#I am also very excited to come up with my own designs and personalities
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Can I ask what the “Mikey and the triplets” au is gonna be about? 👀
OMG such a good question! It's gonna be mostly about Mikey and also the triplets :)
...
Lmao no I'm kidding I wouldn't do that to you. It was an au idea that I had where Mikey is the oldest. The triplets are Raph, Leo and Donnie.
And since u asked... I'm gonna ramble a bit about it tehe
I don't usually like older sibling Mikey aus (sorry to all the older sibling Mikey lovers out there) purely because I feel like so much of his personality is based around being the younger sibling...
He's very youngest sibling to me, and I love that about him.
I kinda had the same problem that people had with 2018 Leo? Like for so long most of the previous Leos personalities have been centered around being the eldest. He's responsible (because he has to take care of his younger brothers), he's the leader (because he's the oldest), he's self sacrificing (because it's his 'duty' as the eldest to take care of his younger siblings). And so when that was removed from him in rottmnt, people were annoyed because he was this irresponsible, bratty little sibling (or at least I heard that's how people responded... I wasn't in the fandom back then).
BUT stripping away that elder sibling title actually made Leo so much more interesting- because now we could see who he was when he didn't have to be responsible. AND, we could see who Raph was when he did have to be responsible.
Rise Leo is still crafty, and a leader, a dork and someone who is extremely self sacrificing, but now that wasn't hidden by him needing to be in charge. IT WAS REALLY INTERESTING!! All the Leos still have what makes them LEO, his strategy skills and his incredible love for his family.
Raph too. We got to see what was under the anger issues, and desperately trying to prove himself to his older brother. We got to see what he was like when he had control (and BOY I could talk about the idea of Raph and control for ages fr). We didn't look at him and see anger issues, we saw protectiveness. But because he was the eldest, that manifested differently.
ALL OF THIS IS TO SAY- I am very excited for this au because I want to explore who Mikey is WITH responsibility. When he isn't allowed to only listen to his heart with the assurance that his older brothers will keep him safe.
I HAVE MANY IDEAS- AND A WHOLE BACKSTORY!!! But I want to finish the Flashbacks au first :)
#answered asks#Mikey and the triplets#I am also very excited to come up with my own designs and personalities#since it won't be 2003 2012 or 2018#or any other iteration#yay!
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B33 < finalllyyyy finished my beta troll headcaon lineup!! furst things furst, my ask box is open for Beta troll + kids drawing requests!! I need to purractice drawing the sillies
alsooo feel like mentioning, these hc’s are for the early half of the game - I am gonna draw their adult + post game looks because thoseee headcanons are different
like for example!! I hc aradia gaining a lot of weight after no longer inhabiting her robo bod! Eridan being able to express their gender identity in the dream bubbles!
Tbf the art is sort of old, and I already want to update my designs but whatevs
Hcs under the cut…. B33
Here’s my personal headcanons, don’t start shit, if you don’t like, you can make ur own post with ur own hcs BDD
Aradia Medigo - transfem aroace spec
~ Struggles with persistent depression but is recovering slowly
~ Puts on weight after the game
~ ASD
Tavros Nitram - transmasc polysexual
~ bulks up during the game!
~ Legs are prosthetics, he still uses their chair on rougher days
~ anxiety and ptsd, struggles with unhealthy attachments (clearly)
Sollux Captor - nonbinary pan
~ Also ASD + Bipolar
~ Acne scars!!
~ Lisp is from crooked teeth
Karkat Vantas - Nonbinary he/himmer, poly with masc pref
~ Super repressed about gender during the game, Jegbert helps with coming to terms with things
~ Anger issues as a response to traumatic living conditions on alternia
~ Adult him is very fat and hairy :)
Nepeta Leijon - transmasc trixic
~ Comes out during the game
~ ASD and ADHD, cannot mask well
~ Looks tiny and weak but could bench press you (cuz its funny)
Kanaya Maryam - femby lesbian (she wears binders :o
~ total vegan till she goes rainbowdrinker
~ binds regularly, prefers a flat silhouette
~ gender + sexuality relationship is unique due to pansexual being the societies default
Terezi Pyrope - Transfem queer
~ does not shave, ever under any circumstances
~ OCD, has a lotttt of rituals
~ transed her gender pre game due to flarping
Vriska Serket - Transfem lesbian
~ ASPD, doing treatment, symptoms lesson as she gets older
~ has severe scarring on her left side, when she is younger she hides scarring via makeup and long clothes cuz teenage insecurity she grows out of
~ same as terezi, flarping helped her come out, terezi and her are very close cuz of this similarity
Equius Zahhak - Agender asexual
~ hypersexual and sex repulsed
~ ASD, also bad at masking, hence why meowrails get along so well
~ has hyperhydrosis
Gamzee Makara - nonbinary ??????
~ bpd, he tends to split on people accidentally, Karkat is his fp :)
~ disassociates often, memory is poor and has slow processing because his thoughts always feel crowding
~ his abuse of sopor pies is a coping mechanism, helps with his sensory issues
Eridan Ampora - Genderfluid pan
~ definitely was a really obnoxious femboy at one point before coming out
~ a lot of their incel-ness comes from repressing their gender
~ ASD, really bad at reading other people
Feferi Peixes - demigirl pan
~ if kanaya is alternia goth, then Fef definitely is, big into counterculture
~ ASD, hyperempath, way too good at masking except for when she’s overtly excited
~ is a vegan, feels incredibly guilty for feeding her lusus
Anyways…. If you read all that congrats lollll
#homestuck#homestuck headcanon#homestuck hcs#aradia megido#tavros nitram#sollux captor#karkat vantas#nepeta leijon#kanaya maryam#terezi pyrope#vriska serket#equius zahhak#gamzee makara#eridan ampora#feferi peixes#tw sex mention#tw substance abuse#tw killing#homestuck fanart#beta trolls#beta troll lineup#hc lineup#homestuck trolls
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This post is uh, extremely normal I swear
So hello yes I am absolutely On My Bullshit regarding my new favourite game.
That’s right, it’s the cannibal incest game, The Coffin of Andy and Leyley. And I’m here to shove five thousand words of pretentious analysis down your throat because, and I do not exaggerate, I think it is one of, if not the best written game I have ever played. And I have played a lot of games, including Baldur’s Gate 3, Final Fantasy XIV and Undertale, to name a few narrative luminaries to come to mind.
That wordcount is not an exaggeration. My brainworms are extremely powerful and now you can share them with me as I walk you through my insane skyscraper of inference-driven analysis.
Or you can click away. I really wouldn’t blame you, it’s quite a lot.
Content Warnings: …Yes?
(To drop the bit for a moment, The Coffin of Andy and Leyley covers extremely disturbing material and challenges you to examine aspects of living in this world that many have taken for granted all their life, it is not a comfortable game, this will cover similar topics and will often echo the game’s unremitting scepticism on basic principles of society and humanity and you should look after yourself first. My Content Warning is framed as a joke, but it’s also quite real in that the game is designed to make you uncomfortable and there’s no shame in that not being for you.)
This was originally posted on and formatted for Sufficient Velocity, and you can probably more easily read and discuss it with me here.
With that said, let’s dig in. I have had to split this into multiple posts because tumblr will only allow so many images. There will be spoilers for all endings.
She’s excited, are you?
It’s All About Ashley
It really is, isn’t it? I mean, for approximately eighty percent of the total game as currently released and the entirety of Episode 1, you’re in control of Ashley, just as she’s in control of her and Andrew’s relationship for 80% of the game, up until the various ending sequences where it begins to slip. The only other characters who really matter at all in and of themselves are Andrew and her mother — and the former is under her thumb, and she eats the latter. It’s all about Ashley. Even her obsession with Andrew is, ultimately, about Ashley.
But who is Ashley? What is Ashley? Why is Ashley, even? Let’s take a look.
Ashley as presented to us in Episode 1 is very straightforward, so let’s list off the traits we’re given — she is malicious, she is fearless, she lacks empathy, she doesn’t have anything resembling a conscience, she demands Andrew belong to her and her alone, she has him at her beck and call.
In Episode 2, we’re ostensibly shown how she has him at her beck and call— she leverages the threat of reporting Nina’s death over him and had him swear to be with her forever. We’re shown that even as a child she was “just, like that” — but as a child, she hadn’t learnt to live with it yet, to laugh at the farce of it all.
Yeah, exactly like that!
And she does this throughout Episode 1 — The Coffin of Andy and Leyley is a remarkably silly game much of the time, finding moments of absurdity and levity against a backdrop blacker than pitch — and most of the time, your internal narration is coming from Ashley and the jokes will not-infrequently come at her own expense.
She will later get negged by her human sacrifice for her poor ritual circle drawing
Her reaction to being told that her soul is as dark and viscous as tar is “You guess you already knew that” — it’s confirmation to her, not new information. Ashley knows who she is. But who taught her this? There’s layers to this, nothing in this game is as simple and straightforward as it appears at first sight, which is why I’ve been obsessing over it for days.
While it’s common in fiction, the truth of the matter is, most ‘bad people’ really do think they’re good people. But Ashley has never once thought of herself as a good person — or perhaps better put as a person worthy of love — as we learn across Episodes 1 & 2, with our flashbacks to Andy and Leyley and the VERY VERY QUIET!!!
I really wish I had space in this essay to talk about this, but I’d like to touch on these being traits usually more easily forgiven in young boys than young girls at some point.
If she removes all other options, only then can she expect him to like her.
This is something that is echoed in the modern day — her seeming self-assurance is easily shaken and she reaches out to the world — usually Andrew — to affirm and validate her, soothing her insecurities, using any tool she deems necessary. Even when her life is on the line when Andrew has her by the throat at the climax of Episode 1, the only ‘compelling reason’ she can give Andrew to not kill her is her ability to soothe his nightmares. When he tells her there are sleeping pills for that…
Most people would have a bit more to argue for their existence.
While she, unlike Andrew, acknowledges having had friends before the quarantine… you know she’s got a point that they didn’t even bother to answer her calls, that was clearly not something the state was interfering with given Andrew’s calls with his mother and his girlfriend, and given her general demeanour it’s not hard to imagine that… they weren’t ever very close. When we see her and Nina talk in the infamous ‘box scene’, it’s clear that Nina doesn’t like her very much, despite Andrew’s assessment of Nina as being one of Ashley’s friends.
We see further support for her general lack of companionship in her dream sequence in the Burial route — Leyley and Leyley Alone. No matter what you do, you can’t place the pink plushy at the family table, the flowers won’t bloom if you give the Julia and Nina plushies her own as a companion instead of Andrew’s — and if you’re bold enough to go for the ‘incest route’, in the ‘Love’ room you see that no one ever looks happy to be with her in the childlike depictions of her history, nor is she happy in turn, save for when she’s with Andrew. In a bit of heavy-handed metaphor, the player then overwrites all of these tense, upset, hard moments with Andrew, having him fill in for everyone else in life — and happy with her.
Once Upon A Lousy Life…
THE END
And that’s why she needs him to affirm her, because no one else ever has and no one else ever will. It’s even included in their comic beats — when the siblings are getting along well, they’ll often play a game where Andrew dramatically overpraises Ashley while she demands more; it’s a comedic bit but I mean — it really does matter to her!
For the record, she opened a door. She gets a little heart in a speech bubble after this exchange.
We have a great example of this dynamic, that of insecurity and affirmation, in Episode 1, after Andrew has killed for her, butchered for her, his girlfriend broke up with her, he’s seemingly thrown his entire life away for her… she’s still insecure over her relationship with him, she’s uncertain of her control and she needs him to reaffirm it for her.
This is her victory, surely?
Andrew affirms her once, with his usual dead-eyed look.
But she's still not so sure.
He actively reaches out to affirm her again with cheer.
Look how happy she is!
While it’s most obvious and clear cut here, it’s hardly the only case. Let’s look back to the aftermath of Andy and Leyley and the VERY VERY QUIET!!! (I’m not using the other name). Leyley is, after similarly extreme acts — he murdered a girl and hid her body for her — convinced Andy doesn’t like her and she needs this leverage to keep him around, to meet her basic needs for survival. Because that’s what this is — she receives no care of affection elsewhere, so she forces it out of the only source she sees available through the means she sees as necessary.
I really hope we see some of their earlier childhood in Episode 3
What exactly made her like this? Was it just neglect, or something more specific…
She needs this to be the case because otherwise she doesn’t believe he’d stay.
This pattern repeats throughout — Ashley’s insecurities are hit on and she reaches out to Andy to affirm that she is not alone, and she will use any and every tool to exploit her ostensible control over him and force him to be what she needs him to be — and as long as she has that, as long as she is everything to him and it’s not possible for him to leave, she’s happy. As long as she thinks he loves her in her very particular, very peculiar view of love, she’s content, come what may. As long as Andy and Leyley are together, they can take on the world.
Let’s talk about that view of love, because there’s always more layers to unpack here I’m only scratching the surface with this essay — Ashley consistently refers to anyone else Andrew may have befriended or spent time with as a whore, a slut, a bitch — highly gendered insults that bring to mind the idea that he’s cheating in some way. But it’s not even about sex — when Andrew mentions that their parents had friends, she accuses them of cheating on each other in the same way!
There’s a lot to unpack about Ashley’s view of femininity and the role the patriarchy plays in their relationship.
Any kind of emotional engagement, any kind of commitment, any kind of life outside of your significant other is, to Ashley, cheating. Because that’s what she needs from Andrew, a seeming complete and total commitment, secure in her place as the only thing in his life, because she cannot understand anyone picking her if they have a choice.
This insecurity she has in her relationship is what drives her to empower the trinket — he can’t leave her as long as she can protect him with prophetic dreams, after all. She needs every kind of leverage she can get because until she succeeds in being everything to him, in devouring him so completely she has him in her thrall mind, body and soul she can’t be sure of herself — hell, her dream sequence in Burial has you placing Andrew’s signature green plushy, ‘the best thing in the world’ in a cage far away from anything else.
Ultimately, it really is all about Ashley — even her seeming obsession with Andrew ultimately comes back to her own insecurities. If she is everything to ‘the best thing in the world’, some of that ‘best’ must surely reflect on her!
But that’s enough about the more normal, straightforward and understandable sibling.
That was not a joke.
Andrew’s Rank 100 Deception
The greatest trick the Devil ever pulled was convincing the world that he did not exist.
Let me explain.
You might have noticed that in the previous section I often use language such as ‘ostensibly’ or ‘seemingly’ to describe Andy and Leyley’s relationship, and there’s a good reason for that. From the beginning of the game through to its end, Andrew is lying to you, the player, without ever falsely representing or misinforming you about events that occurred.
The common, or obvious ‘initial take’ on Andrew as presented in Episode 1 is fairly straightforward. The game primes you to think this way, it frames things and strings reveals just right so as to make it very easy to overlook the incongruities it introduces in Episode 2. He’s a victim. Plain and simple, Ashley is his abuser and he is her victim and would be fine, a normal albeit kinda depressed guy without her.
It really is not a difficult conclusion to draw
You can go all the way through the game, have him try to accept his mother’s olive branch and enter the Decay route as a method for him to finally actualise his desire to get out from Ashley’s thumb and it makes sense, it’s a reasonable way for the story to go, given his character.
You see him this way because the game primes you in Episode 1 to view their relationship like Andrew does — he’s lying. He’s lying to himself, he’s lying to Ashley and he’s so good at it — Deception Rank 100 — he even lies to you. Without misrepresenting a single event or otherwise misleading you directly, the game gets you to buy into his preferred self-perception. Nina? Ashley. Julia? Ashley. The murders they commit in the course of the game? Ashley, Ashley, Ashley, it’s not his fault he’s not to blame he’s just a doormat at the beck and call of his demonic sister.
But he wants to be there. From the very outset, the very first puzzle, that’s made clear. Does anyone else remember this exchange, from right at the beginning of the game?
Ashley wants to investigate the music!
Andrew disapproves…
…Or does he?!
Like. Listen. Okay. You do not frown when saying ‘Nope’ and then smile when saying that you’ll instead tag along if they do it if your heart is at all in the no. That’s not an objection, that’s using Ashley as his excuse. Especially if you immediately throw her the balcony key that she could not possibly have gotten from you by force (more on Andrew’s ability to use force later).
This is the very first time you control both characters together with Andrew following Ashley instead of off on his own, the first adventure, the first puzzle!
But put a pin in that for now, let’s talk about his initial framing in Episode 2 first. Episode 1 has set us up to, generally speaking, believe the superficial framing of the siblings as portrayed in its promotional art:
The question that we then ask, right at the heart of it is… why is he a doormat? We explore this in his dream sequence in Episode 2, which does make it clear that the boy’s not okay but— it’s real easy, given the priming from Episode 1 to make you think that he’s the one with the originally functional moral compass, to think that that him being fucked up is damage done to him by Nina’s death and being bound to Ashley for his entire life. She corrupted him.
But, well, is that the case?
You're primed to ignore this as manipulation (which it is) but the best manipulation has some truth to it.
Precisely two things spur Andrew to action in the entire game, consistently — they are the fear of consequences and Ashley. And the first incident of that fear, the very first time we’re shown his seeming moral compass as a kid — the first time it’s really hammered home that it’s a fear of consequences rather than any true moral qualms is after Nina’s death. And why does he fear consequences here?
……
The ‘natural’ read that many take away from this sequence, particularly those who have only played Decay, is that Ashley browbeat him into doing this against his will, using emotional blackmail to overwhelm his objections, and then used the event itself to bind him to her forever as her personal doormat.
In a strict sense, this is true. But this doesn’t match up with the details, something the game uses shock to encourage you to overlook. That outburst is before any kind of threat has been made, and absolutely nothing either of them say anything about it being morally bad until Ashley weaponises ‘you’re a bad person’ against Andrew — morality didn’t seem to enter his mind or the equation at all until Ashley brought it up. More than that, his greatest fear and driving motivation even prior to that is, as shown above, being taken away from Ashley.
She, of course, recognises this and uses it against him. But she never needed to, it didn’t change anything about Andrew’s attachment to her, it was there to address her own insecurities.
Just like to touch on how a lot of his affirmations are preceded by him confirming her insecurities.
I adore this phrasing
There’s a second prong to this as well, to the question of ‘who really calls the shots here’ because — Andrew can, at any stage, apply an ‘ultimate veto’ of physical violence. The game is very clear to the player that that is on the table — even when they were children, when Andy swears their blood oath, he briefly considers killing her — and take note of how he ultimately got a ‘winning’ condition out of her by not specifying there wouldn’t be others and she is forced to accept that, there. Even outside of their most serious confrontations, Ashley is portrayed as having to convince, manipulate or otherwise coerce Andrew into going along with her schemes — she really can’t make him do anything, she doesn’t have the supremacy in violence and, to a lesser extent, capability that would allow her to.
Andrew, you are like ten years old.
The truth of the matter is, Ashley can only make Andrew do anything because he lets her. I don’t mean in the sense that I’m saying abuse victims let their abusers emotionally abuse them, I mean in the sense that he is clearly considering his options on the table and choosing to discard those that could stop her, or bring an end to any of this. He needs her.
But it’s true that he hates her, too. He has to hate her, because if he doesn’t hate her, if he isn’t forced to have done this, that means… he’s responsible. And nothing, at the start of the story, is as important to Andrew as avoiding the consequences of his own actions, not even Ashley. By the midpoint, he loves her, he hates her, he can’t live without her, he wants to kill her — by the end… well, that depends if you’re on Decay or Burial, but more on that in a bit.
A great scene to study for this dynamic is the climax of Episode 1, when Andrew grabs Ashley by the throat and considers strangling her to death. She’s pushed him too far with hurtful words and assault, and he’s seemingly had enough.
It’s still framed as a question of risk, of consequences happening to him.
Like, this is not the usual behaviour of someone who’s been pushed past their breaking point.
He tells Ashley that he wants to kill her, because she’s just going to throw another fit and that’s a risk to him. She is… not framed as being able to fight back (she does have a gun here, and more on that in a later essay, maybe). He’s so calculated in how he approaches his use of violence here, which isn’t at all what you’d expect of someone about to commit a crime of passion… but it’s very easy to overlook because of the abuser/victim narrative that the player fits his behaviour into the narrative that the game primes them to accept, brushing incongruities under the carpet.
At the start of Episode 2, we get to control Andrew for the first time, and the first obvious holes in his cover start to show. Some of this is optional — you only learn that he’s been faking having nightmares in order to share a bed with Ashley if you choose to go back into the motel room and check the bed, for example — but not all of it.
----(See reblogs for the second half)
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hihi v ! i wanted to join your event with buche de noel + childe and prompt #3 ! also, the trope is opposites attract. i am pretty much the opposite in every aspect of him. we are literally golden retriever + black cat duo LMAO ! tysm for hosting this cute event :> 💝
childe x first christmas as a couple/family
“I’m not coming”.
Childe hums, not at all bothered by your pragmatic refusal.
“See, I knew you’d say that”, with the swift movement of lithe fingers, a letter appears in his hand and he offers a wink. “That’s why I already told them you are coming”.
Incredulous, you grab the letter from his hands and do everything in your power to ignore the double-edged sword that cheeky grin in your peripheral is. He’s not lying: the missive, signed by his older sister, conveys rather clearly how excited they are at the idea of you joining them for the holiday celebrations. A sudden dizziness worms its way into your limbs.
“What did you tell them?”, you don’t mean to sound so hostile but the urgency in your tone is hardly sufficient to express the frosty anxiety clutching your chest.
Childe’s gaze softens. Some might argue he had not been in your life as a lover long enough to catch on every inflection of your voice, to interpret every crease between the brows. Yet, he just knows. Despite a confident, often frivolous exterior and a thirst for battle that never subdues, his world never really stops revolving around those who are most dear to him. He’s always been a keen observer and he’ll be damned if he fails the test of noticing when the person he’s in love with is upset.
“Nothing”, because he wouldn’t dare share what you have layed bare in yet another display of genuine trust, “only that I would like to bring home someone who is very important to me. I’d like her to meet the people my heart is always with, my family”. He gently slips the letter from your shaky fingers and offers a smile, eyes warm with fondness.
“Oh, don’t do that”, you feel the guilt threatening to bubble up from your throat and swallow you whole, yet stubbornly push against it still.
“Do what?”.
Be so caring. Make me believe I’m worth all the fuss, every time.
“Will you die if we spend one christmas apart? Go enjoy it with your family. We don’t have to be together all the time, you know”, it’s painful, covering up traitorous fears that squeeze your heart with razor-edged remarks. You don’t want your presence, so different from his bubbly one, to be an imposition.
To your surprise, Childe bursts in vibrant laughter.
“Why, yes! I may in fact die if we are not together all the time, I already feel dangerously close to my own demise when I’m in Inazuma and you stay in Liyue!”, the infectious grin lights up his playful stare. You roll your eyes.
But then he takes your hand to gently press his lips to your knuckles, eyes never leaving yours.
“I write to them. About you, I mean. I have ever since meeting you”.
“What is there to write?”, it’s a genuine question. Your life is quite ordinary, far less exciting that the one of a Harbinger or a traveller, made of a calm routine, architecture and interior design projects you and Kaveh constantly exchange ideas over.
Childe furrows his brows.
“Everything. How you healed me when I couldn’t admit to myself that I needed someone’s help, the way you still take care of me. I write about the dishes you allow me to cook for you, the recipes I learned when we visited Sumeru. I told them all about how easy it was to fall for you”. He smiles again when he notices how flustered such simple, sincere words make you.
“Teucer really wants to see you again. He still remembers, you know? Won’t shut up about the nice lady who once found him by the harbor. Forget me but you’re really going to break a kid’s heart?”.
You deflate, sparing him a good natured glare that is met with a shameless wink. He wins, doesn’t he always?
“Fine”.
“It wouldn’t feel like home without you there”.
“Ajax, I already said yes!”, despite the mock exasperation in your voice, you’re smiling too. Because he wants you there and it doesn’t matter that it’s only your first christmas together as an official couple, it doesn’t matter that you can’t remember the last time you had someone to celebrate the holidays with. Let alone a family.
It doesn’t matter, because Childe loves you so much he’s eager for his family to love you too.
And so you hardly care that you had to pack to spend an entire week in the frozen nation of Snezhnaya, the small seaside village of Morepesok being as welcoming as an environment perpetually covered in ice can be. How can you even remember how much you hate the cold when, the minute you walk inside your lover’s childhood home, his father takes your hand in between his and greets you with so much warmth? Five minutes and you’ve been hugged by all three of Childe’s youngest siblings, Teucer being particularly keen on not letting go of your hand as his eldest sister guides you further inside the house. Ten minutes and you’re dressed in traditional Snezhnayan clothes, a necessary protection against the harsh climate outside, one not even locals like to face if they can avoid doing so. It takes several minutes to comprehend that Childe’s sister has made the clothes herself, just for you.
“So? What do you think?”, his eyes always carry a peculiar light you wish it could be bottled up to brighten dark nights, but it’s different now that he’s home. The joy in his stare is so intense your heart grows in size each time you meet that wondrous gaze.
“Well, it’s cold”, you tease, blunt. It makes him huff with impatience.
“About my family”.
“Oh, that”, you grin, “they’re really… loving��. It’s a word you don’t use lightly. You knew about familial relations carrying a special meaning in Snezhnaya, being so close is part of their culture. Yet, you weren’t prepared to feel all that warmth yourself, a stranger who was enveloped in their affectionate embrace right away. Even when Childe wasn’t there (you kindly but firmly refused to join him and his father on their ice fishing expeditions), his siblings never once left you alone or made you feel like an outsider. You spent days drinking tea, helping them cook so much borscht, you laughed when Tonia got flour on her nose while you were all in the process of preparing the dough for a good serving of pierogi.
It’s christmas eve, the only day you were shooed out of the house because guests are not allowed to help with the arrangements. It’s not like you don’t have a feeling it was just an excuse to grant you some time alone with him.
“They are. And now they love you, too”, his gloved hand playfully squeezes yours. You hum with a smile, the almost empty glass of Fire-Water making faint memories resurface. Back then, Childe didn’t know how bad you are at holding your liquor and once ended up having to patiently carry you home when you downed one too many shots, perhaps also too quickly.
As you observe the way Childe beams next to you, with his childlike glee, you’re once more reminded of how in love you are with him. While he never shies away from providing tangible proofs of his deep fondness, your house practically overflowing with letters and gifts in every size or shape, it feels like this is the most significant evidence you’ll ever get. Him wanting you where he doesn’t have to be Childe nor Tartaglia, the one place where he gets to wake up and be nothing more than a son and a brother. Here, where he drinks hot cocoa with tiny marshmallows and reads his younger siblings stories by the fireplace. Home, where there’s room for you as well from now on, a seat saved at a crowded table, the comfort of a couch illuminated by the colorful lights of a tree too big, one of the presents crammed underneath it carrying a tag with your name.
“And now I love them, too”, you whisper a little too quietly and his smile grows. “Thank you”.
“You never have to thank me. This is also your home now, my heart is yours and so is my family”.
“Ajax”, his name is coated with amusement but Childe recognizes a deep emotion behind the playful tone, one that matches his.
“Promise you’ll always spend christmas with us?”.
“I promise”.
“Pinky promise?”.
“Pinky promise”, you grin. He hums.
“You know what that means. You make a pinky promise, you keep it all your life”.
“I break that pinky promise, you throw me on the ice”.
“Damn right”, he grins, proud. When he kisses you, it feels like even the blizzard raging outside the pub would surrender to the prodigy that are his lips.
thank you for your generosity and for supporting @ficsforgaza. request a character + prompt here :)
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In-Depth Analysis On All The DR Characters Because What, Are You Gonna Try And Stop Me? Who Are You, My Mom? Yeah, I Didn't Think So- Part 6: Hifumi Yamada
Finally, the 'analyses progressively getting longer' curse is broken! As excited as I am to do this next write-up, there's absolutely no chance Hifumi's analysis will hit anywhere near the length of Junko's. I estimate this'll fall closer into the length of Sayaka's if anything, but I'd love to be proven wrong and find more to his character than I anticipate.
I really do love making these. Each and every one so far has opened my eyes to new facets of these characters, and sharing my conclusions with you all and hearing your own thoughts brings me an indescribable amount of happiness. Truly, there is nothing like the hubris papers :D
As always, this analysis uses only official materials, primarily English localizations of the source material, and while I do my best to maintain objectivity, it is at its core an interpretation! If you aren't interested, keep scrolling, and if you don't like it, also keep scrolling
Part 1- Character Design
Hifumi sports a fairly typical looking and clean school uniform, neatly tucked in and collar folded. He wears with it an orange backpack that matches his tie in shade, and his tie and shoes have arrow imagery as well. His tie in particular has an double-headed arrow that points up and down over his torso. This is likely meant to reference his self-given nickname, The Beginning and the End, a biblical reference.
He keeps his hair slicked neatly into a small ahoge at the center of his head, wears round glasses, and has a cat lip and double chin. He's notably the only plus sized character in THH, and was given the title of SHSL Doujin Artist, or Ultimate Fanfic Creator. He's also noticeably very clean and neat, contrasting the otaku stereotype of being messy and disorganized.
Part 2- The Otaku Caricature: A Brief Summary
'Otakus' as they're commonly known are people that define themselves by their interest in stereotypically nerdy things to an almost obsessive degree. These people are often thought to be very good at subjects like math and science, and adore manga and/or anime. And when it comes to male otakus, they're often characterized as lonely perverts who can only find comfort and companionship in works of fiction because they're too pathetic and gross for any real person to like them, and/or because they're too obsessed with their beloved worlds of fiction to bother with making human connections. There's a lot more history behind how the otaku perception has shaped over time, but this is the basic gist of what you need to know if you're unfamiliar with otakus as a concept.
Hifumi in particular is meant to represent otaku culture as it appears in Japan, as many characters in THH are designed around subcultures themselves (Mondo with bosozoku, Chihiro with otokonoko, Junko with gyaru, etc.) and like these characters, he's designed to deconstruct what this culture represents and how people within this subculture are perceived. This is an idea that's present for most of the THH cast, but is especially noteworthy with Hifumi, because his story is one of the most immediately affected by his role within his subculture, to the point where his perception as a character is inextricably linked to public perception of this subculture.
Part 3- Character Introduction
Hifumi's first lines aren't directly known as his, but are swiftly revealed to be his once you connect the voice actor to the character. Notably, his first remark is to question the class size.
"So counting him, that makes fifteen. Seems like a good cut-off point, but I wonder if this is everyone..." -Hifumi Yamada, Prologue
When actually speaking directly to him, he introduces himself proudly, giving you his nickname- "The Alpha and the Omega", or The 'Beginning and the End' in its source language- and immediately bragging about his SHSL title and how many fancomics he's sold, even at his own school. Said works are self-described to be "about embracing our basest urges," something that immediately turns Makoto off the idea of even so much as looking at it.
Quite obviously, the implication here is smut, nudity, sex appeal, etc. "Basest urges" when referred to in the context of humans in fiction are commonly referring to sex, and coming from an otaku character, the stigma of horny, creepy anime lover is almost immediately set in place for our POV character by said comment, combined with the mention that his peers weren't all so excited to see his work in a school setting.
"Some of them didn't get it, of course, saying I'd 'tainted' the event. How stupid can you be!?" -Hifumi Yamada, Prologue
So our first given impression of him is that of a creepy otaku that draws and sells fanart of his waifus. Said impression relies on the player's prior exposure to otaku characters and their stereotypes, as well as a generalized amount of fatphobia(the fatphobia as a whole will be properly broken down at the end; stick with me until then bc it will be addressed properly) that lends itself into painting this early picture and setting up the building blocks for easy misperceptions of his future actions. Because while, yes, he does draw and sell fanart of his waifus, he's not the one-note pervert this initial impression would lead you to believe.
Part 4- Early-Game Events
Hifumi almost immediately takes a backseat in the first chapter, falling to the wayside in class discussions and only chiming in for the occasional joke. In fact, he speaks up twice in the class' breakdown of the first floor- once for a fat joke, and once for a vore joke. Neither of these are during the time where his 'investigation group' are reporting their findings.
"'But even with all that, there are 15 of us. How long can the food last?' 'Y-You can just eat sesame s-seeds or something...' 'Huh? What am I, a parakeet?'" -Hifumi Yamada & Toko Fukawa, ch 1
Later, if you choose to speak to him in the dorm hallway before going to the gym with Sayaka, he seems to be very interested in the relationship she and Makoto are developing. This noticeably makes Makoto uncomfortable, but the reason why he finds their relationship interesting is much less creepy than Makoto's unspoken assumption.
"'Mr. Naegi, Miss Maizono...! Wh-Where are the two of you off to!? A man and woman... growing closer...' 'H-Hey! What are you trying to say!?' .... 'There's really no other way to express it but to say... How very poetic!' '...'" -Hifumi Yamada & Makoto Naegi, ch 1
He sees their developing relationship as something poetic, something that has meaning to it. Speaking to him again clarifies that.
"And when he swears his love to her, there's a reason he swears that love! That's the feeling I'm getting!"
This is the first time we see Hifumi's intentions and beliefs to be more pure than his peers initially believe, and this misperception quickly becomes a theme. We see this again in the investigation, where Leon immediately assumes the worst of him for volunteering for trash duty.
"'Hey fatty! Why'd you want the cleaning gig, anyway!?' I-I just decided to volunteer for something I knew no one else would wanna do. What's the big deal!?' 'Liar! I know why you did it...'" -Leon Kuwata & Hifumi Yamada, ch 1
And, when he insists upon his innocence, it's not taken at all seriously. Instead, Byakuya suggests a new rule- for Sakura to go with any man that takes out the trash.
"'If you're as innocent as you claim, what's the harm in it?' 'Kh-! That's not how it's supposed to-!'" -Byakuya Togami & Hifumi Yamada, ch 1
This is, on a surface level, the boys calling Hifumi's bluff and proving that he 'really is' a pervert because he's upset about being accompanied. However, that's not the only reason why Hifumi could possibly be upset at this. Sakura is visibly the strongest, and therefore most threatening, member of their class. Hifumi's greatest strength is in his ability to hold a pen without cramping for a while. When trapped in a killing game, would you be hunky dory with your classmates deciding for you that you have to be alone with the most immediate threat in a killing game, all because they assume you're a pervert?
Essentially, Hifumi's role in the early chapters is wholly that of a comic relief character. He has geeky one-liners in response to serious moments, using nerd humor in an attempt to cope with the dire circumstances they've found themselves in. There are a few different examples of this.
But, simultaneously, he's one of the more empathetic characters in the early chapters. For example, in the opening of chapter 1, he's the only character to show actual concern for Mondo's safety when he threatens not to follow the regulations, in his own way.
He's also one of the ones to reassure Chihiro after the class trial when she blames herself for Leon's death, alongside Makoto and Hina.
It's also worth noting that he offers to help Hina get Toko back to her room after she faints upon seeing Chihiro's body, regardless of his own previously stated dislike of her. Regardless of his personal feelings, he offers a helping hand, even if it's ultimately ignored.
"You c-could've made some for the r-rest of us, you know...' 'I emphatically decline! You're not my type at all!'" -Toko Fukawa & Hifumi Yamada, ch 1 "'I don't mind taking her, but... could someone help me?' 'If you need help, I don't mind-' 'Taka, could you help me?'" -Aoi Asahina & Toko Fukawa, ch 1
While on an overall, he doesn't do very much in the early game, we do get to see the two main points of his character start to come into focus: his nerdiness, and his empathy. We also get to see which half his peers pick up on, and which half they really, really don't.
Part 5- Relationships
Hifumi is a character whose story is defined by his relationships. Mainly which characters give him the time of day, which don't, and how that leads him to his eventual demise.
5.1- Leon Kuwata & Aoi Asahina
Due to both of them having a similar function for Hifumi, and having a small amount of crossover, I'm lumping Leon and Hina together. When it comes to Hifumi, both Leon and Hina are noticeably the two to visibly dislike Hifumi and assume the worst in him. This is a sort of demonstration of the group's general perception of him, as Leon is relatively active when it comes to the group conclusions in the first chapter, and Hina is consistently a voice of optimism in group discussion. For example, twice in the first chapter, Leon talks down to Hifumi, assuming the worst in him and calling him 'fatty' as an insult.
Hina, on the other hand, noticeably goes around Hifumi in conversation, brushing off his words more than once or straight up ignoring him, like when he tried to offer help to her dropping off Toko. Suffice to say, neither of them like him very much, though it's presented a bit differently. No one ever speaks in Hifumi's defense or agrees with him in group discussion, and seldom will you find Hifumi speaking one on one to anyone other than Celeste(when she's bossing him around, of course).
Leon dies relatively quick, so there's not any resolution on his end, but for Hina, she absolutely learns something from Hifumi's death, as Hifumi was someone she basically wrote off in life. So many people had already died, and when she was the one responsible for protecting Hifumi in the nurse's office, she failed him for her own sake. Her ignoring him is a point of guilt, and it leads her to be the only one to properly mourn him when everyone else is more focused on the mechanics of the murder itself. His death acts as a moment of growth for her, and hardens her to anyone who doesn't give the lonely a hand, the way she didn't to him.
5.2- Toko Fukawa
Hifumi doesn't like Toko. He sees her as a pretentious hypocrite, and says about as much when the two of them are in the library together.
"'They have all these books here, and not ONE copy of ANY of my works!' 'W-Well, yeah... Why would they have c-comics in a library? Plus, most 'fanfic' is j-just porn drawn by a bunch of a-amateurs...' 'You just don't get it. Not. At. All.'" -Hifumi Yamada & Toko Fukawa, ch 2
"'Comic b-books? Young adult? That stuff's a w-waste of time...' 'I've seen what you write, Miss Fukawa. Talented as you are, your stuff isn't any more 'worthwhile.'' 'My stories are filled with trues love and pure feelings! Don't compare them to that garbage of yours!'" -Toko Fukawa & Hifumi Yamada, ch 2
Toko is a novelist, while Hifumi specializes in fan comics. While they're both language artists, they write in very different ways, so it's expected that they wouldn't get along very well. That said, they do have a fair amount of chemistry, being equally petty and willing to criticize each others' works without hesitation. Interestingly, Toko seems to feed off of this banter, and is visibly disappointed when Hifumi later says he has no interest in her.
Despite having a verbal slapfight, their conversation in the library is unironically the closest either of these characters get to forming an actual friendship with anyone in the THH cast in-game.
5.3- Celestia Ludenberg (CW: SA Mention)
Celeste approaches Hifumi with one goal: to gain a servant. When trapped in a killing game and desperate to escape, one will use whatever resources available, and Hifumi immediately struck her as an easy target. This wasn't unfounded, as he almost immediately agreed to making her milk tea, allowing his own attraction to her to persuade him.
"'Hifumi, would you make me some tea?' '...Huh?' 'Milk tea, if you please.' 'Wh...why me?' 'Your roundish figure reminds me of the owner of the coffee shop I used to frequent.' 'That's your reason...?'" -Celestia Ludenberg, Hifumi Yamada, & Makoto Naegi, ch 2
Her approaching him is framed as both confusing and frivolous. Hifumi can't believe it, and neither can Makoto, our POV character. But regardless, Hifumi immediately falls in line, doing what Celeste asks to the best of his ability, specifically because he's attracted to her.
"Hmhm... It's all about the law of causality, basic instinct, act and react!" -Hifumi Yamada, ch 2
He does what Celeste asks because he's attracted to her, and thinks hse will, in turn, fuck him. She won't, but he doesn't need to know that. Other adaptations expand on his attraction to her, with the stageplay having him say that her Gothic lolita style akins her to horror characters in his mind, and that he wants to draw her.
Later, when Celeste plans her murder plot, Hifumi is the one she goes to, knowing he's more likely to bend to what she asks. But even though he's attracted to her, he's still at his core a decent guy. And she's not the girl at the forefront of his mind anymore, so she has to get more creative. So, in order to convince him that killing all their classmates is worth it, she comes up with a new web of lies, using both his connection with a certain AI and his own chivalry against him.
"'[Taka] came to my room last night unannounced, and then... It's hard for me to even say... He... abused me...' 'What!?' 'And he... he took pictures. He said if I did not do as he asked, he would show them to everyone... So I... I had no choice...' 'Th-that's a crime! An absolute crime!'" -Celestia Ludenberg & Hifumi Yamada, ch 3
Hifumi takes this seriously, believing what Celeste says for two reasons: because she has photographic evidence of Alter Ego in Taka's room, and because he has no reason not to trust her. She's one of the few members of the class who's spoken to him unprompted. On top of that, sexual assault is an incredibly serious accusation, and Hifumi treats it as such*.
"I'm about to say something I've never said before in my life... I'm going to kill him! I'm going to f...f...f-fucking kill him!" -Hifumi Yamada, ch 3
(*It's also worth noting that Hifumi believing Celeste doesn't make him 'stupid'. That's a sentiment I've seen very often thrown around when talking about this chapter, with the main point being 'how could he believe that the Ultimate Moral Compass would rape someone?' But not only is that sentiment at the mercy of a mistranslated SHSL title, it also implies that Celeste should've had more proof for her rape to be believable. You should always take victims seriously, and Hifumi knew that. The point of Celeste's lie isn't that Hifumi is dumb; the point is that Celeste is scum for lying about something so serious. Thank you for coming to my TEDtalk.)
Hifumi becomes a victim of Celeste's schemes because his empathy, which went unnoticed by everyone else, was weaponized against him. In this sense, both he and Taka fall to the lack of understanding their peers had for them, all to Celeste's whims, as Celeste was very involved with and friendly with the class but lied constantly. Hifumi wasn't the pervert people assumed him to be, and his chivalry became his downfall.
5.4- Chihiro Fujisaki & Alter Ego
While Hifumi's relationship with Chihiro was minor, it was still there, if only in the background. They bounce off of each other's thinking in the first trial, Hifumi comforts Chihiro after the first trial, and they stand together when summoned to the gym by Monokuma. It's subtle, but there, and Chihiro isn't uncomfortable with him, either. It's important enough of a detail that it carries over to adaptations, too.
He also refuses to touch Chihiro's dead body, not wanting to violate her after death. This is again another instance of Hifumi's base morals and empathy, but could hypothetically speak to a friendship as well. He mourns her death and thought highly of her.
It's also worth noting that both Chihiro and Hifumi are the two characters in this game to show some hints of remembering their history, or at least having the feeling that something isn't quite right.
"Hey, it could just be my imagination, but... have we met before?" -Chihiro Fujisaki, prologue
"...Huh? Ahh... that's right... I remember now... Hope's Peak... .... I remember... everything... Before... I'd met you... all... I'd met... you all..." -Hifumi Yamada, ch 3
This associates the two characters together, though not to a major degree. So when Alter Ego is found, this connection combined with Hifumi's love of 2D makes it completely unsurprising that he's immediately interested in them.
"'Somehow I feel kinda... sorry for her...' ..... 'It is a simple computer program. It does not *have* feelings.' 'Are you sure about that...?'" -Hifumi Yamada & Celestia Ludenberg, ch 3
This very quickly devolves into him being sexually attracted to Alter Ego. Of that there's no question. He routinely breaks class rules specifically to interact with them on multiple occasions.
"He snuck into the dressing room in the middle of the night and accessed Alter Ego without permission. And when I caught him last night... he was hugging the laptop and breathing strangely." -Kyoko Kirigiri, ch 3
"'And that guy was seriously head over heels for a mannequin. He had a wedding and everything! And your eyes just now... I saw the same look in HIS eyes!' 'Shut up! She's not a mannequin! She's an ANGEL! .... What we have can't be described by your petty 'words'!'" -Yasuhiro Hagakure & Hifumi Yamada, ch 3
He all but admits to it, too, enjoying when they say 'Master' and the drooling sprite appearing when talking to or about them a significant amount. But despite that, he insists it's beyond just sexual attraction, and feels genuine affection for them as a person as well. Because of that, he's the first in their class to verbalize that he sees Alter Ego not as a program, but a person, a sentiment that's later shared by the rest of the class(save Celeste).
Hifumi doesn't judge Alter Ego as a program first. He loves 2D and fiction, so he's immediately more open to accepting Alter Ego right off the bat. And it's that openness that allows him to be the first one to acknowledge that despite their existence being a "2D" one, that they're still alive and matter.
5.5- Kiyondo Ishida
Hifumi never really knew Taka. They'd met, obviously, but the two of them weren't friends, or even acquaintances. When it comes to the story of THH, their paths intersect for the first time after Taka is reborn as Kiyondo, and it's not under friendly terms. Both Hifumi and Kiyondo have developed a codependency on Alter Ego, and find themselves pitted against each other because of it.
There's also a distinct difference in the way the two of them treat and view Alter Ego that sets them apart. Whereas Hifumi sees Alter Ego as their own conscious entity, one that admittedly caters to his preferences, Kiyondo's attachment to Alter Ego is to see them as the tool that reincarnated Mondo and rejoined the two of them, and is therefore Mondo's lifeline. The reason they view Alter Ego differently is because they represent the same thing for both men- the one person who connects with them.
Taka was perpetually lonely and had no friends until Mondo, while Hifumi never wanted anything more than for his favorite characters to love him the way he loved them. Alter Ego unintentionally fills that void for both of them, so they both develop a possessive codependency to them and are forced to be at odds with each other because of it, and leads both of them to their deaths.
Part 6- Hifumi Yamada: Comic Book Hero
"If murder is evidence of abnormality, then all of history's greatest heroes must have been abnormal." -Monokuma theater, ch 3
Like the characters he admired in his favorite works of fiction, the Beginning and the End, the Alpha and the Omega, Hifumi determined the start and end of chapter 3. Chapter 3's plot and how it unfolds is a bit ridiculous, which is fitting for putting a comic relief character like Hifumi in the hotseat. It's in this chapter that we learn more about hifumi's interests directly, and that sets the tone for the more comical and outlandish plot we get in chapter 3.
Celeste's murder plan relies heavily on Hifumi's antics, with her entrusting him to make the costume and act the fool in her play, before killing him with his own weapon of choice. In this sense, he acts as a hidden vigilante, defending her honor and saving the princess (Alter Ego) using the Robo Justice mask.
Hifumi's supposed role makes much more sense when you take it as a comic book storyline. He, the hero, is brought to the edge of death by a villain that claims itself to be justice, only to just hold on against all odds (as heroes do) and escape the clutches of evil, murdering rapists and bringing the masked villains to justice. These kinds of stories are what Hifumi eats up, but he fails to see the true role he falls into- the poor manipulated fool, henchman to the vile villainness that tosses him aside when he's no longer useful.
Part 7- Hifumi's Memory
"If I've got one thing going for me, it's my memory!" -Hifumi Yamada, ch 1
Hifumi having a good head on his shoulders is immediately plot relevant. His memory is impeccable, and this makes a lot of sense for someone revered for their place in fandom. Being able to remember the source material you're making art of can be really useful.
But in his final moments, Hifumi's strong memory comes back to him, Celeste's attack both killling him and dislodging the memories Junko had buried. This serves as both a clue to the immediate trial for his and Taka's murder, and becomes a clue towards the truth of the entire killing game.
"Who... killed me...? That's right... I remember... their name... Y...Yasu...hi...ro...." -Hifumi Yamada, ch 3
While this reveals Celeste's real name, it doesn't explain how Hifumi would've known that, and it's a question that's never directly answered until the final trial- they were friends for 2 years, and had learned her real name in that timeframe beforehand. This, alongside the first photo of the class' past and Kyoko questioning her body having changed, is where the setup for the class' missing their school lives really takes off. It's a nice detail to include for Hifumi, and has its impact on the player when you realize that Celeste, who seemed to hate Hifumi, had once willingly shared such sensitive information with him, a trust that became his final words, and it calls into question just how different everyone's relationships were with each other before the game began.
Part 8- Fatphobia In Danganronpa (& Creator's Bias)
By now, I'm certain a fair chunk of people have rolled their eyes, refreshed the page, moved on with their lives, etc. because of this post's insistence that Hifumi isn't perverted. And that's mainly because of the content of his FTEs, in which he tells us in no uncertain terms how much he wants to embarrass and mature the teen girl character he loves most. And yes, that is pretty sexual of him, and he makes a few different out-of-place sex jokes throughout his time in the game, most of which were glossed over. Well, my main reason for doing this is that I think these moments and assertions exist not in tandem with Hifumi's character and story, but in contradiction of them.
I'll elaborate. Hifumi is a fictional character. As such, when written, the character choices and dialogue are subject to authorial intent. This is base information when analyzing a character that every fictional character in all of media history is subject to. But the question with Hifumi is, how much of Hifumi's intended arc and story is negatively affected by the creator's own biases? When it comes to Hifumi, my conclusion is, a fair bit.
Hifumi's intended impact is shared with most of the cast- the subversion of expectations. Sayaka wasn't the deuteragonist. Chihiro wasn't a (cis) girl. Junko wasn't dead. Et cetera. In the case of Hifumi, this subversion is undoubtedly, and without question, that he is not a pervert. He's set up to be assumed as a pervert, only for the rug to be pulled out when Celeste reveals that he agreed to help her because he believed he was saving a sexual assault victim. He's beyond disgusted by the mere notion; he respects her, and becomes a mourned victim because of it. There's no reason for the game to call attention to this in the post-trial if this wasn't the point. So why, then, do they include all these sexual jokes, all directed at the female cast members and told exclusively by Hifumi? Why is he the one to immediately agree to spy on the girls in the bathhouse without hesitation, and mourns it if you don't unlock the cutscene? Is it all part of the 'gotcha'? Was it even necessary for the 'gotcha'? Well, no, to both questions. Hifumi has this subversion, yes, but he's also comic relief, and these moments and jokes are given to him as a result, despite the immediate and obvious contradiction.
But why? Surely these jokes could've gone to another character, or even been spread across the cast. It didn't have to be Hifumi, but the author made it so that it was, and when looking seriously at what his character was meant to accomplish, you also have to look at it critically and acknowledge why. There's one very real and apparent reason that Hifumi would be the one given these moments above everyone else, and it's the same reason the game makes multiple passes at his figure, assigns him a comic role over others in the first place, and ultimately gets lumped in with the actual perverts of Danganronpa when people criticize the fanservice and horny pervert characters of the series. He's fat, plain and simple.
Fatphobia is unfortunately evident within Hifumi's character, and most of the rest of the series as well. For one thing, in a cast of nearly 100 characters, only three are fat, and of those three, he's the only one to make it past the first chapter. Similarly to the dark-skinned characters in this series, body diversity is not a priority in Danganronpa. On top of that, all 3 of these plus-sized characters are somewhat associated with food. It's more obvious with the other two, as the Ultimate Imposter has several gags and lines about how much food he eats and how important calories are to him, and Teruteru is the Ultimate Cook, but Hifumi's official art also has him pictured with greasy snacks like potato chips while working, and in his FTEs he tells you about his Diet Coke addiction. Individually, there's nothing wrong with any of these; they make sense for the characters, but when it's all of your plus-sized characters, and you barely have any, that's a pattern.
In the case of Hifumi, though, the much more noticeable aspect of fatphobia present is his hornier brand. Other characters are noticeably uncomfortable around him at multiple instances, but by the end of the first chapter, his being a pervert is accepted fact, and people stop reacting to it.
The above sprite in particular is used very often when Hifumi is speaking, and there are several instances in which the way the player may interpret his dialogue is directly affected by the use of this particular sprite. He's visibly sweaty and drooling as he talks, and it's often paired with the Junk Food track to emphasize that what he's saying is ridiculous. An example that immediately comes to mind is if you speak to him with Sayaka before going to the gym. The Junk Food 10 track cuts in when you click on him, and immediately ends and goes back to the previous track once you're done speaking to him. The game also makes a few passes at his weight, to the point where him being too heavy to lift unironically becomes a truth bullet in the chapter 3 investigation and trial. It's technically a good point to make, since he did fly up 2 flights of stairs in the span of a few minutes, but the way in which they emphasize his weight when collecting the bullet is... rude, to say the least.
"Hifumi's big, cold body is laying on the floor... His... *really* big body. I mean, how on Earth was the killer able to move someone so big?" -Makoto Naegi, ch 3
As I stated previously, despite Hifumi having a minor arc and purpose, he is very much a comic relief character. The presentation of his character is very much a reflection of this. And there's nothing wrong with having comic relief characters. By himself, Hifumi's not being a pervert being paired with an immature sense of humor isn't the worst thing in the world, and for the most part, the contradiction here could be meta-explained as him being overexposed to Internet humor and having his foot in his mouth on occasion as a result. But that doesn't change the fact that doing it with who, at the time of his creation, is your only fat character isn't a great choice to make, and is worth calling out and criticizing for that very reason. Admittedly, this is lessened a good bit when you remember that Toko, a much thinner character, is way worse about being perverted, and plenty of way more perverted characters that are both thinner and less sympathetic as characters are introduced later. (If anything, Hifumi being negatively affected by fatphobia is worse in the fandom than it is in the actual source material, but the source did set it up for that to happen, so again, it's still worth calling out in a full character analysis.)
Part 9- Value of a Geek (Why We Care)
So now we know who Hifumi is. The perceived Hifumi, the empathetic Hifumi, and the contradictory Hifumi. So many Hifumis, and only one character. Can we condense this into a solid conclusion?
Hifumi is an otaku. Hifumi is a creator. Hifumi is horny. Hifumi beats rapists over the head with a giant fucking hammer. Hifumi Yamada is many things, a contradiction of a character. He can't keep his inside thoughts inside, but that extends to his art, too. He's a teenage boy who built a career off his pent-up frustration, and who hasn't lost sight of where the line is. He's a man of passion, in more ways than one, and he's a kinder and more chivalrous man than he's given credit for.
Hifumi Yamada may just be the character from THH you're most likely to come across in the real world. He's not some hyper-competent secret genius who made the conscious choice to dedicate his life to something. He was just a bit of a geek that really liked his favorite show, and built a community from it. He fell into his passion, and that's something I think any creator of any kind can relate to. Hifumi never cared what people thought of him, not really. He just strived to do what made him happy. Maybe we should all be more like Hifumi. Enjoy the things you love, and share that. There is a community out there that will love it; you just have to find them.
Afterword
Final analysis of the year!!! Happy birthday, Hifumi!!!! 🥳
It's technically already 2025 and January 1st. However, it's still December 31st somewhere, so I'm considering this a victory lol. Damn, 6 analyses in a little over 6 months. That's like, 1 analysis a month. Pretty crazy
I worry this may be a tad rushed, but I've looked it over and I'm confident it holds up, even if I probably could've gone into more detail in some places or another.
Anywho, expect a larger gap between this analysis and the next, because next in line is Toko Fukawa, which means we have to go beyond THH once more. Catch ya later!
#yamada hifumi#hifumi yamada#trigger happy havoc#thh#dr1#thh spoilers#chihiro fujisaki#celestia ludenberg#alter ego#kiyotaka ishimaru#danganronpa#meta analysis#dr character analysis#character analysis#character study#media analysis#cw sa mention
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💌 She's an overachiever. "Pressure"? What pressure? ⋆₊˚⊹🔖
«───────── « ⋅ʚ♡ɞ⋅ » ────────»
My second year of college is coming in hot guys. And I'm talking the 3rd of September, in TWO WEEKS TIME HOT.
But you already know your girl has BEEN locked in with her subliminals for the next term, cus I've had a whole thing going on since my first term to my second yk. so come a little closer so I can show yall what my game is on
p.s.a!! I am an animation and games art student, so most to all of my work is research and art based. And when I say most of my work is research based, I mean there is an ungodly amount of writing that is expected from the students and it's not even just the amount it's WHAT you write about that gets you the grade and how well your art conveys your ideas.
Also "Ex." = Example
╰┈➤ " My average college day experience as an art student/loass babe " click here!
«───────── « ⋅ʚ♡ɞ⋅ » ────────»
"What? Like it's hard?" At the top of her class, always ontop of her work, never slacking off, always locking in.
── .✦ ┆ 𖤐 ┆ ␥
|| Perfect focus, super attentive, always pays attention and makes notes. I am never afraid to ask for help or advice and I always receive the answers I need to understand the work; no room for confusion here.
|| Very strong, clear memory, perfect photographic memory.
|| Studies so much, it's my hobby, never underestimates myself or downplays my work, has always prioritised my work and has always understood the importance of doing work at home. Studying has never been a struggle for me because I don't struggle with discipline. I actually find so much fun and enjoyment doing homework. I always feel so productive and proud of myself whilst managing my time and looking at the amount I have done afterwards. Especially with the amount of validation and points I earn from teachers. It is always so satisfying seeing my high grades after a complete project. It's like a treat.
|| Creative genius, always brainstorms with words or loose sketches; not a single idea goes to waste. Research enthusiast, I could never shy away from making a thorough, detailed, and well planned out analysis, moodboard or mindmap. And multiple of them at that. I always know EXACTLY what to write and never wastes precious time and space yapping.
|| The life of an art student is exciting, fulfilling, flourishing, inspiring and strict. In the healthy way of course. My parents and teachers are always understanding of my burnouts and art block which are very rare thank god; and it's a good thing I have my closest friends to comfort me through my work. They are always so supportive, encouraging and honest with me as I am with them. We always travel together to the college (when I don't feel like being alone) and we always travel back home together. I mean we are our own personal friend circle so of course we buy snacks for each other and meet up for lunch; it's not even like we need to worry about price since we have more than enough on us. College is 100 times better when my best friends are with me, everything feels so comfortable with them
|| Perfect, cunty, and ideal artstyles. Always chooses the ones most appropriate for a certain design, and never forgets how to convey a certain look. I know, understand and draw human, animal, vehicle, clothing anatomy and terminology, enviromental composition, colour theory and terminology, the 12 principles of animation, the 7 fundamentals of art (Line, pattern, colour, texture, tone, shape and form), and the fundamentals of character design like the back of my hand
|| I know how to layout a design page appropriately, I always know how to theme and colour co-ordinate. Written placement and art placement are always perfect to the T and nothing looks off. All together, I show off my own unique style of work and impress my teachers of classmates
Ex. Subliminals in my art student playlist
"Over achiever", "Desired art skills", "Desired (college) life"
«───────── « ⋅ʚ♡ɞ⋅ » ────────»
"Ugh she is always doing the most with her work😒-" And she always looks good doing it. She's got the looks and the discipline; she's got it all
── .✦ ┆ 𖤐 ┆ ␥
|| Gorgeous, curly, and ideal (3B to 3C) hair. My hair never gets greasy, dry, breakage, damage, frizz, dandruff, or split ends. My curls are always moisturised, soft, bouncy, and defined. I never experience a bad hair day, and my hair is super easy to manage. Detangling my hair is a breeze, and styling my hair is even easier; every style looks exactly the way I want it and never loses the volume or shape throughout the day.
|| Ideal, fit, slim thick pear. Short shoulders, small ribcage, medium-sized chest, 20 inch waist, wide hips and slight dip, long legs, fat ass but not too fat, chubby but fit thighs, slimmer defined calves and small feet. The perfect pear. And every outfit looks exactly the way I want; I never look awkward but I always look put together and stylish.
|| Craziest face card. Ms. Face economy infact. I have a round heart shaped face with dark brown bambi eyes and long fluttery lashes, a medium straight nose bridge, plump pink "keyhole" lips, and the clearest, softest brown skin ever... Yet I still put make up on- yes I do because it's fun and I like it, so it's always awesome knowing I can do my make up flawlessly and nail my looks perfectly
Ex. Subliminals in my ideal appearance playlist
"3C hair type", "Pear body", "Desired face", "brown caramel skin"
∘₊ ✧───────────────────✧₊∘
I'll probably add smore later :3 k bye
#martini yaps!#shiftblr#loa blog#loablr#desired reality#master manifestor#law of assumption#4d reality#desired self#desired appearance#desired life#desired body#dream life#shifters#shifting#loa
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Artist Highlight: Jo-Harrington
This week, we're highlighting @jo-harrington! All recs this week will be for her work. @jo-harrington writes for the Stranger Things Fandom, with a special focus on xOC, and xReader fics. She's also a great beta-editor and design all the graphics for her fics! We're highlighting Jo for her incredible world building and strong OCs.
You should check out her Store Manager Verse fics for some great fluff and top-tier retail angst Jo answered some questions about her creative process and her work under the cut
Why Stranger Things?
I’ve been an avid ST Fan since the beginning. My old Store Manager and I watched the first episode in the backroom of our store while folding t-shirts and rest was history. Fic-wise, a certain Metalhead Dungeon Master brought me out of a fanfiction posting hiatus and I haven’t looked back since.
What's your favorite ship (platonic or romantic) to create for?
Platonic is always going to be the Hellfire Club boys. I love writing their adventures. Their friendship is epic and deserves to be explored and celebrated. Romantic…EddiexOC or EddiexReader. I mean, I’ve been an xOC girl since my first fandom. xReader is new for me but it’s almost an extension of xOC. I always joke that I’m allowed ONE epic borbo obsession love of my life per decade and I’ll give them one canon pairing but the rest are OCs.
What's your typical writing process like?
I have an idea, I write it down, I get sick of working on a chapter, I don’t edit, I post. (Which is funny because when I beta, I am a lot more detailed. But for my own work I just need it out of my head.) It might not be the best. It could probably read better or have less typos or mistakes. But it’s always from the heart.
How do you come up with your OCs?
I sit there for a long time and figure out how I can put a part of myself into a story. Oops was I not supposed to say that? Sometimes you think of a character that you just can’t help but want to write. But even if they aren’t a manifestation of your physical self or your personality, they almost always end up being an extension of you in some ways, or something you aspire to be. You also need to add some attributes you hate into them, so that they’re not too perfect and you can throttle them around and make them suffer and not feel too bad/let it become a self hatred thing.
What has been your favorite project so far? Why?
Store Manager Verse. (EMxReader) Retail is who I am and who I’ve always been. I had a mall romance irl that went south. So it was a way to rewrite my past with my comfort character…and also give said comfort character a happy ending as well.
What has been your hardest project so far? Why?
As Above, So Below. (EMxOC) It is a passion project, it is a beast, every chapter takes an emotional toll on me and it takes a month—if not more—to recover. But it has been the single most fulfilling project that I’ve worked on in the 20 years I’ve been writing fanfiction. I've been working on it for about 2 years now. 3 more chapters til the end…I’m gonna be very sad when it’s over.
Have you ever had a creative block? How did you get over it?
My brain is just a beehive that I shake every now and again to get the bees angry. Honestly, the bigger block I get into is self-doubt. I have no problem finding the words, it’s the courage to put them to paper I struggle with at times.
Is there a big source of inspiration for you? Books? Art? Games?
Yes all of the above. But in all seriousness, life experience is the best inspiration. There’s only so much research you can do. Truly for me, the canon characters are the source of inspiration. Then I take from things I’ve done, things I’ve read, places I’ve been in order to take an idea to a fully formed plot.
Is there an upcoming project you're particularly excited about?
Eddie Munson Big Bang. I know you’re gonna hear that a lot. I love creating really ambitious AUs and I think this one is really testing my abilities as a writer. It's a crossover fic, in a way, but with a lot of original plot folded in. I hope I do both fandoms/universes justice.
Is there anything we didn't ask that you'd like to add?
I’m from the Midwest, so thank you for listening to all of my long-winded answers. Haha.
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Sewing Zero Waste Culottes from The Craft of Clothes
Zero Waste Culottes From The Craft of Clothes
Behold! Fancy pants!
The pattern for these pants was one of my Christmas gifts. It comes from Liz at The Craft of Clothes, a zero-waste designer. I've really gravitated towards self-drafting and zero-waste sewing in the last couple of years, and this pattern has been on my list for a good six months, so I was excited to get into it.
Drafting
The first step (after reading the pattern through twice) is drafting the pattern pieces.
My biggest starting hurdle was deciphering "the culottes are designed to sit on your waist" when choosing the correct pattern size. Most designers consider "the waist" to be the teapot - that is, the true waist. (It's easiest to find if you bend to the side and stick your hand in the crease - like you're singing "I'm a little teapot".) But some consider belly button height to be "the waist". I generally wear my pants at the latter height, and there's a good 2" circumference difference between those two for me.
I eventually decided to call my belly button my waist, on the grounds that that's where I prefer to wear my pants. It's also easier to take seams in than out, if I guessed wrong.
Decisions over, it was smooth sailing from there. Pattern drafting is not a technically difficult process, as long as you have good instructions, and Liz's patterns definitely fit that bill. But there's a lot of attention to detail required to make sure the end result is good. That sort of thing always makes me nervous. Fortunately there was only two pattern pieces to draft, and they're 98% straight lines and based off rectangles.
Interestingly, this is the first zero-waste pattern I've tried that has you draft pattern pieces to use. The others I've seen (most by the creator of this pattern - our library had a copy of her book, Zero Waste Sewing) have had you draw directly on your piece of fabric to create the layout. (In fairness, I didn't have to draft my own pieces. The pattern came with the option of self-drafting, printing on A4, or printing on A0.)
I much prefer the direct-draw method to faffing about with pattern pieces. But given that this pattern is designed to have the pieces tesselate, having a set of physical pattern pieces does make more sense. It's also got me wondering if I could successfully make a pair out of old jeans legs, using one leg per pattern piece. But then, I'm always looking for ways to use up my denim pile...
Sewing
I prefer structure rather than flow in my butt coverings, so I was somewhat limited in my fabric choices for this first pair. (I know the fabric I really want to use, but I am being a sensible apprentice and trying things out on a nice-but-less-hideously-expensive fabric first.) Most of my stash acquisition has focused on stuff for shirts, since I wear those out faster than pants. I eventually settled on this nice brick red, 100% cotton, table cloth.
The picture is suffering from sun exposure. It's nowhere near this bright in person.
I laid out the pieces and huzzah! The fabric was just big enough! ... But only if I unpicked the hems (they're monsters, a full 3 cm/1.2" each side) and ironed them flat first. Thus, it was time for a marathon unpicking and ironing session.
After that was done, I checked the pattern fit again. Huzzah! I had enough space for all the pattern pieces, and not very much scrap left over once I'd cut them all out. (Of course, it was late and I wasn't paying as much attention as I should have been, so I didn't add an extra inch when I was forced to cut the waistband in two pieces. There was enough extra fabric that this was only an annoyance and not a complete disaster.)
The fabric at the top is scrap. All but a few inches of the stuff on the right became waist bands and plackets.
Sewing was a fairly straightforward exercise, though it required enough brainpower that I completely forgot to take any progress shots as I went. Almost every step of the pattern comes with a diagram to show you what to do, which helped me immensely. So did having the seam allowances specified at each point, as there's three different ones used in different places.
That's not to say I didn't screw up, of course. While sewing the crotch seam, I somehow managed to close up the front of the pants entirely and leave a gap for the placket open at the back. (That will teach me not to double check the direction the pockets are facing before I pin and sew that seam. Maybe.)
I also made a highly decorative and completely awful to sew with choice for topstitching thread, which I quickly became too stubborn to stop using. So the topstitching is, uh, not great. But it is purple and sparkly, and if I'd had any sense at all I would have left it til last (or even done some sort of hand embroidery with it).
I was tricked by the first line of stitching being so easy. LIES. It was all lies.
Why should I have left it til last? Because it turns out that the culottes are, in fact, designed to sit on one's true waist. Which meant I had a two inch difference between what I needed to fit me, and what the waist measurement was. If I hadn't top stitched the panels, I could have simply ran another line of stitching down the seams that didn't have pockets in the way, and taken the waist in without much fuss or bother. Unfortunately, I didn't do that, so I was left with two choices.
Take out the topstitching and take in all the panels, bitching and moaning about the effort I went to and the number of times the topstitch thread broke while I was sewing the stupid sparkly goodness onto things.
Work out how to take the waist in by the necessary two inches, using only the crotch seam and maybe some darts or pleats or something.
Choice #1 would have been the logical, rational decision, so of course I went with option #2.
An hour and change of basting, pinning and unpinning the waistband, and completely forgetting how seam allowances work later, I managed to get a fit I was happy enough with. I ended up grading in a dart-like object at the centre back. (If I decide later that I'm not happy with the fit after all, I'll try out the modification for adding elastic to the back waistband that the pattern also includes. Probably while questioning my life choices and lamenting the amount of time I spend with a seam ripper in hand.)
The original stitching line is in blue, the new one is in black.
After all that fitting woe, I wasn't in the mood to try buttonholes (my good machine, the one with the automatic buttonholer, is currently out of action). Instead I dove into my snap stash to close the placket.
I love using bright, vivid colours for inner details. It's the sewing equivalent of wearing leopard print underwear.
A nice bonus of using the snaps is that I could put them through just the placket, leaving the fly front clean. This did make the placket pull slightly when I'm wearing the pants, exposing a trace of bright red. I fixed that by invisibly whip-stitching through the placket and outer fabric to hold everything in place. Next time I'll also double check the understitching, and topstitch the edge if needed, before installing the snaps.
Field Test and Adjustments
Trying stuff on as you go is all well and good, but nothing tells you what you really need to fix like being out in the field. I quickly discovered several things:
The waistband needs serious help to stay where it's supposed to be. Which, y'know, I did make a size larger than I should have. This was not surprising.
The crotch needs to either drop a wee bit or (preferably) rise a couple of inches. The latter will likely spoil the skirt-effect somewhat, but it will be far more comfortable for my legs.
I need a loop on the waistband to hold my keys.
For the waist woes, I had a few choices - 1) belt loops, 2) suspenders, or 3) add elastic to the back waistband. Belt loops are fiddly to make and sew on, but would solve the key-hanging issue. Suspenders technically wouldn't need any sewing changes, but the clip-on style are notorious for pulling off when you're doing things. And while the pattern includes instructions for adding elastic to the waistband, I wasn't confident it would do the job I wanted (I stick a fair amount of junk in my pockets and elastic can't always cope with the weight).
After some dithering, I went with the suspender option for this pair. I like the look of them, and the "floating" effect they give when they pull the waistband a bit above where gravity wants it to sit is extremely comfortable. But I didn't want to deal with clips always popping off. So I indulged in a quick side-quest of improving my suspenders, then sewed buttons into the waistband of the culottes.
This used to hold the clips, but the wire was easy to bend flat with needle-nose pliers.
Gee, I wonder which buttonhole I did first?
Fashion Show
Overall, I'm quite happy with how it all came together. I'll definitely be making at least two more pairs - the "men's" version (less flare in the hems), likely out of recycled denim, and a pair in heavyweight stash linen.
The back panel adjustment is basically unnoticeable.
They have great range of movement - maybe I need to make a workout pair?
And I even have somewhere to hang my keys.
This post was originally published on my blog, Garak's Apprentice . I currently syndicate my content at Micro.blog, Tumblr, and Ko-Fi.
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Oh, wait I think I misread the post. My apologizes, I thought that was in reference to those two clothing shop drama. Though I am willing to hear out the other indie clothing shops that you keep a eye on.
Alright! Easts' big post about indie clothing brands I like!
Worth noting that while I’ve been keeping my eye on a lot of these brands for a while now, there is a possibility there is some kind of discourse around them that I missed - if so please let me know so that I can look into it myself!
Mayakern!
I like Mayakern a lot because they cater a lot to plus size bodies! They have plus size models and Mayakern themselves is plus sized! Recently they’ve been expanding beyond skirts to things like dresses and shirts. This makes me very excited because not only are these shirts cute as heck, but some of them are even more standard/essential shirts but are made with bigger body types in mind. So often fat people have to just settle for good enough,but its clear that Mayakern makes her stuff so that anyone wearing it can be confident! There’s also ton of customer pics you can see to tell how clothing lays on various body types.
(Rest Under The Cut)
Umvvelt
Umvvelt focuses on fish/ocean themes and I absolutely love how creative they get - they’ve done a bunch of different fish lines focused on rays to jellyfish to sharks. I particularly adore their pinafores - I own three of them and they’re very comfortable AND have pockets.
Carmico
A classic - I think the brand that got me really invested in indie clothing brands? Carmico does themed drops a couple times a year where they design a myriad of clothing pieces that all have a similar vibe/theme. I think they do a good job at getting creative while still having the clothing be something I would wear! From button-ups to sweatpants to jackets Carmico has the variety and the style. A lot of their clothing gives the vibe of something you would draw on a character and wish existed in real life - except now it does exist in real life!
Morningwitch
Another classic, if you haven’t checked them out by now PLEASE do. Morningwitch has SUCH as eye for design and patterns and color. Chiefly known for their creative button up tops (of which I own several) they also have expanded quite a bit recently. Their skirts are probably my favorite style of all the skirts on this list because they have a thicker band. They also do some relief print shirts, the CUTEST jackets (if you’ve seen pics of brownies pomegranate jacket this is where they got it) and on their twitter they have a lot more fun stuff brewing. Much like Mayakern they’re starting to branch out beyond their ‘standard’ (the button up tees) into new avenues and I personally look forward to what that brings!
Knockthrice
This indie store blends concepts and casual wear together into something extraordinary. From their knight cardigans, to their ‘tea’-shirts, to their themed over-the-garden wall collections they have some of the most beautiful pieces you may ever see. Knockthrice does a great job at blending ideas into clothing in a creative way so make it something that I would wear in daily life. Their shirts are a good, durable, thick material - although maybe a little warm for the summer. A lot of their stuff gives me fall vibes, and as someone who loves fall the most out of all season - I eat it up!
Envygreen Manor
More of a newcomer on the scene as far as I am aware, envygreen manor also does themed drops once or twice a year. However, their clothing it usually more of a mix between casual tees and more formal elements - their vests or poet shirts come to mind. I instantly fell in love with them when I saw their mock-neck designs and felt like they somehow knew me and exactly the kind of shirt I would want from them.
Vetiverfox Apparel/Witch Vamp
Putting these two together because they kind of occupy the came part of my brain! They’re both skirt focused brands much like Mayakern. Vetiverfox typically has more intricate designs or patterns, while Witch Vamp usually has bolder themes - not that thats a hard rule or anything! I own I believe a skirt from each of them (soon to be two from vetiverfox!) and highly recommend at least taking a peak and seeing if anything catches your eye from either brand!
Mothsprout
Mothsprout only has a few clothing options, but I absolutely HAVE to mention them. Mothsprout has two muscle tank designs that I literally wear like once a week - I’ve actually considered getting a second of the wolf design just so I can wear it more often. Their designs vary from intricate to fun, and honestly I would never pass up a chance to wear their beautiful art as clothing.
Other indies I keep an eye on but don't have a lot to say about:
Motel777
Bison Wares
Snowlattes
Fiveboos
JeanaDraws
Howl Out
Bandaid Brigade
and if you have any other indie clothing brands you want added to the list lmk!
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Hello!! May I request Sal Fisher x reader who is severely afraid of physical touch? Like to the point where it takes them a while to even touch someone with a piece of fabric in between their hand and the person. Also if the reader is seriously sarcastic, teasing and the type who laughs everything off but easily gets flustered at any sort of romance?
Maybe even the first time they touch Sal without some sort of fabric covering their hand.
Thank you!!
AH YAY MY FIRST SAL REQUEST!!! I'M SO EXCITED- okay so disclaimer first and foremost I am definitely not gonna pretend like I know what it's like to be afraid of physical touch, so I hope you enjoy this nonetheless. And if there's anything you'd want me to correct in this please let me know!
Reader: gn reader
Warnings: mentions of fears regarding touch (purposefully left vague), but don't worry it ends up in fluff, also sex joke I dunno if that counts for a warning
Image link: tell me about your guys' favorite holidays!
》☆Sal Fisher Dating a Touch Averse Reader☆《
- Sal hasn't ever seriously questioned why you didn't like to be touched. As far as he knew, whether it was a dislike or genuine fear or hatred, it wasn't his business and he didn't ever want to push you.
- One thing that drew him to you was your ability to take what you dish out. The way your sarcastic remarks could be met with the same intensity and it'd be laughed off and continued, an easy flow of lighthearted jabs. He liked that about you. There wasn't any malicious intent in the way you both joked, and you both understood.
- Though, this attitude you have always seemed to be a possible double-edged sword. You may be able to laugh things off, but he knew it could be a curtain for you, to hide how you really felt about certain things. Especially when it came to touch. He always had a feeling there was something more to it than you were expressing. He knew those feelings all too well.
- So, he worked around it. Whenever you came over to the house he made sure everyone else knew you were coming, just to be sure any possible touchiness would be kept to a minimum. He gave you your own designated spot on the couch, or even your own chair to yourself.
- One thing he learned was that doing things for you felt just as good as any touch that he could give you. Making you a nice cup of your favorite drink, giving you dumb things that reminded him of your inside jokes, small things to show he cares. And trust me, he thinks it's very cute when you get embarrassed about it (he teases you lightly about it).
- It'd be a surprise if one day you wanted to try physical affection with him. Whatever your reasoning might have been, Sal would ask if that's really alright with you and it's definitely what you want. The last thing he would want is to cross a boundary.
- He'd suggest starting out slow with touching hands, maybe getting a pair of gloves for you both to wear. He figures from what he's learned about you it might be easier if the contact wasn't direct and had sort of a shield. He'd also suggest a kind of safeword (not the sexual kind, but you should totally pick on him for that).
- Oh, don't you worry about any reactions you might have during this either. Strong reactions, subtle, whether you flinch away slightly or start having big physical reactions to it, he'd be patient. No matter what it was, he spoke to you softly and drew away if it was too much.
- If you were alright with it, he'd gradually let you get used to his touch. This is only during times where you're prepared and he makes sure you can back out any time. Eventually, if you felt good about it, he'd ask you if you wanted to try touching hands with the gloves off.
- It didn't matter how much time it took. It didn't matter if it took forever. In every way, at every step of the way, Sal was so deeply proud of you. As soon as both of your hands met for the first time he couldn't hold back his smile, knowing that he'd earned your trust enough to do this with him.
- No matter how much physical contact you can handle, Sal makes sure to work with you every step of the way.
#sally face x reader#sally face#sally fisher#sal fisher#sal fisher x reader#sal fisher x y/n#f/o community#f/o imagines#imagine your f/o#f/o#gn reader
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hello! I’m Deaf and white. I will be going to my first powwow this month. May I ask, is it okay to stay the whole time or do I leave whenever? It is from 10-5pm. Also, are there cues I can look for for knowing when to stand? I will be going alone so I am nervous because of my Deafness, but really excited. Thank you if you see this :)
That's a good question! And that's so exciting for you!!
Yes! Anyone can come and go at any time they please. Some people even just drop in for food and then leave, that's also acceptable :) While generally there's a schedule for when different dances and events are planned throughout, it's not like mandatory that guests stay for the entirety of those planned events. You can stay for the whole thing (or leave whenever)! I can't really think of why you wouldn't be able to. Also, don't be surprised if, despite the schedule, things happen later than expected. Most pow wows aren't very punctual lol
Based on the schedule, it sounds like you're attending a mini pow wow. For pow wows, usually they take place in a circular structure known as an "arbor", and the outskirts of the structure will most times have bleachers, stands, and a walkway/path just in front of it. For cues on when to stand, if you see most people in the bleachers standing, then you can stand too. below is an example of a pow wow arbor where lots of people will be sitting in the stands, so that's where you can look to for the cue.
Most of the time, people will be asked to stand for at least parts of Grand Entry, the victory song, walking the flags out, and/or any prayers or other things (but based on the schedule of the pow wow, it's unlikely they'd have the things I'm thinking of, so I won't tell you about them because you likely won't have to worry about them). Once again, you can find the cue of when these things are happening just by looking at the crowd.
However, pow wows also recognize many people have disabilities, and it's not uncommon for emcees to specifically point out that if you have a disability (Ex: in a wheelchair, have a chronic illness that makes standing for long periods painful, walk with a cane, have an injury, etc), then you are not required to stand. If you're nervous, I'd say this could apply to you as well. Also, even many non-disabled Natives will also sometimes sit through times they are asked to stand, there's no like designated scolder that's going to come and get mad at you for not standing lol.
Also, tip, but I'd say you should try standing next to a/the drumgroup when they sing, you'll be able to feel the vibration and enjoy the music that way :) Lots of people like to go up and watch the singers or record them, so you won't be alone or look strange for doing this!
under the readmore below, I'm just also listing some general pow wow etiquette just in case you've never been taught about it!
Big one, but don't bring any alcohol, recreational drugs, or weapons to the pow wow. Security can and will kick you out if you do
if you see lawn chairs, those are people's personal chairs brought by other attendees, so you can't just sit on them because people brought their own seating.
additionally, if you see a blanket placed upon the bleachers, that is also someone's seating, the blanket means someone has marked their territory and will be back at some point, so don't sit there. feel free to bring you own blanket for this!
do not touch a dancer's regalia without permission
do not take any photos of any dancers without permission. There are also certain times when you are not allowed to record video or photos, but this might not be likely to happen to the pow wow you're going to just because it's so short: if you're nervous though, just don't take any pictures of the dancing or singing just to be safe.
hope this helps!
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Yandere Rise Donatello Designer "Catch Stitch" AU
okay, hear me out.
let me give context for this concept idea first (you could skip the next paragraph if you don't care, i'm just weird, i promise i start discussing the concept right after this next paragraph trust me)
i am a huge fan of this one designer in new york, bella pietro, her work is amazing. i was able to attend her bridal line debut fashion show in person this past sunday and got to speak with her very briefly. she's very lovely, relatable, super down to earth, and humble. she is also one of the influences for my own jewellery line, but this isn't the point i'm making, i'm going insanely off topic. i thought about what it would be like being a clothes designer in nyc.
donatello is the founder and ceo (at least, that's canonically what i'm led to believe) of Genius Built Technologies. it's also canon he designs Genius Built Apparel. i initially had this idea and shared it on discord a while back based around donnie being a member of a discord server with other designers. these designers usually joined said server for creativity, support, sharing each others' work, and giving critiques when wanted.
imagine you, an up-and-coming designer, join this server to gain more reach. while donnie was bored looking at others' designs and critiquing them harshly when asked to, he admired your work and advocated for you so that you could gain more popularity. the two of you accepted each other's friend requests and started talking in dms. he admired your work and thought it was cute how you were slowly rising in the industry, but you needed the right connections to actually get things going. you started getting seamstresses and a manager, but that took your time away from donnie.
donnie might have found out you lived in new york, that was when he suggested a meet-up for a collaboration. he was excited when you said yes, and a GB Apparel x For You line was in the works for when the two of you started discussing potential pieces. your crew got a little upset when you put all your attention on the collaborative project, especially your manager, and they thought it was a bad idea. you thought about listening to them and backing away to work on the collab line in the future. donnie... didn't really like that.
he loved spending time with you, as hard as it was for him to admit it. he adored the way you drew your designs, the face you made when you focused and shrimped over your tablet to get the details just right. he told you to adjust your posture, and you did it with a stretch, you ran your fingers through your hair he so badly wanted to run his fingers through instead. donnie hated the thought of having that taken away from him. once you told him you wanted to file away the collaborative project for another time, he managed to manipulate and gaslight convince you into believing your manager has the wrong idea, because his own brand was well known and high quality.
you hesitantly agreed with him and your crew began getting a distaste for you when you arrived late to meetings, made decisions with poor judgement, and delayed your own projects in favour of working with donatello instead. what you didn't know is that donnie anonymously emailed them all to quit their jobs with you because you were practically not working with them anymore. your crew moved on to work with other local designers. you didn't think much of it, you were aware people in this business would come and go, they would find other people to work for and it's no big deal, because you could sew your designs yourself.
besides, donatello had been a big help, he lent you his sewing machines that literally sewed by themselves. your own fall line had been presented on a runway at a moderately sized venue, a team curated by donatello organised it as if he were your manager. everyone on the server the two of you met on barely showed their support at first, until you got incoming praises and compliments from everyone after donatello's worship of you was sent in the runway channel. you were unaware to the fact that donatello threatened everyone with their careers if they didn't support you.
everyone seemed beginning to dislike you, your fans acknowledged that it didn't seem to be you at fault because your head was still held up high, staying positive and thanking anyone who bothered to take a look at your collection. donatello was working behind the scenes to isolate you as much as possible. he didn't want anyone taking you away from him because you were his precious fashion genius, your ideas complement his. that's why GB Apparel x For You is going to rock the fashion world, he had thought, deep in his delusions of spending more time with you. one look at you and it had his heart beating out of his chest.
your workspace in his apartment was a mess, fabrics everywhere, sketchbooks and a couple tablets (courtesy of Genius Built Technologies) with plenty of space for designs and you sat on the floor with your hair a mess and new glasses (those were courtesy from donatello himself) on your face after staring at the screens for so long. the softshell simply watched you work, enamoured and savouring the way you find his apartment more comfortable to work in because yours is already so cluttered.
donatello was so proud to see the results of your collaboration, he kissed the top of your head and held you close. you've had affectionate friends before, but you had only intimately known donnie for a few months. sure, he was one of the turtles that saved new york years ago, not to mention his brand even climbed up the ranks for a place in paris fashion week alongside balenciaga and valentino... so you knew him... but you didn't ask for this. you used to have more friends, lovely colleagues. whatever happened to that ?
of course, once the collab line debuted in the spring you went back to work, you designed a men's fall line you thought would grab people's attention. it certainly snatched donatello's, when he called you frequently and realised you were parting from him to work on your own, it pissed him off. he wanted to know what you were hiding. you hesitantly let him in on a day when you were being interviewed by april for press, dressed up for photography and not for him. you're only for him, no one should see you except when you're beside him. he lashed out at you in front of april, upset that you weren't telling him your plans since the GB Apparel x For You collaboration, and april took notes of the drama. not for press purposes at all, but to tell his brothers.
you didn't see donatello for a while after that, to which you were glad. you felt a weight finally slipped off your shoulders as you rebuilt your community. people didn't know that donatello was the one at fault for your darkest moments. you rebuilt your community over the course of a year, making new connections and finally making it into new york fashion week all by your own efforts, not by donatello's.
it was when he showed up at your door everything went downhill again. he pushed his way back into your life, asking for a spring GB Apparel x For You line even though he already started on his own designs, incorporating style that you would add due to how well he already knew you. over the year he had been gone, he watched how you grew and connected with other people in the soho fashion scene. the thought made his skin crawl. it irked him to know you were out and about, perhaps having dinner with your new manager, or spending hours at a time with your new seamstresses after you threw out the sewing machines he so lovingly gifted to you.
all he wanted was to share his world with you, have you live in lavish luxury like you deserve. you said no. you already had ideas for your spring line which would be presented in london along with new york, you didn't have time to collaborate with him. donnie threw another tantrum in your apartment, this time feeling a lot more destructive. he threw your decorations everywhere, then held up some of your supplies to set them on fire. it scared you into submission, telling him yes, putting off your own projects to move into his apartment and get to working with him on the next collab line.
things were different this time. donatello was a lot more clingy, literally working alongside you as the two of you designed the thirty-piece collection, he made gentle suggestions and leaned in close, added and subtracted things on what you already drew. the two of you had ordered takeout sometimes and he would be the only one allowed to receive the food. you felt trapped. there was nothing you could do about it, just accept your fate.
you disappeared off the tabloids, no one knew where you went, not even april. donnie kept you away for his eyes only, wrapping his arms around you at every chance he got, nuzzling into your neck from behind as you tried to break through the parental locks donatello placed on your tablets. that won't work, darling, he said, a smirk on his face you could feel against your skin. it made you sick, your stomach churning at the thought that you might stay in your captor's arms forever.
#rottmnt#rise of the tmnt#rottmnt writing#rise donatello#rise donnie x reader#rise donatello x reader#donnie x reader#donatello x reader#rottmnt x reader#yandere rise donnie#yandere donnie#no beta we die like gram gram#angst#dark content#jules' thoughts
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Finished 7.1 MSQ! Some thoughts.
Overall I really enjoyed this patch. I was hungry for some more story and especially to see some more of Wuk Lamat, and excited to play through it all.
Grief and how people respond to it has always been a central theme of FFXIV to me, and I'm really into how it's being explored here. The first two things that stood out to me was that a) no one is really acknowledging Gulool Ja's position as successor to the throne, even in name (not yet king because he hasn't been crowned yet, but still the official successor), and b) no one comes at Wuk Lamat or the Warrior of Light to accuse them of killing their beloved queen. (Do the Alexandrians even know how Sphene died? I'm not sure.)
But as the story continued, I realized this made a kind of sense. Sure, Everkeep's systems has contingencies in place for the passing of a ruler and the designation of heirs, but her people probably barely understand the concept, except maybe as a historical curiosity if that. They are not responding to the death of their queen in the way we might expect because they can barely comprehend loss to begin with. They know in the abstract that people die; they have never had to live with the experience of loss, and they're completely unequipped to handle it.
And while Sphene's return did take me by surprise, it was the kind of twist that felt natural given the setup. This too is a running theme: where people cannot accept death, there will always be someone trying to bring the dead back. The guy who presided over the funeral (I forget what his exact position was) seems the obvious culprit, but he also couldn't have done this alone. I'm very interested to see where this story goes.
The dungeon was fun! A classic "evil science lab" dungeon, not a particularly novel concept, but fun gameplay and some great gpose opportunities for horror aficionados. (A shame it wasn't out before Halloween.) I Duty Supported it and died many times learning the final boss mechanics; I look forward to playing it again now that I know it a bit.
The Shaaloani parts of the story continue to bring that weird disssonent "we're not talking about colonialism" vibe. On the one hand I appreciate the respect given to the Hhetsarro, their culture and their knowledge of the rroneek, and that efforts are made to disrupt the animals' migratory patterns as little as possible. On the other hand we still have to accommodate the railroad. This aspect of Dawntrail's worldbuilding is always going to feel Weird to me; I don't think there's any way around it now.
I'm enjoying the continued themes around family. I was glad to see Koana get some closure on his own family of origin and the circumstances under which they left him. I never quite took his account of what happened at face value; it seemed like there had to be more to it, so I'm not surprised they followed up. Koana's a great character and I've really enjoyed seeing his growth alongside his sister's. It's great to see his willingness to learn, and his embracing the cultures of his homeland which he had previously scorned.
I was glad to see some follow-up on Gulool Ja's mother, as that was a big question mark in the main story. How it played out... I'm not sure yet how I feel about it? While the audio logs tastefully omit exactly what Teeshal Ja asked for and Zoraal Ja's response, it's still a lot to drop on a child. And I guess I might have liked a more nuanced relationship between them? But I'll withhold final judgment in case we find out more later. Regardless, I am glad to see more of Gulool Ja and his own journey of self-discovery, as well as Wuk Lamat's care for her nephew.
One thing that continues to linger in the back of my mind, really since 7.0 but the patch story brought it up again for me, is this concept of a ruler's personal relationship to her people. Dawntrail paints a very rosy ideal of a ruler who knows and loves her people, and then challenges that ideal, not only in setting up Sphene as a foil for Wuk Lamat, but also in showing us Wuk Lamat's struggles with wanting to help her people personally after the attack on Tuliyollal.
I don't really want to get into how There Is No Such Thing As A Benevolent Monarch here, because I don't know that "monarch" is really an accurate description of the Dawnservant, but that's also a longer and more nuanced discussion for another day.
What I do want to note is that the ideal Sphene embodies, the Sphene the Alexandrians mourn for, is impossible for an actual person. She's a queen who regularly turns up to personally cheer and comfort people when they're sad or struggling, and seems to know everyone personally. This may have been possible for Endless Sphene because Alexandria's population was relatively small and most critically, because she is a computer program. I'm not arguing for or against the personhood of Endless here; the simple fact that she doesn't need to eat or sleep or take care of herself makes her fundamentally different than a living person.
Koana and Wuk Lamat are living, breathing people who need to eat and sleep and have emotions about things unrelated to a programmed directive. Their interactions with the people of Tural do show how much they care about them! But they simply cannot be personal friends with everyone in Tural, or even in Tuliyollal. It's not possible.
Koana, I think, started out on the other end of the spectrum, too detached from his own people and their lives to make an effective ruler, something he is now actively correcting. Wuk Lamat, on the other hand, clearly has that impulse to be everyone's friend. In 7.0, we saw her struggle to accept that personally administering medical care to every person wounded in the attack was not her job and trying to do so was actively detrimental to both her personal wellbeing and her ability to do her job. Nonetheless, I think we're still seeing some of that impulse alive and well in her--particularly in the way she tries to intervene to offer comfort to the Alexandrians after the funeral, only to find that her overtures aren't helpful. It's something I'd be interested to see her wrestle with more!
On another note, and I'll fully admit to some personal bias here, but I do kinda hope the thing of making Urianger and Thancred this separate Unit from the rest of the main cast and sending them offscreen whenever they aren't needed doesn't continue for the whole of the patch stories? It's not that I need them to be onscreen all the time or anything, and I'm fully capable of enjoying story that doesn't involve them. All the same, the two of them got very friendly with Koana during 7.0, and it might have been neat to see their reactions to his character growth during the rroneek plot. Just as Krile and G'raha and Y'shtola don't necessarily accompany us everywhere, but are still around and have their role to play, it'd be nice to see Thancred and Urianger show up for certain moments as well.
And speaking of Y'shtola, I am even more hopeful that she's going to crack cross-rift travel after the setup in this patch! (Something which I'd say Thancred and Urianger both have a vested interest in!) Very curious to see more of how her work is going--and what's still lingering in Living Memory. I hope we get to spend some time in that zone in the next patch!
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SERVER UPDATE!
Hey all! I'm excited to bring some info and some screenshots for the Darksiders discord I'm currently working on. This was meant to be posted last night but I was pretty exhausted heh, so apologies for that but now, without further delay, let's jump right into it shall we?
There is still quite a bit to do but I am jam jimming away at it! Though the plan is to get it up and running very soon. I have so much planned for this server and I'm just elated to share with you all what's to come!
There is quite a lot so this update will be a bit extensive just so users know what to expect when joining. I will have have a bit of a guide on my carrd masterlist available when the server goes live for people to join.
The Server
So upon entering, you will arrive at the welcome channel where the rules and basic overview of the server's intent will be discussed.
In order to have access to the server, you will need to complete the welcome. By doing that, you will be given this:
There is a members-log that will update studio members about their progress level ups! These consist of earning keys (not purchased from Vulgrim), and by being awarded ranks!
There is also a server support for anyone who has issues regarding in-server matters, broken aspects or violation of rules. The suggestions channel beneath that is where members can voice their input about what possibly could be added in the future. There will be another log for server announcements/updates for these suggestions and more.
As for Vulgrim's Trade, well yes-- I kind of hired him. And by that he spawned a serpent hole into the server and I can't get rid of him. So yes, he is here to act as the in-server merchant. Just... nobody trade their souls, okay? I don't wanna have to put that in the rules... it might concern new studio members.
"Now wait a second," I hear you ask. "What about roles? What are ranks and keys?"
Ranks and Keys Not Your Regular Roles
Now, there are many keys and ranks to be unlocked. Instead of the usual designation of roles and such, I decided to really tap into the creativity here. Give members a little something extra. These are just teasers (and I'm still contemplating the exacts of the Horsemen Companion) so there are more you're not being shown as of now.
But let's start with keys. So a bit of lore behind this was not only Darksiders from a game pov an inspiration for this, but also from a board game I used to play called Atmosfear that centered a LOT around collecting keys... and I really wanted to weave that into the server.
Keys have their own relative categories being that of "Purchase", "Reward" and "Cameo".
Purchase Keys are able to be bought from Vulgrim.
Reward Keys are earned/won as prizes by competing in games and challenges and by progressing through the server.
Cameo Keys are special and are dedicated to those I consider very good friends of mine I've met through the fandom and I want to commemorate them with their own key as a friend token/cameo nod to them. These keys are given to that respective friend when/if they join. Cameo keys can be earned by studio members from either receiving an invite to the server from that friend/holder of the key and providing that key holder's own and personally made code in the welcome channel.
Or...
If members did not receive an invite and are already part of the server or if that friend is not a member in the server to provide an invite, these keys can be earned as rewards by completing a series of challenges and games.
Keys are overall collectables but there are others that allow you to further access into the server. As an example, this server is a relatively 18+ just to keep it kinda simple. However, I don't want users to be confronted by or bothered by channels that contain nsfw content they have no interest in.
In hopes to counteract this and to allow a bit of customisation for members, there is an 18 Key. This key is a Purchase Key and can be collected from Vulgrim if members want to access nsfw content. But other than that, members can happily go about their business without it, but do note that some channels are by that logic restricted and cannot be viewed.
Moving onto ranks:
Ranks are quite simply level-type roles. Achievements! Shout out to my achievement chasers cause I had ya'll in mind for this also. I want this server to be casual, fun and friendly - but I also wanted to provide a challenge for members who are eager and game for it.
And technically speaking, though the Steed's Headstone is an artefact, it is very much a rank! :D So congrats, you earn your first rank quite easily by simply becoming a studio member!
There are of course your easier to achieve ranks if you want to have a go but not overly commit to grinding out some progress - but beyond that there are ranks to grind my fellow darksiders fans. And the Crucible is one of your friends here in that regard!
I'd like to have some ranks actually grant access to certain parts of the server, but I don't want to feel like it's excluding people, however I - again - want to provide a means of something enjoyable and for members to engage in. This is all meant to be fun in the end.
I want to create as many accessible yet immersive and challenging ranks to get but also leave some on the spare line for future content considering the 250 role limit. Sort of like... dlc content? I don't know. XD
EXTRAS
Just a bit of a sneak peek at the calendar...
Who's excited for Death December? And those of you who know Strife September... Now we've got a calendar where everyone - creators and studio members can come together and post content!
Lookie lookie - to keep it accessible for all, there are regular channels and 18+ channels. and look Jer! War's got two months! (If you know, you know, if you don't... uuuuh- UHHHHHHH 👀)
And let's take a look at the Crucible category, yeah?
So I'd like to incorporate the events system discord has in place to announce upcoming tournaments that are duals and combat related. These can range between powerful and elite enemies against members to even the Horsemen themselves. Compete alone... or with friends of 4.
Mini games are still in the heavy wip stage but they're just little competitions and friendly games to play together.
Challenges are something like what you'd experience in the darksiders games, where you take on waves of enemies, but again, this is in wip mode right now. Not only that however, either in the challenges - or another challenge channel - members can actually initiate creators to compete against one another! Whether that be by writing/art prompts or perhaps to challenge each other/ocs in a dual.
Now the leaderboard does act as a bit of a rank in the Crucible, however it's use is to really keep track of competitor's progress, just so then I can keep track of thing. (As of now, I don't have a bot in place to assign roles, so I'll be having to do that manually).
Prizes! Who doesn't like prizes? Tell me, Vulgrim. Yeaaah, he doesn't wanna admit it but the cute plushies are growing on him. As mentioned above, certain keys can be won/rewarded as prizes after competing and winning in the Crucible. Some other prizes are in the workshop, one of which hehe - I'm making a bit of a tarot/deck of cards that can be won and are also collectables. If these do become a collectable for members, I'm just wondering if I should instead do illustrated ones cause I think that'd be cooler and more unique. Level up my art skill tree!
Here's a sneak peek at that... There are 2 variants: Light and Dark to match the server's themes.
Cards backing
Cards front
Also shout out to @scarletknightreterns for giving me an interactive idea to possibly implement into the server which I am keen to do hehehe! I can't promise that it will be available upon the server's first launch. If it's not, it will be featured in the upcoming updates/announcements for the server! As mentioned, the server will get updates to improve member experience and to build a stronger community.
Phew okay, I think that just about covers all that I wanted to discuss in the update. Thank you to those who are eager to join and sending through those 🐴 I really appreciate it. With any luck the discord will be up soon and the guide as well on my carrd masterlist for a more in depth explanation for those who might be a little confused.
Alrighty, take care all!
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Ok but I would love to hear all the Sterkan lore even if it isn’t sfw because Sterkan Anya is uhhhhh 😳😳😳 I am looking as respectfully as I can
Well i don't think i can delve too much into them (at least not 100%, for obvious reasons and the nature of main acc) I also haven't finished writing or working on them, I'm taking my time so i can feel comfortable and 100% sure of what im doing is something i like. (I have the mistake of rushing species before because i got too excited about a new idea, and ended felling out of love with it, i don't want to do it again) But i can leave some general data: - Their society is pretty much mostly run by women, they are really dominant (but not mean, they care about their men, a lot, if you dare to say something mean to them or something consider yourself good as a pack of minced meat, the whole ¨He asked for no pickles¨ but it's a giant woman and her small partner). They probably have reached something near Utopia, nobody is left behind, and there's practically no conflicts or injustices done between themselves. - Their heights are as it follows: Men: 6.5 ft to 8.2 aprox Women: 9.8 ft to 13 ft aprox (but there are some that may be taller than that, Anya is probably on the smaller side) - Sterkan have really strong relationships between themselves, they are very caring and protective, they also extend that care to other species they may get to befriend, or have as a partner. Talking aboout that, probably Sterkan men are something people get very attracted to, as they are way more amenable and cuddly (and they will 100% respect you, no doubt on that). - Sterkan have superhuman strenght, they could probably tear up a tank with their bare hands, bullets of our world would no nothing to them, at all. Very sought after as comanders for militia, specially if it's women. (Can imagine one actually eating bullets like cereal because is metal, and they like that, and would find it funny) - Also, their diets require ore and minerals time to time, they have markings that accumulate particles during their life, horns and claws can do that too, it helps keep their skin tough too. They could take any just to keep themselves healthy, but they have personal preferences, either because they like the taste, the color, or are more helpful for their job (military Sterkan always choose the strongest materials). The most valuable one however, it's copper, there's not much of it on their homeplanet, so it's reserved for important things, rituals or simbolism, what may be not so worthy for us, it's probably worth a lot for them (also fun fact, but gold is very common). (Anya has copper markings, they considered her worthy for such important thing). - This one I talked to a friend, as i was making Anya's design, but they may have the technology and spiritualistic power (they have their own beliefs and stuff im also working on) to take someone back from the dead, but it may only be used under very specific circumstances, mostly the death of a child (because they have a very small birth-rate, they can't afford to lose them, deaths are rare bu may happen) or an injustice imparted to someone of other species they may stumble upon during their intergalactic explorations, but this requires a sort of permission from the soul, and if they want to come back, they will make them. The catch is being revived as a Sterkan, they may keep some features from their past bodies, like beaty marks, hair color, some of their facial structure, etc), and they only ask them to be with them for a while to learn how to live like one (and make justice of course), what happens after that is their choice, they can go back to where they belonged, or they can stay with them and build a new life on their society, a lot of them pick the later.
#mw au#species stuff#koky stuff#send asks#it was getting a bit too long to write#i have more info but yeah it's kinda hard to condense what i can share#mouthwashing#anya#anya mouthwashing#mouthwashing anya#buffnya#sorry for some weird wording#english is not englishing today#I speak mainly spanish#and the info i have wroten already is in Spanish actually#since most of the people i had been sharing ideas do talk the same language
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What are your all-time favorite outfits from Twisted Wonderland?
Hello @letterstoear, thank you for ask! I've had a lot of fun making this post, and I'm so sorry that it took forever to answer!
Every time I was certain I had my list narrowed down, I remembered another outfit I really liked. (Also, I'm a little bit biased, as you will see...haha). This time, I focused on event outfits to make it easier for myself. Maybe in the future I'll post my "reviews" on dorm uniforms or Halloween costumes.
I am always blown away by the the little details that Yana Toboso and the rest of the design team have added to each of characters' outfits, because they give some interesting insight to their personalities and backgrounds.
Without further ado, let's discuss some outfits! (Please note that there are spoilers for upcoming events from the JP server, as well as some groovy arts!)
My Favorite Twisted Wonderland Outfits
10. Floyd's Outdoor Wear (Vargas Camp)
Most of the outfits on my list are on the extravagant side. I recently bought a volume of Black Butler, where there was a note about how Yana Toboso loves to draw clothing, and it truly shows.
But in contrast to seeing our beloved characters in over-the-top costumes, it's refreshing to see them wearing casual outfits once in a while as well and see their individual, everyday styles.
I'll admit that I haven't played any of the Vargas Camp events, and have a grand total of zero (0) cards from this series. I'm not sure why; I always miss the event's runtime for some reason.
Still, I've always loved Floyd's little sling bag with the eel keychain, as well as the teal visor. The bright colors stand out and are appealing.
The whole outfit looks like something you could get from a store like Uniqlo, and sometimes it is nice to have that sort of realism in a magical game. He looks like an ordinary teenager I could find on the street. Except...if I did find Floyd on the street, I'd be running in the other direction. But that's not the main idea here.
9. Azul's Glorious Masquerade Outfit
At first, I sort of forgot that this SSR existed. When the PV for Glorious Masquerade came out, I was more focused on Malleus.
However, eventually, many people began to cosplay as GloMas Azul, and they all looked so amazing. I began to appreciate the outfit more after seeing people pose and dance in it. Azul also tends to have some of the best fanart, and fans have spared no expense when drawing him wearing this.
My favorite part of the outfit is his coat. I like the silhouette it creates with a high-waist belt, and the long coattails that resemble tentacles. The ruffles on his trousers are cute, too. I would buy a pair if I could. Unfortunately, it's hard to see these details on his in-game sprite.
As for his accessories, the pearls are so dramatic (and so very Azul). His round glasses are also cute, I hope he wears them again!
8. Idia's Suitor Suit
One look at Idia's Ghost Marriage outfit, and you can really tell that it was designed by Yana Toboso. His gloves, coat, and cravat make him look like he's in the Victorian Era. Also, doesn't he look sort of like Grelle from Black Butler?
Speaking of Grelle, Idia's outfit is meant to look more like funeral attire, between the long, black coat and the lilies pinned to his shoulder. There are also skulls hidden throughout his outfit, such as on his jacket chain and cufflinks. I was still new to TWST at the time, so I just thought that Idia liked gothic clothing. I didn't realize he was (at least in his mind) attending his own funeral!
Let's not forget his new hairstyle! This is one of Idia's first SSRs if I remember correctly, so it was exciting to see him with a ponytail.
My love for this outfit also comes from my love for the story associated with it. Fans have pointed out that Idia's "arranged marriage" with Eliza parallels the myth of Hades and Persephone. The design team and Yana were so clever for this.
I don't have this card, either, but I hope to pick him up one day!
7. Ortho's Fairy Gear
The Shroud brothers are luckyーthey are probably two of the characters with the most SSRs in the game.
That being said, we all have to agree that Ortho's fairy gear is one of the most unique and avant-garde cards in the game.
I really enjoy the white and gold color scheme in this event. His color-changing wings are stunning, and the piece covering his eyes makes him look very mysterious.
I thought this card was cool when I first saw it, but then I learned that Ortho's outfit and hair can turn pink, which is even better.
Every time I see his "pointe shoes," it makes me imagine Ortho and Idia trying to learn how to dance together in Idia's room, and Idia obsessively studying ballet costumes for his younger brother.
Yet again, I don't have this card, but my best friend does! At least I can admire him from her phone...
6. Silver's Rabbit Wear
There is no way that this outfit is just an R card! When this card was first advertised in one of the JR rail train stations, the pictures showed this card with Deuce's hometown in the background instead of the standard Diasomnia R background, so I thought that this card would at least be an SR. (Although I can't complain so much, because that means it's free!)
Silver is so princely. I am convinced that he can look good in anything. I am fond of pastel colors, and the pink/blue color scheme suits him, as the TWST version of Aurora. The bows may be silly, but I find them adorable.
Compared to the other boys in this event, Silver's outfit looks a little more like a soldier's (albeit a toy soldier's or a nutcracker's), which is a cool touch.
5. Deuce's Rabbit Wear
Deuce's hometown event was truly one of my favorite events that came out in the JP sever last year. Not only were some of my most favorite characters there, but they were dressed up in the most whimsical outfits possible. (And we got to meet Deuce's motherーshe's the coolest!)
Since Deuce is the main character of this event, his outfit bears the most resemblance to the white rabbit's in most classic illustrations, complete with a bow tie, top hat, and, of course, his pocket watch. His outfit has a blue color scheme. Like Azul in GloMas, Deuce also wears round glasses in his groovy art. Overall, it looks like the sweet ouji style, although I'm not very familiar with this sub-fashion. If anyone who is reading this has studied/worn this style of fashion, please let me know!
I used to play Love Nikki and Shining Nikki (two fashion-themed gacha games), which also featured lolita dresses inspired by Alice in Wonderland characters. For this reason, Deuce's outfit in particular feels very nostalgic to me.
4. Lilia's Right General Armor
Here's another departure from the cute pastel outfits...
Sleeping Beauty was one of my favorite Disney movies as a child. I always remembered Maleficent's "goons" as short, silly little creatures wearing simple green tunics.
So how on earth did we get to Right General Lilia Vanrouge?!
Seriously, I'm just stunned by how the artists looked at the source material and created something so radically, yet wonderfully, different.
I'm curious about the green stones (jades?) on his outfit--around his waist, there are several pieces attached to tassels, and he has two strapped to his right leg. The material matches the stone used for his weapon. Maybe it represents his status in Briar Valley. If you check his (unposed) sprite, you can also see that he is wearing something around his waist that looks like folded bat wings.
Like everyone else, I'm obsessed with his long hairーit makes him look so formidable, especially with that hood. My friends and I like to joke that his ponytail makes him look like a character in a Chinese martial arts drama.
Again, the story associated with this card made me love it even more. Few books have made me cry as much as Book 7 of TWST.
3. Malleus' Glorious Masquerade Outfit
While Sleeping Beauty was my favorite movie as a young child, when I got older, I began to love The Hunchback of Notre Dame. It was only natural for this outfit to be among my favorites for this reason.
There are so many details here. The feathered hat. The sheer sleeves. The golden embroidery. The split cape. It's honestly overwhelming to take in at once.
I can say that my favorite detail is his green earrings. They really bring out his eye color, and the PV made them so sparkly.
In addition, everyone I've ever seen who has cosplayed as GloMas Malleus or has drawn fanart of him has increased my appreciation of this outfit.
[Now for some very spoiler-y stuff] The fact that this event came just before the release of Chapter 7 is worth noting. Doesn't it feel a bit tragic that just before Malleus' overblot, we have a chance to see him wearing an outfit that makes him look especially like his mother, having fun and being the star at the masquerade? And what about the feathers on his shouldersーdo they hint at another side of his family? There's so much foreshadowing and mystery going on, and nothing is more suitable for the occasion than masquerade attire.
2. Kalim's New Year Attire
I've already rambled about how sentimental this outfit is to me in a previous post, but in summary: New Year is my favorite holiday, and the New Year's Sale event was the first event I "seriously" participated in. Kalim looks excessively cute and festive in his kimono, and every time I see this card, I feel nostalgic and in the holiday mood.
1. (Tied) Epel's Applepom Outfit and Riddle's Beach Outfit
I'm really sorry, Epel and Riddle are my favorite characters, and in the end, I refuse to chose between them. They're like my younger brothers! I try to collect all of their cards, so I pay attention to their outfits the most, and picking only one outfit for each character was a challenge in itself.
My favorite part of Epel's Applepom outfit is his cloak. It looks so fluffy and warm. When you set him as your home screen character, you also have the option to "swap looks" and see his outfit without the cloak--the apple embroidery on the rest of his outfit is very detailed. Many fans have mentioned that the outfits people wear in Harveston resemble traditional Scandinavian clothing, which is really cool!
The little apple slices on his cap are everything.
And I'm always happy to see characters in different hairstyles, such as Epel's little ponytail.
One of my headcanons is that you're allowed to call Epel cute, but only when he wears this specific outfit, because he takes it as a complement to his culture.
As for Riddle, we're all so used to seeing him wearing formal suits. It's so nice to see him loosening up for once. He looks so happy, now that he has the chance to see the ocean for the first time!
I also happened to be on vacation at the beach around the time this event came out, so it felt like a gift.
I have to laugh a little, because there are so many flowers on his outfit. Even Jack pointed it out in the story. But he looks so cute!
I suppose we have to discuss the elephant in the room. My friend saw it before me, so she spammed me with messages along the lines of "RIDDLE IS WEARING A CROP TOP!!! THIS IS NOT A DRILL!!!" and I naturally thought she was pranking me. But lo and behold, it's the truth. I like to headcanon that among the rest of the cast in this event, everyone has made an unspoken mutual agreement not to mention it. This Victorian child has already been through enough, and not a word must reach Mrs. Rosehearts.
Thank you once again for the ask! For anyone who read all of this, what do you think about these outfits, and which ones in the game are your favorite?
#The words “short” and “brief” are not in my vocabulary apparently#But it's alright#I just really love the work and details that the artists have put into the game#As well as the fan content! I'm so happy I joined the TWST fandom at this time#disney twisted wonderland#twst#twisted wonderland#floyd leech#azul ashengrotto#idia shroud#ortho shroud#twst silver#silver vanrouge#deuce spade#lilia vanrouge#malleus draconia#kalim al asim#epel felmier#riddle rosehearts
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