#I am looking for HISTORY and CULTURAL SIGNIFICANCE

[bookie-the-reading-junkie]

Me: BOOKIE! what are you doing?

me *jumps and sweats* : working on the next chapter?

Me:

me:...I'm looking for articles on japanese charcoal making. I promise it's related to the fic! (It’s only tangentially related nothing revolving around charcoal will appear anytime soon)

Me:...find anything interesting (and related)?

me: apparently charcoal burning suicides are a thing in Hongkong and Taiwan and there's a bunch of studies about them in Japan

[hoyatype]

cosy cosy cosy (un-cosy thoughts below)

performing a complex cultural appropriation calculation atm to determine whether i can get away with tatami mats & a shikibuton in my new flat

if the country of one's ancestors was historically subjugated by a major apac power that then suffered due to interwar japan's imperialist ambitions…imo the answer is yes? it's like two (extremely vague and historically contingent) degrees of cultural separation? and i should buy the tatami mat and also some house slippers from muji?

[punkpandapatrixk]

🏖Your Own Standards of Beauty ♦︎ Timeless Pick A Card

I’ve seen one too many times East Asian YouTubers, when talking about EA’s ‘rigid standards of beauty’ giving this sense of defensiveness or helplessness—because it’s culture, right? With every fibre of my mixed ancestry I loathed that particular brand of apologist behaviour.

‘Nature is busy creating absolutely unique individuals, whereas culture has invented a single mold to which all must conform. It is grotesque.’ – U.G. Krishnamurti

Up until fairly recently, I was still struggling with comprehending the thought process behind this ‘invention’ of a grotesquely small and narrow mould of beauty and conduct to which ALL East Asians must abide lest you’re a total disharmonious failure. After some long and hard rumination, frustration, accompanied by occasional bouts of repugnance, I think I finally get ‘why’.

Almost ALL people in East Asia ALL LOOK THE SAME!!! By nature!!! LMAO LMAO People can ONLY have black hair and black eyes LMAO Ahahahohohhahah I think these Asians were never ‘socialised’ to appreciate variety. Hahhh that’s so pathetic. If this really is the reason, man, it’s pathetic as fuck. Ionno tho. You think I’ve figured it out.

All I know is that East Asians must repent for all the sins they’ve committed against childhood, individuality, creativity, aaand society and Humanity itself. Yes, Humanity. Standing on the side of all genetically diverse peoples of Asia, such as the Ainus, Mongols, Uyghurs, to some extent the Zainichis, and sooo many other ‘anomalies’ who, in recent history, have been cast aside and treated poorly only because they don’t ‘fit in’ to the ideals and cultures of the main races of some purebred fucks.

For all I care, the part of East Asian culture that has birthed this infamous ‘rigid standards of beauty, and, conduct’ can go to fucking hell. If you’re the type of person who’s even the slightest bit proud—or defensive—of this you can go and fuck yourself. No one should be proud of that kind of a racist, fascist, repulsive, little bitch mindset. Are you a little bitch? I ain’t one.

I am a Supreme Bitch! Imma be myself and do whatever the fuck I want and look however I want. And if my society can’t take that? Those types of people—Asian or no Asian—can die on the wrong side of history! I. AM. MY OWN. PROTOTYPE.

perspective: Why BUSHIDO Is The Root of All Social Problems in Japan by Let’s ask Shogo

documentary: WE ARE X on YouTube (watch before it’s taken down LOL)

‘X challenged a conservative Japanese society and showed us a new way to be. They started a revolution, honestly.’

‘Be proud!! Be proud of yourself! We are!! X!!!’

deck-bottom: X(!?!) The Wheel of Fortune, Priestess of Ambition, Gold Magus (Johannes Faustus)

[PAC Masterlist] [Part 1] [Part 2]

[Patreon] [Paid Readings]

☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

Pile 1 – A Light of Innocence in this Insanely Debased World

playlist: silly playlist for silly people with rare songs!! by Rita wild

the TYPA beauty you are – Page of Cups

You are someone who’s known for being quite childlike. It could be that you do look young, but it’s mostly your mannerism. Technically speaking, it’s just YOU being the happy pill that you are. Listen, some of you tuning into this Pile could be dark and sombre on the inside—especially if you have a significant Scorpio/Pluto about you or if you’ve had a very unhappy childhood—but the way you’re perceived on the outside is totally bright, beautifully soft and pleasant, and dang, people really be liking your aenergy when you’re in a room.

You’re the type of beauty that exudes ‘purity’ in the most innocent way, no matter how you look or dress. You could be perceived as ethereal or unreal. otherworldly in a sense that you don’t seem to fit in this dimension. Are you an alien? Are you a goddess? Are you a fairy, elf, or an anime character? People may not have the exact words to describe you but you’re INTERDIMENSIONAL is what’s going on.

It isn’t just your physical beauty or the attractive way that you smile. People may not realise this themselves either but what’s truly beautiful about you is this VIBE or AURA that you generate from having a vastly pure heart. No, no, not pure in the sense that you never think sexy thoughts, what? Pure in the sense that you really operate from your Higher Heart and has very little ego driving your ambitions in Life~^_☆-v

effects on the world around you – Ace of Cups Rx

Basically, you just love beautiful things. You always look for beautiful things. And you make an effort to surround yourself with things you find beautiful in your own standards. And in a way, you’re also the kind of person who sees beauty in everything and everybody. You’re the type of person who sees Light even in a narc’s darkest corners of their blackened heart (if they had one), which is really such a beautiful thing but could also prove DANGEROUS!

It’s wonderful to have childlike wonder but it ain’t cool whatsoever to be childish enough not to acknowledge the presence of evil fucks. Bad people exist, OK? Very predatory and murderous people exist, OK? And it’s a spectrum. And you’ve been such an easy target for those on the milder spectrum of psychopathy! Babe! OMG You’re often drained of good aenergy after catering to the stupid whims of very narcissistic, histrionic, pathetic, selfish and whiney fucks.

STOP THAT. Of all the Piles, you’re the type of soft beauty who’s often underestimated and taken for granted just because you’re always so positive. If not ‘positive’ per se, you’re perceived as ‘strong’, so those types of people don’t even feel shame for constantly taking and demanding your aenergy. Keep allowing that long enough and your physical beauty could be drained out of you by the time your First Saturn Return jaywalks along and smacks you in the head.

keep being you, Glorious One – 6 of Swords Rx

Truly, you’re a silly angel who holds the power to absorb other people’s pain and gloomy feelings. But if this is your main pile, thing is, you might not have learnt how to release or transmute the negativity you’ve absorbed from your surroundings. It is paramount that you learn to call upon divine protection so that you’re shielded from the Evil Eye of those who are envious of your beauty and feel silly in your purity. Your Spirit Guides aren’t saying that you should stop being innocent, right?

A Soul like you is very rare in this perverted world. Some people might say, ‘They don’t make people like you anymore…’ WRONG. You’re the catalyst, if anything. By your example, there’s gonna be MORE people who are gonna be comfortable in their purity. Knowing that there’s nothing wrong with them for being this way. Fully comprehending that it is this world that’s gone too insane, and DEBASED. And this world has been this way for far longer than people realise. I mean, I’m sure you’re aware of how inhumane most people were in the medieval times LOL

Keep being the innocent and pure you, Glorious One. What you’re being advised to do is learn to set healthy boundaries from which you can still shine your Light safely. I’m being told that many of you choosing this Pile, due to your heightened sense of aesthetic, might want to have a social media presence or any kind of public platform where you’re free to share bits and pieces of your beautiful Life as a form of your Lightwork. Some kind of a lifestyle influencer?

I’m thinking of channels and blogs that typically share aesthetic daily vlogs and stuff like that—like nemui atelier on YouTube. You know what I mean; I don’t know what I mean XD

YOUR BEAUTY KILLS🔻💙

story of your evolution – Priestess of Prosperity

a legacy of authenticity – Red Astronomer (Johannes Kepler)

Access full reading + cards on Patreon🌸

☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

Pile 2 – An Unexpectedly Romantic Dreamer of Luxury

playlist: songs like 𝑚𝑦 𝑙𝑜𝑣𝑒 𝑚𝑖𝑛𝑒 𝑎𝑙𝑙 𝑚𝑖𝑛𝑒 (MITSKI) by song with love

the TYPA beauty you are – 2 of Cups

Ah~! You are such a dreamy and romantic beauty! You’re soft, elegant, sweet and lovely, with a kicking spice for those who would get on your bad side LMAO You’re actually a lot tougher than appearances give but most people don’t always get this until they’ve gotten to know you. For the most part, at first glance, at first encounter, you’re a sweet goddess, who probably gets projected on a lot.

You really have an unassuming quality about you. So then, people think there’s not much going on within and think it’s easy to typecast you into something, with some simplistic label. People think it’s easy to figure you out and classify you into some kind of a dream girl who’s always going to be nice, warm and friendly with everybody. You’re not. You’re a totally self-respecting babe. Actually, you really hate it when people act like they know you.

When people act like they’re close, buddy-buddy with you, it’s super annoying and depending on your mood that day, you could sometimes feel this urge to break people’s faces. But you don’t do that; you’re too nice. And you’ve got a plethora of coping mechanisms to deal with how annoyed you are with your surrounding XD Good for you!

effects on the world around you – 5 of Swords Rx

First of all, I think many of you tapping into this Pile love shopping. Retail is definitely your therapy. Is this good? Is this bad? Depends, I guess. You tend to spend money gregariously or consume a lot of food, or buy a lot of aesthetic knickknacks, or buy a lot of arts and craft as a means of therapy. Deep down, you’re somebody who has a lot of anger or a general sense of dissatisfaction with the world you’re a part of and this rage, almost, needs to be channelled creatively.

There’s a perpetual sense of disgust inside of you. You’re keen to observe and notice how much Humanity is failing. Everything that is ugly about society and people in general disgusts you. That’s why it’s important for you to live in beauty or indulge in creativity. That’s why it is paramount that your immediate surrounding, that your own Life, within what you’re able to control, is beautified to the max. You could be quite desperate in this pursuit because this is some kind of an overcompensation for the beauty and creativity that you feel is lacking in the world.

Your aenergy is kinda reminding me of this quote by the iconic Edie Sedgwick when describing why she dressed up the way she did:

‘When I was girl of the year and superstar and all that crap, everything I did was really…motivated by psychological disturbance. But I’d make a mask out of my face because I didn’t realize I was quite beautiful…I had to wear heavy black eyelashes like bat wings and dark lines under my eyes. Cut all of my hair off and strip it silver and blond. All these little manoeuvres I did out of things that were happening in my life that upset me. I’d freak out in a very physical way, and…it was all taken in a fashion trend.’

In fact, I think all of her famous words here could resonate with you. You are what trend-setters and superstars are made of, that much of your effect on the world is certain~

keep being you, Glorious One – Queen of Pentacles

Really, that’s all dandy as long as you can make a living out of your pursuit of beauty and creativity. This about you is really something that you can utilise as a means of therapy, self-care and self-improvement because you really are an artist, one way or another. It would be wonderful if you could monetise your beauty and creativity in some trendy way.

If you feel that you’re not particularly good at any kind of ‘real’ art, then you can ‘serve face’ to help other people sell their shit. You don’t think this is smart enough? Muses are often people who don’t do art—rather they inspire Art in the minds and hearts of other artists. Truly, you are an artist; but those of you tuning into this Pile who feel like you’re not one…you are potentially someone’s Muse.

Luxury is yours for the taking. But a lot of people in this world pursue luxury and some form of fame for vapid reasons and that often makes people very unhappy. Your Spirit Guides are saying that you do have a talent for balancing modern money-making and self-care. I think what they mean to say is that, you can be the prototype for how people can be completely and uniquely offbeat whilst still maintaining a good work-life balance.

After all, you do remember how much people like to project on you, right? Well, use them to make Life a lot easier! XD After all, it’s not like their projection and labelling would be useful any other way LOL🐙

YOUR BEAUTY KILLS🔻💜

story of your evolution – Priestess of Luxury

a legacy of authenticity – Green Historian (Herodotus)

Access full reading + cards on Patreon🌸

☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

Pile 3 – A Ghostly Bitch Witch Who’s Quite Literally a Fucken Sigma

playlist: Everything Is Still Under Control by Mabisyo

the TYPA beauty you are – Queen of Wands Rx

You, are, by nature, magical. You’re incredibly magnetic and this ain’t even something you’ve needed to work on; it all comes naturally. If anything, it seems you’ve needed to learn the very hard way how to shield yourself from aenergy vampires. You’ve needed to work on your boundary. This is because it took you such a long time to realise most everybody around you was nothing but anklebiters. These were people who just wanted to be seen orbiting you because doing so would elevate their status or image.

Whether or not you’re aware of it, you’re quite literally thee IT girl. You’re also THAT girl, because a lot of what you do and just who you are is very aspirational. Well of course aspirational to the motivated ones; to the weak, lame-ass ones? Almost everything about you is irritating. And most people are really lame, don’t we all agree on this? So you may have felt like you’re really quite an unlikeable character. WRONG. Dead wrong. It’s not you; it’s your lame-ass environment.

You’re a Queen of Passion who’s been living in peasant quarters, figuratively speaking. You’ve been surrounded by misers who don’t even understand why it’s deeply important for them to raise their own standards of authenticity. Thing is, they can’t afford to be authentic. It’s probably not entirely their fault—after all, peasants are highly dependent on thee System. Not you. You’re the menacingly magnetic bitch witch of a system buster!

effects on the world around you – 8 of Cups

As much as you make an effort to be left alone, you magnetise admirers to no end. This is reminiscent of Greta Garbo’s famous quote, ‘I never said, "I want to be alone". I only said, "I want to be left alone". There is a whole world of difference.’ It’s true with you as well. You’re not necessarily an antisocial bitch who hates people; you just want to be left alone by gluttonous gossipers and silly simpers. You find it hard to grasp why people behave unreasonably in society, all, the, time.

You yearn for a more intellectual world where people behave honourably, which is quite paradoxical considering you’re often perceived as quite scandalous in your behaviour and lifestyle choices as well. For example, you could be gay or queer? You could desire to defy social norms such as ‘having to marry by a certain age’? You either reject social norms or you live completely opposite to what’s expected of your gender, nationality or age. You don’t like being told how to live your Life as if you couldn’t work it out yourself. It's YOUR Life, right?

It’s MY Life! My Story! Is what you say.

You’re the kind of super bad bitch that gives no one permission to decide how you should sail your ship. You’re at the wheel so you’re gonna sail the world however best you know. You’re gonna learn a ton because you’re not afraid of detours or delays or whatever—you could meet accidents, hopefully not fatal ones, but you’re going to learn. That’s what growing up well is all about for you. And if you meet the right kind of audience, your whole AURA is going to empower them to do just the same for themselves~

keep being you, Glorious One – 4 of Cups Rx

You are destined for an exciting Life. In fact, you’re meant to have an audience, have some kind of impact on the world, you’re meant to become some kind of a famous person. Could be a celeb, yeah, but in this social media era, literally everybody can have their own unique kind of celebrity, right? You’re meant to be seen, heard, listened to, watched, analysed (LOL), and learn from.

You’re somebody who’s rare and your perspectives are deeply needed by this world. This world that’s often blindsided by optical illusions. Of all people, you’re the only one who’s not getting sucked into the mirage of mass media and deceitful politicians. You’re the one who’s noticing where the lies are all at. And you need to point that shit out, spell it out for other people to see what’s truly going on in this world.

You could gain enemies, lots of them, in fact; but you are definitely gaining a massive following far greater than that if you remain authentic and courageous. Stay spooky. Stay scandalous. Stay gloriously YOU~ You’ve no idea just how much that Light of yours is needed in this world of long shadows. Keep your Third Eye open and keep your divine protection. Most people have yet to catch on to the one thing that makes YOU superfluously attractive: a courageous Heart that seeks to liberate others from the chains of their own cowardice.

YOUR BEAUTY KILLS🔻🧡

story of your evolution – Priestess of Luck

a legacy of authenticity – Green Magus (John Dee)

Access full reading + cards on Patreon🌸

☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

[PAC Masterlist] [Part 1] [Part 2]

[Patreon] [Paid Readings]

[ask-the-pioneer]

"I've always been captivated by them. Something about the shiny exterior, how they glimmer when you tumble them around in your hands. My younger self would obsess about them, a childlike fascination. Even back then I instinctively knew they had value. My mom would use pearls I found to pay for a safe passage at scavenger tolls. We tried to bypass those points as much as we could, but sometimes it was unavoidable."

"It's a looong story…. I was found roaming the wilderness by my mentor, who brought me to er, an entity, called an interator. Do you know of iterators? Apparently they are what was left of an ancient civilization that once inhabited these lands. I couldn't wrap my head around it at first. Iterators are massive, absolutely huge, like mountains. Do you see that big structure of a regular, smooth shape?"

[She points towards Five Pebble's can in the distance]

"That is an iterator's «superstrucute». A mountain, the entire thing… is a person. It still sounds crazy when I say it."

"Ah, right, my name… like I mentioned, I got lost and my mentor found me. He brought me to his iterator. If my memory serves me right, his name is «No Significant Harassment», or NSH for short. I recall thinking at that time, «Harassment? I hope he won't be cruel to me». I had no concept of iterator names, their meaning, why it's three or however many words long. It was incredibly confusing to my young mind, though looking back at it I consider myself very lucky. The iterator was, dare I say, «god-like» (his own words), but benevolent. I saw how well he treated Hunter – my mentor – and it made me trust him more, even though I was scared and wary in the beginning."

"Would you believe it if I told you… there are stories written inside the pearls? That those things I’ve been obsessing about all my life are used for storing information? I had many of them leftover from when I lived at a scavenger outpost. One cycle, NSH noticed my interest, and – I wish Hunter had told me about this sooner, but – the iterator shot at my head with something…? And suddenly I could understand everything he said. Not that he said much, because I started crying loudly and ran straight out of there, haha. But before I bolted, he gave me one of his pearls as consolation. I think he felt bad for the scared little me."

"After that, he would eagerly read all the pearls I brought to him. That is how I learned more about the culture of the peoples who were here before me: the Ancients, their customs, why the iterators were built, and much more. It was like the knowledge of the entire world was suddenly revealed to me – to a seemingly insignificant being, a tiny speck in an endless ocean of life. It both made me feel very important, and very small. And, yeah, it has intensified my obsession with pearls beyond mortal limits. What if I could write into a pearl? I could archive the history of my entire species! All the stories my mom told me when I was small? All the places I’ve been to? Or other scugs have been to…"

[Her eyes widen, sparkling with glee]

"Y-yeah… that would be nice… sadly I am what I am – a slugcat. I don’t know how to do this very advanced stuff at all. I have no means of doing this. I once asked NHS for help, but there’s only so much he could guess from my frantic signing. I don’t think he understood me, in the end. But he did appreciate my efforts, and I was given a title – the Pioneer, like a person who is the very first to explore something uncharted. Apparently no slugcat before me thought of reading from or writing into pearls? I find it a little hard to believe."

"This one! This is a very special kind of pearl – it contains an ancient poem from which my name originated. See, my name was a gift from NSH the iterator. It’s spelled: «Mirmyntasseth». The best way I would describe it, is… it’s a name for a feeling, or an experience. The way it was explained to me, is that the word «Mirmyntasseth» is an expression of seeing a marble roll on a flat surface, then hitting another marble. Ah, right, you may not know this – a marble is like, like a pearl, but translucent and even more ornate. I was told that marbles were used by the Ancients for entertainment. They had a game where you rolled one to hit another. I'll admit, I can see the appeal. Throwing rocks is fun, although I image this game was considered a more dignified pastime."

[She tumbles the dark pearl in her hands, admiring its luster]

"The poem inside this pearl, one of its verses spells: «Eight Marbles Cast in Stone». The poem itself is long… very long… I had the iterator read it to me once, and we had to stop in the middle because the rain was coming. Maybe I will ask NSH to read it again, when I’m back at his superstructure with Hunter."

[Her gaze trails off to somewhere far away for a moment, a subtle grimace on her face. She closes her eyes and shakes off the thoughts that cloud her mind]

"So, um… yes… that is why I am called Eight Marbles Cast in Stone, or Marbles for short. I like how it sounds, it has a nice ring to it. And it’s a gift from an iterator, a god-like being. I consider it a great honor."

"…that said, I wonder why he didn’t just name me «Pearl»? Wouldn’t that make more sense? Maybe it didn’t sound cool enough. They’ve used pearls just to store information. I guess it’d be silly to be named «Dirt» because you doodle in dirt, or «Batfly» because you love eating batflies? Hmm…"

[determinate-negation]

maybe I am wrong but I think there's an interesting paradox in zionism's denial of the diaspora and it's appropriation of the diaspora because it can't form a culture without taking from the diaspora itself

its a paradox of zionism in general, from its start its been a movement that took cultural and political influence from its surroundings– being 19th century europe– its a colonial and nationalist project modeled after other colonial and nationalist european projects, yet tries to portray itself as indigenous. part of this is from shifts in political atmosphere and self-perception of zionism over the past 100 years. but there is an 'israeli culture' you can point to that is not taken from the diaspora but rather an inversion of what it conceives the diaspora to be, for the diaspora to be seen as weak, sickly, overly intellectual, cosmopolitan and disconnected from the land, thus israeli culture is more militaristic, chauvinistic, with an emphasis on the masculine, fetishizing labor and agricultural work. the paradox is this cultural conception is basically lacking everything that made jewish diaspora culture interesting and leave a long lasting mark on western history, jewish culture as a minority culture in particular. i think the cultural output of colonial or imperial nations mostly interested in projecting strength and militarism is generally poor, chauvinistic, and easily forgotten because it lacks the qualities that make particular things significant historically artistically etc. like look at the cultural atmosphere of the weimar republic, or even imperial germany (after relative) jewish emancipation and the influence of minority cultures vs cultural production in the nazi period and afterwards, or american settler culture in the colonial period vs cultural forms created by oppressed people in america. if you are interested more specifically in israels conception of itself as like a negation of the diaspora the artist eli valley made a cartoon about this, israel man and diaspora boy. israeli society historically tried to erase diaspora culture within israel, like discouraging people from speaking yiddish and banning yiddish cultural production. but also needed to construct a positive cultural identity (i dont mean positive to mean good, just like as in creating something rather than negating or destroying) and appropriated palestinian culture, through taking indigenous names, food, etc. if you want to read about this process in israel as well as other settler colonies like australia and canada and the us the article settler colonialism and the elimination of the native by patrick wolfe is a pretty significant article. i would say as far as i can tell israeli culture today seems to be mostly predicated on this, not appropriation of diaspora jewish culture, which they seem to look down on generally. but theres not much interest in israeli literature or art worldwide, besides in germany (lol), and perhaps their failure to create anything worthwhile is part of why israeli archival and academic institutions seek to claim ownership of diaspora jewish culture. part of it is just to legitimize themselves and give themselves prestige as well i think

[bison-appreciation-club]

Hi! What are some of your favorite things about bison?? Your pinned post says ask at your own risk and I'm very happily doing so

oughhh ok!! firstly, i think they just look really cool. i mean, look at them....

secondly (and for this i am referring solely to american bison, i don't know very much about the history of european bison) they are very historically and culturally significant. the native americans who lived on the great plains relied a lot on the bison for food, but also to make clothes, tipis, weapons, and bison were also a part of their religion. in the 19th century white settlers killed most of the plains bison. this was sponsored by the us government as a method of cultural genocide, by removing the lifeline of the native americans in the area and forcing them onto reservations

in the 20th and 21st centuries, bison have been reintroduced to national parks and indigenous land across america and their population has increased, although there will never be as many as there were before because there's just, you know, not enough room for them.

look at him.... very important creature

[sassmill]

So in case anybody wanted an update on my last sewing machine post, yes I am in fact driving 4 hours round trip tomorrow to pick up a G series Singer 128 manufactured in July of 1923 with La Vencadora decals

I didn’t quite understand vacuum cleaner autism until I realized that I have sewing machine autism

[romanceyourdemons]

the big news in the art world is that a man snuck into the opening of ai weiwei’s latest exhibit “who am i?” and destroyed ai’s sculpture “porcelain cube.” this is obviously a tragedy and ai has expressed that he is devastated by the destruction of his work, but what bothers me most is that the huge majority of the popular response i’ve seen to this is just excusing the destruction by calling it performance art (which the vandal has stated that it is) and saying that ai weiwei dropped a han dynasty urn in his 1995 work “dropping a han dynasty urn.” and okay. i’m a huge enjoyer of readymades, i won’t contest that if you say it’s art then it is art, if i say i’m listening to a contemporary rendition of “4’11”” through my turned off headphones then i am. but it’s bad performance art. it’s shit performance art. “dropping a han dynasty urn” was witnessed and recorded and done with a clarity of artistic purpose that could not have been achieved with any other medium than a han dynasty urn—working with a similar question as “porcelain cube” (as i interpret it), juxtaposing china’s artistic and cultural heritage with the demands of its current government. the vandal, a czech man, has no part in that conversation, and no connection to the medium in question other than that it is a major work of art and he has a history of destroying or defacing those. he had no consenting witnesses, no recording other than the venue cctv, and if we are to take his work seriously and look for an artistic purpose in it, the best that i can come up with is either an opposition to the contemporary art world, or just sinophobia. idk. it’s just such a senseless waste of a really cool and meaningful artwork, and to me any attempts to frame it as a constructive work of performance art not only betray significant ignorance but also cheapen and insult what performance art really is

[nadas-dirthalen]

I Saw Solas's Origin in an Achievement Icon and It Opened My Eyes on 15 Years of Lore

— PART FOUR: if you haven't read previous parts, do it now! —

[ 1 ] [ 2 ] [ 3 ] [ 5 ] [ 6 ] [ 7 ] [ 8 ] [ 9 ] [ 10 ]

Welcome, friends and travelers! I wanted to get some thoughts recorded before Veilguard's release so I could see if I am right about an absolute BOATLOAD of theories I have.

In short: I saw the achievement list when it was released. I have seen the backstory hints for Solas included in said list. AND MY MIND WAS BLOWN.

You have been warned: THIS COLLECTION OF THEORIES INCLUDES SPOILERS FOR EVERY DRAGON AGE GAME AND ALL PROMOTIONAL MATERIAL UP TO AND INCLUDING OCTOBER 18, 2024.

Come sit down with me. Make a nice cup of tea (and hide it from Solas). We've got a lot of unpacking to do.

(this photo isn't the spoiler, I just like it.)

Today's Discussion: What the Chant of Light Confirms about Solas, Mythal, and the Evanuris at large.

Ohhhh boy. Here's where we're really getting into the, 'If you haven't read the previous parts, you NEED to go do that, otherwise what I'm about to say will make a lot less sense,' portion of this series. So seriously: the previous parts are linked above. Go look at those.

Caught up? Good.

Today, we're going to look at how closely the Chant of Light follows everything I just talked about with Titans, the Fade, spirits-as-thoughts, and Solas-as-lyrium-spirit. For this exercise, I'll mostly be drawing on material that I have access to (both volumes of World of Thedas, plus my knowledge from all three games) but supplementing with what the Dragon Age wiki has compiled, as well.

Rather than go through the Chant from beginning to end (as I simply lack the space here), I'm going to break it down into topics.

Our topics are as follows:

Who—and What—Is the Maker?

The Word "Forgotten" in the Chant

The Maker's First and Second Children

The Jealous First Children: Demons Seeking to Conquer the Earth

Archdemons and Titans

Yes, I Have to Talk About Shartan

Veilguard Predictions Based on the Chant of Light

Who—and What—Is the Maker?

For anyone who hasn't gone through the whole thing and read every verse, let me begin by saying: the Chant of Light is a story writ by many hands over the history of Thedas. Some of it is (allegedly) written or recorded from Andraste herself, but many verses are taken from outside sources—even adapted from other cultures' legends.

But overall, it is a story that the Andrastian faith believes in: one with approved verses that the Chantries teach all their faithful. The Chantry has been a brutal organization throughout Thedas's history, but I still find value in using the Chant to piece together different takes on Thedas's ancient lore. Whether the events happened as described is up for debate, but they are historically significant, and I would argue that they contain kernels of truth no matter if one believes in the prophecies from Andraste or not.

To properly discuss whether the Chant follows my theories, we first have to ask ourselves: what does the Chant suggest that the Maker is? To do this, we have to look closely at its creation story, and from the eyes of the one who supposedly witnessed him: the Canticle of Threnodies, and the Canticle of Andraste.

Right in Threnodies 1, it says this:

(4) From the waters of the Fade you made the world. As the Fade had been fluid, so was the world fixed.

Immediately, we can see that lyrium plays a major role in the Chant's creation story. If that's true, then the possibility exists that the Chant aligns at all with any of my prior theories. If that is the case, then the Chant of Light might aid us in predicting what's to come in Veilguard—especially with characters like Solas, so intertwined with Titan lore and lyrium.

From here, I went looking for additional references to the Maker, namely in Andraste 1.

(8) Lo! My eyes open'd, shining before me Greater than mountains, towering mighty, Hand all outstretch'd, stars glist'ning as jewels From rings 'pon His fingers and crown 'pon His brow.

The Wellspring of All said, "None now remember. Long have they turned to idols and tales Away from My Light, in darkness unbroken The last of My children, shrouded in night."

"World-making Glory," I cried out in sorrow, "How shall your children apology make?

Of course, we cannot forget one of the Chant quotes that Inquisition made famous!

(11) Here lies the abyss, the well of all souls. From these emerald waters doth life begin anew. Come to me, child, and I shall embrace you. In my arms lies Eternity.

Through all of these examples (and more that I simply do not have time or space to cite, with Veilguard so close), I can tentatively conclude: the Chant of Light is likely hinting to us that the Maker is a Titan.

But to test this theory, I wanted to go one step further. I wanted to see if the Chant of Light would suggest that the Maker is one of the Forgotten Ones.

The Word "Forgotten" in the Chant

To accomplish this next piece to the best degree possible, I actually moved the entire known Chant of Light into a google doc. Here's what I found when I looked for applicable mentions of forgot/forgotten.

(4) From the waters of the Fade you made the world. As the Fade had been fluid, so was the world fixed. (8) And so we burned. We raised nations, we waged wars, We dreamed up false gods, great demons Who could cross the Veil into the waking world, Turned our devotion upon them, and forgot you. —Threnodies 4.

We'll get to those "great demons" in a moment, but for now I want to draw attention to: "Turned our devotion upon them, and forgot you." That's one mention of the Maker being forgotten, in the first stanza we know from the Chant.

The Maker appears to Andraste (7) Eyes sorrow-blinded, in darkness unbroken There 'pon the mountain, a voice answered my call. "Heart that is broken, beats still unceasing, An ocean of sorrow does nobody drown. You have forgotten, spear-maid of Alamarr. Within My creation, none are alone." — Andraste 1

This comes from the first stanza of the Canticle of Andraste, and describes the first time the Maker appeared to her. She is describing what she is seeing: "There 'pon the mountain, a voice answered my call." She is evoking mountain imagery here, and even though she doesn't mention an abyss in this verse, it does come up elsewhere in the Chant (as we have seen).

That, and the Maker speaks to her: "You have forgotten, spear-maid of Alamarr. Within My creation, none are alone."

For one, we have a mention of forgotten, again. But perhaps even more crucially, we have this concept of "none are alone" within the Maker's creation. With everything I know now, I'm thinking of the concept of Isatunoll: the hive-mind feeling experienced by Dagna, Valta, and Harding.

(13) "World-making Glory," I cried out in sorrow, "How shall your children apology make? We have forgotten, in ignorance stumbling, Only a Light in this darken'd time breaks. Call to Your children, teach us Your greatness. What has been forgotten has not yet been lost." (14) Long was his silence, 'fore it was broken. "For you, song-weaver, once more I will try. To My children venture, carrying wisdom, If they but listen, I shall return." — Andraste 1

Another mention: Andraste addresses the Maker as "World-making Glory," which references the saying that Titans were the first Shapers of the world. Then, she says: "We have forgotten [...] Call to Your children [...] What has been forgotten has not yet been lost."

Again: references to the Maker as a being that was forgotten. Another reference to lyrium, in asking the Maker to call out to people. This reference is further enhanced with the Maker referring to Andraste as "song-weaver," suggesting that these songs are how she can speak to the Maker.

And to top it all off: "What has been forgotten has not yet been lost" is answered with, "If they but listen, I shall return."

Listen, for so long, made me think of commandments. Listening to the Maker's will. But now? Now I think we're supposed to think of listening to the Maker's song.

(3) I have heard the sound A song in the stillness, The echo of Your voice, Calling creation to wake from its slumber. (4) How can we know You? In the turning of the seasons, in life and death, In the empty space where our hearts Hunger for a forgotten face? — Trials 1

Just like Andraste has heard the song, the echo of the Maker's voice, calling creation to "wake from its slumber." It could not be more deliberate than that!

Another mention, also, of a "forgotten face."

To me, these mentions of forgotten affirm that the Maker is one of the Forgotten Ones, and is definitely a Titan. That tells me that, until I am proven otherwise, I can read the rest of the Chant of Light as though Maker-as-Titan is true, and can see what other developments stem from that initial truth.

Namely: What does the Chant say about spirits and people, in relation to the Titans?

The Maker's First and Second Children

To understand the (possible) creation of the spirits and the elvhen, we are back to the Canticle of Threnodies, stanza 5. The first of the Chant's Canticles, it's an introduction not just to the text, but to the world of Thedas as understood by Andrastians.

Again: it may not be a precise literal description of events, but I maintain that if the Chant of Light truly didn't matter, BioWare wouldn't have made it that long, or paid as much attention to cadence/meter as they did.

The crux of the earlier portion of this Canticle is that the Maker produced two sets of children, and the first eventually grew envious of the second (more on that later). For now, let's examine what is said of the creation of the Maker's first children.

(1) There was no word For heaven or for earth, for sea or sky. All that existed was silence.

I am going to interpret this one very liberally. It is not said that there were no heaven, earth, sea, or sky—but that there was no word for those things. That, I interpret to mean that there was no distinction between heaven and earth. Remember that, throughout codices from ancient elvhenan, "sky" often refers to the Fade, and "earth" often refers to the Titans' domain, the Abyss, or the waking world.

Either way: there was no Veil, and so there was no distinction between the Titans' domain and the Fade.

Then the Voice of the Maker rang out, The first Word, And His Word became all that might be: Dream and idea, hope and fear, Endless possibilities. And from it made his firstborn.

There are two things worth noting here:

the "Voice of the Maker" is something I interpret to mean the song of lyrium: the song of the Titan that the Maker is.

"Dream and idea, hope and fear/Endless possibilities" sounds a lot to me like the Maker is creating his first children with thoughts. Thoughts conveyed through the song of lyrium, maybe?

Originally, these "first children" famously showed no sense of ambition. They were given the Fade, but did not do anything with it. They only reflected what already existed. (Though I do want to note that this city apparently had lyrium for cobblestones.)

He called forth A city with towers of gold, streets with music for cobblestones, And banners which flew without wind. [...] But their songs Were the songs of the cobblestones. They shone with the golden light Reflected from the Maker's throne.

The Maker apparently realizes his mistake: only giving the spirits the Fade.

The realm I have given you Is formless, ever-changing.

But the solution to that mistake?

So the Maker turned from his firstborn And took from the Fade A measure of its living flesh And placed it apart from the Spirits, and spoke to it, saying: Here, I decree Opposition in all things: For earth, sky For winter, summer For darkness, Light. By My Will alone is Balance sundered And the world given new life.

The Maker took living flesh from the Fade. That's not the thoughts existing in the Fade; that's the lyrium from the Fade. To that living, now sentient lyrium, the Maker spoke, and declared opposition in all things.

Now sky and earth are separate things. The Veil is not yet created (we'll get there), but we have this concept of two opposing schools of magic, like earthbending and airbending (to forever keep with the A:tLA examples through this series).

So far, this is lining up with my previous theories. But, what, exactly, are the Maker's second children made of?

(5) And no longer was it formless, ever-changing, But held fast, immutable, With Words for heaven and for earth, sea and sky. At last did the Maker From the living world Make men. Immutable, as the substance of the earth, With souls made of dream and idea, hope and fear, Endless possibilities.

Now, the waking world is immutable, and there is opposition in magic. And from that opposition, the people are created. Not humans, but people. Their bodies are "immutable, as the substance of the earth" (meaning lyrium, I believe), "with souls made of dream and idea, hope and fear/Endless possibilities."

The exact same phrase: the Maker's thoughts are the souls of his second children, just as they were the first children's entire being. This proves that the people of Thedas have spirits for souls, but also that all spirits come from the Maker's thoughts.

When I tell you I almost choked, realizing that.

But I still want to ask the Chant of Light: in all this story, where do we find the Evanuris?

And the Chant has answered in full.

The Jealous First Children: Demons Seeking to Conquer the Earth

When I first read the Chant of Light, I had not pieced together that heaven and earth were synonymous with Fade and Abyss. Now that I have, I see the Evanuris plain as day in Threnodies 5.

(7) Now, with their Father's eye elsewhere, the firstborn At last created something new: Envy. They looked upon the living world and the favored Sons and daughters there, covetous of all they were. Within their hearts grew An intolerable hunger. Until, at last, some of the firstborn said: "Our Father has abandoned us for these lesser things. We have power over heaven. Let us rule over earth as well And become greater gods than our Father."

In the codices of the Trespasser DLC and the Temple of Mythal, there are constant references to the Evanuris wanting to tame or dominate the Titans, the "Void," or the "land." The ancient elves ask Elgar'nan to help them "tame the land." Mythal is praised for "striking down the pillars of the earth." The Evanuris, namely Mythal and Elgar'nan, carried on an endless war with the Forgotten Ones.

The Chant goes on.

(8) The demons appeared to the children of earth in dreams And named themselves gods, demanding fealty.

Remember part 2 of this series? Remember the Mythal lullaby from the Deep Roads portion of Trespasser? (I was lovingly informed about a small mistranslation, which I shall correct here.)

Ir sa tel'nal Mythal las ma theneras Ir san'a emma Him solas evanuris Da'durgen'lin Banal malas elgara Bellanaris, bellanaris. Isatunoll Mythal grants you dreams Lyrium within Becomes Solas evanuris Little stone boy Never granted (connection to many spirits) Forever, forever

Cole says, "He didn't want a body, but she asked him to come. He left a scar when he burned her off his face."

It sounds exactly like the Chant describes: Mythal feeding dreams to Solas, only to bring him into a body he did not want, and apply vallaslin (a geas?) that he did not ask for.

Therefore? The Evanuris are the Maker's first children, as far as the Chant of Light is concerned.

But I've still got questions. Namely: What came next?

Archdemons and Titans

As for the Evanuris's eventual fate—being imprisoned at the same time as the Veil was created? They've employed interesting wording.

And a mighty voice cried out, Shaking the very foundations of heaven: "Ungrateful children! I gave you power To shape heaven itself, And you have made only poison. As you crave the earth, the earth shall be Your domain! Into the darkness I cast you! In tombs of immutable rock Shall you dwell for all time."

I question who this "mighty voice" belonged to. I do not believe Solas is the maker, but I do wonder: was Solas acting in conjunction with his Titan here? During the exact moment of the creation of the Veil, he still would have had access to his non-sundered Titan. Would he still have heard the song/call, and made the Veil at the Titan's behest?

Regardless: this piece of the Chant speaks about the imprisonment of the archdemons in the Abyss, the same domain as the Titans.

It goes on to specify what happened next:

(11) Those who had been cast down, The demons who would be gods, Began to whisper to men from their tombs within the earth. And the men of Tevinter heard and raised altars To the pretender-gods once more, And in return were given, in hushed whispers, The secrets of darkest magic.

This serves to confirm a theory that I'd held for a long time: that the Evanuris whispered to the priests of old Tevinter through their archdemons. Trapped in their fade-jail, they could not act themselves, but may have used their archdemons as puppets in order to convince the Magisters to come open the door to the Golden/Black City, that they might be released.

Overall? It sounds like the Chant of Light exactly confirms every one of my theories on the Titans, the Forgotten Ones, spirits-as-thoughts, the Evanuris, and the Archdemons. I may not have been able to examine the entire Chant here (can you imagine how long this post would be if I did?) but what I have presented so far exactly aligns with my theories from the last instalment.

Now, the question you're all here for...

Yes, I Have to Talk About Shartan

I know, I know. Shartan is one of the most widely debated figures in the Chant. And I'm sorry to say, I'm no more sure than the rest of you.

But I've never quite believed that Solas himself is Shartan. He says he slept for millennia after the creation of the Veil, after all. But I cannot deny all that we know of Shartan: that he freed elven slaves, that he held fast in his convictions, and that he is rumoured to have been Andraste's lover.

It seems damning, doesn't it? Surely someone so invested in freedom must be Solas, especially an ancient elf who looks so much like Solas himself.

But what if Shartan wasn't one person?

(3) My Maker, know my heart: Take from me a life of sorrow. Lift me from a world of pain. Judge me worthy of Your endless pride. — Transfigurations 12

We can guess that the Maker is a Titan. We know Solas came from a Titan. We can guess that Solas was still able to hear his Titan when the Veil was created. We also know that there were many lyrium coffins in the Deep Roads during the Descent DLC. The Maker's first children whispered to many stone-spirits just like Solas.

We also know the Forgotten Ones are named by their qualities, just like spirits and demons.

The Maker instructs Andraste to carry wisdom to the people, that he might return. Who is to say that the Maker is not the ultimate Wisdom/Pride aspect, and we just haven't seen it confirmed yet?

And if there are many wisdoms and prides that are tied to the Maker-Titan, then there is absolutely reason to believe that any of those lyrium-spirits-turned-corporeal elvhen could strongly resemble Solas not just in appearance, but in convictions.

Two elven translations point me to this conclusion, as well:

Ar-melana dirthavaren. Revas vir-anaris: this is Fen'Harel's secret password for the spirits in Trespasser. I believe it loosely translates to, "I now promise knowledge. Freedom for we-Anaris." • This translation GREATLY interests me, because Anaris is the name of one of the Forgotten Ones. "We-Anaris" implies that there are many elvhen that come from Anaris, and these specifically may be the slaves Solas was trying to free.

Shar•tan: I believe, as with all the Evanuris, this name is actually a title. While I could not guess the meaning of the word "Shar," I do know that the word "tan" means "three." • I wonder if Shartan, therefore, is a collection of three people, potentially all from the same Titan as Solas. Anaris, maybe?

Veilguard Predictions Based on the Chant of Light

Whew! I have a lot of Veilguard predictions, but to keep this post from being tumblr-breakingly long, I'll keep this list to the ones that come strictly from the Chant of Light.

I believe we will find out more about the Chant of Light by not only being in Minrathous and knowing Neve, but by seeing the Chant's events referenced by the ancient elves and even in Solas's memories.

I believe we'll get, if not confirmation, at least a hint on whether Solas's Titan is the Maker.

I believe that, since Veilguard is all about prophecies coming true, that we will hear the "Voice of the Maker" ring out to us in Veilguard—likely through a Titan waking. • I'm going to bet that this is in or near Kal'Hirol, the thaig closest to Kirkwall, which is near where the red lyrium idol was found in DA2.

I believe we're going to find out more about the potential link between Andraste and Mythal (there are bajillions of theory posts out there about them; I didn't have time here!)

I believe we'll see an Archdemon's old prison and see how that (potentially) affected Titans and/or their hearts.

I believe we'll see someone who remembers being made out of lyrium—even if that someone is Solas.

---

As ever, if you got this far, thank you!! All your engagements on these continue to make my week.

Also: I am trying my hardest not to consume full-game-review spoilers! As these reviews go live tomorrow (10/28), you may see me not reading my notifications/replies, and appearing here only to continue posting my theories.

But if you feel like sticking around anyway, stay tuned for: The Evanuris Story So Far, As Best As I Can Guess It.

[jh-newman-opn]

The Moscow Fiasco

At the prodding of @quonunc, here is a quick overview of the incident I fondly referred to as "the Moscow fiasco" in a previous ask about the difference between Catholicism and Orthodoxy. It's a subject dear and horrifying to my heart after I wrote my undergrad dissertation on it.

In short: this is to do with how the Moscow Patriarchate (Russian Orthodox Church, hereafter ROC) is entirely in bed with the Russian government, and how Patriarch Kirill (of Moscow and All Russia) has been responding to the ongoing situation in Ukraine (and former Soviet lands more generally). Picture will make sense lower down the post.

The slightly longer short answer is that Patriarch Kirill is entirely in favour of the Ukraine war, and the ROC clergy are under significant pressure to support that as an official church stance-- my dissertation topic started to germinate when, completely by accident, I came across a 10-minute video of a ROC priest explaining very slowly and carefully that when he met the Pope, he did not talk about Ukraine. Will link this video if I can find it again, but at present it's proving elusive. (EDIT: found it!!! It was the Metropolitan Hilarion of Budapest and Hungary. This video looks like a hostage video honestly £10 says there's someone behind the camera holding a gun to this man's head for legal reasons this is a joke).

The foundation for this belief is obviously completely political (and the history of how the ROC and Russian state are completely entwined is long and complicated to say the least!), but officially the ROC stance is that it's about reclaiming the historic Slavic spiritual unity founded on the Baptism of Rus' in the year 988 by Vladimir the Grand Prince of Kievan Rus' when Slavdom become Orthodox. Proponents of this "Russian World" theory (Russkiy Mir') basically argue that it's the influence of the West that has fractured the unified Slavic people into different, opposing nations, and that by "liberating" Ukraine of this alien ideology of nationhood, the Slavic Orthodox world will regain its historic unity under the common banner of Orthodoxy. All I will say on this is that these people have a very rosy view of Kievan Rus', but that's a post for another day.

This has obviously caused friction within the Orthodox world. Ukraine now has two Orthodox churches-- the Orthodox Church of Ukraine, which is in communion with the Ecumenical Patriarch in Constantinople, and the Ukrainian Orthodox Church, which is in communion with the Russian Patriarchate. They are not in communion with each other, and Constantinople's decision to grant autocephalous status to the OCoU caused Moscow to schism with Constantinople. Constantinople is also accusing Moscow of heresy (specifically, ethno-phyletism). Moscow obviously denies this. Obvious question for the Catholics among us-- does this mean Russian Orthodox christians are no longer Orthodox? No, because schisms between Orthodox churches are not particularly unusual, and they remain within the general cloud of Orthodox communion links.

The whole mess is then immortalised in the absolute monstrosity that is the Main Cathedral to the Russian Armed Forces, which is what I wrote my diss on. The YouTube video linked there is promotional material from Russian military-themed TV channel Звезда, and is one of the better sources of info on it-- a lot of English-language sources contain a lot of incorrect information on it-- either because they don't understand the cultural background, or just straight up lies from the Russian govt propaganda arm--, so take anything they say with a grain of salt. Kirill then gives televised sermons from this cathedral in which he talks about the glorious Russian martyrs of the Ukraine invasion, does his best to harmonise Stalinism and Orthodoxy, and oversees military parades for national holidays. This cathedral has a huge amount of weird symbolism and imagery, and I am super happy to talk more about the mosaics and propaganda going on there, because it's a lot (to say the quiet part out loud: pLEASE ask me more about this cathedral because the more I think about it the more scream-worthy facts about it I remember).

You may have seen memes with this picture of the Virgin Mary (below). Yeah that's from this cathedral. And it's a really really fucked up image. Like, more fucked up than you may think. Could have written my entire diss on this image alone and how shockingly awful it is. western orthobro converts who keep reblogging it as if it's somehow cool and macho are just showing how little they know and it's embarrassing.

The militarism of the ROC since this whole thing has also gone bonkers and there's a huuuuuge amount of corruption and weird stuff going on. The tension between the clergy and the laity has been extremely high for decades, and has spilled over most notably in Pussy Riot's Punk Prayer stunt, an exhibition called Осторожно, религия! (beware, religion!), and some shenanigans in church-building more generally. On this particular incident I would point to the blessing of nuclear weapons and the canonisation of a patron saint of long-range nuclear missiles as key moments. The cathedral also has matching mosaics of Putin and Stalin, a fact that the Russian government very much wants you to think never happened (officially the mosaics were removed, but they absolutely were not-- muggins here found them and has the pictures to prove it).

The main takeaway from this topic is that situation is obviously complicated and the repercussions for everyone involved-- particularly Russian and Ukrainian laypeople-- are unpleasant to say the least. It gives something of a window into the Putin regime and its propaganda arm (Epiphany swim, topless horseriding pictures, Soviet-style policies, I could go on) more than anything else, because the situation inside the ROC is still quite obscure. From talking to people who know Kirill personally, it's not clear quite what he thinks is going on or why he's involved the way he is. Either way. Fiasco.

[punkeropercyjackson]

We've lost the plot when it comes to Percy Jackson.He's the personification of abused neurodivergent kids who got to grow up to live happy adult lives and to defy stereotypes.There's no ambiguity or alternative interpretations because that's what his author has always said he intended him as.When i say 'defy stereotypes',i'm also not limiting it to mental disabilities but GENDER too seeing as his plot in The Titan's Curse was proving himself as different from traditional men to Zoe and is said to be unlike other male characters countless times even in looks by a significant amount of the rest of the cast.Not to mention he's accidentally written as way more afrolatino-coded,specifically monoracial and darkskin,than white-coded considering all the straightup profiling he gets in the mortal world as a child and how many of his habits and traits are black and latino norms and tastes,including being from El Barrio and for the canon purists,Riordan has stated verbal approval of moc Percy

He was NEVER meant to be a normie,he was ALWAYS meant to be a minority and relatable to US,not white boylosers that let people bully them because they're self-proclaimed 'cringe but free' and pick me girls who flirt by being mean and treat woc like an entirely different species.And NEITHER of who challenge societal expectations or help out oppressed groups or try to fix the system or break cycles of abuse because they're too pissy to in any way that's not as aesthetic instead of a personality and a lifestyle.Percy.Jackson.Was.Never.For.You.He's a misfit because he's a minority since he's neurodivergent,poor and an abuse victim and he loves other minorities enough to be a bully beater nonstop no matter how many schools he got expelled out of

Hmm,would any of y'all have done that?I mean i've never been expelled but i DID stand up for other kids in addition to myself without a second thought all the way back to elementary school and i've shared a personality with Percy my whole life even besides that,including being afrolatino,bpdtistic and a trans femme and BECAUSE i'm all those things since Percy is also them.But if the books were about me,y'all never would've gotten into the series because the only weirdos to you are nerds,not the oppressed and you think we spit in the name of 'real' outcasts because we're 'too much'.Percy literally hates rich white people in-text and is implied to listen to The Ramones but when we say he means that shit and ain't just being quirky or tryna look cool,y'all forget yourselves and what happened in the books because that neo-liberalism in all the other books you read gave you brainrot and convinced you bookworms and fandomers are persecuted.Get better taste and social awareness,i'm not embarrased to be into super into children's media cause i have a life but i AM embarrased to have to share it with y'all.Especially those of y'all who think Luke was a radicalist instead of a fascist and insult greek people by using the bad parts of their history for your ships but never employ their actual culture

[jmdbjk]

Cultural reset...

These are just my own opinions and I think it's time I address this.

I had to google "cultural reset" to make sure I was using the term properly. New Google AI Overview says:

A cultural reset is when something significant in popular culture changes or is added, causing people to change the way they view things or to have a lot of people hop on the trend. For example, in K-pop, a cultural reset is a song that is very influential, usually one that gets pretty popular and many people love. It has a lot of influence over the K-pop fandom, and gets a lot of attention.

I did not ask Google AI Overview to specifically give me an example in K-pop. That's just my browsing history telling Google AI Overview that this bitch is obsessed... scary right?

(But I'm a little miffed that Google AI Overview generalized my BTS browsing history as K-pop because I don't look at or search up other K-pop artists. I am BTS only.)

Anyway, thank you Google AI Overview. Actually, I was more interested in styling concepts that are a cultural reset.

Let's stop stalling and just get into it.

I know none of us knew what to do with this Jimin when the photo folios dropped:

Definitely a cultural reset in my opinion.

We had never seen a Jimin like that before. Only in our fanfic-AI generated images imaginations had we ever thought...I don't think AI images was even a thing when this Jimin dropped on us.

Does anyone else have the urge to smooth the wrinkles and creases out of those pants for him? No? Just me? Ok.

Photo folio-black lace up leather gloved-patent leather panted-big chain belted-horny mask Jimin was a cultural reset for me and for many of us. The gloves really put it over the top. We'll never go back. He's covered from neck to foot except for a few slivers of skin. It's wild. It's just a smooth arm pit. Ok, before I run off the rails here... what was I saying? Oh yeah.

Also a cultural reset for me:

Every time I see this come up on my Youtube I watch it because it deserves all the views. Even the soundtrack was perfect.

I know Dora-the-Explorer haired Jungkook is not the favorite of some but I absolutely adore it... wait... sorry. There's a word there that I'm striking from my regular vocabulary from now on. Reasons.

This Jungkook was a cultural reset for me. He's never looked like this before and hasn't since in any concept photos. This was brilliant styling, I don't know if it was JK's regular stylist or if a Calvin Klein stylist did it but it was pure art.

He played that camera until the camera wilted, I just know it. I hope he grows his hair out long again when he's back with us.

And no shoulder booboo. I wonder when the shoulder booboo incident happened and I wonder if we'll ever hear the details.

While I'm talking about cultural resets, I have an honorable mention:

Not just this visual but the song too. PJM2 is coming. I feel another cultural reset coming.

Talking to my partner in crime the other day and I think a meeting DID occur where they detailed out a timeline for Project Naked Bangtan. Because they weren't going to go full frontal on us cold turkey. (Somehow all those words together sound hideous but you get my meaning.)

Regardless of Tae and his proclamation that "Chapter 2 isn't about us taking off our shirts" it is about showing a more mature side of themselves which inevitably is going to lead to showing some skin and some cuss words. Little did we know.

I can imagine how it went down in the brainstorm meeting of them trying to come up with content to fill in the time until they are all discharged...on a whiteboard possibly... because some of us are visual learners... someone drew a timeline of nakedness, possibly for each member.

I can hear it now:

RM: "We have to ease them into it. Who's first?"

Jin: "Hyung will do it." LMAO

What's been your Jimin and Jungkook cultural resets?

[olderthannetfic]

This may be a touch grass moment but i also am not sharing this on my dash :D

It's surreal people falling for Deadpool & wolverine queerbaiting while at the same time hating that people ship two male best friends.

Cause like d&w point is that the are bros but... also....maybe... they are like bros who fuck. And the whole marketing was around that and like it feels like everyone treats it as a haha moment.

While when someone is shipping two men who are 'best friends' suddenly its a reach and you're looking too much into things. And queercoding is not a thing anymore suddenly.

--

Well...

Deadpool has long been able to get away with canonically referring to the homoeroticism of comic books because he's played for laughs and he's always meta and weird. I haven't seen the latest one, but having Deadpool movies do yet more of this is no surprise.

Queercoding is indeed a thing. If you watch The Celluloid Closet, it talks a lot about the history of this and the kinds of either subcultural markers or negative stereotypes that are usually involved.

But most epic, heroic male best friends are intended as non-romantic. They don't have nods to cis gay culture like the things discussed in The Celluloid Closet. They don't engage with common negative stereotypes seen in villains. They just care deeply about each other.

Fandom reads this as significant subtext. In a BL manga, it would mean something. In cis gay culture, the most you'll usually get is "Yeah, they're hot, and they should fuck about it".

How we read subtext—whether there is subtext—depends heavily on your exact culture and discourse community. (Like, the actual meaning of "discourse community", not the fandom wank meaning.) It's easy to think someone is reaching when they say something has subtext or is near-canonical if you come from a totally different culture with a different set of assumptions. That can be true even if you like the idea of a ship or wish it would become canon.

If someone enjoys Deadpool's gay chicken vibes but yells at Stucky shippers, they're a jerk. They're not necessarily a hypocrite though.

[thrashkink-coven]

Okay I’m going to say it because I’ve seen like 10 posts about this in the last week and it’s kind of aggravating.

Before you start practicing paganism or dual faith or anything of any kind PLEASE PLEASE PLEASE learn the meaning and history of Syncretism. PLEASE.

Please stop saying that Christmas is only a Christian holiday, please stop saying that Christmas was stollen from the pagans. Please stop insisting that Yule and Christmas are the same holiday! Please stop saying that pagans cannot celebrate Christmas or that Christians shouldn’t celebrate Christmas! Christmas is many things to many different groups of people and ideas and customs evolve through time!!! There is NUANCE to these very complex ideas!!! Christmas does not need to be reclaimed, please stop.

Please stop saying that it belongs or doesn’t belong to any given group especially when humanity is so prone to spread messages and customs amongst eachother!!! “Similar” does not equal “the same” and different does not equal “the enemy”. Please stop trying to create these illogical divisions where they do not exist!!! Please read about the history of faith !!!! I beg of you!!!!

So often we see the blending and unity of concepts as “appropriation” and I’m sick of it. Our beliefs connect us so much more than they divide us. We learn so much about the world from each other and our different interpretations.

Likewise, just to touch base- nearly every single mythology or faith in the entire world takes its inspirations from somewhere. You are no superior to a Christian because you think your faith and customs are “older”.

We live in a paradoxical universe where multiple things can be true at once. You DO NOT get the authority to tell a Christian that their God is XYZ just because you’re a pagan. You do not get the authority to redefine how a group of people sees and interacts with their personal name of God. And you by no means get to claim credit for how different cultures interpret the natural world.

Yes, Christians obviously have a lot of practices that mirror pagan ones, they are not pagan, do not call them pagan. I don’t care how you feel about the Abrahamic God. So many of us hold a deep resentment towards Christianity because of religious trauma and I completely understand that, but when you try to massively oversimplify such complex topics like religion and faith, you not only risk sounding like an asshole but you make yourself look straight up stupid because you’re just wrong.

I am a devotee of Lucifer and I believe him to be the divine masculine aspect of mother Venus. I still need to understand and respect that for Christians, Lucifer represents something entirely different and that’s okay. They’re not necessarily wrong even if I fundamentally disagree. I disagree with what Lucifer is among other Luciferians and Satanists. That’s OKAY.

We have GOT to stop talking about mythology and folklore so literally. It leads us to have this “one or the other” mentality when more than one thing can be true at once! These myths are flexible and meant to change with culture. We can have respectful debates and conversations but holy moly please stop insisting that Christianity has “stollen” from you, and please for the love of God please stop trying to ruin a day that is significant to them by telling every Christian you see that Christmas is actually a pagan holiday.

(- and when I say this I am not referring to the atrocities of assimilation and slavery that forced pagan cultures to become Christian/catholic due to racism and xenophobia, that’s obviously very bad. My argument is simply that the entire Christian/Jewish/ Muslim faith cannot be discounted simply because historically, bad people used it to do bad things).

Thank you. 🙏

[bodhrancomedy]

So this isn’t exactly correct, the reason I was trying to get at is “Abled people don’t get taught out history and if they do it’s so bound up in the era of eugenics and ‘charity’ and from an Abled perspective that they can’t consider us surviving earlier than that”, but I am in the midst of an awful 2 day so far series of hemiplegic migraines so my brain is shot to hell.

Disabled people were treated terribly in many cultures and did often have worse lives, but they still had lives and made their own adaptations. This varies from time and place and culture, but disabled people lived before the 20th century and have a history.

Addendum: “Like everyone was disabled” should have been a “significant amount of people would have been disabled by their jobs/general lack of modern medicine by later life and people have always cared for each other so unless your survival was directly going to contradict someone else’s people tended to look after and love each other.”

Just… just look up Burial 9 or Martha’s Vineyard or the Windover Boy or Romito 2. Someone has always cared.

[esoteric-chaos]

What is Ancestor Work? Breaking it down and how to start + extra's

TW for death and sensitive topics in this post. Especially when we get into the category of ghosts. You have been warned. The appropriate tags have been placed below.

What is Ancestor work?

Ancestor work is venerating and working with well, you guessed it. Your ancestors. Why do we want to work with them though? Creating relationships with the known and forgotten dead can lead to many great things for yourself such as learning how to break generational curses and cycles. Creating these meaningful and loving relationships with those long since past has been one of the most heartwarming parts of my practice.

I find it is important for people of all ancestry to work with and honour their ancestors. There is much to heal and grow from. We learn through mistakes of the past and some of those mistakes we have to heal from for cycles to be broken.

Who are our Ancestors?

Just who are your ancestors though? According to Honouring Your Ancestors by Mallorie Vaudoise they are your Blood Ancestors, Lineage Ancestors, Affinity Ancestors, Saints, Spirit Guides, Ghosts or Related Spirits.

Blood Ancestors are exactly how they sound. They are the ancestors you find within your family tree that goes all the way back to the beginning of when humans first came around. This goes into the known dead who are ancestors we know of and can be traced back. These ancestors are easier to work with as we have a direct line to them. The unknown dead are unknown ancestors that we can't trace back. Perhaps we only have a name and know nothing about them or maybe we know they existed but have no information at all. This happens to be the case for most of us learning our family tree.

Lineage Ancestors are ancestors we gain through partnerships like marriage, adoption or even initiation such as in a closed society. Examples include religions like Wicca or any religion which needs initiation.

Affinity Ancestors are those who share your cultural identity or even something you are talented in. For example, you are fluent in the arts and you are an artist or musician. You may see a famous passed-on talented artist to venerate as an ancestor. As someone who's LGBTQ+, we can look throughout history and choose to honour and venerate famous LGBTQ+ figures in history as our ancestors as well. In times like this, it is important to venerate and honour these figures in life for strength and courage to move forward.

Saints are found in many cultures. A single example of a saint from a Christian and Catholic point of view is a Christian or Catholic who has passed on and performed miracles before or after death. Then they were elevated to sainthood by the church (This is all from a standpoint as my family comes from a Catholic and Lutheran background). There are also folk saints who are venerated in a specific region or location because of something that was done within that region. Then we have pop culture saints. Pop culture saints for example are people who have influenced or have done things for a group of people that we resonate with deeply. While they do not perform miracles they are venerated as significant to that group.

Spirit Guides are elevated ancestors who have decided to walk alongside us on our journey. They are not usually connected to us by blood or lineage, however, in some cases, they are. In many cultures, you see the concept of a "court". Which is a group of guides. I refer to my ancestors, guides and deities as my spiritual team personally as I am not involved in such cultures that use courts but still am among the belief that I have a group of close guides on my journey as do most others without encroaching on that culture's significance.

Ghosts as Mallorie Vaudoise in Honouring Your Ancestors I agree with their description of ghosts. Some spirits are burdened by the realities of what they went through during their living days. Some call it spiritual disease or they simply lack the power to aid. The spiritual disease of their burdens causes them to act irresponsibly. A lot like Mallorie Vaudoise I too was told ghosts still roam this plane due to unfinished business and they seek resolution through the living for now they feel powerless or they wish to still seek what they started. This can be a grey area for things like passing on murder victims, abusers, children, and relatives. When you are getting into spiritual work it is very important you have strong boundaries and protections. If you do not want to help a spirit move on since you do not identify as a working medium. Do NOT let them step on you. Assert your boundaries, banish and protect. It is not your responsibility to handle the business of otherworldly concerns just because you are a practitioner. If you would like to help a spirit move on, praying in their name to help ease them into the afterlife is a great way to do so to give them strength. May I repeat though, not your responsibility if that is not your focus point.

Related spirits such as land spirits, house spirits and non-human ancestors.

Land spirits are spirits which reside on the land you live on. They can be humans, plants or animals that were born, lived or passed on that land. Honouring the spirits of the land is very important. The land has gone through so much grief and colonization, rebuilding that relationship to take care of the land in turn they will take care of you.

House spirits are arguably land spirits. They reside on that very same land that you do. Proper acknowledgement of the house spirit itself (spiritual upkeep & physical cleaning) and the spirits that live within that old home. They can be from the materials that the foundation of that home is built on or other lesser-known entities. Try speaking to what's in your home. You'll be surprised by what you find.

Non-human ancestors. Through evolution, we have evolved from animals through a series of evolutions before that. So what makes you think we cannot have animal ancestors? Try doing some deep diving into evolution and doing some work with those animals or organisms. You might be pleasantly surprised.

Building your Ancestor Altar

Now that we have what an ancestor is out of the way. How do we build our altars and reach out?

Let's dive into how to make an altar space. We can add some simple tools such as fire, water, an altar cloth, pictures or representatives of ancestors like human skulls (please not real ones obviously), any holy images that bring personal power, offerings and methods of communication.

Fire aids in symbolism in prayer across cultures. If you cannot have real candles on your altar because your altar is within an unsafe place to do so, electric candles are excellent.

Water is said to represent the medium through which the spiritual energy passes. Have you ever felt really dehydrated after a spell, working or spiritual contact? So have I. You can only imagine how dehydrated your ancestors must feel. Leave them an offering of water and maybe even a snack in honour. Remember after veneration to hydrate and fuel yourself too.

Altar cloths are not just there to look pretty. They represent the hard work of our ancestors weiving and working with cloth over the years. Their beautiful craftsmanship is never forgotten. A simple piece of cloth on the altar is a great representation of all of their hard work.

Pictures or representations of our ancestors act as an anchor to connect with them. When I am working with the known dead I'll place photos of them and their names, birth dates and death dates along with a few notes on the back of their photo. With the unknown dead I'll use statues or skulls in place of them. My mother who recently passed is a good example of this. I placed her photos, and ashes, along with some things she may have liked on her little corner.

Holy images. Maybe your ancestors were religious and find comfort in religious imagery. Even incorporating your family's patron saint on the altar might bring them some joy. Do what feels right for you and them.

Offerings. Leaving them offerings such as water, coffee, alcohol, tobacco, and food. Anything you personally love especially as a sweet little treat. I find something you have a hard time parting with like that last piece of candy to be a great offering or that dish you're cooking that's been within the family for years.

Dedicated pendulum, tarot or any other method of communication so you can communicate with them efficiently.

What can I do with my Ancestor Altar? How to work it.

There are many ways you can work with your ancestor altar. You can use it as purely an act of prayer and veneration or you can use it as both for veneration and working.

Leaving oils, charms, bags and other spiritual items on the altar overnight to bless and give an extra kick or even some mundane items.

Incorporating them into a spell working for prosperity, blessings, healings, protections, etc.

Active working to break generational trauma and curses. Working through breaking cycles and helping them heal.

Turning to them for guidance and direction through divination from the tools in their space.

Aid in spiritually cleansing myself and my space from any negative influences.

How to reach out?

Reaching out there are many different methods. There are methods through prayer and divination for example. Many different people from different cultures and religions will have different ways of reaching out and praying. I never actively practiced any religion growing up so I adopted prayer through a folk catholic perspective from what my ancestors practiced and used my tarot deck as an adjacent. There's wrong way to pray. We pray from what feels right to us and from what is respectful.

Conclusion

There's no right or wrong way to work with your ancestors except for building a practice solely on gain. By gain, I mean getting them to do things for you. It is a relationship you are building. If that is not what you are seeking then ancestor veneration is not for you. It's the same for any relationship spiritual or not. Relationships freely flow between each other with mutual aid. Not everything is purely transactional. Keep things respectful and everything will be okay.

To close out I'm sure everyone is wondering "Do I have to work with my ancestors who did awful things?" the answer is no. We have to heal from and acknowledge what happened. Move forward with purpose and do the work but we absolutely do not have to go anywhere near them. Spirits are not all-knowing and not all have done the required work. I will echo a previous statement of mine. It is not your responsibility to handle the business of otherworldly concerns just because you are a practitioner.

If that person has not changed and grown in death. Move on and grow from the experience. While not everyone will agree with me I believe it is important to work with things when you are ready. A newer practitioner will not be prepared to work with such heavy energy. It will have to be worked with one day to heal but do not throw yourself in if you are not ready or maybe you just aren't equipped to do it and maybe it is someone else's journey in your lineage, not yours. Do not be hard on yourself if that is the case. Not everyone is built for that or ready. Be kind to yourself, that's what your ancestors want.

Extra's

Ancestor Oil

Need an oil for communication, veneration and one to work with your ancestors for all purpose? I got your back.

What you'll need

A clean and cleansed jar

Frankincense - helps in hardships, divine connection

Peppermint - money matters, underworld symbolism

Rosemary - protection, remembrance 

Rose - raising spiritual vibration, love, symbol of blood

Lavender - Grief, dream work, relaxing

Myrrh - Spirit communication, psychic power, grief

Allspice - Awaken ancestors, drawn in favour

Coconut carrier oil - Moon, emotions, divination, spirit

You can either do the folk method or the hot method. You can find my post on infused oils here to learn how to make infused spell oils. I suggest if you are an animist or someone who wants more power from your oils. Speak to the herbs kindly, treat them less like an ingredient and ask them respectfully for their aid and the purpose they'll have in your oil. Use intention. The same goes for the Coconut oil.

You can sub any of these, however. Try to keep within the theme of the ingredients. Some of these are herbal allies so they will work differently for me than you. Do what feels right.

Blessings!