#I can't win out here

[wastemanjohn]

Making a conscious effort to clear my ao3 inbox and throw back to this comment, friend I think you're in the wrong place 😅

[pa-pa-plasma]

I know the concept of more supernatural/paranormal elements is cool but it will never stop being funny to me that in every series ever, when a ghost shows up the main characters have to do rituals & research the history of the haunted item or house or even whole town & use specific items like salt & incense & talisman to banish the ghost all dramatically & supernaturally, but in Danny Phantom this kid just shows up with nothing but his fists, a thermos, & pent up aggression. put em the fuck UP, you ectoplasmic son of a—

[yache-berries]

Average Buddy Holly Enjoyers

[cementcornfield]

the thing i'm learning about being a sports fan is just.... you really have no control over this thing that you love so much and you've invested so much time/energy/emotion in! and that is so hard to accept! you can do all your little good luck rituals, you can critique the players and the coaching and the scheme to hell and back, you can learn as much as you can about how the game works....but it doesn't change a thing. all you can do is sit there and watch the players do the best they can! (and even then there's only so much each individual player can control!)

you just have to practice radical acceptance i guess! what's gonna happen will happen and you just have to sit back and enjoy as much of it as you can 🫠🫠

[vintageseawitch]

this is what i think of when third party voters go around acting morally superior because they don't want to get their hands dirty like the rest of us. they're toddlers having temper tantrums because instead of using the system in a way that could benefit them in the long term like the extremist Republicans have been doing for decades, third party voters refuse to participate in local civics & then claim the entire country is already fascist. they're so cute in their naivety if they think the US can't get any worse.

what the fuck do you think will happen if you try to protest against a government with a military as massive, lethal, & expensive as ours. who do you think will be sacrificed first? oh what's that? crickets? thought so. i'm a white woman but i will absolutely use my voice to point out leftists can be racist as fuck & the anti-blackness in your spaces can be absolutely fucking wild. not everyone leftist is white, but many that are can be pretty problematic.

if you think i'm selfish then fine. if you state that you would gladly exchange my life for a Palestinian like one of you said in a comment to me a few weeks ago then fine. i'm out here fighting to make sure the people who live here in this country don't experience our own Holocaust.

if you have a problem with people wanting to fight this while claiming you're anti-genocide, you're a fucking liar & a hypocrite. you won't know what the fuck to do in a true fascist country. i don't doubt there are pockets of fascism already existing here but you thinking it's already the worst it can be is as infuriating as people who think the government is creating their massive hurricanes using weather machines. you sound just as childish & delusional. you already sound like children because you will never take responsibility for your choices if it ends up helping him win.

jill stein's campaign is a sham. she is deliberately running as a spoiler. she's a wealthy white woman who lives in a mostly white affluent neighborhood. she's going around lecturing black people about white supremacy. she is getting funds from Republicans as well as help from trump's lawyers. Lockheed Martin has given her money. she's involved in shady as fuck index funds for companies that harm the environment. she only started talking about Gaza during this election cycle to hit you in the feelings so she can bank on it. she made a whole stink about needing a recount, raised a bunch of money for that, & then that money disappeared who knows where. do you all hear this? do you care? no, you're just like maga with their orange Jesus. you don't give a FUCK about stein's red flags because she's "different."

if Harris loses & you blame anyone but yourselves, you're cowardly traitors who threw us regular Americans to the wolves because of your precious fucking principles. history has shown time & time again that protest voting typically allows something worse to take control. it's hardly ever beneficial to the people. you're vile. you don't want to make this world a better place by allowing so many near you to suffer & die. if both sides are the same then please tell me you're okay with another trump presidency. or just shut the fuck up.

i look forward to more potentially heartwarming messages saying that my life doesn't mean shit from people who allegedly are against the death penalty & are pro-human rights 🥰

please vote, don't stop talking about Project 2025, etc. i hope enough of us vote in a way that these pathetic third party voters don't gain any kind of traction. at this point i'm just angry at their hypocrisy when they don't even listen to other protestors who live here & are begging them to not vote third party. i refuse to listen to y'all not take responsibility for your part. Project 2025 will hurt us all but apparently you're okay with that or you think it's already here. smooth brain takes all around. anyways good luck & stay safe to anyone who votes blue 💙

[applestorms]

actually. @moonlarked you wanted someone to talk about near & light as parallels? cuz uh...

ok SO, my big hot take on near is something like this: one of the most common criticisms i see about near is that he is simply too apathetic/bored/uncaring/etc, and that because he is not as emotionally invested as L, his win against light doesn't feel nearly (lol) as satisfying as it could've been. this is a view that often frustrates me, but for a very particular reason— namely, while i think it is somewhat accurate in content, i think it misses a lot of important context (and also misses a lot of the importance of light's character arc, but we'll get to that much later).

one of the most important things to remember about the wammy's kids is that, whether they like it or not, each and every one of them is defined almost entirely through their relationship to L. this is perhaps more obvious in the case of characters like BB and mello, who are very Aware of this shadow being cast upon them and react in very overt, emotional ways (e.g. becoming a literal serial killer out of seemingly pure spite & desire to be noticed, idolizing him but in a very emotionally complicated, kinda detached sorta way, etc), but it is true for Every wammy's kid, purely because of how the house itself functions. these kids are being raised to be L's successor— the greatest (and second greatest, and third greatest) detective on the planet. this is the ultimate goal hanging over every one of their heads, and it places a constant pressure on every kid there.

oftentimes, i think (perhaps both out of story and in it, as well?) people get so caught up in comparing near to L that they forget he also falls under this umbrella— only, for near, his position is slightly different because he actually somewhat succeeds at the task? like, yeah, L never gets the chance to officially call near his successor, but between the fact that he's constantly called the #1 kid at wammy's and that he. literally does actually end up becoming the new L after kira, i think it's always been pretty clear what his path was going to be.

going back to my starting point, this is one of the main ways that near makes a really good parallel to light in my mind, specifically the light that we see right at the start of the series. in both cases, near and pre-DN light, we see a kid who has succeeded at everything they've been handed, and more notably, we see a kid who is bored out of his fucking mind looking at the prospects of what he's got.

in the case of light, this is maybe a little more realistic/easy to understand— light does well in academics, he does well in sports, he does well with people. he is likely to follow in his father's footsteps with something criminal justice/police/law related, but even if he diverges from that path it likely won't be too big of a deal, as he has shown himself to be capable in enough areas that he's likely to succeed no matter what. by all measurable standards, light's doing pretty good at the start of the series. and yet— there is something so distinctly and inherently Bland about his life before he gets the DN. i've said before that light wouldn't call the DN a curse even if he wanted to, but i think in that moment when he's telling ryuk he disagrees w/ his father after visiting him in the hospital, when he says, "I've never once considered finding that notebook and gaining this power a misfortune. In fact, it's made me happier than I've ever been." (ch.22) he's still getting at something real and truthful.

again, going back to my equating of boredom with depression in this series— light's life is pretty good by all measurable standards. he has a family who loves him, presumably more than enough money to get by with a pretty cushy lifestyle, and does well, honestly better than well, in every single system he is presented with. but even so, he's still unhappy. there is something in his soul that has not yet been satisfied. he's bored of the world, bored of his place in it, how easy it all is. what the DN really offers him is a challenge, entertainment— just the same as L, and just the same as ryuk.

near similarly suffers from this kind of boredom, though it is perhaps less overtly stated than in the case of light, L, and ryuk, and less easy to catch as it is not as realistic/common. again: near basically ends up the winner of wammy's house. he is the one to take the title of L, he's declared the smartest, bestest kid at wammy's, and he gets all the power and privilege that comes with such a title. but still— he's so. fucking. bored. much to the embarrassment of mello, this shit was never really a challenge to him. it's pretty obvious that near isn't really even all that attached to the title of L— don't forget that his first real introduction to the story involves him explicitly saying that he'd be just fine working with mello as essentially co-L successors. and this is a viewpoint that he holds onto until the very end of the series, actually, claiming that he was only able to best light due to mello's sacrifice. near doesn't really give a fuck about the rat race he's been slotted into, though it's perhaps for that exact reason that he ends up winning it anyway, and getting all the responsibility that comes along.

that being said, i think there are still two main differences between light and near:

light fucks up.

near never gets past his boredom.

in the case of this first point, i do not mean to say that near never ever makes any move/judgement that could be considered a mistake— mello killing the entire SPK is the first thing that comes to mind, which i see as blood on near's hands for the same reason that L takes at least some responsibility for lind l. tailor. rather, i mean that near never makes a such a monumental fuck-up that he has to overturn his entire worldview just to account for it in the same way that light does when he accidentally kills two people w/ the DN the first time.

it's like, if you've ever known (or been) the kind of kid who always got perfect grades in school, straights A's for K-12, only to reach college and suddenly bomb their first test and have an existential crisis as their only real achievement in life is crushed into dust, then you know light yagami. only for light, it's on a whole 'nother scale, because not only does he fucking oopsie daisy kill two people, but he kills in such a context that he can mentally manipulate it back into seeming heroic. i hate to say that suffering causes character development because that's terrible advice (it's how you react to terrible circumstances that matters, imho) but to some degree, yeah, having conflicts/hard times in life is just necessary to figure shit out sometimes. near (and L, oh goddd i need to write about L properly sometime) has so many things smoothed over and handed to him, and on top of that, he's a super genius very rarely fucks anything up, at least according to base logic. he doesn't even really consider the morality of anything he's doing until light straight up asks him in a desperate bid to keep talking at the end, it's all just logic and factors to consider.

this all leads to my second point, which is that near never really gets the chance to overcome his boredom in the same way as the others. ryuk at least gets his entertainment for a couple years, and light and L (and mello) get so invested in each other and their game that it literally kills them, but near just kinda. keeps going. he keeps being L, he keeps solving cases, he does the duty he was given and enjoys his toys... and that's it. he lies around, the only one left to live, never even taking credit for the end of KIRA, never gets another haircut, and keeps the title going. what a life, for a kid who dragged a god back down to earth.

sidenote1: toys

am i reading too into things? maybe. near's toys hold a lot of significance throughout the story in more specific ways, most notably the finger puppets he uses at the very end of the story while tracking different people's/kira's actions, though you could probably read some kind of meaning into every toy he has and the ways in which he plays with them. what i want to look at here though is more the general reasoning behind playing with them in the first place— a desire for a childhood he didn't get to have? a love of games more generally? (could track with him seeing the KIRA case, or really all detective work, as just another game.) you could also read into his toys as another source for near's apathy/detachment from reality, literally breaking every notable person around him down into a doll by the end of the story, speaking a lot to how alienated he is from the world (again, very similar to both L and light, there). i don't have much more of a point to make here, just wanted to add this in somewhere since it's one of his most striking visual character traits.

sidenote2: light's arc

going back to my point at the start of this post... light's character arc.

uhh. near winning is a good thing, actually. and i don't just mean that as a moral claim— DN itself as a story isn't really concerned with trying to answer any moral questions about good or evil or the justice system, so it makes sense & is fair to me that it doesn't try all that hard to answer anything along those lines by the very end of the story. what i mean to say here is that near winning is a good thing on the level of the character arc, specifically as an end to light's arc.

i made a post a while back while mid-manga reread talking through some of the reasons why L's death can feel kind of unsatisfying/paint the second half of the story in a less interesting light (hah) for a lot of viewers, with the main point i ended up on being that L wasn't really able to win because he never really had all that clear of a win state in the first place. i still kiiind of agree with this point, though i think there's a lot more i could add to that post... anyways. point is, i bring up that post because it touches on a similar thing to what i want to talk about here: light's character arc being a tragedy.

this is more speculation on my part, but i think another part of the reason why people get turned off to DN post-L death is not just the fact that L isn't really a playable character in the game anymore, but the fact that light's character arc takes such a dramatic twist after the timeskip. i talked about this a little bit in my little ramble on light & titles (which a lot of you liked, apparently!! ty for all the lovely comments on there, i love reading what you guys have to say ^w^), but light's character arc in DN is a tragedy to me, full-stop.

tragedies to me are cyclical— revolutionary, if you will. since all stories necessitate some kind of something to take place, a tragedy to me is all about a character beginning in one point, then continually getting hit by Event, after Thing, after Event, only to end up in essentially the exact same place that they started. any character changes or development that seem to happen throughout the story are ultimately nullified by the end— the main subject does not truly grow, does not truly reflect on their actions or traumas, does not move on. two steps forward is two steps back. even ending up in a position worse than they started is sometimes better than a true tragedy, in my mind, as at least then there is some chance they may still reflect or change or grow in the future, leaving the hope that they may still overcome this new circumstance later on. a true tragedy ends in nothing meaningful ever getting the chance to truly change, at least in the case of the main subject of the story.

light's character arc in the first half of the story is an upward, underdog kind of story. yes, light has the power of a shinigami, of a supernatural force that the rest of the world doesn't even know exists— but part of the real appeal of his conflict with L is how powerful L feels in comparison, having the wealth and respect and title to command a world's worth of forces against him. fuck, even taking down naomi misora feels like an incredible hurdle overcome, a teenager managing to charm and yap and flutter his eyelashes out of a shitty situation he was only just lucky enough to stumble across in the first place, to stop someone who could've ruined his entire plan with a few words. killing L was always going to be light's greatest accomplishment when it comes to his rise to godhood, not only because of L's great power but the comparative position of light at the time that he did so— not yet an adult, not even really out of school, perhaps barely out of his parents' house.

in contrast, light's arc for the second half of the story is a downward spiral. we see all of the consequences light has been miraculously avoiding smack into him like meteors in this half, his ever-growing ego torn to shreds as he's yanked back down to earth. and in comparison to the anime, the manga really beats this point into you, dedicating the entire second half of the story to light's fall from grace as he loses his mind and loses his humanity. like, while i do kind of prefer the manga ending to the anime, i have to admit that light's death there is fucking brutal. light goes through pages, chapters, purely dedicated to near tearing him a new asshole, only end the story bloody and delirious and crawling on his knees begging a god of death to fix everything— all just to die the exact same death as everyone else he's killed. i mean, look at these fucking pages (ch.107):

(that last fucking picture of him. clawing at the sky. it always fucking gets to me.)

it hurts to read this shit!! we spend the entire first half of the story watching this dude's rise to glory, the entire time stuck inside of his head, emotionally connecting with him even if we don't really mean to or disagree with his actions or question his morality. watching his fall back down, especially after all of that, is fucking painful— an in no way does near make the process any easier. if anything, his blunt, snarky bitchery, saying all the quiet parts out loud, calling light out for being a terrible replacement L and pointing and laughing at his failures to his face, only shoves more salt in the wound, only proves just how human he has been all this time, how meaningless any of his supposed "rise to power" ever really was. light got his fifteen seconds of fame, sure— but near is armed and ready to make sure that's all he'd ever get, that the name Light Yagami would never even be associated with the position he held for so long. six years was all he got— and it was all he was ever going to get, because light yagami did not do this for humanity, he did it for himself. all near did was collect the debt that L prescribed. he fulfilled his duty as told— nothing more, and nothing less.

i just have to wonder... is this why people hate him? because he has no sympathy for the fall? maybe. i don't know.

either way, i don't think i could ever really hate him. it's a big responsibility, being the only one left behind. but near has always been the one to hold such weights on his shoulders.

[dollypopup]

push it

"What have you done to me, Penelope?" “I–but I have not done anything!" “Then that is the problem! Because I want you to do so much, and have written of you, endlessly written of you, and wrapped myself in thoughts of you and it has done nothing to ease me. Day and night and morning and evening, all I can think about– all I can think about– is you. You have haunted me. So do not talk of how– how I have avoided you out of revulsion, when it could not be farther from the truth. When all I want and all I have wanted is you.” “Me?” she asked, almost dumbly. Feeling as though a lamb for slaughter and he were the knife, how he would sink into the soft underbelly of her, spill her loose. And how she yearned for it. “You.” OR: Instead of writing travel logs, Colin's entries in his journal are erotica. And, of course, Penelope finds out.

[kacievvbbbb]

I don't know especially with the lastest chapter (ch 265) this just feels so much like Yuuji.

Like especially in the first season people kept asking why he is doing all this, why he wants to save people, why he's beating himself up so much over people he barely knows. People kept wanting to know Yuuji's why and he couldn't explain it he was holding unto the promise he made to his granfther as an explanation but that wasnt really is.

And then you have Mahito who tried to force his own defintion of who yuuji was unto him and beat him down until Yuuji believed it too. He's just a machine killing curses because thats his nature vs Mahito killing humans cause thats his nature. They are beings of instinct slaves to their nature, cogs in the machine. And Yuuji internalizes that so much it weighs so heavily on him the idea that his job isnt to save people but kill curses doesn't sit right with him.

but then at what should be his lowest point he stares his biggest tormentor in the face and said you know what I don't particulalry care what you or anyone else thinks about my reasons. I don't think you have to have grand or innate reasons to do something. Sometimes you just do! and what yuuji wants, more than anything; more than killing curses more than keeping the "weak" safe, is to save his friends. And it's too late for a lot of them, Yuuji was too late but goddam it he won't be late for this. So fuck Sukuna he's bringing Megumi home.

[bumpscosity]

Actually all gravity falls shipping wars in back when the show was airing were hilarious. i once saw two ppl arguing abt wether pinecest or stancest was better like guys i think its better if we just throw both of you into the bottomless pit forever

[arcane-strangeness]

d... d... doggy...

i think they would woof very softly :)

[lameotello]

I hate that we've gone from "don't like, don't read" and not caring about what fucked up shit is depicted in fan media as a standard to hypervigilance and having to mind your every word so the group you've found yourself in doesn't know you ship the Not HOA Approved Ship

[laurfilijames]

Moooooood of the day.

[lotus-pear]

wait.. if both dads are here.. THEN WHO'S WATCHING COLLEI😨😨

[moiraimyths]

Before we call anon rude because let’s see it from their perspective, imagine getting an entire feast to eat. That can be pretty hard to start with so much that’s going on, but if they start with one thing they know they’ll like (aka one character they like) that can be the start for them leaping to other characters to finish the story and the bigger story. I struggle the same way to start book series if I don’t have at least one character that drives me to read it, it’s all about what can be the hook to push them through. Sounds like the anon is neurodivergent (just a guess) so they might genuinely not see it as rude and see it as a solution to even play the game to start with.

Btw absolutely adore the game, the complex and rich characters making them all so unique is amazing. The art is so pleasing to the eyes I love it!! I’m waiting for it all to get out at once so I don’t get too impatient. Shae however interests me the most, which routes will have the most lore for them? Will there be routes that give more lore in general based on decisions you make or do they all share the same amount? (I mean general lore not just Shae lore)

Apologies; we are not trying to accuse any asker of being rude! We are simply explaining our perspective as the developers / are trying to broadly encourage folks to dip their toes into other areas of the story outside of the main route(s) they're interested in, especially considering some routes will be made available sooner than others, and these other routes will likely contain additional scenes/lore of everyone's fave(s) regardless! We want to give each main cast member an equal amount of love (and lore) regardless of their overall popularity, so our goal is not to tut-tut anyone for having strong preferences for one character over the others, but rather to explain that you may be surprised by how much *more* you learn about your preferred characters in the other routes. That's all!

For Shae... Well, they were a foot soldier for one of the worst periods of the War. Lore wise, any other story that touches on the War will likely have content relevant to them and their experiences. ^^

[yangjeongin]

HYUNJIN BIRTHDAY COUNTDOWN (2023 EDITION) ↘ D-9 | through the eras: NOEASY

[myimaginationplain]

do you ever think about how Katara's portrayal in the Ember Island Players' stage play is an in-universe, textual example of an oppressor state adultifying & sexualizing a racialized girl as a form of pro-colonization propaganda

and then do you ever think about how a third of the fandom also participates in that completely unironically