#I add like 100-500 new words a chapter and then the stuff I add I have to check makes sense for future chapters too and like I love that it | Explore Tumblr posts and blogs

the-schwayest-batman-around · 4 years ago

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Commissions Open

Hello everyone!

I hope everyone is doing well and this year has been more than a little crazy. However, I figure to help make the year a little easier and help out for some future plans, I’m going to be reopening commissions.

There will be 5 slots. I don’t want to overwhelm myself and I don’t want to suddenly keep a lot of people waiting in case my job situation does change. This will first come/first serve. I will only be accepting stuff via ask or tumblr messenger. That means no anons. I need to actually communicate with anyone interested in commissions.

Details Under the Read More:

Headcanons (Examples): These will cost $10.00 as a base fee. With headcanons, I try to go in depth with the concept you wish to discuss. This won’t really feature an POV of the character in question. Their point of view can be explored but it generally is done in my perspective. The $10 will buy you the first 1,500 words completely free of charge with an extra dollar for every 100 words. The word count will be rounded up if it’s over 50.

Drabbles (Example): The cost will be $15.00 as a base fee. As opposed to the head canons, the POV will now be focused solely on the character you wish to focus on. Have you wanted to see the character in a school setting? Maybe fighting crime? Perhaps doing something mundane or magical? Maybe doing some complicated fighting? I will be happy to do it. Like before, the $15 will buy the first 1,500 words, with an extra dollar for everyone 100 words. The word count will be rounded up if it’s over 50.

Character/Story Consultation: Do you require an editor or second opinion on your work of latest creation? At $10.00 for a character and $20.00 for a fan fic (per chapter), I will schedule a time with you over tumblr, discord, or google to go over your desired work of fiction or character.

Extra Costs:

Brand New Verse: If you wish me to write about a headcanon or drabble that does not exist in any media, this will cost an extra $5.00 if I accept to do this. I’m literally breaking brand new ideas and won’t try to half ass anything. This will also add another 500 words. Examples of this may include: “What sort of Pokemon lineup would Vox Machina of Critical Role have”, “What types of benders would the cast of Sailor Moon be”, or “Who would win the Hunger Games from the cast of Batman Beyond?”.

NSFW: I can accept and write NSFW, but I have full reign to also deny those requests. I do not wish to write incest, no pedophilia, and nothing illegal. This will also add another 500 words to your story. This will also cost a $5.00 charge on this.

Original Character: If you want to include an original character of your choosing into the story, I can. I will require samples and this will cost an additional $5.00 as I’m working with something a tad unfamiliar. I may also be asking you a little more often about certain actions or choices said original character might do.

General Questions:

I wish to buy multiple headcanons/drabbles from you? Can this all count as one slot?

For the time being, no. I don’t want to be unfair to you or any other potential customer so in this case, one commission equals one slot. If I finish up all the slots and wish to continue this, I may change this rule.

Can I only commission Batman Beyond from you? What if I want a headcanon or drabble about something else?

I’m happy to accommodate! I have a ton of experience in several different fandoms and I’m happy to take a stab at something if you’d like to.

What fandoms are you interested in writing?

The absolutely easiest ones I can write about as a setting or with characters would be the following: DC Comics, DCAU (DC Animated Universe), Young Justice, Marvel, MCU, Marvel Exiles, Marvel 2099, Pokemon, Digimon, Harry Potter, Star Wars, Sailor Moon, Dragonball, Naruto, One Piece, Persona, BNHA/MHA/Hero Academia, American McGee’s Alice, TMNT, Final Fantasy, Dungeons and Dragons, Critical Role, Avatar: TLA/LOK, Legend of Zelda, Super Mario, Steven Universe, Kamen Rider, Game of Thrones, Invader Zim, The Hunger Games, The Promised Neverland, and a few odds and ends here. If you have any concerns or want to check with a fandom I may be familiar with, please don’t hesitate to ask.

If you aren’t familiar with a fandom but I’d like you to write it, will you?

It ultimately depends, but I will certainly try my best. I’ll generally read or watch as much as I can of the fandom to get a better understanding. If there’s a big learning curve (examples being watching say Supernatural or Dr. Who’s mega arcs), I may have to decline. I want to give you the best product I can and not half ass any of my work.

Will you accept any request?

No. If I feel like something is too difficult to write (EX: I’m unaware of the fandom, I’m too uncomfortable to write the material, etc) I will say no and ask if we could find a middle ground or a potential second option. If that’s impossible, then I will deny the request.

Can you do freebies?

I have to decline from doing freebies at this time.

Can you write about my original character and a canon character?

Sure. As stated earlier, I will be asking for references as much as possible if I’m totally unfamiliar with a character of your creation.

How and when do I pay for commissions?

We can sum it with these quick steps:

1) Following the requests and any questions, I will calculate the cost and email you an invoice. The invoice must be paid in full in order to proceed.

2) During said process, I will begin work immediately on your request. If the word count will go over the requested amount, I will notify you and give you the option to take a shortened story ato your desired word count or we can renegotiate to allow more words and a secondary invoice will be made. Once again, no progress will be done until the invoice is paid.

3) Once all invoices are paid, I will deliver the product to you via tumblr or via email.

What is your turnaround rate for writing?

This ultimately depends on how many commissions I have lined up as well. I do have a 50+ hour work week but I am eager to work on your story when I have time. I try to at least complete a project in 1 to 2 weeks upon beginning. If I need additional time, I will notify you of this.

Can I do anything with the story afterwards?

Absolutely. You paid for the drabble/headcanon. You can post it anywhere you’d like. Depending on how I feel about certain headcanons or drabbles and if I can post it on my blog or Ao3, I will absolutely do so.

I suddenly had an idea and wanted to change my SFW story to be NSFW or vice versa. Can this be done?

I will only allow up to 2 major changes like this. If you wish to add something, the additional charges will be done to the final payment. As stated above, I will not release the product until payment is complete. If you wish to remove charges, I will not refund you. However, I will attempt to increase the word count to make this a fairly even trade.

What would constitute a major change?

As mentioned above, changing the format of the story from SFW to NSFW or vice versa. Also included would be wishing to add new original characters. Things such as “character goes to a picnic when we agreed upon a restaurant” or requests in a similar vein would not count as a major change.

What if I have more than 2 major changes for the fic?

I’ll ask that you request a new commission.

Can I simply donate to you?

You may if you wish!

I don’t have any money but do wish to support you. How may I do that?

Reblog and spread the word! This will only be for a limited time.

Why should I buy a commissions?

I have a little over 20 years of writing experience in several formats and fandoms. Aside from what you can find on the blog, I have assisted in creating unique battle scripts and plots for my own original projects and writing partners. I have created several unique plots with several praising the quality of work and creativity on display.

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rigelmejo · 4 years ago

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random notes about drawbacks/positives of mia:

My biggest incompatibility with the massive immersion approach (and in general a lot of good modern study methods) is I hate flashcards. It’s not that I dislike them as a concept - I am just super bad at concentrating on them. I am NOT good at doing the following: focusing on small bits of information, studying for short periods but Regularly, Reviewing Regularly, and sometimes I just genuinely can’t retain small concentrated reading sentences to the point it takes me 10 MINUTES a flashcard in order to understand/study it. As you can imagine, that last part is NOT efficient, and ends up making flashcards even slower for me as a study method then they’re ever meant to be. I can’t control when I’m unable to figure out/concentrate on small bits of information, so some months flashcards work as intended for me (I can review 10-20 in 10 minutes), but other months suddenly 10 flashcards takes me an hour. So I am not good at sticking to flashcards consistently - once the hard months hit, I don’t keep up with reviews, because they suddenly take way more time then they ‘should.’ However, when I can focus I try to make up the difference - and do 20-100 cards a day while I have the ability to do flashcards at a regular pace. On the upside, I’m proof you can do the SRS flashcard reviews, in a very chaotic way, and still get benefits. How I’ve done flashcards: cram 300-1000 in a couple weeks to a month, including whatever reviews I need. 2nd month - review if I can still focus, and do a few new cards (like 5-15 a day at most). By the time I can’t focus, most words are relatively-known and I only would need to review them once a week or every few weeks - if I COULD focus on reviews. However, I only actually review once a month or less at this point - and I’ll only review 20ish cards usually in that rare instance, unless I have a good day. I will not usually review the majority of those cards until my next burst of can-focus-on-flashcards usually in 2-3 more months. I have done all my flashcards THIS INCONSISTENTLY, and I’ve still retained a lot of what I studied. What I think helps: immersing in other content when you can’t do flashcards, so that you’re often still being exposed to words you studied (so they’re easier to not forget even though you stopped doing flashcards). So yeah... inconsistent flashcards, and some immersion exposure, and I was able to keep some of the gains SRS flashcards generally provide people. I can’t do flashcards consistently, and I usually have to do them in big-chunks then abandon them, but they do help me boost up how much I know when I DO use them.

More regarding my incompatibility with mia. The big thing is: I’m just not a flashcard person, not a consistent person. I have to vary what I’m doing regularly, or I burn out/struggle to focus. When I was in school, I would do the following to study: take notes/focus intently when being taught, then read the textbook/materials if I needed more help. Before tests, or to ‘review’ I would reread my notes from beginning to end of what I needed to remember. This would refresh my memory. If I still forgot/did not understand anything, I’d pinpoint that info in the book/ask my teacher/go online etc and try to just focus most of my ‘harder’ studying on those parts I was struggling with. Usually just taking notes/focusing, then reviewing everything in bulk right before I needed it (so maybe once every few weeks), was enough. When I couldn’t take notes, I would instead skim through book chapter summaries, and rewatch lecture videos if there was a digital copy - focusing most on the videos when info I forgot/sounded like key information was mentioned. Basically - notes, summaries, short cheat sheets, were all my friends. For tests like math and physics, I would read my notes AND make mini-sheets of all key formulas and how to do them/what I needed for them (usually I already had a sheet I just kept adding to over time/rereading). I could not use flashcards back then - I couldn’t focus, not consistently, not the way they’re meant to be used. It took me too long to even make them to warrant them being useful to me (I take SO long to make flashcards, its also a focus issues - also why when I do SRS flashcards I usually just grab some premade deck cause it keeps me MOVING and actually STUDYING instead of getting frozen in a task).

This has always been my go-to study method. When I started chinese, this is how I learned 400 characters/basic words. I bought a reference book with mnemonics, and would make myself read through it (as if it were notes I took). Occasionally I’d flip through old pages again, just to see if I still recognized old stuff, but mostly I just kept moving forward. So like - flip back every couple weeks to skim old pages, but read forward every day. I got through half the book before I burned out (because... reference books with their short entries of information? a lot like flashcards in structure, except thankfully I don’t regularly review afterwards like I would with flashcards). It still took me 10-20 minutes for 10 entries in the book, but unlike flashcards it was a one-time task. When I got done, I had learned them pretty well - and I didn’t do anything to review them. They were just reviewed with immersion naturally, and eventually when I started studying common words these characters came up again (so if I forgot any, I relearned them easier then). This approach is roughly how I learned all words not in my premade-flashcard decks. I’ll read a chinese book - just start reading through it, looking up words I want to learn. I don’t review them, I don’t look them up again. Sometimes, maybe once a month, I’ll reread an old chapter to see what progress I’ve made - and then lookup unknown words then, as review since I didn’t remember them the first time. It sucks in a way... that SRS flashcard style study methods just.... do not work consistently for me. They are still beneficial, because in short month bursts I can quickly learn 500-1000 things with SRS (which is faster than some classes introduce words). But overall I have to rely on other study methods. Which for me feel inconsistent in progress since I can’t measure it as easy lol! Even with no SRS, doing ‘bursts’ of this read-intensively note-like materials, then very occasionally skim old material again, does seem to work out okay for me. Back when I learned to read french, I did no flashcards. I looked up a common words list (and used my class vocabulary lists). I read through them once. Before tests (if for class), or every few weeks, I re-read/skimmed the word lists. By 3-4 months I learned the first 500 words. Then, since french has a lot of ‘similar’ sort of words, I just sort of dived into reading and then picked up words mostly that way - just checking a word list every month or so to review known words and make sure I didn’t have some big gap of missing vocabulary.

So I guess: for me the biggest positive in mia is the suggestion to immerse often, frequently, and with a variety of materials. So that you practice different skills, learn a variety of things - and so you can move to something you like, if you get bored/unable to focus on one specific type of material. With mia you can read novels for a month, then get sick of reading and just watch shows/listen to podcasts when you walk, then if you’re burnt out from that you can just browse social media and check out fanfics/manhua/friends posts in the language for a few days or weeks before picking up longer materials again. The point is just to find ways to immerse, and do it. Simple advice. SUPER simple advice. But incredibly useful - every single time I add more immersion, I notice a boost in my comprehension. I notice actual improvement over time. I can’t pinpoint ‘why’ it happens, so unfortunately I’m not sure which complementary study methods or ways of immersing are helping me precisely with improvement in which skills. But I can tell that I am improving. I would 100% agree that immersing more is worth trying, at any language learning stage, as much as you want to. I immersed in the first months in both french and chinese, and I did much better than with japanese (where I did not immerse for 2 years and so my level stayed A1 beginner for like 2 years...). My French last time it was tested was around B1, which is fine since I just wanted to read and guess where my skills are closer to A2 and dragging it down? (Yes. Yes of course its speaking ability, of course). My chinese as far as I can pinpoint it is around HSK 4, as far as material I can easily read/listen to, as far as the practice tests I can take online. (Which, again, I’d self evaluate and say my comprehension is at HSK 4 or higher - I definitely can rely on good ability to guess meanings with hanzi and my comfort following grammar easily to boost comprehension a bit higher, but my speaking/writing is lower and I definitely only feel totally comfortable discussing topics that are manageable at HSK 3 - and my production grammar-wise is understandable but SO full of ‘this is the wrong way, use this instead’ which I’m working on...). So like... I got much farther in a year with each language I immersed in - even with the limited immersion I do actually do! So more immersion - better. While I’m on the topic of immersion: if you like reading, read often and early. I am better off for telling myself “its not hard to read” and just diving in the deep end. Was it hard? ahahaha yes. ;w; But, I realize if I’d put off reading until say HSK 4 or HSK 5 knowledge in chinese, reading would be EVEN HARDER because I’d be so much worse at quickly reading through grammar/gathering context clues. Reading is a mix of actual reading skill, and vocab. I built up a lot of the actual reading skill by starting to try to read super early. So now my main struggle is generally just lack of vocabulary - and since I understand all surrounding grammar very well, its easier for me to roughly-guess at unknown words function and still follow the gist of what’s going on. Reading early also means, for words and hanzi I DO already know, I learned to recognize the many contexts/phrases they show up in and the various words they combine into earlier. So again, when I’m looking at a new text the hardest words are new vocab made of ALL unknown hanzi - if I know one hanzi in the word, it’s something I can often approximately guess the meaning of especially when I understand the entire rest of the sentence. If a new word is spelled with all known hanzi, I can look it up once or twice and generally remember it very fast - since its connected to what I already know. If I had waited to read until I’d learned more vocab, I would have less of a reading skill foundation to rely on right now. And based on what I’ve read of at least some people’s experiences on chinese-forums.com, many readers will go through a STEEP uncomfortable period when starting to read chinese. Something vocab does not totally mitigate. I think it just takes many hours, of the reading skills getting less and less hard, and then eventually things get more comfortable. There is also the issue of ‘comprehensible’ reading material - depending on your tolerance for ambiguity, chinese can be painfully incomprehensible for a long time. Generally people feel comfortable once they comprehend 98% of a material. But in chinese, even once you learn thousands of vocab, depending on your reading skills and abilities to ‘guess from context clues’, you will not be at 98% yet. Even if you can guess from context clues, that isn’t solid comprehension its still ambiguously understood material. So to get used to reading chinese as a learner, you have to start getting used to how it feels to read stuff only 80% comprehensible. Only 90% comprehensible. And if you get good and learn a lot of vocab and grammar and understand it better when you see it - 95%. Which is still not the range of ‘comfort’ yet. The quicker you learn to not be stressed by the ambiguity, the less painful reading becomes. And the more tolerable it is, the more you can read, and the quicker you can learn more, and the quicker you’ll REACH 95% to 98% comprehensibility. But if its so painful you refuse to keep reading, to keep using reading to push comprehensibility up... it is going to be a long way until you hit 98%... Graded readers are great, and give you stepping stones to transition this experience. Graded readers are MADE to be 98% comprehensible at different learning levels, so they will FEEL comfortable. And if they do feel uncomfortable (because you don’t have high enough comprehension), then they will at least drag your comprehension up - and still be more tolerable than the alternative of even LESS comprehensible native speaker chinese language materials. Basically though... find a way to force yourself through the harder ‘intolerable’ early parts. It happens whether you know 500 words or 2000. So you’ll have to do it eventually. I get demotivated if I’ve ‘studied a lot and still understand nothing’ so my foolish self dived off the deep end at 500 words, then at 1000, then at 1500, then at 2000. Cause I kept trying to read, being frustrated at its difficulty and stopping after a few weeks, then trying again once I’d learned more! But wow did that early trying pay off. Now that I DO know more words, if nothing else the comparison of how NICE it feels to read now in comparison to in the past, motivates me a ton. If I just started reading recently, and all I knew was it felt ‘this hard’ then I might want to give up. But like... when I started, and knew 500 words, my graded readers were PAINFUL. Genuinely intimidating. Once I pushed through one? They felt easy as pie, and graded readers at that vocab-level felt so easy they got boring. Now I find graded HSK 4 material and usually read through it super fast or don’t even bother. So I can 1. read more comfortably. And 2. because I’ve BUILT up a higher tolerance to ‘ambiguity discomfort’ I can allow myself to read harder materials if I do want to - because I can still TELL it feels easier than it used to.

Finally, about MIA the study method as a concept. So... either because the site is long and people don’t like to finish reading, or maybe the writer is not good at summaries - but people often get confused about how to do it. Particular detail questions about how to do ‘this specific suggested activity’ make sense. But there’s a lot of people who ask “do I just turn on the language shows, and?? How do I learn?” Which, fair enough. So, as I understand it, here’s a summary: You want to learn a language. Find yourself a grammar guide - a free website, a book, whatever. Read the summary/guide, or skim it, whatever gives you a ‘preview’ of the language’s structure and what you’ll be getting used to over time. You will use this guide to reference later in the future, whenever grammar in stuff you see confuses you. You can use multiple guides later to reference. Right now, just zoom through a guide and get a general sense of the language you’re abut to learn. You can also wait to do this step until later, whenever you want. The sooner you do it, the sooner grammar will be less mysterious to you. Find yourself a pronunciation guide. Go through it, you don’t have to be a perfectionist about ANYTHING you do before or after this. Just go through, listen to it all, try to notice how its different from your own language. Notice if there’s any major differences like tones, sounds or patterns your own language doesn’t have. You don’t need to memorize, you’re just becoming aware that these aspects exists and are different. Again, this is to get you used to the language you’re about to dive into. This should probably be done early on. Look up some info about the writing system, if it is different from your own language’s. You will probably find some explanation introductory articles for beginners. If there’s any explanations about how it works, or why it’s like it is, read through it. This will help you understand the system better. You don’t need to memorize - although you may want to save a couple hundred common words, or a copy of all the letters, or a copy of a couple hundred common characters, or a copy of the radicals that combine to make characters. Read over this copied info a few times every once in a while, as you’ll see these things a TON once you start immersing. You find yourself a premade deck of SRS flashcards (use Memrise app, Anki program/website, some alternative) of common words in that language - ideally in sentences, but single-words work if that’s all you can find. Ideally with audio - but again, whatever you can find. You may also find an SRS deck of characters (like Heisig Remember the Kanji)/writing system specific info, if you want, to go through that deck early on to help you more with recognizing the writing system as you encounter it. Whatever decks you get, you will study those for 10-30 minutes a day. You can start doing this from day 1. (Or be like me and be inconsistent about it - just try to keep progressing forward and learning new material, even if you don’t always study. For me it was better always to move onto new stuff, instead of review, if I only had time to do one out of the two things.) Find yourself stuff to immerse with - shows, stories, audios, comics, social media, whatever. You will try to immerse every day, and try to immerse as much as you enjoy. Do this from day 1. When immersing: use either the language you are studying’s subtitles or else none at all. When watching/listening - look up words as desired, mainly though focus on context and trying to understand as much of the gist of what’s going on as you can. Over time you will pick things up. For reading - look up words as desired, and in the beginning you may look up a TON of words because you need to look up at least enough to follow the Bare Minimum Gist of What The Main Plot is. You NEED to understand at least basic context, with whatever your immersion material is, in order to learn new words from context. So: you might start with reading simple graded readers. You might use shows/books/audio of things you’ve already experienced in english, so the context is clearer to you. You might read summaries in english ahead of time. If you need more context in order to use immersion to learn any new things - then go ahead and give yourself more context. Immersion will feel difficult at first, the joy is watching you start to just ‘naturally’ pick up more. Audio immersion - for some of this, you do not need to attempt to ‘understand the gist of the plot’, you can just use it to attempt to pick out all the specific words in the language, the language’s rhythm, and get used to the language. If you’re only using an audio to learn the sounds of a language, you can probably use it as ‘background sound’ while doing other daily things, since it won’t require as constant focus as it would if you were trying to catch every single word you knew as you listened. There you go. You’re all set. Do this for a year and see where your progress is at. Quit doing this if you aren’t seeing some improvements, since if that’s the case a different study method may be better for you. Don’t do this method if you don’t like it - whatever gets you to study, is the right methods for you. No point doing something that doesn’t work for you. Eventually, as you make progress, you will decide on goals and notice mistakes/shortcomings in your skills. When that happens, add additional study materials/tasks as needed to focus specifically on those things as desired. For example - if you notice your pronunciation sucks, you may start using audio-focused flashcards, or go through a pronunciation guide again more carefully-thoroughly this time. Or - you realize your writing is bad, so you go through a grammar guide again and do the exercises, and get language partners and write to them regularly so that you get corrections. Eventually, you finish a common word flashcard deck - find a new deck, or make one, with new words you want to learn or need to based on your goals. The massive immersion approach is a basic plan of immerse-while-paying-attention+study new words/review words regularly, it doesn’t include every single thing you might do or want to do.

Anyway, mm. tldr: massive immersion approach suggests doing immersion of all kinds, from day 1. I couldn’t agree more, every time I add more immersion when studying a language it helps so significantly and over time. however, mia also has half of it’s study method based on SRS flashcards - if you are not a flashcard person like me, my alternative study ‘method’ above works. It’s not perfect, its probably not as effective. But it works if you can’t focus on SRS flashcards reliably. Finally, I summarize mia a little.

#rant #study method #mia #mass immersion approach

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sparkles-and-trash · 6 years ago

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Writing commissions OPEN!

What I’ll do and how it’ll work:

Basics:

I’l write for almost everything, fandoms, OC’s, x reader, you name it! I might need to do some research if it’s a fandom I’m new to, so that’ll cost a little extra, but not much, see pricing list below.

I have a list of all the fandoms I’m in and will write for without research in my bio, along with masterlists with all the stuff I’ve currently written for fun, and I have an account on Ao3, but they won’t be linked in this post, simply because then the post won’t show up in the tags.

Types of commissions:

Fiction/prose

Oneshot: A standalone piece of prose which can vary in size, but typically goes from 1,000 to 10,000 words. $20 for the first 1,000 words, then $10 for every thousand after that!

Imagine: Similar to one shots, but the piece is written with a reader insert and a character or person of your choice. Price is $15 for the first 1,000 words, then $5 for every thousand after that!

Headcanons: A list of 15-20 headcanons featuring one, two or three characters, or one ship, of your choice. Flat charge of $5! NSFW for the same length flat charge $8 USD!

Multi-chapter: Similar to a oneshot, but taking place over multiple chapters. I’ll need to know about your overall idea of what each chapter will be like and what they should amount to when brought altogether right away. Price will still be $20 for the first 1,000 words, then $10 for every thousand after that, and payment will be done when each chapter is done.

Drabble: A smaller story, generally 100-500 words or so. Flat charge of $5! NSFW for the same length flat charge $8!

NSFW: Any of the above may include smut and nsfw, but the pricing rises from $5 to 8$ per 1,000 words

Character Profiles

Basic: Want to create or develop a character of your own? A character's name, their physical features, some general personality traits, and other basic information all created for you given your direction. Flat charge of $10

In-Depth: Similar to the Basic Character Profile, but what is their favorite flower and why? What are their relationships with other characters and the stories of those friendships, rivalries, and familial ties? Their detailed personality and psychological profile and why they act the way they act? All sorts of detailed information based off of what you need to do what you want to do with them. Flat charge of $15.

Brainstorming and AU concepts

Want to come up with ideas and write them for yourself, but need someone to help you develop your concept, characters, and other general information regarding the project? I can help you with this directly over chat on either discord, Tumblr DM’s or on email! We'll message back and forth for as long as you need, and the price can be discussed based on how much help you think you want, but the general guideline is $5 per 500 words. This will however be free of charge when you order a multichaptered piece!

Beta and proof reading

Can be done for both grammar and spelling, and story flow and ideas and concepts! $2 per 500 words!

Like I mentioned, the lists of fandoms and previous works will not be included in this post, because then it won’t appear in any of the tags (thanks, Obama Tumblr) but I’ll reblog this post right away and add them all there, so check the notes if you want that!

They’re all also in my bio if that’s easier to find! (keep reading for guidelines, rules, payment info and more!)

reblogs are super appreciated you guys <3

Guidelines and Rules

A commission may take anywhere from a week to multiple weeks depending on the size of the project, the subject matter/series it is a part of, my familiarity, and many other factors such as the fact that real life can always creep up, but I will always complete a commission once I have started.

You will be free to contact me to see how it is coming along and depending on the point I may even provide for you a sample of its draft.

If you need something completed by a certain time for whatever reason, such as a commission for someone's birthday or something along those lines, communicate that with me and I will pull whatever strings I can to have it completed by then, but again I cannot promise a specific release date.

I want to take the time needed to complete your project as well as I can and that may take some time, though of course some things might come right along and be finished in almost no time at all.

Once a project is completed I’ll of course be able to go back and edit any possible mistakes on my part such as a missed spelling error, and I can provide a total of three other minor edits to the final product, but further changes will require a small fee based on whatever change it is you are asking for.

This can be simple like changing a bit of dialogue, or can be more time consuming like adding in a couple paragraphs to explain something you want conveyed to the audience.

Payment

Payments will be done through PayPal only!

If, for some reason, you require a refund I will provide one based on the status of the project and the time invested in it so far.

0%-10% of total project complete: 90% refund

11%-30% of total project complete: 70% refund

31%-60% of total project complete: 40% refund

61%-90% of total project complete: 20% refund

90%-100% of total project complete: No refund, the project has been completed

Content Guidelines

There are some things I will not write, which are as follows:

Excessive gore: some blood and guts is fine, but not exceedingly gruesome.

Music/Poetry: I have no experience writing songs, so unless you are asking for a deliberately bad song in a story then I cannot provide one.

Minor/adult: I will not write child/adult romantic parings.

Incest: Self explanatory.

Changed orientations: if a character is canonically LGBTQ+, I will not make them straight, and I won’t erase any sexualities or orientations what so ever!

How to Commission

To request a commission, please fill out the following form and send it to me using either email or Tumblr DM’s! (my contact info can be found at the end of this post)

Username: Your username, as well as any alternate methods of contact you want to use!

Type of Commission: Is it a Oneshot? A drabble? Anything else? Any social requests? Fire away!

Series: What series are involved in the project?

Genre(s): What genre or genres will be involved?

Characters: Which characters you wish to be used and in what capacity you wish them to be?

Description: A basic description of what you want the story to be like and what you want from it. Feel free to use as much detail as you please.

Other information: Anything else you feel I should know about the project, such as a deadline if you are in need of one or other specific details!

Once you have filled in the form, go ahead and send it to me and I’ll get back to you as soon as possible! I reserve the right to refuse any commission for any reason, but commissions following my guidelines above should be accepted with no problem!

Thank you for your interest, and I look forward to working with you! If you have any questions, feel free to contact me!

My contact information:

Tumblr: sparkles-and-trash

Email: [email protected]

reblogs are very appreciated you guys <3

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longgonegays · 6 years ago

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LGG’s Long Gone Days Chapter 1 (pre-update) Review

A year in the making!

PREFACE

In April 2018, I played through Long Gone Days for the second time. I had more of a critical eye after my first run through, and I wanted to write down my impressions. However, I got incredibly busy and wasn’t able to publish my initial reactions. As of now, I have played through the story a third time, alternating endings all the way, and even though the game is getting a MAJOR update probably soon, I figured I might as well post my thoughts and suggestions here!

SPOILERS BELOW

THE GOOD STUFF

Let me start off by saying that the art is phenomenal. I’ve loved it ever since the first demo was released in 2016, and it’s honestly one of the best looking RPGs I’ve played in a long, long time. The characters are interesting and have lots of room for growth, the music is atmospheric and cool, the devs are responsive, the story is unique, and the community is new and exciting! There’s so many good things. I can’t tell you how many people I’ve shared this game with. One of my friends even backed the indiegogo along with me!

As with any up-and-coming Early Access title, there’s bound to be mistakes or mechanics that could be optimized better. I’ve found many things that have the potential to make a greater impact on the player if done a little differently. However, I am no video game developer, so if any of my suggestions on the technical side are impossible, just know it’s not my intention to make the team do 500 more hours of work. :P

LET’S GET INTO IT!

There are different categories of issue. They will be sorted chronologically and marked as CONSISTENCY, GAMEPLAY, LANGUAGE, STORY, or TYPO.

TYPO: A pretty crucial one! The directions tell you to press X to shoot the drones in the tutorial, but when pressed, X does nothing. Z is the correct key.

CONSISTENCY: There should be a period after the word "half". All other notes at this point end in complete sentences, so it feels strange to not end the same way.

CONSISTENCY: The lowercase b in "Power bar" should be "Power Bar" since it appears that way in the Consumables menu, and it is properly capitalized when another one is picked up later on.

STORY: It's a little strange that the Shooting Range Clerk can fix a broken elevator card. I would've never related the quest to him; I actually didn't solve it the first time because I didn't think talking to the clerk was worth it. Unless there's a briefly explained in-story reason for him knowing how to fix them, another NPC beside him or even a sign with something akin to "Repair" in the description would give the quest direction more of a hint. (Just as an aside, it would be neat to return to the Kitchen Clerk and discuss what you saw thanks to the fixed card!)

TYPO: The description should read "has run out of batteries" and not "has ran". It would read "ran" if it were simple past tense (The watch ran out of batteries), but not when it's the past participle (anything with has/have).

LANGUAGE: You could say "The following series of exercises only take five minutes at the time...", meaning it would only take 5 minutes to do them on the field, but it may flow better with the way the phrase is most commonly used, "...only take five minutes at a time", or just shortening it to "...only take five minutes."

TYPO: Instead of "Why are we hiding for?" it should either be "What are we hiding for?" or "Why are we hiding?"

TYPO: The real hut code is 07734, but afterwards, it states in both the Quest List and the Notes that it is 007734, which is incorrect.

CONSISTENCY: The Quests for Kaliningrad are available in the menu a little early. You have access to them before you get to the stone bridge on the right and fight The Core soldiers for the first time. The player hasn’t even met Ivan at this point.

TYPO: This is the beginning of the quest. "Found" should be "Find" since we haven't actually found her sister yet.

TYPO: “Forget” should be "I almost forgot", since "I told you I'd bring cake" is past tense.

GAMEPLAY: The "find the items" prompt only appears AFTER you collect the first item for Gleb's mother. Before that, it's just "convince the mother to go to Gleb's house". It would make more sense for the description to switch immediately to "Find the items" after she tells you which items she needs. (Sidenote: If someone accidentally clicks through the dialogue too fast, they'll have no idea what they're looking for. It may help to list Flower Pot, Painting, and Toy to show what items are needed.)

CONSISTENCY: Any time you talk to a group of two people, it's the same dialogue. It sets up the expectation that I'd just get the same words over and over no matter which person I talked to or in which order. HOWEVER, in Pay It Forward, the dialogue differs depending on which woman you talk to in the Residential District. You MUST talk to the lady on the left. I couldn't figure out how to solve this quest the first time because I didn't know who to look for (I thought I had seen all NPC dialogue since I already talked to the lady on the right). This is a minor gripe in the grand scheme of things, but I felt like I had to mention it.

STORY: Pay It Forward ends with you giving Anton the Conduct Pass. Yuliya (Downhearted Lady's Sister)'s dialogue doesn't change after progress reaches 100%, and she'll keep telling you to talk to the Residential District woman. A change in dialogue could help emphasize the fact that the quest is COMPLETE and no further action is needed on the player's part, just like the Business-Savvy Woman's dialogue changes after completion of the same quest.

TYPO: Just past participle again! "An uprising has began" should be "An uprising has begun".

TYPO: In the battle before you meet up with Ivan and Adair, an 's' should be added to make "Aggressive Soldier". I posted this one on the Bug Report forums a while ago, so I’m guessing it’ll probably be fixed in the next update.

GAMEPLAY: Maybe give a warning that Adair's going to heal you after the battle? I used a ton of my food for the first playthrough because I anticipated more fighting. Perhaps include some dialogue of Adair saying something like "I'll heal you properly after we fight the soldiers inside of the house." It would save some people from using too many of their resources too early and wasting them.

TYPO: "Why are you standing here for?" should be "Why are you standing here?" or the correct phrase, "What are you standing here for?"

GENERAL SUGGESTIONS

GAMEPLAY: You mentioned planning to implement the option to switch control keys, which is great. I think the second most popular suggestion is to Toggle Shift (and add Right Shift) instead of having to hold it down every time you want to run. Both will save a lot of fingers!

STORY: Instead of “[Enemy] has fainted” you can put "[Enemy] is down". It is ambiguous yet straightforward if you really want to avoid the word "dead". The fact that the Gun Drones “faint” as well seems questionable. Using “down” or “has been downed” would eliminate the strange phrasing and make a little more sense.

GAMEPLAY: More information in the Kaliningrad Quest descriptions! In Pay It Forward, it would be good to specify within the description that the sister has red pants. In Searching for the Cure, noting the location of the pharmacy would help, even if it just mentions heading North. In Animal Rescue, tell the player to head East to find the Animal Advocate; add a sign for the Residential District! In The Lost Girl, include Lynn's hints about a sandy / dirt-filled location. The very first time I ran around starting these quests, it was incredibly confusing trying to navigate the map effectively and remember which direction things were. Especially when the descriptions are so vague; you have to remember a lot of tiny details only referenced in the Quest Start dialogue, and there's no guarantee the player will recall all of them if they're solving a bunch of quests at a time. Small hints can go a long way.

GAMEPLAY: All quests appear to be able to be completed as soon as you enter the area. However, it would make things INFINITELY easier if they were sorted in "Not Started", "In Progress", and "Completed" tabs. It's a bit of a hassle to scroll through and find which quests you're working on, especially since they aren't sorted chronologically or alphabetically. Additionally, "Locked" quests could be greyed out ones that cannot be completed anymore or ones that cannot be started at that point in the story. Some organization would be nice!

GAMEPLAY / STORY: After playing the game, my friend had this to say: "One thing I would like to see more game-mechanics-wise is the option of using stealthier methods of taking down enemies. For example, when you can sneak around the gun drone in Kaliningrad nighttime, have it so you can utilize your high vantage point (the rooftop) to snipe down enemies and avoid direct conflict."

I absolutely agree that Sniper Mode should be used more. It only makes sense. Why charge into battle with a long-range weapon? Even if Rourke has other methods of fighting, wouldn't he want to prevent close-quarters situations in the first place? That guy even has his back turned! Ambush opportunities are not used effectively.

LANGUAGE: A LOT of the dialogue could use more contractions. For example, at the beginning, Lynn saying "They are here!" would take longer rather than "They're here!", and she'd probably want to get the information across to Rourke faster. This isn't a necessary fix, as everything is readable without contractions, and some characters may just have a tendency to speak like that, but it would make the dialogue seem more realistic and flow more naturally for most of the cases.

CONCLUSION. . .

Long Gone Days is a wonderful game. I would recommend that everyone at least play the first 30 minutes, because it is definitely something else. I still get very emotional at certain points, like that scene with the Civilian Fighter where they first speak in Russian but then try to sound things out in English, finally telling Rourke "We are counting on you. Good luck." It gets me EVERY TIME. It's such a good and powerful moment, couldn't stop half smiling half tearing up when I read it the first time. The text speed and how it was presented was really effective.

I loved the Boss fight as well! The fact that the morale boosting events were saved for the very end of that chapter made it much more impactful than the consistent battle-to-battle challenges in the demo. During my first playthrough, I had to stop myself from letting the Lieutenant use his Attack because of how freakin' COOL the art and animation looked! Everyone’s cut-ins are great!

Unsolicited Advice-Giving Soldier is also hilarious, and I think sprinkling that kind of humor in is very important in a game like this. :P

Overall, I love this game. I really want it to grow. It’s a lot of fun to talk and theorize about, and Chapters 2 and 3 should have no shortage of conversation material. With a bit of polish, Chapter 1 could be an even more effective introduction to the dangers the Kaliningrad Squad will have to endure in the future!

Thank you for reading! I’m looking forward to the full release!

#long gone days #lgd #review #lgg log #phew #and there's still a lot of writing I have left to do when the other chapters are released hahah

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occasionalfics · 6 years ago

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Paige’s 2k Challenge/Bash!

Hello and welcome to my 2k Follower Celebration/Bash! First and foremost, thank you for getting me to 2k!! This blog has more followers than my main blog. But I write for Thor so I get it. We’re hungry.

Secondly, the challenge! I wanted to do something more creative than just a simple writing challenge...but I think that’s gonna end up being more in the execution than this prompt list. And by that, I mean that I want y’all to get as creative as possible. Do whatever you want (within reason): one-shot/drabbles, feature-length fics, mini-series, letters, etc.

So here are the specifics:

Up to two prompts per person, two people per prompt.

Should enough prompts be open by Wednesday, September 19th, I’ll think of something else to add because right now I’m out of ideas.

Send me an ask with the prompt you want, the character(s) you want to include, and maybe a backup or two if you think you’ll need it (I’ll let you know if someone gets to your choice ahead of you though).

If I don’t respond to your ask within 24 hours, send it again.

Tag me in the body of your post and make sure to tag #paiges2kbash so I can find your entry! (If I don’t respond within 24 hours, send it to me in a message.)

If you’re gonna write smut, you’ll have to be 18 or over and the character you write for needs to be as well.

All Marvel characters are on the table - even ones I don’t normally write for. This is about what you want, as my way of giving back to you for following me!

I am 100% cool with and encouraging you to play with the genre your prompt comes from. You see something in the Angst category, but you think it’ll be cute and fluffy too? GIVE. IT. TO. ME.

Gimme AUs, Gimme body swaps. Gimme it ALL.

Word minimum: 500. Total. There is no maximum.

I prefer Reader Insert fics, but I’m also cool with OCs. PLAY WITH THAT PERSPECTIVE BABE!

Make sure the prompt is easily identifiable in your post. Bold, italicised, a different color, or just point it out in the informational part of the post (if you do those like I do), just make sure I and other readers can easily figure out what the prompt is!

You do not have to be following me to enter! I’d love to have you and would appreciate your company, but it’s not required to participate.

Entries are due by HALLOWEEN (10/31/18)!

Make it spoopy.

Here’s what I’ll be doing throughout/at the end of the challenge:

Making a masterlist of all the entries with descriptions and tags

Denoting which are my favs in some way

Reblogging each entry to support and promote both the entry and the challenge (once again, if I don’t reblog within 24 hours, send it to me in a message)

Interchangeable prompts are located under Misc. So you get to pick what genre!

Angst

“Not you again..”

“I thought you loved me.”

“I can’t believe you!”

“We can’t keep this up forever.” - @mcu-owns-my-ass

“Don’t leave me…” - @the-resal10 with bucky (and/or steve)

“You’re a disappointment.”

“Don’t die on me– Please.” - @bvckysmanbun with steve

“I never meant to hurt you.”

“Thanks for nothing.”

“Why did you spare me?

“You need to leave.” - @the-resal10 with thor

“I thought we were family!” - @akamaiden with thor

“There was never an us.”

“So that’s it? It’s over?”

“I fucked up.” - @distinguishedstarlightcrusade with tony

“I came to say goodbye.”

“I don’t deserve to be loved.”

“About the baby… It’s yours.” - @sidehowriting with thor

“Do you want me to leave?”

“No, it was my fault for thinking that you might care.”

Fluff

“I’m so in love with you.” - @thorsstorms with thor

“Dance with me!”

“I wish we could stay like this forever.” - @thorsstorms with thor

“Will you marry me?”

“I’m pregnant.”

“You’re special to me.”

“Do you trust me?”

“Can I kiss you right now?” - @lookslikeleese with thor

“You’re cute when you’re angry.” @multi-fandom-imagines8 with thor

“We’d make such a cute couple.”

“I want to take care of you.”

“Shut up and kiss me already.” - @iambuckyrogers with bucky

“Are you flirting with me?”

“Is that my shirt?” - @barnesrogersvstheworld with bucky

“You’d be a great dad/mom.” @averyrogers83 - with steve or bucky

“Did you do something different with your hair?”

“This is why I fell in love with you.”

“Stop hogging all the blankets!”

“Let’s run away together.” - @sweetboybucky with bucky

“Where did all these puppies come from?” - @samanthasmileys with peter parker (feat. tony stark)

“Wanna go see a movie with me?”

“I vote today to be a pajama day.”

“I’ll just be in the bathroom throwing my fucking guts up because our unborn kid wants to be a dick!”

“You’re smart and successful with an adorable belly.”

“Your hair is so soft…”

“Just relax, I’ll wash your hair for you.”

“You are ridiculously comfortable…” @uhltrons with peter parker

“I’ve had a rough day and honestly all I want right now is a drink and someone to cuddle with…”

Smut (NSFW, for 18+ only, I will be checking)

“This was fun— Let’s do it again sometime!”

“Why are you naked?”

“Bite me.”

“Fuck me.”

“Stop teasing me so much…”

“What a pretty sight.”

“Well, fine; just this once.”

“As you wish.”

“First one to make a noise loses.” @sassysupernaturalsweetheart with loki

“Car sex looks so much more easier in the movies.”

“Already? Do I really have that much of an effect on you?”

“We can’t do that here!”

“I’ve never wanted anyone to fuck me this badly.”

“Don’t give me that look.”

“You’re more than just a one night stand.”

“Don’t be so rough. There can’t be any marks.”

“I really don’t care. You still look hot and i’m trying not to kiss/fuck you senseless right now.”

“Put that thing away!”

“Don’t kink shame me.”

“Tell me what you want.”

“You’re n-not ,um, w-wearing anything under that, are you..?” - @buckybarnes-xyou with bucky

“Are you trying to turn me on or are you really just that oblivious?”

“You taste like fucking candy.”

“Just let me finish this level/chapter/etc. and I swear I’ll go down on you until you cum at least three times.”

“If I have to stop what I’m doing, you won’t be able to walk for the next week.”

“Were you just masturbating?”

“Ah, he’s playing hard-to-get. thats cute.”

“For the love of fuck.”

(optional) “Yep, thats me. I love to fuck.”

“I know for a fact that you can be a hell of a lot louder than that.” - @kentuckybarnes with bucky

“Your ass is going to be seven different shades of red after that little stunt.”

“Did you just… finish?” - @supernovasandcoronas with bucky

“They always make shower sex sound so appealing, but honestly, this is getting dangerous.”

“I’m not actually feeling anything.”

“Are you getting any closer?”

“Boobs are really just squishy pillows.”

Misc. (could be any genre you’d like)

“I’m fine.”

“I’m really fucked up.”

“Are you drunk/high?”

“Don’t touch me.”

“Not sure if you could tell, but I’m not exactly a people person.”

“I don’t remember that!”

“Well that’s pretty rude of you to say.”

“You owe me.”

“You did what?!”

“I love that show too!”

“Can I borrow that book of yours?”

“What are you listening to?”

“I brought you your coffee.”

“I haven’t slept in four days.” @hwkewhy with steve

“This place gives me the creeps.”

“Just how stupid do you think I am?”

“I can take care of myself just fine.” - @samanthasmileys with steve, oc, and tony appearance

“Since when have we ever been friends?”

“Stop texting me weird stuff so late at night.” - @thatfanficstuff with clint

“Put me down!” - @evanstarff with bucky

“It isn’t what it looks like! Okay.. Maybe it is…”

“Didn’t you read the sign?”

“Do you think you can teach me that?”

“Okay.. This is new.”

“You’re in trouble now.”

“Tell me again.”

“What do you think? You like?”

“This isn’t what I had in mind, but okay.”

“Don’t forget who taught you that.”

“Are you sure this is legal?”

“Why are you so annoying?”

“What’s with the box?”

“Stop pinning this on me! You started it!” - @hiswhiteknight with bucky

“Just pretend to be my date.”

“The planet is fine. The people are fucked.”

“I just did some calculations, and I’ve determined that you’re full of shit.”

“Do you ever think if people heard our conversations they’d lock us up?”

“It’s not that you’re wrong, exactly, you’re just extremely not right.”

“You shouldn’t be trusted with small children, should you?”

“Give me cake or give me death.”

“You have to tell me why were committing a felony before we do it. Not that that’s going to stop us, but at least I’ll have all the facts.”

“Those things you said yesterday… Did you mean them?”

“You’re like, five feet tall. How you gonna reach me, shortie?” - @sectumsempra-beaches with loki

“It’s not a double date, we’re just third and fourth wheeling.”

“I’m going to keep you safe.” - @captain-ariel-barnes with thor

“It’s lonely here without you.” - @romancing-the-reader with loki

“How did we get here?”

“You are not going without me.”

“You know we’re supposed to be together. I knew it the first time I saw you, and you know it, too. I know you do.” - @mcu-owns-my-ass

“I can’t stand the thought of losing you.”

Prompt sources:

http://rfaimagining.tumblr.com/post/159085054669/nearly-200-writing-prompts-feel-free-to-reblog

https://justforshitsandcackles.tumblr.com/post/173942517099/smut-prompts

http://rpmemesfam.tumblr.com/post/164529932732/nsfw-sentence-starters

http://you-make-me-wander.tumblr.com/post/128505986473/random-sentence-starters

#paiges2kbash #2k writing challenge #occasionalfics writing challenge #marvel writing challenge

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beatrice-otter · 8 years ago

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AO3 Best Practices: How do I choose whether this is a story, a chapter, a series, or a collection?

Jenrose has two great pieces of meta/guides for AO3 use. One is a primer for posting Google Docs fic to AO3 and how to avoid the pitfalls thereof. The other is about the differences between chapters, stories, series, and collections, and why you should choose carefully which you use for different fics. I am not affiliated with the Archive in any formal way, and never have been, even as a volunteer, but I do use the archive A LOT both for posting my own stories and reading other peoples', so take my opinion for what it's worth. Here's my take on stories/series et al on AO3: To decide how to categorize your writing on AO3, you should take into account both what feels good for you as a writer, and what works for your readers, as well. You want people to be able to find what they're looking for easily (so they won't throw their hands up in disgust), you want everything related to be together, you want them to be encouraged to comment/kudos. And some people (like me) who are fandom veterans and download copies of every fic they like for personal archival purposes (I've seen too many beloved fics disappear), and it takes very little effort for us to be happy, too. A story/work is the basic unit. It has a beginning, middle, and an end. It may be long or short, and it may or may not contain internal subdivisions (chapters). You should be able to read it on its own with no problems, and nothing other than a few sentences explaining the previous works if it's part of a series. It can be a work in progress, but other than that, it should be complete in itself. This is what most people think of when they think of a story. A story/work should not be a dumping ground for short unrelated pieces.

If someone likes one of them and then gets excited that "oh, wow, there's 30k words of this story!" they are going to be VERY disappointed when they find out otherwise.

If someone is looking for one particular trope (say, wing!fic, or curtain!fic, or "Howard Stark's A+ Parenting," or any particular trope) and you tag the story as that because one piece has it, they will read the first section, maybe the second section, and probably give up in disgust because what they've read has nothing to do with whatever they're looking for. By putting short unrelated pieces together, you prevent people from finding (and hence READING) the stories of yours that they actually want to read. Lots of people simply are not willing to wade through all of the different tidbits to find the one tidbit that they want.

It clogs up the tags, especially if you put pieces of different fandoms in the same "story." Say you have a work/story with three Harry Potter ficlets, two Naruto ficlets, and one Rivers of London ficlet. You tag it with all of those fandoms; it appears in the works list for all of those fandoms. Then you add two more Harry Potter ficlets and a Once Upon a Time ficlet. Every time you do that, it goes to the top of the tag for every fandom it is tagged in. This is especially annoying for the small fandoms, where they don't get much new fic, and they get excited because yay, new fic! only to be disappointed that it is not, in fact, a new fic in their small fandom. They will probably be very annoyed with you and less likely to read your fic in the future because it feels like you are using bait-and-switch tactics. (Yes, I have heard more than one person in more than one small fandom complain about this.)

You will get fewer readers. Most people choose to read a story based on the summary. They may use tags to find stories they might like, but a large part of the decision on whether or not to read this particular story is the summary. If you have a lot of unrelated short pieces together, you can't really write a summary that has stuff about them all, and hence you are DRAMATICALLY reducing the number of people who will read any of it.

Sometimes people are looking for a long fic, and will click on a tag (fandom, character, pairing, other tag) of stories they'd like to read and sort by length. Your collection of unrelated ficbits now looks like a long story of the type they want to read! Except it's false advertising, because it's not 50k words of what they want, it's 783 words of what they want with 49k words of other stuff they don't care about. Chances are, they will be very annoyed, and more annoyed if they don't figure out what the deal is right away.

You will get fewer kudos. If each ficlet is its own thing, and someone reads two of them and likes them, they can kudos both of them. If they are part of the same story/work, they can only make ONE kudos for everything altogether.

If someone does read all of it, and likes one ficlet but not any of the rest, and they make a habit of downloading their favorite fics to read while commuting or for personal archival purposes, they won't be able to do so.

There are two exceptions to this. One is for drabbles (true drabbles that are exactly 100 words) and other ultra-short things. Even if you put 50 drabbles together, that's still only 500 words total, and the very smallness mitigates against many of the problems.

The second exception to this is if you have a series of longfics, and also some really short scenes and gapfillers and outtakes and whatnot. Then you can put them in one story with a summary that tells what it is--"short stories and outtakes from my [whatever] series"--and people won't mind. Everything is there in one place, easy to find (if they like that series) or avoid (if they don't). Everything is clearly labelled and easy to find. It's not clogging up the tags. Even so, if there's something that stands on its own as a story within the series, I would recommend making it its own work, rather than just a chapter in a jumble of scenes.

It is better to have a single work marked as a WIP than to have each chapter of your story posted as a separate work. A chapter is a short piece that does not stand on its own but must be read in order with the other parts of the story.

Someone looking for a complete work will be very disappointed. They thought they were getting a complete story, and all they're getting is one chapter in a WIP. There are some people who don't read WIPs, only complete fic. If each chapter is a separate work, they can't tell if it's complete or not ... so they won't read it.

The default at AO3 is to view a fic chapter-by-chapter, but you can also set it to view an entire work all at once. If you post each chapter as its own work, nobody can do this. Those readers who prefer to read a whole work in one page will be annoyed or disappointed.

Those who download fics to read offline or for archival purposes will find it much more difficult. Instead of downloading one story, they'll have to download a lot and figure out how to get them in the right order on their device.

It's false advertising. People know what a story is, and they know what a chapter is, and if you give them what is basically a chapter and tell them it is a whole work they will be annoyed. Annoying your readers is counterproductive.

You clog up the tags. This is especially annoying if you're posting frequently in a medium/small fandom. Someone clicks on that fandom and they get a whole slew of "works" that are, in fact, just different chapters of ONE story. It drowns out other stories and thus annoys other authors and any potential reader who wants to find more than just your fic.

So what do you do if you have more than one story (complete works that stand on their own) that goes together? How do you handle that? On AO3, you make them into series or collections. A series is a group of related works/stories in the same plot arc set in a particular order, be it chronological or otherwise. When you put things in a series, you are telling your reader a couple of things. First, that all of these stories belong together quite closely (more closely than a collection) and that they should be read in a particular order. A collection is a group of works or stories that you believe belong together for whatever reason. Maybe it's "all the fic I've written about Bitty cooking." Or maybe it's "all the fics I've written in any fandom with kidfic." Or maybe it's "all of my favorites." Or maybe it's "all of my tumblr meta ficlets." Note: I don't think there's much point in creating collections or series with all of your works in a particular fandom in them; it's super-easy for a reader to find them without you doing anything. They click on your username, and get taken to your dashboard with a list of the fandoms you've written in right up there top center. Clicking on the one they want will take them to all of the works you have written in that fandom. On the other hand, it's not like there's any problem with it, or any inconvenience it causes your readers, so it's purely a matter of personal preference. comments Comment? http://ift.tt/2rE8M9e

#fanfic #archive of our own #ao3

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forgedobsidian · 8 years ago

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Hi. I hope you don't mind if I ask for some advice? I used to write fanfiction all the time but then I started to get a lot of anxiety about my writing. Nothing I try to write is good enough for me, and I haven't been able to finish and upload anything since around 2011 even though I've had plenty of plot bunnies. Do you have any advice that might help me start writing again?

Sure!! I’ll give what advice I can!!

I actually went through a period of not-posting-anything, myself. A spike of anxiety when one of my fics went completely review-less killed my motivation to post anything. It lasted about a year and a half, and only in the past couple months have I really gotten back into fic writing. Here is what I found helped:

- Getting in contact with other writers makes things fun!! I follow about 7 other fic folks, and talking to each other about what we write or even just leaving really long rambly reviews is a great way to meet really awesome people and boost some writing confidence.

- Sometimes you just run out of steam. It’s okay to take breaks, even if they seem terribly long and you don’t want to disappoint any readers with rare updates or new posts. It’s chill to take your time. I know anxiety can be a real pain when you feel like you have to be constantly working on or posting stuff, but as both a reader and a writer I can say that it’s really important to take your time and only post when you want to.

- Write down those plot bunnies!! Keeping track of your ideas is a good way to keep your creativity going, and then if you get burnt out on one idea there’s always another to keep you entertained. It’s okay if you never finish all of them. Fic is supposed to be fun, and there isn’t a ‘quota’ that needs to be filled.

- Understand that the everpresent possibility of growth does not detract from you skill in the now. Chances are you grew a lot in writing skill and really developed your writing style from that first fic up to your most recent writings. I know I did!! You have skill right now, and it’ll grow the more you write.

- Being unsure about your writing means that you’re holding yourself to a personal standard, which is a-okay! I have seen a few fic writers say that they were really able to write well when they stopped caring so much, but that’s not something I can do, personally. I like to feel good about what I’m writing and posting. When it comes to feeling like I’m not doing my absolute best, I like to remember that we are always harder on ourselves than anyone else will be, and I can always come back to it later. And creativity has it’s own time of hibernation, so expecting yourself to be constantly at 100% all of the time isn’t gonna work. ALSO: what might be something simple and rough and not-that-great to you will be pure art to someone else.

- ALSO: the bare minimum for fic is that it’s understandable. As long as you’re hitting that mark, any extra effort you put into it is just making it better!

- It’s okay to feel anxious about your writing. It’s a pretty common feeling, actually. I go through a solid hour of avoiding the Internet after I post something because I can get really jittery. When it comes to dealing with anxiety, I’ve found that stepping away from what I’m doing helps give me some space to think. I can go over some of my old stuff, or my more recent stuff, and it’s like “Hey, I did that, so I can totally do this.” Anxiety is such a pain, but it’s normal, and it can be worked around.

- Splitting up longer works into multiple chapters helps if you get an idea that seems to keep growing the more you write it. If it turns into something REALLY LONG AND INTIMIDATING, it’s okay to put it on the shelf for when you feel ready.

- Finishing something is always interesting. Unless I have an ending really planned out beforehand, I always feel like I should have been able to fit in more or write it better or that I made it too long and focused on the wrong things. If you’re really unsatisfied with it, rewriting some scenes or even the whole thing might help (scary, but it works). Also, since it’s fic, you can always go back and edit or add more chapters or a sequel or two if you really want to.

- Posting work is hard! It’s sending out something you worked on, something you put time into, and you don’t know how it’ll be received or if anyone will like it or even if you’re proud of what you created. I post-and-run, honestly. Thinking back over all the effort I put into something sometimes gives me that push to click ‘Publish,’ though sometimes I just have to wait for another day or so. Then I usually feel more prepared and confident, even if I haven’t done any more work on it. I’ve also seen some folks just post little snippits of stuff they have in progress to get feedback, so that might help to sort of ‘test the waters.’

I hope these help!! Though this is just what I personally found useful when it came to writing again, so they might not work for you. I won’t tell you to make writing a habit, that at 5:00 each night you HAVE to sit down and you have to write at least 500 words. Fanfiction should be something you enjoy. If a long time passes before you feel like you might enjoy it again, then that’s okay. Self-compassion when it comes to your writing is more helpful in the long run than self-admonishment.

So, overall, being gentle with yourself and remembering that you are always growing and developing is incredibly important. You can only do you best - which will vary from day to day - at a given moment, and that’s more than enough.

Hope I could help even just a little!! Happy writing!!

#that got . . . a little wordy maybe #sorry ^^'#ahh but yes!! it's okay that it's taking a while to get back into fic writing #im just. i hope i could help!!#also: feel free to tag me or send me a message if you want me to read something!! because i sure would!!#anonymous #text #writing #writing resources

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hballou · 5 years ago

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Nonprofit Fundraising in our COVID-19 World with Martin Leifeld

Martin Leifeld, author, coach, consultant, and public speaker directed the raising of over $500 million dollars during his 24 years of fundraising leadership in the St. Louis region. Martin authored the book, FIVE MINUTES FOR FUNDRAISING - A Collection of Expert Advice from Gifted Fundraisers. MartinLeifeld.com provides nearly 125 video presentations about leadership and fundraising matters.

Martin served as vice chancellor for university advancement at UMSL for 10 years. He led a dramatic increase in fundraising, averaging $26.4 million per year. University Advancement had 140 employees and a $16 million budget focusing upon alumni engagement, community relations, fundraising, marketing and communication, university events, and St. Louis Public Radio.

Previously, Martin was associate vice president for university development at Saint Louis University and director of development for the Diocese of Belleville, Ill.

Martin was named the 2018 Outstanding Fundraising Executive by the AFP St. Louis Regional Chapter. Martin was selected as the 2020 Millard S. Cohen Lifetime Achievement Award from St. Louis Public Radio (KWMU).

Read the Interview

Hugh Ballou: Greetings. This is Hugh Ballou. Welcome to The Nonprofit Exchange. Every week, we have a guest who has knowledge and wisdom, and experience in a topic. They have been there and done it, and they have some things to share with you. You’re sitting in the seat as clergy, nonprofit leader, or board chair. Maybe you’re a business person thinking about launching a nonprofit. This series is here to help you think out of the box, think of some new paradigms, and learn from some people who are experienced.

Today, my guest is from St. Louis, Missouri. He is the author of this book, Five Minutes for Fundraising: A Collection of Expert Advice from Gifted Fundraisers. Martin Leifeld, welcome. Would you tell people a little bit about yourself, and why is it that you do what you do?

Martin Leifeld: First of all, it’s an honor to be on your program today, and I appreciate your audience. I hope I can be helpful.

I’ve been in various leadership roles for around 45 years. 25 years of those were in small and larger universities. 25 years, although they didn’t overlap exactly with the universities, I have been involved in fundraising. About two years ago, I retired after 10 years as vice chancellor for advancement at the University of Missouri, St. Louis, which is our local urban land grant university here in St. Louis. I had a wonderful run there.

Long story short, here in the St. Louis region, which is where I spent my 25 years of fundraising, over $500 million raised, that’s a lot of money for St. Louis. It’s not about the dollars raised; it’s about the involvement, the lives changed, and the impact because of the dollars raised. Two years ago, I retired. It wasn’t my timing, to be honest with you. I had health issues. My handle in the last couple of years has been author, coach, consultant, and speaker. A little bit of everything. I think you know what I mean. I have a website, MartinLeifeld.com. There are over 120 videos there on fundraising and leadership. You were kind enough to point out the book. I have been doing podcasts, a couple dozen of them, and regular postings, particularly on LinkedIn.

I am trying to give back. This is all about trying to give back to a profession that has been such a blessing for me, so good for me in so many respects. Certainly developed professional skills. I have grown as a person by doing this extraordinary work of fundraising.

Hugh: We have in the audience two fundraisers who are CFRE. They’re here because they heard about you. We’ll let them ask questions later.

Martin: I’m beginning to sweat, Hugh.

Hugh: They’re very nice people.

Martin: I hope so.

Hugh: I had a funding professional last month. He said he reads a fundraising book a week. My area is transformational leadership and the conductor. The best leaders I worked with in corporate or nonprofits are the people who are always working on themselves. The famous speaker Jim Rohn always said, “Work on yourself harder than you work on your business.” I wrote that down and have been working on it ever since. 73, and still working.

Martin: I’m impressed by somebody who would read a book weekly. There is a chapter in the book called, “The Three C’s of Fundraising.” The first is competence. If you want to be involved in fundraising, being somebody of impact who makes a difference, you have to develop competency. There are two ways to do that.

One is lifelong learning. You are a student of the game, of the practice. That can include certifications and the like. You mentioned CFRE, which makes me nervous. You go to webinars like this, podcasts, so on and so forth, to remain educated and current in the field. But book-learning alone doesn’t make you an impactful person in the work of philanthropy. You have to add to that experience. In any profession, if you’re working diligently and are learning, being humble as you work your way through successes and failures, you should acquire the kind of experience that makes that study you do come to life and be most virtuous. That’s just competence.

You have to have confidence. Confidence is not bravado. It’s not fake it until you make it. Real confidence grows alongside the development of competence.

But to get to your point, the third C is character. What donors want is someone who is competent. They want to recognize a competent professional who is doing their work with excellence and to have that quiet confidence that comes over the course of time. But what they are really looking for is people with outstanding character, people who are virtuous and trustworthy, people who you might say they know they can do business with. They can shake hands and make something happen.

If you don’t have all three operating, I don’t think you can be a master in any profession.

Hugh: Absolutely. I have earmarked a few things. I want to talk to you about the correlation between leadership and fundraising. Did you just sit down and say, “I want to write a book?” What was the inspiration, and how did you connect with the people in there, who are all experienced fundraising professionals?

Martin: You might find this story curious. Since I turned 30, every consecutive decade since, on the 9th, the 29th, the 39th, etc., I would use that year very deliberately to reflect on my life up to that point, trying to look at success and failure, places for improvement. To look at the next 10 years and try to project what I can do to have an impact. I should say every decade, I got more intense about this, too.

Six years ago, when I was 59, I was really working through that year. I decided in that spring to take 100 days and really drill down about the future. Every day in my journal, Day 1/100, Day 15/100, I began my journal. Journaling is part of my morning ritual. Seeking ahead, you might say. Believe it or not, around day 72/73/75, I have what I call a small I, inspiration. The inspiration, as I referred, was to give back to the profession. I wanted to start there.

I thought, Well, I had done so much mentoring and coaching and fundraising with staff and volunteers. I was very good at doing something briefly. Somebody asked a question, as you can tell, I can go on for five minutes. Five minutes, I can give a good answer that would be appreciated. Maybe I could do some brief videos. Then I thought, Well, not everyone wants to watch a video, let alone look at me for a few minutes. People prefer to read. Let me do both.

So the genesis of the book logistically was transcribing my first year and a half of videos on these very subjects. Hugh, you may know this, and your audience may also. Seven minutes of video, especially the speed at which I talk, only translates to a few pages. I got into this and thought, I am not going to have a book. The other part of this was I never tried to give a comprehensive answer about something. It was more stuff I noodled about, experimented with, discovered that I thought was helpful.

That is what prompted me to go out and recruit 26 others to join me as collaborators in this. It was a fun experience because maybe 60% of them I knew, some very well, but the others I went out and recruited based on word of mouth and reference. I had to establish a relationship with them, like a donor, and ask them for their assistance. I found overwhelming willingness to be supportive.

Hugh: Wow. 26 of them here, all by name. Each chapter says, “Collaboration.” Speak a little bit about how collaboration works for you, and how it manifested itself in the book. It’s interesting how you have each section with dots and italics to stand apart, where there is a dialogue.

Martin: What I was trying to do was say something about the particular subjects, insight and angle. I had come to realize through experience and effort and training. Then I wanted to enrich it. I tried to find people. I called them collaborators. In other words, I wanted to start with what I had to say about a particular subject and ask them to add to it. Nobody really directly contradicted me as a collaborator. But they collaborated in the sense that they took the content seriously and enhanced it with their own reflections. Many of them added stories that put the flesh on the bones of the point of the chapter. It was interesting. If I had asked people to write it, they wouldn’t have written it because they were too busy. I had somebody help me interview them. We came to it in different ways based on the needs and availability and interest of my collaborators. I tried to collaborate logistically and practically in order to have them help, but they were generous about their time.

The thing about this word “collaboration” is the goal is a joint thing we do together. The goal is to bring the best of more than one person to bear in order to, as you talk about with synergy with your organization, to get that synergistic gain, to get that exponential gain that you can’t get with just yourself necessarily. Even if you have the authority with CFRE.

Hugh: People introduce me sometimes as Hugh Ballou, an expert in leadership. I say, “I’m Hugh Ballou, a serious student of leadership.”

Martin: Hear, hear.

Hugh: The title of this episode is, “Fundraising in COVID-19.” And the post-COVID-19 world. There are some consistent things and some new thoughts. That chapter with leadership, the Three C’s, your collaborator said, “ABC: Authenticity, belief, and confidence.” You and I were talking before about how fundraising is terrifying for a lot of us. I don’t want to go. It’s like when I was a teenager calling a girl for a date. I didn’t want to get turned down, so I stood by the phone and sweat. Is that like people wanting to make a money call? What is it about trying to raise money that is so fearful?

Martin: I don’t know. It’s all about fear. It’s the fear of the unknown. It’s the fear of being rejected. The fear of fumbling your way through it. The fear of someone being rude to you. If you will be embarrassed in front of them or embarrass them. It’s something new. I haven’t done it before. For those in religious work, it’s unseemly. I shouldn’t have to do that kind of thing as a pastor. Leave that to someone else to do. There is a lot of things.

When I first got into major gift fundraising, in the St. Louis area, I would criss-cross southern Illinois, a larger rural area, sometimes driving an hour or an hour and a half to see someone. Talk about sweating bullets. I would rehearse half the trip, “Hugh, would you and Mary consider a gift for the education of poor elementary kids, a gift of $10,000? You could even pay that over three years.” I would say that over and over again because I couldn’t trust myself. When I first began to do it, and I fumbled, it was a long drive back, knowing I hadn’t done what I set out to do. I began to rehearse very seriously. Once I got in the home or the office, who knows what might happen? It might be something I couldn’t predict. All I had to do was say, “Hugh and Mary,” and out would come the rest because I had rehearsed it. For those of you being called upon to raise money, practice makes perfect. You can do it.

But let me shift into something more serious. Fundraising is a privilege. Fundraising is the most honorable of work. Fundraising is a spiritual work. Fundraising is actually a vocation. I came to this once I was talking to a very wise woman about fundraising and the struggles. She said, ‘Martin, you’re in a helping profession.” A helping profession? I had never thought of it that way. I thought, Especially now, physicians, nurses, first responders, educators, oh my gosh, the young families. Two of my kids are educating kids at home. They have a manifold of appreciation of what it takes to be an educator now that they are trying to do that in their living rooms and around the kitchen table.

But I hadn’t thought of my profession of being something that was actually about helping. That’s what it is. What we do as fundraisers are facilitators in effect. I like to refer to myself as a facilitator of philanthropy. What we do is on behalf of worthy causes. In effect, what we want to do is come alongside, almost put our arm around someone’s shoulder, and say, “Look, there is an opportunity that makes sense to you as I have gotten to know you, and through which you can demonstrate great impact on this world. Here is the idea. Would you consider it?” That kind of work is very powerful and honorable work.

I have had the privilege, as many of your audience have had, of interacting with some people of extraordinary success, Fortune 25 executives. I have had some of those people say to me, “Martin, I could never do that job. That is too hard a job.” Some of them knew it first-hand because they were chairmen of nonprofits or board members. They were called upon to go out and do it. They knew first-hand what I was doing full-time. They respected it. We underestimate the value, the contribution we are making in this work.

Hugh: Wow. That’s a paradigm shift. Somewhere, and it may be in this chapter, “Five Generous Fundraisers,” before we talk more about donors, let’s consider you as the fundraiser. Somewhere, you talk about the impact it has on donors to actually donate. There is a point of philanthropy that releases something in you to make that donation, to see something happen. Talk about that. That is an inspiration that we don’t think about, the impact that it has on the donor.

Martin: First of all, it’s all about the donor. What we tend to do is focus on ourselves. In one sense, we should because we want to be professional and effective and do the job with excellence. We also want to represent our organizations with integrity, as effectively as we can. It’s all about the donor. What we’re into is a business of building lifelong relationships, not just after a transaction. We want to build and support the relationship that the donor has with the organization for their lifetime hopefully. In that relationship-building process, there are opportunities for financial exchange. What this is about is not a transaction although writing a check or giving away stock or a document with a commitment is part of it. But what it’s really about is helping people to influence the world for the better, and to demonstrate their values and what matters most to them.

In that process of a donor taking their eyes off of themselves and looking outward, looking at, “Okay, I have been fortunate enough to have accrued these assets,” rather than being preoccupied with how I could take care of myself, I am going to give it to others or to the world to improve it. As they do that, they become greater people. Biochemically, by the way, we change. Enzymes are released. One person called it the family bonding enzyme. I used to notice that somebody would make a big gift to one of my organizations and suddenly they would be everywhere. They would be at every event, bringing friends and colleagues, talking about the organization with great enthusiasm. What’s this all about? By their making a serious commitment, a gift of greater significance, there was something that happened within their entire being. A wise man, as you know, once said, “It’s better to give than to receive.” There is something we receive as an internal, spiritual, reward by giving of ourselves generously. One of the ways we give ourselves generously, certainly in this contemporary age, is with financial resources in addition to our time and talents.

Hugh: That’s so good. The other thing I earmarked is you wrote this chapter about the donor development cycle. There is a transaction, and there are those who never ask for the sale. I have been there many times. One higher net worth person asked me, “You didn’t ask for the sale.” It was my first conversation to get acquainted. But he was a businessman, “What do you want?” Another one, I am packing up to leave after I told him about what I was doing. He said, “Don’t you want a check?” Then he wrote me a check and handed one to me a lot bigger than I thought. That was about relationships.

But this cycle, you go through steps, identification, qualification, and more. Talk about the process. There is a transaction, but there is a lot more to this process.

Martin: The bottom line is this is about a relationship. In the course of a relationship, you go through seasons. In this particular cycle that we use in our fundraising business, you identify. Then qualify, which means are these people of capacity? Are these people who have an interest or potential interest in what we represent?

Then we cultivate, which is about building a relationship and involving them in the organization. That can include charitable giving, but not a gift of greater significance. As we get to know them, we are able to think about, Okay, given what they are interested in, how does that align with what we are about as an organization? What dimensions of our organization would be something that would make sense to them, that they would desire to support?

Then we have the conversation about asking. Some people are proponents of never asking for money. They just listen their way to a gift. I have always believed to have conversations about money, about scale, about impact, about size. That might be, with this amount, you can do this and that. Provide some options. But I always want to be working with numbers. People want to know what we would like them to do. My experience has been perhaps more often the opposite of yours. If I don’t ask, I get something smaller than what I had hoped for. I have always been one to say, “Let’s talk about money.” It’s a part of life. It’s how we carry on in this world. Most people want to get to the bottom line, “How much do you want?” They can say yes, no, maybe so. They want to make that happen, but they can’t make that happen now, or they will have to think more creatively about it. They can’t write a check.

I have always taught our people the 80/20 rule. Listen 80% of the time. COVID-19 has brought us to a hard stop here in some respects, but when you think about the frenetic pace of life that has only gotten faster and faster during our adult years, it has reached the point of sheer lunacy. Was anyone listening to anybody? One of the reasons we are such a divided nation is we completely lost the ability to listen, and listen with respect. What I found in fundraising, and I think many professionals in other fields would say the same thing, if you want success in your life, in your business, in your endeavors, you listen. It wouldn’t be that I would listen 100% of the time. But what I found is people desperately wanted to be heard. They wanted to be listened to attentively, appreciatively, and respectfully. Honestly, when I think about to what extent I was a great fundraiser in my career, it’s because of the power of listening. I have to ask for money, too. But listening puts us in that best position to understand.

What I would do is retain, record, and retrieve. Three R’s. Retain. Somebody had something to say during the course of the conversation. I was listening closely and thinking, That’s important.

Record. I would get in the car, call my assistant, and tell them, “Start taking notes.” Or I’d get back to the office and start typing at my computer. I would record all the various things I thought would be insightful and helpful, not just for me, but for anyone in my organization who would have reason to engage with those people.

This is all about preparation. When I would prepare for my next visit, I would retrieve. The thing is in work like this, we are in front of different wonderful people each day. If a month has passed, there is no guarantee I would remember what someone said was important to them a month ago. One way I would respect them is I would retain, record, and retrieve, so that when I would return to them, I could say, “Hugh, so how’s Mary Alice doing? You were talking about her facing that surgery.” Or, “Hugh, how’s that billy goat dog of yours doing? You were worried about this.” Or, “Hugh, you said you were going to be marrying off your son Charlie. How’d it go?” People know I am representing the organization, but they love the fact that I listened to them as people. I cared about them as people. Do you think when it came to talking about a gift eventually, that put me in a better position to be taken seriously? Without question.

It seems like, Geez, this is common sense, isn’t it? We have lost a lot of common sense.

Hugh: The problem with common sense is it’s not very common.

*Sponsored by EZCard*

Let’s pivot. You talked about some brilliant reframing of some old scripts we tell ourselves that minimize ourselves. I am guilty as anybody else, maybe more. That’s not my job. I teach leadership.

We have been in an era of lockdown. We are going back to work in Virginia. Churches are a sort of meeting with very limited engagement. No children. No singing. There is a new paradigm of how the exercise classes are in the parking lot with rain all week. People are getting paychecks from unemployment. What if that money runs out? Then what? We are facing some new challenges. How does that impact fundraising going forward?

Martin: If you look back to the great recession, some sectors did better than other sectors in terms of fundraising. In the great recession, I had just come to the University of Missouri to take a campaign that was already underway public. I was there a month, and the economic sky fell. The world was thrown in the craziness. It doesn’t exactly line up with our situation today, but there are some similarities certainly. Long story short, we decided to go ahead with our campaign. In my first year there, we raised 54% more than any other year in the history of that institution. When I hear someone say, “Boy, we can’t ask for money now. People don’t have it,” I immediately say, “That’s not necessarily true.”

One thing I would say is this: If somebody is philanthropic, and they have less money, are they less philanthropic? I don’t think so. Philanthropy is a part of a value system. Let me ask you this about the organization you represent. Has its value proposition changed because of this pandemic? No, it hasn’t. Now, if you are a food bank, there might be more urgency, immediacy. Crises bring out people’s desire to try to do something for others, whether it’s by cutting a check or by cheering on the streets for the first responders and nurses. People want to be supportive. One way they are supportive is certainly with their philanthropic support.

Hugh: Love it. Would you like to have some questions from our audience?

Martin: As long as they’re all soft balls.

Hugh: No guarantees. There’s Jeffrey Fulgham from Richmond, Virginia. He is a CFRE and has done many good things. Used to be in Lynchburg, but moved just a couple hours away. Do you have a particular observation or question for our guest today?

Jeffrey Fulgham: I don’t really have a question, but I love what I’m hearing, Martin. The first thing when I came on (I missed the very beginning) is the part you were talking about studying, and that’s only part of the equation. You can glean all this information, but if you started moving through your presentation, you were talking about relationships, which has always been the meat of this business. It’s never more important than it is right now of letting folks know we care about them, and you hit that nail right on the head. That’s what I have been preaching to my clients and associates: how important it is to stay connected to people and let them know that this relationship is a personal relationship before a financial relationship.

I really liked what you said about character because I think that’s the core of what we’re doing. It’s the core of leadership. If you don’t have the character, you probably shouldn’t be a fundraiser or in leadership either.

The other thing that you mentioned about evaluating, that was so good. I didn’t start doing it early enough. I wish I had done it the way you did it. The last five years, I have taken the month of December, or January because we are so darn busy in December that we don’t have the time. I did a post-mortem on the year and on my life. How could I be better? This is great stuff. I’m glad I connected today.

Martin: Jeffrey, pleased to meet you, and thanks for your great comments. I’m glad I’m in the ballpark with mine. One of the things, in fact, I just did a podcast on this, writing a chapter on someone’s book on morning rituals. Every morning, as part of my morning ritual, I have one page in my personal/professional planner (I call it that), and I review what matters most about my life. That is a way for me to get locked and loaded for the day, in order to go forth and have the greatest impact possible, as a professional, but as a person. What am I all about as a person? Being able to define that, have it clarified, reviewing it every day has been amazingly powerful.

One other thing I would say around the word “authenticity” is people want to be authentic, and they want authentic people in front of them. We don’t have to be perfect in our work, but we want to be respectful, thoughtful, and do it the best way we can. Fundraisers come in all shapes, sizes, and abilities, and they understand that. But they don’t want a fake, a snake salesman. They want a human being that they can respect and look up to. That’s what they want from us.

Jeffrey: I definitely agree with that. That authenticity and character and genuineness, people would ask me about having these relationships with people. I said, “You have to be in a genuine relationship. You can’t have a relationship where you want someone to think that it’s about the fact that you like them and want to be in a relationship, but it’s really about the money, so you are clocking it so that it looks genuine. It might work for a little while, but it won’t work for you forever. If you really want to have successful fundraising, it’s about long-term relationships with people.” I’m fortunate that I am connected to people who I am three or four organizations removed from now. I still have relationships with them, and I still talk to them, especially right now with everything going on. Staying in touch. That’s the fun part of this business. It’s the most fun.

Martin: The relationships is the most gratifying part of the deal. It’s not about the dollars raised although that’s great, too, because it can accomplish great things. In our business, we get to meet the most wonderful people. Phenomenal people. When I think about my own personal and professional development, a lot of it was profoundly stimulated by the people I have gotten to spend time with in this work of fundraising.

Hugh: And I have gotten to spend time with Jeffrey and Bob Hopkins. Bob, you’ve been quietly listening. Do you have a question or comment for our guest today?

Bob Hopkins: I’m in my backyard outside. Didn’t know I had any airwaves back here. Beautiful day in Dallas by the way. I am loving listening to you. After 40 years of doing this kind of thing, you think you know it all. While I might say I do, it’s so much fun to remember some of the key aspects of the fundraising process. When you first started talking, I thought, Why doesn’t he talk about listening? Sure enough, 15 minutes later, you talked about listening. I am so grateful for that conversation. I teach speech, and I’m teaching people how to talk. But there is a chapter in my book called “Listening.” I spend about five minutes on listening because I don’t think people need to know anything about it, and I am so wrong. As you said, the 80/20 thing is so true. I have so many great stories of when I didn’t listen, and you know what? I didn’t get the gift. Or when I listened and waited and patiently took my time about receiving, that I got about six times more money than I would have gotten had I asked earlier when the person wasn’t ready.

Martin: It’s such a great comment. Pleased to meet you. We talk about this in a lot of fields, the blending of art and science. As I said, developing competency is about education and experience. Maybe that’s the better way. This is a work you learn on the job; it’s on the job training. As we stick with it, it saddens me when I think about the turnover in the profession. If something is willing to stick with it and keep at it, as you all know, the satisfaction is phenomenal to be in this work. To become competent at it over time is immensely gratifying. Beautiful horse by the way, Bob.

Hugh: That’s not his current one. He has one he is really proud of. That’s his passion. One day, I was having lunch with him in Dallas, and he went off on this horse thing when I asked him about his passion.

The principle is 80/20. 80% of your results are produced by 20% of your people. 80% of your inventory only produces 20% of your profits, but 20% produces 80% of your profits. It goes with donors; it’s a repeated principle. When I wrote my first book, Moving Spirits, Building Lives, it’s about church musicians and transformational leaders. That is when I moved into leadership. It took me 40 years to write this and 30 days to put it on paper when I was leaving the profession. I determined in that book the Ballou 10/90 principle. As a music director, 10% of my job was music; 90% made that possible. I am thinking as far as a professional fundraiser, the 10% is what people see, but 90% is under the iceberg. 90% is relationship, staying in touch, that allows that 10% to happen. There is a lot that happens that is invisible to most people, but that is where the hard lifting is.

Let’s hit real hard on this. We still have money in the economy. The fed printed more digital currency. Money didn’t go away. Some people are struggling to make ends meet, but some companies are doing really well. Google had a record-breaking quarter. Grocery stores are slammed. There are some ministries that are challenged. Some restaurants are out of business. There is still money out there and people who want to make a difference. What is the change of mindset for addressing the new normal here?

Martin: In some ways, the mindset hasn’t changed. In other words, we have an organization worthy of support that is doing important work in this world. We are engaging with people who want to make a difference with their lives and resources to the extent that they can. They may have taken a hit financially, so they may not be able to do something right now. They may have to structure it differently. Back in the great recession, we mentioned we raised 54% more than any other prior year in the institution’s history, that wasn’t people writing a bunch of huge checks. People were writing smaller checks, making pledges over longer periods of time, putting gifts in their estates, and so on. Bundle it all together, and it would be a number that was not insignificant for them, but they couldn’t do it. Even today, a year ago, someone might give you a large number with checks over a couple of years. Now, they still want to give you that number, but it will be put together in a different kind of package.

What we need to do is be sensitive to people. We are all talking the same talk here. We have to put the concern for the people first. There are relationships. If we treat them that way, whether they can make a gift now or later, we are building the relationship for the long term. We are doing our job with the relationship by putting them and their concerns first. We all have stories and connections, a degree or two away from us, of people who have been profoundly impacted by this. We should know it firsthand, and be sensitive as we engage with others.

To raise major gifts, it’s typically a face-to-face, labor-intensive business. Up until very recently, there hasn’t been any face-to-face work. Difficult to have a talk with a donor ten feet apart. Tools like Zoom, even my sister who just turned 80 years old knows how to use Zoom. We can all use Zoom. People welcome Zoom calls or the equivalent. They desire that human interaction. If we get on a call like this, we just have a conversation, and we listen to them, that’s powerful.

Hugh: whoever thought of this term “social distancing,” it’s physical distancing. We are still social. Anti-social distancing. This book is chock-full of stuff that is not rocket science. It’s a solid experience when people have been there and done it. Stuff that most of us don’t know. You have been around and done this for years; you’ve practiced this. I’m a musician. We rehearse. You have rehearsed a lot. What I am so appreciative of is you put it in a book to share with people. Why should people have this book? Where can they get it?

Martin: Why they should get it is it’s a way of staying current in the work. If you are a beginner, it’s an insightful introduction to the work. It’s getting 27 seasoned professionals’ input, not just one’s. I call it Five Minutes for Fundraisingbecause each chapter is about a five-minute read. They are stand-alone chapters. You don’t have to read it in consecutively. You can go to what resonates or what you need right now.

In terms of the book, if you want an autographed one, 15% off, no shipping and handling, go to MartinLeifeld.com and order it there. You can get it on Amazon as well. Like any book, it’s available on multiple channels.

Hugh: It’s not an expensive book.

*Sponsored by EZCard* *Message about a Youth Philanthropy Conference on 6/27*

This has been a very helpful interview. Lots of good sound bites. What do you want to leave people with today? What is a challenge or thought as we go into the unknown?

Martin: Every day we are going into the unknown. That was six months ago, too. It’s new every morning, as it says in the Book of Lamentations, for those of you who look at the Bible. What we’re after is helping people become greater through philanthropy. We’re doing that through putting them first, respecting who they are, helping them to demonstrate their value system to the world. Hopefully, by working with our organization as part of their way of doing so. We are privileged. It’s honorable work. It’s worth people devoting their lives to.

Not to highlight myself, but this is powerful. When I retired two years ago, they had a party for me, which was very nice. A number of the donors were there who I had worked with for years. Unbeknownst to me, they had a video. If you go to YouTube, it’s there. This couple who were the first alumni in this young university to reach a $5 million-level gift of cumulative giving was on the video. This is what they said, and I think it pulls it together and certainly represents so much my gratitude for the work of philanthropy in my life. They said, “By teaching us about giving, Martin, you have given us a great gift. Our philanthropic involvement with the university has enhanced our lives on many levels. We owe that to you. Martin, because of your professionalism, expertise, and friendship, you made something that is truly enjoyable even more rewarding. You showed us the way to contribute in a meaningful manner, and this resulted in our receiving so much in return.”

Hugh: What a great summary.

Martin: Isn’t that amazing? That’s what it’s about.

Hugh: It is amazing. You have touched people’s lives on both ends of the spectrum. Martin, thank you for sharing your wisdom and time with us today.

Martin: Thank you.

Check out this episode!

#Nonprofit Leadership

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rosaswann · 7 years ago

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After my last post on productivity for people who are easily distracted, I kind of want to share another really cool tool that I’ve been using for a couple of months now. People who love to gamify their lives, for example by using Habitica (link goes to their website, I may write a review for it at some point), will probably love the hell out of this game!

It’s got 1 yes, one single, goal! To make you write more! (I’m actually going to put the words from this blog post into the website later so I get credited for writing them.)

The website is called 4TheWords and it’s set up like an RPG where you defeat monsters by writing words and you start a writing streak that gets you really cool items ever so many days.

You get to play free for 30 days and after that you can buy crystals to buy subscriptions (1, 3 or 6 months), enough crystals for 1 month of play time is $4. Of course, bigger bundles of crystals and longer subscriptions brings that charge down, but that’s your base price for playing.

If you use the NGDYM06189 referral code, which is my referral code, and you actually subscribe to the game, I get 44 crystals and you get 20 crystals. Combine that with the 4 crystals that you get from finishing one of the starter quests and you’re more than halfway on your way to the next month.

Onwards.

I’ve been playing since March. The first couple of days I didn’t do too well, but since then… I’ve been streaking each day. That’s what it’s called, keeping your streak. 4TheWords counts a day written as 444 words. That’s 162,060 words in a single year. Or basically 3 full length novels (or 1.5 fantasy novels…).

I’m on day 115 of my streak today. That’s literally the longest I’ve written every day. I’ve not skipped days, even on holiday and things like that. I make sure I get my 444 words in a day. It’s amazing what gamification can do, especially when you get prices and cool stuff when you keep going.

It’s kind of magical.

I love it and it’s great. Without 4TheWords my latest serial Second Chance Mates would not have been possible, I wouldn’t have been able to publish a new episode every two weeks without it.

Enough gushing, let’s get into some of the ways that 4TW works and how you can start using it too!

Let’s start with the play screen.

I’m actually in a special zone at the moment that they created for the 2017 July CampNaNoWriMo called Uurwall. CampNaNoWriMo is an event connected to the real NaNoWriMo (National Novel Writing Month), where the goal is to write 50,000 words in a single month, regular NaNoWriMo is in November. CampNaNoWriMo actually allows you to set your own wordcounts and takes place in April and July. Back to the game.

On the left is your basic gear and other things that you’ll want to know as a gamer. At the top is the Inventory (which you can click on and it will bring you to the Inventory screen) and next to it your coins, crystals and C-Crystals (or, Core-Crystals, these you buy with money). Below that, on the left are your Attack, your Defense and your Luck and on the right of it the items you have currently equiped. On the right is the Quest area.

Here is the inventory screen.

In the top left your stats again. You get higher stats by equiping gear and after a while also by having a travel buddy (Suwö in my case).

1 point in Attack increases your damage by 1%, or in other words, for every 100 words you write, you do 101 damage to a creature instead of just 100.

1 point in Defense increases the time you get to defeat a creature by 0.5%. So, if a creature has 1440 minutes to be defeated, you get 1512 minutes instead, so 72 extra minutes.

Luck works a little different. Any points in luck gives you extra chance to get better items, it’s pretty straight forward but doesn’t immediately influence your create defeating, just your luck on their drops.

Quest screen!

Every zone has their own quests to complete. These are usually a combination of straight out “write X amount of days”, “write X amount of words”, “Gather X items” (mostly from drops) and “Defeat X number of Y creature”. They’re fun and you can focus on defeating certain creatures over others based on the quests you try to complete first.

Now, to actually get to the creature defeating part!!

In the top bar, you have a couple of buttons. On the right, you get a quick view of your words written and your currencies, the arrow next to the portrait opens a menu to get to interesting but not per-se important places.

So, I’ve shown you the “Play” screen. Below what I showed, is at the moment, this, my active battle:

Which is why I can’t show you any creatures just yet as I haven’t defeated her yet. But, clicking on “Write” there, or on “write” in the top bar, gets you to the main Write screen, an area where you collect all your different files.

They’re divided into Projects (which is a main folder with subfolders that collects your files) or just your Unassigned files.

This is the project view. I have a “General Stuff” section at the top, and underneath that are all the episodes of Second Chance Mates, sorted by episode and then with files for each chapter.

We there yet? Yep, we’re there!

Click on a green plus in this screen or the “create new file” under “Unassigned files” and you get to the actual writing screen.

Add a title, and you’re ready to go! Start typing! It really is as easy as that!

If you’re battling a creature, as I am at the moment, you can switch to that view instead and see your words add up in the bar until it fills it and you’ve defeated the creature.

And I’m stopping here for a moment because I need to go home before a thunderstorm hits, also, I gotta add these words to the game so I hopefully defeat the Tremella so I can show you some cool creatures!

Actually, almost!

Seeing those words add up, it’s so addictive! It’s so great to watch and to try to do that within the time that you get. For Tremella this is 2000 words in 1440 minutes, which comes to 2000 words in 24 hours (plus, in my case extra because of my gear). Just seeing that progress bar fill up, it’s exciting and can be kind of scary.

That’s actually quite a lot of great loot, though I’d hoped on a drop of two of the blue acorns instead of just one, but a chest is always awesome. Chests are basically crates you can open through the Bazaar in any zone and then by clicking on the locksmith. It takes a few coins and some of the purple crystals, but I generally get more out of a chest then I have to pay to open a chest. I think out of about 20 chests opened maybe once or twice I didn’t get more coins and purple crystals back then I paid for them, plus, of course, all sorts of extra loot.

So, let’s look at some creatures then. This is one of the parts that I love most! Creatures are so cute and adorable! Below are the creatures from Uurwall. These aren’t always the same as some differ per time of the day (Lupo mostly only shows up in the evenings) and some creatures switch out on a day by day base (Tremella shows up today for me, but wasn’t there yesterday).

Just look at them! So cute! So, some of them are based on famous authors, they’re pretty obvious, and some are just more part of the creepy castle vibe. Look at that adorable Lupo! Or the awesome Snowfell, pretty obvious who he’s based on! This event only runs for the month of July, so it’ll be over soon. But one thing I do want to mention here, some of those wordcounts are pretty insane. This is on purpose. To finish NaNoWriMo, the 50,000 words in 30 days, you need 1667 words per day. So the 2000 words creatures and such are basically giving you a buffer to write (and, with attack in your gear, you may actually write 1667 words but still complete a 2000 word creature). Most of the bigger creatures also have longer times that you can complete them. As I said before 1440 minutes is literally 24 hours. So 1667 words per 24 hours is exactly what you need to finish NaNoWriMo on time. Of course, during CampNaNo you can set your own wordcount, but most people still choose 50,000 words.

In a little less scary way, these are the creatures from your very first zone, Luciola Forest:

The Reenu with it’s 200 words in 30 minutes is a nice day starter and 2 or 3 of these should get you your daily streak or the Pesters with its 500 words in 50 minutes, which can be a little more difficult, but will generally get you your daily streak.

You can also see that you sometimes have to get certain items (from defeating other creatures) to be able to play a bigger creature. This isn’t the case when you do one of the special events like the Uurwall, but this is generally for the bigger creatures in each zone. Bigger creatures also gets you better loot, plus you often need to defeat X amount of them for a zone quest.

Is this game perfect?

No. It’s really awesome and I love it, but it isn’t perfect.

One of the main reasons is that there is no export button, you have to copy the text over from the file to your own things, but I can’t just copy over my text from 4TW to Scrivener because of the way the text is formatted in 4TW, If I copy over directly it will add extra returns between paragraphs and it will keep the straight quotes instead of using the curly quotes. There is a quick way to get around this though:

– copy words from 4TW file – paste into Word as “Paste -> Merge Formatting” (this takes out all the extra lines that somehow end up in the text) – CTRL + H (Search and Replace) for both ” and ‘ (so search ” replace ” and search ‘ replace ��, to get all the smart quotes in) – copy from Word – Paste in Scrivener (I use paste and match style since I use a certain styling) you can probably paste this anywhere you want.

It really only takes you a few moments and a few clicks, but it’s not perfect. I don’t stop using 4TW over this though, those timers and those creatures really keep me writing!

Do you have to write in 4TW? Nope. You can just write in any program that you want and then copy it over into 4TW later (don’t forget to choose a creature first!). You can even use a Lorum Ipsum generator and copy the number of words from there. I tend to do this when I’ve edited in Scrivener, I calculate the words my file is now longer and then use Lorum Ipsum to basically add those words to 4TW (those files are listed per day and collected in the Dummy File Project).

What happens if you miss a day? Well, there are two things you can do, both require Stempos. A stempo costs 10 Core-Crystals (so the blue ones that you pay for). If you know ahead of time that you’ll be missing your daily streak, you can pay 1 Stempo and your streak will stay intact until the next day, you can even do this up to 15 days into the future. OR, you can pay retroactively, in which case you pay 2 Stempos per day, if you missed a day yesterday, you can regain it by paying 2 Stempos. If you do this often? It’s gonna cost, but at the same time, not having to pay for Stempos is a great way to keep that streak going!

Do I love this? Hell Yes!

It’s imperfect but it’s cute, which is always a plus for me, it keeps me writing, it definitely keeps me coming back to check out what’s going on. If you look at that wordcount, it’s amazing. I’m on a 115 day streak because of 4TW, I’ve never done that before. I generally don’t even write each and every day when I do NaNoWriMo, and that’s just 30 days.

If you’re an author, if you write a lot for your work or just want to get into the habit of writing (even blog posts like this). Definitely check it out!

Again:

Website: 4TheWords

Price: $4 per month, less if you buy bigger crystal bundles or longer subscriptions.

My Rating: AWESOME!!

Best for: anyone who wants to get into the daily habit of writing either as a hobby or professionally.

Do you have any questions or comments? Drop them below!

Happy Writing!

Love,

Rosa

4TheWords: Best #Writing #productivity tool EVER! #amwriting #gamifyyourlife #ADHD After my last post on productivity for people who are easily distracted, I kind of want to share another really cool tool that I've been using for a couple of months now.

#Creativity #Organising #Planning #plans #Review #Tips #Tips and Tricks

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