#I don't find any sense in it

[creationsabyss]

My thoughts on the Aventurine drama

I've been inactive for a while, I was (still am) busy in real life but coming back online to post and seeing discourse about a newly crowned favorite character is disheartening. Even more so, that people are harassing other writers over a drama I feel is overblown.

I have thoughts regarding it but I'm unsure if my opinion would be appreciated. But if you'd like to peacefully talk it out with me, I'd be happy to lend an ear. I'd like to hear both sides, as meager as my opinion may be.

Oh boy, here we go.

Aventurine is a character, a fictional being born to entertain the players. He is not real. He can not be offended by what you create of him. There is no point getting upset on the behalf of a character and prioritizing fiction over a person who does actually exist.

If we do want to condemn slavery fics, why not also cancel slave reader fics? Or ones that include things such as dead dove (including yanderes in general) fics because those topics are equally terrible to condone and write about from that point of view. Or how about other characters that have similar topics in their lore. Should those also be canceled too?

*There are also folks who make problematic pieces to help cope with their own trauma. Does that mean they should be canceled too? (On that note: making a piece that holds problematic content does not always mean the person condones it in real life. Fiction is fiction for a reason.)

In the end, I think everyone can have their own opinions, but I would like to say that your opinions do not justify terrible actions. Just because you disagree with something does not justify you bullying someone into deleting one of their works, whether it is art or writing or anything else, I do not think that is justifiable. Harassing someone or calling people to harass them is not right either.

*If you did disagree with it, why not message the author about it instead of making accusatory posts? Even when done with good intentions, all it does is cause harm when it's practically inviting people to go harass someone over a fanfiction. A very mild fanfiction at that.

If you disagree with a piece, cool. That's your opinion. Just don't interact with it then. Block that creator or that tag or whatever it is that led you there. Or if you're curious, ask that creator.

Also, to reiterate, in my opinion, fiction is still just fiction. Especially when it's a fanfiction about a fictional character. Yes, his canon lore exists, but people can use that basis in fanfiction, something that will inherently warp canon because we are not the original writers and can not capture him in the exact way he was created. In case that doesn't make sense: Fanfiction does not have to comply with the original lore. Also since some of you seem to be forgetting: fiction does not mirror real life.

If you are truly that concerned over sensitive topics like that, directing that energy towards projects that involve such topics in real life would be much better than attacking people on the internet.

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[wardingshout]

Zelda goes mushroom girl

[phereshift]

What Remains (of False Gods)

(Full text below).

Shang Qinghua's tongue is too big for his mouth. (Not too big, but too clumsy, in the way of spilling out words he can't afford). What can he afford? He can't afford anything. A few scraps of mercy, perhaps. . He is surrounded by grandeur, By metaphors and chandeliers. He never wrote them. He could invent them. He could be a god. . He is not a god. He is a man, or a candle. Dripping... burning... melting... He is not a candle. (He does not like the heat). But the cold... . The Cold... watches him over his shoulder making chandeliers out of what remains of him.

[origami-butterfly]

I think what a lot of j&h adaptations get wrong, is that ultimately, Jekyll is, at heart. A Cunt. Lots of adaptations like to write him as an innocent scientist, who got more than he bargained for when he drank the potion, and unleashed a monster, but in the novella, the only thing the potion really does, is change Jekyll's appearance. He created Hyde, and I think he had the opportunity to make Hyde into something good, but, because he's a cunt, he chose to use his alter ego as a force for evil and chaos. "Edward Hyde was alone in the ranks of evil"- of course he was, you never allowed him to be anything else. And Jekyll is fully aware of what he does as Hyde, he says it himself in his full statement, and he feels no remorse. He didn't create Hyde accidentally, he made Hyde because he wanted to do bad things and get away with it, without damaging his reputation.

Fuck Dr Jekyll, all my homies hate Dr Jekyll.

[vaguely-concerned]

on the one hand I think inner demons could stand to have a bit more romanced rook specific content, but on the other hand the underlying in-built implication that 'yours is the one true voice of comfort and safety in my inner world' is a sentiment and intimacy so way beyond the romantic or the platonic or any secret third thing you could care to name that it makes me lose my entire poor little mind a bit. it's so big and fundamental — near-existential — that in that exact moment at least the distinctions kind of seem irrelevant.

all the people lucanis' mind conjures up along the way are relationships he has that are unavoidably mixed and fraught in some ways even when they're also full of love (they are fraught BECAUSE they're full of love) — the good in them inseparable from things that hurt him at the same time. (it's about: the basic disorganized attachment patterns this poor guy is dragging around with him. careful with those, they're dellamorte heirlooms. what you love also inevitably hurts you and you won't be allowed to have one without the other, you have to surrender parts of your soul to hold on to what little you have left: this is the story up until now.) and the idea that rook isn't that to him — that beneath the fear of wanting them when romanced (which is more its own separate thing because within this psychology, actively wanting something and not just clinging on for dear life to even a meager status quo lest you lose it is in itself dangerous bordering on catastrophic), this is a relationship where there isn't resentment, or guilt, or shame, or dread, or rage, or self-hate, or any of the other emotions that keep him paralyzed, unable to move this way or that. no debts, nothing owed of yourself and your soul's substance except what you can freely and safely and happily give. love and freedom don't coexist — but, I mean, you're almost starting to make me think........... unless...👀👀👀. the unconditional and undramatic 'you are here and I am here with you, you can be exactly how you are right now with me and it's safe for us both even though you're afraid it won't be, I'm not going anywhere' acceptance rook shows him here that he returns to them in the big romance scene, when it's rook who needs it. the way he's just. standing there in the center of it all, like a child desperately helplessly waiting to be found, hiding in the place he hopes you'll know to look first. (rook does know. it's one of the first things they say in there.)

in short the most important room in his little mind palace for the romance is the very first room — the one where rook isn't. where, in fact, rook cannot be, because they disprove the entire structure of the place with their existence and presence in his life. with everyone else he's putting words in their mouths about what they think of him, and rook is the one who actually gets to come in to speak their own words to him — and have him listen. ('he'll listen to you, he always listens to you', 'your voice is a comfort'.) of course rook isn't present anywhere else in there — at the risk of stating the obvious to a tedious degree, they aren't one of the locks, they're bringing the key. in the very finest 'the messenger and the message' sort of way.

[shou-jpeg]

Forget the perils of aging, the responsibilities of being an adult and the looming threat of mortality. The real scary thing about growing up is realising that everyone around you is a fucking a moron.

[kirby-the-gorb]

[lesbian-rook]

could you draw ragatha comforting an abstracting pomni? like ragatha calms her down enough to make the abstraction go away! thanks :3

🎶When darkness is all you see This is our Sweet Blasphemy🎵

[14dayswithyou]

That is all thank you

ANSWERED: Art credit for da first Ren meme goes to @meo-eiru!!

BUT HELPPPPP THESE ARE SO FUNNY JDSGJH T_T The Moth meme + Uno meme had me CACKLING lmaoooooooo

[evilios]

There's nothing funnier than Ovid's version of the encounter of Apollo and Cupid where Apollo calls Cupid a goddamn baby that isn't worth holding a bow and Cupid practically goes oh you think you're funny? I'm about to be hilarious.

[dollsome-does-tumblr]

i think something that frustrates me about ted and rebecca even beyond the whole no-romance thing (crying forever btw 😢) is that they never really got to have a coherent storyline together again after s1 and the christmas episode, and uh ..... i think it would have been cool to have more of those shared between the two leads of the show. like, in a way, i think i would have been more okay with it not being shippy if they'd had more storylines and more of a definitive overall series arc together, because presumably then at least we would have seen them interact regularly enough and in a variety of conditions enough that i would've gotten more of a feel for why it wasn't a romantic thing and what, in fact, it was? i don't know! i just really wish they'd given that dynamic wayyyyyyyyyyyyyyy more to do and way more interest after s1. it just felt like they were deliberately written to be ships in the night, all the time, no harbor ever, which feels crummy. like, s1 sets them up to be very close friends with these parallel struggles, but then they barely have even a shared b-plot together ever again after the christmas ep. the closest thing is one shared scene followed up by one phone call in 3.08, right? and then the series finale, where they do actually finally have three whole related scenes together, shock of all time.

anyway. so weird. SO WEIRD! such a funky writing choice that i am not a fan of.

[ceaseless-watchers-special-girl]

thank you @pippalovestunabrick for tagging me!!

last line challenge!!!

Juno shrugs. “We’re clearly not getting anywhere with this. I just—" Juno pinches the bridge of his nose and sighs. “Yeah, no, this isn’t working, and I’m tired of trying to make it work. Can— I—” Juno pauses to drag his hands down his face. “Can we just agree to be civil? For Rita?”

oooooo the boys are fightingggg

@smidgen-of-hotboy @one-joe-spoopy @ananxiousgenz @urjover please :3

[rowan-ashtree]

Obviously we all loved it when Murderbot said "ART" is an anagram for "asshole research transport". ART didn't comment on that because MB was still really mad at it, but I bet it used some of its processing power to generate a billion anagrams for that phrase and then pick the best one in 2.7 seconds.

[yencirilla]

yes i did make a tumblr purely because i did not see enough discussion about the relationship that is fearnechetney yes i did do that. the tag is dry and it bothers me because it’s easily top three favorite dynamics of bells hells for me. 

oh so you have a really gorgeous, mischievous, hundred year old six foot tall faun who likes to steal stuff that is so cool oh and what if i told you that the number one character that is making moves on her is a three foot tall four hundred year old werewolf gnome that makes wooden toys, and WHAT IF i told you that she is totally into it. 

and maybe you’re like oh that’s interesting! okay so what, is it just a joke or something? well, yes at first it is! it’s a game of chicken, of flirting and poking fun at each other hahaha oh WAIT but then it’s MORE.

it’s chetney talking about how much joy it brings him to see people play with his creations, getting to see fearne play with multiple wooden toys he made (dorian’s ship, her wolf, her dolls). it’s chetney being the one to first find out fearne’s postcards aren’t real, and gently asking her questions about them instead of giving it to her bluntly, because it would have hurt her to know the truth. it’s chetney using CLOTH to make fearne little dolls for her to use to vent her frustration. chetney reminding fearne to ask morri about her parents, because it had been bothering her so much.

it’s fearne telling chetney the wooden wolf is maybe her favorite thing she owns, when she has so many things. it’s fearne trusting chetney with the one thing her parents left her, letting him hold it and inspect it. it’s fearne reassuring chetney after he wolfed out that they all had problems. it’s fearne gripping onto the net that chetney is trapped in, holding on and defending him from the hunter. and when she casts stoneskin, which only requires touch, she chooses to kiss him.

a lot of people have insinuated that fearnechetney is one sided, or just a joke, or anything but a romance, but i disagree. i think it started as a joke for sure, but as the episodes progress, it feels more and more like these two characters really care about each other, and understand each other. and the idea that the ship is one sided is so strange to me, because fearne has actively flirted back with chetney since the beginning. fearne got up at 3 AM to wait outside his door, fearne chose to kiss him to cast stoneshape, and fearne was the one that held onto the net and told the hunter to fuck off. i think writing off their dynamic/relationship as a joke just because you don’t ship it does both characters a big disservice when we talk about their growth and how they’ve come to care about one another.

[zukkaoru]

could you tell me more about why you dislike femskk?

okay disclaimer before i begin: this is not meant to be a dig on every person who enjoys femskk. the biggest reason i don't like it is honestly because it's just not my cup of tea and honestly it really makes no difference to me if other people like it. but beyond that my biggest issues with it are

1. the phenomenon of fans "yuri-ifying" the most popular m/m ship and then using that to prove they like female characters and f/f ships. this is not a bsd-exclusive thing; it happens with stsg too and i don't like femstsg for the same reason. but there's a big difference between actually liking female characters and just genderbending (or even making transfem) the big m/m ship. i literally went to the f/f category in bsd on ao3 the other day looking for fics and about half of them are skk fics instead of fics about like. the actual female characters in bsd. who i was looking for fics of. similarly, there have been some redraw trends going around twitter - specifically the i prefer girls cover redraw - and i have seen. i don't even know how many femskk redraws of that (along with a couple femfyolais and a femrimlaine) but only one redraw with actual female characters from bsd. same with the scene 14 redraw that was going around, and while that one wasn't originally two female characters, i have still seen significantly more femskk (and femsigzai, femsigchuu, femfyolai, etc) than i have ships with even one character who is female in the source material.

and imo this phenomenon is made even worse in the bsd fandom bc so many fans just see bsd as the skk show. so of course they're writing off the actual female characters; they literally don't care about anything besides skk. and obviously i can't do anything to force anyone to care about other characters but like.... bsd has so many other wonderful characters and dynamics (both romantic and platonic) that a good half of the fanbase won't even glance at because they're not skk. i do like skk, but bsd is about so much more than just them. they are, objectively, only one small part of it. like if you only care about skk, then just be outright about it and don't pretend you're "proving" you like female characters and sapphic ships bc you like femskk too

2. of the fans who only like skk and nothing else about bsd, most of them. don't even characterize dazai and chuuya correctly? i think the some of the best skk characterizations i've seen have been from people who actually like other characters and ships too, and some of the worst skk characterization i've seen has come from people who literally don't care about any other ships or characters. this isn't a hard and fast rule obviously but even with 30k skk fics on ao3, i have struggled to find ones that actually feel true to their characters. and the characterization seems to only get worse when it's femskk. if you're just going to turn femdazai and femchuuya into two completely different people, what's the point in it even being skk? why not write k.ousano or h.igugin or even a ship with one canonically female character? if you have to change the core characteristics of both dazai and chuuya... do you even really like them?

3. about femdazai: i actually don't mind the transfem dazai headcanon in general but most fans get her wrong. i made a post about it here but basically so many times i see femdazais that are just. completely unrecognizable as dazai. you can't strip away core aspects of dazai like idk the fact that dazai doesn't show any skin from neck to toe just because you made her a girl. i have seen some femdazai that's good! but i have seen so much that is just fundamentally wrong for dazai's character as a whole. mostly on twitter.

4. about femchuuya: i really truly just don't get femchuuya. i THINK the hype here is probably bc lesbians seem to get attached to chuuya (which. valid. i am also a lesbian chuuya fan.) and so they want to draw a chuuya they can be attracted to (i.e. femchuuya) which like. cool whatever i'm not here to judge. but looking at it from a "would this character actually identify as female" perspective, i don't actually think i can picture that for chuuya. maybe it's just because i so strongly hc them as nonbinary? idk. this one is honestly just a neutral "i don't see that but you do you"

tl;dr: from what i've seen, femskk is often mischaracterized, and genderbending the big m/m ships in a fandom is often a way fans "prove" they like the female characters and f/f ships while not actually caring about anything other than their main m/m ship