#I WANT TO HURT SOMEONE

[teethburger]

misophonia is like “I need to scream and break everything in my general vicinity but if I hear a sound I will explode”

[technoromanticism]

Had one big breakdown and now i keep having many small ones after, enough of that already.

- :)

[inkskinned]

you said you were stuck in a time loop, which was fine. i feel like late-stage capitalism has us all in a time loop, ammiright? you came barging in at 5:33. in the morning. i hadn't even processed the idea of coffee.

but you had this look of utter panic in your eyes. terror like the ocean. you grabbed my cheeks. im in a time loop.

i don't know why in movies the first reaction is to deny it. when someone is panicking like that, it's not appropriate to ask them to calm down. it didn't matter if i believed it, what mattered was that you believed it so much that it was consuming you.

so here we are. i pour you some of the dark roast. "you look like utter and entire hell," i say.

you push your fingers into your eyes. "you always say that."

i try to think of something funny to say that i wouldn't have said on previous time loops, but jokes don't land without the proper timing (lol). "remind me to think -"

"-yeah, of a joke that only works in the future. and before you say anything, i know you're pissed i just stole your punchline." you bolt the coffee, which is wild. it's very hot. you don't seem to notice.

i blow on mine to cool it down. i both am very pissed at you and also i can't see you in this amount of panic without wanting to help. but i'm also not really sure what we are, not since i saw you kiss her like that, no offense. it just was like, kind of rude when you knew i liked you.

and besides. i'm just like, barely a person. i write omegaverse fanfiction. i love the concept of a time loop, but what the fuck am i gonna do? send an alpha in there? i open my mouth.

you point at me. "you're about to ask why me. and then say some disparaging shit about yourself. i'm just a nerd who plays dnd or something. that self-own is slightly different each time." you sigh. "i know you think you can't really help me. i don't know who can help me. i only came to you because you fucking believe me." you check your watch, sigh, and throw your head back. you cover your eyes with one hand. "i've come here on 26 separate revolutions," you say. "you have believed me every time. and yeah, i have no idea how you fit into this but i just -" you sigh again. "i just like fucking talking to someone about it."

"do you need more cof-" i start, but you're already holding the empty cup out. i frown at it. "you're not getting any more until you promise not to bolt this one like an animal."

you laugh a little and sit up, pushing your hair out of your face. "okay, that's new dialogue. but to be fair to you, i'm not usually this rude. i'm still pretty new at all of this." you check your watch again. another sigh. i guess you're cruising for a personal best in the Sigh Olympics.

i almost tell you im not an NPC but i've played enough video games to know i'm very much an NPC. i pour you another cup. "so what happens in the loop?"

"really bad explosion." you mutter into the mug. you put your elbows on the table (rude) and bury your face in your arms like an angsty teenager. one hand floats up while you talk, because evidently you literally can't talk without your hands. "i have to save the day and there's this bomb and i have no bomb training and it keeps moving, you know."

"do i die?"

you peek up from your arms. "yeah. bigtime. you keep trying to run or stay or do anything and you always super die."

"oh."

"to be fair, like, everyone dies in it though.... so you're in good company."

i hate that you make me laugh. i hate that being around you always feels tingly and strange, this electric tension between us. something that is evidently (given how you stuck your tongue down a stranger's throat literally 3 days ago) (well. 3 for me) super one-sided. i take a sip of my coffee and close my eyes.

i die today, i guess. a little spark of panic starts at the top of my hands and starts whipping up my wrists.

"shit," you say. you look at your watch and jump to your feet. "i have to go. if i can come back, i will. i am still trying to figure out when is best to do everything, you know? the order of stuff. maybe morning isn't good for us."

i look up at you and think about how you keep kissing me in the back of my car and in alleyways and in the dark. and i can never fucking get a read on you. and i also think about how incredibly panicked you look. how broken. how long have you been doing this? "i don't want to die," i say.

you glance downwards. "well, you're not really dead, you'll come back in the loop."

"but i will have died." my hands are shaking. i am trying really hard to stay calm.

you push your hands through your hair again. "i really have to go. i will have this discussion with the next version of you, though. it is like, something i am thinking about."

"but i don't get a next version," i say. i don't really have the language for this, because i haven't had 26 tries with you. i only have my memories: you, a week ago. drunk and telling me you loved me in my ear. you, kissing her anyway. you, months ago, throwing up on my birthday, whispering to me i ruin everything i touch, always, over and over. please don't ask. i can't ever fucking have that be you.

i run my finger along the rim of the mug. "i don't want to die in this one."

you seem baffled by this. "i get that but - time will reset, you'll be fine, you won't even remember we talked about this."

"but i know now." i stand up too. "i have to live the rest of this day knowing i could die. knowing i probably am going to."

"you could always die, to be fair."

i feel my hands get out of control. "earlier, you said i always say a different insult about myself. what if you're just going through different parallel universes and those are all just different - but real - versions of myself? what if you're not in a time loop, you're in a fucking universe loop?"

"if it helps, i've wondered this too. also, you're hot in all of them. if that helps."

i point at you. "no flirting. i'm trying to figure out if i die today."

"who's flirting?" you catch my wild hands and give me that long, perfect smile. like we're in this together. "i won't let ya die." you check your watch and sigh again. "well. maybe not this time."

i grit my teeth. you are so not making quips at me while i try to explain the existential dread i'm having. "does the time loop reset if i fucking kill you?"

"honestly i don't know how long it continues after i die, because i just wake up. it could be that the loop goes until the explosion for everyone, and we're all in the loop, or it could be that when i die, the loop restarts. when i die i wake up, is all."

i pull away from you and stalk into the kitchen and start doing all 3 of my dishes. "okay, first, you know i was joking. and secondly, this is exactly my point. you don't know if this is just a parallel universe. maybe in the ones where you died, the explosion happened and nobody reset and it's just you travelling." i have to stop and push my heel into my eyeball. "... how often have you died?"

i look at you. you look at me. you give me this very sad, halfway smile and a little what can ya do shrug. something in that action seems so old and weary that i want to burst into tears.

"i have to go," you say. "really. for real. there's this family of five i save from getting into a car crash. and i know it's like oh but we're all gonna die in the explosion anyway, what's the point. and..." you shrug again. "it matters to me, is all. at least i saved them for now. at least i saved anything."

you pad over to me and wrap me in a tight hug. you always seem so tall against me. i feel your cheek rest against the top of my head for a moment. for a second, it's just us, and the space is warm, and my heart is a little broken hare.

you leave me there, and i stand in my stupid badly lit kitchen with my stupid mugs. i think about you. i start texting my mom that she needs to get out of the city, but it feels pointless.

i don't know what to do. tomorrow is the same day for you. but i have to prepare to die in my today.

[chittychittyyangyang]

Listen, you should never film strangers in public without their consent, but I swear there need to be fines or something for people who do that shit in some spaces. For example: I had to go to the ER last night, and some jerk filmed a woman who just came in and was clearly having an asthma attack. She immediately got to go back, and he was unhappy about that. Believe me, I get that it sucks having to wait when you're in pain, but you don't get to pick who deserves care when. The medical system in the US is a nightmare, and the ER could be the worst moment of someone's life. No one deserves to be recorded because some jack ass believes someone doesn't look like they need care.

This is fine to reblog. People who film strangers should be shamed if nothing else.

[its-a-dam-blue-brick]

I'm an angry person.

I have rage in my heart and spite in my bones.

I am born of it.

I spit fire from my tongue and relish in the burns.

But I know restraint. I know when to cast aside emotion for the sake of progress.

I seethe to see others do not.

But I know restraint.

I know to spit fire would only breed more conflict.

So I remain silent,

and let my fire burn me instead.

And I remain silent if only to stop from screaming at the world for being unfair.

But I know restraint,

and while my fingers shake and turn blue at their creeping frost, I burn from inside.

I wonder which of us will destroy me first.

[chloesimaginationthings]

The death of Vanessa and the birth of Vanny in FNAF

(Inspired by this art by Yuto Sano)

[captainkirkk]

I want to see characters being taken care of in an explicit and worshipful way. Home-cooked meals. Hair brushed and braided by gentle hands. Little gifts just because.

I want to read about characters who are not used to kindness being bombarded by acts of service. This trope works romantically and platonically. Give me found family and acts of service - all the ways a character is wrapped up in wordless, explicit care after years of cruelty and having no idea how to handle. I need it.

[sp0o0kylights]

“Dustin isn’t coming.”

“What?” Eddie says, all frantic and jovial movements freezing instantly.

His eyes narrow on Lucas--the bearer of bad news. “Why?” 

“Family emergency.” 

Mike makes a face. “I saw his mom yesterday and she was fine, so is this a…?” 

He makes a gesture that is entirely incomprehensible to anyone who isn’t Sinclair and his terrifying girlfriend.

(At least, Eddie thinks Max is Lucas’s girlfriend this week. It got a little hard to keep up after the third break-up-make-up marathon, and he frankly, stopped bothering to try.

It helped that she barely spoke--The only time notable being when Eddie had mockingly asked Sinclair if he needed a cheerleader when she’d first sat in, upon which she’d asked Eddie if he needed new kneecaps with a look in her eye that said she was serious.)

Wheeler Jr.’s gesture however, made her put her book down.

“You think he’s having migraines again?” She not so much asked as demanded, which had Mike shrugging. 

“Dunno." Lucas says. "Dustin didn’t say.” 

“Gotta be, if he called Dustin.” Mike mutters, Lucas shuffling his papers about as he begins to set up for Hellfire. He was the last in the room, practically late, which Eddie had planned on harassing him for had he not announced Henderson’s absence. 

(Fucking freshmen. They just weren’t terrified of Eddie like they used to be.) 

 “Robin must be sick or something, otherwise he’d call her.”  Lucas finishes as he finally sits down. 

“Didn’t the Marching Band go on some trip?” Mike turns to address the rest of the table, and gets nods from Jeff and Gareth both. 

“Yeah they’re marching in some parade in Indianapolis.” Jeff confirms. 

“So his last resort was Dustin?” Max is getting that tone in her voice, the one that makes everyone at Hellfire very uncomfortable. “Typical.” 

She pushes away from the table, making a show of gathering up her things before rising easily to her feet.

Eddie trades looks with the elder Hellfire members as she makes her exit--the kind that says they’re all going to be talking about this later. 

They knew their freshmen had some weird obsession with the former King, of course, but Mayfield too?

What the hell was up with that guy?

At least Eddie thinks, right before things are once again shot to shit, they can go back to playing the game.

He can make it work this early into things, and if Henderson isn't’ a fan of what he’s about to do to the kid’s character in his absence, well. 

Maybe he shouldn’t be fucking absent then. 

“So what, Max, you're gonna go over there and make it worse?” Mike snorts. 

Fatal mistake.

Eddie almost strangles him for it, if only because it prolongs this entire unnecessary conversation. 

Max performs a military perfect heel turn, coming straight back for Wheeler Jr., which makes him right about fall out of his seat in panic. 

“What was that, Wheeler?” 

“I’m just saying--!” 

“We don’t know Steve’s having migraines.” Lucas reiterates, pinching the bridge of his nose. “Maybe it’s something else.” 

“Does Steve get migraines a lot?” Grant asks, because despite all appearances he’s a terrible gossip and gets sucked in far too easily.

Eddie throws a pencil at him for it. 

“Hel-looo, we have a game!?” He thunders, but unfortunately for him, precious Stevie-Weavies headache now has everyone’s attention. 

“Yeah, though he’s really good at pretending he doesn’t.” Lucas answers with a put upon sigh. 

“There’s a whole pattern--he ignores it until it gets super bad, then he has to call Robin or Dustin to come get him when he inevitably gets stranded at work or the like, grocery store.” 

“Well who else do you think he’d call?” Mike scoffs again. He does a lot of that, when discussing Harrington. “It’s not like his parents are--Ow, Max!” 

“Close your mouth before I close it for you.” She hisses and Mike, shockingly, does just that. 

To Eddie, she says; 

“Your ass isn’t any better, or did you forget I live across from you?” 

Eddie--who had an insult primed and ready--promptly shuts his mouth.

(Fucking! Asshole! Freshmen!) 

“Maybe I should go too.” Lucas says, hedging a look between his girlfriend and his DM. 

“No.” She snaps, pointing a finger at him.

 “If you go, then this idiot,” she flicks her finger to  Mike, “will go and then we really will make it worse. Stay here before your bichon frise has a fit about all his sheep abandoning him.”

Then she’s turning on her heel again, storming out. 

“What the hell’s a bichon frisé?” Gareth asks in the aftermath, frowning. 

“It’s a type of ahhhh--” Jeff clearly thinks better of the explanation, eyes sliding to Eddie.

Who’s scowling.

“I know what a bichon frisé is, Jeff.” He snaps. 

“I don’t.” Grant loudly complains. 

Jeff attempts to both calm Eddie and explain while Mike and Lucas spend far too many minutes looking after Max. 

“Enough!” Eddie howls, temper finally getting the best of him. “Are we playing or do you also need to go sit by the King’s bedside?”  

“Thank you,” Mike says, like he wasn’t a third of the entire problem. “Let’s play!”

They make it about ten entire minutes before getting knocked off track again. 

In fairness, not that Eddie would ever admit it--the second meltdown is his own fault.

xXx

Hellfire is Eddie’s domain. 

It’s one of the few places where he could relax without getting harassed or hounded, and having his freshmen--his!--abandon him for King Fucking Steve had set him off. 

So he’d made a few comments about it.

Maybe introduced an NPC who sounded suspiciously similar to Harrington, only to instantly kill him off. 

Made another couple of nasty comments. 

Who cares? It worked him through his snit rather nicely, and his boys all knew to leave him be.

Except, apparently, for Lucas. 

“Dude, would you lay off?”  The kid finally snaps, pencil slamming down on the table. 

Which is the most backbone-like thing anyone has ever heard Sinclair say, and he gets far more whistles for it than he should.

Eddie pins him in place with a glare. 

“What was that Sinclair?” He snarls, voice as menacing as he can make it.

(It’s pretty terrifying, he’s practiced quite a bit with it.) 

Sinclair flinches, but doesn’t back down. 

“I said lay off. Steve has migraines because of--” He stops, before seeming to come to a decision. “Because of me. He took a hit for me, and I owe him a life debt for it.” 

To Eddie, he says; “You get what those are, right?” 

Mike rolls his eyes. “It wasn’t just for you--”

“That time with Billy was!” Lucas is quick to snarl. “But you know what Mike, you’re right. It wasn’t just for me. He T-boned a car for all of us!” 

Sinclaire is on his feet now, which is the unfortunate moment that Eddie realizes he has once again lost control of the room. 

A situation he firmly blames on Steve Harrington, because he’s petty. 

“Or did you forget that part? That’s you, me, Will, Nancy and Jonathan right there! Nevermind the tunnel. Or the junkyard! 

“We had the junkyard handled--”

Lucas scoffs. 

“We absolutely did not.” 

“I don’t get why you’re all making such a big deal out of this. He’s the fighter. That’s what he does. That’s why we brought him to the tunnel.”

“You recall what happened at Starcourt, right?” Lucas challenges, furious. “You did see him after, right?” 

This, finally, seems to shut Mike up. 

“Shouldn’t you be mad at him for that?” He says after a moment, and the rest of Hellfire has completely put aside all actual gaming to watch this play out with a morbid sort of fascination. 

Eddie allows it, only because he’s trying to breathe the way Wayne taught him to before he loses it entirely and throws both of the idiot kids out of the drama room. 

“He pulled your sister into it.”

“Have you met Erica!? You can’t pull her into shit!” Lucas spits furiously. “That wasn’t D&D, Mike. It was the Upsi--real life.” 

Lucas is quick to correct himself, even in the heat of the moment--as all the kids are, like the entire school hasn’t clocked that they have some weird ass secret they’re terrible at hiding.

“And if we’re playing those games, then who pulled him into the tunnels? Who made him come to the junkyard?”

“Dustin.” Mike says snidely. 

“You don’t get to blame Dustin when Steve was the only person around.” 

“There were people around! They just weren’t people who--weren’t--who couldn’t--”

“Finish that sentence.” Lucas demands 

“Be trusted.” Mike spits out, like it hurts him. 

“Exactly.” 

“El went through way more than Steve ever has! El--”

“El was using her po--doing mage things! And also, she shouldn’t have had to go through all this shit either! We can’t rely on her to save the day every single time, Mike--and look at how hurt she gets!”

“She--”

“She hides it from you, you know. How bad she hurts. Cause she wants to put your feelings first.” 

“I--”

“Will does too.”  Is Lucas’s parting shot. His backpack is in his hands in a blink, papers and character figure shoved wildly into it, before he’s storming out the door in a poor mimicry of Mayfield.

“Harrington T-Boned a car?” Grant says, in the resounding silence. 

“That BMW of his hasn’t had a scratch on it--” Jeff says, with an inquisitive tilt to his head. 

“He didn’t use the Beamer.” Mike interrupts, angry and sulking. “Are we playing or not?”

“I’m gonna say not, given we are down two players.’ Eddie tells him through clenched teeth. 

“I’m going to be so mad if Steve doesn’t have a migraine.” Mike grumbles, as he begins packing up his stuff. 

The rest of Hellfire follow his lead, after one look at Eddie’s face convince the lot of them that it’s best to flee now, before Eddie unleashes all his pent up rage. 

“Not as mad as I’ll be, Wheeler.” Eddie promises darkly.

And it is a promise--because now, he’s going to follow all his stupid (sans Mike, who isn’t in his good graces either but at least stayed) freshmen--and go visit one fallen King.

If Harrington doesn’t have a headache now, he will when Eddie’s done with him.

[bixels]

Scary Sunset.

I'm concepting things way outta order in this story, but I'm sure you can piece things together. Context is for a storybeat where, after defeating and capturing Adagio (thus having all three sirens in her possession), Sunset enacts her revenge plot to release the sirens on Canterlot as Thea discovers she's been manipulated. In a confrontation, the two scuffle and fight over the siren orbs while Sunset struggles with her conflicting wants and emotions.

[basalting]

after jasons death bruce "accidentally" slips harvey a crowbar while hes in arkham and kisses his cheek and says, voice soft and colder than ice, "make him hurt for me honey"

it takes 6 guards to sedate and drag two face off the joker the next time two face sees him and for the rest of their lives as soon as harvey sees the joker he goes after him like a rabid dog.

[ducktracy]

there are a lot of evil people in the world and a lot of darkness in the world and so it’s very important for me to stress that now more than ever is the time to spread kindness and compassion. combat the evil by not only not partaking in it, but actively refuting it. destroy the notion that being compassionate or generous or kind to someone is uncool or embarrassing or even scary. be the change you want to see. start a chain reaction. positivity only breeds more positivity. do an act of kindness for someone so that that person who is too afraid to do it themselves can see you, realize that they’re not alone, and perhaps sheepishly follow your example. and then the next person who is too afraid but sees that person can do the same. when bad news comes out about bad people or horrible atrocities in the world it’s such an easy impulse to despair, and obviously it’s important to feel what you need to feel. grieve. be angry. be sorrowful. be empathetic. but dust off your pants and get up and be a part of a chain reaction that, no matter how small the scale, and spread compassion and love and care. all the reasons why you might not—“it’s hard! it’s scary! people will make fun of me! it’s useless because there’s too much evil!” are all grade A arguments as to why you should. you have no idea how many people you could inspire to do the same. even if it doesn’t get you anyway far, you can at least say you have the nobility of trying. please choose love and please choose life. you are worth loving and you are worth inspiring others to love

[poorly-drawn-mdzs]

Council of lovefools.

[First] Prev <–-> Next

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[valtsv]

when a character says "please don't do this" and they're begging: 🥺

when a character says "please don't do this" as a warning:

[poirott]

Poirot + ruthlessness AGATHA CHRISTIE'S POIROT (1989 - 2013)

"And he is ruthless, ruthless with those who commit crime. And they will be brought to justice." - David Suchet, BFI Q&A, Nov 12 2013

[demaparbat-hp]

I always think about Zuko having days when his head is just so unkind to him that he can’t get up. And all you can do is love him and be with him until it passes.

Zuko curled in bed and Katara holding him, kissing his shoulder. Or Katara sitting next to him and bending down to kiss him.

Thank you for these, they’ve been such a little flame of love and hope right now

Please don't go.