#I could show more examples but you get the point
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finitevariety · 1 day ago
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the UK getting rid of the Tories doesn't mean they avoided a right wing government, sorry. Keir Starmer outflanked the Tories on the right in just about every way he could. He is a craven moral bankrupt and his party continues to enact disastrous policies for every working class or marginalised person in the UK and abroad.
for example, they have moved to permanently ban puberty blockers, continue to sell arms to israel, and are going all-in on AI w/o regard for the consequences. The deposed dictator in Bangladesh you mentioned? Yeah, she's the aunt of one of Keir Starmer's ministers (who has since resigned following corruption allegations--ironically, she was, as the Treasury's Economic Secretary, responsible for tackling corruption).
In many countries, political power and hope lies outside of electoralism, as you point to with the Bangladesh example.
You're right that there's a tendency on this website (and others) to act as though America is the world, and generalise doom/hope accordingly. But, like you say, America is the dominant political force currently. Its decisions do have significant impact on everyone, particularly regarding climate.
Your 'wah wah everyone is doomed' is just making up a guy to get mad at. You're presupposing that that person doesn't think they have any political power, and then attempting to show otherwise by giving a big list of primarily electoral victories (or almost victories, or not-victories but at least it's a change of face). The crux of the problem isn't that people are feeling hopeless and need to be alerted that there is still some good to be achieved via politics and legislatures. The crux of the problem is that political institutions have and are continuing to fail people worldwide, to drain hope from them, and to convince them that what political power they do have resides in suffrage alone. As well-intentioned as your post is, I think it falls into the same trap.
Because the real thing to take hope from is that your political power is far greater than that conferred by the ballot every couple of years. There are plenty of other, more effective ways to enact political change, and depending on where you live there may be multiple causes that matter to you that you can take direct action on today. Whether it's joining a union, organising a mutual aid group, or otherwise working within your communities to advocate for others, there are things you can do that help create hope.
'wah wah everywhere is falling to the right wing the whole world is doomed' literally like 6 months ago we were talking about how there was a trend in countries getting rid of their right wing governments. poland at the end of last year, france voted in a unified centre left/left alliance, even the UK finally got rid of the tories after 15 years (right wing splitting be damned, it still happened). outside of europe, bangladesh removed a dictator in like 2 seconds, india may have reelected their Evil Guy but on a DISTINCTLY reduced majority, theres been queer rights successes in thailand, with gay marriage set to be legal by 2025, and thereve been positive court cases on it in japan. and this is just stuff i vaguely remember hearing about. im sure theres more if you care to look for anything aside from more reasons to make yourself miserable
the US has a distinct effect on everyone, so this won't be fun for anyone (least of all its population. sorry guys), and there ARE a lot of people sliding into right wing extremism, but presenting this like its an unchallenged worldwide phenomenon is inaccurate, its damagingly bleak, and all it does is encourage despair and apathy. you DO have political power, and you shouldnt forget that just because of bad election results and the media's desperation to make you lose hope
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neerons · 2 days ago
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Some of Yves Kloss’ best quotes
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"He caaaaaaaaame! " (—Yves screaming about Clavis)
"You're the most common commoner I've ever seen. You have no redeeming features to speak of. Why should I accept someone like that?"
"Choosing me shows how sophisticated you are. You won't regret it." (—Yves' changing route quote)
"Y-You call that a CAKE...?" (—Yves reacting to Clavis' gift)
"If this shameless behavior goes on any longer, you’ll find out what happens if you test my patience. I suggest that you don’t." (—Yves defending Emma in front of a noblewoman that bullied her)
"ExCUSE me? What on earth are you doing hiding in my closet?!"
"Excuse me? And why not?! I’m going to tell everyone, so we can figure out how best to punish her for what she did to you! (…) Huh?! Hey, no, you’ve got it all wrong! This isn’t kindness! I just know I’d end up with the worst stomachache if something happened to you because of me!" (—Yves defending Emma)
"Why should you have to be the one to carry such a heavy burden? This is a problem between two nations. It’s not the sort of thing a simple, kind-hearted woman like yourself needs to get involved in."
"…Emma really is amazing. I could never do anything like that. I always wanted to be a bridge that could bring Obsidian and Rhodolite together… But I was despised just for being half-Obsidianite, and I accepted it all, like it was completely normal. I never did a single thing to actually improve the relationship between our countries. I didn’t even think I could. It takes courage and resolve to approach someone when you’re completely at odds with them. It’s not easy, not in the slightest. I bet it’s left Emma in tears countless times. But even so, she’s still here now, holding her head high and taking that first step towards peace. She really is… amazing. (…) She’s so beautiful it’s dazzling. (…) I’ve spent my whole life with my head down, seeing nothing but the ground at my feet. I really need to change—I need to learn from her example." (—Yves talking about Emma to Leon)
"Fhwhwh...?! Oh my god. How is my little brother this adorable?!" (—Yves talking about Licht)
"Know this: Yves Kloss loves you, and he's always thinking about you. There's not a day you're not in his thoughts."
"You do realize you're pretty, no matter what?"
"For the record? Each time you make me happy, I swear I'll make you even happier."
"H-Hey... Have you really not noticed that I, Yves Kloss, am waiting for the right moment to talk with you?"
"U-Um, Emma... Don't tell me you're... with both of them...?" (—Yves talking about Emma holding Gilbert's and Clavis' hands)
"Just the thought of being tossed into a den full of women sends a shiver up my spine..."
"Did you just say... LOVE?!" (—Yves to Licht and Leon)
"I guess you captivated me. You were always striving to be perfect, and... that's the Emma I fell in love with."
"Y-You think you can just be all cute and get away with it, huh?"
"Please don't cry, Emma. When you cry... my heart aches so badly I don't know what to do."
"I'm not a prince to be pitied. It doesn't matter if no one accepts me. The only one I need acceptance from is me. (...) It doesn't matter what other people say. What's the point, if you can't trust yourself, and believe in your own worth? Even if they trample you under their filthy, worn boots—so long as you hold your head high and believe in yourself, it'll only make you stronger."
"Okay, which of you gave Licht wine?! How many times have I told you not to?!"
"There are so many people in the world who hate me. But... I hate me more than any of them."
"Aww, Licht, don't be so down. Failure is an unavoidable part of cooking!" (—Yves reassuring a sulking Licht)
"I'm never making dessert for any of you ever again!! You're all horrible and you can eat dirt for all I care!"
"I am NOT a cat!!!"
"...I know that kindness of yours is probably a virtue, but I can't help worrying that you're going to kindness yourself to death one day."
"What? No! I didn't meow. Why on earth would I meow?!"
"You're my goddess of happiness. I... thank you for coming, Emma."
"He's such a brazen fool! Not a principled bone in his body, and he's incorrigible to boot!" (—Yves talking about Nokto)
"Listen, you didn't hear this from me, but... Licht made almost five hundred attempts before he baked an edible batch of cookies. (...) That boy really loves you a lot. So much that it gives me heartburn just thinking about it."
"I often get told that I don't have luck. But when I talk to you, I feel like my life isn't all that bad."
"I hope she comes soo... WAHH! W-Warn me when you come!"
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manicandobsessive · 2 days ago
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Icarian | L.H.
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Chapter 2: July
“But you arrived like sunlight in the gloom. And burned off the haze when the year was still new. Keeping me going, how you show up like July.” Andrew Hozier Byrne
Ch 1. > Ch. 2 > Ch. 3
Warnings: swearing, pet names, pure fluff, seriously it’s so sweet, mutual pining, no use of y/n
A/N: i have returned!!! apologies for how long this took, i went back and made a plan and outlined chapters and whatnot. i really love this one i hope you guys enjoy it! <3
WC: 4.1K
“Logan! I swear to fucking-”
“Swearin’ to what now, sweetheart?” The man asked with a smug grin. Logan was leaning over the railing of the mansions’ staircase, two floors up from where you stood. You scoffed at him in irritation, absolutely exasperated with his behavior. Which only further fuelled his amusement.
“Fucking get your ass down here.” You grit out through clenched teeth, even more agitated at the deep rumble of his laugh in response. It wasn’t so much his behavior that angered you, but the desire that burned beneath it. Every chuckle he let out sent shivers down your spine, every smile made the hair on your neck stand on end. It was pathetic, if not for the fact that it was Logan.
It’d been no more than three months since Logan suddenly showed up. Three months since you and had him clicked instantaneously. You could confidently say at the current point in time he was your closest friend.
And at times your worst enemy. For example, this moment exactly.
If there was one thing you’d learned in the period of time you’d spent getting to know the mystery that was Logan Howlett, it was that he absolutely loved to instigate. A sucker for drama if you’d ever met one. And while, yes, you and him terrorized Scott frequently. He seemed to love getting a reaction out of you independently.
He soon learned with great pleasure that you gave back as good as you got. He reveled in it. Logan annoyed the living hell out of you at times, but simultaneously- you were too in deep. Somehow his ridiculousness- his unwavering immaturity, only made him more appealing. ‘
And sure, maybe you’d fallen a little deeper than friendship. But you assured yourself it wasn’t like that to him. You guys were friends, best friends. That was it. That was all it ever would be.
Oh, how wrong you were.
Everyone saw it. Everyone around both of you knew. Seemingly, Logan and you were the only oblivious ones.
Logan walked through those halls like ten tons had been lifted from his body. He no longer hunched his shoulders. He didn’t stomp from point A to point B subconsciously. He even went so far as to say a brief greeting to those he passed by. You, the same. While you never were as outwardly reluctant to social interaction as Logan had been, there was a notable exchange. The other X-men, who’d known you more closely, had seen your distaste for being cooped up at all times flip to being almost excited to stay inside. There was a skip in your step. You smiled more. Logan hung outside the confines of his room more often.
And when you were in a room together, it was good luck to everyone else. There had been a bond that always existed, you two just had to find each other.
On the downside, both of you having been stubborn fucks prevented any further growth of the relationship.
Logan was aware. He was, in fact, way too aware of the effect you had on him. Seeing as he’d stuck around for three months straight. No plans for anything else. Not even a thought or consideration of leaving, not while he knew you would be here. He wouldn’t be able to, he thought. He felt this invisible thread practically tethering him to you. It was something that no matter how hard he tried, he just couldn’t shake. He wasn’t entirely sure he wanted to in the first place. You had been a light, and not just to him- but to everyone. You were oblivious to the way you lit up a room. The way your warmth had effortlessly radiated to those around you. A simple flash of your smile made his day.
He often wondered if that was your mutation. If you weren’t really just a human, and you had some unknown gene of heightened empathy. How he wished he could match that level of gentleness.
Logan was burdened by his mutation. Originally, he planned on making sure you’d never find out. He was convinced you’d never accept him the way he is.
But that didn’t happen. The day you’d found out was one he’d never forget.
~
“Fucking shoot me then!”
His voice echoed through the halls. Claws extended and all. The whole nine.
He felt the familiar rush of adrenaline coursing through his adamantium skeleton. His heart thudded behind the cage of his chest- he knew in that moment exactly what he needed to do.
A few of Strykers’ men charged at him- apparently with the lack of knowledge that he could, in fact, not die. Logan took their bullets like they were nothing but a mere inconvenience. He felt no more than an itch from them, after all. He sliced through the men one-by-one. Not a single fucker survived. He’d be damned if he let someone danger the entirety of the mansion.
The rest of the X-men appeared, all at the front door at one time. Seemingly having taken care of the remaining nuisances from the outside. Logan tensed and whipped around. His hostility was evident in the way his muscles contracted under his thin tank top and how his claws stayed extended.
“We took care of the rest.” Ororo stepped forward, speaking up after a moment of silence between the group and Logan. Who seemed less than thrilled at their lack of assistance.
“Thanks for the help.” Logan grunted sarcastically, having been already pissed at the intrusion. Now, even more so at the fact that he took the blows of most of the men. The team seemed to always rely on him. His healing, his strength, his violence. He felt partially used, when he cared to look into it. But most of the time, he didn’t give enough of a shit.
His eyes scanned over the group of X-men: Jean, ‘Ro, Summers, hell- even Chuck.
Pause. Where the fuck were you?
He spoke your name in a whisper. It was soft, almost intelligible, and his heart began racing yet again with the idea that they could’ve gotten to you. He was under the impression you were an X-man of course. Why wouldn’t you be?
He never would’ve assumed you were any less than the others. You radiated the confidence of someone ten times more powerful than any of his teammates combined. He respected you beyond words. And of course, he found himself caring more than he should. More than he could deny.
Your soft spoken- slightly raspy from sleep- voice calmed his frantic movements in an instant. His shoulders dropped to his sides with the breath he let out. One he wasn’t even aware he was holding. Damn you had him whipped.
“Y’alright?” You rasped with half lidded eyes and a yawn. You rubbed your eyes with the back of your knuckles, a movement he’d noticed you do when you’re tired. You furrowed your eyebrows in crystal clear confusion. Having slept like the dead through the entire event of the night.
Logan huffed the smallest of laughs. An imperceptible smile playing on his lips. You’d have thought he’d seen a ghost with the expel of air that left his body, loudly at that.
Your eyes widened at the sight of his, still reflecting light off of them in the dead of night. You weren’t scared, just- surprised. And obviously still half asleep. You had no idea what mutation Logan harbored. Clearly, he’d had one. He was much stronger than the average man, and a million times bigger. Figuratively and literally with the way he towered over most of the tenants of the mansion. But that was the extent of your knowledge. You never thought to ask, as you gathered from your first few interactions that he wasn’t one to just open up. But you trusted that he would eventually.
He retracted them almost immediately at the look on your face. Standing frozen in the middle of the common area. He was bracing himself for the reaction that was bound to occur. He was used to it, people running from him. People being scared. Calling him a monster.
Didn’t make it sting any less.
The last thing he wanted was for you to be scared of him. He softened his posture, an attempt to seem less intimidating. Which he couldn’t really do if he tried his absolute best. It was in his nature to be on the defense. So naturally, when you blinked, your eyes opened wide in shock- his walls were built high.
You took the first step. Walking downstairs in the most graceful manner, at least from Logan’s point of view. Anything you did was perfect to him. He wasn’t a religious man by any means, but you looked like an angel.
You composed yourself. Determined to make sure the man knew you weren’t scared of him. To show him that this didn’t change any part of how you saw him whatsoever. You could sense it from the moment he’d made eye contact with you. You quickly pieced together the reason he didn’t tell you what his mutation was in the first place. He was afraid. But you wouldn’t have that. Not with Logan.
You silently walked up to him, resting a hand on his arm. He tensed just slightly. Afraid of the next thing, the next word. You looked at his face. A small smile gracing your own. He refused to meet your eyes, he focused more on your hand. The one now comforting him in the smallest of touches.
“Logan.”
You spoke in such a manner that he could never ignore you. Doesn’t matter if it were life or death. He’s not sure if the world was ending that he could ignore your sweet voice to save it. To that, he turned his head just slightly. Meeting your soft eyes, which made his own soften in return.
“Sweetheart,”
He spoke so rough, so rugged. He seemed like he was on a mission to make you flinch away. To prove himself right yet again. But you were nothing if not stubborn. And he wasn’t going to get you to back off that easily.
“I’m not scared of you.” You took the words straight out of his mouth. He stood there, soft eyes, his mouth agape. His expression was one of relief and surprise. He wasn’t sure why he doubted you in the first place. You with your unwavering kindness, your beautiful soul. Something that even a blind man could see.
His mouth opened and closed a few times. He felt like a stupid fuck. He was left with no words to say. No attempts to push you back, it was useless. You and him both knew it to be. Plus, he was in no rush to let you go.
“I’m not scared. Not of you, Logan.” You repeated. Stern but gentle, just like every other aspect of your being.
To your surprise, he smiled. He looked into your eyes with his own and he flashed you that grin that only few got the luxury of seeing. It wasn’t prideful. It wasn’t cocky. It was a smile of appreciation, something to convey what words couldn’t express. He’d only hoped you’d gotten the message.
And while you two were no more than friends, your approval seemed to be the only thing that mattered to Logan.
~
From that day on, Logan hung around like a shadow. The two of you were inseparable and even more so, unstoppable. It was clear that this wasn’t some typical surface-level relationship. Whatever was between you two ran deep, and it was only a matter of time before it became more.
You were something to Logan that was unable to be disregarded. Like a light straight to the great beyond. Like you were created for him and him alone. He so desperately needed to keep it in his clutches. Even if he was dead-set on never falling in love. He had to have you around in some capacity, though it was hard not to let himself dive in head first.
You made even the darkest days feel like the brightest, no matter what you did. Simply existing near you whether it be watching TV or silently admiring you, made Logan’s mood instantly become brighter. The whole of the mansion noticed. Charles being the first, of course.
Logan warned him from the start. He was stubborn enough to go as far as telling Scott he’d sew his mouth shut if he so much as teased either of you. He wanted no part in making anyone think you two were more than close friends. Despite his wild imagination creating a perfect world where he wasn’t concerned you’d get hurt because of him. A world where his past was merely a memory and you were his present. One where the two never mingled.
As long as he kept you at as much a distance as he could, he could keep from worrying himself sick. Didn’t mean he wanted to though. He craved to be closer to you. To hold you, kiss you, know you inside and out. The three months you two had been like this, it had only gotten significantly worse. And his desperation was even more conceivable to the naked eye.
~
Ororo, on the contrary, had a blast teasing you.
“So,” She began, pretending to innocently be catching up with you. You were more than accustomed to her nosy behavior. Her meddling didn’t bother you, it was amusing so to speak. But when it came to Logan, that was a sensitive subject. And you were well aware that she was all in on the drama when the pair of you were involved.
“How’s he been?”
You scoffed, your eyes practically rolled to the back of your head. Perhaps an attempt at seeming indifferent to the situation when you knew damn well your heart sped up at the mere thought of him.
“Drop it.”
“Drop what? He’s been around you more than anyone, it’s a simple question.”
You almost laughed at her terrible acting skills. Almost being the key word, if you weren’t so reluctant to ruin the precious bond you had with the man. Ororo wasn’t exactly known for subtlety, at least for you. She was a close friend, definitely the person you confided in the most at the mansion, even if it wasn’t much. If you were to tell anyone about this infatuation, willingly, it would be her.
It was just infatuation, right?
She could sense the gears turning in your head. A smirk plastered on her face at the sight. You looked down before muttering out a response.
“Just, he’s a good guy is all.”
“Mhm, a good guy who you wanna-”
You were swiftly interrupted by a rumble of another voice. The sound now a distinct indicator of who had entered the room.
“Whaddya wanna do?” Logan quirked an eyebrow, leaning against the doorframe with the corner of his mouth twitching. A dumb attempt to hide his smile. His arms crossed over his chest, as they always were. He seemed to love making appearances like that. At least from what you’d known. The creak of the floor as he sauntered towards the two of you made you take a deep breath in and out. One you’d hoped he hadn’t caught.
He flopped into a recliner, his arms on both armrests and his legs sprawled. It made your entire body feel like it was on fire, the way he could do the most basic of motions and look effortlessly attractive. It was annoying, to be frank.
You rolled your eyes. Not only to mask- once again, your clear state of nervous desire. But also because of the way Logan managed to invite himself into your space, not that you had an issue with it. He had made it known that he followed where you went. It was a sign of endearment, as the telling smirk on your lips showed.
“Oh. Nothing, just talking about who’s bones your woman over here wants to jump.” Storm instigated, all with a telling smile, of course. You almost screamed, if it weren’t for the bark of laughter that escaped Logan. And the way your mind raced with the fact that he didn’t stop Ororo from calling you his girl.
“‘N who would that be, darlin’?” Logan asked you, smiling all the more. He had to have known. He’d probably fucking known since the day you’d met him. And yet, three months later, you still had convinced yourself it was an infatuation. You had only spent every waking moment with him, after all.
“Nobody.” You mumbled, looking at your feet. Fully planted on the ground and ready to skip town if necessary at this rate.
“Don’t sound like nobody to me.” Logan urged a response, the one you’d given wouldn’t cut it. And if, god forbid, there was someone out there that wasn’t him who’d caught your interest. He’d have their fucking head on a platter.
“She’s just messing with me,” You look up, regaining some form of composure. You were reluctant to show Logan any type of romantic affection, despite the nagging feelings inside of you. The truth being- if you were really reflecting on it- you wanted nothing more than to do exactly that.
Logan hummed, clearly not convinced whatsoever. He read you like a book, no matter the time or place. And additionally, he had no shame calling you out on it. As you did for him. However, for some odd reason he didn’t press the matter. Which you were silently thankful for.
He knew if it were someone else he’d have lost it. So with the little self control he had left, he brushed the issue under the rug. For your sake, of course.
~
A knock startled Logan and he stirred from a restless sleep. Not that he ever had a restful sleep. He grumbled, throwing a forearm over his eyes at the sudden light spilling in from the windows.
You walked in, as you had done before. You always knocked, but Logan rarely responded with more than a simple grunt. Sometimes so low that you missed it, so you started to just invite yourself in.
He lifted his arm slightly, catching a glimpse of you in the light. You stood at the foot of his bed. Clad in a summer sundress, something he couldn’t resist on any woman. And you, well he was a lost cause. He was just a man after all.
He smirked, you caught it. Despite your obvious annoyance, the position you always ended up in with him was amusing. Him being the one getting scolded for yet another missed mission debriefing, you being the one to lecture him since the team was well aware of his soft spot for you. He’d never get mad at you, he was sure of it. He couldn’t. It was impossible to.
You started to believe that he was skipping meetings for these moments alone. Maybe the thought was a little delusional, but he’d missed at least four and at the rate he was going, it seemed he didn’t plan on stopping.
“Sorry, doll-”
“Don’t gimme that bullshit.” You crossed your arms, puffing your chest just slightly while you cut him off. Logan thought it was adorable, you trying to be defiant. He knew deep down you anticipated these moments just as much as he did.
“I gotta sit down there and listen to Scott bitch about you not showing up. And I’m not even a fucking mutant!” You huff, your annoyance was clear with the way your voice raised ever so slightly. Though, Logan was bold to assume it was more towards Scott. And if he’d asked, he’d have been correct. Logan could be insufferable, but he was still Logan. And though you were irritated, you knew he could take the brunt of your frustration for you without flinching.
“You better get your shit together, or I might start thinking you’re doing this on purpose.”
“So what if I am?” He countered with a raise of his eyebrow. You scoffed, despite the crimson that dusted your cheeks. He sat up against his headboard with a victorious smirk.
You rolled your eyes, but the smile tugging at your lips gave way to your true feelings.
“You’re insufferable.”
He shrugged, his smug expression still present on his face. Oh how you wanted to kiss it off of him.
“I could hit you right now.”
“But you won’t.” He countered, always a response.
You groaned, throwing your head back and turning your back to him. Walking towards his door.
“Wait, doll.” You paused, back still to him while you glanced over your shoulder.
“C’mere.” He gestured for you to sit next to him. On his bed.
Sure, you’d been in his room before. And maybe you two hung out there once or twice. But you always made sure to sit in another chair, or if anything the edge of his bed. Never had he invited you in it, let alone next to him. And so close, too.
You hesitantly shuffled over to him. Slowly lowering yourself to sit down. His broad shoulder brushed yours. He smirked, as he always did with you. He looked down into your eyes as you looked up into his. Your face was the epitome of how shy you felt around him. Especially at times like this.
Your big innocent eyes, the soft reflection of the light on your skin. The way your lips looked so soft and inviting. It was all too much and not enough for Logan.
And then, he moved your hair behind your ear. A movement so subtle it could’ve meant nothing.
Or everything.
You blinked, your heart pounding in your ears.
“Ya mad at me, sweetheart?”
You scoffed, knowing damn well you never could be. And Logan, well he may just have wanted to see you get all flustered. Hearing your heart race made his own pick up speed.
You subconsciously leaned into his touch, a small smile on your pretty face. He wished he could have stopped time and taken a picture. One to keep for himself alone.
“No, asshole. Just, go to the meetings. So Scott will leave me alone.” You added onto the end, a little something that would hopefully give him a push. You wanted to believe that if you asked him to do something for you, he’d do it.
And you were right.
He huffed and smiled, dropping his hand to now rest on to of your own. You weren’t sure if he was doing it consciously or not. It made you a flustered mess either way.
“M’kay. I’ll go.” He replied, his voice gruff and soft all the same. He brushed his rough thumb over your soft knuckles. It made your heart grow ten sizes. The way he treated you so gently. It didn’t go unnoticed.
He stood from his bed, pressing a lingering kiss to your forehead. “Only for ya’ though, darlin’.” He added the last part, the small kiss spurring on your emotions even more. He smiled as he left the room- his room. All but leaving you sitting on his bed, wide eyed and flustered. You scoffed in disbelief, a smile following promptly after.
You up and left his room moments later, once you’d finally composed yourself, and you practically skipped to your room. The energy eminanting off of you was prominent. Your thoughts so loud that Jean, who was just passing through, caught them without even trying.
Jean despised the way the two of you had acted with each other. It was sickening how sweet he seemed to be for you. He’d never once given her that same softness. He’d never given anybody that softness, to her knowledge. Even in the deepest depths of his infatuation with her. It was a type of gesture that nobody had seen from Logan.
And while everyone else found it adorable, the way he followed you like a lost puppy. The way he talked about you like you were his entire world. Two people who could be no less than meant for each other in every sense of the word.
She was disgusted.
Part of her wished desperately to be happy for you guys, to act like the rest of the X-men. But the inconsolable jealousy she felt took over the mere fiber of her being every single fucking time. And not only was she upset with Logan, who no longer spared her as much as a second glance. But she hated herself for how she felt. For having her own boyfriend, one who loved her like no other, and still having the nagging thirst to ruin you and Logan.
Something was up with her. Something nobody except her and Charles had known was coming a long time ago.
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funhouse-mirror-barbie · 1 day ago
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All of the background/minor characters in Helluva Boss are much more interesting than the main characters and I’m entirely certain it’s because they aren’t forced into the Stolitz universe and they’re the only reason I watch the show now.
Like, look at this imp family/single parent unit here.
They’re watching the trial, but before that the imp woman was washing dishes and the son was grabbing cookies off the shelf.
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Hi! Thanks so much for reaching out.
I absolutely agree and I think there are a couple of reasons for this—
First—The imps actually have RULES for how theyre designed as a species.
These rules are really simple, and so pretty much anyone can design an imp.
1. Imps have red skin and yellow eyes.
2. Scars, birthmarks, freckles, and other skin markings are white
3. All imps have horns. Biologically female imps have black horns and black hair, and biologically male imps have white hair and white and black striped horns.
What’s nice is that, even with these general guidelines, there’s plenty of room for variation in designing imps. Some imp’s legs are bent like a satyr’s some have more human legs, they have varying lengths of tails, different body shapes and sizes, etc.
Idk if these design rules were in place for Imps as a species from the very beginning of the show, but I think having these rules helps A LOT because it means the character designers do have freedom to make unique and appealing designs, while not getting TOO crazy, which prevents them from being too over-designed:
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(All character design sheets by Erin Frost—former artist and character designer for Helluva Boss)
Second—due to being background characters, they’re less likely to over-designed in general. This hasn’t always been the case (and sometimes still isn’t) with Hellaverse shows, especially Hazbin’s Pilot:
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I don’t even think these are all necessarily “bad” or incompetent character designs on their own, but they have a lot of little details, and when they’re all squished together like that, it causes some pretty rough visual clutter. Charlie is supposed to by the main focus of the above shots, but she doesn’t really stand out from the background crowd.
Same with shot of Alastor watching the broadcast—he stands out a little better since he’s silhouetted, but the characters in the foreground having so much going on really detracts from Alastor as the main focal point.
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This is also just like. Not a very good composition. I’m really not trying to be mean or rude but, the characters being so overly designed and having such similar color palettes really muddles things.
Also—because there are so many design elements trying to be incorporated at once, we sometimes end up losing all those little extra details that are added due to the visual clutter. I didn’t have any idea Alastor was a deer until like 2 years ago, because his antlers were so small I never noticed them. I thought he was an owl, tbh.
I think we get the most overly complicated designs when the character artists and designers are given like. 3 or 4 different themes or ideas that they have to blend together. Alastor is a deer AND a “radio demon” AND a practitioner of voudo. Angel Dust is a spider AND a mafioso AND a porn star. Some of those ideas absolutely end up being lost because so much is trying to be fit into the design.
The most infamous example of this is Queen Bee, who’s supposed to be a honey bee, lava lamp, fennec fox, party girl, and apparently also an animal tamer?
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And I’ll be honest, I’m actually one of the few people who kind of likes her design. I think if you were to simplify her and take out a lot of the extra details, she could still be a fun sparkle dog-type character. But there’s so much going on with her, that a lot of her design elements get lost.
Like, apparently the little pink mark on her forehead is actually a closed eye??? Like I think it’s supposed to be an Ocelli, the third “eye” insects can have:
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But it’s just like. Closed usually I guess. In theory, it’s not a terrible design idea for an insect character, but Bee has SO MUCH going on visually that this design choice gets entirely lost. I just thought it was like. A weird symbol on her forehead, and it took me AGES to realize it’s supposed to be her Ocelli or a third eye.
This happens a lot with more of the main characters in Hb and Hazbin, because they’re apparently supposed to be SO many different things that the character designs get too cluttered.
I think this is the main reason for a lot of the less appealing character designs in the Hellaverse, because they’re trying to be like. Ten different things at once. The imps avoid this fate though because, other than maybe their general profession and age, they’re supposed to be imps. They have those design rules we outlined before. I think thats what makes the biggest difference and is also why Mammon is actually the best design of the seven deadly sins because he’s literally just a round jester you look at him and your brain goes “yep that’s a jester” and youre not left trying to figure out what he’s supposed to be for 10 minutes. He’s not trying to be seven things at once. He’s a jester. With some extra arms. Sorry I was wrong when I said it was belphagor before. It’s mammon. Dudes literally just a jester.
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sophieinwonderland · 1 hour ago
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Oh, sorry. I didn't realize you thought playground bully-level namecalling warranted a response.
It's pretty obviously a baseless ad hominem tossed into a serious discussion to distract from the fact that all your earlier points were thoroughly debunked.
There's not really a counterargument that can be made to such a baseless accusation either. Denial just leads to an endless back and forth of "no I'm not," "yes you are," "no I'm not." I could even point out how every accusation from Republicans tends to be a confession. But then it just devolves into an endless game of "no I'm not, you are." Which I think is kind of the point. Getting me to stoop your level of arguing. Making the conversation more about feelings than facts. Because that's where Republicans thrive.
But on second thought... maybe I shouldn't be so quick to dismiss this. If nothing else, it is a prime example of Republican brainwashing. Because one thing that is pretty clear is how Republicans are still pushing the baseless myth that queer people are pedophiles and using this myth to brainwash and radicalize their gullible voters.
Despite all of their accusations, I've never seen a study showing that trans people or other queer people are more likely to predators than their political opponents.
But Republicans are depending on you not questioning the narrative.
They just repeat something long enough, and the useful idiots will believe it.
I believe Hitler called this tactic "The Big Lie."
Looking at your blog, it looks like you have all the hallmarks of a future domestic terrorist successfully brainwashed and radicalized to be okay with murdering fellow Americans.
"Pedophiles should be killed."
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"Liberals are pedophiles."
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"Liberals should be killed."
Is the final unspoken part of this.
It is legitimately worrying how deeply brainwashed you are to accept fascism.
Anyway, while you are fearmongering about liberals being dangerous to children, here's a video of the new Fuhrer talking about how he wants to date his daughter.
youtube
Here's a quote of him describing her as "voluptuous."
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Some fun family photos:
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Trump's favorite thing he has in common with Ivanka is "sex."
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Trump used to barge in on teenage girls changing:
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And finally, here are some remarks on Trump about his friend, Jeffrey Epstein:
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How to trigger Republicans, sysmeds and other bigots in 1 easy steps
Step 1: Post facts with sources
That's literally it.
If you threaten them or call them names, they will feel vindicated in their persecution complexes. But if you prove them wrong with facts, they will block you instantly because being proven wrong bruises their ego and they can't cope with it.
If you're angry at bigots and want to hurt them, I promise that nothing will inflict more emotional damage than calmly explaining why they're wrong with sources to back it up.
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deusvervewrites · 6 hours ago
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First of all: Happy Birthday Deus!
Secondly, I have more thoughts about the whole "The Villain must Die" thing. You already allude to it in your original post, but one of the reasons that people tend to dislike it is definitely the fact that, if they were to acknowledge & accept it, they feel they would also have to "blame" themselves for liking "bad" media that does not follow this "rule".
You point out Star Wars, so some people will simply read this as "If you enjoyed Star Wars, specifically Palpatine dying, YOU ARE A BAD PERSON!"
Which is not what you said, (and I assume not what you meant) but some people will just read this into things, and feel like they have failed some invisible "vibe check" or something by liking the "wrong" media, and it all starts becoming some weird purity test even if it's often only in peoples head.
Like, stop reinventing Catholicism over here, stories can have different meanings and lessons, and one single thing doesn't mean that the story is no forever tainted and everyone who ever liked it should be branded as evil or some-such nonsense.
To use an extreme example, Metal Gear Rising Revengeance very VERY much kills its villains. It also has a very strong and important message about politics and ideology and how people justify atrocities in it. It's a different kind of story with a different kind of message compared to things like BNHA. Also, it even implies itself that the protagonist might have been wrong in killing his enemies, the fact that he did so anyway and that that was the only way he could see is a flaw that the game directly points out! So good news, liking MGR doesn't make you "bad" just as liking SU or BNHA doesn't mark you as inherently "good" or "righteous".
People need to take a step back and consider that not everything is an attack on them or what they like. Good stories are allowed to have flaws. Because most of them do. Any you are still allowed to like them. That's also fine. You can even like something and criticize it anyway, that's allowed!
This is getting long, so I want to end with another example that helped me realize how much I love villains surviving:
Fairy Tail, and the Arc of Jellal. Long Story short, when we first meet Jellal he is THE WORST. Absolute scum of the earth, sadistic maniacal supervillain that, inevitably, ends up blown up in a big anime battle.
Except, nope, ~2 arcs later, he is back, with amnesia, and involved in some other villains plot. Over the course of the arc he works with the heroes but then regains his memory and is utterly devastated to learn who he was in the past, to the point that he tries to noble suicide sacrifice himself to stop the villain. It does not stop the villain, but he still wants to go through with it to "atone", until the hero that he had hurt to most slaps him in the face and yells at him to Live and Struggle.
Because his death wont change anything. It wont heal those he hurt, or revive those he killed. He can only make up for this, only truly become better, by living.
And, spoiler, he does not sacrifice himself, but instead starts to go on a long and arduous and messy journey of atonement and it absolutely rocks. It makes him and his story a million times better than if he had died.
Anyways, sorry for the second wall of text I send you today, once again, Happy Birthday and best wishes!
One of the many things I love about Metal Gear Rising Revengeance's dialogue on the nature of violence is that, as you said, Raidon loses the moral victory at the end. When he kills Senator Armstrong, Armstrong names Raidon as the inheritor of his ideals that Might Makes Right. The entire game shows Raidon martyring himself by sacrificing his morals in an effort to save lives, implicitly comparing this to real-world warfare
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fatalism-and-villainy · 21 hours ago
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Another part of untangling the Garashir knot i.e. trying to make their relationship make sense for fic-writing purposes is the question of Bashir’s ability to trust and be vulnerable around Garak.
I got to thinking about that because of this 10-year-old post (yay old meta dives!) that points out that Bashir is just as emotionally closed off as Garak in The Wire, and it’s really true - he never explicitly tells Garak he that he cares about him, but instead frames his care for him through their doctor-patient relationship, or through his higher ethical convictions (that is, when Garak says “Have you considered I might be getting exactly what I deserve?” and Bashir says “No one deserves this”). And given that part of the conflict of that episode is Bashir’s uncertainty as to whether Garak actually considers him a friend or cares for him on the same level as Bashir cares for Garak - as indicated in Bashir’s conversation with Dax - I think it speaks to a level of emotional self-protection on Bashir’s part that’s pretty often at play in his relationship with Garak.
Because for all that he wants Garak to open up to him in those early episodes - it comes up in a more playful mode in the way they banter with each other, but The Wire shows more legitimate frustration from Bashir at the possibility that Garak might not trust him - Bashir never actually leads by example there. When does he ever share anything about his personal history with Garak? When does he ever confide in him about his hopes and fears and insecurities? Pretty much never! And he’s not at all averse to sharing things about himself, whether it’s to get laid (like the adapted story about his medical exams) or to make a friend (like him telling Miles about Palis in Armageddon Game, or telling that pregnant woman about Kukalaka in The Quickening). He gave Jadzia his medical school journals (to get laid… and make a friend?). And there are plenty of instances of him confiding in his friends - Miles, Jadzia, Ezri - about his insecurity, fear of failure, feeling like he’s a monster because of his genetic engineering, etc.
But not with Garak. The closest he gets to sharing anything significant about himself is his grumpiness about turning thirty in Distant Voices, which isn’t even close. And you could argue that that’s a contrivance of the writing, a consequence of their relationship not being allowed to be developed more. But I actually think it makes a lot of sense from a character angle. Because for all that he seemingly can’t stop talking about himself, Bashir is a lot more selective about what parts of himself that he shares than it initially seems, as is most obviously demonstrated by the fact that he hid his being genetically engineered from everyone for years. So I do take him at his word when he tells Jadzia in The Wire that he doesn’t exactly trust Garak either, and I think that’s modeled in his (possibly subconscious) reluctance to truly open up to him. I mean, in Distant Voices he casts the guy telepathically attacking his brain as Garak! Which he and Garak laugh off in an extremely charming scene at the end of the episode, but it really does say something about how he sees Garak on a subconscious level.
So it’s honestly much easier for me to imagine fic scenes and whatnot in which Garak opens up to Bashir, because there is plenty of precedent for that in canon - largely in The Wire, but also when he vents to Bashir about his frustration with Tain and desire for Tain’s forgiveness in In Purgatory’s Shadow. And there’s a real sense that he really does want to unburden himself to Bashir, even if primarily in his own evasive, circumlocutionary way. But it’s so, so hard for me to get Bashir to a place where he’d do something similar with Garak, because given his characterization wrt their dynamic, I just feel like there’d need to be so much more work done in their relationship to get him to feel that kind of trust towards Garak.
(This dovetails with my headcanon that they weren’t that close in the later seasons, because the events later in the show would honesty make that even more difficult. After being interrogated by an intelligence organization, I imagine Bashir would be even warier of Garak!)
There’s also the fact that the most intense intimacy between the two of them always comes up in situations where Bashir is the stronger one, and Garak is the one who needs to be cared for, who’s being pushed into being vulnerable. And that again is a contrivance of the writing, but it is something that I think is compelling to contemplate when it comes to their relationship dynamic - specifically, how it might affect a long-term relationship dynamic in a post-canon setting. Because Bashir can be something of a fixer-upper when it comes to his romantic relationships, and I do see him as drawn to dynamics where he’s the stronger one who’s positioned to care for and guide the other person. And so, while I don’t think Bashir would be the sole cause of any difficulties that might arise in their relationship - trying to get open and honest communication from Elim Garak really would be like pulling teeth - I can really see him falling into a pattern of thinking with Garak wherein Garak is the one who needs to be cared for, the one who needs to communicate with him, etc etc, but being very very bad at being open and communicative with Garak in turn. Even if their relationship does develop sufficiently for him to feel more comfortable sharing himself with Garak - and I really think that it could - I still imagine his first impulse when he’s Going Through It would be to close himself off from Garak. And that does cause problems.
A broader angle that canon does not really bring out is the potential for Bashir’s dynamic with Garak to draw out some of Bashir’s hypocrisies, or aspects of his ideology that are incomplete or contradictory. Bashir on Cardassia post-canon has a lot of potential to do this - not that I’d want him to let go of Federation ideals, but the reality of living somewhere else would necessitate those ideals being qualified, or him becoming more flexible. And with the shift in their dynamic, in which Garak is in his natural habitat (even if it’s drastically changed from the Cardassia he remembers) and Bashir is the outsider, Garak could potentially be put in the role of having to guide or protect Bashir. And given the nature of Cardassian politics, the actual methods he might take in order to do so would imo not necessarily be within Bashir’s comfort zone. And I like the idea of that conflict, and that kind of testing of Bashir’s values and expectations and perceptions, coming through on a smaller scale just within their relationship, wherein Bashir really wants Garak to communicate with him but finds it (not even consciously!) very difficult to reciprocate that.
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jaggedamethyst · 20 hours ago
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circuit breaker 🔬🌌 (part five)
tutor!jayce talis x reader, ekko x reader college au
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content: after what happened, jayce is committed to helping you learn the physics material. even if it means daily sessions and spreading himself extremely thin.
harsh language (cursing, off-hand kms jokes), jayce mom angst, actual physics but I hope it makes sense…I swear I chose relatively simple concepts!! (If you need more context for the graph Jayce made, legit just google physics electron progression 1s 1p and a chart with arrows should come up on google) 
notes: might fuck around and post the next part asap because its that good
word count: 1.9k
series master list
。·:*:·゚★,。·:*:·゚☆   。·:*:·゚★,。·:*:·゚☆
Somehow the next week was even more stressful than the last few. With the looming stress of this week’s quiz and the strenuous schedule Jayce had you on—you were beginning to wonder if these study sessions were even going to pay off. 
He agreed to meet at your place. He’d show up every day, on the dot, supplies in hand. The happy expression on his face made you feel optimistic at first. You were ready to take on physics with a new level of confidence.
That was Monday.
By Wednesday, Jayce’s upbeat mood and cheery outlook just drained you even more. When Thursday came around, one day before the quiz, you were sure you were at your limit. 
“Hi, Jayce.” You spoke in monotone, opening the door before he could even knock. You turned away from him, allowing him to step into your apartment and close the door himself. 
He poked at your disinterested tone. “Someone’s in a good mood.”
“Yes, well I think that I’ve consumed enough physics this week that I might be reincarnated as Bohr…but that’s fine.” You stalked to your room, “That’s assuming my brain cells aren’t stuck in their own orbits or whatever the fuck.”
“Wait,” he paused in the middle of the hall leading to your room. 
“What?” 
“You…just made a physics joke.” He pointed to you, his tone increasing in amazement. “And it actually made sense-“ 
“It should.” You turned away from him, continuing into your room. “If I have to hear about atomic structure, valence electrons, or nucleus-es any more I might kill myself.” 
“Nuclei.” 
“Huh?” You pulled out the chair at your desk, allowing space for him to sit at the chair next to yours. 
He sat beside you, grabbing your notebook. He flipped to a fresh page as he spoke, “Nuclei is the plural…for when you mean more than one nucleus.” 
“Not to be that person but I think we may have bigger fish to fry than my grammar, Jayce.” 
“You’re right.” He rubbed his hands together, “Where should we start?” 
“Well we left off with electron configuration. I understand the concept…kind of…but I can’t remember all of these damn numbers. The pattern is weird.” 
Jayce reached toward the floor, seeing some of the papers from the previous day still thrown about. He grabbed one with the electron chart—clearly marked with notes and color coordinated to help you remember. 
“I think its best we start with this…if you’re trying to remember and do the problem at the same time you won’t understand it.” He slid the paper in front of you, setting it aside from the book. He then reached for another paper he’d bought—a worksheet. “Here’s some more examples for you to work on. Why don’t you try the first one like we practiced?”
You whined a bit, “Do I have to?” 
“Do you want to get a good grade?” 
You paused, snatching the pencil from the table. “Just because you have a good point doesn’t mean I like it.” 
He remained silent, stifling a laugh. He looked over your shoulder, watching you work out the questions. Somehow you’d made an already long question exponentially longer—working through a method that seemed to work for you. It of course tacked on extra minutes to each problem, though.
“How’s this?” You looked to Jayce for approval. 
“This is…” His eyes scanned your writing. Among the many cross outs and faint eraser marks was not a correct answer, but one extremely close. “This is almost right. You just messed up at the end here.” 
“What? No way-“ You looked at his finger pointing between the chart and your work, spotting the error. “Oh…I see what I did wrong.” 
“Good…wanna try and fix it?” 
You didn’t make direct eye contact, but honed in on the paper—encouraged to get the correct answer. He lingered over your movements with a watchful eye until you were done. 
“Okay…how about now?” You held the book out to Jayce.
“Amazing.” 
“But you didn’t check-“ 
“I did—watched you do the whole thing.” 
You turned to Jayce, “Sure you did.” 
“No, really.” He pushed the notebook back to you. “In fact, I think you’re ready to do three of these.” 
“You sure?” 
He nodded, pushing the materials back in a group for you to work on. “You got this.” 
Jayce sat silently again, catching the way you’d twisted your lips in concentration. Your grip on the pencil was harsh, the wood pressing into your skin in a way he was sure should hurt. Even so, you didn’t give up. The process became longer than he expected. His vision started to blur, his focus becoming less sharp, but he stayed watching. 
Eventually, you turned to him, several minutes having passed. To both of your surprise, you did rather well. Jayce traced over your handwriting, noting the simple mistakes you needed to keep an eye out for. You nodded alongside him, physically writing down the notes he gave you. Before you continued, you decided on a quick break. 
“I’m gonna go grab something to drink, do you want anything?” 
“No,” Jayce yawned suddenly, “I’m good.” He moved to rub his eyes, sorting through some of the papers that had found their way to the floor. He turned a bit, watching you leave the room. 
You rounded the corner, beelining for the refrigerator and cabinets for a snack—you needed fuel immediately.
With an inhale, you leaned back into the kitchen countertop. Truthfully, you were feeling a bit more confident now, but if you were feeling drained you could only imagine Jayce. You made quick work of grabbing a few more snacks for him and a bottle of water before heading back to the room. 
Before crossing the threshold, you froze—the sound of light snores filled the room. 
Jayce had fallen asleep. 
A crooked smile found a way to your lips, the sight of him admittedly being very cute. Despite him being asleep, his lashes fluttered a bit. His lips parted and let out the sound of his breath. In an occurrence that should provide him comfort, intensity still lingered in his brows; they were pinched together in worry. You didn’t miss the way his lip would occasionally twitch—fighting off the pain that lived in him. 
With a quick motion, you quietly set the things you’d grabbed to the side. Making sure you stepped lightly—you swung open the closet and grabbed a blanket to lay over him. You gulped at the action, not even giving it a second thought. The thought left you just as quickly as it had appeared, your feet moving you back toward your desk and open notebook. 
Your eyes scanned over your work and the example problems pensively—immediately feeling an overwhelming sensation fill you. Your palms began to sweat, fingers and hands shaking in front of you. A slow blink and deep breath allowed you to calm yourself, enough to grab your pencil and start in on the example problems. Jayce turned then, still sleeping but fidgeting a bit. You had to try to do this—on your own. 
For a while, you worked on the problems only, afraid to crosscheck for the answers. Eventually, you’d grown confidence to check. There were a few you’d gotten wrong, circling back to check what you did incorrectly with a motivated scribble. Others, you’d gotten right, though. A warm feeling sat inside you, a pride over finally understanding the material. 
Beside you, Jayce started to stir before quickly sitting up in panic. “Fuck, when did I fall asleep?” 
You looked to your left, the clock hanging above. “Like an hour ago.” 
“Why didn’t you wake me up? I’m supposed to be helping you.” He moved to stand, folding the blanket you’d placed over him. 
“Figured you could use the down time.” 
He moved closer to the chair, watching you lean your head up to look at him. His shoulders slumped at the optimism in your gaze. “I feel like I’m fucking this up.” He drew in a dramatic breath, “Am I a bad tutor?” 
You pushed the chair back a bit, letting him look at your self-graded work. “You tell me.” 
His eyes raked over the paper, bending over the blanket in his grasp. He took his time surveying all the written out problems. His nostrils flared when he would let out an amused chuckle at the ones you went back to fix. He leaned away, “You’re pretty smart, huh?” 
“Well,” You stood, grabbing the blanket from him. “I have a not so bad tutor.” 
Jayce folded his arms, “Right.” 
You turned to put the blanket away. When you got back to your desk, you gestured for Jayce to find his seat next to yours again. As the two of you were finally sat, Jayce spoke up. 
“So,” he cleared his throat, “How are you feeling? I mean, like mental health wise. I know it’s been a lot.” 
“I think…I’m working on it.” You nodded, “As best as I can.” 
“That’s good. You should be proud.” 
“Thank you, I try to be.” You swallowed, seeming to look off into the distance. The quietness of the room made you want to speak to fill it. “How’s your mom?” 
Jayce watched you grimace at the abrupt question, but felt grateful you asked. “She’s okay. I spend a lot of time with her—helping and doing whatever she needs to feel comfortable.” He looks down at his hands in his lap. “Think it’s just a hard time for her, feeling herself be weak in a way she’s never been before.” 
You nodded then, looking at his downturned gaze. “I get that.” 
“I’m trying really hard to be what she needs me to be, whatever that looks like.” He readjusted, “Sometimes I think that’s a good student…to keep my grades up. Other times I think it’s to just be a good son…show up every day after class. It’s exhausting trying to figure it out.” 
“I can only imagine.” 
“It’s different with you though.” He jumped a bit at the way your head snapped to him. He spoke quickly, “I just mean that…I know what my purpose is. I can physically see you improving.” He rubbed his neck, “I’m not making sense am I?” 
You shook your head, “I’m attempting to follow-“ 
“I guess I should just thank you, then.” 
“Thank me? For what?” 
“For letting me help you. For letting me have a purpose outside of just student, son, friend, whatever.” He placed a hand on the desk in front of you, closing the gap between you. He finally let his eyes meet your again, a sincere look on his face. “Thank you.” 
A tight feeling ran through you, pushing from your chest outward. You didn’t break the eye contact, though. “I think you’re giving me too much credit, Jayce.” 
“I don’t think I give you enough.” 
A breath caught in your throat, suddenly overwhelmed by the lingering look Jayce had on you. The both of you stayed there, looking between one another’s eyes. Jayce’s movement forward was almost imperceptible; you wouldn’t have noticed had you not been studying every feature on him.
His phone dinged—piercing through the palpable tension in your room. He looked away, a reluctance in his motion. You looked toward the door in a huff, pushing away the feeling that had creeped up on you so quickly. 
“Sorry, it’s Mel.” 
“Oh,” you turned to him expectantly, “Do you need to go?” 
Without missing a beat he turned his phone face down and folded his hands in front of you. “Nope…I’m good here.” 
“Okay, then.” 
He slid the book from in front of you, splitting the distance. “Let’s get a better look at this amazing work you did.” 
Your tongue pushed on the inside of your cheek, the skin puffing out and heating at the praise. 
“Alright, then.” 
taglist
@juskonutoh @sseleniaa @aerina127 @sleepysoldier @angelicmisty @1800latenitecreep @venus-in-roses @myxticmoon @rando-no-5
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alternating-b-w · 1 day ago
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a lot of people nowadays, when consuming media, do not have the ability to adjust their mindset and expectations on what should happen to the actual events of the story. people expect found family partially because they lack emotional immaturity or life experience.
i don't want to sound like a snob, but the popular fiction landscape is dominated nowadays by fanfiction or wannabe fanfiction- genre fiction that labels itself with ao3 tropes. you know the sort: cozy fiction, brandon sanderson type stuff, or honestly? if i see an anime genre in a native english language novel, like magical girls or mecha, i run. they are best suited to visual media for a reason. this is my personal opinion, so don't jump me for this, but these works don't tend to deal with emotional matters in a complex, subtle matter. when there is a romance story, you get a character who says "i hate this guy, he's kind of cute- i mean a BITCH." when someone suffers, their response is measured or defined in what angst trope do they respond with. they are cut and paste characters designed for emotional gratification, behaving relatively similar across the board regardless of how someone about the same age, gender and in the circumstances as those characters would behave. i could further go on about how how this in part stems from not really examining the culture and mannerisms of the opposite sex (and yes, i used the word sex, because it's important to analyse gendered socialisation when understanding how someone relates to their gender in present, cis or trans) to oneself when writing, but i digress. my main point is that the anime community tends to be bedfellows with those sorts of literature fans.
meanwhile, golden kamuy doesn't really have stock characters, aside from maybe shiraishi.
for example, sugimoto's a wanderer with ptsd, but there's no mystique or affected melancholy to his trauma, i.e. no real whump-bait. a less thoughtful writer would stop the brakes on the story midway to kick in the ye olde 1900s japanese therapy-speak and have him solve his issues that way, or have him cry and open up about his trauma regardless of him not being the sort of person to do that.
likewise, tsurumi's a manipulator, but he isn't a mustache twirler or a ragyo kiryuin clone- he's eccentric, charming and makes his men feel they owe him without him ever holding it over them. the actions he takes in the story create a logical conclusion of his men being loyal to him. a lesser author would have created a character who is a manipulator because they said so, even if in real life the character's men would all actually scared of him or would probably be offput by him trying to overstep their boundaries.
then, there are the characters who are 'useless', but are still present such as kadokura, kirawus, or vasily. we understand their emotional states, but equally that the main cast dont want or need to be their best friends; this making everyone feel real because it shows where the main casts priorities lie! kado and kira were certainly aware theyre werent pulling their weight compared to anji or ushiyama, but they didnt really give a fuck because kadokura had already did hijikata a massive solid with the prison break-in. meanwhile, vasily can't even speak japanese and followed sugimoto's group for the sole purpose of jumping ogata. he wasn't there to make friends and the story's not, at its core, about making friends, so why on earth would vasily end up being friends with sugimoto? gk respects every single character's agency and motivations more than making the reader feel warm and fuzzy.
however, when one doesnt think critically about characters and how their circumstances should impact them, it's easy for one to default to the mental comfort zone: tropes. likewise, when one doesn't spend much time in a highly competitive environment like the events of gk, they cant quite comprehend the fragile nature of the relationships made in those circumstances. so, to maximize emotional gratification, a somewhat friendly group now becomes a found family.
now the ogata issue starts when when the reality peeks through- ie, that every character bar asirpa has tried to kill each other at some point, the classic fanon 'fuck canon i do what i want' mindset kicks in. here's the thing- ogata is one of the only characters to which you really can't 'fuck canon' your way out of. even usami's quirky enough that you can easily box him in as the yandere sort, but ogata killed his mom, dad and brother over deep-seated daddy issues. it is very hard to defang the character into making him have the found-family appeal, especially as the story progressed and he went from weird quiet guy with sad backstory (which is still workable) to telling asirpa "do it pussy you won't." there is no way to turn ogata as we know him into an archetype fit for emotional gratification without removing a lot of what makes ogata ogata, as he would rather kill himself than show emotional vulnerability or change his mindset, so he becomes the odd one out when talking about the different groups in gk. thats what i think.
I mean... I am a person without a lot of attachments. I don't have a lot of trust in people, and I generally view people as simply everybody on their own path.
So then when I read other people's interpretations of gk, I'm often confused because I don't really understand where they're coming from.
For example, the idea of loyalty seem to be really important to a lot of other fans. Ogata is interpreted by almost everyone as a untrustworthy, with no loyalties.
But I don't understand why anyone in this story needs to have loyalties or why loyalty is even a good thing.
Everybody has completely different motivations and wants.
Tsurumi wants to split off a piece of the military, and use it to regain territory in Russia Where his wife and child are buried.
Hijikata says that he is looking to revive the Republic of Ezo, but actually he doesn't have the resources, or the time to do that so really he's looking for one last great battle and to die under that banner rather than to set up and new independent political entity.
Shiraishi has no real goals and just likes his friends and would love to get some money out of it. He later takes on Boutarou's goal.
Ogata has no real concrete achievable goal and is looking for an abstract sense of worth.
Sugimoto also has no real concrete goal and is using the gold hunt to avoid confronting the fact that he really has no place to return to. He says he has to get the money before he returns to ume, but this is just a prerequisite he set for himself, to delay returning. Ume isn't waiting for him, has no idea that he's out trying to get the money for her, and doesn't even know if he's alive. Despite all of the importance that he places on returning to her, he is a non-entity in her life, in the same way that Ogata is a non-entity in his father's life. The similarities and differences between Ogata and sugimoto is best left for another post.
Asirpa...... is a 12-year-old girl and is still trying to make sense of the world.
Many of the soldiers don't have any goals of their their own other than following orders or impressing their commander. People like Inenaga, ushiyama don't really have any aspirations for the gold. They just seem to be along for the ride since they have map tattoos.
My point is....
These are all clearly people with individual and completely different goals, to which the gold is just a means to an end. So I don't understand why loyalty is considered important, in fact I don't understand why it's a thing at all.
So given that ..... I don't understand why Ogata is considered a disloyal betrayer....
When I read comments by other readers, it really feels like there's an expectation that these groups be a found family of sorts. A place of trust and loyalty where people support and mentor each other and it makes no sense to me.
Like that's something you expect from the military. Members of the military are supposed to be brothers in against a common enemy led by a father figure and it is explicitly pointed out that this is not the case.
People bully each other, sometimes severely. The father figure is self-interested and the only sees his men as pawns. There are shifting loyalties and factions with their own goals in the same unit. The military is not a family substitute. Gold hunt groups are not a family substitute. Even family do not present the kind of loyal loving support that people seem to expect.
So I just..... I straight up have no understanding of why Ogata is considered to be a betrayer, because I don't understand how loyalty is a thing here. I mean to me, the very concept of loyalty in this story seems to be a lie used to manipulate people seeking identity and belonging, and have them be willing to die for the group.
When I look around on forums and discussions it seems like most people do not share this interpretation. People interpret media and events is through the lens of their own experiences. And I actually keep wondering if I'm missing something huge. Like if other people interpret loyalty in a totally different more meaningful way, what are their experiences that support this belief?
Just Curious
TLDR: this is not a story about found family as much as you want it to be. Instead it's about each person finding a place for themselves....not everyone is looking for a family.
Edit: I guess this is sort of meta. The reason I have this interpretation because I have a long history of working for corporations, and despite the found family culture that they try to create and all the team building exercises, people are constantly gunning for each other, trying to get people fired, taking credit for other people's work, making people look bad in front of management to elevate their own status, trying to jump ship and go to other companies in the same industry with proprietary knowledge... so my take on this whole story is that..."this is simply how people operate."
Like I've been on team building exercises with the company where everybody an outdooring trip and bonds over canoeing, and then immediately the next day people get back to trying to get each other fired.
That's just how people are. People form connections over all sorts of things, but that doesn't mean that they aren't out for themselves or that the connection will always exist, or that the connection is deep or that the person is loyal to you.
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evangelifloss · 1 day ago
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Hey, I just red your amazing fight analysis and I want to know what you think about the scene where the bartender at the continental bar in the first movie says to John that he looks „vulnerable“. Do you think it’s the look in his eyes or the way he acts or moves ? (Which in my opinion look pretty normal) and how do you think John was before he left the business? Was he more cruel with his kills ?
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I'm guessing you mean this scene, right? I hope so because I made this gif JUST for this ask since I LOVE what you've sent in. Thank you @persephone411 💖💖
To answer why the bartender picks up on John's vulnerability without him seemingly displaying any signals, I'll first and foremost use what I know of the later instalments regarding John's behaviour. And that is how much he speaks. Between movies 1 and 2, there's only a 15 word difference in regards to how many lines of dialogue he has (1st movie has 484, 2nd has 499) and for a movie that has a run time of 1 hour and 40-ish minutes, that's not alot of dialogue to begin with.
Take for example, Jack Sparrow from the 1st Pirates of the Caribbean movie. Reading through the script, I counted roughly 490 lines of dialogue from him and that movie has a runtime of 20 minutes LESS than John Wick 1!
So we know that John isn't a talker. Yet, when he finds himself back at the Continental bar, and reunites with the bartender who knows him very well, and given how familiar they are (her excitement at seeing him, a brief hug/cheek kiss) it becomes apparent that John is more... open. He doesn't just order a drink and say nothing else. He engages with her, and expresses, "She (helen) was more than I deserved." Which by all accounts expresses a softer side to John, an admission that he is not impervious to grief. Assassins don't do that. Retired he may still technically be, he is still in a room full of people who are NOT retired, who could overhear and see the man behind Baba Yaga. That sentimentality can get you killed in the Assassin world.
Secondly, his face is sporting a few rough marks, and I very much doubt John the Baba Yaga would show himself at the Continental bar sporting proof he can be injured.
As my final thought, for me personally, it's his tone and his eyes that give away his grief. His inner turmoil that will eventually overflow into a bloody tsunami. The micro-movements of his face as he pauses, when he looks away, and even when he greets her, the man is Tired. The man is not at this point in time, the Baba Yaga.
The second part of your ask is very interesting because we have almost next to nothing to go off of! No prequels (thank god) and barely any direct Lore other than what others speak about John which ironically, is missing direct context which leaves us viewers to speculate.
The John we know is the old John. The grieving John. The Man. We get glimpses of what he used to be, and how characters react upon hearing his name but we never get the Baba Yaga. Not entirely.
Continuing off this, my personal speculation is that John wasn't a vicious killer. He was an incredibly efficient one. You can buy time with a sadist if you are able to withstand them long enough for help to arrive but you cannot do the same towards someone whose only goal is to kill you on sight. As quickly as possible. And that someone also happens to be the best of the best. Combine those two skills and I think that is what makes Baba Yaga so terrifying to those in the underworld. It was enough for Viggo, head of a massive Russian syndicate, to go silent upon hearing the name despite knowing John had been retired for 5 years!!
On another note, and this barely gets touched upon but throughout the movie you come to know that for such a silent and deadly killer, John has a weird amount of people willing to die for him.
The High Table actively discourages and creates a continually hostile environment amongst assassins so that bonds and genuine alliances/friendships can't begin nor be maintained and yet... look how many people are willing to so far for John.
This speaks to the level of respect and integrity John must have to simultaneously be a deadly killer AND to not be hated by everyone.
He does his job well but he is not cruel. He will not endanger unrelated persons if he can help it, he is sincere and loyal.
It's why the High Table fuckin hates him.
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burquillos · 8 hours ago
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I genuinely forgot that tumblr is a place that is actually decent for posting text Anyways, 431 AU Hurt and Comfort drabble following Izuku's train of thought "I've always failed to protect Kacchan and now that I don't have the power to do it anymore, the best course of action is to give up on my dream, so he follows me out of danger"
"You don't get it Kacchan!! I can't protect you anymore, you could get hurt!!"
"You're already hurting me!"
Izuku shuts his mouth. How could he say anything to that? He knows what he's been doing to Kacchan. He isn’t inviting him to guest teach that often for no reason. He hoped he could show Kacchan there are other ways of being Hero, one where he wouldn’t need to put his life in danger. He has also been deliberate in keeping Kacchan at arm’s length, just far enough to look like Just Another Person in his life, he wouldn’t want any villains getting any bright ideas especially now that he’s powerless. He's not as stupid or oblivious as people think. It hurts to see Kacchan upset, but a miserable Kacchan is better than a dead one. It's selfish of him but he can't let him go. He can’t lose him again.
Katsuki takes a deep breath like he's gathering all weight he's been carrying and then letting it drop abruptly. "Look, Izuku. I've been there before... I know you're scared." Deku flinches at that. "That's why you keep pushing me away. I finally understand how frustrating it must have been for you to lend out your hand and get it slapped away every time. That's why I don't blame you. I had no idea how you did it back then, but I've tried to follow your example, to be as strong and persevering as you were, to never give up on people.” Katsuki pauses, thinking before he steels himself to say the words, “But at some point you have to let me move on from you, just like how you moved on from me."
His words sound defeated, like everything he just said is an undeniable, unchangeable truth, and maybe it is. But the end?
"Is that what you think? That I moved on from you?” their eyes finally meet. “Kacchan, I'm still fucking stuck in that coffin in the sky! YOU DIED!! Because I couldn't get there in time! Because I treated you like you were special! Because I... I loved you and everybody could see it.”
“I was so happy when I got closer to you back at UA. You were always so bright and I’ve always dreamed of standing there by your side instead of watching you from afar like I’ve always had but I got too careless. I wanted to stay there forever, I really did but everybody kept hurting Kacchan.”
“Even at our worst, everyone saw how hard I tried to chase after you. I hated myself for not being able to say so many things, for not being able to tell you 'You're more than just a Hero to me'. But in the end, it didn’t even matter because Everybody. Still. Fucking. Knows. Because I can't control myself. Because I always slip up. Because I always lose my shit when it comes to you!
How could I move on from you when I have to spend every day scared shitless that everyone would know how much I want you and take you away from me!?”
At this point, Izuku’s completely broken down and Katsuki lets him. It was a long time coming after all. He approaches Izuku to hold him, Izuku hold him back tightly like he never wants to let go. They stay like that for a few minutes, Kacchan softly petting his hair while he calms down. After a while, Kacchan speaks.
“You don’t have to worry about anyone taking me away from you, Izuku.”
He looks up from his place snuggled on Kacchan’s chest, “What?”
“Already yours, have been for a while. Ya just need to act like it.”
“I already told you why I can’t-“
“Then try harder. Make me undoubtedly yours. Show them what happens when they mess with something that you own.”
Izuku doesn’t know if Kacchan’s words is just there to hype him up or if he’s being entirely serious about it. Either way, it sends tingles up his spine and warmth to his cheeks. But that embarrassment quickly evolves to shame.
“What if I fail again... I couldn’t even protect you even when I had all the power in world.”
“I’m not asking for your protection Izuku, just like how you didn’t ask for mine when I ran after you and jumped in front of all of those spikes. Those were MY choices and all I ask of you is to run after me too, to choose me.”
Izuku looks at him stunned. His heart feels so full he feels like he’s about to burst again. He never imagined there would be a world where he would chase after Kacchan and Kacchan would be expecting him to catch up and run by his side instead of running away from him in fear. It was everything he ever wished for as a kid.
He still thinks he’s not strong enough, but he can be brave. The same quirkless kid who chased his dreams in spite of it all.
“Okay, Kacchan.”
He musters up all his strength to smile at Katsuki and to his surprise and delight he smiles right back.
“I won’t be far behind!”
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digibun00 · 3 days ago
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I've read all your magical girl au fics in what is probably an unhealthily short amount of time... I am obsessed. I never thought about using primary colors as a basis for a magic system ( I might dip my hands into that concept it's SO GOOD HEBEUWBAIW ) and I have so many questions...
I need to know everything... what power is red/magenta specifically associated with if blue(and cyan?) is associated with nature (??, creation maybe? ) and yellow is associated with time...? is the color that's more effective against another color work on like.. pokemon fire grass water rules ( red beats yellow, yellow beats blue and blue beats red ? ) i have so many questions
OKAY!!!! so basically!!! (Also, SPOILER WARNING for my Fanfiction Dusk Sparks of Life, link for it will be in the replies of the ask)
First off, thank you sososososo much for your ask, it's the first one I've received I believe! =:D!! Exciting!!! And i'm super glad you liked the fanfics!!!
There is a reason for everything!!! (but somethings are spoilers so for now we will use that which is known and maybe in the future i will elaborate!!!)
So, every person has a soul/soulcolour. That colour is somewhat significant to how they are as a person, but within the same colour there is a lot of variety. It's a bit about how you'd react in certain situations, more than what you look like and stuff.
Some people (like Lizzie in this example) have a magenta soul. Through the soul's magic potential or a moment where she proved herself to be a representation of the colour in an honourable way, she was able to unlock the power of the soul and is now a primary magical girl.
Our next example is Scar. His soul is cyan (for now, might change), but the magic potential he has is too low to activate on it's own and since he also doesn't "get" anyone's primary colour, he will not be turning into a magical girl.
Similarly, Pearl has a cyan soul. She too lacks the magic potential to activate her soul magic, but since Lizzie has imbued her with magenta, meaning lending some of her power to Pearl, Pearl becomes a magical girl. However, her soulmagic is influenced with magenta, meaning that she is a secondary magical girl with the colour purple.
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Every person has a soul colour, by default they are one of the primary colours of ART meaning magenta, cyan and yellow. Very rarely, people with otherwise coloured souls appear, such as Mumbo. That type of magica(s) (magicalgirlshortcutforwriting) are what most of my stories will be about!!
At the bottom you can see a very crude scheme that shows how the different "rots" (as I believe Cleo calls them?) function in regards to magicas. So for example, in Dust Sparks of Life, the main antagonistic force is the blue version of the rot: Sculk. As we can see in the diagram, it is very strong against Magenta (which is why Lizzie and Mumbo weren't able to fight it super effectively), but it's also rather weak to Yellow (which there was none of in the story). There is another arrow that is pointing from the Cyan into the Cyan, implying that it is strong against itself. That is because a magical girl of the same colour as the rot, will always win because the rot is just that, decay without a brain really. So if we look at the chart we could deduce that a magica that is green (a mix of yellow and cyan) would be the most effective against the Sculk.
There are differences into which colour your soul is and which you get on top (since the one your soul is dictates, well your soul!). That's also why Cleo remarks on the lack of control she has over her yellow side (her soul is cyan) and how Joel is the strongest against the Sculk (his soul is yellow which is the strongest colour against Cyan).
There is a lot more to be said, such as what are the colours tied to, and what kind of powers can you get, but it's 3am and I really wanna do an accompanying drawing to it so Imma shreep and answer that if another ask happens to stumble into my inbox hehe =:D
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terrimavr · 12 days ago
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Hatchetfield is the best fandom ever because wdym your favourite character is a lawyer that barely has any lines, gets kicked in the balls, kills a man, joins a cult and then disappears from the series entirely, what the hell, sure
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puppppppppy · 7 months ago
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i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you
#im reading that post that says artists are directors of audience reaction and not its dictator:#'you cannot guarantee that everyone viewing your work will react as you are trying t make them react. a good artist knows that this is what#allows work to breath. by definition you cannot have art where the viewer brings nothing to the table ... this is why you have to let go of#the urge to plainly state in text exactly how you think the work should be interpreted ... its better to be misinterpreted sometimes than#to talk down to your audience. you wont even gain any control that way; people will still develop their opinions no matter what you do#im thinking abt this again cuz i was thinking maybe the thing that lets adventure time work so well the way it does is cuz it doesnt#take itself too seriously that it gives the audience enough room to fuck with subtext and then fuck with them back yknow. i think it was#mentioned somewhere that they werent even planning to run with the postapocalyptic elements that are hinted in the show but changed their#mind after the one off with the frozen businessmen and dominoed into marcy and simons backstory. on the other side there are stories that#explain too much to let the story speak for itself and i think it ends up having to do more with the crew trying to lead ppl in a certain#direction than expand on what they have and i see a lot of this with miraculous. like when interviews and tweets are used as word of god in#arguments and it becomes a little stifling to play around with it knowing the creator can just interject. u can say its the crews effort to#engage with its audience but it feels more like micromanaging. and none of this is to say there ISNT room for stories that spell things out#theyre just suited for different things. if sesame street tried abstract approaches to themes and nuance itd be counterproductive#a lot of things fly over my head so i need help picking things apart to get it- but it doesnt have to be from the story itself. ive picked#picked up or built on my own interpretations listening to other ppl share their thoughts which creates conversation around the same thing#sometimes stories will spell things out for you without being so obvious abt it that it feels like its woven into the text. my fav example#for this might be ATLA using younger characters as its main cast but instead of feeling like its dumbed down for kids to understand why war#is bad its framed from a childs point of view so younger audiences can pick up on it by relating to the characters. maybe an 8 year old#wont get how geopolitics works but at least they get 'hey the world is a little more complicated than everyone vs. fire nation'. same for#steven universe bc its like theyre trying to describe and put feelings into words that kids might not have so they have smth to start with#especially with the metaphors around relationships bc even if it looks unfamiliar as a kid now maybe the hope is for it to be smth you can#look back to. thats why it feels like these shows grew up with me.. instead of saving difficult topics for 'when im ready for it'#as if its preparing me for high school it gave me smth to turn in my hands and revisit again and again as i grow. stories that never#treated u as dumb all along. just someone who could learn and come back to it as many times as u need to. i loved SU for the longest time#but i felt guilty for enjoying it hearing the way ppl bash it. bc i was a kid and thought other ppl understood it better than me and made#feel bad for leaning into the message of paying forward kindness and not questioning why steven didnt punish the diamonds or hold them#accountable. but im rewatching it now and going oh. i still love this show and what it was trying to teach me#yapping#diary
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supercantaloupe · 2 months ago
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saw a post last night complaining that the sound of music film and its popularity contribute to the "universalization of the holocaust" and that by depicting an austrian catholic gentile family's opposition to the nazi regime instead of being about jews, it paints some kind of false picture of who the nazis' real targets were. and i'm sorry but that is such a narrow minded, externally motivated reading of the film/musical. and i say this as a jew who broadly agrees that holocaust universalization and the sidelining of "the jewish problem" (as it was known in that era) in film and media is a genuine and pervasive problem. the sound of music...that is really not the right target for your ire, my friend
#sasha speaks#like yeah it is annoying when people spam reblog that gif of georg ripping up the nazi flag right after posting antisemitism#that sucks and i wish it wasn't do prevalent. i also wish antisemitism in general were not so prevalent but yknow.#baby steps or whatever.#but anyway it's not the sound of music's fault that people are using that gif a bunch but misunderstanding nazism#and its specific primary targeting of jews (and romani)#A. i actually don't think it's invalid or bad to show stories about gentiles being threatened by/opposing nazism.#that Was a real thing that happened. the trapp family were in fact real people even if their story is somewhat fictionalized#in the musical#it takes place in 1938. therefore before the holocaust proper had begun#(not that persecution of jews wasn't already a huge thing. the november pogrom was the same year of course.)#but even while racial hatred of jews and romani Was the primary characteristic of nazism and should be recognized and depicted as such#it is not misleading or distracting to also depict the real experience of white gentiles who were threatened by nazism#like. one drop in the bucket. two cakes. whateved#also. and this feels so blatantly obvious to me i shouldnt need to spell it out but.#B. the sound of music was written by two jews in the late 1950s.#it's...it's just not. it's not an example. of a bad faith depiction of wwii/its lead up#sometimes stories are about other things. even when the authors could have made it about more personal subjects to themselves#and the era in which it was created had a very different attitude towards and contrxt for depictions of wwii (& preceding) in media#if you want to get mad at people misinterpreting a musical about the rise of nazism go look on twitter or tiktok for cabaret discourse...#now that's an audience that knows how to miss the gddamn point
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silverwhittlingknife · 7 months ago
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can we have a hint about what the spring break tim patrol chapter of red letter day contains? (you kept having dick say "if the joker shows up" and tim's "he won't." for me to be convinced that goes off without any trouble)
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i'm sure it'll be fine. :D
i am delighted you're enjoying the story <333 i haven't updated it in soooo long but i got some very sweet comments lately so i have been looking at my scribbles again <3
#tim: he WON'T show up okay?? and if he did i'd be FINE. dick thinks i'm gonna fall on my face if i do anything on my own ever#dick: that is not true!! that is NOT what i said stop putting words in my mouth#tim: i literally watched this entire city by myself for FOUR YEARS and don't say bruce was here because lots of the time he wasn't#dick: listen i am JUST SAYING that last year you almost DIED A HORRIBLE DEATH a lot#dick: and i personally rescued you from near-death experiences & you were not exactly helpful or forthcoming#dick: so sue me if i'd just like to clarify that i will at least get a PHONE CALL if something goes wrong#dick: as opposed to OH I DON'T KNOW you go off to fight jason or ra's al-ghul behind my back and then you almost DIE#dick: and i have to go chasing after you AFTER THE FACT because you didn't bother to explain to me the stupid thing that you were gonna do#tim: that was NOT stupid and -- i KNEW you were still mad at me about that --#dick (unconvincingly): i'm not mad at you (more convinced) YOU'RE still mad at ME --#tim (unconvincingly): no i'm not. (more convinced) look i get it you obviously think that i suck which fine WHATEVER --#dick: i never said that and i'm just asking for the basic professional courtesy of a heads-up!! the city's my responsibility so -#tim: i know you're on a power trip about this but gotham is actually MY city too so --#dick: excuse me i am NOT on a power trip. i'm BATMAN which means that --#tim: you sure are#dick: oh don't even go there - let me point out that ONE of us is being an uncommunicative jerk and it ISN'T ME --#tim: you are literally trying to micromanage how i do a milk run that i could do backwards with my eyes blindfolded --#dick: i'm not micromanaging!! nightclubs can be -- i have a NORMAL degree of CONCERN okay so --#tim: -- so either you're lying to me or you think i suck; how exactly am i supposed to tell you stuff if you don't trust me -#dick: what?! i trust you!!! i just --#tim: you just DON'T trust me??#dick (trapped): i trust you. i'm just saying. if for example the joker -#tim (defensive): who i could handle#dick: or jason -#tim: who i could also handle!!! try to be a little less condescending maybe#dick: oh come ON. look you're obviously kinda testy about me going out of town which fine whatever but i'm just trying to -#tim (testily): i'm not testy. what does that even mean 'testy'
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