#I cannot let it end already

[kindaoptimisticsquirrel]

Trigun Bookclub Trimax Vol14 Part 4

Vol01: Part 1 | Part 2 | Part 3  | Vol02: Part 1 | Part 2

Trimax: Vol01 Part 1Vol01 Part 2 | Vol02 Part 1Vol02 Part 2 | Vol 03 Part 1 | Vol03 Part2 | Vol04 Part1 | Vol04 Part2 | Vol05 | Vol06 | Vol07 | Vol08 Part1 | Vol08 Part2 | Vol09 Part1 | Vol09 Part2 | Vol10 Part1 | Vol10 Part2 | Vol10 Part3 | Vol10 Part4 | Vol11 Part 1 | Vol11 Part2 | Vol12 Part1 | Vol12 Part2 | Vol12 Part3 | Vol13 Part1 | Vol13 Part2 | Vol13 Part3 | Vol14 Part1 | Vol14 Part2 | Vol14 Part3 | Vol14 Part4

That's it! The final chapters and thoughts beneath that! AAaaah.

Chapter 8: (I'm having more image space now with one chapter so..uh...just me nearly posting every image in this one)

The biggest mystery in Trigun: HOW did they get a photo of Vash with all black hair and HOW??? did they get a photo of Knives?? I just have to assume they either have really good painters or maybe just painted black hair on Vash's old photo...and...someone made a photo of Knives moments before his death. Poor sucker.

Black hair Vash with his hair down looks so...so...so agh! So young! And vulnerable! And actually pretty good but also so cuddlesome and wow that hair looks soft. Every hair-era of Vash gives me different vibes, and this one especially has something super soft/melancholic...it's after his widower era (which is half-black hair) so it's a settled and accepted sadness but it's also post-trimax so it's also a hopeful atmosphere? Hope that explains it??

Also he's just super cute like this.

Also, hello there interesting bit of information that totally slipped past me on my other reads.

Egg Plant Dome...what exactly is this? I think that happened in ch6 when the feathers and plants fell down. Is this something the plants created, like a shell for the whole city? (don't wanna live underneath, it must be like a big oven during the day)

What a moment

(Oh they are talking about the wound Knives inflicted on Vash! When they fought and while Knives stabbed him, Vash protected them both from Chronica) There's something so meaningful about Knives, who thought himself above all humans, pleading them to save Vash's life.

What a way for the antagonist of the story to go. It doesn't end with violence, it ends with a silent thank you, with him protecting one last time what is dear to him and choosing his own (inevitable? Vash lives on. So could he have lived on if he wouldn't have created the tree?) end.

Just saving these because we're getting more cute Vash faces here.

Of course Vash finds an exit directly at the spot of his pursuers. And cute salamander thing!

Salamander and Vash do not approve.

IT'S HIIIIIM

The image of Vash with a wig, fake teeth and a fake beard is really entertaining. But really, was that ever an option for him? An option at least he'd be satisfied with?

Meryl & Milly! (Don't wanna forget Milly!) Aaaw and directly back to bantering!

Hehe love that face

awww and he would have loved to be fighting his way out of messes with these two together!

Vash was utterly betrayed in this moment.

Can we get a character song where Vash sings this in Stampede, please?

24h live emergency broadcast? Phew boy Vash is not getting ANY rest.

Many familiar faces! That one older boy, I wondered if that could be Kaite from the sandsteamer? And nice to see that the guy Vash and Wolfwood beat the shit out of at Lina's is still holding up to his promise and protecting the place now (and serving drinks as it seems). Then of course Livio!!! Being at the orphanage, next to Wolfwood's grave...I'm sure he's protectig them like nobody else could, being the best big brother to them all they could wish for. (I have to say I loved his short hair look but long hair works too) And we can spot Chronica...the Nebraskas and Brad and Luida! And, I love the way Vash starts from being exasperated to running to laughing. Has he missed this? Maybe!

Running into the far horizon....

And we're here, throwback at one of the very first pages of Trigun with the same line "And the same song of humanity still sang".

What an ending, huh? I really liked the ending..it's kinda started like it has begun, with Vash running away again. A bit like a circle, but in a way, that's the theme. Because at it says "the same song of humanity still sang" - some things don't change, humans will always be humans and will always hunt Vash down for the bounty (with the extra now that there are a lot that do LIKE him and want to know what he's at, knowledge which Meryl and Milly can provide). It's such a dark and serous manga, and to end on such a light note, with a really humour-filled last chapter, to me it transports the feeling of hope. The first time I read this it moved me so much. And it made me tear up not because of sadness, but because the ending is so hopeful, so good despite everything that happened! And the fact that Vash manages to get back up again, running and smiling, while he suffered so so much throughout the whole series...isn't that a wonderful thing? To not lose your smile after all that? Isn't that the most difficult thing maybe, and he still manages?

I wanted to add some final thoughts about the manga, but I don't really know where to start? I don't have any specific thoughts, and if I get, I might make an extra post...but I just want to say how much I love this series. I read it around february the first time and was instantly flashed. It turned out to be a completely different story than I had expected. It turned out to be very confusing at times (esp. because I read the Dark Horse translation which sometimes lacks in context in the dialogues) but I STILL loved it to bits. And it's maybe now one of my favourite series if not the. It's hard to compare different mangas and series, but when I'd had to decide for one where the theme moved me the most, is interesting, where the characters feel alive and tangible, where everything feels so round and like a story that was exactly written down as the author intended and not a bit shorted or altered, where you can feel the passion in the art...man it's just this one. That doesn't lessen the impression other series have on me, but it just means that this one stands out SO much that I can always go back to it and will always love it. And, when I said it turned out completely different than expected, I especially refer to the ending. And I also want to point out what I pointed out in a post earlier, about Vash having to kill somebody, about the fact that I don't think this story is supposed to preach us any moral, any higher ideal...it just tells us that nothing is easy, people are complex, decisions are complex and fucked up stuff happens. And despite all that, you can STILL choose kindness. It's a story that sounds like it's being told exactly like it happened. Nothing is put in a better light, and the bad guys are not put in an extra bad light.

What we take from that is up to us.

[vashtijoy]

"why not join me instead?" akechi's "invitation" in conf 7

People come and go on whether this question of Akechi's is genuine or not. Opinions run the gamut from "I hate him for trying to take you away from your friends" to "Akechi wants Joker to be his accomplice".

Myself, I don't think Akechi means this as a serious question, for a number of reasons. I think this question is rhetorical.

Quick summary:

Conf 7 illustrates the similarity between Joker and Akechi, and that they're both committed to the showdown between them;

Rather than being an invitation, Akechi's question again illustrates that parallel—that neither of them will give up the things that matter to them to join the other, as Joker has asked him to do;

"I'll think about it" does not count towards the third awakening—and I can prove it. Rather, Akechi can't conceive that Joker would ever abandon his friends, and uses it as an outrageous example of something Joker would never do;

Joker's loyalty not only to his principles but to his friends is something Akechi values so much that he won't let Joker sacrifice it;

Akechi is not so much offering Joker a way out in conf 7 (there is no way out) as he's confirming for his own sake that Joker is still in the game. Is this still a battle between rivals, or is it an execution?

Let's take a look.

what is akechi really asking?

[long post is long]

Look at this line. Look at the question he's posing:

Akechi いっそ君がこっちに来るってのは?⋯今の仲間を捨ててさ。 isso kimi ga kocchi ni kuru tte no wa?... ima no nakama o sutete sa Why not join me instead...? All you'd have to do is abandon the teammates you have now.

It's very easy to focus on the first half of this question and miss the second. But that second half is the important part, the sting in the tail. The Japanese is a great example of wa building suspense: "Instead, what if you come over to my side, (AND THEN WHAT, AKECHI???????)"

The sentence is left hanging, with the weight of it unspoken (since wa emphasises what comes after it); Akechi is obviously not done speaking. And indeed, when he continues, it's a doozy:

"though, of course, you'd have to dump the friends you have now." (Yes, I think "friends" is often a much better translation of nakama than "teammates", fight me; it's even often translated as "friend" in P5 itself, or indeed, awkwardly, as "teammates and friends".)

Akechi is using the same verb, suteru, that you use for tossing something in the trash; the parallel meaning, "ending a relationship", exists in Japanese too.

Ryuji, Morgana, Ann, Yusuke, Makoto, Futaba, Haru, everything you've all gone through together and everything you've been—Akechi is suggesting you toss them aside like garbage. For him.

Now, I think part of Akechi would very much like Joker to do that. But he also knows better than to expect it. Because he knows Joker so much better than that.

Akechi has seen firsthand how loyal Joker is to his friends—remember on 1/2 how he says he investigated them all? He's seen some of the things Joker will do for them. He expects that blind faith to lead Joker to his death, much as Yaldabaoth does. But he also respects it.

This boy who's never had a friend, who's convinced himself the whole idea is stupid, is still drawn to the loyalty he sees in Joker. Even as he's preparing his own ultimate betrayal, Akechi recognises Joker's commitment to others. He understands treachery is bad, even though he himself is a traitor—just as he understands that murder is bad, and that doesn't stop him, either.

This question of whether or not Joker will betray his friends (and Akechi specifically) comes back on 2/2, of course—and in force.

so why does he ask

Akechi is not proposing that the two of them run off together. He's not asking to see what Joker will say. He doesn't impulsively make the invitation, and then run away when Joker says yes. He is, in fact, not even asking. He poses the idea of Joker abandoning all his friends as a counterexample. It's supposed to be something Joker would never consider, something he will find morally repugnant.

Which is why, if Joker says yes, Akechi is shocked, and essentially tells Joker not to make such stupid spur-of-the-moment decisions. Akechi is making a rhetorical point about what Joker is asking of him.

Remember Joker's statement that leads into Akechi's question:

Yeah. Joker either suggests that Akechi should give up everything he's doing and everything he believes in (even as Akechi confabulates about what those things really are), or he suggests, with the top option, that he's already done it.

And in return, Akechi says that Joker should join him... and throw away his friends and everything he's working for and everything he believes in, of course.

It's the second response to his question, where Joker turns him down flat, that makes it most obvious that this was what Akechi meant:

Joker それは無理だ sore wa muri da I'm not doing that. No way in hell. Akechi だろうね。 darou ne I thought as much. Akechi 分かるだろ、誰だって今の立場を簡単に捨てられやしないんだよ wakaru daro, dare datte ima no tachiba o kantan ni suterare yashinai n da yo I'm sure you understand. We all have our parts to play, and we can't simply leave those behind.

See what he's saying? ima no tachiba o kantan ni suterare yashinai—"we absolutely must not lightly set aside the positions we hold now".

Incidentally, yes, that's that same verb suteru that he used before, for casting aside or throwing away. Akechi is drawing a parallel between Joker's friends and his own goals—between the things each of them holds most dear, which neither of them will sacrifice, even to save the other. (Assuming you think Akechi would even be down to save Joker—but I do think conf 7 suggests that at this point, he might not be opposed to the possibility. It's just that it doesn't exist.)

the phone call

This parallel returns in the phone call afterwards, if you again tell him that you're rivals:

It's a little hard to tell from the localisation what Akechi is getting at, so let's take a close look:

Akechi 僕らにはお互い譲れないものがあって、そのためにも負けられない。 bokura ni wa otagai yuzurenai mono ga atte, sono tame ni mo makerarenai [lit. for both of us, these are things we cannot compromise on, and because of those things we cannot suffer losing.] Neither of us can afford to lose, because we fight in service of our principles. It's the same for both of us. Neither of us can afford to lose, because of these principles we won't concede. Akechi ⋯だからこそ、もしも君が自分を曲げたりしたら絶対に赦さないよ。 ... dakara koso, moshi mo kimi ga jibun o megetari shitara zettai ni yurusanai yo [lit. that's exactly why, if you were to warp yourself [that way], I would absolutely never let such a sin (t/n: note the kanji) pass.] And that is precisely why... I cannot allow you to change. ... And that's precisely why, if you betrayed yourself that way... I couldn't allow it. Akechi だって、僕が負けたくないのは『君』なんだから。 datte, boku ga maketakunai no wa "kimi" nan da kara [lit. it's you as you are now who I do not want to lose to.] As you are now, as you think now... I cannot allow you to win over me. The person you are now, with those principles, and that determination—that's the one I won't ever allow to beat me.

Here's my attempt at a translation again, so you can see it all together:

Akechi: It's the same for both of us. Neither of us can afford to lose, because of these things we won't concede. Akechi: ...And that's precisely why, if you betrayed yourself that way... I couldn't allow it. Akechi: The person you are now, with those principles, and that determination—that's the one I won't ever allow to beat me.

It turns out that this phone conversation, that was originally quite mystical-sounding and hard to follow (what were you trying to say, Akechi?) is quite straightforward. It ties into to his original question. "Will I join you, Joker? Well, what if you join me instead? Just throw away all your little friends for my sake? Of course you won't—because we're the same. Both of us have things we can't give up, no matter what—and if you tried to do that, I wouldn't let you, because I value you as you are...."

This parallel between the two of them is what conf 7 is about, from the text message that opens it to the phone call that concludes it:

It's the same thing again: neither of you can afford to lose, because you're fighting for your principles. The billiard table is the stage for this wider discussion.

The billiard scene, of course, is interesting for another reason—Akechi is giving Joker a chance to back out; he's testing his commitment, and perhaps hinting that he never intended to be quite where he is, either. He states at the outset that he's being indirect, that what he's saying is a metaphor—and then closes that metaphor with a very direct question: "Do you still intend to play this game?"

Akechi それでも君は、��のゲームを降りる気はないの? sore demo kimi wa, kono geemu o oriru ki wa nai no? Even then... do you still intend to play this game? But despite all of that, you still won't fold, will you?

The Japanese is even more specific: Akechi asks Joker if he intends to fold—not whether he still wants to play, but whether he means to give up entirely! "This can't be what you expected, so how about it? Will you just give up? Does this mean as much to you as it does to me? Is this a game we both choose to play, or are you just a victim?"

How much of this is Akechi blowing smoke up his own ass?—casting the fact that he's about to murder the boy in front of him in a glowing, romantic light? Pretty much all of it, I'd say. He's dreamed of having a rival, someone to compete with who challenges him, but what he's got is quite a bit more than that.

Again, the rival imagery is what allows Akechi not only to accept this close relationship, but to frame it as a life-or-death contest that only one of them can win. It confirms to him that what Lavenza describes as "a truly unfair game" is actually fair. It's about making Joker's murder seem as much Joker's fault as his own.

but what happens if you say yes?

Despite all of this, you can choose to have Joker consider Akechi's "offer"—to discard Ryuji, Morgana, Ann, Yusuke, Makoto, Futaba and Haru like trash, and assist Akechi instead. It's tempting, I know.

I don't personally get the impression that Akechi likes this response, for a number of reasons. None of the three responses to his offer score confidant points, but there's something else in play: only one of these responses unlocks his third awakening.

See the F code highlighted in yellow? Only one of these three responses has it. "You're my rival" counts towards the third awakening. Rejecting him, with "I'm not doing that", does not—but more to the point, offering to be with him, with "I'll think about it", also does not!

The issue is confused because a number of us have taken option 1 (or indeed option 2, like me) and still got the third awakening on 2/2. It seems like you need some of the flagged responses, not all of them. But it remains the case that "I'll think about it" does not make Akechi more likely to have his third awakening.

What happens if you take this option?

Joker 考えておく kangaete oku I'll think about it. Akechi へえ、考えてはくれるんだ? hee, kangaete wa kureru n da? Oh? So you'll think about it, at least? What? You mean you'll consider it? Akechi ⋯でも、そういうその場限りの情はやめた方がいい。 ...demo, sou iu sono ba kagiri no jou wa yameta hou ga ii ...But I'd advise you don't say these things without their due consideration. ... Still, it would be better if you didn't trust such fleeting sentiments. Akechi 出来もしない約束はするものじゃないよ。 deki mo shinai yakusoku wa suru mono ja nai yo You shouldn't make promises that you can't keep, anyway. Don't be the sort who promises the earth and walks away.

A few grammar points:

んだ n da on a question demands an explanation; Akechi's question could almost be rendered "Why on earth would you need/want to think about it?"

そういうその場限りの情 sou iu sono ba kagiri no jou—"sentiments that only matter here and now". Essentially, "sentiments that won't last"—or that are makeshift or ad hoc; Joker is making a stupid spur-of-the-moment decision.

yes, 出来もしない約束 deki mo shinai yakusoku translates idiomatically as "promising the earth". The point is not that Joker should not promise; the point is that he shouldn't be the sort of person who promises so much—and then doesn't follow through.

Again, this confidant is all about Akechi's expectations for Joker. It's about the weird belief he has in him, like the belief he has in Shido—that Joker has principles and friends and will stand by them, that those things are important and matter, even if they're diametrically opposed to Akechi's principles and the things he wants.

The fact that they foil each other in this way is a large part of what makes Joker such a worthy opponent for Akechi. So if Joker turns around and says, sure, Akechi, I'll dump all my friends so we can make out?

Akechi does not like that. He thinks better of him!—he loses respect if Joker offers this. Even if that little line about "promising the earth" suggests that, actually, yeah, he would quite like for the two of them to run away together—if only they lived in a world where it was possible.

what about "you're my rival"?

I've discussed this line before, but let's go into it for completeness.

Joker 明智は好敵手だ akechi wa koutekishu da You're my rival. Nah, you're my worthy opponent.

Do you see that Joker names Akechi there? He doesn't just say, "we're worthy opponents", or even "you're my worthy opponent", koutekishu da yo.

No, he picks Akechi out by name, and then tells him exactly what they are to each other. Because wa builds suspense. Akechi wa... (what?! what is he?!) koutekishu da. "I can't run away with you, because I need you to be this to me instead".

And this is the line with the F-code. This is the line that, if you choose it, will build towards Akechi's third awakening—which is centred on his trust in Joker, on the fact that Joker is worthy of that trust.

And how does Akechi respond?

He's astonished. He did not expect this at all, look:

On the left, the top screenshot where he's waiting for your answer; in the centre, the moment of shock, where he's pulled away and dropped his hand and his eyes are wide; on the right, a comparative overlay just to demonstrate that he pulled back.

smiles that aren't smiles

I have a half-assed theory that you can tell when Akechi is really smiling—because the model will smile with him. If you watch, for instance, Ryuji, the model's expressions match the sprite's almost exactly. But if you watch Akechi? Nah, not so much.

Here's an example. Akechi appears to smile quite often through conf 7—but if you glance away from the sprite and textbox to the model, the model is pokerfaced. Five smile sprites on the optimal route through conf 7, and not one of them—not even "you truly are fascinating"—matches the model:

But when you pick "You're my rival"? Suddenly the model's face springs to life:

It's obvious from everything else that this moment is of deep significance to Akechi. But this little detail with the smiles suggests we can confirm it.

and what does he say?

It doesn't take long for him to pull himself together:

Akechi 同意だね、僕らにはなれ合いより対等な関係こそふさわしい。 doui da ne, bokura ni wa nareai yori taitouna kankei koso fusawashii I agree. I think a relationship of equals suits us better than being co-conspirators, anyway...

This is another one that I find unclear in the localisation, so let's have at it.

nareai suggests an illicit or unduly-close union. It suggests "being in bed together" in the business sense—cosying up, colluding, conspiring. It suggests they're working together when they shouldn't be. Jisho uses the screamingly-outdated term "common-law marriage" (what we call "living together") as an example. Essentially, it suggests they're too close—or even co-dependent, in a way that corrupts them both.

In short? Akechi's "co-conspirators", nareai, means "accomplices"—what we might call "murder boyfriends".

taitouna kankei—literally, "an equal relationship"—is a set phrase, and we know what it means. It suggests a relationship where nobody is being cheated; where everyone gets out what they put in. Where the two of them compete on equal terms.

That's a very Akechi way to look at relationships. But it's also a relationship where nobody is in charge; nobody is dominant, and everyone has self-respect. Nobody is chasing after anyone or sacrificing unduly, as either would be if they joined the other. Everyone can be who they are and say what they want. Everyone can say no.

It's the sort of relationship Akechi very notably does not have with Shido. Is it the sort of relationship he has with Joker, when the two of them are hiding so much from each other and lying so much, and there's so much, like, murder going on? Nah. But as an aspiration, as a suggestion of the sort of relationship Akechi would like them to have, alongside everything else he's told us about how he sees the two of them—as similar, as equals and opposites, as bound by their principles, as destined to fight—it's almost touching.

and what does joker think?

Akechi ⋯たとえこの先、何があろうともだ。 ...tatoe kono saki, nani ga arou tomo da ...No matter what else may change. ...No matter what might come next. Akechi それだけの事を言ったんだから、逃げないでよ? sore dake no koto o itta n da kara, nigenaide yo? In any case, what you just said carries great weight. Remember what you decided, and don't run from it. All right? [lit. don't run away just because of what [I/you] said, all right?]

I'm not sure about this. It feels like it should be referring back to Akechi's last line—"don't get cold feet and run away just because I alluded ominously to whatever's coming next, okay?". I guess it could be referring to Joker's commitment, with "You're my rival"? IDK, I'm out on this one, so I'm inclined to give the localisation the benefit of the doubt.

But it doesn't matter. Because the significance of what Joker does next doesn't change:

He nods. Akechi spends the whole confidant hinting that something ominous is coming, and that the two of them are heading to an inevitable confrontation, and Joker nods.

I don't think this is really consistent with interpretations where Joker is a meek little sheep in the interrogation room. Joker might not have chosen this, he might not have wanted it, he might have by far preferred to avoid it. He'd happily back out if Akechi would just drop the whole thing and agree to act sane. But he's committed to it. He agrees to fight.

Remember, conf 7 takes place after Joker hears the murder phone call. He knows what Akechi is. He knows what he's planning. He knows the stakes—and he agrees to play, to face Akechi down.

To quote @nardaviel, that's no sheep. That's a full-on "Phantom Thieves win again, motherfucker" smirk. Joker played Akechi's game, with everything he had—and he played to win.

[goldkirk]

hey this isn’t aimed at anyone in particular but I’m saying it for the record here: if I tell you no, please stop messaging me about fundraisers and mutual aid.

I get enough messages that it’s impossible for me to keep up without devoting at least half an hour each day, when I’m not even on tumblr that long most days. Me having a boundary about this isn’t a moral failing, it’s a lifeboat for me on my own blog.

In my personal life I’m already advocating and donating literally as much as I can spare. This is not me not caring, it’s just me not willing to interact with that on the one place I go online to not interact with irl news and world events for the most part.

I cannot be upset all the time. I cannot be upset everywhere. I cannot use all my emotional and mental energy fielding my own upset from ongoing events. My options are to hold boundaries about this or stop coming online at all.

I’m all for sharing information and signal boosting to reasonable extents, but the scale of it this year is so large and so enduring that it is literally not possible to for me to participate on every account I have. I’ve previously shared links to Gaza eSIM donations and a major hub of verified Go Fund Mes here and elsewhere online. We, the online humans, know how to look those things up ourselves by now. There are many, many people choosing to do advocacy work, and right now, I can’t be one of them.

If you’re extremely upset when I tell you I can’t share/donate right now about a Gaza family or personal fundraiser you ask me to share here, just unfollow and block me. That’s what those buttons are for. Protect your own emotions and energy and get me off your feed instead of staying upset and continuing to engage with online people or content that upsets you.

Please don’t send repeated angry messages based on manufactured purity politics and moral outrage into my messages and inbox when I exercise the right to run my own blog.

[dazais-guardian-angel]

Chapter 110 is 13 pages long welcome to hell!!! so in a lot of ways this is just more fuel for a theory that I've had for a few weeks now, that's only gotten stronger with each recent season 5 episode, which is that the last episode of the season is gonna end on 110, and that Asagiri/Harukawa and Bones have been collaborating to make this happen, specifically because it's a major turning point that would be the only good place to end the season on.

When we started getting especially long chapters again (like from 25-35ish pages, with the exception of 107.5, the last two being some of the longest we've ever had), at first I just assumed that Asagiri/Harukawa got freed up from some other obligations they'd been having to cause the extremely short/half chapters, like promotional stuff for the anime/Beast movie, or working on light novels. But then 109 happened, with the "supposed" death of Dazai, and heavy emphasis at the end on how literally everyone is at their lowest point right now, and I got to thinking. 11 episodes is a strangely specific number for an anime season -- why not 12, or 13, or even 10, like you'd usually see? Why have we gotten suddenly gotten two 35 page chapters out of nowhere, that's almost unheard of at this point? They're both beautiful chapters, don't get me wrong (as always), and maybe A/H simply just didn't want to cut them in halves because they felt like the full emotional impact wouldn't hit/that there were no good cutoff points in them, but you can't deny that it's surprising, after all the shorter chapters we've been getting. Why has the anime been going at such insanely breakneck pacing for the most part ever since around the Sunday Tragedy chapters, even more so than it has in the past? So much so that it feels dangerously close to overtaking the manga?

Well, maybe, just maybe, it's because..... Asagiri decided a long time ago that whatever happens in 110 is the only point that feels "season finale"-worthy enough, in an arc that still isn't anywhere close to being completely wrapped up, and so both the manga and the anime have been specifically coordinated to reach that part within 2 and a half weeks of each other?

I've seen a lot of people now think season 5 will end with 109, and as much as my sadistic side would find that hilarious, I honestly don't think they'd do that and realistically don't want it to happen; it'd be so cruel to cliffhanger the anime for years like that, and just doesn't feel like a season cliffhanger BSD would do, a series that is ultimately hopeful and uplifting. Seasons 2 and 3 had a positive, conclusive ending; the only reasons seasons 1 and 4 didn't was because they're technically not really full seasons of their own, and are more like the first cour of another "season" that also came out that same year (seasons 1 and 2 both aired in 2016, so they're more like one big season, and seasons 4 and 5 have both aired this year, so they're also more like one big season, again taking into account how episodes 12 and 50 are not satisfying finales like episodes 24, 37, and hypothetically, 61, are). I really can't see season 5 ending with Dazai and Fukuzawa's supposed deaths, Sigma being unconscious and maybe close to death, Atsushi being vulnerable and limbless again, everyone we love still vampires, and the entire world being basically doomed; that's just too depressing and not like BSD at all. However, having said that, if it doesn't end there, there really isn't any good place to end the season before that, either, that feels in any way satisfying or like a finale at all. And so, to me, that only leaves after 109: chapter 110.

I think things are really gonna turn around next chapter. Like I said, everyone is at their lowest point right now, it cannot possibly get any worse, the framing of Dazai, Fukuzawa, and sskk at the end of 109 is telling us that; this is the time for the heroes to finally start winning again, with Aya being so close to pulling out the sword, and for all the thematic reasons other people have talked about to death that I don't need to go into here again. This upcoming chapter being so short again makes a part of me wary of 110 being "the one", so to speak, I won't lie, but at the same time, it's very possible that it needs to be that short because that's all the final episode of the season will be able to reasonably fit in, since it's already gonna be VERY close if they do make it all the way to 109. And at the end of the day, I don't doubt at all that Asagiri and Harukawa can make these the most monumental and game-changing mere 13 pages ever if they wanted to; a chapter does not at all need to be extremely long in order to be an important and impactful one, even if short ones we've gotten in the past haven't felt the most important.

An additional thought I've had, though this is much more crack territory than all this already is, is that since we know from Anime Expo that a Stormbringer movie at some point is highly likely (judging from Asagiri's reaction when someone brought it up), it's possible that chapter 110 and thus the final episode will involve the long-anticipated return of Verlaine and/or Adam, or at least some other major reference to Stormbringer, that would naturally and smoothly lead into a Stormbringer movie to explain things to people who haven't read the novel. It would make a lot of sense, especially since the s4 OP has the Old World sign behind Chuuya, which might be a hint that this has been in the works ever since seasons 4/5 were first in planning with Asagiri. We also know that Dazai and Chuuya's voice actors apparently struggled to record their lines together this season, which probably relates to 101 and possibly 109, but it could be 110 too.... I could be very wrong, as I'm no expert on this kind of thing, but I kinda doubt they would bring Chuuya's actor in for just the vampire growls, and Asagiri placing heavy emphasis on Chuuya's importance this season in that one interview gives me the impression that he's talking about much more than just 101/109. But that's the least solid evidence I have, that's just mostly based on vibes I get.

So basically, I think a lot of factors -- the unusual episode count, how close the anime is to catching up to the manga with three whole episodes left, the seemingly arbitrary recent chapter lengths, and the climactic events of 109 -- can tell us that 110 might be a very, VERY big deal. Again, there's of course no way this arc is anywhere near close to being finished, with so much left to address and resolve, but since it is currently incomplete in the manga, unlike the previously adapted arcs, if the anime was going to adapt it at all, they'd have to find a place that feels satisfying enough to end this season, knowing there won't be more anime for a long time after this, and so I think they specifically planned for that, from both Bones' and A/H's sides. 10 episodes might not have been enough to reach that point, but 12 or 13 might have been too many it wouldn't have been if Bones actually decided to slow down and let the story breathe the way it needs to, but this post isn't meant to criticize the anime, so maybe 11 was just right. And maybe Asagiri and Harukawa specifically pushed to make recent chapters longer than usual, in order to make sure that the manga reached the story content in 110 the monthly release right before season 5 was to end.

Is this just copium? Absolutely. Am I going to look like an absolute clown in two days when this post ages like milk? Probably. But the evidence is There, so let me just enjoy my delusions until Sunday, okay 🥂🫡

[jonsnowunemploymentera]

As far as character progression goes, I'd argue that the most important aspect of the RLJ reveal isn't just Jon learning that he isn't Ned's son. The most important part is him learning that he isn't Ned Stark's bastard son. He's spent all his life chasing after Ned's shadow, trying to prove to himself and to the world that he is worthy of being Ned Stark's son, "let them say that Eddard Stark had fathered four sons not three", “he was not a Stark but he could die like one” and all that. He's internalized the shame of being the one stain on honorable Ned Starks' reputation

“But it’s a lie,�� Jon insisted. How could they think his father was a traitor, had they all gone mad? Lord Eddard Stark would never dishonor himself … would he? He fathered a bastard, a small voice whispered inside him. Where was the honor in that? And your mother, what of her? He will not even speak her name.

So it's important for him to finally stop chasing after that elusive shadow. It's important for him to understand that Ned's dishonor was a deliberate choice that he made by himself, and it's thus no fault of his own. Once Jon internalizes that, then he can finally move on and ask himself, who am I? What do I want for myself? What can I be in this world, just as I am? So far, he's been unable to do that successfully because he still has an incomplete (and false) understanding of who he is.

[snallavanta]

woozi being the one saying "just trust me once baby, i'll never let you down baby" hits different after everything they've been through recently

[starheirxero]

Sooo, I thought about Lunar going He only hit me once about Eclipse, and stumbled across this really cool tumblr Blog talking about it

https://www.tumblr.com/annakenziesworld/750845019184922624/eclipse-only-ever-really-hit-me-once?source=share

I wanted to show you the angst, like a puppy shows it's owner a cool stick it found

Me to Lunar: Why the fuck you lying, WHY YOU ALWAYS LYING🎶

YEYSYESYYES I SAW THAT !!!! I've been thinking abt it sm since I saw it actually bc, while it was likely just a case of "it happened so long ago we forgor what happened", it can 100% be interpreted as Lunar repressing most of the memories from that time and only remembering the most "major" event and it's so fascinating to me! Bc like, I've thought it was weird they said he only hit them once too, bc I've always distinctly remembered Lunar telling Moon that Eclipse hit him twice!!

But as the clips show, honestly, it's a good bit over twice!! It's just probably likely that Lunar didn't clock it as anything notable or important because Eclipse just... kinda always treated them like that. They remembered the two hardest hits because those were particularly upsetting, but everything else just blended into the mix of "shitty ways Eclipse treats me." yk??? And then over time, more shit got repressed or forgotten, and they can only remember the day in the cafe.

Like again I know it's very likely entirely accidental, but it ended up being a pretty solid way to show memory issues via trauma! And that's not even accounting for the fact that depression (and their retconned ADHD 😔) can also cause memory problems!! So this little blunder can be attributed to their fucked up mental health in-universe which is both cool rep!! but also breaks my heart over Lunar so much BSJABSJS

[lae-zels]

mr house never being able to replicate his courier six because they never let him scan them, so all he has are a few shoddy recordings he took to recreate the courier from. his replicas of courier six are flawed: none are as perceptive, resourceful and proactive. they aren't good at out-of-the-box thinking or improvising. their problemsolving, diplomacy skills and technological innovation ideas fall short of the original and are just another disappointment every time. they end up hollow shells like jane, marilyn and victor. letting new vegas go, ruin itself in pursuit of recreating his perfect right hand again, hope for another fruitful partnership and bright future of the mojave like they did before is so delicious it makes me sick actually send tweet ✌

[triglycercule]

What do you think the types of drunk would the murder trio be? Im pretty sure ask dusttale already answered this question about dust but i have to ask the mtt expert

see now askdusttale DID answer the question. but they didn't ANSWER the question when asked what dust is like drunk. they just said that dust is the type to drink himself blackout drunk. so that mean i have total freedom on deciding what the mtt are like drunk hehehe (rubs hands together in a villanous way that you would imagine nightmare doing or something idk)

i already have an absolutely hilarious idea for horror and it might just because i'm on the guilt section of his character analysis but i could TOTALLY imagine him being an emotional drunk. like he CRIES. horror sans man known for being incredibly guarded and private with what he feels bawling his eye out. he gets mad he gets sad he does not get happy because horror doesn't have the right to be happy. he is too upset over the fact that he fucking DOOMED all of horrortale because of his selfishness and nothing can stop him from being incredibly vocal about that fact so much so that killer had to tape his mouth shut because he wouldn't stop crying so loud. and then he just silently cries until he passes out from exhaustion. the alcohol has an incredibly strong effect on him because i dont think he would drink regularly plus he definitely hasnt drinken anything in those 7 years of starvation. it hits like a fucking plane crashing into him. or like getting his eye taken out again. either one!

another funny idea i had for killer would be like the alcohol affecting him but he SWEARS that he's still sober. he is very confused when he starts stumbling because wtf he doesnt FEEL drunk??? why is he bumping into walls and tables HELP WHY DOES HE SOUND FUCKING STUPID???? the alcohol is definitely effecting him but he swears he swears he doesn't feel drunk. hes not drunk its just the damn body doing this stupid bullshit!!!! he's still very aware of what's going on and is basically the same as sober but just like. he's wiggly he's wobbly and oh shit he just fell head face first into a tv whoops. he'd also have a high tolerance because just because. he can drink without feeling like shit until he just blacks out mid conversation with someone because his body couldn't take the toll of all the beer or whatever. hilarious idea triglycercule thank you triglycercule i know

dust in the context that we already know that he drinks AND he can fight against the human while like partially drunk.... i feel it would be kinda like a giggly drunk situation. except dust doesn't laugh at anything that's funny he only laughs when someone gets hurt or something. SADISTIC giggly drunk. because i can already imagine a half drunk dust laughing his ass off after killing the human and its a beautiful sight to me.

anyways imagine how it goes when you pair this sadistic giggly drunk with another that wont stop going through the 5 stages of grief and another that keeps on fucking falling over for no reason in his eyes. dream blunt rotation but the blunt is a bottle of vodka. i can already imagine it in my head and its fucking HILARIOUS. horror going on about how he caused the deaths of others and manipulated and tricked papyrus while killer is just trying his best to keep his eyes open because for some reason they won't stop trying to close. he is surprisingly getting frustated. dust has long since lost his voice laughing at this and he's just silent wheezing at everything. also phantom papyrus is only making the laughter worse because he keeps on making rude comments towards horror and killer and only he can hear him and its guffaw inducing. mtt amazing friend group you dont get shit like this anywhere else

[docholligay]

It is so hard for me to just let go of tasks I've delegated and I am being so so brave right now.

[cherry-treelane]

everytime i feel bad and stressed about my life i remember that i might be in a troubling situation and having a bad time but im not season 4 fiona gallagher in the clink after leaving crack on the counter which my 3 year old baby brother happened to ingest resulting in a fatal near-death experience thats wracked me with never-ending guilt and forever altered my life

[carpathians]

also beaver hollow makes me so insane for. real reasons but also for reasons i entirely made up. tbh

[itspileofgoodthings]

I was teaching Ophelia’s death scene this week and one of my classes spontaneously giggled when she died (because they are 16 years old and emotionally immature) and I said, in a shocked voice, “it is NOT funny” and they all insisted that it was and so I let it go but then the next day I showed them some Ophelia art, made them think about how sinister it was that her death happens offstage but is still described in such detail for the viewer, which tells us she was WATCHED but not HELPED as she died, and then played a clip from Branagh’s Hamlet of Kate Winslet singing a mourning song for her father and when I tell you how satisfying it was to hear a total and complete hush fall over the room

[wellhalesbells]

i desperately need to know what "troll the respawn jeremy" is and also hi i love you and everything you've written 🤍 (i regularly go reread the classics because they make me Feel Things)

Okay, so, "Troll the Respawn, Jeremy," is 1) a quote from Unbreakable Kimmy Schmidt and b) the fic I've been trying to finish in time for Halloween for like.... years now. I cleverly only remember it exists in September, add a few thousand words, subtract about a thousand even, and then inevitably fail to finish in time. It's a great system, like, absolutely no notes on that, obviously. You're killing it, brain!

I'm honestly not sure how the thought originated in my head now but I do know the prompt for it was nothing more than 'zombie!Stiles' essentially. Stiles dies and the gang brings him back and he's... not quite right. The memories are there but his emotions aren't so he's rebuilding relationships, morality, and the everyday in this new framework where the only thing to stop him being awful is essentially if it's more work or not.

When it's not dark humor, it's actively silly. There's a lot of Stiles building bonds with Erica, Boyd, and Isaac, since he wasn't very close to them before he died meaning they have the least expectations for how he should be behaving. It's a lot of Pack, figuring out how his relationship with Scott is going to evolve and Jackson coming back and Peter's curiosity naturally being piqued by this less self-righteous version of Stiles and he and Stiles and Boyd watching soap operas together because of course they would.

It's a fun one and a humorous one, even with Derek pining in the background and Stiles having to decide what his emotional responsibility for this person is and if he should be the one to police his choices or not. Because, well, there has to be twisted psychology in there, right? It's a resurrection fic, dammit!

It's also a lot of making Derek do the work too, which I like - especially when I have a good reason for it, because Stiles is all path of least resistance, so these people want him, care for him, would like him around and so he would like to be around and preferably in a way where no one's commenting on his behavior so everyone's trying to help him build boundaries, want the right things, do the appropriate action, etc. So Derek's figuring out in real time what Stiles' motivations are and learning to work within them and having exchanges like:

D: "We can’t keep fucking if I die.”

S: “Unless I bring you back.  You might be more fun that way.  Less with the frowny face probably.”

D: “Sounds like a lot of work for you.”

Same kind of thing with making monogamy something Stiles might want by framing it in a way that's appealing specifically to him. It's interrogating in a lot of ways what's necessary to make a relationship work. My little ace brain has questions and this is the only way I know to get answers, okay, LOL

Snippet(s):

“You gonna get all deep and philosophical on me?” The church is a tiny one and Stiles had only ducked inside to avoid, well, everyone.  He hadn’t expected Boyd would follow.  Truthfully, he doesn’t expect a lot of what Boyd does.  He hadn’t thought about him much before he died and even less after. Follow he does though, settles into the pew ahead of and at a diagonal angle to him.  Feet up on the wood next to him, arm stretched out over the back so he’s facing Stiles rather than the front.  Like he’s expecting Stiles to offer the sermon tonight. Stiles blinks at him.  “No, I don’t think so,” he says, when it dawns on him: “Should I?”  He doesn’t know a lot about being dead, having only done it for a short time, but if he’s meant to start spewing revelations, or even Revelations, he’s willing to give it a try. “I’d prefer you didn’t,” Boyd says in his lazy tone of voice that seems indifferent to most everything around him.  Stiles likes that; it sounds like he feels.  “What are you doing here then?” “Isaac was around here.”  It’s close to where he works, this little abandoned site of holy ground.  And Stiles had kind of wanted to see if he’d taken on any vampiric dead-guy traits and couldn’t cross the threshold.  He doesn’t know what the new rules are, and is starting to suspect there aren’t any.  Which is about the most horrible thing he can think of.  “Then his boss called, and he wasn’t, and I was bored.  What are you doing here?” “Keeping an eye out.”  The way Boyd says it, it sounds like, ‘figuring out how many things are wrong with you.’ “Think I’ll start eating brains?”  Stiles is genuinely curious as to what the theories are.  Wants to see if any match up to his own. Boyd shrugs.  “Do you want to?”  He sounds genuinely curious too. Stiles shrugs back.  “I don’t have any moral qualms about it.  But it seems like a lot of work and there’s just pretty much no way they’re as good as Flamin’ Hot Cheetos, right?  It’s a bone-saw and blood and innards versus opening a plastic bag.”  He weighs them in his hands.  “That’s not even a hard decision to make.  If I am a zombie, which I’m not conceding by the way, then I’m a zombie with some serious dietary deficiencies.  I require processed foods, stat.”  Boyd seems to consider this, then decides, “Cheetos would be good.”  After a second, he adds, “I have Runts in my pocket.” Stiles jumps over the back of Boyd’s pew and lands hard near him, says, “Then break ‘em the fuck out, man.”  Stiles steals all the banana pieces spread out on the bench between them, and relinquishes the cherry ones as penance. They don’t talk.  It’s not half-bad.

(Angstier) Snippet #2:

“You’re not you,” Derek says gruffly, not meeting Stiles’ eyes when Stiles lowers his head and looks at him straight on.  Derek and Stiles’ dad, they just can’t ever seem to get there.  Derek says it like he thinks this is why Stiles is here and wants it out of the way.  So Stiles won’t be here any longer.

“Not entirely,” Stiles agrees, tapping his fingers along the counter, the island a buffer between them.  “But the basics are all there, I’m just having a hard time accessing my,” he does a half-assed robot dance, “bleep-blorp-beep morality center.  I kind of think maybe because it just doesn’t exist anymore?”  He grins widely.  “Fucking cool, right?”

Derek stares at Stiles’ adam’s apple, glassy-eyed and blank, says without inflection, “What.”

Stiles slides into the stool at the counter enthusiastically and talks as much with his hands as with his mouth.  “I mean, okay, there’s action and consequence, right?  And arguably the biggest action and consequence: life and death, I defied it and now it’s like, I don’t know, I can’t appreciate that there are consequences.”  He rubs a hand over his buzzed hair, back and forth, back and forth, jolting himself back into the present moment with the spiky side, losing himself in his head when he’s not fighting its natural direction and his hand hydroplanes smoothly over it.  “I just don’t feel things the way I used to and that’s my best guess for why.”

It’s better than his second-best guess: that there’s still a part of him that’s dead, that the only part that ever gave a shit about any of these death-prone people/supernatural whoosie-whatsits didn’t come back with him.

Derek stares down into the depths of his cup, asks it, “Why are you hanging around Isaac?”

Stiles shrugs, staring more intently at Derek the longer Derek avoids his gaze.  He can see Derek’s pulse thudding in his throat, fluttering like it’s trying to escape confinement entirely.  There’s a heaviness to him that Stiles doesn’t think has anything to do with the sleep that’s still clinging to him.  He looks like the weight between his hands, cradling his mug, is as draining as holding up a bowling ball with just his pinky fingers.  “I’m fixing him,” Stiles answers succinctly.

Derek raises an eyebrow.  “Why?”

Stiles shrugs some more.  His gaze drifts down to the folds of the tank top over Derek’s stomach, he wants to flatten his palm there, smooth it out.  Derek looks so warm and defenseless, leaning against his counter, barefoot and weary, defeated and just waiting for someone to finish him off.  “Something to do.  Plus,” Stiles adds, sly and low, “I fix him, I know how to break him.”

“You want to… break him.”  It’s not a question, more like a naked declaration that wishes it were uncertain in the least.  Derek’s eyes are downcast and sad.

Stiles sighs, places his elbow on the counter, drops his chin into his hand and stares at the stubble on Derek’s cheeks, can practically feel the rasp of it against his mouth.  “I don’t know.  Something to do.”  He’s really not malicious, he doesn’t think, just easily bored and inherently curious about how other people work.  Since he doesn’t seem to.

Derek drops his chin against his neck and Stiles watches a slow breath move the weight of him.  He doesn’t ask for anything else, has no more comments to make, almost seems to be rejecting Stiles’ presence simply by virtue of ignoring it.

Stiles stares down at the island, lifts up his other hand.  It hasn’t left behind an outline of perspiration.  He rubs his dry fingers against a dry palm.  Stiles’ hands sweat; they’ve always sweat.

They don’t now.  Now.  Now everything is scorching, burning up sweat and tears before they can even make an appearance on his skin.

He lets out a gusty breath and says quietly, but without judgment, “You shouldn’t have done this.”

Derek’s eyes close, rim of the cup against his lip, expression pained.   “It was my turn,” he says softly into the steam.  Stiles watches him and Derek’s head drifts to the side before he wrenches it back, jaw tight, looking in Stiles’ direction but down at his chest now, where the scar tissue is resting under the cotton of his t-shirt.  “To save you.”

“But you didn’t,” Stiles tells him blankly, but not meanly.

Anyone watching would’ve thought it was an upper-cut though, the way Derek’s whole body rocks with the impact.  His eyes are closed again and he doesn’t look inclined to open them, not while Stiles is still there.  His hand slowly curls around the lip of the counter behind him, holds on tightly.  He still answers though, through some weird sense of debt or something else Stiles doesn’t understand, but he answers, says, “I know.”

Wip list is here!

[imabiscuitinthousandworlds]

so i googled my current favourite play that i'm absolutely obsessed with and ended up on the english wikipedia site bc my browser is set to english and. it's so bad. the fucking plot overview leaves out basically everything that happens ever except for the end result. several key figures aren't even mentioned. "this guy dies for freedom" well, yes, but actually no, plus you're implying his sacrifice is actually worth it. that's not true. in some other section a dude is mentioned who claims this play is basically star wars. that someone familiar with the play but not star wars could look at a star wars poster and tell you which characters are narratively similar/equal to characters of the play. i am baffled. i have never, not once in my life, ever seen someone be so wrong. dude must have read an entirely different play. i'm tempted to dig up the english version and read it just to see how fucking wrong he is. he is *so* incredibly wrong. jesus fuck. how could you possibly say that

[anglerflsh]

when will this bloody exam be over with I want to go to uni already!! Good Lord