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rowie264 · 3 days ago

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Jinx x jinxer!reader. First meeting

You don’t really know how you ended up like this.

Truth to be told... you never really believed in your “leader”, if Jinx could even be called that. You didn't even fully dye your hair blue like the others. Just a small strand. In your eyes, Jinx did nothing but blow up the Council and redirect the Grey to Piltover. But even then… it was enough for you to make you join “Jinxers”.

You knew her actions will cause problems to Zaun. But you were so fucking done. You were too tired of being a rug under pilties boots. And maybe that was what Zaun needed to finally reach point of no return and fight back. And you wanted things to change.

So one day your hopeless gray life turned blue.

And now you were here, using your artistic abilities to portray Jinx as a kind of savior and leader of the revolution, as you were asked to do. Only instead of flag and shit you drew her with bombs and explosions. It was more like the image of Jinx you had.

“My eyes and nose are not like that.” Someone’s raspy voice reaches your ears.

You turn to face the intruder and see a girl sitting on the beam above few meters away. Somehow you just knew it was Jinx. You felt it in your gut, even though it was the first time you had encountered her.

You couldn't see her face completely hidden by the shadows, but you could see the color of her eyes. Pink, like shimmer.

“It’s the closest description I’ve got.” You say, too calm for a person who’ve met a Loose Cannon. And before you can stop yourself you add: “Maybe you could pose me so I could do it right?”

After that, there was silence between the two of you. Jinx didn't seem to expect such a reaction from you. You were surprised by your carelessness as well. She was dangerous and insane after all.

“Why not?” she says after a couple of seconds, probably agreeing out of boredom, and jumps off, landing smoothly like a cat.

As she comes over, you finally see her face. It does differ a little from what you were drawing. You also notice how short she is. She wasn't as intimidating as some people described. Although, perhaps, it was such thoughts that led many to their deaths.

You start correcting your painting, glancing at her from time to time, trying to convey her features as accurately as possible. You could lose yourself in art, even standing next to the most wanted criminal. Maybe you were crazy too?

“I'm not a hero you make me out to be, ya know?” Jinx suddenly comments after some time, looking at portrait of herself. Judging by the way she was tapping her feet, it took a lot of effort for her to stand still.

“I am aware.” You respond distantly too focused on your task, barely paying attention to anything around you. You almost finished.

“Then why?” She asks tilting her head and observing you like a hawk.

You take a step back, glancing at the wall to check everything one last time. “Why not?” you repeat her own words from earlier.

Jinx huffs, hiding that she's confused by your answer again. You're not like the other Jinxers she's met before. You treated her almost indifferently, like an ordinary stranger. Not like symbol of Zaun, not like Loose Cannon, but just… Jinx.

“So whatcha gonna do for me for posing to ya?” she casually changes the subject.

“You didn't mention that I have to pay you.” You frown at her, inwardly cursing yourself for being so carefree for not asking earlier.

“Don’t sweat it, toots, I don’t need money.” She waves her hand dismissively and you are not sure if paying with something else is any better.

“Then what?”

“Hmm… let's see…” Jinx walks around you, wondering what to ask you. “You drew me… so it would be fair if I drew on you back, don't you think?”

“Draw me, you mean?”

“I didn’t stutter, toots.” She scoffs pulling crayon out of her pocket.

“Don’t move.” Jinx orders and grabs your wrist. Without asking your permission, she starts drawing something right on your arm.

You didn’t protest – out of your safety and curiosity. Her grip was firm but surprisingly gentle. You couldn't help but look at her tattoos until your gaze landed on her face. This close, you could see her freckles. The word “cute" flashed through your mind as you stared at her in fascination.

“Here!” She suddenly announces with a beaming smile, pulling you out of your little bubble. You look down at your arm and see little pink clouds painted from wrist to elbow.

“Don't wash it off until I meet you again.” Jinx says and walks away, disappearing into the shadows without explaining anything, leaving you wondering when you'll be able to meet her once more. But to some extent… you want it to happen.

And until then, you would try to keep the clouds on your body.

#arcane #jinx #jinx arcane #jinx x reader #jinx x fem!reader #jinx x y/n #jinx x you #arcane x reader

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meelkiewee · 1 day ago

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Washed up and ready for tumblr

sadly, i'm in a bit of an artblock/burnout so i'm kinda procrastinating on some projects by doing other stuff like this eefo character design... sigh

[pls reblog, don't like]

⬇️ my choices explained under the cut

INTRO

i'll start by saying that this character design was brought to life with my kinda limited knowledge of etho and my absolute passion for heavily redesigning characters and giving them my own twist.

THE MASK AND THE MASK's MASK

the first image that came to my mind was his mask. i knew i wanted something to cover almost all his face and for it to be wolf inspired. i still wanted it to reference his skin in some way though, so i added the little metallic plate and the black forehead ribbon as the way the mask holds up.

underneath his main mask i put another simpler black mask that mainly serves 3 purposes: it makes the wolf mask more comfortable to wear without too much metal to skin contact, it mantains the face covered in case the other falls off and... guys i remember i saw a clip of hermits asking him to take off the overlay of his skin to see his face but there was a second mask underneath. i don't make the rules.

CONCEAL DON'T FEEL

after that i slowly worked up a little bit of context in my head while i was adding more details and making my choices. so what i did was making a collage of the infos i collected over time about him and his character and sprinkle a little bit of kakashiki (-cit tango) visual elements.

as we all know etho is a brilliant redstoner and a guy who really cares about privacy. put that together and you get the lore i made up for him:

with his advanced irl tech knowledge, he found a way to transfer his soul in minecraft, kinda like SAO works, and has to conceal his appearance to not get caught. here comes the layered clothes, the enormous coat and ofc the masks. due to all of this i also headcanon him preferring to live in the colder biomes, and this ties back also to the fact that he's from canada ykyk.

AWOO BUT NOT TOO MUCH

i really like wolfie etho designs i saw going around but i didn't want to design another ren with a different palette (my ren is a anthro german shepherd) so i channeled the wolf energy in the mask, the thick fur of the coat that ends with a tail (inspired by marcille dungeon lord outfit, a few notice but her dress has a tail) and in his hair, also kinda looking like a tail.

TYPE: VIBES

the eye of the wolf mask being red and scarred (for life) is of course inspired by his kakashi skin. i sprinkled red tassels here and there to fill in the spots and mainly cause i personally love tassels and wanted to add some red accents for redstone.

his kinda slouchy posture is totally for vibes, etho comes across to me as this kinda lazy/chill guy that channels the energies he has into thinking about the redstone he gotta do and calls it a day. i tried to channel that also in the kinda generic plain clothes.

for the vibes i wanted to put him in crocs/flip flops too but i couldn't otherwise he would absolutely freeze. i had to give him some warm boots or whatevs *sigh*

i tried to make his single visible eye as cute and puppy-looking as possible 'cause c'mon he a cutie pie okay? for the mole near the eye, guys i literally can't recall where i got this piece of info and if it's even remotely true but, i read/heard somewhere he has a bunch of moles on his face irl??? idk idk this is so random, i'm sorry.

SO YEAH

this is the end of my long long explanation for this character design. i hope you like it and if you don't, i know my bestie likes it (he's a bit of an ethogirlie lol luv ya bestie <3)

the end, thanks a lot for reading!

#it was a stinky day in early january #and i was getting washed up uwu #meelkiewee #meelkiewee minecraft #eefo #etho #ethoslab #etho fanart #hermitcraft #washed up and ready for dinner

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quitealotofsodapop · 3 days ago

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I also mentioned this before in DMs, but I want to point something out.

Wukong gave Macaque a peach popsicle after the fight with Azure. At this point into their relationship, they're only jsut to the point of beginning to reconcile, not quite trusting each other yet, but the first thing Wukong does is give Macaque a peach flavored treat. Is this because he's just extending an olive branch? Did he somehow get his hands on more immortal peaches and made modern treats out of them to make it so they last longer for his friend who needs to regularly invest them to manage his chronic sickness? A little bit of both?

Ref.

Wukong 100% planted a divine peach tree or two on FFM from whatever pits he had left over.

I *love* the idea that when Wukong realised his bestie-turned-rival was alive again, he started thinking of ways to add the Peaches of Immortality to modern day snacks/sweets so Mac wouldn't have to wait potentially months or even centuries for a new dose.

In the lore; the special Life-Extending Peach trees in the Celestial Realm supposedly only fruit every 3,000 years (300 celestial years?), and two other variants that take 6,000 (makes you light as air and youthful) and 9,000 (super boosted first variant) years respectively. This is why so much of the harvest is converted into Peach Wine that the immortals can sup on throughout the orchard's fallow season. And why the Peach Banquet is so important to the Queen Mother. There *is* a possibility that there are other sections of the royal orchard that were planted at different times to make the waits a little shorter tho. Irl peach trees take about 3-4 years to grow to fruiting sizes, so the Immortal Peaches could take a few hundred years to sprout anything on Earth - unless someone crossbred them with local peach trees to shorten the amount of time needed.

Also! Hilarious thing I discovered while looking up peaches; the specific trees Wukong is assigned to as an Peach Orchard Attendant are called "Pan Tao/Coiled Peaches" aka "Doughnut/Saturn Peaches"! My fave variant! Ironically in chinese mythos "Saturn" is an earthquake star god - A Stone/Earth Monkey to look after the Earth God's Peaches.

Wukong seems like the sort of guy to plan way ahead when it comes to his fave fruit. Even as a little monkey I could see him eating a Peach of Immortality and deciding to plant the pit or graft a few sticks onto a FFM tree so those on earth could enjoy them. The grafting (basically Frankenstein-ing a divine peach fruiting branch onto a normal peach tree) in particular would produce a tree with hybrid fruit!

The hybrid fruit could act like a "lower dosage" for Macaque's condition, and still treat him albeit requiring more frequent consumption.

And with Wukong's special interest in medicine and herbalism; why stop there?

He could use the little islands around the archipelago for breeding new variants of peaches and other prunus fruits he can graft on to. He'd be more interested in the medicinal/healing properties than the "makes you live for hundreds of years" part, so he could accidentally make an entirely new breed of Peach that massively boosts physical health/treat rare illnesses, but also be safe for anyone not wanting the burden of living so long.

In Wukong's mind, if he could no longer treat Macaque, then he would help treat he entire world to the medicinal properties once exclusive to the Celestials.

Note: in the events of the AU, Heaven def finds out. Mostly because Wukong accidentally info-dumps during his appointments/check-ins with Lao Tzu + Nezha finds one of the FFM orchards during his bodyguard duty of the monkeys.

Xiwangmu is willing to let the peach theft be bygones IF... Wukong gives her a sapling or two for her personal orchard. The variants he's managed to cultivate are super tasty after all, and Lao Tzu wants one for his own medicinal research.

(We ended up calling them Vitality Peaches in the dms. XD)

Wukong wouldn't stop at making wine from his peach orchard; he'd make jams, desserts, canned peaches, dehydrated jellies, dried peach crisps, persipan/marizpan from the kernels, vitamin gummies, and ofc Popsicles from the juices and pulp. The Brotherhood could have eaten entire dishes made with the stuff and not realised it!

So when he confirms that Macaque is back home for good? He busting out the modern treats. He remembers Macaque not caring for the texture of ripe peaches, so a nice cooling popsicle is an easy thing to pack for the beach party without making it obvious that Wukong wants Mac to start having some again.

If Macaque learns that the peach and plum products he's been eating are in fact medicinal, Wukong can easily bluff and say the shadow monkey's immune system is 1300 years out of date and that he'd rather not have Macaque get super-sick from a modern sniffle.

Macaque secretly thinks the concern is sweet, but he really doesn't like being tricked into taking medicine. Just ask him next time okay Peaches?

Macaque will eventually figure out his condition from some digging around and his own summons to the Underworld to review his Draft Scroll. And he will be pissed that Wukong didn't tell him. Then he will hug him.

I ended up on a peach rabbit-hole while writing this as you can see.

#sun wukong #six eared macaque #liu er mihou #shadowpeach #lmk aus #lmk drafted fate au #lmk #lego monkie kid #lmk hcs #lmk theories #jttw theories #jttw aus

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genderqueerdykes · 3 days ago

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Hey hello! this is probably a weird ask but I'm having a bit of a moral dilemma? when I've heard stuff like "you might gain weight going on T" it's been giving me nothing but joy for the future. Like I actively Want To Get Bigger? I'm really skinny now, and have been all my life, and I keep getting comments from people being like "woahh you're so thin I wish I was as skinny as you" and like. I feel bad for wanting to be larger? I know fat people face a LOT of problems and discrimination due to their size, and it's not like I'm not aware of that, but I'm worried this is some weird fetishizing thing I need to unpack. me wanting to be fat that is, and loving the idea of gaining weight on T. like, going from skinny hairless girl > fat hairy man is something I really really want, and is basically a transition goal atp. But I haven't said anything about this bc I'm worried this is disrespectful to fat folk or just downright gross?? idk

that is not fetishizing, you're okay, you should never be made to feel bad for wanting to be bigger, i'm so sorry people are treating you that way

they are objectifying your body and i am so sorry. your body is yours, not theirs. the thing a lot of people don't want to accept is that some people genuinely want to be larger, chubby, fat, and so on. some people genuinely want to be a weight that's higher than what's considered "normal" and that's genuinely not a problem. like i don't get how people don't understand that someone's weight impacts them and them alone. and no it doesn't impact their doctors, because doctors need to be open to working with all body types

people are so possessive and weird about body weight. people feel so entitled to each others' bodies that they will take someone else's weight gain personally. as if it's an affront to them. (or are they upset because this affects whether or not they're attracted to you...?) even people who claim to be fat liberation will get pissed off at people who want to gain weight on purpose. there's nothing wrong with gaining weight on purpose. it's not going to inherently cause health problems for you, and if it does, you can tackle that when it comes. but people are so weirdly possessive of others' bodies. like. i don't think this behavior comes from a standpoint of concern for that person's health.

we are so fucked up about weight that i genuinely think that when they see a well fed fat person they get pissed off because that can't be them. that person is too concerned about dieting and losing weight and toning up and cutting back calories and going without and skipping meals and ignoring cravings. like. it's a projection of how that person feels about their own weight. their taking out their issues about not being able to eat what they want and be the size they want. so much of this comes from internalized fatphobia. most people who get pissed off when fat people enjoy being fat and enjoy eating are people who desperately want to be able to eat what they want, too, but get mad when they see someone who's doing it because they just don't have the courage. a lot of the time it's jealousy

also keep in mind that a lot of people actually like being "overweight" "obese" and so on because they have issues with disordered eating, gastrointestinal issues, anxiety, personality disorders, cancer, chronic illness, or anything else that might lead someone to struggle to keep on weight. for some people, being fat is actually safer.

a lot of people who go on T do so with the goal in mind to be a big fat hairy guy. i was already fat, but i that was my goal as well. i wanted to stay fat. i wanted to add some muscle and then stay fat, which is what i'm doing. so many other trans guys want this. i'm sure many will speak up on this post!

anyways, i'm sorry people have made you feel like that. it's your body you get to choose what weight you feel the most comfortable at. ive never been bothered by my weight. i don't feel held back by it. this is just the weight ive been for almost my entire life. i don't care if the way i look offends someone else, i'm the one who sees me all day long, not them. i'm gonna look the way i want for me, not for anyone else. good luck anon, feel free to come back any time. you are allowed to do whatever you want with your body

#asks #answers #fat lib #fat liberation #body image

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dasketcherz · 1 day ago

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oh my god this is SO GOOD omggg crying shaking sobbing eating up every single paragraph, this analysis is so scrumptious and I would like to add more in the discussion cuz this certainly stirred thoughts I had as well about their dynamic so (clears throat)

Hugo's 100% the type of person who would rationalize his emotions rather than just actually let himself feel and process them for what they are in a healthy manner because confronting those raw feelings terrifies him. And so many things factored to him developing this tendency—for 1) he's forced to grow up too soon too fast cuz his situation in life demands it, 2) he loves to figure how things fundamentally work which includes studying people, what makes them tick & how they think & act & behave, etc (a necessity he has to have to navigate his way around his line of work as a con man) and analyzing himself is no exception, so him trying to immediately pin point as to what and why he feels this way about things is him attempting to regain control of himself 3) because to quote his creator, "He doesn't like doing anything that would make him feel like he didn't have control of himself or the situation."—for the longest time he's convinced himself that it's not safe to feel his emotions because it leaves oneself vulnerable and that's the last thing he wants to deal with right now. Especially in the harsh world he lived in, that's like a death wish.

I also 100% agree with Hugo's tendency to call people by nicknames as a means to create and maintain distance from forming any sort of attachment to people. Definitely a defensive mechanism. And it's through his time with team radical, for the first time, did the nicknames he give people turn from distant detachment to genuine affectionate nicknames overtime. (And I love to think Varian got slightly influenced by that and he was the first person to ever call him "Hugh" as an affectionate nickname and it feels hella intimate to Hugo it drives the man crazy lowkey)

"They are both scientists, but one is more afraid of the results than the other."—is a really interesting observation to point out as well. Hugo being afraid of the results that deviates from what's expected speaks so much volume to how when you're working for someone like Donella—there's no room for errors, you don't have the luxury to make mistakes because that risks you of being put on the chopping block of getting replaced in her book—and that's a constant reminder at the back of Hugo's mind that keeps him in line (exactly the way Don wants him to).

And he concluded that deeply liking Varian was a mistake (on top of his issues of dealing with his own feelings like god please help this man), because he knows what's coming, he knows what he has (and is expected by Donnie) to do at the end of the road. He thinks it's wrong to get attached to the team, it's wrong to fall in love with Varian...but it's also wrong to hurt him (and the others) by betraying them, but it's wrong to betray Donella, his lifelong mentor, over team radical too—he feels so stuck, everyfuckingthing feels so wrong and it's eating him alive every day.

I also absolutely love the notion that Varian is the more assertive one between them, he's the one who usually initiates and that really checks out for his character cuz we see that trait in the show from him, yknow... if taking matters into his own hands was anything to go by from s1. Hugo being the more compliant one also makes sense, cuz that approach saved his ass from getting into serious troubles in the past. It's a survival tactic that has been embedded in him really. However, that difference makes them such a good team. Varian develops to be more brave and confident with his experiments because he knows Hugo would be right there to follow through by him—he trusts Hugo like he's his safety net. And in turn, Hugo develops to be okay with relying on others and counting on them when he doesn't have to deal with something alone. Their dynamic builds trust exercise for the two of them and it's oh so beautiful.

And lastly, Varian being the type who wants clear answers really nudges Hugo to be more honest with him and himself, especially when Varian can tell when he's lying or not (cuz two can play that game babey). Hugo's not the best when it comes to communicating himself to others but Varian is very understanding and patient with him and he nurtures the moments when Hugo chooses to be honest because small progress is still progress, especially knowing that the notion can be hard for Hugo who never had a proper support system (outside of Olivia) growing up. Hugo finally has a healthy outlet to process his feelings because he has Varian to help him figure stuff out and vice versa.

Also the way Hugo has always resort to lying and running away (from his problems, from his feelings, from any sort of trouble in life) but for once in his life chooses to stay for Varian because he finally chooses to be honest with himself and accept the truth that he actually genuinely wants to be with him just leaves me screaming and crying and sobbing and dear GOD they're just so perfect for each other, somebody please sedate me right now

I really like analyzing Varigo, one thing I've noticed recently is how different their approach to romance (and human connections in general) really is, but also how they're pretty much the perfect foils in this regard.

Varian grew up sheltered away in their mansion. He didn't have much clue about socializing, so when Rapunzel came to him, he gives all of them proper respect (calling Rapunzel "Princess", Eugene "Flynn Rider", as in the full name). You could assume it's because of his dad; later when the two confronted each other, Varian called him "Sir". Probably because Quiring taught him to be respectful of others, and they both clearly take this social rule rather seriously.

So then Cassandra comes in and saves Varian, for apparently no selfish reasons. She likely just didn't want to have a child get crushed when she could've prevented it, but to Varian, this changes his view on people. Cassandra isn't just a distant figure to respect; instead, someone he could have a connection with. And this is where one of Varian's most essential traits come to light: when comfortable, he treats situations like an experiment. He immediately starts calling her by a nickname, "Cassie", to see how she would react. At the day of the expo, he keeps trying out different tactics, trying to essentially just get close to Cassandra. One could Interpret this romantically, but I personally like to think he just really wanted a friend. A lonely kid, seeing someone cool show any kind of affection for him immediately made him go "there could be something here! I need to find out!", and so he does. In his own, nerdy way.

Hugo, on the other hand. He, unlike Varian, grew up having to socialize all the time. Having to talk his way out of situations constantly, he learned to put up walls so that the most desirable results come out, benefiting him and his missions. When he weasels his way into the Team, he also calls them nicknames. In his case, it stems from a need to distance himself from people, so that he doesn't get attached. One slight exception though is Varian, as Hugo seemingly not only uses nicknames on him to keep up built-up walls, but to get a reaction out of him. This is very similar to how Varian approached Cassandra when he was younger. He's interested in Varian from early on, and he handles this in his good old Hugo fashion, because he finds Varian entertaining. Varian at first doesn't trust Hugo, but when he proves himself trustworthy, he gives in. He's willing to reach out, making Hugo more than a means to an end. Eventually, the two become friends! Then more than friends!

And then, their approaches change.

I'd like to think that it was Hugo, who fell first. Or at the very least, he's the first to realize it, and he HATES THIS. His flight or flight is activated, and he really wants to flee. He's the type to ignore his feelings, try to bury them. That's all he knows how to do, really. Especially because for what could be the first time in his life, he's actually falling for someone who is his friend. Someone who means a lot to him! He wouldn't want to ruin things, especially because he knows that betraying Variant will break the guy's heart, once he finds out. Therefore, the less pain, the better.

Varian is the exact opposite of this. It takes him a long time to figure out what he feels, and that it could be romantic (he didn't exactly have the history with romance before. The "puppy crush" on Cassandra could have easily been more of an obsession with the possibility of someone showing affection towards him). But once he realizes that there's a chance that the two could be a thing? He doesn't have to think hard about what his next step should be: he likes Hugo, and he's a scientist. Trial and error is practically in his blood at this point, so if there's even a small possibility of them getting together? That Hugo likes him back? Varian will do anything to find out how probable his theory is. And so, once again, he treats the situation like an experiment. Wasting no time, he tries to confess or bring up the idea as quickly as possible. And Hugo FREAKS OUT. He's not ready!

Varian's other big trait is his stubbornness. He's not satisfied with an uncertain answer. He wants to know Hugo's view on them, as clearly as possible. So he keeps poking around, trying to find an approach that brings out different reactions, different answers as to why Hugo would be scared of them being together. Again. Really similar to how he treated Cassandra at the expo back then. This is the only way he knows how, though. And he needs clear answers.

He gets one at the last trial. Boom. Heartbreak. This isn't about angst though, so I'll end it here.

I find them so interesting. How their upbringing influenced their view and approach to people, to friendship, to romance. To each other. They are both scientists, but one is more afraid of the results than the other.

So it all boils down to the importance of clear communication: another big theme in Vat7k, what with Ulla and Donella setting an example as what not to do.

I could ramble about these characters for ages, but yeah. This is my view on them, I loooove reading different Interpretations in fan fiction though!

#vat7k #varigo #tangled #tangled the series #otp: destiny by design #varian and the 7 kingdoms #vatsk #tts #varina and the seven kingdoms #vat7k hugo #vat7k varian

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maodear · 2 days ago

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Unknown (Till the End..) Deep analysis!

This is my own personal thoughts, and I may be wrong about some things. But feel free to share your own thoughts!

I personally love this song, and when this episode came out, that’s when I started watching ^^ //Till was my first favorite heh

I apologize for grammar mistakes

Round 2, was the introduction to Till. The dynamic from Round 1 to Round 2 was very different. We learn that Till is an outgoing and is very strong personality wise. Showing he refuses to let others take control of him. Because originally he was supposed to sing another song, but he changed it. Totally confusing Acorn, and leaving him with no lines.

Also shows how rebellious Till is, as he gets restrained the more he ages. A simple collar isn’t enough to control Till, as it’s is even needed to add additional restraints. Because in Round 1, both Mizi and Sua are not with the collar, but Till needed a more complexed collar just in case he doesn’t cooperate.

Another thing I noticed is that Till is very vocal and confident on everything he does. He doesn’t let others tell him what to do, except when it’s with Mizi. You see Till is very loud and more hot-headed than others. But with Mizi he is more unsure and nervous, as he lacks confidence when it comes to Mizi. Till and Mizi were good friends, as we see they did have interactions. But Till never had the confidence to tell Mizi, possibly because he knew that Mizi loved Sua.

In the video, we see a lot of Mizi. Of Till admiring her from afar. You see that Till follows what Mizi likes, and Mizi liked music. A few frames shows her singing, which makes me believe that Till found his love for music because of Mizi. When Till writes music, he thinks of Mizi and sketches Mizi . //but of course his mom saw his love for song and music, but Mizi probably gave him more inspiration to make music.//

Him breaking the guitar it might have had a deeper meaning, then just him wanting to piss off his guardian. Maybe he wanted to show Mizi how he can performance, showing how HE knows how to perform with his hard efforts, wanting Mizi to look at him. In which she looks up at the screen project, and Till notices. ((Maybe I’m wrong with this, but it’s a thought I had)

Though I realized that in this song, Till kinda confesses his love to Mizi. Which Ivan probably watches the whole performance, seeing Till the love of his life, confess to someone else in a song. It’s tragic to think about..

Overall the whole song is about the Unknown in which Till loves. And is also a confession to his feeling, to Mizi. This song is a banger, because my son is singing it.

//Yes Till is my son, I’m io’s married partner. No objections I’ve been married to her for years. I’m hers♥️

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path-of-grass-and-leaves · 2 days ago

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Bioregional Magic: Sustainable Ways to Work with Native Plants

Note: Post Contains Personal Anecdotes and UPG

As someone with a nature-based practice, I completely understand the desire to work with native plants. Many of us are deeply compelled to foster a connection with our land spirits and the local flora and fauna.

But with the normalization of consumption in witchcraft spaces paired with unethical wildcrafting and foraging practices, it's important to be careful. We don't want to harm the native plant populations and the wildlife that depends on them in our quest for a more localized practice.

Learning which plants are safe to harvest

By safe, I don't mean safe to handle or consume, though this is also crucial knowledge for anyone harvesting wild plants in general. I'm specifically referring to whether or not the collection of native plant matter will make a negative impact on the local ecosystem.

Think of it this way, if your practice is spirit-focused. Will the collective spirits of certain plants really want to assist you if you're devastating their population for your own gain? IME the answer is a hard no.

Take a look at a field guide and start identifying some of the native plants in your region. Are some of them listed as endangered, threatened, or special concern? Now you know which plants you should never disturb or collect materials from.

If not threatened, are some species generally harder to find? Are they present only in a certain type of environment? Do they take a long time to mature and/or have a very specific method of seed dispersal? Proceed with caution.

Example:

Common Blue Violets are one of the first plants to bloom in my garden during springtime. I also consider them very important in my practice and like to harvest them for certain rituals. But like I said, they're one of the first native plants to bloom during spring. Which means there are going to be pollinating insects, songbirds, and small mammals which rely on these plants for food. And predators who rely on those animals.

Since this is a hardy plant that usually grows in abundance, it's okay for me to harvest some from the garden for personal use. But I still need to leave enough to serve as a resource for wildlife and allow it to reproduce for the following year.

On the contrary, I never touch my wild Bloodroot. I only have two or three plants in the garden, their seeds have double dormancy germination requirements, and they take 2-3 years to reach blooming size. I have only ever collected seeds for propagation, and even then do it rarely because I know that the ants do a much better job at this than I could.

So when we can't harvest materials to use for tools and ingredients in workings, how do we utilize these plants in our practice?

Physical Representations and Symbolism

Images, objects, and symbols representing the plant can be used to substitute organic matter that you would otherwise collect and use for workings. Consider art pieces or photos, sculptures, sigils and seals, paper cut or folded into the shape of leaves or flowers, etc.

If the plant is your main component or energy source, consider designing the working to cater to this. For example, if I'm petitioning the spirit of milkweed, I might want to incorporate aspects of air and wind, since this is how their seeds are distributed. Or I may want to add some lunar energies knowing that this is the planetary correspondence for milkweed. This is would completely depend on my intent for the specific working and which physical or spiritual aspects of the plant I choose to work with.

If you're seeking a more long-term effect, try getting crafty and using symbols of the plant to decorate your own tools. I'm talking homemade oracle cards, painted jars or boxes for container spells, decorated offering bowls, ritual jewelry, and so on.

Working with Living Plants

This one is for the spirit workers. While it's entirely possible to petition plant spirits, especially collectives, solely using imagery, working carefully with a living plant can help establish a more direct spiritual connection.

This can be done by conducting your working outdoors, inviting the spirit of the plant into your space, and asking for assistance. During this time you would leave an offering, usually fresh water, but you can also offer things like soil or compost. Obtaining a working knowledge of certain plants can help inspire ideas for more creative, species-appropriate offerings, giving your spells and rituals an extra boost.

Now if this were a plant that was on a special concern or endangered species list, I would avoid offerings and actions that could potentially disturb the plant in any way. I may work within a few feet of the plant and present my offering in a bowl, removing it at the end of the working. I would definitely avoid touching it or say, pouring out water over the soil where it grows.

While we're on the subject of offerings, consider acts of service. Once again, we're going to use milkweed as an example. If I want to leave a nice offering for the spirit of milkweed and I know that Black Swallowtails feed on the nectar and pollinate it, I may offer a potted plant of dill placed in the wildflower garden. This is because Black Swallowtail caterpillars love to eat dill and will later pupate into adults, which will be beneficial for the plant. Consider different species and their relationship with each other. You may even get multiple spirit allies out of the deal.

Cultivation and Seed Distribution

Now, we've talked about ways to avoid harm when incorporating native plant species into our practices, but what about making a positive impact?

The Act of Growing Things is actually my favorite part of plant magic. Sure, I love harvesting my vegetables, fruit, and herbs to use in various recipes, and wild plants I find in the yard are excellent allies. But there really is something special about watching a tiny seedling grow into a full-sized plant, or seeing that delicate young native perennial thrive during its first year outdoors.

Whether transplanting or growing from seed, you're inevitably going to develop a strong relationship with that specific plant. You'll learn all about its growth rate, ecological benefits, soil requirements, and more. This will lead to folklore, correspondences, and later on your own UPG related to where this plant fits within your practice.

Another option, if you don't have the energy for more hands-on cultivation, is seed scattering. Disturbed areas like roadside ditches or even your backyard are perfect for this. Whether scattering or growing in starter pots, seeds can be charmed or enchanted with a specific intent and planted as a sort of living spell.

I use Prarie Moon Nursery for my seeds, but there are plenty of other affordable online vendors. You can also check out what's available locally. There are a few native-focused nurseries in my area that have a nice variety of options depending on the season.

#bioregional magic #plant magic #nature veneration #nature magic #spirit work #witchcraft community #witchcraft #witchblr

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blitzwhore · 19 hours ago

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wait, i don't understand, can u please if u want explain why they scrapped the "Stolitz Montage" song?

Yeah, I can explain! I actually have a lot of thoughts about these songs.

For context, at the beginning of Sinsmas, a song called Day By Day plays in the background while Blitz and Stolas run errands. Originally, a different song (untitled, so Sam Haft—the composer—unofficially called it Stolitz Montage) was going to play during these scenes, but they ended up scrapping it. I mentioned in the tags of a different post that I understood why they'd made this decision.

If you don't want to keep reading, my TL;DR is that I believe the tone and mood of Stolitz Montage doesn't fit Stolas' emotional journey in Sinsmas as well as Day By Day does.

If you do want to read my full personal analysis, keep reading below the cut!

(Note: I'm going to focus on the songs' lyrics, because I'm not knowledgeable enough about music to analyse the musical aspect of the songs. If anyone else wants to add their thoughts in that regard, be my guest!)

Let's start by taking a look at the lyrics of the scrapped song, Stolitz Montage:

youtube

So you're having a bad time

You're stressing and everything all seems much so

You've been having a sad time

And your family probably hates your fucking guts so

The song starts by describing Stolas' situation and emotional state in the days following the trial: he is sad and overwhelmed, everything feels like "too much", and his family probably hates him.

It's pretty clear from the get-go that they wanted a song for this montage that conveyed Stolas' struggle to adapt to life as a commoner, away from everything he's known, and having gone cold turkey on his depression meds (the lack of which is emphasised visually throughout the song).

The song is also in second person: Stolas isn't him, or me, he's you. This is something both songs have in common. It keeps the song at a slight emotional distance from Stolas. Whereas a first-person song would make the feelings too personal—would make Stolas too aware of his own struggle—and a third-person song wound be too distant, the second person allows Stolas to be only passively aware of his emotional state. He's not the one singing; he's the one being sung about. What he's feeling is being pointed out to him by an external, seemingly omniscient voice.

The song continues:

Ooooh-oh oooh ooh

I know you feel it too

You lost your way

And just can't fake it for another day

It's hard to take it

Just pretend you're gonna be okay

Here is where I think the tone of the song starts to deviate from what they wanted to convey in this montage.

At first glance, this is a continuation of the previous verses, and mostly expands on Stolas' emotional state: "it's hard to take it"; "you lost your way".

The key difference is that the lyrical voice now plays an actual role in that emotional state.

First, it states that it shares Stolas' feelings ("I know you feel it too"—implying that Stolas isn't the only one who feels this way). Thus, the lyrical voice starts shifting into an active character within the scene. And not any kind of character—one that can relate to Stolas and, more importantly, one that can offer some comfort.

Then, there's the line "just pretend you're gonna be okay". Now, I see two possible interpretations for this line. It can either be a piece of advice for Stolas (hey, I know it's hard, but just pretend), or another description of his struggle, a continuation of the previous line: "(it's hard to) just pretend you're gonna be okay". Personally, I lean slightly towards the former interpretation, especially because the lyrical voice's intention to offer comfort and advice becomes clearer in the next line of the song:

You're not okay and that's okay

This is where the focus of the song shifts fully towards a hopeful, even optimistic view of Stolas' situation.

Now, I get where they were going with this. "It's okay to not be okay" is a very powerful thing to say to someone who's struggling with mental illness and hard life circumstances, and it's one Stolas badly needs to hear.

In fact, it is a message that is conveyed to Stolas multiple times throughout the episode. By Blitz. Not through words, of course—but through actions. In the montage itself, as well as throughout the rest of the episode, Blitz constantly stands by Stolas' side, offers him company and comfort, meets him where he's at emotionally, doesn't pressure him to be okay, and (especially at the end in their apartment) gives room for Stolas' sadness and grief to exist. He hugs Stolas, puts his hands on Stolas' arms, and opens up emotionally about his own sister, and those are all ways of showing Stolas that it's okay that Stolas isn't okay.

But here's the thing. The knowledge that it's okay to not be okay is Blitz's, not Stolas'. That is Blitz's emotional state, not Stolas'. Stolas doesn't know it's okay to not be okay, and even though Blitz keeps conveying this message to him, he's not able to hear it just yet. Not this early in his descent to rock bottom.

In fact, learning that it's okay to not be okay is a journey that Stolas only begins at the end of the episode. By then, Stolas still isn't okay, but he begins to come to terms with the fact that that's alright. And he does this by allowing Blitz to sit in silence with him, to dance with him, to pry a laugh from him, to hold him without any expectations of being held back. The final scene of the episode is all about them both being okay even though Stolas isn't. We see this in the fact that Stolas lets himself stay in Blitz's arms, going as far as closing his eyes. He's there. He's finally in the moment. He's finally allowing the "not okay" feelings in his body to just be.

The Stolitz Montage song ends with:

You put one foot in front of the other

Then you take it day by day

Knowing you got nothing

You still got each other

Ooooh-oh oooh ooh

Again, most of these lines do match Stolas' emotional state. In fact, the notion of just living life one day at a time, just focusing on putting one foot in front of the other, is very representative of what a depressive episode can and does feel like.

But, in the very last line, the song shifts right back to a reassuring tone: "you still got each other".

Now, not only does the hopeful, optimistic sentiment of this line belong—once again—to Blitz's emotional state, it also goes directly against what the emotional arc of the episode aims to achieve.

Sinsmas isn't about them having each other—Sinsmas is about Stolas having Blitz.

It takes him all episode to realise this, too. At the beginning, when the montage takes place, Stolas is just going through the motions. As stated above, he's just focusing on putting one foot in front of the other—he's fully on survival mode. During the fight with Andrealphus, Stolas is shocked that Blitz came to save him, that he risked his life. That is the moment Stolas begins to truly comprehend that he can lean on Blitz. And then, after they get home, he slowly continues to learn it, as explained above. By the end of the episode, he's only just starting to allow himself to lean emotionally on Blitz.

And significantly, Blitz doesn't lean on Stolas. Because he's at a very different part of his own character arc, and he already had his opportunity to lean emotionally on those around him with Millie in Ghostfuckers, and to a lesser extent, with all his employees during their mission on Sinsmas.

Blitz has gone through enough pain, character growth, and healing to both understand exactly where Stolas is at, and be able to meet him there and be a rock for Stolas to lean on.

So the reason that line—that last line, positioned strategically to drive home its message that it's all gonna be okay—doesn't work for the montage is twofold. Firstly, because Stolas isn't ready to see that he has Blitz. Secondly, because it is now Blitz's turn to give comfort without needing to receive it in exchange.

And, if we take a look at the whole song, the reason it doesn't work for the scene is because it doesn't meet Stolas where he's at. The song says, "yes, you're sad, but—" and shifts to optimism. It doesn't fully allow Stolas to simply not be okay. To not be there yet. It doesn't fully allow his depression to just suck. The feelings of sadness and overwhelmingness are shadowed by a positivity and hope that belong to Blitz, and not Stolas.

Let's now take a look at Day By Day, and at which ideas from the original song were kept, which ones were changed, how, and why it works:

youtube

Ooh-ooh-ooh-ooh-ooh-ooh

You take it day by day

You got everything that you had thought you wanted

But you still feel so blue

And you don't know what to do

Right off the bat, the lyrics are very similar in tone to the ones at the beginning of Stolitz Montage. Once again, a lyrical voice in the second person describes Stolas' emotional state: he's blue (sad), he's taking it day by day.

But there's already a change. "You have everything you thought you wanted, but you still feel so blue".

The fact that Stolas had always wanted a life with Blitz is something the previous song doesn't touch on whatsoever. And it matters, because "what Stolas thought he wanted" is a central part of his arc in the episode. It comes back during his breakdown at the office: "and I did it for what?! These stupid, foolish fantasies?" And it comes back again when Blitz saves him from Andrealphus, and when Blitz dances with him and their eyes meet afterwards.

As stated above, this is the episode where it dawns on Stolas that he has Blitz. But he isn't there yet at the beginning of the episode, and so he still believes what he and Blitz had was just a fantasy of his. And because he's never had anything with Blitz that wasn't a fantasy, because fantasy is all he knows, he doesn't immediately know what to do with the real thing. With the domesticity, and the errands. He doesn't recognise the signs Blitz is sending his way that he's got Blitz to lean on.

These two lines are also important because they bring forth another aspect of depression that the previous song doesn't: that love doesn't cure depression, or make it magically go away. That going cold turkey on your meds and having a massive depressive episode is going to suck no matter how many good things you have in this life, because depression is a biological process, not a state of mind. Depression takes away your ability to find joy in things that used to bring you it. It takes away your feelings, your energy, your strength.

Notice that Stolas doesn't seem apathetic or hollow inside on the night of the trial and the morning after. Yes, he's had his title and power stripped, he's been physically assaulted in the street, and yes, he's worried about Octavia. Obviously, he shows signs of being dissociated, and he's exhausted. But, emotionally, he's still hanging on. He still thanks Blitz for everything, and he talks to Blitz in the morning, and smiles when Blitz offers to get him rats. Before the effects of going cold turkey on his meds start to kick in, he's grateful to be around Blitz.

It's during the montage, as the days go by, that he starts feeling blue. Because depression is very quickly taking away the joy he found in Blitz's company.

And that's why, even in the first few lines, this song conveys Stolas' state of mind so much better than the previous one. Because while the message in Stolitz Montage was "yes, you're sad, but—", the message in Day By Day is "yes, you should be happy, but."

It lets the sad win over the happy. It lets depression take Stolas down with it, it lets him feel helpless and lost. "You still feel so blue, and you don't know what to do."

The song continues:

You're sitting at the end of the rainbow, but the pain grows

And you can't help let the strain show

'Cause what else are you to do?

These lines emphasise the ideas presented in the previous ones: that Stolas should be happy, but he isn't. That the pain that has planted itself in Stolas is growing. So much so that he can't help but let it show.

Stolas' helplessness, his slow descent into misery, are given the room to exist. Everything around him seems fine, but he's not fine. And he's not told that it's okay to not be fine. Because this is Stolas' emotional state we're exploring, and for him, it's not okay to not be fine right now. He's too busy going through the motions to grant himself that kind of mercy.

The song finishes:

Keep it calm, life goes on, and on, and on

Nothing's wrong, nothing's wrong

So why do I still feel this way?

Ooh, ooh-ooh, ooh, ooh-ooh

You take it day by day

And, much like in the previous song, we get a small hint of what could be interpreted either as advice/reassurance from the lyrical voice, or as Stolas actively telling himself to pretend to be okay. "keep it calm, life goes on, nothing's wrong". In this case, though, I lean towards the latter interpretation for a very simple reason: the next line shifts to first person. "So why do I still feel this way?"

And that's the thing: once again, the hope and calm he's trying to make himself feel are immediately overpowered by his feelings of sadness. Once again, it's the sadness that wins over, and not the happiness. His depression is given room to drag him down, take him slowly towards rock bottom.

And once again, the last line—at least the last one before the chorus is repeated—is used to drive home the message of the song. But this time, the message is that, despite it all, despite having what he wanted, despite sitting at the end of the rainbow, despite trying to convince himself he's okay, he still feels sad. Because that's what depression does. No matter how many good things you have in your life, it drags you down.

And that message, in that last line, is delivered in the form of a question. "Why do I still feel this way?" This matters for two reasons. The first one is that it shows that Stolas isn't (fully) aware of what's happening to him. He obviously knows he needs his meds, he knows he should be taking them. We see him reach out for them. But he is also living his emotions, and not just experiencing them from the outside. And as the emotions take over, he loses perspective of where they come from, too caught up in how they're drowning him.

The second reason this matters is because the song and the lyrical voice don't offer Stolas answers.

In Stolitz Montage, Stolas gets an answer to his struggle: that, ultimately, [Blitz and Stolas] still got each other.

But in Day By Day, all Stolas gets are questions. What else are you to do? Why do I still feel this way?

Day By Day meets Stolas where he's at during the days leading up to Sinsmas after the trial. It allows for these questions to exist without an answer; it lets the answers come later in the episode. It lets his journey through the episode play out, allowing him to learn that he has Blitz, that he needs his meds, and that he has to be okay with the fact that things are not okay.

By the end of the episode, he can acknowledge that he made his choices and has to deal with the consequences. He starts to understand Blitz is by his side, willing to help him through this. That his relationship with Blitz might not feel like he thought it would, because he's too mentally ill and heart-broken to be there—but that they still have each other, they still love each other, and they'll be okay.

But during the montage, he's not there yet, and it wouldn't make sense for the song to be there, either.

So, yes, as cute and optimistic as Stolitz Montage is, and as glad as I am they released it anyways for us to enjoy, I believe the writers made the right decision by scrapping it for the episode.

If you read this far, thank you for your time! Please treat yourself to a glass of water for me, and feel free to share your thoughts ❤️

#helluva boss #helluva boss meta #helluva boss sinsmas #stolitz #Blitzwhore meta #This post took so long to write but I'm so proud of it #stolas helluva boss #Depression tw

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herrenxenoberg · 2 days ago

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Fandorm Showcase #5 - The Hunchback of Notre Dame

Okay, fun fact. When I initially started making this dorm, the game didn't announce Glorious Masquerade yet, not to mention haven't introduced us to Rollo Flamme, which is the most coincidental thing that happened while I was creating these dorms for the sake of my own server stories. This was before the time Noble Bell College was established in the TWST lore, so...work with me here as I explain the difference of the story theme.

So next up, inspired by The Hunchback of Notre Dame, we have...

Priecarillion!

The name is a combination of Prier (pray in french) and Carillon (chime in french), which both words are related to the theme of this dorm. (With an additional i in carillon to make it sound fancy idk)

This dorm focuses on pure perfection and order, everything must be done in a orderly manner to ensure no imperfection is present. Every student who are placed in this dorm must have a proper schedule of movement, to ensure they do not trail off to do meaningless tasks that would waste time or energy. Their perfection streak not only relies on their daily routine, but also their academics, making them Night Raven College's most perfect dorm in academical ranking.

"A dorm founded on the Pious Magistrate's spirit of devotion. Students in this dorm have to maintain a perfect and flawless lifestyle as a good example for newcomers."

Requirements and Traits:

Able to follow instructions thoroughly and perfectly without error

Not be distracted by anything that strays them afar

Achieve perfect salvation to cleanse your soul of sin

Yeah, this one has some religious elements mixed into it cuz y'know, he's a priest of sorts.

Onto the dorm uniform design:

WAIT BEFORE YOU SAY ANYTHING-

Yes, I did take some inspiration from @rakiah 's Desirae dorm uniform design for this one (great designs btw, love ur art), cuz it's so fitting to the whole Frollo look. I did make some changes to add a personal touch so it doesn't look like I ripped off Rakiah's designs-

And of course, his magic item is a handbell, the ones you see church boys hold during sermons.

And now onto our character roster:

Praise the ever-so-perfect and flawless housewarden of Priecarillion...

Juge Carillon!

Juge (pronounced Jue, the g is silent) is hailed as the most stoic and uptight second-year housewarden of Priecarillion on NRC campus, sparing no shortcuts to ensure every task he does is perfectly executed without a single error. He may look very cold and distant at first meeting, he shows a genuine care for newcomers/freshmen who first entered his dorm, wanting them to feel solace and comfort. But behind the caring and sophisticated demeanor, hides a very dark and sinister side of Juge that he doesn't want anyone to know...

Notable Members:

Fidel Cloche (Freshman) - A meek little boy who is blind but wants to experience the world around him without the need of sight, and is Juge's most "beloved angel". (Twisted off the Notre Dame Bell)

Fanto Raconter (Sophomore) - A cheerful boy with a penchant for storytelling and puppeteering, known to lift the spirits of many with his whimsical tales. (Twisted off Clopin)

Pierre Armoure (Vice Housewarden, Sophomore) - Juge's second-in-command, put in charge of ensuring order and perfection is followed in the dorm. (Twisted off Captain Phoebus)

Cendre Kindle (Freshman) - A fiery fae with a mysterious background, but shows immense kindness and care for others. (Twisted off the hellfire)

Synopsis:

School is back in session in Night Raven College, everyone has to get back into the studying mood. Then comes the cultural festival where the school is opening for the public to come see the projects the school clubs have planned to showcase, as well as NRC seniors coming by to visit the school after their internship. One dorm, however, finds this festival to be nothing but a "distraction". Priecarillion's housewarden, Juge Carillon, believing that people participating in this festival is a waste of time, isolates him and his dorm members from such influences.

But things don't turn out the way he wanted, and he had to resort to drastic measures to make sure his dorm members don't stray far from perfection.

(Occurs between after Book 5 and before Book 6)

Again, check out @rakiah 's Desirae dorm, the designs are so good that it gave me the inspiration to make this dorm.

Next Up: Lilo & Stitch

#twst oc #twisted wonderland #twst fandorms #the hunchback of notre dame #judge frollo #Juge may be my personal favourite #Do you think Juge and Rollo are related?

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flightyalrighty · 34 minutes ago

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Hey you got an advices for a newbie who thinks about doing commissions? :>

And did you have any bad experiences? (You don't have to answer if it is too private)

I won't go into detail for any bad commission experiences, but I can at least tell you what I learned from em in the form of the advice you asked for:

PRICING! When figuring out pricing, ask yourself the following:

What is an hour of my work worth? This question helps you avoid underselling yourself aka selling under minimum wage. You're definitely worth more than that. $20 is a pretty good starting point for folks who aren't too confident in their own stuff.

How long does it take to complete an art piece? Create one sample of every type of commission you want to sell. Time yourself when you make them. Whatever amount of time it takes to create each piece multiplied by the hourly wage you've set for yourself is going to be your base price for each thing ($20 x 2 hours for a full body sketch = $40). You can also use the samples you've made to help advertise in your commission post and show your potential clients what it is they can expect from you!

How should I charge for add-ons? Once again, figure how long something takes, and shoot for something that seems both fair for you and the client. For extra characters or something like a background, for example, I charge an extra 50% of the base price.

PROBLEMATIC CLIENTS! Got a client that doesn't know what they actually want? Too wishy washy? Too nitpicky? There's a solution! Offer a limited amount of revisions. I offer two free ones, personally. Once the client is out of revisions, I charge them 20% for each additional revision, and I MAKE SURE THEY CAN SEE THAT ON THE FORM THEY FILL OUT. That way, clients are encouraged to get their WHOLE idea in order before going to you. No one wants to be charged extra for a mistake they made, after all -- And it's definitely their mistake if they leave out any details they later deem important and want you to fix.

THE AFOREMENTIONED FORM TO BE FILLED! I used Google Forms, personally. It makes your little business look a bit more professional AND it helps you keep track of multiple projects at once, while prompting the clients to give you the info you specifically need (like reference images). It's good!

BE PROFESSIONAL! You're more likely to get repeat customers if you maintain a professional customer service attitude while handling clients, and deliver your work as promptly as you can. Delivering work PROMPTLY is definitely something you need to imagine me circling and underlining. Please do your best to not take, like, a year? To complete a commission? It's a really bad look. Treat it like homework. Give yourself your own little due date to work with.

While we're on that! DEFINITELY send your clients WIPs while you work! Showing that you're making progress is a great way to get feedback from the client before it's too late to change anything, PLUS it keeps their mind at ease about the possibility of you potentially taking their money and running.

KEEP YOURSELF SAFE! Speaking of taking money and running, set up a system that works when it comes to charging clients and delivering the goods. I have been burned in the past and have learned from this. Some artists charge their clients upfront before delivering anything at all. Personally, I'm not a fan of this, because then it leaves the client open to feeling uneasy about possibly getting scammed. Obviously I'm not a scammer, but to lift the weight of that possibility on the minds of my clients, I charge half upfront and half upon completion. This way, I already have SOME money so the client isn't gonna "dine-and-dash" me, and the client, likewise, is holding the other half of the pay in a friendly self-imposed hostage situation. I do recommend this!

I also use Paypal to INVOICE my clients. This way, I have full control over the nature of what I'm charging and can avoid the client accidentally (or maliciously) sending a payment with something in there meant to get my Paypal account shut down. DO NOT WRITE JOKES ABOUT WHAT YOU'RE CHARGING YOUR CLIENT FOR. DO NOT GET YOURSELF IN TROUBLE FOR SOMETHING STUPID.

And this is all the advice I currently have on me! I hope it helps!

#asks #legendary-cucumberdragon #art advice #art business advice #?????#art commissions

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michaelmilligan · 1 day ago

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The Jonmartin manifesto no one asked for but needed to get out

So, I've not been in the tma fandom for long yet, having only listened to it for the first time a few months ago. But from browsing the Jonmartin (and teaholding and jmart) tag regularly, it seems to me like most jonmartin shippers fall into one of these two categories:

They would find each other in every universe; or

It's a miracle they even got together in this universe

(Obviously, that's an oversimplification, and people who express one view in one post can easily hold a different view at another time - these are fictional characters we're talking about after all, and headcanons don't need to be consistent and can even contradict each other. This is just the general vibe I got so far.)

Anyway, I wanted to add my own two cents on the topic, because while I understand where both of these views are coming from, I think neither of them is ultimately correct.

(Putting the rest under a read more - be warned that this is NOT a spoiler-free post, so if you haven't finished listening to TMA yet and you want a spoiler-free experience, you probably shouldn't read this.)

So, before we get to my own opinion, let's first look at where the two options I mentioned above come from, shall we?

"They would find each other in every universe"

Obviously, this view is highly romantic - star-crossed lovers, finding each other again and again. It is both a good foundational basis for AUs, and a ray of hope in the face of the tragedy that is the tma finale.

Of course, concerning the finale, this is a rather different take than concerning AUs (since it would mean the very same characters finding each other again in a different world, not fundamentally different characters, shaped by said other world, also finding each other). And maybe when people express this view, they mean more the finale fix-its than AUs, though I suspect that plenty of people mean both.

It's a nice, comforting thought. And don't we all need some comfort after the finale? Yes, we certainly do. (Except for the people who read only hurt without comfort and angst, I guess. You do you, and I'm glad you're having fun, but personally I do desperately need some comfort, lmao.)

Is this view supported by canon though?

Cynical minds would say no, and personally I'm more inclined to agree with them, though as I've said, for me the truth lies outside of those two rigid stances (somewhere in between, I suppose).

I don't see much in canon which points to Jon and Martin falling in love under any circumstances/in any universe, especially considering their... let's say difficult relationships at the start of the show. But of course we must also take into account the specific circumstances in canon (more on that below) and interpretations vary, and I do very much enjoy AUs, so I'm certainly not trying to throw shade if you're on this side of the 'divide'.

Mostly, I think there CAN be other circumstances in which those two get together, outside the canon ones. (I'm writing a canon-divergent jonmartin fic myself, lol.) Let's get into that while we look at the other view, shall we.

"It's a miracle they even got together in this one"

Ah, the Martin-approved stance. One could say 'well, they literally said it in canon' and be done with it. However, that would require us to believe that the opinions of the characters are always true and correct, which. Lmao. We only have to listen to season 2 of tma to know that this is very much not the case.

And even if S5 Martin is not S2 Jon at the height of his paranoia, he's still very much a man shaped by his own life and experiences. I'm sure he would call himself a realist, but he honestly seems more like a pessimist to me. Which is understandable, given his life, and his association with the Lonely, which has often been (in my opinion accurately) compared to depression.

The thing is, Jon did treat Martin horribly in S1, and then he admittedly treated everyone horribly in S2. It was only in the course of S3 that their relationship got more, let's say, equal, with Jon no longer thinking Martin would be 'contributing nothing but delays'. (And then of course we have S4, which I LOVE even though it hurts me deeply. Then again, that's the whole show. And, obviously, S5 my beloved.)

So. Jon seemed to hate Martin in S1, while Martin was arguably already in love with the man. (Arguably. We do know that he acted catty to Basira in S2, so it's reasonable to assume that he started liking him at some point in S1, or even before the show started.) Then a lot of traumatic things happened, and they got together.

This means it must be the traumatic things that made them compatible, right? Just like Martin says in S5?

Well, one could see it that way. Jon certainly changed over the seasons, coming off his high horse and such. (In S5, he arguably gets back on it quite a bit, but then he IS the Eye's specialest little princess in a world that's literally ruled by it. And also he is slowly losing his grip on his own humanity. But I digress.)

And I do think that the trauma channeled a lot of those changes - the first time we see Jon being actually emotionally open (something he still struggles with over all seasons, because people don't just change fundamentally that quickly) is during Prentiss' attack on the Institute. They're in a situation where they might reasonably die (they even expect it, because they don't know that Elias is just rubbing his greedy little paws as he waits for things to get worse before he saves them with the gas).

I do think that moment could have been a big turning point for Jon and Martin, if it hadn't been immediately followed with the discovery of Gertrude's body, and Jon's subsequent descent into paranoia. Jon opened up, and also saw that Martin was rather competent during the attack, which could have led to them becoming closer, respectively having at least something like a normal work relationship.

But then Jon got paranoid and interpreted everything he saw negatively, including Martin's competence, which was twisted in his mind to 'What if he's just been pretending to be incompetent and is actually an evil agent out to kill the archivist'.

(Big sigh.)

Anyway, before I lose myself in the red string as well: Yes, Jon seems to 'mellow' over the seasons, especially with regard to Martin, at the same time that he's going through terribly traumatic events.

But does that mean that it's actually the trauma that's changing him and his relationships? Partly, certainly, but I would argue that trauma doesn't make you nicer or kinder. It might make you realise some things, but that doesn't mean that you can't realise those things in other ways.

And does it means that they couldn't have come together if they had met under different circumstances? Also not necessarily! I would even argue that the specific circumstances they met under were detrimental to Jon's first impression of Martin. And yes, this goes beyond the dog story.

So let's try and dissect their relationship from the start.

A theory of... something like nuance, or whatever

The starting situation

(Yes, I did have to use a Supernatural gif, thank you for asking. No, I will not apologise. <3)

Alright. So let's start with what we actually know about Jon and Martin's first meeting. Obviously, there's the dog story, though as far as I know that's not 'canon' because it wasn't actually in the podcast. I still like it, and think it adds another reason to Jon's behaviour, though I don't necessarily think it's necessary, because Jon already had lots of other reasons to tell himself that Martin wasn't worth his time.

1.1. Jon has issues. More at 11.

First of all, we learn throughout the podcast that Jon doesn't actually have any qualifications to lead an archive. He's probably 29 when the show starts (in 2016, going by the fandom wiki stating that he was born in 1987, which is reasonable given everything we learn about his age).

So, he's 29 and suddenly appointed, after four years of working in one department, to become the head of a completely different department. He does not have a degree that would give him credentials for leading an archive, nor are we told that he has ever even worked in an archive. For all we know, and that he knows, he is woefully underqualified. (This is also, I think, highlighted in S2 when Jon threatens to resign, only to then be baffled by Elias saying that he would be difficult to replace. Elias means something completely different than his skill set as an archivist with a lower case 'a', presumably, but then Jon doesn't know that.)

This means that Jon is in a highly stressful position, because he's trying to do a job he doesn't actually know how to do, while also trying not to let on that he doesn't know how to do it!

It doesn't help that Jon is also terribly scared of what all might be lurking in the shadows (or even in the light), as he himself admits during the Prentiss attack. He is extremely high-strung from day one, basically a wet chihuahua shaking in a slight breeze, while trying to seem like a strong bulldog.

We also know that Jon asked for two people to be his assistants: Tim and Sasha. They both worked in research, and Sasha also briefly worked in artefact storage, making them both qualified to help Jon with following up on statements. But I think more than their qualifications, Jon probably requested them because he knew and got along with them.

Imagine: Your boss tells you that he's promoting you into a position you're not qualified for and which you have no real clue how to do. Wouldn't you rather have people around you who you're already friendly with, and who are likely to cut you some slack if you're not perfect on day one? I know I would!

1.2. Elias is a little shit and I want to kill him with hammers (affectionately)

And then Elias transfers Martin.

I'm going off the dog story again, because again, I like it, and I think it does fit neatly into canon. If this story is to be believed, Elias neither asked nor did he tell Jon that he was giving him another assistant. He apparently simply told Martin 'you work at the archives now, congratulations' and then went back to his office to smile smugly to himself.

This is a VERY bad start for a working relationship, because not only does Martin come in unannounced, this also comes off as Elias not respecting Jon, or potentially even sending someone to report back to Elias (because Martin is the only one who doesn't have an established rapport with Jon).

Jon never verbalises this suspicion, so maybe this is too much interpretation on my part, but in any case it's cause for a lot of resentment on Jon's part, and since he can't exactly let it out on Elias (who is rarely there, anyway), he simply lets it out on Martin.

He finds reasons to do so, of course, insulting his work and all that. It's probably easy, especially in the beginning, because not unlike Jon, Martin doesn't have any qualifications to work in an archive! He worked at the library before, and we know that his degree is made up (which we can only assume Elias knows, considering he can know almost anything).

(I actually find the question on why Elias transferred Martin in the first place extremely interesting, and might get into that in another post. But this one is already too long, lmao.)

1.3. Martin is too nice, aka Jon has even more issues

This is mostly my personal headcanon, though I do feel it fits Jon's character - which is that he doesn't know how to deal with nice people.

Not kind people. Not friendly people. But nice people.

People who do things seemingly out of the mere goodness of their heart. Like bringing their mean boss tea when he never asked them to do that. Like being friendly even in the face of insults. Someone who constantly takes himself back in favour of other people and their opinions.

People like Martin is appearing to be. Appearing, because Martin isn't actually like that. He does have his opinions, and he could probably grumble up a storm in S1 about Jon, but Jon is his BOSS, and so he plays.

Martin also IS genuinely a nice person most of the time (when he's not on a revenge rampage, making his boyfriend murder people). He doesn't have to do nice things for Jon like bring him tea in S2. But he does. Because that's Martin's way of trying to reach out, to show other people that he means no harm (and that he can be useful).

(I also think that Jon's snappish behaviour, where Martin never quite knows what will set the man off, might remind him off his mum, but again I digress. :))

But I think Jon doesn't know how to deal with that, because even when he's not in the height of paranoia, he still suspects that people who are THAT nice (especially when they have no reason to be nice because he's being an arsehole to them) have a secret agenda. This is playing into what I said under 2 (the part that might be too much interpretation on my side lol), because if Jon suspects that Martin is reporting back to Elias, or is at least someone who would not be friendly if he found out that Jon doesn't know what he's doing, then he can't allow himself to relax around him, and he certainly can't allow himself to be lulled into false security (as Jon would think) around him.

Tl;dr on this point: I think Jon is wary of Martin's niceness because he thinks he might be fishing for gossip/anything he can use against Jon. And even if he isn't, Jon thinks he would be likely to use anything he learns against Jon, because they weren't friends to begin with, and Jon's behaviour has made them anything but that.

(We have to remember that this is the guy who says in S2 that he knows what it's like to 'lack the respect of one's peers', aka the kid who got bullied by at least one older kid, and likely had no or very few friends - plus he believes in the supernatural, which doesn't exactly lend itself well to getting academic respect.)

1.4. They were fucked from the start, your honour

Basically what the meme says, but yeah. The they were put in practically guaranteed that Jon would be wary of Martin, and that Martin would be trying extra hard to make friends with him, which in turn would make Jon even more wary/hostile.

And Elias made it worse, either knowingly or by negligence (not telling Jon about transferring Martin).

If we add the whole dog story to it... they were fucked. I do actually wonder if, assuming we take the dog story as canon, Elias actually somehow managed to set that up. Or whether he was at least cackling (sorry, smiling ever so silently, but smugly) in his office as it happened, or whenever he ended up knowing that it happened.

2. Yes, we've had one starting point, but what about second starting point?

As we have established above, the starting situation for Jon and Martin was... not ideal. So, would they have gotten together easily given a different starting point, like in a cute coffee shop AU?

Eh.

It's true that the specific situation they were in made it a lot harder for them to actually communicate and see each other as they are than it had to be. That doesn't mean that a different situation would have made it easy, though.

Their personalities still make it hard, though, as even without the added stress of a new job, Jon is still a little chihuahua shaking in the corner, who tries to make up for it by barking at everyone, and Martin is still the guy trying to approach him with treats and getting his hand bitten.

There are certainly specific situation that could make it easier, especially if Jon isn't scared as hell, and has maybe already learned that not everyone who does something nice for him wants to just pull on his strings. (Yes, I do think that the thing that makes Martin, according to Annabelle, suited for the Web, is the thing that put Jon on edge at the beginning. I don't know if this was intended at all, but it makes me cackle.)

The beauty of fanfic is that we can do whatever the hell we want. But I think the most fun thing an AU author can do is think 'What would have to happen, in this specific scenario, for these two to get over themselves and get together?'

Excursion: Martin, my beloved depressed blorbo who I am certainly not projecting on, haha

Because it IS both of them who need to get over themselves. Of course Jon's issues are the most obvious, and I've certainly expanded on them enough. But Martin also has a problem, and it's that he's constantly hiding his true feelings and opinions, especially anger and fear.

That makes sense, perhaps, in a workplace, though considering he's dealing with a walking, talking worm hive and a stalker boss... Let's just say it probably would have helped Tim, too, if Martin hadn't been so desperate to make everyone be friends again.

Because Martin is always TRYING to make everything better for everyone, but he's actually not helping anyone. Being nice to Jon and bringing him tea doesn't help battle his paranoia. And trying to tell Tim not to be so angry at Jon, and can't they all be friends, doesn't actually help Tim with his anger.

All Martin is essentially doing is making himself small and saying 'let's get along, pretty please' every now and then. I don't know if it would have helped if he had expressed his own fears and anger, and maybe Jon would have misconstrued that as well, too deep in his paranoia already. But at least Tim might have realised that he was not alone in all this. (His biggest problem, as he says in S2, is that he feels that no one has his back, which I think at least partly results from no one expressing the same anger, aka no one validating his feelings.)

Anyway! (Jon voice) Excursion ends.

3. (To the melody of 'What shall we do with the drunken sailor') What shall we do with these total idiots?

So, how ARE these two going to get together, if they're so woefully unequipped to deal with each other?

Well, first we need to give Martin a good helping of self-confidence. Then we need to kind of give Jon the same, since his problem ALSO is that he's unsure of himself, he just tries to make other people small to cover it up, instead of making himself small. (And isn't that a funny thing to do for someone who we know was bullied. To become a bully himself. Oh, the snake, biting its own tail...)

The easy answer is, of course: You can come up with your own version, get creative. <3

The more complex answer is: A lot of stuff, probably. Jon and Martin will certainly need time to get to know each other, and of course it depends on what situation you put them in to start. But there will be misunderstandings, and there will be hurt feelings, and I am going to soak it up all like a particularly slowburn-greedy sponge.

I feel like there are probably five million ways to get them together, and some might be cute and fluffy (if they go to therapy first, I guess, lol) and many will be full of tears. <3 (Jon voice) And I want to see them all on my desk by Friday! So get to it!

In all seriousness though, yeah, I think there's not one right way for them to get together (though canon did it well imo). But it's also a little more complex than we might give it credit to (very much including me).

4. So what now?

I don't know. I'm not your dad. Write a fic. Draw a picture. Put down your own thoughts on the matter. Or take a shower and clean up your room, young Padawan!

(Though actually, if you've read this post from start to finish in one session, what you should probably do is get up and stretch and get some water.)

And above all! And this is imperative.

Have a good day. <3

#Jonmartin #teaholding #jmart #Idk just go forth and do whatever you were going to do #These are my thoughts and maybe yours are totally different #Or maybe I inspired something! Who knows. Live long and prosper in any case.#I mostly needed to get my thoughts in order lmao

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thequietkid-moonie · 2 days ago

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Sailor Moon request: Usagi and Rei with S/O's that have trust issues due to family troubles, but eventually opens up to them (Wanted to do a prompt and add some context to it)

S/O has trust issues because of family problems

[ HEADCANONS ] [ Usagi, Rei ]

[ Pretty Guardian Sailor Moon / Bishoujo Senshi Sailor Moon ]

Thats actually cute! I liked it! A comfortingly cute fic coming!

I also have problems with my family so i can say fromy own experience that respect should be win, no matter if is family or not

Usagi Tsukino

Usagi can be childish, loud and a bit carried away by the fact that you two are together but something that will never be doubted is how caring and loving Usagi actually is

She has being clingy and affectionate from the start and she expected that from you but with some time Usagi learned to hold back herself a bit for your comfort, she normally acts before thinking and is carried away for her feelings but for how caring she can be it end up being a bit easily to win the trust of her friends, still at some point, while still being in the process of meeting you she noticed the small hints of distrust, like keeping some distance or just giving her friendly answers that doesn't show the same excitment or familiarity she had

Honestly, Usagi used to complain a lot about it to her friends, she wanted to get close to you but it seems that your defense is always up wich makes it dificult, but it will be her friends that will make her realice that maybe you just can't trust others easily or doesn't want to get hurt by trusting someone too quick, wich lead Usagi to try again with a more kind approach

Usagi decided that if she wants to get close to you she most go at your rythm, and she is trying really hard to show you that she will wait until you are ready and even will give you your space, despite falling in love pretty quick she uses those feelings as even more motivation to make you trust her, because she want the person she loves be comfortable and be able to relay on her

Once you two got together Usagi usually gets carried away for her love, clinging to your side and gets incredibly affectionate but she also expresses constantly how important you are and that she will be willing to do everything in her power to protect you, at this point she have just forget about your trust issues a little because she and the others Sailor Scouts treat you as if you were family (still leaving you enough time to get used to it)

Once you feel comfortable enough to finally open up to her and tell her why you has so much troubles to trust others Usagi gets serious and put all her attention on you, she knows how serious this is and she wants to respect the trust you are putting her. Knowing that you feel like needed to protect yourself from everything because problems you had in the past (or even problems that are still present today) with you family definetly break her heart, she sometimes argues with her mother but she knows her family loves her sincerily and unconditionally, so she definetly doesn't understand why your family would do something bad towards you

Still, she respects it and promise that with her and her friends you will never have to worry about being abused or left behind, you will be loved and respected (and she is even probably crying a bit because she hates the idea of you suffering), and that doesn't get just in words because everyday she takes the purpose to remind you how loved and apreciated you are, how safe she feels with you and how she will do everything in her power so you can feel safe at her side too

She may end up telling part of your story to her friends because she was too worried about you but will definetly apologize (the rest will do it too if it have upset you) and will try to make it up for you (Usagi will be so scared that you feel like she have betrayed you that she even apologize with tears)

Rei Hino

For Rei to fall in love and be in a relationship it take time, she needs to get to know you better since she also has some troubles before opening up to someone but once she does there is no doubt that she feels comfortable around you by how freely she is able to express herself

Its more likely that both had to take time to slowly get to know each other and first be friends, speaking to each other a bit too polite at first before slowly winning each other's trust

Rei is sincere, she has no reasons to lie so even when she always tries to be kind and polite to whoever comes to the Temple once you two grow closer she start to leave clear that she will need time before stop keeping some distance, besides, she can easily tell that you don't trust her quickly nor easily so she does it for your comfort too

As you two grow closer Rei also start to give small hints to show that she wants to be closer, always greeting you with a sincere smile and start talking more about herself, telling you more freely about how has being her day at school or work and speaking her mind off a bit more so you can see that she is willing to open up sincerily, still, most of the time she just talks about her new friends and even start to complain more and more about Usagi and Minako's childish behaivor

Also, when you start to open up more and start speaking more sincerily about yourself Rei is definetly happy, she feels quite proud about the fact that you are starting to trust her more, but she isn't going to brag about it since she understand the weight of it and holds a lot of respect out of it

Once you two start a relationship Rei is sure that you know and feel like you can trust her and even leave clear that she does trust and respect you, is something setle down even before accepting because is thinking in the comfort of both, but aside from that she tries to don't make a big deal out of it, not your relationship nor you trust issues

She introduces you to her friends and tell you that, despite how the act sometimes they are trust worthy, but also make sure to tell you that you don't have to force yourself, you can take all the time you need to feel comfortable enough with them, they will understand but still treats you like family from the start

Getting to know that you don't easily trust others is because of problems you once had or even still have with your family is a bit surprising for Rei but has no problems accepting the idea, when you finally tell her she makes sure to heard you until the end and don't interrupt before telling you how sorry she is that you had to go throught sometime like that, there are chances that she already told you how her father just left her in the temple with her grandfather, if not she says it right now just so you can see that you are not alone on this

Rei make sure to tell you that she doesn't judge you nor will tell you to change since she not only understand you to some extent but also respect that you have your own way to dealing with your past, still she remember you that she still loves you no matter what and that you will always can count on her

#sailor moon #sailor moon x reader #usagi tsukino #usagi tsukino x reader #rei hino #rei hino x reader #rei x reader #x reader #x gn reader #anime x reader #manga x reader

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wickmitz · 4 months ago

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what do you think mitzi’s type in men is?

hmm, this is a fun little ask! especially since her love interests, on a surface level, couldn’t be more different. we have :

zib : former long term boyfriend but not quite … they were very loose with labels, as we know from outside information and the way zib lives life in general. but despite this, whatever feelings fostered between them were intense ; enough so for him to stick around years later, resigned to a chained down lifestyle simply because he doesn’t want to leave mitzi. he’s very loyal in that sense! even if it’s not a conventional type of loyalty. we know that before bitterness seeped inbetween their bond that zib took good care of her, while also being a complete mess of a person ; someone perpetually scared whenever physical conflict is concerned and being a musically inclined man who very much treats himself as a free spirit, with a morbid philosophy and feel towards life. he’s got a major tortured artist aesthetic!! is a little gripped by melancholy and nostalgia … zib is a lot of things, and ambitious is surprisingly one of the many puzzle pieces that make up dorian zibowski.

atlas : ruthless gangster, has an eerie presence that frightens even the people closest to him. he is prone to a more quiet disposition ; never speaking and always a blot of unremarkable grey. but he is an opportunist! someone who can manage a business and take advantage of shortcuts and loopholes to become even more successful … basically he is wealthy and uses his assets well. but all of this is done with a manner of distance, leaving even those closest to him never having the full picture of who he was. it’s also worth noting that mitzi and him had eventual problems, which caused her to seperate. also perhaps has a heart of some kind, but whatever love he possesses is hidden under layers of blood and mystery.

wick : well-to-do bore, and i say this with all the love in the world for wick! but compared to previous paramours he’s rather clean and talkative … there is a constant earnestness to him that bleeds out, an honesty and a more conventional sort of kindness. he doesn’t hide behind smoke and mirrors and there’s never really a front he puts up around mitzi -- or his investors for that matter, hence why he’s treated as an ‘outsider’ so to speak. he is an alcoholic who loathes the details of his job but is more than passionate about the job itself and makes this everyone’s problem … he is a little helpless, in the sense he’d die without someone there to make sure he functions … and is, like zib, perpetually afraid of conflict. can be a little wishywashy and can come across as uncaring due to his cheeky tone … but he’s loyal and caring, with a hobby for the unusual ( bugs and rocks lol ) as well as being able to look past the gossip mill and see the actual mitzi may as he knows her, someone who’s going through a rough time and is either too kind or classy to be a brutal killer. he is hypocritical, a little snobby, and rather forward with mitzi too. kind of a flirt when he wants to be!

something that immediately stands out to me when looking at this lineup is that mitzi doesn’t enjoy a violent man. i don’t think she loathes someone who can so brutally or clinically remove others from this earth, but if she were to go for someone they’d usually be sweeter in a sense. it meshes well with her old personality and kinder heart, perhaps brings it out in her, and that sort of levity and breeziness is more enjoyable than, say, being fully aware of the dangers that lurk around every corner because the man you’re beside is prone to bringing it. she also enjoys more talkative types, someone who’s less quiet and demure and serious, and is keen on her men having a hobby they care deeply for ; some sort of long term goal to work towards doesn’t hurt either. and because of some scenes in the comic, i’m a firm believer that mitzi wants someone who can make her smile or laugh with ease, whether because they’re ridiculous by nature or genuinely funny! she has a sort of funny bone herself, enamored with gallow’s humor and darker jokes, so having someone who either a.) reacts hilariously in the face of her jokes or b.) who can return that energy with teasing or their own brand of silly is desirable. everyone could use a good laugh or two, a sense of joy injected into the bustling life they all live, and this all ties back to mitzi being more drawn towards the less stuffy types of men.

so atlas seems to be an outlier when it comes to her type in many ways, hence the later problems they apparently had in their relationship even if she did love him dearly. but, of course, atlas did have something very appealing to her that zib had failed to give, which she rather fondly recalls in the comic page vestige. whether zib likes acknowledging it or not, mitzi wasn’t as gungho about their normad life as he was … or, at the very least, when she lived another life besides that one, she realized she had a preference! and atlas gave her that path, that knowledge that she wanted something else, and seemingly for the very first time in her life … she felt like a proper lady, a feeling that clearly meant a lot to her. it wasn’t just the dresses or the wealth, it was the constant eye of atlas who could have any dame he wanted, but fancied her his wife regardless. it was having someone so respectable looking, dressed well and groomed well, being able to see her as something other than a sweating, exposed girl in a bawdy dress. atlas’s seemingly polite treatment towards mitzi was enough to garner her affections in spite of everything else, so i think she enjoys that now in others, ; folks who treat her as though she’s a woman in high society, men who don’t gawk at her or make lewd remarks immediately … she probably prefers the courting process now and the quaint dates ( that she doesn’t pay for, mind you ) that come along with it. she just -- likes mutual respect, i think. and who doesn’t? she’s been through a lot to get to where she is now, even if it’s a bad predicament, and she’d like for that to amount to something. some sort of acknowledgment, some kind of recognition.

however, it’s worth mentioning that her views on romance and all that it entails have been warped since the death of her husband. such a loss would change how anyone approaches their dating life, if they were to even have one afterwards … after all, mitzi’s whole problem is that she doesn’t want to move on from atlas and has thus completely romanticized him in her head, to the point that she earnestly believes she’ll be miserable forever without his presence. any problems she had with atlas have long since been erased by her tortured mind, leaving her with a profound misery she’s wallowing in. i think she believes herself as incapble of romantic or sexual inclinations nowdays, leading her to view the advances made towards wick as a necessary ‘evil’ for the sake of atlas may and little else -- when she genuinely does like sedgewick to a degree, and wouldn’t go on dates or kiss a man unless some part of her honestly wanted to do so. ( i also think she was attracted to wick somewhat even while married to atlas, but that’s besides the point ) so this is all a rather complicated affair! she is vulnerable and weak, is too aware of herself and the criminal underbelly squeezing in closer … add this on top of her still heavily grieving and having no one she feels she can talk to, you have someone who is rather changed. mitzi is so far removed from herself and who she truly is, or was, that there’s no doubt it’s affected her type ; now she’ll settle for anyone if they’ll just help her, and even then she’d be dispassionate if romantic entanglement of any kind was involved in that relationship. it’s not something she wants right now, and honestly, it all seems scary and daunting … besides atlas, zib was the only other man she’s ever loved enough to stay around for, so she’s never faced a loss like this before. has kept zib throughout all the turmoil and changes -- so this is, as far as we know, her first major loss where it concerns matters of the heart. it’s not shocking she’s so messed up after it, especially given how fresh it all still is. all of this rambling is to say that mitzi’s a little more stingy and cagey then she used to be about love or sex, and she has a lot of inner battles to face before she can fall for someone and be sure about it. needs to thaw, i think, and she would require patience and understanding from anyone who actually wanted to be with her. mitzi could move on with time ( i do not think she’s the type of widow who’d never date again! ) but it would take quite some time to do so. well, in a world where she’s allowed / is able to heal anyway!

while her type would probably remain the same, i could see her wanting a serious relationship more than she did prior to the death of her husband. has no energy for the loopholes, or the rationalizations, or the fickle nature that can grip someone’s heart. she has matured in a lot of ways since her band days and would take comfort in frivolous things like labels and promises of a future, together, as lovers. while what she had with zib was nice and is cherished alongside the freedom to do as she pleased while on the road with the band, i don’t think she misses it. having the stability and assurance of an actual relationship, with all the hardships that come with it, would be better suited for her. as long as she’s treated like an equal of course! i don’t think she’d be keen on her partner hiding anything from her, even if it’s meant to protect her, due to where that put mitzi when atlas was killed. she’d rather know and be disgusted, or worried, or scared than to not know about something at all until it’s too late … again. naturally patience and compassion would also be of importance, as would the usual things she loves like loyalty and a passion for something in life. and while never required, she’d be happy if the person possessed even a singular musical bone in their body! she still thinks artists, particularly musicans, are sexy after all … likes the angst and brooding that comes with it, the slight flare towards the dramatics … as long as they can handle mitzi in her pitiful entirety and do, to some degree, care deeply for her and will compromise … i think she could find some happiness wherever. bonus points if she can live comfortably for the rest of her days too, lord knows she’s tired of the constant battle of hucking and bargaining.

but yeah! mitzi’s love life is vast and complex and i definitely see her as someone who is more flexible in type than other people are. though there are similarities between her suitors if you really look! anyway, i hope i was able to briefly touch upon this subject because my shipping brain loved your question and kinda went into overdrive, alas. tldr ; her ideal type is wick sable. sorry. once wick learns an instrument the wedding is back on!! … i’m kidding lol. well, mostly <3

#my asks.#lackadaisy analysis.#lackadaisy #mitzi may #i’m a person who believes the dixie drifters were one big polyam mess!! just on the record haha #and while that polyam and open relationship lifestyle was nice i do not think mitzi enjoyed all of it …#which isn’t to say she’s PURELY monogamous now! but she leans more towards it than not i think #she enjoys having one partner solely focused on her … someone entirely her own …#but she could ( potentially ) be alright with or encourage them to take on a third #or a forth … it all depends really! but she is still flexible in a lot of ways romantically #anyway!! i hope this makes some semblance of sense!!#i have many thoughts about mitzi’s love life and her romantic relationships and grief #so i tried to put a sprinkle of all that in here since it’s relevant to the topic #while also avoiding tangents!!!#in the end i think i’m a little confusing but get the points across regardless so <3 i’ll stop messing with this and just post it already #thank you for wanting me to go crazy and talk about mitzi may AND her shipping scene #( also forgot to add this but mitzi loves a person who will take photos with her or be photographed BY her #she’s big on photos … and a man who’s depressed. but that’s kinda obvious given her love interests lmao )

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st4rstudent · 22 hours ago

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i feel somewhat responsible for this, even if i’m not the one saying these things. I’m genuinely so sorry.

No need to apologize! It's not one singular person doing it and truth be told I don't think it's a large majority that thinks that (albeit the ones that do are quite vocal). I didn't mean to upset anyone or anything when complaining about it, I was just letting off some steam.

Having a yap session under the cut sorry I feel like rambling under your ask anon.

Admittedly, I do think there are reasonings for people thinking this way. A lot of the focus with Clash has been on the cogs, especially after the 1.3 update. Which I can't say I blame them! Managers were something new and exciting and (from what I can tell) really separated them from the other servers. I don't blame them for wanting to put focus on that because that was their thing. Alongside other things, but majorly when you hear Clash the managers are mentioned in someway shape or form. But as we all know, toons ended up taking the short stick from this. This isn't helped by the gameplay itself, being mainly a fetch-quest deal so you often only talk to npcs once or twice unless if they're repeated ones and the taskline wasn't entirely accessible on the wiki for a while (shoutout to the wiki maintainers. The taskline script is a savior). Which I'm quite excited to see if they deal with this issue with the rewrite. I imagine they will, but anyways. Social media posts would often contain more managers than toons, which I also believe they're starting to fix. And ontop of this, I believe most of the team in the early era of the sever is gone, so there's been some stuff lost in the change. So yeah, dialogue/writing has been kind of rocky. AGAIN- I am completely aware of the rewrite going on and I am not judging them harshly based off of their current state. I'm very appreciative of the fact that they took the time to listen and are focusing on trying to fix it up. And then there's also fandom mischaracterization- especially of the cogs. Forgive me for mentioning mischaracterization because normally I wouldn't really care (I've mischaracterized characters before..especially in my younger years. I think it's just a process of learning an having fun and I hate to limit anyone because of it). With that being said, there's a lot of baby-fying and coddling of the managers. Especially with those who have more 'sympathetic' stories (Misty, Chip, Winston specifically). Don't get me wrong, I like these characters and I can appreciate the story they're trying to tell, but I feel like so many people will hear their dialogue and then misplace their anger. People get mad at Bessie for trying to protect HER lighthouse or at the Elders for trying to keep YOTT safe (lets not forget Winston was there to brainwash toons). Yes, yes technically there would've been better ways to do it but consider this: The toons are scared. Their homes, stores, lives are being taken over by a big corporation that has more resources that they do. They don't have the privilege of waiting, seeing, and gathering. And then people forget that the company has such a huge role in both toons and cogs lives. If you're mad over the mistreatment of Misty or the fact that Winston is still in the dungeon, your anger should be directed at the company who doesn't care. I may be completely wrong in saying this, but I feel like the stories with almost all of the managers is a reflection of the company. The toons are only trying to protect themself and their environments and yet this seems to go forgotten when people start bashing them. And of course, I'd consider myself a toon guy so me saying all this and complaining may come off as "I HATE the cogs and everyone who posts only about them!" and for clarification that's not true. You all know how much I like that little brain thing. The cogs are interesting, their designs are fun, I don't blame people for liking them because I do too. I just wish that the thought process behind so many of these discussions wasn't so cog focused because I believe that this anger at the toons for, RIGHTFULLY, defending themselves helps push this mischaracterization of them as a whole. That they're mean, boring, unlikeable while the opposite is true. Yes there are some, what I'd consider, "filler" dialogue from the shopkeepers. This is just because of the gameplay. But there are some funny and cute moments with them if people would just listen and read.

Which also brings me into another point: people skip the dialogue. I've caught myself doing this before (on my first account. I have 4 accounts total, so I reread the dialogue on like 3 of them). But people will complain about lack of toon personalities while doing this. It's like reading through a comic book, only looking at the drawings, and then complaining because there "isn't a storyline". Luckily, there's been efforts to keep track of the dialogue on the wiki but I doubt a lot of people are going through and reading the entire script. It just feels very disingenuous to criticize the dialogue when you haven't even read it. Likewise, people don't seem to read the blogposts either. This is both from a dialogue aspect and from an update aspect (people continuously asking about hammerspace/mix-and-match under unrelated posts).

#clemask #clemramble #I think I hit some sort of word limit because it wont let me add anymore so im continuing in tags #It kind of feels like people want the toon resistance to be the perfect victim and then get mad when they act accordingly #Fear. Nervousness. Sadness. Helplessness. Anger. etc etc are all valid reactions to their situation #Not every toon needs to be heroic and whimsical. they're scared. their situation is scary if you think about it #they're at the risk of losing their environment and homes.#Obviously the cogs also have their own issues but I always see this brought up when talking about them but the same context #isnt given to the toons when thinking about their characters and communities as a whole #It's kind of weird to me because I feel like even pre-rewrite I know that I can still understand them and justify their actions #and yet people act like clashes (pre rewrite) writing is justifying the cogs when in reality its not #its just showing that cog society (reflection of workplace enviroment) has its own issues. i never saw it as a justification #even with misty. like I never once hated bessie? my opinion of her never changed even after mistys dialogue #bessie did what she had to do because she was scared and wanted to protect herself and others.#id do something similar if a cog (known for taking over towns) suddenly came up to me #PLUS bessie leaves misty alone afterwards. ppl act like she took a shotgun and shot misty dead and it makes me laugh #ANYWAYS SORRY ANON. NO NEED TO APOLOGIZE.#realistically if youre not saying it then i doubt youre contributing #I would say “i wasnt mad” or anything but to be completely transparent with you guys i was Not-Happy when writing that one post #but it's not directed at any single person but rather the idea itself. I'm sure after the rewrite people will chill out #ITS NEVER THIS SERIOUS im beefing over characters named pretty princess sparkles. im aware of how silly this all sounds ok #the clash fandom isnt the only instance of this. ive seen stuff like this in sw before so like. I know this isnt an uncommon thing either #normally id just keep this on a priv or between friends but something kinda snapped yesterday #i think its bc I just KEEP seeing posts like it with those “hot take” posts or whatever and ppl are always so mean about it #i also think some ppl just already dont like toons and look for every. little. thing. to go after them for #like the “youve been drafted line” i refuse to believe people took that line 100% seriously #or maybe this is all wrong and im just a huge toon fan. and in that case i will die on this hill #you will have to pry them out of my cold dead hands before you catch me genuinely bashing them #ok thats clems giant critques and complaints out of the way

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