#I didn't even have 10 original posts

[superlc529]

2024 Tumblr Top 10

1. 41 notes - Nov 24 2024

2. 39 notes - Aug 18 2024

3. 14 notes - Jul 7 2024

4. 12 notes - Apr 28 2024

20 Questions for Fic Writers

5. 11 notes - Nov 17 2024

6. 5 notes - Mar 17 2024

7. 4 notes - Apr 28 2024

8. 2 notes - Aug 25 2024

9 People to Get to Know Better

Created by TumblrTop10

[harringtonesque]

sims 3 vs sims 4 articles are so funny they're all like:

sims 3 has this super cool feature! but sims 4 runs better. sims 3 has this other different super cool feature! but sims 4 runs better. sims 3 has another other super cool feature!! but sims 4 runs better. which is better? wow that's a really hard question haha they're both good you know? because sims 3 has all these super cool features. but sims 4. sims 4 runs better.

[averlym]

(it hurts it hurts it hurts )

[seaofreverie]

I listened to a new Sparks album and it was all I could think about for two weeks straight afterwards, a.k.a. My Hello Young Lovers Review

Okay, so here's my fabled review (I mentioned having written it once about three months ago, so I guess there's a chance that someone still remembers that). It's hecking long (seriously, it's long.) and consists mostly of me pointing out specific sections of the songs and raving about which specific elements of the songs I particularly like. And also attempting to make some sort of general statement on the style / atmosphere / themes etc. of the whole thing. I wrote this back in november, after 5 full listens of the album, over the course of about a week, and I didn't update it with any new opinions that I have formed since, to keep it true to that original form, besides some side notes where I thought they'd be useful to add. I hope you enjoy my yapping, however unprofessional and all over the place this whole thing probably is.

How to start album reviews? Well, I could sum up the general vibe / thing / feel / theme with the album but that seems much more fitting for the conclusion of the whole thing.

So let's kick this off with the first thing we see instead!! The album cover, the sleeve! (note: I got this album on vinyl for that first listening experience, the 2022? reissue) Ohh so pretty and cute, isn't it? Even inside, so much pink, even over-the-toply-so (for real though, I didn't even really think about what to expect from the inner cover, besides some photos that I knew would be there, but it was certainly not THIS. level of pink and cute), it looks so pleasant and sweet, doesn't it? And the band photos too, fun times all around!

Oh wow, ok, let's get back to reality here, I knew what I was in for (knowing just one track and excerpts of other two + reading misc comments on the album before already, as it is inevitable, you know. And frankly, that was actually the exact right amount of info from that commentary for a peak enjoyment here. Not going in totally blind but still encountering many surprises). This is a prime and, imo, very well executed example of mood dissonance. In a way where, idk, maybe it comes from me still having this even small amount of info beforehand, but it's the kind of situation that you can actually tell that something is off.

So yeah, the visual aspect of the album does fit it and I'd even say it does so VERY well, but as to how and why, maybe I should start exploring the atmosphere and themes and elements of individual songs first so we can make more general conclusions from that! So yes, I think it's time to dive in!

1) Dick Around ▪︎

Shortly put, amazing, showstopping and life changing song. And one of the earliest ones for me too! As a part of the extremely important and memorable playlist (note: my first time hearing a bunch of random popular sparks songs), it appeared somewhere in the latter half on the mix and oooh boy, was hearing this song for the first time, on the road in the dark evening too, an experience. I certainly found it intriguing to say the least, maybe I wasn't yet completely SOLD you know, and let's not forget that the second time I heard it (july) it actually kind of freaked me out in a way, but still, it certainly made an impression immediately. There's a reason this is one of the more well known / popular / important songs of theirs overall. This song is truly a journey and it messes with you in so many ways, oooohhh so many ways. I was super looking forward to hearing it again properly after being teased with some parts of it in the more recent weeks, so ok, maybe this is where I get to the individual parts I want to talk about.

Actually wait, first let's maybe say something about the placement. Of course it's the first song as I was pretty much certain it would be (and maybe already had kind of possibly spoiled..?), and it does work incredibly well as a mood-setter for the rest of the album, so it truly couldn't work any other way in my view. So yes, speaking of parts, there are so many different ones! Hearing this again was extra fun also because I would remember the main "point" / mantra of the song ("all I do now... is dick around") but not much else, then be reminded of another notable but very different part, then listen after this whole time properly on pretty much repeat now and be aware of those other little touches and bits that bring it all together...

So, let's start with the pleasant vocals & piano break near the beginning, it's, well... I just really like it (I hope I'll be able to say more specific things about other elements in these songs that I think need to be mentioned as I go on LOL), and right after that we have some very nice strings, then, suspenseful strings!! Idk why but I really really like it when those come in, they really set the unnerving classical tone that follows and returns throughout the album, then the same "calm" / bouncy vocal melody and a more "all over the place" piano returns (at least from what I remember, the notes are sort of more expansive in range in this part I think...). And soon enough... we reach the real moment of the song when it gets, well, real. And very intense. And this is almost jumpscare-like, ohhhh it's so good, even when you know you can expect it it still hits the spot amazingly.

So this is the rocking part that's honestly pure distilled joy and amazement to hear for me each time, the repeated echoey "hey hey"s for a second there are just the icing on the cake, so so so good. And, in fact, it doesn't get more rocking than this for the rest of the album. Dissappointing? Maybe it WOULD be, if there weren't other things still going on later, which were also in their own ways showstopping, so I think that yeah, those can make up for all that follows not really coming close to this level of unhinged. And this is the right word here I think, unhinged!! Damn, this freaking song. Like for a second there I remembered that in one of my early-ish hearings I just found it almost uhhh, unbearably raw? Idk if it's the right word but yeah, it gets... ugly for a second (I need to stop cringing at every more unusual / to the point word I use or I won't be able to write any genuine reviews in my life). Before going back to the main mantra of course! And then it goes on in a circle a bit more again, with more changes and some progression of the story and all that. And end on the mantra again. I don't know if I'm leaving out any super important bits here, I might be... Well, it comes back to full on rocking near the end too, with some variation too, so that's awesome! And very suspenseful and unnerving strings too for a moment!

So, should I talk about the lyrics / the story just a bit now? Ok, I won't go super deep into these or any of the following ones, I'll try to focus more on specific bits and the feelings that come with them and a general "theme" if anything. So, I think this song and its story is very engaging and I like it a lot and it certainly provokes further thoughts and ponderings, those 6 and a half minutes fly by super fast (guess that's just the power with sparks and their long songs, it's kind of incredible how maybe this goes ESPECIALLY for songs that rely a LOT on repetition, because those might work this trend the best), lots of variation, while still keeping some prominently repetitive / reoccurring parts balances it very well. You're really just thrown from one part to the next with this song. Ok, I wrote a lot about just one song and I feel like there's still more I could say if I thought about it hard, but let's move on now, we don't have all day (night)...

2) Perfume ▪︎

This is a favourite. An instant favourite. Right away this song grabbed me with its subdued, brooding and honestly pretty dark tone and sound. Low vocals, kind of ragged but driving guitar sound, and the DRUMS. They do SO much for this track, something about this specific drum pattern / style is very pleasant to me, very atmospheric. It's like a specific pattern that works to deliver some kind of effect (ok, I think through that, in a way, I just described the whole thing with repetition in sparks' music, especially in this era, nice, I guess that's how I view it and why it works so well) there's still a lot of interesting stuff going on there, plus it just sounds nice, idk. Once again, maybe "driving" is a good word for it. But now I need to mention that there is this one odd-one-out part that sounds much more cheerful, or maybe hopeful (and it returns again near the end). Because it has this specific thing, the different intonation of the SAME lyrics than the rest of the song ("and that's why...") feels strangely emotional. It certainly hit ME in the feels once I noticed it, so, yeah!!

So I think this is one of the darkest songs in mood and sound, while it also has something extremely COOL about its sound that I can't really categorize, I think I'm gonna feel like repeating this for every other song on the album but it just feels so CLASSIC, it's that typical song that always existed type of feel, yeah. But here it's less so due the melody necessarily, and more due to the whole picture. With some others it's also the song as a whole of course but they don't necessarily feel as much as a representation of a whole THING / genre / type of song / feeling in music of sorts (I'm really bad at articulating my exact views on these, am I not...) rather than those specific special moments that just bring it all to the next level. But OHHH I can't believe I almost forgot this, but the piano lines (I mean the post-chorus ones specifically) in this song, oh my goddddd!!!!!!! They're truly THE thing that sold me on this song completely, they're just so... something. So I guess this song also has that special "it" moment after all, doesn't it? Well, still possibly not quite as prominently as the next one, because...

3) The Very Next Fight ▪︎

Well, this is the kind of song that's completely made up of those specific parts making a very special whole. Starting with, of course, that melody line during the chorus "it's always the same. It's always the same". But maybe, just to be fair, I should actually start with where the song actually starts so, well, hmmm, the beginning. The very solemn piano and overall kind of heavy atmopshere here kind of slows down the momentum after the first two songs, and it delivers something quite different instead. So yeah, well, that chorus melody!! Oh wow!!! Isn't it so simple though? But it works so well!! It's simply beautiful honestly. It absolutely is! And later the electric guitar comes in for more effect and oh wow, it feels so incredible, yeah. And then some more solemnity with the... I think harpsichord?

This track feels very empty (as in the atmosphere, I'm not actually calling it empty as a bad thing or something like that, no no no!!) in some parts, then it has those emotionally charged bits, and let's not forget that it has some more really amazing guitarwork near the end. That kind of guitar "wailing" sounds beautiful in its own right too, it also kind of reminds me of some other rock-adjacent genre(s), I can't tell what exactly though...

4) (Baby, Baby) Can I Invade Your Country ▪︎

In all honesty, after my first listen I decided that this was probably the song I was the least impressed by? Kinda strange, yeah, because I no longer think that, and yeah, it was another one that I was only slightly familiar with already. Very slightly. It's a very interesting song once again, I think it's really unique after some thought actually (as are most all of the songs on this record tbh, obviously). It's unique, but it once again has this special classic quality to it that just feels like it represents a very specific type of sound.

I wanna say that the chord progression in the chorus might be some variation of one of the "usual" progressions although OF COURSE I might be very wrong here, it's just the feeling I get because maybe it's worth mentioning that 1) a while ago I started noticing this one type of progression in songs that made them sound very similar to Kiss Me, Son of God (They Might Be Giants song), so I figured it must mean that KMSOG is just in some kind of typical progression that is used a lot, especially in country-sounding songs from my experience 2) there was also an element of some classic rock / rock&roll (?) / punk (??) songs that also made them sound very alike after a while when I started listening to this one internet radio station recently, idk if it's the same progression or its variation or if all those songs use different variations mostly but are still based on a very similar thing at the end of the day, but yeah. I might still not understand chords or be able to catch them while listening, but there's now at least a little part of that whole section of music theory that I might be able to recognise in music just by myself, so that's some major music literacy development on my part I think... Anyway, maybe the progression in this song didn't even remind me of that usual pattern specifically, but it just made me think of that thing nevertheless, maybe it's similar, maybe it's not... So this was kind of an irrelevant tangent on my part, oops.

So ok, let's get to the jist of this... What exactly I like about this song and such, or just what I wanna mention. Well, I wanna mention that this is probably one of the more repetitive songs, also one of the longest I think, maybe the third longest, I wouldn't be surprised by that (the opener and closer are both pretty tough competition in the length department) but it doesn't feel monotonous, it flies by super fast, once again.

I think it's also possibly the brightest sounding song on the record, the word that immediately sprung to mind here is "triumphant". Certainly fitting with all those awesome horns!! They're truly what really sets this song apart. I'm especially a fan of the horns in the bridge part, I think it's the bridge. Sooo so cool sounding, kind of "descending". I also really like the layering of the different vocals and their melodies and such, the acoustic guitar also brings it all soooo nicely together, it's so pleasant sounding, especially in the quieter "baby, let's invade" part.

Idk what else to say, very awesome song though and I definitely don't mind listening to it twice (with the repeat as a bonus track, which I'll also get to briefly at the end) at all, in fact this might be the least "intrusive" song in a sense, so that makes the best choice for a repeat, if I had to choose, I could see myself going with this one, it's just very pleasant all around.

5) Rock, Rock, Rock ▪︎

So things get real once again, huh. This is one of the songs that I count in the category of kind of sick and twisted but in a way where I only respect them more for making it, so that puts it right next to, hmmmm, sherlock holmes for sure, maybe some others I can't think of right now. Big part of that factor is surely played by the repetition which just works, well, very well. Specifically the choruses.

One part of this song I was pleasantly reminded of on my first few listens were the short strings interludes, they really give it some of that pleasant classical feel (a separate thing from what i describe as classic feel here!) that I could say kind of contrast with the song and its atmosphere in general. Or maybe spruce it up, idk, we do have very dramatic strings during the verses too... The very deep drum sound is also pretty prominent in this track I think, pretty great.

As to some more notable parts in the vocals department... Let's just say that the way Russell says some words is very, uhhhhhh, effective (i think this sounds more cursed than it should, but i mean exactly that, the delivery just really hits you... and other times it's kind of silly instead). And also, with that repetition and it creating something great in mind, there's the repeated "and since you put-" part near the end that's also really great. The repeated "I"s in the bridge I think also need a mention. It's like they know exactly what word / phrase to repeat, what amount of times, and in which part of the song for it to work the best, like the perfect placement and number.

I think this song also has a bit of a fake ending, so that's also something of note, especially when it's supposed to sound as dramatic as possible (at least that's the idea I get from it). And actually, oh, so does the previous song! I forgot that part even though it's even more noticeable / memorable in that song than it is here imo.

6) Metaphor •

Second half of the album starts off with something that's very elegant and all the while very pleasant and melodic, all of which makes it a very nice track, even in a more usual pop song sense. Some very cool piano to start things off, and the electric guitar accompaniment, which also enters pretty early on. And then we have that slightly more strange part, kind of like an early bridge, that honestly has a bit of a comical effect imo (with no disrespect intended!!)? As in, I find it kind of funny and silly personally. Yeah, the "who's up for a metaphor" part, especially when we get the repeated "don't don't"s and "we we"s, and, well, what follows is what's definitely the greatest part(s) of the song, when Russell enters his falsetto mode and we get the "aaaaa-ªªªªª..." etc. backup vocals in choruses. Those are the moments of the song that are just, well, ONCE again that classic factor that makes the melody & everything else super special. But more specifically, I think those parts are just kind of beautiful. Yeah, I'd say this song is the prettiest in sound that this album gets overall. Truly wonderful and gets you excited for the remaining songs.

Meanwhile, the spellings of dig as d-i-g might feel kind of random I guess? But it works. Adds variety or whatever (note: it's also a very good moment of a rhythm change I believe, I think now that's what makes it sound as cool and satisfying as it does). So yeah, kind of a heavenly song I think, in a sense, also one of my top faves just for that factor (note: this song is now probably my favourite on HYL, and also among my top fav Sparks songs overall. It wasn't instant, but it grew on me quickly and oh man, I truly love this song so much now)

7) Waterproof •

I think this is kind of an odd-one-out actually? And why? I think it's probably the closest on the album to being sort of a fully, or at least MOSTLY, "normal" song. It doesn't have so many parts that are just downright weird and unexpected I'd say, it's just kind of friendly instead compared to the other ones (note: it took me perhaps too long to realize that this song just doesn't have quite as much repetition, which most other songs here rely on heavily, so that's definitely what makes it stand out the most). Not that it's an entirely bad thing! Sometimes you gotta slow down and relax a bit I guess...

I do appreciate the kind of sudden switch with the "the sky is starting to cloud up" part, and the little orchestral bit right after the first time the aforementioned switch happens (the second? or generally some later time it happens again there are also some very awesome horns! Really starts feeling like a quaint rainy street in some french town or something...) when, well, I was going to say that the vocals and the strings do the same melody, but they actually don't, at least not fully, still though, I did have that illusion before I made sure it wasn't the case with another relisten, either way, when it DOES happen, and Sparks do that a whole lot I feel like, it's always quite awesome, I mean, syncing the vocal melody with some other prominent intrument's melody...

The I think harpsichord also makes a return, yay! And then there's the guitar part, that does have some real surprise factor when it comes in, but this time for sort of the opposite reason - it sounds bright and nice this time around, and also it reminds me of Sparks' later style tbh, specifically in their following more rock-centric songs of course. And I think that's very nice, we see the always progressing evolution of their sound here I think. That guitar bit also has some album closer vibes, that kind of fake closer (or nearly-closer) situation kind of reminds me of a similar thing I experienced with Bon Voyage on Propaganda for example (note: I have since learned that Bon Voyage IS the closer on Propaganda, and the following two songs on streaming are just b-sides. So it makes sense that it would sound like an album closer because it IS one).

Annnddd the last thing that I just can't forget about here is Russell's another epic falsetto moment (waterwatereverywherebutnotadroponme!~) that part actually makes me smile. Yeah. Legit. I paid attention and I did smile on that part during my relisten today. ... Ok, let's go on.

8) Here Kitty •

When this song came on the first time during my vinyl listening I of course instantly knew exactly which song it was (bcs I've heard the title before, and a few words on it too) and had this little amused "oh no" moment. And, well, turns out this song is actually very awesome and veeeery interesting! It adds something really unique to the album. I saw someone call it quite impressive in the vocals / vocal lines layering department recently (in the last week, so already after hearing it myself I'm pretty sure) and I absolutely agree.

First off, let's settle that - this is a very strange song. But that's exactly what makes it so good of course. The strangeness keeps you so distracted from this fact, that when we reach the bridge of the song you suddenly realize that beneath all the "tatata"s, meows and unsettling rising piano notes we have the very much usual song structure with verses and choruses. Yeah, I think I actually sort of figured it out, what might be the verse, and what might be the chorus... Speaking of which, the parts that I identified as choruses have this, well, it's the same thing all over again (but each time the specialness comes from a different place and is totally different of course), but that very classic feel, indicative of maybe even some specific genre but idk what exactly...

Besides that, well, maybe let's go back to my oh no moment for a minute, and let me say that I either am very illiterate in that sense (and yeah I am tbh) or the lyrics aren't as overtly, let's say, innuendo-filled? as I expected. They actually have a semblance of a story you know... I mean, NO, not even a semblance, it IS a story! Let me also say that this is a very interesting song to have stuck in your head a lot over the course of pretty much an entire week. Yes, it got to the point where it could be annoying. One last bit of the song I really like is at the very end, when one vocal line starts to sound kind of echoey / distant, nice touch.

9) There's No Such Thing as Aliens •

The song that first cemented itself as being by far the shortest song on the album, sort of an interlude before the incoming epicness of the last one (that was quite literally my very first impression before I even heard either, looking at the vinyl this one was visibly much shorter than the last, and of course I expected the last one to be fittingly grand, and so it was obviously, but we'll get to that in a minute). The funny thing is, it's not even that short, as I figured even before eventually making sure how long it was in fact, and that's almost 3 minutes, which, well, of course that's still something around well over two times shorter than the last song.

But enough about its length, this song actually does kind of work as an interlude thematically too, which it is? it sort of even feels like it doesn't quite fit with the themes of the other ones, I mean, maybe not that it doesn't fit but just that it's defintely the furthest removed from the much more similar topics of the other ones (more about that also later!). Plus it's pretty sparse lyrically, once again, there's less you can fit in under 3 minutes anyway. Which supports the interlude argument also I believe.

Anyway, the music. First of all, waltz time!! Always a treat in sparksland to have that rare spooky 3/4 time track. The feeling I get from this track is: grand, very orchestral, anddd, hmmmm, elegant. But is it more elegant than the rest of the album... Idk, I wanted to use 3 different descriptors. I honestly don't think there's much more to say about this one, it's great, the melody is really great, the grandiosity of the choruses, the even more notable waltz time during verses. I think that yeah, I could pick this track as the most orchestral / classical inspired of the album. One cool moment I'll mention though would be the very ending, with the repeated "no"s going for longer than you'd expect them to maybe, and the deep drum accompanying all that. Very grand ending.

10) As I Sit Down to Play the Organ at the Notre Dame Cathedral •

Well, how do I even start on this one. I think I can say that with literally each single listen I become more and more in awe of this song. Could I even call it even more of a journey than the opener? In a sense, yeah. There's so much going on here. So much that I almost feel like breaking it down into individual parts and giving all of them their due because they all work for the amazingness of the whole. In fact, I might even already have this track roughly memorized (all... 7 minutes of this track) so it could be done. But ok, I'll just go with each part as I remember it, we'll see if I in fact do go over nearly all or all of them.

So. Echoey synth (?) intro, then the first melody part, with the individual words repeated, kind of "urgent" vocals part, very nice rhythm and something I just find very cool. As it progresses we get another part of just the synth / electric guitar-like synth / guitar or whatever this thing is, then a mix of both + this clicky instrument and / OR is it the harpsichord again? Giving it all more urgency and a nice constant rhythm. I also really like when the "byebyebye" vocal gets looped before the synth reenters. Overall, this part of the song has a very electronic, drony feel that I greatly enjoy and find very atmospheric and immersive already.

But, well, it doesn't end here. Because later, everything else stops and we hear a church organ. Even the melody it enters with is very much like something you'd hear in a cathedral, indeed! Good environmental storytelling, isn't it? But then... the organ transitions into this very very cool frantic melody (and by very very cool I mean that it's probably the #1 thing that stood out to me about this song right from the start) which returns consistently throughout the song and is just oh so very awesome.

So we enter the next part, what could probably be called the central part "as I sit down to play the organ...", tension is rising, the organ is doing its thing in the back, then some "hallelujah"s and BOOM! The chorus? The "I've got faith" part of course. And with it some epic strings, and I don't think I can really say what exactly it is about this part that makes it SO FREAKING GOOD & ABSOLUTELY SHOWSTOPPING but it's easily in my top 3 moments on the album at least. Then it's followed by the slightly considerably calmer "she's here..." section and we go mostly full circle for now, more variations on the same parts. Some grandiose "lalala"s & epic drum action too. And then, the "I believe" sections which I cannot let myself neglect, mostly just on the basis of them being kind of sickening to me. You know, in the "why did they do this (said respectfully)" way.

Ok, did I really just talk about all of the individual parts, I guess so. But before I move on I have to mention the moment when the very first major part, the "bye-bye-bye my baby" part, makes a sudden comeback. It's honestly just so good and satisfying, when completely different sections switch and make unexpected (or maybe you actually DO expect them on some subconscious level, and that's what makes them work so well??) returns like this, if a song has that it's very likely it will become a top top favourite or at least have a very big effect on me. Or even HUGE effect, like here.

So yeah, the song does eventually end (I mean technically unbelievable somewhat, since it's so long, but have I actually mentioned yet that this track goes by about just as fast as the first one, because it sure does, you do not notice the time passing WHATSOEVER) on some more "hallelujah"s. And the album's over. Wooo boy.

Bonus tracks

Well, it's not really over yet if it's not the vinyl but the streaming version. We still have just two more bonus tracks, technically just one? So I'll go over both quickly now for completion's sake.

First we have "We Are the Clash" which is a pleasant song for sure, can work as kind of a denouement after the crazy journey of the previous track, so you're left on a little less of a mood unresolution and can become a little less unsettled after all of this going down... Idk.

But yeah, I actually have this impression veering on pretty strong conviction that this song is a cover actually. It could even be a cover of the band whose name is mentioned in the song, which would put this version in a extremely funny area of how far stylistically it might be from the hypothetical original, if it exists (what's up with all these bands and their "we are the [band name]" songs, there's so many). Of course I could also be very wrong about this so all I just wrote could turn out to be absolutely hilariously off target, still, a fun little attempt at guessing things and connecting ideas on my part, whatever the truth turns out to be (I will learn the truth... in due time. My experience tells me that when I'm still fully in initial unwell mode over an album it's difficult for me to read and retain any outside information / commentary on it. So no need to rush it, heh) (note: yeah I was right for once. I meannnn I guess it was obvious anyway but still, let me have this, I've been fooled by assuming that a cover was someone's original song way too many times so I'm happy to not be fooled for once).

So ok, the last last track. Baby baby can i invade your country is baaaaaack, not much to say but it's pretty much the same other than the lyrics, since well, it is the "alternate lyrics" version, not "alternate" version. I do think that it might be slightly longer than the final version though but it's also likely I'm misremembering.

Anyway, lyrics, all I can or feel the need to say is that they seem to be definitely way more to the point on what this song's actual topic is (not... invading... countries . I don't need to explain it here do I) so subtlety win for the final one I guess. Just so it is known, I have not read these two songs' lyrics unlike all the main album tracks'. But I think I caught enough to get the main idea from both, you know. I do think also that the final version's lyrics just kind of sound better, idk if it's the rhythm of the words or what but they do just have a nicer flow. So, improvement, probably, still very nice to know this version anyway of course. (note: yeah i have learned since that most of the final lyrics are the US national anthem. Makes sense that if any song were to have alternate lyrics it would be this one)

To round it all up...

I think there's still a lot that can be said about this album as a whole but how do I go about that. Well, I did mention earlier that I'd come back to a) the overall feel / atmosphere here b) the themes / stories and how they connect. So those shall work as a guide to my conclusions part of this whole review.

First off, I could even say a bit about the main vibe / sound here in reference to Lil' Beethoven! Since it really does work as a sequel, at least in sound, by all means. I described LB with stuff like... cold, distant, cathedral-like, what else was there.... Ok, I have more, lifted directly from my LB write-up. (note: finally listening to LB a month prior to this was enough of a big deal for me that I wrote down my live reactions to hearing the songs) Impersonal / detached. Alien. Spacious.

Do those apply here too? I think so, yeah! Pretty much all of these words also feel like pretty good descriptors here. But honestly, the more I think about it.... Maybe it's just that the distance / the detachedness and alienated feeling is a bit lower here? Or at least in some songs more than the others. It's hard to explain honestly.... That similar atmosphere continues here but it's just..... not as pronounced maybe. Idk, maybe it will become clearer with this next point I wanna make which is that LB actually is less, uhhh friendly in sound. Less accessible! Yeah, I do think that this album could be seen as: LB started the experiment, HYL perfected it by taking it in a slightly more accessible direction. Or is perfected a wrong word here, who can say which was, or should be considered the better outcome here.... I think I actually have a problem putting concepts into the right words today. But maybe at least some of my feelings about this can still come across here...

So yeah, I don't think it's possible to tell if HYL is better or LB, it also depends on how you look at it! As it kind of always does when judging stuff per good / better. One thing that I can say sort of for sure though is that LB certainly started ideas / techniques that HYL expanded on and toyed with further, so in that sense, it could be considered an improvement. And so it is clear, I don't think I can say 100% that I like one more than the other. It's not that simple. I guess you could however say that HYL was more of an instant hitter and LB really just grows and grows more in power overtime....

So yeah, they kind of did take the LB concept and all of the avant-garde, experimentation factors that come with it, and made it more accessible, which is a form of art and an achievement and a testament of skill in itself. I think the somewhat friendlier, more palatable approach of this album also lifts off the coldness aspect a bit, but it's still there, especially on tracks 1, 3, 5, 10, off the top of my head.....

But maybe I should talk more about the album and its sound as it stands on its own before I move on though. Maybe we could jump from the words I already used: classic, orchestral, brooding, dramatic, dark, aggressive (yes, I somehow see it as friendlier than its predecessor despite also being much more aggresive in all senses. Raw even. How does that work? I can't tell you today. And idk if I'll ever figure it out. And also personal, YES, that's the word, this album feels soooo very personal and emotive. Not in the sense that I'm trying to say that it must be personal to them, more like it just shows some very personal feelings and struggles), triumphant (but that goes only for that one song really), driving, ELEGANT. I think the word elegant is the key here. In all of its subtler or less subtle tone shifts it keeps that very elegant, kind of graceful feel, all throughout. Even when it seems to be touching subjects that wouldn't necessarily bring that kind of atmosphere to mind, it kind of elevates them and gives them, idk, a new meaning?

So is this a good segue into the topic of themes? I guess the album name sits well with what I think is going on here, because my main impression of the whole thing was something like.... stories of fucked-up guys with self-image problems / feelings of inadequacy, which they try to go around fully convinced that they're right (and their messy love-lives too ofc). Or are they just, normal, regular guys actually. Who can tell. It certainly gives you an idea / a whole concept to work with and ponder here and to connect and visualize kinda.

I think that yeah, out of what I've heard so far this has to be the most thematically-consistent sparks album there is. It comes to a point where all the songs give this little impression of a whole universe where all of this takes place, and while I've had these kind of impressions from albums that are way more all-over-the-place conceptually with their lyrics (I mean like.... pretty much every They Might Be Giants album. You can create this sort of illusion with more than words, the music and its atmosphere and often also its stylistic consistency might be even more important actually), this comes, in my mind, almost close to concept album levels in that regard.

The definition of a concept album probably calls for something more specific than all the tracks being in sort of a similar theme but you know.... I don't think it really happens most of the time in music in general, that the whole album has this sort of a familiar idea / spirit throughout that makes a unique whole. (note: apparently wikipedia calls this album a concept album. Another win for me in that case, lol). You could probably try to connect different songs' themes and work with that in some way.... Which is something I already did in all honesty, but actually it's a between albums thing here, because I do believe that the dick around guy could be the same guy that the narrator from ugly guys with beautiful girls talks about. Similar ideas you can connect! That's what I'm talking about. I love it when songs tell overarching stories.... Make me think about characters from songs or little universes and vibes created by even the vaguest of lyrics and the ideas those create and the imaginings they bring, any day.

Ok, what else can I say. I think I mostly covered everything I could actually. Should I say something more about the cover with the added context now. I already said that it gives off a "something's wrong" feeling, but I think it's also compelling in how it conveys that elegant, non-threatening and polished image, sterile kinda. Well, I think only one of those four words I just chose doesn't really apply to most of this album's songs. I mean non-threatening ofc. Hmmm, maybe sterile doesn't really work here either, besides those prominent examples of the coldness of sound on this album, it would actually go more with LB, which also has a fittingly minimalist, all-white cover. Collected and orderly to a distressing degree. Just like here, it also gives off some.... distressing vibe. As I already said with the "this isn't right" feel.

What else can I say. In reviews you usually give your opinions, which I very much did throughout this thing here, everything like this is always somewhat subjective I think, but even then, a final verdict could also be said here. I think it's pretty damn clear by now what my opinion on this album is. I wouldn't spend several days writing a review and analysing every little detail if I didn't have a very strong (positive) opinion on this album (I guess I technically can imagine writing a very throughout review of something that just annoys you so much that you simply have to go through everything wrong with it and have some relief and closure through that. I can't see myself doing that kinda thing however, I'm not that kind of hater (or really a hater at all lol, i hope), I'd rather devote my time to things that I find actually cool and awesome and stand-outs in a positive sense, and worthy of attention and that dedication).

So this comment I fittingly found on tumblr over the last few days feels pretty relevant towards my opinion of writing "reviews" of stuff (this was more of a, very detailed analysis I know, but review just kind of fits, especially with how people call their recaps / commentary / writeups of concerts "reviews" a lot of the time):

(note: yeah I think I should come clean here that despite my very recent start of actual social media participation I've already been a serial lurker in various places for years now, lol, I mean, that's probably a normal thing to do though, I hope. I mean, probably lots of people do or did that at some point, but still. And I don't know whose post this is anymore sadly. But I thought I'd keep it here because it's a good summary)

And also, just for the record, this is my opinion on HYL pretty much. Yaaaayyy i loved it i had so much fun!! For real. i'm glad they're creating something!!!! Absolutely. One of a kind album that I will cherish as yet another great and unforgettable entry on the list of albums that changed me (TM) and brought me lots of fun and great memories / associations, even in such a short time. And the actual FIRST on the new list of albums that I'm happy to have brough the utmost attention to and dissected like that. It's out of love.

Thank you for reading this far! Here's a little bunny as a prize!

Whoa whoops this gif was supposed to be small! Have a huge bunny in that case, you deserve it! 🐇

[chemicalarospec]

Some intersex people genuinely don't want to be included but the majority of us want to be. It's actually really difficult to be in queer spaces that consistently enforce sex binaries, never use the updated progress flag with us, and never have intersex flags.

Often the idea that we don't want to be included comes from intersexists who want us to remain as "disorders of sexual development" (outdated offensive term). It's unfortunate that this idea permeates the queer community so much.

You can see photos from this intersex organization using the pride flag, if you need more than an anon's word. https://interactadvocates.org/#

Thanks for the information!

I didn't know "disorders of sex development" was considered outdated and offensive, I thought it was actually a modern (more formal?) alternative to "intersex". Unless that was "differences of sex development"? (I almost tagged it on the original post but I wasn't sure what the term was.) Ah, I found more information on the link (x). Thanks for the website, very helpful!

This subpage is a great source on intersex people wanting to be included! It's a bit more ambivalent than I expected - combined with this anon's word and my previous impressions it seems like there are still a significant amount of intersex people who don't want to be a part of the queer community, but the ones who do want to be included would much prefer the queer community open its arms. So it seems to me the best course is to do so and the intersex people who want to can individually distance themselves (my impression is most people of that group more want to be personally distanced than think 'I' should never be a part of 'LGBTQA') and only partake in intersex communities.

We recommend adding intersex to your organization’s LGBTQIA+ acronym only once you have intersex leadership, consultation and/or resources. Intersex people have very specific needs, just like each letter of the acronym.

This line in particular stood out to me because they only provide guidance for what organizations should do... I feel like most times when the decision is being made whether or not to use the intersex progress flag, it's individuals and small groups like my GSA making posts, selling merch, decorating a space, etc. that aren't serving any needs besides community for anyone... I guess I already came to the conclusion to include by default though? (Honestly this page feels just barely strong enough for me to send to anyone if this question comes up in the future, so if anyone has any more sources do send in more anons!)

Honestly I was hoping for something like "our survey of as many intersex forums/organizations/people as possible found that 80% of intersex people want to be included in 'LGBTQIA', pride events/orgs, and the progress pride flag" --that this had been "laid to rest" and I could just tell my friend straight "no, intersex people want to be included now"-- , but of course I shouldn't expect things to be too simple haha, people & groups are nuanced and nuance comes in the form of caveats. At least I feel much more informed now!

[aberooski]

I've been working really hard on Sons of The Stars (abby's version)(from the vault) the last few days and I'm serious when I tell you with the way it's going, if you've read SoTS before... no you haven't.

[outofmymindbebacklater]

maturing is realizing that adaptations of ur favourite thing doesn’t have to be exact for it to be good

[dieverged]

nima who probably didn't plan to be visiting thedas again and ending up trapped there for 2+ years having to deal with the inquisitions politics. they are mad as FUUUUUUUUUCK

edit: thinking about them stuck in thedas for 10 years dude. in the event that it's relatively canon compliant & they don't get help from, like, anyone so ... kind of a worst case scenario for them basically? on a personal level. because them getting help would require plotting

edit 2: okay i'm mad as FUCK i forgot tumblr puts a bullshit limit on tags. i had an entire section dedicated to dorian & varric & the inquisition, how it all culminates into an eventual home for them & how they would go back n forth between tevinter & kirkwall with varric taking her under his wing (and the outlier in that nima would end up telling varric about their circumstances eventually if they were close enough but hey! varric dgaf about that, he sensed the bs, he knew they were hiding something, as long as it doesnt directly harm him/his people/the fucking world whatever man it doesn't change who nima is potentially) & also nima's complicated struggles & relationship WITH hiding this information because she isn't thedosian. she is a complete outsider, a mimic, an imposter wearing the skin of those around her. while she doesn't lie, she also doesn't speak the truth of it either. & as a traveler, you'd think oh why does this bother her so much? it bothers her bc she can typically escape in other circumstances but here, she can't, she is trapped for the forseeable future and/or permanently, she can't return home. & the FURTHER struggles of what that means for her identity & also of her relationship to people within the inquisition

I'M SO MAAAAAD I'M SO MAD THOSE WERE SUCH GOOD ANALYSIS' fuck off tumblr i can't believe i forgot. okay well reminder that i need to write some relationship metas. specifically with solas, varric, dorian & then the inquisition at large.

also the conversations between these four would be funny as fuck is all im saying. discussing theoretical magic & the fade & like varric is just There dude it's too early for this shit. he was dragged out

also augh cole was another element in this as well but cole is... difficult because nima just avoids him straight up a lot of the time, but i think she would really like his insights :') i really do. i think they would have such engaging conversations

but anyways yeah there was so much haha.... gripping my desk so hard it splinters & shatters can you tell im mad as fuck. im also tired, writing essays with no sleep lets gooooo

(though honestly, maybe their character arc is centered Around never actually finding out how to return in inquisition & making peace with that too; at least not until Trespasser. i.e, they are entirely vague about everything, researching all sorts of old forbidden magic & the history of it, & part of their character arc's resolution is that they aren't alone in this yknow? they aren't alone, they have to come to terms with their placement here, and hey people do give a shit or something to that effect anyways. because them going at it alone, e.g you didn't do their companion quest, is going to result in them just leaving once they have what they need information wise whereas doing their companion quest results in them staying & begins the gradual process of relying on the people around them, relinquishing that iron grip independence but also trying to learn not to have this... fixation on home and what that means for them. which is an objectively important concept throughout their entire narrative, it drives them, BUT yknow in this it's finding a way to be healthy--- they don't let go of it obviously, although that would be an element brought up (and also if that was a choice you picked, basically telling them to give up, it would result in them leaving too), but it's more so .... that they aren't losing parts of themselves by not finding the answers that they need like home isn't one place & it definitely isn't lost. basically just easing their grip on it, like they're not losing who they are. i had something more profound to say here but i forgot where i was going originally lol so this'll just have to do--- it's just coming to terms with a lot of things about themselves basically)

referring back though to the best case scenario, it would probably be like. plotting territory & the baseline is always going to be a mage, spirit, a... god? if they interact with one? or an ancient? basically someone with profound arcane knowledge. & the plotting would come from like, hey, can we actually find a way around this in all its forms (im talking fade travel, im talking dabbling with old, forbidden magics, going on long adventures, uncovering mysteries, hell. possession would be awesome dude, spirit or fragment, or literally whatever the hell else)

& the consequences of that bc fucking around with ancient magic that counteracts your own innate magic AND with nima already having a god's mark on her by virtue of being revived. all of that...... it would be very much hey, let's see where canon can take us, let's do the implausible, let's keep making ideas etc.

because while i do just default on, even in a plotted situation, nima being unable to find their way back home by virtue of not being able to use their specific abilities to unlock that access (which, haha, im just saying wouldn't it be awesome if someone helped nima only to use her powers for their own gain. like it would be awesome) it would be very fun and very tragic for them to finally find their way home. maybe them gaining access to their own powers again causes fucky shit to happen! maybe they are blocked from ever returning to thedas! many things can happen.

& also side plot but equally as important in this ^ is them being able to recover some or all of their memories via fade shenanigans which would be peak but made worse by A. what if by doing so, they've made it so their own spirit is bound to thedas & they can't leave so they have these memories but at what COST or B. idk maybe they just die dude straight up. maybe there's some crazy ass consequences that follow. there has to be some kind of tragedy i can't let nima be happy. ever. or even some crazy shit happening to Ur muse in all of this bc who doesnt like seeing their muse suffer (& which would hurt nima in the process yippie)

but yeah ultimately their worst case scenario is arguably the best case scenario and the definitive canon bc anything else, like actually helping nima, requires nima to A. tell you they aren't from this world (& by virtue of that their memory loss maybe bc hey all hands are on the table now, but tbh they would've probably mentioned the memory loss casually Anyways so its not a big deal) B. probably a fair bit of plotting but it'd be really fun devil emoji

[gamebunny-advance]

I Caved

I cast a vote so I could see how the poll was doing, and the results are about what I expected. It also roughly correlates to how much time I spent designing each one, so maybe there's something to that.

But, regardless of *why* the results are this way, it seems like Ice came out on top, so if I ever get around to that project, I guess it'll focus on him~

Thanks for voting everybody~ The poll is still open if you want to try and change things, but I don't see Ice being usurped any time soon.

It wasn't close at all~

[cherrygirlfriend]

⋆𐙚₊˚⊹♡ so thirsty

pairing: sunshine!reader x bf!rafe synopsis: reader catches rafe working out tags / warnings: smut, handjob (through clothes) wc: 600 a/n; originally posted 10/30/2024

it wasn't fair how just someone's back could look so good while they were literally pulling themselves up and down on a steel pole.

rafe's back muscles basically glistened under the lights of the cameron home gym, your teeth biting down on your lower lip as you watched him do pull-ups, sweat slowly rolling down his back muscles, the urge to press your legs closer together getting stronger and stronger.

the music playing from his speakers was so loud that rafe hadn't been able to hear you come in. that morning you had sent him a picture of yourself wearing a criminally short dress, half your thighs visible, and thanks to his friends showing up at the ass-crack of dawn and demanding he come out with them, he didn't have any time to jerk off, so now he was trying to take his frustration out by working out.

rafe let out a small groan when he pulled his chest up to the pull-up bar, but even that couldn't mute the little whine coming from behind him, and when rafe's feet finally hit the ground, he turned around to see you, a dazed expression on your face.

"you're stalking me now, huh?" he grinned, tilting his head back slightly as he watched you start fiddling more and more, trying to distract yourself from him.

"no. no, i wasn't."

"mmhm. sure you weren't." rafe chuckled, making his way to you and wrapping his arms around your waist, pulling you so close to his chest that you could definitely feel the bulge in his shorts, causing your eyes to widen and your cheeks to start warm up like a hot summer day.

you looked down at his chest, sweat slowly dripping down like it was a movie; like this was something he had planned. but what he hadn't planned, or even imagined would happen was you bringing your hand down to the bulge in his shorts, rafe letting out a small whine, one that made you press your legs even closer together.

you continued to palm rafe through his shorts, the blonde throwing his head back in pleasure, trying to figure out just how you'd managed to get such a hold on him; plenty of girls had given him proper handjobs and blowjobs, but there he was, about to blow his load all over his black boxers just because you were palming his cock through the thin fabric of his shorts.

"i-is this alright?" you mumbled softly, causing another groan to escape rafe's lips as his hips bucked against your hand, the man letting out an even louder groan when you moved your hand down his shorts and started properly stroking his cock through his boxers.

"i... i know you're..." rafe let out a loud gasp inbetween his sentence, "you're not experienced, but... fuck, baby, i can't handle this for much longer..." he mumbled, letting out a noise that was between a sigh and a groan.

you kept stroking rafe's cock through his boxers, his blue eyes rolling back while he panted uncontrollably, his hips bucking to the pace of your hand's movements.

"baby, i'm go-"

before rafe could even finish his sentence, his cock started spurting white, hot cum all over his boxers, your hand still stroking him outside the boxers, and even though your soft voice was trying to calm him down, rafe couldn't concentrate on it, all of his focus on the pulsing on his cock as his boxers filled with his own cum.

[woollypoison]

The Real Encore

Itzy Yuna x Male reader THIS IS A REUPLOAD! Maybe you've seen this work before, maybe you haven't. It used to be uploaded on a blog called K-DGN, run by two people. That blog got destroyed, and now I run this blog by myself, posting only 100% original kdol fanfic content. Word Count: 7.1k

Following the show, you sat back in your seat in a daze, dumbfounded that you had finally gotten a chance to see your favorite group Itzy live in concert. They were everything you'd hoped they'd be and more. Nothing online could have prepared you for what it would be like finally laying your eyes on them in person. Months of preparation getting right physically paid off in dividends too, as multiple members came by your side of the stage to give you all the fanservice you could have ever wanted. You believed you must have been the luckiest guy in the building as it happened more than once. Each and every member came by to dance specifically for you, and you ate it all up. It was all surreal, and you could not imagine a more perfect night. 

As the audience continued to file out of the arena, you snapped out of your daze and started gathering your things to leave. You were about to leave when a staff member from the show got your attention from across the barricade and called you over. You were a little confused because you thought that maybe you had done something wrong, but that confusion was quickly washed away when they told you that your ticket had won a "special raffle", and that you were selected to come participate in a meet & greet with the group backstage. You were ecstatic, but told to keep your cool as the staff member did not want to draw the attention of the unluckier fans and cause a scene. They guided you around to the side of the stage and took you back through a hallway leading to the backstage area. You were brought to a room where a staff member took your belongings for safe keeping while another gave you some quick paperwork to sign. You were so excited at the prospect of meeting the members that you didn't even read most of it. Once everything was set, you were told to wait for a bit until they would take you to another room to meet the girls.

They sat you down in a long hallway backstage, on a row of foldable chairs seated against a wall. The rumble of JYP and Venue staff rushing through everything, packing up the show and making sure they get done as soon as possible to be able  to head down was dizzying. There were a total of 4 chairs lined up, including yours, but so far you were the only one sitting in one. Staff kept rushing back and forth as 5 minutes of waiting turned to 10 minutes turned to 15 minutes. You wondered if it was going to take much longer, and decided to ask one of the next staff members you saw.

"Excuse me" You addressed them. "When will the special raffle event start? Are there other winners we're still waiting on?" You asked, in your politest voice, but they just looked at you confused.

"Special raffle? What special raffle?" They replied, as if asking what the fuck you were talking about. "Are you allowed to be back here?" They continued, putting you on the spot. You tried to explain that one of the staff members told you to wait here, but you had nothing to show for it.

"They're fine, I told them to wait here!" The staff member from earlier came in just in time to save your skin, with another guy you could only assume to be another concert goer going off of their outfit in tow. The staff member you asked for clarification gave you a suspicious look, but backed off, going back to their urgent tasks.

"Sorry about that." The first staff member said. "Not everyone is made aware of all events. I hope the wait wasn't too unbearable, we still had to find our other winner. But we are ready to start now!" They explained that, considering the nature of the special event raffle, it was sometimes a little harder to get all the winners in the same place. You couldn't help but notice the discrepancy in between the amount of chairs, and the amount of winners, but maybe it just meant some winners already left and lost out on their luck. Or maybe something entirely else you were yet to find out.

The two of you were then ushered further down the hall, ultimately ending at a pair of doors. These rooms were a lot more secluded, a far cry from the chaotic mess that was the staff hurriedly packing up the show back where you were previously. You and your fellow raffle winner both exchanged pleasantries as you awaited for further instructions.

"Here we are. Please wait just one more second while I check to see if they're ready to see you" the staff member explained and then turned around to knock on the door and peek their head in. They asked something in Korean, to which you could hear the female voice responding. Satisfied, the staff member then turned back to the two of you. "Okay! Now sir, if you'd please," they instructed as they opened the door and gestured the other guy to come forward. You were about to follow suit but the staff member raised a hand to stop you in place. "Just him, please. You will be meeting someone else. You made and "O" face and nodded you head. You and the other winner exchanged nervous glances before you raised a fist of encouragement. He reciprocated the gesture then turned back to the door, taking a deep breath and walking in. 

As he rounded the bend, the staff member closed the door behind him, leaving you alone and now more nervous than ever. The staff member gave you a quick smile then headed to the other door, repeating the same actions he had done with the previous room's occupant. He then turned back to you, leaving the door slightly ajar for you to enter.

"Okay, she's ready for you. Please go in when you're ready." he instructed before stepping aside. Your eyes darted between him and the door. He gave you a nod and this time it was your turn to take a moment to collect yourself. You steeled yourself before mustering enough courage to take the step through the door. You walked a bit further into the room, hearing the sound of the door closing behind you. No turning back now, you thought to yourself. As you rounded the corner, you almost froze in place. In the center of the room was a couch facing away from you, and seated right in the middle of it was a girl with bright red hair, looking down at what presumably was her phone. You thought that maybe she hadn't heard you come in because she hadn't turned to greet you, so you decided to try and get her attention. 

"Ahem...Yuna...?"

The girl's head instantly perked up and she whipped her head around to face you. It was almost like a scene from a hair product commercial the way her bright red colored locks flared out before perfectly settling along her exposed shoulders. From what you could see since she was still seated, she was wearing a spaghetti strapped white tank top. She had a huge welcoming smile on her face, complimented by her beautiful eyes which were beaming with excitement. 

"Took you long enough! Come, sit with me!" she called out.

You couldn't help but notice two things when taking in the room. The first was the faint humming of some music playing at a low volume on a speaker, posited on a table in front of the couch. You weren't sure what song it was, but you could tell it was by Blackpink. The other thing was a faint smell, attacking your senses. It wasn't pungent, but if you focused on it, it was present. It wasn't anything like any smell of any perfume you'd ever smelled before. It had no traces of floral scents or any of the like, but instead had this deep sweetness to it. It was intoxicating, and you couldn't help yourself from drifting towards it.

The shock of being in a room alone with Yuna and her addressing you so directly almost caused you to dissociate long enough to get on the nerves of Yuna who just asked you a question. It wasn't your attention to ignore her, you just needed something to focus on and ground yourself with.

"Hello?" Called out again, snapping you out of your drifting gaze. You looked right at her again, and walked around the couch, staring at you the entire time before taking your seat next to her. She was still wearing her pink skirt from the encore, matched with her black boots. All she changed out of was her top.

"Hi!" She spoke to you, very high pitched and seemingly very excited to have your attention. Even after such an exhausting show, her fanservice was out of this world.

"H-Hi..." You mumbled out through your nervousness. You hadn't ever even been close to itzy before this show, let alone win a fancall or anything of the like. Not for lack of trying, mind you. "I'm your biggest fan!" You managed to push, almost as if yelling.

"I'm glad to hear that!" She replied, equally as full of gusto as you did. She didn't skip a beat however, and her smile pierced through your body before she placed her right hand on your left thigh, the one closest to her, before continuing. "What's your name?" She asked, tilting her head to the side, stunning you further.

"Y/N." You answered, the first sentence uttered without stuttering or an added ehm since stepping into the room. "Hmmmm, Y/N huh? That's a pretty name. You know my name too, right?" She asked, dragging her words out in a playful tone, her eyes intently staring at your face as she asked you.

You weren't really sure if this was a trick question. Who would end up going to this concert without knowing her name at least? You shook off your doubts, certain she was just giving you an easy question which she could use to give more fanservice as a response. "Yeah, Yuna..." You answered, tilting your head forwards as you answered her simple question, still unable to really feel comfortable with her hand on your thigh.

The instant her name left your mouth, her face rapidly came closer to yours, she closed her eyes, and planted her lips on yours. You were in complete shock, your eyes jolted open before slowly closing, oozing into the sudden kiss by Yuna. You felt her hand squeeze your thigh a little, before she pulled away, a small string of a mix of your and her spit trailing in between both of yours underlips.

"Hmmm, your lips taste nice when you say my name, Y/N." She divulged, wiping the spit off of her lip, before looking back at you, hungry eyes, studying how you were going to react. She took this chance to reposition herself, tucking her legs underneath her and sitting on her knees facing you. You couldn't help but stare, mute in shock at what was happening. You couldn't help but notice her short skirt wasn't fit to keep herself covered in her current position facing you, and your eyes drifted downwards, but all you could see were the same pink hue of her safety shorts. This action didn't go unnoticed, as Yuna's smile turned into a smirk, busting your perverted action.

She licked her lips, as her eyes grew smaller and focused. "Don't think I didn't see that, Y/N." She berated you in a sultry, teasing tone.

"I'm sorry!" You blurted out, afraid you might have pissed the younger girl off and was about to get thrown out for it.

"No, don't be!" She responded, once more putting her right hand on you, this time on top of your left hand, which was clinging onto your pants above your left thigh. Her touch tensed you up even further, before eventually giving into the feeling of her soft hand touching yours, causing your muscles to relax. You looked at her face, no trace of anger to see, her gaze fixated on you. Your eyes meeting caused her smile to grow wider, which instinctively caused you to smile as well before Yuna continued. "I'll show you mine if you show me yours!" She said, as if it was the most normal thing in the world, a cute smile on her perfect face. Your hand tightened up again.

"I'm sorry?!" You exclaimed again, unable to believe you heard what she said correctly. Is this a dream? You weren't even sure anymore, and pinched yourself, but the pain was certainly real.

"Didn't you read the contract you signed? It's a non-disclosure agreement you know. You can't talk about what happens here today, what do you think that means?" She retorted, asking you with her head tilted, and her brows gathered between her eyes, almost as if asking if you were smart enough to read.

"I skimmed it?" You replied, grimacing at admitting your own incompetence. You could see Yuna's face cringe a little bit at your answer, which caused you to further explain yourself. "I was just so excited to be here, I'd sign anything for it!"

"So you're the hot but impulsive type huh? You're lucky I think that's cute." Yuna sighed, her eyes had drifted downwards, introspectively, before taking another look at you, this time, a smile but with the faintest hint of her pitying you mixed in. Her high-pitch and tension picked up once more. "Well? What's it going to be? Wanna show me yours?" She asked. No mistaking it now. Yuna just asked to see your cock, and you couldn't help but grow rock hard just from the thought of it. Your bulge had started to show through your pants, and Yuna noticed, honing in like a predator on its prey.

"Right, yes. Yes! I'll show you." You replied, not really finding the right words, but enough words to convey the essence of your message. You started unbuckling your belt, and slowly taking off of your pants, dropping it to your ankles, leaving your underwear on. Your bulge was clearly standing upright in your pants now, and you looked at Yuna once more to make sure you weren't misunderstanding.

"Aww, don't go teasing me now, Y/N!" She replied to the inquiry made by your eyes. Your confidence surged, and you started pushing your underwear down, the rim of it clinging against the tip of your rock hard dick before snapping off, revealing the full length of your cock. You were clean shaven down there as well, as you in your delusion like almost any concert-goer, had to be prepared for the impossible. You read somewhere that the lack of a bush makes a cock look bigger, and you wanted to look like you were at peak performance.

"Now that looks delicious." She licked her lips once more, her eyes focused on your stiff cock. "You pass this round, I don't like men with small cocks." She giggled to herself, retaining her smile towards you, as if proud of her compliment.

"Mind if I...?" Yuna asked you, without finishing her sentence, but you responded having a pretty good idea of what she was going to ask. "Please do." You responded, strangely more calm then you were at any given point since setting foot inside this room. Yuna's hand glided over to your cock, and her soft hand wrapped around the base of your cock, grasping it lightly. Her hand was barely gripping at all, a soft touch wrapped around you, before she started to twist and turn her hand up and down slightly. You couldn't help but moan at her touch, before she released your cock, taking her hands back to her side.

"So, you want to see mine now? It's only fair, right?" She asked you, her head tilted slightly downwards, causing her eyes to have to look up at you sitting straight across from you. You gulped your spit down and nodded your head yes. "Alright, but I'll sweeten the deal. I'll even let you touch it if you do a couple of things for me first."

You didn't have to think even a millisecond about it before responding. "I'll do it!" You almost screamed. Yuna chuckled out loud from this, causing her to respond in kind. "You really are impulsive! Very well. The first thing I want you to do is this:" She explained, as she turned around, grabbed her phone behind her on the couch, and unlocked it with her finger before turning on the camera app and extending it towards you. You tilted your head, looking a little confused. She giggled at your failure to understand. "I want you to take a picture of me with your dick in my mouth! Lia isn't here, but she loves updates on us having fun!" She explained. Your eyes widened. Of all the things, this was not what you expected. Wow, this girl is a fucking freak, You thought to yourself, but you were definitely not opposed to it. Your hesitation caused Yuna to speak up again.

"You already said you'd do it, no backing it out now!" She exclaimed, and as if that alone wasn't enough to snap you out of your gaze, she launched herself forward, taking the tip of your dick in her mouth, and looking towards your face, holding her head still there and her eyes clearly smiling. You tilted your head backwards, facing the ceiling, getting lost in the sensations she was bombarding you with, before Yuna pinched your thigh hard, making you aware of your part of the transaction. Her eyes had turned into a scowl towards you. You snapped back, took her phone, pointed it at her face, to which her visage once more bore a big eye-central smile, posing for the camera. You clicked the photo button a couple of times, before Yuna released your cock from her mouth with a big pop.

"Let's see!" She giddily said, as she took her phone back which you gladly extended back to her. "These will do! Thank you, Y/N." she continued.

"You're welcome." You meekly responded, undeniably a little sad your cock was no longer placed in between her lips. "You said there were a couple of things. What else do you need from me?" You inquired, showing you didn't forget and were not impulsive and stupid, just impulsive.

"I haven't been able to shower today, and I don't want to leave you alone like this right now." She replied, looking at you with giant doe eyes, her lip pouting. 

"Okay?" You asked back, not really sure what she was getting at. She smirked at you, then lifted both her hands above her head, exposing her cleanly shaved armpits to you.

"Can't you please clean me up, Y/N?" She asked of you, an irresistible charm in her pleading voice. She wasn't saying it outright, but you believe you knew what she wanted. Or rather even if you were wrong, if she wasn't going to be clear you were going to take your chance to do what you wanted to do.

You brought your head closer to her, inching towards her armpit, as one question from earlier started forming an answer. This deep, slightly sweet smell you found earlier was coming from Yuna. Now inching closer to her, she seemed to still be glistening a bit from fresh sweat still on her. The smell was intoxicating, and you looked at her face before continuing any further, and she had a big smile on her face, urging you to go on.

You extended your tongue outward, touching her armpit, causing her to stifle a small moan, before licking up her sweat. You had never done this before, but you were hooked. The taste was sweet, slightly salty, and her skin tasted refined. One lick turned into two, turned into 4, turned into 10, before moving onto her other armpit, licking that one equally clean as the other, motivating Yuna's moans, until you were certain you hadn't missed a single spot.

"Thank you, Y/N, I feel a lot better now." She admired your willingness. You licked your lips, your eyes now fiercely intent on hers, before you made your first unprompted comment of the night.

"You are fucking delicious, Yuna." You told her, admiring her taste, letting her know you probably enjoyed what you just did more than her. She blushed a little from this, before snapping out of it, and regaining her bubbly, refined aura.

"Well, a deal is a deal!" She giggled at you, her head at 45 degrees, her eyes closed in two half moons and her mouth a big smile. She started pushing off her skirt, attached to her safety shorts, revealing another shocking truth about her. She was wearing no underwear, and she now sat on her knees across from you, legs slightly pushed open as if to lure you in, her clean shaven pussy exposed for you to see.

Your cock throbbed, the sight of such a perfect and pink pussy begging to be devoured by you was almost too much to bear. Your cock grew just that tiny bit more, pulsing, looking ready to burst.

"Oh, you were holding out on me? No fair, Y/N!" Yuna exclaimed, posing one hand over her mouth and using the other to playfully tap you on your shoulder with her other hand.

"I can't help it! Seeing such a delicious pussy, anyone would want to dive right in." You fired back, finding yourself in this erotic groove, growing in confidence. Yuna giggled in response to your admiration. She looked back at you, her eyes ready to devour you, before speaking up again.

"I haven't..." she said, in a soft, whispering voice, having that high-pitched pleading cadence to it. Her eyes started looking down at her own knees, avoiding your eyes. Her knees started to part more ever so slightly, exposing more of her privates. "Been able to clean her either." She finished her sentence before looking back up at you with her head tilted downwards, almost as if begging for you. "Could you please clean me up here as well, Y/N?" She requested of you, her cute charm overwhelming all your senses. She bit her lip at you, sending you over the edge.

You smirked, one corner of your lips arching upwards, before getting up from the couch. You stood in front of her, your cock pointing towards her at her chest level, and before you even had the chance to lower yourself towards her, the girl had leaned forwards, her tongue licking the tip of your dick. Her tongue curled upwards and inwards into her mouth. She proceeded to look up at you, opening her mouth wide and sticking her tongue out with a loud "aaaaaah", showing the strings of pre-cum she had licked up which had been dripping out of your cock because of her provocations.

"You'll have to be clean too for what we do next, Y/N!" She exclaimed proudly, gulping down your liquid while you grew a devious smile. Yuna give your dick a quick peck before telling you "You can continue now, Y/N." You quickly got lost in the thought of grabbing her hair in two pigtails and fucking her face,  but you knew better than to throw away your chances at whatever could happen next here for such a risky play. You lowered yourself onto your knees, placing your hands underneath both of her thighs, and lifting the girl's underside up as to get both her legs off of the couch, and hanging off the edge, as to position yourself in between them. You pulled them apart, giving yourself a clear view of her entrance, causing her to coo at your assertiveness, and pushing her own hips forward for you.

You brought your face ever closer to her pussy, inching towards her. She was wet down there, but not drenched. You picked up another spark of her scent, the same tinge of sweetness but mixed in with a more organic, earthy smell. It was even more intoxicating than the smell of her sweat. You opened your mouth, close to her labia and breathed out onto her, your warm breath causing her to shudder in anticipation. You still felt the sensation of her kiss on your dick, and decided to return the favor. You purse your lips, planting a kiss over top of her clit. Yuna's soft vocalization of a satisfied "hmmmm" let you know you were on the right track, starting slow, and warming up over time.

You stopped the kiss, looked up at Yuna's face, who was staring back at you intensely, her eyes pleading for you to continue. No more words needed to be said, and smirked, reaching your tongue out, flicking it upwards over her clit. Yuna's legs twitched, her eyes jolted shut and her knees buckled around your head, tightening her thighs around your skull. You flicked your tongue again, and now having warmed Yuna up were mostly just rewarded with moans. You picked up your pace, and swapped your flicks from horizontal, to vertical, to letters. Her hands found her way to your hair, and grasped firmly around strands she managed to find, holding on tight to you. 

Yuna's breathing had grown labored, but she still managed to push some words out. "Don't you DARE... fucking stop...!" She moaned out, and you didn't dare defy her command. Your hands grasped her thighs where they could, squeezing tight, as you unleash your final assault. You pursed but your lips around her clit, sucking on it, getting it into your mouth and nibbling on it ever so softly with your teeth. This mixture of pleasure and pain seemed to send Yuna over the edge, as her back arched away from the couch, and her feet lifted up from the floor, her moans rising in pitch as you felt her entire body convulse.

You'd forgotten to breathe for the final part of that, and pulled your head back, gasping for big breaths of air. Yuna slowly opened her eyes, un-arching her back and leaning forwards. Her both hands cupped both sides of your face, squishing your cheeks as she leaned ever closer, licking her lips on her way to you. She kissed you another time on your lips, her lips firmly pressed against yours, before you felt her tongue entering your mouth. You pressed your tongue slightly against hers, wrapping around hers, coiling and twisting in wet ecstasy. Yuna pulled away from the kiss, and stared down at you with a big smile, but her eyes turned totally vixen.

"Hmmm, your lips taste nice when you've made me cum, Y/N." Yuna spoke seductively. You couldn't help but be overwhelmed with desire for this night to never end.

"Your lips taste nice when you're cumming, Yuna." You retorted, turning her own script on her. She giggled, before regaining her posture. She held out both her hands palm upwards, inviting your hands onto hers. You followed her guidance and placed your hands in hers, and she took firm grasp helping you stand up. She crossed her legs in front of you, denying further access to her. She pointed over to a chair with a bag sitting on it.

"Could you go and grab a condom from there, please?" She requested of you. Your mind raced. She hadn't needed a condom before when touching your dick with her hand or mouth. This had to meant you two were going to fuck, right?  Your excitement causes you to do as told without any questioning, turning your back on her and moving towards the bag. It was filled with Yuna's personal items, but you didn't take long to find a condom. You pulled one out, turning around to move towards Yuna again. This time, she surprised you once more, having removed her top, sitting on the couch waiting for you fully nude, her legs crossed and arms spread, leaning on the head of the couch beside her, exposing her pink nipples for you to admire.

Your mouth fell agape, admiring her every curve, curves that had been the subject of tons of speculation they were fake. If you had your phone with you know, you'd have saved the evidence they were all wrong in a heartbeat. You failed to comment anything on her appearance, being dumbfounded by her beauty, which caused her to raise one eyebrow at you, prodding you for a response. Your lack of vocal response causes Yuna to stand upright, her legs crossing over each other, causing her hips to sway, as she walks over towards you. Both her hands reach for your hips as she gets closer, grasping the edges of your shirt, the last piece of clothing you were wearing, and giving it a soft pull upwards. You got the hint, and lifted your arms up, allowing Yuna to take your shirt off, throwing it to the side.

"So what, you're not going to tell me how pretty I am?" Yuna teased you, shaking her head from side to side.  You snapped back to reality, and quickly thought of the best thing to say to remedy this situation.

"You have to be one of the most beautiful women to roam this earth." You spouted out in a panic, causing Yuna to have to hold back her laugh in response to your compliment. Yuna looked at you, and you weren't sure if it was lovingly or pitifully, but it was only for you, and that's all you seemed to care about.

"That's certainly a unique compliment. Calm down, babe. You're doing great, I'm not going to just randomly kick you out." Yuna reassured you, taking the condom out of your hands, placing her teeth on the edge of a corner of the wrapping, tearing it off, pulling it out and figuring out which way was inside out. You couldn't help but have your entire being flutter from her calling you babe, and her reassurance did wonders for you to relax.

"Thank you. You won't regret picking me." You responded, your eyes meeting hers filled with conviction, showing Yuna her words had worked. She smirked at your newfound confidence, handed you the condom, gave you a smile and posed you with a question. "So, how do you want to fuck me?" You accepted the condom, started wrapping it over your dick and gave some thought to her question.

"Hmmmm." You consciously vocalized out loud, making sure Yuna knew you were considering your options, and were not just too stunned to speak. You looked around the room, and couldn't help but focus your attention on the giant make-up mirror against the wall of the room, drawing your attention before being gifted with an idea. In one smooth motion, you picked Yuna up, carrying her bridal style over towards the make-up mirror. Your sudden heroics caused the unexpecting girl to yelp out in surprise, shocked at the sudden shift or impact her words had seemed to have in unlocking your boldness. She quickly held on tight however, enjoying your display of strength.

You planted your right arm firmly under her knees, freeing your hand and using it to toss the chair in front of the mirror to the side, freeing up all of the space in front of it. Yuna licked her lips at the performance you were putting on, and as soon as you put her down facing you in front of the mirror, she decided that this time it was her turn to hold you tight instead of you holding her tight. Her hand had found her way over to your cock, wrapping tightly around it, slowly stroking it back and forth while looking you into your eyes. Her head nodded in the same rhythm as her hand stroked you, causing your breathing to become louder. You weren't about to stop this momentum with a light handjob, and put your both hands on her shoulders, turning her around to face the mirror.

"I'm going to show you just how pretty you look when I'm fucking your brains out, babygirl." You shot back, taking the initiative on the teasing. Yuna's eyes were big, surprised from you spinning her around, and you could see them clearly in the reflection of the mirror. Upon hearing your provocation, she smirked back at you, as if to challenge you. Her eyes were clearly expecting great things from you, but her mouth made it even clearer, asking you to "make me fucking scream." She places her arms onto the counter of the makeup table in front of the mirror, stabilizing herself, arching her back for you as if she knew what to expect.

Your hands planted themselves firmly onto her wide hips, grasping her tightly with your fingers digging into her skin. You pulled her ass a little closer to you, causing her to arch her back further towards you, to which she playfully accepted and wiggled her hips at you, as if to invite you in. You placed your gift-wrapped cock against her mound, sliding it slowly up and down her entrance. You were teasing her, waiting for her to grow impatient for your moment to strike. Her smirk eventually turned into a frown, waiting for you to put yourself inside of her.

"Stop teasing me, Y/N. Start fu-" she had started to say, intending to finish her sentence with "cking me!". Unfortunately for her, you felt like the perfect time to strike would be right as she started saying fuck, causing her voice to grow louder, and scream out further with "UUUUUUUUUUUUUCK". You slammed your hips against her ass with full force, jamming the entire length and girth of your cock into her petite, drenched with anticipation, pristine pussy. Her eyes rolled back into her head, feeling the warmth of your cock pulse inside of her, and you weren't about to let up. Her moans were varying in pitch, her breathing unable to keep up with her voice, as you pulled your cock back until only the tip remained, instantly slamming back into her wet cunt.

"Ugh, ungghh nghhh, FUCK." Yuna kept moaning, unable to lower her voice, and you began to wonder whether or not she'd be heard outside of this room. She was beginning to hunch forward, unable to support herself through your rough slamming of her thin body, so you decided to take a chance and lend her a hand. You moved your left hand from her hips over to her stomach, pulling it closer to you, and your right hand all the way up, around her neck. You put some light pressure on the sides of her neck, before gripping her towards you, and into your body. You placed your head right next to hers, pulling her upwards to you, her arms now too far away from the make-up table to reach, causing her eyes to open, looking surprised at what was happening. She looked into your eyes through the mirror, and you whispered into her ears.

"I promised you I would show you how pretty you looked, so look. I want you to see the goddess that I see when I'm fucking you." you growled in a low, whispering voice, commanding her to follow your lead. She purred, biting her underlip and nodding slowly at you, looking straight ahead as you released the tension on your elbow, continuing to hold your hand around her neck but supporting her arch as you resumed your pounding. You enjoyed the feeling of control you had over her body in this position, but you couldn't help but feel that a slight shift could give you even more access to her weak spots. Her arms were dangling behind her, grabbing onto whatever part of you she could hold on to, but you had better usage in mind for them. You moved your left hand from her stomach onto her left wrist, grabbing it firmly, and once holding tight, did the same with your right. You had stopped pounding for these few seconds to properly get everything in place, causing the girl to look at you through the mirror and ask you "What's wrong? Why did you stop, babe?"

Her calling you babe again ignited something deep inside of you, and you addressed her concern. "I'm going to start really fucking you now." You touted, like a stone-cold killer wanting to intimidate their target. Her eyes panicked, darting to meet yours.

"What do you mean, really fucking me? Hey, wait, what do you-" She tried to ask of you, her arms now bent back behind her as you pulled on them, before you cut her off, slamming your cock so hard inside of her she stumble forwards, her hips getting pressed against the high make-up table, forcing her to lower her stomach onto it, which pulled back into a beautiful curved arch. The tension you forced upon her pushed all the air out of her lungs as she heaved and moaned out of pleasure, still looking at your and her reflection in the mirror. Her mouth was wide open, her tongue clearly showing, as the tip of her eyebrows pushed together into her forehead. She was trying to say something but having trouble pushing it out.

"Cu-... Cum! Fuck, cumming!" She yelled as loud as she could, and you felt her tight walls gripping your cock, making moving harder. Her hips moved upwards, as she was now standing on her toes, her legs trembling through your relentless siege of her womb, but you gave her no reprieve. You kept pounding, even picking up the pace when you felt her cum, like a man possessed by her sex-fueled body. You kept increasing the tension on her arms, pulling her back further and further.

"Nghhh, you're gonna... fucking... break my back! FUCK, ngghhh, don't! Don't stop OHHH" She moaned, her voice cracking as she begged you to continue. You hadn't cum yet, and you had no intention of stopping before you did. You were getting close and Yuna felt it. She used whatever force she had left in her body to push her hips into yours, grinding your cock up and down while you pounded deeper and deeper.

"Fuck, Yuna, I'm gonna cum for you!" You grunted out, moaning behind her, feeling your climax near. Her eyes elated, a slight smile formed, instantly pounded away into submission by your cock, before Yuna started pleading with you.

"Cum for me! Cum deep inside me please! PLEASE please please please-" She begged, a submissive little slut begging for your seed, which was just enough to send you over the edge. You didn't want to cum without her however, and decided to make one last play before reaching the finish line. You leaned forwards, playing on the knowledge you had gotten from what she liked earlier this evening, opening your mouth and protruding your tongue, licking her spine from as far down to the base you could move upwards. She started twitching upon feeling your spit on her back, soon followed by her legs twitching and her pussy tightening. If this wasn't enough to tell you your gamble was a success, her screaming "Yes!" sure was. Your cock pulsed, shooting load after load into the condom inside of her, her walls vibrating rhythmically, as you took in this sensation, almost unable to keep yourself standing during.

After you came, you pulled out of her and took a few steps back. Yuna was now standing on her toes, her entire upper body laying on the make-up table, and her head had turned to face you, but her eyes were momentarily closed. You took in the sight of the half-passed out, fucked silly girl, before dropping back into the couch, taking a seat and a much needed breather.

Yuna had heard you falling down onto the couch, causing her to open her eyes and look towards you. She picked herself up with whatever strength she had, stumbling towards you and falling down onto the couch next to you. She was laying on her stomach, her ass up, red from you crashing into her.

She tilted her head upwards and looked at you, satisfied with your performance and proud of herself for picking you out. Her feet were up in the air, kicking like a giddy schoolgirl, before forming a circle with her left thumb and index finger wrapping around the part of the condom dividing your tip and your cum. She squeezed tight, cutting off any flow, then pulled the condom off of your dick carefully so as not to leak a single drop of cum. She tied a knot at the bottom of the condom to make sure its contents were safe. You looked on as she did this, while her eyes focused on your groin, impressed with the fact that she still had any energy left.

"A souvenir to remind me of you." She murmured, loud enough for you to hear, before grabbing a Ziploc bag and pen that had been lying on the table all evening long, placing your condom inside and writing your name in it and zipping it closed.

"Thank you." You spoke up to her, still unable to believe any of this happened. "This was a once in a lifetime experience for me." You continued, grateful to have been given this chance. Yuna looked back up at you, her head ever so slightly tilted sideways, puzzled at your remark.

"Are you coming to any of our other shows?" She asked you in response, suddenly changing the topic.

"Ehm, actually, I'm coming to see you at your show in two days as well." You replied back ever so confused. You thought she must have felt burdened by your remark and just wanted to get this over with while still being polite.

She smirked the same devious smile you gave her when you pounded the life out of her, and in less than a second had thrown her entire mouth over your cock, her tongue wrapping around your shaft from tip to base, sucking and slurping hard, licking every inch before releasing you with a pop.

"You'll have to be clean for that show too." She taunted you, her voice daring, playful and bubbly all at the same time. "And I wouldn't be so sure about that ‘once in a lifetime’ part." She smiled seductively, her eyes wide open staring deep into your soul. "Your dick tastes nice after you've made me cum, after all."

[foursidecity]

Anyways I think everyone should go watch win or lose, I feel like 90% of what I'm seeing is posts about how they censored a trans character and 10% of people actually praising the show for what it COULD do with what they are given, im not saying disney didn't do a bad or whatever, but it's one thing to to recognize the failings of a greedy corporate entity, and another to completly ignore and degrade the writers and artist that poured their souls into this series and that character

Here's what DIDNT happen:

-Disney didn't remove the trans plot line because of the election, theyre just like that. Theyve done it before theyll do it again regardless of the political climate, don't blame this on trump, blame it on network execs<<this is a fairly new take and it's so stupid. Animation takes time and the editing was done a year before the show released

-the character is still in the show, and will have her own episode still in the next batch of episodes released, we really don't know much information about her now still, and I'm holding out hope theirs even a small refrence to the original storyboard/script. But really at this point we just don't know how much has changed

-disney stepped in, pixar had nothing to do with the changes, only pointing this out because the writers at pixar obviously wanted this character to happen, but disney didn't want that story to be told on their platform, it's important to. You know, know your enemy and not just point fingers at everyone in the vacinity

-Chanel Stewart voiced Kai and is a trans voice actress, I don't see alot of people mentioning her and you should, she put alot into this character and was obviously really upset when her story was changed

This post isn't about letting disney off the hook, by all means pirate it, I actually encourage you to! But how often do you get an animated show about co-ed sports? That's something in it's own right that I'm amazed they were even able to keep in script, how often do writers get to try to make trans storylines that resonate with and include trans people? Even if it didn't go through, we know about it, talk about it!! Spamming 'fuck disney!!!' Under every pixar post isn't doing anything

[jillianallen14]

Dear Baby Bats - Goth Band Recommendations

As a middle sibling goth (I’ve been in the subculture for 10 years now, so not a baby bat but not an elder goth either), let me turn you on to some bands because we do not gatekeep in this house!! Also, if you want consistently good lesser-known & brand new goth band recs, go follow Awfully Sinister on TikTok and Instagram. He’s a DJ & has great recs. I've found so much music through him because it's really hard to keep up with all the new bands cropping up every year. You want to avoid the goth subreddit because they are extremely gatekeeper-y and argue over labels constantly. It’ll just confuse you, and they are not nice over there.

If you’re very new to the subculture, and you haven’t yet listened to all of Bauhaus, Siouxsie and the Banshees, The Cure, Sisters of Mercy, Christian Death, Cocteau Twins, Clan of Xymox, Joy Division, and Depeche Mode, go do so now. You'll want to know which of them you really enjoy the most because it will help you know which sub-subgenre(s) of goth you want to watch out for, and it'll tell you what to look for to find it. For example, Sisters of Mercy is the gothic rock subgenre, Christian Death is deathrock, Cocteau Twins is ethereal wave, Clan of Xymox is like the original darkwave, Joy Division is classic post-punk, etc. I haven’t included industrial, despite its proximity to the goth subculture, just because I actually don’t really know that many industrial bands beyond Skippy Puppy, Ministry, and Throbbing Gristle. Some other goth/goth-adjacent staple bands (that are very popular and very influential) that you should listen to if you haven’t already are The Damned, Killing Joke, The Cult, and Adam and the Ants/Adam Ant). I didn't know where to put She Wants Revenge or London After Midnight either, but they're also great.

I’ve bolded some of my absolute must-listen to goth bands, and I've put monthly Spotify listeners for each band so you know which ones deserve WAY more love. And in my pre-list ramblings for each OG band, I've given you some key terms to look up so you can more easily find music that's similar to what you enjoy. Okay, here we go:

If you like Bauhaus:

Bauhaus is a hard one because honestly, nobody really sounds like them, and they aren't really that closely associated with a specific sub-subgenre of goth. They were post-punk, they were art rock, they were experimental, they were sometimes very punk and at other times very gothic rock. They liked to call themselves “dark glam rock” (all four members are massive Bowie, T-Rex, and Iggy Pop fans), but you’re gonna have a hard time finding bands that sound like them if you look that term up. They probably have one of the most unique sounds of all-time. They’re my favorite band (I even have a tattoo for them, like I am devoted lol), but even I have a difficult time finding other bands that scratch their particular itch for me. These bands I’ve listed are as close as you’re gonna get to Bauhaus’ general vibe imo.

Virgin Prunes (80’s band that is technically deathrock but has the same absolutely unhinged, danceable sound that Bauhaus has, so they’re going here; one of my favorites; no one else does it like them and no one else ever will; I would actually give my left foot to see them live); 13.2k monthly listeners (this is actually physically painful to me, how is it this low!!! don't walk, RUN to go listen to them)

Alien Sex Fiend (80’s classic unhinged goth); 77k monthly listeners

Sextile (modern band that has some very Bauhaus-sounding guitar work at times but with heavy industrial influences); 147k listeners

The Danse Society (80’s unhinged goth; has similar experimental vibes to Bauhaus imo; one of my fave goth groups); 36k listeners

Sex Beat (80’s); not even really on Spotify

Ritual Howls (modern band; I don’t know why it gives Bauhaus, but it does; one of the few modern bands that scratches that particular itch for me); 45k listeners

The Agnes Circle (modern band; one of my favorites; they have the right Bauhaus-like atmosphere for me); 52k listeners

Traitrs (I can’t explain why they remind me of Bauhaus, but they do; another one of my fave modern bands; they make me want to start levitating and doing the Ian Curtis dance in the same way Bauhaus does lol); 239k listeners

Paralisis Permanente (underrated 80’s; they have a lot in common with Bauhaus’s sound actually, def give them a try!); 54k monthly listeners

The Birthday Party (80s band, totally unhinged; they’re less dark and atmospheric than Bauhaus, but if you take one listen to their album Junkyard, you’ll know exactly why I put them under this category haha; Nick Cave is the vocalist, which is amazing); 54k listeners

Tones on Tail (80s; Daniel Ash & Kevin Haskins of Bauhaus formed this group; I’d put Love and Rockets as well, which is all of Bauhaus’s members except Peter Murphy, but Love and Rockets weirdly bears little resemblance to Bauhaus’s music; but if you just generally want more of Bauhaus members' work, Love and Rockets is great, too); 81k listeners

Dalis Car (80s; collaboration between Peter Murphy and Japan's bassist; their music is extremely weird, so only listen if you really love the batshit insane Bauhaus songs or if you really live and breathe Peter Murphy like I do lol; their description on Spotify is so fucking funny); 7k listeners

I'd also recommend listening to Daniel Ash, David J, and Peter Murphy's solo work. They're all great!! Peter also did some amazing collaborations with Trent Reznor (Nine Inch Nails); the version of Reptile that they did together is better than Nine Inch Nail's original version imo, and you can find that entire session on Youtube!

If you like Siouxsie and the Banshees:

Siouxsie is another one that's hard to pin down sound-wise because again, they don't really fit into one specific sub-subgenre, so all of these recs are just goth bands with female vocalists who have the same kind of powerful vocals that Siouxsie does.

Second Still (modern band, one of my faves; singer sounds a lot like Siouxsie to me at times); 69k listeners

Skeletal Family (80’s band; has the same “women in punk” vibes that Siouxsie has); 55k listeners

Xmal Deutschland (80’s band; has the same powerful vocals that Siouxsie has; makes you wanna go stupid go crazy the way the Banshees do); 73k listeners

Secret Shame (modern band w/ woman singer; has the same rage that Siouxsie songs have to me, especially early Siouxsie); 6k listeners (let's get those numbers up, folks!!!)

Rosegarden Funeral Party (modern band w/ a woman vocalist); 57k listeners

Mephisto Walz (90s & 2000s; sounds so much like the Banshees at times); 56k listeners

The Creatures (80s; a Siouxsie Sioux & Budgie side project); 34k listeners

Madhouse (listen to Repulsion! 80s group that’s technically deathrock, but I put them under this category because the singer has Siouxsie-like qualities); not really on Spotify

Strange Boutique (90s; vocalist is Monica Richards of Faith and the Muse & Madhouse; this is probably my favorite project of hers); 112k listeners

If you like Depeche Mode:

For Depeche Mode enjoyers (which DM is kind of on the fringes of what’s considered “goth,” but they’re so entrenched in the subculture that I included them anyway), you’re gonna want to delve into goth playlists and modern goth that leans towards synthpop/synthwave. So those are the kinds of playlists you’ll want to search up for similar sounds to DM.

Nuovo Testamento (modern band; combines post-punk and pop elements in a way that’s very similar to Depeche Mode; lots of fun live, and they have a good sound); 25k listeners

Boy Harsher (modern band; relies heavily on synth; feels like it should be playing at every goth club); 558k listeners

ULTRA SUNN (modern band; singer sounds like Dave Gahan); 217k listeners (they just blew up on tiktok recently, which explains why this just skyrocketed since the last time I was on their Spotify page lol; good for them, good for them, they deserve it)

Ministry's first album (called With Sympathy), which was synthwave/synthpop before they went industrial (this is one of my all-time favorite albums)

French Police (modern band); 252k listeners

Closed Tear (modern band); 152k listeners

Night Sins (modern band); 33k listeners

Panic Priest (modern band; vocals sound decently similar to Dave Gahan & there is a lot of reliance on synth; In All Severity is a gorgeous song); 5k listeners

Fad Gadget (underrated 80’s; I just feel like if you like DM, you’re also gonna like Fad Gadget); 58k listeners

Martin Dupont (underrated 80s cold wave/synth pop; Inside Out is one of my favorite 80s songs); 26k listeners

If you like The Cure:

You'll be hard-pressed to find a goth band that wasn't influenced by The Cure, so I really can't give you any key terms for what to look up lol. They also changed their sound so frequently that it entirely depends on what era of The Cure's music you're looking to find similar music for.

Vision Video (modern band; combines post-punk and pop elements like The Cure does; one of my fave modern goth bands; they are INCREDIBLE live); 52k listeners (I'm gonna need y'all to get a song or two of theirs to blow up on tiktok expeditiously lol)

Urban Heat (modern band; great live); 36k listeners

The Chameleons (80’s band; very underrated; they are also very good live); 167k listeners

House of Harm (modern band, very new; also very good live; has pop elements); 44k listeners

Deceits (modern band, another very new one); 28k listeners (it's crazy how much this number has grown the past two months because it was in the single thousands not that long ago; everyone say thank you, tiktok)

Drab Majesty (modern band; their instrumentals remind me of The Cure); 172k listeners

Double Echo (modern band, one of my faves; their instrumentals also remind me of The Cure); 15k listeners (let's get these numbers up!!!)

The Bolshoi (underrated 80’s band that combines new wave and goth elements in a similar way to The Cure); 114k listeners

The Essence (underrated 80s band that sounds so much like The Cure it’s actually insane, but they’ve got their own sound too; they’re like a perfect blend of all of The Cure’s different sounds); 25k monthly listeners

The Glove (80s; a Robert Smith side project with Steven Severin from Siouxsie and the Banshees); 25k listeners

Crimson Ivy (80s band; singer sounds so a lot like a more yelly version of Robert Smith sometimes); not on Spotify

Miss Teen America (brand new band from NYC! They only have one single out right now, and it’s well worth listening to); 940 monthly listeners (y’all know what to do!!! Let’s get those numbers up, up, up!) link to their single: https://open.spotify.com/album/4nvdZeUVLLrMv3tEziCqm7?si=2WVS7-eYQLGR7Id3wLiKhg

If you like Clan of Xymox:

Most of these bands will be modern ones because Clan of Xymox was honestly way ahead of their time. (They are also amazing live, so go see them before they eventually call it quits!) For playlists that are full of their vibe, you’re gonna want to look up “darkwave” playlists. Clan of Xymox pioneered darkwave, so any darkwave band you listen to is gonna be influenced by their sound in some way or another.

Harsh Symmetry (modern, very new; very heavily relies on synth); 29k listeners

Ssleeping Desiress (modern band; instrumentals similar to Xymox); 55k listeners

Twin Tribes (probably my favorite modern goth band; they are fucking incredible and so good live!); 276k listeners

ACTORS (modern band; heavily relies on synth); 86k listeners

Mareux (modern; heavily relies on synth); 4.8 million listeners (this is wild!!!! everyone say thank you, tiktok)

Sixth June (modern); 23k listeners

Plastique Noir (modern); 40k listeners

Rendez Vous (modern); 160k listeners

Minuit Machine (modern); 97k listeners

The Frozen Autumn (90s & 2000s); 31k listeners

If you like Christian Death:

All of these recs will be deathrock recs or goth bands that heavily leaned on punk sounds. So if CD is the OG goth band you’re most fond of, you’re gonna want to delve into deathrock playlists for similar sounds.

Asylum Party (80’s band); not on spotify

45 Grave (80’s band); 47k listeners

Voodoo Church (80’s band; probably my favorite out of this bunch; I actually like them more than Christian Death); 7k listeners (let's get these numbers up immediately!!!!)

Ausgang (80’s band); 2k listeners (WHAT; they deserve so much more, damn)

Corpus Delicti (90’s band; they are very good; they sound the least like Christian Death on this list imo); 26k listeners

13th Chime (80’s band; very underrated); 6k listeners

UK Decay (you know, I actually don’t know what era they’re from; unhinged sound); 1k listeners (omg)

Super Heroines (underrated 80’s band; Eva O formed it); 2k listeners (you see what I meant about underrated?)

Specimen (80s band; this one could have just as easily gone under Bauhaus tbh, but the vocals are generally higher pitched than Peter Murphy’s, so I put them under this category); 102k listeners

Sex Gang Children (80’s band; just so unhinged & I love them for it); 27k listeners

Suspiria (90s, I think? I don’t actually know); barely on Spotify but 27k listeners

Theatre of Hate (80s); 7k listeners

Bloody Dead and Sexy (2000s, I think); 44k listeners

Mescaline Babies (2000s); 3k listeners

Acid Bats (2000s; Mexican band with Spanish lyrics); 2k listeners

Altar de Fey (80s band; formed in San Francisco!!); 23k listeners

Twisted Nerve (80s band; classified as “gothic punk,” so I felt this was the best category for them; they’re great; their sound also reminds me of early Siouxsie and the Banshees and Killing Joke); 2.5k listeners

Play Dead (80s); 8k listeners

Limbo (underrated 80s; if you like Bauhaus & Virgin Prunes as well, you’re gonna like this band); 413 listeners

If you like Cocteau Twins:

Cocteau Twins’ early sound is usually categorized as “ethereal wave” goth, so those are the playlists you’ll want to look up if you enjoy their early sound. If you like their later sound, you’re gonna want to lean more towards shoegaze for similar vibes. Admittedly, ethereal wave is one of the goth subgenres that I know the least about, so I’m not gonna be much help here.

Dead Can Dance (80’s band; NO one, and I mean NO ONE, was doing it like Dead Can Dance; so fun to dance to in the goth club); 332k listeners

Lycia (90’s band; their music is very transcendent); 20k listeners

Linea Aspera (modern band; gorgeous woman vocals; honestly, their music is just very beautiful); 67k listeners

This Mortal Coil (formed in the 80s; some songs feature Elizabeth Fraser & Robin Guthrie from Cocteau Twins, but even the ones that don’t still have an ethereal vibe similar to CT; Sixteen Days/Gathering Dust is just like the best song ever); 310k listeners

Autumn's Grey Solace (2000s); 62k listeners

Faith and the Muse; (90s); 22k listeners

This Ascension (90s); 4k listeners

Strawberry Switchblade (80s); 400k listeners

If you like Joy Division:

All of these bands will be ones that sound very classically post-punk, so those are the playlists to search out; emphasis on "classic" because post-punk is a very broad term that gets applied to a lot of music. I would argue that Joy Division has had the most influence out of all the OG goth bands on the current goth sound/goth renaissance we're going through right now, so there are a LOT of bands out there for you if you’re a JD fan.

Molchat Doma (modern band); 2.5 million listeners (wow lol, they've grown so much over the past two years, it's actually insane; good for them)

Soviet Soviet (modern band); 152k listeners

Fearing (modern band; very good live); 30k listeners

Ploho (modern band); 146k listeners

Pink Turns Blue (criminally underrated 80’s band; they are SO good live); 98k listeners (this is an actual travesty, this band is way too good to not even be in the hundred thousands)

The Sound (another incredibly underrated 80’s band); 119k listeners

This Cold Night (modern; has the deep vocals of Joy Division and the driving bass but more stripped back than JD); 150k listeners

Bleib Modern (modern; has very similar vocals to Red Lorry Yellow Lorry, which is a band listed under the Sisters of Mercy section of this post, so if you end up liking this band, you should also listen to Red Lorry Yellow Lorry & vice versa); 36k listeners

Lebanon Hanover (modern; has the existential angst that Joy Division always ignites in me but more stripped back); 936k listeners (this is crazy, holy shit!!!!!! go, Lebanon Hanover, go!!)

She Past Away (modern; deep vocals); 226k listeners

Belgrado (modern; woman vocals!); 18k listeners (they deserve better than this!!)

Leonora Post Punk (modern; Mexican goth band w/ Spanish vocals! They’re amazing! They have those deep vocals you want when you’re looking for a similar sound to Joy Division); 56k listeners

O. Children (modern; has the deep vocals & interesting bass lines that Joy Division was known for; great band); 29k listeners

If you like Sisters of Mercy:

This is one of my least favorite goth subcategories, which is odd because I actually love Sisters. But if you’re looking for a lot of music that sounds like SoM, I’d suggest delving into the 90’s and early 2000’s goth music scene. Search out those playlists. A lot of the 90s and 2000s goth bands were very derivative of Sisters of Mercy.

Rosetta Stone (90’s band); 54k listeners

Miazma (modern); 10k listeners

Red Lorry Yellow Lorry (another criminally underrated 80’s band; one of my fave goth bands); 40k listeners (THEY!! DESERVE!! BETTER!!)

Dreamtime (modern); 65 listeners (ouch lol, please go show them some love)

Fields of the Nephilim (80’s, I think; if you’re a metalhead, you’ll probably appreciate this band); 95k listeners

The Merry Thoughts (80s); 19k listeners

The March Violets (underrated 80s; might be a controversial opinion to put them under SoM, but I’m standing by it); 69k listeners

Horror Vacui (modern; it’s kind of a stretch putting them here tbh, but I couldn’t figure out what other category to put them under); 44k listeners

The Sisterhood (spin-off Sisters of Mercy group that was formed by goth king Andrew Eldritch himself); 3k listeners

The Mission (formed by former Sisters of Mercy members; Wasteland by them was actually one of the first songs to get me into goth music); 180k listeners

Eyes of the Nightmare Jungle (late 80s & 90s; every time a song by them comes on, I’m convinced it’s a Sisters song until the singer starts singing lol); 13k listeners

Ex-Voto (formed in 1982, but most of their albums on Spotify came out in the 2000s; this band is like if Fields of Nephilim had a baby with Clan of Xymox & then sprinkled some industrial techniques in); 6k listeners

Also, if you want a 1500-song, 105-hour goth playlist that’s constantly growing, here you go. The name of it is a dig at my ex lol: https://open.spotify.com/playlist/6jCV530pMmOEmDHj4CLNka?si=cEVKiyAwQpaieGiV2pMyqw

[thebluester2020]

[GI] Kinktober Day 10: "Exhibitionism"

Summary: After your stunt with Tartaglia, you are forced to deal with the repercussions of Capitano's not-so-well-hidden jealousy.

Warning(s): Reader is fucked in front of an audience, Dub-Con, Degradation, (Probably a whole slew of other warnings that I can’t think of rn).

Side Note(s): Okay so—I switched it up last minute to exhibitionism because I realized that I get confused easily between that and voyeurism (+ I have more of a love for exhibitionism anyway).

Also, this is kinda an unofficial pt. 2 to the "Sharing" fic I posted? I mostly kept to the same "storyline"(?) because it was easier on the brain for me.

Your relationship with Capitano has been in a...weird spot, to the least, ever since that day between yourself, Tartaglia, and Capitano.

At the end of it all, the men didn't even get what they had originally wanted. You were far too fucked-dumb to even decipher who was who, much less come up with enough letters capable of yelling out a name. But, for the sake of being tired himself, Tartaglia had admitted "defeat" and carried on his merry way! Eventually, he left Capitano's war band and continued on his own personal mission, leaving you behind and working for Capitano permanently like you were originally supposed to.

But it's been awkward.

Capitano was curt with you, only speaking to you when he needed to. If you were caught taking a moment to relax, you began to pray that Capitano wouldn't happen upon you, he'd only immediately order you to get back to work!

No longer did he greet you warmly and no longer did he seem to care about your well-being. When the entire war party moved, he no longer expected you to be by his side, nor did he constantly check to see if you were! You could've been at the very back of the party and he wouldn't have given a single damn.

You had a mind to call your boss out on his behavior, pull him aside, and ask what the issue was and...whether or not there was still something between you both.

Although, you already had a mind to think that any feelings that may have started to blossom had long since been crushed underneath heel and foot.

Until today that is, when you were in your tent and finishing up some reports.

. . .

You quickly rose to your feet when Capitano suddenly entered your tent, bowing your head as you murmured a respectful 'Lord Capitano' in greeting.

He responded with a gruff noise of acknowledgment. "There will be a feast held tonight," Capitano said.

Your brow cocked, a feast? You hadn't heard anything relating to a feast at all. "Our efforts and missions have been going smoothly, I figured it's overdue to reward everyone in this camp. Even you." You bit the inside of your cheek at the cold way he addressed you. Had you known that accepting Tartaglia's offer—that rogue ginger-headed charmer—would lead to such an awkward tension between you and Capitano, you would've never allowed Tartaglia to trick you!

"...That's...that's kind of you." You said before sighing.

He nodded his head before turning to leave, prompting you to quickly stop him. "M-My Lord," You started off. "About that day...are you still—"

"I'll be taking my leave,"

"Lord Capitano!" You said more firmly this time, walking around your desk and beginning to close the distance between the two of you. "You can't continue to avoid me, n-not to mention treat me as I—" You stopped in your tracks when the first harbinger turned his head to look at you. And although you couldn't see his eyes, nor his expression behind that dark mask...the danger that oozed off of him. It made you audibly gulp as you took a few steps back.

You bowed your head in silent apology. "...You will come to my tent before the feast officially begins." Then, he walked out. A cold bead of sweat dripped down your neck at the vague order. Either it would be nothing aside from more work, Capitano deciding to kill you, or...hopefully, he'd finally get over his attitude and talk to you.

You couldn't stand how things were at the moment.

So, when the time finally arrived and the feast was ten minutes away from the beginning. You found yourself in Capitano's tent, your hands resting neatly in front of you as you stood at the entrance of his lavish tent. "My Lord, the feast will begin soon." You gently reminded him. "Shall I alert the soldiers of anything before it begins?" You continued.

You didn't receive a response until Capitano emerged from the covered part of his tent, adorned in the usual attire he wore when he appeared during important Fatui functions or battles. "No," He answered. "Simply follow me." Your brow rose as he walked past you, but nonetheless, you dutifully followed after him outside and back into the steadily warming air thanks to the bonfire that had just been set up.

As the soldiers began to gather, however, Capitano clearing his throat before he broke out into an, admittedly, very admirable speech as he thanked and showed gratitude towards his soldiers. Certain things started to stand out to you as your eyes washed over the crowd. Such as...the doctors and nurses of the camp weren't present, surely they deserved some praise and appreciation too? Too many times have soldiers or even your boss himself had come into the camp injured from head to toe! They'd quickly patch them up and almost seem to perform magic, you've heard soldiers state that one doctor in particular was good at numbing the pain!

There were none of the cooks, blacksmiths or even the younger soldiers that were fresh into the party, tasked to simply stand aside and watch.

All this boiled down to this "feast" being composed of nothing more than the more experienced soldiers, simply leaving you with a number ranging around the hundreds.

As pieces started to merge together although...a heavy hand placed itself on your shoulder, and then, you tuned back into the conversation. "...You will all bear witness as to my secretary learning who she truly belongs to, hopefully with an audience, she will learn not to be so easy for others."

What had just happened?

. . .

"Apologize." Capitano gruffly ordered you as the loud sound of your squelching cunt echoed through the camp. Not even the whistling winds could muffle your desperate panting as Capitano fingered your soaked cunt, taking special care to not knick you with his claws. "Apologize for being such a desperate whore..." He hissed out, loud enough for everyone to hear. "...for being so easy to fuck, not even having the courtesy to quiet yourself down despite being in a camp full of my soldiers."

Your cheeks burned with shame as you could feel hundreds of eyes on you. You didn't know whether you wanted the soldiers to be disgusted at the sight and turn away or if...you preferred this in a sick way, although there were some women amongst the crowd, the heavy sound of panting amongst the men made you clench around nothing, your slick beginning to drip and run down from your cunt and onto Capitano's lap.

Something that the ever-vigilant Captain didn't miss.

"You shameless whore." He snarled in your ear, your body shuddering at the feeling of his sharp teeth grazing the skin on your ear. "You're getting even wetter at being watched?" The harbinger nearly had a mind to laugh at how your legs twitched, as if you wanted to curl into yourself at his cruel words. He almost allowed himself to feel bad, until he smelled how your arousal grew at his words.

Oh...so you liked this.

Well...that explained everything.

Slowly, he took his fingers away from your cunt, a string of arousal still connecting him to you as he brought them up to his face. "So that's why you fucked my fellow harbinger." He sneered, opening and closing his index and middle finger, playing with your slick.

"H-Huh?" You moaned, both in disappointment and confusion. Despite the cold, your body burned with desire, one that grew more potent by the passing second as you felt Capitano's obvious hard-on behind you. You were grateful for your tears blurring your vision, for as Capitano continued to let you sit in his lap exposed to his soldiers, you at least could fool yourself into thinking that no one was paying attention.

But only for so long.

A scream tore from you as the Captain's fingers returned to your sex, his fingers dipping into your pussy before they had quickly found your g-spot whilst his other hand wrapped around your torso to begin flicking rapidly at your clit. All the air in your lungs were nearly knocked out of you at the rate of how quickly you were approaching your climax, your hands fruitlessly clawing at Capitano's forearms as drool started to dribble from the side of your mouth, your eyes starting to roll into the back of your skull.

"C-Captain..." You moaned. "O-Oh Archons...!" You keened.

He didn't relent. "Take it," He ordered as if he were ordering a soldier. "Considering you've taken me and Tartaglia at the same time...you should be used to the pleasure." He chuckled gruffly.

He tightened his hold on you as you squirmed. "Slut," He spat. "Quit squirming."

It was only when Capitano suddenly bit down on your shoulder were you pushed off the edge, your mouth falling open in a silent scream as your body stilled and your vision turned completely white. For a long while, you drifted on that cloud of sheer bliss...until you were brought back down by the feeling of something hard slapping against your cunt, snapping you back to reality before you were face to face with the harbinger's cock.

Starting off at a lighter color at the base before turning into a dark purple towards the middle and upwards at the tip. You shuddered when you remembered that Capitano's cock was inside of you...not even a whole two weeks prior! The ridges along his dick were intimidating, especially with the way it twitched and oozed pre-cum.

You gasped when he parted your cunt wider with his fingers. "If you won't apologize with your mouth..." He started off before he lifted you a little, as easily as he would carry a sack of flour before the tip of his cock pressed against your opening. "...Maybe you'll be more apologetic with your pussy."

. . .

Capitano didn't waste any time to wrap a hand around your mouth, although, the sheer size of his hand nearly engulfed your entire face. As he pressed you impossibly closer to him, he made sure to get really close to your ear as he spoke to you. "Make sure to look my soldiers in the eye as you apologize to me with this cunt of yours." He said before he slowly pushed himself into you.

Immediately, you broke his command, your eyes threatening to roll into the back of your head. Something that Capitano quickly corrected with his free hand slapping the side of your thigh. "Look at them." He reminded you. As more of his dick sunk into you, your eyes blurry and struggling to focus as you looked at the soldiers before you. You accidentally made eye contact with one of them, all before...your eyes glimpsed at his noticeably hard cock.

In fact, you noticed how all of them were hard.

Your cunt clenched tighter around your boss' dick at that realization. "Fuck—" He whispered. "You must've noticed, hm? How they all yearn to fuck you? My secretary." He continued.

When your pussy twitched at his words, he lightly pinched your side in punishment. "Greedy pussy...still eager to take more cock despite having me inside of you?" A muffled yelp resounded against the harbinger's hand when the rest of the Captain's dick was suddenly pushed into you. More moans followed suit as his fat tip began to poke and prod at your sweet spot, deep inside of you. "Don't worry, I'll curb your greediness soon." He whispered, the sheer possessiveness in his deep voice making goosebumps pop up all over your skin and down your spine.

More than you cared to realize, you loved when your boss was possessive over you. And that love only grew more when he started to move, his balls slapping against your skin as he took up a brutal pace almost immediately. You tried your best to keep your moans quiet when he suddenly released his grip over your mouth for it to take up stationing itself on your waist, aiding in pulling you down faster and harder against his pelvis. But it was so fucking hard to be quiet when he was fucking you like he was afraid of loosing you. As if you'd be gone the second this was all done.

"C-Captain..." You groaned. "F-Feels so good...!" You continued to cry out, blissful tears running down your face as you lost yourself in the feeling of his cock. Delicious sparks ran up and down your spine at the feeling of the ridges alongside his cock rubbing against your walls, your arms coming to loop themselves around the back of the Captain's neck as his groans started to become more and more audible.

His cock was touching all the right spots inside of you, making you see stars behind your eyes. "Fuck—" He snarled. "Archons...your cunt is squeezing me so tightly." He groaned, his head coming to bury itself in the crook of your head before he whispered more words you were too cock-drunk to decipher. You whined when he sped up the pace of his thrusts against you, your cock-drunk babbles turning from moaning to pleading for him to go easier on you, much to the harbinger's amusement. "Too much?" He mocked, faking sympathy as he fucked you harder in turn. "That's too bad. You wanted this, so you're going to fucking take it." He growled.

He was suffocating you in the best way possible as each time his cock slid into you, it practically punched the air from your lungs, the scent of sex in the air making it feel like it was hard to breathe. But you loved it. You assume that's why your second orgasm snuck upon you so suddenly, the presence of people watching your boss fuck you silly on his lap...the degrading words he whispered into your ear in combination to the pleasure. It was all making your mind spin. "You're fucking tightening up on me..." Capitano grit his teeth together, his claws beginning to dig into your skin.

"Gonna cum?" He asked before he kissed the side of your neck, lightly nipping it as he felt his orgasm begin to approach as well. "Cum all over my cock then." He cooed, the feeling of his twitching dick battering against your cervix making you let out a few more strangled moans before you froze again him with a loud cry.

"Fuck...fuckfuckfuckfuck." He groaned, fucking you through your orgasm for a few more thrusts until he stilled against your still twitching pussy with a loud hiss of his own. You moaned softly as you struggled to come down from being dicked down, a dopey grin plastering itself onto your face as you looked behind you with both a happy expression and a shy one.

The harbinger, although dazed and hidden behind his mask, smirked confidently, the way he moved to run his fingers through your hair shockingly gentle.

He doubted you would want to go and find someone else to fuck after tonight.

[solitairedeere]

i was never as optimistic about the ending of bnha as some villain stans were, but i never thought it'd end so badly it left me wondering why horikoshi ever bothered to humanize the villains or make them complex characters at all.

like-- i expected that at least 1-2 of the 3 villains who were heavily foreshadowed and outlined by the narrative as people to be saved would be, you know, actually saved. i didn't think that was a high bar. i've been let down before in fandoms where everyone was certain a character would live and then they didn't, so i tried to keep my hopes low. AND YET.

what happened to tomura was upsetting, but i wasn't that shocked after how disinterested the manga has seemed to be in him for like, the past 100 or so chapters. a bit surprised, because you'd think if anyone would succeed in the 'saving' mission it would be the MC, but whatever. dabi, well, they've spent a lot of time showing the way his quirk destroys his body even before this arc, so that also sucked but at least it didn't feel completely out of left field.

........but they're not even letting toga live???

i just-- what have we even been doing here? when zero out of the 3 characters that were marked out for saving were actually saved, you have to acknowledge that something has gone seriously fucking wrong with the storytelling. not even just from the perspective of a villain fan but from the perspective of someone who likes stories to be thematically consistent or satisfying in any way.

you can set up an expectation of these characters being saved and then subvert that and turn it into a tragedy- if done well that could even be worthwhile and interesting. but you can't turn it into a tragedy and then just... keep trucking along with the happy ending messaging and act like anything in the manga has been resolved and that the characters have somehow successfully completed their heroic origin stories.

like, maybe i shouldn't have expected this much from a shounen- at the end of the day it is still a shounen so i didn't expect to feel that it truly satisfactorily wrapped up all the themes it brought up around societal ills. but i expected it to at least resolve those things in a shounen-y way where they punch the problems and help these specific people and then you can feel good assuming that the state of things will continue to improve in the post-canon world of the manga.

instead we got... uh, none of that. the story refused to answer a single one of the larger questions it's been outlining for the past 400+ chapters. in the end, it was all flash and no substance, which again could've been fine, if it weren't for the way the story seemed to spend significant chunks of time trying to delude you into thinking it had substance.

truly makes me wonder what horikoshi thought he was doing the entire time. can it really all be blamed on burnout? the most that can be said for this ending is that it is, well, an ending. fuck dude, it is that.

and that's just... such a sad way to end a project that took up 10 years of your life.

[vhaos-chaotic-writing]

Hi!👋, im back(again), sorry if im a little bit of an bother(english isn't my first language sorry😅), i want to have ANOTHER request of Yandere TFP ALL Autobots(poly pls🥺)with an same cybertronian s/o from my first request that is SUPER shy, easily flustered and hardly ever raises thare voice that comes out as VERY adorable whispers and thare...

🥰DROP🥰

💞DEAD💞

❤️‍🔥GORGEOUS❤️‍🔥

🥰🌌💗💜AND like my first request small scenario and headcanons💜💗🌌🥰

Hug🤗

YOU ARE NOT A BOTHER SHUT UP I LOVE YOU!!! (´▽`ʃ♡ƪ) And it's okay, english is also not my 1st language, but be patience and keep listening, reading and speaking it!! And you'll get the hang of it!

(〃￣︶￣)人(￣︶￣〃) Sending hugs too bestie!!!

(TFP) Yandere!Autobots w/ Shy Cybertronian!Reader (HCs & Scenario)

WARNING: Yandere behaviour, yandere harem, romantic relationships, overprotective and obsessive behaviour, soft kidnapping (?), typical violence from the series and a little bit more, Reader is gender neutral and in the Autobot faction. Long ass post ngl.

Don't worry guys I'm adding Ultra Magnus I ain't forgetting that fine mech again. And Cliffjumper, sorry baby I forgot you at first.

You were the little of hope the team protects dearly.

Everyone in the autobot team loved you so dearly and all of them had a little non-spoken vow: to protect and love you.

And how could they not do that? You were such a soft, spark-spoken bot, always trying to bring comfort to the others, never being too loud, supporting them and just being that light in the darkness they were in.

You arrived to earth with the original team - and if back in Cybertrone all of them were a little bit protective over you, being on a new planet it go 10 times more.

From the beginning after the autobots established on the base thanks to the human's militia and Agent Fowler, the team decided to forbid you from going on missions - you would have tried to gently speak in your defense of being able to fight alongside your friends, but after hearing the concerns of your teammates and feel as if their sparks would vanish at the mere thought of you getting hurt or... offlined by the Decepticons, it was more than enough to give in, smiling at them sweetly with a small 'I understand', deciding to become Ratchet's assitant.

All of them were so relieved - they didn't want to force you inside of one of the storages room and keep you there inside against your will. They were gonna do it to protect you! Alas, you were such a good, sweet bot that knew they were only looking after your well being! So good, so good!

The team cherishes every single little moment they have with you - every little smile, chuckle, conversation, inside-joke - anything became a dear memory within their softwares.

After Cliffjumper's death... the need to protect you grew, to the point the team started to develop such obsessive ideals about you.

Everyone's spark was clenching in pain, watching you cry your optics out while hugging Arcee, how was holding you closely and sobbing quietly, anger painted on her faceplate... she wasn't gonna let you get offlined like Cliffjumper did - no one was gonna let that happen.

You love dearly your teammates, and you know all of them love you! But... sometimes you feel like their love for you is too much. Sometimes.

Optimus Prime and Ratchet can be too overprotective, sometimes - You know they mean well, but sometimes you are mad at yourself for not telling them to chill. Optimus always remind you the promise you made to them before he leaves with the others for a mission - "to leave the base it is prohibited, even less if you don't have someone making you company." And you try to convice him, but his worried expression and your stuttering and passive behaviour always makes you close your mouth and whisper a "I'm sorry, I understand." It melts your spark at the sight of Optimus' soft, relieved smile and that forehelm gives you. And Ratchet, by Primus, he is always fretting about you - he is always checking on you even when you are on the same room, making sure you are well recharged and had your fill, always saying that "you are far more important than him" when you scold him for not having his fill of energon. You always remind him he is important too, but he is set on always prioritizing you over himself...

Your spark sinks a little at hearing Ratchet and Optimus speak quietly in the dead of the night - Ratchet was telling on detail everything you did on the day, as if it was a report. What it scares you is how precise his words and details are, it seems... obsessive, too obsessive. And Optimus thanks Ratchet for keeping you safe and sound, promising to keep fighting for a better world so all of the team and you could live happily back at Cybertrone... and you swear you felt Optimus' optics on you as you tried to recharge on your own berth, or heard Ratchet whisper sweet nothings to you as you recharged, too.

Bulkhead, Wheeljack and Ultra Magnus have silently vowed to be your guardians, your own personal wrecker-guards. Wheeljack is constatly flirting with you, as Bulkhead is the shy type to quietly give you small gifts like a small flower or pretty rock. Ultra Magnus always gives you praises and words full of - all three of them always get to make you blush. But lately, Wheeljack's flirting has become too... intense in your opinion. Bulkhead seems always too anxious whenever he gives you a small gift, fearing you are going to reject it. And Ultra Magnus seems to make his praise become worshipping, as if you were like Primus itself. You've also have started to notice how the three of them seem to always aim to get your favor, any kind of positive reaction - an approval from you, as if you were the one to have the last word and decision, like a god does. Wheeljack wishes for a flirt back, Bulkhead wishes for an approval, Ultra Magnus wishes your benevolence.

Bumblebee and Smokescreen can't never get enough of your affection and attention - like two young puppies. They also always try to have any kind of physical contact with you, which nearly always translates into hugs or servos holding. And these two are an intensified version of the three wreckers - Bee constantly seems to look after your approval, your words of affirmation and gentle praise. Smokescreen either flirts with you non-stop or spills too many worshipping praises like he did when he got to meet Optimus. But what makes them different is that they verbalize their protective promises. The two of them have said they are not afraid of ending any decepticon for the sake of keeping you safe and sound, to give you the Cybertrone you deserve so you can live happily and surrounded only by the bots that love you so dearly. And they promise this as they snuzzle gently their helms against yours, holding your servos softly... whispering their obsessive promises to your audials.

You know that, since the day Cliffjumper was killed, something inside of Arcee broke again. And thus, you became her light of hope, for whenever she was grieving or letting her spark poison with anger and a need for revenge, you were there to hug her or hold her servo, letting her cry on your shoulderplate. But she should be the one doing that! You cried and grieved the loss of Cliffjumper too! She is still has burn in her system the sight of you crying after finding out about the red autobot's murder. She was gonna avenge Cliffjumper (oh, how much he loved you - He would always tell Arcee everything he loved about you, and find such happiness at knowing Arcee thought the same) and keep you away from any danger. She wasn't gonna lose you. She was gonna offline anybot before that happened. She had become more touchy, overprotective, always seeming to act as a wall between everyone and you. "Cliffjumper always vowed to protect you... and I'll do the same - I won't let anything happen to you." She promised in a whisper as she hugged you. All you can do is hug her back, even when you were slightly... scared at how lost her optics seemed.

You love your teammates - you were so sure you wished to pass the rest of your life with all of them once the war was over, to bond with them and love them... but you've noticed how deep their feelings for you were.

Obsessive. Overprotective. Worshipping you as if you were like Primus. Promising to you with whispers about forever protecting you, about how important to them you were, that they were not going to be afraid to shed energon in your name if it meant to prove their love and devotion for you. Keeping tabs on you, whispering to one another everything about you, listening to you, watching you from time to time as you recharge, making sure you never leave the base.

You are their beacon of hope, the light in the darkness - Optimus and Ratchet are not afraid to taint their vow to not offline the enemy if it means to keep you safe and sound, keeping their optics on you. Bulkhead, Wheeljack and Ultra Magnus are ready to protect you from any danger as guardians and destroy anyone who tries to touch you. Bee and Smokescreen will keep giving you all the love and attention they can, promising you the universe and the stars. Arcee will make Cliffjumper's wish come true by keeping you away from danger and bring you the Cybertrone you derseve, just like the others aim to do.

And... there's nothing you can do about it.

All you can do is allow your teammates surround you as if the cocoon of a butterfly - keeping you warm, safe, loved.

Did my best!! Kind off felt like I didn't do good. (Uu￣ 3￣) Vhaos out!