#I don’t know McCracken’s actual style
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I has returned briefly from fasting from other fandom
Ten Man headcanons.
It’s always confusing using pencils, so they refer to pens. That is, until the ink acid kicks in and they remember mechanical pencils exist.
The shock watches are able to tune themselves to the proper timezone. They also have two settings: Capture and Torture.
The laser pointer can be reflected with mirrors, and a certain Ten Man wanted the perfect trick shot.
The briefcase has a handle function that can maneuver into a proper shield. Perfect for bashing.
The suit is rather strong against edges and flames. However, the cologne is what helps Ten Men keep a track of each other. Apart from their rather unique features anyways.
Garrote is the grappler, disarming him still leaves himself as a weapon. Besides, you just invited him to execute his namesake.
Sharpe is handy with blades. You’ll be drenched red by a hidden number of pencils and stapler removers. Just don’t get blood on his suit.
Crawlings is a loose cannon. His recklessness may be a flaw, but few live to exploit it. That clipboard boomerang always comes back.
McCracken is well-rounded, preferring to bounce off his group in order to cover any flaws or force the foe to focus on multiple specialties.
Mortis only cares about brutal efficiency. He doesn’t care what gadget he has, only that you’re dead. As such, the laser pointer is his expertise.
Hertz is the opposite. He wants you to suffer as long as possible, tightening the paper clip chains or keeping the shock watches primed. He also has a nasty tendency of deafening his captives. Hertz, don’t it?
McCraig, uh, he’s like Private. He could hurt you, but half the time the others are busy doing that so he waits by the objective or Salamander. The Diez Dude.
The Katz brothers always have one out of vision, observing the battle before jumping in. Never know if you set up a trap that they want to avoid.
Bludgins is about brute force. Half the time he charges with the briefcase and bashes whoever is in the way. Crawlings always has his back.
I might make headcanons of the ones I made later, but let’s appreciate the originals first.
#the mysterious benedict society#the ten men#we need the rest of the squad#Garrote has a ninth degree red belt in bjj#Lowkey would be McCraig#I don’t know McCracken’s actual style
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a me post so you’ll know im human
Chris
he/him
21
i make unfunnies for the people that are just as unfunny as me
things I really like atm (subject to change)
cuphead
deltarune/undertale
the powerpuff girls
the amazing world of gumball
wander over yonder
adventure time
the ghost and molly mcgee
regular show
arcane
almost anything Pixar makes
wreck it ralph
gravity falls
the amazing digital circus
here’s my sona (he sucks and i hate him and is always grumpy)
q&a
“what do you use to draw?”
procreate and a greasy ipad
“can I draw your ocs?”
absolutely bro, go wild. in fact please make them as ugly as possible
“any other hobbies you have other than drawing?”
I go on discord and bully all my friends there constantly
“what inspired your art style?”
eh, I dunno? I kinda just see things I like and say “yeah I wanna draw like that.” I feel like one of my few biggest inspirations for my style would be Shawn Dickinson, Craig McCracken and Paul Rudish (just at the top of my head)
“Are your commissions open?”
Nah
The boundary list:
If you’re a proshipper or into loli/incest get off of my blog right now
I will not tolerate discrimination or hate of any kind (homophobia, transphobia, racism, antisemitism, ableism etc.)
I don’t mind if you have certain interests but please don’t shove them down my throat or infodump on me without my permission.. it’s honestly exhausting
This is a sfw blog so please do not discuss any nsfw topics around here since there are minors following this account.
Please DO NOT re-upload my art without proper credit (unless it’s a commission, then yeah do whatever you want. credit would still be appreciated though)
regarding asks:
I don’t mind if people ask me to draw certain characters(as long as I actually know them), so suggestions are a-ok (no ocs though please)
please don’t try to start a roleplay with me, I’m not comfortable with that kind of stuff
also please don’t treat my inbox like DMs. That’s literally what the DMs are for if you really want to start a conversation with me
that’s about it really, I promise I’m chill I swear I just have really bad socializing skills and I like being satire all the time
enjoy
#persona#oc#may occasionally edit this post to either change or add stuff lol#crispytubes#masterpost
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So much negativity, let’s do something positive.
BECAUSE IT'S TOO EASY!! It's the easiest thing in the world to do! Any imbecile can hate! It's lazy!! You wanna know what takes effort? Being nice. It is so hard to be nice to some people! ~ Nostalgia Critic.
Yeah, I’ve seen a lot of negativity in the world. So easy to type on a keyboard and say this sucks, that sucks and so on. So easy, even Craig McCracken requested for Bubbles to beat her 2016 counterpart in the Jellystone Crossover despite the fact it's been almost 6 years since it ended. But let’s try to change that. Let’s take something you dislike and find a positive or two with it. So let me try.
Velma
I think Mindy Kaling can make a decent Velma voice actress. If she were to voice Velma in a different Scooby Doo Series, I think she can pull it off.
The Animation is the best part of the series. The visuals look great and proves the animation team put a lot of passion behind it.
I like Norville’s design. Like, I wouldn’t call him Shaggy until his hair becomes shaggy but I can see him being great in a different Scooby Doo Series.
I kind of like that Scrappy Doo is in something modern. Maybe this could lead to a resurgence of him coming back in a new Scooby Doo Series.
Teen Titans Go
I really love the Music. Even outside BER, I have enjoyed a good number of their songs. I even like Waffles.
I like how they play with animation styles. Be Serious with their overdesigned looks. Origans Part 3 with their various styles. Everytime they listen to BER. It really shows how creative they can get.
I enjoy their references to DC’s History. They had the Challengers of the Unknown in their movie and Nuclear Man. A Year before DC actually put him in comics and decades after his movie appearance.
Cyborg is the best character of the series. I think he works off well with all the characters individually or as a group. And I have enjoyed his solo stories.
Outside the BER episodes, my favorite episodes are the Oregon Trail and the first Justice League’s Next Top Talent Idol Star. They have been very enjoyable for me.
Jared from Powerpuff Girls 2016
I like that Blossom liked him. It gave her some extra character that I felt she lacked in the original series.
Donny from Powerpuff Girls 2016
Uhh... His voice actor, Josh Fadem, was in Adventure Time and really nailed the role of Whipple the Sea Dragon.
Man, it's harder than it looks for those last two. But try it yourself. Find something you don’t like and think positive things about it. It won’t change what you feel about it, but it probably would prevent you from just being constantly upset about thinking of all the Negatives about it.
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I’ve always seen this Powerpuff Girls Perfect Guide on eBay for YEARS selling for, like, $60 and upward, which… I mean, I would never pay that much for a book. 🤣 Luckily, someone was selling this on Mercari for like $13, and that was a whole lot more reasonable for me. So I snagged it!
It’s a perfect guide of the Pine Pak Girls, which Google Translate kept telling me was either directed by Craig or Greg McCracken… I’m preeeeetty sure the latter is the correct translation, so we’ll just roll with that for the rest of this entry.
The silver cover’s actually a dust jacket that reveals a much cooler cover:
They’re much much cooler than the Pine Pak Girls!
So, is this thing actually perfect? Well, it’s… essentially the Powerzine with info on the movie too, and by info, I mean… it’s basically just a novelization of the movie. It was a little disappointing because one of the first things they show are a couple of storyboards of the film, and then launch right into the story. But that’s okay!
There’s also an interview with Greg in there about the PPG from a Japanese perspective. Here’s one quote from their riveting dialogue:
“Simply put, in Japan, anime characters are infiltrating every aspect of life, from street signs to milk cartons and deaf. If my style looks Japanese, that’s why.”
Well put, Greg!
There’s also a character guide that catalogues every single PPG character… and I mean, like… everyone.
All of the weird one-off villains and stuff… which, wow. Very neat! Speaking of villains, there’s a huge guide on the main villains, too. Since I know my audience and since Tumblr only allows 10 pics per mobile post, I’ll make sure to post the boys you all crave:
I don’t think I’ve seen that particular GGG art before (some of the text is cute and mentions how the boys care about each other, aww).
There was also a really cool Him pic I don’t think I’ve ever seen before:
He has such a cool throne of darkness and evil!
And Google Translate provided a lot of really fun translations while I was looking at the Mojo section:
That last one is basically the epitome of Mojo and I love it. 🥰
Overall, an interesting book to have for the character stuff. I’ll make another post about this thing and show you all of the stuff they had…… regarding merchandise! To be continued!
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Top 7 CN Shows That Would Work Better in Live Action than PPG
So I think everybody’s talked about why CW Powerpuff Girls doesn’t work, whether or not it’s a real thing or not? Who even knows. But while thinking about how this:
is kinda awful for Powerpuff Girls, I got thinking what shows that this style of a reboot would work for. In which it’s live action, the character is depressed and has sort of resentment towards their childhood now and that sort of thing.
So what are the top 7 shows that I think this
Number 7:
Foster’s Home for Imaginary Friends
At Number 7 we have Foster’s Home for Imaginary Friends. Seems fitting that we’d start the list with another one of Craig McCracken’s biggest hits. Why do I think the premise of “Oh, life sucks now and I kinda wasted my childhood” would work for Foster’s? For the plain and simple fact that for a few episodes of the show, there was a focus on Mac growing up and whether or not he should leave his friends at Foster’s behind him. You could play a lot with that concept combined with the live action reboot thing. Maybe an older version of the character is dealing with whether or not to let go of both Bloo and the past and move on with his life. Frankie being a young adult during the time of the original show could also be a pretty instrumental character since it was a matter of living there, caring for the friends, having that job and balancing this life with the life that she had outside of the house.
Not quite a coming of age story but a sort of “Hey, my life has gone nowhere and where could I go with this now? Do I keep the friends I loved and cherished as a child or move onto other things? Is there a way to do both?”
Only thing I wouldn’t want though is CGI monstrosity friends. Those would be kinda the worst…
Number 6:
Okay, let’s actually talk about a real superhero show this time around. Or would this count as a superhero show? Well, they certainly do a lot of cool time travelling so I’m gonna say it’s a superhero show. Of course, I mean Time Squad.
Now if you haven’t guessed, I don’t have the most experience with this show but I know enough to think that this is something that could actually work well. I mean, Otto was a kid who was basically running around all over history protecting the balance of time with a stuck up robot and a dude who is a little too into all of this. Imagine if he just sorta did this for all of his childhood and realizing as a young adult that “Crap, I didn’t really have a childhood.” With the dynamic of the squad, the potential to expand the greater organization as a whole and just all the time travel shenanigans that could happen, I don’t see a reason not to do it.
Plus, CW already has Legends of Tomorrow and that’s awesome so even less likely to screw it up if they’ve already got a model to do it off of right?
Number 5:
The Marvelous Misadventures of Flapjack
Yo ho ho, it is a sailor’s life for me. And in this sailor’s life we’re coming in with Number 5: The Marvelous Misadventures of Flapjack. Now this is a bit of an odd choice, right? But hear me out.
Flapjack as a child kinda had only Bubbie and K’nuckles as guides for his life. While they mostly spent their lives at Stormalong Harbor, they also constantly spent their lives looking for Candied Island. What if they never stopped looking and eventually, little kid Flapjack is a grown up now and he’s like “Oh wow. I wanted adventure but I was kinda manipulated to follow this creepy old man’s dreams of candy.” I think going heavy and hard on this sort of found family between them would be kinda fun. How K’nuckles wasn’t the best role model and how they’ve still only got each other in this world, that sort of thing.
Plus, a live action Stormalong would be sooooooo cool.
Number 4:
Ben 10
As the old saying goes, it started when an alien device did what it did, stuck itself upon his wrist with secrets that it hid, now he’s got superpowers he’s no ordinary kid, it’s Ben 10.
And unfortunately in CW’s Ben 10, he’s not a kid who just wants to have fun. Nah, he’s got a lot of emotional stuff to deal with and all of that depressing stuff. Isn’t it great? Now I do think that this could work especially if you work it in where maybe Ben enlisted into the plumbers after his summer vacation and it just kinda escalated from there to the point where here he is now.
Say what you will, but at least with Ben 10, we’ve seen it hit a more grounded and emotional place with Ben 10 Alien Force and Ultimate Alien so I don’t believe that this would be too far of a stretch with how that show worked and a lot of people happened to really like those iterations of the show.
Granted, I actually do want a CW styled Ben 10, but less edgy Arrow style and more along the lines of The Flash, but I’d still take this too.
And now before we get into the top 3, let’s get into a few honorable mentions.
First up, we’ve got Steven Universe. Now honestly, this could work really well, the only issue with that is that we’ve kinda already seen this story told and that was with Steven Universe Future. Good stuff and a lot of potential, but we’ve seen it and I don’t think we need to see it again with a live action coat of paint.
Next up there’s Codename Kids Next Door. Honestly, I think the only real spinoff we need for Kids Next Door is Galactic. That’s it. Anything else is unnecessary. Still, with this sort of concept an older KND who has been decommissioned and feels like there’s something missing in their lives that they just don’t understand would be really cool. Although maybe that would work as like a movie or special or somethin’ I don’t know.
And finally for the last of the honorable mentions we’ve got Teen Titans. While I am trying to keep this list to CN Originals, I couldn’t help but bring this one up. How Long is Forever is one of my all-time favorite episodes of the 2003 series so I think seeing a series taking place in that timeline or something similar would be a lot of fun maybe for like a miniseries or something. And honestly, anything’s better than Titans.
With those three out of the way, back to the list.
Number 3:
The Life and Times of Juniper Lee
In a world full of monsters and demons, June is the only one who sees them. This is the Life and Times of Juniper Lee and it makes number three on my list.
Now, like Time Squad, I didn’t watch much of this show. But what I do know about this show is that June is cool and she’s got this whole legacy and destiny by being the newest Te Xaun Ze, which are basically the magical protectors of her town. Only problem, and why I think that this direction for this show would actually be kinda cool, is the whole thing that the Te Xaun Ze is never allowed to leave the town at any point in their lives and oh boy, you could actually go really hard on that with this format since it’s literally built into the show.
Juniper Lee all grown up and just straight up depressed because she’s got the cool powers and grabs all the monsters but everyone around her has moved on in their lives. Friends have gone off to college and started all their lives and she’s got nothing but her family in Orchid Bay. You’d have a story of someone who once was big on their destiny who has accepted it but wishes that it wasn’t theirs anymore. I do know the show dealt with this a bit but with a new continuity and an older version of the character you really could just go in and deep on this.
I stand by that this would actually be pretty cool and kinda want it. Honestly, I like this idea so much that I wasn’t sure whether to put this in the number three or the number two spot, but y’know what? The next show told me a little secret that gave it the edge.
Number 2:
The Secret Saturdays
That’s right, it’s the Secret Saturdays.
Zak Saturday went all around the world with his parents discovering ancient cryptids, protecting the world and everything. He got some cool siblings in Fiskerton, Komodo and Zon. And then to add on top of that that he’s also the reincarnation of an ancient cryptid set to rule and control all the cryptids in the world? Yeah, that’ll do it. Definitely not the type of life he asked for and kid went through a lot because of it especially after losing those powers and apparently getting them back if we’re to count the Omniverse crossover TGIS to be canon.
But having parents like Zak’s, everything with the community of Secret Scientists and not really having many friends his own age or well, his own species will do that.
Exploring Zak and maybe Argost coming back for powers he might not want anymore and learning to embrace his destiny while also trying to patch up the Saturday family would be awesome.
Number 1:
Dexter’s Laboratory
Now while I know we already have a live action Dexter and it was an incredible hit, I- Wait, not the same show.
Ahem, Dexter’s Laboratory makes the top of this list. Partially because of it being PPG’s sister series but also partially because of the whole thing of there’s a lot you could do with Dexter’s character in terms of depression. If someone with such a high intellect were to somehow lose it all or just in some way, never really got forward in life, that would do it. Dexter could be a type of character that’s too stuck inside his own head in order to move forward. Alternatively, maybe Dexter is highly successful but has found there’s something missing in life or something. I dunno.
But whichever way you decide to go with Dexter’s character, you could have Dee Dee be pretty much the opposite of that. Maybe she’s found herself a place in life that she’s content with and Dex doesn’t understand why but wants it. I think going deep on this sort of emotional aspect of his life while also having all sorts of fun crazy science stuff would be a good watch.
All in all, gimme a Dexter’s lab show but we gotta make sure he keeps some form of an accent. No accent is a dealbreaker.
Although, I think that at the end of the day, animation should really just stay animated and that we don’t need to go live action for anything. All of these ideas I’ve presented, I’d of course rather prefer as cartoons with a more balanced tone more than anything but I figured with the announcement of a PPG show, this would be a silly but fun idea to talk about rather than ranting about it like most have. Granted, I’ve got some rants of my own since I still think it’s a bad idea. Haha. But you know how it goes.
At any rate those are all the shows I think would make better CW PPG style reboots than CW PPG. When it comes to the edginess and potential for drama, I feel these shows fit the bill better than the innocent, buttkicking action that was the Powerpuff Girls.
But what do you all think? Do you have any shows in mind that I haven’t mentioned? Do you think I’ve opened Pandora’s Box and given The CW more awful ideas?
Now, this was originally a YouTube video so you can probably see that in the way that this post, especially the ending was written, but I just still don’t really have the energy to edit stuff so have this post instead. It’s something I really wanted to discuss and just decided, hey, why not make it a Tumblr post?
#Cartoon network#PowerPuff Girls#live action remake#cw powerpuff girls#Foster's Home for Imaginary Friends#time squad#The Marvelous Misadventures of Flapjack#ben 10#steven universe#steven universe future#kids next door#codename kids next door#codename knd#knd#galactic kids next door#Teen Titans#The Life and Times of Juniper Lee#secret saturdays#dexter's laboratory
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In all seriousness... someone probably needs to write a thesis about Margaret Keane’s influence on the art world as viewed through a feminist lens. I’m... not gonna be that person because it’s a little out of my depth... but speaking laconically... Keane did paintings that looked like this:
What people seem to know about her is that her art is commonly called “kitsch” and that her ex-husband tried to pass her art off as his own. Some animation fans might also know that her artwork inspired both the works of Tim Burton as well as the big eyed looks on Craig McCracken’s The Powerpuff Girls.
That said... I don’t think enough people realize that her art’s probably the main influence on the art movement we know today as Pop Surrealism, a movement popularized by an artist named Mark Ryden. His stuff looks like this.
If his art looks familiar, he’s the guy who did the album cover for Tyler the Creator’s Wolf.
Not all pop surrealists have taken after Mark Ryden’s style (Ron English, for example, seems mostly inspired by advertising and comic books, and his stuff is maybe a bit more reminiscient of, say, Andy Warhol)... but a lot of Ryden’s contemporaries still use similar big eyed waifs.
(Marion Peck... incidentally she’s Ryden’s significant other)
(Nicoletta Ceccoli)
A closely related art movement that seems to have some overlap with Pop Surrealism is the Superflat movement, spearheaded by Takashi Murakami. And while Murakami himself doesn’t have many big-eyed waifish girls populating his artwork, many other artists under that label actually do.
(Yoshitoma Nara)
(Chiho Aoshima)
Now... to say that Keane is the sole influence on any of these artists is terribly reductive and ignores the cultural context in which most of these art pieces are created... but you can’t deny the resemblance. Hell, Ryden even features an explicit homage to Keane in this painting.
That skirt? a reference to this piece by Keane.
I dunno... it feels like this woman was screwed over by the art world... her works were never given the same respect Ryden and his contemporaries get. Her husband and her critics were bad enough... but now we have entire art movements built around the style and subjects she developed... and she’s still considered kitsch? She deserves better than that.
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My favorite animation of the 2010s
Overall, the 2010s was an extremely mixed bag. For the most part television cartoons were kinda lousy for Cartoon Network and Nickelodeon, but pretty amazing for Disney Junior and other Y-rated Disney shows.
My Little Pony: Friendship is Magic (2010) This is one of the big ones, really. Even after the initial buzz and hype seemed to fade after making such a big splash and causing a societal shift in the form of bronies, this show kept me going through the decade with it’s layered characters and dynamics, complex mythology and fun songs. It’s a great example of character development and world-building done right.
The Amazing World of Gumball (2011) This was probably Cartoon Network’s best show during the decade. I like Regular Show a lot, but it’s character design leaves a little to be desired in my opinion. Gumball was daring to be different among a dozen Adventure Time wannabes, focusing on creative slapstick gags and social satire and expanding on toon physics rather than going “Dude! We’re so modern!”. The way the show also defies convention by having almost every character drawn in a different style is also pretty cool. My only complaint is the use of gross-out humor and often unpleasant-looking faces.
Kung Fu Panda 2 (2011) The main thing I remember about this movie is I think it has one of the most interesting sympathetic villains in quite a while. It also has amazing action sequences and cinematography.
Wander Over Yonder (2013) Craig McCracken really proves that he’s still got it in this show- it’s his best work since The Powerpuff Girls, I think. It’s criminally underrated, and really deserved to have more than two seasons. Wander Over Yonder is really the only cartoon in about twenty years that continues the spirit of classic ‘90s Cartoon Network shows, and it’s influences are clearly on display: you can spot the inspiration from Looney Tunes, Tex Avery, 1960s Hanna-Barbera, Jay Ward, psychedelia such as Yellow Submarine and even Peanuts. And it’s only made better by having a bigger Disney budget. On top of that it has a great positive message of kindness and friendship, truly believing that anybody can be redeemed.
Harvey Beaks (2015) Harvey Beaks is one of those shows that I liked a lot but hardly anybody else seemed to know about, like most of the cartoons I’ve liked since 2002 or so. Like others in this category, it’s woefully underrated and was canceled after only two seasons. I already liked C.H. Greenblatt’s Chowder, so I figured I’d like this show too. I was pleasantly surprised by how incredibly charming this show was, with a similar vibe to other “animals in the forest” series like Winnie the Pooh, The Wind in Willows, and The Wombles, but with a fun edginess and character dynamic that sort of reminds me of Hey Arnold! or the heyday of Peanuts. It has one of the best ensemble casts in a long time.
Tangled: The Series (aka Rapunzel’s Tangled Adventure) (2017) This series seems to have learned from the best live-action TV shows like Agents of S.H.I.E.L.D. and others like it and made it into a disgestible family-friendly show, with complex characters, differing and often clashing motivations, a deep backstory and lore, and a long plotline that actually doesn’t get confusing or boring! Not to mention the songs are really amazing. It helps that Alan Menken is writing them, and they’re among his best work.
Zootopia (2017) It was in my late teens that I discovered that I was sort of obsessed with talking animal characters. There’s just something about giving an animal human qualities- make them capable of human speech, anything from Bugs Bunny to The Lion King is cool with me. Zootopia is one of the very, very best examples of this. It’s probably the most convincing as far as world-building goes, because you really believe that this is a world that caters specifically to animals and their needs. The character design and animation is fantastic too, and the characters have tons of appeal, not to mention the elegantly done social commentary and parallels to modern day race relations.
Coco (2017) Amazing songs. The scene where Miguel sings “Remember Me” for Mamá Coco makes me cry every time.
Green Eggs and Ham (2019) I really can’t say enough good things about this series. The animation is truly incredible- that wonderful combination of Looney Tunes wackiness and squash and stretch and that Disneyesque three-dimensionality and solid construction that I love so, so much. I don’t think there’s been 2D animation that I found so moving and heartwarming since Lilo & Stitch or The Princess and the Frog. And there are many things I think the series does better than those movies. It’s just that good. I’ve been a firm believer for many, many years that silly, wacky cartoon characters are entirely capable of deep emotion and powerfully heartfelt stories, and this series is proof of that. And this is a Warner Bros. production! When was the last time WB did anything this well-animated and ambitious? Possibly never, since Space Jam and Back in Action were hybrids, and Quest for Camelot was only kinda meh. Also, the fox and the mouse are adorable.
Now, some folks would probably be upset that I left out Gravity Falls. I get it, it’s an amazing show, but it’s not quite as inspiring to me as the others on this list.
#my little pony#my little pony: friendship is magic#mlp:fim#the amazing world of gumball#gumball#cartoon network#kung fu panda#kung fu panda 2#shen#wander over yonder#craig mccracken#harvey beaks#c.h. greenblatt#tangled#rapunzel#disney#zootopia#coco#pixar#remember me#green eggs and ham#netflix#cartoon#toon#animation
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My top 10 Powerpuff Girls episodes
(PLEASE NOTE THAT THIS WAS WRITTEN BACK IN NOVEMBER SO SOME OF THIS IS A LITTLE OUTDATED SO WE’RE NEARLY INTO FEBRUARY...ABOUT TIME I FINISH THIS DAMN REVIEW!) For some reason, @princess-peachie‘s love for PPG made me want to do this too haha! Can you believe that The Powerpuff Girls -one of the greatest Cartoon Network shows- has turned twenty? I know it's a little late but I get such great fond memories watching this as a little kid. The Powerpuff Girls was a spunky, energetic, entertaining, action packed, heartwarming and funny show. I indulged myself into watching this whenever I could and I always looked forward to it. It didn't matter if I saw the same episodes repeated again and again, The Powerpuff Girls would never shy away on putting a smile on my face. I LOVED this cartoon, it’s pretty special to me because it came out on the 18th November 1998 (my 10th birthday), at the time, we didn’t have access to Cartoon Network so I wasn’t aware of this show until early next year. My first glimpse of the Powerpuff Girls was a mention and a brief clip shown of the girls flying and staring at the camera during a line up of Cartoons showing at the time. I actually got curious straight away and had no idea whenever I’d get the time to finally watch it.
Finally one evening after 2 Stupid Dogs finished, The Powerpuff Girls was announced next and this finally gave me a chance to watch it in peace. I was alone in the living room and I quietly sat there like ...well a kid, waiting, I was excited, I would finally get to watch this show after trying to.
Unlike most Cartoon Network shows in which it took me a while to get into such as Ed, Edd n Eddy, I already found myself smiling to myself and even quietly laughing. If I can remember correctly, the first episodes I got to watch fully for the first time were “Fuzzy Logic” and “Tough Love”. I don’t know why but somehow I knew I was really going to enjoy this show more than I’d expect. The Powerpuff Girls isn’t JUST your average typical cutesy show starring three female leads. It has more than that, it had action, it had a great stories, it had great adventure, it had great voice acting, speed, pizzazz and most of all…IT was actually very funny! Craig McCracken had come a long way since making these characters onto a small card he drew, to his own animated shorts to then one of the most iconic and important shows Cartoon Network had ever put onto their channel.
I loved it more for what it produced, I really liked how it pulls your audience in thinking it’s a cutesy girly show with all rainbows and giggles, but really, it’s a cartoon that captivates the audience with it’s humor, voice acting, soundtrack, atmosphere and even the sneaky pop cultural references and of course: adult humor. I would constantly tape the show whenever I could and when it came to those memorable ones, I KNEW I’d enjoy them again after more than one watch. There was something about this show that really appealed to me and sometimes I couldn’t quite lay a finger on it. When I first watched this show, I was glad I had instantly become a fan because this was one of those shows that I got into and enjoyed before anyone else did in the household. I’m glad it wasn’t just a girly girl’s show. I was happy that the main heroes were unique in appearence and seemed all sweet innocent looking kids which do nothing other than fighting crime, play around and act like little kids. I think what grabbed male audience’s attention more were the villains and I can see why. They were all funny, engaging and their use of dialogue and voice acting were terrific. All well done to a tee!
When you’ve got voice talents such as Tom Kane, Jennifer Hale, Cathy Cavadini, EG Daily, Tara Strong, Roger Jackson, Jim Cummings, Tom Kenny, not forgetting the late Chuck McCann and even occasional to major and minor voice appearances from Kevin Michael Richardson, Rob Paulsen, Kath Soucie, Jeff Bennet and even Mark Hamill, WHERE can you go wrong? With a good cartoon, comes a good cast of voice artists.
Craig McCracken put his heart into this show and I am glad to have grown up with this masterpiece. The Powerpuff Girls is no doubt one of my favorite animated shows of all time and I will continue to watch them again and again and never get tired at watching the many episodes that are so dear to my heart. Craig really knew how to create a masterpiece and one that would go onto become a cultural phenomenon. He really knew how to create great characters young, old, male and female, and yet have the main lead cast all female that would appeal to both girls and boys is quite a milestone in cartoon history.
In honor of this series, I will be counting down my top ten greatest Powerpuff Girls episodes. I will however not be including the movie, the Christmas special or the Dance Pantsed Special, also I am only focusing on the original 90s show and not the 2016 reboot. WARNING: Spoilers ahead.
With that being said here are what I consider the greatest episodes.
10 - The Bare Facts This was one of the first episodes I ever got to record onto vhs, I remember so well on Christmas eve and I couldn't wait. I would constantly watch it played back again and again and you can see why.
Most episodes focus on the girls fighting crime and succeeding, but here, all the action is unseen...at first.
Sometimes when sibling characters argue in animation, it can be degrading, unpleasant and makes you want to lose interest in the characters all together, but here, it's done right, to a point where the arguing isn't degrading or stale and actually pretty funny. Also I love how clueless the Mayor is about everything, especially the scene about "the note", this scene always had me laughing as a kid.
Throughout this episode, the setting is all in the Mayor's point of view, complete with various styles of the girls versions of the story on how it all happened, done with an art style shift for each girl. This idea is hilarious and I love how they constantly jump in with different story telling patterns as follows: Blossom tells it mostly focusing on her (all about her, nobody else), complete with a light red tinted scene.
Bubbles tells it in a rather light hearted but adorably accurate way, complete with crayon drawing scenes.
And Buttercup tells it in a rather shadowy olive-green scene, mostly focusing on the action and not the details like Blossom did.
The Mayor however is oblivious to what has happened and is only wondering why the girls were laughing earlier.
I will NOT spoil the ending for this episode for those who haven't seen it, although I really could have done without the narrator's little puns to go with the moment. Again, the episode title just may give you some ideas.
Overall, this episode was great and was even nominated for an emmy with it's brother episode "Bubblevicious".
KEY MOMENT FOR ME: The "pretty clouds" scene. Seriously cracks me up!
9. Just Another Manic Mojo
I can't think of any episode focusing on Mojo Jojo to be as brilliant as this one, sure "Child Fearing" was hilarious, "Monkey See, Doggy Do" is a classic and "Mr Mojo's Rising" is one that shouldn't be ignored. But if I had to pick any of the Mojo Jojo themed episodes, it would be this one. Just imagine, a day in the life of a villain: Waking up miserable, going through so much hell each day and reading the news to such goody-goody acts.
Watching this episode back to back constantly, I never got tired of it and I knew it almost word for word at some point.
The first half of this episode focuses on Mojo getting up, regular routines such as showering, doing his teeth, ceasing the day and readying up for breakfast...until he discovers drama in the kitchen...ONE EGG LEFT! I just love the little ramble he does here, over a single egg, what follows is an ingenious rollercoaster of comedy gold. Whenever Mojo's onscreen, you can't help but laugh, with his hilariously bad Japanese accent and repetitive Speed Racer-esque sentences, you can see why he was a fan favorite.
What follows the events is the girls accidentally having their ball crash through their window and what do they do? They ask for it back (well, better than busting in through the roof and looking for it, eh?).
I would probably give it away if I were to describe what follows afterward, but if you really want a laugh, then this episode is the one for you. Of all the episodes where the girls drive Mojo insane, this has got to be the funniest.
KEY MOMENT FOR ME: Just Mojo Jojo, he's absolutely hilarious in this episode, the girls being a runner-up too for not keeping still. Also one word: "curses".
8. Supper Villain This episode is hilarious on many levels, most of the story is done for laughs and the setup is well...average...averagely brilliant. It's great to hear Kath Soucie on the Powerpuff Girls again (true fans should know that Soucie started off voicing Bubbles in the two pilots via What a Cartoon before Tara stepped in for the role).
The repetitive dialogue is great, played out for laughs and builds up for even more laughs, mixed with great voice acting.
The story? Harold Smith spends his life working at a mustard factory, bored with his life, he longs for something more, with a dark secret. But when his beloved wife Marianne invites the neighbors over for dinner, Harold is vulnerable and finally breaks free and shows his true colors.
His outfit reveal (obviously home made) is enough to make anybody laugh off of your seat. With his newly found identity, Harold reveals his first villainy. From here, we get some hilariously unforgettable gags, and one of the best scenes that eventually became an Internet meme: "Eat your pea, Professor!". No matter how many times I watch it, the dinner scene is just classic. Being a comedic show with guests at dinner, I'm pretty sure you can figure out what happens next.
Key moment for me: "Eat your pea Professor!" No doubt about it.
8. Jewel of the Aisle I'd like to point out here that this episode aired right as Kelloggs released a Powerpuff Girls themed cereal. Sadly it was limited and has since discontinued, so good luck on throwing your pennies onto ebay to grab a box. Now, this episode never really gets talked about enough, maybe because the main villain here is a nameless crook who you never really see again. The story's premise is simple, the girls fail to track down a thief who had just stolen a priceless diamond from the jewelry store. Unable to locate him, they retire for the night, swearing they will meet again. The crook however, hiding in a cereal factory accidentally drops his prize into one of the boxes, which then ends up in the local supermarket.
When the crook fails to find his precious gem, he's down to one box -which ends up in the hands of the Professor. The crook follows him home stealthily only to his horror to find out that Professor Utonium is the father of the Powerpuff Girls. Upon his spying, he notices a commercial (with terrifically shifted fluent animation that almost feels Disney or Warner Bros. esque) and comes up with a cunning plan...dressing up as "Lucky Captain Rabbit King", the cereal's mascot, I'll leave it up to you on what cereal brands they were parodying here.
While these cereals weren't so big here in Europe, heck, I only ever remember eating Lucky Charms in my own youth a lot until they went up in price later on. I still got the reference easily thanks to the internet. This still didn't stop me from getting laugh, gag after gag.
Think of this episode as a Yogi Bear cartoon, but instead of stealing a "pic-a-nic" basket or a pie cooling off on the window sill (or a plate of hog jowls if you're thinking Ren and Stimpy), you've got a box of cereal with a hidden unknown prize not included in most boxes. The comedy in this episode is hilarious, for example, how much cereal did the girls go through and not notice a diamond? Also, the classic usage of oblivion and determination is brilliant, it's like watching classic golden age cartoons of the 40s and 50s again. The crook taking on a role parodying the Trix Rabbit is just so funny to watch, no matter what he does, he is being outsmarted by three adorable kindergartners. I love how the girls just play along with the gag and constantly kick him out,. My favorite part would have to be when the crook disguises himself as a monster outside off the front window complete with a Townsville scenery. YOU know you're going to laugh out loud when an idiot pulls this gag out of his hat and fails to succeed.
On a spoiler's note, I felt a little sorry for the crook when he broke down, forgetting about the jewel and focusing on the cereal, I don't know, maybe it's when Bubbles (who is honestly the sweetest little living being on two legs in cartoons) actually gives in and offers t it to him. While most stories like these do tend to have a happy ending for the determined victim, we don't get that here, which is why this episode works. Again, while I've probably spoiled most of the plot, it's too simple anyway. With that being said, "Ridiculous Lucky Captain Rabbit King, Lucky Captain Rabbit King Nuggets are for the youth!". Okay, I'm actually craving junky cereal now, especially imported from USA! Key moment for me: The comedy in this episode.
7. Telephonies This is another classic episode, the comedy and timing is perfect, the plot is great and gives us a look into the lives of the villains when they are chilling out and not plotting evil schemes. When something is funny, it has to have speed at exactly the right time, otherwise the joke falls flat and loses it's cool, that's if you can pinpoint that in your head and understand where I'm going with this.
When the Gang Green Gang start making crank calls throughout Townsville, they are lacking in great ways to pull them off. So, after calling the Mayor with Grubber impersonating Ms Bellum, making him leave to "cut the ribbon for the new mall, declaring it open", giving them the free run of the Powerpuff Hotline. What we get is a rather "interesting" insight of the villains at home doing their own thing as the girls burst in and constantly beat the living hell out of them, only to learn that they were NOT even committing any crimes. Here, we learn that Mojo Jojo is more sophisticated than you think (yet we see him in Manic Mojo actually buying eggs at the supermarket), he listens to classical music and reads the paper and even takes naps in an armchair. Also, what can be more funnier than the "evilest of all evil" ("Him") working out in complete aerobic equipment? That is just friggin hilarious, I also love how polite he is when the girls break in, but the one that gave me the most laughs out of the villains was Fuzzy Lumpkins. Nobody likes having their privacy invaded, especially when you're taking a relaxing bath, the delivery here from the girls was priceless, especially when Bubbles ended it. I love how the violence and beating up here is played more for laughs and not action itself.
Another thing that still cracks me up in this episode is that these villains are all pretty close friends and even keep in touch by landline, that's right, even down in the depths of hell, HIM has his own phone to make calls. When's the last time you've seen cartoon villains in conversation over a phone? Brilliant!
The ending too is pretty funny and I like how the girls don't believe the Mayor after three cock-ups in one day.
Key moment for me: As I said, Bubbles' delivery to Fuzzy was "tell it like is is funny", BUT the true comedic gem in this episode personally is Professor Utonium. The running gag with him still at the receiver on hold is fantastic. I will forgive the fact that near the end, you see him outside the girls door but I guess that adds to the comedy.
6. The Powerpuff Girls Best Rainy Day Adventure Ever. That's right, that is the actual name of the episode and by god it's a mouthful. Now THIS episode just gets better and better every single time with each watch, whose genius idea was it to create an episode where the girls play pretend? In this case, literally playing The Powerpuff Girls. This includes them playing various roles for other citizens in Townsville and as all kids do when playing together, arguing on who gets to be who?
Honestly, this episode's premise is spectacular. I love how the girls hardly even use superpowers at all, not to mention the unforgettable one liner from Buttercup while playing as a monster. Also, it was nice to actually see the girls here get more comedy than they usually do. For most of the part in the series in general, the comedy is thrown around depending on the characters, story and situation, but here, the girls really do steal the show.
I'm pretty sure a lot of us as kids can relate, with our friends or siblings role-playing as our favourite characters from cartoons, but as each other, that's unique.
PPG Best Rainy Day Adventure Ever is definitely one of the funniest episodes of season 2, so next time you're having a bad day and it's raining, not up for walking the dog, cos it's rai-, okay, enough spoilers. Go watch this one next time you want to see a lead female cast of kindergartners at their funniest.
Key moment for me: The Mayor. You'll have to watch it so not to spoil it.
5. I See A Funny Cartoon In Your Future Seasonal rot is painful, especially cartoons that were so highly well received by critics and fans alike. After the Powerpuff Girls movie, the show followed the upgraded animated style which kind of watered down the true charm of the first four seasons, as well as lacking in great ideas for stories, most of seasons five and six were...mediocre with sour pickles on top. Luckily, this one made me laugh. A hell of a lot!
The entire story is told like episodes of Jay Ward's Rocky and Bullwinkle cartoons, complete with cheesy but hilarious and witty puns, fourth wall breaking and running gags. We also have the main one off villain here voiced by the late June Foray (voice of Rocky and Natasha Fatale). I like how she and her goosey sidekick are drawn to mimic the style of Jay Ward's characters and the little commercial near the end of the episode spoofing the Nicotine Patch. It's such a shame this episode wasn't traditionally animated, for I would have really liked to have seen some lush fluid animation to boot up this episode more. Interestingly, I never saw the Rocky and Bullwinkle cartoons as a kid, since they weren't very big in England, but I got into the franchise when I watched the movie on VHS non-stop and loved it (it's a guilty pleasure haha), so you can see why this episode gave me loads of laughs.
Also note that sadly, June Foray passed away in July 2017, leaving a legacy of cartoon voices behind and fond memories. Since her passing, Mrs Strong herself went on to provide the voice of Rocky for the new Rocky and Bullwinkle series, keeping the spirit alive as always. Good one Tara! Great work. And I mean it! KEY MOMENT FOR ME: The voodoo dolls. Seriously, I quote this a lot haha! Also, just the whole episode being a tribute to Rocky and Bullwinkle.
4. Meet The Beat-Alls Okay, this is definitely getting close to what a WatchMojo list would look like, no? WELL I'm gonna jab this list and have it up before you can say "Ringo Starr's a Powerpuff Girl!", but how can I NOT make a top 10 Powerpuff eps. list and NOT include this episode, and I quote @UmbraMagna, "This episode is absolutely fantastic!", never have truer words been spoken? Telephonies made way with great laughs, but that was more focused on the Gang Green Gang, here this episode focuses on Him, Mojo, Princess Morbucks and Fuzzy in what is probably the funniest Beatles parody I've ever seen.
Craig McCracken himself has always been a huge fan of the Beatles, so when season 3 was ending soon it ended with the sister episode to Moral Decay and you know what? It saved the season finale. Every second, there's a reference to...well, the Beatles. Sure, "Homer's Barbershop Quartet" of The Simpsons was fun and had lots of references to the band and other acts, but an entire episode where it's nothing but Beatles second after second, how can you go wrong?
From the Abbey Road walk, to the musical style, to the Yoko Ono reference, to just everything about it, it's one episode that will have you laughing after a Hard Day's Night. EG Daily (voice of Buttercup) has stated during a Comic-Kaze guest panel that this was one of her favorite episodes.
Show creator Craig McCracken himself even listed this episode as one of his top ten favourite episodes of all time. There is one little nitpick, but I guess it doesn't matter, since it still makes way for great comedy and I like how a SINGLE rock actually defeats the girls (back when cartoons weren't very pc, just the way I like'em). Whether you like the Beatles or not, Meet the Beat-Alls is a great episode with the villains at their best. Key moment for me: The whole episode, brilliant!
3. See Me, Feel Me, Gnomey. NOTE: WATCH THIS EPISODE WITH CAUTION! CONTAINS FLASHING IMAGES! I LOVE THIS EPISODE! Remember what I said about seasons five and six suffering from seasonal rot and mediocre episodes? Well, here's one that I probably consider one of the best of them during the Chris Savino era. The entire episode is much longer since the intro is cut short to make way for what comes next. An unbelievable half hour of a pure masterpiece.
For many, being a great voice actor means they have to know how to sing and here, we have a lot of it. It really gave the voice actors' chance to show off their singing voices a great workout and boy, did they nail it right out the park? While it's not the most comedic, it's still epic, fun and unforgettable. This episode was like an evil apocalypse, not even fighting on who gets to defeat the girls or who gets to cause destruction or rob banks. It's a real shame they never released this as a true soundtrack, it's so beautiful.
It's got an Andrew Lloyd Webber and Pink Flloyd's "The Wall" feel to it. I really wish this was the episode's true finale, since it's been debated and rumored to, unfortunately the true finale (not counting the specials) was that of What's the Big Idea, a complete let down, since both McCracken and Savino agreed that the show had run it's course, even though Cartoon Network did ask for a seventh season. If only...sadly, we can't have everything.
The Gnome -the main villain of this episode- was quite interesting, exchanging peace to Townsville for the girls' superpowers, yet making everyone bow down to him. Sadly, this episode was banned from airing in the USA, some say it was because of the message of communism, but the true reason for the ban was for the red and white blinking lights that flashed during the Gnome's spell. It's too bad this was never edited for safety so the US audience could experience it at the time but luckily, it was included in the complete tenth AND twentieth anniversary box set, just proceed with caution, I'm saying this for your own safety. I love the Gnome's setting, in a large rose where he lives in peace, I forgot to mention that he was voiced by the legendary Jess Harnell and boy, was he a perfect choice? Have you ever heard Jess sing OUTSIDE of cartoons? Why don't voice artists get more love? Seriously.
Speaking of which, Tara Strong and EG Daily (who only just recently released a song "Impeachable" (parodying Christina Aguilera's "Beautiful") together for charity) really got to show off their vocal talents here more. Also not to leave her out since I love all three of these amazing talents, Cathy too has a remarkable singing voice! God bless these ladies! In conclusion, See Me, Feel Me Gnomey is a fantastic episode, mixed with action, drama, music and sheer brilliance from start to finish. Key moment for me: The whole episode. I can't pick one moment. I really loved the harmonizing from Strong and Daily during Cavadini's singing solo in "You Wanna Make Us Feel Real Good". Seriously, once these three sing, it just seems unreal, yet magical.
2. The Rowdyruff Boys Okay! I'm pretty sure a lot of fans saw this one coming, I mean it's one of IMDB's highest rated episodes, as well as another one of Craig McCracken's favorites. This episode not only marked the debut of the titled characters of the same name, but was the first of many half hour episodes and of all of them, this one was at it's best. While not the MOST comedic and the boys at the time didn't have as much personality as they did in their later appearances, this episode still left a huge impact on the fans, in a good way. The action in this episode is some of the best I have seen during the McCracken era (something the later episodes lacked), probably along with Stuck Up, Up and Away and Bubblevicious. Tired from constantly being defeated day after day and thrown into jail, Mojo Jojo comes up with the perfect plan to get rid of the girls by creating a trio of kids of his own. Instead of the sweet ingredients for the perfect little girls, Mojo gathers up several ingredients to create the not so perfect little boys. I love how the idea was a reference to the little rhyme "What Are Little Boys/Girls Made of?".
There's some pretty funny but questionable moments, such as...why would the prison serve escargot? I love how the caterer actually smiles in response. Also, why is the Talking Dog suddenly a prison guard? Oh what the hey? It still makes for hilarious gags such as having his tail snatched to finish the ingredients. What I don't get though is Mojo's breath as he flushed the ingredients down the toilet...then again, maybe it was because of when the girls were born causing the chemical reaction to still have an affect which in return passes on to others, in this case, the Rowdyruff Boys. Interestingly, the boys named themselves, while the Professor named his girls. What made this episode great was the voice acting, Roger L Jackson as Mojo yet again was perfect, as well as providing the voice of Butch, Buttercup's counterpart. Cathy, Elizabeth and Tara's energy in this episode were spot on and we even get to hear the legendary Rob Paulsen as Brick and Boomer.
When the two teams meet face to face, they start a huge brawl, the action as I said is amazing, some of the best in any episode, it's like the teams have lept right off the screen.
There is a little problem I have with this episode and...well...it's the whole counterpart vs counterpart thing. I mean...is it really that hard to tell the difference between a little boy and girl with the same hair color? Especially when they use the same chunks of animation for each member fighting against each other, take the cartwheel scene for example. Other than that, the animation in this episode was terrific.
This was also one of the first episodes in which the girls were defeated and nearly for good. But with the Disney-esque tears of life trope, they are revived in seconds. I can forgive this trope here but NOT in Pokemon: The First Movie. Shamed and crestfallen by their defeat, the girls decide to leave Townsville, only to be given a pep talk by Ms Bellum.
And what we get after a little subtle adult joke followed by a defeat from the girls...without the violence, in Sara Bellum's words, "try being nice". I just love how the boys are distracted by the girls as they are standing looking pretty...well, pretty. Pretty as any little girl could be, I laugh my head off every time in this scene, it's both cute and funny, especially with the flirtatious "come hither" eyelashes and sassy “Hey boys!” expressions on the girls that aren't usually seen. You'd expect this kind of thing on a more mature character, one with an hour glass shaped figure and heels. But alas, being kids, the boys can't stand the thought of ...cooties and somehow, this kills them. Literally. No, seriously, they actually die, in a rather humorous way after a long battle with the girls. What makes this scene great is that there's no dialogue, not until the boys scream at the top of their lungs.
I may have spoiled it a little but hey, visualizing it in your head isn't the same as watching it and believe me, it is a really funny scene. Think of it has a "distracted by the sexy" trope but toned down. Also, what I said earlier about the counterpart trope, I'll make this an exception since it was clearly obvious that it was going to happen.
This episode is a fan favorite, unfortunately, it did have a reputation of inspiring fanart and fan-fictions and McCracken himself actually poked fun at this scenario in The City of Clipsville. This episode was not afraid of almost killing off the main characters and three children in fact, but then again, there was so much edge in this show, there was nothing like it at the time. The mix of action, humor and drama is perfect. It's too bad the follow-ups with the boys didn't get the same impact as this one. In conclusion, The Rowdyruff Boys is incredible and really shows that girls are tougher than they look. Take Buttercup's quote "It takes more than a couple of cheap shots to make us cry!". Inspiring.
Key moment for me: The boys' defeat...by cooties. Hilarious. After nearly an entire episode of nothing but non-stop action, violence and a huge brawl in Townsville, we get a comedic flirt scene.
NOW before I finally get to number one, here are some honorable mentions.
Him Riddle Diddle - I love the suspense and how it already started with peril, it felt like some kind of action movie. HIM sets the girls up on a riddle-fest or else the Professor will -in Him's words - pay. I could have had it on this list but...the one bit that bothered me was Buttercup piloting a helicopter...umm...when did she learn to...okay, Uh-Oh Dynamo, they are controlling a large robotic being of themselves but a helicopter? I don't know, maybe it was all done for comedy but yeah, it's still a great episode. What makes this episode great is that it builds up with suspense, from one riddle after another, still filling comedy in the cracks and gaps of course. Also when you have Him as the main villain, he's always coming up with something unique, yet nasty. I won't spoil the ending but it is hilarious, I love the girls' reactions after working their butts off to save their father ONLY to...well see for yourself.
Superfriends - @KarToonComics has already kind of gone on about this episode and I have to agree with her on what she said. I have had lonely problems growing up and found it hard to make friends and socialize. Also, I've personally lost friends due to someone else cutting in the way and excluding me by taking over them and. I don't like to go into it, but we have all had that experience.
The girls meet Robin, their new next door neighbor and befriend her, it's really satisfying to actually see the girls being kids, having fun and playing together for once.
I shut this one off the list though, because...well, some of the later episodes, I can't stand the sharpness in Bubbles' accent, it's noticeable especially in her Ls. It's like she's getting a bit of a Spanish brogue in there (which probably makes sense since she can speak the language), but I just find it really distracting.
Also, while I really liked Robyn, she somewhat looks similar to one of the other kindergartners in school. Watch Stuck Up, Up And Away and see for yourself. Her friendship with the girls was cute, I really like how they all bonded together like all little kids, but of course, being superheroes, the girls didn't always get enough time to meet their new friend, their next door neighbor in fact. That's pretty sad, you can tell the girls themselves could feel it inside them that they wish the hotline would once not ring and they could do their own thing but Townsville seems to have problems every single time.
Robin and the girls walk to school together the following week when a limousine pulls up carrying Princess Morbucks as a passenger. She offers the girls a lift in the car IF they let her be a Powerpuff Girl, the girls' decline the offer (by the way, I love Blossom's expression during Princess's little bribe).
I can't really go on more without totally spoiling the episode so see for yourself what happens from here. It's a great episode, also a BONUS for Robin's hilarious one liner and of course the entire sequence set to the song Signal in the Sky by The Apples in Stereo, damn, why couldn't we have more episodes like that, that'd be just brilliant. I'd have loved to have seen a cameo appearance of Bis, or Dressy Bessy.
Helter Shelter - I don't know why but I wish this episode was longer, then again with a premise as stupid yet funny as this one, it would probably lose the comedy after a while.
Bubbles loves animals, we all know that. In fact, she loves them so much, she has a habit of bringing them in the house.
The following afternoon, Bubbles brings in a baby sperm whale into the house and the results of trying to hide it from the Professor are hilarious. I love the way the girls panic and all the hiding spots aren't very well hidden for a large mammal such as a whale calf.
The dialogue and gags are some of the stupidest yet funniest in any episode, yet they somehow add up nicely. I also love the running gag of the Professor yelling out Bubbles' name, he kind of reminds me of Dave Seville in Alvin and the Chipmunks. .
You'll have to watch the whole episode to find out what happens but I can't say if it will make you laugh or not.
Equal Fights - This was a great episode, in fact I felt it could have been longer, but then it would probably drag on and go nowhere. The girls become sexist to all males after meeting and releasing Femme Fatale, a master thief, bank robber and also bit of a hypocrite.
While Grey Delisle did a fantastic performance with her role here, I felt that Femme Fatale was one of the more forgettable minor villains.
If this were a double length episode, I would have liked to have seen more of a backstory on why she's a misandrist.
Also I felt the character was eye-candy and fan-service material, from her slender figure to her skin-tight outfit. Also, I love how precocious the girls themselves are on a brief history lesson about Susan B. Anthony.
The morals were great but personally, this along with a similar episode Members Only just didn't quite make the cut for me. I did love the references to the Justice League though.
Child Fearing - I love the Mojo Jojo themed episodes, especially where he's with the girls throughout and they make each other's lives a living hell. Unfortunately, some were a fluke and hit and miss while others like Slumbering with the Enemy and this one; Child Fearing are great.
Late for science presentation in a rather clumsy fashion, the Professor hires a babysitter to look after the girls. There's a wonderful reference to a certain N64 game here, I don't want to spoil it in case you may haven't seen it. But it's a great laugh if you know your games. I also love the little smirk the girls give each other when they know they are alone and the Professor forgot to ring for a sitter.
Anyway, the Mayor is too busy to sit for the girls because he's playing video-games, so the girls get an unexpected visit from their arch-enemy Mojo Jojo and the results are pure hilarity, one after the other.
The girls aren't stupid, without a simple huddle or plan, they immediately decide to take advantage of all this and become incredibly obnoxious, mischievous and bratty as any little kid can be. I usually hate obnoxious characters but it's played here perfectly.
It's impossible not to laugh at Mojo here, but also feel sorry for him at the same time. It's a real shame there weren't anymore episodes that had this kind of comedy, because this one is absolutely hilarious from start to finish. Also, the TV scene is absolutely brilliant, the highlight of the episode.
Buttercrush - This was one of the many episodes that immediately got me into the show. Already silently into it that is lol. Anyway, this was an episode I felt went on just too quickly, but if it was extended, it would drag on.
The Gang Green Gang reek havoc at a playground and when the girls show up, the gang's leader Ace throws drops to his knees and does a pathetic routine of guilt. Reluctant, Blossom (being the leader of the girls) agrees, but Buttercup begins developing a crush on Ace, after a tip of his shades, a soft thank you and a wink of charm, Buttercup believes she has just met Mr Right.
Interestingly, Buttercup barely has any dialogue in this episode, heck she only has one or two lines top and tail (if giggling counts). This episode was not afraid to tackle the precocious crush issues, here we have a kindergartner falling for a teenager. It's amazing what the writers got away with in this show.
Buttercup would sneak out every night to visit the gang, I don't know HOW she managed to avoid the Professor checking in on her or anything.
This is one of the few Buttercup themed episodes that was actually good, if not the best one. Although I put it in the honorable mentions because...well...Buttercup's crush didn't last long, in a way it's a good thing otherwise her sisters would have been history, but makes you wonder how much love suddenly poured out of her own heart.
Overall, it's a wonderful episode and deserved a mention.
Cat Man Do - I was SO close to putting this one in the top 10, I saw this episode a lot on Cartoon Network when I was a kid, seriously, they repeated this one again and again yet it never bothered me.
I guess I put it here because...well...the origin of the cat is unknown and who was his master? We never see or hear from him again (minus a brief cameo).
While I haven't found of thought up any theories, that doesn't stop this episode from being a classic. I did feel like the heist scene with the Professor went on a bit too long for a ten minute short. Also, if I were to pick a moment that had me roaring with laughter (not just this episode, but the entire show) every single time, it would be the "We can keep Kitty" scene. The reactions of the girls are priceless and I love how they suddenly lighten up in seconds. Comedy like this in cartoons is rare now, especially with such speed. Also a bonus for the cat himself being voiced by Mark Hamill.
Bought and Scold - Of all the Princess Morbucks themed episodes, this has to be one of the best. Here, she buys all of Townsville and makes crime legal, making the girls' and other citizens' lives miserable. This even leads to everybody's belongings becoming property of the Morbucks household and the villains get to do what they want. Most of all, the Mayor gave the key to the city to Princess, causing her to take over Townsville.
That is until the girls think up a plan to get all they had stolen from them back in a rather hilarious twist. I also love when Morbucks finally snaps and eventually agrees to make crime illegal again, the girls just go off to do what they do best. Seriously, how can you not love the dialogue free scene with the Gangreen Gang, also Blossom's little smug expression when she shows Ace the legal and illegal papers is just brilliant.
As satisfying as it is to see a happy ending again, I can't help but feel bad for Princess here, yeah she's rotten and spoiled but maybe she was raised like that. In fact, you never see or hear of her mother in this show and her father comes off as a bit abusive as seen here with the newspaper, obviously not giving his own daughter a chance to speak. That's why I left it out here.
Super Zeroes - Kids will be kids! Whether they play make believe, go on adventures with their toys or are influenced by cartoons and comics. Which is pretty much what inspires the girls to create their own alter-egos here. Well, sort of.
The girls are sad because they don't feel like "better" superheroes. They don't have an interesting backstory, nor are they dark and tormented, nor do they even have interesting costumes. So they decide create their own alter egos complete with new costumes.
Don't question where or how they got these outfits or maintained the little abilities, I guess that adds to the comedy. I love how when a monster does hit Townsville, the girls go their own way in their own fashion, very slowly and the results are hilarious! I love how Buttercup's alter-ego "Mange" only goes out at night, kind of a not to Batman. I love how Bubbles' alter-ego resembles My Melody and other Sanrio esque characters while Blossom's got a Wonderwoman vibe to it. I can't really give the episode away without spoiling the plot truthfully but I guess the moral is to be yourself and stick up for it. Which is exactly what the girls did at the end. Only a little spoiler. The moment that really makes this episode is the fact that the girls take so long to fight, you'll have to see it for yourself to get the laughs.
Mime for a Change- Season 1 of the Powerpuff Girls was terrific, there were so many memorable and great episodes and one that particularly comes to mind when you think "Craig McCracken" is this one. I used to watch this episode a lot back in the day and loved the concept of it. I'm not too keen on clowns but Rainbow is just the average friendly harmless kind of person who does his job. She he sounds pretty obnoxious and irritating but he doesn't have many speaking roles. His villain alter ego was pretty unique power-wise, but the question I'm pretty sure we're all asking is...was the bleach radioactive? Was there Chemical X in it? Guess we'll never know, but in a way, that's what adds to the charm. Either way, the bleach seeps out not only the color on Rainbow, but his cheerful personality too. His good kind heart and light sense of humor has gone sour and his love for bright colors has switched to black and white.
Upon realizing what he can do, Rainbow or in this case, Mr Mime can now takeover Townsville by draining all the color right out of it. Not only that, but also affecting those cheerful moods of the citizens of Townsville, also they can hardly speak due to the power of mime. It's really clever. We also discover in this episode that Bubbles loves to draw and colour, especially with crayons like most little girls her age. Upon discovering the black and white atmosphere, she goes on a rampage scraping wax of colour with every crayon she has. Seriously, it's like her box of crayons never ends or run out! Ah cartoon logic.
I have to admit, Tara Strong's performance for Bubbles here during her little panic is pure gold, just listen to those vocals! Keep in mind that she was only 25 at the time. Mega talent!
Her sisters soon take action and look for the suspect. When they finally find Mr Mime, they make chase until they are at a dead end and are ambushed by him. Why couldn't the girls just fly away? Bubbles meanwhile, thinking she had proudly saved the day all by herself wonders where her sisters went and when she discovers them depressed, colorless and mute, she sobs but brightens up immediately remembering she had a crayon but to no avail, it doesn't work. Realizing that her crayons aren't magical, Bubbles thinks up the next best thing...of all 90s cliches in cartoons, she and her sisters save the day...with ROCK MUSIC! Yeah, it's cheesy and all but also a beautiful message. A message of love. Love Makes the World go round is one of the few times the girls ever actually did a musical number and oh my god was this one memorable? I wish there was an extended version of it and an official release, but I guess we'd have to make do with the hidden track on the Heroes and Villains CD. Just listen to that chorus. This is the song that Cavadini, Strong and Daily all used to warm up their performances and vocals whenever they were together in the studio.
I put this episode in the honorable mentions because of the ending, it was a bit hypocritical, one minute the girls are singing and putting a smile on everyone's faces, the next thing, they send Rainbow to jail when it wasn't his fault. Of course, he may have been forgiven later on. But who knows? Overall, this was a memorable episode. KEY MOMENT: Seeing the girls hug, it was adorable!
Ice Sore - Blossom discovers that she has a power that her sisters don't have, causing her to show it off. I put it in the honorable mentions because it deserved it, I felt that Ms Keane making all her class go outside in the frying heat to be a bit irresponsible though.
A Made Up Story - Phyliss Diller's performence as the villain was great and the comedy in this one a bit slow but did have some hilarious moments, plus that ending! It feels like what would happen if Stephen King’s Carrie was turned into a comedy.
Tough Love - One of the first episodes I ever saw and caused me to fall in love with the show as so as I watched it. The concept is dark, creepy and yet unique. When I saw those girls get beat up, punched, kicked, beaten up (heck even by adults), I couldn't believe it. I knew this was the cartoon I waited for, all my life.
Bubblevicious - While not a favorite of mine, I still had to put it here in the honorable mentions list, because, well Strong's performance as Bubbles was absolutely brilliant. Hearing her growl that epic drawn out "haaardcoore" was the cherry on top of Bubbles' character and we see a more stronger side to her. Fed up with being treated like a baby, she does things her way, something even Buttercup probably wouldn't do. My problem though was the way she treated the Talking Dog, threatening to hurt him, a bit hypocritical for Bubbles' taste since she loves animals. This episode was Craig McCracken's all time favourite and you can see why it was nominated for an emmy.
Speed Demon - I gave this episode a mention for the creepy-factor and I mean real creepy. Sometimes I don't know if I'm watching a creepypasta or an episode of the Powerpuff Girls. The show is usually full of action, bit of drama but going as low as this is unusual, this was another dark episode. Everyone chanting "your fault" to the girls is like the equivalent "They're all gonna laugh at you" from Carrie. Can you just imagine travelling so fast that you went fifty years into the future? The concept of this episode is both creepy, unsettling and disturbing.
Knock It Off - Again, an episode that isn't often talked about. This double length episode is one of the darkest in my honest opinion. Dick Hardly is one of the nastiest, sadistic and cruelest one time villains I have ever seen. Cloning the girls with a full vile of Chemical X and shipping them all over the world just sounds like yet another creepy pasta.
Also, have you seen how deformed these clones looked? Enough to disturb any audience. The scene where the Professor discovers the base and suddenly freaks out at all the hideous deformed clones is probably how anyone would react if this happened in real life. Also, seeing the girls die onscreen was heart wrenching, of course, if this show ended now, it would have been one sad finale.
Did I forget to mention that Dick Hardly's monster form was just terrifying! Those tentacles on his chest just really seemed off. On the funny side, I love how it’s like the writers were trying to push it on how many times the girls say “Dick”. Also, what was that nerd doing with his PPG doll?
The Boys are Back in Town - The sequel to The Rowdyruff Boys, this half hour romp sees the girls meeting their match for the second time. The girls learn that the boys were brought back to life from HIM and had given them a cootie vaccination, so they are now strong against the girls. I left it off the top ten list because...well, again, the counterpart battle technique just got stale and I found that the boys personality resulted in some rather gross and painfully vulgar scenes. It's like they were trying to compete with Nickelodeon's 90s shows.
Also just a side note and personal opinion: I do prefer the boys' hairdos here. Also the scene where the girls discover the weakness was hilarious. A bonus for Blossom’s cheeky little one liner.
Beat Your Greens - This was a classic episode. I remember watching it a lot as a kid. The moral is simple: eat your vegetables.
This was the time when Craig McCracken was still at high stakes on the show and this was only it's second season. A time when morals weren't always the key of the show. Also Buttercup's brief pep talk/speech to one of the kids was great and really motivating. Also I love the little Star Wars reference.
Curses - I left this one out because this trope has been done before in other shows including Spongebob Squarepants and Arthur. But that doesn't stop the episode from being funny. The villain was hilarious, a literal talking potty-mouth who basically just talks gibberish as if he's swearing and every time the girls swore, it was bleeped out with various sound effects and the results are hilarious. I think the funniest moment was when the girls flipped out on the Mayor all over a pickle jar complete with swearwords and their mouths washed out with soap. Overall, this was a funny episode but sadly, when a trope has been done to death, is there really any high stakes for it to be in a top ten list?
And the number one greatest Powerpuff Girls episode is...
1. The Powerpuff Girls Rule! I am counting this one as an episode! Argument invalid! WHERE do I begin? This was all drawn and animated on Flash and released as the 10th anniversary special and you know what? It's absolutely brilliant. Everything is thrown at you in seconds, the humor, the pacing, unpredictable moments, the voice actors returned again and are just as great and the best part? Craig McCracken came back to write this masterpiece!
Not only was this special a breath of fresh air for the fans, but it felt like a new revival for the Powerpuff Girls done right! Sadly, this was Craig's last involvement with the Powerpuff Girls...when you think about it though, it’s not the same without Craig McCracken as writer and director, so you can see why there are lots more funnies here compared to seasons five and six.
Originally, this was planned to be an hour long but instead was reduced to a full length episode, which is why everyone suffers from motormouth syndrome throughout!
I love all the little callbacks to the classic episodes, including the villains and nearly every second had me laughing with tears streaming down my cheeks! THAT'S the true essence and formula of The Powerpuff Girls. Try watching this special with a straight face if you are a die hard fan of this show, seriously! It's impossible!
Ten years before, the reviews poured in calling this cartoon "gut-bustingly funny", well, this really shows! It's like the show had won back the brilliance when Craig came back and I really wish there was more!
The plot is so ridiculous yet hilarious and I quote the PPG wikia: The key to the world is sent to Townsville, and The Mayor has the responsibility of keeping watch of it. However, he misplaces it, and all the villains of Townsville break free from prison to search for the key, each one of them wanting to obtain it and rule the world, especially Mojo Jojo. The Powerpuff Girls must find the key and return it to The Mayor, before the villains get to it.
Everything about this episode is absolutely fantastic. I will forgive the little reference to a certain 2000s meme thrown in, although it wasn't really needed, but who can complain, right? It was bound to happen since every decade, cartoons tend to have that trend that will blend in with show's plots.
The moment all the motor-mouthed dialogue starts, it's impossible not to sit back with an enormous smile on your face. This was like a true love-letter to everyone who worked on the show, filled with crazy gags and some of the funniest build up on the show, complete with crazy references and everyone filling in on tickling the funny-bone.
The moment Blossom does her impression of Mojo Jojo (COMPLETE with camera angles, close ups and a shot of the entire planet earth) is hilarious! Her sass and smug attitude here just makes it!
I love how cartoony and slapstick this special was, although a little out of character, I don't care, I find it rather hilarious! There's surprise after surprise, after surprise! I've never seen The Powerpuff Girls go beyond the mark of full-on craziness!
I will admit, the motor-mouthing did feel a little forced and rushed but the plot still made up for it with all it's glory! I can't give anymore away without spoiling the entire cartoon so go watch this special when you can!
The Powerpuff Girls Rule! is -in my opinion- the greatest episode of all time. Now ten years old, it makes us all wonder what is in store for the twentieth anniversary. With the reboot having mixed reception and the merchandise still selling, we can only dream on having another special just as fresh and funny as this one.
"Key" moment for me (okay, that pun was lame): The whole episode was filled to the brim with timeless and hilarious moments but if I were to pick one, it would have to be Mojo singing a Jimmy Hart version of Part of Your World. Honestly, the funniest thing ever done on the show, period! Kudos Craig McCracken! You can’t spell slaughter without laughter and this episode did just that almost! A new meaning for the term: gut-bustingly funny!
And with that, ends my top 10 greatest PPG episode list! What are your favorite episodes of all time? Which ones make you laugh the most? I'd love to read and/or hear your opinions! :) With that being said, after twenty years, this show still holds up and I will always enjoy it again and again whenever I have a bad day. If you really want to see every classic episode again, then go buy the complete dvd set, it’s just been re-released as a twentieth anniversary box set! Thanks for reading and thank you to @crackmccraigen for this masterpiece!
#The Powerpuff Girls#top 10 list#best episodes#PPG#cartoon network#brilliant#my opinon#screw watchmojo#haha
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On Thundercats Roar, the Calarts Style, and ‘Toxic Masculinity’
Okey, I know I rarely, rarely make blog posts. If I have something to say about cartoons or the animation sphere I would probably make a video on my channel. But I believe that this matter is not a suitable topic for a potential video, and also I’m still kind of on my Youtube hiatus. Anyways...
There is a reason why Thundercats is hated so much, and it’s because of the plight of the ‘Calarts style’. A lot of people, especially those who grew up with cartoons from the 80′s and 90′s, criticised the show for repeating the art style repeated in modern 2010′s cartoons such as Steven Universe and Gravity Falls, and that the Thundercats reboot is no more than an epiphany for the ‘lazy’ style in all contemporary cartoons.
But is this true?
The modern ‘calarts’ style is constructed from drawing a circle, and drawing a bracket, representing the lower jaw, that protrudes out, as seen in this image:
As an artist who has emulated and utilised this style, I can say that this is perfectly true. But now let’s look at the other side, the 80′s- The 80′s style is primarily based on realistic human anatomy and proportions, with accurately depicted muscles.
But here’s the catch. The education process of an animator within an art school is rigourous- students are required to attend mandatory figure drawing classes, where their skills when it comes to anatomy and perspective are drilled to perfection. The artists who animate with the calarts style, and the artists who made the original Thundercats have no doubt gone through this process- with all that intense training, one could probably regurgitate a human figure as easy as...well, drawing a circle with a jaw below it.
Image credits: Reiq from Deviantart
I do agree that there is more effort that is placed into defining emotions and muscular features in the original Thundercats and many 80′s cartoons. However, the fact that they regurgitated the real life anatomy does not make them any more, or less, creative than contemporary cartoons.
Look at Lion-O for a start, he is supposed to be a human-cat-alien. However, all the character designers did is illustrate a normal, muscular person, change the eye size to match a cat, and made the skin orange. It’s practically one or two cat features stuck to a perfectly standard rendition of a male figure that the artist could have drawn a million times during anatomy class in animation school.
And hence, like how the ‘Calarts’ style is based off a regurgitated circle and a bracket, the 80′s cartoon style is based of a regurgitation of standard human anatomy that is commonly understood by all artists- including modern animators in Calarts. Anime uses a regurgitated style, so as comic books. But how about this image?
So are 80′s cartoons a pile of shit too?
No, the creator of this image has obviously nitpicked the characters from contemporary animation. But it does tell the point that the ‘repetitious, lazy style’ argument could work both ways, and it could be true with exceptions at the same time. The point is- each era of animation have a stylistic/anatomical thing that is repeated, and that’s fine! Because in the cartoon industry a lot of artists work between shows, and this result in their style being intertwined between many dominating shows within the industry. Both style has their beauty- the 80′s, muscly, realistic style is a celebration of how life-like and realistic you could make a series of moving pictures to be. And the Calart style looks fluid, lively, and well, cute.
Though the design from Thundercats Roar might have been too much of a generic copycat (ba dum tss) of the Calarts style, let’s remember there are many amazing cartoons that are animated in the same style, but are beloved and are appreciated for their artistic beauty. For a start- Wonder Over Yonder, created by Craig McCracken, who surprise, came from Calarts himself. We should appreciate each era of cartoons- past, present or future, and of course, be free to criticise it too. And we should not allow one bad fruit in the basket to ruin it all for everyone.
But there is one last thing about this whole Thundercats thing I want to address. I think this comment left by a fellow on Youtube highlights this problem I want to talk about best.
‘When I see this style (Calarts), I don’t think ‘cutesy’. I think racist bigoted, vindictive, far left authoritarian. This drawing style is a huge warning sign that you’re dealing with the someone who’s really into violence and revenge, but deluded enough to think they’re childlike and fun.’ -anon
This is one of the biggest problem with the whole issue- people politicising the Thundercats reboot and the Calarts style.
Basically the consensus is- the Calarts style and the Thundercats reboot itself is an attempt from leftists and SJW’s to stifle ‘toxic masculinity’, otherwise known as ‘the war on boys’. As we have all noticed- the original Thundercats is very masculine, while the reboot looks cutesy and non-threatening. Many people believe that this reboot is a small part of the agenda from the liberals imposing feminine standards on young boys at school, in the media they consume and in society, instead of allowing them to have rough and tumble play.
Let me get this straight first- I do believe that this is an issue with the western education system in many western countries, especially Sweden. But I’m not here to talk about politics, I’m here for animation.
The modern cartoon style portraying their characters as more cutesy instead of more masculine is not a large social engineering project, but it’s instead a mix of the change in writing style and economics.
First of all, large corporations like Cartoon Network has no intention on manipulating kids to be more feminine. They just market, greenlight, and promote what sells. It’s called business. The cutesy style is trendy nowadays- so networks today promote it. The muscle-man, masculine style is trendy back in the 80′s, so networks promoted it before. Welcome to the free market.
Second of all- the writing style. The entire Calarts style started with the ‘cartoon renaissance’ of the 2010′s- catalysed by shows like Adventure Time and Gravity Falls. These shows not only brought a new art style, but they also brought something back that has been mostly eroded in the previous decade- story and character development. The imperative part of character development is relatability, and this would mean the rejection of ‘Mary Sues’, or perfect flawless characters.
It lies in the visual narrative- a worked up person with large muscles- as portrayed in Thundercats, does not seem as ‘relatable’ as maybe a more bubbly, cutesy, character, because the fact is that the majority of us do not look, and more importantly, feel like that. But unlike the Thundercats reboot, this bubbly Calarts character design in many good contemporary cartoons juxtaposes with the character’s surrounding world, which is often illustrated to be much darker, and included more physical and emotional challenges they have to face. They are more appealing because the audience, whether they are kids are adults, realise that someone meek and not very insignificant like themselves, represented by the ‘cutesy’ style, could fight and fare along in a world that’s dark, complex, and that they can overcome the hurdles in their personal life like family relationships etc (classic examples being Gravity Falls, Steven Universe, Adventure Time, even Gumball, OK KO and Star Vs to some extent) and that they could do so too. They are not more appealing to the audience because the audience is being brainwashed into being more feminine.
A lot of the people supporting the notion that the Calarts style is representative of the feminisation of society will point out that cartoons today do not show and encourage people to take action on their own flaws, and that the audience is shielded from reality and are replaced with rainbows and sunshine to ‘feminise’ the children, and some of them end up calling artists and animators that utilise the Calarts style as ‘cucks’, ‘soyboys’ (lol) and ‘betas’ and are obsessed with their ideologies and social engineering. When in fact, cartoons today have been promoting the idea of overcoming one’s own flaws all the time, (Maybe not in Thundercats Roar or TTG but in Adventure Time, Steven Universe, Star vs. etc) and are in fact building stronger people in real life, all thanks to the fact that the audience could actually relate increasingly to more modestly, cutely designed characters.
Img cred: Know Your Meme
And I have to say, I personally think a lot of them are completely new to the modern cartoon/animation sphere and they just popped in because they saw this Thundercats reboot, and just because of that one reboot they came up with the notion that the Calarts style and the entire cartoon industry is stifling masculinity. No offence to them at all. But like I said earlier, the cutesy style actually creates a sense of reliability and juxtaposition for the audience that a more masculine and strong illustration style like the original Thundercats might not be able to offer. It’s only that Thundercats Roar failed to create this sense of juxtaposition, but it doesn’t mean the rest of the bunch- OK KO, Steven Universe, fail to do so too.
If you are a big fan of cartoons, may I ask you, will the show lose it’s appeal, at least slightly, because...
- Star from Star vs looks more like Wonderwoman
- Dipper from Gravity Falls is an alpha with gains.
I’m well aware that this is could be different between person to person.
The point is, the fact that we are politicising a fucking art style and calling everyone who uses and endorses it as your political opponent, shows how emotionally driven this whole debate is. Fans of the former Thundercats have every right to be mad at the reboot- it is a bastardisation of the original and a disrespect towards the original creator. However, turning this nostalgic rage into political stigmatisation and blanket generalisation of the many hardworking artists and animators that just get along is childish in itself. Sure, some artists might actually believe that masculinity is toxic, whoever designed the characters in the Thundercats reboot might be lazy- but the majority of those people who use the Calarts style, or come from Calarts, want to pursue their passion, make the best animations they could, and put food on the table.
The political issues implied are very real, but using them to emotionally justify one’s rage against these artists is not right.
It takes some balls for you to voice out against social change (despite doing it in the wrong place), but it takes a real man to pursue the gruelling yet rewarding art form of animation.
#thundercats#toxic masculinity#soyboy#thundercats roar#thundercats reboot#calarts style#80's cartoons#i'm sorry
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Anthony Joshua has done MORE sparring to combat ring rust, laid off weights to focus on boxing
New Post has been published on https://vip.anthonyjoshua.club/anthony-joshua-has-done-more-sparring-to-combat-ring-rust-laid-off-weights-to-focus-on-boxing/
Anthony Joshua has done MORE sparring to combat ring rust, laid off weights to focus on boxing
Anthony Joshua has done MORE sparring to combat ring rust, laid off weights to focus on boxing, brought in Kubrat Pulev clones – and David Ghansa says training has felt like ‘being in Ivan Drago’s lab’ with TWO Covid tests a week
Anthony Joshua’s training camp for Kubrat Pulev was far from being normal
Joshua’s camp has focused on similar aspects to his last one for Andy Ruiz Jr
Camp manager David Ghansa said some sparring partners were unable to fly in
AJ’s sparring partners were handpicked to have similar attributes to Pulev
The Brit defends his world heavyweight titles against Pulev on Saturday night
Covid tests, logistical nightmares and bio-secure bubbles. This was far from anything that resembled a normal training camp for Anthony Joshua, but in his line of work you have to roll with the punches.
Ordinarily the operation runs smoothly and goes off without a hitch, but we are not in ordinary times. Coronavirus created hurdles that needed negotiating and made it impossible for Joshua’s team to run his camp business as usual.
There were times when plans had to be ripped up and thrown out of the window – at one stage Joshua’s entire schedule, for eating, sleeping and training, was plunged into disarray and had to be completely altered just because one local gym he was using in Sheffield was forced to change its working hours due to the government’s tier system.
Anthony Joshua has focused heavily on his boxing in his training camp to fight Kubrat Pulev
AJ defends his world heavyweight titles against the Bulgarian (R) this Saturday night in London
Even Joshua’s training manager David Ghansa admitted it felt more like being surrounded by scientists in ‘Ivan Drago’s lab’ than a normal camp.
‘We have been getting tested regularly, most of the time it’s twice a week,’ he told Sportsmail.
‘Every time we fly somebody in from a new country we are testing them.
‘Everyone is walking around with their masks on, distancing and working out in separate areas. It took a lot of getting used to but we adapted to it.’
Despite testing circumstances, Joshua and his team battled through the adversity in true Rocky spirit, making the best of a bad situation to get him primed and ready to deal with Kubrat Pulev.
Joshua has done less strength and conditioning training despite what he puts out on Instagram
Joshua’s training manager David Ghansa (second to AJ’s right) revealed how different this camp was to normal ones because of coronavirus restrictions
Ghansa admitted it felt more like being in ‘Ivan Drago’s lab’ (pictured) than a normal camp
Fortunately, any major change to Joshua’s training operation had already been tweaked before the Andy Ruiz Jr rematch, so that was one less adjustment they had to worry about.
Before that fight, Joshua had realigned his focus to his ringcraft and technique while his sparring was tailored to Ruiz Jr.
The fruits of his work in the gym bore evident results as a leaner and slicker Joshua jabbed and moved his way to redemption in the Saudi Arabian desert.
Pulev presents an entirely different puzzle to crack but Joshua and his team are confident the same algorithm which won AJ his world heavyweight titles back will serve him well again.
‘We have done the same as the Ruiz camp in that we have brought in sparring partners with similar styles to Pulev’s,’ Ghansa added.
‘We’ve watched him and dissected his game and looked at everything he does well. We know he has a good jab so instead of finding a carbon copy of Pulev we looked at who are the best jabbers around and who has got a similar jab to his.
‘We don’t care if you throw anything else so if you do come, obviously sparring is sparring, but we work with the partners so we got them to keep jabbing because it works for us.
Joshua (left) pictured with sparring partners Bryant Jennings (middle) and David Adeleye (right) and his camp manager Ghansa (front)
The Watford-born star is focusing on himself while his team adapt his regime around him
‘We got people in with all the right attributes but it’s quite funny because most of the time it’s the training team’s decision and AJ isn’t aware of it because he is more focused on what he’s doing and not what Pulev’s going to do.
‘So it’s our way of subconsciously getting him used to fighting that style or dealing with a certain problem without him being too aware of it.’
Joshua’s main sparring partners for his camp have been Martin Bakole, Bryant Jennings, Hosea Stewart, Gerald Washington, Delicious Orie, David Adeleye, Christian Thun, Frazer Clarke, Peter Kadiru and Fabio Wardley.
Ghansa revealed there were other heavyweights he wanted to recruit for sparring but was prevented because of travelling restrictions due to coronavirus.
‘At the start of camp we did worry that it seemed like we were going to struggle to get sparring partners over. There were a couple of fighters we wanted to fly in for this camp but couldn’t because of Covid,’ he said.
‘Namewise they are nothing to scream and shout about, it was more like trying to get people in last minute. There was a guy from Croatia but living in Russia. We wanted him to come in but he needed to get a Covid test, and the result had to be 48 hours before his flight but no test centres where he was could turn it around that quickly so it literally became impossible to use him.’
So what other problems has the pandemic caused? ‘When we started camp, Sheffield was put into tier two so a local gym we were using could only open between certain times,’ Ghansa said.
Angel Fernandez (pictured on the pads with AJ) has played a role in his second camp with him
Joshua has done more sparring in this camp than usual, having been out of the ring for a year
‘We had to completely flip AJ’s schedule because of it, so he was having to sleep earlier, train earlier, eat earlier. It became about just trying to cram everything in to a day.’
He added: ‘It has just been very different. We have partnered with a testing company and we work with a hotel anyway so have put the sparring partners up in there.
‘The hotel was only open for work purposes so there were NHS staff around in the same area as well. All the fighters were kept in the exact same room for the whole duration and tested regularly. It was pretty difficult for some of them.
‘Gerald Washington lives in Los Angeles so you can only imagine what great weather he gets and he’s by a beach and can go for runs by the sea and all of a sudden we put him in a small hotel room in sunny Sheffield as they say and it’s foggy everyday, there’s no foodstores open and he’s having to eat off Deliveroo. It wasn’t the easiest.’
Coaches Angel Fernandez and Joby Clayton, who were brought on board for the Ruiz rematch, are now permanent fixtures in Joshua’s team and played a key role in this camp alongside head trainer Rob McCracken.
The heavyweight champion was delighted by the adjustments he made for his last fight and subsequently wanted this camp to be similar, instead of reverting back to his old ways of preparation.
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Joshua’s team are aware of Pulev’s solid jab and picked sparring partners with similar ones
Ghansa (middle) revealed everyone in AJ’s bubble is being tested for Covid twice a week
‘The camp has gone really well considering everything,’ Ghansa said. ‘Training wise we have just been teeing off from the last fight.
‘We’ve done a few things differently. His strength training for this camp, he hasn’t actually done too many weights. I know what we put out on Instagram might look a bit different, of him doing deadlifts or bench pressing, but the amount of time spent on it is not that much.
‘If you looked at his timetable, you’d be like: “Bloody hell it is just boxing”. All type of sessions are boxing now instead of fitness and strength.’
Come fight night, it will have been just over a year since Joshua last stepped through the ropes but Ghansa is convinced the long lay-off will not be a factor.
‘His year out shouldn’t show. He’s done a lot of sparring, a lot of sparring and that is the closest thing you can get to the real thing. You could say we’ve done extra just to be sure.’
There may have been a few more bumps in the road to get AJ battle ready, but they expect normal service to resume for him on Saturday night. Then next stop, Tyson Fury.
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all 👏🏻 the 👏🏻 asks 👏🏻
1. Song of the year? I’m gonna keep to it released this year and say The Preferred by DREAMCAR
2. Album of the year? God, this is hard though!! It’s been a really good year for music, but I want to give this one to Science Fiction by Brand New or maybe The Rabbit Hole by The Great Discord.
3. Favorite musical artist / group you started listening to this year? Uhhh honestly Harry Styles’ solo stuff.
4. Movie of the year? I wanted to say The Bye Bye Man because it was so fucking ridiculous but in actuality for me it was probably Get Out.
5. TV show of the year? I finally gave in and started watching It’s Always Sunny this year so that’ll be what takes it for me.
6. Episode of tv or webisode that defined the year for you? Every episode of The Gay and Wondrous Life of Caleb Gallo tbh.
7. Favorite actor of the year?I have a reawakened love for Tom Hiddleston
8. Game of the year? Dream Daddy.
9. Best month for you this year? August thanks to @dirt-mccracken
10. Something that made you cry this year? @dirt-mccracken and @nikkihorrorxx for being the best friends a miserable gay man such as myself could ever ask for in a billion years and honestly that’s… about it.
11. Something you want to do again next year? See 👏 my 👏 boys 👏 David 👏 and 👏 Jade 👏
12. Talk about a new friend you made this year Uhhh I’d just like to take a moment to appreciate all the lovely people I’ve met since I dedicated my blog to the demon band that is AFI @crhiscornell @nikkihorrorxx @all-of-the-dead-girls you’re all wonderful
13. How was your birthday this year? I honestly don’t remember, all I know is that Blood came out 10 days before and I was probably laying in bed listening to She Speaks all day trying not to die
14. Favorite book you read this year? The only actual fucking book I read this year is Pop Kids so
15. What’s a bad habit you picked up this year? Becoming Davey.
16. Post a picture from the beginning of the yearTumblr won’t let me so uhhh go in my selfie tag ig
17. Post a picture from the end of the year^^
18. A memorable meal this year? Ohh on Valentine’s Day I created this pasta dish that has become A Staple for me.
19. What’re you excited about for next year? This year being over with honestly.
20. What’s something you learned this year? God I honestly just learned a lot of negative things about myself this year
21. What’s something new about your place of residence (room, home, or general location) now vs the start of the year? Well, I moved to Florida. Twice.
22. Favorite place you visited this year? Seattle was nice.
23. If you could send a message to yourself back on the first day of the year, what would it be? “A lot’s about to change and there’s nothing you can do about it. Accept it and move forward. There’s better to come.”
24. Did you keep any New Year’s Resolutions? I don’t even make them anymore.
25. Did you create any characters (in games, art, or writing) this year? Describe one. God uhh yeah I created a lot but most notably would be the characters in my fic For The Workforce, Drowning. They’re sweet and awful all at the same time and I love them.
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Dive In, Dig Deep
Instagram: Dive In, Dig Deep
Dive In, Dig Deep is my new Instagram account dedicated to my love for Bibles and books. I had been brainstorming this for a while since I started receiving books in the mail to review. I know some of my newsletter readers have already followed me. Thank you so much for supporting me in all of my side projects!
My goal for the account is to share my love for Bibles and books and hopefully encourage interest for God's Word and the role of reading in the life of the Christian. In a way, it is a better direct extension for my blog than my actual MUSICGOON Instagram account due to the type of content I create. I hope to reflect my personality and style in my posts.
Instagram gets a lot of attention these days. Here is an article from The Atlantic that you might find interesting during this wedding season: Welcome to the Era of Branded Engagements - An influencer’s “surprise adventure” was apparently pitched to brands months before it even began. And here is an article for your honeymoon: Honeymoon Hashtag Hell - Social media pressure to take perfectly posed photographs may lead to the first argument as a married couple.
Walnut Commentary: Relationship Boundaries with Pastor Hanley
Hanley and I were able to find some time to record a new episode of Walnut Commentary: Relationship Boundaries. Including a LIVE episode with his wife, Meryl, this was our tenth episode after switching to a conversational tone and taking on listener questions. Here is a playlist of our past 10 episodes. It helps that we have been friends for quite some time. We can just sit down, hit record, and talk without pretensions.
I will ask Hanley this listener question in the next episode: "How should we respond to groups or cliques at church?" I appreciate the honesty behind this question. It adds gravity to our podcast and a sense of grounding for us as church leaders. FCBCW is not perfect. And we are imperfect people - Hanley and me included. So it is an honor to address these questions and try to offer help and hope.
Feature Article: My Dad Learns by Reading
I found it fitting to launch Dive In, Dig Deep after I shared My Dad Learns By Reading in honor of Father’s Day. I have been thinking about what type of legacy I will leave my son, Linus. Over on Twitter, I saw this question: "If you were to have a Theological Mount Rushmore of figures who have impacted you the most, who would those be?"
I saw many answers listing many prominent evangelicals, but my honest answer is my Mom, my Dad, my Pastors, and my counselors. I am not trying to be trite. While my parents are not perfect, there is no doubt that they have influenced me to be who I am today. My prayer is that God would use me in my inadequacies to impact our children for the kingdom.
With all this talk about Bibles and books, I don't want you to get the impression that I have lost my love for music. I am actually juggling a couple music projects right now. And don't forget about the new ETJ music we just released! Here is a blog post from Brett McCracken to hold you over: Music Overload and the Escape of Nostalgia. He tweets: "Most of the music I hear in coffee shops today is not current music, nor is 'oldies.' It's the hipster music from 10-20 years ago. In a presentist world, the recent past is the new radical.”
Coming Soon
Next week you will see my review of the He Reads Truth Bible. I consider this to be a new season for my book reviews as I just completed my first official ten for publishers. You will definitely see it featured on Dive In, Dig Deep and maybe I'll even try some silly videos to celebrate the occasion. I will also feature a special guest on the Sound Words podcast next week: SOLA editor and digital administrator Hannah Chao.
Next Friday night I will be delivering a devotion to our youth for a special sleepover event. I wanted to challenge myself in my teaching and have been praying that God would give me opportunities to grow. Would you please pray for me next week as I prepare? The text we will study is Mark 14 (Jesus Prays in Gethsemane) and here is the point: When we fail him, he forgives us - Jesus is our faithful friend.
Weekly Review
SOLA: Human Rights Under Fire in Hong Kong: What’s Really Behind the Massive Protests; How a Worship Song Is Fueling Pro-Democracy Protests in Hong Kong; With Hymns and Prayers, Christians Help Drive Hong Kong’s Protests; Jeremy Lin, ‘Reppin’ Asians With Everything I Have,’ Is Bigger Than an N.B.A. Title; and When the Overachieving Immigrant Narrative Fails.
Thank God It's Friday: Russell Moore: A Conversation with Jamie Ivey on adoption, life in ministry, and parenting; Jeremy Begbie: 6 Works of Classical Music Every Christian Should Know; Hershael York: Writing, Teaching, and Women in Ministry with Jen Wilkin; John Piper: Verses That Changed My Life.
Instagram: Dive In, Dig Deep
Walnut Commentary: Relationship Boundaries with Pastor Hanley
Feature Article: My Dad Learns By Reading
Recommended Reading: Human Rights Under Fire in Hong Kong: What’s Really Behind the Massive Protests, Q&A: ‘Always Be My Maybe’ Stars Ali Wong and Randall Park on the Netflix Rom-Com, Paul Tripp on How Parents Can Model Mercy, and Welcome to the wonderful world of bizarre literary Instagram accounts.
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New Post has been published on https://toldnews.com/world/facebook-bets-on-its-stars-in-the-quest-for-sales/
Facebook bets on its stars in the quest for sales
Image copyright Georgie Clarke
Image caption Instagrammer Georgie Clarke says plain old endorsements mean followers lose interest
Stars with legions of followers on Instagram will soon be able to sell products directly to users using the company’s apps.
Facebook, which owns Instagram and Whatsapp, said this week that the future of shopping would depend on content “creators”.
Hiring so-called influencers to shift goods is nothing new. Royal warrants have been sought after for centuries.
They used to be a way to know a product was probably safe and reliable long before consumer protection laws were common. If you got one, your product was literally fit for a king.
But there are now signs that people are growing weary of being told that a product is nice by someone whose only qualification is being famous.
Image copyright Getty Images
Image caption Prince Charles does some Duchy-themed influencing
“The best ads are making culture of their own,” says Grant McCracken, an anthropologist who has advised companies including Netflix and Ford on culture and commerce.
The worst can attract derision, he says.
Author Malcolm Gladwell introduced the world to the idea that it takes 10,000 hours to become an expert in something in his 2008 book, Outliers. So if you apply that to culture, we are still very young by the time we have watched 10,000 hours of television, Dr McCracken says.
We become cultural experts very fast.
And being surrounded by smart voices on social media means lazy marketing is more likely to be jumped upon and ridiculed by smarter consumers.
“They are smarter through TV but they are smarter still because they can confer,” says Dr McCracken. “You never watch alone. You are watching in a crowd, so you are enabled by the smartest person in the room.”
Image copyright Getty Images
Image caption Cadbury’s used the image of Queen Victoria to boost cocoa sales
The key for influencers is to offer something more than a bare endorsement, he says. The promoter, product, and customer must all be better off, which is a tall order.
So how does that work in practice? Dr McCracken points to a campaign by software maker Adobe, which hired director and actor Zach Braff to make a short film based on a competition winner’s idea.
He says it’s clear Mr Braff was given a free hand, because the result is a sharp satire about endorsements.
This need for authenticity rings true for Georgie Clarke, who has 226,000 followers on Instagram. She has made a career promoting products she likes on her page.
Image copyright Georgie Clarke
Image caption Georgie Clarke says she likes to promote products she would use or wear herself
“I find that if I fit a product into my actual lifestyle – doing something I would normally do”, then it will strike a chord with her followers, she says.
“I started in September doing videos – how to wear black jeans five different ways, how to style maxi dresses five different ways. You get the personality, you get to learn something.
“It’s about giving people ideas.”
After doing a masters degree in fashion, but only being offered unpaid internships after graduating, she became a tax consultant for technology firms. To keep her hand in fashion, she started off spending weekends modelling clothes she would order online and then return.
“It was a fun way to style the way I wanted to style without costing me any money,” she says.
She did this for about a year-and-a-half and hoovered up followers. Brands soon offered her clothes for free, and then paid her to post about them.
Image copyright Adobe
Image caption Director Zach Braff bit the hand that fed him in his film for Adobe
“It’s what I want to do – styling and fashion and being creative,” she says. It has been her job for more than a year.
You have to be transparent with your followers, she advises, tagging promotional posts as “ad”.
Saying no to products she can’t wholeheartedly recommend is also crucial, she says.
“If you are that person promoting all sorts on your page, just doing it for the money, people can see that.”
And for her that means steering clear of offers for free plastic surgery.
“I hate going on Instagram and seeing people promoting lip fillers and cheek fillers because it’s so bad for little girls, seeing that,” she says.
Image copyright Getty Images
Image caption TV presenter Jameela Jamil called Kim Kardashinan “toxic” after she promoted a dieting lollipop last year
“You have to really research a brand and work out what they are about before you work with them,” she says.
And if an influencer gets lured into something bad, “you have to just put your hands up and say I didn’t do enough research”, she says. Her agent helps weed out bad products.
As for the future of the industry, it is harder than ever to grow a following, she says, as platforms like Instagram manage who sees what using content management algorithms. In order to weed out bad content like quack dieting drugs, they may be pushing their most massive stars to the detriment of others.
“I constantly have to think of ways I can change things. You can’t do the same things over and over again,” says Ms Clarke.
Will this push by Facebook and Instagram for influencers to sell directly to followers help her?
“There are positives and negatives,” she believes. “The negative is everything is going to look like an ad now, which I don’t feel is great for your followers, but the positive is that it will be easier to purchase whatever it is you are selling.”
Particularly useful would be sales statistics, she says, because brands don’t tell her how many sales she has made for them.
Image copyright Pepsi
Image caption Kendall Jenner “felt bad” about appearing in a controversial Pepsi advert in 2017
Influencing helped create its first billionaire this year, according to Forbes. Kylie Jenner, who has 133 million Instagram followers, made her fortune largely through her own cosmetics brand which she markets on the platform.
Does her billionaire status mean things are still going strong for celebrity influencers?
“It won’t end tomorrow, but I think we can expect to see a decline” in straightforward endorsements, says anthropologist Dr McCracken.
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My Top 10 Favorite Cartoons
I’ve said it before and I’ll say it again. Animation is the greatest art form in the world. It’s film making, painting, doodling, caricature, satire, illusion, literature and music all at the same time. Truly poetry in motion. It simply does not get enough credit for just how miraculous the form can really be. Being the innovation in our culture that it is, making this list was difficult; because every time I thought of a worthy candidate for the list another worthwhile one popped up in my memory. As such, expect an honorable mentions before we get to number one. Before we jump in though, some ground rules.
1. If it’s animation, it counts. It doesn’t matter if it’s western animation or Anime, 2d or 3d, traditional or motion tweened, for children or for adults, for television or on the web. If it involves the cycling of drawn pictures to create the illusion of life then it qualifies.
2. This is not in order of objective quality and is strictly opinion based. Overall quality is a factor, but this list is mostly about how much of an impact it’s had on me as an individual.
enough ado, let’s get into it.
10. Being Ian
It’s more then Likely those of you readers who are American or anywhere besides Canada for that matter don’t know about this show, so in order to make sense of this entry let me provide a bit of information about myself. I am Canadian, and thus grew up with an entire library of Canadian produced shows intended for Canadian audiences. While I think the U.S.’s animation game is undeniably stronger then what we’ve got up north, we had some pretty solid entertainment like 6teen, What’s With Andy?, Total Drama Island, stuff like that. While it’s all well and good, the only thing I regret about our history as animators is that we rarely aim for more fantastical premises and almost always make shows about hijinks in mundane Canadian smalltown life. It’s nice every once in a while but we do it a little too often. I’d kill for a Canadian Adventure Time or Gumball. So why is Being Ian here? Well, the simple answer is this is the show that made me want to get into film making. Seeing as the premise is all about a nerdy kid with his camera trying to make an inspiring career out of his mundane life and constantly imagining scenarios that are treated as homages to famous movies like King Kong, Clockwork Orange, Jurassic Park and so on (many references I didn’t get as a kid) it makes sense that this would make me want to take on the same kind of lifestyle. It put me on live action for a while but as I found my talents are more in line with animation I moved onto it shortly after. Quite honestly, that’s it’s only real reason for being here. The animation is passable but nothing to write home about, it’s comedy got a chuckle out of me at times but isn’t really the most clever show ever (in fact sometimes it relies a little too much on grossout humor, as do most Canadian shows in fact), but the show undeniably played a major role in my development as a person. Also, it’s theme song is by Parry Gripp (the “Do You Like Waffles?” guy) so that’s a plus.
9. Wander Over Yonder
Alright, now that some of the country-based sentimentality is out of the way, let’s get into the really high quality stuff. The stuff with the bright colours, the wacky characters, the emotionally driven storylines and just everything great about cartoons. Craig McCracken is among my favorite animated show producers of all time (as previously stated in another article I wrote: Why Craig McCracken is a genius). This show is the perfect example of his talent and skill. Effectively just Road Runner on an intergalactic level with a touch of The Muppets, Wander Over Yonder is the cartoonist cartoon you will ever watch in your cartoon-filled life. It’s got a great sense of humor, intoxicatingly likable characters like the optimistic too-nice-for-his-own-good Wander, the spunky and adventure loving Sylvia and of course the abundantly evil yet adorable Lord Hater and his number one henchmen Commander Peepers, and it’s animation is miles upon miles in quality in comparison to what you may find on the air most of the time. I think objectively it is one of the finer shows on this list. So why only number 9? Well, the truth is . . . I haven’t watched very much of it. I watched the first season and pieces of the second. I intend to watch the rest once I get a bit more spending money but for now I gotta settle with what I bought, and for a show as high quality as this I refuse to pirate it. But this show left a great impact on me and came into my life when I needed somethin this cheery most. I discovered it when I was coming off of a really hard breakup that was way more difficult then it really needed to be and it bent me out of shape real bad, so putting this on felt like turning the lights in my brain back on. For that I’m really grateful.
8. Avatar: The Last Airbender
Ho man. Who knew Nickelodeon of all networks would make a move as artistic, risk-taking, original and highbrow as Avatar: The Last Airbender?? Oozing with eastern culture influence (so much so that there is an ongoing debate as to whether or not it counts as an anime), hours and hours of some of the most fantastic animation and fight choreography ever to hit the waves of television all done in glorious hand drawn frame by frame no less AND being the premiere of some of the most unforgettable characters in pop culture like the lovable Aang, the witty Sokka, The badass Katara and Toph and the honorable (haha) Zuko, this show is something you absolutely can’t miss out on for any reason at all. I would know as much, because I actually binged watched the whole thing as an adult instead of catching it while it was still on the air even though I was totally aware of it’s existence at the time. I was a stupid, stupid kid. It’s too bad Nickelodeon developed a history of terrible decision making that screwed over the follow-up series The Legend of Korra SUPER hard. All well. This show is fantastic and you need to watch it right now.
7. Venture Brothers
Alright, so at this point I feel an obligation to point out a certain bias I have when picking favorite shows. That bias being my love for superheroes. I. LOVE. Superheroes. They are a bigger chunk of my life then they realistically should be. So fair warning; a lot of these entries are superhero themed, this being one of them. But Venture Bros isn’t just that: it’s one giant satirical love letter to every kind of adventure show you can imagine. It homages everything from James Bond to Indiana Jones to Scooby Doo to Johnny Quest to Superfriends to Marvel Comics. It’s got fast witty dialogue that seamlessly alternates between high and lowbrow in seconds and has an ever expanding cast of great celebrity voices like Stephen Colbert, Clancy Brown, Seth Green and of course the manliest man who ever manned in the history of mankind, Patrick Warburton as Brock Sampson. Testosterone incarnate. The show has great appealing character design and so many memorably hammy characters that all comes together for a great slick style that’s every bit as badass as it is hilarious. You can totally get enraptured in the gut wrenching dialogue while still being invested in the plot full of conspiracy and espionage.
favorite line from this show: “If that were a woman, I’d marry it!” “Yeah, and then I’d jeopardize our friendship by bangin’ yer hot wife!”
6. Cowboy Bebop
Anime fans rejoice; I put the most cliché basic answer for favorite anime on my list! In all seriousness though, Cowboy Bebop is often regarded as the gateway anime for an American audience and rightfully so. It’s heavily influenced by American culture, it’s got a soundtrack comprised almost entirely of Jazz, Blues and Bebop as is it’s namesake, every episode homages some sort of American genre of film like Noir, Sci-fi horror and even Blacksploitation flicks and it’s American dubbing is considered one of the few on par with the original if not better, with Steve Blum giving a cool as ice raspy take on Spike as the lead character as well as the rough but fatherly Jet, the seductive but sensitive Faye and the optimistic child prodigy Edward (who is a girl, in case you don’t know). But none of that would matter if the anime wasn’t good . . . . so it’s a relief that this show KICKS SO MUCH FUCKING ASS THAT IT DOES OH MY GOD!! If I could sum this show up in one word, it’s “cool”. You will never find a show cooler then this. That is a challenge. It’s got great Bruce Lee inspired martial arts action as well as Reservoir Dogs esque shootouts, and most importantly it’s got a lot of heart and dripping emotional tension enraptured in mystery that insists the viewer keep watching to peel back the layers of every character. Through nuance storytelling choices, heavy atmosphere and carefully chosen dialogue this show has a style and edge that will never be known again. Let’s just hope the live action adaptation doesn’t fuck it all up (it’s got Sunrise Pictures backing it though so that’s reassuring).
5. The Simpsons
This gif is just the tiniest taste of the timeless wit behind the golden age of this show. What can I say about the Simpsons that hasn’t already been said before? It’s one of the most culture revolutionizing pieces of all time, let alone the 20th century. It perfected the archetype of the family sitcom, is the longest running American television show in history, was once so ahead of it’s time to predicted the future eerily frequently and has even had some of it’s original dialect like “D’oh!” make it into the dictionary. This show is no doubt one of the largest reasons for our cultures current sensibilities and outlook. Most importantly though, it was just something me and my whole family could watch and bond over. Some of my fondest memories as a kid was getting so excited whenever this show would come on because it was a time where me and all the siblings and our folks would huddle around the couch and all laugh together at some great slapstick, clever one liners and just straight up bizarre jokes at times where the only way you can logically respond is to laugh. It’s too bad this delicious fruit has rotted quite a bit and Fox won’t just send it to compost already. I already wrote up an entire article about why the current Simpsons sucks now so if you’re interested, go check it out. For now, I’m just going to look fondly on it’s golden age through clips, old episodes and internet shitposts.
“Don’t cry for me. I’m already dead.” - Barney.
4. Homestar Runner
Oh, Homestar Runner. Ye ancient relic of the early days of the Internet before youtube. A simpler time when Flash cartoons were all the rage and you can tune into the surreal misadventures of a star spangled armless oblivious dolt and his more popular counterpart, the boxing glove wearing e-mail answering Luchador Strong Bad. When I was very little I was obsessed . . . OBSESSED . . . with Homestar. I think the great appeal of Homestar was that while it was clearly popular enough for references to pop up here and there purely by word of mouth and for the series to eventually get a videogame developed by Telltales and for the creators Matt and Mike Chapman to eventually move on to working for Disney, it was JUST obscure and surreal enough to make its fans feel like they were in a unique and secret club where they could really bond over references to the show and not have it ruined by having the brand just pop up everywhere and anywhere. As hipstery as that sounds, my point is that Homestar felt like a Niche where problems were simple, everything was up for ridicule and old Atari and computer games were always cool. They went on a hiatus for a few years and only recently came back with a little cartoon every once in a while (nothing regularly scheduled though) but if you want to dabble in a little bit of early 2000s lighthearted weirdness then I highly suggest checking out their website. I’ll link to it down below.
http://www.homestarrunner.com/
3. Foster’s Home for Imaginary Friends
When I first came up with the idea to do this list this was the first show to immediately pop in my head. I just get into a good mood whenever I think about this show. It’s colour scheme, it’s wildly imaginative characters, it’s silly yet offbeat sense of humor, it’s great pacing. Mostly it’s premise is just so ingenious you have to wonder how nobody ever thought of it before. This show is the sole reason why Craig McCracken is among my absolute favorite Animation Directors. Everytime I heard the intro to this show come on as a kid I had to immediately stop whatever it is I was doing and catch a hilarious episode. This was a show my sister really liked too, so much so she learned how to play the theme on the piano. Whether it was letting awkward tension build or immediately escalating to a high speed chase, this show would always keep me giggling the entire way through. Not to mention some of it’s episodes were really heart wrenching and actually made me choke up a bit. I know leave you with one of it’s funnier bits.
youtube
2. Teen Titans
That superhero bias I was talking about is coming back with a vengeance. This show is great for a lot of the reasons I really like previous entries in this list actually. It’s got a great art style that’s heavily anime influenced, a cast of diverse and unforgettable characters (with my childhood favorite being the quirky and wise cracking Beast Boy and my adulthood favorite being the hilarious, innocent and lovable Starfire), a hell of a lot of heart that makes me tear up in some of it’s most emotional moments, FANTASTICALLY fluid and suspenseful action (once again done in glorious classical animation), a great soundtrack with a hype as hell opening number that’s so good I have it on Spotify, all sorts of homages to action show tropes as well as nods to the larger DC universe and takes itself the right amount of seriously to let some of it’s sillier aspects shine. I distinctly remember seeing the first episode when it came on for the first time and getting instantly hooked. Every main character in this show is cast spot on and give some of the most memorable performances I’ve ever heard. Plus it’s a show that only gets better with time . . . especially in comparison to . . . that other show.
Before we get into number one, here are some honorable mentions: Rick and Morty, Disney’s Recess, One Piece, The Grim Adventures of Billy & Mandy, Batman: The Brave and the Bold, Clone High, Samurai Jack, The Legend of Korra, The Amazing World of Gumball, Steven Universe, Fairly Odd Parents, Danny Phantom, Young Justice, Spectacular Spider-Man, 6teen.
1. Justice League Unlimited
Let’s take a moment to appreciate just how Amazing Bruce Timm’s take on the DC universe is, because . . . oh man . . . it is masterful. The stupendously likable characters, the intense action and suspense, the drama, the fast paced and impactful action and animation, the simple yet effective character design, the ever engrossing storylines. These are just some of the reasons why Bruce Timm is my favorite animated show developer of all time. There have been many great DC shows to come after this like Batman: Brave and the Bold or Young Justice, but none of them come close to the majesty of Justice League: Unlimited. When it comes to Bruce Timm shows most people would put Batman: The Animated Series higher up there, and while I without a doubt respect it’s legacy the fact that it’s Bruce Timm’s earliest show as director for the DC universe is pretty prominent in it’s pacing, action and to an extent it’s line delivery. The show moves rather sluggish and has more then a few issues in it’s animation, especially in it’s first season. I don’t hold that against the show in any way as it’s still very impressive for what it is, but you can tell Timm and his crew were just beginning to hone their style and would go through some growth pains further down the road. Justice League had some remnants of these problems here and there but they were beginning to shake these issues off. JLU is where Timm’s style got perfected. Perfect pacing, perfect line delivery, perfect animation, perfect action sequences where you can feel the impact of every punch and blow, perfect storytelling, and most impressively perfect juggling between the largest cast of characters Bruce Timm has tackled in his run. While Justice League would keep it between the original 7 in terms of juggling, JLU would take on characters like Green Arrow, Captain Marvel, Huntress, Black Canary, The Atom, Vigilante and so many more and make them all just as likable as the main cast if not more at times. And of course, there is the number one reason to watch the show . . . The Question.
God, do I love the Question. This show is the sole reason he is my second favorite DC character (first being the Flash). But anyway, to wrap it up, Bruce Timm once said in an interview that JLU was his favorite work because it was the only show he could keep going back to and continue to enjoy. I wholeheartedly agree.
So that’s my list. I hope you saw some of your favorites on there, and if not just enjoy what you enjoy and keep this medium alive dammit!
#cartoons#animation#top10#review#cartoon network#adult swim#nickelodeon#disney#anime#cowboy bebop#jlu#justice league unlimited#avatar: the last airbender#avatar#teen titans#fosters home for imaginary friends#homestar runner#homestar#wander over yonder#being ian#venture bros#the simpsons
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All My REVIEWS REVIEW: (2016 and 2017)
Review-ception!
Hello everybody, my name is JoyofCrimeArt and welcome to my first review of 2018! I guess you could call this season three? Which if we're going with that analogy that means that this and 2019 will be my best years of reviewing. And then it'll be all downhill from there, as I slowly fall into a rut of perceptual seasonal rot. So enjoy it while it last, damn it! It's insane to think that I've been doing this for almost two years. And as this dawned on me, I started to feel a bit...introspective. We've all look back at our past, sometimes with regret, other times with nostalgia. And we've all made mistakes that we are not proud of- EXCEPT FOR ME CAUSE I'M A FU*KING BEAST! -And I got to thinking about my past works, my old reviews, and began to wonder if they actually still hold up. It had been forever since I had actually reread some of those older ones. And that's what we're going to be doing here today. Because what kind of critic would I be if I couldn't take criticism myself? And since they say that "you are your toughest critic" I figured it be good to see if I could take what I've spent the last two years dishing out. Here's how this is going to work. I will be looking at all twenty two of my past reviews, and give my BRIEF thoughts on each of them, as well as possibly give some context on where my mindset was when I was writing them. Think of this like a directors commentary of sorts! However, any multi-part reviews will be counted as one for the sake of convince and time. So really it's closer to eighteen reviews. Also, obviously, this review will be sort of a companion piece to those reviews, so might wanna read those reviews first. But with that all said, let's jump right in and start at the beginning, with my first ever Deviant Art review... Powerpuff Girls 2016 REVIEW Part 1: (04-14-16) Powerpuff Girls 2016 REVIEW Part 2: (05-02-16) Powerpuff Girls 2016 REVIEW Part 3: (05-19-16) So I wanna explain where my mindset was with this review, and what inspired me to start reviewing in the first place. If you remember back in early 2016 EVERYBODY in the cartoon reviewing community was going on and on about this show. Everybody was hating on it and bashing it, even before the show had premiered. Saying that it was going to suck. I was cautiously excited for the reboot, excited at the idea of the Powerpuff Girl's becoming a spanning franchise in the same way as Batman or Ninja Turtles where. If this show turned out well, Powerpuff could become a cartoon that's remade every decade or so, and people could watch and experience it for decades to come. And when you're in the minority opinion, and you see everybody just bashing the thing that you are super excited about, it can be a bit discouraging. When the show actually premiered I thought it was...okay. And the problems I did have with it weren't the problems that everybody else had. But as more and more videos came out from popular cartoon reviewers, I decided that I wanted to write a review in order to release all my pent up thoughts and frustrations. So yeah, my reviews weren't made because of a love and passion for reviewing and animation, but out of BITTERNESS AND HATE! Re-reading the reviews, They weren't AS bad as I thought it would be, though there is very much a "pilot" type of vibe to it. There's no videos or images like my future reviews would have and it's kinda light on actual jokes. There's a part in this review where I said that Craig McCracken gave his blessing for the show, we now know that isn't the case. But at the time that's what Tom Kenny said. And I don't want to change it because I believe that it's important not to try to undo past flaws and mistakes. I also feel like I was too nice in the review looking back on it now. I don't know if it's just my opinion changing or just me wanting to extenuate the shows positives because oh how much everyone else was extenuating it's negatives but if I wrote this today I wouldn't be so kind. I said the show was meh but now I think it is a bad show. I just don't think it's the "end of CN" like so many people were saying at the time. But regardless I feel like I still stand by a lot of my points I made in the review. I still don't care about the memes, or the change in crew and voice cast. I'm upset by writing and lack of action and comedy that made the old show great. And I still hope that CN will give Powerpuff another try sometime down the line, and give it the reboot it deserves. But I had a lot of fun making this review, and it would inspire me to make many more in the future. So I guess Powerpuff 2016 changed my life for the better.... Steven Universe Hit the Diamond REVIEW: (06-16-16) Honestly...I think this one really holds up. You can easily tell that this review set the trend for what my reviews ended up becoming overall. Images and videos where added, there's a really good balance of both comedy and analysis. My intro was introduced (yeah, I didn't realize this till now but the Powerpuff Girls reviews didn't have my typical intro.) And it started the Lapis "This plan sucks" meme. A bit of background, originally this wasn't going to be my fourth review. I was going to review the CN short program "Mixels" because somebody had asked if I had. But after watching through it I just...had nothing to say on it. Then I saw this episode and impediment got re-inspired. I remember writing the whole review in just two or three days, it was all very impromptu. Overall I'm proud of this one, and I think it would be a good "first review to read" kind of thing to introduce someone to my reviewing style. I'm not sorry for that RWBY Chibi joke by the way. It was my finest moment. Don't Hug Me I'm Scared REVIEW: (08-22-16) "So that's my review of Don't Hug Me, I'm Scared (Hopefully it didn't come off as too rambly and fanboy-y)" Well too bad past me, because it totally did. Okay, to be fair, this review isn't THAT bad. Not as bad as I remembered it being, but still not one of my best in my opinion. Part of it has to do with the topic. DHMIS is a hard series to summarize and explain, and that's kinda the point of it. But I still feel like I could of done a better job describing it. The problem is a lack of structure, and the whole thing comes off as kinda rambling and confusing. Especially if you were a newcomer who had never heard of the series prior to my review. I feel like I did a better job talking about the production side of the series than I did talking about the plot and characters. During this time I feel like I really struggled with purely positive reviews. I feel like a lot of them just came off as, like I said, rambly and fanboy-y. That's why I did so many "so bad it's good" movies and episodes in my first year of reviewing. I feel like if I had given it another draft it could of been a lot better, but what are you going to do. Camp Camp REVIEW: (09-24-16) I remember this review being a bad one, but after rereading it, It's nowhere near as bad as I remembered. It's far from one of my best review and a lot of the problems I had in regards to doing positive reviews are still present thought. (Over-explaining things, a bit fan boyish at parts.) Overall though, it's not a BAD review, just a very "average" one. The only noticeable things about this review in particular is that 1.) It's my first review where I had links at the bottom to other reviews and 2.) it's the only review to my knowledge that actually convinced somebody to watch the show they probably wouldn't have watched otherwise. And that really means a lot to me, cause that's a huge part of why I even do this. To introduce people to things that they will hopefully really enjoy. So in that regard I can't look upon this review THAT harshly. Scary Godmother: Halloween Spooktacular REVIEW: (10-24-16) "Anyway, then we Jimmy appear on top on a tombstone dressed in his devil pajamas," Yes past me, "Then we Jimmy appear" indeed. SERIOUSLY WHY DO ANY OF YOU WATCH ME- When it comes to my reviews there are two main types. There's the one's that are deep analysis, often based on series that I feel very passionate about. These reviews are made with the purpose of introducing people to these underrated series with the hope the reader will check out the series, and hopefully be as impacted by ir as I was. And then there are the reviews where it's just like "Ha! This is stupid. Let's make fun of this direct to TV movie intended for five year olds, lol." This is one of those reviews. A problem I do have with this review other than grammar is that there are several moments where I kinda explain the jokes that are in a movie. And I don't do a very good job at explaining them because I lake the context surrounding the jokes. If I made the review today I probably would wanna cut some of those lines out. The review is also noticeably longer than the others up to this point, so that's something. I never did end up reviewing the sequel like I said I would...at least not YE- Ouran High School Host Club REVIEW: (12-09-16) So for some background here, I started watching the series really early in the year and decided I wanted to review it. However, the series took me a long time to finish, like almost six months from what I can recall. Which is odd because the show only has 26 episodes. But this was a very busy time for me, with me getting my first part time job, my family moving, and having to work on my comics on a weekly schedule. By the time I had finished this show, while I did enjoy the show a lot, I had kinda burned out about the idea of doing a review of it. But I didn't want all the material I had already worked on to go to waste, so I decided to just kinda muscle through it, and I think you can kinda feel that in the review. There are still plenty of jokes in it that I'm proud of, but there are also some flaws with it. I wish I was a bit quicker in terms of summing up the cast, as that takes up almost half of the review itself. I also feel like the review doesn't have the best "flow." to it, if that makes sense. It kinda feels like I'm just jumping from point to point. But it was my first Deviant-cember review, and my first anime review. So two big milestones there! Frosty Returns REVIEW: (12-16-16) The most interesting thing about this review is that it's the to take a MASSIVE jump in total page view. It's weird, like why this one? I guess Frosty Returns is what my audience was secretly clamoring for? I think, this might have been when I started posting my reviews on the Mr. Enter deviant art page, so maybe that could explain it. But I'm not positive. Anyway, as this is another "make fun of something stupid" review and not a deep passion filled analysis. There's not much to really say about it. I really need to stop mentioning the good jokes in reviews like this, they don't translate very well when transcribed from special to script. Also it spoils all the best parts. I'M SORRY FOR SPOILING FROSTY RETURNS, I HOPE YOU ALL CAN FORGIVE ME! Also I remember getting very tired half way through this. It was my first time doing reviews back to back and I was really anticipating the "2016 Year in REVIEW." But I buckled through it regardless. I still need to review T.I and Tiny's Holiday Hustle by the way. Add it to the list! The Legend of Frosty the Snowman REVIEW: (12-23-16) By the time I had starting writing this review I was so tired of writing and so wanting to work on the yearly retrospect that it kinda felt like a chore to write. But like a chore, I'm glad I did it because I think it turned out pretty good. It's a good bit longer than my previous reviews, which was a pain at the time, but there are some good jokes in here. Nothing else really to add, except for the fact that I wanted to use this image in the review, but forgot until after I already published it.
I could give you context on what this image is...but is there any context that would justify it? 2016 Year in REVIEW: Part 1 (12-30-16) 2016 Year in REVIEW: Part 2 (12-31-16) "Getting mad at the year, an abstract concept, just feels...unproductive to me. It seem's like it's the wrong target to be directing all this anger at. Sometimes bad stuff just happens, and there's a good chance that by the end of 2017 we'll hate that year too. Because most of the bad stuff that happened in 2016...probably won't just go away come January 1st."
https://www.youtube.com/watch?v=I-VawFj4GRM
I got the idea to do this review probably half-way-ish through the year, and it was by far the review that I was most excited to work on. And honestly I think the yearly retrospects are, in general, the funnest reviews to work on. And good thing too because if It were any other review, I would probably be to tired and unmotivated to actually work on them. If I have one regret it would be the final ranking of the series. In hindsight I would swap RWBY Chibi and Camp Camp's rankings. Though this may just be a "hindsight is twenty twenty" thing, as I think Camp Camp improved with it's second season, while RWBY Chibi got a bit worse. These reviews where a lot of fun but also an exhausting experience. I had written five reviews, back to back, during the holidays, which each review becoming longer and longer. I was tired and started to feel a bit done by the time I was working on part two. (As originally it wasn't going to be a two parter. It just kinda ended up that way.) Also this was sorta the point where my reviews started getting longer. As righting five reviews in such a short amount of time naturally made me start writing more. Like how when one is put under intense physical training over a short period of time there bodies naturally adapt, and become stronger. It's like that, but with dumb cartoon articles. Top 10 Toonami Ad's of the [adult swim] Era: (03-20-17) As you can see, there was a bit of a gap between reviews here, for obvious reason. After Deviant-cember year one I was DONE with reviews for a long while. I needed a break. This might be one of the funniest reviews to do the research for. I sat down and watched ALL the eligible bumpers and ads in chronological order and it was great! I didn't even care that there where hundreds of ads to look over, I just had a blast! It was also my first top ten list! Top tens and top fives were always something I liked seeing other people do, but not something I often felt very comfortable doing. Not that I'm against them or anything, it's just that I have a hard time making them. I'm the type of guy who's exact opinions on things changes very often, and so it's hard for me to say "this thing is worse than this but better than this." I don't think that I could ever do a "Favorite Show of All Time" list or anything like that. I like so many different things for different reasons...I just don't think my brain is wired to work that way. So that's why whenever I DO make a ranking list, I try not to take the actual ranking that seriously, and just use it as an excuse to show off some stuff I like. However, despite this, there are some things about the review that I would change looking back on it. You can still see my struggles with doing a fully positive review. Like I said earlier, It took me a long while to learn how to do positive reviews without sounding rambly and fanboy-y. Also there's almost no jokes in this one. I don't think the lack of jokes in a review is NECESSARILY a bad thing, but I feel it kinda is in this case. Since I was covering such a niche topic, some humor might have made the review better, and give people who we're uninteresting in bumpers and Toonami something to latch on to. Oh well... Dragon Ball Super: Battle of Gods Arc REVIEW: (05-01-17) The first part of my Dragon Ball Super retrospective series, (Which, with the recent announcement of Super ending will now have a conclusion. I sort of assumed I'd be reviewing Super until I either died or stopped doing reviews, whichever came first.) This review had a lot less recapping than I remember it having and has a good amount of both comedy and analysis. (Probably because I had the whole "compare and contrast" element to it.) Overall a fairly good start to a retrospect. Other than that not much to say though. I'm also really proud of that "Godtube" joke. Like I know I used MS Paint, but I still think it's a really good edit. #humblebrag Samurai Jack Season Five REVIEW: (06-19-17) "In general I tend to be more critical and nit picky about things I like than things I hate." Does anybody else feel this way, or is it just a "me" thing? I'm genuinely curious. If there's something that this review made me realize is how quickly things come and go in the cartoon community. I was on a hiatus at the time the season ended so this review came out about a month later. And by that time it seemed like everybody had moved on from Samurai Jack for the most part. And I don't mean this as a way to complain about a lack of views or comments or anything. On the contrary the amount of views this review got seems to be on par with what they normally are and I think I actually got a bit more comments than I usually do. What I more mean is that while the season was running it was all anybody was talking about, and then once it ended nobody was discussing it. The "buzz" was gone so to speak, and it feels like that's what happens whenever a show isn't currently running or goes on break. The fandom burns bright but dies out fast, and that's kinda a shame. I feel like a lot of great shows don't get talked about as much as they should because there not quote unquote "relevant" and thus end up getting swept under the rug. As for the review part, this is one of my personal favorites. I really wanted to make sure I did the season justice, which is part of the reason it came out almost a month after the season ended. I wanted to let my feelings settle for a bit a see how I felt after I had time to think about it, rather than just having a gut reaction. (Though I'm not saying there isn't a place for stuff like that.) Also my first review with a title card! Title cards where something I always wanted to do but I was always afraid it would just be to time consuming, but now I think it's worth it, as I think it does add a bit of flair to the presentation. Also I've gotten a lot faster at making them. (The title card for this review was done in one evening for instance.) Watamote REVIEW: (Oh, the Cringe!) (08-14-17) This review was easily one of the hardest to make. I started watching the series in preparation for the review in FEBRUARY, and didn't finish it until SUMMER! (I don't have time to watch cartoons! I have cartoon reviews to work on!) At the time I was watching each episode twice, once alone and once with my brother, and I think that's what made me burn out on the series. That time period was also the time where I started my new job as well, so maybe that was also a factor. I guess it makes sense, but considering the show is one of my favorite cartoons of the decade and only TWELVE episodes long, I dunno, I figured I wouldn't have that kind of reaction to it. This review was suppose to be my fourteenth review. Then it was going to be my fifteenth review, until finally it ended up becoming my sixteenth. That's how long it took for me to finish the show episodes! So eventually I just bit the bullet and finished the dang show. Then came the problems of actually writing the show. Like I said before, I have a problem doing positive reviews without ending up ramble-y and fanboy-y, and so I REALLY wanted to make sure that it didn't happen this time. So I wrote THREE drafts of this review (prior to this I only did one draft.) I would go reread it and change things, reread it and change things... And I'm really proud of how it turned out. The beginning part has a few awkward lines, but overall I really am proud of how it turned out. This is really my first positive review that I really loved, and it has given me the confidence to do more reviews like that in the future. You don't need to just make fun of things and review the most bottom of the barrel stuff. You can make a review where you just talk about a series or show or movie that has a special place in you're heart without it being boring. I tend to prefer reviews where their is a balance of jokes and analysis, but you don't always need that. If you're talking about something you're passionate about, that passion will seep through to the viewer. Or at least that's how I feel. Dragon Ball Super: Resurrection 'F' Arc REVIEW: (9-18-17) I typically try to get the Dragon Ball Super reviews to come out roughly as the arcs finish on Toonami, but here I was a bit late, and by the time the review was finished the televised broadcast was already well into the Champa arc. As such, I kinda had to rush this review out in order to not fall even farther behind. And so my heart wasn't really into this review as much as it was with some of my other reviews. I still like how it turned out overall (I wouldn't publish a review if I wasn't proud of it at least a little.) but overall this feels like a review that's just kinda...there. I feel like to much of the review was just recapping the events of the arc, and it could of used more jokes or analysis to make it feel a bit less dry. This is also my first review with a title card drawn in FireAlpaca! That's right, I moved on from MS Paint! (At least with title cards.) Rick and Morty REVIEW: (With MiketheHuman113) (12-01-17) My first colab review! I had wanted to do a collab for a while, and at the time Mike was the person on the site that I knew the most about, and when I saw him post a list of all time favorite characters, and saw Rick as number two, I thought that he would be a good pic. Actually doing the review however was a bit of a challenge. I had to write my segments, send it to him via note, and then get his segments back and paste them into my journal in a way so that it sounded natural. Then I had to rewrite some of the transitions to make it all flow together. Why didn't you just use Google Docs?
...
NNNHHHHGGGGUUUUUU!!!!! Anyway, this was a topic that I wanted to get off my chest for the longest time, so I was very happy to finally do so. I do have some problems with the review though (None of which where on Mike's end BTW, just to be clear he was awesome.) I feel like there's a lot of jumping around with the points, and the review's overall flow suffers as a result. I also wished I hadn't jumped around so much from spoiler to non spoilers as much as I did, and if I were to redo the review now I think I would want to make them review more general and less focused on specific moments and episodes. That way it be easier to follow if you hadn't seen the show. I also wish that maybe it was a little shorter. It was my first time doing a collab, and I figured it be easier because I would only have to do half the work. But what ended up happening (and I blame my own workaholic-ness for this.) Is that I made a full length review, and then stuck Mike's contributions on top of it. So not only was the review long, but it wasn't any easier than a normal review. in fact it was probably harder. But I'm glad I did it. I was fun and I'd love to do more collabs in the future. However given the previously mentioned difficulty it'll probably only be a "once a year-ish" thing. But y'never know. Who do you think I should collab with? This was also the first time I made art for a review outside of the title card. In this case the Super Smash Bros style intro I did for Mike. I want to make those for everybody I do a collab with. Also I noticed that after this review, I began to be more noticed in the DA review community. Probably because Mike's in it, so I could leach off his audience. However, oddly enough, the views for this review are bellow average, so who knows. Dragon Ball Super: Champa Arc REVIEW: (12-08-17) HEY KIDS AT HOME, COUNT THE AMOUNT OF TIME I SAY THE WORD "MISSTEP" "OPPORTUNITY" AND OR "WASTE." I'LL GIVE YOU A HINT, IT'S WAY TO FRICKIN' MUCH!- There's also more spelling errors than normal. Overall I just blame the rush of Deviant-cember, and the fact that like in 2016, my heart was really set on the yearly recap instead of this. The review as a whole however, ironically, is kinda like the arc itself. It starts out kinda slow, with mostly recapping events. But as the review goes on it's get's a lot better, with more jokes and insightful analysis. Not much else to say about this one. Top 5 Obscure Christmas Specials You Should Watch: (12-15-17) I feel like there were some unprofessional moments in this review, mostly as a result o a time crunch to finish the review before the deadline. From not rewatching Nestor to tracing the Hawkmoth logo it feels a bit sloppy to me. (Even though I'm sure these are things that won't bother most other people.) I was in a bit of a rush for this part of deviant-cember as work and the holidays in general gave me less time to work on the reviews, in addition to the stuff that I was posting on Mondays. I wanted to succeed in my goal of doing two uploads a week during Deviant-cember since I failed to do so in 2016. However, I am glad that I was able to talk about so many weird specials, and I don't think that review suffers to much from the rush. When I was writing the review, I felt burnt out from reviews and just wanted to move on to the yearly recap, but looking back on it now, the review isn't really that bad. There are some good jokes in it and I love recommending obscure stuff to people. Maybe one day I'll do a part two. OH! And it turns out that "A Cranberry Christmas" IS lost media! It's the first piece of lost media that I watched before it got lost! WE NEED TO FIND THIS, GUYS! 2017 Year in REVIEW: Part 1 (12-22-17) 2017 Year in REVIEW: Part 2 (12-29-17) Most of the things that I said about my 2016 year in review could be said about these reviews, so I don't have much to add. Have I mentioned that I hate the "This year sucks" meme yet? It such a stupid thing, to hate on a year. And I worry that with our cynical society we live in that the "This year is awful" thing will go on until the end of time itself. 2017 was fine. 2016 was fine. Y'wanna know what year was really a dumpster fire. 1942. That's the year we entered the second World War, segregation was still a thing, and all the meme's sucked that year! It was awful! My only real regret about this review was using the word "hate boner" when talking about Castlevania's views on religion. I think the term "hate boner" is really dumb sounding and at the time of writing the review I didn't realize that people used the term so unironically. (No offense to people who do use the term. It' just a term I really don't like, personally. Just use the term "bias.") And that's it. ALL 22 of my reviews reviewed! Do I recommend...me? Well personally this JoyofCrimeArt guy does have his fair share of problems. He can come off as a bit fanboy-y and ramble-y at times. His reviews sometimes have weird pacing issues, jumping from point to point. While I enjoy how in-depth he can SOMETIMES be, they can be a bit long at points. Also he has a lot of unpopular opinions, and sometimes I wonder if he's just being contrarian. Not the mention the fact that, since the idiot thought that having THREE web comics running simultaneity at the same time was a good idea, he doesn't actually post reviews very often when compared to some of his reviewing counterparts. On the other hand though...there are some positives to the guy. He seems very passionate about the topics he talks about. He has an okay balance of analysis and comedy. And I also like how he talks about a variety of different stuff. From popular series, obscure series, anime, web series, direct to DVD movies, bumpers, HIS OWN REVIEWS. You never know what you're going to get. Is he the best reviewer on DA. Probably not. Heck, he's probably not even in the top fifteenth. But if you're willing to devote a half hour of you're time to reading one of his overly long reviews, who knows, you might just enjoy yourself. Or not. I dunno. So that was my review of my reviews. What are your thoughts about my thoughts about my thoughts. Leave those thoughts in the comments down below. I would love to exchange thoughts even if we don't have the same thoughts. Do you have a favorite or least favorite review of mine? I'd be genuinely curious to know. Please fav, follow, and comment if you like the review and have a great day. (I do not own any of the images or videos in this review all credit goes to there original owners.)
https://www.deviantart.com/joyofcrimeart/journal/All-My-REVIEWS-REVIEW-2016-and-2017-739596421 DA Link
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[Intro - ft. BMS] yo yo let me tell y’all about something Something y’all seem to forgot about What y’all know about that, that fuckin' underground love that respect, the honour, Nothing!! yo yo what you know about that.. check that company flow shit [Verse 1 EL-P] Yo yo, i'm dubbing in most mongoloid citizen's with circuits, shock-it collective mind except for blind perverts, designed to pervert a word of hurt murders watching the last exit the language emerging the word service the same valve factory actually active in the disturbance you flying resident angels, make me nervous, (firm centre) I'm from a dual world mercenary flutter to mix back co-ordinate cut closer to the Merc with the dull mic ordinance. follow the tortured Rashmi Clyde, acme lab resident menace night shift to corrupt megadeath hybrid - blind shit by the grace of Vincent's crystal to go from the god speed blast box with a funk habit, delicious fodder for the brain out of the hole, walk around for punani and malt liquor like a sickly satellite sequestered to the darkest chasm in the brain cave where bad thoughts stick to the walls like stalagmites. for crawlers, dark maggots, PI cross sweeping up your crack heater Now which one of my so called characters is most needed, proving, these are the hardest drums since Iraq oil burners With my style that doesn't follow with beauty you must've had your fucking helmet piece screwed loosely, and stick to institution doodling And to hop to Harrington , (oh my goodness!) the rumours are starting to smell different, b-boy Christmas Don't worry about the map, half the world whispers significant only in to the way that you listen ears up or face down the sound is still prison So when I squint Manhattan buildings look like Roman architect visions Magnetic - Opiate - Felonious - Ultra - System - Melting - Focus [HOOK] Magnetic - Opiate - Felonious - Ultra - System Magnetic - Opiate - Felonious - Ultra - System Magnetic - Opiate - Felonious - Ultra - System Magnetic - Opiate - Felonious - Ultra - System [Verse two EL-P] From the pages of the altruistic, burn baby, feel the guided lasers of my xenophobic mistress. With the toss of a coin, to devoid the ploy, Me, Len, Phil McCracken and Pat McGroin. We'll spit on your inner child final fantasy with in super ego activating primate. Response, remedy authors stay funky made energy the sub human aside extract the cellular memory Whether top gun build a puppet sign number one exit stage left for the flames of Dave Koresh who floated in the form of a kid from a still born I got a pop breath turn Mr Whitmore on. That's that cold shit, also be launching to roll in the disgrace, getting your main modus to be cold in every job face features, but don't soak the motor by sucking dick up in the bleachers just to get ahead.... Ha!, god dam, that's some realness, this is serious, the perverts, the pence less, the curious murderous machine that thrives if you let it You can roam if you want or stay home for Armageddon Every posted concoction is erotic, not platonic, fucking you on the regular, explain that? The future is like a child on the lap of a sexual predator Magnetic - Opiate - Felonious - Ultra - System - Bleeding - Focus - HELLO! [HOOK] Magnetic - Opiate - Felonious - Ultra - System Magnetic - Opiate - Felonious - Ultra - System Magnetic - Opiate - Felonious - Ultra - System Magnetic - Opiate - Felonious - Ultra - System [Outro - ft. BMS] Don't you know death starts from zero Completely. A lIfe cycle. Then you release one. What you know about the opiate system Once again, Nothing! What you know about the blood sweat and tears we put into this Stop biting and non - writing (??) Year two Co Flow Once again. BMS I'm out, i'm out, i'm out, i'm out
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