#I don’t know how many more examples i can reblog of people saying just the stupidest shit about a.i. while frothing at the mouth about it

[tinkerbitch69]

“Nothing can ever compare to genocide” says tumblr user after comparing totally unrelated and drastically more innocuous thing to genocide.

"uh yeah im being racist to on purpose" is an insane thing to admit openly like yall are wild at this point lmfao

[lilislegacy]

Okay, I’ve been thinking about something lately

All the time I see people make statements about Percy that start with “Percy would never…”

Some examples I’ve seen: “percy would never kill someone/something in front of his mom” “percy would never yell at someone he loves” “percy would never get drunk” “percy would never let his child go to camp-half blood”

Now if you passionately believe one of those, hear me out. I’m not necessarily saying I disagree!

I’m saying… who would have ever thought Percy would torture a goddess and choke her on her own poison? And…. enjoy doing it? If someone had said that on tumblr pre-HoH, every single comment and reblog would have been “PERCY WOULD NEVER!!” I mean, who would have thought Percy would do a million things he’s done? He’s done some very not so ‘silly little guy’ stuff. He is an extremely complex character. In his own head and to some people, he’s sweet and fun and silly, but to many people he’s reckless and scary and dangerous. Some people see him as someone who’s very gentle and relaxed, but some people see him as someone who’s quick to get very angry and cause destruction. And the truth is, he’s all of it. It depends on his mood. Consistency does not apply to him in many aspects. He has consistent traits, like loyalty, humor, and bravery, but his actual actions and reactions are NOT consistent. I understand why we think Percy would never do certain things. We think we know based off of his past and his history with his mom, or with Gabe, or with Luke. And I’m not saying I think he would do those things, but unless he specifically states it, we can NOT, ever, infer what Percy Jackson might or might not do.

Like for instance, the drinking thing. I am not saying percy would be a big drinker, if one at all. And he probably does have an aversion to the smell of beer because of how the apartment used to smell when he was young. But we have no evidence that Percy associates all alcohol with Gabe. Alcoholic drinks aren’t just foul smelling hard liquors. There are a million different forms that you can consume alcohol in - some of which don’t even smell like alcohol, and barely taste like it. And in The Chalice of the Gods, it’s said that Sally drinks a glass of wine every night. And Percy thinks Sally hangs the freaking moon. So if his mom drinks, he definitely doesn’t believe that alcoholic beverages = the enemy. And here’s the thing, if Annabeth and Piper and Leo were all drinking and having a good time, like college students do, and they go “Hey Percy, come sit and have a drink with us!” there’s a very good chance that he’s so comfortable with his best friends, and just wants to let loose and be a college kid, that he wouldn’t even think about Gabe. He’d just be like “Sounds fun! Count me in!” But I don’t know. That’s the point. I don’t know. Maybe he would, maybe he wouldn’t. I truly think it could go either way. And even if he does drink, maybe he never - not even once - gets drunk. Maybe he’d drink in college and as a young adult, but when he becomes a father one day, he decides he doesn’t want his children to ever smell so much as a drop of alcohol on his breath, and therefore completely stops drinking. Or maybe he doesn’t ever like it, even in college. Or maybe he’s like his mom, and he and Annabeth just have a glass of wine with dinner. Who knows?

Not us. That’s what I’m saying. WE don’t know.

I’m not saying we can’t have headcanons based on what we know about him. I have a million. But the point is, I feel like we can’t try to pretend like we actually know what Percy wouldn’t do. As a fandom, we analyze him and his choices WAY more than he ever thinks about a single choice. He definitely does not think about his life and his actions as much as we do. (I’m not saying that he’s dumb or doesn’t contemplate his life and his actions, but he doesn’t nearly do it to the degree that we do.) Us, we pretend like it’s simple math. (Our first mistake, since math is consistent and full of rules, which is the exact opposite of Percy’s character.) We go “okay luke did this and gabe did this so therefore percy would never do this.” But Percy doesn’t think that way most of the time, especially not in heat of the moment matters. The only thing we 100% know about Percy is that he will always be loyal to his loved ones. But even then, we don’t know what that loyalty will look like. Is it sacrificing himself for someone? Is it murdering the enemy? Is it manipulating someone else? Percy lives in the moment. He doesn’t often think too much before he acts. He just acts. Whether it’s in a life of death situation, or his after school activity for the day. He is unpredictable, like the ocean. It’s one of his defining traits.

Honestly, I think that’s why annabeth is so drawn to him. With everyone else, she can read them super easily and know their next move. But with Percy, she has no idea. Which is frustrating to her, but also exciting. It’s a big part of her initial attraction to him. It’s also why many of us like him so much. We don’t know what’s coming next, and we never know what he will do in a situation. Like, how could we possibly know what he would or wouldn’t do when HE doesn’t even know? Half the time I don’t think Rick himself even knows.

We become so sure that Percy wouldn’t do something because we understand his character so well, right? But I think the truth is, the minute we become certain about what Percy would or wouldn’t do, is the minute we don’t understand his character at all.

Thank you for reading my analysis of Percy on why we can’t reliably analyze Percy

[devildomwriter]

Obey Me As Tumblr #27

Mammon: How many swords do you have?

Diavolo: Sword of a lot

Raphael: Blocked

Diavolo: Parried

•

Mammon: My pockets jingle with stolen buttons from hot topic

Mammon: I literally can’t stop stealing those buttons from the Button Vats like I don’t feel like paying 3 dollars for a piece of tin with Pusheen on it but I do feel like doing a heist

Mammon: Call the cops bitch I’ll have sex with them

Simeon: This feels like the kind of thing you overhear when the person next to you on the bus is having a heated phone call

•

Belphegor: Wasn’t ICarly that guy with wax wings who flew into the sun and fucking got rest because same

Belphegor: I just realized my phone corrected Icarus to ICarly because I type ICarly more than Icarus okay thanks

Mammon: I thought this was just a god tier shit post

•

Thirteen: Bro pick up your eboy he’s curled up in the corner of my living room quivering, speaking in tongues, and surrounded by an impenetrable wall of writhing lamb’s entrails

MC: That’s not my eboy that’s my malewife they’re supposed to do that

Thirteen: Stop being funnier than me or I’ll do something about

•

Belphegor: People like to claim you can’t be funny without being offensive but my twin once looked at a packet of tesco’s chicken and said “60% chicken? I like those odds.” And I’m still laughing sixteen years later

•

Mammon: How fucked up would it be if you jumped into a ball pit and it was just tomatoes painted different colors

Beelzebub: Depends

Mammon: …On what?

•

Satan: Amazing how a colon can completely change the meaning of a sentence. For example:

— Jane ate her friend’s Sandwich

— Jane ate her friend’s Colon

Leviathan: This is the hardest I’ve ever snorted. My nose/throat actually hurts a little now

•

Mephistopheles: There are breasts on my roof. Scampering about. Wretched.

Diavolo: Th—There are what

Mephistopheles: BEASTS BEASTS BEASTS BEASTS BEASTS BEASTS

•

MC: A knife block that screams when you put knives in it

Lucifer: A human

Barbatos: So a human

Solomon: Caesar

•

Solomon: Diamonds are carbon. People are carbon. I wonder how big a Diamond I could make out of one

Simeon: I think about your tumblr blog a lot. I think about the fact anyone can say anything on the open internet and I’m glad you are able to voice whatever is in your head

Solomon: Thanks

•

MC: Weatherboy (derogatory)

Diavolo: Op what does this mean

MC: Wouldn’t you like to know weatherboy

•

Asmodeus: Everyone wants me. Especially this guy chasing me with a knife

•

Mephistopheles: Fill your body with cranberries so the horse that kills you gets a sensual surprise

Barbatos: I will give the horse that kills me no such luxury

•

Mammon: *gets home*

*breaks knuckles* time to shit myself to sleep again boys

Mammon: Wait no it’s cracks knuckles

Mammon: Wait no it’s cry myself to sleep

Mammon: Don’t reblog this stop it

•

Asmodeus: Fun new blog title: “welcome to my twisted pussy”

Solomon: Ducks be like

Asmodeus: This is no longer a fun new blog title

•

Leviathan: I hope everyone is having a fucking day

Lucifer: Easily one of the days I’ve had this week

Last • Next

[flightlessangelwings]

While we’re in Latino Heritage Month, let’s stop assuming your reader doesn’t know/speak Spanish in your reader insert fics. Especially if you’re writing for Pedro’s, Oscar’s or other Latino characters please.

EDIT: After some criticism of how this was originally phrased, let me change it into a question/request instead- Can we as writers please try to be more inclusive with our reader insert fics so poc and others can feel represented and see themselves too? Including taking out a quick throwaway line about reader not understanding Spanish. (Keeping the original phrasing above so anyone who missed the post to begin with can still see how I originally phrased it)

If you have a throwaway line of “he said in Spanish that you didn’t understand” or something similar, just take it out. Have something like “you didn’t hear” instead and let the reader interpret how they want. Or use italics to indicate Spanish. Or have the translation right there without mention of anyone translating for them. Simple. Or if you don’t want to/feel you cannot change it, then please have something in with your warnings so Latinos/poc can skip it if they choose.

And let me tell you why this is so frustrating (even for me as someone who is not a fluent speaker). It’s because Latinos look to these characters and actors for representation. We see ourselves in them. And when you clearly do not have a Latino person in mind when writing, you’re saying we don’t belong here. In a space where we should feel welcomed and celebrated. Representation matters. Inclusivity matters. Please try to be more inclusive with reader fics so we can all enjoy and immerse ourselves in your writing.

ALSO EDITING TO ADD MORE FROM A REBLOG SO EVERYONE CAN SEE MY CLARIFICATION: (under a cut for length)

This is nothing new, poc have been asking for years now to be inclusive in fics and yet it’s still a battle. We’re not asking for a lot, and certainly not asking anyone to change their style or creativity or anything like that. Literally simple edits: take out the word “blush” don’t mention hair, don’t mention not understanding Spanish, not making reader blood related to a white character, etc. Literally tiny things that would not change the story at all but make a world of difference.

Here’s an example too: a few years ago it was not common for writers to label the gender of their reader as it was usually assumed the reader would be a woman. But, people advocated to label readers as f/m/gn/whatever to be more inclusive and asked writers to strive for gender neutral readers when possible so that more readers felt seen and welcome. Now it’s a common thing to do. Why is making the readers race ambiguous any different?

Yes sometimes posts like this come across harsh, but know that they’re not meant to be. Poc aren’t trying to demand anything, we just ask to broaden your langauge when writing reader insert so more can see themselves in your work. It’s incredibly frustrating to ask for inclusivity and be met with hostility and rudeness in return and a refusal to think about poc so yes sometimes the wording gets harsh out of that frustration. But I encourage y’all to focus on the message more and maybe think about why poc in fandom get snippy like this. We do need to have an open conversation, yes. Just look in the comments at the Latinos and poc who are upset by the exclusion and feel hurt by it. How you you white fans feel if roles were reversed and none of the fics included you? Not fun, right?

And to those who say write it yourself: I do. I’ve been a x reader writer for years now and I do strive for inclusivity in my work. But I’m only one person and this is bigger than any one person. This isn’t about what I personally find acceptable or what I personally what. It should be a collective effort among writers as a whole to strive to include as many as possible in their works and not white code your readers. It’s not about demanding writers write it a certain way, it’s about asking writers to consider others who don’t look like them who also want the immersion and the escape that your fic brings.

[ziorre]

✨Commission info✨

I'm ready, I'm rested, I'm refreshed! And I'm completely charged to take care of your new ideas and characters!! I truly believe that every character is awesome and original and deserves to be shown with their own story! And I'll try to help you with this in a way that is more convenient for you! You just pick one below ;)

✨ PRICES:

- SEMI-REALISTIC STYLE (for the cases, when you want it looks more real without much stylizing)

- USUAL STYLE (for the cases, when you don’t mind it looks more stylized and a lil sketchy)

- CONCEPT SHEET (for the cases, when you want to present your character, their outfit and props)

* you can find more examples on my page by the commission tag ** a helpful post describing a right order for your refs

✨ DEADLINES: After you DM me with a brief description of your idea, I’ll tell you the approximate date when I’ll be able to proceed with your commission  !!!!Always warn me in advance if I need to draw art by a certain deadline!!!

✨ PAYMENT:  What: USD or RUB When: full pre-payment (when you sent me the email and we approved the art idea) Where: Boosty/Hypolink (russian platforms, support payment via PayPal)

✨ PROCESS: You write to me in private messages on Tumblr, briefly tell me your idea of our future art, what style and what slot you want (full body / half body / bust). Then I give you my email address and you send me an email (with your Tumblr name as the topic please) with all necessary references (your character's face claim, their pose, clothes, background etc.). You describe the idea of the art in details, where it takes place, and other things that I need to know so that I can base the sketch on all that info, because after you approve the sketch, I don’t change art much in the further stages of the work, just some details. I send you the payment link on my Boosty page. Send you the sketch. After you confirm that you like the sketch, I finish the work and send it on your email😊

✨ OTHER: - I don’t correct the art after you approved the finished version. - I don’t copy other artist’s work. - I publish every commission on my social media, if you don’t want it to be published, just let me know. - If you’re not sure about the art idea, I can suggest you 4 sketches with different poses/concepts/angles for extra $20 and you pick the one you like the most. - For significant corrections or a lot of small ones at any stage of work, an additional fee may be charged (this doesn’t apply to some small adjustments or details witch I missed). There are 3 free changes at the each stages of the work (sketch, finished version), further - $2-$5.

___________________________________

And of course I can't skip to say a huge thank you to those who commissioned and continue commissioning art from me! It means a lot! For real! This is not only material support, but also moral one, saying that I’m not wasting my time and energy in vain, that I’m moving in the right direction, that people like what I do! I can't tell how inspiring it is!! 300 commissions! I’ve never imagined that one day I would draw so many art for others! Just.. wow!! Thank you again so much for trusting me bringing to life your ideas! I truly appreciate it!😌

____________________________________

I think this is it, right? If you have any questions, feel free to DM me ;)  

I’ll be VERY grateful for your reblogs!! ❤❤❤❤❤❤ (and thank you very much for this in advance, it helps me A LOOOOOOOOOT, you are the ones who keep me alive literally! I see each and every one of you doing that! You’re the best!!!) Thanks for your attention! Have a good day =)

[chronically-ghosted]

i totally agree that it’s ridiculous for people to write fics for films that haven’t been released yet, but the problem isn’t the smut itself. people have every right to write porn if that scratches the itch.

i think your main point is the most important: it’s impossible to write a thoughtful, inspired fic when we don’t even know the story it’s based on. no one knows who this character is or what he’s like.

at this point, everyone should just call a spade a spade and write pedro rpf. all they care about is seeing his face in different situations.

so my earlier post was not so much a statement on Pedro Pascal Character fanfiction/porn, but the commercialization of art and I interpreted the thoughts and opinions of others through the lens of the medium I most often express myself with, which is fanfiction.

let me be clear: i have no problem with smut - pwp or otherwise. people are allowed to write whatever they want, about whoever they want, with whatever tropes make them happy.

my overall focus (and granted it was probably very muddled by the end of those - what, like three reblogs?) was an interrogation of fanfiction as art, and the state of art in this modern era. and after doing some more thinking and listening to more people much smarter than me (thank you to everyone who dm-ed me directly to talk further about this), my opinion is thus: the creation of content (not art) is more ubiquitous today is not because we are getting more stupid as a society, not because of our failing attention spans, not because we are on the brink of moral collapse but because we physically do not have the mental strength to be intellectually curious as a direct result of constant, distracting, emotionally-draining stimuli.

i can explain what i mean below the cut with two primary examples, specifically regarding the shift in fanfiction cult, and yes, the prominence of smutty oneshots in the pedro pascal character fandom of which this blog is a part of.

I have been in various fandoms for almost twenty years. I have been writing fanfiction for almost that same amount of time. In recent years, I've noticed two trends that initially discouraged me, but that I now believe is a symptom of our adjustment to a modern, constantly online era.

A severe lack of engagement within the artistic artifacts of a fandom

The quality of the fanfiction itself (because yes I do consider fanfiction to be an artform) has gone down hill - mostly.

Lack of engagement:

Art is inherently created to be shared. This is especially true for fandom because the community lives or dies by how many people are interacting with each other and sharing ideas (news, theories, fanart, fanfic, etc). If you say a fandom is dead, it means there haven't been any new posts or fic about it in years. So I don't wanna hear it when people say, "oh write for yourself, you shouldn't be chasing engagement" because that is antithetical to the very concept of fanfiction.

In recent years, I have seen and experienced myself engagement in my work only so far as a like or kudo. This is not how it used to be. Message boards (yes I am that old) and niche fandom sites were constantly abuzz with media sharing and excitement, and everyone enjoyed some version of praise (unless you got hit by the antis but they're never fun anyway). Initially I blamed this drop in engagement on laziness: people just want the next thing, they can't be bothered to appreciate the hard work writers put in and they just see content and art as the same thing - stuff to consume.

But I myself am GUILTY of minimal reblogs and comments and I LOVE what I'm writing - the impact certain works leave me with is long, long lasting but for some goddamn reason, I can't sit down and praise the author's works. Am I lazy? Possibly, but this is also not an isolated behavior and it's on the rise: people do not have time to engage with fandom/fanfic like they used to. Most people I know have worked at least two or three jobs at some point in their lives to just to make rent. This gen z is the first generation in DECADES to be worse off economically than their parents. With an interest rate at 8%, who the fuck can afford the security of a home anymore? We work ourselves to the bone for scraps and the realization that The Dream has officially died. And so what do we want to do in the free time we do have? Engage with the very bare minimum. We want to read things that we can at best skim, things we don't have to think about or engage with in any meaningful way. We want a way to turn off the noise of the next apocalypse and sometimes the best we can do is the tap of a thumb.

Which brings me to my next point: what the fuck happened to thoughtful fanfiction?

But this question is inextricably linked to the points above: oneshots are easier to write, faster to write, and if you write fic that is basically "Mad libs porn" (without ever engaging in the actual medium because it is literally not released yet), you are doing the most minimal work for the most amount of engagement. But I can't fault ANYONE for doing that. It feels good to be told your smut is "so hot" or "this exploded my panties" and in this era where the time available to create is so fucking small and minimized of course you're going to write for the most popular character, whether or not you're interested in the source material because we want our art to matter to someone. Intellectual pundits loooove to lambast our "shorter attention spans" but fuck, when are we allowed the time to think - in between this "100 year storm" that's happened twice in the past five years, or the global pandemic that turned millions of deaths into a political punching bag, or the next video of a white woman crying wolf to the police over an innocent black man, or - or - or - or

In a day where reality and the world as we know seems to be holding onto a thread, we turn to comfort: comforting tropes (dbf to rape/kidnap fantasies), comforting fanfic (pwp), and comforting ways to engage with fandom. There is nothing wrong with wanting your art to be appreciated and there's nothing wrong with inherently wrong with pwp - but I do believe its symptomatic of a MUCH larger and more sinister movement within ALL art right now.

I come from the generation who banished fanfic authors for scrubbing off the filing numbers to their fics and publishing it as original content because, in our communities, they were selling out. Fanfiction is inherently an act of rebellion. Every time you write fanfiction you break canon, an established structure with its own rules and boundaries. So by trying to appeal to the masses, to curb your own writing to fit whatever is mainstream, you are doing a disservice to yourself AND to the art of fanfiction. If something you write becomes popular, wonderful, great, you are very lucky and there is nothing wrong with that either. But do not sell out your 13 beloved fans who WILL take the time to leave a comment, who WILL take the time to reblog because your weird little fic spoke to them on a fundamental level and now is with them for the rest of their lives - in favor of a 100 thumb taps.

If you've made it here, thank you very much for reading. I've added some links to some additional references to see how this concept of "populist" art is having a serious negative down turn in the quality of art, but is also not any one individuals personal failings:

Why the world is addicted to background tv by Kayleigh Day

How Modern Audience are failing cinema by Like Stories of Old

Rupi Kaur episode of Rehash podcast

I'm always here to talk fic and art and what makes you excited about your writing. Much love and please rest. We need you here.

[velvees-archive]

save for the dual destinies dlc case, i’ve finished my first play through of the mainline ace attorney games. incredibly solid series. i have a draft with my thoughts on each case in the aj trilogy + game ratings. dunno if i’d wanna post it though, it’s kinda long.

so instead, i’ll post some misc thoughts about phoenix and edgeworth portrayals across mainline/aai + my personal favorite interpretations of them by the writing team!

spoilers for AA mainline and AAI duology

by far, my favorite phoenix portrayal is og trilogy phoenix. the way he interacts with his environment and the people around him is very authentic, albeit rude as hell (which, in hindsight, is even more authentic for phoenix, so…). saw someone’s tumblr post mention that phoenix is such a “straight guy” which…yeah LMAO. real to life accuracy, so much so it’s infuriating. i think what i’ve played of dd’s dlc case captures what i wanted to see from post-trilogy phoenix in that he’s still an asshole and comically stupid, but not actually stupid, if ykwim. something i disliked abt the rest of aa5 and aa6 is how the writing team watered his character down to the following two oversimplifications: “phoenix only wins cases bc he bluffs!” and “uhh...what evidence does phoenix present now?”

don’t mistake a silly man for a stupid man. mia calls phoenix a genius in the og trilogy. phoenix dives in head first but he’s meticulous when it comes to drawing out the truth. most of all, he doesn’t outwardly show how frazzled he is (see that one drew misham quote about phoenix quietly watching the court as he’s accused of forging evidence), even if he feels that way. i get the colorful usage of expressions is for comedic effect but it just makes him look like he doesn’t know wtf he’s doing, and that’s a disservice to his character. yes, he bluffs, but he isn’t clueless. anyway, i’m excited to replay the first trilogy now that i “know” second trilogy phoenix. that might also just be my way of saying “give me back MY phoenix”, bc the last time i’m (mostly) on board w his portrayal is in aa4, and even then i didn’t like the dialogue in his forged evidence trial.

*though, as of writing this, i’ve seen some good arguments abt his forged evidence trial dialogue that make me think ok maybe it was actually pretty accurate. let’s see wht i think on replay

on the other hand, my favorite edgeworth—at least in principle—is post-apollo justice edgeworth. in many ways, i think how he’s portrayed at 35 is how he would’ve been had dl-6 not occurred, barring his career choice. still a bit pompous, still fairly mean (at least on the surface, we all know he cares more than he lets on) and perhaps a bit uptight, but self-assured and just. the writing team makes a point to show that edgeworth doesn’t care about prestige or fancy titles. that feels like him in a way post-first trilogy edgeworth doesn’t. this particular point was fleshed out in aa1 and rfta, tho, so idk if i can give yamazaki credit for it.

there are some things that will always bother me abt post-first trilogy edgeworth (the problems are present in the aai duology as well) where the writing team shoves him into a box teeming with boring tropes for his character archetype.

an example:

creds for both these pictures: me

edgeworth is fine w pictures in the first trilogy, but comes to hate them in the aai duology.

ik it’s small but honestly what was the reason? what justification is there for this outside of wanting to fit edgeworth into a “cold character” stereotype?

bridge to the turnabout and turnabout ablaze are only about a month apart. i’m not buying into the sudden aversion to picture taking, regardless how minute a criticism it is. in any case, i feel like what i’m trying to say comes through w these screenshots: yamazaki’s edgeworth is always just a little off.

i am forgetting where i saw the post and i have too many liked posts to scroll thru to find it again but i saw a reblog?? tumblr post?? abt yamazaki and takumi’s diff approaches to edgeworth, where takumi says edgeworth listens to trot while yamazaki thinks he’d listen to classical music, and if that doesn’t drive the point home, idk wht will.

why then, did i enjoy post-aj edgeworth most? short answer is i’m taking liberties w his development and its implications. while i never completely buy into post-aa3 edgeworth, i can digest and get behind most of him when i’m not nitpicking, unlike w post-aj phoenix. does edgeworth feel a little uninspired and one- as opposed to three-dimensional? yeah, but his core is so strong i can overlook it. i’ll miss seeing a developed edgeworth when replaying the trilogy. him at 35 makes me feel warm inside.

anyway, i didn’t intend to start hating when i made this post bc i ultimately still believe the second trilogy was pretty good, if not overly ambitious with it's storytelling. maybe i'll post that AJ trilogy review.

overall, tho, t&t and aai2 were my favorite games to come out of the franchise. i’m going to do that slow replay of the first trilogy, aai duology, and aj:aa before making final judgments.

[the-power-of-stuff]

The Live-Action Sukka Manifesto that I Just Couldn't Keep in My Head

So I've been marinating in my live-action Sukka thoughts for the past three days, and when someone sent me an anon asking if I had any thoughts about the changes, at first I went, "DO I EVER?!" and proceeded to dump my entire brain on the page.

But then I worried maybe the anon wouldn't want to see my entire brain and figured I'd make my own post with my Many, Many Thoughts, and reel it in a bit when I answer the ask. And then link here if they're interested in the dissertation.

I'll put all the excessive details and spoilery stuff under a cut, but I'll start by saying, I didn't hate it! And I was afraid that I would.

There were things that I was bummed or had mixed feelings about, but there was also a lot that I genuinely enjoyed. All the Sukka interactions were cute and still had some decent character development, and I had fun with the episode overall (I've watched it thrice mind you, and definitely have not given the rest of the series that kind of attention). And I didn't necessarily dislike the differences from the original; I think I've just taken more of a "that was an interesting interpretation" approach.

But I better start that cut now, because I'm about to go on and on about this. I'd love to know what others think, though!! Even if the opinions aren't the same as mine! Please feel free to comment, reblog, shoot me an ask. If nothing else, I'm excited that the LA has gotten people talking about ATLA again.

So, I want to start with Suki’s characterization, which overall I found to be delightful, even if it was a bit of a watered-down version of her animated self.

In the original show, Suki is confident, sassy, and doesn’t take shit from anybody. She’s proud to the point of almost being arrogant, and even a little mean. What we get in the LA is someone who’s still confident in terms of her status and her skills, and still proud of her heritage and her role in her community, but with significantly less sass. And while LA Suki still seems like someone who wouldn’t take anyone’s shit, we don’t actually see LA Suki deal with that much shit from anyone (because Sokka isn’t really giving her any). 

There is one moment in the show where her interaction with Sokka is a little contentious, which is when he tries to relate to her as a fellow guardian of his people. I think Suki’s question to Sokka about how is he protecting his village if he’s not there is meant to be a challenge to his swagger. However, the line is delivered with a softness that makes it seem as though Suki is, at least in part, genuinely curious. (This curiosity makes even more sense when we consider the fact that Suki’s eventually going to leave Kyoshi Island so she and her Warriors can take part in the war effort, and that she will have to contend with the question of “how do you do that without abandoning your people?” when coming to that decision. The LA lays a lot more of this groundwork than the animated show did: Suki outwardly expressing her desire to see the world, her mother’s secretive looks every time Suki gazes longingly at Sokka the possibilities…)

Compare these two moments, for example. These are both scenes where Suki expresses disbelief at Sokka's claims about his warrior-hood. But in the LA, Suki speaks rather quietly and mildly, in contrast to the brash sarcasm of her animated counterpart. LA Suki is also tilting her head down and away, looking at Sokka indirectly. OG Suki is leaning in close, getting in his face, smirking derisively with her hands on her hips.  

I think there’s something to be said about the LA in general smoothing away certain personality traits that could be seen as negatives but that are actually strengths that are so narratively well-developed they occasionally show up as flaws (for instance, Katara’s fury, or lack thereof). Animated Suki is prideful and stubborn; she berates Sokka until he gives her sad puppy-dog eyes and has zero hesitation about making an example of him in front of her whole class. It’s a little ruthless, but these traits are also 1) what gets through Sokka’s thick skull (he, too, is prideful and stubborn), and 2) what makes her such a dedicated ambassador of Kyoshi and such a strong leader of the island’s Warriors at such a young age. I feel like the LA writers were afraid of making any of the protagonists seem too abrasive—everyone in the LA has had their edges sanded down, including Zuko, including Aang—and in general this tends to lead to less realistic representations of humanity and conflict, less satisfying character development arcs, and fewer opportunities for reflection and learning. 

That being said! I went into watching the LA with negative expectations about what we would see in terms of character development, and thus was pleasantly surprised. 

The LA removed the need for Suki to be as ruthlessly stubborn as she is in the animated show because LA Sokka’s skull is not so thick (and I'll get into that a bit more later). So what we get instead is a sheltered Suki with a helicopter mom who is so hilariously awkward that she has no idea how to interact with other humans. And, to be honest, I enjoyed this version of her so much that I even thought to myself, “I wish I’d thought of that!”

Suki is a straight-up weirdo in the LA and I love that for her. The way she puts Sokka in a chokehold and then looks at him after she sets him free like, “That was good flirting, yes? Would you like to be my boyfriend now?” And then her disappointment when Sokka walks away as if she’s thinking, “Why didn’t that go well, I thought boys loved getting put in chokeholds?” She is so precious, I just want to put her in my pocket. And this characterization might even be more broadly relatable than a super-confident Suki brimming with sass. Who among us hasn’t made a complete fool of ourselves in front of a crush by coming on way too strong and having no idea how to flirt? I mean…real. 

And because Sokka is also mostly just making a fool of himself trying to impress a pretty and talented peer (instead of covering up his insecurities by wrapping himself in misogyny) this leaves room for the two of them to be attracted to each other right off the bat and for their interactions to be more overtly romantic throughout the entire episode. Which, avid shipper that I am, I have to admit I have been gobbling up for the past three days straight. This episode was an IV drip of romantic tropes hooked straight to every Sukka shipper’s veins. 

Shy glances from across the room? Check.

Walking in on the other person half-naked? Check. (Y’all, Suki looks Sokka up and down for a FULL TWENTY SECONDS yes I timed it from the moment she appears in the background, yes you should count it to see how long that really is. Talk about awkward.) 

Tripping so they end up falling into each other’s arms? Check.

Wide-eyed shock that turns into surprise thirst after being pinned to the ground? Check.

Shooting each other satisfied smirks as they kick ass side-by-side? Check.

Jumping in front of literal fire for each other? Check and check!

Like, I could live off this for the rest of the year. 

But look, there’s a lot that I love about the way Sokka and Suki’s relationship is portrayed in this episode besides those romantically indulgent tension-creating moments, and it has to do with Suki’s admiration and validation of Sokka. 

Suki really looked at this boy with his mouth stuffed half-full of steamed bun and went, “Must have.”

With the removal of overt sexism from this episode (for better or worse), the story focused much more heavily on Sokka’s development as a leader. He still has that sort of posturing display of self-confidence that comes from inexperience and trying too hard to prove oneself (“Ferociously…deadly tiger whales…”), and while at first Suki seems put off by this and his attempts to liken himself to her (“I’m not just a warrior, I’m a Kyoshi warrior”) it doesn’t take her long to decide (*cough*after seeing him shirtless*cough*) that she doesn’t actually mind this behavior (and in fact maybe she kind of likes it because maybe it means he likes her and maybe it means she can show him how much she likes him by slicing the tops off all those melons with her fan). She seems genuinely interested in his boomerang and impressed that he hunts, and then later, she immediately takes interest in training him in the Kyoshi Warrior style. 

After they spar, she casually refers back to the fact that he’s his village’s protector, and this time, she does it without the disbelief and defensiveness. Because he’s finally stopped posturing. He opened himself up and gave himself over to Suki’s expertise, and in that way he proved that he has the will and desire—the heart—of a warrior. And Suki tells him so while touching him gently and gazing at him longingly in the soft golden glow of the late-afternoon sun. And as a die-hard Sokka stan, I love seeing him loved and appreciated like this. Adamantly. Ardently. The Sokka cheerleader in my head is going wild. “YEESSSS!! Our boy deserves this!!” Because we know that, in the animated show, he goes through a lot more struggle and self-doubt before he receives this kind of external validation. And while we also know that this makes for an incredibly satisfying growth arc, I gotta admit that it’s a fun bit of indulgence to watch Suki talk Sokka up directly to his face and then want to kiss him really bad. Y’know. As a treat.

That said, I'm very attached to and appreciative of the way their relationship is framed in the animated series. I love that their respect and affection for each other grows even after the disaster that is their first few interactions. In the LA, they are drawn to each other immediately, and the only barrier seems to be a bit of awkward stepping-in-it-ness. In the original, they have legitimate conflict, and they both have to give a little—Sokka becomes more humble, Suki becomes more tender—before they get to that point of potential romantic interest. And I think it says a lot about Sokka’s character and his desire to learn and grow that he is willing to humble himself in front of someone who, as far as he’s seen, has very little regard for him (slash has a good deal of animosity towards him). Giving himself over to Suki’s expertise costs him more in the animated show. But once he does, he and Suki learn and grow together. He shows Suki who he really is, shows her how dedicated and determined (and fun and a quick learner) he is, to the point that, by the end of the episode, she can allow herself to be vulnerable with him. And she does validate him in the original Kyoshi Warriors episode, just less directly than the LA. Her kiss on his cheek and “...but I’m a girl, too” is about forgiveness and acceptance and acknowledgement and respect, as much as or even more than it is about affection. There’s a little bit of romance, too, but it’s just little baby seeds of it, and it feels very natural to let those seeds germinate over time until we see Suki again later in the series. 

Which brings me to the live-action kiss. 

I’ll be honest, I was a little on the fence about the kiss. I want Sokka and Suki to kiss as much as possible in every conceivable universe. So there’s a part of me that was banging on the table and whistling with obscene joy. But the other part of me thought it was too much too soon. However, my hesitance pre-supposes some things about the second season (not least of which that there will be one), namely that it will handle the reunion with Suki and crossing the Serpent’s Pass anything like how it was done in the original. (Of course, one thing we now know for certain can't happen in a hypothetical LA season 2 is Suki pranking Sokka at the ferry station because he doesn't recognize her without her makeup. Do I love the expression on LA Sokka's face the first time he sees Suki's? Yes. Am I sad that this completely ruins their whole "You don't remember me? Maybe you'll remember this!" game? Also yes. But truthfully, I don't know if LA Suki would've been up to the prank, anyway. Not sassy enough. ;))

The Serpent’s Pass is one of my favorite episodes of all time, and that moment on the bluffs when Sokka and Suki are talking around Sokka’s loss, with the moon shining down on them all the while, and they almost kiss with the moon hanging between them in the background, and then Sokka pulls away without any other explanation besides, “I can’t”? That scene is so absurdly powerful and beautiful and an amazing moment of character development for them both, and I feel like it loses a lot of impact if they’ve already made out once. The fact that they kiss for the first time after that moonlit moment, when Sokka realizes that Suki doesn’t need protecting the way he thought she did, and in fact she was there to protect him, and he can finally just let go of this burden that he’s been carrying with him since Suki first mentioned she was joining them (slash since his dad put him in charge of an entire village at 13), and then and only then can he open his heart to what he feels for Suki, and in fact opens it so wide that he just cannot help but jam his mouth onto hers before she’s even finished talking…? I mean. C’mon. That’s poetry. But, again…loses impact if they’ve already had a first kiss.

But who knows what, if anything, they’ll actually do with that storyline. So for now, I’ll just enjoy my live-action Sukka kiss because, honestly, dream come true.    

Or almost a dream come true. Because there's a huge camelephant in the room that I haven't addressed yet, isn't there? The lack of Sokka in the Kyoshi Warrior uniform...

And I don’t think we can talk about the omission of Sokka’s Kyoshi Warrior uniform without talking about the omission of Sokka’s sexism. Because if Sokka isn’t sexist, then why do you have to put him in the dress and makeup of traditionally female warriors to make a point about how women are strong and capable, too? So here’s what I’ll say about that (and I know there’s a lot that people have said already, so I’ll try not to belabor the point.) I don’t think leaving out Sokka’s sexism was necessarily a detriment to his character arc. I do think, however, that leaving out Sokka’s sexism was a detriment to the message the show was trying to convey about sexism. 

Now, in the Northern Water Tribe episodes, the LA still gives us a message about fighting against the kind of systemic, institutionalized sexism that you might not be surprised to encounter within a very old-fashioned society or from a very old-fashioned gray-haired man. But what about the off-the-cuff, everyday kind of sexism that you might experience from an otherwise good person who is close to you? A person who loves you and would do anything for you but who gets carried away teasing you about “girly” things because of intrinsically-held biases that they’re not even that conscious of having? 

I think it’s important and meaningful for male and female audiences alike, and everyone in between, to see these different forms of sexism and misogyny—to see them, to recognize those behaviors in others and in ourselves, to be able to name them, and to have examples of fighting against them. We see the former kind—institutionalized, systemic—in Pakku. And we did see the latter kind—familiar, personal—in Sokka. And now that’s lost.

Not only that, but there’s the form of sexism that says boys aren’t allowed to do feminine things lest they relinquish their maleness. And in the animated show, we got to see Sokka combating this form of sexism, too. Not only does Suki show him that girls can be fierce warriors as well as boys, but he learns that wearing makeup and a dress does not make him any less of a young man.  

So, yes, I think the lack of Sokka in Kyoshi Warrior garb was a missed opportunity. And not just because Sokka looked really good in uniform and we all should have had the chance to see that, including and especially Suki. 

Alright, this is more than long enough, so I'll leave off with a moment from the LA that gave me great pleasure.

I needed this moment, y'all. And I was so afraid it wouldn't happen. I needed Sokka being protective, I needed him using his newfound Kyoshi Warrior skills to fight, and I needed him jumping in front of fire for the girl who'd taught him. If we couldn't have Sokka in the Kyoshi Warrior uniform, at least we had this.

[lolitawestcoast]

I rarely write or post things on social media because I am more of an “observer”, but after finishing season 2 of HOTD, I realised that I, too, want to share my “unpopular opinions” (as some may say they are) with the world. I guess I got inspired by all of you whom I follow and whose posts I consistently read that are truly in sync with what I think about the show overall, especially the greens and other characters I like.

So you are welcome to read this rant/ mini essay and give your two cents about the topic. I will be discussing a few characters who I have firm opinions about and what I think we should actually focus or take away from the series.

I will start with my personal favourite, Alicent Hightower. I swear I am in minority when I say this, because all the people that I know (including close people and friends) dislike/hate her and that’s totally fine, nobody should force others to like a character but the way they talk about her (all completely stupid arguments that miss the mark) as if she’s this insufferable, evil, bad mother. She is so layered, so tragic, ugh, it makes me sick to my stomach thinking about what Viserys himself has put her through, not ONLY Otto. I say this because a lot of the conversations I’ve had with others NEVER acknowledge his part in her trauma and when I mention it I am immediately shut down, it’s kind of sad and disturbing.

In their opinion, Alicent is a BIG part of what happened leading to the war. Excuse me? Have you seen season 1? Have you followed the plot at all? That woman is a victim. I’ve been reblogging and reading a lot of people’s posts here that were completely spot on about how many sacrifices she has made as she puts it herself (“What have I done, but what was EXPECTED of me? Forever upholding the kingdom, the family, the law.”) While Rhaneyra gets to do all she wants (“While you flout all to do as you please”) with no consequences because the king favours her and turns a blind eye to her actions, forever defending her even if he CLEARLY knows (and sees) what’s in front of him.

For example, that whole Alicent-Rhaneyra confrontation in season 1 was such a divisive discussion in my family, ugh, I felt like Alicent herself against everybody saying that she wasn’t in the right but you know what? She totally was. I would have had the same reaction (“Where is duty? Where is sacrifice? It’s TRAMPLED under your pretty foot again!”) Her life as a queen was forced on her by the MEN around her. What do you expect? How is she supposed to just take what’s happening to her and not stand up for herself and her child whose eye was fucking SLASHED. Aemond lost an eye. I just know, as a mother, I would have gone FERAL. No doubt. How can she not ask for justice, an eye for an eye (“And now you take my son’s eye and to even that you feel entitled.”) Couldn’t have said it better myself. Later on, when Aemond kills Lucerys, Rhaneyra herself wants “a son for a son”. Isn’t that the same philosophy? Why is Alicent unreasonable when she is asking for Lucerys’ eye in that moment? I don’t see much of a difference. This is one of the examples where I can’t look away and just hate someone like others do, because she has a point.

Another example is when Rhaneyra tells her that she doesn’t want to be “trapped in a castle” and “made to squeeze out heirs”. I swear, when they showed Alicent’s face after that line, I had tears in my eyes, I felt like I wanted to hold her because she DID NOT need to hear that, it was cruel. She broke my heart so many times, I almost want to say I rarely feel this way about a character in a show: “Sadness is a condition of motherhood”. My dearest Alicent, THEY WILL NEVER MAKE ME HATE YOU.

Is she a bad mother as they say? Not at all. Would a bad mother literally SHIELD Aegon with her body when threatened with a DRAGON? Would a bad mother (again) use her body to protect her daughter Helaena from the smallfolk during the riots? Would she stand up for Aemond and DEMAND justice, putting herself in danger as well as in a unfavourable position with the king as a bad mother? HOW DOES SHE NOT LOVE HER CHILDREN? I mean, I have a mother who would do the EXACT same thing for me, literally take a bullet for her child. And like Alicent, my mother has her flaws, she’s been through things in life beyond my understanding (having an abusive husband), so she isn’t perfect, but she loves me with all her heart nonetheless. She has projected some things onto me and has hurt me many times with her words, like Alicent sometimes does with Aegon, but that doesn’t mean she doesn’t love him. Even after the incident with Aemond happens, she regrets her actions, mainly slashing Rhaneyra’s hand: “It was an ugly thing, I regret it”. Otto is then the one who praises her for what she has done: “And yet, I’ve never seen that side of you, my daughter…We play an ugly game.” Once again, he is the mastermind, using Alicent as a pawn in his search for power. She is not power hungry herself.

I think it’s hard for her sometimes to look at her children, especially Aegon I think, her firstborn, whom may I remind you she had VERY YOUNG, a child herself and not see her whole grief, trauma and abuse through him. The way Emily has portrayed young Alicent, specifically in that scene where she holds her baby and she just looks defeated, sad, depressed, EXHAUSTED. While Rhaneyra gets to have children with whom she pleases (Harwin Strong is someone who she loves and cares about, judging by the loving and tender looks they give each other in some scenes) because she has an open marriage and she was lucky enough to get that. Nothing was forced on her. She had the freedom to look for her own suitors, a thing that Alicent calls “romantic” because in her mind, she would have absolutely dreamed to do the same.

Moreover, how can you say that Rhaneyra and Alicent don’t have love for each other? They make that CLEAR in the show so many times with small, beautiful details (the page, their 2 conversations from season 2, beautifully acted by Olivia and Emma). Didn’t Alicent vehemently defend Rhaneyra against the “claims” made by Otto that her and Daemon got into some inappropriate actions together? Even though his informer was right. She believed her and vouched for her to the king. She has never been jealous of her in that sense. She was envious perhaps of her freedom, yes, for sure, but who wouldn’t be, given her situation. She still loved and cared for her deeply.

When Otto is dismissed as hand and they have that conversation in the rain where he enforces on her that she has to prepare Aegon to be king because Rhaneyra will put her children to the sword otherwise, because she will be challenged by Aegon; the manipulation from Otto she has received time and time again runs deep into her adulthood. After he leaves she is alone at court, nobody in her corner. She doesn’t realise she is being used as a pawn in a man’s power games, but she becomes paranoid and determined to defend her own family. Cut to the wedding scene: after she finds out about Rhaneyra’s indiscretion with Cole, she fully embraces the colour green, representative of the Hightower house, subtly declaring war by showing up in that beautiful gown in the middle of the king’s speech (an iconic, awesome scene if you ask me). At that point, she was disappointed, angry and possibly fed up with her having to honour her duty as a queen, while her dearest friend lies and gets away with things. As much as you love and care for someone like that, you cannot overlook their wrongdoings.

I’ve also seen that she was called a “bitch” for wanting to see Rhaneyra’s child immediately after giving birth. However, she didn’t want HER to come to Alicent physically and show the baby, it was after all, Rhaneyra’s decision to go. Being her third child and Alicent probably seeing the other 2, of course she wanted to see for herself if he’ll look the same. She is the only one pointing out that they are bastards and everybody KNOWS IT. Her husband, Cole, all the people at court, hell even Harwin’s father. It is so blatantly obvious; it’s actually hilarious how Viserys dismissed Alicent and everybody who brought it up, which is fair enough from their perspective, even for Vaemond when they are discussing the succession of Driftmark. How can one NOT be frustrated? How can she not be furious? Later on, when the king states “Anyone who dares question the legitimacy of my grandsons, should have it (their tongue) removed” as Rhaneyra looks at Alicent with some sort of entitlement and power: “Thank you, father”. The rage I felt for her in that moment was so intense, because it is so unfair.

Here is another hard pill to swallow for some: Viserys has divided his family by always favouring his first daughter (he even refers to her as his “only daughter/child). He wants peace in his family but all he does is create “war”, hate, resentment, bitterness etc. Maybe he wasn’t Viserys “the peaceful” after all, at least not when it came to his own family. Never acknowledged or cared for his other 4 children he has with Alicent which in turn made them (particularly Aegon and Aemond) the way they are. Aegon even mentions how his father “didn’t like him”. Can you blame him? He yells in his face when Aemond’s eye incident happens, doesn’t give A DAMN about the fact that his son , “HIS BLOOD” , had lost an eye because he cares more that his precious daughter’s sons were insulted: “MY SON HAS LOST AN EYE FOR AN INSULT?” Yes Alicent, I was in fact, also enraged when that happened. How does nobody look at that man and see what he has done to his own family? Maybe HE has more of a role in the dance later on, together with Otto and other MEN who plotted the usurping. Maybe things would have been different had he been a better father/husband. But they sure like to blame the woman, the “scorned bitch” who’s jealous of Rhaneyra.

Even so, despite all this, make no mistake, the love and affection between the two women never fades away. That scene from season 1 episode 8, where she softly squeezes her hand (ironically the same one that has the scar she inflicted on her) and lovingly tells her not to leave after their children have an argument. You can feel their chemistry: it’s like they found each other again, after such a long, tumultuous time, at last, Rhaneyra and Alicent together like old times. That whole dinner scene was so peaceful, literally the calm before the storm. The poison runs deep in the family, it can’t be erased just like that, in one night. You can see that whatever foundation Viserys thought he had built within his family and the realm, it all crumbled down in the end.

Alicent needed someone to support her and remind her that it is NOT her fault: what happened to her, that she was used, abused and her innocence stolen from her. She was so desperate for this.

I won’t even have enough time to write everything here about Alicent’s life, at least nothing that hasn’t already been said (beautifully put by others that I read so far, you are all making me feel seen by the way!❤️)

Maybe I am too emotionally attached to her, but I can’t understand the constant hate she gets from CERTAIN people. It is so frustrating to try and explain everytime all the details in the scenes with her to others, I guess it doesn’t matter in the end. “It’s just a fictional character” they say; yes, indeed. I get very passionate sometimes because I was a film student and movies/tv shows are and will forever be my life and I am always analyzing all the details (force of habit, because I had to do this a lot for my assignments).

I don’t even have a side (team green, team black) fuck that nonsense. Personally, that strategy marketing which HBO constantly tried to shove down our throats is just bullshit; in the end, NOBODY (except Helaena) is truly a role model or a “hero”. The whole idea of this entire show and its events is about the smallfolk and the dragons who are nothing but collateral damage in this foolish civil war. While the privileged fight for a throne, the others suffer, the real innocents.

When I watch the show, I don’t even care about childish things like taking sides, like this is just a basic argument between two people, I just have a couple of characters that I root for or feel close to because they speak to me in a very specific manner. Also, the actors are tremendously talented so they literally make the characters compelling, maybe beyond what they get on the page of that script (which sometimes it’s not much or enough, if you ask me).

Hopefully I am not alone and I’ve seen here that I am not (I almost feel like part of a community at this point🥹), but in general I prefer the team green characters (which DOES NOT mean that I dislike or hate anyone in team black), I just think they are more complex, fucked up, relatable, and acted so damn well (although EVERYBODY in that cast is exceptional). I think I like the whole “dysfunctional” family vibe the greens have.

That being said, I like Rhaneyra as a character, for sure, I don’t dislike her at all, but I don’t know if I like what they are doing to her, script wise. Emma is exceptional in their portrayal of the character with what they are given anyway, but the writers are certainly making her more seem like the “hero” of the story, although I can see she has a lot of flaws. She is FAR from perfect. What I gathered from her as a character is that she is quite hypocritical in many aspects, especially when it comes to Alicent. In certain scenes in season 2 for instance, she points fingers at her for the things Rhaneyra herself has done. Blames her for starting this war when in fact, it wasn’t Alicent.

Unfortunately some fans are way too biased and are so blinded by what the show is feeding them to see and acknowledge her wrongdoings and see beyond this “rightful heir” tag she has. I am starting to see more interesting and complex things from Rhaneyra, mainly from season 2 and I am hopeful to see what’s in store for her in season 3. Although, I’ve always seen her as someone more nuanced, thanks to Milly and Emma’s stellar performances. She isn’t very likeable to me, because I see through her, for what she is. But I like when she gets more like her book counterpart (if you know what I’m saying). I like to see that: more complexity.

Furthermore, I was absolutely gutted when Rhaenys died (she really should have been queen🫡), what a great character. I love that Jacaerys got some more personality in the last few episodes of season 2, because I wasn’t convinced before of him as a solid character. This also leads me to the idea that Rhaneyra is definitely a bit selfish in pursuing her claim to the throne and totally overlooking his (valid) feelings towards the other bastard Targaryens claiming the dragons. I loved his speech and how he stood up for himself in a way.

You have to objectively look at these characters most of the time while watching the show and it is truly unfortunate that many people in the fandom are so blindly biased and defensive of some of their favourites, especially Rhaneyra because I see that happening mostly with her. You can’t judge them, but god forbid you tell them you like the greens, especially Alicent, Aemond (even Ageon) or Cole (speaking from my own experience) then you are definitely going to be judged because they are somehow seen as the antagonists of the show.

In my humble opinion, the show DOES NOT have protagonists or antagonists because like I’ve mentioned before, that’s not the point at all. Each one of us has their own “favourite war criminal” and that’s that. Let us, the audience just enjoy supporting the characters we like and stop judging each other. This is not real life, it’s not that deep. I like when I talk to someone and they express their love and passion for a character, even though I don’t feel the same, it’s quite nice to do that without criticising and getting into an argument with that person. We respect each other’s opinions and move on.

Anyways, went on a bit of a tangent there but moving on, Baela is also a character I like a lot, because I need somebody that supporting and wise in life by my side, for real. She is a gem. When she says something, I listen.

I know this might sound odd but I don’t actually HATE anybody in this show. I can say I dislike Daemon for pretty well known reasons at this point, no need to list them here, although I don’t feel hate for him necessarily. I am raising my eyebrow a bit at how Aemond turned out so far, although I still think that Ewan made him one of the coolest, most compelling characters in the show, especially in season 2. He is a delight to watch because his presence on screen is just THAT fucking gripping. I still see him as an underdog, especially looking back at his childhood and what happened to his eye and all that. I still feel for that child, for how he was bullied and undermined. I can’t completely overlook the things that happened to him which lead to the events of season 2. Although, as a book reader, I am a bit disappointed in some of the writing regarding his character (a discussion for another day).

This is a big one, but I also didn’t get why SO MANY people HATE Criston Cole, like he’s actually universally the most hated character in the show so far (based on how Fabien Frankel himself was harassed on his instagram which breaks my heart). It is such a sad, but funny thing to see at the same time.

This guy is certainly NOT the worst character in the GOT universe; if you rewatch GOT (which I’m currently doing) he really is no match for some people you see there. He was clearly wrong in many aspects in this show, especially with the event of Blood and Cheese and what followed. I would say that I disliked his behaviour and I certainly did not align with many of his actions and opinions at certain points in the show, although I do feel that he is remorseful and has had quite the journey in season 2. By the end of this season he went through quite a horrific experience (the battle at Rook’s Rest) which I think changed him mentally and you can see that, courtesy of Fabien’s great performance (when he has that conversation with Gwayne in season 2 finale, which I loved).

I’ve seen the memes with him and the constant topic being brought up of him being “bitter” and hung up on Rhaneyra because she turned him down when he suggested that they should run away together, but I don’t even think it goes on for too long, at least in his mind. Yes, he calls her names and talks shit about her at times (indirectly) but I think later on he’s moved on from that, at least since he started to be more intimate with Alicent (who he says is the “beacon” he follows) because rightfully so, she saved his life in many ways, I guess literally and metaphorically. He doesn’t have time to think about his bitterness towards Rhaneyra anymore, with all that has taken place since they had that encounter, at least I don’t think so.

He has had quite the journey and at this point I just think the hate and the jokes are getting old and more like, there is no other character we can hate so we are all pointing fingers at “Crispin” as I’ve seen and heard people call him. I just can’t even bring myself to hate him, I respect how smart he is and how skilled in battle he proved himself to be. Surely he is not as one dimensional as people are making him out to be. Yes, the memes are funny and all that, but some people are too mean spirited, it makes me think they are projecting a little bit too much. Even Fabien himself is moved when somebody praises his character or says something nice about him (I saw that in an interview some time ago, he was genuinely happy someone complimented him because he has seen the hate and I just wanted to go through the screen and hug him, he is so kind, bless him). Give him a break guys, please.

Again, this might be quite an unpopular opinion, but isn’t Cole justified in a way to be upset and resentful over what happened between him and Rhaneyra? Wasn’t he used that night to satisfy her needs and quite frankly her frustration because she didn’t get what she wanted from Daemon? She could care leas about him as a person, about his honour, his duty. Most of the time she was too carefree and ignorant of these concepts. Wasn’t there a power imbalance between them? He tried to resist, he didn’t pursue her. What was he to do? I wondered often what would have happened if he denied her that night.

After their affair, he asks her to run away with him (which I admit it was a bit funny the way he put it, to leave behind her privileged life to go somewhere and sell oranges or whatever) but in that moment, the way she looks at him and answers, I’m sure broke his heart, because he thought she might have feelings for him. I didn’t even see them as simply having “sex” but more like “making love”, it was quite tender and beautiful. I don’t think he was wrong in assuming that, after all, they were each others’ firsts. He feels hurt, cheated and used: “So you want me to be your whore?”. I can’t lie, I felt for him in that moment. Everything he had to his name, as he says, was taken from him. Can we not feel some sympathy for this man? Is he not justified in thinking that Rhaneyra is “a cunning spider”? As far as he is concerned, she has fooled him and stolen his honour, left him with nothing to his name. He was already by the standards of those times, a nobody.

Can we just be reasonable as an audience and just stop following others like sheep on this “chain” of hate?

Don’t even get me started on Aegon. I won’t even expand here why I also never hated him (although I want to make it CLEAR that I DO NOT condone what he did in the show, under NO circumstances) even though again, I am disappointed on how his character was changed from the books (if you know, you know). I feel he has been treated unfairly just like his mother and there are a lot of reasons he is the way he is. Like I said, too much to get into. But once again I praise the actors for giving such nuanced performances, THEY are making the characters come to life.

I feel I already said too much and I don’t want to get into the book and the parallels with GOT because I would have to write a thesis then and this has already become an essay.

If you’ve made it this far, thank you, I appreciate you reading this; it is my first time posting something like this. I don’t really post my opinions online because the internet is mean and toxic but I really wanted to get this off my chest. Maybe in hopes that someone else shares the same views (which I think we’ve established there are quite a few people here on tumblr who do). I am so excited to read more posts/opinions and hopefully be part of healthy discussions about this show and its characters. Please be respectful.

[suzukiblu]

WIP WEDNESDAY GAME

Taken from @kedreeva.

It’s WIP Wednesday, time for a little accountability, sharing your work, and getting a kick in the pants.

Here’s how it works:

In a reblog of this post (so people can find you in the notes) or new thread (w/ rules attached) if you want to play on your own, post up to five (5) filenames of your WIPs; not titles, file names.

Post a snippet from one of them. Snippet must be words you wrote in the last 7 days. We’re posting progress here. If you haven’t made any, go make some and come back to play!

After you’ve posted, people can send you an ask with one of your file names. You must then write 3 sentences in that file. If the filename is one you can’t share from (for example, an event or gift fic), write 3 sentences on it anyway, and then 3 more on another to share.

That’s it! You can invite others to join in, or just post. I’ll be searching the reblogs to find people to send asks to!

If you’re reading this, you’re invited!

If you see someone posting a WIP Wednesday Game snippet, send them an ask! Make them write.

file names:

Cassie makes a claybaby

we are so pleased with this Match

Amazon Kon

Krypton lives and Kara did not sign up for this

the one where Kon's soulmark is fake

snippet from “Cassie makes a claybaby”:

“This is a disaster,” Cassie says, making a face at the mess of wet, sloppy clay on the table in front of her. 

“You added too much water,” Kon tells her, not looking up from his own much less messy lump. “You need more clay.” 

“How do you even know that?” Cassie asks, eyeing him suspiciously. Them all taking this stupid ceramics class together was Bart’s idea–he’s currently at the table in front of them, busy excitedly arguing with Cissie about why they should make matching bookends–and the teacher was extremely fucking unclear on how much water was “too much”. 

“Mae and Linda used to sculpt,” Kon says with a shrug, using one of the weird wire-topped tools the teacher left out for them to literally peel a few chunks out of his clay. Cassie has never been so baffled by a method of making art. “They showed me a couple of tricks back in the day.” 

“Who?” Cassie asks in bewilderment. Kon’s mouth tightens for a moment in a familiar “someone you apparently forgot” kind of way, and then he just shrugs and peels some more of his clay off. 

“Never mind,” he says. Cassie feels–unsettled, briefly, like she does every time this happens. Every time Kon mentions someone who apparently existed before and doesn’t exist now, or at least not in any way that any of them have noticed or recognized. Things that unhappened are bad enough, but people . . . 

It makes her think of him, cut off from all of them, and wonder how many other people that might’ve happened to. Was Kon the only one? Are “Mae” and “Linda” out there somewhere too, lost and missing them? 

Should she be missing them? 

“I don’t think we’re artistic enough for this,” Tim says from the table behind them. He and Greta seem to have pooled their clay into one weird blocky, amorphous monstrosity. Cassie isn’t gonna ask, mostly because he’d started muttering about Clayface when the whole idea for this class had come up to begin with. Anita comes over with a fresh block of clay and smacks it on top of the other two’s. It looks like the Minecraft idea of a snowman. 

Cassie suspects that perhaps they’re not all taking this class as seriously as they could be and that the only reason the teacher hasn’t thrown them out is because she’s currently distracted with, like, twelve other people. Still, it’s only one day, and they just signed up for it as a fun little hangout thing to go do together, so whatever, it’s not like it matters. 

“What are you making, Kon?” Greta asks curiously. “It looks nice.” 

“Angel,” Kon replies matter-of-factly without looking up from his clay-fiddling, and doesn’t elaborate past that despite the fact Cassie cannot imagine a less religious friend she has, including the declared atheists. Kon’s sculpting does look nice, though, especially compared to everyone else’s. Bart’s clay is all squished into Escher-esque nightmares and Cissie hasn’t even touched her block, and again, Tim and Greta and Anita appear to have just made a Minecraft snowman. But given how seriously Kon seems to be taking this (given that Cassie’s never heard of a “Mae” or a “Linda” in her LIFE), Cassie figures she should at least try, and goes to get some more clay to add to her mess.

She doesn’t even know what she’s gonna make, honestly. 

Fuck it, maybe she’ll pull a Hippolyta and just make herself a kid. That’d be kind of funny. And also be better than just biting Kon’s idea, probably. Like, show more engagement or whatever.

[10blue10]

HTTYD continuity: Are there two Hiccups?

First of all, thank you for all the likes and reblogs on my ‘there are two Hiccups’ post. It’s seriously blowing my mind how popular it is. So, if you read it and thought “what? There are two Hiccups?”

Well, no… but actually yes. I wasn’t being literal (I know, on the reading comprehension website? Shame on me), but the thing is, I’m actually kind of right? Just look at these examples from the wiki:

The entire series is based on the six main Dragon Riders moving away from Berk for over a year. However, in commentary, Dean DeBlois has said that they all lived on Berk between the first two films. The second film’s Art Book elaborates on this saying that they all had responsibilities on Berk which prevented them from leaving.

In other words, as far as Dean is concerned, RTTE never happened.

The series also focuses on the six main Dragon Riders exploring lands outside the Archipelago together, while both Dean and the second film’s Art Book state that only Hiccup and Astrid ventured outside the Archipelago as they were the ones drawing up Hiccup's map. The other four stayed much closer to Berk.

Again, we have a direct contradiction between what Dean claims happened pre-HTTYD2 in his (head)canon, and what we see in RTTE.

Numerous other "dragon riders" are introduced throughout the series, when the second and third films themselves stress how Berk is the only community who rides dragons. Dean elaborated on this during a convention panel explaining that that’s why Eret and Drago were so alarmed when seeing Vikings riding on dragons, and why Eret assumed Valka was one of them.

In an interview with the series creators Art Brown and Douglas Sloan, it was mentioned that the show was originally meant to have 4 seasons, spread out over the span of a year and a half, leading up to the second film. Following the many clues and mentions regarding the passage of time within the story, the last 7 episodes of season 4 were supposed to have happened during the same summer as the film. However, when seasons 5 and 6 were ordered into production, the show writers had to carry on with the timeline they had set up, which inevitably lead to the series continuing into negative time; going past the second film.

In other words, the last two seasons of RTTE aren’t meant to take place before HTTYD2 - they take place after it. If there’s better proof that RTTE is on its own separate timeline, I don’t know what that is.

The majority of film characters are portrayed severely out-of-character in the series compared to the films and film-verse media; most arguably Hiccup and Astrid. Aside from having similar appearance and even voices, their personalities and behaviors in the series portray them as drastically different people than their film counterparts.

I would argue that they are more in character during RTTE, especially Snotlout, the twins and Fishlegs. Isn’t it amazing what being fleshed out characters instead of comic relief can do? But there you have it. RTTE!Hiccup is portrayed as drastically different to his film counterpart. When push comes to shove, there are two Hiccups.

Or, you know, three, if we count the one from the books 😂.

Now if you’ll excuse me, I need to get back to lamenting the fact we live in the timeline where THW exists and not the timeline where the writers of RTTE were allowed to make a full length conclusion movie.

[t0esniffer69]

this post is about what has been going on recently with the managers and stuff. ill be repeating my original claims with evidence and also be adding some new claims.

first off, i would like to say that my original post wasn’t supposed to be hateful. no matter what people tell you, i am not a bad person, spreading rumors or misinformation, or anything like that. i also made the post to try to help the gaehive, not to harm anyone. i knew posting about this would ruin my reputation among some people, so i’d like you to know that while i may have made some choices that weren’t the best out of anger, i also struggle with understanding tone and writing in a specific tone.

with brook, i accused brook of not updating thumbnail ids and being biased towards people that they like. i still agree with both of those things. brook has not been updating or has been writing insufficient thumbnail ids. i absolutely understand the struggle with having adhd and not being able to do something that you don’t want to. but there are so many better solutions than just not updating the id. you could ask someone else to do it for you, you could not update the thumbnail until you have the motivation to, if you have access to medicine you could use medicine that helps with that, you could write thumbnail ids and save them when you first make them, there’s so many better ways to do this than just not doing it. and about the bias, for example, my friend carbon was asked to not return to the gaehive for ban evasion, when brook and some of the other managers have ban evaded in the past. that’s just one example, unfortunately i can’t remember any more currently but i know there are more.

here are some examples of brook not updating thumbnail ids for proof:

about chaos: chaos is a proshipper, which is defined as someone who supports all ships, including ones like child x adult ships. this part cannot and should not be denied, it is a fact. chaos literally says it themself. this is pretty creepy especially considering that the gaehive is a studio full of kids, who shouldn’t be looking at stuff like that. it’s not that chaos’s content like that is hard for gaehivians to find, its tumblr which links to some of the fanfiction theyve made and proship content is reblogged and liked on, has been shared on the gaehive and the account has posted in the gaehive and hiveblr tags. + it follows a lot of gaehivians. i don’t want people to debate me on if proshippers are bad or not in the replies, i have already had several debates about this, im fine with asking simple questions just no arguments.

anyways, here is some proof that chaos is a proshipper:

you can also see more proof in chaos’s likes here although to find some of the worse stuff youll have to scroll a little (edit: archive.org was being a bitch and archived chaos’s tumblr itself and not the likes page, i don’t know how to fix this. for now ive made an ibb album with more images for proof but they dont have chaos’s tumblr in the frame so if likes are made private the proof will be gone)

i may make a post about jord too if the people involved agree

anyways, no arguing in the comments please. you can debate me on discord if you want an actual serious debate

[ladykailitha]

WIP Wednesday Game

It’s WIP Wednesday, time for a little accountability, sharing your work, and getting a kick in the pants.

Here’s how it works:

In a reblog (or new post w/ rules attached), post up to five (5) filenames or specific AUs your WIPs; not titles, filenames (eg werewolf AU, unnamed mafia omegaverse, or Steve's Rizz vs Eddie's Zero Filter.)

Post a snippet from one of them. Snippet must be words you wrote in the last 7 days. We’re posting progress here. If you haven’t made any, go make some and come back to post!

After you’ve posted, people can send you an ask with one of your file names. You must then write at least 3 sentences in that file. If the filename is one you can't share from (for example, an event fic), write 3 sentences on it anyway, and then 3 more on another to share.

That’s it! You can invite others to join in, or just post. If you tag me in your post, I will send you an ask request!

If you’re reading this, you’re invited!

If you see someone posting a WIP Wednesday Game snippet, send them an ask! Make them write.

My only problem is that I tend to file name what the title is so I can find it easier, so...here’s what they were called before I titled them.

No Spooky Metal Band. It's done! So it's no longer a WIP!

“File” Names

Olympic Swimmer

Dragon Slayer

Himbo Witch

Sugar!Baby

Nanny

Snippet

From Himbo Witch

“Are you a witch, too?” Chrissy asked as she held still for Robin to clip a bit of her petticoat.

Robin stood up with a smile. “Not yet, but I hope to be. Steve is teaching me. I’m still a little clumsy with the potions but I’m good with the herbs. Steve says that I could be a hedge witch!”

“Oh!” Chrissy cried. “I didn’t know there were different kinds of witch. What kind is Steve?”

“The tired kind!” Steve huffed from the front room.

Robin giggled. “Don’t make me laugh when I’m about to cut her hair!” she admonished.

Steve looked over his shoulder and gave her a completely unrepentant grin. Robin huffed and gently took a bit of curl from the base of her head near the neck. She took the doll back from Chrissy and tied both pieces to the doll.

~

Tag List:

@zerokrox-blog @forgottenkanji @w1ll0wtr33 @thesecondfate @dreamercec

@beelze-the-bubkiss @bookworm0690 @kultiras @niniel-karenine

It's that great and wonderful time of the week again! WIP Wednesday!

The game runs from 8am-11pm EST.

Send in as many asks as you want as often as you want.

[ranahan]

Mandalorian soul(s) & Mando’a words for them

So have you noticed how Mando’a has three different words for a soul or a spirit: manda, kar’am, and runi?

Warnings for lots of speculation and headcanons about Mandalorian religion and spirituality.

What is a soul?

First of all, I want to note that cultures around the world have very different ideas of what the soul is. The Christian idea of an immortal soul that goes to heaven after the body dies is hardly the only or even the most prevalent one. Many cultures believe there are many different kinds of souls and that humans have more than one soul.

I was going to draw examples from earthly cultures and religions, but I just put about 50 posts in my drafts folder and I want to publish this before it disappears in that black hole where no information escapes from. Suffice it to say that people have really different takes on what a soul is. Seriously, look up some examples. Blow your mind a bit.

GFFA of course also has the Force, so who knows what kinds of Force traditions Mandalorians have if any, and how those would affect their views of souls and spirituality. I recently reblogged Izzy’s interesting headcanons about Mandalorians and the Force, if anyone is in need of inspiration.

*maan- ‘original’ & Manda

In the canon dictionary, this root on its own is an adjective:

maan (adj): original, first

That’s “original, first” in the sense of “genuine, true” and given the derivations, the root *maan- at least probably also carries the meaning of “inherent, intrinsic, innate”.

*maan- also appears in words like:

veman (adj): real, genuine

Probably from *vut- ‘special’ + maan. “Really original”.

ramaan (n): death (a neutral term)

Probably from *ram- ‘attack’ + maan, “the original attack(er)” or ram + an, “one who attacks all”. Could be either. I’m more partial to the latter etymology, but I’m putting ramaan here just in case.

I believe that the element *mand- that appears in lots of words like mando, manda, and their derivations, is etymologically maan-ad, which has lost an unstressed vowel. This carries the meaning of ‘first person, original person’ or as a plural, “first/original people” which is actually what a number of earthly peoples call themselves. Like that’s a very, very common etymology for the name of your own tribe.

So I reconstruct *maanad (or the same with a short vowel, *manad) as an archaic word with the meaning of “a mandalorian”. I also reconstruct it with a second meaning of “true self, innate self, inner self”, or a soul in that sense. So then…

manda (n): collective soul

…could be an archaic plural of manad-a, with a lost syllable in the middle which is a really common pattern in Mando’a. Mando’a uses plural as a way to form collective concepts, so this is “all Mandalorian souls”.

So when you have gai bal manda, “name and soul”, or kir’manir ‘to adopt, give a soul to someone’, the soul here is specifically the Mandalorian soul, a partaking of the shared identity.

Kir’manir could also be glossed as “to give an origin”, which in Mandalorian terms is exactly what you are doing when you adopt someone: you take them in as a part of your clan. For Mandalorians who don’t care about bloodlines, this is just as legitimate a tie as being born into a clan: in both cases, you become a part of the shared ancestry and heritage.

This is a headcanon, but the picture I get of Mandalorians is that anyone can be a Mandalorian (if you have mandokar, literally “Mandalorian heart”)—but no one can be a Mandalorian without a clan (it’s in the Resol’nare & and in words like kir’manir). You need to get adopted in order to convert and become a Mandalorian. You need to have a clan to hold up the basic tenets of being a mando’ad. You need to be adopted in order to share in the web of souls that make up the manda. This is a really interesting dichotomy. It makes Mandalorians kind of into an ethnic religion like Judaism, only you don’t need to be born as a Mandalorian, only be adopted as one.

In fact, I think that adopting your biological children is really common if not the norm. If you view the gai bal manda in the light of giving the child a soul and a tie-in to the manda, then gai bal manda is to Mandalorians what baptism is to Christians. You can’t go to the Christian heaven without a baptism, and you can’t reach the manda without gai bal manda. I imagine this is where the fanon of adopting dead children so they don’t have to wander eternally comes from (someone hit me with a name; who came up with that? I love it!).

But also! Mandalorians in general are not depicted as very religious. So I guess this is one belief, but it is probably not shared universally and perhaps not even widely. Maybe it’s an old belief, developed in the aftermath of the Mandalorian Wars, when the tie of the non-Taung to their adopted ancestors was still tenuous, and while they were moving away from the worship of the old gods, religious beliefs of all kinds were still rampant. And in the upheaval before they settled on a new canon, all kinds of beliefs and split-off religious sects sprung up left and right.

kar’am

kar’am (n): breath

Okay, not soul. But I believe this is “breath” in the sense of “spirit” (breath and spirit are connected words in many many many languages). Not breath in the sense of “to breathe” as in the bodily function (that’s haal).

So what kind of a spirit is this? Well, it’s made of two roots: *kar- ‘heart, core’ and *am- ‘change’. Heart for mandalorians is also the seat of knowledge and by extension, consciousness. Change is a loaded concept spiritually.

But the interpretation I want to go with is that change is also considered the true nature of the reality and natural world, and is thus connected to a lot of words that relate to nature and reality. The Aay’han dictionary has aman (n): nature, lit. “one who changes all” and I absolutely adore that. So kar’am would be a more bodily spirit, related to life force, vital force, vitality and physical states. So you could derive words like:

akaan’karam: morale, fighting spirit

to’karam: “together spirit”, the spirit of pulling together for a common cause.

ures kar’am: listless, lifeless

Alternatively, you could derive these form oya instead.

Runi

runi (n): soul (poetic only)

My best guess is that this is *run- + nominal suffix -i.

Best I can tell, there are no other words related to it in the dictionary, unless it’s related to the past prefix r’/ru’ and ruug ‘old age’, in which case the sense could be something like “the thing which has gone” as in “the soul has fled”.

So what about the definition? Traviss says “poetic only”, so which poetic sense is she referring to? English (in which the translation is given) has several:

The innate quality that makes something itself, “the soul of (something)”. I would have been tempted to go for this sense, but for me that seems like repeating *maan-. It could of course be that over the time, maan has come to mean Mandalorianness specifically, so runi has acquired this more general sense which maan had originally.

The animating principle, vital force. Already interpreted kar’am this way. And even if I scrapped that interpretation, I’d go with oya instead, not runi.

Embodiment, personification. “You are the very soul of the party.”

Psyche, “body and soul”. Does not seem very “poetic” to me?

Person. “Not a soul.”

A strong positive feeling, inspiration, passion, fervour. Hmm, in Mando’a words like that seem to be derived from oya.

A supernatural spirit.

So which sense was Traviss going for? Shab if I know.

I’ll make a part 2 with some more derived words later, but now I want to post this before going to bed.

[fragilecapric0rnn]

wip wednesday thursday!

thank you for the tag @figthefruitfaeth !!!!! i, too, have been bitten by many writing bugs (or maybe its the adhd meds) and i am ready to write some damn WORDS

Rules

In a reblog (or new post w/ rules attached), post up to five (5) filenames of your WIPs; not titles, file names.

Post a snippet from one of them. Snippet must be words you wrote in the last 7 days. We’re posting progress here. If you haven’t made any, go make some and come back to post!

After you’ve posted, people can send you an ask with one of your file names. You must then write 3 sentences in that file. If the filename is one you can't share from (for example, an event fic), write 3 sentences on it anyway, and then 3 more on another to share.

That’s it! You can invite others to join in, or just post. If you tag me in your post, I will send you an ask request!

WIPs

chapter 5: robin (young scrappy and hungry the political ronance au)

ch1 (of the buck/tk fic that i have committed to writing for an audience of Me)

3: the one where we hate our jobs (stranger things friends au my beloved has returned from the dead)

Snippet: (from Young, Scrappy, and Hungry)

A ding comes out of the speaker, pulling her attention, an iMessage. 

Nancy Wheeler Heard you’re in town. 

And suddenly, Robin is transported back to Nancy’s bedroom. An image of her mouth on her - 

“Sweetie, I think your phone is buzzing.” Her dad snaps her out of her horny daydream. 

“This is Robin,” She answers, without looking at the caller ID. But recognizes that scoff. 

“God, you would answer the phone like that.” Nancy says, Robin holds the phone between her ear and her shoulder so she could wipe her instantly clammy hands on her pants. 

“Oh shut up, I will have you know that important people call me up.” Robin snips, standing up abruptly from her chair, heading for the backyard for privacy. 

“So are you?” She asks, in her coolest Nancy Wheeler tone, one that Robin is starting to recognize, noticing the slightest sliver of pitch that makes it noticeably different from when she actually is cool. 

For a moment, Robin considers making her ask the entire question. Considers playing dumb, like she didn't see the text light up her phone, like she hadn’t been watching her phone all for the past two months, waiting for something, anything, any ounce of attention from Nancy. 

“I sure am,” Robin clicks the backdoor shut behind her. “You’d probably know that if you answered any of my damn texts.” 

“I don’t even need to begin explaining to you how busy it’s been for me.” 

“Too busy to see me?” 

“I didn't say that.”

Tags:

@judasofsuburbia @kkpwnall @fastcardotmp3 @gideoncharov

@cheatghost @snowangeldotmp3

+ anyone who sees this and wants to do it <33

[ziorre]

✨Commission info✨

I'm ready, I'm rested, I'm refreshed! And I'm completely charged to take care of your new ideas and characters!! I truly believe that every character is awesome and original and deserves to be shown with their own story! And I'll try to help you with this in a way that is more convenient for you! You just pick one below ;)

✨ PRICES:

- SEMI-REALISTIC STYLE (for the cases, when you want it looks more real without much stylizing)

- USUAL STYLE (for the cases, when you don’t mind it looks more stylized and a lil sketchy)

Aaand...

👀COMING VERY SOON!!!👀 - 3D MODEL OF YOUR CHARACTER

* you can find more examples on my page by the commission tag ** a helpful post describing a right order for your refs

✨ DEADLINES: After you DM me with a brief description of your idea, I’ll tell you the approximate date when I’ll be able to proceed with your commission   !!!!Always warn me in advance if I need to draw art by a certain deadline!!!

✨ PAYMENT:  What: USD or RUB When: full pre-payment (when you sent me the email and we approved the art idea) Where: Boosty (russian platform, supports payment via PayPal)

✨ THE PROCESS: You write to me in private messages on Tumblr, briefly tell me your idea of our future art, what style and what slot you want (full body / half body / bust). Then I give you my email address and you send me an email (with your Tumblr name as the topic please) with all necessary references (your character's face claim, their pose, clothes, background etc.). You describe the idea of the art in details, where it takes place, and other things that I need to know so that I can base the sketch on all that info, because after you approve the sketch, I don’t change art much in the further stages of the work, just some details. I send you the payment link on my Boosty page. Send you the sketch. After you confirm that you like the sketch, I finish the work and send it on your email😊

✨ OTHER: - I don’t correct the art after you approved the finished version. - I don’t copy other artist’s work or poses from their work. - I publish every commission on my social media, if you don’t want it to be published, just let me know. - If you’re not sure about the art idea, I can suggest you 4 sketches with different poses/concepts/angles for extra $20 and you pick the one you like the most. - For significant corrections or a lot of small ones at any stage of work, an additional fee may be charged (this doesn’t apply to some small adjustments or details witch I missed). There are 3 free changes at the each stages of the work (sketch, finished version), further - $2-$5.

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And of course I can't skip to say a huge thank you to those who commissioned and continue commissioning art from me! It means a lot! For real! This is not only material support, but also moral one, saying that I’m not wasting my time and energy in vain, that I’m moving in the right direction, that people like what I do! I can't tell how inspiring it is!! 300 commissions! I’ve never imagined that one day I would draw so many art for others! Just.. wow!! Thank you again so much for trusting me bringing to life your ideas! I truly appreciate it!😌

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I think this is it, right? If you have any questions, feel free to DM me ;)  

I’ll be VERY grateful for your reblogs!! ❤❤❤❤❤❤ (and thank you very much for this in advance, it helps me A LOOOOOOOOOT, you are the ones who keep me alive literally! I see each and every one of you doing that! You’re the best!!!) Thanks for your attention! Have a good day =)