Dustin has keys to everyone's house. Almost no one gave him one.
Robin and Steve rent a little place together and everyone's coming over for a party dinner. They do it every once in a while, everyone squeezing in together. It's not exactly comfortable but its important.
Except neither Steve nor Robin have their keys. Steve's is at the shop with his car and Robins are clearly visible through the curtains hanging on their designated hook on the wall.
Dustin fidgets for a moment before sighing dramatically and unlocking the door with his key. A key he has not been given, Steve was planning to give him one just in case, but he hasn't yet.
"ok, don't freak out. I just thought it would be a good idea if somebody had everyone's keys." He says like it's a reasonable thing.
The group erupts into chaos at the implication of Dustin's words. Shouting over each other and trying to figure out exactly who's keys he has.
"EVERYONE'S, I HAVE EVERYONE'S, OK?" He finally shouts, storming into Steve and Robins apartment.
The argument pops up here and there through dinner. Dustin refuses to explain how he got everyone's keys without anyone noticing, refuses to give any back. "No I paid for the copies!"
Eddie makes a joke close to Steve's ear about using Rick's place for safety. Dustin snorts and is like "You think I don't have his key too?"
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Okay, so. Um. Chapter 423.
Seeing people's reactions I have to say some things. And let me preface this by saying that I don't believe this is truly it. But.
The issue isn't even that Izuku (seemingly) failed to save the person he wanted to save from AFO (well, it is an issue, actually, but not the main point. Also, the fact that his and vestiges' plan to reach Tenko is also what ensured Tomura's death is just so... ), and it's not that he's weirdly distant and cold in this chapter.
It's the fact that not a single one of them actually acknowledged anything that they saw and heard in Shigaraki's mind. Neither of them talked about what AFO told Tomura - the fact that Tomura didn't say anything about what he learned about his quirk, his purpose and the fact that he never truly wanted to kill his family is especially mind-boggling. And Deku didn't say anything about the revelation that Tomura never really had a chance or a choice from the very start either. There was no self-relfection on either side, no real conversation, and there also was no real understanding between the two being reached. It's the fact that Deku instantly stopped caring or wondering about Tenko/Tomura the moment AFO came back, being completely willing to pulverise his body when just a few chapters ago he refused to do that when Nana told him to. It's the fact that he didn't react to Kurogiri pleading for Tomura and Bakugou just killed (???? maybe not, it's hard to understand) the man. It's the fact that the vestiges still being alive and Nana saving Tomura (oh hey, guess her whole family actually all died to AFO, unable to truly smile) was off-screened.
This is not people blaming Izuku. This is just people complaining about straight up bad writing.
Even if Tenko is still alive (And Kurogiri wasn't killed by Bakugou too, but I feel like Kurogiri is just too doomed to survive anyway), that doesn't erase the weirdness that this chapter was. It would still be salvageable, I guess, depending on what happens next, but good lord, the damage was certainly done.
And if Tenko is really dead, but we'll just see more of Midoriya's reaction to that in the following chapters, this would still be fucking horrible.
I love Deku. I love his emotions, how genuine he is, how empathetic he is. He is just a kid forced into an awful situation. This is not a jab at him as much as it is a jab at the author and the writing here. Because how in the world does the protagonist fail at doing what he wanted to do harder than the supporting cast with their villains? Why was Toga and Uraraka's final chapter more genuine and emotional that THIS - the protagonist and the main antagonist's last conversation????? Why was Ochako more upset about realising that Toga is about to kill herself than Deku was in those chapters?
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Velvette: I fuckin' hate bitches that can walk in those ridiculous high inch heels. Like, congrats cunt! You can walk on 12-inch heels! So can a fucking circus performer, you're not special, you look like a goddamn giraffe!
Vox: Are you just jealous you can't walk in 12-inch heels?
Velvette:...... Fuck you, Vox.
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Okay so I recently, finally, watched Wish and I have some thoughts. Overall, not as bad as everyone makes it out to be, but still has a lot of fundamental story problems and I've got to get them off of my chest. I'll mostly be focused on Magnifico because I think his motivations and arc largely represent the problem with the overall theme.
Okay so my biggest problem with Magnifico is his motivation. His tragic backstory. How on earth does he go from losing his whole family to thinking, the only way he can prevent that from happening again is to grant wishes? The logic doesn't track. It almost makes sense in his creating a kingdom where he protects everyone and "doesn't even charge rent," but it does not make sense with his wish granting. Having a great need to be control to make sure he doesn't lose anyone ever again can be a compelling motivation for a villain, where we see lines crossed that don't justify the intent, but in the movie, he's too self-absorbed to seem to have any actual care for the people of Rosas.
I think if the motivation was changed to something like Magnifico had once been a bright-eyed, enthusiastic wish granter who blindly believed all wishes were good but learned the hard way that that wasn't true could have been a better fit for the overall goal of the movie. Imagine that he granted a wish for a wicked person who used that wish to hurt others, or if Magnifico granted a wish but that wish ended up ruining the person's life because what they wanted wasn't what they needed (i.e. Remember The Princess and the Frog? Dig a little deeper) and that person could have went after Magnifico and blamed him for their troubles (harkening back to We Don't Talk about Bruno). This would be an understandable tragic backstory for Magnifico, and better explain why he's so careful about the wishes he grants. And, perhaps the reason he keeps the wishes he doesn't want to grant is to keep the people in his kingdom docile. No one will be angry with him for not granting their wishes if he makes them forget them and lose that drive and motivation, which makes more sense than the unexplained hording them like he does in the movie? Why does he keep them in the movie other than admiring the wishes? It doesn't make sense to me.
This would give Asha more of a reason to oppose him, if it's shown how his desire to not get hurt or to inadvertently cause hurt turned into a paranoia where he drains people of wishes to fly or play music that inspires others. And, as a side note, we need to see more of how Rosas is a kingdom of people who lack drive and motivation, where only those younger than 18 have that special part of them that inspires them to chase after a dream (something that Astor Rhymemaster touched on). Because that's the point of wishes, right? That's the point of the entire Disney canon. A dream is a wish your heart makes. That star can only get you so far, it takes hard work and determination. It's wanting something better in life, it's dreaming of leaving behind all you know to chase after a tangible light. It's finding a new dream, it's finding a new wish as you grow and learn about yourself and the world.
I don't think the movie Wish understood what makes wishes so important in Disney stories. You know what wishes do? They ignite change. It's not about getting what you want, it's about finding the courage to chase after something better. Ariel wants to be where the people are, but really she wants to be somewhere where others are willing to understand her and in the end, she finds that and makes amends with her father, who finally is willing to see her for who she is. Rapunzel wants to see the lights, and that desire pushes her to leave a tower she's been trapped in her whole life, learning that the world is not as cruel and cold as her abusive mother told her. Cinderella wants to go to the ball, to dance with people who treat her as a person and not a servant of cinders and ash. That wish is granted by a fairy godmother and gives her a hope that is worth fighting for, a hope that helps her reclaim what is rightfully hers; a glass slipper that fits only her and the love that comes with it.
Wishes inspire change. The movie should have been about that. Magnifico could have been right, that some wishes inspire negative change that can drag down multiple people. The kingdom of Rosas could have been so placid because change is scary. Maybe Magnifico could have convinced people, after taking their wish, that it wasn't worth it. Maybe the wish ceremonies could have changed so it wasn't portrayed as some sort of lottery everyone looks forward to, but Magnifico would grant wishes on the spot if he decided they were good and worthwhile, and he would lock away the wishes that would cause trouble and tribulations. 18 year olds could be enthusiastic to give him their wishes, thinking they were surely good and worth granting, only to forget their wish and be told that their wish would have only brought about their unhappiness, this would have justified a more solemn tone in the kingdom, setting up a world where people are mostly downtrodden, thinking their wishes are bad and pointless and they're better off without them. Imagine Cinderella or Rapunzel being told their wishes weren't good, reinforcing all the things their abusive families tell them, taking away that hope and courage to find something better for themselves.
Here's where the true conflict could come in. Asha could be onto this from the beginning, and her opening song could have been about this concern that the people who didn't get their wishes granted aren't willing to try at all. (Because, after all, why doesn't Sabino play music at all? Having that taken from him would take so much joy and creative expression from his life!) But why does Asha know something is amiss?
Simon.
Imagine that Magnifico has a strict rule not to ever share your wish with another person because then it wouldn't come true. It makes sense with our own superstitions, and then makes it so that no one knows anyone else's wishes. Maybe your best friend changes so drastically after giving up their wish, but you believe, like everyone else, that their wish would have only caused suffering. What can you do about it? Well what if Simon told Asha about his wish? What if Asha knew his wish wasn't dangerous and couldn't imagine a way that it could go wrong? That would give her a reason to doubt Magnifico and put more emphasis on how Simon has lost his drive like all the other adults in the kingdom. And it can also emphasize in the end that sharing your wishes and dreams with others can be a powerful thing. Just the act of sharing your dreams can inspire others to go after their own, and they can give you the encouragement to chase your wish too. Wishes inspire change, love gives you the courage to make it happen.
Imagine if the star boy used to be a human, who wished to help others and lost his humanity to do it. Imagine his wish confirms Magnifico's belief, that wishes cause suffering because star boy lost his tether to earth and is separated from the people he loves. Imagine how he foils Asha who also wants to grant everyone's wishes. Imagine him ensuring she doesn't make the same mistake he did while she gives him a reason to change again, to anchor himself to humanity again because he loves her enough not to leave for forever.
Imagine the movie confirming that, yes, change is scary. Chasing your dreams won't always make things better. You might fail more than you succeed and some wishes cannot coincide with each other, leading to grief and strife. But some wishes are worth it. Sometimes, chasing after something better and failing is worth leaving a worse situation. Sometimes taking that chance is worth it, and, like in all fairy tales, if you are kind and generous and act with love, that will make all the difference in the end.
Also, I know everyone wished for a Magnifico and Amaya evil power couple, but imagine if Magnifico was truly in love with Amaya, as he is in the movie, but that love is eventually his undoing. Like Amaya leaps in front of Asha, and Magnifico stops or redirects his attack because she's the one thing he loves more than himself and that is the weakness that Asha and co can take advantage of. Imagine Amaya keeping Magnifico in the mirror and he gets to dote on her from his imprisonment for forever. I'm just saying. At least 30 sickos like me would be into that. Imagine the depth it would give to the themes of love and change and wishing and how acts of love make all the difference.
Alright, I'll get off my soap box. I just really wish Wish could have been stronger because these fairy tales Disney is famous for matter. They really do. But the movie feels too stale and shallow and too much of a cash grab that knows the outline of a disney musical, but is unable to understand the heart of why they work.
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Sims 2 CC Mega Post
I say 'mega' but there really isn't a whole lot, I just didn't wanna split it up. Anyway, yeah, I mostly and normally and prefer to make Sims 4 stuff, but I made some Sims 2 stuff for me last year and this and I figured, may as well share it. Most of these require outside meshes so keep that in mind, Sims 2 CC downloading is a bloody nightmare.
Alex Skin
So I made a custom skin with tattoos for Alex as it seemed simple enough to do. Ain't gonna look perfect, but it looks fine from a distance, same resources I used for my Sims 4 versions, so I did vector the rose and skull. I based the skin off these default replacements. You don't NEED these, but they make it so that everyone matches. Yes that site requires an account and login, it's NSFW, it has body hair and works with nudity. Because obviously I play with mods like that. I made the skin look right for Fit/Thin/Fat but I didn't bother with any age but adult nor did I bother with female, because, idc. I THINK this is Alex's hair mesh, but idfk, I have so many that look like this.
It also works in Castaway Stories, as does all of these, because I used them in it too. :> That made Alex the palest guy on the island as all the skin tones in Castaway Stories were shifted to one tone darker per. I manually put my replacement skin in that too, but I didn't have the darkest, so no body hair to them.
Streaked Jack Hair
You need this mesh to make this work. I made this for myself as I didn't really like anything else I had for him, and this is Sims 2, so I went with earlier hair, and I liked how this mesh looked. Loosely based on like this hair. I didn't bother with other ages beyond adult again. I would have if I decided to de-age him and send him to university, but I did that with Otto instead.
Again also works in Castaway Stories, as I used it, again. It's easy to import Sim's faces from 2 into the stories games.
Awsten Tricolor Hair
Awsten Red Hair
You need this mesh to make this work. The bright green in that is also great and I used that for him at first. These are his eyes too, or rather his right eye. No screenshots of the red hair, but it's just a bright plain red in case you prefer it. I made this hair as it looked okay with the colors kind of being randomly spread around the mesh. This is his outfit btw. Again only works with adult as far as I'm aware.
BONER Shirt
R&R Shirt
NoRegRetsShirt
JALEXShirt
BMTHShirt1
BMTHShirt2
BMTHShirt3
BMTHShirt4
You need this mesh to make these work. All of these are Everyday fashion only by account of only the Everyday category having the option for separates and these are all tops. Don't ask me what pants I use, I have so many downloaded, but these work with all of them.
As it turns out I didn't take screenshots of all of these ingame, but maybe these help with that.
PTV Hoodie
DropDead Hoodie
You need this mesh for the PTV hoodie. I don't THINK the DD hoodie needs anything external, I compared it to a vanilla mesh and it seemed to line up. I don't know, I made it last December and I didn't log everything I did. Like the shirts above, Everyday category only as they are tops.
As a bonus, here's some misc Sims 2 screenshots to hit the image limit, including this stuff and with no context to my game.
I know most people on modern computers play with The Ultimate Collection, but I installed it via discs, and a few ISOs as I didn't feel like spending $30+ for a few missing stuff packs on eBay. :) Pretty sure those ISOs are why my game is British and I have to always manually set the clock and a few other small things every time I load it. Not a big deal to me, just felt I'd mention for clarity. Castaway Stories is from an ISO too as have you SEEN those prices on eBay?! I have Sims 3 on Disc too, 100%, never made any CC for it tho.
I love how Sims 2 was out at the peak of, ahem, mid to late 2000s culture so a lot of CC for it is of it's time in the best possible way. I kept this theme going with adding in custom music that ONLY existed from before 2009 (so 2008 is my cut-off date) and it's fun only hearing music of the era ingame. :)
I DID make stuff for Sims 1 too years ago but I don't know how I even really did it so idk how to make more and also I don't care that much. I wanted to try playing with Alex and Jack in Sims 1 too but I kept getting fucked up files that didn't work or look right and I didn't know what I needed to do to make it right and I didn't wanna waste more time than I already did trying to make their faces. I do have semi-not ugly faces and outfits for a couple others tho.
Oh yeah, all this stuff is made in the Body Shop and GIMP for textures.
Whole SimFileShare Folder
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