard him right. That has to be wishful thinking on your part. Right? Right?
In which Connor asks you a personal question, as he does, you infodump in response, and experience two miracles in the same day.
This is aimed at other autistic people. I wrote this in the hopes of giving myself catharsis and am sharing it on the grounds that other autistic people may find it cathartic too.
Alternating POV fic under the cut!
“Detective,” Connor says. “Would you mind overly much if I asked you a personal question?”
He reminds you so much of you with that question, you can't help but shake your head and grin, “Of course not, go ahead.”
“This ought to be fuckin' good,” your dad grumbles.
“Why did you choose to pursue a dual degree and not a double major? From my understanding, attending university as a neurodivergent student is hard enough, a dual degree on top of that must have been…”
Oh, that. It's a good opener for a casual conversation with you. Curious and sympathetic to what you must have suffered without tripping over itself to do so.
“It was hell on earth some days, make no mistake. The workload alone-”
At this point you laugh so long he looks honestly alarmed by it. Seeing this, you shake your head.
“I figured if I’m gonna fail, I might as well fail because I dreamed too big and not because I couldn't hack it in general. The fact that psychology is one of my special interests was also pretty helpful.”
For a second Connor looks interested. Actually genuinely interested. This is interrupted by your dad coughing out of nowhere. And also Connor looking around like there's some kind of active threat happening. As soon as he realizes there's not, he comes back to the conversation and just…tilts his head. Maybe that interest wouldn't mean much to a neurotypical but for you? For you who’ve masked so long you don't even allow yourself to engage in your special interests anymore? It's everything.
You can't help the smile that breaks onto your face. Because for a minute, for a moment, for just a little while…someone actually wants to hear you talk about your special interests. And since it's been so long, you go at it a lot harder than you otherwise might have. Even mentioning your first special interest.
“Using my first special interest of Titanic as an example, if the devil were to walk up to me and tell me that I would be able to learn everything there is to know about the Titanic, absolutely everything, within my lifetime in exchange for my soul? Could not make that deal fast enough. Wouldn't read the fine print.”
Connor leans forward as well as he can. At the moment, nothing matters more to him than this. He doesn't quite understand why. Only that the social integration protocol isn't even a factor at this point.
“Explain?”
The resulting smile is so bright it could outshine the sun itself. The Detective begins to speak more loudly, more quickly. Stumbling over their words in their excitement to share their interest.
“Devil would be utterly terrified of how quickly I agreed. And not only that, I would honestly feel like I got the better end of the deal out of that one. By a long shot. The Devil would have to give me absolutely everything and even then it still wouldn't be enough. I would annoy the Devil so much I would be given my soul again just so I’d stop being so much of a bother about it and as you can probably surmise that absolutely would not work.”
The Detective laughs and shrugs casually, for once, perfectly at ease. There's even a sunny smile on their face.
“By virtue of being my first special interest it’s also the most intense but that's generally how I feel about psychology as well. You can imagine how much of a boon that was under those circumstances I’m sure.”
They blink and perhaps three seconds later, the joy recedes and their bright smile fades. Only to be replaced by a brittle smile.
That last sentence… You’re infodumping. You get your first chance to talk about your special interest to someone outside your family in years and you fucking blew it by infodumping. Of course you did. Of course you did. Your throat’s gone dry, your face has gone hot. You're maybe five seconds of bursting into tears at best. You force yourself to disengage. To avoid thinking about how desperately lonely it is to not be able to talk about your special interests at all. To force yourself not to infodump. You're so tired of hiding. But even still, you have to.
You give yourself one last moment to feel grief for who you're not allowed to be. To feel pathetic for not having a normal level of interest in something so deeply important to you. And then you claw off the part of you that clings like a barnacle to such childish things.
“And I just realized I did a fucking infodump. God that's embarrassing.”
It tries to hurt. It wants to hurt. You smother the feeling and roll your eyes at yourself as you explain what infodumping is.
“It boils down to dropping a whole lot of info about a topic at once. And I don't typically notice when someone has gotten bored or disinterested or is trying to leave the conversation and I…got too emotional. I'm sorry. It won't happen again.”
Detach. Detach. Detach. Detach. Don't feel interest. Don’t show interest. You feel nothing.
You only realize that your past self is clinging to its special interests again when it digs in at Connor’s apparent “no, wait” look. Is-Is he actually interested?
There's no way. There isn't. It's absolutely impossible. You're just seeing what you want to see.
And then… And then… A miracle.
“Why are you apologizing?”
Four words you have always wanted to hear after an infodumping session. Four impossible, sacred words induce the sweetest pain you've ever felt.
You can't have heard him right. That has to be wishful thinking on your part. Right? Right?
You blink at him a few times and take a sip of your drink. You look up at the rainy sky, half expecting to see a winged pig fly by. You look back at Connor.
“Genuine question so please hear me out,” you say. Connor nods instantly and you're so relieved you could cry, “Did you actually ask what I’m hoping you asked? Because I’ve wanted someone to say that for so long I am honestly afraid that I’m hallucinating.”
“You aren't imagining or hallucinating anything,” Connor says. “I did in fact ask why you were apologizing for infodumping. Is there a specific reason you felt imagining it was the more likely option?”
There are tears trying to come out of your eyes right now. If you tell him now, right now, they're going to fall and won't stop falling until you can finish your grief of having to suppress who you really are. Feeling childish for having genuine all-consuming passion. The kind of emotional breakdown that’s best to have in private.
He seems genuinely interested in getting to know you and as much as you would be delighted to allow him to, you can't. At least, not right now.
“As much as I’d like to answer that question, that's best saved for a long drawn out conversation. You can call me Ainsel by the way. Internal systems only. For your specific serial number. To make up for the fact that I’m not answering that personal question yet. Sure we're all on a lunch break now but that's gonna end eventually and then it's back to work. Also, I might have a breakdown about it. Lot of grieving to do there.”
“Oh,” he says. It feels like a stab to the heart the way he looks like a wounded puppy about it. Not unlike the way you probably did when you first realized most people don't have a special interest in psychology. That most people will never understand that you express affection by studying them like a bug under a microscope. Most people are in fact deeply offended by it. In his case the worry seems to be that he hurt your feelings or brought up painful memories.
“I’m sorry.”
He gets up and gets in the car. If you don't follow him now, he's going to start suppressing his interest just like you did and oh God he's autistic isn't he?
You were done with your lunch anyway so you toss its detritus and go sit in the car with him. Your dad is still sitting there, eating his lunch.
You look in the general direction of the rear view mirror where Connor is staring at you. Watching, watching, analyzing you. He's like you. The thought settles your stomach more than you imagined possible.
Connor is keenly aware of Ainsel's presence the moment they enter their father's vehicle. Eyes sticking to them like a magnet via the rear view mirror, unable and unwilling to let go.
Fortunately they don't seem to be offended by the attention. His eyes move away the second Ainsel's eyes catch his, suddenly forced to remember his place in the world. They're a human. He's an android. They don't owe him anything. They never did. They're meant to have a one way relationship. He owes them an answer to their questions. Not the other way around. He certainly has no right to ask them something so immensely personal without warning.
He opens his mouth to apologize for the discomfort he previously caused them and finds himself surprised by Ainsel's shake of the head.
“You don't owe me an apology. I wasn't offended. About the staring or asking about something personal. I never said that I wouldn't answer the question or that I had better things to do with my time. I didn't even say that it was too painful to answer at all. I only said it was too painful to answer that question during work hours. That is a whole separate thing and idea from your perception that your personal question brought up too many bad memories for me to answer it at all.”
It's here that his programming confirms it would be a waste of time to ingratiate himself with the Lieutenant rather than Ainsel. For someone so immensely private to tell him their name, or something akin to their name, can only speak well of how much goodwill they have towards him already.
And even aside from that, it doesn't make what just happened right. It's him who should be comforting them, not the other way around. He shouldn't even need it.
Decision made. Connor gets out of the car and into the backseat where he closes the door.
Your hands start to move, ready and willing to tap out the rhythm of Shave and a Haircut. You force them to be still. You don't want them to be. You really, really don't want them to be. But you’ve had too much good luck today. You don't want to press it by stimming in a way that's actually noticeable. Once you uncork that bottle it won't want to be recorked. Connor might be fine with it. Maybe. He was fine with your info-dumping at him after all. And not even that, he seemed honestly upset that you stopped info-dumping.
But just because he's fine with one visible autistic trait doesn't mean he'll be fine with another. His coin tricks might, maybe, be a stim but you haven't known him too long so it's hard to tell.
You bring your hands closer together, to interlock them in an effort to keep yourself from stimming. They start trembling as if in response. Almost like they're trying to reassure you that you can stim, really, it's fine.
You bite your lip and prepare to ignore the reassurance. And then another miracle.
Connor sticks a hand between both of yours and very gently, very carefully stops you from locking your hands together by pulling them apart.
There's someone else it wouldn't have worked for. Hell, for you, that may not have even worked if you hadn't realized he was autistic like you. But right now, in this moment, for you? It was exactly the right thing to do.
Apparently your calmness is showing on your face because Connor pulls back his hands and watches as you sigh from relief and lean back against the window for a minute.
You shake the previous tension out of your hands and then let them do what they wanted to earlier. They clap out Shave and a Haircut, Two Bits loud enough your hands actually hurt afterwards. But it's a good kind of pain. Necessary. Because it means that you're healing.
Seeing that Ainsel seems to be feeling much better, Connor tries to reassure them he isn't going to think less of them for their autistic traits.
“Perhaps sharing the level of information you did earlier at the speed you shared it would have been too much for a human. But I’m not human, am I? You needn't feel contrition or have any qualms about potentially being unpredictable. After all, adaptation to human unpredictability is one of my many features. As for the other issue…”
Connor takes out his coin and rolls it over his knuckles once or twice before returning it to its place in his pocket.
Connor grins wolfishly and tries tossing in a wink for good measure, in an effort to help Ainsel know not only that he's on their side but that he truly means what he's saying. And for… something else. He's not sure why. It doesn't matter what the other reason is in the end. His point is made all the same.
He's made a gaping hole in Ainsel's ability to self-reproach for infodumping at him. And in so doing is tacitly encouraging them to do it more. The aim, in general, is discouraging any attempts to blame themselves for giving him heaps of information on something they're so obviously exuberant about. Because he's one of the few people in the world who can actually keep up with them. Who can process it as fast as they share it or even faster.
He stays in the backseat a while longer. For the sake of getting to know Ainsel better. So he can more easily predict their behavior. Or so he tells himself.
The Lieutenant knocks on the window in the middle of Connor asking Ainsel a safe, inoffensive question about their favorite animal, startling them both.
“Am I interrupting something,” the Lieutenant asks.
Ainsel squints at the man and shrugs. “Depends on your definition of interrupting.”
Connor takes this as his cue to head back to the front passenger seat. As he gets into the seat, trying not to be disappointed by having his conversation with Ainsel interrupted.
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leet911 · 4 months ago
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I have never really liked soulmate stories, and I think that's actually one reason I enjoyed Affair so much. It's not "the universe decided we were meant to be together and we ended up that way", but rather "the universe tried everything to keep us apart, but it couldn't". And I just think that's beautiful.
Wan and Pleng grow up together, in a place where Aunt Wi resents Pleng and sees Wan as useless. An assortment of suitors get in between them. Pleng's parents die, and her family loses all its wealth. Wan's parents make Pleng feel unwanted. She runs away for 13 years scraping by on her own. By chance, she ends up in the hospital where Wan works, and they run into each other as Pleng is trying to sneak out. But Wan has changed, she doesn't smile anymore. She has a failed marriage she's trying to get out of. And Pleng has that ex-boyfriend hanging around that she wants to break things off with as well. So when Pleng moves in with Wan out of necessity and maybe just a little bit of repressed desire, they don't talk about what's going on. But then Ek shows up with a gun just as they start figuring things out, and he wants to kill them, ends up shooting himself and retraumatizing Pleng. Then Wan's mom drops the "you might be sisters" bomb, which makes Pleng run away again. And Wan can't take Pleng leaving again, so she goes back to the place where it all started, carves their love onto her skin and strides into the ocean. And when Pleng finally comes to terms with everything she's been holding back for far too long and goes to find Wan, there's another assortment of terrible suitors trying to keep her away.
Aaaaahhhhhh! The catharsis! Forget soulmates bound by fate, this is the shit that I want. Nothing can keep us apart. Fate said we could never be, but I spat in its face. I will go to the ends of the earth for you. If our love isn't worth fighting for, then I don't know what we're doing anymore.
This is why the jealousy plot at the end was pointless to me. It undermined so much of what was built up before. Anyway, I heard it came from special chapters in the book outside of the main story, so I guess that explains it, but including it made the ending of the show weaker.
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thewebcomicsreview · 5 months ago
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Hamsteak? Again? God, everything happens so much, but at least we're done with Vriska. And I can copy and paste text again. Wowsers. Anyway we're out of hell and now we're with The Moms, in a suspiciously green-and-orange environment.
ROSE: This is an impressive shield. ROSE: I don't think I've ever seen you make one this size before. JADE: ive been practicing! JADE: if i stay focused i should be able to keep it up for quite a while.
Oh hey, starting us right off with Deepest Lore, as Jade can apparently make shields. We've never really seen her "natural" Witch of Space powers in the original comic, since she was using First Guardian powers the whole time (or no powers and just gadgets like the soothspecs, back before everyone became X-Men). I've been wondering what she could do au natural, and...apparently it's shields? Would not have called that, but sure.
JADE: between yiffys capture and rescue and finding dave... JADE: like that... JADE: i just feel like my life flashed before my eyes and it made me a little crazy! JADE: after being unconscious for a bit things feel way clearer now
It's still weird to me that Dave's "death" was so recent to the characters. That was in the epilogues! We made a sequel series since then! It got cancelled! Then it got revived! It was a long time!
JADE: after being unconscious for a bit things feel way clearer now ROSE: Nothing beats a rump to the skull for mental clarity. JADE: the mistakes we made are so obvious to me now JADE: embarrassingly obvious!
Being unconscious is Jade's natural state, so naturally it heals her. Also I detect a justification for a small change in Candy Jade's characterization here, like she'll be acting differently that she has been and this is the excuse. Lets stick a pin in that thought, though.
JADE: this whole situation is my fault and even though it just keeps getting more frustrating and shitty im going to do right by you JADE: were going to figure this out ROSE: Are you sure it's prudent to keep this amateur marriage counselor performance up? JADE: rose... JADE: youre taking this seriously JADE: right? ROSE: I don't know what you mean by that.
I really do like this characterization of Candy Rose, though (which is apparently also a slight retcon from the original plans, according to the writer commentaries). None of this is real, so she doesn't give a shit about any of it. Her mid-life crisis is worse than John's.
JADE: though playing stupid and cajoling her into slapping me around for catharsis wont work anymore JADE: well have to think of something else... ROSE: Jade, I've been compliant with these clumsy machinations partially because they weren't all that consequential at the time, but you need to cut your losses.
Oh we are hard retconning Candy Jade's personality here. She's not an emotional wreck at all, at least part of it is her clumsy attempt at being Machiavellian. Are they building up to changing Yiffy's backstory, far and away the least popular idea in HS2?
JADE: "ohhhh bluh bluh blah i can see the fruitlessness of all our clumsy insignificant thrashing in fates cosmic current" JADE: dont forget im more than a little versed in future sight myself ok JADE: i dont care how credible it seems, you cant depend on that information!
Opens Homestuck_2_Speculation.rtf.doc.xpf.bro
What information is this, Jade? Is it related to the visions Calliope had that let her build the machine? The only future sight Jade's ever had is the clouds of Skaia
JADE: "abloo hoo hoo, my life is a monkey paw, everything i want hurts me in the end" ROSE: It was a little pathetic. JADE: I KNOW!
Oh man, that's going back deep.
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This aspect of Jade, that deep down she's a bit of a wreck but she toughs it out because she hates her own weakness, hasn't really been focused on since Act 4 of the original comic when it got personified in Jadesprite. It's nice to see that aspect referenced again here. I liked Jade's speech justifying Yiffy's existence, it did a lot to make that plot point go down smoother, but I totally buy that Jade herself hated it. Kind of funny that we had six updates of Vriscourse and now I have way more to say about this one expository speech out of Best Girl, but Jade's actually a pretty complex character and her issues are so often glossed over as "Wow she had to live in isolation for three years after her brother and boyfriend randomly exploded and that's kind of sad I guess", so it's nice to spend some time inside her head like this.
JADE: the truth is whatever people WANT to believe JADE: you can either try forcing them to understand your side JADE: leave it completely in their hands and take no responsibility JADE: or you work with their wants and perspectives JADE: and make some informed compromises ROSE: Over the state of reality? JADE: rose i am begging you can you please cut it out with all the cryptic cosmic crap and come back down to earth???
One of my pet peeves of the epilogues is that Dave Strider turns into a Bernie Sanders supporter and keeps talking about "neoliberalism" despite living in a wacky future utopia planet and having never lived through the 2016 Democratic Primary that all his talking points were cribbed from, but we have an explanation for that now. It's his wife. Jade was the neoliberal all along.
JADE: thats whats scaring me! JADE: youre not prepared for how bad it can get JADE: you have no idea at all!!!!!!!!!!! ROSE: If you say so.
That was a joke but this is sounding a little suspiciously like voting discourse, but that might just be me being election-brained. God I'm so stressed, please vote for Harris if for no other reason to make Trump-analogue Jane Crocker feel dated and weird.
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Jade has no idea what she’s talking about. There’s not a thing to worry about here. You came out the womb playing defense
You didn't come out of a womb at all. You've never even been in one. Also holy shit this page is called Rose: Ramble and it's early-HS2 levels of Wall of Text, though I think you're actually intended to glaze over it a little.
It doesn’t really matter, in the long run. Important or not, Vriska’s going to fail. Jane’s going to fail, too; really, just about everyone is going to fail to do something that really matters. In an unsuccessful effort to stave off that failure, and perhaps to atone for it on some level, Calliope will sacrifice herself, fruitlessly. You’re not exempt from the firing squad, either. In the imminent battle, you are going to be shot in the head, the bullet burying deep into your moral grey matter and jamming up the works of your conditional immortality, leaving you confined to a hospital bed. You had to pull all kinds of ridiculous, eyebrow-raising Chaos Theory shit to figure that one out. The rat-tail was worth it, your daughter’s anguish aside.
It's generally considered bad writing to have a prophecy not come true, but I think this is bullshit and Rose's Seer of Light powers don't work in a land of pure void.
KANAYA: Those Two Will Not Be Joining Us On The Battlefield Either KARKAT: OH? KANAYA: I Know Such Decisions Are Well Above My Pay Grade And That The Critical Need To Win This Battle Far Outweighs My Marital Discomfort KANAYA: And Being Down Two Gods Isnt Exactly Ideal KANAYA: But... KANAYA: I Cant KANAYA: Sorry KARKAT: DON'T BE.
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KARKAT: FUCK ‘EM.
Man, Punished Karkat is cool.
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Man, I love how stupid Jane's death ray looks. It's a cake!
Your father never did voice any kind of opinion on your parenting style. In hindsight, he was probably avoiding the subject altogether.
It's hard to talk with your dad when he's not allowed to have any dialogue due to stylistic convention. I have that issue with my uncle.
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JAKE: Oh. JANE: chhhhhhhhlmm nnnn. JAKE: OH CRIPES! JAKE: I'M SORRY JANEY!!! JANE: kkkkkkkkaaaaaa?? JAKE: JUST- S-STAY STILL OK?
lmao. This is the absolutely best way this assassination attempt could've gone.
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This art is excellent.
Man, this was a great update, Jesus. So much shit is going on, and while HS2 and HS:BC have had good moments this is the first time in a long while I've really had that classic Homestuck feeling that made me fall in love with the comic in the first place.
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tobiasdrake · 11 months ago
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Do you think Anakin Skywalker's redemption balances out the evils of Darth Vader? I ask because sometimes I think about it, and it seems disproportionate to think that killing one old fuck who was harming a blood family member makes up for murdering people indiscriminately for decades. But maybe that's just cynical thinking on my end.
I have such complicated feelings about the redemption of Darth Vader. Because. Like. Star Wars and I do not get along well on a pretty fundamental level. Despite being built on a pretty simple basis of White-and-Black morality - White Hats and Black Hats with very little nuance or moral complexity between - I don't think Star Wars as it exists today really gets morality.
Here's the thing.
At the time it was written, within the scope of what Star Wars originally was, it made sense.
Star Wars was not designed to be this massive multimedia franchise with hundreds of entries and elaborate storylines starring every single character ever to appear for even five seconds. It was not made to be the story of a vast universe with no true main character.
Star Wars was made to be the story of Luke. It's a Chosen One space opera faerie tale about a young boy receiving a call to adventure, discovering great power within himself, and finding his place in the world.
Vader's redemption, as originally written, wasn't about Vader. It was Luke's catharsis; His reward for resisting the temptations offered by both Obi-Wan and the Emperor and instead choosing mercy. Luke ends his story by putting faith in his father's love for him. Vader's redemption is his reward for choosing to believe in better angels.
Strictly within the context of The Story of Luke Skywalker And Nothing Else, Vader's redemption works.
But Star Wars isn't the story of Luke Skywalker and nothing else anymore. Now it is about the vast universe of characters and ideas. This transition has resulted in a lot of friction because the original trilogy made choices that work for The Story of Luke but are not conducive to horizontal storytelling.
Like. The idea of the Jedi being gone, that Luke is the "last hope" for the Jedi because there's literally nobody left but him and Leia? Yeah. Writers have been going "NO HE DIDN'T SAY THAT YOU'RE WRONG" pretty much since the EU began. The original trilogy said no other Jedi but we want to have Jedi characters in stories we write so the original trilogy gets told to go fuck itself.
There are like eighty billion Jedi running around the Imperial Era now. Nobody actually died in the Purge 'cause not being able to write Jedi characters isn't fun.
And. Unfortunately. One of those problems is Vader. Because if he's not just Luke's cathartic reward for believing in his father's love? If we have to actually engage with this man as a "real" person within the context of a universe? Then. Uh. Yeah, he's Patient Zero for unsatisfying lightswitch redemptions.
The problem, the fundamental problem underpinning Vader's redemption, is that he doesn't change in any meaningful way.
There was a bit of that already present in the original redemption. In Empire Strikes Back, Vader wanted Luke to join him and then they'd kill the Emperor together. In Return of the Jedi, Vader joins Luke and then kills the Emperor for him. Right from the get-go, he already wanted to kill the Emperor with Luke; It's only the context surrounding the act that's different.
Within the Story of Luke, it nonetheless works because Luke receives his father's love and approval without compromising his, Luke's moral values to get it. His father kills the Emperor and dies for him, which is super meaningful from Luke's (and only Luke's) perspective.
But as the series grew, Vader's redemption became further devalued. Revenge of the Sith told us that this is a man whose road to wickedness came about when he threw away everything he loved, when he murdered the people in his court, out of a violent and desperate love for his family. For his family, he will betray his own side and slaughter those he was meant to be loyal to. That is the action that brought him to where he is today.
That. Uh. That makes it feel a lot less impactful when he suddenly betrays his own side and slaughters the Emperor for Luke. Like. I don't know how Palpatine didn't see that coming when it's just Anakin doing the thing that made him Vader in the first place.
There is a point to be made that Anakin's love for his family up to that point was possessive and violent. In jealousy and rage, he choked Padme to death. He cut off Luke's hand. This is not a man who loves his family well. But Return of the Jedi doesn't undercut that in any meaningful way. He can be violently possessive of his family and stab anyone who looks at them funny; These two things don't contradict each other.
This man butchered children and lightsaber dueled Obi-Wan because he was mad about his family. Did Palpatine really think he wasn't going to huck him down a reactor shaft for literally the exact same reason, no difference whatsoever?
But that's only the tip of the iceberg, because the developing Star Wars universe makes another significant point about Vader dying for Luke: In the grand scheme of things. Like. Who gives a shit whether or not he loves his son? Insufficiently loving his family is the least of Vader's transgressions.
As early as Attack of the Clones, we see that Anakin Skywalker is a violent fascistic monster with a propensity for genocide. The Clone Wars cartoon does a phenomenal job of portraying Anakin's gradual seduction into fascistic systems of belief.
Anakin loves the idea of keeping peace via brutal military dictatorship. He has "fun" political chats with Tarkin about the merits of a galactic police state. He's emotionally abusive and violently possessive of his secret wife. He slaughters children who've done nothing to him without hesitation, sometimes because he's pissed off at other members of their family and sometimes 'cause that's just the price of keeping peace yo.
Hell, even his desire to kill Palpatine and make his family into the official galactic monarchs gets reframed into something he's wanted since Revenge of the Sith. That wasn't even a reaction to meeting Luke; he's legit wanted to supplant Palpatine with a Skywalker Dynasty forever. And we're supposed to take it as a major act of repentance when he ultimately stabs Palpatine for Luke? This man has been trying to stab Palpatine for Luke for twenty years.
All of this context makes Vader's redemption difficult to swallow in the grand scheme of things. He lived as an unrepentant brutal fascist monster guilty of multiple acts of genocide, chomping at the bit to betray his master for the sake of his family. He died as an unrepentant brutal fascist monster guilty of multiple acts of genocide who betrayed his master for the sake of his family. And the best thing that can be said of him is that he accepted Luke's lifestyle choices in the end.
A sweet moment for Luke, yet far from an inspiring transformation of a vile man into a hero - but which nonetheless inspired a thousand unsatisfying, terrible copycats.
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baiwu-jinji · 1 year ago
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danmei reading update
Long time no see Tumblr friends! Some update about the danmei I've been reading - I was reading Liu Yao by Priest a while ago and was only able to finish Book 1 before I somewhat lost interest. While I recognize that it's objectively well-written and I love Priest's wit, I sometimes feel emotionally thwarted and alienated when reading it and I think it's because Priest doesn't always allow emotions to flow freely in her writing, as if every surge of emotion must be held back behind a shield of sarcasm, derision and dry humour. This takes away the catharsis of the reading experience - and emotional catharsis is what I'm usually looking for when reading popular online literature that's meant to be gobbled down instead of pored over. I might give Liu Yao another try when I'm less busy and feeling more patient though.
Right now I'm reading Yuwu by Meatbun and on chapter 66. So far the plot offers a lot of delicious pain, which is obviously Meatbun's strength, but there's also not a lot of surprises as Meatbun is operating in safe territory. I'm looking forward to finding out if Yuwu is able to surprise me in any way that 2ha couldn't, and since I find Mo Xi and Gu Mang's dynamic similar to Wangxian's from MDZS, I'm also curious to find out differences between the two in subsequent reading. What I've found most interesting so far is how (spoilers) Mo Xi tormented Gu Mang at one point with almost the same level of malice and bitterness that Gu Mang's real enemies would have, out of sheer frustration with not being able to get closure - I find this part of the plot realistically and insightfully written, and it reminds me of a thought I had that you can't truly hate someone if you've never loved them.
Yuwu lets the readers know very early on that both Gu Mang and Mo Xi are parentless. And it makes me think that a lot of the danmei I've read that're set in ancient China work in the same way - the main couple either don't have parents anymore or their parents are out of the picture. I think it's because in the rigid hierchical family structure in ancient China dictated by Confucianism, where children should unconditionally obey their parents, parents are the presence that kills romance - they arrange marriages for you, they act as your passionless superego, and they're a reminder that marriage isn't about love but about responsibility and carrying on the family line. This might be why it's simply more convenient to omit the parents altogether as they're bound to bring the romanticism of danmei down to some unpalatable historical reality.
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eleanorfenyx · 1 year ago
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I have finished Mysterious Lotus Casebook, and here are some of my thoughts! (Obviously not spoiler free)
The cases are absolutely batshit insane and I loved it every single time they were like 'we totally collected this evidence that incriminates a secret suspect, just believe us and also don't question when the fuck we had the time to do this or when we figured out that we needed to look for it'. 10/10 no notes, that's a hilarious way to have a genius detective. Show us nothing, tell us everything, YES king.
That being said, I could have done with a lot less standing around having the supporting cast repeat whatever Li Lianhua and Fang Duobing announce, maybe in an attempt to make sure their genius is clear for the audience? I get it, but at the same time it felt a little too hand-holdy for me, especially in scenes where LLH and FDB had already discussed their findings between themselves before presenting them to the concerned bystanders. I can read between the lines (or else understand what has just been explicitly stated) without having every conclusion filtered through a slightly different sentence structure to make sure I got it.
Di Feisheng amnesia arc my fuckin beloved
Di Feisheng destroying his 'father' and freeing everyone in Di manor in a vicious act of catharsis that tied nicely into the main Nanyin bug-mind-control-thing narrative my beloved
Di Feisheng my beloved
The amount of times I was like...genuinely surprised he and Li Lianhua didn't kiss is both embarrassing (because I do in fact understand censorship and what I sign up for with these dramas and yet and yet) and numerous enough that I could...possibly...theoretically..write a 5+1 fic of every time I want them to kiss about it. No one hold me to that but it's something I think I'd like to do.
Re: the above point: because what the FUCK was that ending?!!! EXCUSE ME?! I gotta FIX THAT SHIT.
There will come a day when the strength of my hope for an unambiguously happy ending in a queer(-coded? is the source originally bl or is this its own thing?) wuxia drama is rewarded....but it is not this day. I must fix this myself.
Jiao Liqiao's laugh is one of the most annoying things I've ever heard. I was reaaaaally hoping someone would just up and stab her during one of her little evil laughing fits. At one point I was shouting "KILL HER, KILL HER" at my screen because I could NOT take anymore of her (unfortunately, I did in fact have to take more of her).
I still think her insistence on being obsessed with DFS is hysterical when he is so VISIBLY only interested in LLH. Explicitly STATES that his only life purpose is to fuck fight LLH again. Babygirl (derogatory) he is so fucking gay let's get you a nice knife to the gut instead, okay?
I thought the whole Shan Gudao plot was interesting, going from looking desperately for his body -> putting him to rest -> hunting for his murderer -> finding out he's alive/the mastermind behind everything going wrong (which I was proud of myself for realizing before the reveal, I'm normally bad at that) -> thwarting him with sass and superior martial arts at every possible turn -> killing him stone fuckin dead with beginner level skills because he's so up his own hole he can't see that's what's happening - was really fun!
He also has a SUPER annoying laugh he can fuck off
OH OH OH MARTIAL ARTS SKILL OF TRANS YOUR GENDER?! I MARRIED HER SO HER AFFAIRS ARE MY BUSINESS NOT YOURS??? ASKING YOUR WIFE FOR HER FORGIVENESS AND UNDERSTANDING AS YOU LAY DYING AND SHE GIVES IT TO YOU?????? OKAYYYYYYY
The twist at the end that LLH is the one with royal blood was so funny to me. Like it's a good twist and I love that Shan Gudao was just quite literally always a fuckin try-hard loser in ways he didn't even know, but also it was SO funny. Granny coming in clutch at the last fuckin minute with secret knowledge she just literally never shared.
LLH is such a smooth motherfucker. Shame about his insistence on dying when quite literally everyone (bar the people who suck) is begging this man to just live. Just LIVE DAMN IT!!!!! I really liked it when FDB begs him to just consider his own life as important for ONCE and remember that people care about him because YES his self-sacrificing and committment to Chilling Out Farmer Style was not the mercy he thought it was!
LIVE AND GROW OLD WITH DI FEISHENG YOU DAMN IDIOT (the likelihood of me resisting the urge to write at least the one fic for them is zero to none)
Unironically love spitting up blood as a plot device and this show is no different. The Drama. The Panache. The desperation of everyone around you because you have BLOOD coming out of your MOUTH and you are FAINTING. Poison acting up? Spit blood. Someone bitch slap you with their magical palm ability? Spit blood. Get stressed? Spit blood. Get stabbed? Spit blood. It's always good!
Okay I think that might be all I've got for now, if I think of anything else I'll add them in a reblog. I thoroughly enjoyed it, would definitely recommend!
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md-confessions · 11 months ago
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sort of in response to that one ask about doll not being 'uzi if she never met n.'
both her and uzi were changed through grief and disconnect from their peers even if it showed in different ways. both of them have themes of loneliness & both of them have an intense festering hatred that fuels their motivations.
the difference between them is that through the connections that uzi formed after being forced into a situation where she had to open up, she deterred herself from the path she was slowly going down.
like her quote en quote villain arc was stopped before it started because of the connection she formed with N but doll never had that.
doll refused to form connections despite the chances she was given because it happened too late. her anger festered for so long that she wasn't able to make a comeback. her hubris was her downfall. she became the very thing she sought to destroy.
the point of promening and her 'hypocritical murder plan' was that she was so blinded by her anger and hatred, she didn't really think too far about the logics of her plan; she probably fantasized killing v and then took the first chance she could to actually do it.
she has some kind of tunnel vision, focusing on her goals until she's gotten them; no matter the cost, no matter who or what she has to get through. (another similarity between her and uzi, imo.)
Uzi basically stated "hey we should stop fighting cause there's bigger shit at play and we can deal with it better if we team up" and Doll responded with "No I can do this on my own also die"
sort of. imagine you spend years upon years seething and imagining ways you're going to kill this sky demon that killed your parents in front of you and lead to the activation of a virus that has plagued you for years since that point. you have to actively kill and eat people from a young age & you are alone in your struggles; presumably the singular person who is aware of them finds your trauma humorous to an extent, and even if she sticks by your side, you feel like she doesn't really get it. i reiterate; you are alone in your struggles.
one day, you finally get your chance. you fantasize this moment for years, to the point where it becomes the only plausible solution to your problems. you don't plan it out thoroughly, because you know the universe will deal its hand correctly and allow you catharsis after years of festering that hatred. it finally happens. you have her in your sights, you have her pinned, she knows who you are now and you're about to kill her, to inflict all the pain on her you have wanted to for years; no matter who may have gotten in your way, you will have this, it's all you want, its all you HAVE wanted.
and then someone stops you. she tells you some things that if you were in a clearer mind, you would have thought deeper about, but you're so fucking angry right now and you want her to get out of the way. you don't listen.
you fight. you lose. you come back.
she has the same virus as you. you're not alone anymore. and that's when the conflicting feelings start. but despite that start, they never quite come to any meaningful conclusion because you have more important things to do. perhaps she inspired you a little to understand that the fate of the planet is more important than your fantasy for revenge, but you're so set in your ways you can't quite admit it yet. and again; when you get that chance again, to enact revenge, you take it.
and in the end, it ruined her & she died. she died as she lived; alone.
essentially, 'doll is uzi if she never met n' doesn't mean that exactly; it means doll is uzi if she never formed meaningful connections. the friends she had in school don't count in my eyes. literally the very first proper interaction we see between her and lizzy is lizzy playing doll's traumatic experience off as a joke. no hate towards lizzy also just to specify i love them as friends i just don't think it is on the same level of healthy as n and uzis friendship is?
okay.. i can't add any more to this it's so fucking long also it's 1 am GOODNIGHT i hope this doesn't look weird or aggressive
.
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slushiepizza · 10 months ago
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I just read your 'The Pursuit of Catharsis' and I'M NOT OK BUT IN A GOOD WAY!!!
And because I'm a sucker for angst... I wanna twist the knife in Guy's heart a bit more ❤️
Imagine if Guy - with his name now in the spotlight, his career at its peak and yet he's so miserable to the point of suicidal because of the cheating, of the scandal and the divorce - saw Honey on a random street on night.
Looking just as perfect as the day he lost them.
Looking like they're untouched by time.
Because after losing Guy and working themselves up to be the best version of themselves, to have the healthiest mental and emotional health in their lives, Honey becomes someone else's...
Treasure.
YES, IT'S EXACTLY WHO YOU THINK HE IS!
ANYWAY, THANK YOU FOR YOUR TIME! GOOD BYE!
link to the fic
Thanks for reading and enjoying the fic!!! I'm using this opportunity to discuss the Divorced!AU lmao
warning : discussions of suicidal behavior, mental health issues, substance abuse
i. honey being treasure
ough..... that's a really sad idea but now I'm more focused on something specific in this scenario. If Honey later became Treasure, there's the implication that they weren't doing as well as they hoped they were because as mentioned by Porter, 'your friends suck'. And they now have a semi-toxic circle of friends.
I like that, I think. That no matter how hard they try and how far they've come since the divorce- there's always the ghost of it that they couldn't get rid of and managed to sneak away into their life.
ii. Guy's misery and cheating
Hm, about Guy being miserable to the point of suicidal...I do think that he was already like that before he cheated and when he and Honey were still married but had problems. That was sort of my take on his reasoning behind why he cheated actually.
He was just someone who couldn't cope with fame while at the same time craving it severely. He spent all of his time working and tried to remedy his lack of effort into maintaining his relationship with Honey with lavish gifts. He struggled with substance abuse- mainly alcohol but sometimes others- because he refused to realize that he had nothing else to live for now that he's at the top.
When he and Honey's fights got really bad, he'd go on a bender. He'd go for one night stands mostly, and they all have traits that are reminiscent of Honey's. They weren't on speaking terms when he missed their anniversary for the sake of going abroad. And Guy has this feeling that whatever they're dealing with- they won't be able to come back from this. He'd imagine the people and sex workers he'd spend the night with was Honey he was laying with, as and under the blur and haze of the stupor he was in, they might as well be. When people found out about him cheating, the world moves on. He's a Hollywood writer, of course it wouldn't be something people blink an eye at. His career wouldn't take a hit at all.
iii. honey's aftermath
After they got divorced, Honey would move away from Dahlia and live in a small town where they can escape Guy's name and fame. They'd heal but they severely missed someone who used to be their best friend.
Life in the small town was idyllic and had the community they needed to heal. Honey started work as a cargo truck driver, finding comfort in long winding roads in between states. They don't quite care about the cities or fame or success anymore- it's sullied by how things used to be and how Guy turned out.
At a local bookstore new, freshly packaged books was displayed front and center- and it had Guy's name on it. It stated that it was a bestseller and that it's from "American Horror Sensation, Guy". They shrug and tried to feel glad that he got what he wanted. Oh well. The two of them were different people now from the college kids that shared a home, unrecognizable from who they used to be.
They remembered what they used to tell him when he had writer's block and needed the extra push: "Dude! You're good at this. If you ever get published, I'd definitely everything you write."
"Really, everything?"
"Everything. I really do like the way you write."
They buy the copy anyway, unfortunately.
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goldenteaset · 3 months ago
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The Purgatory and Salvation of Lucas Proust (Part 1)
I got my copy of Virche Evermore: EpiC LycoriS yesterday and finished Lucas' post-Salvation ending, and I have to say...for anyone afraid he's going to be "done dirty again", don't be. The devs didn't put "epic" in the title for nothing.
Spoilers for both Lucas' route in Virche Evermore and some of his post-Salvation ending in E:L ahead!
Rarely if ever do otome devs look you dead in the eye and say, over and over, "You can't save this one. All the others are salvageable: you can find their happy ending if you work for it, dig into their psyches and come out the other side with a changed man. But not him. We wanted to write a Tragedy and we did."
I have to say, I'm glad they did, and gladder still of what they came up for the fandisc! But to get into that I need to lay some groundwork, mostly from Lucas' route in the first game.
Here's the thing with capital-T Tragedies: they feel satisfying when they rely on what might happen. Not "will", might. Because Tragedy isn't relying on realism, it's relying on consequences.
Lucas' life is a series of incredibly specific events and actions (being born in Arpechelee, his inborn strength, his Reliver parents' disdain for his sister Nadia, the doctors considering her illness a lost cause, meeting Ceres, the only person offering help being an anti-Reliver cult leader, his inevitable death at twenty-three), and the consequences are born from Lucas' responses to them. In a Drama, which works best with what should happen, Lucas would come out of these events changed but ultimately for the better, especially if his rigid beliefs brushed further against his desire for Nadia's happiness and bent even a little. (This seems to be where his Encore route is heading, but that's a different post.)
Since Lucas' route is a Tragedy, though, his past has instead shaped him into someone who can't bend his ideals, even in the face of love, until the very end of his Salvation route. Most importantly, he doesn't think he deserves to be saved, and feels unable to change. That to me is the most important part, and why the other LI's have such a different "Maybe it can work out" tone to them: they are willing to change.
That said, Lucas' route in the first game has its hiccups. Coincidence is a Tragedy staple, and there's a hefty helping in here, especially with the cult stuff. Lucas sits in this awkward position of being both a grown man who's fully aware of his actions, and a victim of conditioning and drug abuse, which muddies the waters a lot. Not even his sense of time is his own anymore. Yes, what he's done is morally wrong, but how cognizant is he of his own actions? And the narrative moves at such a fast pace sometimes, it feels like suffering is being heaped on him faster than we can take it in. There's less sense of catharsis by the end, that surreal relief from feelings like sadness or despair when experienced by a fictional character.
So I want to say upfront, that if the devs had decided to commit to the bit and write more of Ceres grieving Lucas' passing, I wouldn't have minded. I was expecting it, even! "Haha, his post-Salvation ending will probably be the shortest one, but at least there will be time to grieve," I half-joked to myself.
And then Ceres literally went to Hades to find him.
This is why I brought up Tragedy VS Drama earlier, because the writers made a pretty bold move. In sending Ceres after Lucas, we get to experience that catharsis at last. Besides Nadia, she's someone he considers "free of sin", and yet here she is, willing to drag him to Heaven if she has to. Why? He can't help but be curious and seek answers. And with Ceres here, he has no "excuse" to wallow in his own misery. It's up to him to escort her back to the gates of Hades, whatever it takes.
Consequently, if Lucas feels so deeply that he "deserves punishment", he now has a reason to both experience that punishment and accept himself.
For Lucas, it's one thing to know killing is wrong. It's another thing to accept his reason for killing is wrong. As long as he felt justified in doing so ("I'm purifying the demons/I'm sparing innocents", really both sides of the same awful coin), he'd never fully know why he felt guilty in the first place. So when he and Ceres are being butchered and resurrected by shadows of himself over and over and he cries out in anguish "How is this purification?! It's a massacre", it feels morbidly right. This is the answer he couldn't reach in life.
Ceres is also a crucial part of this realization, by the way. She's the Beatrice to his Dante, as it were, and she gets to experience the ritualistic massacre firsthand. Lucas would probably be able to accept his own countless deaths--he "deserves" it--but to see Ceres endure the same? Impossible.
Ceres could never "save him" (read: reassure him of his own actions) because she wasn't him, if that makes sense. Lucas had to acknowledge his own beliefs as flawed, and also acknowledge that he didn't know they were flawed until he saw his own heart beating before his eyes. He's accepting/forgiving his younger self as much as he is his present self.
But that's not the end of his journey. There are more trials he and Ceres have to face together, and Hades' dark fields stretch far and don't always look foul. But they move on hand in hand, a bit more willing to try again.
And I had so much to say about it I needed to separate this into two parts, whoops. ^^;
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