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simpee9000 · 9 months ago

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Not Just Friends - 10 -

M.List : Prologue : Part 1 : Part 2 : Part 3 : Part 4 : Part 5 : Part 6 : Part 7 : Part 8 : Part 9 : Words 3.1k

Childhood best friends turned into something more, at least with the label. Katsuki Bakugo, a fast-rising hero and fast-learning guy who is ever so slow in getting attached to and loving someone. Even three long years into a relationship, and your friends even forget you're even dating. Nothing happening, spare a few kisses.. like 3 kisses, during high school. Graduated and living together, and you guys have done absolutely nothing to further the relationship. Are you sure you're not just friends? Also not edited!! CW: Smut, brief domestic violence discussion, virginity loss, aggressive flirting from creeps, gore with pro hero stuff (lmk if i missed any) Applies to all chapters regardless of it is in said chapter.

It was a turn back to normal after the long conversation between the two of you. Tears sliding down your faces, majority yours but you saw a couple fall from his. It was a necessary conversation. He opened up about his quirk and apologized for ditching you. You apologize for the same.

Easily enough, the two of you moved on from it quickly. Talking about the past two months when all the overwhelming emotions passed. You blabbed about how many new offers you were getting and he talked about how he was hiring more and more people to his agency.

Despite not being able to ignore the last two months, it was easy to move past.

Growing past it within the night, having everything off your chest. It still didn't make things go back to normal.

You continued to share a bed, but changed your schedules around again to see more of each other. Flipping back into your old routine as much as possible. Not without a few changes though. Lunches would only be once a week rather than daily, and you'd be working for another hour or two after he got home. Since you wanted to sleep in still.

But it still improved your relationship again. Building it back up slowly. You were able to eat a late dinner together each night and share an off day. Sharing your off day made it easier for you anyway. After the break-in it was hard to be home without him, so the last two months were rough. Your therapist said you were doing great though, so that helped.

The first days of going back to normal was rough, having to adjust to seeing each other daily again. Conversations between the two of you felt awkward, mainly on your side. You grew so much in those two months, no longer relying on him. It shifted the dynamic.

"Y'good?" Katsuki's gruff voice broke your train of thought. Your eyes flickered up to him.

"Huh?"

"Been fuckin' playin' with your food," he points his fork at your plate, "Don't like it or some shit?"

"No, I like it," you looked back down. It was definitely not your favorite meal he made, but it was good.

His silverware claddered roughly against his plate, his arms crossing, "The fuck has been wrong with you?"

"Do you have to swear with every sentence?" you avoided, taking a bite of your food instead.

You could feel him roll his eyes along with his heavy sigh, "You've been off since."

"A relationship doesn't heal just like that," you pointed out.

"Will you look at me?" he asked annoyed. A glance up at his expression made you cut your attitude. He was trying, that much was obvious. And after all your talk of communication, you were doing nothing.

"Sorry," you set your fork down, engaging in the conversation, "I'm just lost? I guess. Hard to place it. I've changed a lot in the past two months-"

"How?"

You glared at him for interrupting you. "I've stopped prioritizing you. I'm more focused on myself now. It's hard to go back to normal when the 'normal,' was me running circles around you."

He shuffled in his seat, "That's fine. I'm glad you've moved on in that sense, done you good."

"You're not worried how it'll change us?" you asked softly, it's been all you were thinking of for the past few weeks.

"I'm always fuckin' worried," he admitted, eyes drifting to look at the wall instead of you, "But we'll work it out."

You were glad he still viewed the two of you as a 'we,' heart melting slightly as you reached your hand across the table. "I'm not going to tip-toe around you anymore, Kats."

"Good," he gruffed out, uncrossing his arms and grabbing onto your hand. Changing his focus onto that, "I don't want you to."

"Good," you agreed, smiling at how he let his thumb trace over your knuckles.

"You, um," he fumbled for a minute, eyebrows furrowing, "You're still okay with us not doing shit right?"

"I'd never push that," you confirmed, shocked he even thought you would complain about that.

"Don't get me wrong, I would, just-" he pulled his hands back wiping them on his pants before running them down his face, "my dumb fuckin' quirk."

"You love your quirk," you pointed out.

"Yeah and I'd fuckin' love to touch my girlfriend but no, I gotta be a horny virgin 'cause of it," he groaned, crossing his arms again.

Stifling a laugh was difficult, but you managed, "Maybe we can just work up to it? Get you used to the baseline first before, that."

His quirk went off suddenly, "Can't even fuckin' think of it," he groaned, standing up to go wash his hands off.

"It's cute." You followed behind him to place dishes in the skin, having cleared your plates a while ago.

"Fuck you."

"Hey," you laughed, "At least you can tell Denki and Sero that you beat them at No Nut November. And have for the past 19 years."

He shot you a glare from the sink, "The one challenge I wouldn't want to beat, great."

"It's what makes you number one to me, baby," you teased, kissing his shoulder as you moved past him, wanting to pester him while the mood was light and he was already flustered. It was nice how easy it was to move past something with him. But you wanted to test how much he'd react to you not tiptoeing around him anymore.

With success, his quirk popped off again.

"Fuck off."

You let out a crackle of laughter, "You're too easy."

"Die."

He finally stopped washing his hands, turning to dry them off. You watched from the counter, plotting. "Your back looks nice," you commented, his muscles have been more defined lately and you only got to appreciate it now. His tank top showcases his shoulders nicely.

He froze for a moment, side-eyeing you. "Do you want to get blown up or something?"

"No, do you want to get blown?" you asked back, letting Denki's crude humor influence you.

Like a charm, his quirk sparked off. "Quit it."

"Nah, it's too much fun," you smiled at him, kicking off the counter you were leaning on and moving to leave the kitchen. Hand squeezing his bicep when you walked by.

He didn't let you get even a step away before he grabbed your hand and pulled you into him. His hands grabbing at your hips and moving to push you into the counter. "Where do y'think you're goin'?" he smirked down at you.

Your face bloomed a deep shade, blushing harshly at how close he was. He hasn't been that close since you argued two months ago.

"Nothin' to say?"

You blinked up at him, trying to steady the rapid beating of your heart with the way he was tracing circles onto your hips.

"Might like you but that doesn't mean I'll let you say shit and get away with it," he crowded you closer to the counter.

"What happened to your quirk?" you whispered, losing your voice at the proximity.

"You offered to work up to it, right?" he brushed his hands clean on his shirt briefly before going back to your hips.

"Yeah," you looked down at his hands, trying to make sure the watch was off.

"It's off," he confirmed, twisting his wrist so you could see. When you looked back up at him, he held his gaze deeply, "What happened to that smart mouth?"

"Want me to show you?" you placed your hands on his chest, running over the span of his shoulders. Your body was on fire, the two of you flirted, sure, but this was different. His quirk was fully there. He was fully there.

His eyes lidded slightly, zeroing in his focus on your lips, "Fuck yeah I do."

Your lips closed the gap between the two of you. It wasn't as soft and nervous as all the past kisses, it was something you just threw yourself in. Stomach crazy with butterflies as your mind started buzzing. His hands tightened their grip on your hips as he stepped even closer to you.

Bodies curled into each other to get closer. Your hands digging into the hair at the base of his neck as you deepened the kiss. Full of passion and sexual tension. There was hardly any innocence to the kiss, and if there was, it faded within seconds.

A sigh of relief falling from your lips when his hands slipped under your shirt, brushing over your skin roughly. Fingers being callused and dry from work.

As soon as his hands met your skin he pulled away frantically. Pulling his body from yours completely before his quirk started popping off.

"Fuck me," he groaned in frustration, grabbing a dish towel and wiping his hands off.

"I wish I could," you teased.

He shot you a glare, blush flaring all over his face and coating his neck with a red. "Stop," he grumbled.

"Stop what?"

"Stop looking at me like that," he shied away, washing his hands in water for a moment.

You paused for a moment, considering how you looked. With how flushed his face was you could tell you were no better. Lips plumped and freshly kissed red as your shirt was ruffled up from his hands as you leaned back into the counter. "Why would I? You clearly like what you see?"

The confidence within you came from nowhere. There has been sexual tension between the two of you before, many times before. Even before he had the watch. But normally you had to be drunk as hell to make such obvious jokes towards him, especially ones about sex. Maybe it was the fact that it was on the table, when before it wasn't. You knew he wanted it as much as you did.

"Fuck off," he grumbled.

"Come on, Kats," you pushed your luck.

"I love you, but please stop whatever the fuck you're doing before we need a new apartment," he spoke without thought, freezing the second he realized what he said.

You barked out a laugh, he spoke so plainly. You didn't want him to get wrapped up in his head, so you ignored the rushing butterflies over his admissions. "Fine, fine," you gave in, smiling happily at him, "Hug?"

He looked at you, untrusting of you before he opened his arms, gesturing you near.

Taking the moment, you threw yourself in his arms. Wrapping your arms around his waist he pulled you in fully. Letting you rest your head on his chest as he rested his on yours.

Everything felt secure in your relationship, you'd move one step at a time together. With a lot of teasing between, but that was common between you and him, despite the lack of it lately.

"I love you too, by the way," you mumbled into his chest, having a happy feeling travel through your body at the small number of times he's actually said it.

"I know."

You moved slightly to look up at him, his eyes fell on yours before you spoke, "Are you hard?"

He glared sharply, embarrassment covering his features as you felt him grow hot. You were going to ignore the feeling of him pressing into your lower stomach, but decided you wanted the chance to rub it in his face that you have the upper hand here. He tried to pull away, only for you to keep your grip.

"Stop," he warned, his hands raised away from you.

"It's only a little spark, Kats," you tried to comfort.

With a roll of his eyes he smiled evilly down at you, "You asked for it," before you could protest, he wiped his sweaty hands on your face before rubbing the rest of it off on your sweater, down your chest.

"Katsuki! That's gross," you pulled away from him, using your sleeve to wipe away the damp residue of his sweat off your cheek before you pulled the bottom of your shirt out, seeing if he got sweat marks on it. "You just used that as an excuse to touch my tits," you glared at him, seeing the faint marks of his handprint on your shirt, right over your tits. It surprised you that he sweat enough to leave a mark.

He laughed sharply, walking out of the kitchen, "Got no proof, Brains."

"I literally have the proof of your hands on my tits," you called out to him.

He looked over you, "How do I know those are mine?"

"Really? Cause I'd let a random guy grope me and he'd be sweaty enough to leave a mark like you do," you snarked.

"No way to know," he shrugged.

"You're such an ass," you groaned.

His phone buzzing loudly cut off his laughter.

"This late?" you asked as you eyed his work phone.

"It's PR," he said as he furrowed his brows, answering the phone, "Dynamight."

You heard mumbling for a moment before he huffed and put his phone on speaker. "Can she hear me now?" the lady's voice rang through, the same manager you've spoken with before.

"Hello," you answered for him, "What can I do?"

"You've done quite enough," she spoke abruptly. It took a lot to get her mad, so to have pissed her off five words was a record. "People are spreading pictures of you crying in the middle of the street."

Katsuki's eyes shot to you, concerned.

"They also claim to of heard you talking to Deku, saying you said his name several times."

His concerned look turned to a glare quickly.

"I can explain that," you said quickly before Katsuki added his two cents, "I was having a rough time and decided to call a friend, simple."

She laughed, "It's not the simple. It was the night of your party. And with the lack of social outings between Dynamight and you, people are saying the two of you broken up."

"Why does this matter?" you asked annoyed. It was still a sore subject.

"It matters because bad things are being said about the two of you. It's not just Dynamight's image anymore, but yours too. They're saying he's abusive while also saying that you're sleeping your way to the top."

You've heard that said too many times to count. Both things. So filled with anger, you grabbed the phone from Katsuki's hand and hung up.

"The fuck?"

"I don't know! I'm annoyed," you huffed, tossing his phone onto the couch before pacing, "I'm sick of people talking."

"I get it's annoying but you're gonna hear it-"

"Not helping," you glared at him.

"PR helps get them to knock it off," he pushed.

"She hardly says anything but the obvious," you rolled your eyes, "We can just post a picture of us or something."

"How does that prove I don't hit you?"

You paused your pacing, "Under a truth quirk I said the worst thing about you was your socks. I think if you abused me I would have said that."

He gave up his fight with a shrug, moving to sit on the couch instead.

"Don't get me wrong, it pisses me off that they say that. There is just no way to prove otherwise. Nothing is ever enough for them," you corrected, not wanting him to get the idea that you were only concerned for yourself.

"If you think that, why are you so pissed right now?" he crossed his arms.

You shook your eyes off the flex of his arms, throwing your hands up in frustration, "Because everyone says that, I hate hearing it."

"What do you mean?"

"Everyone thinks you hit me or some bullshit," you huff.

"Everyone?"

"Like people that don't know you," you changed, "you're a softy and they ignore it.

"Who you callin soft?" he sat up straight.

You smiled at him, "Kats, you can't even look mad at me."

He glared at you, eyebrows being the only thing supporting it. His eyes were soft. "Die."

"Let's just forget about it," you sighed, not wanting to talk about the press or your relationship. Nothing stressful.

"Why were you even cryin' to Deku?"

"You," you admitted shamefully, looking away. Talking about this would be stressful.

When he said nothing, you turned back to him. He was staring out the window. The view was filled with city lights.

"I only called him 'cause I couldn't call you," you comforted, stepping closer to him.

"Could always call me," he spoke softly.

"Kats," at this point you were standing right in front of him

"Yeah?"

You swallowed quickly, "We don't need to do everything together."

He took a deep breath, "I know, just want you to know you can call me, no matter what."

"I already know that," you smiled fondly at him. It was one of the best things about him. No matter how mad he was at a friend or family, he would never ignore them if they needed anything, even a random call. He might ignore a stupid text, but he never missed a call from someone close to him.

"Good."

"Maybe," he looked up at you, "We don't do anything publically? If they think I'm dating you then good, if they think I'm not, I don't care."

"If you want," he shrugged.

"You don't mind?" you step closer to him, him making space for you by manspreading further.

"Not really, just don't go making 'em think you're dating that damn nerd."

"Okay."

"Want somethin'?" he looked at you with a brow up. His eyes flickering from your chest to your face.

"Seems like you do," you smiled, inviting yourself more into his personal space by straddling him, both knees by his side.

"What are you doing?" his hands were pushed outwards, far from you.

"It's fine," you hushed him, sitting your weight on his lap.

"We didn't even do this stuff with the watch," he hissed at you, face flushed.

"Yes we did," you looked at him confused, "I made you cum y-"

"Shut it," he huffed, hands popping with the sound of his quirk, "Get off."

"Look, if you really want to, I will, but I don't think you want me to," you didn't want to force him into anything.

"What even put you in this mood?" he glared at you.

"You looked at my tits," you shrugged.

"Cause you still have my handprint on em," he smirked proudly.

You looked down at them quickly, "Bakugo."

"What? It's how it should be."

"Will it stain?"

"Shouldn't."

"I hate you," you glared at him.

"Sure, cause one glance at your tits makes you wanna jump me, cause you hate me," he was too cocky.

"Shut up you can hardly kiss me without losing your mind," you fought back.

"Kissed ya earlier didn't I?"

"Barely, come on, kiss me like a man-"

Forgetting his prior reluctance, he pulled you into him. Connecting your lips in a messy kiss as his hand held you to him by the back of your neck. Slowly losing its grip before sliding down to your waist. Losing himself into the kiss just as you were.

You were shocked he was even kissing you, cherishing the win regardless. Moving more onto him. Wrapping your arms around him, scratching at his scalp as you pulled on his hair.

The groan that left his lips encouraged you to push down more in his lap, wanting something more. You could never get enough of him. Anything he'd give, you'd take.

A rough push of yourself onto him caused his quirk to go off, not just a small spark either.

It singed your top, burning your skin.

You jumped off his lap once he let go, holding your sides.

His hand was placed right over your old scar.

Posted late cause I forgot to finish the chapter, and the tag list is being a bitch rn. (phone is glitching and laptop is weird) if it's fucked up mb.

---

-Next Part-

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lilybug-02 · 4 days ago

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❤️🌸🌼 𝐃𝐞𝐥𝐭𝐚𝐫𝐮𝐧𝐞: 𝐓𝐡𝐞 𝐂𝐡𝐚𝐫𝐚 𝐓𝐢𝐦𝐞𝐥𝐢𝐧𝐞 𝐑𝐞𝐭𝐫𝐨𝐬𝐩𝐞𝐜𝐭𝐢𝐯𝐞…. 𝐏𝐚𝐫𝐭 𝟏 🌼 🌸 ❤️

To get questions out of the way, yes, The Chara Timeline Comic will not be continuing… (mostly)

I started this comic back in November of 2021 on the simple idea of "What if Players possessing humans was normal?". I didn't think it would go beyond a simple page, but it did. It was an idea that blossomed into a 3+ year comic, spanning hundreds of pages, side art, fanart!!!, new blogs, and led me to meeting some of the sweetest and brightest Tumblr people I have ever met. ✨❤️🧡💛💚🩵💙💜✨ (I’m gonna shout u out eventually 😈)

But, I was doing this COMIC on my OWN and in my free time while juggling college, serious mental health issues, and many crazy life events.

So after so many years, I think it's finally time to put this comic to rest. I grew out of my Undertale and Deltarune love months ago and I am ready to look forward to other projects and interests. (Now... I am open to drawing more for it...but I am okay with telling the world the full story in case I don't ,:))

Because this comic means the ABSOLUTE WORLD to me... I want to give it a last hoorah! I am making multiple parts to this because I want to do my comic justice. ❤️🧡💛💚🩵💙💜

I will be going over my favorite art, scenes, characters, deleted scenes and more. And at the end of it all I will go over what the finale would look like and give you guys some art of that :)

First off...MY FAVORITE SCENES!!! (and my thoughts on them)💕

The Beginning:

Still have this saved in my files, thank god. Man... my art has improved so so much!!!! Gone are the playdough hands and strange proportions! Though my faces and consistency always need work.... haha. I'm surprised how colorful and pretty this first page is :) It makes me happy to see it in a new light.

My Favorite Darkworld Page:

I put hours upon hours of work into each page (especially for the colorful Darkworlds), but none still makes me hold my breath as much as the first introduction of The Mayor! I loved drawing the perspective and colored background motifs in this page. And the way the emotions are on full display ~ Chefs Kiss. (I also loved the "Let's shoot out the lights" metaphor being a double entendre. Representing the Mayor's wants to kill/get rid of light-ners and also the term being an old saying for "completely dominating one's opponent" as he want's Kris to join him in his dastardly deeds.)

Backgrounds:

I put my heart and soul into the backgrounds of this comic. I hid details like eyes in walls, moss covered plateaus, spoon shaped rocks, tea kettle inspired trains, hidden characters, and wayyyyy more. Some of my favorite backgrounds have to be of the more subtle ones. But I’m very proud of the detailed ones like the computer.

Silly Kris to Chara Talk:

This one scene (part 8 and 9, which was 12 pages) took me 5 months to make. It was hell. But I did it. The script took me FOREVER to figure out. I have like 4 different drafts of this scene (which I'll show later). I was exhausted and a bit deflated at the time, so I wasn't as proud with it. I'm happy now, but I feel like it could have been easier to make. I'll never know.

All of the Weird Route:

THIS. I LOVED EVERYTHING ABOUT THIS.🩸💔 I would love to say this is the magnum opus of the comic, but I am being very biased. Horror is my specialty and I was ecstatic when I made the decision to write and draw the weird route for this comic. The idea of having a THING control your body to kill while you’re conscious of your actions is a great horror concept and I loved delving deep into it. Obviously, I feel like some of the writing could have been more worked on (like the part where Chara is explaining HOW soul entities control the body) bc it's confusing, but I'm still so happy with it :) And even if I didn't finish the main one, I finished the weird route. So I made a conclusion somewhere!! (even if it's hella morbid lol)

Darkworld Train Fight:

I had been hoping to make this scene since week ONE of the comic. An epic train fight in a Wild West themed Darkworld? It was perfect! And I also really wanted to have a reference to the Alaskan Bull Worm 🪱🧽 from Spongebob for some reason. Because Sandy Cheeks (the squirrel) is Texan and somehow that all connects back to Rodger the Worm haha. I thought it would be fun, but it took me forever to figure out how the worm and train would combine in a fight scene. In retrospect, I think i spent a little too much time in the darkworld, as it took time and energy away from a more tight-knit story, but hind sight is 2020. 💖🚂🚋🚋🚋🪱

Shaker Sisters:

Just look at them. They are actual baby.

Chara's Crashout and Eventual Talk with Asriel:

This idea of Chara yelling at the Mayor was originally just one page of Chara making an offhand comment about how he was annoying. But it turned into a much more impactful, story changing moment. I wanted to highlight Chara's intensity and why they might have been labeled as "not a good friend" in Undertale. They have anger issues. They are unapologetically blunt. They are anxious and critical of their self worth. They echo their past abusers onto themselves and others and they believe they are justified in their actions. But Chara is human and I wanted to respect them as such.

...I also love Chara being silly <3 (That ice cream took 3+ hours to draw) 😭🍦🍪

Asriel Being Cute:

I just think this one drawing looks cute :)

Chara Finding Kris:

I love drawing comedy and this was no exception. I wanted it to be equal parts horror and funny. Chara's "F*Ck" being cut off is so funny to me 😭 And the horror of a literal Human organ just floating up to you?? Peak dark humor. I also think I nailed the panel layout here 😊

Kris' Confession:

These are my FAVORITE pages out of the ENTIRE COMIC. I feel like the writing, art, and scene layout is as flawless as it can be. I'm still shocked at how well it turned out. They were also a blast to work on ❤️

Silly Azzy 🥺 Face:

I knew people would love his droopy face, but literally so many people liked it, it became a meme. Thank you. I also think it's the funniest thing ever.

A Moment Between Friends:

I love Asriel and Chara's relationship in this comic. They care for one another so much even when they don't see eye to eye.

Breakfast:

This one panel took me 4+ hours. The perspective is wonky and there are 5 different characters. But man do I love how it turned out. Susie is chowing down on those detailed pancakes (yes, those are human and monster pancake faces :) 🥞🥞🥞).

Chara Kicking Stones:

idk why but this one panel scratches an itch in my brain. It’s detailed and colorful :3

The 7 Humans:

I guess we’re getting to some of the last pages I’ve done…. I’m really happy with this one. It’s spooky but gives a sense of intrigue. I also love the layout. Also Also- Frisk’s shirt is a reference to that one submarine guy from the Titanic movie. Idk why, but the happy face with a bullet in its head just fits the vibe.

#deltarune chara timeline #Deltarune the chara timeline #chara timeline #the chara timeline #bread #my art #art #chara #deltarune chara #chara deltarune #college chara #all them good yuppy tags #uhhhh #asriel dreemurr #kris dreemurr #Deltarune #Undertale

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legendofmorons · 4 months ago

Note

Please consider: one of the boys gets stranded from the group and promptly ambushed. As he was left alone, he wasn’t able to protect himself to the best of his abilities and the others are no where to be seen. Out of the blue, Reader, who he has never met before, begins beating the snot out of that poor offending monster. Turns out, they are a traveler of some variety who got roped into this adventure by one strange looking shadow.

How would the boys react to being protected by someone they have never met before, someone who seems altruistic in their intent?

I love your writing and I would be interested to see who you think would have the most interesting response to this. Please remember that you are appreciated and loved for all that you do. You create masterpieces with your words, and for that, we are grateful.

-VS

Chain is stranded, reader saves them

This is such a GOOD concept!! If anyone wanted a fic I'd be happy to do one.

Content under the cut, boys are in alphabetical order. (Slowly catching up, but I am tentatively back.)

Four

He's probably just greatful for the assist.

Maybe a little curious about where you came from but he'll ask questions later.

If he can he tries to help ypu right back

He'll thank you after and offer to help you back to your home/town

Would probably check you for injuries he could see

Overall he's both a little confused and very grateful

Hyrule

He's thanking you the moment you start to help

His world is fairly sparse, so any aid is appreciated

If he can, after the fight is done he'll try to heal you

If he cannot, he'll offer a potion or something

He offers to walk you home or to let you stay with him until a time you can go home

He very grateful over all, would try to get you food as payment

Legend

Immediately torn between grateful and suspicious.

It's convenient you just showed up.

But if you were going to kill him you probably wouldn't be trying to save him. So he doesn't accuse you

When it's over he thanks you and tries to send you on your way.

Would help you if you injured yourself protecting him.

He would throw you to the wolves, so if you need him to travel with you for a bit he will, but he's still a little suspicious of your intent.

He's still glad you came and helped him through.

Sky

He's definitely surprised.

But he's very grateful and will tell you at least twice

More trusting than some of the others

Will offer you healing items afterwards

He's chattier than others too, he's likely to ask you about yourself while you guys find a way towards wherever you've chosen to go.

Time

Probably in pretty bad shape if he needs saving, so if he's not talkative don't take ot to heart

He might be unconscious honestly. He's got too many tools to go down easy.

But after it's all said and done he thanks you and offers to get you home and fed.

He's not the most trusting, but he's friendly enough now.

Twilight

He's grateful and says as much as soon as you step in.

He will patch you up afterwards too they all would honestly

Probably less surprised than others he grew up in a small town where people were friendly

Might compliment your fighting

Warriors

Embarrassed and grateful. He's captain of the royal gaurd he shouldn't need help.

But he IS grateful. He's glad you were there because regardless of his emotions, he NEEDED help

Would subconsciously analyze your stance and movements because again... captain.

Will thank you.

Wild

Suspicious. Immediately. His Hyrule is sparsely populated and he's always worried about Yiga.

But he's still grateful.

He'd probably offer you a snack or potion as thanks. Maybe invite you to stay for dinner.

Wind

Oh, he's probably offering you a shiny trinket as thanks.

He's more trusting than some of the others.

Will demand to trade battle stories.

He's a sweetheart and will probably also offer for you to join them for lunch/dinner.

#lu #linkeduniverse #misty answers #linked universe x reader #lu four #lu hyrule #lu legend #lu sky #lu time #lu twilight #lu warriors #lu wild #lu wind #misty writes

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taeaura · 4 months ago

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Yap yap yap yap blah blah blah blah more Thomas Hewitt emotional stuff

My favorite GIF of him oml so handsome

_____

Just saw a post talking about how Thomas probably never had any friends {hit very close to home}, which got me thinking about just how intensely that affected him. Humans require connections, it's essential to our survival and overall wellbeing. Thomas' main influence is his family; And let's be honest, his family isn't all that great at fostering a healthy environment. I don't blame them, I doubt they were raised any better.

Thomas already seems like a closed-off, reserved, and anxious person. His anxiety seems to manifest in small fidgets, excessive staring, zoning out{?}, aggression, and isolation. This paired with his skin condition, facial deformity, and difficulty speaking would make socializing extremely difficult for him. I doubt many people attempted to socialize with Thomas. He was probably that one kid in class who sat by themselves and never spoke up. {I used to be that kid, totally not projecting or anything..} It's fair to assume this stunted some social growth for him, and I doubt being seen as an outcast is any good for your confidence. Confidence isn't just necessary for presenting yourself comfortably, it's also essential for expressing your thoughts, emotions, and boundaries. Putting yourself out there, achieving goals and milestones.

This would most definitely bleed into his relationships {of any kind really, romantic, sexual, platonic, family.} He would not express his emotions to you. Not easily anyway. Want a man who communicates properly despite language / ability barriers? Not gonna happen. Thomas would most likely shut you out. Shut anyone out just to protect himself from further emotional pain. I doubt the Hewitt family puts any emphasis on healthy communication anyway. And Thomas doesn't have experience to model a healthy partner. I'm sure he's an affectionate person, just not by default. ESPECIALLY not during the 2003 timeline. His confidence has grown, sure, but his family has gotten even more socially isolated, making social cues less likely to be processed properly. Another thing, {which connects to the previous statement,} Thomas doesn't fully understand social cues. Not much anyway. {I've discussed this so much, I apologize for the repetition.} He's an observant, quick learner, but that doesn't mean his brain computes certain things {am I projecting? Maybe}. I don't think he'd understand that staring at someone whilst they eat isn't appropriate {to most people}; He'd probably stare into people's car windows from afar, watch people from other rooms/windows/doorways, ect. Now, that doesn't mean Thomas is a nosey guy; Because I don't think he is. He knows not to eavesdrop, and he knows when to mind his business. I think it's more of "I'm zoned out / I'm confused and trying to figure you out" type of staring.

I'm sure Thomas understands boundaries.....the family’s boundaries that is. Hoyt disrespects boundaries all the time; But Luda Mae puts him in his place when {she feels} need be. Monty just flat-out refuses to acknowledge boundaries. That guy is arguably worse than Hoyt; He'd be offending like Hoyt does if he still had legs, I'm sure of it. He's just not as vocally aggressive as Hoyt, but I'm getting off-track here. It seems like Thomas has to respect the family's boundaries, but they don't have to respect his. Nor do I think he understands how to set up boundaries. It's kind of an unspoken rule in the Hewitt household that the basement is Thomas' space. No one goes down there without reason. That's probably the only boundary they respect. {I'm sure Luda Mae gives him space and patience though.} Combining his lack of knowledge / experience with boundaries, his excruciatingly-low confidence, and his social alienation, Thomas would be very, very hesitant towards intimacy. Having to not only be physically exposed {which is such a sore subject for him,} but emotionally?? Mentally?? That's not something he's used to nor ever been encouraged to embrace. I doubt Thomas even understands sex on an emotional level. {What seems to be} His only experience with sex is through his uncles; And maybe Luda Mae's "no intimacy before marriage" lectures. And you KNOW how Monty and Hoyt view sex. There's no intimacy there; It's just the primal, selfish urges. Now, I'm sure deep down those two want genuine intimacy and emotional connection; They've just buried it so deep down to resist being seen as 'weak'. Thomas most likely picked up on this, at least some of it, which has influenced his views on intimacy. He'd really have to trust someone on EVERY level; He also might cry after, idk. OR feel very uncomfortable. Probably have a moment of existentialism and some serious rethinking to do. Not necessarily about the act itself, but how he views it and what he's been taught. To add onto his hesitance: I see a lot of fan fiction involving him and the reader getting married within 1-5 months, which just..doesn't seem too realistic to me. Thomas most definitely has a lot of self-doubt, and the family wouldn't adjust to someone that quickly. I'd say AT LEAST a year before they {the family} consider it. Anyway..this is long enough but I'm fully willing to do pt. 2 on anything I've covered before :)

TLDR: Thomas would definitely need some guidance, the whole Atlantic Ocean's worth of reassurance, and some lessons on boundaries.

____

Anyway, yada-yada, Thomas needs some guidance and emotional regulation tools, what's new - 🫀

#leatherface #tcm 2003 #tcm #tcm 2006 #texas chainsaw massacre #texas chainsaw the beginning #thomas hewitt #thomas brown hewitt #the texas chainsaw 2003 #the texas chainsaw massacre #the texas chainsaw 2006 #texas chainsaw 2003 #texas chainsaw massacre 2006 #texas chainsaw massacre 2003

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felikatze · 5 months ago

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Euphrasie and the End

A Deep Dive into the Head Housemaiden and her symbolic meaning

Introduction

Spoilers for the whole game, and also the prologue, by the way.

Hello everybody. You may know me from that other post about Euphrasie or maybe the ludonarrative essay or the QOL one. No matter the case, today I return to my favorite side character, Euphrasie, the Head Housemaiden.

This all starts with a central thesis you're likely to be familiar with.

Euphrasie represents the end. In the most literal sense, she is where every journey ends. She is the representation of Siffrin's fears. With every repetition, Siffrin grows to dread and fear the sight of her, more than they ever do facing down the King again.

And I want to look at that.

The Damsel

It's a tale as old as time. The big bad has kidnapped the lovely princess! Everyone, we must save her! And so, our epic tale begins, as Mario chases after Peach and Link vows to return and save Zelda -

That, quite obviously, is Euphrasie. Albeit not your traditional princess, she's still a female figure with great importance to our protagonist. (Our protagonist, quite obviously, being Mirabelle.)

Mirabelle's entire journey begins with her fleeing the House and embarking on an adventure with one goal - return home, and free everyone. ISAT invokes many many many stereotypical RPG tropes.

It uses those tropes by going, well, you know how the story goes, let's get right into the meat of it, yeah? Because ISAT is a story that only works on the precipice of an ending. It's the last dungeon! We're back in starter town, transformed by the big bad, and now we gotta take it back. (Like, do I have to invoke Ocarina of Time, or something? You know how it goes, you've seen this story before.)

Siffrin isn't afraid of the journey, the intro makes that blatantly clear all on its own. This entire journey is, quite literally, the happiest Siffrin can ever remember being.

He doesn't want it to end.

The story ends when you save the damsel. She will reward the heroes (usually with a kiss, but this time with a hug), thank them for their efforts, and then the credits roll. If we want to stay here and be pedantic, we can pull examples out of our hats all day for this trope as old as time.

Euphrasie is the end, not just within the context of the game's individual story, but for its type of story. Pretty woman, trapped by the bad guy, last person to be saved, emotional importance to the protagonist, dramatically awaits the rescue by her dashing protagonist after giving her the magic ocarina blessing to give Mirabelle her Special Protagonist Power that makes her super special and immune to the bad guy.

Euphrasie also gets the addition of being the wise mentor, combining tropes a bit, though I don't think it's uncommon for mentor figures to be the kidnappees either, even if the example I'm thinking of first is Eyvel from Thracia 776. (And you see once again, that I am incapable of thinking outside of Fire Emblem comparisons.)

So, simply from her role alone, we expect her to be the story's natural conclusion, but the setting helps that point, too. It's the rooftop of the final dungeon. Very obvious location, yeah?

The game's structure also builds anticipation into meeting her. Here and there, you hear about her from Mirabelle. And, right before facing the King, that's when Mirabelle talks about Euphrasie in-depth, how Euphie should've been the chosen one. We've got a lot of ideas about Euphrasie now, we're thinking about her as we go into the final boss.

And Siffrin dies. Duh.

We're so close to the end, and it's torn away from us. We need to get to it, get to her. Finally get past the King to meet her.

She's the conclusion. And in this moment, she is the goal, too.

Speaking of the King, though --

The True Final Boss

As Siffrin faces the King again and again, they grow less scared. More jaded. If you die to him thrice (or play START AGAIN), you get the option to say "Let's just get right to it", and skip his entire monologue.

After all, you've beaten him once. You can do it again. So who cares about him, yeah? Facing him only gets easier and easier as the game progresses. The King may be scary still in some story aspects, but in gameplay? Not a chance.

ACT 4 doesn't end with him. It ends with her.

As Siffrin faces Euphrasie again and again -

(No, no, no, she could've answered your questions, why?!?)

(Even though you asked for something different at the start of this conversation...)

(WHY IS SHE REPEATING THE EXACT SAME THING?!?)

Siffrin (yelling4): "JUST TALK TO ME!!!

Talking to her again makes her scarier, because Siffrin may have gotten past the King, but he's never gotten past her. For all intents and purposes, Euphrasie is the final boss of the story.

Again, ACT 4 - Siffrin's deepest moment of despair, confirmation of ultimate failure, is her.

Speaking of final bosses...

They both cut a rather striking silhouette, don't they?

Yes, yes, islander theory, white hair. That's an in-universe theory though, but the point is, it does make them look similar. They both have long cascading white hair, they're both extremely tall. They are both similar yet different in appearance.

Euphrasie is rounded where the King is jagged, namely. Soft where he is imposing. But those similarities still remain. Contrasting figures that only enhance the similarities all the more.

(I felt utterly insane for seeing this, but. Do you see it. DO YOU??) (Like. Outside of any theory stuff, her being the only person to have white hair beside King and Siffrin, long white hair to boot, has thematic signifcance as well, yes?)

[Side note: Yes, it is utterly irrelevant here that insertdisc5 said her hair is dyed, because it is STILL a striking resemblance of character design that can be interpreted with symbolic meaning, thank you~)

The trangles.

Though she may overshadow the King as the Endpoint past ACT 2 in ISAT, she does not in START AGAIN.

In START AGAIN, the ending beyond does not exist, for all intents and purposes. The endpoint was pulled forward. Whereas ISAT Siffrin's true dread sets in after beating the King, in SASASAP, it does so in the break room right before facing him.

Or, well, the resignation.

In In Stars and Time:

Siffrin (fake1): "Hi." Siffrin (fake1): "You can start breaking down now." Euphrasie (sorry1): Breaking down...? What do you...

In Start Again:

(You wonder how everyone will die this time.) (Will the King beat them with Craft until they are no more?) (Will he freeze them in time, unable to move or breathe for all eternity?) (How will YOU meet your end?) (In blood and stars maybe... In tears and time perhaps...)

The natural acceptance that, (you can look at the title of this again) this is the end. That there is no getting past this. They are both the last obstacle that can never be overcome, between the games.

Hell, just COMPARE SAP's true ending to like, the end of ACT 4.

Siffrin awakens in the meadow. Everything was in vain. Everything was useless.

Siffrin finally, after a thousand loops or even more, beat the King. This is supposed to be the end, but it's not. So, this proves once and for all that there is no escape. They're trapped here forever.

They built it up for so long in their head that all they have to do is beat the King, and then the suffering's over.

And in ACT 4... Siffrin builds it up for so long in their head... All they have to do is ask the Head Housemaiden about Wish Craft. That's it. That's the answer! After that, it's the end! It'll be over! He just needs to do this one thing...

Loop (away1): ...Is that so? But, didn't you already-- Siffrin (unhinged1): "It is so!" Siffrin (unhinged1): "I might be able to break the loop, somehow!" Loop (away1): ... Siffrin (unhinged1): "You know, it might just be that I need to make everyone's wish come true! And everything will be back to normal!" Siffrin (unhinged1): "If I talk to her, she'll know, she'll be able to tell me what to do..." Siffrin (unhinged4): "If I can just talk to her...!"

And is wrong, of course. They wake up in the meadow and despair. So, this proves once and for all that there is no escape. They're trapped here forever.

Siffrin: "Or, or does it mean-- It means--" Siffrin: "It means I'm stuck here for good, aren't I?" Siffrin: "Forever?" Loop: ... Loop: . . . (. . .) Siffrin: (No.) "You think I'm stuck here forever."

It's the exact same mindset with different characters representing the end point. The parallel becomes even more evident in that Siffrin's very last manic shot at victory is the exact thing that proved Loop's failure - supposing that the King is the true end point.

Yet it's also different, in what these two characters represent.

The King is very much a representation of the past. His fate in ACT 5 ultimately proves what it means to refuse to let go - being frozen in time is both a metaphor and very literal. He's stuck in the past, by choice. He could've lived and chosen to embrace Vaugarde and move on, but he didn't.

Y'know, he's a bad end Siffrin, metaphorically (albeit not literally. Narrative mirrors and all.) He's what Siffrin would end up like if they never learned their lesson. If they keep refusing to let go of the past... and embrace the future.

Euphrasie's Agency and lack thereof

To Siffrin, there is no future. They can't conceive of what happens after this journey. So, the character marking the endpoint of the journey, and the start of a new chapter in Siffrin's life, cannot see a future either.

It's... fascinating, to me. How Euphrasie is a vessel of Siffrin's insecurities by force. Siffrin's Wish has taken hold of her. It's using her as a stop, on purpose.

Odile (worried2): Because... Talking to you... Means our journey to save Vaugarde is really over, isn't it? Odile (gimme1): And for you, Siffrin, it also meant all of us going our separate ways, doesn't it? Isabeau (angry1): The very thing the loops were trying to stop...

(Points at my first point about Euphrasie being the Damsel, and thus the natural endpoint of any given RPG. Hey. Hey do you see how obvious this is yet.)

Euphrasie seems to have some sort of ability to feel Wish Craft, or the Universe, or Change, or whatever. She knows what her role in this play is, most of the time. "I can feel it! We both know this! It's all over when you talk to me!"

(IT'S ALL OVER WHEN YOU TALK TO HER.)

What she says mirrors what Siffrin thinks about her. This becomes most obvious only in retrospect, looking once again at the ACT 4 finale.

Euphrasie always says the same thing, because she is the end and the end can neither change nor ever arrive, but she can only say something new in one circumstance.

Siffrin (angry4): (You just wish she would ANSWER YOU!!!!!!) "Now that you know, now that I know, you can fix it!!!" Euphrasie (ending3): . . . Euphrasie (ending3): Fix it?

When Siffrin wishes for her to. Her capability to act in new ways is directly controlled by Siffrin's desire. Since the entire loops are caused by their subconscious desire to stay with everyone, she fulfills the role of keeping everyone together.

Thinking back on what she says...

"I know you thought your quest was over, but it can't be."

Your quest. Yes, quest is also used in a general story context, especially in fantasy, but Quest has long since become a well-established term in video games of all stripes. Sidequests, Main quest, hey, isn't it weird how ISAT refers to all its storylines as quests?

Friendquests being the obvious example. Fetch Quest, Companion Quest, Tutorial Quest, Really? He doesn't need your help with a quest?

But outside of that... I know I just know these terms because of my script wizard activities, but every storyline is a quest. Kingquest. Loopquest. Friendquest.

There's any number of words that could be chosen ("journey" probably being most prominent) and yet she says quest. By using a term inoxerably tied to video games by this point, she's saying "I know you thought the game was over, but it can't be."

And see how the game uses glitched imagery and static to represent everything breaking down, both at the end of every loop, and in ACT 5. This imagery is just confusing and means nothing to the characters, but is very obvious if you are Playing A Game.

The fuzzy static of an old TV, the bars of screen corruption, random symbols in text, the distorted music like a malfunctioning cassette tape…

If I may be so bold as to harken back to one of my own previous essays... The timeloop is the game.

It all ends when you talk to her. Everything ends when you talk to her. The goddamn game ends when you talk to her for the last time.

I got a bit of track here from the point, which is- her agency.

As we've established, she functions as Siffrin's own stop, on purpose. She can only act independently when Siffrin wishes her to.

And her not doing so is the beginning marker of everything breaking down in ACT 5, as well.

When Mirabelle interrupts her usual greeting speech, Euphrasie reacts differently immediately. She takes a look at Siffrin, diagnoses them with Craft overusage, and says they just need rest.

"But he'll be fine, now that the battle is over."

But, as usual, she can... sense what's happening.

"Every time I've tried to reach out and feel what's happening, I sense... Chaos..." "It feels like something is... Rotting..."

Mirabelle: "...?" Isabeau: "Rotting...?" Euphrasie: "I know you thought your quest was over, but it can't be! Something's broken, something's failing, rotting!"

She even skips back and forwards between all her different lines, everything Siffrin expects of her and has memorized by now, when we've seen that she was acting differently just a moment before.

It's Siffrin's wish kicking in again that marks the final straw once more, their clashing desire to stay in the loop against his desparate will to escape, resulting in Euphrasie being torn between who she actually is (acting new! moving forward!) against what Siffrin needs her to be.

(you're still stuck here) (but isn't it fine?) (eternity is within your grasp)

Mentioning eternity even harkens back both to the King ("I just want eternity.") AND the ACT 4 ending ("To know you'll be trapped for all eternity, Siffrin... I am so sorry!!!").

Again, like, Euphrasie's agency being torn from her, falling back into that old pattern, is what marks Siffrin realizing he's been wishing for eternity this entire time. It's written on the wall all over ACT 4.

Like, literally, textually, if you choose to pray to the intact Change God statue in ACT 4, Siffrin's prayer is "(You wish for eternity.)"

Because in the course of all these loops, Siffrin has been denying everyone's agency. Euphrasie is just the most prominent example. In ACT 5, by wishing for eternity, what Siffrin has (accidentally) forced onto Euphrasie all this time, he is trying to force onto everyone.

Whether or not Euphrasie is allowed to be a person is a direct marker of Siffrin's ability to escape the loop. It's only over when she's allowed to be free.

Euphrasie is the first person in the ending to mention going home.

"Finally, you'll all be able to go home!!!"

But in ACT 6, she doesn't. She doesn't mention going home at all. Instead, she tells everyone a new story. One Siffrin's never heard before.

Allowing Euphrasie to be free turns her back into the symbol of change that she's supposed to be. I'm repeating myself, but it truly is her change that is the definite, 100% sure marker that Siffrin is free, too. That the future is here.

Why are circles a symbol of change, anyway?

In me saying, Euphrasie symbolized stagnation, until Siffrin allows her to stand for the future again, it is irony. It is immense irony that the Head Housemaiden of Change Itself turns into a symbol of endings and stagnation through Siffrin's denial.

And, on the topic of irony, I ask you:

When the hell are circles a symbol of change???

You know. Circles. The things that famously represent cycles (wow, wonder if those words are related), repetition, infinity and eternity.

Isn't that weird. Isn't that ironic. The entire symbology of the House of Change is supposed to represent, well, Change, but just amounts to representing cycles (yknow, THE LOOPS. LITERAL TIME CYCLES.) through the recontextualization of Siffrin's experience with them.

Even the Change God doesn't oppose the time loops, instead being excited for how Siffrin changes as everything else stays the same.

The circle symbol is a witty act of irony from a design standpoint, and one I must only applaud, because why the hell didn't I see that sooner.

No, like, for real. If anybody knows some real life religion or culture where circles represent change and new beginnings instead of revolutions or the turn of seasons or the cycle of life and all that stuff. Please do tell me about it? I'm not omnipotent.

But generally, the irony of Euphrasie carries forward into the irony of the Change religion as in-universe these are symbols of change, but out of universe, to us, the players, they're symbols of repetition. Just like how to everybody else Euphie is a change, but to Siffrin she is stagnation. (Re: my other essay where I compare Siffrin to a video game player and the timeloops to a video game and I go on a whole metanarrative tangent.)

This plays into the metanarrative! Making meaning to the characters and to us incongruent! And it's cool as fuck, what can I say.

To cap off, let's compare what she says in every normal loop, and ACT 6, won't we?

Euphrasie (smiling4): Finally, you'll all be able to go home!!! Euphrasie (smiling3): If there's anything the House of Dormont can do to thank you... Please do not hesitate. Euphrasie (thankyou1): But for now... Bask in the feeling of a job well done!!!

And, in ACT 6….

Euphrasie (smiling2): I'm sure you must have a lot to talk about with everyone. Euphrasie (smiling1): But be sure to talk to me when you're all done! Euphrasie (smiling4): So I can happily bless you and your companions' new journey!!!

A Plain Ol' Euphrasie Character Analysis

Heyo, that finishes my essay on Euphrasie's symbolic meaning about narrative and shit! But...

It feels kind of mean, to write so much about what her agency and lack thereof represent, without actually talking about who she is. I didn't mention that a lot, see, because it's not important. Because that part's not important to Siffrin, because during the timeloops, Siffrin doesn't see her as a person.

So. Let's talk about her! Who is she? What is she like? What does she do?

Personality

The Good and the Funny

She's really funny. I mean it. Generally, she loves to joke around, and she has this ojou-sama style "Ohoho~" laugh that I find utterly delightful.

Siffrin (tired2): "But you might know something about--" Euphrasie (smiling4): Ohohoho! Euphrasie (smiling4): Sorry, I know nothing until you talk to your friends! Euphrasie (smiling3): And quite honestly, it is a little funny to see you get steamed about this, ohoho!

So many things in this bit. This is from when you try to talk to her before all the others in a regular loop. The reason she doesn't talk back first is of course because of the whole Agency thing (see above), but also, it's funny for her to take the piss.

Yet her wanting Siffrin to talk to everyone else first also shows that she's a very considerate person! This is The Saviours' Big Moment, and she is dying to talk to Mirabelle's new friends, but she doesn't want to take away from that. She's gonna give them her moment, and only butt in once all the hugs and tears and cheers have been had.

You can see this in ACT 5, too. She doesn't pass out or anything when Siffrin smacks her away, she just recognizes that her presence is upsetting to Siffrin, she doesn't know them or their problems, so she's gonna step back and let them figure it out themselves.

Euphrasie (smiling4): Ohohoho! Don't worry about me, everyone! Mirabelle (awawa1): H-Head Housemaiden! You're okay!!! Euphrasie (smiling3): I am! I was staying away for a little bit. Euphrasie (thankyou1): You all seemed like you needed to talk, so I was patiently waiting for you all to finish your conversation! Bonnie (serious1): That's very considerate of you. Isabeau (hahaha1): It IS very considerate of you!

She even during the hand holding scene is SO considerate that she doesn't speak up and include herself until Odile asks her to join in. Which might be a bit much, actually.

Odile (lol2): Fine. Let's hold hands, then. (Odile takes Bonnie's hand.) Odile (yeah1): Head Housemaiden? Euphrasie (thankyou1): Oh! Yes, of course!

That lil "Oh!" showing she's surprised to be adressed and included in this conversation.

Anyways, the previous exchange also gives us two OTHER delightful facts about her.

Euphrasie (smiling3): I haven't had this much fun since reading the last issue of "The Cursing of Château Castle"!!!

Meaning:

She's a bit of an adrenaline junkie, and considers getting slapped across the room "fun"

The coveted last issue of Cursing of Chateau Castle in the pottery room is hers.

Delightful woman. I love her.

She's also pretty frank! She talks a lot in snappy phrases and witticisms. She's kind and patient, for one, but really not afraid to mince words.

Euphrasie (smiling4): I thought we all knew that the Change God is a pretty lazy deity! Bonnie (wait1): Wow... Odile (urgh1): Isn't that a sacrilegious thing to say...?

Really makes me like her all the more that secondhand, she comes across as graceful, larger than life, almost, and then she simply doesn't care all that much about propriety and what someone of her station is actually supposed to be like. It really fits in with the Change Belief and the ethos of being true to yourself that she doesn't bend herself like that.

I'll also continue to be delighted that she described the King defeating her as knowing that "[she] was toast", just, she's just so casual.

Guilt and Responsibility

In more serious matters. The guilttttttt.

Yeah, she's casual, but she still obviously puts a lot of focus on her responsibility to the people of the House, of Dormont. We know that she was preparing for the King to arrive. She was studying Wish Craft, she was contemplating counter measures. She was making charts of who wished what to figure out whether this could stop him.

(...The Head Housemaiden...) (She's the one who wrote this. She knows about Wish Craft.) (She knew something was wrong, this whole time.) (She might know... How to...)

There's a degree of paranoia evident that we don't see in any of her time onscreen, but you can wonder what it says about a woman to have a deadly rock trap in front of her office.

AND she doesn't have her key out in the open, she has it taped to the underside of her desk drawer. Not an infallible hiding spot, but still hidden, and not just stored.

The other people in the House were all also revealed to be the ones locking doors in the party's path, hoping that it would stop the King.

Bonnie (sad1): . . .You know, I was wondering... Bonnie (sulk2): Like, the King clearly closed this door, and put the Tears in our way... Bonnie (sad1): But the... But the locked doors, weren't they... Mirabelle (sad2): ... Odile (dotdotdot2): Yes... We were wrong. Odile (dotdotdot1): They were most likely locked by residents of the House.

Speaking of people hoping to stop the King, she has a mountain of notes on him in her office as well.

(Some notes about the King.) (The Head Housemaiden must've been looking for more information about him...)

She hid her key, trapped her door, and before that, gathered information on the King and how to counter him. So, let me ask, do you think she improvised her blessing?

Mirabelle (excited1): She's also a great Crafter! She always creates wonderful items that makes everyone's lives easer! Mirabelle (awkward2): She taught me so much... Most of the Craft skills I know, I learned from her.

She's a skilled Crafter to boot, eh?

Looking at this, I don't really think so. Beneath that jolly front, she is a logical and pragmatic woman. Looking at her ability to specifically counter the King's Curse in context of how much we know she prepared for his arrival, I believe she prepped this blessing beforehand. Whether she actually finished it, I don't know, but she had to pick Mirabelle as a subject for it quickly and under duress.

Mirabelle wasn't the ideal choice. She was the logical choice.

Euphrasie (smiling3): Well, I only had the strength to bless one person, and I was already toast, and you were almost out of the House when the King attacked... Euphrasie (smiling3): So, really, you were the only logical choice!

There are some more emotional reasons for the pick, which I'll go into later when talking about Mira, but, still. She mentions this first, before going into Mirabelle's virtues as a person.

Plus, Claude (who will also get a section later), is the person closest to the King and Euphie. She's got the Secret Ingredient for the bomb on her, and had obviously been working on making a Craft Bomb beforehand, as discovered by the gizmo gadget in her room.

Combined, we can surmise that Euphie and Claude were both making different preparations to counter the King, with Euphie focusing on Craft both by studying Wish Craft and working on a Craft to nullify the King's Curse, whereas Claude just worked on a bomb to blow him the fuck up.

Euphrasie was, simply put, working to protect the people she cared for. It's her responsibility.

And she failed.

LET'S TALK ABOUT HER GUILT!!! WOOOO!!!!

When you talk to the people in Dormont during Loopquest, some of them mention the Head Housemaiden also asking them about their wishes, but none of them know why. This implies that Euphrasie was covert in her research, likely not sharing her information either because she was unsure of its verity, or to not cause undue panic. The only other person we see with less than impromptu countermeasures is, after all, literally just Euphrasie's girlfriend, who would be the number one person Euphie would confide in about this stuff.

Even then, though, there is no concrete evidence that she did confide in Claude, outside of Claude preparing the bomb, which is circumstantial at best. Really, did she not have any issues with Siffrin's treatment of her in ACT 5, or did she just swallow it down out of pragmatism?

Can we be sure that it's sincere, when she brushes off Siffrin's worry for her?

Siffrin (US_guilty2): "You said the things you always say when I come and talk to you." Siffrin (US_guilty2): "About how the world is rotting." Siffrin (US_sad1): "And you can't do anything to help." Euphrasie (sorry3): Hm... Euphrasie (smiling4): Interesting! I don't feel like saying it now, though! Euphrasie (smiling1): Or at all! The wind feels nice and fresh. Euphrasie (smiling4): It just feels like a beautiful day, doesn't it?

After all, in the loops themselves... She's the first to notice it, every time. She knows, deep within her bones, that something's wrong, and that it's her fault.

It's especially potent symbolically, that the phrase she never gets to finish is "I hope you can learn to forgive us."

Which is a phrase that received a slight change from its comic counterpart:

"I hope you can learn to forgive me."

Regardless of the me versus us, she, with the most intimate knowledge of Wish Craft right next to the King, directed the people of Vaugarde's wish, and knows that Siffrin ended up as the Wish's subject. She can't know that this is a side effect of Siffrin's wish being entangled with her own, but she does know her own wish is involved.

She starts crying. She's disraught. She breaks down.

Euphrasie (ending2): I can't fix it on my own, not before it all ends... If only I had noticed sooner!!! Euphrasie (ending1): I should've seen it, prevented it!!!

She says that she should have seen this and prevented it. It was her responsibility to do this, and she failed.

Euphrasie (ending2): It's my fault that you have to suffer like this.

Again, she was the only one who knew, the only one who could have ever possibly had any shot of defeating the King before things got too bad. But she fucked up, he stormed in before she could prepare properly, and she squarely lost whatever confrontation might've occured between her and the King.

Euphrasie: Something goes wrong, every time!!! Euphrasie: If you're here now, asking about Wish Craft, then something must be wrong, isn't it? This isn't the first time you've gotten this far, isn't it?!? Euphrasie: It shouldn't be like this... Why does time loop back, even though the King has been defeated?!? Euphrasie: The only answer I can find... Is it's because we did it wrong.

She's responsible, pragmatic to the point of paranoia, and it wasn't enough. Of course she feels guilt. A lot of it. After all, she believes that she personally has doomed someone to eternal stagnation. That she has caused all of Vaugarde to be trapped, and for one person to suffer for it. That she caused all of Siffrin's suffering.

It's so odd to me that she manages to immediately grasp that Siffrin is in a timeloop. It could be Siffrin's wish using her as a mouthpiece, it could be that weird innate connection to the Universe she seems to have, it could be her own immediate deduction on the logic of Wish Craft, or it could be a combination of all three.

But point is, she recognizes Siffrin's looping without having to ever be told about it. And I do not think that goes away, even in ACT 5 & 6. It's just not the time and place for her to speak on her own struggles right now, not when Siffrin is finally getting the help that she cannot provide. Not when she can recognize that she is the conductor of everything that just occured, which, again, nearly broke the entire work.

Euphrasie: If only... If only we had fought back against the King, instead! If only we didn't wish for such a thing! Euphrasie: If only I knew this would happen, if I had noticed it sooner, I would never have let people wish at all!!! Euphrasie: To know you'll be trapped for all eternity, Siffrin... I am so sorry!!! Euphrasie: It's our fault, all of Vaugarde, that you have to suffer like this!!!

She gathered her intel and made her bet. She just made the wrong one.

(Yet what she never seems to recognize is that this had to happen. That without the timeloops, yeah, the King wouldn't have been defeated! The country would have been frozen!)

(But that doesn't mean anything, does it. When she had to take away Change Itself from some innocent bystander.)

Relationships

Anyways in more cheerful news let's look at the two most important people to Euphrasie we know of.

Mirabelle

Mirabelle!! The Meeble!! Euphrasie is super important to Mirabelle, and Mirabelle, in turn, is super important to Euphrasie.

From the third snack break:

Mirabelle (sad2): The Head Housemaiden... She's such a wonderful person. Mirabelle (sad2): She helped me out so much! I couldn't do anything before I came to the House, I could barely sew my own clothes, and she helped me, she taught me... Mirabelle (sad2): I wouldn't be the person I am without her! Mirabelle (sad2): And when the King attacked... She protected me. Mirabelle (sad2): Everyone... Everyone was being frozen in time around me... Mirabelle (sad4): And the Head Housemaiden made sure I could escape! Made sure I lived!!! Mirabelle (sad4): She gave me her blessing...!!!

Similarly to some of the other older Housemaidens, Euphrasie had a big part in raising Mirabelle (which does imply some things about Mirabelle's past, but that's not the point right now). We don't know the exact sequence of events for Mirabelle escaping (outside of Mirabelle happening to be closest to the door), but Mirabelle adds some action to Euphrasie during whatever happened, saying Euphrasie "protected her".

From Euphie's office:

Mirabelle (sad2): But the King was too strong, and attacked out of nowhere, and now... I don't know what happened to her. Mirabelle (sad2): When I fled the House... The King might've already... ...

They weren't in the same room, Mirabelle doesn't even know what exactly happened to her, but still says Euphie protected her, and obviously shows great esteem for her all around.

Mirabelle just loves Euphie so much, man!

Euphrasie (sorry3): And, Housemaiden Mirabelle... Euphrasie (smiling1): You have always been the most hardworking Housemaiden in the House. Always striving to learn new things. To better yourself. Euphrasie (smiling2): Always meeting challenges head on, even if you didn't think you'd succeed. Euphrasie (smiling3): You were the only logical choice, yes, but you were also the only RIGHT choice! Mirabelle (sad2): Head Housemaiden... Mirabelle (gentle1): No, Euphrasie... Thank you!!!

Mirabelle credits Euphrasie for the person she is today, but Euphrasie turns that back and gives credit to Mirabelle's own strengths. It's just, very cute. She might have taught Mirabelle her literal skills, but the determination and bravery were all Mirabelle's own.

This scene also demonstrates that the bond goes both ways. Euphie loves Mira right on back, and considers Mira to be "stinking cute!" which even the Change God Themself agrees with. She's so proud of Mira!

I also wanna point to the switch from Mira using Euphie's title, to then using Euphie's name after Euphie reaffirms how proud she is of Mira. Throughout the entire adventure, Mirabelle's unwitting deception (that she had been blessed by the Change God instead of by Euphie) had weighed down on her, and Mirabelle kept questioning why she was the one who had to go on this journey, when Euphrasie would have been so much better at it. Like she stole Euphie's spot.

I think that bled into the relationship, here, that she kept imagining Euphrasie being disappointed in her, so she uses the title to make some distance to that mental image. It shows off how distant and unreachable Euphrasie is.

(It's also just a good show of politeness from Mirabelle. Like, if I'm talking to my mother, I'll call her Mama, but if I am talking about her to someone else, I'll say "my mother", as demonstrated by the first part of this sentence.)

Lastly, really minor thing: apparently, Euphrasie is looking into dual Craft types! That's one of the random papers on her desk.

(It's an essay about the 3.5% of people who are dual Craft types users, like Mirabelle.)

That makes me think she started reading on it because of Mirabelle, which is cute.

Generally, the basis of their relationship is very much mentor-student, yet it goes much deeper than that with Euphrasie's big role in raising Mirabelle. TLDR: they love each other, your honor. Fambly.

Claude

Second on the agenda, Mirabelle's roommate, Claude!

Lookin at Claude. It's obvious they're romantically involved. The first hint is the letter on Euphie's desk, of course, but that could imply this is a recent situation, too.

(It's a lovely, cheesy, mushy love letter from someone named Claude.)

Except, well, no. The letter isn't sealed, otherwise Siffrin wouldn't be able to pick it up and skim it if they had to open it first. It was already open, meaning Euphrasie already read it.

And, in Act 6:

Claude: Okay! We'll come and say hi later, then. I'll need to go and plant a big kiss on Euphie, anyway.

Claude mentions how she has to give Euphie a big kiss, which you wouldn't exactly do with someone you only just confessed to. Meaning the relationship has been ongoing for a while now, and also implying that Claude still writes love letters to Euphie, or that Euphie kept Claude's initial confession on her desk, both options make them big saps, which is really cute.

Also also, Claude's the only one to call Euphie Euphie, an endearing nickname.

I also touched on before how Claude was the only one to also prepare for the King's attack by making the bomb, and...

Mirabelle (sad1): I... used to think she should've become a Defender, because she was always helping people, and trying out weird experiments to solve their problems... Mirabelle (sad2): And she would always, ALWAYS help the Head Housemaiden with hers. Mirabelle (sad2): Always trying new ways to organize her desk... To help her finish tasks... To make sure she'd get some free time... Mirabelle (sad2): She'd do it with a smug smile, saying it wasn't that big of a deal, that she'd do it for anyone, but... Mirabelle (sad2): If she knew that the Head Housemaiden was in danger... She would've ran anywhere, everywhere, so she could help her. Mirabelle (sad2): Not only because the Head Housemaiden would've solved anything, would've beaten the King if she could, but because... Mirabelle (sad3): Because... Mirabelle (sad3): . . . Mirabelle (sad3): If Claude is this far into the House, she must've... tried to stop the King herself, so he wouldn't get to the Head Housemaiden.

Mirabelle trails off on that last "because" concerning Claude's motivation to go rushing to Euphrasie, and I think, considering the love letters, we can guess what that was. It's quite evident from Mirabelle's words that the two are super close. "[t]hat she'd do it for anyone, but... If she knew the Head Housemaiden was in danger... She would've ran anywhere, everywhere, so she could help her."

Mirabelle's framing of it reveals that Claude wouldn't do those things for just anyone. That Euphrasie is special to her.

In both ISAT and SASASAP, Claude is the last frozen NPC you find, the closest to the King. Her bomb wasn't finished, but it's telling that Claude carries the Secret Ingredient on her person. Whatever it is, she probably nabbed it from her room and set out to help Euphrasie in her fight against the King any way she could.

I guess the summary here is more simple, but the devotion on display is amazing. Like, again, the bomb wasn't done, Claude had NO weapons to speak of, but came rushing in anyway, because Euphrasie was in danger. She loves her girlfriend so much!! They're mushy and silly and affectionate, and, if Claude is the one organizing Euphie's desk, did Claude keep her love letter on display just to show off? Again, it's. It's cute! It's a lot of environmental storytelling for an NPC!!

Wah. Clauphie are so cute. We don't see Euphrasie talk about Claude at all (because Euphrasie does have more uhhh pressing things to worry about), but just, from the letter on the desk, it's gotta be reciprocated.

There's just so much to speculate about how things went down when the King "attacked out of nowhere", because Euphrasie is at the top of the House. Even when the King is defeated and the House returns to normal, it's still the roof. So, did she draw him up there on purpose to give everyone else time to escape?

I personally think Euphrasie was probably frozen first, with Claude rushing in second. So she did hold him off as long as she could, and that sacrifice allowed Mirabelle to escape in the first place. Nothing would've been possible without her. Euphie feels so much guilt for what she's done, but Mirabelle and Siffrin would not have suceeded without her, okay. She's instrumental.

Which is less about Claude and more about Euphrasie's importance, but hey, this is my essay, and I can be as uncoordinated as I want.

The Job

Last thing I wanna touch on!! Just a fun lil thing.

What the hell is a Head Housemaiden anyway?

Mirabelle and Isabeau react scandalized at the notion of people sharing shrines, so it seems unlikely that the House functions anything like a church at all. Every Housemaiden has a personalized figure of the Change God that they pray to in private, as we see from Mirabelle talking about them, in addition to basically every room in the House having one, down to people making more in pottery class. So, it's suuuper unlikely that the Head Housemaiden has much of a religious function. Spreading the good word, maybe, but actually leading prayer? No way.

Odile (wonder1): We make shrines for our gods, and everyone shares the shrines. Isabeau (huhwah1): SHARING GODS............

She seems to have a much more logistical function, being more like. The manager of the House. This is a files thing, but the map for her room is actually called "admin". She also has a lot of quote unquote boring administrative papers on her desk that Siffrin doesn't care about. Makes one wonder how the position is selected, whether one is elected into the office, or it's just whoever wants to do the paperwork to keep the House running.

(It looks like boring administrative papers.) (It's a petition to serve more bread at lunch.)

Mirabelle (happy1): She manages the House and makes sure everyone is happy and fulfilled! She organizes a lot of events too!

Among things such as "what to serve at lunch" and "organizing events", she's more like the headmaster of a community college, especially considering how heavy the House just resembles a community center. Less of a religious institution, more just a place to host fun classes and a living space for all who need it.

It's hard to tell whether Euphie demands a lot of respect due to her person and office, or it's just Mirabelle specifically that respects her most, since most of what we know of the House and its people is filtered through Mirabelle's perspective.

Speculation!

It's headcanon time, babey.

Yup, after straying close to actual facts for so long, I wanna get speculative. You're probably already gonna know islander theory. (And if you don't, go read that. This is like, the third time I linked it.)

But I wanna like, talk about how that influences how I read Euphrasie a lot!! I didn't go in-depth with that aspect in the og theory post but you can swear to any god you believe in that I've thought so so much how this enhances other aspects of who she is and stands for and also SHOUTOUT TO OCEAN!!! WHO ALSO THINKS ABOUT THIS SO MUCH!!! And again in fact thought about all of this before I did and is also someone who talk about excessively about this. AND ALSO GOT TO PREVIEW A GOOD CHUNK OF THIS ESSAY and motivated me to finish this eheh.

Anways! I wanna circle back to some points here first!

That whole past vs future thing

You might recall how I compared Euphie and the King a lot, esp between their respective roles in ISAT and SASASAP being pretty identical. And I said the King represents the past, as he is literally frozen in time, choosing to remember what he has lost instead of living in the present, and Euphrasie represents the future, which can only arrive when she is permitted to be her own person!

So yeah, uh, how's that feel when you suppose that they're from the same country, and thus, suffered the same loss.

Reading Euphrasie with this HC in mind opens up a very neat second parallel to Siffrin. King is someone who can't let go of the country, and Siffrin is torn between not wanting to let go and knowing they have to. So to put them up against someone who has let go is just pretty nifty.

Euphrasie is content with her life and the culture she lives in, even being a pillar of the community! Whereas King is a 'bad end' counterpart, Euphie, in her Showing The Future Function, is the 'good end' counterpart for that, showing that someone in Siffrin's situation can overcome their grief and find new fulfillment.

The End

So! That's everything I got on Euphrasie! She represents The End, but just as you gotta break an egg to make an omelette, she represents new beginnings, too. Her agency and freedom are change itself.

Mirabelle (hm3): It's to remind us that before changing, we must stop and think about what will be irreparably destroyed. Mirabelle (hm1): But destruction is just a part of change, and we must accept it... Isabeau (brag1): Yeah! It'd be awful to keep yourself from becoming a person you feel comfortable with just because it would upset someone else. Odile (huh1): Huh... That's a harsher belief than I thought.

In conclusion, I love her. This has been 7.4k words. Good night!

#feli speaks #in stars and time #isat spoilers #euphrasie isat

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shanxing-wu · 1 month ago

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spoilers for hsr 3.2 story below the cut

my thoughts on some screenshots i saved while playing at 3am

SPOILERS SPOILERS SPOILERS

phainon, i think everyone was expecting you to be the one to study his body........

mister "that immortal body soaks up damage like a sponge. trust me, i've tested it myself".

mister i was the first to sign up for mydei's keeping up w/ star rail.

ok but his angry face is so cute i forgive him 🥰

if phainon is the one who EVERYONE is relying on to recreate/reincarnate the people of the new world according to his "perfect memories"... would there just be a sudden increase of people who look suspiciously like a certain kremnoan crown prince? who might share similar features or demeanors? and the aforementioned crown prince's reincarnation is a perfect, exact, MIRROR IMAGE replica of the previous cycle. i know this guy does not stop thinking about mydei for a SECOND. we're all doomed.

dan heng's mission log.... "they will be just fine. i sincerely pray so."

thinking about dan heng carrying trailblazer in his arms, desperately doing everything he can to save them. and to think that he inherited all of dan feng's gifts for cloudhymn magic, prowess with a spear– everything. except for healing.

i'm so curious about the full story of the previous cycle and who all those chrysos heirs were! and it's so interesting to me that they left the death coreflame for last, whereas it seems like in our present cycle we're leaving kephale coreflame for last? (or aquila, but i honestly think it will be kephale since it's kind of just... marinating idk...)

also curious about the chrysos heirs that became cerces and mnestia. were they lovers before they became titans? was this a love that transcended lifetimes, broke the chains of the cycle? after learning the story of polyxia saving her sister's life, it wouldn't be the first instance of love being that powerful.

(now i want to write fic about that happening with phainon and mydei. the voices...)

so what if i cried

i like to think, with this extreme close-up framing on his eyes and the way he stares longingly into the distance... the phaidei shipper in me thinks he's talking about phainon when he says "til the miracle descends." that here, at the border of life and death, fighting with everything he has not to give into death, he still trusts that phainon will be the one to deliver the miracle to him and release him from this cycle of endless fighting and deaths.

my first thought was that he's asking if aglaea is dtf here. and i thought: in front of all the dead gods? 😭 i honestly believed we were about to get another "competition in the hot baths" scene.

as a child of divorced parents myself.... this felt like two divorced parents talking about their son 😭

miscellaneous thoughts:

do NOT ask me how many times i had to replay the dialogue when cipher was on screen. i could not stop staring respectfully at her thigh strap. (i was actually really not interested in her design at all until i met her in 3.2. and discovered that i'm weak. so incredibly weak. and gay.)

phainon giving epic, emotional, dramatic speech in front of the entire population of okhema: mem mememem memem mem MYDEI memem mememememem

the casual lore drop that hysilens is dead?? are we not going to talk more about that, castorice??

i loved this story so much. it confirmed so many of my theories but left me with so many questions still???

so many great cameos. mydei and trianne. ACHERON.

THE ENDING WAS INSANE??? CONFIRMATION THAT DESTRUCTION IS THE THIRD PATH? LORD RAVAGER??? WHAT?

in my opinion 3.1 is still my favorite story update (i'm incredibly biased for mydei), but 3.2 was still incredibly fun and jaw-dropping and beautiful. i'm already counting down the days til 3.3.

#spoilers #GIANT FLASHING NEON SIGN POINTING AT SPOILERS #story spoilers #hsr 3.2 story reaction #honkai star rail #hsr #honkai star rail 3.2 #hsr 3.2 #hsr 3.2 story screenshots #phainon #mydei #aglaea #anaxagoras #anaxa #phaidei #myphai

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yeryeryea · 2 months ago

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8 underrated eremika fanfics that I think definitely deserve way more recognition, appreciation, and love:

🤍 Anamnesis by Karizard (@karizard-ao3)

I've reread this a few times and it gave me a sci-fi movie vibe based on those romance, humor elements, and family scenes. It's rare to see Mikasa as a fuckgirl and Eren being the absolute wife guy ever (trust me, it's really sweet). The idea that every au of eremika has them deeply loving each other is so appealing, I love them and can easily imagine their lives when I'm dozing off lol. And I literally screamed when canon Eren appears! Imagine if this were a Netflix series, just picture the trailer with Eren's titan roar as one of the episodes even if it's just a quick black screen for one second. It would totally hype everyone up!

🤍 ocho by AphoticW

It's very sweet and I think Eremika in this au has the healthiest relationship ever! And for the first time I can actually accept jeankasa while reading. It was really refreshing and gave me a new perspective on their dynamic, something I didn't expect to enjoy as much as I did when I saw the title. It really caught me off guard in the best way possible.

🤍 My Emotional Kaleidoscope by On_kamis_green_earth

It's hard to find a mature fanfic that includes the topics I'm interested in, like addiction and its effects. There aren't many fluffy moments in this au but there are very realistic problems that really make you think. I was hooked right after the first chapter. It feels so raw and real, unlike the typical dramatic fanfics that can feel a bit too far removed from the harsh realities of life (yes I'm talking about DF lol). I love how it dives into deep emotional themes without sugarcoating anything. The complexity of the characters really stands out and keeps me engaged throughout.

🤍 see you later (the series) by sinigangsta (@sinigangsta-ao3)

This is a great series about canon eremika! The way it explores their bond is so genuine and heartfelt. I love how it delves into the everyday moments of their life and shows their connection. It's not just about the big moments but the little things that make their relationship so endearing. And there's smut! Plenty of them :) Lots of steamy moments that really add to the chemistry.

🤍 i can't think of anything funny to say by miriamika

[Still updating] It's hilarious and brings a fresh twist with its unique 1950s time setting. The humor is spot-on, and the fun mix of comedy and nostalgia had me laughing out loud while also appreciating the content. I really hope the author comes back one day to give us more!

🤍 Porcelain Menial by cxcassi (@cxcassii)

[Still updating] To say it's sexy, hot, sultry, passionate, or anything else is seriously an understatement! I love how Eren's character shifts from being kinda casual with his intentions to completely serious when they finally sleep together lol. It's like watching him evolve. This is definitely a fanfic people should check out and I'm waiting for more! Can't wait to see where it goes next!

🤍 The U and I in Security by Shining TEA

[Still updating] I don't think there's any other eremika fanfic that sets them up as security guards! It's hilarious, not just between eremika but literally between everyone. It's kind of a slow burn, but each chapter just keeps getting better. I was literally cracking up during their soccer game! Also, Eren tries to deny, or should I say, can't quite figure out his feelings in the cutest way, and it was so amazing. I hope the author updates soon!

🤍 Gangsta's Paradise by Drift1607

The criminal x cop relationship actually reminded me of Zootopia. I just realized it's kind of like an ‘old’ fanfic but I've reread it a few times now. Eren in this au is so funny and refreshing, unlike other aus where he's more serious or something, his lines had me laughing nonstop. But just a heads up, there's a bit of ereannie smut in one of the chapters (😿), but I'm sure it's still a great fanfic that's definitely worth reading! It's fun and full of personality, so if you like a unique spin on their dynamic, you'll love it.

#my opinion #fanfic #eremika #Don’t say anything bad if you don’t love them as much as I do!#worth sharing

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megalomaniacz · 1 year ago

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CRYBABY - (E.W) PT5

pairing: mean/cruel ellie x sensitive/emotional reader.

synopsis: who the fuck is abby?

a/n: noo don’t do this ellie look at me :( this isn’t you 🥺 LMAO! what do you guys think is going to happened next omg…

if i told you that i hated you, would you go away?

masterlist.

you ubered yourself to another hotel and payed to stay there for the night. letting jesse and dina know, but ofcourse, not awarding ellie with that information. in truth, she was fucking sweating bullets. could barely sleep last night with you on her mind.

she’s mean, you know that. everybody does. she can be intense, brass, and brutally honest. but, the brutality had gone from drunk cursing out strangers to using you as a punching bag. you were far too sensitive for any of that shit. you overthink too much, cry too often. if she wasn’t going to change then this was your last straw.

as you wake up and ready yourself to gather your things, you notice a string of texts from ellie. all desperate and eager. nothing along the lines of “i’m sorry”. nothing close to an apology. she begged to see you before their last show in the state, knowing you’d be going back home after. and staying there.

you’d calmed down enough to know you could face her. collecting the things you’d brought with you and hyping yourself up in the mirror before leaving. “you got this. you’re not gonna cry today.”

when you arrived at your hotel room, the door was cracked open. you’d caught wind that dina and jesse had gone out for breakfast so it was just you and ellie.

sadly enough, when you opened the door, ellie looked like a wounded puppy. eyes glossy while her face is twisted into a frown. you cross your arms. “morning.”

she looks excited to see you, getting up from her seat on the couch to greet you. “morning, can we talk?”

your heart is pinging. you feel so many emotions for her, some you cannot name. you nod your head and walk over to where she’d been sitting, and take a seat. she trails behind you, placing herself just inches away.

“i’m sorry.” she starts, eyes sympathetically looking into your very own. when your gaze starts to falter she reaches out to hold your hands and catch your attention. “really truly. i’m sorry for everything. for the song, for calling you up onstage, for all the shitty things i do to you and say about you. for pissing you off so bad that you felt like punching me, because i know you’re nowhere near violent.” she takes a breath. “i’m really sorry.”

you sit with her apology, soaking it all in. you can tell it’s genuine because, as far as you’re concerned, she’s never apologized for anything and seriously meant it. but she means it now, with every beat of her heart.

“i hate that i ruined this trip for you. are you still coming to our last show? i’ll apologize publicly in front of all the cameras. i’ll tell them i lied about the song.”

“it’s okay ellie. calm down.” you’d never seen her this frantic. this weak. “i’m still coming to the show. thank you for apologizing.”

she takes a deep breath and leans back into the couch. “okay good. that’s great. again, i’m sorry.”

you nod along and stand up to grab some things from the bags you’d left. “i’ve gotta go meet dina and jesse for something, but i’ll see you there, okay?”

when you turn to look at her she’s blushing. what the hell is she doing blushing? when she see’s you notice it, she turns her head. “yeah yeah. you guys have fun. see you later.”

“she’s bringing abby! i’ve always wanted her to come to a show, i didn’t even know she was in the state.” dina rambles on at rehearsal.

“she drove up last night because she’s taking her home, remember?” jesse chimes up.

ellie’s heard the name abby a record 20 times in the last 5 minutes and it’s starting to play on loop in her head like a mantra. she didn’t care to find out who it was though, they had a show to rehearse for. and she was even more nervous about the public apology. what if you didn’t actually show? what if she really fucked up this time?

“alright guys enough chatter. let’s go over the chorus of ‘what you know’ one more time—“

but she’s stopped by dina whispering to jesse. “i think she might ask her out tonight.”

and jesse asks, “who?” and dina says your name and ellie feels like she’s about to fucking collapse. that all her limbs are going to fall off right then and there. that her head will pop off and roll offstage and onto to the ground. who the fuck is abby? who the fuck is abby? who the fuck is abby?

ellie finds out in the dressing room before the show. “abby! it’s so great to see you.” dina rushes over to give her a hug. jesse settles for a high five and ellie takes a handshake. “so you’re abby?”

“yeah, nice to meet you. i’ve heard so much about you.” abby smiles.

ellie’s cursing herself for any and everything she’s ever done in this moment. the blonde stood in front of her is buff as hell, something she can tell through the hoodie and sweats she was wearing. both being seattle revival merch.

“i can’t wait to see you guys perform.”

ellie ignores her. “where’s…?” she trails. searching behind the girl to see if you’d been hiding behind her big figure. “oh, she’s on her way. had to stop to use the bathroom.” abby responds, sensing you were who she’d been searching for.

ellie wondered if you and abby had started dating yet? who asked out who? how much did abby know about the two of you? was that any of her business? why did she show up now? why hadn’t she heard about her before? maybe she did and wasn’t paying attention? she never really listened to you anyway. not until recently. not until she’d made you cry. made you punch her in the fucking face.

ellie’s thoughts are cut loose when abby taps her on the shoulder. “can we talk?”

ellie nods, eager to do whatever this was going to be in private. “yo, i’ll be right back.” she calls to jesse and dina.

ellie leads her out of the dressing room and into a small area in the hallway that’s getting the least traffic. the second they get there, abby slaps ellie across the face. “don’t you ever fucking talk to her again.”

“who—“ ellie rubs the sore area turning red.

“oh don’t play stupid you know who—“

“no. who the fuck are you to tell me what i can and can’t do? you fucking bitch.”

and a fight ensues. an actual brawl in the hallway. ellie’s on top for a while getting some punches in until abby grabs at her shirt and pulls her to the ground. jabbing her in the stomach. ellie kicks her in the face. it’s almost cartoonish, how wrapped up and wound they are as they lay into each other. someone rushes to grab security but you make it there first. eyes widening as you approach. you call for jesse and dina, and when they recognize your voice it makes them both stop to look up. bloody. scratched up. with tomato red faces.

“what the fuck?”

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therealsophiependragon · 8 months ago

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okay but Mai did care. Like Mai gave many, many fucks about stuff. She's not someone who outwardly expresses a ton of emotion, but "I love Zuko more than I fear you" was not a one-off fluke, guys, it was a build-up.

I heard someone say a while ago that Azula, Mai, and Ty Lee are great representations of what women look like under the patriarchy. Azula becomes incredibly competitive and ambitious, the boss lady, pushing herself further than anyone else would have had to in order to get the respect of her father and his court. And she still has to work really hard for it, they constantly like question her and stuff which is very well-displayed in her opening scene. Not saying Azula's a victim guys. Please don't misunderstand me guys. Please don't mangle what I'm saying guys. But I firmly believe that a significant shaping of Azula was from her environment, and part of her environment was the Fire Nation's sexism.

Now Mai keeps her emotions in check and might be what a drunk guy on the street or an ex-boyfriend or a father might call an 'emotionless bitch,' whereas Azula is a 'psychopathic bitch' or a 'crazy bitch' which you know fair but also we're talking about Mai now. Mai grew up in an environment where a shit ton was expected of her and she had to respect the authority figures being her father and mother even though her father quite obviously didn't know things as well as she did. She had to clam up and keep quiet because that's what a lady was supposed to do, but she turned that silence lethal, and it isn't that she's numb or emotionless or doesn't care, she's just safer and taken more seriously if she's silent, and so Mai doesn't talk unless she has something to say.

Ty Lee is over-compensatingly feminine and girly, which is another way women act out under oppression. People think she's a ditz and even Azula underestimates and condescends to her at times, and maybe she acts this way because she genuinely feels like this is who she is, but sometimes when I see Ty Lee, I see myself in social situations. When people make me feel dumb, I automatically feel like I have to lean into that and make myself seem even dumber even if I'm not. I feel the need to giggle and tease and make self-deprecating one-offs about how I'm blonde or how I left my brain at home and all that shit, and I think Ty Lee does this too. Like a fear-response technique. And she acts this way a lot around Azula too which is telling because Azula embraced and sharpened a lot of traditionally masculine dispositions to use as weapons, and Ty Lee sees that.

So Mai and Ty Lee are really just protecting themselves I feel like. Not saying that they aren't being 'their true selves' onscreen or that, unafraid, they'd be completely different people than presented - there's actually evidence against this - but I'm sick of people presenting Mai as some emotionless and uncaring person who gives no fucks because that's not who she is. Istg like

#mai #azula #ty lee #atla

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seventhemaverick · 1 year ago

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Astro Observations 🌱

Disclaimer: This is my first Astrology post! I tried to do this earlier this year but tumblr lagged and it deleted all of my hard work lol. But now I’ve gained the courage to give it another go! I’m not a professional astrologer. I just study it in depth when I have time. Still very much a beginner. Please be kind and if I’m misinformed let me know! If you want to repost my work please credit me. This also has personal opinions in here don’t take it too seriously babes!

🌾 I don’t typically think Leo’s and Scorpios go together romantically BUT any other relationship outside of that exudes power team. For ex: Kylie and Kris Jenner. Scorpios are known to love power and Leo’s love the spotlight! Kylie was bound to be a favorite after her « ugly duckling » phase. Kylie rolls in the dough and Kris keeps that empire going. I’ve seen many Scorpio parents with Leo kids and they really seem to love them the most lol

Let’s talk about underdeveloped placements real quick!

🌿 Having a parent that is toxic or underdeveloped and has placements that fall into your second house can obliterate your self worth. ESPECIALLY if you have planets in that house and their placements are exactly conjunct 0° or 1-3°.

🌾 If your mars sign is exactly square one of your parents mars or 1-5° orb… 🌚 take the steps to move out if you haven’t already it’s for the best.

🌿 Capricorn moons I wish I could hug all of you. You had to grow up so fast and got handed some of the worst cards. But nevertheless resilience is your middle name. As you age things will get easier if you stand on business! Integrity is key.

🌾 I know libras are known to be superficial or whatever and I’m kinda one of them lol. I literally live off of aesthetics and I typically have nice skin but when I have a massive break out? I literally want to hide until they’re gone. My stress is next level when I don’t look my best.. I’m also a Leo Venus 😅 in the tenth house at that and have cancelled plans when I look and feel shitty.

🌿 All of the air signs almost always value intellectual stimulation first from their partner. Someone they can have great rapport, banter with. Someone that’s witty and knows a wide variety of subjects or has many interests is very hot. Sagittarius is the air sign of the fire signs so I’ll loop them in on this too.

If we lost any zodiac element, it would bring chaos to the entire world.

🌾 Air brings logic and reasoning, water brings compassion and empathy, earth brings grounding and patience, fire brings passion and vitality. Life is about interconnectedness.

🌿 I remember reading a blog that the gods put the constellation of Libra in between Virgo and Scorpio because they were too much alike and it’s so true lol. Both signs can be so compulsive and it’s overwhelming from what I’ve heard from Virgo and Scorpio placements. I can also see this easy going equivalence being the case for Sagittarius being in between Scorpio and Capricorn. The benefics happy go luckies in between the malefics drained and over it.

🌾… moon 3rd house overlay is addictive especially combined with 7th/8th/12th overlays in that synastry. I don’t think I can ever do that again unless we both have it overlaying each others charts. Someone’s moon in your 3rd house, their mind fascinates you and it’s easy to communicate with them you feel seen and heard. You dream about them, you think about them all the freaking time. It is the most annoying thing because why are you taking up my brain space like that bro? I had this with someone and I still think about them it’s been over for quite some time now. Another person that’s in love with me, my moon falls into their 3rd house and they tell me how much they think about me and day dream about me. I had said issue of daydreaming with the other guy. 2/10 would not recommend unless moon person is developed.

🌿 When the moon transits your first house you’re more likely to be more emotional and make drastic changes to your physical features! When Doja Cat shaved her head the moon was transiting her first house and I literally did mine the next day when it was transiting my first house.

🌾 Opinion but I love Pisces placements they are so helpful and loving when developed. I think the underdeveloped ones are too but they expect something out of it where the developed ones are just really selfless. I’m a Pisces Stan! I have so many in my life lol I have no Pisces placements. My 5H is in Pisces lol

🌿 Degree theory is that gworl. It helps you relate to the planet and it’s placement more depending on what the degree rules. For example I was dating a Sagittarius Venus in the 9th house at the 9° and he embodied that free spirited nature of Sag Venus fr. Another example, you can be a Pisces Venus but it’s in your first house at the first degree and the way you love embodies a more aries way of loving. Fiery, passionate a bit aggressive but very deep and tender to the core.

🌾 I’ve also heard the theory of when you reach the age of certain degrees of the placements you have you unlock that placements characteristics. Something significant happens to you during that age or you might master that placement regarding the planet and house placement.

🌿 The degree of your rising sign is more than likely the age of something significant happen in your physical life/to you physically. This is tea y’all.

🌾 You most likely share placements or degrees in your chart with your siblings. My sister is a Scorpio sun, Aries rising, Virgo moon and I’m a Libra sun, Scorpio rising, Aries moon. If I was born two days earlier I would’ve been a Virgo sun and if she was born one or two days later she would’ve been a Libra moon. So I think thats pretty cool. We’re also both Venus dominant and she has a Libra stellium 💗. You really choose your family for your next life lol like that’s so crazy to me.

🌿 Ima say dis with my chest. STOP doing wrong by Saturn ruled placements!!! Saturn is ruled by Capricorn, Aquarius in traditional astrology and we cannot forget about its exalted sign in Libra. As a Libra, I receive karma with the quickness but also people that have done wrong by me their quality of life decreases and or whichever house Saturn is in their chart is deeply affected in the worst ways.. daddy Saturn don’t play bout his! Be fair and follow the golden rule. “Do unto others as you would have them do unto you.”

🌾 Having heavy Sagittarius placements in your chart makes you open to learn different languages or different cultures.. just always wanting to learn. Whatever house it’s in you want to master in life.

🌿 The mutables Gemini Virgo Sagittarius Pisces love their niches, they are the teachers and preachers of the zodiac.

🌾 Geminis have the gift of gab more than any other zodiac. Sagittarius could possibly go toe to toe with them

🌿 If anyone ever tries to degrade you for studying astrology and eggs you on to prove this practice to be true, get their birth info and read them their Chiron sign and house placement. Hit ‘em where it hurts!

🌾 Scorpio and Libra placements are usually the generational trauma breakers of their family. Honorable mention- Saturns children, Capricorn and Aquarius

🌿 An undeveloped Capricorn placement that enters your life is literally satan reincarnated to torture you for whatever you did wrong in your past life. And I (if u were raised around Christianity) believe Jesus was a Pisces/Aries! I can argue about this all day! In tarot Capricorn rules the devil! Like hellooooo

🌾 Sixth house/Virgo placements are pretty good at taking care of pets and plants. They feel the most sane around nature and animals.

🌿 Personal planets harmoniously aspected to Neptune make the person seem very angelic like. Very soft souls, earth angels. Hard aspects have people having an even more distorted projection of you.

🌾 Personal planets harmoniously aspected or not to Uranus gives you that shock factor some people will be repelled and some people will be very intrigued.

🌿 Aries placements especially sun and moon are really loyal! I’m talking mostly platonically. Once they see you as their person they are truly ride or die.

🌾 Cancer placements can be one of the most loving and giving when developed. Some spiteful mfs when underdeveloped omg.

🌿 I realize cancer placement women get treated with the cutest romantic gestures. I think they lovers want to do these things for them because they give off ethereal or princess vibes but they’re also real nasty in the sheets lol

🌾 Cancers don’t really get a bad rep even when they do shady things. For example: Selena Gomez when she dated Abel even tho she was cool with Bella was super weird. And I think a lot of people forgot how Kevin hart cheated on his wife like it was nothing lol. Ariana grande with the donuts and now the Ethan thing chileee. It’s like they get a second of backlash and then everyone adores them again lol.

🌿 Having a grand trine in your chart can make you so damn lazy in the houses those planets/figures are in 🥹🥲. It’s crazy cuz that talent(s) will come natural to you and you’ll over look it! Please don’t.

🌾 Grand squares are TOUGH but it pushes you to break cycles and overcome so much in your life. Same with t-squares

🌱 Astrology is really a map. It shows you which path you can take and where you can end up when you include discernment and discipline into your daily life. It’s never an excuse to behave the way you do. Ultimately it helps us reach our most aligned and enlighten self! I hope you all enjoyed. 🌱

Idk why I can’t figure out how to delete this question thing so let’s do a cute lil questionnaire!

#astro notes #astro observations #astrology #astrology observations #degree theory #scorpio #libra

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