#I can't say I always love comic writing but again. I feel like it would have been a very cool comic spinoff instead

[bethrnoora]

realistically I don't think silverlance would have been all that good if they made it when they were planning to because idk. it just feels like such a specific concept and hard to execute on in film format. but I still would have eaten that shit up. I still would at present honestly

[dunmeshistash]

Why did Milsiril help with Mithrun's recovery?

Since people seemed to be interested in the post I made about why she adopted Kabru I wanted to write my thoughts about her helping Mithrun too.

I think with Mithrun it gets a little trickier tho, both because Mithrun himself doesn't speak much about his past and because most of it we get from a third party account. I'll also try to discuss based on what I see people say about their relationship although is probably gonna be shorter than Kabru's (came back to say it's not shorter), tw for self-harm because of Mithrun recovery drawings.

1 - So Mithrun could become a canary again

This is the theory I see the most often, probably it's whats on the main story, as far as I'm remembering there's no other mentions of Milsiril related to Mithrun besides the role she plays in sparing his life.

That story isn't reliable tho, Mithrun constantly points out that Kabru is glossing over details and Kabru himself is depicted as cooking (as the kids say) a good story that resonates with an audience.

So we can't really trust that this framing is objectively true

But even so taking just what happened, without the context Kabru added, what she did was spare his life once she realized he still had a hint of desire to exist within him.

Kabru lies (or rather embelishes a lot) when he says "and from that point onward, Mithrun lived only to slay demons. He ate even he had no desire to eat. He lived on even though he had no desire to live." he was useless for 20 years after this so 'saving him cause he will be useful later' isn't really too accurate. Milsiril also wasn't involved with his rehab until Utaya 18~19 years later so it definitely wasn't for this that she helped.

2 - So Mithrun could avenge Utaya by defeating the demon (She winded him up and set him on a path, you know, like a doll)

I think this one is kinda mean, I've seen people speak as if she only helped him after Utaya because she wanted to use him to defeat the demon. But there's no evidence Milsiril even cares about the demon or that she wants vengeance. My girl literally ran away and decided to look away instead of continuing to fight (and I can't blame her)

This, as far as I understand, is based both on the above section and on this part from her adventurer's bible extra

She shows up to visit him and brings up the demon, and then sets him up to go after it, but once again I think it relies on an unkind interpretation of her character; you gotta assume she has unseen ulterior motives already before the comic even starts, since this whole comic is talking about how she completely misinterpreted who Mithrun was when they were in the same squad, and how she feels he's actually someone she would get along with. If you know Milsiril, you know she only gets along with other misfits, she's acknowledging Mithrun as someone who was broken like her even before his desires were eaten.

This is the complete comic

"I always hated you. You were beautiful and perfect, and everybody loved you. You didn't seem to have a single worry or flaw.

But when I saw the dungeon you'd built, I was startled. It was such a warped, convoluted place built from inferiority, jealousy, lies and anger.

I wish I'd tried really talking to you. We might have hit off pretty well. Too late now, I guess"

She acknowledges him as a human being, when before she only saw him as the embodiment of the people that bullied her. And right after that she talks about the demon. There's no indication for a wish of vengeance anywhere in this comic, I'd even say the demon and the dungeons are barely important to what Milsiril is thinking, there's only belated compassion.

3 - Cause he was a new "project"

Related to the reasons pointed out in my Kabru post, people assume Milsiril is the type of person that wants/needs to feel superior to someone, or to put on an altruistic front or what have you. And that interpretation also leaks into how they see her helping Mithrun. I said the main reasons why I don't think she's that type of person on the other post so I wont repeat. But I don't think Mithrun is a "project" at all.

This was right after she fought on Utaya, I imagine a little after or a little before she took in Kabru, so she "had a project" already if you're gonna go with that wording. She was also finally free from the canaries and she had no obligation towards Mithrun. She also only went back to him decades after she spared his life, my assumption is that she did it because she finally could. She couldn't have guessed when she spared his life that 19 years later she would be free from the canaries and that Mithrun still wouldn't have been recovered and would have been needing her.

4 - And finally, why did she spare his life? Why did she help him recover?

This one isn't as straight foward as Kabru's adoption to me. I imagine the fact he had the potential to still be useful could be one of the reasons she spared Mithrun at first, but I also think that he newfound empathy she developed for him when she saw his dungeon might have been part of it, that seeing he still had some sort of drive and desire made her have hope he could still live.

Milsiril really seems like the type of person that likes to nurture, while I wouldn't say this makes her a "softie" and not able to execute him (I'm sure she could do a mercy kill) I think that soft side made her want to give him a chance. There's no proof for any of that ofc, and Kui confirmed in a QnA Mithrun wasn't arrested or executed because they were desperate for people to be in the canaries. (The choice probably wasn't only on her)

Now why she helped him? I think it's because she saw he could be helped.

She says herself she's only visiting, probably to check on him

"They said you've fully recovered but you might as well be a corpse." so by this point I think his body has recovered and he has managed to stabilize? But as this extra from the daydream hour shows he needed 24/7 care to stay alive in those first 18 years

Like she said he might as well be a corpse, he'd be in bed all day and have servants keeping him from dying, he would have fits where he would harm himself, he had no way to go on. It even says that even things that could remind him of his time as dungeon lord weren't allowed so he was probably being kept away from demon mentions (after all I doubt servants even knew about a demon)

But then when she mentions the demon he immediately gets up

She's surprised so I don't think she expected that, and she goes and uses that reaction to help him "Then first eat this. If you finish it all I'll take you to a dungeon again"

Rather than using him to fight the demon I think she's using the demon to help him live. Here's what his bio says

"After Mithrun was recused from the dungeon, he spent a while on the verge of death. However, with time and rehabilitation he gradually became able to lead a normal life again. The Utaya incident was the event that roused him. He thought, 'If I'd been there, I know I could have dealt with the demon somehow' and he resolved to return to active duty. (...)"

So it worked, Milsiril might have been there to help with his rehab but it was the Utaya situation that finally was able to motivate him to find a way to live and rejoin the canaries, so I think rather than setting him up to kill she realized it could be used to help him.

Which isn't a perfect solution, as you might know by the ending, his fate was to die either way: either he would die trying to kill the demon or he would defeat it and die because he had nothing else to live for.

But it was what Milsiril could do for him at that moment and it was how she managed to help him go forwards.

And that's my thoughts about Milsiril and Mithrun, I don't think they as big in each other's lives in canon as some people assume, there's barely a mention of Milsiril on his profile and she's barely named in his backstory. But they were both people that left a mark on each other's existence if only for a short time.

But I don't think Milsiril was just doing charity when helping Mithrun either, I imagine she did it because she saw herself in past Mithrun, and wanted to help him because of it.

Also side note, this extra:

That's past Mithrun saying she has ulterior motives, he isn't reliable and thinks badly of everyone. So ofc he thinks gloomy Milsiril is suspicious for helping, him doesn't mean it's true

Disclaimer again I'm a Milsiril stan so I'm very charitable in my interpretations of her, but hopefully you can see there's no indication she is someone who would use a sick person for revenge with the sources I've attached.

[smallestapplin]

Aaa hi, I love how you write Prowl. If it's okay, can u request something cute with him and a human s/o?👉👈

I love Prowl so much, thank you OTL

-

-

-

It's comical, really.

A giant robot man absolutely smitten by such a small human, you fit in the center of his servo, you climb him like he's a tree just get him to pick you up and place you on his desk.

Prowl is a very protective partner, he's already lost so many people he was close to, he refuses to let anything happen to you. Even if that means you sleep in his habsuite with him.

But what most intrigues you are his doorwings.

You've watched how bots like Starscream practically speak with his wings, how they flutter when he's happy, or fan out when he's angry, or tuck in close when he's scared.

Even bots with smaller doorwings like Bumblebee, it's a bit clunkier but much the same, you can read him just by looking at them.

But you can't with Prowl.

His stuck close to him, but never move not even a twitch unless he's transforming from his alt mode, it's the only time you've seen them move.

You can't read him.

You can't tell what his emotions are from them or what he's thinking. You tried asking Bee about them, only for him to get bashful and clam up.

You tried asking Skyfire, only for him to respond much the same, covering his face plate and refusing to look at you for a week.

Something about them was important and asking about them was somehow taboo.

"You're staring again."

You blink, snapping yourself from your thoughts. You look up, meeting his blue optics, his resting expression being all the greets you.

"What, is it illegal to stare at my handsome partner?" You smile, chuckling at how his cheeks dust with blue.

The energon flowing through him shows so prettily on his face, you can't help but stare. He narrows his optics at you, giving you a suspicious glance before going back to his reports.

"No, I suppose it's not something I could arrest you for, but a fine maybe."

You let out a fake gasp, which earns you a playful smirk from him. It always makes you melt that you are the only one that gets to see such a side of him, not many do.

Yet his wings still don't move.

You want to know what would it take for his wings to mirror his emotions, but it seems you're just going to have to test it out yourself.

"A fine? Oh officer how could you be so cruel." You whine for dramatic effect. Your heart skipping a beat when he chuckles.

"Hm, suppose I'll have to up the charge with that attitude. Say...three kisses sound fair?"

Prowl can feel his body twitching, longing to show his courtship to you in the way he instinctively knew how, but he's trained so long to keep his wings from moving.

But you make it so hard.

You make him want to be more show boating, to show everyone and the universe that you're his, that he's the lucky bot you deemed worthy to be your beloved.

You bashful giggle sends his spark into overdrive, you're just too precious for him, you make him a mess even though he doesn't want to admit it.

"Just three?"

The playful tone in your voice makes him snort.

"What, you want more? Just how needy are you?"

"Oh, so sorry that I like kissing my super hot boyfriend."

"Tch, you humans and your weird words."

"Shut up and lift me up, I want those kisses."

He rolls his optics before letting you hop up in his servo, lifting you up in front of his face plate. You see him hesitate for a moment, looking away from you for a split second before meeting your eyes once more.

Even still he's nervous, he can't believe someone so cute and sweet actually wants to be his partner and actually wants his affection.

He doesn't know what you see in him, but by Primus he won't disappoint you.

In the middle of his thoughts you take a few steps forward to be closer, and kiss his dermas. For once you've taken the stern bot by surprise, his optics widen a fraction, but then you hear it.

You hear a metal 'clunk!'

You pull away and manage to see behind him, his doorwings are up high and shaking. Prowl is quick to notice and forces them back down, fighting his own instincts to keep them close to his body.

"Did your-"

"No, no they didn't, you didn't see anything."

"Oh my god you moved them! They wiggled! Can you do that again, that was so cute!"

He's surprised at just how excited you are, he never thought his wings would mean that much to you, you're a human after all you don't understand the silent language wings hold.

Prowl looks to the door of his office, making sure it's still closed and that no bot is walking nearby, he will be damned if anyone else sees him like this.

With a groan and sigh he loosens his wires and lets his doorwings do what they want. You can't help but stare in awe and how they twitch and flutter.

"Thank you, I know it must be hard to let loose like this. I'm honored you're letting me see you like this."

You don't know how many centuries it took him to control his wings, just so enemies couldn't read his next moves or his emotions and get an upper hand.

You don't know how he felt like he lost apart of himself and his culture before the war.

You don't know how much your words meant to him.

"Hush up and kiss me again, would you?"

He grumbles, ignoring your chuckling at how angry pout even if it's not that angry.

"Whatever my sweet bot wants."

[deadliestgalaxy]

SPOILERS FOR GOTG VOL. 3 - DON'T READ IF YOU HAVEN’T WATCHED IT YET!

I have a feeling that everyone (who calls themselves fans) that didn't get the meaning of the ending in GOTG Vol. 3 has never read a single comic of them or is only a fan of some characters/relationships. Many complaints I've seen are about the end and Gamora and Peter’s romance, which sounds kind of childish. You don't need to agree with me, but I’d like to elaborate on that.

James Gunn's writing is always about the detail of things and he is not afraid to do something “bad” if it is the best for the STORYTELLING. This is what most of these people don't get: the most important part of these movies is the story they are telling. The characters help the movie tell the story, it's their story after all — but there's no protagonist or greater good that puts them above the narrative.

(This is different from Gamora’s death in IW btw. It was not the only way they had to make the story flow; they just wanted to “humanize” Thanos and by that, they chose to kill her character. It was an action ADDED not CRUCIAL to the story.)

Vol. 3 is about found-family and growing up; finishing cycles. They will always be family, as we will always be part of their story (that’s why we understand Groot now). However, life chapters end just like in real books, and these Guardians as a TEAM “chapter” has ended for them and for us.

This is very common in the comics. Most times they are all separated, doing solo missions, until something goes wrong and they reunite again. They never stop being friends, why would it be different in the movie universe?

But the end suggests they are not family anymore.

Did we see the same film? No, it doesn't. We can see that in James’ subtle writing: the way they all still respect each other, their understanding of one another, and how they all would die for themselves if needed. That won't change just because they are not physically together — just like when you finish school you won't ignore your best friends, even if you create new relationships (which you will).

But Gamora is not part of the family anymore.

Well, if you see it this way, I can't change your mind. What I can say is that the story IMPLIES that she still is, in fact. And the number one clue is that she (in 2 days) understands Groot. Remember, we also understand him because the fans are now part of the Guardians family — so understanding him and being family are correlated.

Anyhow, I know this is not enough for most people, so hear me out: Gamora’s arc is about respect and healing. She starts the movie skeptical about working with the guardians — she just wants the money— when in reality, she acts like this because she is AFRAID and feels PRESSURED to be around her “old” family.

Imagine: you died but then another version of you comes back without knowing anything of your present life. People will expect you to act in a certain way that maybe you started to act after you met them; they will expect you to like certain things you don't know of; people will EXPECT you to attend to their needs. It is a lot to swallow at once. You are afraid because you don't know them, you don't think you deserve all this love and commitment out of nowhere. So you run away. You run away to find things on your own, to grow out of this pressure you feel and discover the whole universe of possibilities you have ahead.

That's what Gamora did. But then, the mission went south and now she is stuck with her “old” team. The film shows us her character exploring the ship, listening to music... trying to understand them. At one point she even says to Rocket “You must be a very loyal pet for them to do all this for you” (or something similar). This is her way of putting into words how she visualizes the current scenario she was put in. Slowly she recognizes that they are a family, and by the way they act she finally gets how and why she also must have loved them in the past.

She goes from “I don't give a fuck”, not open to them, afraid and pressured to “I bet we were fun”, understanding and respecting them, even fighting for their family to survive.

(If she still didn't give a fuck she wouldn't have fought for them and with them when she could have just run away again.)

But she has already created new relations, so she goes back to those for now. It is what she is familiar with in this timeline. Does that mean she will never contact the guardians ever again? NO. Remember: James’s writing is about DETAILS, nuance. She is open to them again, and the final part of the movie shows this to us, especially her last interaction with Groot, Peter, and Nebula being friendly.

Oh, but Peter and Gamora will never be a couple again, their romance ended when she went back to the Ravengers.

… Again, if you see it this way I can’t change your mind. What I can confirm is that she doesn’t close herself to the team — especially to Peter — in the end.

When she says “I bet we were fun” it's the first time she acknowledges their former relationship without distancing herself from it. She could've said “I bet you were fun” or “I bet she was fun”, but instead she prefers to include herself with “we”. She pauses before letting go of Nowhere, stopping before entering her ship — what moves her forward is Nebula, who can see her sister’s changed attitude but still encourages her to take a step forward and go explore the galaxy, because she knows Gamora is not mature and ready yet for those feelings; just like she wasn't ready to be openly sentimental when Gamora joined the Guardians back in 2014.

And Peter is also not ready. Just like Gamora needs to find herself again and discover who she is, Peter needs too. He is lost without her after IW, we can see it during Holiday Special and in the beginning of Vol. 3 when he passes out because of alcohol abuse. Both don't know who they are in this new reality — and they will only find out with time. Time heals and reveals.

In the end, Peter doesn't have the same thought as in the begging: he doesn't want her to be who he once knew, he wants her as she is, this new version whom he still loves so much and wants to know more of. Although he wishes she could stay, he knows that she has her own time and while she learns about herself he will go do the same.

So yes, they’re not explicitly together as a couple in the final scene — neither they kiss nor make out, whatever you believe a relationship is made of — but they’ve changed and are open to one another. The last scene does not appear to me as an “I’ll never see you again”, but as a “Goodbye, see you soon”.

(Aside from all the small bits we had through the movie of a developing relationship between them; my favorite one being when Peter activates the auto-destruction code and Gamora smiles at him.)

Besides, you can't force anyone to fall in love in 48 hours!!

Yes, I also have some minor complaints about the story, but I can recognize that — with all the turbulence the characters and the production faced in the last few years — it was a satisfying end with a limited amount of time to a badass trilogy. The end is definitive but also open to future possibilities for all our favorite characters in their universe — some we might never see and it will only be to our imagination.

Again, you don't need to agree with me, but I had to do this, or else I would implode with thoughts. Thank you if read up here! My ask box is open if you want to talk more <3

[nightlyrequiem]

hello sweetheart! have you ever thought about writing valeria x fem!reader who is prone to crying? this idea suddenly came to me after spending a lot of time in my day reading and re-reading your valeria x reader fanfics. i don’t know if you still take requests, but if not, consider this a writing idea for the future X3

(btw, i love you and your works so so muchhhhhh! your tumblr is clearly a paradise for valeria garza fangirls 😭💕💕💕)

Sweetheart? Oh my, I'm swooning!

I love it when people say they re-read my fics, makes me feel all warm inside. Yes stranger on the internet! Fuel my ego! Give me that instant dopamine hit! As someone who cries a lot, I needed to write this

I love you too, anonymous asker! Doing my civic duty of providing Valeria content

(Name has nothing to do with the fictional creatures.)

Tags/Warnings: WLW, Emotional Hurt, Comfort (Kind Of.), Valeria is Mean but regrets it, Sensitive reader

Weeping Angel

You're crying again. Valeria had returned home later than usual and when you asked about it, her tone was slightly different. Not as soft as usual. It doesn't take much to make you cry. Saltine tears swiftly well up in your eyes as you fall silent. Valeria feels frustrated. She is someone who rarely cries, who is used to being around stronger people. She still isn't sure how to handle you and your endless fountain of tears.

You turn your head and wipe at your eyes with your sleeve. Valeria sighs and rubs her face, trying to reel in her temper. She has to remind herself that you're more delicate than she is. You aren't trying to manipulate her with crocodile tears, you're just truly, very sensitive. She both hates and loves that about you.

"Look, I told you I have a lot to do." She says, attempting to soften her voice but even she can hear the irritation seeping through her words. Valeria just doesn't understand how a grown adult is unable to regulate their feelings.

"...Okay." You reply passively, voice thick with sadness.

Valeria wishes you were stronger.

"Stop crying." She says sternly. "I hate it when you do that. I didn't even do anything, why are you trying to make me feel bad?" Valeria knows that's not what you're trying to do, and she knows she's only making things worse. You look at her with wide, wet eyes.

"Why are you yelling at me?"

"Why do you take everything so personally? I'm not yelling." she grits out.

Your lips twitch down into a frown. It would be almost comical if she didn't have to deal with you and your dramatic tears.

"God. I can't deal with this." She continues. Venting all her frustrations that have been slowly growing like a malignant tumor. "I don't think you understand how hard it is to deal with you. I can't say anything without offending you." You just stand there and take it. Tears running rivers down your cheeks. "It's like walking on eggshells around you. It's exhausting."

"Don't talk to me like that." You say. frowning at her.

"'Don't talk to me like that'?" Valeria growls, getting up in your face. Out of the corner of her eye she can see your hands shaking. She knows confrontation isn't your strong suit. "You're allowed to whine and bitch but the second I do it I'm the bad guy?"

You struggle to find the words to respond and for the first time, Valeria feels a small tingle of guilt. Not enough to stop though, Valeria has never found it easy to back down. She's just so tired of your tears. Of always having to console you. You can barely function. You spill a drink and cry, if you don't succeed at something right away, you cry. The stray dogs on the street make you cry.

"Just get out of my face, okay? Go be somewhere else because I can't stand you right now." Valeria says dismissively. Turning her back to you.

She hears your hiccupping breathes disappear down the hall. She leans against the counter and puts her head in her hands. She doesn't like fighting with you, and she doesn't like making you cry, but it's practically inevitable with how volatile the both of you are. You always bring down the mood, Valeria can never truly relax around you because she's always expecting something to set you off. Sometimes she feels more like your therapist than your girlfriend.

As hours pass by, her anger cools into quiet sadness. Valeria is less upset by your crying then she is by the fact that she can't ever seem to help. She can't ever find the right words to comfort you. Valeria is frustrated with herself because she doesn't understand. Valeria has never cried over a spilled drink, or a single off-handed joke at her expense, or when she failed at something.

What she does understand, is that she loves you. Valeria sighs and stands from the couch. Heading to the bedroom. she gently opens the door, seeing you curled up in bed. Your side slowly rising and falling with each breath. She sits down next to you. Looking over your tear-stained face. Your eyes are closed, having worn yourself out with your crying. Valeria isn't good at apologies, but she reaches out a hand and pets your hair. Smoothing her fingers over the strands. You're not awake to hear the awkward, murmured apology falling from her lips. You cry over everything, but Valeria doesn't want to be among the reasons. She may not understand you, but she doesn't need to. She just needs to be there for you.

[will80sbyers]

I always write these letters in the middle of the night because it's the only moment when I think I'll have enough courage to send them to you, but then the morning comes and I feel completely powerless again.

I'm not as brave as I would like to be, I want to be like my character in d&d and just... I don't know, just tell you how I feel even if I think it's the scariest thing I will ever do. I mean, what if I am wrong and you don't feel the same? Or worse what if you find me revolting for being like this? What if you don't want to be my friend anymore because I have these feelings? It would be one of my worst nightmares becoming a reality... I just, I can't lose you, Will. I need you and I miss you so much and I don't even know what I did to make you decide to not talk to me anymore and avoid my calls every time but this whole situation is killing me slowly. I need to talk to you and I want to hear your voice. It's crazy how much I miss listening to you ramble about a new comic or a bad movie... I miss watching you randomly break out into songs, even when you're singing the most annoying ones. I miss having you close and just knowing that if I need your advice, or if I want to complain about some stupid thing my father said I can just take a bike ride to your house at any moment.

It feels so empty here now, I feel so empty... I'm, I dunno, I think the others have not noticed because everybody has their own problems, but I feel lost... You were always my compass, you put my mind on the right track every time and I never realized this before you left for Lenora but now I see it... and I don't know, it feels like everything is broken now and.. how am I even supposed to be a leader of a group with no group?

Everybody is pulling away from me here, except maybe Dustin... Lucas is trying to become popular, sometimes I think he's ashamed of being with us because we're still the same nerds we always were, and Max is dealing with her own pain by isolating, I'm trying to include her on the hangouts nights (yes, even if her and Lucas are broken up!) but she always says she's busy. If you and El were still here things would be different.

Jesus... El... I don't know what to do about her, I don't know how to tell her about all of these feelings I have for you and the realization I had this summer. I don't want to lose her either and I'm afraid she'll be angry at me.

I feel guilty for the fact that every night before I fall asleep I think about you. I think about you laying down in bed and I hope you're thinking about me too. I think about what I would do if you were here with me, how I would ask if I can kiss you... and I guess maybe I'm a horrible person all around for this but sometimes I just kiss you. You know, I wonder how it would feel every night... I think it must be different from what I'm used to, kissing a guy... less sweet? More rough? It doesn't really seem possible, I can't imagine kissing you wouldn't be the sweetest kiss I'll ever have... God, I'm sorry I don't have the courage to tell you how much I love you...

I'll tear this letter apart like I did to all the others.

Byler week - Day two: communicating

[ask-whitepearl-and-steven]

Do you ever struggle not sharing details of your story / spoiling people? It's one of the hardest parts of writing for me! I always want to just divulge all of my ideas immediately!

The answer, weirdly enough... is no!

And a part of that is definitely due to me being a giant, secret-hoarding dragon in disguise. But another part of that is the fact that I largely suspect that...

Keeping secrets and avoiding spoilers is the reason this comic is still alive and updating.

Now, that may sound odd. Why would keeping secrets help me post? Sharing work is kind of the life-blood of a lot of creative endeavors. Storytelling is an inherently social activity. All humans, even the most introverted ones, thrive on peer recognition and feedback.

But over the years, I've come to realize something about myself. And this realization may be mostly stemming from me, but I suspect it's actually a pretty common factor for other creatives as well. So maybe I should talk about it (again).

Let me introduce you to something I call...

The Emperor's New Accomplishment.

Here's the thing. I'm an extremely introverted, non-social person. I can go for months without talking to friends easily, even if I love them a whole lot. That all being said, I'm still a human being, and my brain derives happy-social-animal chemicals from being recognized as A Person With Traits. Humans are built that way! We can't avoid it.

So what you gotta understand is - at all times, our brain is seeking social/peer recognition like it seeks out high-calorie foods. And it (largely) does not care what we have to do to get it.

Herein lies the problem.

Usually, creating stuff and thinking about stories and then sharing what we wrote with friends is a great way to get that happy chemical.

But it's time consuming. And difficult. And there's a shortcut.

What we seek when we create Scenarios and Characters and Conflicts is not hard work toiling away writing/drawing/constructing stuff. Many artists actively enjoy this process, but it's grueling.

And just telling our friends about our ideas actually accomplishes the end goal, as far as our brain is concerned! We made up ideas! We told people about it! We got the Good Feelings!

So when I tell people about my Plans to Write A Comic or Ideas To Make a Story, what I'm actually doing is tricking my brain into thinking 'wow, this feels great! We have accomplished the task we set out to do! No more effort necessary!'

And that motivation to actually draw/write/create?

It goes directly into the trashcan.

Now I'm not saying this to suggest people who do this/fall prey to this are lazy. They're not!

But our brains are. They're lazy, and they want to save energy. And they don't care if you WANTED to actually make the story. They will gladly rip the Motivation energy out of our grubby little hands when they no longer deem it necessary to the process.

So - why do I keep so many secrets? How do I stop myself from talking about what happens next in the story?

I'm doing it to keep my actual comic alive.

Disclaimer: Not everyone functions like this, obviously. Everyone has a different creative process. But this is how I've realized MY brain works, so I now take steps to trick my brain back into working. Ha! Take that, brain! Two can play at this--waitaminute.

[matan4il]

911 ep 701 first watch reactions

(I don't think I have the energy to write proper Buddie meta, so here's me randomly squealing instead...)

LMAO In case you were wondering whether s7 of 911 will be subtle about their gratitude/debt to ABC for saving the show, the answer is a resounding no.

Also, I have lost a lot of respect for Frank as a shrink, but gained a lot of love for him as a sass king. "Did she win!?" The murderous look Athena gave him was priceless. I love her, too. She doesn't even need words to rule.

Man, nooooo. Don't give me a mutual "I love you" between Bobby and Athena like that.

"Go ahead and cut the green wire." Everyone and their sister: "Green? You said Red."

9-1-1 is the superior comedy they slipped into our drink, while we were here for our weekly action, suspense, drama and familial love.

Buck broke off with Natalia, and the show really did it like that. XD Every single person who rolled their eyes at this pairing during s6, we were all justified, but wow. The show really is the only forum to respect the pair even less than fandom does. And of course we find out about it in the middle of a scene built around Eddie being half naked, Buck watching him, with the camera specifically turning so we can discover Buck was initially covered by Eddie's body, and the angle change reveals him, when the whole thing wraps up with Eddie welcoming Buck back to the land of the living... Yeah, wonder what made Buck feel alive again. Don't know. 'Tis a mystery. We were given zero clues...

"I want the honeymoon life." *cries* Chimney is just such a good, good man. And okay, expecting your whole life to be a honeymoon's a bit unrealistic, but Madney are living together and they have a child. They know this. Chim knows this, but he still wants to go for it. Aim for the moon, you'll at least land among the stars, right?

Bobby baffled by Athena's reaction to Norman and Lola is hilarious.

I like how Chim has a great idea, but it's still obvious that it's gonna go wrong, because he can't help going overboard with it...

OMG, that scene with Eddie recounting to Buck what Christopher's date was like... If I were to write my Buddie meta, I would serve a three course meal just from that. I mean, the fact that watching Chris hanging out with a girl he likes, makes Eddie compare it to "hanging out with his guy friends" (when there's no lack of interest in this girl... in fact, it turns out that if anything, Christopher's problem is the opposite of a lack of interest) is so telling. There's a reason why that's where Eddie's mind went.

But then also... Eddie's trust in Buck got to me, the way he went to his best friend (not his own gf) for help with Chris. But that was still played with half a smile. But then Buck sort of disses himself jokingly, and Eddie won't have it. "You didn't end up like you." He sees how Buck worked on being a better person, even when Eddie wasn't there for the worst of it, and he appreciates it, and won't let Buck forget it. Meeeep. I love them.

Oh Chim. I was giving you so much credit, and then you went and bought that outdoors jacuzzi. lol Still love him. That's what Maddie's reminding herself of right now, too. ;p

Poor Hen, she was great in this ep, but none of it was really about her, she was comic relief, both with Chim and with the red wire. Then again, she was amazing in this, like she always is with everything.

Eddie and Buck were both so good with Chris this ep, MY HEART. Buck with getting him to talk about what's really bothering him, and Eddie with realizing exactly what his son needs, and how to give it to him. They completed each other. Neither one would be helping Chris without the other one. Tell me again how they're not soulmates?

In conclusion, I love Bobby saying, "Let's go prove one of us wrong," when they're both right. Something WAS going on with Norman and Lola, AND Athena was using them to avoid him.

Argh. That scene of the ship and its passengers being hijacked was rough to watch. </3 I'll still be here to watch the conclusion of this. That's the power of 9-1-1 for you.

It def felt like a great kick to the new season. We had lots of comedy and fun, some great tension, some emotional moments (especially with Christopher), but all in all, it's still clear that the whole thing's a build up to next week. Are you excited?

[intimidating-fettuccine]

If it is alright with you, may I request hcs where Night Terrors, Smiley (or Jason), and Helen (separately) subconsciously refer to their s/o as their spouse while talking to someone (slipped out naturally without them realizing even though they aren’t married).

This got very long, I hope you enjoy :) I did go with Jason because I love writing him in stuff like this.

Terrors:

Does not even notice he did it, quite honestly. If you hadn't pulled him aside after that conversation and informed him of what he had done (a big smile on your face the whole time), Terrors would not have been aware of what he had done. However, now that you've told him, his mind is basically in lockdown mode. He's standing before you, frozen in place, flustered, and filled with shock and embarrassment for letting such a slip-up happen. A blush starts forming on his cheeks, and he's quick to take you somewhere private. He clears his throat and apologizes for doing such a thing, although you tell him that it's okay and that it made you happy, which causes him to sigh and cover his face. Terrors isn't used to love, or affection, even after dating you for so long sometimes the feelings inside of him feel so alien, and he can't quite place the emotions running through him right now. He eventually comes to the conclusion that the idea of you being his spouse makes him happy as well, and he tells you as such.

He stands tall and regal, walking over to you and lifting your hand to his lips as he bends over to press tender kisses to it before he stands again and says you must simply do something about it then. He's never considered the prospect of marriage (even before he fused with Candy), but if he wants something, he's inclined to have it. He begins asking you your opinion about weddings and proposals, speaking so formally and elegantly about it you'd forget he was confused and flustered moments before. You pause him to insist that you should discuss this with Candy as well first, but when Terrors informs you that Candy wants to marry you as well (considering they share a brain and can see each other's thoughts on occasion), which causes you to grow flustered at the sudden announcement. Needless to say, much was discussed that night, in true formal rigid Terrors fashion. It's almost comical how serious he's taking this, but Terrors has always been serious about you, and if he's going to marry you, he's going to make it perfect, no matter what, because someone as kind as you to love a man like him deserves the best he can offer.

Jason:

I think Jason is the type to refer to you as his spouse in his mind for a little while before he even considers getting engaged to you, just like sometimes you might refer to your partner jokingly as your spouse, but to Jason, he means it. Of course, he's always been careful not to say such a thing out loud, but it seems like today was the day his absentmindedness caught up to him as he introduced you as his spouse to someone. Jason notices immediately what he's said, and merely hopes you didn't hear him, and also hopes you don't notice how his ears and cheeks are beginning to turn red. However, the next time he looks at your face and sees the smile you're giving him, he knows there's no hope in merely pretending it didn't happen. He bows down, resting his head on your shoulder and sighing as his arms wrap around you, and you can only laugh at him as he deflates. He clings to you tightly, and insecurity flows through him. What if you were actually upset by him calling you that? What if you don't want to be his spouse?

He ends up voicing those opinions to you in an unusually quiet and timid voice, but you're quick to give him a good squeeze and a kiss and reassure him that you're not upset, if anything you're quite happy, and that you would in fact love to marry him some day. That puts the pep right back into him as he stands so he can look into your eyes, a blush still coating his cheeks as he asks if you're sure, and when you reaffirm that you are, a bright smile spreads to his cheeks as he covers you in kisses. He says he guesses he should buy a ring then, and you smile up at him and say that he should, although his question was a bit of a fib. He's already got a ring, one he picked out a few months ago, and he's just been waiting for the right time, but your affirmation confirms he was right in doing so. Now, he just can't wait to show it to you, and to hear the word 'yes' once again flow from your lips he suddenly can't resist kissing. You'll be his spouse in actuality and not just name one day, hopefully soon, and the thought fills him with life and joy.

Helen:

Helen is the last person anyone in the mansion would guess would do something like that, due to his unemotional and stoic behaviors, but hidden behind that mask are deep feelings only you are lucky enough to be privy to. He realizes immediately what he's done, and he's quick to drag you off somewhere private before he can even see if you noticed, burying his face into your chest and refusing to look at you. He squeezes you tight, his body trembling, and you can only hold him and quietly try and soothe him. Helen is flustered and honestly quite nervous about doing such a thing. Thanks to his horrible parents, he never considered the prospect of getting married himself, but after being with you for so long, his mind has been subconsciously changing its idea about getting married. However, he hadn't noticed until he referred to you like that, the sudden realization that he does, in fact, want to marry you shocking him, but in a good way.

He feels overwhelmed by the realization and the sudden feelings overtaking his mind, and he's only pulled back down by the feeling of your lips on his forehead. When you eventually quietly say it would make you happy to be his spouse, that him calling you that made you happy, his face is burning hot from how red it is, and he can only look down, unsure of what to say. You ask him if he would like that too, and he nods, saying that he would, and so you smile at him, pressing kisses to his lips and causing him to melt against you. He pulls you into his lap, wrapping his arms around you and holding you tight to his chest, and he knows his past self would feel disgusted by how incredibly happy this makes him. He always told himself he'd be a loner, never fall in love, never want any of the stuff he always found mushy and unnecessary, but sitting here with you, he can't help but feel ecstatic about how happy you make him, and the idea of you being his forever. Although, he does pinch your cheeks and tells you not to tell another soul what he did back there, you can only mumble out a slurred 'okay' as he tugs on your cheeks affectionately.

[rifari2037]

What’s . , your Opinion On Katara. And Aang relationship, with each other.?

Short answer :

In my opinion, Katara and Aang's relationship would more beautiful and healthy as very good friends, because they support each other way better in friendship-relationship.

Long answer :

Kat/ang as couple wasn't build up with a good storyline even from the start. Their relationship felt and looked like siblings, Katara even acted motherly to him - many proof for that and the writers said so.

So, there's no reason for me to see them as lovers in the future but just supportive good friends with a crush. But a crush - even in real life - isn't a deep feeling and it's very easy to fade away. A strong feeling needs bond, chemistry, sometimes needs twist and turns to understand each other better and strengthen the foundation of their relationship.

Katara and Aang didn't have much chemistry, just physical contact (kisses on the cheek and hugs) and blushing. But for me, chemistry is not just about physical contact, chemistry and bond is about relationship development - it's Maiko problem as well.

Actually, the writers had so many opportunities to make Katara and Aang's relationship well-written - especially since the writers worship this ship - but instead they built up the conflicts between Aang and Katara in the last few episodes.

Well, at least, Aang and Katara's conflicts was resolved in season 1, but I can say that they were forced to end up together, even though their conflict wasn't resolved in season 3.

Conflict 1 : Aang kissed Katara without consent, then Katara acted like nothing happened in the next episode.

Conflict 2 : Aang yelled at Katara, even though she wasn't mocking him like the others, and she just wanted to help him, then they separated and there wasn't even a single conversation at all until they kissed in the end of the story.

Yes, the kiss was canon, but only because the writers forced it, not because Aang and Katara - both of them - deserved it.

The writers tried hard to keep Kat/ang as the winners in post ATLA. But, the more the writers fix Kat/ang the more the writers failed to make them better in their relationship, in fact the writers even ruined some of the characters - especially my lovely Katara, whose role was increasingly decreasing.

That would happen if two characters are forced to become lovers without being built with a good storyline and the writers don't care about female characters.

I don't read the comic and I don't want to read it. But I read quite a lot of criticism about it, especially how Katara's role was nothing more than just the Avatar's girlfriend.

Also, writing them calling each other 'sweetie' all the time is so cringe. I mean, look at Suki and Sokka, most people said they were the best canon pairing, I said the same. They never called each other 'sweetie', they called each other by name and they were still romantic.

Do you know what I felt when I saw this?

Katara sat alone in the corner, looked sad watching her boyfriend having fun with his fans. I could almost feel what Katara was feeling. Katara was angry, of course, but Aang couldn't understand her feelings. In the end, Katara was the one who understood Aang and let it go. Why is it always Katara who understands Aang? She deserved an apology!

Once again, the writers tried hard to keep Kat/ang as the winners in TLOK by writing them as a married couple with three children. Avatar's girlfriend changed to avatar's wife, but the writers still failed to convince people that Kat/ang was a healthy and happy couple.

Instead, Aang was written as a bad father who only favours his air bending child, while Katara had no role, no statue to honour her, and even her grandchildren didn't recognise her.

Actually, even though I am Zutara shipper, but sometimes I'm glad that they weren't canon. I mean, the writers worship Kat/ang but they failed to convince a lot of fans how good this pair - except the shipper only.

I can't imagine Zutara was canon while the writers hated it, the would ruin Zutara badly!

And since the writers are on board in The Avatar: The Last Airbender Movie next year, I'm guessing they'll try to win Kat/ang over (again) and I wouldn't be surprised if it fails (again).

That's why I'm not waiting for the movie.

Katara and Aang don't need to be lovers to be great characters, they can have a sweet relationship as friends and family. All the crush scenes between them could be removed and it wouldn't change the storyline one bit - maybe just annoy the shippers.

NATLA proved that. Aang and Katara had a family-relationship and it was very very sweet. NATLA removed all the scenes of Aang having a crush on Katara, even the Cave of the Two Lovers scene was replaced with Sokka and Katara. Did the main storyline changed? Not at all.

I once read an opinion from a Zutara shipper. The point is, when Aang and Katara are together, Katara has to stay away from Zuko (because their chemistry is stronger). It happened in TLOK, when Katara didn't show up to her granddaughter's coronation because Zuko was there.

Meanwhile, if Zuko and Katara are together, while Aang mature enough to accept his destiny, they will be forever great friends. He also will be a very very very sweet uncle and steam babies' favourite person. It happened in Zutara fanfics and fanart.

I agree 1000000%!!

[genericpuff]

All That Glitters is Not Feminism - An Analysis of LO's Brand of "Feminism" and What Remains of its Fanbase (A Prologue)

So I referenced a certain article in a recent reblog/ask response and I just need to talk about it because what the actual fuck-

This has to have been written by either a bot or a hater who's reached peak god tier level at playing the long con sarcasm game because NOTHING about this feels sincere or even factual. Much of it almost has to be read in a mocking tone for it to make any real sense.

It says "Lore Olympus" (literally in quotations) in just about every single paragraph over and over again and every single talking point revolves EXCLUSIVELY around Persephone, which I suppose comes as no surprise considering that seems to be all the comic - and its fanbase - cares about at this point.

I really love (/s) how Persephone's "evolution" is being naive and then 'blossoming' into an independent woman who relies entirely on the rich man who groomed her to solve all her problems.

Also all she's done since becoming Queen of the Underworld is abuse lower class people. That's the stuff feminist dreams are made of <3

While we're talking about the main leads, "poster child" is definitely a word for Hades, I think a more appropriate term would be "literal child". And boy howdy, 'god of consent' sure is a title to give the guy who ripped out a lower class satyr's eyeball and beat him half to death.

This man owns slaves, btw. And both he and his "powerful wife" are equally horrible to lower class people, especially women.

This is hands-down the funniest section of the article and we're only three bullet points in.

Thetis and Persephone have never even so much as spoken one word to each other outside of the courtroom that Thetis technically put her in after plotting against her for an entire season.

Eros is a man. Nothing wrong with that but it comes with the unintentional icky hilarity of implying that because Eros is the gay best friend, that means he's a woman.

They literally don't read this fucking comic-

Everyone always relies on this weird talking point of Demeter not being able to "let Persephone go"... y'all, she just didn't want Persephone to outright move to Olympus, she wanted her to commute. That was it! That was literally the only problem! She wasn't preventing Persephone from pursuing a higher education or telling her she wasn't allowed to work, she literally fucking encouraged it! And with the added later context of Persephone killing a bunch of mortals - and, ironically, the fact that Persephone was assaulted/put in harm's way by TWO SEPARATE MEN in the first two days of her time in Olympus - yeah, I don't blame Demeter for not wanting her daughter to move cold turkey actually LOL

Also hilarious that they claim Rachel has turned "tradition" into "innovation" when the only thing she's managed to do is set back modern feminism in her young adult readers by 80 years and re-establish misogynist brainwashing in her adult ones. Rachel, your fanbase was literally shipping a victim of abuse with her abuser just a few days ago.

oh boy this is uh

this is some cult shit ngl

and the "rewriting the script of Greek mythology" part is VERY concerning knowing what we know about Lore Olympus and who it was written by. This is literally cultural appropriation, full stop, and it exists because Lore Olympus - and works like it, made by people like Rachel - exists.

I can't even commit to the original theory that this was written by a bot because it all feels very pointed and intenetional. This is being written by someone who, at the very least, REALLY sucks at media analysis and writing, because the entire article is just "Lore Olympus, buzzword, Lore Olympus, buzzword, buzzword, Lore Olympus", it's like a white knight incantation for guilty virtue signallers who have zero clue what they're talking about. And at worst, yes, it's appropriation from someone who doesn't mind taking a culture's stories and myths and promoting their erasure by people outside of the culture like Rachel.

And that's it, that's literally the article lmao

*EDIT: There was a section here before addressing the writer of the article from a very opinionated POV that, while isn't unusual for what I do here, did feel necessary to remove after I was contacted by the article writer who addressed the flaws in their original article and is now seeking to correct them with revisions/an article rewrite. So I felt it only fair as a compromise to at least remove that section as it really doesn't have a whole lot to do with this post as a whole and can be removed without entirely ruining the flow of this analysis. If/when that article is rewritten, I'll be revisiting this post and my overall analysis !

And honestly, it's all really telling, because this does accurately reflect the state of the LO fanbase.

Not only do many of the people who defend this comic like it's their job not pick up on the blatant misogynist tones that are going on in its narrative (I can't even call them "undertones" anymore, they're no longer that subtle) but whether or not they even read the comic at all is up for debate with how much stuff they tend to get wrong in their own arguments and justifications. And this is something that's VERY regularly seen in the fanbase discussions, readers will constantly be unaware of things that happened because they skimmed through it at lightning speed just to see if Hades and Persephone kiss and so they can get the top comment on Webtoons so they can be "ahead of the fanbase". It's no wonder that Rachel has gotten used to getting away with retconning things because her fanbase didn't even read what she established the first time.

Rachel's fanbase was literally defending the romance ship of an abuser and his victim on the newest FP episode preview. When that FP episode came out two nights ago and Hera said, point blank, that he didn't love her but abused her, I could only think of that portion of the fanbase who was very audibly simping over Kronos in the IG comment section. Are they actually having their moment of shameful clarity now? Or are they just gonna move the goalposts and pretend that didn't happen?

I don't want to say anything bad about Shelby here because she really seems like she's fighting for her life on this site that she's trying to get off the ground, but a lot of her other articles also come across as very one-note while being peppered with buzzwords that make it seem like what she's talking about is "progressive" when it really isn't. Case in point, Lessons in Chemistry has been commonly criticized for not actually appealing to the demographic that its Mary Sue-ish main character is supposed to represent - women in STEM career fields.

I've said it before, and I'll say it again: Lore Olympus is not 'feminism', it's white feminism that is designed to appeal to predominantly heterocis white women who think the solution to misogyny is to willingly submit to it and accept the status quo - that it's "empowering" if the woman is smiling and having all her needs paid for by a man. Sure, I can accept that different women will be looking for different relationship dynamics, some women genuinely are happy being in a relationship where they support their husbands first and foremost. But can that truly be called feminism? Or is the real feminism the choices we make along the way that we should be given the freedom to make?

It says a lot about the folks who tend to regularly prop up LO on a pedestal like this as some "revolution in feminism" despite the contrary after spending more than just 30 seconds skimming the attention-grabbing art, and Shelby is just one of many. She's not the worst of the bunch, though.

That goes to someone else who I want to give proper light to in their own essay. Someone who definitely earned a good stern talking-to this past week and has, thankfully, had consequences dished out to her for her horrible actions towards queer POC writers.

If you know, you know. If you don't, buckle up.

[glitter-stained]

We need to address something I don't see coming up enough in the fanon vs canon conversation about Jason vs Dick being tim's Robin. We talk about how the size of the hero worship for Dick, the victim blaming, how Jason was like this shadow/threat looming over tim, how everyone starting with Bruce and Alfred disrespected his memory to use as a cautionary tale so the image tim had of Jason wasn't accurate, and again the amount of victim blaming that was so fucked up, and how there was also this idea that this is still a dead child which implies some very martyrish form of "well you have to honour his legacy and aim to be as good as him and save the people he cared about because he's fucking dead" and I think that that canon fucked up parasocial relationship between tim and Jason has the potential to be so interesting (they deserved so much more than the titan tower fight for real it could have been fascinating exploring that). All of this can be interesting and it can be deep and angsty and so good.

But!

But.

Hear me out:

The real thing that's missing from this discourse, once we've acknowledged the worth and reality of canon, is that (even without the very woopified emo tim representation), fanfics about how Jason was tim's hero and tim's Robin would send early Robin tim, at least, into such a rage. I'm not saying there's no nuance or he just hates Jason and nothing else. But some versions of early tim specifically I think would feel such a deep rage at the implication that Jaybin was his favourite Robin and he only loved and idolized him, and I think that version of tim at least deserves it. Like, if I could make him read all of these fanfics and he has to and can't zone out I would do it, make it a lesson about victim-blaming (also the misogyny in some runs). Like isn't it nice to imagine? I think it's deeply funny, and I understand some people get upset about it because like they feel canon is more interesting but, if it's in fanfic, I think it's hilarious. I think we should just submit characters who do stuff that piss us off to that actually, write things about them that would infuriate them. Oh Jason taunts and laughs about the possibility of Dick dying in Chemo ? Fuck you, now you're scared and on the run from your family because they're crime lord killers and killing is bad and you're a soft boy who drinks honey lavender lattes. tim victim-blames Robin? Bam, you have hero worship now. Batman is always the center of the narrative and comics and it's always about him to the point it's really annoying and downplays the potential of other characters? Say goodbye to your dialogue lines buddy, you get one hug at the end if i'm feeling generous. Nobody is free from the magic wand of doom and the power of "it would be so fucking funny". This power is driving me insane. Let it consume you in the name of catharsis.

[martialartslover7]

Unpopular opinion incoming: ...Why do NaruHina fans even like The Last?

Unironically, I really want to know why, because, I am a huge NaruHina shipper myself, and even still, this movie never fails to aggrevate me in the worst way possible, even now, not even getting angry or anything, but... I just feel empty. I feel nothing. Not even the kiss made it worth, and I am HUGE sucker for sappy romances from time to time. Hell, I am a romance author, as a hobby. But this movie, it legit felt like, I just wasted my freaking time. That's a far worse sensation than getting mad, because, I just got nothing smart to say about it.

So, let me get this straight, and I am pretty sure, I am speaking of behalf of anyone that even remotely supports these two as one: The series NEVER making Naruto acknowledge Hinata's confession, was just damned moronic, even from a writing standpoint, because, yeah, in Japanese, it can mean two different things when you say "I love you", I know that, it might just mean "I love you as a teammate", but honestly, considering that NaruHina, by this point, was always meant, even according to Kishimoto, in hindsight, not acknowledging this moment for years to come, until the movie had to speak up about it: You lost the plot. If it was always meant to happen, why did you write it in a way as if Naruto straight up ignored everything she said?

And listen, I know, Naruto is a really delayed mofo, but the movie tried to paint it as if, "Naruto is a dense idiot, who isn't in touch with his own feelings, so you have to put him in a Genjutsu to """see the depths of her feelings for him"""", but honestly, to me, this just felt like a really convenient excuse to just regress Naruto as a person, just so the ship can happen, essentially, "guilt-tripping" him into going, "Ohhh, Hinata always had feelings for me, I didn't notice, even though she risked her life". Again, again, again, none of the events would even bother me so much, if it weren't for the undeniable fact: Somehow, during Shippuden, they tried to make it seem "ambigious", by not addressing her confession, EVER. Like, almost as if, Sakura was meant to be "the final option, because of Kushina", but it was clearly bullshit, and the movie wasn't subtle on that front either. But then, WHY WASN'T IT BROUGHT UP? WHY DID NARUTO NOT SAY ANYTHING?

And before any of you stupid motherfuckers are going to accuse me of being a "closeted NaruSaku shipper", I am not. These two simply wouldn't have ever worked out in the long run, for one thing, because I am not a fan of this trope, of the girl always needing to use violence, on an already traumatized individual (not to mention, that being played for laughs, which also rubs me the wrong way, especially in regards to comic relief characters), and him just going with it, which, by the way, isn't very realistic at all, as to why Naruto never got cross with Sakura at one point or another (one can of worms, I want to talk about some other time), and secondly, c'mon now, look at these two. They are more siblings than anything. As if, two different halves and shades of Kushina live inside the two of them, individually.

Not to mention, why are you NaruHina fans so comfortable with pardoning bad writing, brushing it off as if it's "deeper than you think"? Because, I just can't see it any other way, both Naruto and Hinata were frankly OOC in this movie, considering, this is all supposed to take place after the war. I can forgive Naruto being an idiot, who is slow on the draw, but straight up going "he is just dense", is frankly retarded, considering, we are talking about the equivalent to ninja Jesus Christ with him here, who basically loves everyone like family (safe for the villains), but then comes Hinata, he confesses first, but somehow "he is dense"? Why do we even need a fucking Genjutsu for all this? Doesn't he remember a person he truly loved like her, of ALL people? So we are left with having to rely on made-up flashbacks, which never even happened in the original series (only in Shippuden, late-game), and a contrived plot device, that comes in the name of "Otsutsuki"?

On that note, I really do not like what this movie did with Hinata. Look, "Toneri was messing with her chakra", even if that were true, it doesn't change anything, because it's still an excuse to make her another damsel in distress for Naruto to save. I get it, Hinata is not like Naruto in that, she bears his battle attributes, but sheesh, man, are you really fine with regressing her back to the Genin, who can't even run down walls to save her life? This is a mess, I really cannot approve of this, Hinata is way stronger than that, and we all know it, this just isn't acceptable to me. I want my couple dynamic to be evenly distributed to feel absolutely comfortable.

And this is acceptable to you all? I call it, for what it is: Terrible writing. Stitched together with convenient excuses, just to have the ship happen somehow, in an artificial way, despite having criminal lack of shared screentime together, non-canon content excluded, by the way (I am sorry, I have to be consistent here).

With all this knowledge, the movie comes off as a truly cringeworthy attempt to try appeasing to us, who love these two together. The sappy music, the "larger-than-life" presentation, the overt reliance on spectacle, rather than substance, is just making this experience even worse for me.

Peace.

P.S.: This is just my silly, personal opinion, if you love this movie, more power to you. But to me, this is one of those pieces of media that genuinely make me feel miserable.

[flymetosnarryland]

My Snarry WIPs' list.

I would like to share something. My Snarry WIPs' list, yup. Why? I always felt weird writing about myself and stuff I do, but I'm processing changes and thought I can share not only art, lol.

How many project are you working on? I'll dive into couple of mine:

Date with a Star - a Post-War romantic comedy. Harry is in love with Severus, Severus secretly loves Harry. Both are too scared to say what they feel to not lose their friendship. A friend in need asks Harry for help and this is where the wild ride with dumb dating TV-show starts. Especially because Harry don't know that the same friend-in-need blackmailed Severus to get him into the same show too. This is actually a second Snarry fic I ever started to write, inspired by dating TV-show from 1992. I remember that when the idea for this one hit me, I was laughing for a good hour (that TV-show was absolutely ridiculous). And I still feel a pinch of positive embarrassment when think about what's going on there. In fact this story made me want to learn how to translate my wiritngs into English. It's half written and translated too. I really have to finish second part.

Infraction - my first monster fic. My baby. Crime (serial killer), slow burn, Muggle AU featuring Marauders and Death Eaters, political sheananigans and Severus' old flame. I have entire story written out from beginning to the end. What's more... with an ending that allows me to dive into second book (I'm excited lika a child) including the initial idea for it, ahh. Every time I think about Infraction, I feel butterflies in my stomach and a tear comes to my eye, damn. However, the entire project requires a huge amount of work. And a few modifications that I finally have to do to complete the first stage. It's not simple, though. I regret a bit that I released the cover, prologue and first chapter. I was prematurely carried away by the joy of creation, but that's okay. Going to fix it all in time.

In the Moonlight - working title. Something I planned to write for last year's Snarry AUctoberfest, but the beast got bigger, lol. Crime (kidnapping), Muggle AU - my great weakness and, most importantly, inspired by the movie Bodyguard (the one with Whitney Huston). Much like Infraction, this fic is fully planned and scripted. I can't believe I managed to do it. I wrote 1/4 of the whole thing and even have the lyrics of original song that Harry dedicates to Severus, although I don't know anything about music at all (an elephant stepped on my ear).

In between - a drawing series. Harry and Severus in a cute/fluff version. Post-War and happy life, because that's what they deserve!

First time - Drama/Romance, Muggle AU (gosh, yeah, again!). This is a project I want to do 50/50 as a fic/comic. A few works and dirty sketches have already landed here. I have a little dream of writing something that includes e-mails/text messages. In general, a romance that started online. Aren't Harry and Severus purfect for this? (Plus doing art in colour for this project was a test I wanted to start before 3B.)

3B - a Vampire fic, yessss. Can you believe that once I said, I'll never ever write or do anything connected to vampires? Hehe, now I'm in the middle of it, fully commited and over the moon. A bit dark/angsty story with a bonus: illustrations. Crime (more like, cri-me a river, lol; I mean, again? Yup xD), Post-War, a few intrigues, even a SnarryWedding o_0 gosh. That is another thing I said: "No, that's not going to happen." I guess, I fell on my head since now I do everything I promised to myself not to. But it's fun. And bloody, mhaha. I also created my own Vampire Villains and I kinda fell in love with them. Going to sneak into this fic a bit of blood magic mechanics that I created for my fantasy book, too. The picture at the top is one version of the cover sketches ɷ◡ɷ

Adrenaline - working title. Post-War/Drama/Romance and slow burn, a bit of Hogwarts, a bit of Quidditch and for a change Severus will have to show that he wants something more. I mean, I always writing/thinking about Harry chasing Severus. So here the dynamic will change a little. Can't wait for it! The idea for this one was accidentaly born last week and I can't stop it anymore. The inspiration comes from the cover art for Witch Weekly that I did, lol. I had no idea that at the stage of brainstorming, it would turn into another monster. It supposed to be a short story, but, apparently, I'm not good at short stories and it's time to come to terms with it xD I won't cry either because I like Harry and Severus pairing up in different ways/AU's, hehe. And most importantly - creating all these things, even if they don't fully see the world outside my drawer, still gives me great joy!

[blacklegsanjiii]

i absolutely adore your young sanji au!! If you don't mind, could you write more about him? Like, how did the other crews that know him react to his actual age? Or even some random interactions between the straw hats after finding out!

I'M TRYING TO BE ALIVE AGAIN I PROMISE I AM SO SORRY

Young!Sanji!!! Ahh, lovely boy, precious and soft and absolutely hating everyone find out how old he actually is. He feels no one takes him seriously after they find out. They always falter and stumble and it just...doesn't feel good to him?

I feel like Law finding out would full on make him trip and face plant into the ground because Robin probably mentions it off handedly but knowingly. She knows Sanji doesn't like Law calling him Stealth Black and this seems to be the quickest way for her to stop it. Sanji is walking ahead of them to a tea house somewhere while they're in Wano. Like she specifically phrases it in a way to show how cruel Judge is and when Law full stumbles it makes Sanji look and ask what's wrong. Law is stumbling up onto his feet and is confused and asks Sanji if he's really /seventeen/ and Sanji says he is with a shrug. Law knows he's not the youngest on the crew but understands because of his love of the Sora comics that they were closer to the truth than he had realized, even after the raid suit. Germa was far worse than he knew to even its own children. When they're sat and drinking tea, Law can't help but ask why he is physically not seventeen. Sanji just goes 'ahaha, that's Germa for you' and Law is reeling that the cook is also a child on the crew. Law doesn't really change how he acts with the cook though, he doesn't see his age, only his accomplishments which are numerable even if he was twenty one, he just admires the guy more now.

Sanji is not pleased at how people keep trying to baby him after finding out how old he is and how his family is, the rescue team is especially bad. Chopper keeps asking for more and more check ups on him and Sanji is trying to just deal with it, Zoro seems to be holding back during their spars when he doesn't have to be, when they're out at a bar he keeps stealing Sanji's drinks even though he's not even buzzed yet and Zoro hates wine. Zoro, for the life of him he doesn't want to view the cook differently, but finding out about the experiments and how young Sanji was when he went through everything that led him to Zeff makes him softer. He fucking hates it but he feels like he needs to give the cook an actual chance at being a child that was denied to him. Even if he didn't get a chance he and the other kids at the dojo did play as well as train, especially when they were younger, before he left and he plays with Luffy and Chopper all the time. So when he assists Robin and Nami with the cook and making the guy take breaks. He's started doing the dishes fully on his own and shoving the cook out of the kitchen after meals.

I feel like when Zeff found out his kid wasn't ten, his kid is six and looks ten. Zeff frowns deeply at the boy who acts like a ten year old in a lot of ways, most ways, a fucked up and traumatized one albeit, but he's still ten. Except he's not and Sanji's age really shows when people flirt or try to take him to their ships for activities more fitting for an adult or teenager. Except he's not one of those, he's twelve when someone first propositions him and Zeff loses it at the customer and talks to Sanji about what they're doing, what people want from him and that he gets to decide if he wants to or not. Because Sanji is physically four years older than he actually is and Zeff wants to kill the fucking bastard that did this to the kid. Zeff knows his kid is younger than he looks but he treats the boy like how he holds himself, he's smart, impulsive, thinks he owes his life to Zeff when he doesn't. Goddammit Zeff wants him to act like a damn kid but the kid doesn't want to! Kid feels like he can't because the kid needs to be useful so on the rare nights the Baratie is closed Zeff and the others will take the kid out to the upper deck or the top of the restaurant and teach him the constellations and if the kid falls asleep it's all the better.

The kid will never act his real age, but he has people to make sure he's taken care of. That's more than enough for Sanji.

[wolfscarr]

Nightcrawler and Silver Sable romance. Great potential!

So I tend to not really talk a whole lot about comics, even though I do read them. But recently I've taken notice that one of my favorite Marvel characters(and superheroes in general) and one of my Top 2 X-Men(the other being Cyclops), had his own mini solo with being Spider-Man!

But of course I'm not exactly here to talk about that, it was sort of interesting in that aspect, Kurt being part of the Spiders, though I knew it wasn't going to last. Still for what that was, I found it interesting for him...but let's get into the actual topic here.

So during this time, Nightcrawler(Kurt Wagner) gets involved with Silver Sable(Silvija Sablinova) of Wild Pack(and Silver Sable International). It first comes across as her hunting him for Orchis, though it quickly soon devolves into a more...intimate affair.

Kurt got that blue furry demon elf charm it seems. Along with(according to Silvija) a perfect neck and a remarkable tail.

Now as this short series goes on, before anyone knows it, the two actually become invested in one another and fall in love, to the point where Sable pretty much betrays the Orchis to save Nightcrawler's life.

Ok so I get where people are coming on at this, that this 'relationship' seems extremely rushed, which sure I'll agree that it does appear that way. Honestly this really should have been more than just a 5 issue series, to really flesh out everything, that I can agree with everyone on. Though I feel as if people miss, that time that we don't see between Nightcrawler and Sable, does clearly seem to pass given dialogue between them.

Now sure this isn't exactly the best way to do things, but it clearly had to be done given that the series was only 5 issues. However....with what we got folks? I think there's some great potential between Kurt and Silvija, the way he broke down infront of her and she comforting him really told a whole lot.

This scene right here to me says a whole lot. This right here, cemented for me that Kurt and Silvija can be something when they are actually in a series that isn't some simple 5 shot mini.

The two of them have potential as a couple, there obviously needs to be more conversation/interaction with them more, but it's there. I'm hoping that whoever writes for Kurt or Silvija next just...doesn't forget about this, because not only does Kurt deserve someone....like with all the shit he's been through...he does deserve love.

But given that Silvija isn't a mutant and Kurt is, I feel like this would be an interesting opportunity to explore....like how humans would react to one of their own dating a mutant and vice versa with mutants reacting to one of their own dating a human.

Kurt has always been one of my most favorite characters and it's honestly because....he does his best to not let anyone or let anything bring him down, he's always doing his best for others, it's not really for himself but for those around him.

But honestly, I feel like he's long overdue for a partner in his love life, like he actually deserves someone and I feel like Silvija could be that for him. Of course...given how things go with the X-Men(and honestly comics in general), this relationship probably won't last and honestly...I find that extremely upsetting, why is it that writers can't just let characters have a romantic partner?

I'm absolutely sick of characters breaking things off(sometimes for the dumbest reasons) just to create 'drama', then they get into another relationship and the cycle starts all over again. LET THEM BE HAPPY, there's other ways to write characters than doing this.

....But yeah, I kinda want more Kurt X Silvija in the future, they have a whole lot of potential together.

I mean just look at em!