#I am almost done writing it
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it's after their first mission together that wade and logan share their first kiss.
the fight leading up to the time ripper took place right outside their apartment with barely any witnesses around, so the journey back home was short and quiet with no prying eyes. after that, it took a while for logan to get out of the house on the regular, but when he eventually did, it was just to walk or carry out errands, and in civilian clothes, he blended in with everyone else. it's different when they get called on a mission for the first time.
it's not a hard mission by any means, but it's brutal. he and wade subdue a dozen men on the streets, chase a final one down to the underground, and turn him over to the police. by the end of it all, the sun is going down, and people are travelling home from work. logan's suit is torn, and his bare arms are caked with dirt and dried blood.
a cab would be the typical mode of transport for them after a mission, but they're already at the station, anyway, so they decide to take the train. a busker sings at the platform with a guitar, a lulling, bittersweet thing, like the soundtrack to a life not deserving of such a melody. in the exhaustion and setting sun, it makes logan long for something he can't name. but they'll be home soon.
they board the train. he leans against one of the poles, feels the cool of the metal seep through his suit and into his spine. the music fades out, and what fades in in its place is the conversation and laughter of the others in the train car. a group of teenagers out having fun, businessmen in suits off work, older people with their grandkids or their shopping bags. wade's warmth opposite him, mask moving as he chatters.
he tries to listen, he really does, but as the train speeds through the tunnel, he feels stares turn slowly towards him from all sides. he smells their slight fear, their judgement, over the odour of him and wade. he realises all at once what he must look like, dirty and covered in blood that can't be his for his lack of open wounds. his exposed knuckles a darker red than the rest of his hands. he covers one hand with the other, unclenches his fists.
he's not one to care about what others think. not before, at least. he's used to glares of resentment and pity for what he did, eyes following him everywhere he went like the phantoms of those he killed. but these people don't know what he's done, and they stare at him all the same. it's almost worse.
for a brief moment, just a moment, he feels a stab of hopelessness. coming to this world felt like a second chance, a chance to start over without the world having to bear the knowledge of his inadequacies. but what if that isn't possible? what if this is all this world ever sees of him? the aftermath, the bloodstained hands, the aged lines of his face that tell them what they want to know. he's no one here, except when people remember him like this.
"peanut?"
wade's voice snaps him out of it, and when he looks up, wade has pulled his mask off. he's about to apologise for not listening when wade smiles slightly at him. it's enough to take the words out of his mouth. wade doesn't ask if logan's okay, but his eyes flicker almost imperceptibly over the other occupants of the train car. then he places a delicate hand on logan's waist and steps closer to him, until he can feel his breath ghosting his lips.
logan just looks up at him, breath caught in his throat. what? he thinks of asking. he doesn't.
wade's other hand trails up to cup his cheek. "let them stare," he says. "they don't know anything."
then he leans down and presses his lips to logan's. the train emerges out of the tunnel and bathes the car in golden light, and all the rest of it fades away.
wade steps back eventually, and logan wants to chase his lips, but instead watches as the shadows of his scars dance across his face with the path of the dying sun. he's so beautiful, logan thinks. he's home.
wade is right; let them stare. all he wants is to find his way home, just like everyone else. that's all anyone wants. and they're all on the same train home.
#user: gossippool 😝#gossippool writes#i typed this up so fast lmao thank you lin manuel miranda for ruining my life with this song like you have scarcely done before#unedited so if there are mistakes uhhh no there aren't???#anyway AAARRRGHHHHHHHHHH i'm insane over this song for real#i almost made this into an actual fic complete with art but i am LAZY! so have a more headcanon style tumblr post lmao#deadpool and wolverine#poolverine#deadpool#wade wilson#wolverine#logan howlett#Spotify
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currently obsessed with the thoughts of art donaldson’s sponsors and brand endorsements and how the campaign looks
we know canonically he has brand deals with uniqlo and aston martin, and he wears a rolex daytona and on roger pro. but like
what about them sexy calvin klein ads??
sunscreen and skincare campaign with neutrogena??
definitely a tiffany’s campaign with my popstar!reader like beyonce & jay z 🤭
i also feel like he’s a dior kinda guy??? or maybe a tom ford type???
wdyt guys 👀
#i need to ease back into writing fics bc i am RUSTY#also my writing gig is almost done!!!! skdhsjdhhdhdhd#ava rambles#art donaldson#mike faist#art donaldson x reader#art donaldson x popstar!reader#challengers#challengers fic
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Killua and the Power of Wishes
Okay going to try and make this coherent because the amount of wish association all through Killua's character development makes me want to chew plaster.
As a fair warning, this analysis ended up being long as hell, and I didn't even include everything I could've said. This is also just one lens to analyze Killua's story arc with, and I feel there are other valid interpretations of some of these moments. This is just one of mine, so keep that in mind please.
One last warning that this analysis does discuss emotional manipulation and abuse, as is par for Killua's background.
Let's set the stage with one important piece of info: Killua's birthday.
Killua's birthday is July 7th, the same day as Tanabata. Tanabata is a folklore-rich festival where according to legend, the two lovers, weaver Orihime and cowherd Hikoboshi, represented by the two stars, Vega and Altair, are allowed to reunite once a year after separation. A popular custom of Tanabata is to make wishes by writing them down on tanzaku, then hang it on a bamboo tree so that the wish might one day come true.
Tanabata is also known as the Star Festival. Please keep this in mind, because I'm going to come back to it.
To finish setting up the lens for this analysis, I'm going to need to dig into the game-changer scene for Killua's early characterization - his confrontation with Illumi at the end of the Hunter Exam, and specifically, the exact nature of Illumi's manipulation of him.
I say "game-changer" because it really is - up until this point, it's kind of fair to not fully know what to think about Killua. Certainly, he seems excited to hang out with Gon (he approached him first, after all) and he's friendly enough, but he's also arrogant and claims to be motivated mainly by boredom. For all intents and purposes, Killua seems set up to be Gon's dangerous yet charismatic rival... but then this scene happens and it completely turns it all on its head.
Because Killua may have mentioned his family was controlling before, but he seriously downplayed the severity of it - likely because he has no point of reference for how awful his situation actually is other than it makes him feel bad and trapped. Illumi's appearance immediately shifts our understanding of Killua from runaway murder kid with annoying murder family to straight-up victim of emotional abuse, and dissolves his cockiness instantly to terror.
What does all this have to do with wishes? Glad you asked. Let's look at some of Illumi's dialogue.
[ID: A screenshot from HxH episode 20 of the 2011 anime. Killua looks up, sweating and conflicted, as Illumi tells him "You don't want anything or wish for anything." End ID.]
This is the crux of Illumi's (and the family's) control. Killua's desires do not align with the family trade. They must be excised from him.
When Killua insists that he does have something that he really wants, Illumi says "Tell me what it is you want", in a mockery of a certain other sibling who would have helped fulfill this wish - Illumi asks only so he can completely dismantle it. And Killua isn't even really surprised at Illumi's words, just heartbroken. You can tell this isn't the first time this sort of thing has happened.
Killua states his wish quite fervently; he really means it. But his words are not rebellious, nor cathartic. Instead, he answers Illumi quietly, as if fearful or ashamed, almost reminiscent of a sinner's confession.
[ID: Two screenshots from HxH episode 20 of the 2011 anime. In the first Killua looks down with a troubled expression, saying "I want to become friends with Gon...". In the second, his face is hidden as he stands with hands clenched at his sides with a spotlight on him. He says "I'm sick of killing people..." End ID.]
It's such an innocent, simple want.
And Illumi proceeds to make him feel like even something so simple is harmful and selfish of him... not to the family, but to Gon.
In a matter of a few minutes, Illumi breaks down Killua's wish by:
Acknowledging this desire, but twisting it into something that will inevitably fade over time, thereby causing Killua to doubt his own conviction and feelings -> "Gon is a novelty, a radiant presence who has piqued your curiosity. No more than that."
Acknowledging that Gon is someone important to Killua, and undermining this by telling him that by his very nature, he will eventually bring harm to Gon, which makes him feel as though Killua cannot trust himself to be a good friend -> "If you try to be friends with him, you will one day want to kill him... because you are, by nature, a murderer." (As a... delightful... bonus, this is also apparently how Silva and Illumi justify their treatment of Killua to him - "This is the essence of your existence and we taught you accordingly." Like they adapted to Killua's nature, instead of them molding Killua into who they wanted him to be.)
Delivering an ultimatum - to fight Illumi and win, or else Gon will die - that Killua is doomed to fail due to his upbringing and the needle in his head. Since Killua doesn't know about the needle, he assumes this is his own personal failure, something Illumi feeds into -> "You're just not qualified to make friends."
And it's the last point that breaks him. The first two shoot down Killua's present wish, but the last proceeds to shatter any hope he might've had of wishing for anything similar in the future - he has told him that his desires are weak, temporary, inherently dangerous to those around him, and worst of all, aren't enough on their own for him to deserve friendship and love from others. And the clincher: Killua feels like all of this is his own fault, that there is something inherently dangerous and wrong with him!
So, it doesn't even matter to Killua anymore if he fails the Hunter Exam. To him, he just failed the only test that mattered.
10/10 manipulation, Illumi. Fuck you, seriously.
Killua's character arc is mainly his quest and struggle to refute Illumi's arguments and to shake off the manipulation and the ways in which his family have molded and controlled him. And by far, the most difficult part of his conditioning to shake off is this idea that he is undeserving of anything more than what he is already given.
It's almost like the family has drilled it into him that wishes are dangerous. How interesting.
Thankfully, however, there are two parties to Killua's wish here - Gon, too, is a part of it, and it is not simply his reciprocated desire to be Killua's friend that saves him, but also his recognition of Killua's situation for what it is (notably, when no one else correctly identified the true issue).
"You know it wasn't his choice. You manipulated him, kidnapping his spirit!"
The ensuing Zoldyck family arc emphasizes that Gon is 100% correct: the main hold Killua's family has on him isn't physical - it's all emotional.
Killua breaks one of his shackles when Milluki threatens to have his new friends killed, but he only breaks the rest when Zeno tells him he's free to go. So, if Killua could break loose at any point, was this still a rescue like Gon said?
Well, yes - just because he absolutely could've broken out physically at any time, that does not mean he could just leave. That's the nature of situations such as this - it's not as simple as "just leaving". Support is necessary, as is actually having something tangible outside the situation to go to - otherwise there is little point to leaving at all. Gon (and Kurapika and Leorio) showing up to free Killua showed him that his wish was reciprocated and allowed him to break one cuff - this is the start of his journey, but he still has a long ways to go. Notably, he again hesitates and closes off when Silva asks what he wants.
[ID: Three panels from HxH chapter 42. In the first, Silva asks Killua "...would you like to see [Gon]?" Killua's expression is complicated in the next panel - he's closed off and uncertain. Silva continues "Be honest, Kil... what do you want?" End ID.]
Killua will backtalk and casually break his shackles and death glare his family... but he's too fearful to voice his wants aloud.
And once again, asked by his father what he wants, he is subtly set up to fail. His wish is granted, but made conditional - "Do not betray your friends", something Killua is regrettably set up to do by virtue of the needle in his head that he, again, doesn't know about. Silva fully expects him to fail and come back home, disillusioned, believing it's his own fault due to his "nature", and trusting in Silva still as a "reasonable" figure in his life.
This condition placed on his friendship is what drives much of Killua's fear and insecurity with regards to Gon for much of the series - the idea that Killua has to earn his right to friendship, and that if he doesn't, he will lose it, one way or another.
It really makes me wish that Killua had actually gotten to hear Gon's views on friendship from the beginning of the Zoldyck Family arc, because it entirely refutes this entire philosophy. He even outright refuses to go through the Testing Gates at first, purely because he thinks the sentiment of needing to prove yourself just to be friends is completely outrageous - he only relents because there is no other way.
[ID: Two screenshots from episodes 21 and 22 of the 2011 HxH anime adaptation. Gon looks up at Illumi and firmly states "[Killua] doesn't need to earn the right to be my friend!" In the second, Gon's face is seen in profile and close up as he asks "Why would you test your friends?" End ID.]
I doubt it would've truly prevented Killua's insecurity from manifesting even if he had heard this, to be honest - his issues with usefulness are very deep-rooted in his upbringing - but still, it would've been nice for him to hear, I think.
However, that's not to say that this exact sentiment doesn't come through in their interactions.
Gon, as Killua's friend, cares about what Killua actually wants and wants to make sure Killua knows that - and that's part of what makes the Whale Island conversation between them really important.
[ID: Two images, both of the same scene from HxH chapter 64, and episode 37 of the 2011 anime. In the manga panel, Gon has turned his head to look at Killua directly, who looks shocked and taken aback, to say "I like hanging out with you." In the anime screenshot, Gon has turned his whole body to face Killua, and says "I think it's fun to be with you." End ID.]
I see a lot of people chalk this up to just Gon being Gon, but it reads to me as much more deliberate than even his usual honesty. He's turned so he's looking directly at Killua, which is a sure way to make his words come across clearly. The lead up to this is Killua, again, not knowing or being able to vocalize what he wants. He doesn't have a goal to work towards like Gon, he only knows what he doesn't want - he's a mix of envious and admiring towards Gon, who knows what he wants and simply goes for it.
But this conversation makes it clear that they have a shared wish - they both want to be friends, and they'd both like to stay together. It's not about earning, to Gon, it's only about if they both want the same thing - mutual, not conditional. There's a nice almost call-and-response type dialogue here, where Gon asserts that he likes spending time with Killua (very directly lol), then shares that Killua is the first friend his age he's had. This prompts Killua to say that Gon is his first friend ever, and that he does have fun with him. And just like that, Gon replies "Then let's stay together!" and pointedly includes Killua's desire to find a goal in their, now shared, upcoming journey.
Overhead, a shooting star appears in the sky. A mutual wish is granted.
[ID: A panel from HxH chapter 64. The night sky is full of stars. In the centre is a shooting star. End ID.]
Hm. Stars. Remember how I told you to keep that in mind, all the way back at the beginning? Their association with Tanabata, making a wish on a shooting star, etc. etc.?
Well, buckle up because this star is going to make you experience so much sadness now.
[ID: Panels from HxH chapter 286. The first is a conversation between Killua and Meleoron where Killua asserts he intends to "go down in flames with [Gon]". When Meleoron looks concerned, Killua brushes off the declaration as a joke. In the second image, Killua is turned away, his outline pale, as Meleoron thinks "Why... did you looks so sad... back there?" The last image is a cloudy night sky filled with stars. At the centre of the panel is a shooting star. End ID.]
Yeah, it makes its reappearance directly after Killua has "jokingly" resolved to die with Gon if it comes down to it, after "since it means nothing to you".
I am assured, in Japanese, the word choice here is 心中 (shinjuu), the word for double suicide, where the intent is to die at the same time in the same manner in order to be reunited in the afterlife. The implication here is that Killua, having increasingly grown insecure in his place by Gon's side but unable to voice this, knowing that Gon is hurtling down the path of no return, thinks back to their conversation under the stars where they both mutually wished to stay together and, because he believes that it is no longer possible for him to help Gon, has resolved to stay by his side in death, and after it.
...holy shit, kid.
[ID: Two screenshots from the 4th ending of the 2011 anime. In the first, Gon and Killua stand back to back as meteors fall around them. In the second, they stand facing away from the audience towards a body of water under a night sky filled with stars - Gon throws a stone, which flashes in the air like a shooting star. End ID.]
And of course, here's the shooting star again in the 2011 anime's Nagareboshi Kirari ending, as well as it being the subject of the song itself and rather explicitly referencing that wish to go on a journey together, to stay together, because... Madhouse hates us. I guess. :'(
What started off as a simple wish for a friend deepened into a wish to always stay by Gon's side. This is largely good at first! Killua is able to explore and experience genuine friendship, to get a taste for freedom, and use the power of his fervent wish to protect his dear friend in order to rid himself of Illumi's needle. However, the more Killua wants, the more he traps these wishes in monologues within his own head and does not voice them aloud. Part of it is that he already feels he's been given much more than he deserves - seeing himself as a creature of darkness and Gon as light - but a greater part of the issue here is not that Killua is afraid to wish for things, but that he is afraid wishing without "compensation" will inevitably lead to horrible repercussions - namely, losing who he loves.
In order to feel worthy of staying with Gon, of earning his friendship, Killua works hard to help Gon achieve his goals, taking on the role of wish grantor, growing to do practically anything needed to support him for seemingly nothing in return - but that's not 100% true. Killua wants at least some appreciation, whether he admits it or not - it's a security thing, and it also clearly makes him happy, even if he's not great at accepting it. He insists in Chimera Ant arc that friends don't need to thank friends, but this declaration always read as very sudden to me or like a rationalization, and it's relevant to remember that this is at the peak of Gon isolating himself and self-destructing before his eyes, and Killua's own insecurity regarding his importance to him.
Killua might not mind doing things without thanks, but that doesn't mean he doesn't like to hear that Gon appreciates him. He clearly does appreciate verbal confirmation of their bond! We know this.
[ID: Two screenshots from the 2011 anime. The first is from episode 61. Killua smiles down at the ground with his hands in his pockets, the colours having gone soft and bright. The second is from episode 70 during the dodgeball match. Gon smiles determinedly in the foreground as Killua looks shocked next to him. End ID.]
Keeping all this in mind, Killua's story, or at least this part of it, couldn't have concluded in a better way than his rescue of Alluka, the wish grantor.
Now, I could probably write an entire other analysis on Alluka and Nanika alone, but for the sake of not making this any longer than I already have, I'm going to go through only a few points. Alluka is incomprehensible to her family because they make no attempt to understand her, with the exception of Killua. The only thing they do seem to understand, when explained to them, is the demands made after Nanika grants a wish - this, of course, fits neatly into their own predetermined views on "earning" and "punishment". However, beyond this, they make no attempt to understand her, and since her power is deemed dangerous and uncontrollable, she is locked away.
They are worried, first and foremost, that Alluka will bring harm to the family, and there's two ways in which this could be true:
As a function of failing to fulfill her requests, of course
Because she, just by existing, threatens the family's status quo
I stated at the beginning that Killua's desires do not align with those of the family business, and he's always apparently been more open to understanding others - he asks Alluka and Nanika questions to understand them, and treats them with respect, while his family are more so focused on subjugating anything that might be a threat. This is what Illumi tried to drill into Killua after all; never fight a superior opponent - everything is about assessments of relative strength, which leaves no room for open-mindedness or getting to know people.
Faced with a daughter who is clearly incomprehensibly powerful, and a son, the would-be inheritor of the family trade, who is showing a disturbing amount of willingness to befriend instead of retreat from her, the family made the decision to excise Alluka not just from where she could "harm" the family power-wise, but also likely to secure their control over Killua, who they then set about practically programming to not have any more wishes for himself, or at least to not be able to vocalize them without fear of loss or retribution.
The family's nickname for Killua is "Kil" or "Killu", which is deeply fascinating to me as a reader - nicknames are expressions of endearment, typically, and I actually don't doubt that here. Killua's family does love him, but their love comes with conditions. He must be molded into the perfect son, and every part of him that doesn't fit must be excised.
So: Killua's memories of Alluka are suppressed with the needle, and she is further cut from his life by dropping the "a" from his name (the Zoldyck children are named like a game of shiratori - Illumi -> Milluki -> Killua -> Alluka -> Kalluto). The nickname is also like a command or order "to kill", which is of course what they want him to do.
Saving Gon through saving Alluka and Nanika forces Killua to have to face down the last and hardest of Illumi's manipulations to shake, and that's the notion that a wish, that kindness and friendship and love, cannot be unconditional without severe repercussions - where the people he cares about get hurt because of him, something he cannot envision being forgiven for.
It's a little sad to me that after spending most of the series struggling against his family's teachings that they didn't lead to Killua betraying Gon at all, as he'd feared... but to him betraying Nanika, by sending her away.
Here is this little girl with a bloodstained past, incredibly powerful and dangerous and capable of amazing feats, treated as some evil thing by those who fear her. But she is kind at heart. Her true strength lies in healing, not killing. And she only takes commands from Killua.
Illumi thinks this is because Killua is the only one with control over her. Killua believes this is because she wants praise. They're both partially correct, but this is not the full reason Nanika does what Killua asks of her.
[ID: Two screenshots from episode 146 of the 2011 anime. In the first, Nanika smiles and says "I love Killua." In the second, Killua looks at her, stricken. End ID.]
Nanika loves him. Everyone has been trying to figure out all these complicated rules and conditions on her wish granting and why Killua is the one exception, but the answer is exceedingly simple. She loves him, and wants to do nice things for him so he can have his wishes granted. It's the only way she knows to get the love that she wants in turn.
Just like her brother, Nanika makes herself useful to earn love and appreciation from someone who accepted her when no one else did.
Even though he knows Nanika just wants to help, he still sees her presence as a danger to the person he sees as pure and innocent who must be protected. He sends her away because her "nature" is to be a threat to Alluka's safety, even if she doesn't intend to be. Killua's fear of Illumi and repercussions causes him to make a horrible mistake.
And Alluka tears into him for it.
[ID: A set of panels from HxH chapter 336. A furious Alluka glares and asks Killua if he made Nanika cry. When Killua stutters, she demands he apologize to her. End ID.]
You tell him, girl.
Oh hey, this looks a little familiar, huh?
"Apologize to Killua!" says Gon to Illumi after Illumi sends Killua away.
Nanika should not be the one punished for the actions of those trying to control her. She certainly shouldn't be forced to leave those she loves, or have to earn love from them.
And neither should Killua.
[ID: Three panels from HxH chapter 336. Alluka yells, tears in her eyes, "If you're going to protect me... you have to protect Nanika too!!" Killua looks shocked, then his eyes widen. End ID.]
It's interesting to me that this is the line that snaps Killua out of his fear enough for him to properly speak with Nanika and apologize. One party cannot receive all the protection, nor can the other only give and give limitlessly.
Killua makes it clear to Nanika when speaking with her that he will protect her, and that she doesn't need to earn affection from people by granting their wishes. He promises they will both be there for each other - Killua will praise her whenever she wants, and not just when she does something for him, but he also doesn't refuse Nanika's desire to grant his wishes. It's mutual, not conditional.
And on the heels of this "betrayal", Killua asks for what he never thought he could receive - forgiveness. And even though Nanika is clearly still very upset...
[ID: Two screenshots from episode 146. In the first, Nanika and Killua face each other, both of them teary. Nanika says "Kay." In the second, he has pulled her into a hug. Nanika is teary, her fingers gripping Killua's back tightly. End ID.]
...she doesn't even have to think about it.
I do think Killua still has a ways to go, but he is in a position right now to learn from his relationship with his sisters about balance - that love is not just selfless devotion, but also allowing those who love you to help you and make you happy too. I think that's what unconditional love is, in a way - supporting and working together with the people you love to make each other's wishes come true.
#oh my god this was supposed to be a brief write-up what happened 😭#ugh i feel like this is a bit of a mess and there's infinite other little points i could've made or elaborated on or interpreted differentl#but i'm so tired lmao#anyways tldr fuck you illumi you suck#killua is a snarky little shit but he also has so much love in his tiny body and i think we should appreciate him forever and ever#this also accidentally turned into alluka and nanika appreciation. i love them#nanika sweet angel i love you so much i hope you get all the head pats in the world#ghhh i'm so scared this doesn't make sense anymore i've been working on it for almost a week#hunter x hunter#hxh#hxh meta#killua zoldyck#call me ace detective the way i am ace. and also a detective.#storyrambles#also that one scene where gon turns to look directly at killua and tells him he has fun being with him makes me jdfhbvsdjfbvh#he's so intense about it i start laughing. no wonder killua basically just went ??!?!?!?! and like. leaned back because i think i would've#done the same lmaoooo#it's very sweet though :')#argh. gotta post. i need to stop hesitating. let's go.
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"I feel like I had nothing to hide. I didn't feel like I had to show you my good side. I feel like I can be myself around you."
#hwang hyunjin#han jisung#hyunjin#jisung#han#hyunsung#userlau#usersa#forhanji#hyunjinsource#staydaily#skzco#e01o#daily3racha#*hyunjin#*jisung#*hyunsung#a hyunsung video of all time. for the history books.#i'm going to be real i'm a little fatigued by the rap better dance better label lol but i get it and they still refer to themselves that wa#so i can't be too annoyed#considering how much i love the enemies to friends and/or lovers trope it makes sense that I love this duo in particular so much lol#them talking about how they almost physically fought with each other to crying over each other :))))))))))))) I'm fine who even cares#when i learn how to write captions it's so over#i definitely think i'll revisit this video again because they said sooo much that I want to immortalise on this blog#the caption being one of many such instances#anyways i am done being insane over them (a woman who is lying)
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The chatterbox good university student and assistant, a young, a bit overconfident and bossy puppy:
His smart, cute and silver tongued university teacher, a gremlin with glasses:
The teacher's sexy husband with a fierce look but an heart of gold, a smug gymbro leader of a huge company:
I need to write a story with these three. ✍🏻
#I need to write a story with the lotus trio#I need to draw something with the lotus trio#I need to watch the lotus trio#I need the lotus trio#I also need to rest but this is another story#Anyway#i am still here#And I'm late#I'm late to post my monthly fic#it's almost done#I have started to rewatch the drama again btw#i love it#cdrama#chinese drama#mysterious lotus casebook#lian hua lou#li lianhua#li xiangyi#di feisheng#xiao shunyao#cheng yi#fang xiaobao#joseph zeng#feihua
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the fact that you start the Tabris origin by literally stepping into your mother's shoes. the fact that what you get is a wedding outfit and your mother's worn boots, kept carefully intact for years, tucked away for this exact moment. the fact that you then immediately take the path she never could, leaving behind the alienage and the wedding and following Duncan (who would have recruited Adaia first, if not for baby!Tabris) to what ought to have been death.
And Then!! instead of fighting and falling as she did, cheating death and becoming the fighter she always intended you to be instead??? Reliving and simultaneously subverting the story of her life??
#okay no i'm not done actually#the way it feels like destiny for you to die on the alienage's behalf (soris is still in the dungeons in other origins when you get there)#and not only is that fate averted by duncan's presence#but what feels like the fate laid out for you by adaia's death is shifted too#this makes the ultimate sacrifice ending so much more awful imo#because it almost feels like a final destination-esque reckoning#you thought you escaped? no. this city will eat your bones and spit out a golden savior#who tabris actually *is* was always irrelevant and i am!!!#eating this#excuse me i am just writing baby arianwen and adaia right now and i am Feeling Things#i just!!! her boots!! is anyone listening? is this thing on?? her *boots*!#*buries face in crossed arms and sobs*#dixeram#dao#tabris origin#warden tabris#arianwen tabris#adaia tabris#oh shit oh god i just realized also#you free adaia from the dungeon in leliana's song right#and then in turn escape from the same dungeon#and when imprisoned at drakon's rise you break free from that too?#now it's tastier if you free yourself from the dungeon but#the possibility of leliana freeing you from there as well?? not the same dungeon but the same danger??? ouch. ouch!
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to rome: a play by fearandhatred
(5k words, 1/1 chapters)
While trying to tempt Caligula, Crowley makes a discovery that renders all his efforts for naught. But then it turns out that Aziraphale is here too, so maybe his trip to Rome isn't wasted after all.
***highly recommended to read on a phone because of the Multiplicity Of Line Breaks that just look very weird on a laptop unless your font size is huge
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i've always loved the idea of crowley falling in love with aziraphale in rome. in some ways it really is my roman empire so i figured i might as well make it happen! featuring many shenanigans and an annoying emperor :)
any and all support is greatly appreciated <3
anyway it all started with a dream:
so this is for @eybefioro @captainblou @crowleys-bentley-and-plants who challenged me to write a fic with no angst and also, coincidentally, for that one commenter who asked me on the same day if i would consider writing something happy for once. against all odds and with much difficulty, i have done it. love u guys sm <333
#fearandhatred#fearandfics#fearandart#i need to stop making that roman empire joke.#thank you to my muse george bernard shaw. i consulted many playbills and plays i owned for this fic but saint joan was the main one#if you guys see any mistakes in the fic. even a Space (especially a space) literally just tell me bc this is unbetaed#also i wish i could have done more monologues like older plays usually have but due to the Nature and Tone of this fic i couldn't#maybe another time i'll do another play but a more serious one because i really wanna try that. but also formatting was hell so maybe not#anyway. begging you to not see this as a measure of my writing skills because i have never done anything like this before#both in concept and in trope (happy)#ok the longer i let this sit the more i started to doubt it was any good so i am going to sleep now lmfaooo goodnight#i literally almost chickened out of posting this helppp it is not that serious#good omens#ineffable husbands#aziracrow#crowley#aziraphale#good omens fanart#good omens fanfic#good omens fic#good omens fic rec
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"what's your favorite flower?"
daffodils
'Daffodils are flowers that are often associated with unrequited love, loneliness and a longing for something that cannot be obtained'
#art tag#// a drawing to show THAT I'M STILL ALIVE.#//was thinking about this for so long.#// the language of the flowers is my most favourite thing everrrrr#// just a small art before I post the whole thing and wrap things up nicely!!!#// im dying squirtle.#// THIS WAS SUPPOSED TO BE POSTED 8 HOURS AGO BUT I'M SO BUSY. IM SORRRRYYYYY#// SCRATCH THAT 10 HRS AGO. HEEELP.#// I AM ACTUALLY ALMOST DONE WITH THE WRITING I SWEAR. I'M LIKE AT 2.7K WORDS HELP ME.
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I cannot imagine being a Damian stan right now. You've got both Zdarsky's bullshit (where he clearly doesn't give a shit about your boy) and The Boy Wonder (where Juni Ba clearly gives so many shits about your boy) coming out on the same day. The whiplash must be insane. I hope y'all get some nice warm soup for your efforts jfc
#damian wayne#damian al ghul#damian al ghul wayne#batman#batfamily#for all of the issues that come with having Steph as your fave having too much wild shit happening at once is never one of them#btw I quite like The Boy Wonder Issue 1. wow shocker an artist and writer who I have liked everything they've ever done#has once again written something that I am enjoying with art that makes me want to be part of its world.#it's almost like Juni Ba is really freaking talented or something#like I have some problems with it but it seems like many of those are part of the point. Damian is learning that his siblings are more#three-dimensional than he realized and that is part of this 'coming of age' story merged with fairytale#so I can't be mad at the oversimplistic defining of Dick and Jason and Tim until the conclusion of the series. that might be the point.#I hope that the series will address Steph as a Robin but if not then frankly it's not an issue unique to this series.#I'll be annoyed and disappointed but ultimately roll with it like I am with Babsgirl being here. There's too much good stuff here to get#hung up on shit that seems to be almost an editorial mandate at this point. at least that's where I'm at.#I am also very sorry that Chip Zdarsky is massacring your boy. he has 'X (Tim for him) is the best Robin so everyone else must suck' diseas#where a writer really likes one specific Robin and in trying to uplift them demeans all of the other Robins. instead of like...just writing#for that one character only or alternatively not demeaning the other characters in order to make his blorbo look good#it's wild because I actually think his writing for Tim is pretty solid. but he's not writing a Tim series. he's writing a Batman series.#and if you are going to write a Batman series and include other Batfamily members you need to actually write them well.#instead of assigning them like 2 personality traits while Tim gets to be a whole character#I accept that behavior in fanfic where I have lesser standards because it's fucking free. not a comic run that wants me to pay#tens of dollars in order to understand what the fuck is going on. he's been going for a while now it's gotta be a lot of money.#I can buy Steelworks with that money. I can see John Henry and Natasha Irons in a trade. Fuck you Chip.#it's why it takes such a special person to write a good ensemble story/a good Batfamily story. you have to be good at writing a LOT#of different characters. which I don't think most people are. I sure as hell am not. I can write maybe 3 at a time confidently well.#and you also have to give all of them at least SOME love or else people will be upset that you aren't focusing on their fave#and also the writing as a whole will suffer. Chip Zdarsky is a pretty good Tim writer. I'd maybe read a Tim solo written by him.#I would not read a story focusing on multiple characters that I like written by Chip Zdarsky. because every character who isn't Tim#is at least a bit weak/inconsistent/out of character INCLUDING FUCKING BATMAN. THE NO. 1 GUY MOST ARE HERE FOR
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Im currently caught in a rut with Marquee moon pt2, so have an excerpt my other wip ive got going in the shapeshifter au-
Everything in its right place - 500 words WIP :3333
~~~~~~~~~~~~~~~~~
Even though he had turned down Vale's offer he still sometimes joins the Academy in some of their escapades and training sessions despite not being a part of the academy. It is nice having friends in such a cutthroat sport like MotoGP, but Enea has sadly (or gladly, he supposes) that he has never had the chance or time to build such a close relationship with the other drivers that a falling out would be a devastation. Like how the falling out with Marc and Vale went. The topic has become taboo in the Ranch household, even though you cannot mention racing without either Marc or Vale without there being the intertwining of the two. It's beautiful in a strange way, he supposes.
Despite this, the bond of the Academy drivers, both Ex and current, is unbelievably strong. A lot of times Enea feels like an outsider to the group though, which he is in a way, but it's still strange.
There are references and inside jokes that are made that he doesn't understand. Sometimes a joke is made and some of the academy members will give me this wide-eyed panicked look, like he’ll be learning whatever secret reference they made with a four-word joke.
Enea is a people person, an extrovert. He loves talking and chatting and hanging out with people he holds dear and strangers all the same. So when he starts feeling like he's not wanted somewhere it stings a little bit, but it's nothing new. he knows he's chatty and he knows when to stop based on facial and body language alone. But seeing this behavior come from his friends hurts on a whole new level.
Sometimes it's unbearable. Like there's a tension settled over the house whenever he's there, and Enea knows that it has to do with him. On the bad days, he can always feel someone watching him, staring at him at almost constant times. He asked about it before, sort of.
Typically on these days, someone from the group is missing, whether that's Vale, Pecco, Bez, Cele, Mig, Franky, or whoever, someone is always missing, and when Enea enters the building and asks “Where are they?” It's like he asked if he could invite Marc Marquez to the ranch or like he killed someone's grandma.
He doesn't understand, and they don't try to help him understand, so he stops trying. When he sees someone missing he stops asking. When they make a joke he doesn't understand he looks at his phone or away to pretend he isn't listening. He starts making excuses now and then so that he doesn't have to go to the ranch and so that he doesn't feel like an outsider with his friends. More and more often it starts to feel like Family PLUS Enea, and he just can't stand that feeling.
It's a slow process, pulling away. He tries to do it slowly, missing a few meets throughout a couple of months, then slowly adding more and more excuses to the board. It gets to the point where he starts scheduling hangouts with other people and sponsoring events on the days that their get-togethers happen. Putting so much effort into missing these hangouts makes Enea feel like an asshole, it weighs on him and he sure as hell hopes that no one can see the amount of pressure it's putting on him.
#this is the enea-centric fic ive been working on#im almost done with it!#i just need up put in a couple more thousand words and it will be good to go!#i hope to get this done soon but theres no promises#in regards to marquee moon- im having such a hard time writing marc being overprotective since i-myself-have never felt that way#and im REAALLLY bad at writing something ive never felt or understand the feeling of. so if someone who IS overprotective can talk to me-#-please do. i need help writing desperatly.#my og 2nd part i wrote ended with a very chill marc but after thinking about it- marc would NOT be lowkey about anything that happened#so i scrapped it and am redoing the ending of part 2#i may release my og as a alternate ending though. a What If perhaps.#Motzoogp#motogp#motogp rpf#enea bastianini#valentino rossi#vr46 academy
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Sunday doodle, will likely clean this up later :3
#kralsei#kris#ralsei#doodles#sunday doodles#had test no. 2 today#got a 60% last time but since i now know what to look for while reading#i got a 100% this time :3#am learning things yahoo#uh depending on how this semester goes#my deltarune projects may need to go on hold??#will be doing some extra portfolio building this semester but idk how much that'll get in the way of my normal art#we'll see ig#speaking of... still writing that comic; the drafting stage is almost done#i might write it as a fic first so i have a clear idea of what to draw but its got a close to completed narrative#i know i have a history of announcing i want to do things and then never finishing anything#buuuut i haven't forgotten about this one#will still be a while though; sorry for the wait!
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you're all invited to my funeral i just lost like a 1.5k piece that i was kind of in love with yayy yippeee yay
#i was using that calmly writer page bc i love writing there but the only thing is that it doesn't save#and my battery ran out#so my computer shut down#i am#so fucking sad#wow#i was just gonna save it bc i was almost done too#fuuuuuuuuuuuuckk#mayor of loserville
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Into the Black With a Matchstick, pt5
I have no idea what the word count here is but this feels kinda long. @_@
Also, I am so sorry for all of the exposition; I am trying to make it gentle but it feels like a lot! I think we're at/almost at the hump of this story, though! :0
@c00kieknight, @hypersomnia-insomniac, @jxm-1up, @midnight--architect, @robinparravel
@thepotatoofnopes, @those-damn-snippets
@mr-orion, @tildeathiwillwrite, @thelazywitchphotographer
cw: some peril, descriptions of vertigo and vomiting
first previous
---
Ten minutes.
That was no time at all.
The Skel. What in the name of Creation were the Skel doing in this sector? Paxie was here to monitor smuggling, to discourage unlicensed vessels from flying, to report unusual star activity.
The squad of five ships were not equipped for a skirmish with them.
"All ships!" Paxie ordered across the emergency channel. "Spool FTL drives and make heading for nearest fallback position! Defensive power allocations!" Ten minutes. Ten minutes! If the ships weren't all ready in time, if the Earthlings couldn't get ready in time—
They had no FTL travel—
"Ready automated fighters to scramble!" they added hurriedly.
The Earthlings. What were they going to do about the Earthlings.
Kime was scrambling, and she clamored in a rush through the narrow hallway. Paxie got out of her way as she bumped and clawed her way to the shuttle.
"Admiral!" Klte hissed. They looked back towards the med bay to see it looking at them, its helmet already back on its head. "The Earthlings!"
"I know," Paxie barked affirmatively. They couldn't leave this ship behind. But there was no way for it to possibly travel fast enough to keep up.
"Admiral," Harrison said, stepping into the hall. His eyes were wide, and his skin was pale. Paxie worried for a moment he might faint again. "How do your faster than light engines work?" Paxie blinked. They had no idea. And why was this a question to ask? Surely there was no way for the Earthlings to make an FTL drive in ten minutes with the technology available on this ancient ship. "Do they dematerialize?" he asked. "Do you use wormholes? Is it a space deforming drive?"
"It-it warps the shape of space," Klte hissed. Harrison turned sharply to look at them. Ramirez stepped into the hall.
"Does the space around the ship remain unchanged?" Harrison asked. "Is it distorted inside of the rings?"
What was the Earthling talking about? How did he know how FTL drives worked if Earth didn't have them?
"No," Klte said, their voice almost awed. "No, it's distorted in a bubble through the rings and projectors." Harrison turned sharply to Paxie.
"Admiral, we have to move this ship onto the belly of one of your vessels," Harrison said. "If your ships have ferrous hulls, we can clamp onto you to avoid falling off. But we have to begin maneuvers now."
"That's out of the question," Paxie breathed, blanching. The risk of the ship falling out of alignment and crossing the warp barrier.... "If you fall away, your ship will be smeared across open space."
"And what are the chances of the incoming vessel killing us?" Ramirez asked. She was stoic again. The look in her eyes was... haunting. She had the focus of any Xoixe. Of any apex.
Paxie looked again to Harrison. To Klte.
"Unless you have a ship large enough to dock our vessel, we don't have time to think of another solution," Ramirez said. And Paxie didn't. This mission had been routine, and the Earthling's ship was too large and awkwardly shaped to store on any of the Xoixe craft.
They opened a channel to Captain Eme.
"Captain, prepare The Water's Kiss to align and attach to the Earthling vessel, belly-to-belly."
"A-Admiral?!" Eme choked.
Ramirez and Harrison both sprinted to a different room in the ship.
"They know the risk, Captain, and it was their idea."
"This species is completely suicidal," Eme gasped. Paxie considered the conversation Ramirez and Kime had just had.
"I'm inclined to agree," they breathed. Then they looked up to Klte. "Into the shuttle, we have to get back."
"Aye, sir," it said, already getting down on all eight and running headlong for the airlock.
Adina could hear Paxie making their massive way back to the shuttle from the gear room. John swore again, yanking on the thermal regulation layer, and Adina finally managed to get her damned cryo suit off of her body.
"What a fuckin' day," John gasped, getting the tight-fitting undersuit on and zipped up. Adina just laughed bitterly. She'd barely gotten two minutes with the damn IV before she had to yank it out of her arm again.
John shrugged the top half of his spacesuit on just as Adina heard the low-pitched thump of the outer airlock door sealing. A moment later, there was a deep clang as the alien shuttle detached. "Solstice!" Adina barked, yanking her thermal layer into place. The computer chimed. "Override collision controls and roll ship 180 degrees!"
"Right away, Doctor Adina Ramirez," the computer said in its slow, melodic, feminine voice. The ship immediately began to tilt.
"Shit," John hissed, stumbling as he stood on one leg, stepping into the bottom half of his suit.
Once John finished suiting up, he helped Adina get clamped down. They both waddled to the bridge.
"Which chair do I sit in?" Adina cried.
"How many sim hours did you log?" John asked. Adina stuttered, squeezing her eyes shut, trying to remember.
"Um, uh, uh, th-three hundred and f-forty!"
"You're on comms," John said, pointing to the first chair on the left. He took the one mounted facing forward, and she thanked whatever the fuck was left of God that it wasn't up to her to fly this thing.
There was already a hail request open, and when Adina answered it, she got video of the purpley-green Xoixe.
"Earthlings, you have six minutes before the Skel arrive!" the thing boomed. John swore.
"Adina, are you buckled in?"
"N-no!"
"Get buckled, we have to move!"
Adina stumbled and grasped, her breathing coming loud and hard. The buckle was large, made to be used even with the massive spacesuit gloves, and she was able to get strapped in even as the ship kept spinning.
"I'm in!"
The ship lurched downwards, and Adina squeezed her eyes shut against the vertigo.
"Collision shield disabled!" someone in the room on the alien ship cried.
"Away vessel successfully docked!" another announced.
"FTL fully spooled! Bubble zone partially obstructed!"
"Lieutenant Harrison, you have to move faster!" the alien captain cried. Adina could barely hear them over the sound of her breathing. She kept her eyes closed, trying not to remember how close the helmet was to her face, trying not to think about what would happen if they got stuck here or sliced apart in the warp bubble, trying not to think about how it felt like she was going to throw up again.
"If I hit you too hard, I'll bounce off and lose my alignment!" John yelled back over his shoulder.
"Harrison, we don't have time, I promise you will not bounce off of our hull!" the captain yelled back. "Clear the bubble zone, now!"
John swore loudly and Adina cried out when he punched the maneuvering thrusters. It felt like they were free-falling, the entire ship rushing down faster and faster, flinging her stomach into her lungs, and then they slammed to a stop so fast that Adina's teeth cracked shut.
"Bubble zone clear!"
"Engage drive!"
The entire ship seemed to yank to the right, like some kind of twisted roller coaster and rubber band hybrid. Then everything shuddered all at once, and then there was aching, deafening stillness.
Adina could hear her panicked breathing like it was blasting through an amp right next to her face. Her head was spinning like a top but she knew in her body the cabin was unnaturally still. Her breathing picked up — she heard it more than felt it — and suddenly she was scrambling at the latch of her helmet, her gloved fingers clawing at the bottom of her visor.
She got the helmet off in time, but forgot about the seat buckle. The channel was still open in front of her as she coughed up bile. Her ears were ringing. She didn't feel any better at all.
"Adina?" John said. He held her face in his gloved hands, suddenly standing next to her. "Hey, can you stand?" Adina closed her eyes. She would have shaken her head, but even the thought made her want to wretch again.
"N, hh, n, nn-nn...."
"Stay right here, then," John uttered, letting go of her. "We seem stable, so I'm gonna grab the IV again." Adina couldn't speak, and she couldn't move her head, so she just kept trying to breathe.
---
By the time Paxie got out of their suit, The Water's Kiss was well away from where it had come across the Earth vessel. Once again in open hallways, free of the environment suit, Paxie had abandoned propriety and sprinted for the command room.
They ran full-out, their claws scraping against the decks, their blood rushing. Everything was sharp. Their scales buzzed, and they were keenly aware of how hard their muscles were pumping to move them like this. Their body was alight, electrified. Their mind was focused, the Earthling pair their only thought.
They burst into the command room and slowed, their scales itching. They scraped their claws against the deck, panting hard, eyes snapping to the front of the bridge. There was an open channel, and Captain Ramirez was slumped in the display, breathing hard as Lieutenant Harrison worked around them.
Paxie relaxed, and the weight of fatigue settled over them. They padded heavily to the captain's chair. Eme flinched when they came into view and hurriedly vacated the seat. Paxie laid down in it, their chest heaving, and laid their claws down flat.
The Earthlings survived the initial jump. Good.
"Status report," Paxie huffed.
"The Earthling vessel is secured to the bottom hull, sir," Eme explained. "Our Ghost volunteered to engineer the dampener settings to keep them stable. We've evacuated the bottom two decks to keep our personnel from getting sick, but…." Eme glanced at the screen. Ramirez was trembling, and Harrison was wiping their face with the same thing they had given him earlier.
"She'll be okay," Lieutenant Harrison said. It felt all too familiar, to have Ramirez looking close to death and Harrison dismissing the matter. Perhaps it was another quirk of the species. Another avenue of their… self-destructive attitude. "We didn't suffer any damage during the maneuvers, thankfully," Harrison added. He stooped down to look into the feed from over Ramirez's shoulder. "We didn't hurt anything, did we?"
"N-no," Eme said. He was keeping his voice very proper. "No damage was sustained during maneuvers, and we did not have to scramble any automated fighters to escape." He looked again to Paxie. "All four vessels reported clean spool and initiation. We'll arrive at the fallback position five minutes behind them."
"It's going to be a long five minutes for them," Paxie mused. Maybe it felt closer than it was, but Paxie had been terrified the new aliens were going to get The Water's Kiss killed, or die in the retreat, themselves. If it was them waiting at the fallback position for a ship to arrive, they were sure they'd be inconsolably worried.
"Captain Ramirez, Lieutenant Harrison," Paxie said. Harrison looked up, but Ramirez only grunted. She was clearly in bad shape. And she wasn't getting better the way Harrison had. Paxie swallowed thickly and straightened up taller. "On behalf of the Interstellar Federation of Alliance, I, Admiral Uten Paxie, offer you and your species sanctuary. Under Article six of the Orphaned Body protocol, you all will be afforded medical care, nutrition, and housing without the need to prove citizenship of the Federation."
Harrison was staring at Paxie now. He curled one side of his lips upward, and chuffed softly. Ramirez seemed to be barely lucid. Paxie flattened their ears.
"As the commanding officer of this squadron, and your current head of authority, I'm authorizing an extended rest for the two of you," they went on. Harrison's expression went back to something more neutral. "You are both excused from any further duties for the day, and are not required to check in at a specific time."
Harrison nodded his head. He looked more serious now, more focused, the way Ramirez had earlier. He kept his hand on Ramirez's shoulder the entire time.
"Will do, Admiral," he said. He then gently patted Ramirez's shoulder. "We'll… hail you when we're feeling better."
"See that you do," Paxie said. "Rest well."
Harrison nodded again. Paxie nodded to the communications officer, who cut the feed. Then they took a long, deep breath.
"Announce ship-wide rest," they exhaled. "Keep half again extra medical staff on standby."
"Yes, sir," Eme said, opening the ship-wide channel.
---
Paxie roused with a start when their door chimed. They checked the time. It had been almost seven hours since rest had been announced. They still had another hour left.
They clambered up and out of their low bed, then padded over and hit the floor control for the door. It slid open, revealing a Qomo officer.
"The Earthlings have roused," it announced in the Xoixe language. "They've requested council with you and a highly skilled xenomedic at your convenience." Paxie quirked their jaw.
"Has something gone wrong? Are they injured?"
"No, sir," it said, "Captain Ramirez seems to be fairing better, already. But they wish to discuss the lives of their crew."
That was right. Ramirez and Harrison were the only crew members who had been thawed from their cryonic sleep, but there were more Earthlings than them on board. They would all need to be awoken as soon as possible. Keeping any creature in such a state, let alone for so terribly long, was absurdly inhumane.
"Very well. Rouse Ensign Kime and Lieutenant Tapide."
"Aye, sir."
Once Paxie was refreshed and the two xenomedics were gathered, the three entered the bridge. There was an open channel, already, and the second captain stood and relinquished the chair to Paxie. Paxie nodded their head and padded over, but they watched the feed distractedly.
Nobody was in frame. They could tell they were looking at a part of the ship near the helm station, but all there was to see was metal and wiring.
"Captain Ramirez?" Paxie said. They switched on the translation protocol when their words weren't repeated. "Lieutenant Harrison?"
There was a metal clatter. One of the Earthlings said something too quiet for the translation protocol to pick up. Then Harrison came into view. He looked pinker in the face now, and his eyes seemed clearer. He bore his teeth widely.
"Admiral, hi," he said. He was very close to the screen, and the untranslated version of his voice was loud. "How did you sleep?"
Paxie huffed a laugh.
"I think I should be asking you that," they said. "Is Captain Ramirez okay?"
"She's much better now," Harrison said, looking off-screen in the direction he'd come. Then he looked back to them. "She slept like a rock and got some water in her, so now she actually looks like a scientist."
"I can hear you!" Ramirez's voice shouted from off-screen. She sounded agressive, but Harrison was laughing, baring his teeth. Paxie quirked their ears. He didn't seem to be worried about confrontation or repercussions.
"Anyway, Admiral, we have a few questions," Harrison said, hiding his teeth again. He moved, and seemed to lower himself before the screen. Perhaps resting in that odd chair design. He was serious now. "We have around two hundred people on this vessel, six of which are presumed dead."
Paxie jolted, eyes wide. "What happened?" they demanded. "How long have they been dead?"
"They failed to wake from cryo sleep."
Paxie stared. Eight creatures had been awoken from cryo sleep? And only two of them had survived? They knew cryogenic stasis was cruel, but to be so dangerous?
"What is the state of the six individuals?" Lieutenant Tapide asked. She wasn't Xoixe, but a species with long, bright green and blue feathers across her body, small, delicate hands, and a smaller, more delicate voice.
"Once they fail to wake, the system re-suspends the body," Harrison explained. "The hope there is that they'll be preserved enough to resuscitate, if it's an option."
"Then they haven't been dead long enough to degrade?" Tapide asked. She was already going through information on her tablet beside Kime.
"That's the hope," Harrison said. He lowered his voice now, looking away. "We haven't exactly… checked on them. In person. But the computer says they're still viable."
Paxie felt a pang in their gut. Harrison wasn't looking at the feed now, and he had dropped his voice. Nobody knew the body language of these creatures yet, but this was not what they had observed as Harrison's normal demeanor.
Two hundred Earthlings. And six of them were possibly dead. What may have been a small wound to the Xoixe was a great blow to the Earthlings. No planet, no bearings, no familiar species, hunted in open space, and with barely enough of them left to survive.
Paxie rested their weight further back, dizzied with the idea. They could have very possibly witnessed an extinction event had the Earth ship not made it away with The Water's Kiss, had they not made such a risky and unsound exit plan. Not just the death of intelligent life, but the death of an intelligent species.
It was a difficult prospect to swallow.
"We're unable to dispatch a medpod to you during our jump," Tapide said. Paxie looked to her. She was especially unflappable among her people, they knew this, but it always took Paxie off-guard. "How accessible are your cryogenic compatriots?"
"Uh, well," Harrison said, glancing between Paxie, Kime, and Tapide. Paxie already knew Tapide would fit in the Earthling ship better than they did, but still not as well as the Earthlings. And since their spaces seemed to be made compact on purpose, they could only imagine what the stasis array looked like. "We would probably want to remove the pods from our stasis chamber. We can take them wherever you need to work on them once we've… landed?" Harrison raised his shoulders and twisted his hands to be downside-up, then relaxed again. "I don't know how it works."
"Once our jump is concluded, we can dock properly and shuttle your pods aboard," Paxie explained. "The Water's Kiss should have plenty of resources to evaluate your kin, and determine their revivability."
Harrison nodded, looking down. "Okay," he said. "How long until the jump is over?" Paxie turned and looked to the engineering station, manned by the off-rotation crew member. Eme knew their name, but Paxie didn't.
"We have another six hours," the engineer announced. Paxie didn't let it show how disappointed they were to hear that. They couldn't send or receive any messages while jumping, which meant they weren't going to get any further answers, and couldn't even consult command.
This was probably the worst First Contact in recorded history.
"Alright," Harrison said. He got to his feet again. "I guess we'll see you in six hours, then."
"Very well," Paxie said. "If you have further needs, do not hesitate to hail us again."
"Thanks," Harrison said, and he bore his teeth. He reached for the screen, but then stopped suddenly. "Oh, and before I forget," he said. "Thank you for sending the-the Ghost over."
Paxie tilted their head.
"The Ghost is there?"
Harrison raised the fur patches over his eyes.
"Oh," he said, turning to where he had come onscreen from. "Uh…." He glanced to the screen again.
Paxie heaved a long sigh. They hadn't cleared the Ghost to go aboard the Earthling vessel, but they supposed they hadn't specifically barred it, either. This Ghost wriggled through regulations like water through a leash.
The video feed blurred briefly, and then Harrison moved aside. A transparent, blue-gray mass waved into frame, seeming briefly to obscur the video with a sparse star field.
"Greetings, Admiral," the translation protocol said. Paxie withheld a laugh.
"Hello, Weak Force. You were supposed to wait to be introduced." Paxie couldn't help but notice their words weren't translated to the Earthling language, despite the translation protocol still being active.
"These creatures took my appearance with great grace," the automated voice said. "They understand better than we expected, and did not require coaching to comprehend me."
"Oh, that's good," Paxie said. When Harrison had… fainted, well…. Paxie wasn't worried now, because he seemed fine. But he would have been if Ramirez had been the one on screen, and Harrison remained hidden.
"Admiral," the voice said again. The blur on the video solidified somewhat, obscuring much of the background in a faint haze. "I have been searching through the data on this vessel, and I have discovered two important things." Paxie nodded for it to continue. "Number One: The Earthling vessel, The Solstice, had its course artificially altered, beyond the influence of celestial bodies or the intention of the crew." Paxie blinked, but before they could ask about it— "Number Two: These Earthlings are the species self-designated as Human, currently known as the Five-Fingered Ones, from the planet Areterra."
Areterra? Paxie knew that planet.
"They're from the same planet as the Mauilen," Kime gasped.
Paxie's eyes widened.
"That's excellent news," Paxie said. They looked to Tapide and Kime. "We'll need to adjust for environmental shift, but this should mean we know their chemical biology already."
"Correct, sir," Kime said, typing eagerly on her tablet. "We'll want to run tests first, but we should know then what medicines and foods will work for them."
"Admiral," the voice said. Paxie looked to the screen again. "It would be prudent for the Federation to treat the route alteration of this vessel as sabotage."
Paxie felt almost cold to hear those words. Sabotage. But it seemed as likely as anything else. But if these Humans were from Areterra, then there was more to know here.
Areterra's biological lexicon had no example of a species like the Humans. So there was less hope that their twenty-six million year mission clock was a malfunction. And it would cause some unprecedented administrative strife, assuming it was accurate. Did it mean they were truly an orphaned species then? Perhaps it was up to if they could survive the current climate of their planet? If it truly had been so long as that? Would the Mauilen have any responsibility over them, or would these two species be treated as entirely independent? Did the Maulien have any responsibility to home the remaining Humans and the method by which they rehabilitated their numbers, or was that weight solely on the Federation?
Paxie shook their head subtly. These were not questions for a patrol admiral.
"Thank you, Weak Force," Paxie said.
"Signing off," the voice said. The feed cut, then, leaving the bridge in silence.
"This is exciting," Kime uttered. Paxie wasn't so sure. And they couldn't help but wonder how old the Skel were, and if they were or had ever been capable of sabotage like this.
"Notify Gunnery Sergeant Appi," Paxie said. "When rest is concluded, she will be to meet me in my office."
#humans are space orcs#sci fi#writeblr#writing#Fayte writes#barely edited#and I mean it I am kinda impatient to post this#I think I'm almost done giving you guys information @_@#I am so sorry this feels like so much info dumping#I hope it's not getting lost in the long pauses
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How the actual fuck do people write multi chapter fanfics and update frequently. I’ve been working on the same oneshot for the past 6 months and it’s only 4,000 words 💔
#is this just a me thing#I can’t write fiction 😭#south park#sp#rambles#fanfic#fanfiction#sp creek#I am almost done with the fic tho…
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It's impossible to write a TOS x Any other Series crossover [for me] without having to think about whose lens it's going to primarily be from because the vibe of TOS is so distinct and I think quite different from all series that follow it. The way the characters speak and are presented is so theatrical and of course steeped in the past that I find myself considering if this is, say, Janeway meeting Kirk (through a VOY perspective) or if I should write Janeway as she would appear if she stepped through a portal and was in TOS' universe.
#finally watched enough TOS that I feel I can write some fics v_v#I hope this makes sense#it feels almost like you have to decide whether or not you're going to translate the characters#not remove them of anything (which 'no female captains' TOS would have done) - I'm talking more of a...vibe?#It feels like TOS has a very particular 'pattern of speech' so to speak that other series don't share#EX: 'And now they're making me tremble but I'm no longer afraid...I am no longer....afraid.'#This 'pattern of speech' is also why shows like S_NW who purport to take place prior to TOS and yet are so jaggedly marvel-ously (he's righ#behind me isn't he???) modern feel incongruent. As if they take place in another universe. <- Among the million other reasons#I read a post that was like 'TOS is about the 60's' and it's true - TOS is so The 60's and that doesn't mean one can't innovate and build o#it (obviously hence star trek) but if I'm going back to WRITE in the TOS-verse it feels like I need to get in that headspace a bit and#engage with it in some manner. It's also why spirk is so compelling to me AS a yearning relationship (other than my love of yearning)#a man loves a man on a starship and it's the far future and it's the 60's and they're aliens and they can't admit that love aloud#for one or many of those reasons#It's such a PARTICULAR and INTERESTING blend of the past and future#we've solved racism (in the 60's way a white man might conceptualize this) but women can't be captains#and among the millions of alien planets there is nothing more constant than a brave man loving a beautiful woman
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i had an absurd fic idea for mr reca at 2 am last night and i just now remembered it >:o
#彡 chatter.#im almost done w takiishi’s :’)#the goal is to post his tomorrow then post dabi’s the day after & then suo’s the day after that#and then one empty day !! AND THEN TOGAME FIC#then we can talk about this reca idea ….. that i am so eager to write#DARN IT WE NEED TO REWRITE UME’S TOO#OK AFTER THAT .. let’s talk about reca#yes
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