#I am exempt from this obviously

[sneefsnorf]

people on here love neurodivergent ppl until they get confused on what's satire or not. or just like. need a joke explaining to them. then theyre stupid idiot babies that are ruining the funny shit. and its such fuckass nonsense

[haunthouse]

would love to do research into just how much of an uptick theres been in haunted house horror content since the pandemic started, like, numerically

[hikari-ni-naritai]

every time i see people talking about 'why do we do x in our holy transfem/transmasc spaces but in their barbaric transmasc/transfem spaces they do y' i have to remind myself that like a solid 99% of these people are only active in either transfem or transmasc spaces and thus only have a severely distorted view of what goes on in the other based on memes and discourse that escaped orbit.

[stargirled]

MINEEEEEEEE [HISS] [SNARL] [BARK]

[sevicia]

Every single day inside my head it's like. It's kind of stupid but I end up thinking of all the ways that people are not kind to other people based on x y z reasons that boils down to "I can't relate to them and I don't like that!" I don't know how to phrase it, but you know what I'm talking about. But I think about it and everything feels hopeless it feels like EVERYONE outside the people that I trust thinks this way, because the most notable entities AKA the ones that shape general view of Everything, think this way -> most people think like this and don't see anything wrong with it -> it continues so on and so forth. Etc. & basically I think I just need to go outside more because I've been holed up for so long due to school being on hold, that I'm starting to think the whole world is hateful when it's not (I want to believe it's not), and I need to go outside. I need to go outside even if it's just school and I don't talk to anyone, I need to see other people.

[semercury]

.

[suzannahnatters]

all RIGHT:

Why You're Writing Medieval (and Medieval-Coded) Women Wrong: A RANT

(Or, For the Love of God, People, Stop Pretending Victorian Style Gender Roles Applied to All of History)

This is a problem I see alllll over the place - I'll be reading a medieval-coded book and the women will be told they aren't allowed to fight or learn or work, that they are only supposed to get married, keep house and have babies, &c &c.

If I point this out ppl will be like "yes but there was misogyny back then! women were treated terribly!" and OK. Stop right there.

By & large, what we as a culture think of as misogyny & patriarchy is the expression prevalent in Victorian times - not medieval. (And NO, this is not me blaming Victorians for their theme park version of "medieval history". This is me blaming 21st century people for being ignorant & refusing to do their homework).

Yes, there was misogyny in medieval times, but 1) in many ways it was actually markedly less severe than Victorian misogyny, tyvm - and 2) it was of a quite different type. (Disclaimer: I am speaking specifically of Frankish, Western European medieval women rather than those in other parts of the world. This applies to a lesser extent in Byzantium and I am still learning about women in the medieval Islamic world.)

So, here are the 2 vital things to remember about women when writing medieval or medieval-coded societies

FIRST. Where in Victorian times the primary axes of prejudice were gender and race - so that a male labourer had more rights than a female of the higher classes, and a middle class white man would be treated with more respect than an African or Indian dignitary - In medieval times, the primary axis of prejudice was, overwhelmingly, class. Thus, Frankish crusader knights arguably felt more solidarity with their Muslim opponents of knightly status, than they did their own peasants. Faith and age were also medieval axes of prejudice - children and young people were exploited ruthlessly, sent into war or marriage at 15 (boys) or 12 (girls). Gender was less important.

What this meant was that a medieval woman could expect - indeed demand - to be treated more or less the same way the men of her class were. Where no ancient legal obstacle existed, such as Salic law, a king's daughter could and did expect to rule, even after marriage.

Women of the knightly class could & did arm & fight - something that required a MASSIVE outlay of money, which was obviously at their discretion & disposal. See: Sichelgaita, Isabel de Conches, the unnamed women fighting in armour as knights during the Third Crusade, as recorded by Muslim chroniclers.

Tolkien's Eowyn is a great example of this medieval attitude to class trumping race: complaining that she's being told not to fight, she stresses her class: "I am of the house of Eorl & not a serving woman". She claims her rights, not as a woman, but as a member of the warrior class and the ruling family. Similarly in Renaissance Venice a doge protested the practice which saw 80% of noble women locked into convents for life: if these had been men they would have been "born to command & govern the world". Their class ought to have exempted them from discrimination on the basis of sex.

So, tip #1 for writing medieval women: remember that their class always outweighed their gender. They might be subordinate to the men within their own class, but not to those below.

SECOND. Whereas Victorians saw women's highest calling as marriage & children - the "angel in the house" ennobling & improving their men on a spiritual but rarely practical level - Medievals by contrast prized virginity/celibacy above marriage, seeing it as a way for women to transcend their sex. Often as nuns, saints, mystics; sometimes as warriors, queens, & ladies; always as businesswomen & merchants, women could & did forge their own paths in life

When Elizabeth I claimed to have "the heart & stomach of a king" & adopted the persona of the virgin queen, this was the norm she appealed to. Women could do things; they just had to prove they were Not Like Other Girls. By Elizabeth's time things were already changing: it was the Reformation that switched the ideal to marriage, & the Enlightenment that divorced femininity from reason, aggression & public life.

For more on this topic, read Katherine Hager's article "Endowed With Manly Courage: Medieval Perceptions of Women in Combat" on women who transcended gender to occupy a liminal space as warrior/virgin/saint.

So, tip #2: remember that for medieval women, wife and mother wasn't the ideal, virgin saint was the ideal. By proving yourself "not like other girls" you could gain significant autonomy & freedom.

Finally a bonus tip: if writing about medieval women, be sure to read writing on women's issues from the time so as to understand the terms in which these women spoke about & defended their ambitions. Start with Christine de Pisan.

I learned all this doing the reading for WATCHERS OF OUTREMER, my series of historical fantasy novels set in the medieval crusader states, which were dominated by strong medieval women! Book 5, THE HOUSE OF MOURNING (forthcoming 2023) will focus, to a greater extent than any other novel I've ever yet read or written, on the experience of women during the crusades - as warriors, captives, and political leaders. I can't wait to share it with you all!

[always-coffee]

WV Libraries Are Under Attack: How to Help

News came out yesterday that West Virginia House passed House Bill 4654. This would remove “bona fide schools, public libraries, and museums from the list of exemptions from criminal liability relating to distribution and display to a minor of obscene matter. …”

Potentially criminalizing librarians is bad, and it’s straight out of the fascist playbook. “Opponents of the bill said that while the bill does not ban books, the bill would have unintended consequences for public and school libraries, resulting in increases in challenges to even classic books and attempts to criminally charge librarians over books not pornographic in nature, but books that include descriptions of sex. They also said it could result in improper criminal charges against library staff,” Steven Allen Adams writes.

So, the question is: now what? What do we do? Where do we go from here?

If you live in West Virginia, call you state senate reps. You can find them listed here.

It’s okay to keep your message short:

“Hi, I’m [full name] calling from [ZIP code], and I’m a constituent of [Senator Name]. I am calling to voice my opposition to Bill 4654, because this is a dangerous step toward book banning. It could potentially harm librarians and libraries, which is incredibly wrong. Do not back this dangerous bill.

You can also ask how many people have called to voice their opposition to this bill. This may annoy the person on the phone, but they technically have to answer you. They may be evasive anyway. But you can either give them your contact information and tell them you’d like a call back or you can call back again later and ask for the tally.

The thing is, people rarely call in. A handful of calls is considered a lot, and the best thing you can do right now is make yourself a nuisance. Good trouble, etc.

Only call if you live in West Virginia, because they do not count calls from those outside their constituency. I am obviously not an expert, but if you have additional questions, ask them and I’ll try to help. I learned way more about how politics work during the last presidency than I thought humanly possible.

Additional resources:

[yenqa]

firsts

synopsis — sakusa and you have never had a conversation, and honestly you’re terrified of the man. but one conversation turns out to be many more of your firsts with sakusa.

warnings — reader is scared of men LMFAO, not really any

pairing — sakusa x implied fem!reader

wordcount — 710

a/n — happy birthday to himm! also my first hq post in a while OOPS also not proofread sorry!

You’ve never really talked to Sakusa.

You had been the manager of the volleyball team since your first year–and you had known him since then, but for some reason, you haven’t talked to him unless it’s volleyball related.

In fact–you don’t think you’ve ever had a conversation with him. But there's a first for everything, right?

Itachiyama has made it to nationals (not like it’s a surprise), and everyone has just arrived. The room continues to fill with people you don’t know, so you decide it’s best to stick with your team so you don’t get lost.

Well apparently that was a horrible idea to everyone else. Because you’ve lost everyone but Sakusa. 

And you’re terrified. Surrounded in a room full of men you don’t know sounded like your worst nightmare, and you were living it currently.

Frantically scanning the room for anyone that’s not Sakusa, you somehow can’t spot any of the familiar bright yellow and green jackets your team is wearing.

Everyone knows that Sakusa doesn’t like to be bothered. But when you make eye contact with him, you change your expression to a way where he understands you’re pleading for help.

And he nods once.

Your mouth breaks out into a smile, and you shimmy your way to the crowd. Letting out a sigh of relief–you lean on the wall for support, muttering a small thank you to Sakusa. 

You don’t expect him to say anything back, but you can hear his muffled voice say, “You okay?”

Tilting your head slightly up to make eye contact with him, you smile as you say, “Yeah–I’m fine. Are you nervous?”

You’re not sure why you ask the question, he probably doesn’t want to be bothered. I mean–you were still kind of shocked that he let you even be near him.

“Not really. Are you?”

You’re even more shocked when he continues the conversation. You’d expect he’d be the most rude person if he didn’t want to talk. “I-uhm I am a little bit. But we’re exempt from playing today right?”

Yeah–this definitely is the first and last conversation you’ll ever have with him.

He nods.

Then it’s silent.

Surprisingly, the silence isn't the most awkward thing you’ve experienced. It feels as if you’re just two people co-existing.

You watch as everyone excitedly hugs each other or glares at their next opponent. One person even tries to rile up the other, eliciting a small chuckle from you.

From the corner of your eye you can tell he’s curious, but he hasn’t said anything yet. This time, you take initiative to point at the players, also describing the jacket colors.

And you swear you can hear him laugh.

Not a full–hearty laugh obviously, but a small chuckle. A quiet one that you don’t even notice. But it’s definitely the first time you’ve heard him do anything resembling a laugh.

“You laughed.” You blurt out, before you even realize. 

He furrows his brows, “I did.”

Your eyes widen, “Sorry–oh my gosh, it’s just the first time I’ve heard your laugh before, Sakusa-san. I swear I didn’t mean it like that–you just have a nice laugh–”

And now he’s actually laughing–like not even hard to hear.

He’s laughing, he’s hunched over, shaking and clutching his stomach. You don’t think you’ve ever felt more mortified in your life.

“It wasn’t that funny was it?” You ask, a frown on your face.

Sakusa catches his breath, “Funnier than any of the jokes Komori tries to make.”

“There wasn’t even a joke! And I happen to like the jokes he makes!”

“Only if you’re sick in the head.”

You scoff at his remark, “Wow, Sakusa-san, you’re very hard to please.”

“Kiyoomi.”

“Another complaint?” You tease, trying to play dumb at what he’s trying to imply. 

“Call me Kiyoomi.”

You can feel heat rush to your cheeks, you tuck your hair back behind your ear and mutter, “Okay, Kiyoomi.”

And even though he’s wearing a white mask, you swear you can see his eyes crinkle and you can assume the corners of his mouth turn up ever so slightly. 

You’ve had many firsts with Sakusa today. This is the first time you’ve seen him smile–just maybe next time he’ll do it while his face is fully shown.

yenqa © please do not copy, steal or translate.

[sabertoothwalrus]

Art theft has always been bad, but I feel like the way tiktok promotes remixing other people’s content into “your own” has ESPECIALLY proliferated the idea that, if something is on the internet, it’s anyone’s to take.

like. My friend just found these comments on a tiktok someone made of their comic:

This is why I don’t allow reposts. Because even if I give one person permission, even if they credit me and do everything I ask, you never know who is going to steal it from them.

So here’s your reminder:

If you see fanart or a fancomic you like, you ABSOLUTELY MAY NOT share it without checking if it’s ok first.

IF YOU RUN A FAN ACCOUNT. I’M LOOKING AT YOU. YOU’RE NOT HELPING ‘EXPOSE’ ARTISTS BY POSTING STOLEN ART YOU’RE JUST BEING SELFISH AND DISRESPECTFUL. @‘ING ME ON INSTAGRAM ISN’T GOING TO FIX THE FACT THAT YOU DIDN’T ASK PERMISSION

THIS GOES FOR TRANSLATIONS. I UNDERSTAND WANTING TO MAKE A COMIC MORE ACCESSIBLE TO YOUR LANGUAGE, BUT IT’S STILL A CONCERN THAT IT WILL GET STOLEN FROM YOU (and I KNOW some people don’t ACTUALLY care about it being more accessible, because I’ve asked people to reblog my original post with a translated transcription and they threw a fit because they obviously just wanted the views for their own page)

Comic dubbers are also not exempt from needing to ask for permission. I know there’s a lot of editing and you are technically producing new content, but jfc you still need to ASK TO USE SOMEONE’S ART. ESPECIALLY IF YOU’RE MONETIZING YOUR PAGE.

I also DO NOT CARE if your pinterest page is “just for your personal reference” STOP UPLOADING ARTWORK AS ORIGINAL POSTS. IF YOU MUST PIN ART, JUST POST THE LINK!!!! I die a little inside every time someone says they saw one of my comics on pinterest and had a hard time finding my actual post.

Why is it important that artists stay credited? Well, I for one, am about to start my junior year of my BFA, and I won’t be able to work my part-time job anymore. My art is going to be only source of income. Every time someone reposts my art without credit, that’s more people that won’t find the link to my store. That’s potential job recruiters that won’t find my portfolio. That’s work that I’ve done that someone else is getting activity for, potentially even making money off of.

Please, PLEASE be aware of art theft. Point it out when you see it. Please understand most artists see it as offensive and disrespectful and are not flattered by it.

[txttletale]

Obligatory "in good faith" premise.

I've seen an argument against tme/tma that focuses on the fact that there's no similar terms for other types of oppression (as in, no terms like "racism affected/exempt"), and how tme/tma aren't good terms because they imply there's people who can't be affected at all by transmisogyny, regardless of whether it would be "misdirected" or not (which I do think it would be, although a lot of people against tme/tma would disagree).

Since tma/tme functionally ends up meaning just "transfem" and "not transfem" (or at least that's how ive seen it used and advocated for), do you think there's something to the idea that we could just say that instead when discussing transmisogyny? Or is there something about these specific terms that adds to the conversation?

I mean, I guess it would be awkward to put "not transfem" in your bio maybe

i mean like. there are those terms, though, those terms dfo exist, they're jsut called 'poc' and 'white'. liike the construction of 'whiteness' is such that it basically literally means 'racism exempt' within the context of white supremacy (which is ofc the context in which most discussion of racism takes place).

i feel like people are really getting caught up on like, 'exempt' and 'affected' as like, total absolutes 100% of the time and bringing up edge cases as though this absolutely refutes them when i think that's not a particularly useful thing to do for what are fundamentally abstractions for discussing a particular set of nuanced and diverse relations to transmisogyny! like obviously every single person has a unique and specific relationship to transmisogyny, but that doesn't make the terms useless an ymore than 'gay' or 'trans' are useless because people have complicated sexuality or gender situations.

& i think that if we started saying 'transfem / not transfem' then all the exact same edge cases and arguments would just start shifting onto the definition of the word 'transfem'. which i don't think is synonymous with TMA. i think that e.g. arguing that drag queens who regularly have their lives threatened by nazi militiamen with guns are not Transmisogyny Affected is kind of sillygoofy, right, but a lot of them don't identify as transfem! & i think moreover that saying 'trans women' and 'non trans women' kind of is the exact same maneuver as people who say 'don't say cis' because like the implicit content of using those constructions is that there are 'default' people who need no descritpor and then there are 'transfems', right?

+ i think TME/TMA are valuable because they articulate exactly what's relevant about the distinction, which is a relationship to transmisogyny. like a trans guy isnt 'TME' because he's a trans guy, but because if he gets into an argument with me he can pull out the classic 'aggressive' 'scary' 'creepy' 'predatory' 'sexual deviant' cards and try to have me socially murdered and have people side with him by default, something he shares with a cis guy and a cis girl in the exact same situaiton. because of the Trans Misogyny that i am Affected by and he is Exempt From and that therefore can be weaopnized against me in any interaction.

[rineptune]

Heeeeeyyyy pal

Can we get a continuation of that fic with the pregnant reader who's Lucifer's sister

Like what if her water broke at like, the *least* convenient time and Lucifer is freaking tf out, Alastors chill as usual and readers just like

:) "I'm just glad to be here" while having contractions

Love your work btw 🤗

inconvenient timing.

summary: inconvenient timing for your water to break, but what else could you do?

warnings: foul language, brief description of the horrors of pregnancy and labor

a/n: here it is n tysm!! the second part to devil’s paradise

during your pregnancy, all is well. 

regular visits from the doctor became part of the routine, and alastor made the effort to be the one accompanying you to every last one of them, and on the rare occasion that he couldn’t accompany you, charlie—your ever optimistic and kind niece—was the one who came with.

the crew of the hotel treated you as if you were made of glass, not wanting you to lift too much on your plate, so they did their best to cater to your every need and demand (not that you needed much and bothered them often).

you took care of yourself, too.

though your belly had gotten swollen, you were feeling fine, as if you weren’t carrying the unborn child of the feared radio demon in pride ring. you thanked whoever it is you could thank that you didn’t experience morning sickness, however, you were no exemption from the fatigue and discomfort that came with being pregnant.

lucifer’s worry for your well-being throughout all of this still hasn’t completely faded away. you were his only sister! and his brothers in heaven would surely have his head if something did happen to you now that you’ve fallen from the skies and are now under his domain.

everything was going well, until it wasn’t.

•

you went with charlie during another meeting with heaven’s official court in place of your brother. obviously, all eyes wandered to your stomach because, how could they not?

a former angel pregnant? that stirred whispers and disgusted expressions from those who were from the court.

“as you can see, the population in hell is—“

charlie was cut off when the angels gasped in unison. confused, she turned to you, and her eyes widened when she saw the bottom half of your dress soaked. 

“oh my go—! aunt yn, your water broke.” she says in a panic.

“i see that, my dear,” you answer with an awkward cough. 

“it seems that i’ll be taking my leave early, uhm... excuse me.”

“wait! uhm, i’ll take you back!” she tells you. “we’ll be back another time, sorry! this is very important for us.” charlie tells the angels present at the court meeting.

•

alastor swore you were about to snap his hand into two.

“darling, are you nervous?” he asks smoothly.

“no? why would you ask that, al?”

“hmm.”

he glances at the hand that gripped his, remarkably so tight that he feels all the blood from that particular area stop flowing. your free hand caressed your belly through the hospital gown, taking slow and even breaths to somewhat soothe the contractions.

“i was only wondering,” alastor answers.

you may have a high pain tolerance, but when you’re having contractions, you might as well swear on every god and angel to spare you from the agonizing pain—promising to never think of having any children in the future again. 

because, god, it hurts like a bitch.

as calm as you were, lucifer, on the other hand, had no calm bone in his body.

“oh, god. gabriel’s calling,” lucifer says, looking as though he’s about to throw up.

“and the nursery still has renovations that need to be done—“

“i’m going to be an uncle, holy shit—“

“what if something goes wrong? what? no! i shouldn’t think that—“

“should i prepare the gifts—“

“where are the doctors and nurses? they should’ve been here by now—“

“i knew we shouldn’t have taken you to sloth ring, yn—“

“lucifer,” you breathed out. “calm down.”

“i am calm! fucking calm,” he said, wiping away the sweat on his brow. 

“you sound like a dying goat, my lord,” alastor smiled.

“fuck you, deerface.”

“ok, ok. no one should be fighting,” you amusedly sigh, groaning when you feel another sharp contraction that had you biting your lip.

this got the attention of the other two, and lucifer asked you if you were okay as alastor placed a comforting hand on your belly.

well, at least they got along when need be.

•

“look, she has your eyes and smile, al.”

after long, painful hours of labor and practically dying on your hospital bed due to the procedure of bringing a new life into this hellish world, a healthy baby girl was born.

she took on alastor’s ears, eyes, and smile, while she had your wings and charm. the little fawn was sound asleep in your arms after almost tragically biting off a nurse’s finger when he was checking for anything wrong with your baby—to alastor’s dismay, he wished his little girl had succeeded. 

nevertheless, she is perfect in his eyes already.

“our little fawn is certainly perfect, my dear,” he says. “she has your charm, too.”

“that she does.”

and you best believe charlie and lucifer cried when charlie finally held her baby cousin.

“charlie, dear, are you ok?” you ask, a bit concerned.

“allergies, auntie. allergies,” she sniffled.

nothing would ever happen to her, because anyone who dares even look at the niece of the morningstar fallen angel who was also the daughter of the infamous radio demon, would receive hell served on a golden platter without any remorse or time for rebuttal.

“it may have been inconvenient timing to have my contractions,” you murmur to alastor once you two are finally home and alone with your baby. “but i wouldn’t have it any other way.”

“i’m glad that you’re ok, darling.”

“mm, thank you, alastor.”

“you shouldn’t thank me for worrying about you. it’s only natural for me to do so, no?” he says.

“now, i have to take care of two, but i wouldn’t have it any other way either.”

[bioethicists]

beer killed my father . he had a disease which destroyed his body and strained his relationships with his wife, his friends, and his children. Alcohol destroys everything it touches, theres a reason you see so many liquor stores in poor neighborhoods. don’t be fucking obtuse. Prohibition obviously doesn’t work, but I wish alcohol was taxed higher. And i want the CEO of Heineken on the guillotine right after Jeff Bezos.

before anything, i want to let you know that i am incredibly sorry about your father. alcohol has decimated entire generations of my family, played a crucial role in the neglectful family structure i spent the first 19 years of my life suffering under, + played a minor but not insignificant role in my brother's death. i would never undermine or dismiss that in anyone.

i used to feel very similarly to you, in large part because my mother is a recovering alcoholic who raised me to believe that alcohol is a magic poison which turns people into monsters + i, being her child, probably inherited a disease which would also turn me into a monster if i chose to drink. it's a deeply painful + understandable response to the pain that alcohol can cause.

my first question is, does alcohol really "destroy everything it touches"? are there not millions of people who engage with alcohol, in varying degrees of recreational use, who experience minimal or no negative impacts? or do you believe that everyone who drinks alcohol in any capacity is experiencing severe destruction in their lives as a result? does the existence of people for whom alcohol enriches their lives (or is a neutral presence) at all invalidate your experience, or your father's?

my second question is, you've identified that there are 'so many liquor stores in poor neighborhoods' (i would add there is a lot of alcohol in rich neighborhoods, just distributed in less stigmatized ways, like boutique wineries + fancy bars), do you think that companies are strategically attempting to create alcohol dependencies among poor people, or do you think that poverty creates the pain, hopelessness, + desperation which can fuel an alcohol habit (which is then exacerbated by intergenerational trauma + community alcohol culture).

i feel no allegiance to liquor companies- they absolutely do make the bulk of their profits off of people who are drinking in a way that is destroying their lives (unsure if i trust the exact scope of the research in that link but i trust the gist). however, liquor companies love the disease model, because it exempts them from responsibility. if alcoholism is truly a genetic disease, then liquor companies, bars, package stores hold no fault in the development of destructive drinking habits + community norms (natasha Schüll discusses this in her book about gambling addiction)- the people were already sick + would be getting it somewhere else, anyway, right? but as you have correctly identified, liquor companies help create the structures which turn alcohol use into an accessible + normalized mode of self-destruction.

my third question is, will taxing liquor help the real problem? yes, it reduces alcohol consumption, but does it reduce addiction? or does it make cheapskates like me say "i'm not fucking paying for that" while individuals who consume alcohol compulsively either eat the cost or turn to more illicit ways of obtaining alcohol. or, rephrased, is the problem that alcohol is too accessible? is alcohol a magical poison which turns 'normal' people into 'alcoholics'? alternatively, is alcoholism a genetic condition, unrelated to any outside circumstances, which is triggered by drinking?

or: is alcoholism one of many ways in which people who are experiencing hopelessness, pain, grief, poverty, trauma, etc use to numb themselves, harm themselves, + make life feel more bearable? at this point, i do believe there is at least a temperament factor which makes people more likely to use substances over other forms of escape (hence why my brother used substances while i turned to anorexia + do not struggle with substance use). are we actually addressing the problem if we make it more expensive (thus, mind you, further impoverishing people with alcohol addictions!)? or are we shifting the pain these people are experiencing to either other avenues (opioids, other drugs, totally different ways of coping which are often just as destructive) or an unregulated, underground alcohol market.

the way you are viewing alcohol, alcohol is a unique substance which is manufacturing or feeding illness in people in order to make them behave in ways which destroy their lives + the lives of others. the way i am viewing it, alcohol is a presence which can fill a void that is being created in people's lives as a response to structural, communal, or social suffering. when alcohol is painted as the cause of this pain, we are able to look the other way from a which world is structured to cause an immense amount of people to suffer needlessly. at the same time, the common sense observation that many of us engage with alcohol in ways which do not destroy our lives, as well as the knowledge that prohibition does not work, prevents the erasure of alcohol from public or private life.

who benefits from the belief that alcohol is a uniquely corrupting substance? what lessons did we actually learn from prohibition- is trying to do it to a lesser degree (make alcohol less accessible) actually going to do anything? when the price of opioids went up due to dea crackdowns, did people stop buying opioids or did the market flood with cheap + deadly fentanyl? is the problem that people are drinking or that they are suffering?

[kanmom51]

I actually have a crazy theory...

I have already sent this ask as the response to someone else’s thoughts, but then I thought about it and I REALLY wanted to know your opinion about this.

I think Jikook by the beginning of last year didn't know they were enlisting together.

I think they obviously knew about buddy system but didn't actually think they would need to use it. Because it's not really done by idols, and also they both could've gone to safer and easier stations, where they could have more freedom.

BUT THEN Jimin started working intensely on his album and JK started acting out (like having drunken lives), and it became VERY CLEAR that they would not be able to do 18 months apart.

I mean do you remember, that at this time JK said himself that he was not working on anything. And I think the plan was for Jimin to go first (just like a lot of us thought he would) and for JK to have more time for promo alone, when others are gone (I’m pretty sure that HYBE definitely wanted for JK to have big solo debut apart from other members).

But then like I said the drunken lives happened and realization hit, that they have to apply for buddy system, that 18 months apart would be BAD for both of them.

And that's when HYBE (or whoever) made specific demands from JK. Like if he wanted to leave by the end of the year (and he had to for buddy system to work) he HAS TO do the album, and because there was no time to write it from scratch they got all the English songs. Also his schedule was extremely packed and difficult.

So I think that the travel show was something Jikook specifically done for themselves because JK's schedule was so insane that if not for that excuse they would not be able to hang out freely before the enlistment. (By the way am I the only one who thinks that we are getting the travel show only next year? And waiting for it now is kinda crazy?)

But again it's just my theory, mostly because HYBE doesn't feel (to me) like the company who would just let their artists do whatever they want. To me they are waaay more pragmatic than that, and if they decided to allow their stars to enlist together (something that isn't really done in idol culture), than they would make sure to get something in return. They worked JK very hard, and I think he took it because he had a specific goal (more like a person) in mind that he was willing to work for.

So, although we might be on the same wave with some of your thoughts, I don't fully agree with you.

I agree that they didn't know they would be enlisting together way back at the start of 2023.

I think that way back then they were still struggling with the realization that they will have to be enlisting. All the way back to the end of 2022, basically up to around the Busan concert, which was October 2022, they still held hope that some kind of arrangement could and would be found to allow for them not to enlist or to serve a shorter term. It was quite a conundrum for them, something I think most of them struggled with (and I say most because I do think that at least one of them did genuinely want to enlist) - on the one hand this is a life changing pretty scary thing (terrifying even - we saw how sad, and I will even say broken, JM was having to shave off his hair, and that was only a small part of it) they would have to do (joining the army is not a walk in the park, no pun intended), not to mention being in their prime, in the height of their success, having to part with the life they are accustomed to (professionally and personally), not being something they would necessarily want to do. And on the other hand you have that sense of commitment to the country and to their fellow Koreans, that have to face that same compulsory enlistment, adding the knowledge that not taking that path of enlistment could also come at a price. Like us, they knew that there were those that indeed believed they should be given an exemption, but at the same time many Koreans would have frowned upon it, and it's them that have to live among their people. Also, enlisting like any other SK young man would allow them more freedom in the future when it comes to voicing their opinions, as they had, like all others who had served their country fulfilling their duties. Criticisms of anything within a society you live in is easier to swallow when the person voicing said opinion is part of that society and enjoys not only the rights bestowed on those who live there, but has also fulfilled all required duties as well.

Long story short, end of 2022 the decision to enlist became a reality and Jin enlisting hit them all VERY hard. At that point I don't think they had a plan of enlistment just yet, although we do know from RM, for instance, that he was supposed to enlist with Hobi but ended up pushing back as he was busy working on his album and preferred not to lose the momentum.

And btw, hearing this from RM also teaches us that JM was never going to enlist so early on. And here I think our ways part when it comes to the continuation of your theory, because I do believe that JM's plan had ALWAYS been to stick around for JK's solo debut, whenever that would be. And I'll get back to it in a few...

JK was struggling start of 2023. What we got to see, starting with his lives in Feb 2023, him deleting his IG, was him pulling himself out of the pit he was in. Taking initiative and deleting his IG (which I will once again say was a big old F U to the company) and reaching out to us with his lives was JK becoming more active in getting better.

*Side note: I'm using the term getting better meaning pulling yourself out of a bad place you are in mentally (one that effects you physically as well).

Idk if starting the lives was a conscious decision on his part towards getting better, but I do believe that starting them was a key part in it.

Talking to us, sharing things with us, setting (at least trying to set) boundaries with his fans what is and is not acceptable on his part as an idol when it comes to fan behavior and interactions with him, doing it all in the most JK way, intelligently and respectfully.

JM was busy all the way from end of July 2023 through to the release of Face and until the end of his promotions. It's not that they weren't seeing each other or spending time together during this time. It's not that JM wasn't there for JK, as much as he could in the moment. It's very important to state this. But JK was struggling with everything. It's the hiatus, Jin's enlistment, their looming enlistment (the unknown of what will be with the two of them - separation for such a long time is something that both of them would find extremely hard to handle for so many reasons), the lack of direction, the lack of a structured timetable (JK is neuro divergent - there is zero doubt in my mind - if it's asd or adhd or a combination of the two, which in my mind is the most likely of them all). He was kind of lost and his anchor, JM, was not available in the way that he needed. Not JM's fault. Not JK's fault. It just was what it was, and JK was a little lost. It's natural for something like this to happen. I spoke about it quite a bit in my posts about his lives at the time. We saw RM was kind of lost for a while there too. The trick is to pick yourself up and pull yourself out of it (with help of others if necessary), and JK did, and JM was ecstatic to see him doing it. Those comments of his during JK's lives (we are talking about the lives during Feb-Mar 2023) were testimony to that.

Once again I can't seem to reign myself in and keep on point, lol.

So, where was I? Oh yes, they didn't know what will happen, but at the same time JM was not planning on enlisting earlier that year. Understand this: JM enlisting earlier would, to them, mean them being apart for not 18 months, but for 18 months plus. Plus the time between JM's enlistment and JK's enlistment. And plus the time from JM's discharge to JK's discharge. Even without JK's situation this was not something that they would want or agree on. Not to mention JK not only wanting JM around for his solo debut, but NEEDING him around for it. And it's not about being by his side 24/7, which he wasn't and he couldn't be. It's about being accessible. Being there to support him if he needed. Whenever he needed it. Being able to be with him for his first solo performance (this brings me close to another ask I received and am working on regarding JK's FIRST big solo performance). All this has to be within the limits of their glass closet (glass getting a little murky for their own liking since the end of 2021 all the way to the end of 2023), and the limits set by the powers of be (some of which JK very defiantly crossed). So yeah, JM was going to wait for JK's solo debut before enlisting.

As for enlisting together. That was something that was being assessed and in the works for several months. Something obviously kept quiet for good reason.

Was there a give and take with the company when it came to JK and the album? 100%. There were things he wanted, there were things they wanted, there were frogs that it being a first solo album he knew he would have to swallow.

Were some of these concessions given to allow the two more freedom, like allowing the 'travel show'? I do believe they were. Perhaps also prices paid (with Golden) for demands agreed upon in their new contracts. I can definitely see that happening.

The push for a full length album could be one of those, for example. JK was talking about a mini album even as late as mid July, and then it turned into a full length album. Could it have been the company pressuring him into it? Yes it could, as in the company wanting this. But JK is not one to cave in just because the company wants. So very possibly we had a bit of give and take going on here, and some of it most definitley would have had to do with allowances made for the two of them.

But at the same time I don't think it had anything to do with the joint enlistment. Not only don't I think that the company would have a say in it, legally or morally, but this wouldn't be something that either of them would stand for. So, in case I didn't make myself clear here, I will say it again - the company didn't use the possibility of joint enlistment as a tool to get something extra out of JK.

You talk about Hybe not being a company that will allow their artists to do as they wish. BTS belong to Big Hit, which is a subsidiary of Hybe. But Hybe would not have existed if not for BTS. BTS made BH what it is today and Hybe was built on their coat tails. And BTS, the members, they have enjoyed many freedoms within their company over the years. Not full freedom though. And Jikook, well they were allowed to be (while in other companies this was not allowed, couples forced apart or forced out). And not only were they allowed to be, but towards the end of 2020 there was movement towards normalizing their relationship, ear suck, hickey and all.

But then came Hybe and Hybe going public, and I knew the day that was announced that even though the members will get a huge payout this move will cost them freedoms they already had, because now there were shareholders and share prices to worry about, and when your band is the main bread winner for that company, well, as I mentioned, there is a price to pay. And they have been paying that price. The two of them for the 2 years prior to their enlistment. As long as they were under their old contracts they were bound by them. Which is why I feel like there will be changes coming when they are done with their MS and well into their new contracts. This will be freedom regarding their art (I think we can already see part of that with RM's new album) but also regarding their personal lives, in a sense of what they can or cannot show if they choose to. JK telling us he's human, telling us he loves us but he deserves to be happy, or even more needs to be happy to be able to create and perform and make us happy (you need to be especially dense if you don't understand that this also includes being in a relationship with another person, who may or may not be a member of his own band). This includes setting boundaries with their fans - yes they love them and feel indebted to them, but at the same time they need to stay in their own lane (I do think JK has been too nice at times setting these boundaries, while others like RM, Yoongi and Tae - a couple of times - were way blunter).

Once again, Hybe wouldn't have the right to 'allow' or 'disallow' them to enlist together. This would have been their decision and theirs alone. Hybe could talk about timing and what they would like to happen before or after, but not if it can or will happen. Hybe could like or dislike it, support it or not, but they would have no power over it. The military alone would have a say if to allow it or not, and at the end of the day we know how that one ended.

I also want to touch on another point.

Again.

Their choice to enlist together.

I've seen talk about Jikookers using the term NEED when it comes to the two of them - needing to be with one another to get through their military service, and I wanted to put in my two cents on this.

The way I think of it is that when people use the term need in that case it's not about saying that if they weren't allowed to enlist together they wouldn't have survived it. No. That isn't it. Not in my opinion, in any case.

These two young men are strong physically and mentally, and they would get through whatever was thrown their way (wouldn't be easy, I tell you that, but they would get through it). Chances are that if they wouldn't have gone down the path of enlisting together they could have landed a cushier placement, band perhaps, like NJ, who knows. But definitley the choice to do this together had a price tag to it, and their letters from Festa tell us as much as well (even though they obviously sugar coat it for us, but the sentiments are clear - it's hard).

So, they chose this. They knew this was going to be hard. A harder, more difficult, placement if they were to go down this path. And yet this was their choice!!

Why?

And here comes that NEED into play.

Yes, I do think that they needed this. They needed each other. They needed to not be separated for 18 months not knowing if and how often they could get to see each other or be together (maybe, if allowed, once in 3 months, and only if their units allowed the time off at the same time). They needed that person that they trusted and KNEW that would stand by their side, that would support them, be their rock, catch them when they fall, be by their side in their time of need, just like they always have been.

They are each other's PERSON. The one that would ALWAYS be there through good and bad.

They both put it down in words:

JM

And JK

Shock, awe... I must be one of those delusional Jikookers that believe JK's lyrics were not describing his relationship with us, the fans. Another song written for the one person they love, yet given as a gift to Army.

And in his very subtle but intelligent way, he told us that himself:

"Even when I was working on the song, I really wanted to release it as a fan song".

Just like JM did, eh?

Would it be too hard to just say : "I wrote this song for my fans"? He chose not to, didn't he? Once again we have choices here.

I digress.

You could replace NEED with WANT, if you will. Same same in this case, imo. Seeing how hard they fought to find their way to this exact point.

The first, the only idols to ever do this!!

Bottom line:

To me, using the term NEED in this context is not about them not being able to make it otherwise, but more about a choice made to have that person they feel closest to, the person that has since forever been their emotional anchor, the person that lifted them up when they fell, the person that stood by them, cared for them, supported them when they were struggling. The person that KNEW them to the core and would be there by their side to get through this together with.

Each other.

[m1ssunderstanding]

Understanding Lennon McCartney Rewatch Part 2.1

Cynthia and John are worse and crazier for admitting what they admitted in the bio. But Jane and Paul are not exempt.

Will forever love this pic of Paul and Julian. He does not look like the fun uncle. He looks tired and dependable. Just stepped out of the womb as a father, didn't he? The sperm that fertilized his egg probably passed some fatherly advice and hair tussles to the other sperm as it passed them. 

They should've bought the fucking island.

They never look more like a couple than when the women they're actually dating are right next to them. 

The India footage actually looks so beautiful. Obviously it's a beautiful place, but they all genuinely look so free and at peace there. It really could've been so good for them. Getting enlightened, getting soberish, growing closer as a band, taking a much-needed rest. It should've been good. 

The music choices in this documentary! The drastic shift from, “all you need is love” and “the dream I had was true” and “I don't need much to set me free.” to Paul leaving to “yes I'm lonely. Wanna die.” “I'm going insane.” “Look at me. Who am I supposed to be?” 8d8 psychic damage. And the thing is it's real. John really did flip a switch, just like that.

Smashing my head into a wall. It's the same as Yoko's quote about how ‘nobody hurt John more than Paul.’ Really Pete? Worse than after his mum died? Really Yoko? More than that drunk cop? Paul, what the fuck did you do to him in India, seriously, because at this point in the doc I can't accept the theory that it was just some lack of communication, I just can't. 

It's also telling to me that when John's losing it, everyone's solution is some time alone with Paul. Nobody panic. Paul can fix him. Little do they know Paul's the one that broke him. Or maybe they do know and that's only another reason they know Paul's the only man for the job?

Old-fashioned ad voice: You liked Protective Jesus Scandal Paul? You'll love Protective LSD Scandal John! Really. Before the question is even out, he's making fun of it. I think he cuts off the interviewer at least three times with jokes before he can get the sentence out, and by the time he is, Paul's giggling too hard to feel bad about his little PR fuck-up.

Then he lets Paul talk a bit before jumping back in, this time with his Hard Man suit on. It's just so good. A testament to their unconditional love, really. Because, clearly, Paul's just hurt John pretty bad. And yet, here John is. Using every trick he's got to defend his friend. 

But actually, though John is supposedly the one everyone's worried about, Paul's doing a pretty shit job of being the “stable” one. This entire press tour he's either fucking blazed and laughing at everything or disassociated and not contributing.

(((except during that political discussion – again! Paul secretly has actual thoughts on actual things?!)))

But for the most part, John's absolutely holding down the fort. I wonder if this is another case of everyone – all their friends and business associates, just like we as a fandom still do now – assuming John is the problem child, and Paul's the strong one, but actually they're both both. 

Back to the political interview. They're just so in sync. Finishing each other's sentences when you're talking about the weather or your shared work is one thing. Finishing each other's sentences on complex topics like why poor whites often vote bigots in or the cause of rampant misinformation is quite another. 

“Letting his dad cut his hair at sixteen, seventeen.” You all know that John hates Jim quote. 

John: so there's war, and vegetables. There's relativity and absolute.  Paul (absolutely smitten): that's great Johnny. Int: that's rather hard for people to interpret. John: well if they can't interpret it now, maybe they will later..... 1. John really was extremely intelligent. 2. That last statement sums up Beatles historiography.

Paul really just Won't be alone with John, will he? Well, two can play at that game, Paul, and John's going to win, let me tell you. 

But he's going to do one last panic grab for attention first.

I really do think if John had done something like that *before* Paul would've given him that attention. Told him he's being insane and taken him home to splash some cold water on him or something and then given him whatever softness Paul was capable of. But not anymore. 

I wonder if Paul could go back to 1966 if he just wouldn't have taken John to that Indica show where he met Yoko. If he would've just said “okay John, sure, let's just stay home and trip on the couch tonight.” I don't know.

Anyway, Yoko gets an A+ for persistence. Imagine being Paul, George, or Ringo, though, and John is suddenly madly in love with this woman whose been begging you all (and then him specifically) for a platform for over a year? It would be weird to say the least. 

John: don't you hate me? I'm crazy, you know. Paul: no I don't hate you. John: aren't you pissed at me now, Paul? Even a little bit? Paul: I'm very proud of you. It's the unstoppable force (“Don't ‘nore me, Mimi!”) vs the immovable object (“I learned to put a shell around me”.) Someone get them some professional help before they nuke the whole world. 

“There is, however, a desire to get power in order to use it for good.” One of those quotes that just really lets you see a person, you know? Benevolent dictator Paul. 

Yoko, why are you talking about how bad your boy doesn't want to fuck you right in front of all his closest friends and on record for posterity? If you have to be talking about your sex life, shouldn't you be lying about how insanely horny he is for you? Oh, right, she will think of that, just not yet. 

And then she waxes poetic about how turned on John is when he's working on music with Paul. Cool. Smart. Thanks for that, though, genuinely.

And Then (gosh, Yoko is such an asset to Beatles history when she's not actively spreading misinformation. Everyone give her a hand) she goes on about how Paul goes out of his way to make her feel respected and even valued. Compare that to John and Linda, anyone? And I want to be clear, I'm not saying this means John cares too much and Paul doesn't care at all, which might be the surface read. I just think John's reaction was to scream in everyone's face that he was in pain and Paul's was to insist ad nauseam that he was fine. You know?

[doberbutts]

(Some other guy entirely here) I do think there's not much of a reason to be so against the terms tma/tme though, and I don't really understand why some people are? Like, in the same way we want a word to describe our experiences so do transfems, and while I do believe that all trans people are affected by transphobia and misogyny, it's obviously also true that we're affected by it differently depending on how we present, cause otherwise we'd all be satisfied with just the term transphobia (not saying anything new here so far)

So, since it just so happened that the term transmisogyny was coined to mean specifically the oppression transfems face (regardless of what anyone might feel on the matter, that is what it means in practice), what's really so wrong with having terminology to specify whether you're affected by it or not in online discussions of specifically transmisogyny? I'd think that would be relevant enough information, and you're not obligated to share it unless you want to.

I think what's really bothering a lot of people is that these terms exist for half of our community but there's no acceptable equivalent for the other half, and there's constant backlash against attempts to fill that void in the language. But that's not the fault of anyone who advocates for the use of tme/tma, or rather, they are separate issues that I don't believe should be conflated even if the proponents of tme/tma are the same people who are against specific terms for transmasc oppression.

When we do this, from the pov of trans women we are the ones rejecting their terminology and trying to silence them when they talk about their discrimination, and since we know exactly how that feels, I think we as a community should take a step back on the matter and just let it be.

Just because we feel dismissed when it comes to a similar matter doesn't mean we should dismiss in turn.

Not that anyone needs my permission or anything for this but:

I don't really have any problem with the words transmisogyny or trans-misogyny, as I think they are valuable labels to discuss a specific intersection of transphobia and misogyny.

I am not sure I necessarily have a problem with the terms TMA or TME themselves, outside of that I think it is not possible to be exempt from oppression because it will apply to you even if the label itself is wrong. This is also how hate crime and discrimination law works in this country- it is both your label and what the offender thinks of you, not just one or the other.

In other words, the guy who screamed at me about how I'm a Mexican is incorrect because I'm not Mexican, but it is still considered to be discrimination against Mexicans because it was his hatred of Mexicans that fueled the attack. It doesn't mean that actual Mexicans aren't the actual targets or this, but it does mean that it's not possible for me to be exempt from anti-Mexican sentiment. It doesn't mean that hatred of Mexicans doesn't exist, it does mean that if I want to stop getting screamed at for saying non-English words while visibly brown (I said pate, which is FRENCH and not Spanish, in reference to a can of dog food he was buying), then I need to ally myself with Mexicans and see what I can do to help decrease this hatred of Mexicans within my country.

What I do have a problem with is how these words are used and applied.

Caster Semenya is a "TME" intersex woman who was caught by transmisogynist Olympic rulings intended to hurt trans women, and to this day is still not recognized as a woman. How is this exempt from transmisogyny? She is literally being affected by transmisogyny- and interphobia, and misogynoir, and lesbophobia. And there are more examples than that, but this will already be a long enough post.

Moreover, I'm finding a lot of hypocrisy in the theory itself, labeling certain instances of oppression as things only TMA people experience and then refusing to listen when TME people say that they experience it too. I don't really care what or how people talk about their own experiences, but I do think it's a little ridiculous to be told that someone else who is not me can tell me what I experience better than I can. And then refuse to listen when I say that I have felt the hurts they're saying don't apply to me.

If TMA/TME had stayed within the limits you've set, being about descriptors of your own personal experience rather than trying to apply theory to entire demographics in a way that very little other theorycrafting does, I wouldn't have cared. Unfortunately that's not how it's being used and I don't like that.