#I am always fascinated by people who are active in life and how they always live in action while I approach life like Lou

[alenachelk]

I can perfectly imagine how Adrien would be a family man as an adult, but I don’t see that in Felix at all. Sometimes I even doubt that he and Kagami will get married. I have several scenarios for adult Felix and they all have a bad ending and he will be unhappy. But there is one where he happily travels around the world, everything that is not related to people fascinates him and he is more close to nature and magic and he likes to explore and study everything. Constantly expand his horizons. He looks like William Traynor before the accident.

[osarina]

ᡣ𐭩 WERE WE BETTER UNKNOWN?

FEATURING: dazai osamu

SUMMARY: your story with dazai comes to a close... but is it really the end?

AUTHOR'S NOTES: guys. oh my god i have so much to say, i will put it all at the end. but i am so annoyed because the heart in the title looks wonky as hell—for some reason it looks fine on desktop but on mobile it’s fucked ip :’) comments & reblogs appreciated!

GENERAL WARNINGS: fem!reader, port mafia executive!reader, civilian!dazai, dazai's struggles w suicide & sh, reader partakes in mafia business, dazai isn't dazai without a bit of obsessiveness and possessiveness (the possessiveness doesn't come til later but the obsessiveness starts from day 0).

CHAPTER SPECIFIC WARNINGS: hardly edited. mentions of past suicide attempts (dazai). non-sexual nudity/intimacy. reader has 1 scar that dazai points out.

SEE: WASTELAND, BABY! SERIES MASTERLIST

Dazai dreams of a vast frozen lake.

Is he dreaming? He’s not sure. It’s cold, he shouldn’t be cold in dreams, right? 

He lets out a shaky breath, and he can see the cool air fan around him. He shivers, hands running up and down his arms to try to warm himself up, but it’s futile—the snow that flutters from the sky is sharp against his skin and the air is bitterly cold, but the wind is oddly still. Eerily still. His shoes crunch against the snowy bank as he draws a bit closer to the edge of the lake, trying to figure out where he is.

“... are we going to…”

Dazai startles at the vaguely familiar whispery voice, eyes wide and searching as he looks around trying to pinpoint who had spoken, but there’s no one in sight. He can hardly see

Hell, he thinks dizzily, is he in hell?

Dazai’s fascination with literature began with his fascination with death. It started as a child—morbid and odd as it might’ve been, he was bored with life. He supposes that it’s part of the reason why his siblings didn’t like him, besides his ability, of course. He always had questions that people couldn’t answer—what happens after someone dies? They go to heaven, honey, his mother would reply. How do you know that? We just do. But how? What if we don’t? What if we just die? Stop asking so many creepy questions, Osamu, his sister would snap at him, curling into his mother’s side. But what-

He would keep asking until his sister got visibly upset and his mother had to take her out of the room. He never really understood why—they were legitimate questions—but his mother’s evasion of the topic and his siblings’ aversion did not deter his curiosity. In fact, when the first of his cousins died at the hands of one of his others, it spiked his curiosity. He almost found himself jealous that they would have the answers to the questions that have been plaguing him for years.

His questions of self-worth and his place here on earth didn’t come until he was a bit older, but he supposes at some point they probably merged together. His own doubts about himself and his lack of normalcy compared to other people led to his general fascination with death slowly turning into fascination about his own death. He found it quite ironic, and maybe a bit disheartening—he can’t even die correctly—that of all of the many members of his family, the one obsessed with death was the one that survived the longest, in spite of actively striving for eternal rest.

His fascination with death was put to an abrupt halt by Odasaku’s arrival in his life. Or well, that’s not exactly right. His fascination with his own death was put to a halt—Odasaku humored all of his questions, even if some of his answers were absurd and nonsensical, but when Dazai tried to spin the conversation back to himself, Odasaku would put his foot down. 

Dazai only tried to kill himself once while he was living with him—it was around when Odasaku first took him in, and Dazai didn’t think the man would care all too much if he was gone. Ango was the one who found him in the bathroom, funny enough it was his first time meeting the other man, but when he woke up in the hospital, Dazai decided he never wanted to see that haunted expression on Odasaku’s face ever again. 

It was around then when Odasaku started telling him about his book, and he helped redirect Dazai’s unhealthy fascination with death to a different outlet: literature. The Divine Comedy, the Aeneid, the tale of Orpheus and Eurydice—it was Odasaku who introduced him to them all. He enjoyed reading other peoples’ interpretation of the afterlife; he and Odasaku would have full blown debates over which interpretation was nearest to truth. 

Dazai isn’t particularly convinced there is an afterlife at all, but he always thought that if there was one, it might look most like Dante Alighieri’s vision. 

Like this. 

“... can’t just stop, he’ll never let it be…”

This voice isn’t unfamiliar. Dazai’s head snaps up, eyes wide and searching as he tries to seek you out. Your voice sounds like it’s coming from all around him—the wind carries it, he can’t tell where you are and the icy air makes it hard for him to keep his eyes open to try to track you down. The wind is strange though; it stops blowing all around him, and instead begins billowing inward toward the center of the lake.

A foreboding feeling suddenly settles over Dazai.

Lake Cocytus—if this is what Dazai thinks it is, then it’s meant to represent the Ninth Circle. Treachery. A little ironic, maybe, considering loyalty is what got Dazai killed—your loyalty to the Port Mafia. 

Is he dead? He realizes suddenly that he very well might be, not quite as pleased with the idea as he might’ve been in the months before he met you. He feels… unfulfilled almost. He never finished Odasaku’s book. He didn’t even manage to get his degree. He felt what it was like to be loved for a few months, but it wasn’t enough. He’d wanted more. He wanted a life with you. 

He still wants a life with you, he thinks miserably. Even after everything that happened, he still wants it.

He must not be dead, he thinks absently, kicking at the snow on the banks of the lake before slowly treading out toward the center of it. If he was dead and really in the Ninth Circle of Hell, then he’d be stuck in the lake with the rest of the betrayers. Although, Dazai thinks if he really was going to hell, it wouldn’t be this circle—he doesn’t think he’s ever really betrayed anyone to this degree.

Or maybe he did, his thoughts take another dejected turn. Would his ‘betrayal’ to you count? It’s not like he actively tried to deceive you, so he thinks he should be given some leeway. But maybe it wouldn’t be too bad, if he’s here because he deceived you, then you would certainly be here for betraying him—he wouldn’t mind being stuck in hell if you were there with him. You both could be buried in the ice together, eternally frozen and suffering for betraying each other. 

It’s kind of romantic, if you really think about it.

Something bubbles in his chest—maybe a laugh, or maybe a sob, he can’t tell, he thinks maybe he’s a bit hysterical. 

It must just be a dream, he thinks again for some minimal solace. Or maybe a warning, maybe he’s somewhere caught in-between and God is striking down his hammer, warning him this is where he’s going to end up if he doesn’t change his ways like the message of the Divine Comedy itself.

The thought makes him laugh.

He sobers up quickly though as he starts his trek across the lake, thinking that maybe if he got to the other side, or the center, he’d wake up. He thinks you would find this funny—one of your first conversations with him had been about The Divine Comedy, and he spent many nights at dinner roping you into conversation about it, and convincing you to read some of the other books and poems that Odasaku had introduced him to. You-

“... one life or hundreds, that’s what he said…”

Dazai nearly slips on the ice when he hears your voice again, looking around as if you would just magically appear around him. You don’t, but it does leave Dazai a little disheartened hearing you repeat the words that Mori had said to convince you to kill him. He sighs as he keeps his gaze trained ahead, careful to not look down at the ice lest he find himself looking at something he would rather not.

The outskirts of the water were the traitors to kin—Dazai remembers that well. The first time he read the poem, he realized that this is where the majority of his cousins and older brothers would be. They spent almost two years killing each other for their grandfather’s inheritance; Dazai went from having seven siblings and almost two dozen cousins to three siblings and a handful of cousins by the time of the coup.

Traitors to country in the next section—Dazai thinks a bit gleefully that Mori would end up there. The Port Mafia isn’t exactly a city or country, but it’s still an entity, and Mori certainly betrayed it when he killed Dazai’s grandfather in his own bed, no matter what the reason for it might be.

Traitors to guests in the next section—this gives Dazai a bit of pause, he doesn’t know if he knows anyone that would fit in that section. Ui, maybe? Inviting him to work with his journalism house only to give him up to the Guild. Maybe Mori again, Dazai thinks, highly amused, because Dazai was a guest to you, and therefore, the Port Mafia, when everything happened. 

And the last section—traitors to benefactors. He can’t avoid looking at them; they’re the only ones above the surface of the lake, grotesque sculptures of ice that decorate the surface of the center of the lake. His steps slow as he walks through them all, a heavy feeling settling over him as his gaze focuses on the oddly familiar sculpture in the very center of the lake.

Is that-

“There’s only one way this ends.”

Dazai’s breath catches sharply. He slips on the ice as he rushes forward, eyes widening and hands flying forward to catch himself, but his stomach lurches painfully and before his hands can hit the ground-

Dazai sits up with a ragged gasp, eyes wild and nails digging into the fabric of the soft couch he’s laying on. His head is aching and he feels sluggish; he’s still reeling from what he’d just woken up from, but his heart rate is starting to calm down.

Just a dream, he confirms, but now he’s more preoccupied with trying to figure out where the hell he is and why he isn’t dead, because the last thing he remembers is you lifting a gun to his head and pulling the trigger. The room he’s in is small—there’s no windows, there’s a tiny kitchen on the left side of the room, and on the other side-

“Everyone out.”

Dazai’s gaze settles on you. You’re standing near the far wall—you haven’t changed from what you were wearing at the conference room with the other Port Mafia executives, and Dazai can see Ace’s blood still crusted around your finger nails and splattered on your shirt. Your gaze is focused on him, an unreadable expression on your face, and Dazai is so tunnel visioned on you that he hardly notices that there are a handful of other people in the room: your three subordinates, Nakahara Chuuya, Albatross and one other who had been at the fight against the Guild.

They don’t argue with you, most of them file out of the room without a word, only Albatross and Chuuya linger. The ginger gives you a long look before saying, “We’ll buy some more time. Just… figure out if this is really what you want to do, okay?”

You finally look away from him at Chuuya’s words, cringing and averting your gaze to the ground. You say quietly, “It doesn’t matter what I want. It has to be done.”

Chuuya sighs but nods, motioning for Albatross to leave with him—and then the two of you are left alone. You don’t approach him. Ironically, you look like the one akin to a cornered animal as if you hadn’t been the one to shoot him. If anyone should feel like a cornered animal right now, it should be him.

Instinctively, he lifts his hand to his forehead, frowning at the bandages wrapped around the top of his head. He looks back up at you curiously, but you grimaced and looked away as soon as he touched his forehead, so he can’t catch your eye.

He has a million questions he wants to ask. What happened? Why didn’t the bullet kill me? Why didn’t you kill me? Did you believe me? Do you believe me? Are we okay?

Dazai doesn’t know if he wants to know the answer to the last question, so he settles with: “Where are we?” 

Though you’d stiffened as soon as his lips parted to speak, you relax when you hear the question he asked.

“A safe house in Sakae,” you say quietly. Dazai starts to sit up but his vision swims so he has to stop and rest back down against the arm of the couch, blinking furiously. “You should take it easy… You’re probably going to feel a bit off for a couple of hours.”

Dazai is about to ask you what exactly happened, but the words die on his lips when you finally draw closer to him. You sit down on the couch next to where he’s laying, your body brushes his and Dazai feels warm. The remnants of the frigid cold of his dream vanishes as soon as the warmth of your body grazes his—he knows that there are many things that need to be addressed, but he would be content to avoid those topics and bask in your comfort for as long as he can. 

His eyes slide shut as you reach up to cup his cheek. He doesn’t even bother reopening them when he feels you lift your other hand to remove the bandages from around the top of his head—he thinks maybe he could almost doze back off. It’s only when you let out a soft sigh and fasten them back on does he finally bother to open his eyes again. 

“I don’t have enough bandages on me already?” he asks, his voice is light and the smile on his lips is teasing as he tries to lighten the mood a little, but it doesn’t work.

You don’t respond to his comment. You look down, and the small smile on your lips doesn’t meet your eyes, so his falls off his face as he stares up at you carefully and finally asks the much dreaded question that would lead to even more dreaded questions:

“Will you tell me what happened?”

--

“We need to go,” Chuuya says, hand wrapped around your wrist tightly. You don’t budge from where you’re standing, staring at where Dazai had fallen back over the edge. It was a short drop with mud softening the fall, he would be okay—if everything went according to plan, that is. Otherwise, the bullet you just shot at him killed him anyway, so the fall is inconsequential. “Come on. We can’t stay here. We have to go.”

“How do-”

“Not here,” Chuuya hisses. “Come on.”

“Chuuya-” you breathe out, voice wavering over his name. You can’t bring yourself to move even as Chuuya tries to drag you away. “Chuuya, I need to kn-”

Need to know if this worked. Need to know if he was able to stop the bullet. Need to know if you actually just killed the boy you’re in love with.

“Not here,” Chuuya replies, voice harsh, cutting you off before you can say anything more incriminating. 

This time, he doesn’t wait for you to follow him—he yanks you along with him, not even bothering to steady you when you stumble. You know you should snap yourself out of this, you know Mori has people trailing you to ensure you follow through with Dazai’s execution, but you’re haunted by the expression on his face when you pulled the trigger.

He accepted it.

You had the gun to his head. You asked him to forgive you. He said he did, and he accepted that he was about to die at your hands. A part of you is eager to convince yourself that maybe he saw through your plan, that he realized you weren’t going to kill him, but that look in his eyes…

He didn’t know, and he accepted it anyway.

Your stomach churns. The ragged breath you take in cuts off abruptly as you gag over it—you saw the blood, you don’t know if Chuuya was able to stop it. You don’t know if Dazai’s nullification ability prevented Chuuya from using his own ability to slow the bullet before it killed him. You don’t know if he fell backward because he was shot or because the high dosage sedative that you swiped from Mori’s office set in as quickly as it was supposed to. You don’t even know if Chuuya had been able to inject it in him with his ability. You don’t know anything.

“Don’t you dare throw up on me,” Chuuya mutters as he opens the car door and ushers you inside. 

Instead of sitting in the front with Albatross, he sits in the back with you, sharing a sharp look with Albatross before the other man finally pulls away from the ports. He still doesn’t say anything else—he knows better. This is one of the Port Mafia’s cars, tapped and actively being transmitted to one of Kouyou’s subordinates who will report to her and Mori anything that seems off, and you need to buy as much time as you possibly can before Mori realizes Dazai isn’t dead.

Because Dazai isn’t dead. He can’t be dead.

It worked. It all worked.

It had to have. 

Just as you expect, your phone rings as soon as the car starts moving. Mori has eyes on you—he was waiting for you to finish with the execution before calling. You’re certain that he’s going to send someone to check the body now; he doesn’t trust you to finish the job, not when something as fickle and unpredictable as love is involved. 

Klaus will have to be quick—you don’t even know if he was able to find a lookalike to kill so he could swap out the body. You only were able to give him a twenty, maybe thirty, minute heads up. Dazai is plain looking, yes, and the mud he dropped in should do some work at concealing his identity, but if Mori’s shadow sends him a picture to confirm the kill, the slim amount of time you hope to have bought with your fake out will be halved.

You stare down at the phone and let it ring once, twice, and finally on the third ring, you lift the phone to your ear and accept the call, waiting for Mori to speak.

“Has it been done?”

“Yes,” you reply, voice steady even if your fingers are trembling around the phone. “Do you need me back at headquarters?”

“No, I’m sure that wasn’t easy for you. You should get some rest. I have a meeting with Tolstoy in a bit anyway. I’ll meet with you tomorrow after I have tea with Elise-chan so you can debrief me on the meetings with the Guild,” Mori says easily, his tone is light and airy, and it makes you angry, because how dare he sound so flippant after what he just expected you to do. “... I’m sorry things had to end this way, dear. I’m proud of you. You did well.”

“I know,” you say tightly in response before hanging up and putting the phone back down in your lap. 

Chuuya watches you carefully, but he doesn’t say anything, and you stare ahead at the back of the driver’s seat. It’s a twenty-five minute drive from the ports in Naka to Sakae—for better or for worse, it’s going to be a quiet one. For better because you think you might start crying if you have to speak, and for worse because now all you’re plagued with is your own thoughts and the image of Dazai’s face before you shot him.

You didn’t shoot him. Not really.

But you did, you don’t know if Chuuya was able to stop it. You don’t even know if Chuuya knows if he was able to stop it. There was a splatter of blood. You saw that, and there shouldn’t have been blood if this worked, so the worst case scenario looms over you heavily. But you won’t know until you get to the safe house—until you hear from Klaus. Your breath hitches over a sob you’re forced to swallow; your chest burns and tightens uncomfortable.

You had to do it, this was the only option. Anything else and there was no shot he wouldn’t have been killed. Maybe not today or tomorrow, but he would be killed. You wouldn’t be able to protect him from Mori otherwise—he would’ve put a hit out on him, and Dazai would have all of the most dangerous assassins in the underworld out for him trying to get the bounty. You can’t protect him from that. You needed to buy time. You needed to buy time so you could-

You don’t finish the thought. 

You don’t think you’ve come to terms with what has to be done if you want to protect Dazai. A part of you doesn’t even know if you’ll be able to follow through with it, but you’ve already set yourself down the path of no return and you’ve dragged Chuuya down it along with you. Either you follow through, or the three of you are going to be on the run for the rest of your lives.

Shit.

Your gaze tracks back down to your phone. Still nothing from Klaus—nothing from Akutagawa either. The silence is too loud, each second that passes has you aching with a pain that feels like knives dragging against your bones. You just need to know, you need to know that he’s okay, that you didn’t-

You rest your forehead against the window when nausea builds back up in your stomach. It’s cool, and a welcome reprieve from the heaviness weighing down on you, but the moment your eyes slide shut, you’re faced with Dazai again and no amount of deep breathing and grounding techniques can stop the way your heart rate sky-rockets, breath becoming quick and shallow.

You see him. You see him, and he’s looking up at you, dark eyes wide and adoring as he looks at you like you’re the only thing in the world that matters to him, and his lips part to say something but before he can, you see something thick and red trickling down his face over his lips, and suddenly something is weighing cold and heavy in your hand but you can’t bring yourself to look down at it, but you can’t drag your eyes from his face. Can’t hide yourself from the way his warm eyes are suddenly wide and glassy, void of all of the emotions that you’d just-

Your arm hurts—sharp and painful and so sudden that you’re dragged from the images haunting you. Your gaze cuts over to Chuuya, who’s giving you a concerned look. You realize he must’ve shifted over a bit, brushed his arm against yours to use his ability to jolt you out of your spiraling thoughts. When he realizes that you’re back in the present, he gives you a pointed look and then directs his gaze outside.

You’re almost there. How much time had passed?

Why hasn’t Klaus or Akutagawa reached out to you?

What is going on?

Albatross doesn’t stop in front of the safe house—there are too many cameras in the street and all of the Port Mafia’s cars are tracked. Instead, he takes a left on the next street because it’s one of the few without a red light camera and a blind spot on the corner. His gaze flickers up to the rearview mirror and he pointedly raises the volume of his shitty music a few decibels louder to cover the noise of the car doors opening and closing as you and Chuuya slip out when he stops at the red light.

You leave your phone in the car and you’re careful to avoid the camera near the bakery on the corner as you follow Chuuya around to the alley that leads to the back entrance of the safe house. It’s not a Port Mafia safe house—it was Itou’s. This was where he stayed in the few months during the Dragon’s Head Conflict where he was on his own, after he left Strain but before you recruited him to the Port Mafia. It was well hidden and well protected, you hadn’t been able to track him down here until he brought you here—he made sure that it was a blind spot in the Port Mafia’s ever-watchful eye over Yokohama, and you made sure to keep it that way once he was gone. 

It’s only once the steel door is shut behind you that you can finally speak, gaze focusing on Chuuya desperately as you wait for him to tell you if he was able to do it or if Dazai’s ability…

“Did you hear from Klaus or Akutagawa?” he asks quietly, and that’s enough of an answer.

He doesn’t know. 

You feel sick—your stomach lurches and you don’t know if you start to stumble toward the bathroom or the couch or straight to the floor, but it doesn’t matter because Chuuya is darting forward to grab you and guide you over to the couch.

“Chuuya, if I-” you start to say, your words are raspy and you can’t even bring yourself to finish them. “If I-”

“Don’t,” he says, wrapping an arm around you. “Don’t bother going there yet. Wait for Klaus and Akutagawa.”

“But-”

“Stop,” he insists. “All you’re going to do is torture yourself.”

Isn’t that what you deserve? You want to say to him, nails digging into the palm of your hand so deep that it draws blood. Chuuya catches what you’re doing and immediately moves to unfurl your hands. Everything you’ve done. You killed Dazai’s family. His siblings. His cousins. You ruined his life, and then after everything, it wasn’t enough. You ruined his life and then you took-

“Hey, stop,” Chuuya interrupts your thoughts, clearly realizing what path they’re going down. You don’t realize your breath is ragged again until he grabs your chin and twists your head to force you to look at him. “I know what you’re thinking, but we can’t do this right now, we need to plan. We don’t have time, and when Klaus and Akutagawa get here with him, we need to know what we’re doing. You need to snap out of it.”

You don’t respond to him—your lashes flutter and you see Dazai again, you see blood, you see empty eyes, you see the gun in your hand, and you feel something warm and wet trickling over your cheeks. Chuuya spits out curses to himself and wipes away the tears streaming down your face. He’s gentle now, the rough grip on your chin disappears and is replaced with his hand cradling the back of your head as he pulls you closer to him. He presses your ear to his chest, hoping that the steady thrum of his heart is enough to ground you.

“Where the fuck are they?” he spits out more to himself than to you. His breath hitches and you can hear the stammering of his heart, and you know that he’s nervous, but he’s trying to hide it for your sake. “I need you here. What we just did-fuck-”

You try to snap out of it—you do, but every time you blink you see him. You see what you did. You knew this would happen from the very beginning, you knew it, and everyone warned you, but you’re selfish. You’ve always been so selfish.

You don’t know how much time passes. Ten minutes. Twenty. Thirty. It all blurs, it all feels like eternity, but eventually, the door to the safe house slams open, and only a handful of people know about it.

Your gaze snaps up, and you don’t realize you’re holding your breath until Klaus steps into the room with a familiar figure slung over his shoulder like a sack of flour. Both of them are covered in various substances that you think you would rather not know what they are, but you can see the steady rise and fall of Dazai’s back. You rise to your feet abruptly and Chuuya lets out a relieved breath, shoulders slumping.

Klaus immediately points an accusing finger at you. “I had to hunt down a civilian, kill him, crawl through shit and trash with a dead body to swap it out for your boy, I had to carry him across half of the city, and I couldn’t even channel Mephisto because he nullifies him. You better not complain about any messes I make for the next six months,” Klaus demands, and then points wildly back toward a very clean Akutagawa, who casts an unimpressed look his way. “And he didn’t even help me. He stood there and watched.”

“I was ensuring that no one saw what we were doing,” Akutagawa replies primly. “Even more important than your job, considering if someone saw it would all be for naught. You should be thanking me.”

Klaus’s face goes red with anger as he whips around to face him and roars, “More important? Thank you?!”

You laugh. It’s so startling that all of the anger washes away from Klaus’s face and the goading expression on Akutagawa’s disappears. Or you think you laugh—you think you might be crying again too. Both boys look aghast by the sight of it, looking at each other as if waiting for the other to do something to make you stop.

Eventually, Klaus steps forward and unsurely tries to pass Dazai’s unconscious body over to you as if to try to make you feel better by shoving him in your arms. Chuuya slaps him hard over the back of the head causing him to yelp.

“Put him on the couch, what the fuck is wrong with you? Why are you passing him over to her like he’s a fucking stuffed animal?” Chuuya snaps, giving him a plainly judgemental look before resting his hand on your shoulder. 

Klaus looks disgruntled, but he does as Chuuya asks, laying Dazai down on the couch where you and Chuuya had just been sitting. You drop to your knees next to him, and the room is oddly silent as you look down at him. You don’t feel their gazes on you, so you assume they’re giving you privacy as best they can.

He looks… peaceful. You could almost imagine that you were coming home to him napping on your couch after he spent the whole night playing some stupid video game in your living room. You try to imagine that’s what this is, but the bloody indent in his forehead prevents you.

It almost broke through his skull.

He almost died.

You almost killed him.

You feel a bit sick as your fingers trace up to the wound on his forehead. It’s still bleeding, but his forehead is clean compared to the grime that covers the rest of his body. Klaus and Akutagawa must’ve had the brain to stop and clean the wound before it could get infected—that’s probably what took them so long.

You feel someone come to your side, glancing up to see Akutagawa hovering next to you with bandages in hand. He passes them over to you silently before quickly walking away. You let out a soft breath as you unwind the bandages, gently lifting his head so you can wrap them around his forehead. Immediately, they’re staining red—you grimace and look away.

The silence hanging over the room only lasts so long.

“What’s next?” Klaus asks quietly. “This won’t work for long. What’s the plan?”

Your gaze lowers as you rest your hand against Dazai’s cheek, memorizing his face as best as you can. The heaviness in your chest returns, and along with it, the damning reminder of your reality.

“I have to kill Mori.”

--

Dazai suddenly understands his dream.

“It’s the only option,” you say quietly when Dazai’s expression immediately twists at your words. Your eyes look so heavy and your expression is so crestfallen that it makes Dazai ache. His fingers twitch to reach out for you but you shift away, shaking your head. “It’s the only option, Osamu. It has to be done.”

“But-”

“He tried to have me kill you,” you snap, and he almost rolls his eyes because he doesn’t need reminding of that. He’s abundantly aware of the fact that he almost died at your hands because of Mori. He refrains if only barely. “Why do you care about what happens to him?”

“He’s your father,” Dazai says, watching as you go stiff. He knows he might’ve just made a mistake saying that, but he doesn’t even know if you fully understand the gravity of all of this or if you’re just running off heightened emotions right now. “I don’t care about him, he can go fuck off and die for all I care. I care about you-“

“He’s not my father,” you spit out, voice tight, “and maybe you shouldn’t care about me.”

Oh, here it comes, Dazai thinks dreadfully. That was the opening you needed to bring up the subject Dazai desperately wanted to avoid. He has made a fatal mistake. He should’ve just nodded along and agreed to your plan.

“You’re right he’s not your father,” Dazai immediately agrees to appease you and try to avoid the imminent conversation. “I don’t know what I was thinking. Hey, do you have food here? I’m so hungry all of a sudden, wow, do you hear my stomach-” 

You sigh, looking away. Your eyes are suddenly very tired and Dazai’s words falter on his tongue as his gaze settles on you. His fingers twitch to reach out for your hand but you draw them back into your lap. Dazai’s gaze drops at the blatant rejection, but as soon as you notice, you reach back out to intertwine your fingers with his. He feels placated, but only a little, because he still has a tight feeling in his chest that he can’t push away. A looming fear that something is going to go terribly wrong.

“Can we please talk about this?” you finally ask quietly, and even though Dazai does want to say no, he simply cannot bring himself to. 

So, instead, he nods, and braces himself for what he knows is bound to be a terrible conversation. He waits for you to say something—you look like you want to, but he thinks that maybe you’re struggling just as much as him at opening the conversation. 

This isn’t going to go well, he realizes again, swallowing thickly. 

“Come on,” you finally say, rising to your feet. You hold out your hand to him and Dazai stares at it for a moment, confused. “Let’s get you cleaned up, you smell disgusting.”

“I wonder why,” Dazai mutters, and he means for it to come out as a joke, but when the small smile on your lips falters, he realizes it probably came out much too bitter so he quickly grabs your hand instead, letting you help him to his feet. He tries to get you to smile again by giving you a soft one of his own, but now the expression on your face is heavy and conflicted. “Are you gonna take a bath with me?”

“You should probably rinse off before we get into the bath,” you say dryly, thumb running along the back of his hand before you let go of it. “Otherwise we’ll just be sitting in shit water.”

Dazai almost gags. “Don’t remind me what I’m covered in right now,” he pleads. “Where is the shower?”

The light returns to your eyes, a smile flickers to your lips, and Dazai considers it a win even if he is covered in shit and god knows what else. He glances back down to where he’d been laying and winces when he sees the stains. His eyes flicker back up to you and he cringes when he sees the displeased expression on your face.

“I’ll make Atsushi and Akutagawa clean it,” you say more to yourself than to him, shaking your head and motioning for him to follow. “Bonding exercise.”

Dazai raises his eyebrows, unsure if the couch is even salvageable, and almost lets a comment slip about it considering you were so quick to throw out his couch to replace it, but he refrains when a sad expression crosses your face when you think he’s not looking. He frowns, looking around a bit more scrutinizing now.

This place looks nothing like your apartment.

Your apartment is… plain. Minimalistic. The most you have decorating it is a handful of paintings on the wall and a couple of antiques displayed on dressers. Other than that, you have your furniture, your television, and that’s just about it. Dazai had joked once about it feeling like a hotel room, and promptly stole your credit card to buy things to decorate with—gaudy Christmas lights even though it’s not Christmas, a couple of fake pumpkins to line against your wall and a plastic skeleton to pin up near the window. He even bought an inflatable snowman to put in the middle of the room, but it hasn’t come yet. You rolled your eyes every time you came back from work to see some new, seasonally inappropriate decoration in your apartment, but he could tell the more things he added to your apartment, the happier you seemed to be. 

This place was actually decorated. Pictures and trinkets set up on the dressers, all of the furniture matched and the walls were a warm burgundy instead of the off-putting, psych ward white of your apartment. You said this was a safe house, but it seems more like a home than your actual one. 

“What is this place?” he asks again, because it’s something more than a safe-house, he just doesn’t know what.

“I told you,” you frown. “A safe house.”

Dazai’s lips curl down in response but he doesn’t press, gaze flickering over to one of the side tables against the wall, trying to figure out who exactly is in the pictures on it, but as he strains his eyes to focus on it, pain ricochets through his head and he has to abandon the mission. Disappointed, he follows you into the back bedroom and realizes he’ll just have to figure it out later.

He almost stops in his tracks in the doorway when he sees that the bedroom is just as homely as the rest of the safe house. It’s weird—the same burgundy walls, dark mahogany furniture, there’s what looks to be a handmade quilt draped over the foot of the bed. It’s just so unlike you that it almost has Dazai reeling.

You give him an odd look when you see the twisted expression on his face, but motion toward another door. “The bathroom is in there—go rinse off and run the bath, I’ll be in there in a minute, I’m going to grab a change of clothes for you.”

“Mkay,” Dazai agrees, a jump in his step as he rushes over to the bathroom. 

He only pauses for a second to take in his surroundings when he gets in there—he’s not as surprised now by the style. Less modern, more rustic, just like the rest of the house; it’s more like something he’d expect to see in one of those American holiday movies. He leans over the tub to run the hot water before pulling off his clothes. He squints as he starts to unwind his bandages, looking into the shower and realizing that the only soap in there is an unopened bar soap, and a men’s shampoo and conditioner set. 

A bit suspicious now, he glances at the door leading to the bedroom before kneeling down in front of the cabinets beneath the sink. With one hand, he unwinds the bandages around his legs, and with the other, he reaches out to open the cabinet so he can snoop. Just as he expected: men’s deodorant, a spare baking soda and peroxide toothpaste that he knows you hate, and a handful of different colognes. There’s one bag off to the side and Dazai reaches for it, peeking in and finding your typical bath soaps and hair care.

Whose place is this? He wonders, pausing for half a second before taking out your soaps and bringing them into the shower with him. It’s not Chuuya’s—Dazai knows that because he hasn’t seen a single tacky hat yet, but then whose?

He’s quick to clean himself off, eager to be with you and still a bit anxious that you might disappear when he’s not looking. The water runs brown as it rinses over him, but it feels nice—Dazai realizes that this is his first shower since he got kidnapped by the Guild, and a part of him wants to bask in it. He wants to wash off all of the unfamiliar touches and the dirt and the blood, but more than that, he wants to surround himself with you instead. Which means he has to hurry out of here and drag you into the tub with him. 

He thinks maybe he should be biding his time. He has a lot to think about before he actually talks to you—he’s hardly even had a chance to process everything that happened—but still, he finds himself rushing to scrub himself. It couldn’t have been more than ten, fifteen minutes before he’s stumbling out of the shower and grabbing a towel to wrap around his waist. He almost expects you to be waiting in the bathroom for him, but you’re not, so he frowns and creaks the door back open to look for you.

Your name is on his lips as he steps back into the bedroom, but he falters when he sees you standing in the same place he left you: right outside a closet, except now the door is open and there’s a sweatshirt in your hands. The expression on your face is destroyed, and Dazai isn’t exactly sure what to say, luckily, he doesn’t need to because you hear the door open and turn toward him.

Whatever you’re about to say dies on your lips as your eyes trail over his body.

Another fatal mistake.

Dazai instantly realizes that he has never taken off his bandages in front of you before—that night at the beach house, he thought you were going to ask him to take them off, but you didn’t. He was glad for it, because he wasn’t sure if he was ready, and after that… Well, everything went downhill after that.

Dazai suddenly wants to flee. He becomes acutely aware of all of the scars on his body plainly in view. The warm, dim lighting becomes spotlights shining down on him, highlighting all of the flaws that he’s feared your reaction to. He waits for your face to twist—or, he knows you, you probably wouldn’t have such a visible reaction, so he focuses on your eyes instead.

But they only curve up along with your lips, a fondness in them that he doesn’t expect. You place the clothes down on the bed and approach him, his breath catches when your hands rest on his hips right above the towel. The skin-on-skin makes his chest ache—he’s missed you so much, he hadn’t even realized how hard it had been to breathe without you until he was back with you again.

“I’ve missed you so much,” he breathes out loud, lashes fluttering when your thumbs circle over his hip bones, right over a jagged scar that cuts across his lower abdomen—the product of an unfortunate encounter in Suribachi. 

“I missed you too,” you say softly. Your eyes trace over his face like you’re trying to memorize each little detail���usually he feels uncomfortable when under a scrutinizing gaze, he never wants someone to look too closely at him in fear of what they might find, but he feels warm beneath yours. “I’m sorry.”

He’s not sure exactly what you’re apologizing for; it could be anything from almost killing him to letting him into your life at all. He’s not yet ready for this conversation to start, he hasn’t even gathered his thoughts yet, so instead he glances pointedly back toward the bathroom. You let out a soft breath—he can’t tell if it’s irritation or you’re just tired, it might be both, but you do motion for him to go in and he can hear you following him.

The water is still steaming as he lets the towel drop to the ground and sinks into it. His muscles instantly relax, eyes sliding shut as he rests against the back of the tub, letting out a soft sigh. For a moment, he can almost forget everything that’s happened, his head falls to the side to focus on you as you undress, folding your clothes and placing them on the side table. He blinks when you pull off your dress shirt, gaze zeroing in on a scar marring your upper back. It’s small, circular—a bullet wound, maybe? It doesn’t go through to your chest though, he would’ve noticed that. 

“How did you get that?” he asks curiously, belatedly realizing he probably has no right to ask about scars considering his body is riddled with them and he’d probably evade most attempts at your prying if you asked. 

“Hm?” you ask quietly, looking over your shoulder at him as you finish undressing.

The words falter on Dazai’s lips as his gaze roves over your body. You’re beautiful, he thinks again, a bit more dreamily this time. You’re beautiful, and he’s missed you so much, and he just wants all of this to be over so he can go back to lounging in your apartment and spending your money all day. It’s only when you raise your eyebrows that he clears his throat and nods his chin to your back.

“The scar on your back,” he explains. “How did you get it?”

“Oh,” you realize, making your way over to the tub and tapping his shoulder, motioning for him to shift forward. You slip into the water behind him, circling your arms around his waist and Dazai’s chest feels warm and full as he rests back against you, eyes sliding shut. “An assassination attempt when I was eighteen. I was… reckless, saw it coming and… Well, luckily, the Flags had been in the area. Iceman figured out what was happening and they got there quick enough to stabilize me and get me to Mori.”

Dazai’s throat swells at the implication of what you’d said, trying to distract himself with the feeling of your fingers tracing across his abdomen. He notes softly, “You’re never reckless.”

Your fingers pause in the absent patterns you’re tracing on him, and Dazai wonders if it’s a sore topic, about to retract his words. Before he can, you let out a soft breath and drop your forehead down on his shoulder, arms tightening around him.

“This was Itou’s house. All of the stuff in here, it’s his family’s—stuff he was able to salvage after they were killed. He tried to keep the house like how his mother used to keep it as a way to memorialize her,” you say quietly. Dazai’s eyes widen as he recognizes the name of your old partner. “We were enemies when we first met, y’know? It was during the big conflict six years ago. He was part of one of the foreign organizations. I ended up recruiting him, but he spent a few months on his own here. He was careful to keep it a blind spot to the Port Mafia even after he joined up, I always thought he was paranoid about it, but he was quite insistent that there was no need for people to know about it.”

“Makes sense,” Dazai says dryly. “I wouldn’t want Mori knowing where I’m living either.”

It’s an off-handed quip, but you still stiffen and again, Dazai fumbles to say something else because he clearly upset you. He starts to add, “I-”

“I killed him,” you finally say, voice weak and airy. Your arms loosen around him, but his hands drop to cover yours, holding them in place. “I killed him, Osamu.”

“I thought you said he died on a mission,” Dazai murmurs, hand tightening around yours when he feels the way your fingers are trembling. 

“I… Itou was born into this life. Was born into a Yakuza-family based in Tokyo, trained since he was old enough to walk how to use his ability… how to kill. The Yakuza syndicate his family was the head of was wiped out by the Sun and Steel when he was eight… nine, maybe. His mother was able to get him and bring him back to Australia—that’s where she was from. It’s how he ended up with Strain,” you explain, and the water suddenly feels a bit cold—what happened to Itou’s family sounds a lot like what happened to Dazai’s. From the way you pause, you wonder if you realize the same thing. You quickly change the subject, “He tried getting me out of the Mafia.”

“What?” Dazai asks, surprised. He shifts to physically look at you, catching the wistful expression on your face. “You wanted to leave the Mafia.”

The wistful expression shifts into something much more conflicted. 

“I didn’t-” you start to say before cutting yourself off. “I don’t know. I think maybe a part of me might’ve wanted to. I was… curious. He was sneaky—he was always such a sneaky bastard. He tried to ease me into it, show me what a different life was like. Called them training exercises, wanted me to blend in with kids my age.”

He remembers you telling him this at the beach house, but he listens anyway because now you do sound wistful. His eyes slide shut as you hold him tightly, pressing your lips to his shoulder blade before resting your chin on top of it. 

“His gift to me for my eighteenth birthday was an acceptance letter to university. He pulled some strings. It was for YNU, actually, funny enough,” you say softly. Dazai’s eyes widen as he turns to look at you again; there’s a small, sad smile on your lips and when he turns, you take the chance to steal a kiss from him. “Imagine, we could’ve been first years together.”

Dazai doesn’t dare to respond. His hand tightens around yours—if it’s painful, you don’t let it show. Odasaku dragged him to orientation, and he imagines meeting you there. You’re good at socializing—charming—Dazai can be too when he wants, but he definitely did not want to during orientation. He mostly sulked away and waited for it to be over so he could go back home. He imagines that you’d be in the same group with him, and although he’d probably ignore you the first few times you tried to talk to him, he’d eventually give in. Dazai is weak to pretty women, especially when that pretty woman is you.

Or maybe, you’d meet during a shared class. You would probably be a poli-sci major, but he’s taken classes in the field for requirements. He hated them, thought they were boring, but he probably would’ve enjoyed it much more if he had you to admire all two hours of the class. And maybe-

“I was curious,” you repeat, voice tighter. There’s more of an edge to it now, and Dazai realizes that this story is about to take a turn. “I… I wanted to try it. I told Mori.”

Dazai’s eyes widen and he sits up straight. The water sloshes around him as he physically turns around to face you. He asks, but can’t finish, “Did he…”

“He said it was a great idea,” you say tightly. “He encouraged it. I accepted the spot, and a week before orientation, Itou died on a mission that we got bad intel for. My whole team, they died to make sure I got out alive. Mori denied having any involvement, said he wouldn’t risk an ability user as powerful as Itou, but I know. I know he had a hand in it. I’ve always known it. The government had been after Itou for years—they said he was a national security threat. A couple of weeks later, we suddenly have the skilled business permit that Mori’s been trying to get for months. It was a trade-off. I know it. Two birds, one stone. The skilled business permit and my full focus back on the Mafia for Itou’s life.”

Dazai’s lips part to say something—anything—but he can’t. Your eyes are misty, and the foreboding feeling that’s been haunting him since he woke up intensifies. You shake your head, blinking back tears. 

“I never should’ve brought you into this world, Osamu.”

Dazai needs to think now. He needs to figure out how exactly he’s going to go about this, whether he should be soft and demure, appealing to your heart, or if he should be more forceful, triggering your guilt. 

He goes with the latter.

“Well it’s too late for that,” Dazai says, keeping his voice steady until he knows how you’re going to react to it. When you instantly shake your head again, his voice hardens. “It’s too late, I’m already in it. You can’t just get rid of me. Take accountability.”

“You don’t think I have?” you question dryly, looking away from him. But he needs you to look at him for this to be effective, so he reaches out to grab your hand, dragging your attention back toward him. “I killed your family, Osamu.”

“She was a girl my age—the previous boss’s granddaughter—she was asleep, had a bear tucked in her arms and a nightlight on the right side of her bed. I slit her throat, then both of her older brothers. They were kids.”

Her name was Akane. Bunji and Touma were her brothers. 

They were Dazai’s brothers. Dazai’s sister. The stuffed bear was called Coco, and Akane would clutch it and cry whenever Dazai started talking about things like death. She was scared of dying; more than that, scared of the people she loved dying. She cried for weeks when their grandmother passed, and got angry at Dazai when he didn’t even cry at the funeral. Dazai used to share a bedroom with her and Touma, but he hated her nightlight—it was purple and it was always right in Dazai’s eyes when he laid down. He convinced his mother to force Bunji to swap rooms with him, so Dazai had his own room on the second floor of his grandfather’s estate.

“You were a kid too,” Dazai rasps out the same thing he said at the beach house, but it comes out a bit weaker this time knowing exactly who the people you killed were. “You were fourteen. You-”

“I played a role in tracking your mother down,” you continue. Dazai’s breath catches as his fingers loosen around yours. “It was my punishment for not making sure all of the grandchildren were… eliminated. I was the one that was tracking her down, and I was the one that was going to interrogate her for your whereabouts when I found her.”

“Stop,” Dazai says quietly, voice wavering.

“No,” you reply firmly. “No. You need to understand this-”

“I do,” Dazai insists, voice cracking. “I do understand-”

“You don’t, Dazai,” you raise your voice and Dazai cringes back. You sigh and soften your voice, but the damage has been done, Dazai’s fight or flight instincts have been triggered. This conversation is not going to end in his favor, so he needs to run before he gets hurt, but he can’t because you have him stuck in the bath with you. You reach out again to take his hands in yours, fingers absently running along the scars on his wrists. “You don’t, otherwise you wouldn’t have been so quick to join me in here. You haven’t even had time to process it.”

“Yes, I have,” Dazai whispers weakly. “I have.”

“I ruined your life, Osamu,” you say quietly. “Everything bad that’s ever happened to you started with me.”

“That’s not true,” Dazai argues, nails biting into your skin as he clings to you. “My life sucked before everything really went to shit. The first time I tried to kill myself, I was eleven. You saved my life. I was going to kill myself that night we met at the bar. You saved me.”

“Osamu-”

“You’re not listening to me,” Dazai interrupts, voice taking a more manic edge as he shakes his head. He can talk himself out of any situation—why is he failing now when it matters most? “You’re not listening. You saved me. I love you.”

“I love you too,” you breathe out, but the words don’t settle his nerves because they’re heavy and full of sorrow, and the tears that had been pooling in your eyes finally start to spill over.

“Then why does this still feel like a goodbye?” he begs, breath shallow as he searches your face for an answer.

You don’t respond, but you don’t need to. He finds his answer in your eyes. He always does. You look at him again with that desperate, longing expression, like you’re trying to memorize the details of his face even though you know it’s futile. 

This is a goodbye.

--

Dazai hasn’t spoken to you once since your conversation in the bath.

Chuuya, your subordinates, and the Flags are back now, and Dazai is sulking in the bedroom watching one of his dumb reality shows. You can hardly focus on the conversation at hand because of it, and you know the others are starting to get irritated by your distraction considering the stakes at play right now. If one thing goes wrong, all of your lives would be forfeit. They’re risking everything by helping you right now, and you can't even bother to give them your full attention.

“Out,” Piano Man suddenly says. Your gaze snaps toward him, as does all of the others’ in the room. When nobody immediately moves, he raises his eyebrows and continues dryly, “Are you all hard of hearing? I said get out.”

“Where are we supposed to go?” Albatross demands. “Her boy’s in the bedroom. This place is small-”

“Go crowd in the closet for all I care. Get out,” Piano Man says dismissively. Still, no one moves until his gaze sharpens and they realize he’s being entirely serious. You shift to leave with them until his eyes land on you. “Not you.”

You feel like a child about to be scolded, which is ridiculous because you’re a mafioso, and though Piano Man is technically the same rank as you, he’s not really. He can’t scold you, but you shift awkwardly on your feet and share a concerned look with Chuuya anyway as they all wander out of the safe house and into the small hallway outside.

Once the two of you are alone, you finally glance back at Piano Man, who’s watching you carefully. After a few moments he says, “I take it you told him the plan?”

“I did,” you reply quietly.

“He didn’t take it well?” Piano Man questions.

“You know the answer to that,” you say a bit more dryly before shaking your head. “Would you have taken it well?”

“Of course not, I’d be livid,” Piano Man says immediately, making you cringe. “Does this mean we’re changing the plan?” 

“No,” you tell him. “We can’t. This is the only option.”

“I know,” Piano Man says with a thin smile. “So stop sulking and get your head in the game so we don’t all die trying to perform a coup.”

You’re startled by the sudden sharpness in his voice, but you suppose you shouldn’t be. Piano Man has always been capricious, going from his whimsical moods to more cold and ruthless ones within a matter of seconds. You can hardly meet his eyes now, looking down at the ground to avoid them.

“Why are you helping me?” you ask after a few moments.

You don’t have to look at Piano Man to see the way he raises his eyebrows judgmentally. “Excuse me?” 

“I was going to kill you earlier. I held a gun to your head. Why are you helping me?” you press, the words weighing heavily on you as you remember the way he met your eyes when you lifted the muzzle of your gun to his temple.

Piano Man has the audacity to look amused. “When I first recruited Lippmann, I tried to drown him in the harbor because I got paranoid he sold me out to the feds after a mission went wrong. It happens—the next time it does, I’m going to be pulling my own gun out though. So, don’t let it happen again, yeah?”

“Yeah,” you agree quietly. “I’m sorry.”

You don’t apologize often, even when you know you’re entirely in the wrong. Mori has taught you only to apologize when it serves you, otherwise you should never make an admission of guilt or liability. So it’s not surprising when Piano Man’s eyebrows shoot upward, but his expression softens after a moment. He reaches out to pat your head.

“I know this isn’t easy,” he murmurs, “but we need you at the top of your game if this is going to work.”

“I know,” you reply. “... I know.”

“Good,” he says, patting the top of your head yet again before sighing. “Let me go get them and we’ll get back to planning, okay?”

“Mkay.”

You lean back against the wall as you look down at the table Lippmann set up for planning. The Flags, your subordinates, Kajii Motojiro—they’re non-factors in the planned coup. The Flags will support it, your subordinates will support you, and all Kajii cares about is his experiments. Paul Verlaine is not quite as secure, but Chuuya is confident that he’ll support whatever Chuuya goes along with.

The issue lies in Kouyou and the Black Lizards.

You already feel a headache come on just at the thought, lifting your hands to your head and rubbing your eyes as you knock the back of your head against the wall and let out a heavy sigh. Kouyou and Hirotsu won’t support the coup, you know it. They’re both loyal to Mori—both victims of the previous boss who found refuge in Mori when he took over. They’ll fight for him, and you know better than anyone that during a forceful transition of power, all dissidents must be removed, especially ones that hold significant power and influence.

But it’s Kouyou and Hirotsu. Kouyou, who was the one to teach you how to do your makeup properly, who bought you your first kimono to match her own. Hirotsu, who was always quick to execute anyone that openly disrespected you, who took you to a movie on your fifteenth birthday when Mori was busy dealing with the power transition so you didn’t spend it alone. The thought makes you sick—they were family, and maybe Hirotsu could be convinced. He’s loyal to Mori, yes, but more than that, he’s loyal to the Port Mafia. If you can manufacture a legitimate reason for the coup…

You sigh as you glance down the hall where Dazai is hiding in the bedroom, startled when your gaze catches his familiar brown. He’s seemingly just as surprised that you caught him spying, immediately slamming the bedroom door shut to retreat back into the safety of the room. Your lips curl up into a small smile, which is quickly washed away when your subordinates, the Flags and Chuuya all file back into the room.

“I’ll talk to Ane-san,” Chuuya finally says, reigniting the conversation. “I’ll make her see reason.”

“There’s no time for talking, Chuuya,” Piano Man tells him. “This all has to be done within hours. If we let word get out about what we’re doing… The coup is risky, and a civil war would be the end of this city.”

Frustration flashes across Chuuya’s face. “I’m not budging on this,” he says, voice tight with thinly restrained anger. “Either you give me the chance to talk to her, or I’ll withdraw my support.”

“Chuuya,” you sigh tiredly, wanting nothing more than to just sit down.

“No,” Chuuya interrupts you. “I won’t actively stand against you, but I won’t stand with you if you don’t give me the chance to talk to her.”

“Fine,” you finally say even though you know it’s a mistake. It’s asking for trouble. Piano Man gives you a sharp, disapproving look, but you shake your head. “It’s fine. She won’t be keeping her executive position.”

Chuuya’s face twists. “But-”

“No.” This time you interrupt him, holding up your hand. “I’m not budging on this. If you want the chance to talk to her and convince her this is the best route, I’ll give you it, but you need to meet me halfway. She’s not retaining her executive position.”

Chuuya looks unhappy, but after a few moments, he nods. “Fine.”

“I can’t risk it, Chuuya,” you tell him quietly. “I need people who I trust in the inner circle. I can’t trust her after what just happened.”

“I get it,” Chuuya says. “I just don’t like it.”

“That leaves three executive seats we need to fill.” Piano Man lets out a heavy sigh as he sits on the edge of the table, tilting his head back in exhaustion. “Your’s, Ace’s, and Kouyou-san’s. Do you even have three more people who you trust?”

Klaus and Akutagawa, you think to yourself, but neither of them are executive material. Your gaze drifts over to Albatross, Iceman, and Doc, each of them pointedly looks away, none of them want the open seats. Lippmann can’t take it, not with what you have planned for him. So, who else-

“Verlaine?” Chuuya offers. “He’s got a ton of experience with the European organizations—we’ll probably need it considering Dostoevsky’s involvement with the Guild, and this Book that’s apparently somewhere in the city. If it gets out to the public, we’ll have organizations swarming just like during the Dragon’s Head.”

You don’t like the idea of Verlaine being an executive, and you don’t think Piano Man does either considering his unfortunate first meeting with the man, but Chuuya raises good points. You have your own experience with the European underworld, but it’s nothing like what Verlaine has.

“Okay,” you agree, “and the other two?”

The Black Lizards are its own command unit that answers directly to the Boss. They don’t have a seat at the table because it’s not their field. Their field is war, not politics… but what other options are there? The people you trust are far and few in-between, you can probably count them on one hand.

“What about Tolstoy?” a familiar voice asks quietly from down the hallway. You look up immediately, gaze focusing on where Dazai is standing in the door of the bedroom, hands shoved in the pockets of his sweatshirt, shoulders hunched. He doesn’t like the attention of everyone on him, so he keeps his eyes trained fully on you. “Mishima?”

“They’re not part of the Port Mafia,” Chuuya dismisses, “they don’t get seats.”

“But what if they were?” Dazai presses, shuffling forward. He hardly spares Chuuya a glance before looking at you again. “The transition of power is going to be shaky, you need to strengthen your position in other ways, otherwise…”

“You think we should merge with the Three Deaths and the Sun and Steel,” Piano Man realizes, sitting up straighter as he considers Dazai’s proposition. “Doesn’t that risk destabilizing us even more though?”

He looks at you for an answer, but your gaze is focused on Dazai. He’s not even gone yet, but you already miss him desperately; all you want is to be with him, but it’s just not possible. You can’t have him and run the Port Mafia at the same time; he will die because of his affiliation with you, just like he almost did when the Guild captured him. It wouldn’t matter how safe you tried to keep him, one mistake and he would die. And that will lead to every decision you make being centered around him, not what’s best for the Port Mafia and that will lead to its inevitable ruin. 

“No, Osamu’s right,” you say, and Dazai preens at the praise, but then quickly deflates again. You want to reach out for him, but you refrain. “Not a merger. An acquisition. The Three Deaths and the Sun and Steel are already pretty much extensions of the Port Mafia, we would only be formalizing it. I trust Tolstoy and Mishima—I pretty much built the Three Deaths into what it is today myself. We’d give the Port Mafia an official foothold in Russia, more sway over everything that happens in Tokyo. It’s a good plan. Great one, even.”

“Will they even agree to it?” Chuuya asks doubtfully. “Go from being fully autonomous to answering to us.”

“They pretty much already do just answer to us,” Albatross mutters.

“They’ll agree to it,” you tell him quietly. “I’ll make sure of it.”

Tolstoy won’t be hard to convince. He, Chekhov and Gorky are all good friends of yours, you helped them build the Three Deaths, you helped them win territory battles against the Pale Flame and the Red Chamber. All it would take a few words of convincing for them to agree to it. Mishima might be more difficult, but all you have to do is convince his daughters, and they hang off your every word.

There might be some dissent from the Sun and Steel executives, but even then, you think it would be minimal at worst. It’s a good plan. Having Tolstoy and Mishima sitting at the executive table would lend you some much needed support during the transition, and with the Port Mafia subsuming the Three Deaths and the Sun and Steel, it would provide a major deterrence against any foreign movements from Cao Xueqin or Yi Sang.

“What about Hirotsu and the Black Lizards?” Akutagawa asks, shifting awkwardly when all eyes turn to him. He doesn’t meet anyone’s eyes, and you know it’s because he actually cares about what your answer might be. Akutagawa likes to pretend that he doesn’t care about anyone, but you know he has a soft spot for the unit that took Gin in so easily.

“We can’t afford to lose the Black Lizards,” Iceman notes as he lights another cigarette. “Especially if we’re bringing in other organizations. We don't want our own people to feel like they’re being lost in the mix, y’know?”

“I’ll handle Hirotsu,” you finally say. “It’ll be fine. I just need to figure out how to frame this. Needs to be framed in a way that makes him feel like this was the best, and only, course of action for the Mafia. He’s loyal to Mori only to the extent that he’s good for the Port Mafia. I’ll figure it out. Leave that to me.”

“Ace’s subordinates?” Albatross prompts. “They been handled? We can’t have them knowing about him. Can’t have anyone knowing about him.”

“Dead,” Akutagawa says. “I killed them.”

“Security cameras? CCTV? Any record of this kid being affiliated with us?” 

“Wiped,” Klaus answers flippantly. “We’ve gone through it every day since they met. Weren’t allowed to sleep ‘til made sure everything from the day was wiped. There’s no physical record of him ever being around us.”

“Okay, so we get this settled, and then we wait on Repin for the rest of us, right?” Albatross asks. Dazai cringes at the mention of Repin, and you look away from him, unable to watch the pain that crosses his face.

“Yeah,” you say quietly. “It all needs to happen within no more than a couple days otherwise we risk the wrong people finding out so…”

“So we should get started,” Chuuya sighs, pushing himself off the wall. He squeezes your wrist as he passes by you, walking in the direction of the door. “We’ll give you guys some time. I’ll let you know how things go with Ane-san.”

You nod, eyes following him as he leaves. The others follow, filing out of the room until it’s only you and Dazai left again. You turn to look at him, so many words on your lips but incapable of pushing a single one out. Instead, you reach out to cup his face between your hands, running your thumbs across his cheekbones. His lashes flutter shut as he leans into your touch.

“It doesn’t have to be like this,” he whispers, brown eyes heavy and glassy as he looks down at you. “We can figure something else out. I know we can. Just give me some time, I just need a little time, I’ll figure something out.”

“We don’t have time,” you say, voice cracking over the words. “I love you, Osamu.”

Dazai pulls away, shaking his head. He wipes quickly at his eyes before looking at you again. You expect what he says, but it doesn’t make it hurt any less.

“I won’t forgive you. Not for this. Not ever. I can’t.”

“I know.”

--

SIX WEEKS LATER

“I must say, I wasn’t expecting this invitation,” a familiar voice hums as the door to your box opens. You don’t turn to look at him, keeping your gaze trained down on the performance taking place below. “Not from you, and not after everything that’s happened.”

“No?” you ask absently. “It’s unlike you to not expect something, Dostoevsky. Less like you to admit it.”

“Fyodor,” he corrects as he comes to stand next to you. He’s close enough to you that you can feel his body brushing yours. You finally turn your head to look at him—his lips are curved up into a deceptively soft smile, violet eyes glittering with a type of mischief that you know is dangerous. “We are well enough acquainted to be on a first name basis, no?” 

“Dostoevsky,” you repeat pointedly, looking back down at the show as the first act reaches its climax. Of all of the shows you’ve seen, Tosca is still your favorite. This rendition here at the New National Theatre isn’t quite as good as the one at La Scala, but you’re enjoying it well enough.

Dostoevsky lets out a huff of laughter, you don’t turn to look at him when you feel him reach out to touch you. His fingers trace along the maroon scarf hanging loosely over your shoulders. You barely withhold a shiver when you feel his knuckles skim your neck—rumor has it, skin-on-skin contact alone with Dostoevsky is enough to kill. You don’t die, but it’s enough to beckon your attention back to him.

“Red is your color,” he murmurs, looking down at you through his lashes. “You look beautiful.”

“It isn’t yours,” you reply quickly, glancing down at the red tie tied neatly around his neck. “Neither is flattery.”

Dostoevsky does laugh this time—it’s soft and short, pretty like a bell. Unbefitting of him, just like the color red and false flattery. 

“It isn’t?” he asks, keeping his voice deceptively playful. “I wore it for you. Since you invited me, I thought it appropriate that we match. I heard of your success in Yokohama. I should congratulate you on your new promotion. Or perhaps extend my condolences for the death of your father? Are condolences still proper when you were the one to drive the knife into his back?”

It’s a dig, an attempt to get under your skin and throw you off before getting into the meat of the conversation. You can feel his eyes on you, the soft playfulness gone and replaced by a sharpness that has you on edge.

“You said it yourself. One life or thousands.”

“It was a bullet to the head,” you correct idly—the words taste like poison on your tongue, but you’re careful to not let it show on your face. “Condolences are unnecessary. He was not my father.”

“It’s okay, dear, this was how it was always meant to be.”

“Hm,” Dostoevsky hums, amused. “I was quite pleased when I found out about the coup. I wasn’t expecting it.”

He wants to add something else but he decides against it. He’s very calculating with his words, he always has been, but he is especially now. You know that each word he speaks is chosen for a specific purpose, and it’s hard, even for you, to break down each one as he speaks it to understand why he says it so you can choose your own words carefully in return. Fyodor Dostoevsky is the only man capable of consistently beating you in exchanges of words, and that is concerning. 

It’s why you invited him here—you need an idea of what he’s planning while you solidify your newfound position.

“It seems you struggle to expect many things I do,” you note. “I should add it to my resume. I doubt many people are capable of repeatedly surprising Fyodor Dostoevsky.”

“It is true,” he agrees with an airy laugh. “You are a… difficult opponent. I will admit it.”

 “Is that so?”

Dostoevsky makes a soft noise of agreement, lashes fluttering as he glances over at you once before he looks back down at the show taking place down on the stage. 

“You are not guided strictly by logic,” he muses. “It's there, of course, you are very intelligent but it’s laced with so many emotions. It is difficult for me to determine your course of action because I can never predict when you will lead with emotion, and when with logic. And even then, there are grades to it. I could account for dozens of plans of action and miss the one you take because you are just a bit less emotional than I anticipated… I did not predict that you would go for Zelda Fitzgerald, it was quite bold—there was a high risk for failure. You make things… much more interesting. I enjoy it.”

“You would find something like that enjoyable,” you say sarcastically, taking a sip of your champagne. “There is something seriously wrong with you, Dostoevsky.”

“Fyodor,” he corrects again with a light smile. 

“Dostoevsky.”

“Heh,” he laughs quietly. “I will… wait for things to settle before making another move here in Yokohama. I’m curious to see how all of the chips fall on their own. You’re in for quite the storm with that bill that just passed through the Diet, aren’t you?”

You don’t respond. You got the answer you needed, so there’s no reason for you to keep entertaining his snide comments; you’ll just watch the show in peace. You’ll have the bit of time you need to get things settled before Dostoevsky makes his next play. Though the man is a compulsive liar and you have no reason to trust him, Dostoevsky has never lied so blatantly to your face, so you’ll take him at his word until you have reason to believe otherwise. 

Dostoevsky takes your silence as an opportunity to continue talking, naturally.

“I did have a question for though,” he says, a bit too thrilled by the prospect of your answer. You don’t like the way his eyes are lit up, and you especially don’t like the smile on his lips. “Entertain me?”

You raise your eyebrows pointedly, waiting for him to ask it. 

“I heard rumors that the reason behind your sudden decision to overthrow your father was more… intimate than most believe,” Dostoevsky murmurs, leaning like he’s sharing in some schoolgirl gossip with an old friend. Your brows furrow as you process his words. “You must tell me what boy has managed to steal your heart. He must be something special. Not even I was capable of that, I’m almost jealous.”

You look at him now, gaze sharp but confused as your eyes trail over him before focusing back on his face. He seems surprised by your reaction, tilting his head to the side and studying you carefully.

“I have no idea what you’re talking about.”

--

to be continued in ... the land is inhospitable (but are we?) [est. release: early feb]

--

WOWWWWWW GUYS WE FUCKING FINISHED CIVZAI .... or well, ;) civzai1. some notes:

i promised a happy ending, i know ... but i promised it for civzai in general, and they DO have a happy ending ... just not yet. pls dont bully me ill cry i'm so proud of this. i didn't lie.

i always intended on there being two parts to this series because i feel like time apart is essential in the pmreader universe. when dazai defected in canon universe, and now with her taking over as boss and wiping her memories of him. the first part was always gonna be the guild arc, the second arc is gonna be my rendition of the hunting dogs and the decay of the angel

i actually went back and retconned chapter 1 to have them talking about the divine comedy instead of petrarch because of the first scene in this chapter. i thought it would be neat coming full circle with the themes of betrayal and death, + the hozier song this chapter is based on is about the 9th circle in the divine comedy. so everything just tied together too neatly for me to not add it.

;) just remember now with repin involved, reader's narration is now entirely unreliable. we don't know what's truth and manufactured by repin.

i was actually really tempted to base civzai2 off of a mother mother album just because hayloft II fits what's going to be the first half of it SO fucking well, but i had to go with mitski because the whole album literally captures the vibes of the second series perfectly

[milkfordragons]

Standing before me was death, but I've never been happier.

The Allure of Death: Hannibal Lecter as the Personification of Death

It is strange to see Will returning to Hannibal time after time, even after nearly being killed by him, suffering deep wounds, and knowing he remains a constant threat to his safety and life. But it is not strange at all once you consider that Will harbors a fascination with all of it, rather than the deep and active fear most people have of death.

Death is not just the feared unknown. More often, we fear its means, the manner in which it takes us, the devastation and emptiness it leaves in its wake. We fear dying as much as we fear losing others to death. After all, She is the great inescapable, the one absolute truth of existence. She will come for you, no matter what. This is a terrifying reality, one that lurks like a shadow in every corner, waiting for its opportunity to claim you.

Will Graham seems to be captivated by death and does not run from it, but runs toward it. Death, for him, is a great relief. Someone so perpetually tense, whose body and mind are in a constant state of pressure and contraction, finds in death a release. After all, one has never felt such relief in breathing as when they have been holding their breath. The incredible sensation of relief after a scare makes one crave more scares, just to feel that relief again. It is the contrast that makes it intoxicating. Pleasure only exists in juxtaposition with pain; without it, pleasure is not something enjoyable but merely something neutral, something there.

Will is deeply melancholic, and rather than resisting this nature, he embraces it. He is in love with his darkness, seduced by his own doom, wanting to let it consume him entirely. He plays a game of seduction with it, allowing it to lure him, strip him, whip and batter him, leave him cold and naked and alone, just to experience the thrill of anticipation when it finally takes him. It is not a coincidence that Will is often likened to Christ, the lamb, or religious iconography in general. He does not look like someone suffering in agony but rather someone in rapture. He is a character who derives immense pleasure from pain, but not in a way that is easily comprehensible. It is something intrinsic to a particular type of mind, an essence that is inevitably misunderstood by those who do not share it. To them, it appears as though he is romanticizing abuse or fetishizing pain, but this is not the case. Those who believe so do so precisely because of how they, themselves, relate to pain and death. They are unable to grasp Will’s perception, which does not regard death and pain as enemies but as inevitable forces he craves, not as a sadomasochist, but as someone who does not see them as inherently bad or frightening.

For the melancholic, pain is the only way to feel happiness, for it is through suffering that joy becomes defined. When one falls ill, they resent their past self for not appreciating health, yearning to feel well again and promising to be more grateful once healed. Will, however, does not suffer from such amnesia. He is always acutely aware of the power that pain holds. With a mind that perpetually drowns in its own depths, death becomes a peaceful release from the pressure of life and the self.

Hannibal Lecter, who is larger than life, a presence so powerful it bends and dominates all who come into contact with him, is death itself. He is the inevitable, the overwhelming force that swallows everything in its path. And yet, Will wants to be devoured. He craves to be consumed by the beast, to be finally freed from himself, from the burden of his own identity, from the constraints of his deafening mind. To be wholly absorbed by something else is, in its own way, the ultimate peace. When everything fades into that darkness, there is nothing left to fight.

"I have never known myself better than when I am with him."

Hannibal strips away illusions, unburdens him, absorbs him, leaving nothing but truth. The only truth: death.

[antianakin]

Saw someone claim that Mon Mothma and Bail Organa have always had functionally the same role within the rebellion and that they currently have functionally the same role within the rebellion at this point in Andor, and that just... doesn't ring true to me.

This isn't a criticism of Mon Mothma or a dislike of her character at all, but a recognition that Mon Mothma is a character who is still GROWING AND DEVELOPING as a rebel within Andor, and ignoring that means ignoring a large part of what makes her story so fascinating and compelling.

Between Bail Organa and Mon Mothma, only one of them showed up at the Jedi Temple the night it was attacked to see what they could do to help.

Between Bail Organa and Mon Mothma, only one of them immediately moved to intercept any other Jedi who might be caught in a trap at the Temple and saved both Obi-Wan and Yoda despite the risk that action posed to his life.

Between Bail Organa and Mon Mothma, only one of them was a get away driver for a Jedi who was actively going to assassinate the Emperor immediately upon the rise of the Empire.

Between Bail Organa and Mon Mothma, only one of them is hiding the existence and location of FIVE surviving Jedi immediately after Order 66, and at minimum seven surviving Jedi by this point in Andor, and one of them he chose to take in as his own DAUGHTER.

Between Bail Organa and Mon Mothma, only one of them is going out and recruiting people to the rebellion pretty much immediately after the rise of the Empire.

I haven't read the Mask of Fear novel, so just going off of TBB, between Bail Organa and Mon Mothma, only one of them is connecting different rebel groups together by passing on resources and information covertly within a year of the Empire's rise.

So sure, yes, a lot of what Bail does is giving money to the rebellion and Mon is doing that, too, but there are SO SO MANY different things that Bail Organa does for the rebellion and has been doing since QUITE LITERALLY DAY ONE that Mon has not ever done and has never been involved in to my knowledge. Bail Organa has been 1000% committed to taking down the Empire from before it was even formally announced, and has been willing to risk his life to do exactly that and to protect people the Empire wants dead.

Again, it is entirely possible to love Mon Mothma and enjoy her character development in Andor and recognize all of the risks she IS taking to help the rebellion financially, and NOT dismiss and devalue all of other people are doing that Mon is not yet willing to do or ignore the whole narrative arc she is being given in this show. Bail Organa IS doing more than Mon Mothma, he DOES risk more than she does, he HAS been doing it for longer than she has, and he IS more committed than she is at this point. Mon Mothma will get there, and she will take over a role that Bail Organa has had for literal decades eventually and do it quite well and she will bring that torch all the way to the finish line when Bail is killed.

But she isn't there yet. She's still working on it. She still thinks she can take out the PORD with politics. She still thinks getting votes is a feasible way to get things done in the Empire (despite claiming she's studied Palpatine's tactics, she seems blissfully unaware that no matter what votes she thinks she has, she'll never win because he'll always find a way to undermine that victory). She still doesn't quite want to think about all of the ugly things Luthen and people like him have to do to achieve their goals. She's got a little ways to go yet, and I for one am still excited to finally see her realize just how pointless politics is as a tool until the Empire is actually gone and make that decision to leave it all behind so she can work towards burning it down. I want to watch her GROW into a rebel leader and that means acknowledging that that ISN'T WHAT SHE IS YET.

[nothingbutsweetwords]

ɴᴏʙᴏᴅʏ'ꜱ ꜱᴏɴ, ɴᴏʙᴏᴅʏ'ꜱ ᴅᴀᴜɢʜᴛᴇʀ

ᴀᴇᴍᴏɴᴅ x ʀᴇᴀᴅᴇʀ!ɴɪᴇᴄᴇ

"ʏᴏᴜ ᴄᴀɴ ʜᴇᴀʀ ɪᴛ ɪɴ ᴛʜᴇ ꜱɪʟᴇɴᴄᴇ..."

Word count: 6000.

Fandom: House of the Dragon.

Pairing: Aemond x Reader!Velaryon!Niece.

Warnings: Angst.

FALLING — 7. Her.

During the first moons of her stay at the Red Keep, everything seemed new and exciting. There was some sense of freedom in not having her family around, but with each sunrise, it became more complicated, and the longing grew stronger.

The letters she received from her mother initially brought comfort, but soon they became short. No matter how many words her mother wrote about her, her siblings, and her father, it was never enough. She wrote daily, though she only sent them every three days. She would tell her about her day, always omitting her nightly outings, and tried to hide how much she missed them, and her mother, worried, always asked about Aemond's progress.

Over time, even all the letters became inadequate; they couldn't fill the void she felt. She longed to hear their voices, feel the warmth of their hugs. She questioned a few times if it had been a good idea, but she quickly dismissed those thoughts to remain resolute.

Aemond spent most of his time in the yard, both morning and evening, promising to become the best warrior for her. This caused their visits to the library to decrease. Nevertheless, every night without fail, they slept together, face to face, finding solace in each other's presence.

Her lessons with the septa became increasingly tedious, or perhaps she just grew more easily bored. She spent a lot of time in Helaena's room, who seemed happy to have her. Helaena continued to intrigue her with riddles and enigmatic phrases, making her wonder when each prediction would come true. So far, none seemed bad, so she wasn't frightened or worried. Helaena also helped her improve her embroidery technique, although there wasn't much to be done; it wasn't her strong suit. Soon, the lack of activities even led her to become interested in her insects, delighted to see her aunt’s enthusiasm.

One day, while sitting on the floor, Helaena placed a ladybug on her hand. "It tickles" she said, laughing softly as the insect walked across her palm. Helaena smiled at her, happy to share her passion with someone.

"They all have seven dots, the red ones" Helaena said, revealing an interesting curiosity. "She likes you" she added, looking her in the eyes with a slight smile. She thanked her for saying that.

"What about those?" she asked, pointing to a wooden box with a transparent lid, where several insects could be seen inside. There were some spiders and others she couldn't name.

When Helaena turned to look in the direction her finger pointed, her smile faded a bit. She took the box in her hands and allowed her to observe them from above, while the ladybug continued to walk between her fingers and fly from one hand to the other.

"I do not trust them yet" she said quietly. "I am not sure whether their wishes are for good or ill."

“Why?” she asked, genuinely curious.

Helaena pointed to a large black spider from above and said: "They weave intricate webs, and sometimes those webs can hide important secrets. I'm still trying to unravel which ones" she said, frowning. "But what I know is, we have to beware of the guardian of secrets" she warned, as if wanting to protect her from an-as-yet unknown danger. She simply nodded, hoping nothing bad would come of it.

As time passed, life at the castle continued with its ups and downs; Aemond's training, the enigmatic conversations with Helaena, the whispers of the people, and the few letters from her mother. Even through it all, she found moments of peace, and convinced herself that despite the challenges, she was exactly where she needed to be, next to him.

Occasionally, she found distraction by visiting her grandsire's room. She spent hours there, reading to him, listening to his fascinating stories about their ancestors and the old Valyria. Often, she asked for tales about her mother's youth, seeking to feel closer to her.

She had also begun to insist on Lyra's presence during every meal, finding in her company a sense of familiarity, a relief from her growing homesickness. As expected, everything began to feel cramped, and Lyra, as perceptive as ever, had noticed it, and she herself could no longer ignore it.

She missed her family terribly, and there was nothing that could ease that pain, except the obvious. She felt trapped, guilty for wanting to go to Dragonstone and leave Aemond behind, but she couldn't help it.

"Could it be that, perhaps, I've made a mistake coming here?" she asked one night, her voice filled with doubt and shame for exposing her deepest thoughts.

"I do not think things are that simple, princess. You came here with good intentions, and missing your family is only natural, it does not mean you have made a mistake" Lyra replied gently.

She nodded, acknowledging the truth in those words. "I do really miss them" she murmured, longing evident, head bowed. "No matter how hard I try, this is not my home."

"Why do you say that, princess?" After dinner, Lyra had drawn her a warm bath, and now, in her nightdress, Lyra was gently brushing her long hair.

"I've heard the whispers when I walk alone in the halls." Lyra nodded, understanding the situation and listening attentively to her words. Both were sitting on the bed, and she was with her back facing her lady-in-waiting, between her legs. "It's as if they believe me deaf. I know what they say or think, and it's not... good" she confessed, pain reflected in her voice.

Upon hearing her last words, Lyra set the brush aside and drew her close, wrapping her in a comforting embrace. Lyra was the daughter of one of Rhaenyra's ladies-in-waiting and had lived her entire life in that family. Though only a few years older, she felt a deep maternal love for the princess. 

"We must not let such foolish words disturb our ears, and if they do, let us ensure they do not enter our precious minds, yes?" Lyra said, whispering with firmness. "They mean nothing."

She nodded, and unable to contain herself, she began to cry softly in her caretaker's arms. They remained like that for a while until she could calm down. She appreciated Lyra's love and understanding, feeling fortunate to have someone like that by her side, watching over her well-being.

After some time, Lyra left the room, wishing her goodnight. This was her signal to get up, put on her cloak over her shoulders, dampen her face a bit to erase any trace of dry tears, and take the gift she had prepared so much for him with the help of her mother. With a mix of excitement and nervousness, she headed towards her destination, seeking to find another place of peace and connection amidst the storm of emotions that assailed her.

Aemond's nameday wasn't until the next morning, but she never had much patience for such things. That night, like all others, she entered the room with a candle in one hand, only now she hid the gift behind her back with the other.

Aemond was sitting by the window, his gaze fixed on the night sky. She closed the door with her hip, as both her hands were occupied, and walked over to him. Aemond's face showed signs of fatigue, even some sadness. She knew he was trying to stay awake while waiting for her, as always. The notion of time had escaped her during the shared moment with Lyra, and he always ended up terribly exhausted by his training. Seeing her arrive, Aemond settled and offered a tired smile. She circled the bed, placing the candle on the small table, and with her free hand, she took off her cloak, hiding the gift underneath on the nearby chair.

She walked towards him slowly, observing the clear sky. The moon shone over the city, enhancing the delicacy of his face.

"This is how the night was when I claimed Vhagar" he said, with sorrow. Her heart squeezed at his words, she sadly knew he would never have a flight like that again.

"What was it like?" she finally asked, cautiously. She had never dared to ask about that moment, fearing to reopen wounds, but now that he mentioned it, her curiosity stirred again.

He smiled, still looking at the sky. "I never imagined flying would feel like that" he said, his voice filled with gratitude. "Did it ever trouble you when I did?" he asked.

"What? Claim Vhagar?" she inquired, surprised by his question.

"Yes" he said softly, his voice tinged with apprehension.

She smiled at him, placing a hand on his shoulder, her eyes reflecting pride. "Of course not. It was meant for you, a warrior destined for a warrior." Her words carried a sense of admiration and certainty, a testament to her unwavering belief in his capabilities. "And that was just the beginning, Aemond. Together, you will be unstoppable" she said, her voice whispering with conviction and anticipation. "I do feel safer knowing we have you as protectors."

"Thank you" he expressed, hopeful. She knew the journey was just beginning, and the horizon stretched like a promise of all the adventures to come. "I did it on behalf of us both." She smiled gratefully, gently squeezing him.

"I know they will write books that will pass through all the ages, Aemond, about your courage and triumph" she said, walking towards the sofa.

"I'm not sure about that much" he replied, laughing lightly at her words.

"Then I will be the one to write them" she said, pulling the gift from under her cloak. "Close your eye" she instructed, with an excited smile. Aemond obeyed, but not before giving her an odd look.

"Open your hands" she indicated once she was in front of him again. He did so without question, and with a gentle gesture, she placed the gift in his hands, which lowered slightly at the unexpected weight.

"Now you can look" she whispered. Aemond did so quickly, and looked surprised at the delicate blue velvet bag. She was looking at him with excitement and a touch of nervousness. It was the first time she had given such a planned gift to someone, and she hoped not to disappoint. But even if she did, she would never find out, as he would never show it.

"It's your nameday present" she explained with a radiant smile. "I couldn't wait to give it to you on the morrow, and I wanted to be the first one to do it" she said, letting out a small laugh from her lips.

"I love it" he replied, placing the gift on his lap and looking directly at her, the faint moonlight adorning his gaze with a softness that made him appear even more beautiful.

"You haven't even seen it!" she exclaimed, softly laughing. "Come on, open it."

"I would love anything you gave me" he said laughing too, while untying the laces of the velvet bag to reveal the gift. She had a premonition that his words were sincere.

He carefully pulled the wooden case out of the bag. It was made of ebony, so its color was dark like the night, almost black, and was decorated with delicate carvings. He ran his hand over the surface, appreciating the abstract shapes as if they were a work of art. He had a slightly open mouth as he admired the case with admiration. Then, carefully, he opened it, revealing the true gift.

Inside rested a valyrian steel dagger, shining and forged with impeccable craftsmanship. Its sharp, polished blade reflected the light with a silver shine. Each side of it was adorned with intricate engravings that wound from the hilt to the edge.

His eyes lit up upon seeing it, and a sincere smile spread across his face. "It's valyrian steel" she explained enthusiastically, "so you'll always carry a piece of our roots."

The handle was equally impressive. It was wrapped in black leather, a material that, according to the smith, provided a more comfortable and secure grip. However, the highlight was the sapphires embedded in the handle. The sapphires, of a deep and radiant blue, were skillfully set into the metal, creating a vibrant contrast with the silver. Each sapphire was carefully polished, capturing flashes of light that gave the impression of small stars embedded in the hilt.

The guard of the dagger, also made of steel, was decorated with intertwining motifs that complemented the sapphires in the handle. Aemond took it in his hands carefully, observing every detail meticulously.

She had often heard him speak about Viserys's dagger, seeing the longing in his eyes when he did so, as well as the sadness knowing he could never possess it. That's why she had tried to make something unique for him, something exclusively his, perhaps even something that could be passed down to future Targaryens, always remembered as his.

He set the dagger aside and looked at the box. Inside was a sapphire too. She knew some people carried those precious gemstones as talismans, believing they protected the eyes and helped see beyond the physical. Besides, she had always thought the color matched his eyes. It seemed like a thoughtful detail, but she didn't dare mention its significance.

"My father gave me two he brought back from one of his expeditions to the Stepstones a few years ago" she explained, smiling as he held the sapphire between his fingers, admiring it in the light streaming through the window. "I have the other one" she added shyly. "So you always have a piece of sky, or sea, and I hope it always reminds you that you are destined for something big." He set the sapphire aside and continued to observe. She wondered if he would be attentive enough to explore further, and of course, he was.

The box was lined with more velvet and there was a small cushion where the dagger rested. During her lessons and visits to Helaena, she had embroidered the fabric, and the tailor had turned it into this. She had tried to depict waves and the moon in different shades of blue and teal, with some white stars. They might not have been perfect, but she had poured her heart into them.

He traced the fabric with his fingers, still not saying a word.

"I embroidered it" she added proudly. Then he put the dagger back in the case, but kept the sapphire in his hand. She waited anxiously for his words. "I’m sure it does not compare to Viserys', but..."

"It's perfect" he interrupted, his voice sincere. She let out a sigh she didn't know she'd been holding, a wave of relief and happiness at his reaction. "I..." he began, hesitating. He shook his head slightly, searching for words. Then he put the case back in the velvet bag and stepped away from the window ledge. Once face to face, he hugged her unexpectedly. With one hand he held the gift and with the other he held her tightly. She returned the embrace with a smile, now more relaxed. 

"Thank you" he whispered, holding her even tighter, their hearts almost merging in that hug. When they separated, his eye sparkled, holding back some tears, just like hers. "Let us go to bed" he said, noticing his body was cold from being pressed against the window glass. He approached a shelf where he kept some of his most precious books and now his most precious object, then headed for the bed, placing the sapphire on the bedside table after admiring it again.

Smiling, they both got under the covers, facing each other, feeling their bodies warming up again. They both reached out their hands at the same time, their hands meeting in the middle. They laughed softly and intertwined their fingers in the middle of the bed. It was their routine, talking like this, face to face, until they ran out of things to say, with their hands joined. Then they slept together, sometimes with her head on his chest, sometimes with him nestled in her arms.

"I loved it" he said sincerely. "Absolutely everything," he assured her, "no one has ever given me a better present."

She smiled proudly, happy with his words. "I'm glad you liked it."

They looked at each other in silence. It was a comfortable silence, warm even. It was at that moment, suddenly, while they looked at each other, that hundreds of thoughts flooded her mind like a torrent. Did everyone experience something as wonderful as this? Did everyone have someone to whom giving the whole world, along with their heart on a silver platter, seemed not enough? Did everyone's heart beat so wildly when looking someone in the eyes? Or was it something that only happened when it was the most beautiful face in the kingdom gazing back at them?

She opened her mouth to say something, but stopped when she saw that he seemed to want to say something too. They both remained silent, waiting for the other to speak first.

"You can go first" she said softly.

"No, you're a lady, you go" he insisted courteously.

"No, please, you tell me" she said, almost pleading with her eyes, though she wasn't exactly sure what she hoped to hear, still trying to understand the strange sensation in her chest.

"Tell me, please" he echoed at the same time, and they laughed again at the coincidence.

"You're my best friend" he exclaimed finally.

"You're my best friend" she replied, in perfect sync.

They laughed again, and as they truly heard each other's words, they smiled. She felt warmth rise in her cheeks. At that moment, everything made sense to her. That special, innocent feeling, that pure joy, so complex yet so simple, was love. She didn't need to fully understand it to know it was real, and that it was reciprocated.

They lingered for a moment, lost in each other's gaze. Aemond's eyes glowed with a tenderness that mirrored her own. Without needing more words, they leaned in slowly and shared a hug filled with affection and silent promises. The moonlight bathed the room, enveloping them in its silver glow. Every moment seemed magical, as if time had stopped just for them.

In that instant, in the tranquility of the night, they both knew that despite the challenges, they would always have that special bond that united them.

Finally, they settled comfortably under the covers, still close, their hearts beating in unison, and they embraced the serenity.

Once back in her room, she spent the day with Lyra again. If it were up to her, she would have spent the entire day with Aemond, but she knew he would break fast with his mother as usual. Later, he would be busy with his training, something that excited him especially now, with the anticipation of wielding a real sword, finally, as he had come of age for it.

At dusk, after writing to her mother and enjoying a hot bath, the woman helped her dress in the carefully chosen attire for the occasion. She opted for a flowing blue dress and some delicate jewelry. As Lyra began to brush her hair, preparing to style it up as she always did, she decided to change her mind.

Aemond had always praised her curls, often running his fingers through them in the night until he drifted off to sleep, and she thought it would be a pleasant surprise for him to wear her hair loose, something she only did in the privacy of their rooms.

When she was almost ready, Lyra was about to accompany her to the hall where the feast would take place, but they heard soft knocks on the door. Few were the times someone sought out her room, so both were intrigued. Lyra walked towards the door and opened it, while she adjusted the sandals that complemented her dress. When she looked up, she found Aemond standing in front of her, looking at her in awe, with Lyra behind him, barely able to hide her huge smile biting her lower lip.

She felt the blush rise to her cheeks, they were not accustomed to being so close in front of other people, so she didn't know how to react, a little flustered with her lady-in-waiting standing there.

Aemond's hair was neatly tied back in a half ponytail. His left side was partly covered by the patch he wore during his training, and he was dressed in a handsome green suit.

"I’ve come to escort you, princess" he murmured shyly, mindful of the third presence. She smiled and nodded, walking towards him and taking his right arm.

"Happy nameday, my prince. May you both enjoy a good supper" Lyra chimed in, opening the door for them to leave.

"Thank you, my lady" Aemond replied courteously before walking out of the room.

Once out of the enthusiastic gaze, she squeezed his arm and looked at him. "Happy nameday, my prince."

He looked at her with a smile that radiated happiness as he guided her through the dimly lit corridors by torchlight, the sun already hidden. "Thank you, my princess." The next words seemed to come with a touch of adoration and nervousness. "You look beautiful tonight... well, you always do, but tonight especially so."

She responded with a grateful smile. "You look lovely too, as always, my prince." He smiled faintly, an expression that denoted a hint of skepticism, as if he couldn't quite believe all the compliments she gave him. As they walked together, their footsteps echoing softly against the stone floor, she broke the silence with a curious question. "What gifts have you received so far?"

With a gleam of joy in his eyes, he replied, "my grandsire had a new saddle made for Vhagar. It's magnificent." His voice filled with enthusiasm. "My mother gave me some ancient books from Oldtown, and she also surprised me with Daeron's visit. I barely remembered his face." She widened her eyes in surprise, vaguely recalling Daeron, who was her age and whom she had seen only once. "Helaena gave me a suit embroidered by herself, with two intertwined dragons" he said with palpable excitement, hoping it meant something. "And Viserys gave me a Valyrian steel sword, with a belt that also has space for a dagger. Aegon mentioned he would give me his present later" he concluded happily. 

She smiled, glad that each gift sounded well thought out, just right for him, although still puzzled why he referred to his father by his name. As they finished their conversation, they found themselves standing in front of the imposing doors of the grand hall. Instinctively, both separated their arms as the guards opened the large doors, announcing their arrival. 

The guests stood in the center of the hall, conversing animatedly, except for the king and the Hand, who were already seated. The queen approached them with a maternal smile and planted a kiss on her son's forehead. "We were waiting for you, my dearest" she said affectionately. Then, taking his hand to guide him to his seat, she turned to her. "Princess, we did not expect you. What a lovely surprise" she added with a smile.

She felt a small knot of uncertainty in her stomach, wondering if she was intruding, but Aemond wouldn't have sought her out if that were the case. She returned the queen's smile and noticed how she gestured to the servants, who quickly added a chair and tableware next to Helaena. Helaena smiled at her and, before she could greet her, moved towards that newly added chair, giving up her place directly in front of Aemond, which she appreciated. Perhaps Helaena wanted her to sit opposite her brother, or simply preferred not to be near Aegon, an understandable preference.

She sat down with a grateful smile, though still somewhat uncomfortable. The feast began, and musicians played cheerful ballads that filled the air with a festive atmosphere. Laughter and conversation flowed along the table, and she almost forgot how much she missed her family, caught up in the distraction of the moment. She noticed that the wine jug beside her needed refilling more often than others, and wondered how long it would be before Aegon spoiled the mood. He was fun and pleasant when sober, but she couldn't say the same when he was drunk.

"Princess, I heard you've been learning High Valyrian" said the king, smiling at her with somewhat weary eyes. She smiled happily at the question, and Aemond paid attention, interested in the conversation.

"Yes, your grace. Aemond has been an excellent instructor" she replied proudly.

"She is making incredible progress" Aemond added, shyly.

"I bet it comes easy to you, just like your mother" the king said, smiling before taking a sip of wine. Perhaps to an untrained eye, Aemond's slight disappointment might have gone unnoticed, but she saw it, and understood why. She couldn't blame the king for loving his daughter so much, as her mother was a splendid person, but she felt sorry that he didn't see the fortune in having Helaena and Aemond, who were just as intelligent and kind.

"With Aemond as my guide, it's only natural for me to learn quickly, your grace" she said, smiling at Aemond. He seemed to appreciate the gesture, and the king looked pleased with the response, nodding before moving on to another conversation. Aegon's raised eyebrows and mischievous smile did not go unnoticed.

Helaena was showing her a figure she always carried, a wooden butterfly that Viserys had given her when she was a baby. She wondered if maybe that was the origin of her fascination with insects. As they continued talking, she felt an unfamiliar finger tangle in one of her curls, pulling it lightly. It was Aegon, who was looking at her hair with mocking attention.

"The Arryn blood is strong, is it not, niece?" he said sarcastically, and in a low voice, ensuring the king did not hear.

She tensed at the comment, and Helaena looked at Aegon disapprovingly. Her body stiffened, and her cheeks burned with embarrassment. In that moment, she inwardly cursed herself for not wearing black and for wearing her hair loose, proudly displaying her curls. Aegon simply removed his finger and engaged in another conversation, losing interest in teasing her, but she couldn't return to her previous state.

Helaena gently squeezed her hand, offering a small supportive smile, but it did little to calm her. Aemond didn't seem to hear the remark, for which she was thankful.

She felt more alone than ever, like an uninvited guest in a place she once called home. And she came to understand her siblings' anger at such insults, not to the same extent, of course, but she did.

The rest of the dinner passed without further incidents. Some guests joined in a lively dance once the meal was over, and laughter was heard in the hall as the wine continued to flow.

Aemond glanced at her several times, concerned about her obvious discomfort. She didn't want to spoil his celebration, so she tried to offer a reassuring smile whenever their eyes met.

She found herself caught up in various pleasant conversations with the other nobles present, mostly with Daeron, who was her same age, and Heleana. She tried to keep away from Aegon as much as possible. Aemond, on his part, approached her on several occasions, rescuing her from the dull talks of the elders. He tried to distract her with amusing anecdotes from his training or asked her about stories of dragons, which she knew by heart. Though her mind was elsewhere, she appreciated his efforts to make her feel comfortable and protected.

Finally, as the feast began to wind down into the night, Aemond approached her with determination in his eyes.

"Princess, would you like to take a walk through the gardens? The night is beautiful" he suggested.

She smiled, grateful for the chance to get away from the bustle. "I would love to, my prince."

Together, they left the main hall and made their way to the quiet gardens of the castle. The moon shone above them, illuminating their flowers lined path as they walked silently along. Aemond seemed less tense now, more relaxed under the starry sky, offering her his arm courteously.

"I'm sorry if anything made you uncomfortable tonight" Aemond finally said, breaking the silence. "I hope nothing else happened" he murmured, a slight concern in his eyes.

She shook her head gently, feeling comforted by his worry. "It's not your fault, Aemond. I'm fine. Just... I'm not used to being without my family."

He nodded, looking at her with understanding. "I know. And I know sometimes people can be... thoughtless" he said, almost apologizing again.

They walked a bit further in silence before she found the courage to speak about what she was really thinking. "Do you ever feel that way, Aemond?" she hesitated for a moment. "Like you don't quite fit in?"

He stopped and looked at her directly, uncertain. His eyes, under the full moon and clear sky, seemed deeper, more reflective, sadder at her question. "Sometimes," he admitted softly, "but when I'm with you, princess, everything seems to fall into place. I do hope you feel the same."

Her heart skipped at his sincere words, feeling a twinge of guilt for longing to return to her family. "Thank you, Aemond. Should we head back? It's getting chilly."

He smiled, softening his features. "Yes."

They continued walking together, enjoying the peace and serenity of the night. As they progressed, leaving the gardens behind and climbing the keep stairs, she said, "I hope you've enjoyed your day, my prince." He nodded. Once they reached the hallway they shared, she whispered: "Should I visit you tonight?"

"Of course" he replied naturally, offering a comforting smile.

"You said Aegon would bring your gift, I wouldn't want to arrive at an inopportune moment" she said, reminding him.

He nodded, realizing he had forgotten his earlier conversation with his brother. "You're right. Maybe I should come instead. I can come right after he leaves" he suggested, and she eagerly agreed to the plan.

When they finally stood in front of the door, with no one in sight, her hands began to sweat nervously. It was just a temporary farewell, like countless others before, so she didn't understand why her body felt so restless, or why her heart was pounding so hard. And why were her thoughts centered on whether kissing him would ease her mind?

Before pushing the door, she turned to him, catching Aemond’s smile, oblivious to her internal doubts. "May I, perhaps, try something?" she asked, her voice trembling slightly, hoping she hadn't misinterpreted any signals.

He arched an eyebrow, curious at her question, but nodded in consent. Without further ado, she took a step forward and, with determination, closed the distance between them. She pressed her lips gently against his, all her questions melting away in that fleeting moment. She closed her eyes, unable to see Aemond's initial surprise.

When they parted, Aemond's face was flushed, his eye wide with astonishment, causing a flutter of concern in her chest. Before she could apologize, he mirrored her action, leaning in and returning the innocent kiss. This time, both closed their eyes, letting themselves be carried away by the moment as their hands instinctively intertwined.

As they pulled away, shy but content smiles graced their faces. The special discovery left them breathless.

"Goodnight" she whispered, a thrilling buzz inside her.

"Goodnight" he replied with equal softness and carrying the same exhilaration.

Once inside, the room was again in perfect order, something she was thankful for. Aemond always seemed to value the organization and she wanted him to feel like in his own space. Peaceful, comfortable, happy. Her chambers were perfectly illuminated by the moon and the glow of the fire burning in the fireplace, creating a warm and inviting atmosphere.

She walked to the door she used every night, leaving it slightly ajar, then shed her dress, donning her nightgown and slipping immediately into bed. She tried to immerse herself in the book on her nightstand, but her mind kept returning to the shared kiss. Touching her lips with the tips of her fingers, she wondered if it had also been Aemond's first time. She hoped it was.

Soon she realized it was futile to try to distract herself with the book. Her heart still raced, and her mind was full of questions and anticipations. She tossed and turned in bed, unable to stay still as she waited for Aemond to arrive. She was worried, fearing she had ruined everything with her impulsiveness. Or worse, that Aemond had changed his mind after that.

Exhaustion finally overcame her, her head swirling with thoughts, and she fell asleep hoping everything would be okay between them.

The sun stung her face as she began to wake, the warmth of the morning enveloping her. There were faint noises in the room, but still too sleepy to make them out, she tried to ignore them. Suddenly, her eyes flew wide open and she sat up abruptly. The bed was empty, but the secondary door remained open, an invitation to scolding from her lady-in-waiting.

Lyra soon noticed she was awake. With a sorrowful expression, she approached the bed slowly and sat beside her. The princess's gaze searched for answers, but none of her assumptions came close to the reality.

"A raven has arrived today from Dragonstone, my princess..." Lyra began softly, choosing her words carefully. She nodded, attentive and anxious to know more, urging her to continue. "Your father, Prince Leanor, has passed away" she announced.

With those words, the princess's entire world shattered once more in an instant. Tears began to cascade uncontrollably, unleashed without any permission, but she knew it was only a matter of time, a storm that had been brewing finally erupted. Her overwhelming feelings of longing for her family and the unsettling sense of being like a stranger in the castle where she had grown up intensified her anguish even more. Guilt and regret gnawed at her, constricting her chest and stealing the air in her lungs. Lyra tried to soothe her, urging her to breathe, but it was in vain. 

So many moons spent in the Red Keep, precious time lost with her father that could never be reclaimed. Now, with the loss irreversible, she couldn't even seek answers about how it happened, the trauma of Harwin Strong's death still raw. Her chest tightened, heaving, as her mind spun relentlessly, refusing to accept what her ears had heard.

Lyra enveloped her in protective arms, a bulwark against the whirlwind of emotions crashing over her as the harsh news unfolded before her. "We must leave immediately, there is a ship waiting for us" she murmured softly, aware of the princess's magnitude of pain, but to the urgency of the situation too.

Tears continued to flow unabated as she nodded, succumbing to the overwhelming sensation of loss and guilt that engulfed her. She allowed herself to be consumed by it while Lyra hurriedly guided and helped her dress. Once ready, servants entered to assist with the luggage, moving efficiently as those who understood the gravity of the moment, and Lyra asked her to wait while she gathered her own belongings.

When the lady disappeared from her sight, she, with a pounding heart, hurried to Aemond's room. Upon arrival, Queen Alicent was just stepping out, her face a mask of concern and sorrow.

"I'm deeply sorry for your loss, princess" she said with palpable sincerity in her voice, closing the door behind her, but condolences were a luxury she could not afford now. She needed to see if everything was okay with Aemond before leaving, the thought of departing without clarity on their relationship or at least a farewell filled her with unease.

"Is Aemond awake? I wish to see him" she implored softly, tears silently streaming down her face. People passed around her—members of the council, servants—all casting sympathetic glances that went unnoticed.

"He does not wish to receive visitors at the moment" the queen replied firmly.

"But it is urgent" she insisted, desperation seeping into her voice. She tried to move past her and grasp the door handle, her hands trembling but determined, but the queen stopped her.

"I'm very sorry, princess, but you must understand" Alicent said, her tone unyielding.

On the brink of collapse, with each passing second more overwhelming than the last, she pleaded, "please" but received only refusals.

Moments later, Lyra appeared carrying a suitcase, hurrying towards her. "My princess, we must depart now" she said, after offering a courtesy to Alicent.

"But I need to see Aemond" she insisted, her voice a desperate whisper. Lyra looked to Alicent silently pleading for a concession, searching for a shred of sympathy, but the queen remained unmoved, her gaze fixed on the princess.

"We can exchange letters by ravens, yes? But the ship will depart soon, princess" Lyra said, her words weighted by both empathy and urgency.

She felt frustration and helplessness engulf her, on the verge of shouting in rage. With no other choice, she took Lyra's hand and let herself be led away, each step a battle against the hopelessness that surrounded her.

@helaenaluvr @purplegardenwhispers @callsignwidow @scarletbedlam @fics-i-love-and-recommend @squidscottjeans @oh-you-mean-me

Last part from her POV as kids!

[voxofthevoid]

Yuuji's also extremely comfortable with violence, whether that's lethal violence toward curses or training/sparring with peers and mentors. The little we know of his pre-canon backstory features him beating up bullies, and he may not have been as dramatic about it as Megumi was, but the look on his face was sure something else.

LOUDER FOR THE PEOPLE IN THE BACK 🗣🗣🗣

Those who think Yuji is a uwu sunshine and rainbows baby seem to forget that he got the "Tiger of West Junior High" moniker because he used to beat up bullies (also that name goes SO hard and I love it deeply) and that doesn't happen if you only do it once or twice... He probably did it on the regular, or at least did it enough time to warrant the name! (Also in Japan junior high is between 12 and 15 y/o, so like... he was a menace long before getting pulled into the world of jujutsu)

I need more people to accurately portrait how truly feral and insane my son Yuji can be

YEAH

Though if I say it any louder, I'll start crawling out of people's devices "It's Me, I'm the PS5" style.

He was absolutely a menace well before jujutsu entered his life. Even before we see his fun afterschool activity of beating people up, we see him admit that he's always been good at fighting and later express beaming pride at his physical capabilities.

Honestly, pre-canon Yuuji fascinates me. The few glimpses we see of him at 14 show he's pretty much the same kid in terms of values, but he's also more subdued and stony, depending on whether he's with friendly classmates or random bullies. His more overt cheer in canon proper seems to have come later, and given his life circumstances, I wonder how much of it is a committed choice to being bright and positive. We also see it fade to reveal his quieter, introspective, and perceptive side at many critical points.

Another facet that fascinates me is the sheer control he has over his physical strength. Being that controlled at fifteen speaks of long practice and exacting care: He can't "turn off" his strength by controlling his CE because he's inhumanly strong because of Kenjaku's wombtecnics, not CE, and unlike Maki or Toji, it's not like he'd have had any idea why he's so strong, fast, etc. Yet, he can still touch people gently with the same hands that can casually punch through concrete. Makes you wonder how his strenth developed, whether the control is largely instinctive or painstakingly learned, and how many mistakes he made in the process of wrangling it. He doesn't hide his power, clearly, and we mostly see people appreciate it in sporty/showman contexts, but that kind of thing can also very easily be isolating, especially when you're a kid.

...Half of this has barely anything to do with your ask, but I am prone to yammering when Yuuji's brought up. But yes, he's insane and feral. The adaptability alone is downright unhinged, and it only escalates throughout the series. Gojou clocks him as crazy a few days into meeting him, and Yuuji sure earns that.

I Love This Kid A Normal Amount.

[heartless-tate]

Hi! If I may be so self indulgent and request something... 👉🏻👈🏻

Reader being a (for lack of better words) boring person. They're good at blending in within social circles but never standing out or having a circle or friend of their own. Good laughing at jokes but can't come up with good ones or even if they did, they don't have the courage to tell them outright. They're very much a chicken when it comes to expressing themselves as an individual because they're never comfortable enough around anyone. They are a chicken in general, to be honest. This essentially (and sadly) leaves them as an NPC in their own life. And they've accepted it, trying to come to terms with a life of extreme mediocrity. They're actively trying to push down any need of wanting more from life 99% of days.

However, when you're good at listening, you observe things much better and you learn things faster. And subconsciously, reader has been observing a lot of things about Velaris (including the IC). I'm not sure where this would lead but this is probably the only real skill they have; being a good observer and learner.

I leave the rest to you. I was thinking pairing them with Azriel (since he would probably understand her better) but I'm open to any modifications.

Also, just an afterthought, I've always wondered what job I would love to have in a fantasy world (and I don't know if this counts as an actual job) but something like observing the sky/stars to look for any forthcoming events sounds really cool. So I guess reader could do that since major events happen don't happen once in a hundred years or something which ultimately makes their job very boring. However, they love it because who wouldn't love spending their whole night star-gazing (potential date idea?? YESS).

Sorry this became way longer than I intended. I wouldn't judge if you chose not to write on it. Thanks & have a great day :)

Am I boring? | Azriel X boring F reader

A/N: Hiii! Tysm for your ask. I hope I captured what you were imagining right. 💖

summary: You’re a star mapper. And you’re boring with no hope of love. Or at least you believed that until Azriel came along.

1.2k words

warnings: no use of y/n, she/her pronouns, cussing??, romance?? That’s it?? I think?

The stars shined brighter tonight. Since you were a little girl, you had always been fascinated by them. How they sparkled. They were interesting, and beautiful- unlike you. Maybe that’s why you clung onto them.

You pulled a piece of parchment from your bag, and started mapping the stars. Rhysand, the highlord of the night court, had invited you to his court to observe and map stars from this  part of the world. You accepted, wanting some change. Even if you knew it wouldn’t be much of a difference to you. The inner circle was more than nice to you, and you appreciated it.

Laughter bubbled from behind you. You currently sat with your telescope on the balcony of the House of Wind. This was your third week here. Rhysand had offered you a permanent place here in the night court, but you were yet to accept. You didn’t fit in. You were a background character. A random star mapper, a job would probably never be much of use to anyone. Except weird star fanatics. Aka you. You were sure he only offered you a place here because of pity.

The inner circle seemed to really like you, and whether that was because of your quiet and shy nature, or the fact you always listened and gave great advice, or the fact you always laughed to try and fit in even if you didn’t quite understand the joke, you didn’t know. The only one who seemed to see past your mask of people pleasing was the Shadowsinger.

Anytime you ‘laughed’ at Cassian’s jokes, he was always there, smirking with a known look at you. As if he knew you. As if he had known you your whole life. Azriel had seemed curious about you. It was uncomfortable. Nobody had ever been curious about you. Everyone always enjoyed someone that they could talk to about themselves for hours. But he was the one always interrupting the other members of the inner circle to question you, on you. And your own life. And sadly you didn’t have many answers other than, “oh I don’t know.”

It made you feel weird at how interested he seemed in you. It made you feel awkward. But you knew he would lose interest once he really discovered there wasn’t actually much to you. You were a bore.

“Those stars are named Arktos, Carynth, and Oristes. They shine above that mountain for a week once a year during the blood rite.” A voice said beside you. You flinched as you noticed Azriel sitting directly by you, his shadows swirling around you both. He was always appearing out of nowhere. He handed you a plate of cake.

“Courtesy of Elain. She baked dessert tonight.” Azriel said, lifting a bite of his cake to his mouth and chewing on it.

“Oh.” You responded, setting the plate down beside you. You quickly labeled the stars on your parchment. They were beautiful.

“Do you like cake?” He questioned.

You paused and stared blank at him.

“I’m not sure?” You responded, fiddling with your hands. “It’s okay, I guess.”

Azriel smiled at you knowingly. Loud laughter boomed from the room behind you two. He looked right at you with piercing amber eyes that seemed annoyed. As if he had noticed you flinching from the loud sounds.

“Come with me? Just trust me.” He whispered, grasping your hand gently with caution. It was sudden. And you weren’t sure. You didn’t know him much. How could you trust him? But something in your body and soul screamed yes. Why not? It was risky- but life was boring.

“Okay.” You responded, gasping as he pulled you close, his wings wrapping you close to him, and his shadows swarming around you both before all of a sudden you were now standing on a cliff. Oh gods. His hands were on your hips gently, his wings spread wide, letting you see the view.

You both stood on a cliff that overlooked a waterfall and river. The moon reflected in the water and the stars did too, creating a mirror effect. It was probably the most gorgeous sight you had ever seen.

“Its- it’s…” Your words fumbled, mouth open in shock. “Beautiful..” you whispered. His breath was hot against your ear.

“Very.” He whispered back. When you looked at him he wasn’t even looking at the view. His eyes were glued on you. And he was looking at you as if you were a goddess. Azriel’s eyes softened, with adoration. It scared you. Nobody had ever looked at you like that. With a blush you realized he was holding you like a lover. He smirked at you as if knowing you just realized it.

Azriel slowly let go and used his wing to guide you to turn around. Blankets and pillows were on the ground. Like a picnic but a nest. His shadows swirled excitedly around the set up. He guided you gently to the set up, helping you sit down before sitting beside you.

“Do you want your mapping materials? My shadows can retrieve them for you. I wasn’t sure if you’d want to just relax and enjoy this night or continue star mapping.” He murmured.

You thought for a second. This was odd. Was this a date? Or did he do this with all of his friends? Did you want to map or did you want to enjoy this night with him?

“No it’s okay.” You replied, eyes glued to the stars above. They were much clearer from this view then from the House of Wind. You guess the city lights blurred them out. But here? They were in their full glory.

“Why did you bring me here?” He seemed to pause before responding. 

“My shadows told me you might be leaving soon. This is my attempt at convincing you to stay here. In the night court. With your mate.” Azriel confessed.

He watched your eyebrows furrow.

“Mate? I don’t have a mate-“ you panicked.

His wings cocooned you and his arm enveloped you. It was like he could sense your panic. He rocked you back and forth like a child. And it was comforting.

“I’m your mate. I’ve known since I’ve met you. I thought I would have more time to get to know you and the bond would snap for you, but then my shadows informed me of your soon departure.”

You swallowed, throat bobbing. You blinked a few times. “There isn’t anything about me to get to know.” You replied harshly. Azriel’s eyebrows furrowed with concern. Shadows swirled around you both, some tendrils caressing you.

“Don’t say that. I know it isn’t true. Everyday I learn something new about you. I don’t care what you say, you are the most interesting person I’ve ever met.” He said, words much louder and firmer now. He thinks you’re interesting?

“Stay. Stay with me. Let me get to know you. I don’t expect you to accept the bond anytime soon. But give me- give us a chance.” Azriel said, wings tightening around you both. His eyes bore into you, with a fierce and loving look in them. You couldn’t help but soften in his hold.

You realized then, you deserved love. And for once a belonging feeling overwhelmed your senses.

“I’ll stay.”

Hope you guys enjoyed 💗

[ngage2003]

I would be absolutely thrilled to hear your highschool Jaylex headcanons

SMILES. Ok.

⟦content warning: unhealthy relationships, abusive childhoods, generally two traumatized people behaving badly and like real people, headcanons and some analysis.⟧

As mentioned in this post, I think Alex and Jay are to some extent codependent, with bad habits developed between the both of them due to growing up in the south and being not typical/"weirdos".

I think this based off of just how easily they fell into an unhealthy dynamic in Season 2 of Marble Hornets where I believe Alex plays to what he knows about Jay to manipulate him. (Using his curiosity against him and leading him in circles.)

Jay isn't innocent either though! Really, both these characters are defined by their selfishness, which get exacerbated by the Operator. Alex has a need for control and power, and Jay has a deadly curiosity and passivity/apathy to others in the face of it.

I think Alex's need for control and power comes from his toxic relationship to masculinity, (talked about a bit here,) and a desire to fit in despite being unable to, exacerbated by his home life. I think its very likely his father instilled these beliefs in him by himself being someone who upheld toxic masculinity and make fun of perceived femininity in his son, a sort of abusive "tough love" approach that left Alex hurt and angry and hating himself and his dad.

I think strangely the reason Alex and Jay first connected is because Jay's closed off nature, apathy and his autistic tendencies left him appearing to just not care about masculinity and fitting in, despite being male, a fact which pissed Alex off to no end because it sort of broke his brain. ("Men are naturally good at being masculine and in control and powerful, and I'm not so I am a failure" is a belief instilled in him by his dad, but here is Jay, this apathy filled fly on the wall.)

I think they originally became friends because Alex wanted someone to punch at metaphorically and push around, and Jay easily complied to that, fascinated by Alex's attention on him and his general bristly demeanor which was so opposite to his gilded cage life. (For more on that check out my nepo baby jay post)

I think as time progressed, Alex's anger towards Jay gradually faded a bit, but he always held some sort of residual resentment for how unbothered he seemed with fully conforming to masculinity. Jay to him is as much of a symbol as he is a person, a tick that stubbornly persists in the flesh and ruins Alex's attempts to make sense of things.

That is not to say Jay is feminine necessarily or actively avoiding masculinity, but he is just apathetic and not too preoccupied with being masculine. Along with this, I think he is caring to Alex, especially in highschool, a fact which upsets and confuses the other because "men don't act like that to each other."

I can so clearly see Alex in highschool getting in fights, and then Jay helping patch him up, or buying him something in an attempt to make him feel better because that is just the behavior he has been taught, and Alex briefly thinks about driving his knuckles into Jay's stupid face as he applies an antibiotic to his split knuckles.

I think Jay understands that the grass is not greener for Alex to some extent, but Alex envies him so hard sometimes.

The furniture in Jay's house gets replaced every few months, there is nothing concrete to hold onto and savor there besides this toxic pristine smell of freshness. Meanwhile everything in Alex's house is the same as when he was a young kid, with all the residue of bad memories that come with that, molding under seat cushions and catching in the dusty corners of rooms.

Alex's home is painfully lived in, and Jay's is painfully empty.

I don't think they're ever together romantically, but I think Jay has a brief crush on Alex in highschool because Alex is kind of the only concrete thing in his life. Alex has a crush on him (that he denies) in turn because Jay is the only good thing in his.

They make out on Alex's couch when his parents aren't home, desecrating over a decade of memories with a needy, unsure passion only really held by teenagers and infidels.

Alex is so shocked with himself afterward that he stays in bed all weekend and refuses to ever sit on the couch again, like the memory of what happened there will somehow rub off on him. (Like it will tempt him.)

I don't think Jay ever mentions it again, seeing as Alex ignored him all that weekend, (despite him trying to call because he really wanted to ask Alex about all that, and maybe invite him over to make out again.) But if Alex doesn't want to talk about it, they won't. If he wants Jay to pretend it never happened, he will. Alex leads them after all, and Jay will always follow in his footsteps, always eager to be at his side, no matter how much or little Alex Kralie is left.

I think it is worth noting that, despite coming from different backgrounds, Jay and Alex both go down at the hands of the Operator. Tim and Alex practically come from the same story but they come out the other side as two opposites, while Jay and Alex they both die in the same building.

I think there is some meaning there, with how Alex and Jay are so entangled.

Alex can't kill him for so long, and Jay keeps looking for him always.

I don't know, I think about them a lot.

[iwritenarrativesandstuff]

The Agency's Older Brother: or, Ranpo's Character Development

I want to talk about Ranpo and the development he goes through in the series, because for as much as Ranpo is an important member of the Agency, his story is focused on in small chunks that may not always, at first read, seem to be overly significant. In fact, Ranpo’s arc is very consistent and I’m fascinated to know where it’s building to, because he’s done a lot of growing in the series. A lot of the themes of his story are to do with responsibility and faith in others.

The Ranpo we meet at the beginning of the story is not the Ranpo we see now. The biggest change is that he’s a lot more personally involved with the struggles of the Agency members, taking it on himself to be proactive and protective, while previously he had to be pushed and bribed into helping much of the time. When did this change?

Well...

[ID: Two screenshots from a scene in Poe's introductory episode of the Bungou Stray Dogs anime. In the first screenshot, Yosano lies on the carpeted ground, an axe embedded in her chest, blood pooling around her. Ranpo is crouched beside her, supporting her shoulders with one hand and clasping her hand with the other. The second screenshot is a close up of Ranpo's distressed face. End ID.]

The thing is, it's almost easy to overlook the effect this scene had on Ranpo, because Poe’s introductory chapter/episode is such a brief one. Moreover, afterwards, Poe becomes an ally and is a bit of a silly character, so it’s easy to forget sometimes that he was a legitimate threat here - and Yosano nearly died for it. This scene was incredibly significant to Ranpo for a few notable reasons.

It’s the first time someone in the Agency was in serious trouble/died without a backup plan.

It is, unfortunately, kind of on him. (Let me be real clear here: I am not blaming Ranpo. But he probably was blaming himself and that's something to keep in mind.)

To recap: Poe pulls Ranpo into his novel out of revenge, also trapping Yosano, who went with him. Ranpo realizes that they are in a world with no abilities, and importantly, he doesn't have the glasses Fukuzawa gave him.

We know those glasses mean a lot to him. When Ranpo was at his lowest, when he was convinced the world hated him, Fukuzawa gave him those glasses and told him he had a special ability. That he had a gift that no one else did that allowed him to see the truth that no one else could. Untold Origins makes it very clear that if Fukuzawa hadn't reached out to Ranpo when he did, Ranpo may have forever been outcasted. He was a kid kept in a bubble then suddenly and rudely shoved into a world he was unprepared to cope with, where he continued to get rejected and thrown out over and over - and all this on top of the grief he felt from his parents' passing. Ranpo was bitter and terrified of people, and thought everyone was pretending to be oblivious just to hurt him. Fukuzawa saved him the only way he could, in the only way Ranpo would hear him. It's not an exaggeration to say Fukuzawa saved Ranpo's life. And, while cute, it's also telling how quickly those glasses became an intrinsic part of his identity. Only maybe twenty minutes after he first received them, he was already making little doodles of himself wearing them.

Suddenly, the glasses are gone, and Ranpo goes into a funk because he "can't activate his ability without them". Obviously, we know that isn't true, and so does Yosano. Ranpo probably, deep down, knows this too, but to admit that would be to admit the president lied to him, and to uproot the very thing that gave him the means to perceive the world in a brighter light. The reason Fukuzawa had to lie in the first place was because the truth would be to tell Ranpo that his parents lied to him, something he angrily denies could ever be the case. And now, Fukuzawa is very plainly stated to be Ranpo's adoptive father. Ranpo's parents do not lie to him. He does not want to see it - and so he doesn't. This is a recurring thing with Ranpo. For as much as he sees the truth clearly, he also chooses not to see it at times when it would be uncomfortable/go against the intuition of someone he deeply trusts and respects.

And I think it's very easy to just leave it there, and say, "Oh, Ranpo realized at the end of this chapter/episode that he didn't need the glasses, that he doesn't have an ability, and that's a key turning point" but I don't feel that's the full picture or even the focus here, especially since Ranpo still hasn't reached the point where he can properly admit it aloud, even to Yosano.

The thing is, those glasses aren't just of use to Ranpo - they have sentimental value. A heck of a lot of it, for a character who is not very sentimental. The real turning point here is that Ranpo put on Yosano's glasses in order to save her.

[ID: A screenshot of a panel from the Bungou Stray Dogs manga. Ranpo puts on a pair of glasses. His hair is blown out of his face and he wears an intense expression. End ID.]

Shortly before this, we are informed by Yosano that not only was the Agency specifically formed for Ranpo to make use of his talents, but also that it was Ranpo who invited her to join - which we later learn was a pivotal moment for her to start over after she was completely broken by her experiences in the war. And now, he is watching her bleed out because she had to take over. Because he couldn't solve it. And that, to Ranpo, is unacceptable.

But again, there's more to it. Ranpo is fundamentally a self-centered character - this is not a judgement; I actually love that about him. He's the center of the Agency, the (ostensibly) good guys of the series; a narcissistic guy with little in the way of sensitivity who wants to use his skills to help others. Not for some higher ideal, or because it's "right" necessarily, but because he's good at it, and because he's supposed to protect all the "babies" who can't solve things for themselves. I love it because it highlights a major theme of BSD, which is good as something you do rather than something you are, and also because it explains something about Ranpo himself.

See, if everyone in the world is a "baby" who needs Ranpo's assistance, then the people in the Agency are a little different. They're people hand-picked by Fukuzawa to support him, both through praise and through backup. Remember that Ranpo trusts Fukuzawa's judgement more than anything - this means that he expects the Agency members can handle themselves. So, in chapter 10, when Ranpo doesn't really care that Atsushi has been taken, citing that it's a "personal problem" and he should handle it, I really think this was some odd form of "Atsushi will be fine" and "why should I worry or do anything when I know he'll be fine". And in the past, this has been true - the Agency members always pull through. None of them, up until that point, have been in a situation that they couldn't eventually fix. Ranpo has a bubble of safety in the Agency, that basically amounts to a "villain of the week" type beat from his perspective, where troubles gets fixed up pretty quickly. All in a day's work.

But then Yosano dies in Poe's book, someone he actually had some level of responsibility for when he invited her to join his safe little circle in a world that had no place for people like them. And it's a direct result of Ranpo's refusal/inability to act.

In order to fix this, Ranpo uses Yosano's glasses. The lens he's seeing through has changed. The people in the Agency were initially "his" in that they were meant to support Ranpo, the special one "chosen" by Fukuzawa's glasses, the reason for the Agency's existence in the first place. But now the people in the Agency are "his" in that they are his to protect. He's their big brother they all look up to in a way, and as the big brother, he's got to take responsibility for their safety.

Why did this not stand out in the moment? Well, we learn something about Ranpo from Untold Origins: he's very good at pretending he's doing okay and things aren't bothering him as much as they are. He's able to hold it together up until it all comes spilling out of him during the play. Also, I do think Ranpo cares about people a good deal more than he'd have you believe. A common fanon thing about Ranpo (from what I've seen) is that he tends to forget people, which, I can see how one would come to that conclusion, but I actually think it's completely wrong. I don't think Ranpo's forgotten a single person he's accused. I don't think he's forgotten a single person he's helped.

He lied about not remembering Poe, in fact, he remembered him pretty fondly as a real challenge. He remembers the information on a person from the Special Division he was asked to look into and gave the info to Mushitarou to allow him an in. He recognizes an officer he'd helped, and it's implied he recognizes every single officer who had been present while he was working on cases in the past. Does this mean he cares about all of them? ...eh. Probably not. But it does mean that Ranpo keeps a lot of his cards close to his chest. He's disarming with his intentional childishness. And so it can be difficult for the characters and readers both to notice that events like Yosano's almost-death... actually bothered him a lot more than he let on.

Because it was his fault. Because she was his responsibility. Because he's supposed to be invincible.

And unfortunately, the story from here on out does not get any kinder to Ranpo as his safe bubble that is the Agency is repeatedly targeted in ways that are increasingly hard to repair.

Fukuzawa falls ill and nearly dies in Cannibalism arc.

A girl gets blown up and Kunikida ends up in jail because Fyodor managed to manipulate Ranpo's intel.

Mushitarou is believed to have been shot and killed trying to warn Ranpo about the Decay of Angels plan.

Taneda bleeds out from a stab wound and falls into a coma. Ranpo can do nothing but listen and cannot get him help.

The amount of times Ranpo has seen people nearly die in front of him... bro it's almost as bad as Kunikida.

Much like Kunikida having extreme faith in his lofty ideals which make him fall just that much harder when he fails to uphold them, Ranpo has practically zero self-doubt and complete and utter confidence in his abilities... so when problems arise, Ranpo is very harsh on himself. He takes the blame because he's supposed to be better than that. Because he is the one with the powerful "ability" that should never fail.

In this sense, Ranpo's position in the Agency reminds me a lot of a certain person in the Port Mafia, someone who also has a powerful skill he puts towards protecting his own, someone who also received life changing words from the boss which earned him his loyalty, and someone who would do anything to defend the only place in the world he feels secure.

I think there's definitely a reason Cannibalism arc had Ranpo and Chuuya face off, I'm just saying. Both of them ostracized and thrown out as young teens by people who should've been looking out for them. Both the instigators of that arc, proactive and desperate to protect the person they are most loyal to who changed their perspectives. They've even got the same power stance, look. :P

[ID: Two panels from the Bungou Stray Dogs manga. The first is a panel of Ranpo with the silhouette of Fyodor behind him. He is standing with his hands in his pockets, facing front with his head tilted back and to the left a little, a fierce expression on his face and his cloak billowing outwards. The second is a panel of Chuuya standing in a similar manner, arms crossed, facing front with a fierce expression as his coat billows out around him. End ID.]

Of course, there's more interesting comparisons and contrasts to be drawn between them, but I'm focusing on Ranpo in this analysis, so I think I've made my point. Chuuya is the Port Mafia's best martial artist. Ranpo is the Agency's strongest man. And that places a burden of responsibility on them that they both believe they must uphold. They're both ready and willing to do whatever it takes.

The thing is though, is that Ranpo doesn't actually have an ability. When up against someone like Chuuya, he is at a distinct disadvantage, and he knows it. "Regular people can't defeat ability users". But he's still going to come up with a way to do it anyways, and why?

[ID: A screencap from the Bungou Stray Dogs anime. The members of the Agency all stand around Ranpo, who is seated at his desk with a smile, one hand holding his cap, the other held up in a casual gesture. The image is filtered in a soft light. End ID.]

Because his friends think he's invincible.

If Ranpo wants to maintain his safe place in a world of fear, then he has to step up to defend it, and he has to get creative about it. And that's exactly what he does. Ranpo becomes steadily more active throughout the story, which is a huge change from the start, where he had to be practically bribed to help at all. I see a lot of people point out his channeling of Fyodor's tactics to secure Kunikida's release, which is definitely a dark turn for his character, but it's not the only change.

Ranpo is now choosing to place his faith in others, the first obvious instance of this being his use of Poe's novels - which was how he defeated Chuuya. Ranpo knows that he is not going to succeed against people who drastically overpower him all alone, even if he does still take things on as personal burdens. He's also far more obvious about his protectiveness, going on the rescue himself to save the Agency members, driving a car (whereas before he needed someone to take transit with him - another indication of his increased proactivity since he's now literally driving instead of being driven), and bodily shoving Atsushi out of harm's way.

It all culminates in one of my favourite Ranpo scenes where he speaks at the conference to the police, who've worked with him before, where he asks if they will think for themselves - and tells everyone gathered there that anyone can be a detective if they think for themselves and look with their own eyes (!!!). He manages to get half the police force on his side, just through his words and his logic alone! Minoura assumes he somehow knew it would all work out, because, well, it's Ranpo. Ranpo knows everything.

But...

[ID: An image from the Bungou Stray Dogs manga. Ranpo sits in the passenger seat of a car with an honest, helpless smile. End ID.]

He reveals he didn't know if his ploy would work at all. He had to trust that it would with no solid proof. He had to trust these people would use their heads and look beyond the obvious. He respects these people enough that he thinks at least some of them will make the right call.

Fourteen year old Ranpo, bitter and estranged from other people, would never. For him to have come such a long way is testament to the security that the Agency provided him with. In a way, Fukuzawa forming the Agency allowed Ranpo to "complete" his childhood in relative safety, so that when the world became hostile once again and his family destabilized, Ranpo had matured enough to meet it and defend himself and those he has a responsibility towards head on. The Agency is his family, and Ranpo cares for them enough that he puts his faith, not just in them, but in the people they put their faith in too.

[ID: A panel from the Bungou Stray Dogs manga. Ranpo is kneeling in front of Fukuchi, who is sitting backwards on his chair to face him. End ID.]

...aaaaand then Fukuchi went and ruined it. Thanks, Fukuchi.

Ranpo again chooses to put his trust in someone without proof because Fukuzawa trusts him, only for that to have gotten thrown back into his face in the worst way possible. And it's in this regard, the trust aspect, that I think we'll see Ranpo develop as the story goes on.

Will he continue to show this tentative faith in people? Or will he begin to hyper-analyze, unwilling to trust again without proof?

If this arc gets resolved decently well, I think Ranpo will have no issue brushing this off as a one-time thing. However, if what I fear might happen does and Fukuzawa doesn't make it out of this arc... Ranpo will be destabilized.

I don't know that Ranpo would go "bad" per se. He likes the other Agency members. He cares about them - that's genuine. But if Fukuzawa dies, then Ranpo may begin to take darker actions in order to keep them safe, almost overprotective and harshly logical, with little room for blind trust or risks in the name of justice or honour. It may put him at odds with Kunikida, in that Ranpo may start to develop a strong "do what's necessary" mentality, even if that may be immoral. He may regress a little into his old trust issues.

However, I really don't think Ranpo will go too far down the path of darkness, even if the worst should happen. He's a lot tougher than he seems, and he has a good support system in the Agency. I guess it remains to be seen where Ranpo's story takes him next.

Until then...

[ID: A screencap from the Bungo Stray Dogs anime. Ranpo sits in his chair in a cuter art style, having taken a bite from the pastry he has in his left hand. End ID.]

I love one good boy. :)

[ancient-qveen]

Bård Eithun in the late '90s

bonus Bård webzine interview (May 2002) below

I believe Bård was on a prison leave in those pictures but I can't remember exactly. And I found the interview here (originally in portuguese) he did while in prison less than a year from his release date.

Talking about Bård Eithun, the famous ex-drummer of Emperor, Faust, is talking directly about Norwegian black metal. Here he tells us a brief history about everything that happened in those frozen lands.

First of all, I would like to say that I am sure you do not know how important and influential you were and still are for what we today worldwide call Black Metal. Well, tell us how you started listening to and playing Black Metal…

My involvement with Black Metal is the result of a long process. I have always looked for extremism in music and in the late 80s it was in bands like Voivod, Celtic Frost, Sanctuary, Warfare, Napalm Death, Venom, Bathory, Hobbs Angel of Death etc. Some of them were considered Black Metal, others were not, but the essence is that extremism has always been part of my musical interest, no matter what.

Black Metal has grown a lot over the years, everything has changed drastically. Nowadays the style has many types of media available and many new fans. What is your opinion about the current Black Metal. Is there a comparison between the old and the new Black Metal?

Black Metal, especially Norwegian Black Metal is worn out and extremely clichéd, a terminology I never use. I saw the trend coming, and hopefully I can see it going too. But that doesn't worry me, I don't care. I'm not part of this new movement anyway.

Emperor has just finished its activities. What is your opinion about this Emperor at the end of its career? They have changed their style drastically and almost everyone thinks that their best phase was when you were part of the line-up. What do you think of Trym Torson (now ex-Emperor, ex-Enslaved and currently Zyklon) as a drummer?

This latest album was very well done by them. It encompasses a bit of every era of Emperor. I appreciate that people like the Emperor phase that I was part of, but the band has always been in progression, and it would be senseless for them not to progress. Trym is a great drummer and I remember being happy to hear that he was going to get my job.

A lot of people have said a thousand things about your personality type, so I would like you to talk about yourself. Are you the same person who was arrested in 93, or have you changed your personality?

The events happened 9-10 years ago and obviously I have changed during all those years in prison. I'm still fascinated by the dark and the obscure, but more as a balance to a nonconformist and continuous life than anything else.

Where is your current residence? You still live in Oslo prison in your Krestfengsel residence. Do you have any routine in your life?

Hehe, that Oslo prison is my address from 1993. I've been to a lot of prisons since then. Now I'm living in a kind of apartment with facilities in Oslo, which is supposedly the last step for someone who is about to be released. Yes, my routines are always present although now I am more free and open to choose what to do during the day than in previous years.

How is the progress of your process? Do you already know when you will be released from prison?

I will be released on December 28, 2002, in about 7 months.

Well I know this is a bit of a boring question to answer and not very creative at all, but actually Norway is really far from here and everyone would definitely like to know the truth about the costumes that happened to you (pretty much all of South America , I learned about these events through magazines and newspapers). Is it true that some guys cheated on you by talking a lot of shit back then? Could you explain it to us better? I heard it took the authorities more than a year to catch him. This is hilarious…

Well, the story is long and complicated. I was caught more than a year late, but because of many events. I've been asked about this story many times. You better check some website with the full story, please.

About the Norwegians after many stories we have heard. Who were the main leaders of the famous "Inner Circle", because many people claim that many fights and disputes happened internally. What were your main goals?

The Inner Circle was a vague term we came up with to label the people who frequented Euronymous's Helvete store. They were the people who were capable of committing criminal activities. It wasn't really organized at all.

You could, if you want of course, say what your opinions are about these people: Euronymous (RIP), Dead (RIP), Varg Vikernes, Satyr, Fenriz, Jorn, Ihsahn, Samoth, Tchort, Snorre, Mortiis and Hellhammer.

These are the people I know/knew. Samoth, Ihsahn and Mortiis are my former bandmates. Euronymous and Dead are my dead friends. Hellhammer is an old friend. Jorn? Which? I know several, like Jorn-Inge from Hades Almighty and Jorn from Ulver, but I think you're referring to Jorn from Mayhem?! Also an old friend. Fenriz and Satyr, other people I met years ago. Snorre and Varg committed shit, something they can never change.

Let's stop talking about the past. What are your plans for the future? I heard that you will be participating in the latest album by the Italian band Aborym, is that true?

I wrote 3 lyrics for Aborym, which will be on their third album. I joined a cult classic metal band, but that will be official only in the summer. I should start playing with Samoth again soon, in some project band. Besides that, I write lyrics for Zyklon. I just wrote some lyrics for their second album. I have also written lyrics for Sigh, Wurdulack and the aforementioned Aborym. I have also appeared as a guest on albums by Cadaver Inc, Ulver and Sirius.

You heard that some bands are planning to make a tribute album called "Tribute to Faust". What do you think about that?

No, absolutely nothing.

Have you recorded anything in prison, because Varg Vikernes has recored three albums while in prison.

No, I didn't record anything. Not because I didn't have the musical ability to form a one-man band.

Out of curiosity, do you know any Brazilian bands?

Many, like the classics Sarcófago, Holocausto, Vulcano, Sepultura and probably more.

Finally, tell us your playlist.

Difficult, because I prefer to talk about my favorite songs than my favorite albums, but good albums are:

"Darkness" - Poison Idea

"The Sham Mirrors" - Arcturus

"Man & Machine" - UDO

"Destroy the Opposition" - Dying Fetus

"Amongst the Catacombs of Nephren-Ra" - Nile

"Fire Walk With Us!" - Aborym

"Oceanmachine" - Devin Townsend and probably a few more.

Stay tuned for Bard Eithun's official website.

[lostboiking30]

Some night time thoughts while I’m sick in bed with Covid.

I want to preface this by saying that I have been aware of Wicked since 2004 and was active in the fandom between 2005-2009. I never watched the musical live(I know what happens tho-thank you for the slime tutorials), I read the book in like 2006 and I listened to the obc obsessively. However, I did fall out of the fandom maybe around 2010 and Wicked became less centralized in my life as I got older. Before I saw the movie, I hadn’t listened to the soundtrack for about 5 years. So it’s been awhile, but needless to say, I *adored* the movie.

I’m gonna be talking about some stuff in act 2 so if you are only familiar with the film, there are 🩷✨SPOILERS✨💚 below.

I’ve been active in a lot of discourse over Glinda being a “villain” in Wicked over on Threads and a lot of people are big mad about this take. And a lot of what I am seeing is that

1) people are assuming that folks who take this stance have only seen part 1

2) defending Glinda because they see themselves as her

3) are assuming that people calling Glinda a villain are simply being reductive and not seeing the nuances in her character arc.

On a related note—I find interesting is that everyone seems to be in agreement about who the “Wicked” one is in “No One Mourns The Wicked”

Now back in the early aughts when I was a teenager, I was admittedly more focused on Elphaba and Glinda’s romance than I was either of their characters, but at the time, I hadn’t seen the play, so all I had to go off of was the book and the OBC and as much as I enjoyed the book, the musical seemed more my speed because of how whimsical it sounded, which was more in line with my hopeless romantic heart that just wanted Glinda to get on the broom with Elphaba and forget about everything and fly off to their happily ever after.

Well…fast forward 2 decades later. I’m 33 now and within the last two decades, one of those decades has been spent in therapy after realizing that I was trans masculine, neurodivergent, and traumatized not just by the shit that happened in my family, but by the near constant political and social disasters we have all collectively been a part of for the last 10 years. The decolonization, deconstruction and radicalization I’ve experienced truly changed the lens on this story and the impact it’s had on me.

Watching Glinda in the first part of the movie was fascinating and entertaining because of how smart her character is. Someone described her as Machiavellian and at first I thought maybe that was giving Glinda too much credit, but the more I think about it, the more I think I agree.

Ariana Grande understands Glinda and played her so well and I saw that the second she appeared on screen.

Glindas performative “goodness” has always been present but it felt more tangible to me watching this film…and it left a bad taste in my mouth (yay for great acting!) because I have known people like her.

On the other hand, Cynthia Erivo’s Elphaba felt so authentic that I couldn’t help but fall in love with her again. This Elphaba was soft, kind, loyal, empathetic, naive, and unwavering. And because I had just gotten into a big fight with a friend who had called me naive and emotional, well I couldn’t help but feel connected to her again.

When i referred to Glinda as a villain, one person replied “wait til act 2. Listen to ‘No Good Deed’ Elphaba wasn’t all good either” and I thought that was such an odd thing because Elphaba didn’t do things with the intent to harm. She was trying to save her friends. She is actively gaslighting herself in “No Good Deed” with all the things others have always said to her.

Elphaba later admits she’s limited and can’t do the things Glinda that Glinda could do, even though Elphaba is literally one of the most powerful witches in Oz. She wasn’t limited. Her ambition lied outside of herself and her desire to help the Animals. She was tired.

And after spending years doing social justice work, the number one thing I learned, especially during the pandemic, was that this isn’t work one can do alone. It’s a community based effort. Organizing is hard work.

Glinda, on the other hand, was self ambitious, and even though she was slowly beginning to unravel and figure things out, it took her losing almost everything she wanted (her freedom, Elphaba and Fiyero) to figure out she had to change. Similarly to the dance scene in act 1. If Morrible hadn’t given her the wand and told her what Elphaba said, I do not think she would have been as compelled to enter the dance floor.

So here’s the thing. I *LOVE* Glinda. But I hate her. She is so complex for all the wrong reasons, and I know that as someone who is marginalized in different ways, I cannot be friends with someone who aligns themselves as Glinda does. And it’s fucking heartbreaking.

That’s the whole point of Defying Gravity. Elphaba and Glinda cannot continue together past that point.

But they changed some things in the movie. Hearing what Morrible said about Elphie at the beginning of DG, accepting Morrible’s embrace and listening to Oz’ guards yell “kill her” should have been glaring warning signs. Yet Glinda still chose to side with them and uphold the wizards tyrannical regime. Not to mention that Glinda’s decision to help the wizard and Morrible led to the chain of events in act 2. Glinda’s not a good person, even if she felt remorse later on.

And don’t even get me started on Fiyero. Like I get why he became part of the guard but the whole working from within the system is fucked too. I also hated that they never told Glinda.

So yeah. This was a really long winded way of saying that I think movie wicked and stage wicked reflect different moments in time and movie wicked is more appropriate for today’s mainstream audiences. I think Elphaba being played by a Black Woman had a huge impact on how she was played and received. I love that Cynthia Erivo advocated to make her Elphie represent a woman of color and that she included inner child and ancestor work into the character.

Ariana Grande knows the in and outs of Glinda and plays her as authentically as possible. And knowing how much the actors love each other irl really solidified how much I believe Elphaba and Glinda love each other.

I spent way too long on this and it’s all over the place but I’m posting it.

Engage, discuss, and divulge in a respectful manner please. Wicked is very near and dear to my heart.

[utilitycaster]

no d20 spoilers here since i know you know the gist of the drama but the fact that both kipperlilly (and the ratgrinders as a whole) and laudna are sending the their respective fandoms into meltdowns is FASCINATING to me!!! Especially happening at roughly the same time

I am now officially caught up and. not to brag but, called it re: the Rat Grinders, huh, except it's even more stupid. Like. The "but they're literally minors?" argument sort of falls apart given that they're the same age as the Bad Kids, and are actively trying to kill them, the "but redemption" argument doesn't mean shit since at no point did they make any forays towards redemption and indeed sicced a bunch of dragons on the Bad Kids, and so we're left with nothing but an impotent desire to not have a sick-ass battle in the finale of a D20 Campaign. And, perhaps, an uncomfortable realization that they are not unlike the Rat Grinders and the narrative said "lmao yeah you suck".

Laudna's shit? not that different actually. Like there's a lot of reasons why the arguments defending her are bullshit but the biggest one is that the "Laudna has never done anything wrong ever in her life and Imogen is her tether" crowd have painted themselves into a delightfully tiny little corner and they can't hide it anymore. Like, okay, so, is Laudna in control of her actions? Because if so she just attacked Orym in the middle of the night. Is she not? Because if so why hasn't she made the efforts that Chetney and FCG and Imogen (at least sometimes) did to address that? If the issue is trauma why is hers more valid than that of others? If it's abuse tell me how you feel about Caleb, Fjord, Beau, and Percy? Why is Orym shutting down the conversation when he says the Vanguard killed his family but Laudna's not doing the same when she tells Ashton not to speak to her of loneliness and Chetney not to speak to her of loss when she doesn't have a monopoly on either?

Why is it Bells Hells' job to endlessly accomodate Laudna and why are so many people suddenly talking about Bells Hells as an abstract 7-headed entity that didn't deal with Laudna's problems when those same people (if they were around at the time of the gnarlrock airing, and many of them weren't) were like "NO THEY SHOULD MAKE UP AS FAST AS POSSIBLE AND IMOGEN IS A BITCH BECAUSE LAUDNA DIDN'T MEAN IT." Why wasn't it an issue for them when Laudna's ranting about her time in Issylra and how hard it was got shut down by Imogen kissing her because that's why it didn't stay in the spotlight. Why wasn't it an issue for them when Imogen said "if you need her, that's my answer"? Why is it Orym or "Bells Hells" in the abstract who never spent time on Laudna's trauma after months if not years of throwing a fit any time someone (often me) (not always though) pointed out how much Imogen and Laudna were shoving under the rug and not dealing with? What does it say that you can't even expect Laudna's partner to be the one supporting her through this- it has to be Orym? Why doesn't Laudna have any responsibility here? At minimum she could have spoken up about the sword at at least two if not three junctures and she didn't.

There's a lot of things I hold in contempt, and after the obvious things like bigotry, two I really detest are hypocrisy and dereliction of responsibility. It's been extremely telling with both the D20 and CR discourse that people do not like seeing the story and the fandom say "hey actually you need to take responsibility for your actions, you only get redemption if you work for it, and if you leave a room hoping someone will follow you without saying that's what you want? Don't be surprised if no one does." The reason everyone was preparing to stop Laudna was because she was, in every action and decision, showing herself to be a person in need of being stopped. Can you describe this perfect balance of gentleness in which she's never pushed too hard but she does talk about her trauma and work through it and in doing so leaves Delilah? Have you demanded any other member of Bells Hells be granted that same gentleness and patience and kindness or do you think Orym should get over his grief because it's inconvenient to your arguments.

Just as the Rat Grinders show the narrative saying "being an entitled, resentful, jealous person who hurts others from jealousy makes you an easy tool to be manipulated into cruelty and you need to deal with that," I think Laudna shows the narrative (and certainly the fandom) saying "you do have an obligation to deal with your trauma, especially if it causes you to hurt others, and you can ask for help but you can't just sit on your ass waiting for someone else to initiate the process for you" as well as "if you do hurt people because of your trauma they may be angry with you, this may shape how they see you, and they are justified in that because you hurt them" and I think people in both fandoms hate being told that because I think a lot of the people sparking the discourse really do think that you can shield yourself from criticism over your hurtful actions by claiming trauma or neurodivergence or mental illness or whatever and it's like, no, you do still suck, you just also had sucky things happen to you as well.

[ensemblesongs]

I gotta say I’m really disappointed that you have decided to partake in this ridiculous boycott that is built on lack of research and racism. I can’t find it in myself to support someone who openly supports hate towards the Ryukyuan people and Japanese people. I wish you the best in real life but I strongly urge you to do proper research before blindly following the wolves in sheep’s clothing who pretend to care about racial discrimination.

I understand why you might feel this way. I'm sure that there are misguided people amongst the bunch, or people who are only participating in a performative way. But what Happy Elements has done felt malicious and hurt me and many others with their lack of consideration for long-term fans, and most importantly, their lack of sensitivity. Do you not see the issues in how this narrative is being handled...? I'm uncertain on what you mean by hate towards Japanese people. Addressing the country's past, and the company's failures, is not hating on an entire ethnic group. Maybe you've seen things on social media that I haven't. If you'd like, you can give me more of your perspective to enlighten me. The plea for me to research is also a little vague...💦

Real-life Ryukyuan (and Ainu, who are not the same, but have shared a similar pain), and other indigenous people have expressed support of this boycott, what about their perspective? Does it not matter? They don't speak for every single one, but I think it's worth taking into consideration, nonetheless. I'm not blindly following anyone, even if there are people that I trust more than I trust myself when it comes to knowledge on certain topics because they know more than I do, I have tried to do my own research, too — and I know that Ibuki's story is reflective of that of the experience of many real Ryukyuan people, a choice that they make themselves. I have a more hopeful view about this situation than most. Still, I do not trust Happy Elements with this decision due to their history of actual racism and failure to address these subjects with the necessary care, though I see their attempts to in stories like Matrix. (Which is a story I don't hate nearly as much as the average person does and don't see as OOC, either, and only really found problems with the Takashi subplot being unnecessary and the village's plot-twist. The wave of hate over a story most didn't even read themselves was quite peculiar. This is different.)

There is a clear bias in the writing room as seen in many other stories, even when it isn't hatred there is a feeling that there's more fascination towards the subject of racial minorities than care, and this was the final straw for many fans. I don't think it's wrong for Rinne to be written to have internalized racism, even if it's being written by Japanese authors. Similarly, I am not upset at the concept of Ibuki being involved with AKATSUKI. I was actually excited at the prospect of them interacting more, I'm more so upset at the execution and the imperialist undertones which are all too expected from a careless company like they have been for years. Not just that, but even if it wasn't racist, the desecration of AKATSUKI, a group that has been there since the beginning, with an utterly mischaracterized story that dumbs them down to their past selves and breaks promises the real Keito had made, and how HE continues to puppet their mangled corpses around for all to see, and the hatred Ibuki and possibly Chiaki Kobayashi will have to face because of this decision, one they knew no one would like, would remain. Not to mention, their audacity in trying to make the audience feel bad for disagreeing with this, making the characters say things along the lines of, "I'm sure fans will be upset".

I'm someone who loves Ansta. Deeply. I never aligned with people who hate it while being into it and always tried to have hope. So, I take my criticism of it seriously. When it comes to my activity on here, I'm doing the same I have for years, and I just thought people who are participating, and mean well, would benefit from what I post. I appreciate your kind wishes and I wish you well, too. Thank you for having supported Ensemble Songs.

[alfons-sylvatica]

whatever burns burns eternally

Fandom: Ikémen Prince Characters: Gilbert von Obsidian, unnamed Main Character Pairing: Gilbert von Obsidian / Main Character (unnamed) Genre: ... I wish I could tell you. Introspective / Philosophical / Romance? Word Count: 938 Summary: Gilbert struggles to sleep at night, ponders the meaning of redemption, and what his relationship with the Little Rabbit means for him. I am really not used to sharing any of my writing on tumblr, but was encouraged to share some stuff here because I been sharing them on AO3 / have actually been active on tumblr again.

So, um... Here's a story I've already posted on AO3 (you can also read it here if you want). It would have been so much easier to just be completely irredeemable, I thought. I could hear the clock ticking from the other side of the room, a steady rhythm that always seemed to hammer deeper every intrusive thought I had. The moon must have just risen; its glow cast a silvery light into my otherwise dark room. 

This wasn’t anything new. It wasn’t like I hadn’t spent countless sleepless nights going over every last horrible thing that I’d done. I knew how horrible of a person I was, and all of the wicked things that I’d done. And I knew more than anyone that everything had to be done, and that if anything on this continent were ever to get better, it would have to start with me.

But for some reason, I’d let myself get carried away with the stories about the girl who worked in Mr. Asatuki’s bookstore. The girl who had so much love in her heart for people, who held so much compassion in her heart for humanity had intrigued and fascinated me each time that merchant had come to Obsidian that I found myself asking more and more about her. 

“You seem to have taken a keen interest in my shopkeeper, Prince Gilbert. I hope you don’t mind the question but I can’t help but wonder why.”

“She reminds me of someone I once knew.” 

I had offered him the friendliest smile that I could; answering his question with an air of finality. His eyes had widened and he cleared his throat and abruptly changed the subject.

It wasn’t like I thought that redemption was something that could be obtained anyways. Countless holy books I’d read taught about the path to redemption. And so much of it seemed focused on feeling sorry for the things that you did, and working to be better.

I didn’t feel sorry for the things that I did. 

I would repeat them in a heartbeat.

Violence was necessary. 

Humans were horrible, awful creatures who did vile things to each other. 

And I was one of those awful creatures. 

I exhaled, my fingers idly running through the little rabbit’s hair. She was supposed to see me the way every other person did, she was supposed to be the final nail in that coffin. If I only could have proven that hanging on to naïve idealism was a flaw…

I shifted slightly and looked down at the slowly blooming bruises on her chest. Shades of purple, blue and red mingled together. Sometimes, I wondered if she was okay with the marks that I left her so often, or if she viewed it as an obvious example of my own violence. I knew she often tried to hide them, so each time I added more I tried to put them in more noticeable locations–her arm, her neck and shoulders. 

At this point, I wasn’t entirely sure what I was aiming for. Was I trying to push her further to prove that she was wrong to have stayed with me? Was I trying to prove to her that maybe my life wasn’t actually worth saving?

They do look nice though.

I smiled to myself and looked back at the ceiling again, returning to the thoughts that had once again kept me up. What would redemption even mean? What would it take to be redeemed in the eyes of others? I mindlessly ran my fingers up and down her spine. Certainly, she didn’t think that I was a hopeless case. 

I smiled ruefully at her. 

I still thought she was wrong. 

I didn’t think that love was the thing that would redeem me of the terrible things that I had done. 

Then why choose to be here at all? 

I tapped my fingers against the healing scar on my chest. Looking back, I wondered if I was behaving rationally. I had set all my sights on one woman, with the hope of completely breaking her and proving myself right. And for whatever reason, she chose to love me and tell me there was hope for a completely irredeemable beast like me.

Her world would probably be better off without me, the thought stung and I let out a sigh, focused clearly on a point high on the ceiling. I mean… I rolled my eyes over to where my cane was resting but pushed the thought out of my mind when I felt her shift slightly closer to me.

 It was almost like she could sense what I was thinking at that moment and instinctively pulled me out of it. 

That would be so much like the little rabbit, wouldn’t it? 

I looked down at her and I wondered how she could manage to be comfortable the way she was, her head pressed against my chest, the rhythm of her exhales running counter to the ticking of the clock. 

She stirred, and squinting up at me, asked, “Gil, what are you doing?”

“I’m just thinking.”

She yawned and rubbed her eyes, “But it’s late.”

“I know.”

“Then go to sleep,” She turned away from me and settled into her pillow.

You’re the only one who could get away with saying that.

“All right,” I turned and wrapped my arm around her waist, my chin resting on her shoulder. She turned her face to me without opening her eyes. 

I smiled, to myself. How quickly had she gone from anger when I stole kisses from her to expectation that I kiss her before going to sleep? 

I tipped her face closer to mine and pressed my lips to hers.

“Good night, little rabbit."

[max1461]

I think I just love people and I love the things that people do.

I've said this before, but I don't really like the notion of culture-the-count-noun, "cultures" as discrete entities. Rather, I think of culture broadly as the whole body of human practices, institutions, and ideas. Naturally, many of these institutions and practices are geographically or socially localized, but always in ways that have fuzzy and ever-shifting boundaries. Culture is just "the things that people do".

But, you see, what I want to stress here is I am fundamentally, at my core, filled with love for the things that people do, and filled with love for and excitement over the world we make together. I am obviously well aware that human society is imperfect, that there is injustice, and so on, but... I'm not quite sure how to articulate this, surely that fact is "secondary"? Surely what is wrong with injustice is that it is a stain on an otherwise wonderful world? If the world was nasty to its core, I don't really think I could get so worked up over injustice. Injustice is bad because life is full joy if we're allowed to access it, the things that humans do and make ("culture") are in general wonderful and joyous things, often marred as they are by the imperfection of the world.

Food is a good example. There is, at the end of the day, no way that I can justify the mass consumption of meat in the present world. I value the lives of animals and so, in some sense, meat consumption is an abomination to me. But when I look at cuisine, broadly, which in most regions of the world does feature meat... I mean, I love cuisine! I love how it tastes, I love the passion people show for cooking it, I love the way it brings people together. These are clichés but they are true, this is in fact the nature of things. Food is endlessly fascinating, endlessly exciting and subtle to the senses; food is an example of human culture, that is to say human activity, at its absolute finest. And yet it is, in the present world, inextricably linked to the slaughter of animals, something I regard as deeply and utterly heinous.

You can have two responses to this. On the one hand, you can disavow all the joys of food, at least food connected to this slaughter, you can become hardened to its joys and hateful of it. I regard this as unambiguously the wrong choice. On the other hand you can... hope for something better? For instance, I hope that one day in the not too distant future, artificially grown meat will allow meat-based cuisine to exist without the killing of animals. And... well, if I was faced today with a button that said "turn everyone on earth into a vegan, thereby bringing about an end to animal slaughter but also to humanity's collective knowledge and practice of meat-based cookery, to all local specialties and family recipes and subtle techniques featuring meat that have not been thoroughly documented", I think I would probably feel I had to press the button. But I would be devastated by doing so. I would regard it as a tragedy of extreme proportions, necessary only to prevent a much greater evil.

I sometimes encounter people, not just with respect to meat but with respect to a variety of topics, who would gladly, enthusiastically, without hesitation push that button. Who would relish the opportunity to cleanse the world once and for all of its imperfections. I regard this attitude as antithetical to almost everything I stand for.

This post was a bit rambling but I think I've made my point.

[cooking-with-hailstones]

A theoretical framework of how arranged marriage, and reproductive politics could work in the Avatar universe.

(Mostly focusing on the ATLA era, but can extend to TLOK as well)

Why? Because I am a sucker for a good arranged marriage story, I’m fascinated by the politics that they necessarily entail, and I am deeply curious about the ways that same-sex arranged marriages can work diplomatically, socially, and politically. Also, no one can stop me!

(There was an excellent thread about how same-sex arranged marriages could work, esp in a feudal political system, that I cannot track down for the life of me, but I’m drawing heavily from what was discussed in that thread. If you know what I’m talking about, please send it to me.)

So: realistically, humans are gonna human, and during peace times, humans fraternizing with other humans leads to unions, and, well, babies. I imagine among border communities and non-benders, relationships with people outside your nation would be fairly commonplace. The hardline intra-nation relationship standard seen in ATLA would be mostly a product of the 100 year war, rather than anything particularly inherent. 

Canon has also established that arranged marriages, especially among the leadership and nobility of each nation, is not unusual (Ursa and Ozai, Yue and Hahn, etc.) We see political alliances through marriage a few different times through the series. 

We also know from canon that strong benders most often hold major leadership roles - not always, but boy it sure helps. This would incentivize intra-nation marriages to ensure that strong bending prowess stays in the family, if you will. Furthermore, it means no one who’s got the wrong flavour of bending for your nation would end up in a position of political power. 

The importance of leaders being strong benders seems to matter less in the Water Tribes and the Earth Kingdom, but there is still the implication that these leadership roles wouldn’t go to a bender of a different element. And again, since the leadership and nobility of the Northern Water Tribe, Earth Kingdom, and Fire Nation all seem to be inherited titles, there might be extra pressure to ensure that the blood “stays pure”. 

The Air Nomads and Southern Water Tribe seem to be the notable exceptions. I do not know enough about Air Nomad culture to really factor them in here, but I have some ideas that I’ll save for another time.

So, in our world, arranged marriages have had and continue to have lots of political and cultural importance - it’s a way of integrating families, a means of consolidating wealth and power, ensuring peace between warring or disputing factions, etc. However, in the Avatar universe, this presents issues for benders. We know from Mako and Bolin in TLOK that two parents from different nations can have children who can bend either element. If an earthbender were suddenly a viable contender for the chieftainship of the northern water tribe, or a firebender inherited a high-ranking position at the Earth Kingdom court, that might become problematic very quickly! (And by the time we get to TLOK - entirely viable as a premise! I would love to see this idea explored more, but I’m getting off topic)

Thus, my proposal: same sex political marriages. 

Any political union that crosses the boundaries of the nations could be between same-sex spouses, to ensure that lines of succession do not become complicated by virtue of the Wrong Flavor of Bender being born, while retaining all of the political, diplomatic, and strategic advantages of an arranged marriage. As with arranged marriages in our world, I imagine there would be a spectrum of parents who would want their child’s active involvement in choosing their spouse, to children who grit their teeth and marry their parents choice of spouse in the name of Duty (hi Yue), to children who are forced kicking and screaming into the union their families chose for them.

An example: Imagine a wedding between two daughters, one of Fire Nation nobility and one from a Water Tribe leader. This union could be MAJOR for shipping and trading, strengthening economic ties between them and ensuring dominance over favorable shipping routes for select fire nation and water tribe merchants. (Now I'm imagining an au of fire and water bending seafaring merchant houseboat lesbians…)

Now there are two diverging ways to pursue this: A. one where these marriages are still expected to produce children, and B. one where these marriages are expected to NOT have children.

In scenario A: Each member of the marriage could be expected to have children via a surrogate or sperm donor from the appropriate nation. The inheritance of each parent would go to the child they sired, but the expectation would be that the offspring are raised by both parents, and share aspects of both cultures. These children would be considered the legitimate heirs of the parents whose genes they share, while having the advantages of being raised with parents and siblings from both cultures: they would be highly sought after diplomats, traders, mediators, and negotiators. The inclusion of surrogate/sperm donor genetics also helps diversify the gene pool among the nobility. I imagine the surrogate or sperm donor would be from a suitable family - not nobility, but not peasantry. Ideally people with a family history of bending. There could be high levels of cultural cache in helping to sire the nobility’s children, even if you cannot legally claim them as your own child.

In scenario B: If the expectation is that these unions won’t have children - or at least any children that would be recognized as legitimate - then this is a convenient way of, uh, well, pruning the family tree of undesirable genetic material. This could include weak benders or non benders. The children who are considered strong benders/desirable would be expected to marry and reproduce with someone of the correct nationality, with the correct flavor of bending, while the non bending, weaker bending, or otherwise undesirable members of the family are convenient tools for families to use for political unions where they don’t risk weakening the line of succession with… whatever it is that the family might not want. These married-off members of the family still hold significant power and influence, they're still considered useful. They just don't get to pass on any inheritance to any children they might have. 

(Both of these feature flavors of eugenics that are gross in their own unique ways! I am not endorsing this! Eugenics is bad! This is an exercise in world building, and hoo boy the eugenicist potentials in the Avatar universe are something I think about a LOT, and on a related note I'm still mad about the handling of the equalist subplot in Korra…)

Anyways, those are my thoughts as they stand now. I fully welcome any feedback, further ideas, headcanons, etc!