#I actually did a whole essay on this

[amphibianaday]

day 1421

[celebrimborium]

Stop fighting me and together, let us fight them.

[maiumeni]

[froschli96]

You know what, fuck it, I have to speak my truth! (this is gonna be a rant, so anyone who actually likes assassin's creed revelations and/or the secret crusade, be warned or maybe don't read this at all)

remember how altaïr talks to king richard at the end of ac1, and richard is like "[humans] come into the world kicking and screaming, violent and unstable. it is what we are. we cannot help ourselves."? and how altaïr answers "no. we are what we choose to be." and how that ACTUALLY has meaning bc he himself was "violent and unstable" at the beginning of the game but he has learned and is now CHOOSING to be a better person who cares about others and humanity at large? remember how his calmness and gentleness was something that he ACQUIRED over the course of the story?

and remember how in revelations they then suddenly had a PRE-AC1 altaïr say about the first of his targets "no man should pass from this world without knowing some kindness." and be all wise and calm and collected during a nice little chat with al mualim, who suddenly acts all fatherly? (like, this is suddenly supposed to be a positive relationship? what??)

also, during the confession the target says to altair: "you put too much faith in the hearts of men, altaïr. [...] humans are weak, base, and petty." and altaïr answers: "no. our creed is evidence to the contrary." KJASJFJDKL???? like, it’s almost insulting how close this exchange is to the one with richard. you know, the one that was actually earned after a whole game of character development. like WTF??? cool congrats now that development means nothing. like, apparently that was just altaïr reverting BACK to being the exemplary assassin who understands and believes in the creed that he was apparently just born as. (i also hate how having a young inexperienced altaïr saying this implies that altaïr's faith in humanity is a sign of naivete instead of a sign of the wisdom he has gained after being confronted with counter arguments for a whole game, and also something that distinguishes the assassins from the templars who use humanity's supposed wickedness to justify controlling them like in AC1, but whatever)

altaïr’s development in AC1 mattered BECAUSE he is not NATURALLY a good person, it actually said something about humanity's capacity for both bad AND good and how humans don't have to be forced to be good through mind control bc they can by their own free will choose to be better when taught how and when allowed the freedom to grow. but no. apparently altaïr has just always been calm, wise and gentle. and he just sort of forgot about that during AC1 bc…. ? bc of adha?? bc of abbas???

oh don’t get me started on the whole abbas thing. (it doesnt even make sense that abbas is so hung up about his father and "his family’s honor", like what about the whole point of al mualim not allowing parents to be close to their children bc it would make them weak? like, my dude, you’re not supposed to HAVE any family aside from the brotherhood)

they used the throwaway character that had like 5 lines and made him into altaïr’s main antagonist in revelations… like, abbas wasn’t supposed to be this ONE dude who had personal beef with altaïr, he was just supposed to show how while altaïr’s revered by many, a lot of his brothers also hate him, bc 1) altaïr is a shitty person at this point and 2) bc there’s no real feeling of community and family in this version of the brotherhood, but just a pervasive sense of competition and jealousy — these assassins don’t care about their goal of safeguarding humanity bc they’re too hung up on petty squabbles and divided by rivalries (you know, the things that made malik hate altaïr even before solomon’s temple and that he overcomes in the end which enables him to forgive and to reconcile with altaïr so they can work together and stop al mualim? (you ever just think about "we are one. as we share the glory of our victories, so too should we share the pain of our defeat. in this way we grow closer. we grow stronger." and cry? bc i do. all the time. malik, the man that you are))

and now abbas is altaïr’s childhood best friend turned lifelong enemy?? like, bowden bent over backwards to come up with an explanation for why altaïr is an arrogant ass at the beginning of AC1, when the explanation is right there: he was raised to kill without asking questions and was constantly praised for how good he is at murder, which resulted in him becoming arrogant and disregarding human life. like, it doesn’t have to be some shakespearean family feud type shit. and guess what, this "simple" explanation actually plays into the story’s themes, who’da thunk!

(like, abbas might not have been a "fleshed out" character in AC1, but he had a specific function and now that function is gone. mr bowden, mr mcdevitt, you know characters are allowed to simply exist to tell us something about their worlds and the systems they live in and sometimes that’s more important and also more interesting than having every single character have a detailed backstory to explain all their behaviors, right?)

with all of this revelations loses all nuance in regards to the levantine brotherhood and also the creed in general. like, altaïr being a master assassin at the beginning despite being a terrible person and not actually understanding the creed is a criticism of the brotherhood and the creed itself. like, it said something about the order that someone like altaïr was able to get that high in rank, simply bc he's good at killing, which also tells us what is considered important in the al mualim era assassin order. when you make altaïr’s arrogance the result of his personal conflicts instead of how we was raised by a brotherhood that only valued one's ability to kill, you lose that characterization of the assassin order itself!

and by suddenly making al mualim a semi good "father figure" you also downplay his manipulation of not only altaïr but all those under his care. (altaïr says something about al mualim being "as a father" to him exactly twice in the codex, but he doesn’t mean by that that he WAS a father to him, what he means is that he was the CLOSEST THING he had bc HE DID NOT HAVE PARENTS, not because his mother died in childbirth and his father was executed when he was young btw, BUT BECAUSE IT WASN’T ALLOWED, like his parents actually lived but weren’t allowed to be close to him, he says he came to view al mualim’s "weak and dishonest" love as enough and even better BECAUSE HE HAD NOTHING ELSE, BECAUSE AL MUALIM ISOLATED HIS ASSASSINS FROM THEIR FAMILIES. al mualim "loved" him bc he was good at killing people for him! hm, i wonder if this could be trying to say anything about cults and indoctrination and the inherent contradiction in fighting for peace and free will by taking children away from their parents and raising them to become killers?? like, altaïr wasn't ~the special orphan boy~ taken in by al mualim bc his father died a hero's death, it was "the way of the order" to have al mualim be the closest thing to a parental figure for everyone to ensure absolute loyalty! altaïr saying al mualim was like his father is not supposed to make you go "oh, he must have actually been a good guy for altaïr to consider him a father", it should make you go "oh that's kinda fucked up that he considers the dude who made him into a killing machine and who manipulated him a sort of father figure"!)

and then in revelations they suddenly portray that relationship as positive and healthy??? like, it would be one thing to give it some nuance by delving into the psychology behind al mualim’s "love" and maybe showing how al mualim did care about altair in a complicated, fraught sort of way (like, you know, there’s a lot of interesting things you could say about al mualim at several points addressing altaïr as "my child" in AC1 and how that parallels Garnier referring to the people he drugged and abused as his "children", and what that says about how the templars view the people who they say they want to save and in whose best interests they supposedly act (in any case, al mualim doesn’t use that phrase because he has any real parental feelings but rather to patronize and to invalidate any objections, like in a "mother knows best" way))

but they even fucking DARE to parallel that relationship with that of altaïr and darim in revelations, by having the reflection in the puddle of darim hugging altaïr showing altaïr hugging al mualim…. like their relationship wasn’t inherently abusive but just tragically cut short because al mualim was just "corrupted by the apple"… like WHAT???? so it’s not the very real problems like grooming, manipulation and indoctrination and the hierarchical structure of the brotherhood itself (all of which are antithetical to the assassin ideology), it was just the evil apple all along. great. that’s DEFINITELY a lot more interesting.

god im sorry i really dont want to spread negativity but this is driving me INSANE. like, somebody please tell me im not crazy bc i feel like somehow most of the fandom is in agreement that revelations and the secret crusade have better storytelling and characterization than ac1.

SPEAKING OF WHICH, can we talk about how, even IF we completely ignore AC1 and treat revelations altaïr as his own character…. the narrative still doesn’t really work?

basically, the whole point of his story in rev is that "he gave his whole life to the brotherhood", this obsession led to him not using his time with his family which has him ending up dying alone in a dark library and this in turn makes ezio reevaluate his life choices…. except. he doesn’t? neglect? his family? or whatever? like, his devotion to the assassins is sort of painted as this tragic flaw that leads to a lonely death bc it supposedly comes at the cost of his family, but… his wife has joined the assassins, (at least) one of his sons is in the brotherhood and even when he goes to protect the assassins against the mongols, he takes his family with him (except for the son who stays behind bc he has a family of his own and who, ironically, ends up dying bc of that)… like, you can’t describe altaïr as a good husband and father in the database and have his son tell him that "everything that is good in me began with you, father" when they say goodbye, and then want to make us believe that he put his family behind the brotherhood and that that is a character flaw that leads to his tragedy.

because you HAVE to have a character’s tragedy be the result of a character flaw. like. that is how tragedies work. otherwise it just becomes tragedy for the sake of tragedy which is… boring bc it has no purpose. and we know it is SUPPOSED to have purpose bc ezIO FUCKING QUITS BEING AN ASSASSIN AFTER WITNESSING IT!

it’s like they want to have their cake and eat it, too — they didn’t want to actually make altaïr a bad husband/father, but still wanted to make his life a tragedy where he loses his family which is why instead they outsource all responsibility to abbas who now has to be the reason for ALL the deaths.

like, they try to make at least maria’s death kind of sort of the result of altaïr’s rashness or whatever but like… these guys KILLED THEIR SON and TOLD HIM THAT ALTAÏR HAD ORDERED HIS DEATH. like, altaïr losing it in response to that is not rash, it’s fucking logical and justified! if anything the scene made me angry at maria for trying to stop him. like, GIRL, he was YOUR son too??? but god forbid we give female characters actual real emotions, she has to fill the role of "voice of reason who dies for altaïr’s man pain" i fucking guess.

like, it’s this weird mix where his tragedy is simultaneously painted as his own fault but also not really bc abbas is the one responsible for all the shit that happens. it just… it just doesn’t really go together.

the only way to make his story make sense narratively and to give it actual purpose is by looking at it in the context of ezio’s story, bc the things he sees in altaïr’s memories are supposed to be a revelation (ha!) to ezio specifically. and i guess that’s maybe the crux of it all — altaïr’s story in revelations was conceived of first and foremost to support ezio’s story and development. which is probably also why many people maybe don’t notice bc, having skipped ac1 and started with ac2, the majority of people mostly care only about ezio and only really appreciate altaïr’s story in as far as it serves to push ezio forward. (tho i’ve also seen a few people say that ezio is also written kind of weird in rev, but i’ve never really been an ezio girly myself so i can’t speak to the truth of that)

like, altaïr dying alone in the library doesn’t really have to make sense for his character, i guess, bc it’s only really supposed to be a cautionary tale for ezio.

so, i guess, for once, they actually had a MAN dying for another man’s character development, which is pretty woke actually. ubisoft, i take everything back jksdsfjhgdsahfhsdhfghfdsgjhsdgjh

[theodeckrs]

some of you moved on from this way too quickly. i, however, DID FUCKING NOT!!!

[freshmangojuice]

The thing is... Ace has the same parents as Rimmer.

When he became successful, what do we think happened to their relationship?

Did they love him and treat him like they did his brothers, or even better? Did they still not see him as good enough? Did they continue to belittle him despite his success and heroics? Or did Ace grow to have enough respect for himself to cut them out of his life?

[dontlookforme00]

This might be a little strange, but i wanted to post this here. It's the final piece for a topic I was doing in art, and the assignment was to make a cupcake in the style of Catherine Holman (artist we were studying) about something we liked! So I chose chonny jash fucking obviously. And here's the final product, all done with oil pastels, except the sprinkles.

[trash-can-sam]

What happens when your coworker kills your other coworker but both of you are in a relationship (kind of) with the same ethereal woman who had an admiration for said dead coworker.

+bonus Evandrey because it’s funny to me (I’m sorry Eva.)

[unordinary-diary]

Blyke and John: the Followup

In my last entry, I pointed out the similarities between chapters 249 and 121, but I had hit the image limit and wasn’t able to embed screenshots. I got around this by linking the chapters, but this is probably my favorite parallel, and to do it justice I think I need to really put them next to each other.

(121) (249)

(121) (249)

(121) (249)

(121) (249)

(121) (249)

(121) (249)

(121) (249)

(121) (249)

(121) (249)

(121) (249)

(121) (249)

(121) (249)

(121) (249)

It’s the same fucking scene but backwards and in a different font.

They’re the SAAAAAAAAAAME!!!!!!!!

This was definitely on purpose. Shit like this ^^ doesn’t happen by accident.

[spite-of-the-grifter]

Look.

Ace Attorney fandom.

I know why people don't like Turnabout Bigtop. I am among the people who dislike Turnabout Bigtop.

But I GET why people like the case. I'm not going to be one of those annoying people who just blindly dump on it because I hate those mfs too.

Thing about Bigtop isn't that it sucks. Thing isn't the weird grooming stuff (though that is a huge part of it). It's not that it could've been good.

It's that - in my personal OPINION - it could have been *great*.

I think it had the potential to be one of the best third cases in the trilogy. It had everything; a fun and goofy setting fit for a pretty dang goofy lawyer game - where the environment itself had jokes and quips and one-liners and mishaps and tomfoolery written all over it, it had the previous case introducing a very interesting and important plotline that gave background for one of the more well-loved characters while also introducing an equally fucked up and lovable new one who was a child forced into a shit childhood of naivete in a CIRCUS with another character who was very naive and childish - whose interactions could have been funny and cute and reflective of said shit from the previous case (seriously she becomes such an important character in the 4th case, WHY would they not include her in this one for some character development? How did they fuck up letting a CHILD explore a CIRCUS?? That would have made the interactions flow MUCH better).

They had a pretty good, sympathetic killer imo, a morally dubious victim, an asshole of a client (who was pretty flat admittedly in-game, but I like his weird, topsy-turvy reasoning for it in the anime. Also, I think Max being kinda a dick would have bode well for the themes of Farewell since most of his clients up to this point have been like...nice? Not nice, but sympathetic, but him having to defend someone who's innocent but a prick would have shown him that just because someone is an asshole, doesn't mean they deserve to suffer for it and that they have the potential to grow as people, which is almost a complete opposite of what Matt was. Ultimately, I would have loved the contrast of them as clients and I think it would have also served as character development for Phoenix, especially with his low-empathy tendencies).

They just didn't think that far ahead. They just didn't execute it well enough. They just decided to make three of the adult characters fight for the hand in marriage of a teenage girl. (Bat's part of the story was actually kinda good if he was just YOUNGER, I think him doing that for Regina would have been a stupid thing someone in the circus would do to impress their crush. Damn you Ace Attorney and your weird treatment of underage girls!!)

It just flopped and that's ok.

Even though it kinda sucked, it can still mean something to me.

Also I'm a Moe Curls apologist. I liked him, shut up.

[steinwayandhissons]

arctic monkeys and every time the word ‘love’ is mentioned

whatever people say I am that’s what I’m not

tonight there’ll be some love, tonight there’ll be a ruckus yeah regardless of what’s gone before

~ view from the afternoon

oh there ain’t no love, no montagues or capulets

~ i bet you look good on the dancefloor

all that’s left is the proof that love’s not only blind but deaf… yeah I’d love to tell you all my problem

~ fake tales of san francisco

she makes a subtle proposition, I’m sorry love I’ll have to turn you down

~ when the sun goes down

lady, where has your love gone, i was looking but can’t find it anywhere, they always offer when there’s loads of love around but when you’re short of some it’s nowhere to be found

~ no buses

well how can you wake up with someone you don’t love and not feel slightly phased by it

~ leave before the lights come on

favourite worst nightmare

it’s wrong wrong wrong but we’ll do it anyway cause we love a bit of trouble

~ balaclava

and those dreams weren’t as daft as they seem, aren’t as daft as they seem my love

~ fluorescent adolescent

there’s room for the trouble and there’s lovers to be had

~ this house is a circus

it’d be a big mistake for you to wait and let me waste your time, really love it’s fine, I said really love it’s fine

~ the bad thing

old yellow bricks, love’s a risk… houdini love you don’t know what you’re running away from

~ old yellow bricks

another roll around and another push and shove, further away from the idea of love

~ da frame 2r

the more you keep on looking the more it’s hard to take, love we’re in stalemate… you’re slacking love where have you been

~ the bakery

am I too quick to assume that the love is no longer in bloom

~ too much to ask

humbug

i had a hole in the pocket of my favourite coat and my love dropped into the lining

~ i haven’t got my strange

suck it and see

i wanna feel your love brick by brick

~ brick by brick

do you still feel love is a laserquest or do you take it all more seriously… when I’m not being honest I pretend that you were just some lover

~ love is a laserquest

your love is like a studded leather headlock

~ suck it and see

jealousy in technicolour, fear by name, love by numbers… crushing up a bundle of love

~ that’s where you’re wrong

before she showed you how to shake love’s steady hand

~ the blonde o sonic shimmer trap

your love’s not what I need, so don’t give it to me

~ evil twin

am

it’s not like I’m falling in love I just want you to do me no good… the look of love, the rush of blood

~ no.1 party anthem

love buckles under the strain of those wild nights

~ mad sounds

I heard that you fell in love, or near enough

~ snap out of it

love like locked horns, love like dominoes… love like thunder, love like falling snow

~ electricity

I know you’re nothing like mine cause she’s walking on sunshine and your love would tear us apart

~ you’re so dark

tranquility base hotel and casino

love came in a bottle with a twist off cap, let’s all have a swig and do a hot lap… but it’s alright, cause you love me

~ star treatment

when true love takes a grip it leaves you without a choice

~ golden trunks

pattern language in the mood for love

~ the world’s first ever monster truck front flip

I wanna stay with you my love, the way some science fiction does

~ science fiction

the dawn won’t stop weighing a tonne, I’ve done some things that I shouldn’t have done, but I haven’t stopped loving you once

~ the ultracheese

the car

lights out on the wonder park, your saw toothed lover boy was quick off the mark

~ jet skis on the moat

put your heavy metal to the test, there might be half a love song in it all for you

~ mr schwartz

[giantkillerjack]

PENIS PENIS PENIS PENIS PENIS

PUSSY.

BIG FLAPPY WET JESUS PUSSY.

JESUS' SOPPING WET PUSS-PUSS

[Edited months after posting to discourage catholics from replying to this post after finding that both the nice and much funnier not-nice responses to this were equally bad for my mental health. I didn't wanna delete it bc I was quite proud of some of my responses and it helps to have a visual reminder of why I left an abusive organization. Also, this means that any catholic who has reblogged this in an attempt to convert me, has now reblogged a post that, if clicked, links back to this. Use MY post for propaganda, will you!]

Thinking about how it was never made clear to me in Catholic school exactly WHY Jesus died for our sins. I just remembered that I was literally never clear on who the dying helped??

I've heard theories as an adult, but basically what I'm saying is pointless martyrdom seems a little pointless, and also with enough propaganda the big logical gaps in a belief system get really hard to see. Especially if questioning anything is blasphemy.

I would have gotten in so much trouble for insisting the teacher explain how Jesus helped us by being tortured to death by Romans even when God could have prevented it! God sent his only Son, they would have said! Be grateful, they'd say! Be guilty! Stop asking why he did that!!!

[jabberwockprince]

pavia should be a 5* with a cool i2 illustration actually, but also i think all 4* in general should have i2 illustrations that arent just a sprite change, even if its a smaller composition <3

[ywpd-translations]

Ride 749: The last Straight Road*

(NdT.: same pun Kinaka always makes with his name and the word for straight road)

Pag 1

1: I....

3: Imaizumi-san!!

4: Go- good work!!

Good work!!

You were taking a long time for this lap

Pag 2

1: Yes, teh, I got a fl-fl-flat- my bike!!

Yessir!!

2: It's the tire!!

4: Only tires can get a flat

Ah- damn, yes, that's right

Right!!

6: I thought something like this might have happened, so I brought these

Replacement tubes, tire levers, and a pump. Use them

Pag 3

2: This is unusual!! I never thought Imaizumi-san was the attentive type – is it just for us!?

Yeah!! I thought first and second years were just not important to him....

3: You don't want to use the,?

We'll use them, thank you so much!!

4: You saved us, teh....!!

That's true

6: Ah, uhm... but..... Imaizumi-san

Earlier you said that

7: Sugimoto-san won't come”, what did you mean?

Pag 4

1: He retired

Pag 5

1: He's still displayed on the board, but

3: There's still time until midnight

If Sugimoto-kun....

4: Please leave the possibility open in case Sugimoto-kun wants to come back!!

5: Onoda insisted

6: Re... tired.....

Sugi..... moto-san....

Pag 6

1: He used up all his stamina and mental strength in his fight against Danchiku, and he was defeated

2: You didn't notice because you've been on the course the whole time

4: Ah... actually, when it got dark, Sugimoto-san and Danchiku-san passed us various times... teh

Huh!? That? So at that time-!?

5: You have no time to talk about unimportant things

As soon as you're done with the repairs, run, first years

6: Soon

Pag 7

1: Waa, ye-yes, teh, thank you for the tools

Yeah, there's still 40km

2: If we join our strengths....

Don't cooperate

5: Teh!?

7: From now on, you can't allow yourselves to run like friends

8: Huh....

Our “buddies” stickers.....!?

You have to fight

Pag 8

1: And win the last spot to be an Inter High member!!

Pag 9

1: Fa.... ight....

2: Against.... Kinaka-kun

3: Against.... Rokudai

4: 35km left!!

Gooo!! Kinakaa, Rokudaii!!

Do your best...!!

5: I feel like they'll be able to run the 1000km!!

Amazing!

Ah, but there was no distance between them just now?

Pag 10

1: Fight....

2: The spot as a regular in the two-times national champion, Sohoku....

3: I can't take it by just being friendly....!!

4: And also

5: There's Sugimoto-san's wish!!

Pag 11

1: Wa- wait, please, Imaizumi-san

But.... if in this training camp the condition to become the sixth regular was to finish the 1000km first....

2: Then why did Sugimoto-san and Danchiku-san race!?

4: I came here to give you a message from Sugimoto

5: I think, I think it's necessary, you know

Sohoku is a team that connect and support each other

6: Just like during our first year, you, Naruko, and Onoda, connected your wishes and aimed for the goal

7: And last year Kaburagi ran with Aoyagi-san and carried the team until the mountains on the third day

8: So I think we need it

9: Our third year Inter High members

Pag 12

1: Definitely need a “first year”!!

3: Even if he knew he was making his own situation worse, he thought about the best shape for the team would be

4: He accepted it, and fought

Pag 13

1: For the fifth place

3: Among the first years, those two are left, I look forward to see what they do!!

That's too much food

4: Danchiku probably understood it, too

That's why he fought with all his strength

6: Now you two have to run with the weight of those expectations on your back!!

7: Fight, against your opponent and against yourself!! Use all your strength

Pag 14

1: And pull to yourself that last jersey!!

2: Straaa-

Pag 15

1: Straight roaaad!!

2: - traight!!

3: …. ngh

Ugh.....

4: Kinaka-kun.....

5: Don't cry, Rokudai!!

Pag 16

1: What are you doing, oi!! I'll leave you behind like this!! I'll tear you off!!

If you give up, then it's lucky for me!!

2: My goal has always been the Inter High jersey!!

To get back at those senpai who made fun of me!!

3: To show it to the Onii-san who taught me how to ride bikes!!

So, for that....

6: So I'm telling you not to cry!!

Pag 17

1: But, Kinaka-kun....

It's that your “Straitgh road”, wasn't fast at all....!!

4: You knee? It's your knee, right?

Since when? Since a while ago?

5: Since when we were at about 800km

Pag 18

1: It's a race, Rokudai

2: You should have told me, teh

I didn't notice, teh!!

3: I'm such an incapable former manager, teh....

4: Since when I lost to you in the first years' race

6: I've been thinking that I would definitely not lose the next time we race

7: Even though the truth is that I don't really care about that anymore

So, once again...

Pag 19

1: It's a race, Rokudai!!

3: Let's do it, Rokudai!!

I can't, teh

4: Race me, pedal!!

I don't want to, teh....

5: Fight me!!

I won't pedal, teh

Pag 20

1: Because, if I fight you now, Kinaka-kun, I'll end up winning, teh

Pag 22

1: With that kindness of yours, support our senpai during the Inter High

[vermillioncrown]

snippet of tpac ch 11

who wants to see bruce being bullied? doesn't matter, here you go

...

“—per my last missive, Sir: if you want this equation to exist, then the principles of linear algebra must necessarily exist.” Korvin waves a thin stack of ruled paper—covered with sprawling formulas, symbols, bullet lists, and patchwork paragraphs on both sides—like he’s trying to banish a demon. That demon, in this instance, is “Batman being stubborn.”

Bruce looks taken aback, like something is happening outside of his set parameters. From how Dick tried to explain it: apparently, Bruce and Korvin have a whole “pen pals” routine going on, and it’s still thriving despite them sharing the same living quarters for the past few months?

Do they actually waste stamps on this? Where do they hide the envelopes?

(Dick raised his hands in surrender at that line of questioning.)

Tim knows Bruce is a creature of habit and standards of operation—of which he completely respects because it’s efficient—but his staunch adherence to routine is next-level neurotic. Normally, he'd be furious about being sidetracked.

Yet, Korvin’s thrown caution to the wind and got so mad over math, like the fussy nerd that he tries to hide being, that he’s directly confronting Bruce—full “David vs Goliath” vibes here. And he's winning.

“I trust your work,” Bruce finally says, holding his hand out for the papers.

That only makes Korvin’s face twitch harder. “Sure. Why not. Everyone needs a bit of make-believe. Escapism in these trying times and shitass economy.”

“‘Shitass economy,’” Cass murmurs, of course latching onto the bit that everyone reacts to.

Babs sighs in disgust.

...