#I don't draw ruin very often so this was interesting

[itsahotminuteinbetween]

Ello!

Can I have a ruin doodle? No need for color, take ur time and energy and use it for what u feel <3

thinking about that recent tsams episode...

[mochablogger]

Okay guys hear me out-

Did I tell you how much I love Venus? No? Oh okay

Okay okay so. I've been gaining a lot of interest in bats recently and I thought huh. What I combine Venus with a bat. And boom. Bat Venus was formed 💥💥 (grgrgrgr Tumblr has beef with me and it's ruining the quality 💔💔 click the pic for better quality!!)

I've done these doodles at school and who knows. maybe I'll draw him again :3

More info and headcannons abt him below!!

He can't talk properly, he just babbles and screeches. But he can emit ultrasonic sounds that reflect off solid surfaces; in other words this term is called echolocation !! Only Earth can understand him fr fr ❤️❤️

He's nocturnal (sleeps in the day and awake at night) and at night he has a very sharp eye (IK BATS ARE BLIND AF AND THEY SEE WITH SOUND BUT STILL <33)

He can increase the size of his ears and wings according to his will but doesn't do it very often since it frightens the others (but he scares Mercury with them lol)

He has fangs :0

He's a biter and blood eater 😇😇

He sleeps upside down (YES THIS IS ONE OF THE MAIN REASONS I BATIFIED VENUS 💕💕)

When everyone's asleep he keeps watch on them and is very protective <3

If you have a death wish you can wake him up during the day ^^

Has a death stare and he can make you run away in 2.5 seconds 😇 (Don't believe? Ask Mercury...)

He angy

My tablet just restarted when I uploaded this image lololol xd @trashbins-stuff I couldn't upload it in our dms I'm so sorry 💔💔 here's your slop ^^

[meanbossart]

ASK COMPILATION: LORE, CHARACTERIZATION, AND THE ONE IN WHICH I RUIN A BUNCH OF PEOPLE'S FUN

As usual, this is far from all of the asks in my inbox but I'm trying to catch up 😩thank you everyone for your patience!

For the record, if your ask isn't being answered, that most likely means one of three things:

I am saving it as a possible art prompt.

I sincerely don't have a very interesting or good reply for it yet!

It's a question I have been asked multiple times/the answer is in my pinned post.

Glad you like them!!

As much as I don't limit what I draw to canonical events, vampirism is so antithetical to DU drow's character journey that I couldn't really envision it, to be honest, but who knows! Maybe I'll cook up some Ascended Astarion scenario someday that is kind of a role-reversal of the Bhaalist DU Drow AU I have going on in tandem to the story.

I'll be honest, this is one of the rare times where I'm really not sure which aspect of DU drow's weirdness this is in reference to. Do you know something I don't? 😅

His masochism is very... Classic, I guess? He's in it for the pain and for the emotional connection, and the process of being pierced wouldn't cut it whatsoever, it's too subtle. The body modifications he has are an incidental result of it, but they were never really the goal.

Also having stuff dangling off his face or body would just irritate him, he specifically only does rings because all other types of jewellery get in the way too much. Pre-tadpole Bhaalist drow obviously wore them by the ton, but only as a symbol of status and because he had a permanent new-money complex🤷 so yeah not a piercing-type of character at all, sorry!

He's smooth from the eyelashes-down and profoundly weirded out by body hair LOL

I don't personally think that whatever Astarion had for a home before would bear my resemblance to it after 200 years - having probably gone through several owners, remodeled, if not completely lost to the destruction of the end-game. I do HC that he used to visit it whenever he could as an enthralled spawn to read his mail, but he stopped after his father passed.

THANK YOU, I THINK? I can't say that isn't a passionate description at least!

I'm honestly surprised that this comes up as often as it does LOL but it's just an stylistic choice on my end!

The latter - for sure. He figured that them dying at each other's hands at the end was a given and took that assumption entirely for granted (and I'm sure daydreamed about it often while Gortash went on and on about political strategy during their dinner meetings.)

;))) way ahead of you and by "way ahead" I mean "eventually and whenever I can figure out when to do it alongside the other 30 ideas I am currently juggling" (but I really do want to make a little comic out of it!)

He used them! Not immediately, but he grew to trust the guardian after some initial suspicion and happily gobbled up those squirmy little things alongside Astarion. Because I made his character on a whim and without any planned backstory, I didn't really put any thought into his Guardian's appearance either, so she's just a human woman with a Joan of Arc look going on who's of no significance to him or his past.

But DU drow did trust her, again not immediately but eventually. It was honestly a big kick in the gut to him when the Emperor revealed himself and it definitely set their relationship up to fail from the get-go.

This is also why he didn't ascend to the next stage of Ilithid power, he just stomped the thing dead right on the spot LOL

LMAO I think Gortash is too proud to chase a tail he can't catch like that

He was probably very overwhelmed by the sudden realization that OH, THIS IS ALL HAPPENING BECAUSE OF ME which naturally didn't come across whatsoever to anyone present since he immediately bottled it up and tucked it away out of sight. However, as the story progressed and DU drow helped his friends get out of their respective pickles he was probably able to justify it to himself as it having been for the greater good - since it led to Astarion being freed from his master and Shadowheart to defying the Sharrans.

As for all of the rest of the ensued destruction and death that resulted from it? Well you can't make an omelette without cracking some eggs, or whatever is the wizard version of that saying. He has essentially turned the entire situation into a net-positive in his mind and sleeps great at night because of it.

[paper-mario-wiki]

hi, i'm not the person who asked you about the life update, but could you elaborate on how being a creator means to live in a world of ideas instead of the real world? i'm just really curious about your reasons for quitting, specially because i want to create things in the future (not necessarily streaming, but anyways), hope you have a good day!

i'll be talking mostly about streaming for the sake of this answer, but this is similarly applicable across a wide range of platforms:

the job of the streamer is, effectively, to be the life of the party every single day. your goal is to be the person that has something interesting to talk about, and is quick with a joke, and has nuanced understandings of certain things, without actually obtaining any sort of "expertise" in anything lest you alienate viewers. short of having a stated goal for a stream, the only goal of the streamer is to let people relax with a voice they enjoy, saying things they like hearing. you can become very strong in different aspects of streaming, like in the production, or as someone who focuses more on a skill they've honed like art or speedrunning, but the demographic of streamers which pulls, by far, the most significant viewership, is personality based streamers.

this becomes more complicated when, for example, you are very interactive with chat, or you stream with multiple people at once. now, to maintain this charismatic sway you have (the one that got you the job in the first place), you must be able to adapt to and bounce off of other people, as you are now no longer performing alone. naturally, there's a need to not only manage your own flow of consciousness, but also to be at least partially in sync with someone else's.

beyond these complications, you must also consider drawing in new viewership. when i was a streamer, i was quite successful, relatively speaking. pulling 300 viewers consistently is something a very slim amount of streamers can actually do, and even then i was still making under 50k a year, which is not bad, but also not good. in paying for my apartment, my insurance, my travel fare, and all the other stuff that living independently draws money out of you with, i was more often in the red than i was in the green. hence, the need to draw in new viewers, which cannot be done without something eye-catching.

think about this: there are, at any given time, TENS OF THOUSANDS of streamers live in your native language on twitch, and they are all FREE TO WATCH. the attention market is sparse because the streamer market is oversaturated. and considering all of THEM want new viewers too, everyone is constantly refining and improving their craft, which requires everyone to move creatively in tandem with each other lest they get left behind.

if you are a streamer making ass-dollars and ass-cents, it becomes easy to begin resenting people like jerma, solely because everything he touches seems to turn to gold. i personally found it easy to feel very disappointed in myself when peoples projects that seemed so simple would take off. it was a constant "why didn't i think of that!" situation, at least for me. and when you don't have the energy to keep that up, or the social stamina necessary to figure that all out while also being upbeat and happy in front of people near daily, it can become very draining.

what i mean specifically when i say the "world of ideas", is like. there would be times where i could schedule out my failures weeks in advance. i'd be so in my own head about the process, i could see the exact path i could see myself taking that would lead me directly to ruin. how playing games i actually enjoyed would steadily drop viewership, or how focusing on my studies would make people forget about me. and of course this is augmented by my anxiety, i know this is absolutely not the case for every streamer, but that overwhelming feeling of needing to find a new game to play, or a new gimmick to use, or a new ploy to get money that doesn't make you feel guilty even though your source of income is mostly queer and mostly poor young adults and your rent is coming up and you're $200 short but you also just had a fundraiser last month about a DIFFERENT emergency but you cant make it a bummer or else people wont want to tune in so you have to make it something fun like "you laugh you lose!" or "$1 art request streams!" while feeling nothing but anxiety while youre trying to sound like youre enjoying yourself even when youre asking 250 people to donate every 30 minutes or so and nobody seems to want to and chat is moving slowly and. and and.

well, it starts to eat away at you.

[drdemonprince]

I am very very attracted to my boss and it's driving me insane. There's this amazing chemistry and tension between us and all day long we're just teasing eachother and flirting. We're always gravitating towards eachother and happy to see eachother, finding excuses to work together, etc. He is, however, a straight man twice my age who has a girlfriend and I'm a trans guy who could be completely misreading our interactions. Straight guys often banter and "flirt" with eachother so maybe I'm reading too much into it. Maybe he's just excited to be some sort of a mentor figure to me and he likes to be admired, and likes to see me grow and learn, and that's all there is to it. He calls me his protege which I find incredibly hot. Anyway I'm seriously contemplating whether I should confess my attraction. I'm not really anticipating him to reciprocate, but would do it more so to get rejected so I would be able to stop fantasizing about him all day long and give myself some closure. On the other hand, I don't want to humiliate myself and create a possible distance or awkwardness between us. There would be no consequences for my job so that's not an issue. I was wondering if you have any words of wisdom for me? You always have such a unique yet sobering outlook on things and I would love to hear your thoughts on this situation.

"Unique yet sobering outlook"! That's the kind of compliment I would have put in the word document alongside all my favorite feedback from English professors back in the day when I still needed that. Sincerely, thank you.

I am of several minds with regard to your question. On the one hand, I think straight people are terminally monogamous most of the time and that it would be hell on earth to get involved with this man and draw the potential ire of his girlfriend even if they weren't.

I think it's usually a self-hating maneuver to date a straight man as a trans masc (I have been there, it is terrible) but as a gay man, I support the frisson of danger that comes with seducing a heterosexual and think it would be a baller little feather in your cap to ruin this man's identity and relationship for a fling with you, even if it would be destined to end in agony.

I hear that this misadventure will not affect your job, but I don't exactly understand how that could be true. It sounds as if you work together quite closely and that his flirty banter is part of what makes the gig pleasant, and even if he doesn't have the capacity to fire you (I'm guessing) this affair could devastate the vibe enough that someone else might step in and fire you for its indirect consequences. happens sometimes.

Part of me however does believe in "fuck it we ball" and in being a bit reckless when you find yourself in a moment of raw, transfixing chemistry. chasing after fascinating moments that are destined to shatter our hearts is one of the core aspects of being alive. It keeps us growing, fills us with vigor! Who doesn't want to one day have an interesting story of a love affair like that?

One of my follow up questions would be how rare this kind of connection is for you. If it were me? Someone I truly connect with on the level you are describing is rare, and I've been willing to risk upending my life as i know it over a fleeting few weeks or months of passion before, and sometimes it's been worth it! Some mistakes are worth making, because we will become stronger and more interesting people after they happen!

But another part of me also thinks "straight men flirt with eachother sometimes" makes no sense and that what you are likely experiencing is him not seeing you as a man, or doing the thing some sensitive straight guys do of leeching attention off of queer men to feed their egos. (Which isn't evil, we all need attention sometimes, but it can be devastating.). If he lets you down because he sees you as a man and is not gay, that might relieve the pressure for you and work out fine. If he is into you because he doesn't see you as a man, you two will fuck and it will be horrible in the long term probably. But maybe hot in the short term.

I also think there are probably hotter ways to play this one (and more strategically effective ones) than a straight-up love confession, which would probably force him to bring up his girlfriend as the reason not to pursue it.

I think if you really want to SEDUCE this man you should spend time with him after work, ask him to mentor you on a labor intensive but potentially rewarding project, disclose little personal details that endear him to you, ask him lots of questions about himself, allow him to open up to you about his life... and then strike.

I think it'll be interesting if you go for it, at least. I certainly want to hear the story. But I don't want you to get fired, lose a mentorship that is important to your career, or get your ass beat by the gf.

So I will also tap my followers for their feedback.

[tubbypeddle]

Hi! I really like your writing, I was wondering how would part 5 characters react to a y/n with an uberman sleep schedule. personally, I only do it during summer.

hii!! thank you so much for the compliment, what!!!! you're so sweet 🫂

also, an uberman sleep schedule!! I had no idea what that was, I had to search it up! how interesting!!

For those who don't know, from what I found, an "uberman sleep schedule" is a form of polyphasic sleep where someone takes multiple 20 minute naps throughout the day, spaced approximately 4 hours apart. (Polyphasic sleep refers to a sleep schedule where you sleep more than twice in a single day)

for now, i'm only going to do the bucci gang, but if you want la Squadra too, just send in another ask! i'll be happy to 🫂 also, I apologize for the wait 😭 I got a little caught up with personal things, I didn't mean to put this off (I actually feel so bad it's not even funny)

(author's note: no smut in this one <33, also for underage characters it isn't exactly an "x reader" like what will be suggested for the canon adult characters, since I don't feel comfortable with that, but I hope you enjoy it anyway)

Giorno Giovanna

He's a little shocked by how easy you find sleep, and a little envious honestly

Ever since he was a child, he found it hard to fall asleep.

So the fact that you can just lie down for a nap and actually take a nap

He's a little jealous, not that you'll ever know. he's a master at hiding his feelings behind a straight face. Not jealous enough to do anything,

It's amusing to him, to find you in many places around Passione headquarters taking your little naps

sometimes, if he feels comfortable enough with you, he'll leave you little presents while you nap

just small things, like a little frog companion, or a cool rock he found with a note wishing you well

Bruno Bucciarati

He finds it endearing how strict you are with your schedule, if you're strict with it. You have a timer that you set before you sleep, and you wake up to it, always.

It's a little impressive, honestly

Bruno isn't one to have a very strict sleep schedule like yours is, he can't afford to.

So when you can just do that, it's adorable honestly.

plenty of little catnaps throughout the day

when he has time, you might be able to convince him to join you in a quick nap, though it might be a little difficult. it's hard enough for him to get to sleep at night without a nap in the middle of the day ruining his sleep schedule.

but when he does cave into your request, it's some of the most peaceful sleep he's ever had in his life.

Leone Abbacchio

he understands the appeal of taking cat naps throughout the day, and if his schedule allows for it, he'd do it too

it's not hard to convince him to take a nap with you, he loves any excuse to shirk work, especially if it's with you (much to Bucciarati's annoyance)

though, taking these naps with you fucks up his actual sleep schedule, so he ends up staying up really late into the night

usually, this would irritate him to no end, but since it's you he's staying up for, he doesn't mind

(especially if it means he gets more naps with you the next day)

Narancia Ghirga

he might be a little confused about why you sleep so often, though this isn't ill-intentioned

he means well!

he's just...a little confused (when is he not, honestly)

there's so much to do in the day! so much fun to have! why do you sleep so often?

be prepared for when you're sleeping out in the open, though, because he has a bad habit of fiddling with you while you sleep

his language of affection is touch, so he likes fiddling with your hands, or your hair, or even just poking you while you sleep

if you're a light sleeper, it's best to watch out for sleeping around him

he might even draw on your face

Guido Mista

he's actually pretty chill, pretty laid back, even if he does poke fun at you a little bit for sleeping so often even if he does the same thing

you'll probably find him sleeping around his apartment before he finds you sleeping

and he openly encourages you to slip in beside him if you find him (he's a little stinky though /affectionate)

If he finds you sleeping first, though, he'll probably just slip in next to you (if you've given him the okay ahead of time)

or he'll sit beside you and read a magazine if he isn't sleepy

(he loves and appreciates nap dates and I will die on this hill)

Pannacotta Fugo

he probably wouldn't have much of an opinion or reaction, so sorry if you were looking for one from him

it's just something that you do, it's none of his business what your sleep schedule is like

the only thing you'd probably get out of him is worry

"why are you sleeping out here? This sofa is awful for your back. Sleep in your room."

Aggressive worrier, definitely

Trish Una

she probably thinks it's cute

naps are fun, she loves naps, but she won't indulge in them too often

she definitely worries that sleeping too often could ruin her skin (I don't know how it would, but it probably would) so she won't indulge you in a besties nap too often

she will offer to sit with you though, as you nap

she'd probably take it as an excuse to do skin care with you, or a chance to touch up her nails, or even just relax alongside you

IM SO SORRY FOR TAKING SO LONG!! I GOT DISTRACTED WITH OTHER THINGS IN MY PERSONAL LIFE 😭

I HOPE YOU LIKE WHAT I GOT!! can u tell I didn't know what to write

[redxx95]

Tachibana & Kurosawa parallels that are making me go insane

Hey guys so I had some Thoughts that are not letting me go so I did some digging and now I'm gonna present yall with my findings. They are horrible. (Spoilers for volume 14)

So how this all started is me wondering if Kurosawa ever feels a little guilty about entering a relationship with Adachi, since things could've been a lot easier for him if he'd simply gone out with a woman (to him it would've been Fujisaki) instead. He often mentions Adachi could've been happy without him, after all.

Then I remembered this bit from the end of volume 14 about how Adachi doesn't know how to deal with advances because Kurosawa was always intercepting them for him and decided to properly translate all of it.

"Adachi felt guilty, but him not understanding the tactics of love or how to evade invitations is my fault. I don't want anyone to take him away, but I also don't want him to ever learn any of this. Of course I can't tell him that though."

Tactics of love, huh. You mean like...

Giving little compliments... (The phrasing here is almost the same in japanese except Tachibana is using polite speech)

Offering favors...

Invading personal space...

Going "hey you like this thing, why don't we do this thing together?" ...

Helping out when they're weak and vulnerable...

You mean tactics like that? Man it sure is convenient that Adachi remains blissfully unaware of any of this huh. Okay So. Before you raise your pitchforks at me, yes there's obviously some nuance in all of this. Kurosawa is doing all of this to befriend Adachi, first and foremost. He wants to be closer to him because he loves him. Tachibana (as far as I can tell) just wants to get in his pants lmao Also Adachi's a Grown Ass Man and can definitely make his own decisions, and it's not like he got really manipulated either, since he could read Kurosawa's thoughts and intentions the whole time. I could still see Kurosawa having some self-doubts about their relationship though, if he ever realizes that he might have "manipulated" Adachi into a relationship that is objectively worse for him, considering the alternative of being with a woman and completely evading all the problems they've had with homophobia. Not to mention that Adachi is clearly good with kids and might want some of his own, which is something he can't have with Kurosawa, since adoption requires couples to be married in Japan and gay marriage is illegal, as we know. What if Kurosawa ruined Adachi's chances to lead a happy life, for his own selfish reasons?

...

Now, here come my truly insane speculations about vol 15 and how this could tie in with drama around Matsuura :)

So on that last page she's clearly approaching Tachibana, who, as we can read pages before, wants to get black-out drunk to forget all his romantic woes. Which means he will be very talkative to a nosy Matsuura. There's no doubt in my mind that he'll reveal literally everything to her, how he wanted to go for this cute, inexperienced coworker named Adachi and how he got told to back off by his big scary boyfriend named Kurosawa. "Oh yea they work together at Toyokawa. I even told him it's really risky to date coworkers, can you believe it?!" Matsuura just goes "Oh that is Interesting."

She might even try to get under Kurosawa's skin by drawing parallels to his harassment in vol 1 and him pursuing Adachi, since Kurosawa has a higher position in their company and earns more, and Adachi being inexperienced. One could easily construe this as a power imbalance between them. Throw into the mix the issue of being "forced into a relationship that's looked down upon by society" and the looming threat of their relationship being revealed to their workplace and Kurosawa might truly spiral, maybe even breaking up with Adachi, just to fulfill yet another parallel to Tachibana.

Man would that be fucked up or what haha

[ninjagood4]

Hello, I’m Cookie! I'm a self-taught artist, create content about Ninjago and write the comic “NINJAGO: Future of the Past” ~

YouTube · X · Instagram · Toyhou.se (soon)

You can support my work, it’s help my family and give me the opportunity to develop every day 🫂

Link to PayPal Donate Button or QR-code⭡

Life in Ukraine 🇺🇦 | 19 y.r | She/Her

A little bit about me, my hobbies and the most important thing - OC content!

ABOUT ME

Hmm, well… I'm not a fan of communication because of my closed personality, which has seen a lot addressed to it. But you know, our life is too short to waste it on fears, and so I started to work on myself. I'm also very distrustful and often doubt, I'm learning to adhere to the idea of ​​"measure seven times - cut once" (because sometimes I rush and ruin everything) xD Although I'm really silent and can seem creepy(huh?), if I find a person I trust, then on the contrary, I will not be able to shut my mouth!

I very much love animals, VERY! I would still like to become a vet, but… it will be hard for me to come to terms with the fact that I could not save some cutie (it really hurts), so I don't go too far with it. I'm interested in psychology, love reading articles about the past of the earth, science and all sorts of discoveries, experiments, theories, facts, and other things like that… Well, and also… some memes and strange videos on YouTube that you can laugh at, holding back your laughter while everyone else is asleep ^^

HOBBY

There are actually a lot of them, but they are all related to creativity lol. Simply because it gives the opportunity to create something new and interesting! Well, and I just like handwork lol

Drawing is what I love the most! I did it all my childhood, and it was what I really know how to do. But I prefer to think that can do more than just draw :') I somehow didn't think about art school, since instantly lose interest when I'm taught. It's weird, but that's how it is, lol. So I decided to learn it myself, and focused on Ninjago, because it's my favorite series since ~2013, but I watched it from the very beginning - 2011 (I'm old 💀). In 2018-early 2019, I began to actively study natural drawing, and since 2021 I have been actively managing social networks and learning digital art. It's hard for me to say which style I prefer, I really like to parody TV series animations, including WilFilm, WildBrain and the MonkieKid style! But still, I liked combining my concept with The Lion King style, and I think I'll stop there for FotP :) BUT☝️ I will not stop parodying styles/animations, because it is very interesting (this does not mean that I challenged copyright, no!). Yes yes, I'm capable of more than just Ninjago commiss, if that's what you're talking about; just show me the style of the cartoon and maybe I'll repeat it >:D Oh, and since 2023 I started accepting commissions, and I sincerely hope to develop with their help, to make it my job (and also recently opened donations). We do not live very easily, and I am afraid that at this rate I will have to give up art. The only option is to make it my job (in fact, I am not against such a turn of events) 👉👈

Not many people know about this at all, but I compose music :) These jobs is rarer, because they require a LOT of time, and maybe that's why I think no one pays attention to it. And music is exactly what I studied for. I once dreamed of becoming a composer, because I had a passion for music and loved to compose, but my father (who refused to go to music school as a child)) decided that I would do this. Well, when he sent me for testing, I hoped that they would refuse me and send me away, but they took me. I improved my skills thanks to this, but somehow I lost my passion. Although I still compose music and love it, something has changed… At the same time, it's a shame that I did not live up to my father's expectations, but if I release tracks on YouTube, does this not look like a career as a composer? heh 🤔

In 2019, I tried to make a plush Lloyd (the photos are gone, but I sometimes remake it lol, so they kind of exist), but this was the beginning of crafts! Crafts (handmade) are also rare due to the time of work, but they exist. Because of my love for ecology, it seems to me that this also gives some kind of second chance to things. I prefer to use garbage unnecessary things for this (sometimes it's hard to say what I made this or that thing from, there is ALL), and then I put them in a box and they continue to lie :ʼ) But no, Lloyd does not lie in a box, I put him on a shelf, and later I even made Agatha for him jhvjfjgvjgcvm

Other things like wood carving (sometimes even metal), but that's rare. In short: I love absolutely everything that needs to be created, where you need to work with your hands! I think that's enough.

FANFICTION!!!! I can get so deep into the story that I forget it's non-canon (like what happened with Future of the Past). Wait, let this be canon!

Thanks to my mom, I got into cooking, by the way xD I hated cooking because it always turned out to be something smelly and inedible, but when I learned how to cook pancakes and potato pancakes — the world changed 🤌✨ I want to make a cake "Lloyd" someday. LET ME MAKE THAT CAKE

Hmm, does making stupid memes count?..

OC CONTENT

Briefly about NINJAGO: Future of the Past. I just wanted Lloyd to have a girlfriend

Ahem! I didn't plan to go this far, initially my plans were just to create my own character for fanarts, but everything somehow happened by itself. I really liked Agatha (because I had a lot of unsuccessful attempts), I was even afraid that no one would like her because of the idea itself.

Considering that I love nature and simple things, Agatha is an ordinary rice farmer, who lives in the Valley of Mountain Fires (this is a remote area in the world of Ninjago, and the Monastery of Spinjitzu is part of it!). The ninja did not know where they live hahaha))

So, therefore, Agatha spends all her time in nature, thanks to which she is very agile, fast, can climb to heights and swim. This is ✨Child of Nature✨ ​​

Agatha has a fear of the future (the unknown), longing for the past (since she made many mistakes that cannot be corrected), death and minor fears like a dislike for spiders, hatred of Tuesdays, etc :)

She also behaves freedom-loving and sometimes daring, likes to find fault with what she does not like, speaks directly and can be too rude, but at the same time she is a kind person who will not abandon you in trouble, and is always ready to support. In places she is quite timid, withdrawn, afraid to open up to a person (so Lloyd will have to go through a lot until they become friends).

As for Leo, he was invented in honor of my cat, who had the same name. I took up OCs after the evacuation in 2022 to distract myself, and then I had to leave Leo at home because of the difficult journey, which he might not survive (fortunately, our city was untouched at that time, and relatives looked after the house with Leo). But I missed him very much and thought that I would never see him again, so I made such a pet for Agatha.

And Tiger Bongo... Because they are canon, and a huge tiger thinking he is a cat sounds funny :) My cat began to feel extremely bad, but we returned after 3 months and he was waiting for us, so I managed to spend a few more months with him before he left.

I didn't think about the faction for a long time, I had inspiration for it. I create FotP trying to touch on real events from my life, so the faction became the Bandits on dragons, who are doing what is happening now in my country. They occupy the Valley of Mountain Fires, and the inhabitants (including Agatha) will have to live in such conditions for 16 years. There are many more bandits and their dragons (for which I came up with a new type), so ordinary residents cannot resist. If everything goes against their regime, Agatha's vellage will simply be wiped out, but...

Actually, I would be very happy to tell you more about this, feel free to write me questions! :D

Here I will write briefly: the plot is that Agatha and Leo decide to escape from the valley in search of the Monastery of Spinjitzu, so that "five masters led by green" can help save her home. She know that this would be the beginning of a war, but she had no choice. On the way, she is spotted by the bandit, so after 2 days, when the ninja are flying on the new Destiny's Bounty to the valley, the dragon of the robbers attacks the ship on the way and takes the ninja captive - Kai, Nya and Zane (Jay and Cole get lost in the forest, but later find Agatha's village). Lloyd, Agatha and Leo are not noticed, but given that Lloyd did not accept Agatha from the very beginning/she was afraid of him and very soon hated, they began to have a big conflict. Since the whole team was confused, they had no choice but to work together, and gradually they saw a lot in common (even though Leo doesn't like Lloyd and makes fun of him).

Later, the bandits learn that Lloyd is the green ninja, and use his power to search for the last key to Death (this creature supposedly should help them cross the border of the Monastery and create chaos in the world, but in fact it will destroy everyone). Let's just say Lloyd falls into the hands of a man who skillfully manipulates him. To stop Death, Lloyd and Agatha need to learn the Skill of Yin-Yang, which will lead to the fusion of Jade and Energy (Lloyd and Agatha's powers), because without it, Jade absorbs a huge amount of Energy and causes it to the pain, which can destroy the master of Energy.

Forgot to mention that Lloyd struggles with his Oni side, depression, and traumas throughout the series.

By the way, if you're wondering again why Lloyd is chubby - the events take place after the Crystallized, and then peace comes. Due to the imminent separation from Harumi, he falls into depression, and Wu's death becomes a turning point that awakens the Oni side due to negative emotions. Then part of the family breaks up, the ninja are also going to disperse, but Lloyd forbids them and trains them, because he believes that because of the Oni side, they will have to confront him. At the same time, Lloyd prefers to eat away his depression with food, which has negatively affected him for many years. Anyway, I also briefly told everything here. This boy thought that the ninja would have to fight against him, but he didn't expect that he would have to fight for them.

But then again, I plan to write up to 400 pages for the first season (and I'm already close to the final stage), so there is A LOT of stuff there. Even so, I practically didn't say anything about it 😭 There are some things I'm still keeping quiet about, but... if you're interested in something, just ask! 🙌🫠

DON’T MIND/LOVE AND DISLIKE

Ninjago | Only Dragons Rising (sorry 😭)

Any orientation (every person has the right to their own choice)

Distribution/propaganda (of something in greater quantity)

Any wars/those who in any way approve of it

Acceptance of equals

Racism, sexism, any kind of evil banter

This list needs to be extended…

I have a lot more to write, but let's finish this and start watching the shit I publish?) ~really, because I use a translator and I can't imagine how "beautiful" it sounds~ Hope you have fun!

Thanks to everyone who read to the end

:3 ♡

and please I would be truly grateful for donations and commissions as it really help. You can distribute the image with the QR-code it can also help. Ty :)

[briar-ffxiv]

FFXIV Write #06 - Halcyon

FFXIV Write 2024 Master Post

Prompt #6 - Halcyon

Note: A story from Briar's past when he met a very unusual Viera as a small child.

The whispers called and Briar turned, green eyes wide and fascinated. The five-year-old half-Elezen giggled, leaning a bit to glimpse the faint voices that seemed to be beckoning him. Briar pouted, pushing his reddish curls out of his eyes and chewing his lower lip as he glanced at his mother. Saule was humming to herself as she scrubbed the laundry against the stones by the creek. His tall, beautiful Elezen mother was focused as she worked, not noticing her little one's growing interest in something beyond the trees.

Briar hesitated briefly, aware he wasn't supposed to run off. He'd often been told that he should stay where Maman could see him. Still, the tingle in the air and the gentle whispers urged him toward the trees. The child fidgeted for a minute before giving Saule a final glance and darting toward the trees.

He expected to hear his mother calling, but the only voice he heard was the sweet murmurs before him. As he entered the shadow of the trees, he gave a delighted giggle to see little glowing will-o-wisps. The small lights whirled around him before darting away, flashing behind the trees like a game. Briar laughed as he chased them, unaware he was getting further and further from home.

Time passed as Briar chased and danced with the little whispering spirits, going deeper and deeper into the Black Shroud. Eventually, he found himself near ancient ruins, once white but now covered with moss and vines. The half-Elezen gave a sound of wonder, still following the wisps that drew him closer. Oblivious to the dangers that still haunted Amdapor, Briar wandered, delighted in the new place.

He did finally stop when the wisps led him to a little clearing and the dark shape within it. It looked much like a man and Maman said he should be careful of strange men, but this one had long soft ears and a fluffy tail. He looked like a shadow until pale glowing eyes turned toward one of the wisps and a sharp, strange giggle filled the quiet.

"Oh? Oh? What did you find-- Ahh, I see." The strange man turned and glided toward Briar, who stayed in place, looking up at him with innocent confusion.

Briar twisted his hands nervously as the cloaked, shadowy man leaned over him, head tilted at an odd angle. "…Are you a bunny?" the child asked, voice hesitant but curious.

The Viera blinked and grinned, white teeth a sharp gleam against his ebony skin. "Of a kind." That odd giggle sounded again as the Viera straightened, tilting his head. He went so very still for a moment, so still that Briar felt a little twinge of nerves. Those long ears twitched and tilted and the look he gave Briar after made him squeak.

A quick step forward and the Viera leaned sharply, face almost level with the tiny half-Elezen. "Can you see them?"

"T-them?" Briar whispered, fingers gripping the hem of his shirt.

"Yes, yes, little one. Them." The Viera made an impatient gesture around them.

"…The lights?"

"Yes! Yes!" The Viera grinned, happier this time and giggled as he spun before freezing suddenly and looking over his shoulder. "I don't suppose you can hear them too?"

Briar blinked, lips twitching in a nervous smile, glad the stranger seemed happy but the interaction was unnerving. "Yes? N-not always a-all the words, but their voices… They said come play."

"How interesting," the Viera mused, twisting slowly to face Briar again. "What a special little creature you must be then." He squatted on his heels near the child again. "Where do you live, hmm?"

Briar blinked, puzzled but turned to point in the direction of the cottage he'd been born in. Maman had taught him long ago how to use the line of the mountains and the river to at least find the direction, although he couldn't have explained much more. "By the creek."

The Viera gave a hum, absently drawing little patterns on the soft ground with his fingers. "I see. I see. And what is your--" He paused, ears shooting up.

"Briar!" The child gasped as he heard his mother's voice, loud and distressed. "Briar, mon coeur, where are you?!"

The Viera stiffened and that strange smile showed again. "Is that you?" He hummed as the boy nodded, looking into the trees. "Well, best go to her, little briar rose," he giggled. "She sounds worried. Off with you."

Briar turned back, startled when he was alone. There were a few quick flashes of the wisps as they disappeared, but not a sign of the strange man with his long soft ears. Briar was still looking around when Saule appeared, distressed and panting.

"Briar!" the Elezen woman gasped, rushing toward him and scooping him into her arms to hug fiercely. "Sweetling, where have you been?"

"There was a bunny, Maman," he whispered, hugging her back and glancing over his shoulder again. "He was talking to me…"

"I'm sure, mon coeur," Saule murmured, shaking her head and looking around the clearing a moment, dismissing his words as a child's fancy. "but I have told you about wandering off."

"I know, Maman," Briar whispered, exhaustion heavy now that he was being held, and carried back toward his home. "But the lights wanted to play."

Saule bit her lip in a worried way, shaking her head. "I know, sweetling, but you shouldn't listen to those lights. You should listen to me."

"Yes, Maman. I'm sorry."

Saule sighed, patting his back as she walked rapidly. "It's all right, Briar. Just be more careful, please."

"Yes, Maman."

Arne (the mysterious Viera fellow) belongs to @midnightmagicks!

[triptrippy]

I love your art so much! If you don't mind me asking what's your process for designing characters/outfits?

i had to think about this for a while

when designing characters sometimes im just thinking of a concept ive been exposed to and want to expand in my mind, like with my dunmeshi ocs there were multiple Things in dungeon meshi i wanted to play around with.

dwarves having high tech ruins with trolleys? telephones? there must be Some innovation going on with dwarven society, what if i made someone interested in that innovation but theyre not a dwarf. elves have magic but instead of casting, this character leans toward that tinkering mentality and they brew magic potions and make explosives. Then, i know the noble dwarves in the story are drawn like Rennaissance lords but they have telephones, so maybe there could be a little bit of a steampunk vibe. And then being an elf, around dwarves, they probably get their gender confused more often, maybe they actually dont mind that much and its fun. maybe they work for the dwarven noble in the party? i think that was basically my thought process for fry. and then for his physical appearence, i started drawing an elf and i was focusing on that "likes to have fun" part and i gave him sort of that elven shagginess/laid back look, and messed around with the color pallett until i picked something i liked. he almost had bleach white hair reminiscent of a mad scientist but brown felt more grounded. and its pink at the root because its cute!

i feel like i wing it with outfits but i think i use the same logic. hes an alchemist and lives around nobility, so he has kind of a suit as if hes in academia. but hes cute, so it has a skirt and no jacket. he has a magical prosthetic that he controls with a puppet spell like milsiril uses to control her puppets. it doesnt heal when hes healed because he was born without the arm, and it also doesnt count towards the 1/13th of body missing that would ruin a ressurection since it was never there to begin with. SORRY I GOT INTO THE LORE ON YOU umm yeah and then his head is very warm toned so his outfit i chose warm tones as well. i put goggles and gloves because safety first proper PPE. and thats it! i pick outfits that make sense for what i know of the character, their class(monetarily) how practical i imagine they are, what they would dress for on a daily basis. either before or during the design process im thinking of the silouette and color chemistry as well, but that can change with an outfit.

awesome question thank u!

[lettheladylead]

Hi! I was looking through Magica De Spell’s Wikipedia page today and it says that Magica has a sister named the Wicked Witch of the West, who has children named Witch Child and Warlock. I couldn’t find any information of them online so I was wondering if you knew anything about them, if they exist at all.

If they don’t, do you think you could instead do a character post on Magica’s cousin Matilda? Your old family tree posts helped me a lot in understanding Duck lore.

Aw I'm glad those posts help!! I'm still down for making them 'cause it's a lot of fun for me to find old comics and do some research.

So before I talk about Witch Child, I wanna clarify some things that are relevant to the character.

This is another case where Americans can't stop themselves from taking "sister" and "aunt" literally. Aunt can be used to refer to any older woman in someone's life. Sister is frequently used in stories about witches (because a coven is like a sisterhood/sorority, it's a whole thing). Neither imply blood relation! Even "cousin" is often used to refer to friends/neighbors. Different cultures and languages treat words like that very differently than Americans do.

Witch Child, Warlock, & Witch of the West are all from a very specific time period of Brazilian duck comics where Magica and Madam Mim (from The Sword and the Stone) were living together/dating/???? and interacted with other Disney movie characters. In this specific timeline, the ducks live amongst regular humans which is very strange but you just gotta accept it. Magica also lives in Duckburg I think? It seems like she and Scrooge just run into each other randomly so I believe she and Mim have a house in Duckburg for whatever reason

"Witch Child" is not her name and I don't know why she's referred to like that on InDucks/other wikias. Her name in Brazil (where she was created) is Magali, in Italian she's Maghetta/Maghina/Streghella (inconsistent names in translations are very common), and in French she's Seraphine. None of her comics have an official English publication so again idk where "Witch Child" comes from! But I'll probably refer to her as Streghella for the remainder of this post 'cause it's easier that way.

OKAY now for details:

In Streghella's first comic, Magica gets a letter from a friend asking her and Madam Mim to babysit her friend's daughter. Streghella is whiny and rude and a troublemaker. She ruins a magical career opportunity for Magica and it's pretty funny

Then there's a whole bunch of comics where she just appears for no reason, making trouble. She's a surprisingly powerful witch but she just loves to piss everyone off, especially Mim.

Another important note about Streghella - she was only really drawn by two comic artists during the height of her appearances (in the 70s, pretty much). The above drawings were all done by an artist named Jim Fletcher. But she had a lot of appearances drawn by an artist named Glenn Schmitz, who drew her completely differently.

I don't know if I would've realized these were even the same character if it wasn't documented lol but y'know they didn't have the same resources in the 70s that we have now so they did what they could.

Anyway, from what I can tell her personality stayed mostly in tact through most of these comics. Whiny, stuck-up, nosy, but also very funny and magically powerful. She would occasionally interact with Scrooge or HDL but mostly her appearances were in Magica and Mim comics.

Oh there's one comic where she looks like this for some reason?

BUT THEN what's interesting is Streghella making a few appearances years after her comics all came out. First there was one comic in 1995, then twice in 2011 and once more in 2016. There's also apparently a 2020 appearance but I couldn't get my hands on it :(

In her 1995 appearance she looks really cute but her personality is, well. Personality-wise she's completely unrecognizable. Now Magica makes comments about Streghella always trying to be good and getting in trouble for being good all the time.

(Ignore the bad english translation I was just popping pages into google translate lol)

She's still a troublemaker in the sense that she tries to trick Magica and Mim into consuming a potion that will make them good, kind people. But then the comic ends with Magica doing something nice by choice and it's cute but yeah the character is nothing like her original self.

Her first 2011 comic is where she...wants to go to a Jonas Brothers concert and chats with April May & June online to try and make it happen. Something like that. It follows along with "Streghella is too kind and Magica tries to teach her to be evil" from the '95 comic, but for some reason the colorist made Streghella a brunette. Idk! They also forgot her iconic hat!

Next 2011 comic has Huey Dewey and Louie accidentally traveling to a magic academy. It's very Harry Potter-y? I guess? Streghella is friendly and does some magic. You can tell it's her 'cause of the pigtails and bows. But still no hat :(

In her 2016 appearance, she's been reading April May and June's blog and wants to help them with some problem. Magica is like no be mean and Streghella's like no I want to help! You get it.

This comic is pretty fun. Magica turns herself into Grandma Duck and puts a truth potion into some cake Streghella bakes for the Duck Family and gets a bunch of secrets out of them.

There's also a joke at the end where Daisy accidentally reveals Brigitta's age to everyone (we don't get to see it) but according to this comic, Brigitta is much older than she looks lol Not that we didn't already know that.

Anyway so that's all there is to know about Witch Child/Streghella. She's cute!

Warlock time!

Warlock is Streghella's brother. He's only in four comics total and they're mostly very early comics - his real name is just whatever Streghella's name was at the time but with an -o at the end. If she's Maghetta, he's Maghetto. If she's Maghina, he's Maghino. You get it. He'd probably be Streghello if he had a named appearance more recently.

His personality is not very distinct from Streghella's. He's also magical and a troublemaker. In his first comic he arrives in the mail, in a, like...little jail cell? Crate? Idk? And then Magica and Mim eventually box both kids up into the crate and ship them away.

(Yes that's supposed to be him, apparently.)

He appears in the magic school comic as well...

And that's it! There's not really anything else to know about him.

Last but not least...the Witch of the West! Actually, that's a lie. Least. She appears just the one time. And I'm gonna be honest. I don't think she's the biological mother of these bird children.

'Cause yeah she's a human witch. Idk if she's from another Disney property or if she's supposed to be the witch from the Wizard of Oz. Idk man. But Streghella calls her "mama" and she refers to Streghella as her daughter so I'll take those ones literally.

There's nothing much to say about her - she doesn't have a name and all she does is drop her kid off with Magica and then reappear when Mim and Magica threaten to lock Streghella inside a bottle.

NOW if you're wondering...how do these characters connect to the previously known characters that are related to Magica De Spell?

They do not! The fact that Streghella has made a few recent appearances means you can decide how you want her to fit in, but trying to blend these different canons will not be seamless. You just gotta take what you like. Streghella frequently refers to herself as Magica's apprentice so you can always take that route, too.

Aaaaaaaaaand since you asked, I'm happy to talk about Matilda! God there are too many Matildas in duck comics. I have never met a woman named Matilda in my life. It's fine.

Matilda De Spell (not an official name but I call her that anyway) - Magica's teenage cousin! Is she actually, biologically, Magica's cousin? Probably not. But it's fiiiiiiine.

I did actually scanlate all three comics that Matilda appears in, so you can read them if you'd like:

There's not really anything to know about her outside of these comics. She's tomboyish, spunky, fun. Really looks up to Magica. I think their dynamic is fun and I always like to see more teen characters lol I think I've portrayed Matilda as Amelia De Spell's younger sister but that's definitely not canon, just me trying to stick the blondes together.

Anyway sorry this ended up being such a long response. I haven't had the opportunity to research random duck characters in a while. I hope this has the answers you wanted :)

[shewolfofvilnius]

There is a huge part of me that is curious about dragon age because I love BG3 so much. But idk anything about it? Also none of the characters strike me as interesting (or attractive....) Maybe you could tell me what you like so much about ? maybe talk about the characters so I can give it a chance? I want to like it! but I just don't know!

I DIDN'T FORGET

So for me the first draw of Dragon Age is the incredible lore and worldbuilding that goes on in the games and books. It's arguably just as fleshed out as a setting like the Forgotten Realms despite just being three (soon four) video games and about a dozen books/comics. There's centuries of history. Ancient ruins. Environmental storytelling for days. A little visual cue in the first game that's referenced in optional banter in the third that pays off in the fourth (FIFTEEN years apart). I really appreciate that the first game, Dragon Age: Origins, only exposes you to part of the story. The game's set in a pestilence known as the Fifth Blight, and you're the plucky young adventurer that the grizzled old veteran manages to recruit out of a bad situation just before the end. And you and your friends are all that stand between victory and oblivion. But right off the bat there's storytelling about love and loss and prejudice and honor. There's a noble character who dies, leading to a coward being killed as the stakes are built. (There's also a dog you can pet, and moments to show kindness during armageddon, like a prisoner who just wants a sandwich before he dies, he hasn't been fed.)

And the banter is funny (if some of it's aged a bit unwell), and the gameplay really encourages you to get in the head of whatever character you want to build. Yes you can be the cliche prince charming. You can also be the sibling of a prostitute to pay the bills until your sister lands a high profile john who catches feels for her. From the start it's equal measures hopeful and bleak at the same time. (And as you invest in YOUR character emotionally, you inevitably emotionally invest in your companions too.) And gradually the world gets bigger. A character whose town you watch get destroyed becomes the protagonist of the second game, and they hook you in to. They're a refugee, a very timely story, and if they're a magic user, then they're an especially persecuted refugee. But you still make friends amidst the hopelessness. More of the world gets revealed. You have FUN, somehow. Characters from past games recur, either as cameos or in one very specific case as a high profile recurring character in 3 out of the 4. And you become so glad to see them as they represent continuity of story.

It's a game about family and faith and the lack thereof and prejudice and love and how one counters the other, about how persecuted people often pay the price of things that happened before their ancestors' ancestors were born, and that tomorrow should always be better than today.

That's thematic, though. Maybe you take a shine to Isabela the Pirate and Aveline the Guard Captain (maybe Merrill the blood mage elf, too). The three women basically form one of the best depictions of big/middle/little sister trios I've ever seen in a game. What starts out as cold hostility becomes banterful compassion and love. A lot of folks fell for Solas, an elven apostate whose every word is couched in three mysteries and two half-truths but seems to know way more than he's letting on. When you find out a horrible secret about the honourable Grey Warden Blackwall, do you leave him to his fate, try to redeem him, deliver a sufficient consequence, or outright torture him.

And you won't like everyone. The odds of you liking both the spirit-possessed mage Anders and the anti-magic elf Fenris in the same play of the same game are low unless you metagame it. And sometimes the games even rewards you for someone hating your ass or vice versa, and THAT'S organic. But being mean or having a negative interaction isn't some edgelord thing either, it's just "sometimes people don't get along" or "something you just need to punch someone"

You get to laugh at the tough stern warrior Cassandra getting absolutely beside herself wanting to know what happens in a book that it's writer, another of your companions, hated writing - and that even Cass herself calls smutty literature. Another character, The Iron Bull, is faced with a choice: His found family and the freedom to be who he's become, or the belief system he's known his entire life and that expects him to conform.

Does your character sacrifice? Does your character make the streets run red with blood? Is all you want to make people feel inspired and in something bigger than themselves? Even playing three (soon four) wholly new characters, you get to truly role-play and emotionally invest in these little blorbos, maybe even more strongly in Baldur's Gate. When a character returns you weren't expecting, is it joyful or melancholy? Can your character handle a confrontation of everything they've ever known.

And in the newest game, there's a baby griffon.

I love Dragon Age. The lore is expansive beyond sanity for a franchise with it's commercial output. The characters feel alive, and the game tasks you to emotionally invest in order to reap the maximum reward and suffer the strongest heartache. Plus, in many cases, when the game doesn't tell you, say about your character? You get to roleplay and use your imagination so, so strongly.

[arikihalloween]

Wakfu art dump because yes

This post is gonna be super long because I will ramble IN DEPTH today

So huh if you like my rambling or my art just read ig, otherwise scroll away idk what to tell ya

Showing some of my art and ramble because wakfu is part of my current big 3 hyperfixations ( along with WH and Trolls )

So huh enjoy my growing insanity ( I compiled it in one post to not annoy people too much :')

Presenting my oc Sharm !

An (very pink) Eliotrope

She's based on my in game character but I kinda gave her lore and a story so

⭐INFODUMP about Wakfu in general ! ⭐

Basic infos for those who don't know anything about Wakfu :

Wakfu is a french animated serie made by the studio Ankama, who also made several mmorpg games ( and way more, like the amount of content and lore is crazy)

Most of the stories will take place on the World of Twelves, populated by 12 main races (with many variation)

And there is a 13th "main race", the Eliatropes, which is the race of the main character of the anime, Yugo

Eliotropes ( with a o instead of a) are a subrace of the Eliatropes ( lore is explained in the serie but I don't wanna spoil, so to boil it down, Eliotropes are unstable pale copies of eliatropes) [ they are playable in the game wakfu]

So, what about Sharm ? Well she was born a pretty regular Eliotrope. She had two "brothers", Chance and Vitali, who unfortunately ended up fading away with time ( mechanically, when an Eliotrope die, his/her essence will go to the nearest Eliotrope to allow them to live longer)

So Sharm was left alone for very long, and stayed in Eliatropes ruins she found. Those were overgrown by stasis ( type of crystals, very bad, generally associated with corruption and destruction)

However, the essence she got from her siblings passing could only last so long

One day, in a desperate attempt to not die, Sharm took stasis and...ate it. Chewed on the mf crystals, and surprisingly, an interesting reaction occured : it stabilised her essence. It also made her basically frozen in development, Sharm cannot grow anymore and her power levels are quite limited in quantity, unless she uses stasis.

So my girl went through the ages, she kept on researching on the remnant of the eliatrope race ( wiped out aside from a few) and became sort of an archeologist

Nowadays, Sharm travels from a country/city to an other, often with mercenaries she hires as bodyguards . The other two ocs in this sketch page are the said mercenaries

And the cat is called Noiraude !

Sharm needs protection because she is stupidly useless in combat

⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐

And also I have fanarts of Nora !

And also, it's time for the gremlin mode

The worst of the ramble

I kinda just need to scream for a moment

Beware, big spoilers for the serie ahead ! Stop now and go watch Wakfu !! It's all on Netflix ( season 1, season 2, then the 3 oav, THEN season 3 and you will be ready for season 4 :D)

So, this character is Nora (second drawing is a headcanon version of her)

Who is Nora ? She is the sixth eliatrope of the Council ( Eliatropes are rules by the six first borns of the race who can reincarnate along with their dragon twin)

Nora appeared for the first time in a flashback the episode "Quilbi" in season 2

In 2011

And back then she was in a flashback, so presumed dead from the war that wiped out the Eliatropes

BUT

Lately, as clips and trailers of season 4 of Wakfu has been released

It's confirmed that Nora is there

She's alive

She's in season 4

*grabs u*

2011

She has been my favorite character of Wakfu since her one and only appearance, alright ?

And now

12-13 years later

She is real

SHE IS REAL AND ALIVE IN THE SERIE

*maniacal laughter*

I will not shut up about it

Prepare for the fanarts

*retreats to the shadows*

[meanbossart]

I just read that part in ANE where Astarion declares he will no longer bite Drow and drink his blood. And Drow fails a perception check to figure out what's at the root of it. Which was a Good and very Game-like experience. But now I'm dying of curiosity! Will this be clarified/explained later on? Or... is it something very obvious, only I'm as dense as Drow?

HEHEHEHEH oooo I'm very flattered by your interest B)d there will always be times like these where Drow fails the so-called"Insight check" and frankly, unless cleared up shortly after it is often the intention that the reader stays in the dark with him. I feel like a character like DU drow can be easy to side against? We all got people in our lives that are so imperceptive or so deep in self denial that it can seem like it's on purpose, or malignant - In his case, it is most not, and as frustrating as it might be at times, that IS the place I want you to be in right alongside him.

Regarding that scene in particular - there are a number of reasons you can deduce from the events of the story up until that point (three specifically, if you'd like a pointer). I don't think I'll ever spell them out exactly - which one(s) you want to assume motivated Astarion's choice is very dependent on how you're reading him - and he's a difficult read. If you aren't sure, just imagine what DU drow goes through lol.

So yeah my point is, I encourage you to draw your own conclusions! The mind games are intentional, I would hate to ruin them.

[alexbrunn]

I forgot to show you guys some more of my headcanons for looks. I only have Marcoh and Pav. But maybe if you're interested I'll do the others later.

But on the other hand, my body pictures are pretty clear and easy to see🤔🤔🤔

Pav is very handsome man. He seems designed to seduce everyone around him, but few can get past his obnoxious flirting and frank words. Pav has a sharp, sophisticated, almost smarmy appearance, despite his life. He is a few years older than Marcoh, however, he looks much more youthful, as if he is the youngest in the couple, with only fine lines around his eyes and nasolabial folds. He is very proud of his face, he tries not to let anyone take advantage of this beauty, and whoever damages it will be honored with a cruel death, and the Bremen lieutenant certainly knows what cruelty is. He has a sharp long nose, which does not spoil him in the least, but emphasizes his sarcastic character when you learn about not. If Marcoh has long eyelashes, Pav has incredible eyelashes to flap languidly when flirting. But his eyebrows are thin, sharp, and almost very often drawn down to the bridge of his nose. A smirk almost never leaves his face, and he often bites his thin lower lip when flirting. He has a cold and destructive look gray eyes it is he ruins the whole image of a romantic prince. With this look he rants to devour and sizzle, he is full of hatred, even when the situation is more than positive and he is doing well. He became a long time ago, it's all the consequences of his trauma and pain. Even though Marcoh is sometimes afraid to look Pav in the eye, he still does his best to make sure Pav doesn't feel pain, at least for a while around him.

What about Marcoh... In drawing him, I wanted to distance him as much as possible from the image of Jotaro that he was drawn from. After all, they are two different characters (and they don't look much alike, excluding the coldness and fighting with his fists). His appearance was based more on the sprite while fighting him. He's rather unassuming, and it's hardly a stretch to say he'd make the covers of fashion magazines cry for him. Despite living in one of the major cities in the Vatican, he looks more like a villager. He has a generally broader, more massive face, and his cheekbones, though still present, are less pronounced. His nose was broken several times in battle, so it now has a slight hump and drooping tip. Although he is only 31 years old, it is worth considering that people used to grow up earlier, plus Marcoh has been under a lot of stress in his life, which has also affected the wrinkles around his eyes and just below between his eye and nose. Perhaps the constant banging on the face was also an important factor. He has a wide chin and plump lips with a scar in the corner. Thick thick eyebrows and long eyelashes, as he has a lot of body hair in general. Marcoh expresses his emotions very badly and it's hard to see him smiling or crying, his face almost doesn't change from emotion to emotion, which makes him seem rude and angry, and with such dimensions the image becomes really frightening. But in his bright emerald eyes like a thick forest you can always see his sincere feelings. They shine in a special way when Marcoh is happy or when he is crazy about what is in front of him, with this look he looks at small creatures like frogs, mice, insects. However, when it comes to human interaction, he immediately tries to hide his gaze. Pav is terribly annoyed by this, because he wants to be looked at with admiration at all times, not looked away.

[crowdusk]

One Piece Chapter 1132: Adventure in Elbaph (thoughts & predictions for the arc)

Part 2 here.

[These are the feverish autism-fuelled thoughts I wrote out after reading chapter 1132 because I was overtaken by the urge to connect some dots (I did edit a bit to hopefully be more coherent). I didn't engage with any other reviews or theories on Elbaph apart from quite general ones before reading this, so it'll be cool to see if other people have similar ones. Wasn't sure whether to post this but I wanted to put it somewhere before chapter 1133 came out and next week's break so it doesn't just sit on my laptop for me to forget about, and more importantly so I can refer back to it and see if anything I said was even vaguely correct. It's a monster and I don't have time to do a proper editing process so please kindly look away from any mistakes and poor structuring. One of the really fun aspects of serialised storytelling for me is theorising and analysis, even if it makes a fool of me more often than not. I'm not expecting to be right but it's fun when that happens!]

This also ended up being, uh, Very Long. There is a chapter review part with some thoughts on the arc, and then there are thematic sections where I got more into detail about what I think Elbaph will explore. This whole thing will be split into multiple posts because of Tumblr's limit, but there will be links to the different sections/posts. Ok, end of intro.

Overall thoughts on the chapter

Firstly, this chapter was so fun. It had all the familiar thrill and excitement of a new island and adventure, with some wonderful panels (rainbow-sailing, Bonney and Robin, the Elbaph village). We had ‘Adventure in the Land of Mystery’, and the suspense was interesting, but I’m sure I wasn’t the only one extremely confused (especially because of the mistakes). From what I saw the whole fandom was essentially the when ur whole crew doesn’t know a damn thing meme. But I’m glad Oda had his fun with the fake introduction to Elbaph, which also helped set up Luffy meeting Loki and the delay in receiving Vivi’s message amongst other things. 

1132 really feels like quintessential early One Piece where we’re off to a running start now that we’re finally sure we’re where we want to be. Love to see the Strawhats get somewhere, play around, and immediately cause chaos. It’s somehow packed with new information and fast-paced, while feeling like we get a bit of a breather from plot-intensity after Egghead. 

I’m also, of course, incredibly happy we’re finally getting to see Elbaph in all its much-anticipated glory. The natural features of the island – especially the landscape, the scale, elements like the rainbows and the giant tree as a living support–  make it feel extra fantastical and wondrous beyond what I, at least, had imagined. Hats off to Oda and especially his assistants for the gorgeous Rivendell-Zelda-Skyrim vibes in the village introduction spread. I love a fantasy-style nature-based environment, and I don’t think we’ve had that in a while. Wano and Egghead had some incredible settings too, of course, but the story felt a lot more people-centric once they got to the islands. Here, the landscape really becomes a character of its own in the same way it did in say, Zou (quite literally). In fact, Yggdrasil is both alive and ancient, just like Zunesha. I’m looking forward to seeing how that feeds into the story. 

I'm also very glad that Oda is leaning into that and giving us those wide-angle shots. He doesn’t always get perspective and scale exactly right, but I personally don’t mind – the man knows how to draw an impactful double-spread. I can’t un-know the fact that the Sunny is supposed to be more than twice the height of Goldberg, who’s carrying it, but it doesn’t ruin anything for me. I’m used to Oda just doing shit like that because he wants/needs the Sunny to be carried around like a toy. It would be such a shame if we got to Elbaph and we only got smaller views or workarounds in order to avoid the challenges of scale and perspective. 

On top of that, one of my favourite parts of the One Piece experience is finally having puzzle pieces and references fall into place after arcs and years – like the architecture and landscape we recognise from Big Mom’s flashback. We've been waiting for this for over 20 years! More than 1000 chapters! I love this manga. I love it here. The sequence of the rainbow bridge leading into finally getting to see the village was lovely, and as a huge Skypiea lover, I am having a great time. Seeing our experience reflected in Luffy and especially Usopp’s reactions was also beautifully moving. I’m glad they were highlighted and we had the flashback to Little Garden to really drive it home.  

On the plot side,  we’re slowly building a picture of the variation in how different giants feel about humans. We have Gerd and Rodo, who both have strong feelings in completely opposing ways. Where Gerd infantilises humans in her fascination with them, Loki and Rodo clearly seem to think they are inferior. It remains to be seen what other perspectives exist in Elbaph. Is there real resentment or hatred from those like Loki and Rodo, or do they generally just think giants are superior due to their strength and size? Regardless, it feels like Oda is slowly setting us up to understand that there are different groups of giants with different beliefs even within Elbaph (we already know Saul is not from there and considers them ‘barbarians’). Just as in any society there are surely faultlines and disagreements, and their relationship to humans – and maybe even the world at large – might very well be a point of tension within the kingdom. 

Speaking of points of tension, it’s obviously very ominous that Luffy has made a promise to Loki, particularly since we don’t know the specifics of it. Oda has cleverly given us only a glimpse of the very end of that conversation in relation to Luffy’s famous difficulty with lying and we’ll see how long he decides to tease us with it. He could definitely give us that information in dribs and drabs to keep us guessing, but I also think most of us are probably right in guessing that Luffy promised to free Loki, even if we don’t know if he wanted anything in return. Honestly, the first time we even saw Loki in chains I thought oh Luffy’s 100% going to free that man, and I know I’m not the only one. 

Regardless of exactly how and when we see that conversation, I imagine we'll see Luffy’s actions start to confirm and clarify our suspicions. For example, if he did agree to free Loki and needs to retrieve the key, then he might well start making moves to do that soon (although after the feast, of course – nothing comes before a metric ton of meat). I also think it will be very interesting – and comical – to see Luffy try and execute a stealth operation, because as we’ve seen time and time again, that is the opposite of his forte. He’s bad at lying, he’s bad at keeping secrets, and he’s bad at doing things with subtlety. So I’m looking forward to seeing how Luffy deals with that – whether he manages to keep it a secret from everyone or if, as I suspect, he ropes in at least one of the other Strawhats, even if by accident. Take your guesses! There’s a whole range of options ranging from experts (Nami, Robin, Brook) to the sneak mission equivalent of throwing a grenade onto a presidential lawn (...Zoro).

My more specific pet theory when it comes to Luffy’s meeting with Loki is that I would not be surprised if in one of the upcoming chapters up we get a sort of split screen set up with Hajrudin or an equivalent giant on one side, explaining more about Loki’s deeds and why they imprisoned him, and the flashback to Luffy’s conversation with him on the other. We know from DorryBrogy (yes I’m using that now) that Hajrudin wanted to come and retrieve the Strawhats from Egghead himself, but ultimately couldn’t because of “some (Loki-related) trouble back on Elbaph”. It would make sense to me if Hajrudin explains in more detail what happened that prevented him from sailing to Egghead, and tells us more about Loki himself. At the same time that Hajrudin is talking about the terrible things Loki has done, we get the penny-drop of Luffy flashing back to his agreement to free said evil man. 

It’s a perfect storytelling device in this medium, especially when it comes to revealing important (and in this case stomach-dropping) information to us as omniscient readers. We saw something slightly similar most recently during Vegapunk’s speech, which Oda used to clearly signpoint us to characters and their links to mentions of important information in the speech, (e.g. showing Shirahoshi, Vivi and Momo when talking about the ancient weapons). Of course that was very different in tone and intention compared to what the Loki reveal I’m hypothesising would be like, but I’m mainly just trying to highlight the use of the manga medium and how it lends itself to this kind of layering. I’m sure Oda’s done something much closer to what I’m thinking of before, but in all honesty I can’t recall an example right now. Regardless, I could be completely off the mark (I am just a little jester honestly), but we know Oda loves his dramatic reveals and drumbeats so I’m willing to put this out there. 

I am also particularly interested to see how Luffy will react to the information about Loki. Will he dislike Loki but still go through with it? Will he disagree with Hajrudin and the other giants? Will it change nothing for him? I think Luffy won’t go back on his promise no matter what information is revealed, but knowing Luffy, he also might just not really pay attention or care what Loki’s done. It will mainly be for us as readers, and the rest of the Strawhats, to decide how we feel about it. We know that Elbaph has very strong values and rules, especially surrounding their warrior culture – ones like honour, strength, and probably truth/honesty. I’m waiting to see whether what Loki’s done is considered bad specifically within Elbaph culture, or whether they’re just terrible in general. This is why in my opinion Loki won’t be A Classic Villain, because I don’t think the central conflict in Elbaph will be as simple as just Loki vs the rest of the giants and Strawhats. There’s too much ambiguity present.

Plus, we haven’t seen Luffy’s instinct about people go wrong yet. The first time he met Blackbeard they immediately started fighting, even if it was about something as stupid as food preferences. He hated Doflamingo the minute he met him. Even Buggy couldn’t actually betray him, despite wanting to. If Luffy generally trusts someone, we know that means they’re trustworthy or at least even if not at the beginning, he wins them over or is able to deal with the untrustworthiness in a way that makes it irrelevant. 

Of course, Loki could prove the exception to the rule, but we know that part of Luffy’s strength is understanding and seeing through people. It would take a lot for Loki to fully trick or betray him, since Luffy just does what he wants and deals with the consequences as they arise. He’ll be more than happy to fight Loki if he threatens something/someone he cares about. To be clear, I’m not saying Loki is a threat at all – I do think his desire to “destroy the world” means mass violence, but Luffy doesn’t tend to care about larger villainous plans until they directly affect his loved ones. He’s also the first ‘evil’ character so far who’s been shown to have very obvious parallels and similarities with Luffy, so even if he is an antagonist, I expect it to be in a way we haven’t seen before (more on that later). 

Another possibility is that Loki and certain other giants have a strong dislike of humans, and therefore want them off the island as quickly as possible. This would also align with Louis Arnot’s warning about not overstaying your welcome. I imagine not everyone on Elbaph is inclined to be friendly to humans, and there might even be other people (other kinds of giants, or non-giants) living on the island. It feels like Oda has strongly emphasised that Warland is only a kingdom on the island of Elbaph, implying that there might be other groups of people – or even countries – sharing the land mass (perhaps on the Astral level?). To me, it feels like Elbaph is holding some kind of secret that makes it particularly dangerous. Maybe, like in Skypiea, there is a forbidden area in Elbaph that is off-limits to people (prime candidate being the Astral/Celestial realm) whether to maintain that secret or perhaps for spiritual reasons. Trespassing could incur serious danger or punishment, and we can probably predict exactly what will happen if a certain captain hears about it. 

And there are other ways I think Elbaph will parallel Skypiea. The Strawhats first connected with the Skypieans (Conis and her father) and were quickly thrown into conflict with both Enel and his forces (including the White Berets) as well as the Shandians who weren’t too happy about outsiders. They had to work with the different groups against Enel, and as part of that, prove to the Shandians that they were trustworthy. The Shandians, who had the crucial connection to the Ancient Kingdom and the poneglyph. We might see a similar situation in Elbaph where the Strawhats have to prove to a group of people (maybe outsiders to Elbaph’s society, maybe those who distrust humans) that they are trustworthy so that they can all unite to fight against a bigger foe like the World Government. It remains to be seen who that might be, but this would also be an opportunity for Oda to give the Strawhats even more people, groups and allies who believe in Luffy’s power. 

Additionally, both Skypiea and Alabasta were countries in the midst of internal conflict – specifically over natural resources – when the Strawhats arrived, and in both of those cases the actions of the crew helped end the wars. Elbaph might be similar. In both of those arcs the conflicts had roots in the secrets of the Void Century, be it because the Shandians were protecting their ancestral lands and the poneglyph after being persecuted by the World Government, or Crocodile’s desire to gain control of Pluton. The giants of Elbaph seem to be one of the only groups of people who have maintained a consistent sun god worship, probably not for lack of the World Government trying to wipe it out (their strength will certainly have served them in that regard). On top of that, I’m sure there’s other crucial information, not just from the Ohara library, that the giants have managed to protect regarding ancient history. If we think about their lifespans, the Void Century was only a few generations back for them, so there may be important oral histories that have been passed down from elders. It’s clear that this is a culture with strong links to the secrets of the past, like the Shandians and the royal family of Alabasta. Though the wars in those countries were exacerbated by many other factors, I wouldn’t be surprised if we see something similar in Elbaph – some tension that relates to events further back in history, and maybe even the Void Century.

Loki, Luffy, and the power of myth

My current theory on Loki is that he believes he is the new Joyboy, and/or an incarnation of Nika/the sun god from Elbaph’s myths (in the same way that King believed Kaido to be Joyboy). We don’t know yet whether Elbaph is polytheistic – Nika/the sun god might just be one of their deities – but if we use Rodo’s weird RPG cage world as a reference, he did create a bunch of different minor ‘gods’. Elbaph itself might have a similar system, with the Sun God being the most important deity. Regardless, we know that Nika is important in their culture, given Dorry and Brogy’s immediate recognition of Luffy in Gear 5 and the celebration of the Winter Solstice as the return of the sun in Big Mom’s flashback. We’ve also seen the painters being called sunstones, which is reminiscent of Vegapunk’s pursuit of solar technology and the Motherflame, and the giants live on the Sun level of Yggdrasil. On top of that, the Underworld – where people are sent for punishment – is specifically noted to lack sunlight. We already know that the sun in One Piece’s world is associated with Nika (liberation, joy), but in terms of general symbolism the sun is also linked to clarity, truth and perception. 

This is why I think questions of faith, belief and truth will be so important to answering what makes Elbaph’s giants such mighty warriors, what kind of devotion do they have, and how do their beliefs and worship link to collective liberation in the One Piece world, both historically and in the present? 

Oda is also going to get meta in this arc, I believe (even more obviously than he already does). I'll get into this more later, but the Lego kidnapping introduction already served to set up important questions. What is reality, and what is fantasy/illusion? Whose world are we in? Who are the storytellers and what are the different ways stories are lived and told? What is their nature, function and importance? There are going to be many layers in this arc and it's narration, encompassing past present and future, and I think Oda will play with form to achieve this (off the top of my head - the adventurer's log voice of Louis Arnot, to flashbacks, to legends told by the giants, to reading the texts of Ohara...). Contradictory stories, multiple perspectives on one narrative, and different but coexisting truths might well all come into play as important.

Speaking of one type of story, myths and legends are the vessels of belief, and it’s likely the Elbaph culture includes and centres many related to Nika and Joyboy. In fact, this was already mentioned by DorryBrogy (“they tell tales about this god in Elbaph”). I don’t think we’ve had direct confirmation yet, but I’m sure the giants had a connection to the Ancient Kingdom and may very well have preserved information from the Void Century by virtue of their fighting strength, passing stories down across generations, despite the World Government’s best efforts. I also think those stories handed down from the Void Century (maybe even from the first Joyboy, or Roger) may have included some kind of prophecy that Joyboy/the Sun God will destroy the world when he returns (similar to Madam Shyarly’s prophecy about Luffy destroying Fishman Island). If that’s the case, Loki could very well think he’s the chosen one to do so. 

Of course, we know that the final war will likely involve some form of physical destruction (Fishman Island amongst other things) – and there are many theories around that – but to me, the idea is most importantly metaphorical. The world as it is needs to drastically, fundamentally change (including materially), which requires the destruction of things as they are so that the dawn can arrive. Loki’s interpretation, in contrast, could very well be a literal and narrower one involving setting everything on fire Ragnarok-style, hence the other giants imprisoning him to stop him. The way they’ve referred to him as having “a few screws loose” also suggests they think he’s mad or maybe delusional, which makes sense if he’s claiming to be an incarnation of their sun god. His belief may in fact be so pure that it is extreme. As Oda is making clear over and over, you cannot choose to be a god – myths and gods are made by people’s collective belief. I don’t think we’ll ever see Luffy declaring himself to be Nika or even Joyboy for that very reason. 

Luffy is god-like sometimes, but he isn’t one (“Luffy’s not a god, he’s just an idiot!”) nor would he want to be treated as one. Luffy doesn’t even know he’s the new Joyboy, or who Nika is, and what his Gear 5 powers are. If the giants try to project any kind of divine responsibility or title onto him, Luffy will absolutely not care – he refuses to be anything other than himself in all his freedom. However, he does have a great amount of care for friends and is willing to go to any lengths to help them, so we’ll have to see which characters act as those anchors for his desire to fight during this arc. 

I think we’ll see a lot of complex and interweaving traits with Luffy and Loki, as characters who have many similarities but also fundamental differences. Luffy pretty much can't lie, whereas I'm guessing Loki is pretty good at it. Luffy is selfish in his words but his actions help the collective, whereas I could see Loki causing widespread harm but claiming selflessness and doing collective good (e.g. cleansing the world via Ragnarok). Loki claims his godhood fully, demanding respect and imposing obedience, believing fully that he is fit to command others. Luffy doesn’t demand faith, he inspires it.

Indeed, Oda has clearly set up Loki to parallel Luffy in the past few chapters. They had very similar childhoods where they spent a lot of time alone in the wilderness and befriended beasts – in Loki’s case, in the frozen outcast space of Elbaph. This is particularly interesting given he’s a prince – we have to wonder why. Like Luffy, he seems to have humorous and silly traits like getting people’s names wrong, which is an exact copy of what Luffy does. He also has an older brother in Hajrudin, like Luffy with Ace and Sabo, although we don’t know the nature of his relationship with Hajrudin. Were they close growing up and then there was conflict later because of Loki’s actions? Were they always at odds? I wouldn’t be surprised if Loki’s strength wasn’t in his physicality but more so in his cunning and intelligence, which might not have been celebrated or seen favourably as what was expected of an Elbaph prince, in contrast to Hajrudin better fitting the mold. This theory is mostly based on Norse mythology, where both the god Loki and the jötnar Utgarda-Loki are associated with trickery and illusions. It would also mean Loki flaunts the rules of Elbaph warrior culture, making use of strategy, intelligence, language and mischief to win his battles. If Loki was seen as strange or not quite fitting into society and expectations, he may have just chosen to isolate himself and spend time in the Underworld with his animal friends. Alternatively, maybe he was sent down there by his father to get stronger, in the same way Garp threw Luffy into the jungle. 

With all that said, I’m particularly interested to see what his devil fruit is – initially I thought it could be a mythological zoan, which I believe is still very possible, but I could also see it being related to these themes of magic and illusion. The one thing I’m unsure of in this regard is Loki referring to himself as the strongest in Elbaph. Is it because of his devil fruit? Does he mean something different to strength in combat? Was he just lying? That remains to be seen. 

We also don't know what Loki did yet, but I think a lot of the themes of this arc are going to be about the values of Elbaph and how different people come up against them. I’m particularly interested in our dear captain Luffy, of course, and how he relates to those rules, because Luffy’s whole character is about pure freedom regardless of what’s happening around him. The only form of bond that Luffy accepts is those of love, friendship and connection with people (often conveyed through food, as we know). Of course, it could be that Luffy doesn’t particularly come up against Elbaph’s rules (we didn’t really see him in tension with the samurai code in Wano) but I have a feeling that the challenges of this arc will be a complex set of tensions – buried information, the overarching evil of the World Government, the consequences of history, the values of a war-based society, and how those have shaped the people of the island they’re on. 

Even Luffy’s embodiment of something Nika-like in Gear 5 goes against stereotypical expectations of a ‘warrior’. He is a warrior, but the epithet isn’t complete without the liberation aspect. He doesn’t follow any rules but his own when he fights – in his freest form he can literally bend the rules of space and material (maybe even time). He is so strong not just because he can smash things, but because he is completely unpredictable, silly and joyful – only limited by his own imagination. I also think it will be really interesting to see what Elbaph’s version of Nika is like, because people and societies shape gods, and they can evolve over time. It would be fascinating if Elbaph’s version of Nika is more of a stereotypical kind of war(rior) god. We’ve had mentions of their warrior god before, with the belief that the winner of a duel is the one chosen by that deity, so fighting itself – and the glory of victory – is clearly sacred to them. It may well be that their warrior god is a separate being to Nika, but I wouldn’t be surprised if it turns out to be a version of Nika that has been shaped by their society’s dominant values. And maybe that is also the version that Loki thinks he is or has warped to fit his desire for violence and destruction.

Part 2 here (ft. strength???, summoning a princess, gay technology and shadow the hedgehog)