#I barely remember anything about that book

[nemo-writes]

𝗂𝗆𝖺𝗀𝗂𝗇𝖾 𝗍𝗁𝖾 𝗍𝖿 141 + 𝗏𝖺𝗊𝗎𝖾𝗋𝗈𝗌 𝖺𝗌 𝗋𝗈𝗆𝖼𝗈𝗆 𝗍𝗋𝗈𝗉𝖾𝗌 ; 𝗉𝖺𝗋𝗍 𝗍𝗐𝗈 ── .✦

── .✦ 𝗌𝗈𝖺𝗉 ; "𝗍𝗁𝖾 𝗆𝗈𝗌𝗍 𝗉𝗈𝗉𝗎𝗅𝖺𝗋 𝗉𝖾𝗋𝗌𝗈𝗇 𝗂𝗇 𝗌𝖼𝗁𝗈𝗈𝗅 𝖺𝗍 𝖻𝖺𝗌𝖾 𝖿𝖺𝗅𝗅𝗌 𝗂𝗇 𝗅𝗈𝗏𝖾 𝗐𝗂𝗍𝗁 𝗍𝗁𝖾 𝗅𝖾𝖺𝗌𝗍 𝗉𝗈𝗉𝗎𝗅𝖺𝗋 𝗉𝖾𝗋𝗌𝗈𝗇."

It’s day three of bed rest, and Soap’s already climbed up the walls of his room and back down again. Injured or not, he’s never been one to sit still, and being restricted to the base with “no hard jobs, no missions”—as the medic had stressed—has left him itching for something to do. Restless, he decides to wander, eventually finding himself at the library-slash-records room, a quiet corner of base he’s never thought to visit before.

He thumbs through a book on the nearest shelf, flipping pages more out of boredom than actual interest, when a voice behind him makes him nearly jump out of his skin.

“Good choice,” you say casually, glancing over his shoulder at the book in his hands. “I read that one when I was a teenager.”

Soap whips around, wide-eyed and ready to defend himself before he registers you standing there, a bemused smile on your face. It’s not often anyone manages to sneak up on him, especially after working alongside Ghost—but here you are, quiet as a shadow.

“Christ, you gave me a fright!” He laughs, trying to shake off his surprise. “You a ghost yourself, or just a natural sneak?”

“Neither,” you reply with a shrug. “I just work here. Records department.”

He raises an eyebrow, tilting his head with a hint of scepticism. “Records, aye? Right, sure. So… what squad d’you belong to, then?”

You laugh, not seeming to mind his incredulity. “No squad. No task force, either. Just a regular base staff member. I make sure all your physical files stay organised, is all.”

“Well, I didn't expect to find a hidden gem like you in here,” he says, putting on his usual flirty grin, expecting some kind of blush or maybe even a shy look.

But you just give another amused smile. “I’m not a gem, just the records keeper. I also stock the books,” you add, gesturing around. “Figured a small library might be good for those interested. We don’t have much, but it’s a nice change of pace for some people.”

The flirting sails right over your head, and Soap’s grin falters ever so slightly before he recovers. “Ah, so you're the one to thank for this wee slice of quiet paradise on base, huh?”

You nod, a touch of pride slipping through as you straighten a few already-tidy books. “It’s simple, but I like to keep things in order here for whoever wants to pick up something to read.”

Soap tries another grin, leaning against a shelf, his tone softening just a bit. “Well, reckon I’ll be a regular if it means more chats like this. Seems like a fair deal, yeah?”

But you only hum thoughtfully, eyes scanning the shelf beside him, clearly cataloguing if anything’s out of place. Soap finds himself smirking, both amused and oddly challenged by how thoroughly you’ve ignored his attempts to charm you. He realises with a quiet laugh that this just might be the break he needed.

. . .

In the quiet of his quarters, Soap lounges on his bunk with the phone pressed to his ear, listening to his mum and sister talk about his childhood. It had started with the usual check-in—hearing how he was healing, how things were on base—and soon drifted into familiar family banter.

His sister, Cait, laughs as she recalls his ‘miraculous’ ability to get hurt every other day growing up. “Remember when you broke both your arms jumping off that shed roof, John?” she teases, barely stifling her laughter. “Mum had to practically wrap you in bubble wrap.”

“Aye, aye, laugh it up,” Soap mutters, though he’s grinning. “Was tryin’ to perfect my landing, is all.”

His mum’s voice chimes in with a fond chuckle, “Perfect it you did, son. Broke both arms and had us all in stitches—not just ‘cause of the casts, but because you couldn’t stop fidgeting.”

“Oh, I remember,” he groans, recalling the itch of the casts and the boredom of sitting still for weeks. “I was goin’ mad with nothing to do!”

“That’s why I read to you,” his mum adds, the warmth in her voice audible even over the line. “You were always restless, even with two arms in casts.”

Soap’s grin turns a bit softer. “I remember that… just not the book itself. Somethin’ about a fox and a forest?”

His mum hums thoughtfully. “It was a sweet story, but I can’t recall the title. Do you, Cait?”

Cait only chuckles, clearly drawing a blank. “Oh, I remember the fuss he made, but the book? Not a chance.”

Soap shakes his head, feeling a little pang of nostalgia. “Wouldn’t mind findin’ it again someday. Reminds me of home.”

A few days later, Soap strides through the hallway, his arm still snug in a sling but his energy undeterred. He greets everyone he passes, effortlessly drawing smiles and laughter from a few soldiers standing by the vending machines. A corporal waves, and Soap flashes him a quick grin, offering a joking salute with his free hand. 

But today, he’s not here to soak up the attention. His steps have purpose, carrying him straight back to the quiet sanctuary of the records room. When he steps inside, the calm hits him like a breath of fresh air. His eyes land on you instantly, tucked in the back of the room, your head bent over something on the desk.

You’re focused, scribbling notes or reading from a thick stack of papers, and for a moment, Soap just watches. There’s something about the way the light catches on your face, the peaceful concentration you exude. He doesn’t even realise he’s smiling until his cheeks ache slightly. He adjusts his posture and clears his throat, strolling over casually, pretending not to notice the way his pulse picks up just a bit.

“Hey, there,” he says, his voice breaking the quiet like a soft ripple on a still pond. You glance up, blinking at the interruption, and he swears there’s a flicker of recognition in your gaze that makes his chest tighten.

“Back again?” you tease lightly, setting your pen down. “Getting into trouble already?”

“Nah, just takin’ it easy,” he says, his tone breezy. “Needed a break from bein’ so popular, y’know? The fans are relentless.” He winks, and you roll your eyes, though there’s a smile tugging at your lips.

He shifts slightly, leaning his good arm against the edge of the desk. “Actually, I was hopin’ you might be able to help me with somethin’. Feels a bit daft, but here goes.” He scratches the back of his neck, suddenly feeling the weight of how silly this might sound. “There’s this book. From when I was a kid. My Ma read it to me when I broke both arms once—don’t ask,” he adds quickly, grinning sheepishly. “But I can’t remember the title. Just bits of it.”

That piques your interest. You sit up a little straighter, curiosity lighting up your features. “What do you remember about it?” you ask, your tone genuinely warm.

Soap exhales, relieved you haven’t laughed him off, and starts piecing it together. “Right, so it was about this fox. A scrappy wee thing, always gettin’ into trouble. Lived in a forest, sneakin’ around like it owned the place. There was… a badger, I think? Big, grumpy fella, always tellin’ the fox to stop bein’ reckless. But the fox didn’t listen—bit of a troublemaker, that one.”

You nod, your attention fixed on him, and it spurs him on. “One part I remember clear as day—there was a trap. The fox got its paw caught, and I thought it was done for. Had my heart in my throat. My Ma kept tellin’ me it’d be fine, but I was sweatin’ over it.” He chuckles, rubbing the back of his neck as if to brush off the emotion. “Then there was somethin’ about the forest gettin’ destroyed, so the fox had to leave. Find a new home, y’know?”

You lean forward slightly, completely drawn in, and it makes his pulse quicken. “That sounds… really sweet, actually. And a little sad.”

“Aye, it was,” he says, his voice softer now. “Hit me like a brick back then. Think I might’ve cried—don’t tell anyone that,” he adds quickly, wagging a finger with mock severity.

Your smile widens. “I wouldn’t dream of it. But… you’re describing it so vividly. I might know it. Hang on.” You tap your chin thoughtfully, sorting through your mental catalog of titles. Soap watches you closely, his expression softening as you mentally sift through the possibilities. After a moment, you shake your head, regret flashing in your eyes. “I think I know the book, but I don’t have it here. Sorry.”

Soap raises his brows, clearly impressed. “You’ve got a memory like a steel trap, lass. How d’you even keep track of all that?”

You wave him off modestly, a faint smile tugging at your lips. “It’s nothing, really. I just like books. Spend enough time with them, and you start remembering the little details.”

“Still,” you say, your tone tinged with determination. “I’ll keep an eye out. If it crosses my path, I’ll make sure you’re the first to know.”

Soap’s grin widens, his eyes crinkling in that way that makes it hard to look away. “Aye, I’ll hold you to that.” His voice softens, and for a moment, there’s a quiet warmth between you that neither of you rush to fill.

“Thanks,” he says finally, the sincerity in his tone catching you slightly off guard. “You’re good company, y’know that?”

Before you can reply, he pushes off the desk with his good arm, the playful edge returning to his expression as he gives you a wink. “Don’t let me distract you too much, aye? I’ll see myself out.”

You manage a small laugh, watching as he makes his way toward the door, the faint scent of his cologne lingering in his wake. But just as he steps into the hallway, he pauses, glancing back through the open door.

For a brief second, his gaze softens, the memory of the fox, his Ma’s soothing voice, and the quiet comfort of your little nook weaving together to warm a part of him he hadn’t realised needed it. With a nod to himself, he turns away, the thought of returning already forming in the back of his mind.

. . .

The cafeteria buzzed with the usual hum of conversation and clatter of trays. Soap, now out of his sling and feeling like himself again, sat among Gaz, Ghost, and a few others from the base, his laughter loud and infectious as they swapped stories and teased one another. His attention was fully on Gaz’s exaggerated recounting of a drill mishap when Ghost’s gravelly voice cut through the din.

“Oi, Johnny. Little mouse headed this way.”

Soap blinked, confused, until Ghost gave a subtle nod toward the figure approaching from behind. Soap twisted around, and his breath hitched the moment he spotted you.

Springing to his feet far too quickly, Soap’s knee hit the table with a loud clang, trays rattling dangerously. The others shouted half-hearted complaints, but Soap didn’t care. All his attention was on you, standing there with a paper bag in hand, a shy smile gracing your lips.

“I—uh—hi,” Soap stammered, suddenly unsure of himself as you held the bag out toward him.

“I found it,” you said simply, your tone giddy. “Thought you might like to have it.”

He stared at the bag, then at you, before carefully taking it from your hands. His fingers brushed yours briefly, and he swore he felt a spark. Peeking inside, his jaw dropped. There it was—the book. The cover was pristine, like it had just been pulled from a bookstore shelf.

“You didn’t…” he began, but words failed him. His gaze flicked between the book and your face, awe written plainly across his features.

You chuckled softly, patting the hand that held the book. “It’s no big deal. Enjoy it, yeah?”

And with that, you turned and walked away, leaving Soap frozen in place. He watched you go, only snapping out of his trance when Gaz whistled low under his breath. Soap turned back to the table, clutching the bag as if it held a treasure.

Seated back at the table, the book resting carefully in his lap, he barely touched his food, his usual chatter replaced by a soft, distracted smile. He flipped the book over in his hands, running his thumb along the edges of the paper bag, his thoughts clearly elsewhere.

“Someone’s got a fan,” Gaz teased, grinning.

“Shut it,” Soap muttered, his cheeks flushing.

But the teasing didn’t stop there. One of the younger men at the table, a mechanic who had joined the base recently, leaned forward, asking him about you with a smirk edged with something he didn’t like, at all.

Soap’s expression darkened instantly, his jaw clenching. Ghost, always the observer, grumbled lowly. “Leave it, lad,” he warned, his voice a quiet rumble. The mechanic wisely dropped the subject.

As the conversation shifted back to base gossip, Soap’s focus stayed on the book in his hands. He traced the edges of the paper bag absentmindedly, his mind replaying the moment you’d handed it to him and the warmth of your hand on his. His smile widened, soft and genuine, as he looked the book over again, the edges of the paper bag crinkling beneath his fingers.

Ghost glanced at Soap briefly, noting the faraway look in his eyes. With a barely audible snort, he shook his head and returned to his meal, leaving the smitten Scotsman to his thoughts.

. . .

Soap spent the better part of the next day scouring every corner of the base, peeking into offices, workshops, and even the records room during normal hours, hoping to catch a glimpse of you. Each empty space only added to his frustration.

“Sneaky little mouse," he muttered under his breath with an undeniable smile, hands on his hips.

His gripping earned a chuckle from Gaz, who leaned back in his chair and exchanged a knowing look with Ghost. “Maybe you’re just not lookin’ in the right places, mate,” Gaz teased, popping a peanut into his mouth.

Ghost, however, offered a rare bit of practical advice. “Try the rec room. Late hours.” His tone was low, but there was a glint of amusement in his eyes. “Sometimes I go there when I can’t sleep. Tea’s decent, and I watch matches on my phone. Could be she’s got the same idea.”

Soap perked up at the suggestion, nodding gratefully. “Aye, worth a shot. Thanks, mate!"

Later that evening, Soap made his way to the rec room. The base was quieter, the halls dimly lit, and the faint hum of a vending machine filled the otherwise empty space. As he approached the rec room, the soft clink of a kettle caught his attention. Peering in, he spotted you by the small kitchenette, the warm glow of the stove’s light illuminating your face as you poured hot water into a mug.

For a moment, he hesitated. His usual bravado faltered as he took in the calm scene, unsure how to approach without disturbing the peaceful air you carried with you. But then, squaring his shoulders, he stepped inside.

“Didn’t think I’d find you 'ere,” he said, his voice low but carrying a playful lilt.

You glanced over your shoulder, surprised but smiling softly when you saw him. “Evening, Sergeant. Tea, late-night stroll, or both?”

He chuckled, rubbing the back of his neck. “Both, maybe. Been lookin’ for you, actually. You’ve got a knack for disappearin’, y’know.”

You turned back to the stove, shaking your head lightly as you reached for another mug. “You found me now, didn’t you? Want some tea?”

“Aye, thanks.” Soap approached, watching as you handed him the steaming mug. He cradled it, savoring the warmth in his hands. “Listen, about the book…”

You waved him off, cutting him off before he could continue. “It’s nothing, really. I should be the one thanking you. You’ve shown interest in the books and my little corner. It means a lot to have someone notice.”

Soap blinked, caught off guard by your words. Before you could turn back around to retrieve your own mug, he reached out, catching your hand. His fingers curled around yours gently, his thumb brushing the back of your knuckles.

The contact was warm, steady, and startlingly tender.

“No,” he said, his voice dropping to a softer tone. “It wasn’t nothin’. You went out of your way for me, and… it means more than I can say.”

You opened your mouth to respond, but the words caught in your throat when he lifted your hand, pressing a lingering kiss to your fingers. His lips were warm, his expression earnest as he looked up at you, gratitude and something deeper shining in his eyes.

For once, you were the one left speechless, your heart skipping a beat as the weight of his sincerity settled over you. Soap released your hand gently, his fingers lingering for just a moment before pulling back.

“Thank you,” he said again, his voice a near whisper.

You swallowed, your cheeks feeling uncharacteristically warm. “You’re welcome, Sergeant,” you managed, offering him a soft smile.

“Stay a while?” he asked, nodding toward the small table tucked into the corner.

Your heart skipped a beat, and before you could overthink it, you nodded, moving to sit down. He followed, his mug cradled in his hands as he eased into the chair across from you. The quiet hum of the room settled over you both, broken only by the soft clink of his mug against the table as he set it down.

For a moment, neither of you spoke, but the silence wasn’t uncomfortable. Instead, it felt warm, almost fragile, like something new and precious was taking root between you.

“You’ve got a knack for this,” he said, his tone low and easy.

“For what?” you asked, taking a sip of your tea.

“Doin’ things that catch a man off guard,” he replied, his blue eyes glinting with something playful yet sincere. “Like huntin’ down a book I barely remembered just to give me a piece of my past back.”

You waved him off modestly, though the compliment made your chest tighten in an unfamiliar way. "It's...just a book."

“To you, maybe,” he countered, his voice soft. “To me, it’s somethin’ more. And so’s this.”

He gestured vaguely, encompassing the quiet space you now shared, the table between you feeling more like a bridge than a barrier.

You lowered your gaze to your mug, the steam curling upward as you processed his words. There was a warmth in his voice, an openness you hadn’t expected but found yourself leaning into.

When you finally looked up, Soap was watching you, his gaze steady and filled with something unspoken. You held his eyes, the corners of your lips curving into a smile that matched his.

“This is nice,” you murmured, almost to yourself.

“Aye,” he agreed, his voice low. “It is.”

And as the two of you sat there, sipping tea and sharing quiet smiles, the space between you seemed to shrink, the glow of the moment wrapping around you both like a promise of something more to come.

banner credit

[citrus-writing]

In Your Skin - yandere! feitan x reader

summary: Feitan carving his initials into darling

warnings: violence against reader, implied past abuse

taglist: @rotten-pomegranate on Tumblr

---------------------------------------------------------

Over time- weeks and weeks spent under his watchful eye- all the fight you once had in you has been worn away. By now all you can do is try to read his expressions and guess his mood and try to be good. You do your best to do whatever he says, but the truth is that by the time he has to tell you, you’re already too late to avoid his anger. You do your best to do what he wants- wear the clothes he likes, partake in hobbies he seems to like seeing you engage in, talk about the things he likes to talk about; there isn't much he likes to talk about, but you try. It's never enough.

You look over at him, sitting alone reading a book in a language you don't know. His face is hard to read, especially at such a glance, but he looks almost cute- it’s strange to think of him as attractive, but that’s the truth; to you, he’s cute, handsome even. Should you feel disgusted for thinking that? Ashamed? Embarrassed? You’re not sure. You don't even know what he would think if you told him- but you do know that his face wouldn't betray any emotion, and he’d find a way to make you regret saying it. 

When he looks at you, you look away fast. You hear the book snap shut and you know you're in trouble. Was it looking at him that made him mad? Or looking away?

"Come here," he calls, and you hurry to obey- whatever he had in mind, you knew hesitating would only make it worse. You come to stand in front of him, eyes fixated on his shoes because you don't dare to look up at him. If you looked at him, what would you see? Not knowing what expression he wears sends terror straight through you. The thought of what expression he wears as you cower is ever worse. You can feel his eyes boring through you. “What you were looking at?” he asks in that signature slightly broken english. 

You don't know what to say, “nothing, i uh, wasn't really looking at anything.” 

He moves to get down from where he’s sat, grabbing you by the wrist. “Liar.” he hisses. You don't say anything as he pulls you from where you were standing towards the basement. You know you said the wrong thing, you always do, and now you have to pay for it. 

Once you’re at the bottom of the stairs he pushes you towards the little operating table at the center of the room, one you’re familiar with by now. The first few times you’d thrashed and kicked and screamed for him to let you go. Now, you don't say anything at all, stumbling to the table and feeling tears sting at your eyes from the horror of your situation. How many times could you mess up before he killed you? You must be on thin ice by now. Was this it? Would you even care if it was? 

He straps you down to the table, fingers tracing over the skin of your wrists and ankles as he secures the leather straps. It’s almost gentle, almost a lovers caress. You watch him look at you, head slightly tilted but face unreadable. He speaks first, “you were staring.” Was that what this was about? That you had been staring at him in the living room earlier. “Then you lied.” 

You can't stop crying, the various tools hung up on the walls glare down at you- and you remember some of them, the way they had felt, the way they had pierced your skin and the way they had made you scream in pain. You nod your head anyways. “I’m sorry.” 

He frowns, looking down at you like you’re not making sense, “don't be.” 

He picks up a clean little blade- so clean it gleamed in the light, with such a sharp and smooth edge that you imagined you’d barely feel it. It's a stark contrast to the other weapons down here- all dirty and jagged, all perfectly crafted to inflict as much harm as possible. This little weapon isn't like that at all- you find the mind to wonder if it’s new, even. 

Then he turns back to you, his face is unreadable, but his body language is a little off. Normally, when he brings you down here and straps you to the table, he’s angry. Even if he doesn’t tell you or show it, you can always tell he’s angry at you. But not right now. 

He traces his free hand from your cheek to your collarbone, peeking out from the collar of your clothes. His fingers are cold, tracing over you in a nearly gentle manner. You try not to shiver. The sound of your clothes being ripped apart by the clean little knife starles you from your spell. He only cuts through the collar of your shirt, only exposing a few extra inches of skin, from your collarbone to the top of your breasts. 

Your breathing begins to speed up, a new kind of panic setting in. Feitan had done a lot to you in your time here, but his touch had always remained tactile, like he didn't really feel one way or another about touching you. You should have known when his fingers brushed over your cheek that this was different. Of course you’d considered the possibility- that he’d brought you here for something more than killing you- but as time had worn on, that fear has started to subside. 

You don't have time to dwell on the details of what he was about to do, or why, when he brings the blade to your skin. Of course, struggle is impossible with you bound so tight, but you have to try, don't you? You try to kick your feet, try to move your hands, try to scream. 

Through tears you can make out his face, he’s lowered the cowl he wears enough for you to see what expression he wears- and though he hides it well, there’s some demented sort of smile tugging at his lips, though he seems to try to hide it. 

When he allows you up from the table, you realize that you haven't been there for very long. You also notice that he’s left you completely unmarred besides the area below your clavicle- which feels mangled, burns and bleeds, and you don't dare raise your hand to test the skin there. 

He picks something up off of a nearby table, holding it out to you- it’s a hand mirror. You can hardly lift your arms to take it from him, too afraid of what you’ll find etched into your skin. He’d never bothered to show off his work before, confident you would see it next time you showered or looked in the bathroom mirror. But he wants to see your reaction to this one. You hold up the mirror to look at what he’d written into your skin. 

FEITAN. Written in capital letters, weeping blood, etched deep enough into your skin you know it’ll leave deep angry scars. 

Your eyes dart to the man standing in front of you, and you're shocked to find him closer to you than he had been before, inches from you, lips wrapped into a smile so twisted and cruel it makes your stomach churn. 

“You’re mine.” 

[queenunderthatmountain]

okay but book jaskier is so special to me

Him just being this childish, flirty, and self loving pretty man in his fourties who makes inappropriate jokes at the wrong time and always ends up in situations that he needs to be saved from

but him also being so much more than just this basic, seen before, comic relief.

him being an artist, above all else, a really good one, one that can make people passionate and sad and feel all the emotions he feels. wasnt he even a teacher at oxenfurt? like teacher jaskier pls give it all to me

him coming from a rich family, being educated but deciding that his art is all he needs and to live his life in the fullest

him always thinking he's not brave enough, but for the people he loves he goes through danger and discomfort, as long as he possibly could, longer than anyone, including himself would have thought

him also being just a really lovable person? him chosing Geralt, cold seeming, unsocial, sad Geralt as his best friend (in the books thats the kind of realtionship i see them as) and just making Geralt love him, even though he fucks things up on a regular basis, can be annoying as hell and lands them in the strangest ans messiest situation, Geralt loves his bestie so much, he would go through anything for him without making Jaskier feel bad for it

sure he might sometimes be annoyed but would never truly be angry and never ever abandon him do you hear me netflix

he could have all the company in the world, but he chose to stay with the outcast, the brewing, dangerous man who is unwanted and unwelcomed by society, and never regretted it

In conclusion Jaskier is a very special being and means the world to me

[daily-whistlepaw]

daily whistlebreeze until spo becomes PoV day 1398

I like seeing how different I can make gray cats by throwing Whis at them; anyways, Spotfur's been on my mind tonight

[o-uncle-newt]

I read Possession by AS Byatt after people told me "if you liked Gaudy Night you'll like this" and WELL.

Warning- spoilers for both books abound below!

So it sounded great- as a lapsed academic (though not in the field of literature by any means) there's a part of me that loves reading about academia because it's full of such obsessive people, and this book seemed to be exactly that and so I was excited.

Then I read it, and on the one hand, my first thought was "all these people are dull as heck, the only sane modern-day one is Val, and at the end of the day the historical stuff is just two people having an affair, who cares." My second thought was "there's just enough stuff here that makes me think that maybe the author knows that all of this is stupid, like the fact that Val is obviously one of the few sane ones here." But the ending made me doubt even that. Essentially, and I say this even as that lapsed academic, the author could not convince me to care about the important things at stake here, and as a result couldn't get me to care about the people who only seemed to care about those things.

I didn't care about Ash and LaMotte- they came across as two people high on their own supply who had a tawdry affair. (And each of them is the less interesting person, as a person, than their official partner!) As a result of not caring about them, I couldn't POSSIBLY care about Roland, Maud, and the rest of their crew, because their only functions were to be possessed by, and weirdly possessive of, these two entirely unworthy individuals, whose in-universe historical and literary significance Byatt couldn't convince me of, and to use that possession as a mirror for their own very lame romance. Beyond that they're utterly uninteresting, and there isn't even meant to BE much beyond that so it's not that surprising.

Anyway, I didn't like this book much, but it still made me think a lot. And there's a way in which a certain kind of person might say "well if it made you think then that's surely a sign of some positive quality" and... maybe? I don't know. I didn't hate all of it, and some parts were interesting, and I do have a whole separate list of things about the book that bug me including a breakdown of some of the book's (perceived by me) themes that I particularly disliked lol. Perhaps I'll post it another time. So I guess you can say it spurred me to thought, but loads of things that I don't like do that, and the only positive thing that that draws from me is that they're not downright dull.

The thing is, after finishing the book I was immediately struck by that "if you like Gaudy Night..." element, because it has a situation that felt weirdly similar (if for totally different reasons)- a young scholar stealing a letter from a library/archive. The circumstances are different- in Gaudy Night, the scholar does it to hide its existence so as not to contradict his thesis, and in Possession, the scholar does it so as to explore the document further, though still secretly- but there are still some interesting parallels vis a vis class. Possession goes into the class thing more than Gaudy Night does, but neither book goes much into it- the scholar is lower-class and someone who has scraped their way to their position, and is encumbered by a female partner of lower social and academic standing, and in the end they are juxtaposed against scholars who come from an elevated class and who have more money and opportunity. In Gaudy Night, Arthur Robinson is judged by the likes of Lord Peter Wimsey and a college full of women who don't have to do anything but think, teach, write, and grade papers; in Possession, Roland has to convince a bunch of academics of standing and resources to take a chance on him (and while this is more about money than class, he's the main one who's like "maybe it's good if Lady Bailey gets her wheelchair"). Byatt elides over this at the end by having him magically become in demand and on his way to achieving his academic goals, but I think in both books, the class element really could have taken on more significance in the text.

(I'd add as well that Byatt pits the upper-class and moneyed Maud, who of course is doing things for "the right reasons," vs the evil American businessman who clearly... doesn't care about Ash enough? Despite how much he clearly and obviously cares about Ash? The book was way more interesting when he seemed like a valid rival to the British team, who only thought that they deserved the letters more because of their obsession, rather than how it turned out at the end where the American dude is an actual cartoon villain. What made him genuinely less worthy besides having money without class, and of course having the bad taste to be American? What makes one scholar's possession more justified? Sayers was never this unsubtle.)

So that made me think more about Possession vs Gaudy Night, and the thing is, there are actual living people in Gaudy Night! Say what you will about the unworldliness of the academics at Shrewsbury, but you get a very keen view of their personalities by the end, even as they are (by necessity given the rules of their world) subsumed by academia, or subsume themselves in it. And the people who do fall in love are REALLY in love, and you understand why...

And somehow a book from 1935 feels far more interrogative of the possession (or lack thereof) found in love and romance, and just about the place of women in academia and relationships overall, than one from the late 80s. In Gaudy Night, Harriet accepts Peter once she has determined that despite their power differential (brought on by class, money, history, and to a degree gender) he will not threaten her personhood, because he has proven himself to her. In Possession, Maud accepts Roland because she has the power (money, class, position, even height) and so Roland actually cannot threaten her- and yet still that final scene is about her being taken by him, basically to prove some kind of a point. In contrast, in Busman's Honeymoon, the euphemistic sex scenes are about Peter trying to please Harriet.

When I say it's to prove a point, I'm paraphrasing Byatt, incidentally- who said: "And in the case of Maud I had made it very inhibiting. She was a woman inhibited both by beauty (which actually isn't very good for very beautiful women because they feel it isn't really them people love) and she was also inhibited by Feminism, because she had all sorts of theories that perhaps she would be a more noble kind of woman if she was a lesbian. And so she was a bit stuck. And Roland was timid because I am naturally good at timid men. It's the kind of men I happen to like. He's a timid thinking man, so of course it took him the whole book." I mean... yikes, but also that explains a lot. Maud can only bring herself to be with a man who is weak/effeminate (?) enough to justify whatever weird psyche Byatt has imagined up for her, but still she needs to get over her inhibitions and under him because... reasons. I don't know.

(Height is also interesting here as a point of contrast- Byatt makes Maud taller than Roland to make a point about how on the one hand she retains the power but on the other hand there is now even more of her that has to surrender. Peter and Harriet are the same medium height and wear the same size gown.)

I think the thing that most stuns me is how regressive Possession feels when it comes to gender politics on relationships than Gaudy Night does. I'd need a whole other post to talk about this, but the theme of Possession seems to me to be "relationships that produce things (whether art or children) are worth more than ones that don't." Roland is better with Maud than with Val because Val is a second rate scholar who drags him down (while supporting him financially) and Ash is better with LaMotte than with Ellen because LaMotte didn't only inspire his writing (Ellen's contributions are described only in the negative "didn't impede"), she gave him the child that Ellen refused to. Incidentally, in both cases it's the man pursuing a relationship that will give HIM something... But, to paraphrase Peter in Busman's Honeymoon, one wouldn't want to regard relationships in that agricultural light. Gaudy Night is about how two people can produce great things without each other but choose to be with each other for their own, and each other's, happiness. They aren't each less apart, and as I noted in a prior post, they don't need to solve cases together or conjoin their work in order for their relationship to be worth something. It is worth it for them to be together because it encourages some kind of inner balance within them and between them, as people. They enjoy collaborating but that is by no means the basis of their love (and, incidentally, I think that a lot of, if not most, detective series romances fail this basic test of "would they have fallen in love if they were accountants who met on a dating app." Peter and Harriet definitely would have- would, say, Albert Campion and Amanda Fitton have? I do NOT think so).

And here's the thing- another reason why Byatt's quote above is so off-putting is that it makes it clear that not only in the text but on a meta level, the purpose of the relationships is to prove a Point. I found Roland and Maud to have zero chemistry, and honestly I was expecting them to get together 3/4 of the way through and split up at the end when it turned out they had nothing in common- it seemed like that kind of book. I was kind of stunned when they only got together at the end in an "it's meant to be" way because nothing about it seemed meant to be. They were stuck together by that one thing and they each apparently needed the relationship for some kind of self-actualization or historical rhyming or other. (Whatever I say about Ash and LaMotte... at least they seemed to like each other!)

Peter and Harriet... they get together because they love each other. Do they change over the course of Gaudy Night, and over the course of the other books they share together? Of course they do. But if it makes sense, I'll put it this way- Harriet doesn't accept Peter's proposal as proof that she got over her hangups, Harriet gets over her hangups so that she can accept Peter's proposal. Her hangups only matter because they were keeping her from this particular kind of happiness- she was a fully actualized person even with them. She is a person who does things for human reasons so that she can build a mutually happy life with the person she loves, not a little plot mannequin being moved around in order to tell the author's desired Message. People can say what they want about Gaudy Night and its flaws, but despite the intricacies of its construction, nobody can call the characters' actions and motivations anything but brutally human.

Whether within their universes or on a meta level, the books have SUCH different things to say about the value and nature of love, the place of and purpose of sex, the place of art and intellectual accomplishment in relationships, all of the above in the context of femininity… and I can't help but feel that each time, Gaudy Night wins the contest. It's possible I'm missing something major about Possession, and maybe sometime I'll post the rest of my notes about the things I disliked and people can tell me what I'm wrong about- but if nothing else it made me appreciate Gaudy Night even more, so for that I'm grateful.

[aropride]

i really dont understand studying at all like genuinely i don't know what it is . i know about "taking notes" and "reading the textbook" and that's it . quizlet doesn't do shit for me because i don't know what to. do. with the cards. look at them ? am i supposed to just look at them . No one bothered teaching me actual skills bc i got good grades when i was 8 and now i am so hopelessly lost . why did no one think to teach me this for when stuff got harder than four plus three

[hussyknee]

I think sometimes you just have to make peace with the fact that your actual hobby is collecting books. And that that's okay.

[marmolita]

so much of the time I come on tumblr and see absolute garbage political opinions, but the saving grace is that I only see them as the OP in a reblog chain of fact checking and takedowns 😅

[mipeltaja]

Got a bad grade in occupational health checkup today. My bloodwork from last week came back with alarmingly low haemoglobin levels, which is not exactly new or surprising, but it is a new low, to the extent that apparently the physician who called me about it today doesn't remember the last time she saw someone this anemic.

She also somewhat chewed me out about not taking steps to address the probable root issue (a heavy period) through public healthcare since my last checkup. Except I could swear three years ago this same doctor basically told me to take ibuprofen about it when I said my period was affecting my quality of life. I even remember complaining to people about how I wasn't really offered a solution.

But whatever, I guess we're addressing it now.

[aroaceleovaldez]

nico is actually confirmed catholic in ton

“And, through it all, he’d struggled with his upbringing as a conservative Catholic Italian male from the 1930s and finally learned to accept himself as a young gay man.” (chp 10)

I will take your word on this because I do not feel like checking my copy of ToN and also I have no reason to disbelieve you. Also, i'll be completely honest i do my best every day to try to forget literally everything that happened in Tower of Nero because of how awful all of it was.

ironically immediately after I got this ask, I got another anon talking more about how the troglodytes (introduced in ToN) are racist. And I think that's beautiful.

[opens-up-4-nobody]

...

[timewizard-oldman]

watched nimona. i Will be rotating it in my brain

[vanillabat99]

I've been trying not to freak out over it (genuinely been doing really good) but I've had a lump in the weirdest spot on my arm since at least November, and it hasn't gone away in the slightest. I'm so nervous about seeing my doctor about it because I really don't want my fears to be true, but also putting it off isn't helping ._.

[catilinas]

an onomasticon to the letters of cicero can be a funerary monument if you want it to be

[dawdle-deer]

hey there was a book about that

Dandelions have a symbiotic relationship with little kids who make wishes

[wainswright]

me to man who thinks his writing taps into a well of creativity far beyond mortal ken: ah, but have you noticed how you assume healthcare is crap and can’t imagine a better way?