#I WOULD COMMIT WAR CRIMES FOR THEM

[cptnghoulowl]

What if I exploded into a million little pieces

[waggledoogledoggle]

(⚠️trigger warning: blood/killing and death/gorry language and imagery)

“oh husk is the more protective one”

BITCH, WHEN THAT LOAN SHARK JUMPED ON HUSKS BACK, ANGEL STRAIGHT UP SHOT IT IN THE HEAD

AND THEN PROCEEDED TO REPEATEDLY SHOOT THAT NEAR DEAD BODY UNTIL IT WAS JUST A PILE OF BLOOD AND GOOP

IT DOESNT MATTER WHICH ONE OF THEM YOU FUCK WITH, ANGEL OR HUSK

YOU FUCK WITH ONE OF THEM, THE OTHER WILL FUCKIN MUTILATE YOUR ASS

[crustyfloor]

What is this horror that I just woke up to

Firstly, Luka's tattoo has finally been revealed (too bad it's not where I theorized it was...) Unlike the others, one detail is stark this time, that being that he was awake during the entire process. He's not even lying down when it would probably be less (by a pinch) painful, and more efficient if he did. He's watching. Even helping by keeping his shirt up.

And it seems he is still maintaining his heart rate even through the pain.

(And, expectedly he is thin so this would've hurt a lot more. I wouldn't be surprised if keeping him awake was to benefit his ability of endurance)

And we have his mugshot too. there are a lot of scribbles on his page so I tried to decipher the two clearest ones to me

LUKA - 010401 (His ID number)

And alongside that, we finally have the full cast tattoo process. (save my Till loving heart what are they doing to him.) HyunA and the girls on the top and Luka and the boys on the bottom.

On the topic that the Aliens in ALNST are horrible and can't be bothered to even put the pet humans to sleep while going through such a painful process, it doesn't look like Ivan is spared either and was also awake. otherwise, I don't know how he maintained that grip.

There's no telling for sure yet but his grip looks loose, perhaps he has a good pain tolerance.

And Till's picture. I think that's a full-body restraint right there (Like a straight jacket) If he was awake the whole time too then that's probably to be expected. There also seem to be wires around his face? a mouth gag? I can tell his is just...gonna be horrible to look at. (I am going to cause a scene. bashes my head against the concrete ARGH)

And we have everyone's mugshots, Sua -> Mizi-> Till -> Ivan -> Luka -> HyunA

(These were especially hard to read 💀 but they all seem to have their own signatures on their own pictures )

Sua (x2) - 1132 (in the circled area) - 020201 (That's close to her ID number- 020211.) - The rest is indescribable except for the "No"(?)

Another interesting part of this, we're shown Till's part of the Season 50 data book. A lot of the text is scribbled out.

Lyrics to unknown Till the end (And something scribbled out on the top) it looks like a draft copy. I can't tell if much changed from the version we have today..just got to see when the full version is out.

I tried to decipher as much as I could, take this with a grain of salt but his profile (left) is more of a teacher's note, one of his flaws being that he's aggressive, and he has a strong suit in performance. (Heavy emphasis on practicing music because his performance is his strong suit)

The C might be his overall grade, his only passing class was music.

(So many star scribbles..Mizi liked stars)

-

The album cover looks like a Brain (it reminds me of an MRI scan kinda) Is it Till's brain after all the experiments he's been through? if so, I'm not surprised it seemingly has a lot of abnormalities.

Also, the prominent signature in the middle looks a little bit Like Ivan's.

And finally the main piece, Given the similarities in data the person going through the test is still Sua.

The bandaging on her head is very confusing though, (is this the process of creating Anakt's child?) She also looks like she's yelling more than singing in this piece. (with the tight restraints it's hard to even tell but she doesn't look as relaxed as the second picture.)

Mental - Good (despite the red light?)

Cry (singing. maybe.) - Good

This could be in the literal sense that Sua was actually crying during this test, or this phase of the test. But Aliens have a warped perception of human sounds. They call crying, singing so...I don't know. If there was a lot of resistance from Sua during the earlier phases then the bandage is probably there as another restraint..so many restraints.

[zeb-z]

on a less serious side, bad and foolish having witnesses who are somewhat normal and regular to their usual strange and deranged antics is so hysterical. bad playing the role of kidnapped and felon this time around, letting himself get captured, pretending to be soooo guilty and talking like he’s actually gonna snitch. foolish doing it half for fun, half for show, because he knows cellbit is the killer already - he just needs nails for bad’s coffin because he’s gonna be the scapegoat, and he’s bored. if they were alone maybe they’d trade more intel - they’re on the same page but can’t exactly confirm nor allude to that with an audience, so it just devolves into their usual antics. meanwhile bagi is sweating and convinced bad is definitely about to spill everything she’s told him, falling for bad’s little ‘oh I’m so easily caught and convinced’ act harder than anyone else, trying to avoid bad’s arrest or worse, cellbit’s - while really what’s going on is bad and foolish’s homoerotic batshit insane cop and robber routine, where you’re not sure if someone’s getting arrested or if they’re about to make out. and aypierre is just there

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[corsairspade]

They say that mice speak to ravens- or at least that ravens speak to Mouse.

[wonder-worker]

"It is too easy to dismiss [Leonor of Navarre] as an overambitious schemer who would do anything to obtain a crown, shedding the blood of her own siblings and her subjects in order to attain the throne. However, a deeper investigation of her long lieutenancy and ephemeral reign shows a woman who fought tenaciously to preserve her place but also worked tirelessly to administer a realm which was crippled by internal conflict and the center of the political schemes of France, Aragon, and Castile. She tried to broker peace, fight off those who opposed her, repair the wounds caused by conflict, protect the sovereignty of the realm, and keep the wheels of governance turning. Leonor was not always successful in achieving all of these aims but given the background of conflict and the lack of cooperation she received from all of her family members, bar her loyal husband, it is a huge achievement that she survived to wear the crown at all. Many writers have argued that Leonor deserved the troubled lieutenancy, personal tragedies, an ephemeral reign, and a blackened reputation, basing their assumption that she committed a crime that cannot be [conclusively] proven. However, a more fitting description of her would be that of a resolute ruler who successfully overcame a multitude of challenges in order to survive in a difficult political landscape and gain a hard-fought throne.”

-Elena Woodacre, "Leonor of Navarre: The Price of Ambition", Queenship, Gender and Reputation in the Medieval and Early Modern West, 1060-1600 (Edited by Zita Eva Rohr and Lisa Benz)

[galehautstomb]

i am so down bad for Olrox and his toxic relationship with Mizrak certified boy toy™️ that I am fuckin knee deep in the historical archives of Massachusetts so I can get the tragic lover's backstory correct for fic writing

[atomic-madness]

Like, they’ve been there for me at my *darkest* and haven’t flinched. I genuinely couldn’t imagine a life without them

I love my friends So Much. Like, imagine as much love as you can hold in your chest and then double it

Sure, I’d die for them without a second thought, but I would also *live* for them. I would deal with everything bad and shitty in this world just to see their smiles and hear them laugh

If I think about it for too long I genuinely get emotional about how much I care about these people

[butts-bouncing-on-the-beltway]

Yesterday my wife and I were discussing the abject nonsense that is the Designated Survivor tv show (I like trash because it's trash fuck off) and I was talking about like. The motivations and informatics of warfare tactics [some people are War Guys TM because they like nazis, I'm a War Guy TM because I think strategy is a fun way to occupy my brain when it's about a war that already ended] and wifey was just like "Yeah, obviously the Geneva Conventions are just a suggestion" to which I replied "as in all things, I remain unconventional" so now whenever she sees me around the house she points at me and goes "most likely to commit a war crime for fun and profit" AND I CAN'T EVEN ARGUE I DID THIS TO ME

[the-odyssey-of-a-clown]

What i wouldn't do for a hug from my confort characters

[loganlostitall]

Every single day when I wake up the first thing that happens is I’m stricken with the nauseating fear that I will check my news sources and see a fatality report telling me every last person in Palestine has died.

They have officially bombed, flattened, and cleaned out all of northern Gaza. There’s nothing there but flat land and a few remains of rubble in piles being removed.

They are building concentration camps for surviving civilians in Palestine on this “cleansed” land. So yes… saying Israel is committing genocide is not antisemitic.

[sga-owns-my-soul]

You're so right about elizabeth/john/rodney that ship feeds my soul

they're actually everything tbh i love elizabeth and her idiot war crime committing husbands that she actively encourages to commit war crimes <3

[maitso]

shout out to the piper leo and jason for being the only possible trio ever in the history of books ever written and to ever be written, gotta be one of my favorite genders

[givemewallywestorgivemedeath]

How do you feel about the various Marvel speedsters, most prominent of course being Quicksilver but also Northstar, Makkari and Speed?

Speed is baby and I love him. Seriously though I've been a Tommy fan for a long time. House of M was one of the first comics I've ever read. My parents took me to a comic book store and I hand picked it out of all the others. It was the first comic I chose to buy (albeit with my parent's money because I was a child). My younger brother was in the hospital at the time, he's better now but at the time it was hit or miss, and I was keeping him company so they wanted me to have something to read while he was comatose. I think I read that book front to back 50 times. Despite its faults House of M will always have a special place in my heart because of that.

The whole convoluted mess that is the Maximoff family is fantastic. Pietro and Tommy included. I'm particularly a fan of Speed though. He's great in the Young Avengers and whenever he shows up with Prodigy and I just really really really like the guy. He's like a kicked puppy in the rain. I wanna give him a blanket and food and another puppy to be friends with. He's so sad.

Pietro I like but in a 'oh my god he's such a fuck up, ain't he great?' kinda way. I really love him. He is such a fuck up though I swear to god. It's different from Tommy too. Tommy is a kid who just wants stability and love and is terrified of being hurt. His 'bad decisions' are a thinly veiled mask for a traumatized kid. But Pietro??? Pietro wakes up and says 'today I'm going to make the worst decisions possible' and then he does it. He kidnapped his daughter at one point, which almost caused a war, and then drugged her, with sacred religious and volatile drugs he stole, to give her powers, which could have killed her. He makes very bad decisions.

Northstar is a bit of an asshole. I'm going to be honest here... I'm not really a Northstar fan. I think it kinda defeats the purpose of Marvel having speedsters in the first place if Northstar is ten times faster than them. It'd be like if Superman was faster than the Flash. It just kinda sucks the air out of Marvel speedsters in general. Like, cool, this random mutant can fly way faster than the speedsters and they have no chance in hell at being faster than him. That's great I guess.

Makkari I'm not super familiar with. I do like Marvel but I definitely don't have the same in-depth knowledge on Marvel lore as I do for DC lore.

Oh also there's Speedball. I think he would count as a speedster? It's been a while since I've read his stuff. If I remember correctly he absorbs energy and then uses it to bounce around at superspeed and create kinetic energy fields. He's connected to space and time and he can control kinetic energy and motion. He can control his molecules and one time he used his kinetic energy to make a suit. He doesn't run but he's still the closest thing Marvel has to a DC speedster.

It is.... extremely unfortunate what happened to him. They took a good, fun loving, nice, happy and wholesome guy and made him the catalyst for Civil War. Had him be responsible for a city blowing up. Took this sweet kind guy and made him a reckless asshole who killed thousands. Then they gave him an edgy make over and had him come back as the darker meaner bader version of himself. Anyway. I was a Speedball fan. Civil War trashed his character though.

[tripleaxeldiaz]

i think my favorite part of spartacus is that every single man on this show is a HUGE Wife Guy