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thankskenpenders · 4 months ago

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The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

#tkp post #tlsc #tlsc beginnings

6K notes · View notes

redbullgirly · 9 months ago

Note

Can you do a Lewis Hamilton smau where she is basically like Barbie? I feel like since Barbie is a fashion icon and so is Lewis, it would be a match made in Heaven. I read your pinned post and tried to make a request based on your rules. Sorry if it isn’t good enough

HI BARBIE! HI KEN! [part 1, LH44 smau]

Lewis Hamilton x reader

Masterlist & Hi Barbie! Hi Ken! [part2, LH44 smau]

Summary: Lewis Hamilton is part-time Formula One driver and full-time fashion icon. And so is his girlfriend, Y/N Y/L/N, who's also known as a real life Barbie.

Warnings: None... but a lot of pink XD. Also this story is set in December 2023, so no broken hearts over Lewis going to Ferrari... actually maybe just a little teaser.

Author's Note: Hi Anon! This request is great and thank you so much for it, it definitely is good enough! :) I had fun writing and creating this, even though at the end it's kind of different than what I firstly intended to do. The original idea was to make Y/N very Barbie coded, but at the end I'd say she's Barbie inspired and I focused more on the fashion icon part of the request. Though there's a sweet storyline about why her nickname is Barbie, so I hope you won't be disappointed! :)

lewishamilton posted on instagram

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tagged: yourusername

lewishamilton A lot happened in 2023 season and there was also a lot of outfits 🤞🏾✨

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user1 MY GOD THIS MAN IS BEAUTIFUL!

yourusername this was definitely one of my favs 💝

liked by the author

lewishamilton What can I say... pink is the color of real men 🫶🏾

yourusername but do i still wear it the best?

lewishamilton Of course ma'am

user2 I love them sm 😭

user3 can we talk about the fact they're the best couple ever?!

user4 so sweet🥰

user5 And the fact she's literally the only person he interacts with in the comments...

user6 You are the best Lewis, can't wait for another season 👏

user7 🔥❤️

mercedesamgf1 Did someone say Barbie and Ken?💘

user8 YES

user9 admin you're so real for this... they literally ARE our barbie and ken 🤭

user10 The only question is who is the Barbie and who's the Ken? xd

user11 lol imagine barbie lewis💀

user12 GOAT ⬆️♥️

carmenmmundt Me and goergerussell63 when?

gourgerussell I don't really think pink is my colour...😬

yourusername don't worry honey, if he won't wear pink w you i will 😘

carmenmmundt Oh I knew why you're my favourite Y/N 😘

georgerussell63 No wait I changed my mind darling!!

carmenmmundt Hmm now I'll have to think about it 🤔

georgerussell63 Y/NNNNN

yourusername 😌😚

user13 i love how he always manages to get y/n into his posts

user14 The power boyfriend Lewis has over me😩😩

user15 RIGHT?!

user16 he's just so... asdgsagfsgd 😫

user17 I literally need this version of him to live!!!

user18 i'm weak for bf lewis🥵

user19 Y/N looks SO GOOD in that coat

user20 I need to know how she does it

user21 fr

user22 The best driver and a fashion icon... damn he's got some talent 🙇‍♂️

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yourusername great season and now it'll be even better winter break w my love 💋💞

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f1 Our own Barbie🤩

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user1 yeeeees

user2 Wait I'm new in formula one, why do we call Lewis Hamilton's gf Babrie??

user3 idk user2 she just gives off the energy 😆

user4 Actually I think Lewis himself once called her Barbie in an interview when there were rumors about them dating and then it just stuck with her 🤷‍♀️

user5 oh really?!! tbh i had idea he ever called he barbie himself... y/n is just iconic xd

user6 IT'S Y/N'S WORLD AND WE'RE JUST LIVING IN IT 🗣🗣

lewishamilton Can't wait to spend the winter break with you ✨

yourusername *mwah*

user7 pls I'm so excited for them!!

user8 the vacation photo dumps are gonna slay🤭

alexandrasaintmleux stoppp you're so pretty!🎀

yourusername nooo you are alex 🥹🫶

user9 they could never make me hate these two just 'cause they're dating the hottest drivers on the grid🫡

user10 The outfit in the second photo? HELLO?!

kellypiquet 🤍

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charles_leclerc I see you like the Monaco circuit very much👀

yourusername i see you're stalking my photo dumps very carefully charles leclerc 🤨

charles_leclerc Well I have a feeling we'll see each other more often soon so I have to get to know you better😉

this comment has been deleted by charles_leclerc

charles_leclerc Caught in the crime😂

user11 WHAT WAS THAT CHARLES?!

user12 omg I wasn't the only one to see it? I'm not delusional right?🫣

user13 idk what you saw 'cause i didn't but this interaction is so funny to me XD

user14 mommy- sorry... MOTHER

user15 ❣️❣️

user16 y/n & lew >>>>

twitter

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yourusername i'm barbie. he's just a ken (and he won some trophy for p3 in the championship... idk where it is) 💖💄

view all 9,237 comments

user1 I live for Lewis leaving the trophy there💀

user2 and the way y/n basically confirmed this by saying she has no idea where it is😭

lewishamilton You're everything. I'm just Ken 🙏🏾✨

yourusername exactly... though you're the best ken ever 💞

sebastianvettel Isn't he more like Allan then?

yourusername ohhh true seb 🤭

user3 YOU WANNA TELL ME THE SEBASTIAN VETTEL SAW BARBIE

yourusername yeah we made him watch it and he cried during gloria's speech 💓

sebastianvettel I'm not ashamed about it.

yourusername and that's why i love u seb 🫶

user4 why aren't all men like sebastian???😩

user5 I love these three with all my heart y'all don't understand

user6 my fav driver watching my fav movie and crying during speech about feminism is my roman empire

user7 AAAHSDFHFGSDHSG😍

f1 If there was a prize for fashion icons, the Hamilton household would definetly win it! 🏆

liked by the author

user8 not admin calling them hamilton household🥹

user9 Lol that would be the only fairly given trophy this year

user10 OMG I just realized that one day Y/N and Lewis WILL be both HAMILTON😭😭

user11 I'll tattoo the date of their wedding on my arm fr

user12 that's real dedication user11 💀

user13 TRUE DEFINITION OF A QUEEN... LOVE YOUUUUUU

kellypiquet Gorgeous darling!💖💖💖

yourusername we both babeee 💖🫶

user14 the IT wags casually supporting each other

user15 I love they're still friends even though their bfs are probably the biggest rivals xd

user16 not the shade about the trophy💀

user17 Waiiittt what happened?

user18 someone who was at the ceremony said lewis gave him the prize 'cause he didn't want it😭

user17 Oh and Y/N wrote in her caption she doesn't know where it is?

user18 exactly😭

user17 Whoops... I love her, she's queen for that

user19 and the fact fia tried to deny these rumors💀

user20 Absolutely love this look 🤍

user21 you and lew are just such a good looking couple

user22 THE DRESS I REPEAT THE DRESS🥰

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lewishamilton 🇲🇨 with the best company.

view all 15,322 comments

roscoelovescoco Mom's look's so handsome's ☺️☀️

liked by the author and yourusername

lewishamilton Agreed

yourusername awww my boys are too sweet 🥹💕

user1 lewis complimenting his gf not w one but TWO accounts makes my heart melt

liked by yourusername

user2 I want a man like him🤧

user3 WE LOVE ROSCOE CALLING HER MUM

user4 Lewis, Y/N & Roscoe are the best trio ever🥰

user5 parents and their son

user6 literally omg

yourusername wow who's that handsome boy laying on a couch 🥴😻

lewishamilton Handsome you say?😏

yourusername yeah, right next to u 🥰

lewishamilton Oh no, I should've seen that coming😒

roscoelovescoco Thank's mom's I'm handsome's boy's 😊👅

user7 these interactions give me the will to live

user8 I love the Hamilton family🥺

user9 lol y/n calling roscoe handsome xd

user10 The funniest part about this is that Lewis manages Roscoe's profile😭

user11 omg yes user10 not him playing being offended on his main and then being all sweet as roscoe...

user12 Love forever ❤️

user13 Y/N is so beautiful I can't believe my own eyes

user14 the two belong together forever 🙌🫶♾️💫

user15 fr

user16 If they ever break up I'll stop believing on love

mercedesamgf1 Mr. & Mrs. Mercedes

user17 pls give him decent car in 2024 to win another championship🙏

user18 The most iconic couple in history of motorsport 💅

user19 ❤️😍

user20 what's Ferrari doing in the likes?🤨

user21 lol calm down... he's literally lewis hamilton🤣

user22 No but it's weird... they never like other team's things

user23 and after the rumors during monaco gp too 🥸🥸

user24 I think this photo dump caused global warming... like daaammmnnn they're both so fine 🥵

user25 let's just say roscoe isn't the only one calling them mommy and daddy-

user26 lmao

user26 but true🫢

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yourusername barbie has a great day everyday... especially when she gets pink mercedes she wanted 🛍🤍

view all 2,546 comments

lewishamilton Seems like Ken is good for something

liked by the author

yourusername maybeeee

lewishamilton You want pink Ferrari too, don't you?

yourusername ☺️☺️

user1 ohhh to have a man like that

user2 OMG LEWIS PLS GET HER PINK FERRARI

user3 Yeah, Y/N will slay in that car😌

user4 i wanna be barbie too if she gets pink mercedes

user5 but first you'll need to have a ken like lewis hamilton

francisca.cgomes this barbie is so prettyyyy

yourusername love u! 💓

user6 Okay okay I NEED the bikini😫😍

user7 QUEEN

user8 Y/N looking gorgeous like always🫶🏼

user9 gold digger alert!!!!🤮

user10 Girl go away, you clearly know nothing about their relationship xd

user11 jealousy alert!!!

user12 the first pic does something to me 😩

user13 The most beautiful woman ever

user14 Lewis won lottery w her

user15 yes she's literally so pretty and they seem so happy together🥰

user16 fr I don't think I've seen him this happy before

user17 yeah he looks so much calmer and even younger when y/n is with him at event and gps...🥹

user18 Plus the OUTFITS?! I love them sm

user19 Where is Lewis 🙂?

user20 c'mmon he doesn't have to be in every post she makes🙄

user21 stunning as always 💘

user22 SLAYING AS ALWAYS

twitter

Y/N’s interview

photo 1: Y/N: How did you and Lewis meet?

Y/F/N: Oh, you guys'll love the story!

photo 2: Y/N: It was actually in a toy store. Lew was there with his niece and I was there because... [laughs] Let's say I still like to collect dolls and lego, sue me.

photo 3: Y/N: Anyway, Lew's niece saw me, thought I'm a real life Barbie and wanted to say hi. [laughs] It was honestly so sweet that I didn't have the heart to tell her I'm just a normal girl.

photo 4: Y/F/N: So does she still think you're Barbie? [laughs]

Y/N: Yeah, I think so... She calls me Auntie Barbie! [laughs too]

photo 5: Y/N: But back to Lewis - I didn't recognize him and just thought he's really cute. We talked for few minutes, though then I had to leave and didn't have the courage to ask for his number.

photo 6: Y/N: But few days later he followed me on Instagram and I was just like - yes!

Lewis’ interview

Interviewer: Lewis, you recently followed a known influencer and model on Instagram. Is there something going on between the two of you?

Lewis: Are you talking about Barbie? Oh, shoot, sorry... [laughs] I mean Y/N?

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yourusername aesthetic life w the best man, cute son and lots of flowers 🌸💖

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roscoelovescoco I got's mom's the's flowers's 😊🌷

liked by the author and lewishamilton

yourusername thx roscoe baby!! 🫶 guess daddy will have to learn from you 😌🤍

user1 ... are we gonna talk about the fact y/n just called lewis daddy?

yourusername ... no please don't, you know what i meant 😭🙈

user2 Too late Y/N, the twitter girlies are going to go nuts about this (me included)

landonorris Awww look at that grumpy little dude 🥺

liked by the author

pierregasly Mate are you calling the seven world time champion grumpy little dude?🤣

user3 lando tf-

user4 This is so funny for no reason😭

user5 Lewis being called grumpy little dude wasn't what I expected from this winter break tbh

landonorris ROSCOE

landonorris I WAS TALKING ABOUT ROSCOE GUYS

user6 💀💀

pierregasly Lol

yourusername why did you even think it was about lewis peirregasly ??🧐

landonorris YEAH MR. TRIPOD TELL US

pierregasly Goodbye...👋

user7 u and lew are so sweet

user8 MOTHER IS MOTHERING 😍

alexandrasaintmleux Shining like a star✨💖

yourusername and you're my sun ☀️💖

user9 I want a man who gives me so many flowers!!!

user10 yeah and they're beautiful and tasteful too

lewishamilton So lucky to have you darling! 🫧🫶🏾

liked by the author

yourusername we're both so lucky lew 💗🫶

user11 and i'm lucky i was born in the same century as you so i can witness this love

user12 I LOVE Y/N & LEWIS🥰

user13 I'll ask again... When is he going to put a ring on it? 💍 C'mon Lewis you obviously love her sm

user14 Your guys love is so special ❤️

user15 if this is the content we'll be getting during winter break, i don't think i want it to end

user16 races are great... but boyfriend material lewis hamilton is better🤤

user17 REAL

THE END

Author's Note: Hi and thank you for reading! I'll be glad for likes, reblogs, comments, follows and any other ways of support. PLEASE LET ME KNOW IF YOU WANT PART 2! I really enjoyed this version of Lewis and Y/N... and perhaps I have a lot of pictures that unfortunately didn't make it to the story because picture limit isn't very friendly. Love you and have a great day! :)

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astonmartinii · 1 year ago

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witchy business | oscar piastri social media au

pairing: reader x oscar piastri

oscar's gf is a lil kooky but she puts solstice to good use and mainfests some luck for her bf

yourusername

liked by oscarpiastri, landonorris and 31,094 others

yourusername: you're not really sisters if you've never done a ritual together ...

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user1 she's so mother

user2 i can't wrap my head around how her and oscar came to be but i love it

oscarpiastri don't have too much fun without me :(

yourusername tell your team to take out the no ritual clause from your contract i swear they're safe landonorris i heard your latin once IT IS NOT SAFE yourusername falsehoods !!

user3 does this girl have a job or is she just cosplaying ahs coven full time

yourusername i'm a florist, do you want my social security number and tax returns too?

danielricciardo any way you could like turn me into a real honey badger for a couple hours that sounds fun?

oscarpiastri

liked by yourusername, landonorris and 490,568 others

tagged: yourusername

oscarpiastri: some time off well spent with my love

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user10 i am once again asking - how did this happen?

user11 it's actually a really cute story they apparently went to school together and she still does a weekly bouquet for his mum and grandma. they're og sweethearts all that opposites attract jazz

landonorris don't even get a photo credit with all the trauma i experienced for that pic

oscarpiastri bro you barged into my room and took a photo? landonorris i didn't see any sock on the door oscarpiastri it was my own house?

yourusername i love every moment together with you

oscarpiastri that sentiment goes both ways xx user12 god i am so alone

f1teaandgossip

liked by 14,098 others

f1teaandgossip: with lando and oscar being reported as frustrated, how long do you think it'll be until they're linked with moves elsewhere and do you think the updates will improve the car?

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user15 they don't deserve this

user16 i don't wanna be that person but this is karma for what they did to daniel

user17 i honestly think magic might be our only chance

user18 @yourusername pls work some magic

yourusername on it 🫡 user19 now that's my favourite wag

yourusername

liked by landonorris, oscarpiastri and 58,451 others

yourusername: the full moon is here and i'm bringing some luck to my baby

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user20 mother is here to save the day i know that's right

landonorris if this works i'll never say you're scary ever again

yourusername *when it works have some faith in the moon lando landonorris yeah i don't think i wanna mess with the moon

user21 that moment when the mcl60 is so bad that you start to believe in witchcraft

oscarpiastri i love you so much (p.s. thank you to the girls as well, i'll cover the next candle order)

yourusername i love you too honey - we're rooting for you yourbff1 we love you oscar yourbff2 i don't understand your sport but i love the wages cause candles !!!!!!!!!!!!!!!!!!!!

charles_leclerc so are you adept in curses? asking for a friend....

maxverstappen1 sure. yourusername i don't (but i can give you a good luck crystal) charles_leclerc i'll take anything at this point

mclaren

liked by yourusername, oscarpiastri and 808,458 others

mclaren: WOOOOOOOOOOOO WE TAKE A 2 - 3 FINISH IN HUNGARY 🇭🇺 !!!!!!!!!!!!!!!!!!!!

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user26 i am bamboozled

user27 so .... it worked?

landonorris i have never said a bad word about y/n's hobby NEVER I LOVE YOU Y/N AND I LOVE THE MOON

oscarpiastri she's still MY girlfriend mate landonorris i am aware i am merely stating my appreciation for her

user28 i know the team just finally got their shit together... but YAAAAS WITCH SLAY

yourusername so so happy for you guys

oscarpiastri i love you so so so so much xxxxxxxx

user29 y/n is my driver of the day

yourusername

liked by oscarpiastri, logansargeant and 68,349 others

tagged: oscarpiastri

yourusername: i love you so. forever proud.

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user31 fave couple FOR REAL

landonorris fine yall are so cute

oscarpiastri finally, only took a few months

user32 i need something like this in my life

oscarpiastri i love you more.

yourusername anything for you. even asking the moon for help with cars.

danielricciardo once again i am asking to be turned into a real honey badger for a couple hours

maxverstappen1 i think it's time to give up danny

note: idk what this is but lol i had fun - i shall get to the requests next, hope you enjoy !!!

#f1 #f1 x you #f1 instagram au #f1 x reader #f1 imagine #oscar piastri #oscar piastri imagine #oscar piastri instagram au #oscar piastri x reader #oscar piastri x you #f1 social media au #f1 ins

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marvelandponder · 2 years ago

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one amazing thing about the Owl House finale is that it finally contextualized for me one of the central metaphors of the show. Spoilers for the series finale Watching and Dreaming ahead.

we good? no one spoiling themselves? beauty

for a long time now, I thought we had a pretty standard coming-of-age metaphor dichotomized by the show's central antagonists. you've got your protestant witch hunter Belos who introduces a maturity and ugliness to Luz's narrative; he clearly represents a particular, restricting form of adulthood, and just when Belos becomes his most threatening, boom, enter the Collector, Luz's dangerously naïve inner child to ruin all her development on the Boiling Isles. Seems simple enough

what I didn't anticipate was just how specific and personal their roles in the story actually are to Luz once you have the full context from the series finale

look again

this story - this whole series - is about the grief that a neurodivergent kid experienced at a young age, introducing the cruelty of loss and adulthood before she was ready to handle it. and, how to reclaim a more whole understanding of herself as she rebuilds her life with people who get her

Belos is designed to infect the titan carcass like a disease. a cancer. it's super goddamn significant that the titan is King's dad (King, who became Luz's younger brother). they set up Belos not just to be another fascist kids' cartoon villain (although yeah, he do be doing some of that), but to specifically become a force that oppressed the weirdness from the one place that understood Luz. the Iles. the dad. And by the end of the story, Belos's goopy body-horror isn't just for show, he's just like the cancer or other terminal disease that took Luz's dad from her

he's the thing Luz hasn't processed in season 1 that comes in at the end like a warning. he's the threat that forces Luz to grapple with her own humanity, feeling somehow (often completely unjustifiably) harmful to those around her, through the grief she doesn't want to be a burden or the weirdness (neurodivergence) others don't understand. he's the force that says there is something wrong with you, Luz, give in to your grief, this is what you can't face. this is the lie you've been telling to those closest to you: that you're okay

then you have the Collector. (notable that he's a collector, and we see Luz's mom and dad had quite the collection of nerdy memorabilia)

the Collector is the child too young to understand death. Too young to understand consequences, or why their playmates don't feel like playing anymore with someone so weird and maybe a bit too involved in their own world. The Collector is Luz's inner child, that kid we see right before the "worst week ever" — the one who didn't and couldn't understand what was about to happen even as it was going down. unapologetically weird, a bit destructive and short-sighted, but wholly colourful, wholly themselves. that's why the Collector wants to live out Luz's adventures, but without all the depth. just the fun escapist fantasy

but don't think I forgot the internal conflict! :D

because Camila's role also gets an added depth too: Camila was framed at the outset of the series as someone who loved Luz, but wanted her to fit inside a box that she just didn't. later, Luz completely misconstrued her mom's breakdown when she learned that Luz chose to run away. as many people have pointed out by now, Luz misremembers the actual dialogue that Camila says: Camila only wanted her daughter safe, not to lose her. Luz meanwhile felt like she had to choose to destroy this part of herself, or give up her connection with her mom altogether

but we know now Camila actually deeply relates to Luz. she may not understand Luz's fascination with horrific things like on the boiling isles (very akin to a kid getting more grim hobbies in the wake of a death, like Luz's taxidermy), but she loves Luz for who she is. all of her. she never wanted Luz to change

Luz was the one framing the central conflict of the show as go back to her mom or stay in the boiling isles. Luz was the one who felt like she had to punish herself by rejecting the one place where she felt like herself. once Camila realizes what's been going on, and how deeply connected it is to the loss of Luz's dad, she knows Luz is trying to make a "very bad choice for herself." And she won't let that happen (what a great mom!!)

But Luz does have one real choice ahead of her

because of the inner child who once again has to confront death (this time, Luz's own), Luz is able to connect with a father figure, the titan, the one place she feels understood. in the form of a power-up that makes her into a fantasy witch straight out of the Good Witch Azura, the one place she got joy after that huge loss, the titan gives her the strength to face the cancer—a force draining everything good in her life from her and making her question she deserves it in the first place—but only if she can choose herself

and that means choosing happiness, choosing found family, choosing love and friendship and self-discovery in the place she feels most at home! every bond she's forged, everything she's worked for, it all comes down to choosing to face grief and move on in life with weirdos who stick together.

hoot hoot, that's some good metaphor

#the owl house #toh spoilers #luz noceda #eda clawthorne #king clawthorne #the collector #emperor belos #camila noceda #i may update the post with images at some point but I figured that's more likely to unintentionally spoil others #watching and dreaming

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sheeple · 8 months ago

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Heirs of Hogwarts | part 3

Genre(s): Nuisance to Lovers / Fake dating / Fluff / No Voldy au Fandom(s): Harry Potter Pairing(s): Mattheo Riddle x Hufflepuff!Reader Summary: After finding out your (now ex)boyfriend cheated on you with the girl he told you not to worry about, you decide to get into a fake relationship with the kid of another founder of Hogwarts. What could go wrong? Warning(s): Matt's thirsty (but so are you also lowkey) / Awkward family moments / Visuals (Don't like them? Don't use them🤷🏻‍♀️) / I suck at writing kiss scenes (yes it's happening) / it's spicy but not full on smut (smut adjacent) A/n: For now this is the end of the mini-series. Thank you all for enjoying my story and see you all in the next one! [Masterlist] [HoH masterlist]

Normally you would love to be proven right. Revel in the knowledge that they should have listened to you. But now? Fuck being right. You don't want to right.

You've been carrying the letter with you for a couple of days and the weight of it makes your schoolbag makes it feel like it's filled with bricks. The letter is weighing you down, and everybody around you seems to notice it. Especially Mattheo. You still hang out with him, of course, but every time the words are on the tip of your tongue, you chicken out.

"Have you told him yet?", asks Susan as she sees you reading the letter again during lunch.

Giving her a frowned look, you shake your head. How in Merlin's name can you inform him that 'hey, my parents want to meet you because Meemaw saw us sneak into my dorm. Now they think we are together and having sex and want to meet the hypothetical father of my hypothetical baby if we were actually having hypothetical sex and not being careful. All hypothetically of course. Why else would I sneak a boy into my dorm?'

Not casually at least.

You look over towards his table and meet his eyes. He motions with his head towards the door. You nod with a small smile and finish your juice. "See you in class."

"Have fun with your boyfriend!", she calls after you and you flip her off.

"What was all that about?", asks Mattheo with a small smile while the two of you walk side by side towards Herbology.

You shrug, scratching the nailbed of your thumb. You feel a sharp pain but you continue. You know now more than ever that this is the time. "I've... I've received a letter. From my parents." You fish the letter out of your bag and hold it out for him.

Mattheo stops and looks unsurely towards the folded-up paper. When you give him a nod he unfolds the letter. You watch nervously how his eyes scan over the words.

When he stays silent, you begin to panic. "We- you don't have to! I can totally write my parents back and tell them... something! That we broke up or whatever."

"You've got nieces?" He's got a soft smile on his face as he traces the embellishments of the letter. Of course, the stationery of House Hufflepuff has its letters decorated to match the vibe of the family name.

With a shake of your head, you run a hand over your hair. "Out of everything... the thing you focus on is my nieces? Not that fact that my parents want to meet you?"

Mattheo shrugs, handing you the letter back. "Yeah, so what? That's what boyfriends do, don't they? Meet their girlfriend's parents. Fake relationship or not. Wasn't it your parents you wanted to fool?"

That shuts you up and a flaring heat spreads over your face and neck, even towards the points of your ears. "I-I yeah... But I never imagined them doing this! Then I would have never done all this to you!" With a guilty look, you slowly reach for one of his hands. You rub slow circles over the back of his hand.

Mattheo's brain short circuits as his eyes focus on your hand and his. How soft the pad of your thumb feels against his skin. He wonders if your hands feel as soft on different parts of his body. Or how sharp your nails feel when you scratch his back.

He snaps out of it and shakes his head. Taking his chance, he turns his hand around and laces his fingers with yours. "So... how do I leave a good impression on your parents?"

You think for a moment, looking away. "As superficial as it sounds, they put great value in looking a certain way." In that way they're just like other pure-blood families, you want to add but don't. You don't want to offend him or his family.

With a determent nod, Mattheo starts walking the opposite way you were going, pulling you behind him.

"Where are you taking me? Divination is that way", you point over your shoulder as you catch up to him.

Mattheo gives you a daring smile, his eyes wrinkling playfully. "My dorm. I need your advice on what to wear."

You protest and sputter about your attendance all the way towards the Slytherin dungeons. A snake made of metal rises from the ground and reveals a set of double doors. "Pure-Blood", says Mattheo and the doors swing open. You give him a look and he shrugs. "It's the password. Nothing I can do about it."

"I said nothing!", you laugh, being pulled through the entrance

The common area looks like it's carved out of rock, with marble pillars and arches. Large windows give you a look into the endless depth of the Black Lake, fish swimming by. It takes your breath away how stunning the Slytherin common room looks. It's oh so different from your own, but just as beautiful.

You try to ignore the stares you get from the Slytherin's around the room. You do stand out like a sore thumb with your sunshine yellow robes.

"Don't you ever need to pee very much when you are in the common area?", you ask, motioning towards the waterfall you circle as you enter the common room and the many water features around.

Mattheo rolls his eyes with a smile as he leads you down a corridor and holds open the door for you to enter his dorm. Four four-poster beds with green drapes are arranged in a circle with a heater in the middle of the room, spreading warmth around the room. He motions for you to sit on his bed while he rummages through his closet.

You lean back on your hands as you watch him pull one after the other crumbled-up shirt and pants out of the closet. He sends you a slightly embarrassed look and you hop off his bed.

"Let me have a look", you say softly, pushing him to the side.

"I'm sorry... It's a bit of a mess." He scratches the back of his neck as a slight blush colours his cheeks.

You wave his worries away as you spot a nice pair of jeans and a not-too-crumpled black shirt. It could totally work paired with a dark green jacket. You lay out the pieces on his bed and look proudly between the outfit and Mattheo. It's something you're parents would approve of while still being himself

"If you wear this with the shirt tucked in and your hair just styled like you always do, everything will be okay." You turn towards him with a smile.

While you were arranging the clothes, Mattheo snuck closer to you. He now stands so close to you, that you can smell his cologne. Your lips part as you look up at him. "Matt?", you whisper as he slowly cradles your face with both of his hands.

His eyes flicker from your eyes towards your mouth. Your eyes flutter closed as you feel soft puffs of breath on your face.

Mere millimetres before his lips touch yours, the door swings open and the two of you jump away from each other. "God fucking damn it", you hear him grumble under his breath as Enzo and Draco stand in the doorway.

The two boys look at you with wide eyes before Draco's expression morphs into something more teasing. "I hope we didn't interrupt anything", he says slyly, sending a smirk towards Mattheo. Who gives the blond a scalding glare.

Feeling way too awkward about the situation, you quickly gather your things. "I-I have to go. I wouldn't want to be late for my next class." Giving Mattheo a shy smile, you rush out of his dorm and the Slytherin common room — almost stumbling down and then up the stairs.

Once you deem yourself far away enough, you slump against a wall and cup your scorching hot cheeks. Your heart beats wildly in your chest... and somewhere else. Did that really just happen? Or almost? In Merlin's name, when did you get so hot and bothered about Mattheo Riddle? Not long ago he was a nuisance to you. And now? Now you've almost kissed two times and he's meeting your parents this weekend.

When you close your eyes you still see Mattheo's warm honey ones, looking at you with such softness and want- no need.

Gods.

Shaking your head, you steady yourself and with slightly unsteady legs you walk towards Arithmancy.

Meanwhile, back in the boy's dorm, Mattheo collapses onto his bed and curses out his friends. "Fucking twats!" He presses the balls of his hands into his eyes, frustration running rampant through his body.

This was the second time someone interrupted him trying to kiss you. Just when he has gathered the courage to do so. First your friends and now his own. Who out there has it so out for him to cockblock him two times.

Draco and Enzo just look with high amusement towards their frustrated-to-no-end friend. They're gonna take this moment and tease him forever with it.

You don't get a chance to talk to Mattheo about the kiss. To talk to him in general. Because every time the two of you spot each other, either his or your friends wisk you away and it's driving you mad. It's like they planned it together or something.

It makes you all sulky because you want to discuss what happened between the two of you multiple times. You want answers — which you are lowkey scared of. But it's better to rip the bandage off quickly and get your heart broken than live with questions and never get an answer.

You walk into the Great Hall that Saturday, your fingers anxiously clawing at the nailbeds. But you've taken precautions and bandaged up your thumbs so you can't scratch. The pain stays but there's no blood.

"Don't you look all lovely", smiles Hanah brightly, making you twirl.

You smile and show her a cheeky leg as the split in your skirt falls perfectly when you sit. "Well...", you let out a nervous sigh, "Matt's meeting my parents today. So, we have to look the part, don't we?"

Your friends' eyes bulge out at the nickname you gave Slytherin bad boy Mattheo Riddle. Nobody ever dared to call him anything other than his name.

"Is that why he was not-so-subtly sneaking glances at us before you came?", wonders Susan out loud, which makes you tense up.

Looking at the Slytherin table, you find Mattheo easily. He gives a small wave with a smile and you return the gestures. "I'm going to sit over there. I have to prepare him from the wolves."

Slowly, you rise from your table and walk to the other side of the Great Hall. You feel the eyes of the Hufflepuff's and Slytherin's on you. But the only important ones are Mattheo's liquid honey ones, who look at you in wonder.

"Hi", you whisper when you finally reach him.

"Hi", he whispers back, a wide smile on his face.

"Can I sit with you?"

Without hesitation, he nods and slides to the side, almost shoving Enzo into Blaise's lap. He pats the now-empty spot next to him and you swing your leg over the bench. Mattheo zero's in on your bare leg and his brain shortcircuits.

You try to ignore the weird looks the Slytherin's present are giving you as you reach over and grab a piece of toast. You meet Hannah and Susan's eyes from across the room and they give you enthusiastic thumbs-up.

Swallowing your bite, you turn towards the boy next to you to say something. But your words die on your tongue at the look Mattheo gives you. It's unreadable. But not bad unreadable. There is some fondness in there you believe. "I have to warn you, by the way."

He cocks his head to the side, an easy smile on his face. "For your parents?"

A snort escapes you and you shake your head. "No- well... maybe my dad will grill you. But my brothers are way worse. They will either try to embarrass me or you."

"How many do you have?"

"Brothers? Four. There's a twin pair in there too. They are the second youngest after me."

Mattheo pales slightly. Four brothers? He found Thomas already trouble enough. But Four? He knows he's in for some shit.

You can't help but laugh as he visibly pales. Taking his hand, you pat it. You look around the Slyherin's. They all look very amused at Mattheo's despair.

The two of you finish your breakfast before it's time to go. Your parents expect you for lunch but knowing your family, there's not going to be time during just lunch.

"How are we getting to your home?", questions Mattheo as you both walk through the halls towards Professor Sproud's office.

You knock on the door and when there's no answer, you enter the room. "Via portkey. Which should arrive any second now." And like you said, a little yellow cup appears on the desk.

Placing a hand on the cup, you hold the other out for him to take. Mattheo does so and the two of you are whisked away from the castle.

You stumble for a second before you find your footing. Taking a deep breath, your senses fill with the floral aroma of your home. It feels good to be back.

"Holy fucking shit", you hear Mattheo whisper under his breath as he looks at the estate your family owns. It looks centuries old, with ivy covering most of the outer walls. A sprawling garden buzzes with bees and butterflies. A fountain is heard somewhere in the back.

You feel slightly embarrassed at Mattheo's slack jaw. This is mostly the reason why you never told about or took anyone home. The house mansion has been in your family's name for centuries. It's said that Meemaw bought it, but there's no proof of it.

"Come on." You tug him by his hand towards the front door. Mattheo's too caught up by the exterior of the house that he bumps into you when you stop in front of the front door. "Ready?", you ask, and he shakes his head.

As you ring the bell, Mattheo looks at the inscribing above the door. "Dum spiro spero, vi et animo. What does that mean?"

"As long as I breathe I hope, with strength and courage", says your father as he opens the door with a wide smile. "It's our family's motto. Nice to meet you, son." He holds out his hand for Mattheo to shake.

As he pulls the boy inside, you try your bestest to not cringe. "Dad this is Mattheo. My boyfriend." You shyly glance towards Mattheo to gauge his reaction. A slight blush paints his cheeks and you bite your lip hiding your smile.

Your dad shakes the dark-haired boy's hand enthusiastically. He starts to ramble off about the family motto and what it means and it morphs into an in-depth history lesson about the house. How the tiles and pillars in the foyer are at least four hundred years old and how they're kept in such fine condition by magic.

"Dad!", you call out, not having missed the hidden panicked looks Mattheo has given you, trying his best to look interested. "Don't you think it's a little early for Staghill History 101? Let the boy breathe."

Your father lets go of Mattheo with a jolly laugh, his moustache curling upwards. "You are right. I am so sorry, good chap. Why don't you two go to the library while I round up the twins? They're all very excited to meet him."

Tugging on Mattheo's hand, you nod. "Sure. Make sure they clean off any dirt before Mum has an aneurysm. Again."

As you lead him towards the south wing, you stop just outside of the library. "Are you okay? I'm sorry. My dad's a lot and he's just happy to see anyone and everyone. Could be Father Christmas with how jolly he is." You scratch the back of your neck awkwardly, looking away.

Mattheo laughs. "It's okay. He's... nice. Now I get where you get it from."

"What?", you question with a cock of your head.

Mattheo wets his bottom lip, his eyes focused on yours. "That twinkle in your eyes when you talk about something you're passionate about." He reaches out for your flaming hot cheeks, cupping them.

The doors to your right swing open and the two of you feel like little children caught with your hand in the cookie jar. Your oldest brother, Felix, raises one disapproving brow and the two of you quickly step away from each other.

"Is it them? Don't hog the door, you big oaf!" Behind Felix appears Herbert, immediately engulfing you in a big, bone-crushing hug.

"They were snogging", says Felix, walking back towards the couch he always sits on when he visits home. His comment earns him a swat from his wife next to him.

"We were not!", you protest scandalised, wrestling out of Herbert's hold. "We were just... It's none of your business what we were doing!" You grab Mattheo's hand and walk into the library, towards your mother.

He scoffs under his breath, mumbling; "You made it everybody's business when you let Meemaw catch you." That earns him another swat from his wife and a stern look from your mother.

"Mum", you say after giving her a hug, tugging Mattheo closer, "I would like you to meet Mattheo."

"It's very nice to meet you, ma'am." Mattheo puts on his most charming smile while holding out his hand.

Your mother shakes her head and gives him one of her signature warm hugs. "None of that! Call me Clementine. Or Clemmy. Or Ma. You're practically family now!"

You blanch, shrinking into yourself. Dear Lord. Why does your mom need to be so much?

Felix snorts. "Is he to stay? What happened to that bloke from Christmas?"

Yours and Mattheo's eyes meet and you purse your lips. "I rather not speak about it..."

That gets their attention, both men leaning forward in their seats. "What did he do?"

"Nothing!" You grow irritated at their endless questions as your mom ushers the two of you towards a couch. Sitting closely together, Mattheo lays a hand on your knee. You don't know if it's to comfort you or to ground himself.

Herbert studies the two of you with his eyes narrowed. He purses his lips while leaning back into the chair. "He beat the ex up, didn't he?"

"Oh, my Gods! Can you not play detective about my life? Stop talking about my ex with my new boyfriend right next to me", you scowl, not wanting the two of them to flip out over something that you're way past.

At that, your mother claps in her hands. "That's right! Mattheo, why don't you tell me something about yourself? What house are you in for instance?"

Mattheo glances nervously towards you and you lay a hand over his own, giving him a reassuring squeeze. "I'm in Slytherin, ma'am. I hope that isn't an issue."

Your mom chortles and waves his concern away. "Oh please, we aren't that kind of family."

"Speaking of family", pipes Herbert from across the room, "Who's family you belong to?"

Both your mom and you sputter and scold Herbert. But the twins coming in gives your brother his answer.

"Why on Meemaw's good name is Mattheo Riddle sitting next to our sister?", sneers Victor, Danny leering over his shoulder.

A groan escapes you while you slink down the couch, hiding your face in your hands. You had hoped that Mattheo's family wouldn't be a subject. The twins are the only ones from your family who have seen the kind of nuisance Mattheo has been to you before leaving school last year. Of course, it looks very fucking weird that he is now cosying up to you, his hand on your knee and claiming to be your boyfriend.

You feel everybody's eyes on the two of you. Mattheo shrinks down under the many gazes, his hold on you tightening in a silent plea to not abandon him right now.

Not knowing how to get away under the scrutiny, you glance at your mom. She looks shocked and when she meets your eyes, her gaze softens before turning stern. "Didn't I always tell you boys to not judge people? What can the poor boy do about which cradle he was born into? So get off your high horses and be nice to the boy!" She stands with her hands on her hips, berating your brothers.

"What did I miss?", asks your father, standing in the doorway with a tray filled with cookies and teacups, the teapot floating behind him.

"Nothing", smiles your mother, turning towards you, "I was just saying that Mattheo should have a tour of the house. Why don't you do that, honey?"

Getting what she's implying, you nod exuberantly. "Yeah, right! Let's go."

Mattheo's all too happy to escape the tense room and quickly follows after you, walking with a big arch around the twins, who are still glaring at him.

"I am so sorry." You cast your eyes towards the floor as the two of you walk through one of the many art-lined hallways. "I- There is no excuse for how they treated you..."

Mattheo's hand on your waist makes you stop and look up at him, unsheathed tears dancing in your waterline. He tuts, wiping away the single one that has managed to escape. "Don't cry, pretty girl. It's a warranted reaction. I'm used to it by now. How awkward it was anyways."

You pout while leaning into his hand. "That's horrible Matt. You don't deserve to be treated like that because your father made a wrong choice!"

"It was more than a wrong choice, lovely. Besides, there's not a witch or wizard who went bad who wasn't in Slytherin, remember?" He laughs, but you see that there's sadness in his eyes.

With a shake of your head, you lean closer to him. "You aren't bad! Such a vile stereotype."

This time a genuine laugh bubbles out of Mattheo's chest. "Oh, sweet, sweet, Hufflepuff", he trances your cheek with the pads of his fingers, "there are many things that make me as bad as they say. Mostly for the thoughts I have about you."

Your brain short circuits and you blink up at him, processing his words. He has what? Heh?

Mattheo chuckles at your dumbfounded look. Oh, how cute you are when you are clueless. He clasps his hands behind his back and looks around. "Is there anything in particular you want me to see?", he asks, throwing you a bone.

That seems to snap you out of your daydream of what Mattheo could do to you and you shake your head. "Yes. There is one final person I have to introduce you to."

The two of you walk side by side as he studies both muggle and magical paintings. You lead him towards the main sitting with an empty frame with a chair hanging above the fireplace. Dragging an ottoman over, you motion for Mattheo to follow your lead and climb on top of the cushions.

"Meemaw", you call out towards the empty portrait, "I would like to meet someone."

It takes a second or two before your ancestor appears from the side, graciously draping herself and her skirts on the chair. "My littlest Badger! How are you, my dear?"

You lean closer, smiling. "Hello, Meemaw. I would like you to meet someone." You motion towards Mattheo, who looks with big eyes at her.

"Isn't that...?"

Heat spreads over your face and you bite your bottom lip. "I- yeah..."

"Mattheo Riddle, your ladyship." He bows slightly, earning a hearty laugh from her.

"Aren't you a charmer? You musn't call me ladyship. Just Helga is fine. Or Meemaw, seeing as you are our littlest badger's love." She sends you a doting smile. "Say, if I may ask; aren't you one of Salazar's boys?"

"Yes. I hope that isn't an issue for you, Helga."

She waves his concerns away. It surprised you how easily Meemaw's taken by Mattheo. He's a naturally charming person when he wants to be after all.

"Oh, of course not, dear boy! Your great-grandfather and I had a... very special relationship of our own when we were younger. It warms my heart that our descendants have found each other." A fond look paints her face as she looks off in the distance.

As a melancholy glimmer befalls her, you take that as your cue to leave. "I have to continue my tour of the house, Meemaw. See you later."

Waving her off, you hop off the ottoman and put it back in the right place before exiting the sitting room. A sigh escapes your lips and you swing your arms back and forth. Mattheo gives you a raised brow before taking your hand in his and continuing the swinging.

It's nice. The two of you just walking and talking about nothing special in particular. You sometimes point out some facts about you growing up around the house. "In that room, we always used to build pillow forts in." Or "I once ran against that door and lost both my front teeth. They were loose anyways", you add quickly at his concerned look.

Everything's so easy with Mattheo that it scares you. How are you supposed to go back to strangers after your arrangement has come to an end? Can you even go back to strangers? Even if Mattheo doesn't feel the same, you wish you at least could stay friends. Because he's genuinely a nice person to hang out with. It would sadden you to lose him.

The ring of a bell plucks you from your thoughts and you turn towards where the sound came from. "Oh! Dinner's ready." You lead the both of you towards the dining room, taking shortcuts and hidden doors. Mattheo chuckles as you press open another hidden panel before finally arriving in said room.

Out of habit, you go to sit at your usual place at the table and Mattheo follows you. But as he pulls the chair back, Danny is quick to sit in it. After sending a glare at your brother, you look apologetic towards the dark-haired boy. His eyes scan the room and the only free seat is right in front of you, between Herbert and Felix.

Mattheo sighs and takes place on the empty seat. He feels your brothers stare at him, and he does his best to try and act normal. He smiles politely and answers any questions your mother asks him. Eventually, he learns that — who he believes is Felix — is a beater for the Caerphilly Catapults. His wife plays for the Holyhead Harpies and that's how they met each other.

Dinner seems to pass by smoothly — not counting the snarky remarks of the twins. But they're dicks. As everybody starts to collect the dishes, your father clears his throat. "Why don't you all go outside and...", he glances towards Mattheo, "Take a lap around the fountain so Mattheo and I can have a heart-to-heart."

Both you and Mattheo send slightly panicked looks towards each other as he gets led away by your father. As your brothers let out an 'oooh', you jab Danny in his side with your elbow. He rubs his side with a slight pout and you poke out your tongue.

"The last one is a rotten egg!", yells Victor and he sprints towards the back door. You let out a curse and start sprinting after him, the others following.

While you and your brothers race towards the burrow, Mattheo gets led towards your father's office. He anxiously takes place in the chair in front of your father's desk. The man leans forward and studies the Slytherin boy with narrowed eyes.

"What are your intentions with my daughter?", he asks, getting straight to the point.

What are his intentions? Well... he can think of a few things. But none are parent-approved answers. "I like her. I really do, Sir. I wouldn't dare to hurt her." Because that is the truth. He always had a crush on you, but getting to know you? You're everything and so much more than he imagined.

Your father hums. "I ask this because I have received some chatter that you've been in a... physical altercation with one Malcolm Preece. So, Mattheo, what is the deal with that?" He leans back in the leather chair, one brow raised.

For the first time in a while, Mattheo feels genuinely nervous. And it's not the same kind of nervous before he took you out on your first date. No. This is a different kind of nervousness. A deep-down fear to disappoint the people who he cares about.

And yes, you are one of those people he realises. He cares about you the most.

Lying will do no good. Because, as your father has shown, he somehow has a way to get information about what happens at school. "In all honesty, sir, Preece was threatening your daughter. They broke up and he kept bothering her. It... indeed got physical because some guys don't know when to take a hint."

Your father purses his lips, his eyes scanning over Mattheo's face. Searching for a sign of dishonesty. But he finds none.

"Did you at least get him good?"

That makes the dark-haired boy laugh. "Yes, sir. He won't dare to bother her again."

Your father stands up from his chair and holds out his hand for Mattheo to shake. With a smile and a firm handshake, he says, "You did good son. Now, I believe someone's way too anxious to wait a second longer." He points towards the door, where a shadow is seen pacing under through the crack.

Mattheo closes the door behind him and sees you look at him with wide eyes, chewing on your thumb. "How did it go? What did Dad say?" You fling your arms around him and press your cheek against his shoulder.

He smiles and wraps his arms around you. "Don't worry. Everything's fine." When you look up at him, he cradles your face and wipes away some stray dirt. "Don't you worry your pretty little head about it", he smiles.

You roll your eyes but can't help but smile. "Fine. You know what, if we leave now, we maybe have some time left before curfew."

A smirk grows on Mattheo's face while he wetts his bottom lip. "And do what?"

"I don't know", you shrug playfully, pulling him with you, "We will see."

"Absolutely not", says your mother when you come and say your goodbyes. "Your room is already set up. Fresh sheets and everything! Wasn't that clear from my letter?"

Your eyes dart nervously towards Mattheo, who gives you the same look. You silently ask him if he's okay with it. If he's not uncomfortable. He shrugs. He's not too bothered by the idea of staying over.

A sigh escapes you. "Fine. But we don't have anything to sleep in."

Your mother claps in her hands and gets up from the couch, motioning for the both of you to follow her. She leads you through the house, towards your bedroom.

The smell of clean cotton hits you as soon as you enter your room and you breathe in the smell. That's one of the many things you miss about your home. The house elves of Hogwarts don't use the same detergent as your mother and it just hits a special spot in your brain when you finally smell it.

"I'll grab a pair of Felix's clothes for you, Mattheo." Your mother pats his shoulders before exiting the room.

The boy in question stands in the middle of your bedroom and a smile grows on his face. He can't explain why but it so much you. In the short period he has gotten to know you, this is exactly the type of room he imagined you to have. Maybe with fewer plants.

A four-poster bed stands in the middle of the room, facing a fireplace. On top of the bed grows some hanging plants that spread onto the walls and turn into wallpaper. There's a cosy-looking chair next to the fireplace with tons of pillows and blankets.

You watch him eyeing the chair and you mention towards it. "You can sit in it if you want. It gives you also a really nice view over the garden."

Mattheo does so, burying himself between the pillows. The garden is almost too perfect with the way it's lit up by floating lights and lightningbugs. When he looks back at you to comment on the beautifulness, he sees you pull away the many pillows from your bed into a trunk at the front of your bed and readying the bed for sleeping.

"I... I can sleep on the ground- if you're more comfortable with that. I could even fall asleep in this chair."

You stop what you're doing and look at him with such a scandalised look that it makes him shrink. "Uhm how about no? I dragged you into this, like hell I let you sleep on the floor!"

Your mother comes back at the right time with a pair of joggers and a shirt in her hands. She gives him a warm smile as she hands him the clothing, instructing him to where the bathroom is. Mattheo takes that as his saving grace to get a moment of his own. He has to admit, your family is a lot. This whole situation is a lot. And he has nobody to blame for it except himself.

Not that he blames himself. He's quite enjoying himself, being with you, meeting your parents and seeing where you grew up. He now gets why you are how you are. How you can shine so bright because your parents do everything to lighten you.

When he comes back you are also changed in quite the same outfit as him. You are sitting on your bed, nervously nibbling on the side of your thumb. He strides towards you and grabs your hand, stopping you from destroying your nailbed and making you look up at him.

"Are you okay", he asks, interlacing your fingers.

You nod with a hum, eyes focused on your interlinked hands. "Yeah... I'm just tired from today." You run a hand over your hair, brushing some stray strands out of your face. "Are you okay?"

Mattheo lets out a light-hearted scoff. "Don't worry about me, lovely. My family is much much worse."

You blink, wanting to ask more. But a knock on your door stops you. Your father stands in the door opening, Victor looming over his shoulder and glaring daggers at Mattheo.

"Will you do your old man a favour and keep the door open? I know it makes you uncomfortable, hun. But I don't think I have to explain why?" He motions with his eyes towards how close the two of you are and with a sigh, you nod.

The house is so old that it creaks and groans with even the slightest breeze. And it freaks you out when you hear it at night. Are you saying that this centuries-old house doesn't have ghosts? Likely.

As your dad walks away, Victor takes a step forward, his jaw taut. "You", he points towards the dark-haired boy, "I'm right next door and these walls aren't as thick as they seem. I will hear everything. No funny business!"

Mattheo sends him a charming smile that you know will irritate Victor. "I promise." But when he turns around when Victor storms away, he shows you his crossed fingers. You let out a giggle and swat him.

After that you take it as a cue to get ready to sleep so you crawl under the covers. Mattheo positions himself between you and the open door and the two of you lay on your backs, staring up at the canopy.

It... feels weird having Mattheo Riddle next to you in your bed. The even weirder feeling is the desire to keep him there.

You turn so you're facing him, your hands tucked under your pillow. "I've been wondering... When you spoke in Parsletongue, what did you say?"

Mattheo tenses slightly before turning towards you, a pink flush heats up his cheeks. His eyes trace every inch of your face, taking in the details; moles, freckles, perfect imperfections. It makes him want to reach out and trace every one of them.

"Oh I don't remember", he says offhandedly, his eyes fleeing yours.

You scoot closer, a mischievous smile on your face. "Yes, you do! Please tell me. It can't be that embarrassing."

His lips part and the same sounds fill the room, raising goosebumps on your arms. "You are... you are the most beautiful person I know and I don't know if I can keep pretending that this is fake."

Your smile melts off your face and you look with wide eyes towards him. An unsure look fills his eyes as his brows knit together. "Say something", he whispers- begs. A hesitant hand reaches out and gets placed on your cheek.

Your heart beats a million miles an hour and every word just escapes your brain. So you do what you have been wanting to do for a while now. And you kiss him. Pressing your lips against his, you close your eyes while your hand travels from his wrist to his shoulder, gripping him tightly.

Mattheo lets out a surprised humph, his eyes wide as he watches your eyes flutter close. He breathes in deeply before kissing you back, pulling you closer.

Two pairs of lips mould against each other while Mattheo's hand slides down and grips your thigh, wrapping your leg around his middle. Your body melts against his as the kiss grows more fierce, lips parting and tongues exploring each other's mouths.

A low growl emits from Mattheo as you part, your chest raising and falling rapidly. He zeros in on your neck and decides then and there how kissable the skin looks and that it needs to be marked.

Your head gets thrown back as Mattheo attacks your neck with kisses, licks and bites and you do your best to suppress the breathy moan that wants to escape you. You bite your bottom lip as your eyes squeeze close.

Mattheo's lips travel down, tracing the shape of your throat with his teeth and he flips the both of you over, hovering above you. He relishes in your bitten raw lips and the half-lidded look you give him. The way your chest raises and makes your shirt tighten... he thanks whatever god there is out there that made this possible.

His admiring takes too long in your opinion and you grab the back of his head, yanking him down so he kisses you again. Mattheo complies and cradles your face, his big hands engulfing your cheeks, feeling the heat underneath them.

He pecks your lips a few times before trailing down, Mattheo's hands finding the hem of your sleep shirt. He glances at you and only continues after a nod. He pushes your shirt up, above your breast while his lips trail from your chin, neck, and collarbones, to your sternum.

When he flattens his tongue tentatively against one of your nipples, a moan escapes you. It makes him smirk against your skin, doing it again.

"Matt... ah!", you squeak out, gripping his shoulder.

His tongue swirls against the nub and one of his hands reaches up, clasping a hand over your mouth to silence the sweet noises pouring out of your mouth. Your tongue swipes over one of his fingers. Mattheo presses the pads of his pointer and middle finger against your tongue before sliding into your mouth.

A 'mmph' escapes you while you suck around his digits, hands trying to ground yourself as everything feels too much; his tongue against your boob, his fingers in your mouth, and something hard pressing against your core.

Your hands find the hem of his shirt and your nails rake up against his bare back. He moans against you and releases your nipple with a 'pop'. He looks at you with dark eyes and swollen lips while he lowers himself towards your core.

While his fingers dance over the elastic of your underwear, you push his fingers out of your mouth. "Matt wait..."

As if your words scorched him, he's off you immediately, his chest raising rapidly and face flushed. "I'm-I'm sorry. I got a little carried away..."

You sit up, pushing your shirt down and shaking your head. "No... please don't- it's okay. I-I enjoyed it too. It's just...", you cradle his face and peck his lips, "I don't want our first time to be in my childhood bedroom and avoid making too much noise."

Mattheo leans into your touch and kisses your palm. You pull him down with you and lay on top of his chest. When you move your legs, you accidentally bump against his boner. You sputter out an apology, feeling bad for blue-balling him.

His hands grab your hips tightly and he presses you closer against his body. He brings his lips towards your ear. "Don't worry about it, Princess. Because when I have the chance, I'm gonna fuck you so good you forget our whole relationship was fake to begin with."

Oh Gods, you created a monster...

Tag list (bold means I couldn't tag you): @mylosz0 @kermits-bitch @jolly4holly @daisiesformylove @frogtape @dancing-inasnowglobe @slytheos @undercover-smutlover @reverse-soe @nikkissecretlibrary @moon-struck-meraki @bengbengbengi @justhavingsomefun1 @itsamusical4lifee @genshingeeksworld @y0urm0m12 @alnitakstarsky03 @mel-vaz @slytherinboysappreciation @sailtomarina @bubybubsters @jasmine2105 @abaker74 @lovelyygirl8 @vickykazuya @eltrss @llpovi@m1kasawps @sol3chu @ledtassoo @itsarajr @glittervame

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scarlethexelove · 10 months ago

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How about a WandaNat fic where both are slightly dark and kidnap R. R isn't too worried about it though and soon grows to actually love both of them. Maybe something angsty with a happy ending 🙂

We'll Keep You Safe

Pairing: WandaNat x Reader

Word Count: 1546

Warnings: Domestic violence, kidnapping, allusion to drugging, murder, I don't think there is much else.

Part 2 Save You

A/N: First I want to thank @abbyromanoff for the help on a bit of the story idea. I was struggling to come up with how they get to the point so thank you Abby. Hope this is what you wanted I'm not really sure how much I like this one myself but I hope you enjoy.

NO ONE IS PERMITTED TO STEAL, COPY, OR REBLOG MY WORK AS THEIR OWN

You run from your house. Your wife is screaming at you to come back but you don't, you just run to your neighbors house. They told you if you ever needed anything that you could come to them. So that is what you did. Tears streaming down your face, your right eyes almost swollen shut and a gash on your cheek. You cradle your right arm with your left pretty sure that your wrist is broken.

This wasn’t the first time she hit you, but this was the worst. You said you would leave but every time you were about to she promised to change to never hit you again. All she did was give you broken promises. So this time you ran her anger being heard even as you got to the front door of your neighbors.

You banged on the door with your left hand as you looked back, scared she would follow you. You kept knocking even as the door opened, startling you and almost hitting the woman at the door. “I-I’m sorry.” You stuttered out.

The beautiful brunette looks at your concern and anger swirling in her eyes. “S-sh-she” you stutter more, not able to form words. “Help” your voice sounding so small, your legs giving out as pain starts to spread through your body. The adrenaline wears off making you feel the full force of your injuries. Wanda catches you in her arms slowly helping you to the ground and pulling you into her.

“Natasha!” Wanda calls out to her wife. Natasha comes around the corner, as soon as she sees you there is fury in hers. Your face is buried in Wanda’s neck as you cry. Natasha tries to make her way past you both so that she can teach your wife a lesson but Wanda stops her. Instead Wanda passes you to her wife. Sharing a knowing look. Natasha cradles you in her arms and carries you into the living room sitting down with you on the couch. Burying yourself into her she holds you tightly as you cry continuously apologizing to her as you soak her shirt in your tears.

Natasha shushes you as she rubs her hand up and down your back. Wanda making her way into the kitchen. A few minutes later as you start to calm down Wanda returns with a tray. A tea pot and some tea cups sit on the tray. She pours a cup for you. Natasha coxes you out of her neck as Wanda extends the cup of tea. You take it hesitantly and take a few sips. Both women give you a sad smile.

“Honey, do you want to tell us what happened?” Wanda speaks gently as she sits down on the edge of the coffee table in front of you. You lightly nod your head before speaking. “I-I came home and Lila was pissed. S-she found the divorce papers I had hidden. I tried to tell her I wasn’t going to but she s-started hitting me. I-I ran here as soon as I could get away.” You tell the woman. “I’m scared.”

“We won’t let her hurt you again.” Natasha says. You can feel her anger but also her concern. You lay your head on her shoulder starting to feel sleepy and your body feeling numb. The pain fading away. Your body feels heavy as you try to speak again but no words come out. That is the last thing you remember before everything goes black.

You blink your eyes open, your body feeling weak and heavy. It’s hard to keep your eyes open but you're able to look around. You are wearing different clothes which freaks you out. Did someone change you? What the hell happened? Why are you here? And where is Wanda and Natasha? All these questions run through your mind. Panic setting in.

You start to look around again. This room is not one you are familiar with. The walls are wooden and a few paintings scattered around. There is a bedside table next to the bed you are laying on. It is soft, softer than anything you have been on in a long time. One of your wifes punishments for a long time has been sleeping on the ground. You notice the water on the bedside table which makes you realize how thirsty you are. Your mouth feels as though you have cotton in it. So you reach out grabbing it, but as you bring it to yourself you drop the glass and it shatters on the ground.

Just then the door swings open and you see a panicked Wanda with Natasha behind her. They both quickly rush towards you. “Are you ok? Did you hurt yourself?” Wanda questions quickly come up next to you grabbing your hands and looking you over to see if you have any new injuries. “Where am I? What are we doing here? Why am I wearing different clothes?” You send out a rapid array of questions to the woman.

Wanda gives you a soft look. “We brought you here.” She told you, placing a hand on your check which you flinch from before letting her touch you. “We had to get you away from her.” Natasha added as she bent down cleaning up the shattered glass. “H-her, y-you mean my wife?” You question starting to push Wanda away and scrabble out of the bed. She grips you tightly and doesn’t let you up.

“Ow, Wanda you're hurting me.” You tell her as her grip loosens on your good wrist. That is when you realize that they have tended to your injuries and cleaned you up. “Sorry detka. We just want to keep you safe. We never want to hurt you. You deserve so much better than that woman can provide you. We just want to keep you safe and give you the love you deserve.” Wanda gently tells you, holding your hands in hers. You let yourself relax and stare at her. “She can never hurt you again.” Natasha adds sitting down next to you.

You can’t help but admit that you have had a crush on the women since you met them, but you have a wife and they were married to each other. So you always push down those feelings, but sitting here with the woman feels just right. Natasha’s words echoing in your head which causes you to think. “What do you mean she will never hurt me again? You can’t know that. W-what if she finds me?” You quickly panic at the thought.

“She won’t be a problem anymore Y/n I promise you that.” Natasha reassures you, but something still doesn’t sit right. “Did you hurt her?” You question the woman sitting next to you. You can see an evil glint in her eyes. “No one will ever hurt you again and no one will ever find her.” Natasha said, trying to lessen the blow to the fact that she inadvertently admitted to killing your wife. You should be scared and you should try and run from them. They did kidnap you and murder your wife but you can’t find it in yourself to do any of that. They seem to care so much about you and you wouldn’t be surprised if they actually love you.

“I-I I don’t know what to say.” You stutter out. They have already done more for you and made you feel so safe in such a short amount of time. So you accept it. You accept that they have killed your wife and brought you somewhere to keep you safe. They have taken care of your injuries. Your wrist has been set, they cleaned your cheek. Your eye doesn’t seem to be as swollen anymore. They really care for you.

“You don’t have to say anything Y/n we love you so much already and we just want to give you everything you deserve.” Wanda gently strokes the back of your hand with her thumb. Natasha leans in and kisses your forehead. “You mean the world to us detka.” Natasha adds. Tears spring into your eyes at their words. They do love you and they are gentle with you. A stark contrast to the life you have been living. So you let the rational part of you go and you listen to the warm feeling in your chest. Leaning your body into Natasha as she wraps her arms around you.

You feel tired again, your body relaxing with the safety you feel for the first time in a long time. You can’t remember the last time you felt like this. As you relax into Natasha she starts to guide you to lay down. She shuffles you and herself back on the bed pulling your body fully into hers. Wanda slides in behind you and wraps her arms around your waist as she gently kisses your shoulder.

“We have you sweet girl and we promise to never hurt you.” Natasha kisses the top of your head. Your tired eyes closing as you nuzzle into her chest. You can get used to this. Living safe and sound with two women who love and care for you. “I love you.” You whisper as you drift off into a deep sleep.

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modmad · 7 months ago

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Hey Mod, I don't know what's going on that hurt you, I feel like I missed something that's happened, but I can tell from what I did see that it didn't just hurt you, but scared you and made you feel a Lot of doubt. I've also seen a lot of messages pouring in with support, and I want to share mine.

I have hypermobile type EDS, fibromyalgia, and a whole bucket's worth of faulty wiring in my brain. And I've always had stories to tell but I never felt I was good enough to share them. If it's because I can't focus enough to get through nanowrimo, or because I can't manage the focus and time towards drawing as a hobby, or the fact that an excessive amount of either for me leads to my hands wanting to shut down. But you? You *inspire* me. Your stories, all the ones I've seen, read, experienced in some way or another, they're so good. And you're open and honest with your fans about your own health, and of course, we support you and always would rather you rest and feel as best you can, instead of pushing out something and working yourself too hard. But all of this is to say that. I think I would have given up on my own stories if I hadn't found you and yours.

I hope whatever is going on sorts itself out, I hope you're able to keep telling your stories. At your own pace, in your own way. I think you deserve to be happy. If there's anything we (your fans, especially those of us too awkward to come off anon, whoops,) can do, to help in some way? Even if it's silly videos or cute cat pictures or whatever it is that could just help you smile. We're here. We love you.

woof. I woke up to so many messages I can't even read them all in one go I'm getting too emotional- I do feel I owe an explanation so I'll explain what happened under the cut but all you guys need to know is I'm okay, I got through it, I love you, and you're so important to me and I'm so grateful for all the messages that have asked me to stay.

tw for suicidal thoughts and all that

yeah so I have the bad morning of all mornings: was introduced to the fact there's this one character (Mr Puzzles) on a very popular youtube that. resembles RGB. incredibly strongly. like. I don't want to link to it just look if you want to. Anyway at the time I thought it had just dropped (seems to have been around for 6 months actually), and having commented on it I immediately got an inbox full of hate mail.

My website, meanwhile, had locked both me and my web designer out of it, and- already in a bad state of mind- I went into full on panic/paranoid spiral of 'they have hacked it, and they are going to delete any proof that I was here before them.' This of course wasn't true, and we have since recalimed control of the site (don't know what happened there but hey. it's fine???? haha. ha.)

On top of this my father has terminal cancer of the pancreas, which is horrible for everyone already but it means that- at some point this year- I am going to be the only person with an active income in my house. I am disabled, do not make a lot of money, and the cost of living is skyrocketing. Combine that with months of Despair at the world right now, with the multiple wars, genocide, corruption and AI and the loss of control any of us have over our IP or lives and I just decided it was time to end it all.

I somehow remembered this was a bad idea to act on immediately (hard during a period of entirely irrational thought) and instead went for a very long walk, crossed the bridge I could have jumped off and during that I came out of the worst of it. I then came back home to so much love online I felt deeply ashamed for ever contemplating it, and I cried a lot. My nose is still puffy and now my feet hurt! lmao

Anyway. Yeah. There's your context. I am not going to stop hoping, making, or living. I am prone to moments of weakness and this was one of the worst of them and I am still here, thanks in a large part to all of you. I might need you in the future to defend me against this, or people who take our ideas, but I hope you know that I will do the same for you. We need each other, and to be there for you I need to be here at all.

also fuck Mr Puzzles

#context for mod's little (massive) mental breakdown yesterday #you don't need to read it but I felt folks are due an explanation #tw suicide #ask to tag #mental health is wow!!!! a thing

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omegalomania · 2 years ago

Text

the full apple music interview with zane lowe is out! we got snippets of it when love from the other side dropped, but they finally rolled out the full thing. here are some highlights that stood out to me :)

patrick describes pete's lyrics as what gets him out of bed in the morning. if pete doesn't send him lyrics, he doesn't write a song.

andy and pete used to draw fake snake tattoos on each other using magic markers as kids omg?

so evidently patrick was the one who got covid during hella mega tour. and he hated it and he was miserable and that's when he called neal avron about the new record lmao

patrick says that joe was hesitant at first and he was the one who said that for this record he wanted to make something that they could all savor and spend time on and patrick was immediately on board with that

pete says patrick's job is to interpret him because pete calls his mentality a "little bit off" but patrick is capable of understanding him and translating it

patrick describes his and pete's creative relationship as "twin speak." it's not linear and it's like living in his brain a little bit. he calls it the "weirdest thing i've ever seen" when pete can just Tell that some words that patrick adjusted weren't ones he wrote despite not remembering writing them. patrick says he's gotten better at connective tissue and knowing how pete would say things

pete: back in the day patrick was like, "what's the difference between cry and weep i will KILL YOU. THEY'RE THE SAME THING. I'M GONNA KILL YOU RIGHT NOW."

zane says patrick's vocals are next level for this album. pete agrees that he kills it on this album and said he never would've expected that voice coming from him when they first met. zane says patrick could sing a recipe and it would be good. he then passes patrick a recipe and patrick. sings it???

patrick: i'm not gonna belt it. (starts belting) NINE INCH PIE PLATE ROLLING PIN

patrick says that pete doesn't mean to have rhythm to his words but there's a rhythm to them all the same and patrick can find this syncopation in his words and thinks it's amazing

more talking about patrick and pete's Magical Mystical Transcendent Soul Bond. patrick says "if we were one guy, we'd be an INCREDIBLE DUDE"

patrick and pete say that interviews with all four of them are hard because it's chaos and everyone's talking at once but it all makes perfect sense to them and no one else. zane says that sounds like fun flkjdfd [i agree please do this more it's a joy]

pete says joe really stepped up and wrote a lot for this record!

patrick: "joe is kind of a conundrum because he's this really talented...he's a brilliant writer, a brilliant player, but pete and i became the "team" and it wasn't really a plan, but that's just kind of how it happened. [brief tangent about the hiatus] we come back from the thing and joe is this fully-formed writer with a very distinct - he has one of the most distinctive writing voices. when i hear his parts, when i hear his ideas, i could pick them out of a crowd. like i know the way joe writes, and it's VERY joe." part of the process with post-hiatus was integrating him into the writing process more.

discussing the hiatus and fame and pete says his life kind of "blew up" and took it pretty hard. apparently during production for folie paparazzi actually broke down the gate to neal avron's house

patrick goes on a big tangent about how bad things got during the height of pete's fame. "part of my role is to tell his story. i'm a composer. that's what i like to do. i work on movies, i work on shows, and i work on pete. pete has a story that needs music, and if he's removed from himself, if he's not even able to access himself because he's behind all of this stuff, i don't have a story! so not only did i not have my buddy, which was heartbreaking in its own way, but then i also don't have a purpose as an artist."

patrick says that andy is always ready to play but when you get him happy to play, it's another level

"and trohman, there were these moments where he...he got so excited."

patrick describes writing what a time to be alive as wanting to write the saddest, most desperate song you could hear at a wedding. pete bursts into laughter and calls it "so twisted"

talking about other endeavors outside the band - patrick talks about composing and said joe's been super busy with his book and writing for tv and because there are so many deadlines for stuff like that, it's what hammered home to him that fall out boy needs to not be that. "there's something special about this that can't be...this has to be passionate and art."

discussing how scared patrick was of his own voice while the band took off. patrick was really scared of the song saturday at first because there are some really exposed vocal moments. he describes saturday as a song where everyone in the band lets each other go for it.

zane calls fall out boy the "emo blueprint" and says they were unapologetic in being emotional. patrick immediately says, "that was pete. i don't think we could've done that without him." he and joe were basically kids and patrick was too anxious to talk on stage.

zane says, "i remember interviewing you in the early days and i felt like every time i asked you a question i was bullying you." pete IMMEDIATELY loses his shit.

"in another life where i didn't have a pete...cause saturday, i did write most of that by myself...so there's a world where that song exists without the band. there's no world where i sing it in front of people without pete."

pete says every night before they put out a new song he calls patrick up and gets really scared and wants to back out and patrick talks him down every time

they talk about how scary it was when arm's race released and performing it at the amas. patrick starts laughing rly hard as they get into how there were giant crickets on stage and the crowd was just stone-faced and utterly nonresponsive and their stage manager was utterly panicked

towards the end patrick really loosens up and starts swearing more dlkfjdfd

#fall out boy #*making poasts #they kept being SO SWEET ABOUT EACH OTHER LIKE. I CANT HANDLE IT #patrick and pete are like lets tell everybody about our magical soulbond for 1 hour straight. thanks guys.

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respectthepetty · 16 days ago

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The Loyal Pin - Episode 13

Sometimes people conflate hating a character, who should be hated according to the story, with hating the story, so I want to make it clear that The Loyal Pin is one of the best GLs I have ever watched AND I hate Patricia because she is the reason we are in this marriage boat now, yet keeps acting like she is doing this for Pin.

Pink Person Pin didn't lose her color last episode because she is happy, Patricia!

I don't have color-coded girls losing their colors and crying this episode because this is all happening for their best interest, Patricia!

But unlike Patricia, Anin's mother actually has a decent conversation with her where Anin stands her ground and declares regardless if her and Pin are together, she will not marry a man.

And Anin's loyal and dependable Blue Boy brother Anantawut proves his color was intentional and comforts her in her moment of despair.

Unlike her sonso little brother, Red Rascal Anon, who can't read the room nor wear his color.

While Anin's mom wears Anin's color, Patricia does whatever she does with this orange color that I still can't figure out!

But I do find it interesting that Kuea always matches everyone else except the girl he is supposedly in love with, so even though I know he will wear it at their engagement, he is doing a lot of hootin' and hollerin' for someone who hasn't even shown he loves his girl.

Which reminds me . . . Anin hasn't worn pink yet. She has done everything to show Pin she loves her including trying to give up her title to be with Pin but if Idol Factory is pulling another GAP where the other color-coded character won't wear pink until the final episode, I'm going to scream!

But back to hating Patricia! Pin isn't wearing her normal soft pink during this engagement conversation, but instead opting for Pat's darker version, which I'm not thrilled about, but at least she isn't brown.

And Anin is the darkest blue she has ever been as she learns of the engagement ceremony.

BUT PIN IS WEARING BLUE!

Pin could just have her Blue Beauty instead of wearing Anin's color as a declaration of her love. Even Prik and Pah see the pain these two are in! JUST BE TOGETHER!

Nobody wants your food, Patricia! Nor your color alliance! You messed up, sis. Don't try to do right by the girls now. Keep your cookies and your bullshit. Both of them are bad for our health.

Save the comfort and kindness to a only color-coded royal in this story who understands what it means to be loyal!

The show didn't have to do this to me! Not them in their colors, y'all!

THIS IS HURTING ME!

But not has much as this scene where Patricia dotes on Pin for two whole seconds before she notices the in-laws arrived and promptly walks away from Pin.

Kuea is all for show. This pink ain't real and neither is his love. He makes my whole digestive system revolt, so it's appropriate that he looks like a walking bottle of Pepto-Bismol.

Everyone is wearing their color, and in a room full of lukewarm royals, be a solid and loyal Blue Boy. Anantawut, I'm sorry I ever doubted you, future king. You are an ally and your PFLAG award is on its way.

Ueangfah's mom was out of pocket with that line about having kids, but Patricia and Anin's parents stating that love should overcome obstacles and should last forever, when Patricia is actively THE obstacle in the way of long lasting love, is ironic.

But a Blue Beauty is finally here with looks to kill, and Anin is going down as one of the best characters to ever be depressed yet still serve cunt. A true idol!

Becky and Freen better win all the awards for this series because the moment of Anin waiting for Pin to look her in the face alone is running circles around everyone.

On God, Anon, STFU! Now is not the time to be a Red Rascal and stir the pot. YOUR SISTER IS SUFFERING!

MY BABYGIRL IS PERFECT!

This entire series has been a subtle conversation about class and gender inequality, but this ending conversation really got me. The men would not save Aon's life when she had drowned because she was a woman, Anantawut mentioned that he did not get to marry for love, and now the love of my life is saying she is sad for Pin because her future is the same, yet they all have hope that Anin will the one to escape this shitty system. Her whole squad, including Prik who refuses to move unless Anin does, is rooting for her to be brave and keep fighting.

This show got me all the way in my feels.

#the loyal pin #the colors mean things #color coded girls in love #episode thirteen #I hate Patricia #but I love this show #I have been invested for thirteen episodes and these last three will not disappoint #I have faith #Anin is pissed but Pin has proven her love time and time again #put some pink on Anin and take Kuea down!

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sunderwight · 6 months ago

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crack scum villain theory: there is no "original" Shang Qinghua

how this works is, neither the world of SV nor the world of PIDW actually existed in any tangible sense before Airplane died. Airplane dying was actually the catalyst for the system, and whatever unfathomable cosmic entities are behind it, to recreate the world from the novel. that's why Airplane transmigrates into an infant, and also why the world mostly follows canon up until Airplane interacts too much with actual plot-relevant characters, and accidentally butterfly effects Shen Jiu into a fatal qi deviation. At which point the system determines that a dead Shen Qingqiu makes fulfilling the basic story requirements impossible or at least dangerously low in terms of odds, and brings in the second play (User 002, Shen Yuan).

SY is able to earn more points from the system than Airplane, but that's mostly thanks to his proximity to the protagonist not actual preferential treatment, and he seems to have more concrete restrictions on his behavior and limits on his mobility (OOC lock, entering into an already-established character, and of course being forced to ensure that Luo Binghe goes into the Endless Abyss) (this does make it ironic that he ultimately changes the most things). whereas Airplane seems to have more freedom to do as he pleases. the system doesn't even seem to dock him points for accidentally contributing to the death of a vitally plot-relevant character.

so the SV world was originally supposed to more or less just be the same as the PIDW world. it didn't change to any significant degree until Shen Jiu died.

I suspect, then, that the PIDW world which followed canon didn't exist as any kind of separate reality until Shen Jiu died of a fatal qi deviation and had to be replaced. at which point the system -- perhaps hedging its bets -- created two splintered timelines. one being the original sandbox for Airplane to play in and continue to alter, the other being a manufactured reflection of the story's original outcome, possibly to serve as some kind of emergency back-up character bank or reference outline.

which means that the PIDW version of this reality isn't a full and cohesive world. though of course the people there don't know that. it's mostly just a tool for the system, which is why we first encounter Bingge being utilized as an enforcer. Bingge and everyone else who exists in the PIDW reality, they all remember their past as the story and are at the end point of what Airplane had written, but none of it actually happened. they instead sprang into existence at their narrative end point.

since the Shang Qinghua of Airplane's novel died well before the end of the story, characters in the PIDW have various recollections of a "Shang Qinghua" and his death, but they are vague and ultimately do not reflect the tangible events of a world the way that the SV timeline does. they are artificial memories based on a story. PIDW Shen Jiu likewise never really existed, although SV Shen Jiu did. similarly, all the history of the SV world that supposedly happened before Shang Qinghua was born never actually happened either. that's all constructed as well, which means that in a weird kind of a way, no one in the world can actually be older than Shang Qinghua either. they can only have manufactured memories that give them that impression. which means Airplane is the oldest being in that entire universe. he'd even be older than his own parents, because they were created to be his parents the moment he was born.

so there's no other Shang Qinghua. everything prior to Airplane's transmigration in the SV world and prior to the last PIDW chapter in the PIDW world is like when a video game designer seeds a dungeon with a skeleton and a bunch of notes about how some lone adventurer got lost and died there. at no point in the game was there ever actually a live adventurer in place of that skeleton.

that's "original" Shang Qinghua. he doesn't exist, because in one reality he's only ever been a version of Airplane, and in another he's a skeleton in a video game dungeon.

#svsss #scum villain's self saving system #scum villain

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alicelufenia · 2 months ago

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A Guide To Keeping Wyll And Karlach After Siding With Minthara In Act 1

Or as I like to call it, how to permanently recruit Karlach and Wyll (because I have yet to complete a full playthrough with both of them)

Ever since Larian added a way to legitimately recruit Minthara by knocking her out, I've wanted to help the community be more successful in their efforts to give my favorite drow yet another concussion. Because like all things related to Minthara, the KO method was buggy as hell, non-intuitive, and metagamey as fuck. I wrote multiple guides on it, to the point where I made the master post my pinned for a while. You may have seen it at some point, but here it is again for reference [x]

As happy as I am with the success of those posts, it's time I revealed my true alignment. I'm actually one of those scary Minthara stans who has killed the grove more times than siding with the tieflings. I know, you'd never guess by looking at my blog (don't look at my blog) I did it my first playthrough and it's only gotten easier since. And while I stand by it as the single best way to experience Minthara's character and story arc, I'm not so cold-hearted as to deny that it's a shame we miss out on Wyll and Karlach in the process.

So rather than play the villain, what say we have them stick around by taking on the REAL villains of Act 1:

The Druids

To start off, you'll want both Wyll and Karlach in your party, and Withers in camp. I've had him show up upon crossing one of the bridges in Act 1, either to the blighted village or the goblin camp, I forget which, or you can bust him out of his Dank™ crypt. Proceed through Act 1 as normal. To be safe I got as much approval from them as I could in early game, but that may not be necessary. Offer to kill Kagha for Zevlor.

Now, both of them need to die, and preferably not by the hand of your party members. I had them suicide charge the gnolls and get wrecked, as on Tactician mode they'll attack downed party members until they're dead. I don't know if having them jump off a cliff works, but it might. We need to entrust them to Withers by asking him to look after their bodies instead of reviving them. Their bodies will then appear in camp by their tents.

Now go kill Kagha without revealing the shadow druid conspiracy. This should trigger the Druids to start fighting the Tieflings, which will happen off screen as you deal with Kagha and the few druids inside with her (killing Nettie earlier might make this easier in case she joins in. She tried to poison you, so serves her right.)

Steal that idol! I'm not 100% sure this is required, but it takes no effort at this point and you need to sit tight for a minute, so might as well.

Also if you thought you could return the idol to Mol, no luck, she won't accept it until the fighting ends. Unfortunately all the tieflings need to die for this to work, so rip Ring of Protection. But not exactly rip the tiefling kids, more on that in a minute.

OOF, rip Dammon (and most of Karlach's questline. Don't look at me like that, it's Larian's fault for tying her entire story onto one npc and giving nothing as an alternative)

I'll give the tieflings credit, they did not go down without one hells of a fight. This bear was found burnt to death, probably due to Zevlor.

Damn, they really killed all of them. I wanna point out this can happen even on a good playthrough with the best of intentions.

In the end, only four(!) druids survived. I don't know how they'd fare with Kagha fighting too, but overall I'd say the druids talk big for doing this badly against a bunch of unarmed civilians. We kill the last four of them, then get ready to move on.

With trepidation, I go to check on the kids. Not recommended if you raid the grove for real, but here:

It's just... empty. No bodies, no npcs hanging around, they completely cleared out.

I like to headcanon that Mol followed through on protecting her kids, and they escaped down this hole. I'm still very early in this run used for testing, so I have legit no idea if they show up later. But this is good enough for me to include them all in my fanfiction so :D Congrats, the only tieflings with rights (sorry Karlach!) are gonna be alright (because if we don't see a body it doesn't count)

Next step is to just... keep going. Sazza can get you into the goblin camp no problem, and if you play a Drow or have Shadowheart use disguise self, you can gain entry without any checks or dialogue. My half elf needed to talk her way in (or just use AUTHORITY)

best goblin btw

MOMMY

Lookit how happy she is after Sazza has brought her the grove's location! A lead on the weapon AND another True Soul AND she's concussion-free? Everything's coming up Minthy!

It's at this point things get a little weird (I did warn ya), as the game now has flagged the grove as "raided" even though we haven't done an actual grove battle, which is a different thing (as I'll demonstrate later), so Shadowheart has her "post-raid" dialogue when we wake up on the next long rest. The Raid The Grove quest is also marked as Completed, but still has a marker on the map. Have patience, return to the grove and walk through the (destroyed) gate, and suddenly:

The quest will update, and direct you to speak with Minthara in the secluded chamber where she normally is at when the raid is finished. There's also goblins milling about the grove now, same as the post-raid grove.

Get someone who looks at you the way Minthara looks at a cave full of dead druids and tieflings.

"No Minthara, I never meant for any of this to happen. This was all my fault, I shouldn't have gotten involved, they're all dead because of me-"

"Nevermind I am no longer morally conflicted about all this."

To the goblin party!

LIES. He never mentions it again lmao. C'mon patch 7 fix this! (you won't)

Why we're all really here 🥰

The next morning, speak to Withers and ask to collect your dead party members. He will have you confirm payment for their resurrection.

And it works! Karlach and Wyll are back, they can rejoin the party, and their approval is Unchanged!

Since I was on a roll, I went ahead and checked a few other scenarios: what happens if we don't start a fight with the druids and just raid the grove directly, with Karlach and Wyll dead? Well you can revive them afterwards, but...

Dang, Wyll still leaves (he's still so nice about it though! Even wishes you well!)

Meanwhile Karlach: Feck off, cunt.

Well, she's not leaving, but she's never been this blunt or cold towards me before. I wonder how much-

Damn, -49?! That's literally one away from leaving permanently! She started at 50, which means Karlach looses 100 approval from raiding the grove, and being dead doesn't change that. I think the only reason she's at -49 instead of -50 is due to that +1 from reviving a party member. So, she's grateful for being brought back to life, but not happy about anything else. You know what, that's fair.

One last thing I tested (and no pics for it cause this post has reached its limit! But those extra pics of Sharp-Eye Sluck are important, so I'll just write this next part out) I wanted to see if it was even necessary to finish off the remaining druids after they killed all the tieflings. So I left the grove (manually, you have to journey quite a distance before it lets you fast travel, almost all the way to the first bridge) and headed to the goblin camp to start the raid as normal.

Like our first time, we arrive at an empty grove. Even the druids we left behind are gone, meaning you can safely headcanon this method as joining up with the goblins and Minthara to take revenge on the druids. The game still acts like you killed the tieflings though, down to Gale's threatening to leave.

But Karlach and Wyll still get brought back without a problem! You can even revive them DURING the goblin party and they'll act like nothing's happened!

Wyll And Karlach Recruited Alongside Raiding With Minthara: Success!

So Baldur's Gate 3 community! I now implore you to put down your Pommel Strikes, switch off that Non-Lethal toggle, and stop giving poor Minthara even more brain damage than the tadpole and the Absolute already gave her!

And when you reach Moonrise Towers to rescue her, for the love of Selûne, when the guards are torturing her in the prison, don't just swing on them. Agree to enter her mind first. You'll have a dicey roll to deal with, but trust me, it's SUPER worth it!

As for the whole process, well. Despite the clunky way quests update after you start the grove civil war, the resulting lack of direction and narrative inconsistencies in the dialogue post-goblin party, this still feels like a more immersive way to recruit Minthara on a run with both Karlach and Wyll still present, than the KO method, in my not-so-humble opinion.

Consider this: You've got a major twist in the Act 1 plot now, with the Druids turning on you and killing the tieflings you were trying to help, leaving your party dispirited and lacking direction, other than to continue their search for a cure, which leads them to meet the Absolutists, the goblins, and the drow commander leading them and looking for the druids' sanctuary. And in the midst of your grief and anger, you side with her, both to get close to the source of the infections (as the Dream Visitor suggests) but also to take your revenge out on the druids.

You can feel conflicted, regretful even, but the context has changed enough that I think even a good-aligned Tav with no qualms about methods can live with this result. It just takes a bit of filling in the gaps (do you simply point the goblin army at the druids and look away, or lead them yourself by Minthara's side? Either way works for the results)

The only real downside is, again, Karlach's story just sorta ends here, until the confrontation with Gortash. I personally think this is a problem with Larian's writing for her, and at this point fanfiction is about the only solution in sight. But if you don't mind her not getting the chance to touch others again, you really have nothing to lose here

Besides, were you really going to pay Dammon for that act 3 armor? Of course not, you steal it every run and don't pretend otherwise, "hero."

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