#I Ride I Recycle

[darewolfcreates]

WIZARD BABYYYY!!!!

[hoshi-kawaii]

Everyone be proud of me, I did my stretches today.

I really need to get back to doing them regularly. I took a ten minute lazy walk around my apartment to warm up, then unrolled my comically padded yoga mat and did a small basic stretch routine.

[nomairuins]

ok wait i couldve sworn these episodes were in curious george but i like cant find them anywhere...

[mydignityisinflames]

Oh good the first manic note has arrived. Time for my anxiety to skyrocket every time I hear her door open

[guppyfish77]

So about the Battle Subway Trains

Hi, I love trains! And the Trains in Unova have a surprising amount of detail? And nobody talks about it? And if I don't talk about it I will explode!?!!!

So despite Unova being inspired by New York you'd think the Battle Subway Trains would be based on The New York Subway Trains? However they look like they are more based on Japanese Railway Trains!

I'd like to preface before going into this that despite talking a lot about the Japanese Railway, I am not Japanese, while I did my best to research as best I can, some stuff may fly over my head, I also used an online translator for some information so it might not be 100% accurate.

Alrighty lets get into this! This is mainly for fun and its going to be under the Read More because it is verrrrrrrrry long, I hope that you enjoy!

If you aren't aware, each train in the Battle Subway has lore! All the lore comes from this Worker NPC on the bridge in Anville Town. Depending on the day, a different train will show up on the turntable, and he'll give you a little dialogue for that train! This dialogue is what I'll be mainly analyzing :]

Single and Anville Town Trains:

"This is a Single Train! It's the oldest train in the Battle Subway. It's for a loop line to go around the Unova region! Do you know Tubeline Bridge? The train that runs on it is this Single Train."

"As you know, this is a local train to Anville Town! Isn't it just so cute? This one is a little slow and heavy. When it runs, the whole train sways. The train car is the same model as a Single Train. Because it is an old train car, I hear the maintenance is hard, but it's the one I always ride, because I loved it as a kid!"

So! The Single and Anville Town Trains are the same model of train, you can actually see this in their designs where they both share the same face but they differ in the livery. (Livery is a term referring to the train's decor/color, the color is often associated with a particular company or in this case a particular train line.) I'm going to use this fact to assume that if one train has one feature, then it's likely that the other train also has that same feature. Such as how the description of the Anville Town Train says it sways as it runs, if that is the case then the Single Train also probably sways. (which sounds kind of awful to battle on, unless you have good train legs I suppose X_X)

It is stated that the Single Train is the oldest in the Battle Subway. I believe though, that it means the oldest train that is currently running in the Battle Subway. As there is another train that seems much older and no longer running, but I'll get to that train much much later.

Older trains are indeed harder to maintain, and expensive too. This is because the older the equipment, the harder it is to get its parts as they become more obsolete. Though I will say this, trains can last a long time! The average service life of a train is about 30-50 years, it really varies from train to train. These trains would most likely be on the older side.

There is a slight possibility that it has been continued to be maintained past it service life. Given how fond the Worker NPC talks about the train, it might have high sentimental value. Therefore if it is past its service life, it has not been scrapped or recycled yet because of it. I doubt this is the case though, usually it is never worth the maintenance cost (especially for regular operation.)

Like the description says, you can see the Single Train running on the Tubeline Bridge, here's a video of it! Apologies for the way I am recording this, I don't exactly have a capture card, but I wanted to show you guys regardless

You can see how fast the train is going as it passes below you! At least the just Singles Train anyways, seems to me like it's going about 20-30mph? I tried doing math to find the exact speed but that's difficult for several reasons (no idea how large a "tile" in Pokemon really is and objects in the overworld are not very accurate in size so I can't exactly do any comparisons. The perspective of the camera also makes it tricky.) Given how the Anville Train is described as "slow and heavy", I would hazard a guess to say that the other trains of the Battle Subway may run faster than this.

You can also see that each train is made up of 7 cars as it passes below you if you slow down the footage. Which is not surprising, you have to win 7 battles in a row to complete a "set" where you are then dropped off at a rest stop. I believe the Battle Subway trains to be electrical multiple units (EMUs) so it would probably make them 7-car sets.

It also looks like the Singles Line is very busy with the trains only being seconds apart! Now I know this is more a visual thing so the environment would be interesting to look at, but I'd like to think it indicates that the Battle Subway/Singles Line is very popular! (and very well organized!)

As for Real life train inspirations I think perhaps the Tobu 10030 series?

The Tobu 10030 is a version of the Tobu 10000 series with some minor changes, such as the design of the face and using a bolsterless bogie. (Bogie is a part of the train that refers to a frame that holds sets of wheels as well as the suspension, breaks, etc. in which the body of the train car rests upon.)(A bolster is a part that connects the side frames of the bogie and the underside of the car's central pivot point.)(A bolsterless bogie is a bogie type that doesn't have a bolster). The front of the train is covered in fiber reinforced plastic and the outer panels are "bead molded" (which... I have no clue what that means...) This series has been going under renovations since 2010.

Double Train:

"This car is a Double Train! This is a mass-produced car from a decade ago! Compared to a Single Train, the number of parts was reduced so it could be built for a lower cost. The number of parts influences the budget and construction time. The streamlined and beautiful design of the Double Train is still valued today."

So the Double Train is at least 10 years old! (That's what decade means!) Honestly though, I think the Double Train might be older than 10, in Japanese the description just says that it is a "mass-produced train from a long time ago" and doesn't mention a number... Another reason is that in the Multi Train description, it mentions that it is a test model for future trains that will replace the Double Trains. Which means perhaps that the Double Trains may be reaching near the end of its service life, which again average 30-50 years. It could be a possibility that this train may have a shorter service life than usual, who knows. This all speculation really.

As for lowering the amount of parts, from what I found it makes the train lighter. It would also probably lower the cost as well like the description says (trains are really really expensive to build! EMUs can cost $2mil-$10mil per car!)

It also mentions that it is a mass-produced car! It's a train made with mass production for commercial purposes! I believe it's usually for train lines that are really busy, where they would need a lot of trains? It typically means that there are a lot of them. (All this makes me wonder about train production in the Pokemon World...)

As for Real life inspirations, I think that the Double Train is inspired by the Tokyu 1000 series train.

The Tokyu 1000's design and equipment is similar to another train, the Tokyu 9000 series, with improvements such as improved handling and making it easier to do inspection and repair work. As well as reducing the amount of spare parts from the Tokyu 9000.

Multi Train:

"This car is a Multi Train! Few cars of this model were produced. This is a test car to develop future mass-produced cars that will replace the old Double Trains. The technology born during the creation of this train car made the Super Single Train and Super Double Train possible!"

The multi train is a test/prototype train! A little surprised that an entire line is running off a few prototypes. Like the description says, not many are produced as the purpose of a prototype is to test features and improve upon them if needed before they are put into mass production. Given that it says the technology from this train was the reason the Super Single and Super Double Train was made possible. I'm thinking it was most likely testing some eco friendly features? As it is the Super Single and Super Double Train's main feature.

Perhaps them using a model with so few trains means that the Multi line isn't that busy/popular? (Surprising then the train platform is not swarming with more train photographers haha!)

As for real life inspirations, while the livery may not be the same I think it could be the Keisei 3000 (2nd Generation.)

The Keisei 3000's body is made of lightweight stainless steel and the passenger doors have a paper honeycomb structure. When they were designing this train, they wanted it to be both environmentally (energy saving) and customer friendly (being accessible to elderly and those with disabilities.)

Super Single and Super Double Trains:

"This Super Single Train is a new mass-produced car! It's an environmentally friendly train, because they revised all the parts to drastically reduce power consumption! Newer trains have to be built in a way that's both functional and environmentally friendly. Compared to the past, they've improved significantly."

"This Super Double Train is a new mass-produced car! Such a streamlined and refined design! Beauty and utility working together! That kind of beautility is unique to mass-produced train cars! It uses the same train car as a Super Single Train. The only difference is the appearance. It is a superb train car that will go down in the history of the Battle Subway!"

The Super Single and Super Double Trains are the same model. Honestly the description of these trains doesn't give me a lot of information besides the fact that these trains are eco friendly. So I'll talk about what trains do to make themselves (even more) eco friendly!

They are stated to be eco friendly by reducing power consumption. I think it could be referring to a "VVVF inverter control" (it stands for variable voltage variable frequency. In English its mainly called the VFD or variable frequency drive.) A VVVF is a type of system for an AC motor that can reduce energy consumption! (There are two types of electrical current, DC or Direct Current and AC or Alternate Current. An AC motor is a motor that is driven by AC electricity.) It is important on energy saving trains! I won't get too much into how it works, but essentially it controls the AC motor's rotational speed by controlling the frequency. By controlling these, it can control the speed and acceleration of a train. You'll find that a VVVF is often paired with a three phase motor (I will not go into that...) Let's just say that these systems are very efficient at using power and help save energy.

Really, reducing power consumption usually means being more efficient at using power. Like using LEDs, using better insulation to retain cooling or heating, and generally using parts that use less electricity. It could be that the train is lighter in weight too (lighter vehicles use less power.)

Both of these Super Trains are mass produced! Which tells me that there are a lot of Super Single and Super Double trains! Its lines are probably busy.

As for real life inspirations, it is very much inspired by the E233-2000 series train

The E233-2000 is a little bit of an oddball in the E233 family exterior design wise. Its design was inspired by the Tokyu 5000 series. Its basic running equipment is the same as the E233 trains before it though.

I think it is a bit of a stretch, but I'll mention it anyways. The E233 (which the E233-2000 is a subsection of) is a train that has won the Laurel Award in 2007. The Laurel Award is an award given to trains by the Japan Railway Friends Association for trains with an excellence in technology and design (specifically geared towards commuter trains.) It could be what all the "beautility" comments could be referencing to? They do look verrry different though, and the E233-2000 came after the award was given...

Super Multi Train:

"This train car is a Super Multi Train! This is the latest train car! Improved acceleration and deceleration! Automated train-car controls! It's full of cutting-edge technologies. Also, a regeneration brake system, a car-body tilting system, a whatchamacallit system, a thingamabob system... I don't remember all the details, but it's just a big festival of all the latest technology!"

Ohhoho! The Super Multi Train description is a goldmine of details! This train is the whole reason I wanted to make this post! Let's run through its features!

Improved acceleration and deceleration means that it can run between stops faster, allowing for quicker operation time.

Automated train-car controls or ATC is a safety system on trains that prevents trains from going over a certain speed! If the train goes over the maximum speed permitted then the ATC will pull the brakes automatically to reduce the speed and release the brakes when it is below maximum speed. It also displays the maximum speed to the driver. It is an incredibly important safety system!! From what I understand, the term ATC is very common in Japan, in other countries the ATC would simply be a part of cab signaling (it is a safety system mainly for the driver and train crew, it tells them track status and condition information) and train protection technologies. ATC is installed on all Shinkansen trains, it is also installed in some subways and heavily used railways.

Here's an example of what it looks like! The green triangle there is the (current) maximum speed. There are a lot of different types of ATC systems and this ones a D-ATC (stands for Digital Automatic Train Control) from within an E233! There are a whole lot of different types of ATC, and they can come in many looks! I would show more examples, however, I have hit the image limit on this post... :[

A regenerative brake system is a special type of breaking that allows a train to generate electricity via breaking! The electricity can either be used immediately, stored, or returned back into the line. You might've heard this feature on electric or hybrid cars. It is a common eco friendly feature!

A car-body tilting system is a feature in trains that allows the body of the train car to tilt into a curve! It allows the train to go faster on a track (not needing to slow down on a curve) but the feature is mainly for passenger comfort! When you ride, you don't feel the centrifugal force at all when going around a curve! And it makes the ride so smooth! Here's a short video demonstrating what it looks like:

There are essentially two major ways to do a car body tilting system. There is active tilting (forced body tilting) or passive tilting (pendulum system). A forced body tilting system uses computers to tilt the train using track data or sensors, telling the train when and how much to tilt. If the calculation is not done correctly, it can leave passengers with motion sickness (An infamous example is the Advanced Passenger Train in the UK). The tilting itself I believe is done via hydraulics. Forced Body Tilting is more popular in European and American trains.

As for passive tilting, the train in the video uses it! (A controlled pendulum train!) It means it uses natural forces to tilt the train car. I'll dive deeper into this type of tilting in the Wi-Fi train section because it actually mentions it's a pendulum train! As to which tilting type the Super Multi train has... it could honestly be either.

(Ah! I forgot to mention this, but tilting trains are especially useful in mountainous regions, where there are a lot of curves.)

In the Japanese version of the Super Multi description, it also mentions that it has a "earthquake warning system" and a "tornado monitoring system".

An earthquake warning system is not something fully installed into the train, rather it's mainly a set of sensors installed along the track, coast, and major inland areas. For passenger rail, if any signs of an earthquake are detected, it will alert any trains in the affected area and drivers are required to apply their emergency brakes. For shinkansen trains it will cut off power to the affected area which will automatically activate the emergency brakes.

Well, I found something close to a tornado warning system. There is a "gust warning system" where sensors measure wind speed and to predict where strong gusts of wind would go. Again, it's not a system that is installed within the train. From what I could tell, they would restrict travel speed during strong winds. If wind speeds are too high, then they would shut down the lines. (I suppose would be very useful, especially when there's some legendaries that cause powerful storms roaming around.)

In the Japanese version of the text, it also states that the Super Multi Train is also a test train. Which again means there's also not a lot of this train. It also states that some of it's features are unnecessary due to it being a test train lol

In the description all these features are stated as "cutting edge" and "a festival of all the latest technology" when these features are not all that new? And Regenerative breaking seems to be pretty common? (Every irl train I have shown thus far all have it.) Eh, I don't think it's that big of a deal. They are just fictional trains after all.

I originally thought the train looked like an Eizan Railway Deo 800 series, but thanks to the leaks, it looks like that the JR East 205-500 was used as a base to design the Super Multi Train? With probably heavy modification to the final design. (While I don't condone the method that these leaks were obtained, curiosity did get the better of me. This is the only train that I ID-ed this way.)

This Train was exclusive to the Sagami Line, though it ended operation in 2022 and every one of these trains have been scrapped. The blue color I believe is an homage to the Sagami River that runs along the line. The Train used a semi automatic door system for its passenger doors. Which means that rather than the conductor opening and closing the doors, the passengers would press a button to open the door when the train has stopped.

Wi-Fi Train:

"This train car is a Wi-Fi Train! It is the fastest long-distance high-speed train in the Battle Subway! This is called a pendulum car. Its body tilts while going around curves, so it can run without slowing down! Faster! Farther! Our engineers' spirits are infused in it!"

A pendulum car is a very specific term!!! Like I mentioned in the Super Mutli Train section it is a type of car body tilting. There are multiple types of Pendulum systems, There is Natural Pendulum, Controlled Pendulum, Air Spring (also called Simple Pendulum), and Hybrid.

Natural Pendulum is just using the centrifugal force of when it goes around a curve to tilt the train. This type was known to cause motion sickness in riders because when it straightened out, the car would "lag" or wobble. Sometimes the force was not enough to tilt the train and this would also cause passenger discomfort. These issues were fixed later with a controlled pendulum, where there would be a degree of control to the tilting. Using mechanisms similar to forced body tilting, it would prevent wobble and ease the tilt. The air spring method, as suggests in the name, uses air springs to help with tilting. It is similar to the controlled pendulum, though it tilts less than it (controlled pendulum can tilt 6 degrees and air springs can only tilt 2 degrees). Air springs are cheaper to build though and still are able to make the train go faster. Hybrid is the combination of controlled pendulum and air springs, allowing for an 8 degree tilt.

I hope the Wi-Fi train is not a natural pendulum? You're telling me you have to battle on that and you might get motion sickness?? Though it sounds like it might be more high tech so it is most likely the other types... Hopefully...

It also states that this train is the "fastest long-distance high-speed train in the Battle Subway!" Looking at Japan's tilting trains (that are not shinkansen), they go about 120kmh-130kmh (about 75 mph-81 mph.) So it could be a possibility that the Wi-Fi goes something along those speeds.

I've looked through Japan's tilting trains, and the closest one might be the JR Hokkaido Kiha 201 series? It's not at all close though... I can't really find a good match tbh. I think the 113 series seems to be a bit more closer visually.

The one on the left is a Kansai livery and the right is a JR Shikoku livery. They are both the same train, JR Shikoku bought the 113 series from JR East to replace some aging trains and then modified it. Which is why they look a bit different. The modifications include strengthening the front of the train and adding shock absorbing material inside.

So Those are all the trains that run in the Battle Subway! However there are 2 trains that don't, instead they only show up in Anville Town on certain days. I'll be calling them "Old Train Car" and "Futuristic Train Car"

"Old Train Car"

"This train car is the kind that ran a long time ago. Compared to contemporary train cars, it has more parts, so I heard it was difficult to build. The old train cars built with lots of small parts have their own unique beauty and attract a lot of fans. Those cars no longer run in the Battle Subway, but I hear they're still used in a faraway region. Ah... I'd love to be on that train!"

So this sort of car used to run on the Battle Subway. It's said to be still running in another region, though with how old the train looks I can only think that maybe it would be running by railway preservationists.

The design of this train reminds me a lot of old Japanese electric trains and trams. Especially trams with that double roof. I don't think it's really based on any particular vehicle? Here's a couple that I found;

The only one I feel like is worth mentioning is the Jomo Electric Railway Deha 101 (this specific car is the Deha 101, others of its kind are called Deha 100 type) and the Nagasaki Electric Railway 160 type. Both of these vehicles I believe are still running to some capacity.

The Jomo Deha 101 has been running for over 90 years. While car 101 still resides at Jomo Railway, other Deha 100s have been transferred to other private companies where they have been scrapped. I believe the only existing Deha 100s today are Car 101 and Car 104 (which has been painted bright yellow.)

The Nagasaki Electric Railway 160 type used to belong to the Kyushu Electric Tramway where it was called the Type 1 Electric Tram. When it was transferred to the Nagasaki Electric Railway it was renamed into the 160 type. Today, there is a single car in operation. I believe it is the oldest wooden car in Japan that is still in service.

I suppose I will also mention the Keifuku Electric Railway Mobo 21 Type Train, it does look the most similar. Though, it's purposefully designed to look like an old style tram.

"Futuristic Train Car"

"This train car is a new train to run in the future! Wooo! Cool! Super cool! The latest motor breathes fire! Uh-oh, if it really breathed fire, that would be bad! But it is full of the latest technologies! It's undergoing a lot of testing. It's called a gauge-convertible train. It's a sweet car that can adjust its wheels to run on any rail!"

So first off, I'd like to say that this train visually kind of looks like a "Sonic" 883 series (nothing to do with the blue hedgehog, it was just a coincidence lol)

However the description!!!! A "gauge convertible train" that is undergoing a lot of testing... That description matches exactly with the GCT! (literally standing for Gauge Change/Convertible Train, though in Japanese it's called FGT or Free Gauge Train!)

The GTC is the project name for this experimental shinkansen. The one in the picture is the GTC-01, the second generation of its kind (as this is the version they would be testing before and during the development of the game, there is now a 3rd generation.) So, the term gauge refers to the distance between the two rails. Different trains run on different gauges, they can come in either narrow gauge, standard gauge, or wide gauge. Japan's rail network is mostly narrow gauge (specifically Cape Gauge.) The main exception are the shinkansen trains, which run on standard gauge. This shinkansen like the description says would be able to run on any gauge. It used to be under a lot of testing by the Free Gauge Train Technology Research Association. Today though, the GTC-01 second generation sits on display in the Shikoku Railway Heritage Museum.

There are a lot of challenges that the GTC faces. It takes a bit of time for the wheels to adjust to the gauge and you need to go slower when it's doing so. It has increased maintenance costs. The heavier specialized bogie creates more wear on the rails as well as making the train harder to detect. (Ok! Basic explanation for Railway Signaling! Tracks are split up into sections called "blocks", and a small electrical current is run between the two tracks that makes up the block. When a train runs through, the wheel and axle of the train disrupts the current, which then the system detects that block as being occupied by a train. If it is occupied, the signal lights at the end of the block will be turned red, preventing other trains from entering the same block, thus preventing collisions. The problem arises in the GTC in that the wheel and the axle are separate, thus something about this is making it hard to detect on the rail.)

With this train being a "gauge change train" it really made me wonder what gauge the Battle Subway trains runs at? I thought maybe standard gauge or maybe even wide gauge because you can only make the train so wide depending on the gauge. And you'd probably want it wider so that there is more room, especially if you are fitting a battle arena in it! However in Japanese the description mentions that "The rails are a little wider on the tracks that run at higher speeds." Which is... exactly how Japanese rail works? So the Battle Subway lines are probably narrow gauge?

Another thing that's interesting about the "Futuristic Train" is the date that it actually shows up. In Anville Town the way that each train shows up is dependent on the last digit of the day of the month, like so:

0- (10th, 20th, and 30th) "Old Train Car"

1- (1st, 11th, 21st, and 31st) Single Train Car

2- (2nd, 12th, and 22nd) Double Train Car

3- (3rd, 13th, and 23rd) Multi Train Car

yada yada you get the point (4- Super Double Train, 5- Super Single Train, 6- Super Multi Train, 7- Anville Town Train, 8- Nothing, 9- Wi-Fi Train)

The only exception is the "Futuristic Train" who will show up ONLY on February 1st, June 12th, October 1st, October 14th, and December 30th, pretty random huh? haha of course not! These dates are dates significant to the History of Japanese Railway/Transportation!

February 1st: The opening of Japan's first electric street car in 1895!

June 12th: The temporary operation of Japan's first passenger railway in 1872!

October 1st: The release of Japan's first Shinkansen, the series 0 in 1964!

October 14th: The official opening of Japan's first passenger railway in 1872, with the first two stations between Shimbashi and Yokohama! This day is also Railway Day in Japan, celebrating this event, Tokyo holds a Railway Festival and train companies like to do events on this day as well! 

December 30th: The opening of Japan's first subway line in 1927, The Ginza Line!

Rails, Station Platform, and More Train:

So the Station, there are a few details I can pick up on here!

The type of track that the trains run on (at least in the station) are ballastless tracks! It means the rail is tied directly onto a slab of concrete rather than having ballast hold it up (ballast is that rocky gravel that you often see beneath the tracks.) This type of track is quite expensive to build and makes the place a lot nosier, but it has a lot of advantages! For one, because there is no ballast to maintain, it has lower maintenance cost (ballast must be packed every now and again using a ballast tamping machine. Which lifts the track and jostles the ballast beneath it. Ballast also needs to be replaced after a while because the rocks have to be irregularly shaped for it to work, and natural weathering can make them smooth out.) It is also easier to clean and has a longer lifespan. Because the rail is tied to slabs of concrete the rails are less prone to deformation, which is good! Though it is also that same inflexibility means that it is difficult to change anything about it and takes longer to repair.

Their buffer! (that little black thing at the end of the line, I think it is a buffer?) It doesn't look like that effective of a buffer... The purpose of a buffer is to stop a train if brakes fail. Though this thing seems to be more for the driver telling them where the end is, hence all the, what I presume are, lights. Let's hope they have some sort of other safety system in place (like some sort of Automatic Train Stop system.)

There doesn't seem to be a third rail. I have a feeling that might be because most Japanese railway trains are powered via overhead wire (literally every irl train I have shown is powered this way.) Maybe the Battle Subway trains might be powered via overhead wire? I might be over analyzing here, they might not have thought of modeling such a small detail haha

The train itself has some sort of device on top (that box thing.) I believe it to be some sort of air conditioning unit. Given how each train car has one large unit on top of it, I believe that it uses a centralized cooling system, which means there is one large air conditioning unit. (There are 2 other types, they are distributed cooling which consists of 6-8 small units and centralized distributed which consists of a couple of medium sized units.) Central cooling systems are easier to install and maintain because there is only one unit to worry about.

Signboards:

The Buildings in between routes have a electronic news bulletin board, and depending on which city is connected to it, the news bulletin will give a little flavor text about the city. There's some flavor text about the Battle Subway when it's about Nimbasa City, and it different depending on whether you are playing the first one or the second one, here they are:

BW

"Run and battle! Trains never stop!” Battle Subway in Nimbasa City"

"They say someone who loved battles also happened to be a railway maniac, and thats why we now have the battle subway"

So, this might be a coincidence, but there is an old name that Japanese Train Fans used to call themselves. The name was "Railway Mania" (鉄道マニア direct translation). It was used up until the 1950s. Today it's seen as a derogatory term but it was used very commonly back in its heyday (even more popular than "railfan" apparently.) I think it is kind of interesting that the term "Railway Maniac" was chosen for this flavor text and I wonder if it has anything to do with this old name. However, I say it might just be a coincidence because the term "Maniac" is not unheard of word in Pokemon (Item Maniac, Poke Maniac, Hex Maniac, etc.) But regardless, there's that little fun fact for you!

B2W2

“Get on a train and fight!” Battle Subway in Nimbasa City"

"The energy generated by heated Pokémon battles is the fuel that keeps the Battle Subway running"

I'm going to get a little headcanon-y here. We can interpret this figuratively, as in if there are no battles then its not really a Battle Subway is it? But I think it would be fun to interpret it literally! What if Pokemon Moves could get absorbed somehow to power the Train? And if the Train doesn't need it it could go into the line to power something else in the Subway! I think that would be cool :]

Extra Stuff:

●I think the Battle Subway Map could also be inspired by JR East's rail map, the main reason is the single lines (dark green) which goes in a loop around the Unova Region...

Reminds me of the Yamanote Line (light green) which also goes in a loop connecting a variety of major stations together in Tokyo and is a very very important line!

●While I do believe Gear Station is inspired by New York's Grand Central Station, I do think there's a lot of design elements taken from Tokyo Station as well

●The gray bodies of the Anville, Single, Doubles, and Multi cars are probably meant to represent an exposed steel/aluminum body rather than the ones painted white like the Super Trains.

●In the Anime, the trains are said to have an ATO system, this is also a real system, it stands for Automatic Train Operation. It's a system that allows a computer to control when the train stops and goes with no driver involved! I don't think that the trains in the games run on an ATO system though, as there are Depot Agents who talk about train driving (Depot Agent Cameron who says "I’m good at driving, but I’m not good at dealing with Pokemon." at the start of battle, and a way more obscure Depot Agent whom you can talk to on the platform after 14 wins on a Super Train who says "I’d rather have an exciting battle than slowly drive the train.")

●In the Anime, there's a stamp rally, which is a real thing! There are station stamps in Japan which tourists can collect. Though, occasionally Pokemon will collaborate with JR East to create a Pokemon Stamp Rally! The most recent is this Pokemon Horizons Stamp Rally promoting the show! Here's a map of what stamps you can collect at each station and the prizes you can get!

●In the Nacrane city library there is a book that mentions that Nacrane used to have steam locomotives running through it!

"This book is about the things you can ride in the Unova region, such as Castelia City’s cruise ship and Mistralton City’s planes. Before there were planes, locomotives carried people all over Unova. The railway in Nacrene City is a legacy of those lines." (B2W2)

What kinds of Steam Locomotives? I suppose we will never know, as we never see one in game.

●There's an Roughneck NPC you can talk to at Tubeline Bridge in B2W2 where he says

"Watch it! People use “railway fan” as a catchall term, but there are many types of railway fans! There are riding fans, detraining fans, station fans, train-car fans, schedule-table fans, picture-taking fans, recording fans, and more! Don’t go thinking they’re all the same!" (B2W2)

So in Japanese, Railway is Tesudo (鉄道, testu 鉄- Iron and do 道-Road) and a Railway Fan is Tesudofan, however fans will abbreviate to just Testu and stick what aspect of trains they enjoy with it, so like 乗り鉄 (Nori 乗り-Ride, 鉄-tetsu) as a Train Riding Fan, or 撮り鉄 (Tori 撮り-Taking a Picture, 鉄-tetsu) as a Railway Photography fan. There are a lot of these and the NPC does go over some! There's also Railway Modeling Fans (Fans who collect model trains and/or construct model railways), Collecting Fans (Fans who collect railway related items such as tickets or stamps), Operation Fans (Fans who like researching railway operation and equipment), Regulation Fans (Fans who like researching railway handbooks and laws and regulations that go into a railway), Simulation Fans (Fans who like playing train driving/railway management games), Artists/Writers, Urban Explorers, and Railway Preservationist (I gave up on the last ones lol). There are lots of ways to enjoy trains!

There's also the super specific terms of "Mama Tetsu" where a mother becomes a railway fan because of their children's interest or "Oyako Tetsu" where a child becomes interested in trains because of their parents.

●The badge on Ingo and Emmet's hats probably represents the logo for the railway company that they work for, while researching about Japanese Railway Companies, I noticed that they have a lot of circular logos, here's a handful:

From what I could gather, these types of black and white circular logos are called a mon, kind of like a crest? If you wish to scroll about the logos, here is the link for the Wikimedia commons list.

The company's logo is also what's usually depicted on irl conductor's hats anyways, in the exact same place too.

(I was looking for a screenshot to showcase the hat to put here, but instead I found this promotional video! It's actually pretty good at going over the basics of what a driver and conductor actually do! Please feel free to check it out)

●The name "Depot Agent" is a little bit of a strange name, in Japanese the name is simply "Railway Worker", a depot is often referred to a train yard, however depot can also refer to a station, given where we see this trainer class working (at Gear Station), it is most likely that the depot in this case is referring to station, so they are station workers!

Final:

After all this I have come to the conclusion that somebody at Gamefreak really liked trains! And I really think all the little details are so awesome! and it really cements the Battle Subway as my favorite battle facility!

Anyways I hope you learned a thing or two and I hope you gained a new appreciation for trains and the Battle Subway! Thanks for Reading! ✌

(If I got anything wrong, please feel free to correct me, there was a lot of information I had to sift through and I am NOT an engineer * _ * and if you have something to add please do! I would love to learn more! ^ ^

[thewisecheerio]

Elden Ring and Disability

Elden Ring is filled with disabled characters. What I love about the specific way that Elden Ring uses disability, though, is that there is almost always a lore-compliant accommodation provided to the disabled character. This world filled with magic doesn't erase disability, but rather finds magical and lore-compliant ways of accommodating it, much like Star Trek:

Here is some of the disability representation within Elden Ring.

First Generation Albinaurics

First generation albinaurics are synthetic humanoids. Their legs do not function normally, so they are unable to locomote by walking. In the worst cases where no accommodations are provided, we see them crawling to move. But we get two really cool examples of ways to accommodate this disability:

First, we have Latenna the Albinauric. Normally when you summon her as a spirit ash, she functions as a static archer due to the state of her legs. However, if you summon her near a wolf, she will climb onto the wolf and ride it around to avoid enemy attacks and even gains a new attack (freezing mist) with the help of her ride. This puts the onus on you, the player, to make sure that you summon her under accommodating circumstances if you want her to be able to move. And of course, you could also choose not to, accepting her disabled self as-is as a perfectly great battle companion.

You can see a video of the wolf companion in action here: https://www.youtube.com/watch?v=st6vGIpsHLs

Second, we have Commander Gaius. Gaius is also a first generation albinauric with non-functional legs. But you'd almost never know without reading his lore or looking closely at his model, because is accommodated. He rides his Battle Tank Boar into your fight and has absolutely no problem wiping the floor with your sorry ass.

In both cases, a support animal functioning as a mobility aid allows the first generation albinaurics to locomote.

Malenia, Blade of Miquella

Malenia is missing some limbs due to the Scarlet Rot infection she was cursed with at birth rotting. She is also blind due to the sickness taking her sight. However, Malenia is still able to fight you (and win and win and win and win and...). There are two accommodations at play, the first of which is canon and the second of which is a canon-compliant fanon.

The first is the prosthetics made by the Shaded Castle. Malenia's iconic blade is physically attached to her arm prosthetic, allowing her to wield it in battle regardless of the lack of (natural) limb.

Fun fact: this is based on a real, historical practice with armor where old armor was recycled into prosthetics! There was even a mercenary famed for using a prosthetic limb to hold his sword after an accident that damaged his arm. You can learn more here (timestamp 16:58): https://youtu.be/PJwNjOvn-Ow?t=1018

The second accommodation that allows Malenia to be battle-functional is the water in her battleground. Because she is blind, she can listen for the player character's movement in the water, responding in a Daredevil-esque way. This is probably helped by the fact that her blade instructor--the blind swordsman named in the Blue Dancer Charm--was also blind and likely taught her how to accommodate that disability.

Millicent

Like her mother Malenia, Millicent is also afflicted by the Scarlet Rot. We find her alone and largely non-functional in the Church of the Plague at the beginning of her questline, writhing in pain. We then bring her the Unalloyed Needle, which keeps the Scarlet Rot at bay, relieving pain and allowing her to travel once more. Toward the end of her questline, Millicent removes the needle, which brings the Rot back in full force and ends her life.

In this way, the Unalloyed Needle functions as a treatment regimen for a chronic illness. It does not cure her, but it keeps the illness in check well enough for her to function.

The fact that Millicent chooses to remove the needle at the end of her quest is Important! Disabled people aren't under any obligation to "meet their potential" or continue treatment because it is convenient for others; if they wish to stop their treatment—even to accept palliative care—that is their right. Anything less disrespects their bodily autonomy and choice to make their own decisions. The fact that we get this representation in Millicent, who actively chooses against continuing her treatment after a certain point, is Good and Important.

And of course, we also provide Millicent with a prosthetic from the Shaded Castle, same as her mother. Once properly accommodated in this way, she can fight by your side as an NPC summon.

Messmer the Impaler

A lot of people speculate that Messmer is blind. This is because his left eye is (as far as we know) permanently shut, while his right eye appears to be a grace-filled synthetic seal rather than an eyeball. It's entirely possible that the grace seal does allow vision, but there are a couple of reasons to consider why it might not:

1) When we first arrive, Messmer is sitting in the dark. You could interpret this as being a Sad, Broody, Wet Blanket (which he is), or you could interpret this as evidence that things like light and dark are of less consequence to him than to a sighted person. Or, you know, both. A Sad, Broody, Blind, Wet Blanket.

2) Shortly after he lights candles--probably for your benefit--he sends one of his snakes into your face. He is able to tell from what the snake sees that you are Tarnished and comments on it. We can tell this means he can see what the snake sees, because he would have to figure this out from looking at your eyes and only the snake is close enough to do so.

This suggests that the snakes function as a remote viewing aid, providing a sight accommodation. And yes, again you could choose to interpret the snakes as existing in addition to a sighted right eye, but it is still interesting to consider what they mean if they are simply Support Noodles.

Ranni and Melina

There is a syndrome in our world called Locked-In Syndrome, in which paralysis prevents the entire body from moving with (usually) the sole exception of the eyes. As a consequence, the disabled person is unable to affect the physical world without help due to an inability to physically interact with the world around them.

Ranni and Melina have a similar situation going on, but with different ways of dealing with it. They are both disembodied spirits, having lost their physical bodies.

Ranni chooses to deal with the problem by incarnating herself into a doll's body at least twice: once as the doll's body we spend most of her quest interacting with, and later as a tiny actual-doll-sized doll that the player can interact with. Essentially, she has given herself a prosthetic that allows her to interact with the physical world once more.

Meanwhile, Melina goes a different route. Rather than incarnate physically, Melina requests that the player character help her reach her goal--the foot of the Erdtree, and then the Forge. In this case, we provide the physical support necessary for Melina to interact with the world, much as support workers do for those unable to care for themselves.

Goldmask

Goldmask never speaks to us in words. Rather, he communicates largely via physical movements. Brother Corhyn, a pupil of Goldmask, refers to his master's communication as "the movement of his finger". When Goldmask stops his movements, Corhyn reacts with distress, "I'm a little shaken since the master ceased his movements." He then proceeds to translate what the movements meant up to that point for us.

The fact that Corhyn is distressed at the master's lack of further communication after his movements cease suggests that this is his *only* mode of communication with him.

This is entirely a canon-compliant headcanon, but I like to believe that this means Goldmask uses sign language that Corhyn is learning to interpret in order to communicate with him. Additionally, the fact that we cannot necessarily interpret it ourselves and must rely on Corhyn to translate means that Corhyn is also acting as a support worker by being Goldmask's translator.

And yes, I think this is largely to poke fun at the Gesture system in the game, but it's also fun disability representation!

This list isn't exhaustive. There are yet other characters that either are disabled or could be easily argued to be so, like Roderika (grief and/or PTSD, given a space to heal and process), Rennala (depression and/or grief, NOT accommodated AFAICT), and Hyetta (blind, accommodated with...uh..."treatments"). But the fact that this post is already over 1400 words and has yet to touch upon all of the disability representation in the game just shows you how much there is.

[prettyboykatsuki]

I can just imagine fujo neet reader practicing different sex position with rin to make sure she gets the proportions right.

✮ tags ; fem!reader, sexual tension, rin's pov, RIN IS KIND OF MEAN TO HER BUT HE WANTS HER SO BAD FDKJJS, reader is a fujoshi and bl mangaka, pre-relationship, they work together, part of a ficverse i haven't written yet Sorry, ONE JOKE ABOUT RIN WANTING TO OFF HIMSELF, SUPER SUGGESTIVE LOL 18+

✮ wc ; 3.5k (WHAT THE FUCK!!!!!!!)

✮ a/n ; i had to do this for my sanity. i promise i will write them a proper fic with them i promise.

You never text Rin.

Not really. Not first at least. It's a new... friendship. Kind of. Sort of. Most of your communication thus far has been through meetings and random in-person chance encounters. Outside of that, Rin will call you since it's faster. If you do "text", it's mostly through twitter DM's.

There's a discord server your fans run, and you pop in there often enough. He's had the invitation extended but declined unilaterally, since he'd rather not see himself fucking Isagi anymore than he already has in his short, miserable career.

It surprised him this morning, seeing your message flash across the top of his screen. Asking, specifically, for him to come over and help you with something related to the new manga you were writing. He had it in his right mind to decline, but after learning it wasn't a doujin for him, he semi-reluctantly agreed.

Rin doesn't know when exactly your relationship to him grew this...comfortable. Inviting him over to your house, begging him for favors, not wincing every time he talks to you. Rin isn't an extrovert but compared to you he's a social butterfly. And your aversion to people in general, Rin thought, would prevent you from doing anything more than squeak at him forever just like you did when he met you.

(Though nothing in his life has been normal since your arrival in it. He's not sure why you would remain unchanged when he certainly hasn't.)

He doesn't know what to feel when you ask him for a favor, and he doesn't know what force of nature compels him to go. If it's morbid curiosity or annoyance or something else even worse.

It was compelling enough to take the train all the way out to Machida - an hour long trip from his own place. His manager hounded him to take you something, so he has a bag of ginseng energy drinks and snacks with him as a gift. He took the bus with his mask on, and then walked all the way to your building.

Your apartment is tucked somewhere classically suburban - attached at the far end of a residential street and behind concrete support beams for a highway just overhead. Cherry blossom trees and other shades of white flowers grow around it in thick patches, making the entrance hard to find. Rin would've had trouble if you didn’t give him details on exactly where to go.

It's an older building, stone walls worn and grass-stained from age. At the gate are groups of old people talking amongst each other as they sort through recycling and trash. All visor hats and sunspots, they fawn over Rin for a long while before he goes in and interrogates him with questions. None of them know him, which is relieving. It quickly graduates to them asking who he's there to visit, if he has a girlfriend or not.

All of them ooh and aah when he mentions your name, say something about being relieved she's found a man so handsome and that Rin should marry you because even though you're a little strange you're a good girl. Rin does not have the time nor energy to correct them - only nods and bows his head and leaves.

On the elevator ride up to your floor, he can't help but think repeatedly that this isn't the kind of place he'd expect you to live. He thought it'd be out in the middle of nowhere, maybe in a damp and broken building.

But this is a nice place with nice people, vibrant and colorful. Totally opposite from what he considers your personality.

Suitable or not, Rin manages to make it to your floor without a hitch.

He finds you, then, as he'd expect. Down a long hall, behind an unassuming white door. When you open it, you're a mess. Your hair completely unkempt, face greasy, a wild look in your eyes and complete surprise in your expression as if you didn't invite him over. You do, however, manage to invite him in without stuttering or stumbling over your words foolishly like you did the first time you spoke to him.

Another surprise is how... clean your living room is. It's lived in but he was expecting more mess in there. Your bedroom is in a similar state, undoubtedly messy but not terrible. Your NEET tendencies finally end up showing when you drag Rin into your office where you draw your manga.

It's not dirty but it's cluttered. There's a pull out sofa on one wall, with a blanket and pillow littered about and pages upon pages of paper sheets with scrapped panels about the floor. One wall has a bunch of post-its with several notes in both English and Japanese, and another has tacked up pieces of art. Both yours and other peoples. He chooses to ignore the ones of him and Isagi, The walls themselves are cream colored and uninteresting and the wood floors are slippery. At the far end of the room is a spread of desks, a PC set-up and a professional looking tablet among various art supplies in stacked boxes.

It's this room you bring Rin into without explaining yourself at all, mumbling and muttering as you give him a place to sit and go back to your work for fifteen silent minutes.

When you're finally finished doing whatever the fuck you were doing, you turn yourself back towards Rin. Bluelight glasses fall down the bridge of your nose as you swivel around in your chair - your sweatpants half pulled up your leg with the other pulled down. You're wearing fuzzy socks with Naruto characters on them.

You stare at him, pulling your glasses off and rubbing your eyes - dark circles under them.

"Uhm," Your voice is clipped and thick with exhaustion. "You came."

Rin deadpans. "You asked me to come."

"I thought you'd say no."

He did too. He doesn't respond back. You chew your lips, already anxious and Rin resists the urge to say something about it.

"Okay. Uhm. Please don't get mad," You start with and then explain, looking away. Your hands pull your sleeves over your palms. "So. Like. For my new series, I'm finally getting to the sex scene but I've never drawn characters with an intense height difference like this. And I need... new reference photos.... and uhm," You rub your feet together on your chair where you sit "Well our height differences and size is the exact one my characters have. So."

Rin stares at you. "So?"

"SoIwaswonderingifyou'dtakereferenceimagesforsexpositionswithme,"

Rin feels his jaw lock. "Slower."

You frown and look away, tucking your chin with embarrassment. "I was uhm, like, wondering if you'd take... take the uhm, sex position reference photos with me, please."

"What?"

You clasp your hands together, immediately prostrating yourself by throwing yourself down the ground. He flinches back, wondering if you're gonna hold onto his leg next.

"Please, please help me. You're the exact height of my seme and you uhm have similar builds and he's doing the most of the legwork. The poses are a little bit hard but I want them to look good or Minami-san will eat me and I'm scared of her, please help me."

"Who is Minami-san?"

You sniffle, on the verge of tears just thinking about it. "My editor. She used to be my fan. She's scary. Please, Rin-kun, please."

"What the hell did you do before?"

You frown at him, big wet puppy-dog eyes.

"It was hard. Sometimes I'd pose with my big stuffed animals and make up the proportions. Oh and usually watched porn and stuff. Sometimes I'd get lucky with stockphotos. But I don’t get the angle exactly right unless I have good references."

Rin wonders if anything you have ever said has processed in your mind before saying it. He doubts it for some reason.

"So," Rin pinches the bridge of his nose and shakes the image of you humping your stuffed animals out of his head. "You're asking me to.. pose with you?"

You nod and chew your lip. "Please, I promise I'd never ask you for this if I wasn't s-scared of Minami-san! Please?"

"I should make you pay me for this," He sneers. You flinch back and close your eyes.

"I'm sorry." You whine wetly, but then open your eyes again anyway. "Please help me."

Rin doesn't know why he helps you. Maybe you're just too pathetic for him to ignore. Maybe he's a masochist. Maybe inhaling the same air as Bachira last week turned him stupid.

He pinches the bridge of his nose.

"Fine."

__

If Rin didn't believe you before when you told him you make your own references, he'd definitely believe you after you take him to your bedroom.

Your bed is in the center of your room, instead of being pushed against a wall. Large stuffed animals laid in one corner. On both sides of the room, are makeshift digital camera stands and remote-controlled lighting among another remote for said cameras. There's about 4-6 angles from what you explained to Rin, and a few adjustable lights. It's an elaborate set-up and takes the kind of dedication Rin can only imagine a hardcore fujoshi freak like yourself thinking up.

All of this to mostly draw porn of him and his rival. He tries not to think about it too hard because he thinks it's going to give him an aneurysm. Rin sits at the edge of your bed as you adjust each of the cameras individually.

"What do you do if it's not on a bed?"

You flinch like you aren't expecting him to talk. "Uhm. I either simulate as best I can o-or move my things and bed around. It's why I moved my desk to my office."

Rin stares at you. "You take it seriously."

You nod meekly. "Producing high-quality doujin is what made me money, so I have to work hard. Being poor is tough."

If Rin didn't find you so unbearable he might find that awe-inspiring in his own fucked up way.

"Okay. Everything is set-up. Now for the poses," You say, suddenly sparking back to life. Rin sits and watches. "They're having sex on a public beach so the bed and the way the seme sort of sinks into the sand will be good... I think the bridge one is the one we'll do first."

"The bridge?"

You nod, talking in short sentences. But Rin can tell this is where you're comfortable, doing things for this... hobby. Your usual constant embarrassment and shame seem to disappear when it comes to it. It's fascinating like a car crash. "Uhm. You have to stand on your knees and then, I'll lay on my back and arch my back up to meet your... y'know. It'll emphasize the height difference."

Rin stares at you agape. You take the remote control for your cameras in your hands and look at him expectantly.

Rin doesn't know whats wrong with him. Why the hell did he agree to this?

"Do you want me to take my jacket off?"

You nod, surprised. He shrugs the thing off of his shoulders and tosses it onto the floor.

Rin, per your instruction, gets into the position in the middle of the bed. He stands on his knees waiting for you. You join him a minute after, squinting at your phone screen beforehand. He isn't sure what he's expecting as a result of your ask, but he sure is shocked when he finds you placing your feet flat on the bed next to his knees and pushing yourself up for your crotch to meet his.

He knows that’s what you said but your shamelessness proves to be… shocking.

He tries not to let it show. His jaw ticks. His face feels warm but his expression remains neutral all the same. You shift and adjust and don't seem concerned at all - like it doesn't occur to you that this is in any way socially unacceptable. Or it's unfathomable Rin would take advantage of this. That this is weird, or could be interpreted in less than innocent ways. Rin knows you're so out of touch that it probably isn't. That this is, to you, just considered a favor which is partially why he even agrees.

But you're mid-brushing up against his bulge. The angle of your back forms a triangle, your arms laid flat at your sides as you squirm and push. And your expression shifts, deep in thought.

"Uhm, like, would you mind p-putting your hands on my hips? Kind of squeezing tight like it's," You flush this time, but Rin harbors doubt it's about him. "Like it feels good I guess? Like hard, and stuff so you can see the indent."

He's so astonished, he does it on autopilot. Neutral and even. He lets his hands grab your hips and holds tight just as you ask. Your long, loose sweatshirt falls down revealing the soft skin of your tummy. He can see the tops of your underwear, the thin cotton kind that come in 6-packs with a single bow in the middle in a grey color.

You don't seem to care about it. Rin shouldn't either, but his body does seem to care. His brain does. Something is happening in his gut. Anger maybe. Some cheap, frustrated desire to make fun of you.

Instead the words he's been wanting to ask since you proposed this tumble out of his mouth. He stares at you.

"Is this the first time someone's done this with you?"

You jump with a start, but remain in position. You take the pictures first, six clicks in a row before answering.

"H-huh? Why-why are you asking that?"

He doesn't know. Really. And he knows how it sounds. Rin doesn't say anything and you fold under the immense pressure of his gaze.

"S-stop staring," You say, and take a few more pictures, lowering your back just a little but still staying up right. "And no. No one tall enough or with the right physique."

There is another gnawing question, another burning curiosity. He makes his voice as even and unaffected and apathetic as he can. As mean as possible.

"Have you ever even had sex?"

Your eyes blow wide, but you seem to fall for the persona of apathy, curious boredom and cruelty. Worse, you seem a little used to it. You squirm this time and Rin holds you firmly in place. Your voice is small.

"Uhm, like, once I guess. I-it was with a guy, I didn't really date him but he seemed interested in me and I didn't think I'd ever have the opportunity again s-so I did it and I didn't uhm, it wasn't very good or anything." You reply, and he can feel your toes curl in your socks next to him and his brain feels like it'll melt from out of his ears. "Sorry, I don't-don't think you care about that, just uhm, felt like I should explain."

"Yeah," Rin feels dizzy. "Do you need another pose?"

You blink and then nod. "Yeah! Another one kind of like this, but with the legs like uhm, on your chest and my feet closer to your head. With you leaned back a little. Does that make sense? The butterfly position, I think."

Rin swallows something at the back of throat.

He nods, pulling you into position so easily he can heard you gasp. Your legs straighten against his clothed chest, and your sweatshirt falls far enough to let him see your bra. A fabric sports kind, a little worn - just the logo visible. He doesn't say anything about it, your feet resting near his neck. You make a little soft noise.

"This feels a little difficult to be in. Poor uke. Sorry if this one is kind of weird, but can you put your hands, I dunno, on my ass, I guess? I know that's probably too much but I think it'll be a good detail, so please? I'll pay you"

Rin stares at you, teeth gritting so hard he feels the back of his skull throb. "Fine."

Rin, per your request, puts his hands on your ass. It's easy enough, and he doesn't hold too tight. But it's too intimate, too stupidly fucking intimate, and he can feel you. You're hardly paying attention, caught up in your own head with whatever else. Rin is paying too much attention. Like how your sweatpants aren't thick enough to cover the outline of your frumpy cotton panties and how your soft all over. He's going to kill someone. Maybe himself.

Six more clicks and a little noise of satisfaction.

"Okay!!! I think these will turn out so great, and I can use them later too. Just one more. I have a lot of refs for this position, but uhm - I want to see if I can get the proportions correct, so if you'd please lay down," You tell him with such genuine excitement he can't find it in himself to say anything horribly cruel. "I'll be doing most of the work this time. I just-just need to see how uke will compare..."

You mutter something to yourself as Rin lets you down and lays himself down on your bed. You sit next to him for a long while, squinting at your phone. Rin stares at you as you. Wonders if he's gone completely insane, and tries to ignore the doom of the impending hard-on cozying itself in his pants.

Unceremoniously, you find yourself perching over Rin's lap. Not bothering to give him any pretense, it's the one thing about today that's really getting him.

"Oh, I need my hands for this," You give him the remote and stare down at him wide-eyed, over his lap. This has to be hell. "Could you take the photos this time?"

He closes his eyes and counts to ten and wonders if a concussion has made him insane. "Hm."

You brighten and Rin feels his chest go tight. "Thanks!"

Rin just nods, his mouth drying as you start to move and pose. A picture with your hands next to his head, and anothe r where you're sat up - your hands at your sides. Rin obediently takes pictures when you ask, his entire body tensing every single time you move.

"Okay, last one," You say. This time, you put your hands on his chest. Just the one. You must have something specific in your head that you're wanting to recreate. You bend down close, looking down at him as you do - your other hand clenched.

Rin looks up at you. He should not be thinking about you in any way. He's looking at the way your lips curve and plump and at your bare skin and your dark circles and your stupid licensed anime hoodie. He just gapes at you in confusion and mystique. He's around so many weirdos. It's not like there's anything special about you. You’re just another freak who makes porn of him. Plenty of people do that.

A loser and an idiot with no sense of self-preservation. There's nothing special about this, but Rin hasn’t been able to convince himself of that.

You stare down at him.

"Take a picture?"

Rin looks at you. Studies your expression. You seem like you're thinking. It's the only oppurtunity he has to pry.

"Did you want to ask something?" He says first. “You’re not hard to read.”

You startle, then nod. Your hand is on his chest. It's warm, and smaller than his.

"Oh, I-I guess I was wondering about what you asked me earlier. And uhm, like, I don't know. If you ever did anything. Your relationships aren't in the media and fans speculate but," You fall flat on your words. "I guess I was just curious."

Rin hates this question. It's why he never answers it. Why he hates being called a hearthrob, always too shallow and too personal for his taste.

"Nothing long term or serious. It was most for physical relief." Rin says, almost on autopilot. “Not that’d you know what that’s like.”

Your eyes widen. Rin feels his hands twitch, watching your expression finally grown conscious of him. Lust spreads through you like honey and Rin can see it in how you look. You squirm in his lap. He's not usually so aggressive, not usually one to care about sex in any important way. Not one to brag about something so unbelievably inane and trivial.

But it's bothering him, just how much he's fighting the urge to pin you down and fuck you. You of all people. It's not like him. Rough sex is whatever, but it's bothering him how little any of it seems to register in your head anymore like it once did. You could barely breathe the first time you met.

He doesn't know why he cares that you don’t anymore. He doesn’t give a shit about anything related to you

But the thought nothing seems to bother you anymore bothers him.

"Oh... I see. That's uhm, interesting. I b-bet you have a lot more experience than me. Maybe it'd be a good thing to keep you around for that kind of refernce too," You joke.

Rin lets his hand slip up to your hips without asking, not bothering to hide it anymore. His head feels with nothing but stupid useless thoughts. Thoughts of fucking you in your old, worn clothes and stained shirts and comfortable cotton underwear. Thoughts of your hands clutching at his shoulder all weepy with desire and need and stupidity - your big wide eyes bleary and sensitive. It's cruel how relentlessly he thinks about taking advantage of all your differences. Of how unathletic and awkward and unused to everything you are.

It's horrible just how much he's staving off his own arousal about it. Maybe you're strange habits are infecting him, making him strange too strange. All Rin can think about uselessly is how easily he could put you in your place. Fix you in some strange way. You’d be his to fix and you’d cry and weep and want to run away. Rin wouldn’t let you, keep you pinned and caged like an animal.

His throat feels tight. What is fucking wrong with him today?

Is he that pent up? He stares at you, and gets some passing feeling that there is more to it than that. He closes his eyes.

"Whatever," He says, letting go. You don't seem to notice it again, how thick his voice is getting "Are you almost done?"

You nod and smile. "Yes. Thank you."

Rin feels his heart tug and seethes. “You're welcome."

[uzurakis]

Yess so glad to see more Sakamoto days fans 😏 may I request some Nagumo headcanons with him being in a relationship, kinda curious about how’d he be like in an argument with s/o

ೀ ׅ ۫ . YOICHI NAGUMO RELATIONSHIP HEADCANONS ?

SFW and NSFW under the cut!

n. i just recycled and elaborate the sfw ones from the asked i got from my 🎲 anon, added other things also. i love writing my stinky rascal . . hope u enjoy ^3^

the dynamic in a relationship with nagumo will be natural & playful so it allows the relationship to develop organically. your relationship with him is built on a foundation of mutual understanding and subtle communication. instead of a formal confession, his consistent flirting and genuine expressions of affection serve as his way of showing his feelings.

his love languages would be heavy on physical touch, means that he expresses and receives love most profoundly through physical closeness and touch. accepts pda; in fact, he prefers to take the lead. never let him take his hands off of you, somehow. pulls you by the waist and gives you a nosy kiss. he enjoys spending quality time, although his profession occasionally prevents him from doing so. however, he will make the most of his time with you while it is available.

really clingy in private. won’t let you get out off the bed by hugging you from behind. he’s also the big spoon most of the time.

he talks in his sleep when he’s comfortable with you, murmuring about how much you mean to him and lazy smooches here and there. likes to pretend to be asleep as well so you continue to caress him in bed when he’s ‘asleep’.

traps you in a hug every single time. nagumo just comes out of nowhere to hug you, not letting you go, and says “caught youu” and carries you in bridal style around the house.

if you love his tattoos, he definitely walks around naked in the house. also, the sign that he truly trusts you with all his life is when he tells you the meaning of each tattoo he has.

put your belongings at the topmost shelf so you need to call him for help or hides your stuffs in the most random places ever.

you guys have board and card games around the house. monopoly? uno? guess who? snakes & ladders? just name it.

i’ve seen so many times others saying he loves to play pranks, i definitely agree. intentionally getting you on your nerves just for him to apologize with another set of pranks. he’s just silly like that.

contrarily to beliefs, he likes to mull over after you guys argue and gives you space as he rethinks and reflects his actions. when he apologizes after a big fight, he takes both of your hands and swings them left and right as he explains, still teases but with a nervous smile this time.

a flirt, teaser, prankster, drama queen, what else?

he MATCHES YOUR FREAK, did i tell you he’s a nasty in bed? one hell of an experimentalist, doesn’t mind doing anything with you. his rage is huge, i’ll tell you that. vanilla? roleplay? waxplay? pegging? all down, just name it.

quickies at inconvenient times. you guys have a meeting in 10 minutes? 4 minutes is enough to do your thing in the public bathroom together.

likes to steal glances to your tits when you guys talk. i believe he’s a tit guy rather than ass. though, in public, his hands tends to uncontrollably go down to your ass when he circles you by the waist.

too good at nipple play.

nagumo likes you make you squirt, his personal favorite. however, for him, he likes it when you give him a handjob.

talks & coos to your pussy likes its you!

in bed, he likes it when you go rough, i think it’s really going to turn him on. just ride him i swear. might be one of his best times in life.

crack jokes during it, he’s quite humorous doing sex. compliments you in a funny way and says hilarious things also. expect your sex won’t be too serious and just all laughs & giggles.

doesn’t give a fuck about bounds, so semi public and publix sex are often.

@uzurakis

[kryptznnn]

♛- Come back to bed

ﮩ٨ـﮩﮩ٨ـ♡ﮩ٨��ﮩﮩ٨ـﮩ٨ـﮩﮩ٨ـ♡ﮩ٨ـﮩﮩ٨ـﮩ٨ـﮩﮩ٨ـ♡ﮩ٨ـﮩﮩ٨ـﮩ٨ـﮩﮩ٨ـ♡ﮩ٨ـﮩﮩ٨ـ

ﮩ٨ـﮩﮩ٨ـ♡ﮩ٨ـﮩﮩ٨ـﮩ٨ـﮩﮩ٨ـ♡ﮩ٨ـﮩﮩ٨ـﮩ٨ـﮩﮩ٨ـ♡ﮩ٨ـﮩﮩ٨ـﮩ٨ـﮩﮩ٨ـ♡ﮩ٨ـﮩﮩ٨ـ

➸ INTERESTS; -jjk! nanami kento x f!reader

➸ BACKGROUND; -not any plot truly, just straight smut, making love late at night MY FAV!! (im a whole virgin)

➸ WARNINGS; - wc.2.4k, kissing, teasing, riding, fingering, p in v, nipple play, sucking, whining, bla bla bla

➸a.i; - omg new oneshot!! i made a poll asking who i should write abt this morning and 100 votes came in for my sexy baby daddy so im here to feed u guys!! xoxo

.☘︎ ݁˖.☘︎ ݁˖.☘︎ ݁˖.☘︎ ݁˖

You awoke in the middle of the night to your phone ringing softly, the vibrations from it on your nightstand making you get up. As you turned to grab your phone, the call ended, you only muttered to yourself as you were now sat up in your bed. You held your phone in your hand, realizing the call was from your close friend and checked the time.

1:13am, you read with a squint, still trying to adjust to the dimly lit screen this late at night.

There were only two reasons as to why she could call you this late. She was either having intrusive thoughts about breaking contact with her ex, or she was calling to tell you how drunk she was at her apartment, and she wants you to come and accompany her. You stood up, grabbing your soft silk robe from your closet door and stepped out of the room.

You made your way over to the kitchen, dialing her number back and waiting for her to answer. You grabbed a water bottle and opened it when she soon answered. Rambling on about how drunk she was and how much fun she was having, saying she didn't want you to miss out on it and for you to come over to her place, you only smiled and shook your head.

"It's past 1am, I was asleep when you called, you need to get some sleep too unless if you don't plan on clocking in later." You spoke, drinking from your bottle as you listened to her ramble, sadly it's as if she hadn't heard a single word you said.

She was always like this honestly; you couldn't blame her. Between the two of you someone had to be outgoing and crazy enough to do things like this. You could never be mad at her for it though, it was sweet honestly, even when she was intoxicated, she always had you in mind.

The conversation between the two of you soon wrapped up, as she assured you, she wasn't alone and was with her brother. She even facetimed you as proof and to which you spoke to her brother for a while. Thankfully he was a little more responsible than she was, assuring you that the night had ended, and the drinks were being put away so his sister could rest.

You only thanked him and wished him a goodnight, as he did in return to you and you said goodbye to your friend, waving as you heard the call click. You finished your water bottle and went to place the bottle in the shared recycle can you had in the kitchen before feeling two firm arms snake their way around your waist.

You only smiled, knowing exactly who it was as you were used to this multiple times before. You placed your hands over his arms and squeezed, earning a tired grunt from him as he bent down to kiss the top of your head.

"If you weren't my fiancé I would've screamed when you touched me y'know?" You joked, feeling him smile against the top of your head, he let go of your waist as you let go of his arms and he placed his hand in yours. He soon guided you out of the kitchen and back to the shared bedroom you two had, the dim lights from outside helping you to see his figure perfectly.

Your fiancé was a well-kept man, perfectly built as if sculpted by the gods. Honestly, even as a woman you were envious of his body, but when compared to others you were considered lucky, very lucky. So, you couldn't push it too much, because they were right, you were lucky.

"Come back to bed" Kento spoke, now entering your bedroom and sitting on your side of the bed where you were previously resting. You only smiled at him as you placed your phone back down on the nightstand, he never let go of your free hand, pulling you near him.

"You're such a flirt" you said to him, watching his every move. He only hummed in response and kissed your palm as you made your way on top of him, straddling him now. His other hand made its way to your lower back, now keeping you in place as his kisses traveled higher, from your palm to your arm and now your shoulder, not removing his eyes from yours.

You looked away nervously, feeling a familiar tingle in your lower belly, you knew exactly what he was doing. He soon placed his hand from your lower back onto the back of your neck, slowly bringing your head down to kiss him passionately. It felt nice, he felt nice, you couldn't complain, nor could you just turn or look away from him, you were captivated by him.

You were the first to pull away, your breathing heavy as you looked at him, he still kept his hand on the back of your head. He only pushed your head back for your lips to connect yet again, but not kissing the same as before. It was wet and sloppy, your tongues practically fighting-

no,

Dancing with one another, and it only made the weak feeling within your lower belly stronger as he moved his hands, now gripping both sides of your hips as he kissed you eagerly. You quickly pulled away, covering your mouth and wiping out of embarrassment as a small line of saliva dripped from it and down to your chin.

He only looked at you with a cheerful smile, loosening his grip on your hips and began to tug on your robe, wanting it to come off. In all seriousness, you weren't even properly dressed, without the robe you only had on a small black tank-top and red panties.

You let go of him for an instant, taking off your robe and tossing it, he smirked in approval. As you straddled him again you could feel him underneath you, the friction becoming unbearable as he continued to rub himself against one of your most vulnerable places. Well not him genuinely speaking, it was his co-

"Can I play with you baby? Just for a little while?" He asked, looking into your eyes and then your lips for an answer. You responded with a 'yes', soon after biting your bottom lip and watching his movements. Now seated in the middle of the bed you two shared he began to kiss your skin above your collarbone while you grinded on him, both of you partially clothed and breathing heavily.

He had gone to bed with nothing but his boxers on, but now he was threatening to take them off in one quick move, unable to bear the teasing anymore. His hands roamed your body, teasing your nipples through your top as you mewled softly, grabbing his wrist softly as you guided his hand lower to your now wet spot on your underwear.

Throughout the time of your twos dirty work not a word was spoken to one another, well, barely. You had known each other's bodies well enough and exactly what you craved, Kento knew this and quickly got to work, unbuttoning the one small button that was practically ready to burst out from his erection, letting it spring out free.

When you moved back a little to look at it, it looked like he was in pain. Like painfully hard, honestly this wasn't the first time, but it was sweet seeing how you had him this intense every time, he never seized to amaze you. He began to tug at your underwear, to which you got off the bed, standing up as he watched your every move.

You bent over, hooking your thumbs into the hems of your underwear where they sat nice and pretty on your hips, shimmying a little as you pulled them all the way down to your ankles and stepped out of them. You slowly made your way back onto the bed and on top of Nanami once again, who only looked at you in awe, and maybe hunger.

You only cupped your hands on both of his cheeks before kissing him again, this time he kept a hand on your hip as another one found its way to your core. He cupped it softly as you jolted slightly, feeling his middle finger brush against your clit. He smiled into the kiss, placing his thumb over your clit and rubbing it gently, feeling the vibrations of you grunting and moaning in his mouth.

You pulled away, keeping a hand over your mouth yet again and his own mouth as you felt him insert a finger inside you. Immediately pushing up into you as far as he could, watching as your shivered slightly, and removed your hand from his mouth, moaning into your hand. He soon removed his hand from your hip and grabbed your wrist, removing your hand from your mouth and kissed your palm yet again.

Within a short period of time, you felt an immense amount of pressure build up inside of you, making you immediately want to shut your legs. (Un)fortunately, your fiancé had already caught onto this, quick to hold one of your legs apart as he now quickened his pace, smirking at you.

He soon grabbed a hold on your tank-top after you promised to not close your legs, lifting and revealing your hardened nipples to him and the cold air of the room. He chuckled to himself slightly as he stuck his tongue out, teasing you and watching as your back arched before sucking on them and inserting another finger.

You quickly grabbed onto his shoulders, now riding his fingers as you were trying your best to reach your high and quickly, knowing he wouldn't let you cherish this bliss moment for long. He soon began to lick your upper torso, the sweat beads that rolled off your body were his to consume, as if your entire body was a drug he was high on.

It was as if you had jinxed it because just seconds before you were ready to cum, he quickly removed his fingers from within you, keeping his thumb on your clit and coming to a full stop in movement. Before you were even able to stop your moans and begin your whining and protests, he aligned his cock with your entrance.

Without warning or count he quickly thrusted himself inside, halting and burying himself within your chest as he moaned along with you, your nails now digging deeper into his shoulders. You had completely forgotten how vocal Kento was, damn near as vocal as you, and you loved every moment of it.

"No condom?" You gasped, now playing with his hair as he kept his head between year breasts, slowly moving inside you. He only shook his head slightly, bringing his head back up and looking you in the eyes and kissing you.

"You're to be my wife, no? Whatever my wife wants she gets." He only stated, now thrusting sloppily into you as you moaned. You attempted to bounce back on him while he thrusted into you, just for him to wrap both of his arms tightly around your bottom and thrust into you even harder.

Now repeating his earlier actions and sucking on your nipples, watching as you unraveled within his arms, only getting more turned on by the sight. His mouth now moved to your neck, giving you several hickeys and wet sloppy kisses.

As he quickened his pace you tapped his chest lightly, feeling the same blissful feeling as before coming back, your lower abdomen feeling as if it was floating while the rest of your body was hot and shaking. He only smiled, taking this as the most perfect time to tease you.

"M'gonna get you pregnant. It's what my wife wants, yeah? My baby is gonna grow right here..." He teased, placing his right hand on your belly and rubbing it as you mewled, nodding your head before you bent slightly, placing your head on his shoulder. Your high was approaching with great force and speed, barely able to contain it anymore.

"My beautiful girl is gonna be a mommy, are you excited baby? You excited that I get to fill you up?" He cooed, now rubbing your back with one hand and placing the other over your lower abdomen, pressing down slightly as your moans became louder. You hummed in response, nodding vigorously as your high had approached, exclaiming loudly, biting down on Kento's shoulder to control yourself as your body spasmed.

Your eyes rolled to the back of your head for only a moment, soon after you came down, your breathing ragged. His thrusts had now slowed down, becoming sloppier than before as he began to breath heavier, his orgasm not far behind from yours.

As verbal as he was before he wasn't that way now, focused on reaching his orgasm as he screwed his eyes shut, taking deep breaths. As your head rested on his shoulder you too began to moan aloud and grunt softly, his thrusts overstimulating you as you had just come down from your orgasm.

You quickly began to clench around his cock, attempting to make him reach his high sooner, which worked. He buried his face alongside your side as he huffed, muttering a series of words, words of praise if you will, before completely reaching his orgasm. His last thrust sent shivers down your spine as he came inside of you, not leaving a single drop to waste, staying inside of you for a moment before pulling out and kissing your shoulder.

"Are you alright?" He asked, as you pulled away, looking at him and smiling, nodding to him as you brushed his hair away from his face, that had to stuck to his temple from his sweat. He smiled softly at you, seeing your tired expression and actions before fixing your side of the bed to sleep before joining you on his side.

You two exchanged little to barely any conversation between drifting off to sleep, his arms wrapped around you as you rested on his chest. You both had thought of the idea of cleaning up in the shower or changing into new clothes, but you were too exhausted to do so.

The last thing you can vividly remember before drifting off to sleep was how you were going to hide the love bites and hickeys he had given you before work the following morning. Scarves or giant sweaters weren't even in the question as it was the middle of the summer, and you sweat easily.

You'd find out when you got there.

✴🕷 please do not copy, plagiarize, edit, or translate any works submitted by me. all works are originated and all other pictures used within those works are online images. thank you!! @kryptznnn

[momolady]

Art the Orc

If you live in a small town, maybe you'll know this place. It's a little art store run by the same family for ages. It's not changed in all that time either. Picture it, feel it, you know it's the only place that sells that one supply you like. Now, imagine an orc behind the counter. Female Reader x Male Monster

The visage of the old place looked like it had once been a gas station. There was one of those big metal awnings and signs that gas pumps had once been outside. But everything else looked like the art supply store it was. The window was painted, done up with flowers and a flourishing font, but it hadn’t been touched in ages and was chipping and weathering away.

The old place had seen better days, you could tell. But you were excited to tackle such a special project with your own two hands.

Inside the place had a familiar smell of paint thinner, book pages, and coffee. You looked around the front as the bells on the door chimed. The old floor had seen better days and was worn out where you stood, even the welcome mat was hard to read.

“Welcome to Greengold Creative Station,” the deep voice came from behind the front desk where there was an open door. ‘I’ll be out with you in just a moment.”

“Take your time,” you replied. You continued to look around, noting the mismatched shelving and thrown together renovations dotting the place.

A moment later, a large orc came from the back. He was wearing thick glasses and had on a corded cardigan that covered a paint splattered t-shirt.

“Can I help you find anything?” He asked as he adjusted his glasses.

You approached the front desk again, extending your hand to him. “Hi! You must be Mr. Greengold, I’m from Regency Renovations.”

There was a surprised look upon his face as he shook your hand. “You’re the renovator?”

You smiled, half expecting some reservation based on your appearance. “I specialize in business and storefront renovations. That is what you wanted, correct, Mr. Greengold?”

He fumbled with his words for a moment, stuttering, touching his glasses until he spoke. “Call me Art, please.”

You held it in, but he knew where your mind went.

“It’s short for Arthur, but it's also my dad’s name so my mom calls me Art. Yes, I know, ha ha, very fun. A man named Art runs the art store.”

“It’s an easy target.” You tried to squash your giggling but a few came out.

He sighed and shook his head. “So, you’ll be handling the whole store. I want it updated completely. It was fine for my parents, but I need to bring in a new generation of artists and online shopping is destroying us.”

“It’s a common issue, Art,” you didn’t look at him as you said his name. “I already have some ideas brewing and I would be happy to discuss your thoughts for the business with you.”

He sighed heavily, gazing out at a store that was once his family’s legacy. “I would say I would like to keep some of what my parents did to this place, but I don’t think any of it is salvageable.”

“Well recycling is a thing.” You replied. “Like some of these old shelves, the wood can be reused to create a rustic facade for the front desk here.” You patted the worn out formica top. “And the vintage signage out from can be reused and framed, hung just right behind you there.”

Art made a face. “You can do all that.”

You returned his face, adding a smug smile to it. “I can do lots of things, Art. My father was a carpenter and my mother was a viper. Be careful of what you inflict about me.” You patted your chest proudly. You knew you were small and chubby, not many people expected much out of you, but your work spoke for itself. And that was how you told people off.

“Sorry,” he sighed. “I have a lot riding on this so-”

“So you hired the best. That I can promise you. Now I know you said you didn’t have a lot of funds, but I already have my plans made for how to help you with that. I plan on doing most of the work on my own, but for heavy lifting and other things-”

“I don’t mind helping with that,” he said with a shake of his head.

You had planned to bring in your brother for help, he enjoyed the destruction part of your job and he worked for free food. “Well uh…if you’d like Art, I wouldn’t say no.”

“I wouldn’t want you getting hurt on the job. It would be best if I helped out,” he said.

You couldn’t tell if he was being kind or underestimating you again, so you brushed it off and continued. “I would also like to film the process of the renovation. Stuff like that will help reach your new audience.”

He frowned, and his thick brows pinched together. “You must be joking.”

“I am not. You’d be surprised what the kids these days are watching.” You smirked up at him. “I know what I am doing, Art. Have some faith.”

His face read: easier said than done.

Discussion and planning was always the hard bit. You had to convince your employer of what needed to be done. Art was hesitant about some things, after all it was a family business and a place he had grown up in. But for the most part he was willing to go along with some of your ideas.

Art started the clean up process by first putting away his stock and setting most of the mismatched shelves outside. Once that was taken care of you began ripping up the old carpet and ancient linoleum.

“I remember when my dad put that stuff down,” Art said from behind you.

You looked up, eyes covered by goggles and mouth surrounded by one of those thick industrial masks. “Oh really?”

Art gave you a look. “Is all that necessary?”

“You’d be surprised.” You stacked another chunk of the linoleum to the side. “Lots of debris and who-knows-what is under these old floors. Decades of dirty shoes, dust, skin, and life are stored here.”

Art’s grimace deepened. “Skin?”

“Oh yeah, we shed like mad,” you laughed. “If you have dust in your house you can be assured it came from you!”

Art looked perturbed by this revelation but he continued in moving stock to the back and other store property outside.

Once the flooring was removed, you accessed what was underneath. It wasn’t marble or granite, but it was some type of stony tile that had existed when it was a gas station.

“Mom said it was inhospitable.”

You used a dust cloth to clean off a bit of the flooring. “But it’s easy to clean, and it’ll make the whole place appear brighter and bigger.” You turned and looked back at him, taking off the goggles. “It’ll be so much better in the long run. Plus! You won’t have to buy anything new except maybe a rug or two if you wanted.”

Art’s pinched brow was becoming the norm to see, but you could tell it was because the gears behind it were working so hard to process everything going on.

Once the tiles were cleaned and all the old flooring was hauled off to the dump, you started working on the walls, taking down slapdash shelving, and anything else hanging up. The old paint job, or jobs really, were layered on so thick and hadn’t been properly done. They had painted over the trim and electrical outlets, all of which needed to be replaced. The holes in the walls needed fixing too, and there were a few dents and scrapes from the years.

“You’re not hiring a painter?” Art asked one day.

You zipped up your coveralls and turned around to face him. “Not unless you want to shell out twice the money. Besides, I’m a good painter. A great painter even! Maybe not Rembrandt or anything, but I can handle a roller better than most.”

Art looked over your paint supplies. After days of you working on freeing the electric sockets and scraping the excess from the trim you could finally start working. You were painting the wall white, but you had found cheap sticker tiles to create a great accent wall, which could then be used for photo opportunities and special displays. Then another wall would also be painted white and used to display local artists and projects from the art class that Art taught.

“Mom always wanted to put wallpaper up,” Art murmured. “But said it wouldn’t be practical with everything we needed to hang up.”

There was a melancholy to Art’s face and tone as he said this. “What kind?” You asked as you poured your paint into the tray. “We could always find something close to what she had in mind for the office.”

Art glanced over his shoulder then shook his head. “I doubt I could afford it. I tried looking already.”

You put the roller into the paint, sliding it back and forth until it wasn’t too soupy. “Was this place your mom’s idea?”

“Yeah,” he murmured, his gaze going all about the store. “I can’t believe how empty it is now.”

“It’ll be full again in no time.” You gave him a reassuring smile when his amber eyes returned to you. “Do you have any pictures of your mother you would want to hang up?” you asked. “I can plan a special place for it.”

He huffed, seeming put off by this suggestion. “Excuse me. The smell of this paint is giving me a headache.” He walked off, stomping his feet a little as he went.

Art came back by the time you were finished with the first coat of white. You were sitting in front of the checkout desk, leaned back against it so your foot propped the door open. He stepped over your leg and looked at your work.

“The white really makes this place look…different,” he murmured.

“Don’t worry, there will be some color back soon enough,” you sighed. “Is your headache gone?”

Art nodded, leaning against the desk. “Sorry if I’ve been…obstinate.”

You waved it off. “I’m used to you.”

He shook his head. “No. I’ve been questioning and judging everything, all because I never really wanted to do this.”

You tilted your head up to look at him. “Then why are you?”

He let out that heavy, burdened sigh again. “Because it was in her will.”

You clicked your tongue. “Oh.”

“She left me money, but only if I used a portion of it to renovate the old store. She said it was mine after all, it deserved to reflect the new generation. Even in death she was still hinting I get married.” He scoffed at this, but he still had a smile on his face.

“Sounds pretty motherly.” You stood up from the ground, standing beside him. Not feeling much taller than you did sitting beside his great size. You motioned to the front window. “Did she paint that?”

Art laughed. “No. I did. That’s why she kept it so long.”

Your smile beamed. “Really? That’s pretty adorable.”

He shook his head and rolled his eyes. “For years upon years I’ve looked at that painting and wished every day she would wash it off and do something different. But I suppose her sentimentality was far too deep for that.”

“It’s a good painting,” you offered.

“I never thought she’d keep it so I barely tried,” he grunted and crossed his arms against his chest. “Boy, was I wrong.”

“Would you like to paint the new display? I was planning on just hanging a new sign and leaving the window clean.”

“I don’t know,” he muttered.

You patted his arm, and his eyes darted down to your hand, his brows unpinching for that one moment.

“I’ll wait till you decide then.” You stepped away from him, but his eyes still lingered on where you had touched him.

A few days later, as you were working on putting the sticker tile onto the wall, Art came from the back and offered you a ticket.

“A friend of mine has a gallery showing tonight. He gave me two tickets so I thought-” He hesitated and cleared his throat.

“How fancy is the affair?” You asked.

“Nothing too fancy. I mean, dress up, but not like black tie event or anything.” He cleared his throat again. “I was going to get dinner at my favorite restaurant since it was close by if you wanted to come.”

It clicked and you looked up at him. Your cheeks flushed and your mouth started to go dry. “Oh. Sure.” You tucked your hair behind your ear. “If that’s the case, maybe we should go in together. You know? Save the earth and stuff.”

He nodded. “Yeah. Smart idea. How about I pick you up tonight. Say…around six? Since the gallery is at eight?”

You nodded, biting down on your lip. “Yeah. Perfect. That should give me enough time to get ready after work.”

Art turned awkwardly away then back towards you. “Oh I uh, I guess I should get your address.” You traded info and the rest of the day went by in a jerky, tense sort of way.

That evening you waited in your living room until you heard from Art. You were wearing your favorite dress, and had even gotten your next door neighbor to do your makeup. You got his message and went downstairs to meet him at the front door.

Art was dressed nice in a dark purple suit and he had his long hair slicked back and tied into a bun. He didn’t have on his glasses, which surprised you. His eyes lit up when he saw you.

“Wow, you look great!” He said, a touch breathless.

You blushed and smiled. “Thanks. You look pretty great too. I’m not used to seeing you without your glasses.”

“Yeah, contacts tonight,” he said shyly. He then took your hand and led you to his car.

The restaurant was nice, the two of you had a clumsy start to it, but eventually you both started having an in depth conversation about color. From there, you both laughed and joked around, having a good time with great food and even better wine.

From there you walked to the gallery, meeting his friend then roaming through the show. Her artwork was lovely, but you noticed Art’s pinch brow had returned.

“A lot more nudes than I expected,” he whispered.

“I think it’s nice,” you replied. “I can see what her intent with the motif is. How it’s classic, it's natural, but also subversive.” You turned to Art, noticing him fidgeting and adjusting himself.

“Yes. I understand what she is doing,” he muttered. “I must have had just a little too much wine I think.”

You smiled at him, chuckling as your cheeks grew warm.

The car windows were fogged over, and in the dark all you could do was touch. His kisses felt rough but intimate. His tusks brushed against your skin, making your shiver. Every so often the darkness was halted by the motion light of the parking lot turning on. You’d still for a moment, then continue on with your youthful antics.

“We should stop.”

“We should.”

“Why aren’t we?”

“It’s hard.”

“Very hard.”

You kissed Art and breathed, looking into his eyes while you clasped your hands around his face. Maybe it was the wine or the nudes on display, maybe it was weeks of working so close and holding back so long.

“It’s hard.”

“Very hard.”

You smiled at him, kissing him again while his hands moved below. Your panties were pushed aside, his zipper brushed against your thigh. Big. Oh my god it was big!

You gasped softly and he stilled, watching your expression. You eased over him, taking as much of Art as you could stand. You pressed your palms to the roof of the car for balance, his strong hands kneaded into your thick thighs.

“Aren’t we a bit too old for this?” he breathed.

“I guess we’ll find out, won’t we.” Your laughter turned into moaning. Maybe you were both a bit too old for this, but you’d never had so much fun before! He pressed deeply inside you, and his hands couldn’t stop touching your body. He roamed over the soft curves, and plump form, his desire seeming to grow the more he did.

The next morning you came into work, seeing Art standing in the middle of the room. You held your breath, wondering if it was all a wonderful dream. He turned and smiled, his thick glasses back in place.

“Hi” he said breathlessly.

Your smile bloomed. “Hi.”

Art motioned to the desk. “I brought coffee.”

“I see that.” You smiled and took a cup he offered.

He sighed then laughed and you laughed. “So uh…last night.”

“I liked your friend’s gallery. It was very nice. I also liked your favorite restaurant.” You took a sip of the coffee, testing it before you added anything.

Art nodded, his gaze drifted until it fell back onto you. “Is that all?”

You smiled over your coffee cup. “No. Just barely.” You looked into his eyes. “I wasn’t sure if it was an appropriate work topic.”

“Not exactly but uhm…I just wanted to check.” His eyes darted over you. “Were we really too old for that?”

You laughed and cupped your hand over your mouth. “A little. But I’m not too sore. Are you?”

“No. But I would prefer somewhere much comfier next time.” he leaned in close and you closed your eyes, accepting his kiss and the touch of his tusks against your cheeks.

“Yes, it would be nice.” You saw he had paints and brushes set on the front desk. “What’s this for?”

He sucked in a breath through his teeth. “I thought I’d paint the window. I got a bit of inspiration last night.” He grinned your way. “Plus, I think mom would like to see how I’ve improved.”

You grinned. “I’ll be very excited to see how you work. Outside a car at least.”

[yurozo]

the monomyth, (leon kennedy x reader)

the exodus, also aptly known as retirement, has been sending leon for a loop. you are there to pull him back down to earth. (smut/fluff/overuse of greek references)

a/n: 18+ readers only! anyone under eighteen will be personally chased by me at full running speed. i am very much a classics nerd, as will be glaringly obvious in about three seconds. i love you nerd leon, no one understands you like i do.

shoutout to @vaaaaaiolet who was forced to listen to me ramble about this fic for three entire days

a single structure repeats itself in an endless loop of tragedy and non-tragedy, operating through the cycles of aristotle’s poetics in order to create a universal narrative of the roman hero. prologue, parados, episode, stasimon, and exodus– recycled and reused to form the endless configurations of misfortunes that befall the heroes. what is pervasive, and often tragic, about these heroes is not their moral struggles against the physical evils, but instead an internal and divine battle against a common enemy– time. 

ultimately, what defines the perfect tragedian hero is the prevailing feeling of inescapability. they cannot run from the ties of fate that rely on them as a catharsis for conflict, and instead must emotionally resolve themselves to their social positions as a weapon for the gods, regardless of the institution’s ideology. this priori of obligation forced by an infinite and perfect consciousness is what makes the tragic hero tragic; this life is not one that they choose for themselves, but one they are forced to live until that last grain of sand slips through the hourglass. 

leon’s eyes had started to burn thirty minutes ago, long ignored in favour of another jstor binge at a truly ungodly hour of the night. he, at least, had the chivalry of keeping his phone brightness on the lowest setting, screen carefully tilted away from your resting eyes. 

this whirlwind of information had started with the myth of perseus, followed by odysseus, and then a countless amount of papers analyzing the hubris of the tragedian heroes. supplementary material for tomorrow’s breakfast conversation, so that he can talk at length over eggs and coffee across from your bright eyes and eager expression. 

that’s what always killed him, just how genuinely interested you were in whatever he said. god knows that was especially rare, particularly from the other women in his life. claire was always half-listening whenever he lost himself on a tangent, and don’t get him started on trying to get ada interested in anything he had to say. 

but ada was long gone, and claire was always delighted on your talent of getting leon off her back. 

how contentedly boring his life has gotten that the most exciting part of his day is your opinion on his recent fixation, just to listen to you fill in all the missing pieces he never realized were absent. you were like that in almost every aspect of his life, the golden glue that slowly puts poor humpty dumpty back together again. 

wrong type of mythology. regardless, you were something he never realized he desperately needed until that warm feeling of being content started filling his chest. a passing comment on his resemblance to a greek god had established this whole spiral– a form delicately cut in marble and praised over the centuries for the countless deeds committed in a long war to protect his people. 

perseus, maybe. or odysseus, but that was too easy. too cliche. leon was never one for divine glory, instead preferring the silent type of satisfaction that came from finally putting some good back in this world. or preventing more terrible things from happening, more like. a careful balancing act, another stupid cycle of finally feeling like a person again until he can get home and stop the dreams of people screaming in your ever-so-loving arms. 

bellerophon is the final choice. a figure riding into battle against the monstrous chimeric beast with only a tamed ally and a lead-tipped weapon. a hero that was never satisfied, choosing bigger and bigger fights until he falls from the heavens and into the dirt below. a god angered at his success, a product of an institution that brought him into a war he never asked for as a weapon, and left him crippled to wander the world alone when he ascended too far. 

maybe retirement really was getting to him. this so-called period of exodus, a final parting song and the materialization of the final crisis. 

you stir in your sleep then, arm sliding across his chest until your head is tucked against his bicep. he moves to rest his arm  underneath your head instead, which instead of achieving its original purpose of comforting you, only causes your eyes to blink blearily up at him. 

“get off wikipedia,” you mumble, shifting the blankets until it sufficiently covers the both of you. another thing he never noticed, how cold his legs were, sprawled uncovered on the mattress. this kind of comfortable routine is where you and leon thrived, so used to each other’s presence that accommodation was natural. “you should be sleeping, we have a big day tomorrow.”

“i’m on jstor. totally different site.” he supplies unhelpfully, earning a stern glare in return. his lips peck your forehead a moment after in apology. his version of proskynesis, a gesture of reverence towards his god that showed him admiration instead of ire.

“i was thinking of taking the bike,” the change in subject is nonchalant, like it’s not three thirty in the morning and you’re definitely functioning enough for idle conversation. 

“hell no,” you grumble, sinking further into the mattress. “i’m not getting on that thing with you.”

leon shifts until he’s on top of you, now wide awake and grinning slyly down. “not a fan of my chariot?”

“while i usually do love riding you, that thing is a death machine.” the glimmer of amusement in your eyes now match his own. finally, you’re actually awake. an unspoken question, a command, given from the divine to its mortal instrument. “and i’ve seen the way you drive it. i very much value my life.”

“that’s different. i can’t exactly go slow on those things when there’s rabid dogs chasing me.” he alleviates his statement with a slow string of kisses down your neck, soft and gentle like he can’t snap someone’s neck with his bare hands. “and i’ll be careful. promise.”

“like you promised not to get hurt in alcatraz?” your rebuttal doesn’t phase him, his mouth still preoccupied with tracing down your neck until his fingers start to pull the collar of your shirt down. 

“extenuating circumstances,” he mutters, lowering himself down the blankets until his mouth is in line with your hips. divine fate, maybe, or some other twisted machination of a higher being that decrees his near-death every six months. it’s hard to stare up and curse at the gods when they brought you to him, his own piece of olympus pliant in his hands. 

your hips lift off the mattress as he pulls at your shorts, another directive he is all too happy to follow. hunnigan would be furious at his obedience, like a dog all too happy to head the leash. 

“besides,” he continues, lips brushing against the frail skin of your upper thighs. “i’m officially a retired man. long past my prime.”

why does tragedy exist? is it purely to show the power of the gods, that they so fiercely defend the threads of fate that control every aspect of their existence? is it simply a consequence of the endless cycle of war invited by a world whose very frame requires an institution to desire it? regardless of its source, a world born of this mindset cannot escape an endless cycle of war that legitimizes a world-destroying violence, with no true winner other than the institution that began it. 

his clothes are pulled off quickly, following yours. scraps of fabric thrown haphazardly around the room, ignored in favour of hands tracing along the contours of your body. gentle, reverent. nails tracing down every scar, every piece of evidence that you are real, that you are alive, and there’s nothing within these four walls that can take this away from him too. 

“not too far past to not be horny in the middle of the night.” you huff, curling your hand in his hair to pull him back down to you. his breath ghosts over your thighs, his tongue darting out instinctively to wet his lips. 

“i’m a simple man,” he lowers his mouth to you, licking a premeditative stripe up your folds. “got a beautiful wife in my bed. just can’t help myself.”

the hand in his hair pulls him closer, and leon understands the simple action for what it is. a cue to stop talking and get to work, to use his mouth for something other than popping off one-liners at inopportune moments. a man’s place is on his knees, and all that.

where leon is rough in every aspect of his life, he is always careful with you. he eats you out like it’s somehow the last time he’s ever going to do it, and the first time he’s ever tasted anything so divine. equal parts eager and careful, even as his fingers prod at your entrance. 

you jut your hips up again, and he slips two in easily. every part of you is familiar with every part of him. his tongue and hands start a rhythm, a soft push and pull that slowly eases you to the peak. a peaceful trek to that coiled tension starting in your legs, thighs squeezing around his head in the way you know he likes. 

that one took a while for him to admit; that he liked the feeling of being crushed between you. it was a long-drawn experiment on how far on the pain threshold he could bear before it got too much for him, until it started to push past pleasure and more into the drowning in the too-high waters of a lab territory. years of experience has taught you where to stop, his secret little tells that no one else knew about burrowed deep into your memory for safekeeping. 

that furrow between his brow deepens, and you know to ease off a little. he kisses your clit in a silent thanks, before his rhythm resumes. while leon may not feel the decreased stamina of age yet, you are too aware of your limits to handle two orgasms, so you have the mind to pull him off before that point of no return. 

leon sprawls on the mattress next to you, hands gently easing you up until your knees are bracketing his hips. not usually his preferred position, considering his penchant for control. 

“my back hurts,” he mumbles softly, bringing your hand up to his mouth to kiss along your knuckles. “want you to ride me.”

“if you make another chariot joke, i’m seriously going to hit you.”

“ye’ of little faith,” his hand drops yours to line himself up with you, and a gentle push of his hips drives the tip of him into you. “i never make the same joke twice.”

your only answer is a shuddering gasp until you gain your bearings enough to sink down onto him fully. he lays still for a few seconds, letting you get used to the intrusion. his breath stutters in his chest as your hands lay flat onto it, right palm splayed right over his heart. 

an uneven thump, beating so fast in his chest that its a god-given miracle he hasn’t keeled over yet. 

there’s a unique type of mythmaking when it comes to the tragic heroine. it is a story of fear; innocence; fall from innocence; catharsis; being desired by the right people; being desired by the wrong people; by dangerous people; by excitingly dangerous people. revision is a privilege given to so few who desire it, and to be tender-hearted in a world defined by tragedy is to die. 

and yet, the fruit of consideration when it comes to tragedy is not the moral resignation that comes with that acceptance. instead, it is a revealing of the self’s utter dependency on others. the reason that tragedy works is that character is built through this adversity. just as the nature of goodness appears in the face of moral evil, tragedy shows what is fragile and ultimately human about us. 

but you are not a god, and he is not a myth. there is no divine fate here, only a random calculation of ethereal and clunky moments that controls so much of his life that he just has to live it. that dependence is the one good thing that has come from all the fighting, and the aching, and the loneliness. a perverted sort of serendipity that leon thanks the heavens for every waking moment. 

he is real, and you are real, and that’s enough for him. 

both of you are moving in tandem, chasing the upcoming release with a soft desperation. his hands are firmly grasping at your hips, kneading the flesh there like its the only thing tethering him to this reality. that heat of pleasure starts to coil in your gut, and judging by the twisted expression on leon’s face, he’s not too far behind. 

“please,” he gasps, shoving you down until your chest is pressed against his. “i need-”

“i know,” you answer softly, pressing a chaste kiss to his lips that delightfully juxtapose the depraved way his hips are slamming against yours. 

it’s like falling  down from the heavens, except this time there’s no splatter of a body onto the earth. only a light feeling crawling through his limbs, like that final moment of peace before succumbing to the darkness. if the gods had asked him now for a sacrifice, he would have gotten on his knees all over again to keep you. when tranquility was once the bane of his existence, now it is the center of it. 

you tense above him, like a goddess struck in stone until you are returned to the flesh, crumpling on top of him. a soft cough escapes him, a wheezing sound that signifies that you are most definitely crushing his lungs. the forces that be roll the both of you to the side until you’re facing each other, his hand unconsciously reaching for yours under the mattress. happy, warm, and sated– leon’s husbandly duties have officially been achieved. 

“i love you,” he whispers, and he doesn’t even realize the tear escaping his eye until you gently wipe it away. every part of him now is soft and malleable, even the parts so carefully hidden from everyone else. 

“love you too, old man.” 

a final kiss to your forehead before he tucks you into his chest, “we’ll take the car tomorrow.”

two more hours until he can eat eggs and drink slightly shitty coffee, and finally fill you in on his newfound epiphany. his arms wrap around your half-conscious figure, body curling around you like something to protect. you hug him tightly in return, bare skin soft on your cheek. your arms hold him like he is sacred too. 

[luxesiren]

⸻ 𝐇𝐈𝐆𝐇 𝐒𝐄𝐗 :: wade wilson x black reader

synopsis :: wade comes back home from “business" and asks if you wanted to smoke with him and of course you did

cw :: 3.1k+ words MDNI, intentional lower case, fem!black reader, drug use (marijuana), established relationship, fluff, porn w/o plot, smut; oral sex (m receiving), fingering, dirty talk, praise, tummy bulge, riding, rough sex, dry humping, spanking, overstimulation, mating press, daddy kink, and degradation

a/n :: i’ve been wanting to write for marvel characters, i just haven’t but i think writing wade wilson is the best character to start off with cause i love him😩 but uhm this is technically a recycled work of mine and i’m just sharing it with y’all! so enjoy!

it’s been a while since you’ve seen wade, he’s always away for “business” and even though you knew exactly what his business entailed but it didn’t phase you. naturally, you were excited to see wade so when he came home and kissed you, you were practically floating. he asked you if you wanted to smoke with him and who were you to say no? 

there you were with your legs across wade’s lap, watching him roll the blunt so effortlessly, you just could’t stop staring at him, his mask half way on and it makes you want to see the rest of his face, the scars covering his face visible but you never cared, at the end of the day, his looks weren’t his most important factor. you leaned over and kissed his cheek with a smile, he turned to look at you with a smile on his face, “what was that for?” 

“just cause, baby.” you reply, shrugging your shoulders and leaning back against the couch. he finished rolling the blunt and sealing it up perfectly before he took his lighter and lit it up, inhaling some the smoke before passing it to you. it was always good smoking with wade, he always made sure you were good and that you weren’t tripping out from the weed but he always catered to your every need, smoking with him always made you horny – no matter what it was, you always ended up in some compromising position with him making you cum until you couldn’t anymore. 

you passed it back to him and he took a drag of it, holding in the smoke and exhaling shortly after, “you always have this pink gloss on the blunt, i’m two seconds away from just buying some for myself.” 

“baby- what?” you laughed, you couldn’t help it, he was a fool. he passed the blunt back to you and you already the felt the high coming on as you kept passing it back and forth between each other. “be quiet, you just tryna be funny” 

“it made you laugh so i think it worked.” wade laughed, his hand resting on your thigh, squeezing gently before caressing, he always loved your thighs. he would always have his hands on your thighs, sometimes just resting there and other times his hand would be between them. wade couldn’t take his eyes off you, his lids low and somewhat heavy – the high not really doing much for him but it still affected him in a way but he just couldn’t stop staring at you. 

you caught him looking and you giggled, “what? i got something on my face?” and wade just shook his head, pulling you into his lap without another word. you squealed before you finally settled, his hands on your waist before they moved to your ass. he was always handsy even without the weed. 

“i’m just looking at you, baby. that’s all.” he replied, voice low and rough from the smoke. 

you took a final hit from the blunt before you leaned over him to put it out on the ashtray, “really? you missed me?” your hands wrapped around his neck as you leaned down to whisper in his ear. 

“always do, snookums.” he said with a smile, leaning in to kiss you but before his lips could meet yours, you pulled back and looked at him with your eyebrow raised, “what?” 

you smacked your lips and crossed your arms, “you know i love to see your face, why do you keep playing with me?” 

“my goodness, such a sassy little thing,” he rolled his eyes before taking off his mask and tossing it to the side, “is that better?” 

“much better.” you responded before you pulled him back, kissing his lips softly and your hands still wrapped around his neck, your chest pressed against his. his hands gripping your ass while he deepens the kiss. you admit that you missed him too, tired of being on facetime with him and texting pictures of himself just to tease you about how much he missed you. 

not long after, your back was pressed against the couch and wade was on top of you, his lips sucking on your bottom lip before pulling back and kissing down your jawline to your neck, sucking marks and biting down causing you to whine. your thighs pressed together, your pussy ruining your panties with how wet you were for him.

his hand roamed your body, he played with your tits, thumbs pressing down on your nipples making you whimper in his mouth and he loves to hear you like that, making as much noise as you can for him. your eyes glossy and rolling to the back of your head from how he was rutting against you, the thick bulge that rested in his sweats was enough to drive you insane, pressing against your clit making you grind into him. 

his hands moved to pull off your panties, not wasting a second before two of his fingers teased your folds. the grip you had on his shoulders tightened with every rub against your cunt, his lips never left yours. instead it was you who pulled away to moan his name. he loved hearing his name on your lips, so sweet and so breathless coming from you. “wade, fuck…i want more.” 

he didn’t protest, wanting to give you whatever you wanted — missing you as much as you missed him and he didn’t deny it. you felt how much he missed you with how delicate he touched you, drawing out every movement of his, two of his fingers moved inside you, his thumb circling your clit and making you leak more slick. “jesus, baby, you look so pretty like this. i think i could cum just from that face you’re making.” 

“yeah? wouldn’t that make it easy? cumming so easy just from my face?” you chuckled which quickly turned into a moan when his fingers curled just right, “mm wade..”

“you’re doing so good for me, taking my fingers so well.” his fingers thrusting in and out slowly, gradually picking up the pace. he wanted to see you fall apart for him, your thighs tempted to close around his hand but he didn’t allow it, his free hand spreading them apart even further. 

your whines made him even harder in his sweats that it was almost painful but he didn’t care, not when you were squirming and making a mess of his fingers. your thighs started to tremble and he knew that you were close, he didn’t stop moving his fingers, keeping the same pace and making you moan loudly, whimpering from the drag of his fingers against your sensitive walls making you grab his wrist but he kept going, nothing would stop him. 

“wade, m’gonna cum, please..” you begged, you wanted him to give you what you so desperately wanted, what you needed. he let you do just that, whining loudly and cumming around his fingers. he didn’t pull his fingers just yet, giving you one last thrust before he pulled out slowly licking his fingers clean all while looking you in the eyes. “taste good, daddy?” 

his hand came down slapping your thigh roughly making you cry out before you smirk at him, you pull yourself up settling down in his lap and kissing him, moaning when you taste yourself on his tongue. his hands move down your back landing on your ass and squeezing before smacking your ass making you arch your back and whimper, “you what i missed?” he asks, his voice deep in your ear making you squirm. 

“hm? tell me what you missed, daddy.” you reply, causing him to groan, your hand move to his sweats moving your hand over his bulge stroking slowly just to work him up. “i think i can guess what..” 

“fuck..baby” he was losing his mind and you found joy in watching him grip the couch cushions to find some relieve, his hip moving into your hand and you can’t help but to chuckle. you move to pull out his cock, hard and heavy in your hand but you missed the feeling of him in your han and leaking precum – you kissed his lips softly, just enough to get him even more riled up and wanting more. his eyes still low and light red from the high he was still sporting but that just made you want him even more, his gaze never leaving yours as you got down on your knees. 

his legs spread and you always loved when he sat like that but now you were in between them and you missed being on your knees for him. barely containing your excitement when you started to stroke him even more, your hand moving up and hand on him making his hips jerk and a groan to slip from his lips. you let go to spit in your hand, returning to his cock and moving at that same pace before you moved closer, one hand resting on his thigh and the other guiding his cock towards your lips. 

not wasting any time you kissed his tip, licking at the precum that was there, still stroking down his shaft and teasing him just a bit before you started to suck the tip in your mouth. “s-shit, baby” his hand resting on your head, starting to grip your hair just a little and you felt a little pride in making him act like this but you know it’s because he missed you and he loved having his dick sucked. 

you missed having his dick in your mouth, your tongue moved against his tip before your lips fully wrapped around him causing him to curse under his breath and his thigh twitched against your hand, his hips itched to move, tempted to fuck your face. your head bobbed and your tongue licked at the vein residing on the side of his cock, making you moan around him and he couldn’t help the way his hip jerked and almost choked you but you never minded, you loved when he lost control of himself and started to fuck your face. you pulled off, letting the spit that gathered on your tongue drip down his shaft before you moved your hands, twisting your wrist just the way he liked it. 

wade couldn’t take his eyes off you, you were like a dream and he felt like h was heaven – your hands kept moving against him before your lips were back on him again and he couldn’t help the way his head tossed back and he moaned out loud. “you must’ve missed having daddy’s dick in your mouth” he said, his hands moving to grip your hair, pushing you down further onto his cock, he relished in feeling you try to swallow around him before you got the hang of it and relaxed your throat to let him in. 

you weren’t expecting him to push you down further and usually it wasn’t hard to relax your throat to take all of him but it was and you chalked it up to be the fact that you hadn’t had his dick in a few weeks but you quickly got the hang of it and relaxed your throat, swallowing him down just like he wanted. his hands tight in your hair and moving your head up and down at his pace, your tongue swirled around his tip before he pushed you down again making you take every inch of him. 

he couldn’t take it anymore, he pulled you off his dick and pulled you into his lap. “you drive me insane, you know? can’t wait anymore, gotta fuck you.” his words slightly slurred and his lips were on yours again, your arms wrapped around his neck and pulling him impossibly closer to you. his hands moved to the underside of your thighs, lifting you up while your hands guided his cock to your cunt, rubbing it against your folds coating him in more of your slick before you started to sink down. 

the collective groans from the both of you were loud and wade waited until you adjusted to him before he grabbed your hips and started to move you, guiding you as if you needed the practice but you didn’t, he was just desparate and needed more of you. your head dropped onto his shoulder, biting down slightly before you moved to look at him – your hips moving on their own accord now, bouncing on his cock like you needed it as if it was the air you breathed. “mm fuck, daddy feels good.” 

he loved when you called him daddy, made him want to fuck you senseless, “you know what that name does to me..”

you chuckled, “i know..right there, baby..” you moaned when his hip met your thrusts, fucking up into you roughly and his pace relentless making you cry out and fuck, it felt good but you wanted more, needed more.

wade always noticed when you needed, always attentive to you. “what do you need, baby? tell me, tell daddy what you need.” he said, he kissed down your neck leaving marks that would last a few days but you didn’t care. his hands gripped your hips again thrusting into you harder as you kept bouncing on him. 

“fuck! i need you to fuck me..please.” 

wade smirked, “but i’m already fucking you. what else could you need?” he knew exactly what you meant but he liked to see you beg for it. “hmm maybe you could tell me what you mean.” 

“wade you know what i mean, don’t play.” you retorted, your hips still moving but you needed him deeper and he knew that so why wasn’t he giving it to you. 

“maybe i do or maybe i don’t.” he said, slowing his thrusts which made you whine, clawing at his chest, “beg for it. beg for daddy, c’mon, i know you can do it. use your words and ask for it.” 

you couldn’t help but to whimper at his words, the softness of his voice making you want to do whatever he asked of you and you did just that, “please, daddy? please, fuck me harder?” 

that’s all he wanted. you couldn’t even settle with what happened before you were on your back and your legs were resting on his shoulders, he pulled out and slammed back in making you scream, “see? such a good girl, asking daddy to fuck you harder.” his hands parted your legs and moved them to your chest putting you in his favorite position just so he could fuck you harder, deeper, just the way you want him to. 

your hand gripped the couch cushions, drool leaking out the side of your mouth almost continuous from the deep thrust he kept giving you – his tip kissing your cervix and you couldn’t help but to keep clenching around him, you wanted to keep him inside of you just like that. his hands gripped your thighs tightly becoming overwhelmed by the pleasure, his eyes watched as your cunt swallowed his cock, clenching and unclenching around him every time he pulled out and pushed back in. 

tears sprung in your eyes but it all felt heavenly, feeling just how deep he was almost making your tummy bulge, your hand moved to rest on your stomach and you looked up at him seeing him focused on your pussy. “‘s good, please, please.” 

“please what? you want more?” his eyes locked with yours as he changed the pace of his thrusts, slowly moving his hips making you feel everything he had to give you, “want daddy to fuck you like a slut? hm?” 

the moan you let out was obscene, you nodded your head and he happily obliged, going back to his rough pace fucking into you like you were a two-cent whore and he hated you. he pulled out and manhandled you into that beautiful arch he would never get tired of seeing, his hand smacking your ass, once, twice, and three times hearing how loud your moans got with every hit. “s-shit wade, wade, fuck..!” 

his hand came down your ass again making your back arch even further, “that’s not my name, say it or i’ll stop” 

“daddy, m’gonna cum, gonna cum.” you said, tears running down your face and your thighs trembling, you try to push him back but he didn’t allow it, he grabbed your hands and pinned them to your back. his hip smacking against yours louder than before echoing in the room and bouncing off the walls. 

“don’t push me away, take it like a good girl. you always take it so tonight shouldn’t be any different, you asked for this so take it.” his voice rough in your ears, his hands smoothing down your stomach pressing against the bulge in your stomach, “fuck, you can feel how deep i am..” he chuckled pressing down even harder and there it was, you couldn’t hold back anymore, your thighs started to shake vigorously and your cunt clamped down on his cock tightly – your cum coating his cock. “there you go, fuck, you’re so tight.” 

your back still arched as you tried to catch your breath but as quickly as you settled, the breath was knocked out of you again when wade started to move again. you mewled into the couch, the overstimulation of his cock dragging against your walls,too sensitive for you to take but you couldn’t push him away not with his hands still pinning yours to the small of your back. “wade ‘s too much.” 

“aww it’s too much? i thought you could take it, guess not..” he mocked, his hips still unwavering and still moving not caring about how overstimulated you were, chasing his pleasure. “you can take a little more, baby. i know you can.” he said and you believed him, a whimper leaving your lips and your head moving against the couch cushions. 

His thrusts became sloppier as he became closer and closer to cumming, you couldn’t do anything but lay there and take it, receiving everything he was giving you. he cursed loudly and pulled your hips flush against his, a gasp leaving yours when you felt the warmth of his cum filling you up and his cock twitching inside of you. “fuck, fuck, take it all, baby.” 

after a minute, he pulled out and watching your combined cum leak out of your abused cunt, dripping down your leg. he pulled you closer to him, kissing your neck and cheeks softly before smoothing down your hair and caressing your cheek. “you okay, baby?” he asked you, making you smile at his concern. 

“mhm never better. don’t leave for that long again, i missed you.” you replied, grabbing his hand and kissing his palm. 

“i missed you too, princess. come on, let’s go clean up and then i’ll order us some food, okay?” you nodded in response before he kissed you again and picked you up, and carrying you to the bathroom to run a bath and cater to you for the rest of the night.

© 𝐥𝐮𝐱𝐞𝐬𝐢𝐫𝐞𝐧 | all rights reserved to me, please don’t repost, steal, or copy to any other websites

tags :: @phorxic @spiderpunkfien @s0ulxblackstar @noritopia @chosovixen @smiley-babe @tojislittlewormbaby @ask-kiyanah @etherealxmaya

[blueskrugs]

'tis the damn season | Matthew Tkachuk

today's the unofficial official start to summer, so here's a 4th of July Matty fic I couldn't bear to hold on to for another month. once upon a time, kim @troubatrain wrote another matthew fic by the same title, but i'm fairly confident this is entirely different. as usual, @wyattjohnston was my enabler in writing this.

length: 3.0k words

It’s late when you finally peel yourself off the Adirondack chair you claimed hours ago next to the bonfire, empty seltzer can dangling from your fingertips. The bonfire has died off, barely more than some embers and the occasional spark. Even the fireworks that have been echoing around the lake for days have petered out. It’s just you, Matthew and Taryn left outside, all your other friends having wandered off to find somewhere to sleep—except you think Taryn might have also fallen asleep, wrapped up in one of Matthew’s old Calgary sweatshirts and a beach towel. 

Matthew watches you with heavy eyes, watches as you stretch sleepily and the big T-shirt you’d thrown on over your swimsuit rides up over your hips. 

“Don’t drive home,” Matthew says, so low you barely hear him. 

“What?” you ask. You’re not heading back to the city until after the long weekend is over, and your parents’ lake house is just a couple of miles away. 

“Don’t leave, there’s a lot of drunk idiots out still,” he says again, standing too. You and your friends were some of those drunk idiots earlier in the day, but you don’t point that out. 

“Dude, I’m fine,” you tell Matthew. You turn to look for your flip-flops. “It’s not far, and I stopped drinking a while ago.”

Matthew grabs you by the hip. The night has cooled off, but Matthew’s hand feels hot on your skin. “I’m not worried about you being stupid, I’m worried about something happening to you,” Matthew says. “Don’t go.”

You didn’t pack enough clothes to spend the night—you’d always been planning on heading back to your parents’ at the end of the night. The house was crowded with friends of Matthew and Taryn. 

“There’s nowhere left for me to sleep,” is what you end up saying.

Matthew tightens his grip. You step closer. “Sleep in my bed.”

You’d done it before, but not since before Matthew had moved to Michigan to play for the USNTDP. Not since before your crush on Matthew had shifted from something childish to something more like pining. You stare up at him, his blue eyes serious, clear even in the moonlight. 

One of the logs on the dying bonfire pops and shifts, sending out a spray of sparks. You both startle, moment broken. Matthew takes a half-step back from you. You hadn’t realized how far you’d both leaned in. Taryn stirs somewhere behind you.

“Fine,” you say quietly. “I’ll stay.” 

Matthew grins at you. You shake your head at him as you finally turn to walk inside.

You think you hear Taryn murmur, “Get a room,” as you pass her. 

The lake house is a mess. You survey it with dismay for a moment: there’s people passed out on several different couches, empty cans and bottles scattered across most surfaces, and remnants of dinner still sitting out in the kitchen. You drop your own empty can into the recycling near the door and wander quietly through the first floor, picking up what you can. You haven’t been at it very long when Matthew steps inside as well, gently shutting the door behind him. He clicks his tongue at you when he spots you in the kitchen, loading the dishwasher.

“I thought you were going to bed,” he whispers.

“I got distracted,” you whisper back. 

Matthew trails his fingertips across your side as he steps past you to open the fridge. You shiver, and not because the AC is turned down low. Matthew pulls two bottles of Gatorade out, offers one to you. 

You take it, suddenly surprised at how thirsty you are. 

Matthew watches in amusement for a moment as you chug a third of the bottle, before he says, “C’mon, it’s past your bedtime.”

“It’s not that late—” you try to protest, before you catch a glimpse of the time on the microwave clock. Almost 2 AM. “Oops,” you say instead. 

Matthew flicks off the kitchen light and heads upstairs.

You make a pit stop in Taryn’s room on your way down the hall to Matthew’s room. The door creaks as you open it, and you wince, squinting at the bed, where three of Taryn’s field hockey teammates are sleeping. No one moves. You steal a pair of shorts to sleep in and sneak back out. 

Matthew is waiting for you, again, perched on the edge of his bed. The shower in his ensuite is running, steam filtering through the ajar door. “Shower’s ready for you, if you want,” he says.

There’s a bottle of your face wash and a toothbrush with your initials Sharpied onto the handle underneath his sink, the same way they have been since you were 14. You take a fast shower and try not to think too much about it. 

You run into Matthew when you walk out of the bathroom. Literally. You're bumped backwards, into the doorjamb. Matthew doesn’t step away. You’re still wearing one of his T-shirts. 

“I was just—I need—” Matthew stutters. 

“Matty—” you breathe, before Matthew’s lips crash into yours. He tastes like beer and sunscreen, and you wrap your hands around the back of his neck so you can pull him closer. 

Matthew breaks the kiss first, but he doesn’t go far, pressing his forehead to yours. It could have been seconds, or it could have been hours. 

“I was just going to brush my teeth,” Matthew whispers. 

You make a face instead of kissing Matthew again. His face is still so close to yours. 

“Good, you need it,” you whisper back. Matthew rolls his eyes at you, presses a kiss to your forehead before ducking into the bathroom. 

You’re sprawled out in the center of Matthew’s bed when he re-emerges, watching the ceiling fan turn lazily above you. You feel drunk, like the room’s spinning, too, but you think that might just be proximity to Matthew. You should have just found a couch or a corner of floor to sleep on. 

“No way,” Matthew says, standing at the foot of the bed. “Scoot over.” 

You think about pushing it, just to see if Matthew would push back, but you scoot over. Matthew flops onto the bed next to you in the space you just left, then rolls on top of you, anyway, braced with his hands next to your head. 

You take a second to just look at him. You’ve been sneaking glances all day, over the rim of a seltzer can, from underneath your sunglasses, across the boat. It had felt illicit then, but now Matthew is right in front of you, blue eyes meeting yours. His curls are getting long, messy from being in and out of the lake water all day. He’s always tan now—living in Florida all winter does that—but he’s sunburned across his nose and across the tops of shoulders. You lift one hand and skim a finger down his nose, across his jaw.

“I miss you,” you blurt. It’s not what you had meant to say, but now that you’ve said it, you’re not sure what else there is to say.

Matthew laughs softly. “I’m right here, babe,” he says.

He’s here now, but it won’t be long until summer’s over, and he’ll be gone again. Back to the real world. You don’t know the last time you and Matthew were able to spend time together like this, don’t know if you’ll ever get this time again. It’s always been one thing after another—injuries, or vacations, or work. You don't talk the way you used to, either. Matthew's schedule clashes with yours so often that neither of you have time for hours-long phone calls anymore.

Matthew drops to an elbow and brushes your hair out of your face. You try not to sigh. His hand is on your knee next, by his ribs with your feet flat on the bed. You don’t stop him as his hand starts to slide up your thigh, closer to the hem of his T-shirt, riding up your hips again. 

Matthew drags a line of kisses down your neck. You can’t stop your sigh this time. Matthew comes up for air, tucks another strand of hair behind your ear. It’s humid outside and in Matthew’s bed; you can’t breathe, gasp for air. His hand is back on your hip, burning hot on your skin. 

He asks, “Yeah?” 

You can feel his breath on your cheek. He’s panting, too, and it’s nice to know that he’s as wrapped up in this as you are, at least for this moment. That he might want you almost as bad as you want him. That he’s wanted you as long as you’ve wanted him.  

You don’t trust yourself to get any words out, just nod. 

“Think you can stay quiet?” Matthew says, before sealing his lips on yours again. 

▰▱▰▱▰▱▰▱▰▱▰▱▰▱▰▱▰▱▰▱▰▱▰▱▰▱▰▱▰▱▰▱▰▱▰▱▰

You wake up late the next morning, the ghost of Matthew’s fingers still on your skin. He’s in bed, too, tangled in the sheets, head turned away from you. Distantly, you hear the sounds of the rest of the house stirring, your friends laughing, coffee brewing. You don’t make any move to get up.

You’re still laying there later—15 minutes, 30 minutes, you’re not sure—when Matthew starts to stir. He rolls over quickly, almost panicked, but he relaxes and smiles when he sees you still lying next to him. 

“Hi,” he says dumbly. He fumbles for his phone, but it’s not beside him. “What time is it?” His words and eyes are still heavy with sleep.

You don't know either; you must have left your phone downstairs last night;. You shrug and stretch. Matthew watches you closely, the way your body moves beneath the sheets. You feel your cheeks flush. 

“Dunno,” you say. Closer to noon than early morning, if you had to guess by the way the light is slanting through the partially closed blinds. “Late,” you add. 

Matthew grins at you and props himself up on one elbow. You have to resist the urge to reach up and tug on his curls, even messier now from your hands and sleep. 

“Then I don’t think anyone will miss us if we stay in bed a little longer,” he says, leaning over to kiss you.

You indulge him and his morning breath for a few moments. Wrapped up in your own little bubble, twisted together in Matthew’s sheets, you can pretend just a little longer—that this is real, that it won’t disappear the second you step through that doorway and back into a world where other people and other obligations exist. But then your stomach rumbles and shatters your illusion.

You push Matthew away by the shoulders—gently, though part of you wants to be harsh with him, hurt him the way you know he’s going to break your heart. Matthew goes easily, but you see the flash of furrowed brow before he smooths his expression back into something easygoing. 

“Not that I’m not enjoying this,” you say, “but I need something to eat.” 

Matthew raises his eyebrows at you. “I’ve got an idea of what I want to eat,” he leers. 

You knee him in the chest in retaliation.

“Oof,” Matthew complains, but he’s laughing. 

He rolls off of you, rubbing his chest and pouting at you. You just roll your eyes and slide out of bed. You hunt the floor for the shorts you’d been wearing when you went to bed, trying to ignore the way you can feel Matthew staring at your ass. Your shorts ended up across the room, by the bathroom door. When you turn around again, Matthew is pulling on a shirt. There’s a hickey on his collarbone that you hazily remember leaving there. He sees you looking as his bare skin disappears and smirks at you before throwing another clean shirt of his at your face. 

You grab the hem of the shirt you’re wearing, but say, “Turn around.”

Matthew gapes at you. “It’s nothing I didn’t see last night,” he tells you. 

It feels different in the daylight, though. You stare Matthew down until he heaves a sigh and turns his back. 

You poke Matthew in the ribs when you’ve finished changing. It didn’t go unnoticed by you that Matthew gave you a shirt with his number stamped on the left shoulder to wear. Matthew reaches to take your hand as you start down the stairs, but you pull away and run ahead of him.

This isn’t like that. 

“Oh, you’re both alive,” Taryn calls when she sees you. “We were thinking about sending someone up to check on you.” 

You and Matthew exchange a look. You don’t miss Taryn smirking from her spot on the couch. 

“Where is everybody?” Matthew says, instead of saying anything to give Taryn any more ammunition. The house has quieted down. There’s still a few of Taryn’s teammates lounging around, but it looks like more of Matthew’s friends have cleared out.

“Weather’s shitty, people started leaving after breakfast,” she says. 

Outside the windows that overlook the lake, there’s fog clinging to the water. It looks chilly out, and you shiver. You tell yourself it’s because of the cold, and not because Matthew is standing so close to you that you can feel his body heat. He nudges your elbow, and he’s holding a cup of coffee out to you, already the perfect color for you to drink it. You shoot him a grateful smile as you take it; your fingers brush, and you try not to jerk your hand away. 

“Nobody even said good-bye,” Matthew gripes.

You laugh, but it’s Taryn who says: “Maybe because you’re a shit host.”

Matthew gasps in outrage and throws a discarded can koozie at her. It falls weakly to the floor halfway to the couch, and all of you burst out laughing. You and Matthew move easily around each other in the kitchen, piecing together leftovers and assembling your breakfasts. It sends a pang through your chest, the familiarity of it, even as the years and distance build a canyon between your relationship. You don’t know when Matthew went from being your best friend, to the boy you dreamed of marrying one day, to the guy you knew so well yet barely knew at all. 

You feel like you can’t breathe.

“That’s disgusting,” you say, watching Matthew take a bite out of a cold bratwurst straight from the fridge.

Matthew shrugs. “What?” he says with his mouth full. “It’s a sausage, people eat sausage for breakfast all the time!” 

“But not—oh, fuck you, never mind,” you say. 

You escape the kitchen, slipping through the back door to the porch. The bonfire from last night has long since burned out entirely, but you drop into one of the chairs beside it anyway, where you eat your breakfast undisturbed. When your plate is cleared, you wander down to the dock.

The late morning sun has finally started to burn away the fog, but the air is still cool. You sit down on the edge of the dock and let your feet dangle in the water. It’s quiet, especially for the day after the holiday; the weather has scared people indoors. You shiver again. You only have a few minutes of peace before you hear footsteps behind you. You don’t have to turn around to know that they belong to Matthew.

He drops down onto the dock behind you, drapes his legs off the edge on either side of yours. He wraps his arms around your shoulders, and you let yourself lean back into his chest. Neither of you speak.

You’d been here once before, sitting on this dock with Matthew. You were younger then. Matthew had just been drafted, and you were heading off to college. You’d both been on the verge of something big, and you thought maybe it had been your chance to do big things, together. You wonder if Matthew is thinking of that night, too, of the silence in the darkness of midnight, when you’d both slipped away.

Matthew presses his lips to your shoulder, where the collar of your shirt—his shirt—has slid down and exposes your bare skin. 

“Would you wait for me?” you asked, 18 years old and so, so scared of losing everything you had ever known. Desperately trying to hold onto Matthew.

“Would you?” he asked back. “Would you still be ready for me in another few years?” You both knew you couldn’t even imagine following Matthew to Calgary until you had graduated, unwilling to sacrifice your own future for a possible one with Matthew.

You had waited. You had been waiting for Matthew for even longer than you were willing to admit. Even when you were in other relationships, you felt like you were just waiting for something else. For someone else. You wondered now what your life would look like if you had said yes to Matthew on the dark dock all those summers ago, if you’d waited for each other. You couldn’t wait any longer. 

“You could stay for a few more days,” Matthew says. 

“You know I can’t,” you say. You reach back so you can run your hand through his hair. One last time. “Think we could do this again sometime?” Matthew asks. “You know we can’t,” you say. Matthew sighs. You can feel the tension in his body. He’s ready for a fight, but you don’t know if you have the energy for it. You lean more of your weight against him, and he holds you up, strong and steady.

Matthew takes a moment before he responds. “We could,” he argues. “We could do this forever.” Your heart hurts. You know he doesn't mean it.

“Matthew,” you say, quietly. “Matthew, please.” “Why not?” he asks. “We’re good together, aren’t we?”

You are, and you wish you didn’t know just how good it could be between you. In your head, you see all the things you could have, all the things you should have done. It’s so, so tempting. 

“I think we both know why we didn’t try ‘us’ when we were 18, Matty,” you tell him. The petty arguments, the way you were both so stubborn that hanging out ended in slamming doors just as often as it didn't. You always came back, but you don't know if you can do it much longer.

You move to leave, and Matthew slides back to allow it. You let him offer you a hand as you stand up. Matthew squeezes your hand once, quickly, just before you let go. You leave him sitting on the dock. You don’t look back as you make your way back up to the house. 

Some things are best left in the past.

[corneliushickey]

@ilynpilled

ppl being more interested in Fandom than the actual source text is so real like they do have their own nonexistent text thats just a recycled concoction of the same bland fandom incorrect quotes tropes over and over again which deviates so much from the canon and they prefer to the actual thing lol

my favorite example of sourcecreep is the fact that if you go on reddit, pinterest, or facebook, or google image search 7 years ago, or flickr and photobucket if you're properly fandom old, you will find image edits of disney's jack sparrow with the quote overlay "the problem is not the problem. the problem is your attitude about the problem."

if you've seen enough of these edits (there are many thousands of them), you might even read those two sentences in his trademark cadence.

the problem here, though, is not anyone's attitude about the problem. it's that this quote has never appeared in any of the five films in which jack sparrow appears. nor in any of the video games he stars or guest-stars on. nor in any of the tie-in young jack sparrow novels or the film novelizations. it is not from a deleted scene or an early draft of any script. it's not from any of the disney park parades or firework shows in which jack is included as a face character with recorded speaking lines. it's not from the original ride or the re-dress of the ride post-dead man's chest.

this is a quote from the YA series the sisterhood of the traveling pants. one of the characters' coaches says it to them in one of the books because they are children in high school. there is no reason for it to be attributed to this character or this franchise besides one patient zero at some point or another 20 years ago making an image with a text overlay on picnik photo editor and uploading it to their livejournal or whatever.

anyway this is how asoiaf fans on twitter absorb information about their favs from the series and then post about it. i believe there are many such cases across fandom at large.

[artbyblastweave]

So, the thing about Ward's worldbuilding is, it's bad on purpose. This is something I didn't catch until a relisten of the earlier parts, but the disconnect between the actual literal apocalypse that occurred two years prior and the shockingly advanced levels of infrastructure and technology is very deliberate. The entire thing is slapdash and farcical. You have people out the door of a shitty concrete hovel lining up for bad coffee. You have cars built out of random scavenged parts, "dumpsters" that Victoria can't manhandle because they're made of clumsily-welded-together scrap metal. Victoria can't reliably navigate at night because power to the city below is intermittent (and her mother Carol happens to live in one of the parts that does have consistent power; that's unexamined, make of it what you will.) The mall cluster shitshow goes down in a "mall" that, IIRC, is called out later as having been basically a dead end economically, a doomed grasp at a sense of normalcy. The patrol block uses recycled PRT gear, Dot's interlude involves the machine army jumping a bunch of bog-standard apocalypse scavengers. What you're looking at isn't a new society built up shockingly quickly; you're looking at the previously-well-supplied-and-externally-supported outpost of the recently destroyed society, and after two years they're finally chewing through the last of the head start they got. The societal equivalent of Wile. E. Coyote hanging in the air above the cliff, or of the seemingly-untouched duelist seconds away from sliding in half. Unfortunately, due to choices made about the timeframe and focus of the story, the Coyote sprouts wings. The duelist whips out a staple gun. Or to come at this from another angle- in The Walking Dead, a comic I really like, I can sort of organize the arc of the apocalypse into three-ish big chunks. For the first eight or nine months in universe, about 48 issues, things are obviously bad, right, quite a few people have died, but there's a sense among Rick and company that they might be able to ride it out, that things are on the upswing. They've got crops going, they have new births, maybe help from the government proper isn't coming the way they thought it might towards the start, but things are looking up! Then, of course, the Great Fuckening of Volume Eight occurs, and you enter the middle phase of the comic, where they're down to like a third of their group, they're food-insecure, they're constantly on the move, they're under attack from rapists and cannibals who've descended into habitual atrocity because they're totally without hope. Children are having mental breaks and killing children, the first friendly guy Rick met in the whole comic is now an insane hermit feeding dead bodies to his undead son, on and on and on and on and on. Bad times, but a comparatively short middle in the grand scheme of things. Then they find Alexandria, and the back half of the comic is spent basically on an upward trajectory with some zig-zags, there are still periodic existential threats but they're clearly past the nadir.

Ward feels like it starts midway through that first part, the you-don't-know-how-much-worse-this-can-get part, with the emphasis on the social tensions, the encroaching winter, but then it just...doesn't get much worse. I mean they have a rough three months, but then they sort of speedrun right to the hopeful future ending as soon as the titans are dealt with. There were parts that I suspect were supposed to be the dark-night-of-the-soul I'm alluding to but they didn't land as such. I feel as though the superhero genre stuff kind of subordinated the apocalypse stuff, made it less visible by virtue of whose POV we were following, and sometimes I feel that as a remedy to this, Ward should have taken place over the course of years, and it should have Just Kept Getting Worse. For example Breakthrough should have had to kill and eat Rain to survive the winter

[reigningqueenofwords]

Oh, Sassy

Pairing: Dean x Reader Word count: 3,610 Request: Anonymous. May I ask for Dean getting to know a car girl who is also a chef (like she loves food and stuff)? Take care of yourself and drink enough! Xx

“Y/L/N!” Your boss called out, making you slide out from under the car you were under. 

“Yeah?” You called back as you got up and made your way to his office. “What’s up?” Leaning on his door frame, you crossed your arms. “I was just finishing up Mr. Carson’s car. You know the one you jumped down my throat about this morning?” You raised an eyebrow. 

Your boss gave you a bored look. “This is Dean Johnson.” He sighed, motioning to the man sitting across from him. “New hire. He’s gonna be shadowing you while he gets used to the garage. Probably only a couple days.” He shrugged. 

You gave Dean a small wave. “Why me? I work odd hours because of the restaurant.” You reminded him. “Wouldn’t it make more sense for him to shadow one of the guys who are here all day?” 

“Nate’s last day is Friday, he’s moving, remember? Then Gage threatened the last guy I hired within two hours and made him quit. Kyle is…Kyle.” All you could do was nod at that, knowing exactly what he meant. Kyle was nice, but a bit out there. 

Sighing, you nodded. “Alright. Well, I’m only here for another hour. It’s up to him if he wants to help me on Mr. Carson’s car or meet me here tomorrow morning.” 

“I’m here, might as well start, right?” He smiled as he got up. “Nice to meet you.” Dean held out his hand for you.

You shook his hand. “I’m Y/N/N. Let’s go get started. Do you have something to change into?” 

He glanced at his clothes, then at you. “Should I? I usually work on cars in jeans and a t-shirt. Sometimes I’ll throw on a jumpsuit.” He shrugged. 

“Yeah, we had jumpsuits when I first started, but we all got tired of wearing them.” You motioned for him to follow you to the car. “Right now I’m finishing up this old 1993 Pontiac Bonneville. Mr. Carson will be in first thing tomorrow morning to pick it up, so you’ll meet him then.” 

“You make it sound like he’s a grumpy old man.” He chuckled. 

“Sometimes.” You said simply, wanting to get back to work. 

Finally, you were clocked out and walking through the parking lot. You lived just a couple blocks away, so you didn’t bother to drive. You had an hour and a half to clean up and get to your second job. “Need a ride?” Came Dean’s voice, making you look over. He was standing next to a beautiful 1967 Chevy Impala. 

“Nice car.” You motioned. “But I’m good. I live a couple blocks away.” You shrugged. “Thanks, though.” 

“Anytime.” He said simply before getting in. 

The next day, you yawned as you walked in, downing a large Monster Ultra. “Those things will kill ya.” Dean told you from where he was leaning against the wall. 

“But it keeps all you guys alive after I’ve worked most of the night.” You gave him a sarcastic smile. “And why are you out here…and not in the garage? Are you in time out?” 

“Oh, sassy. Nice.” He smirked, making you roll your eyes. “Let me guess, you’ve been put in time out before?” 

“Gage got mouthy my first week here, so I might have superglued a couple of his tools to his bench.” You shrugged. 

Dean threw his head back, laughing. “Oh, that’s hysterical. My brother would do that to me. Don’t give him any ideas if you ever meet him.” He shook his head. “And no, I’m not in time out. I was told to wait out here for my ‘babysitter’ by one of the guys. He didn’t give me a name.” 

You nodded, motioning for him to follow you to the back. “That would be Nate.” You told him. “Bummed that he’s leaving.” He was a chill guy overall, and didn’t really get mouthy like Gage. And he was all there, unlike Kyle. 

“So, you said you worked most of the night. Second job?”

“Yeah, I’m a chef.” You finished your drink and tossed the can into the recycling bin. 

His eyebrows shot up. “So, you’re a mechanic and a chef?” Dean couldn’t tell if he was more surprised or impressed, then remembered hearing you mention a restaurant the day before. Now that made sense. “Couldn’t pick one?” 

Laughing, you pulled your hair into a pony tail. “Nope. I used to help my dad work on cars when I was a kid. He died when I was 13, and I kept it up. When I was 15 I got sick. I binged Food Network for a few days. I went to culinary school when I graduated. Couldn’t find a job as a chef right away, so I got a job as a mechanic right outside of town. After working there a year, I finally landed a job as a chef. Quit my other job. And that seemed to be okay for a bit, but something was missing.” 

“You missed being a grease monkey.” 

You nodded. “I really did. Started working here about 9 months ago. Bossman likes to get on my case. I think it’s because I’m the only girl, but he’s not a bad guy.” By now you were used to it, and just dealt with it. “What about you? What’s your story, Johnson?” 

“Traveled a lot as a kid, and kept it up after my dad died about a year and a half ago. Finally decided I was tired of it. So, me and my brother picked a spot to stay put for a while.” Dean knew he was omitting details, but he didn’t feel he was truly lying to you. How could he say he was wanted by the FBI? And that his family had hunted spirits up until recently? That his brother had psychic powers? He would be honest as much as he could, while keeping out other things. 

“Losing a parent is tough. I’m sorry for your loss.” You said honestly. 

“Y/L/N. Mr. Carson is here for his car!” Your boss called down the hall. 

“Coming!” You called back before glancing at Dean. “Ready to see if he’s a grumpy old man today?” 

You and Dean got along great, and you found yourself crushing on him as the days went by. He was easy to talk to, and it was nice to have a friend at work. A couple weeks after he started, you approached him at lunch. “Hey, De? I have a question.” 

He grinned at you. “De, I like it. What can I do for you?” 

“There’s this awards thing for all the chefs in the state this weekend, and I kinda don’t want to go alone…” You explained awkwardly. “I was wondering if you’d come with me?” 

“Like a date?” He licked his lips, clearly flirting with you. 

There was no way to stop the blush that formed on your cheeks. “I-if you’d like.” Why turn down a date with a fun, nice, and handsome guy? 

“Do I need a suit?” 

“Unless you have a tux.” You joked. “But a suit should be fine.” 

Dean sipped his soda. “Guess we’ll have to exchange numbers. I can drive. We can arrive in style. Unless you have a nicer car than Baby, which I doubt.” 

“I have nothing as pretty as her.” You told him. “Dinner will be served at the awards, as well, so we’ll be well fed.” 

“Do I get to try your cooking?” He was curious, that was for sure. 

You pretended to think. “Maybe on our second date.” 

Dean leaned against Baby as he waited for you downstairs. He stood up straight when he saw you come out. “Wow.” He breathed. “You look beautiful.” 

“You look very handsome, too. You didn’t have to rent a tux, though.” You smiled. 

“It’s an awards thing, right? Gotta look good.” He brushed over the front of his jacket. “And clearly I needed it because you look… wow .” It wasn’t like him to be this speechless, but he was so used to seeing you in a tank top and jeans. He was used to seeing you with grease all over you, your hair pulled up out of your face. “Shall we?” He moved to open the door for you. 

Smiling, you stepped forward. “We shall. And hey, maybe you’ll be a good luck charm and I’ll win an award.” It would mean a lot to you if you did. 

“Hi, Dean, come in.” You opened your apartment door for him. The date to the awards had been a blast, even if you didn’t win anything. When he dropped you off after, you kissed his cheek and asked him out on a second date for the next night. Dinner at your place. 

His face lit up when he saw you. “Hi, sweetheart.” He greeted you. “Oh, these are for you.” He held out a bouquet of flowers. 

Smiling, you took them. “Thank you. They’re beautiful.” You shut the door behind him once he was inside. “Can I get you something to drink? Beer, water, soda, milk?” 

“Beer. Thank you.” He looked around your living room as you went to put the flowers in some water and get him a beer. “So, something smells amazing.” His mouth was watering. 

“Thank you.” Handing him his beer, you sipped your own. “Baked potatoes are almost done, and then I’m making some steaks with butter garlic onions. Then, for dessert, homemade cherry pie.” 

“Love me some cherry pie.” Dean winked. “Sounds delicious, sweetheart.” One perk about staying in one place was not having to microwave his meals. “Maybe for our next date I’ll have you over for burgers. I make a mean bacon cheeseburger. I’m sure I can tell my brother to scram for a few hours.” He was already mentally planning a few dates for the two of you, wanting to spend as much time as he could with you. He pictured taking you to the movies, out to eat, to the beach, and to the fair. Maybe walking away from hunting was the best thing that happened to him because he’d met you. 

You smirked at him. “What? Are you worried your brother is more charming than you?” You teased him. 

He chuckled and shook his head. “More like I don’t want my baby brother around while we’re on a date.” He countered before taking a swig of his beer. “Want any help?” He asked when your timer went off. 

“Sure. Can you get the cheese and sour cream from the fridge and put them on the table? And how do you like your steak? Warning: you say well done and I’m kicking you out.” You gave him a playful look. You couldn’t help it, he made you feel fun . 

“You wound me. Do I look like the kind of douche that would order ‘well done’?” He put his hand on his chest. “Medium-rare, thank you.” 

“Good boy.” You winked before heading to start the steaks. Hearing Dean groan lightly, you giggled to yourself. 

One year from the date of that awards show, you were moving into the house that Sam and Dean rented. You got along with Sam, and had no problems with him staying. If anything, you felt it was a really good idea. Because you had two jobs, there were technically four incomes for one home (also, because you worked two jobs…you did the least amount of housework, only doing it on your days off). “That was the last box.” You grinned as you saw Dean coming down the stairs. “I am officially all moved in.” 

“Awesome.” He looked like a kid on Christmas. “Sammy has to work until 5, so he said he’ll meet us for dinner.” He took the box from you and went to take it upstairs. 

“So, this means we have a few hours to ‘celebrate’? Just us?” You followed him, eyes on his butt. “I work tonight, so right now would be perfect.” 

“I like how you think, sweetheart.” The two of you just seemed to fit together perfectly. 

“I’m home!” You called out as you shut the door behind you. 

“You’re early.” Dean glanced at the clock. “Like…4 hours early. What’s wrong?” He saw the look on your face and rushed to you. 

You sniffed. “Uh, remember Darla?” 

He nodded. “Yeah, the older waitress that told you she wanted to pinch my cheeks? Everything okay?” 

“She didn’t come in for her shift tonight, which is really unlike her. She has never missed a shift without calling, and even that’s rare.” You started. “So we sent Jimmy, the busboy, to check on her.” Your voice broke. “Poor Darla…Poor Jimmy.” 

“Baby, what happened?” 

“Her door was busted in. And sh-she was dead. Brutally killed.” He pulled you to him, holding you tight as you cried. “We closed early for the night, and the cops came to talk to everyone before we got sent home.” 

He hated that you were hurting, but beyond thankful that you weren’t the one that went to check on her. You didn’t need to see something like that. “Do they have any idea who killed her?” 

You shook your head. “I asked one of the officers how she died. The look on his face…” You breathed, pulling away slightly to look up at him. “He said he’s never seen anything like it, and if he didn’t know any better, that a bear got her.” 

“A bear?” He furrowed his brows. 

“That’s how bad she looked.” Letting out a breath, you stepped back. “I’m going to take a hot shower and take a couple sleeping pills.” You kissed his cheek softly. 

He nodded, rubbing your arm. “I’ll be up shortly.” Sam was supposed to be home from work soon, and wanted to talk to him about this. Something in his gut told him his two years in town were coming to an end. He watched you slip off your shoes and then make your way upstairs. He’d stay and grow old with you if he had the choice. Part of him had let himself dream about an actual future with you. The two of you working on Baby with a little you. Him watching you teach a little him how to properly chop on onion. Clenching his jaw, he forced down the tears. 

“Dean?” Sam paused in the door. “What’s going on?” 

Looking at his brother, he didn’t have to say a word. He saw that Sam understood what was going on. Sam knew that them living away from the supernatural was over. He was angry enough that he was losing his apple pie life, but even angrier that Sam was losing his. His baby brother had really just started letting his guard down in the last 6 months or so. Just in time for it to blow up in their faces. 

Dean jerked awake when his phone rang. “Hello?” He yawned as you shifted besides him. “Bobby?” He sat up. Dean had called him now and then to check in, but Bobby never called him. 

“You still in that town you told me you settled in?” 

“Yeah, we are.” He said softly, glancing at you before slipping out of bed. He didn’t want to risk waking you up. 

Bobby sighed. “Been hearing rumors from the town about half an hour away. Sounds like a crossroads demon.” He warned him. “I don’t know if it ever went your way…”

Dean groaned. “It has.” He knew that was what tore Darla apart. “Y/N/N’s coworker must have been one of them. She came home upset, and I can’t blame her. Darla was always nice.” He ran a hand over his face. “We had planned to keep an eye out just in case.” 

“Not gonna lie, was hoping it woulda passed your town by.” Bobby told him. 

Standing in the kitchen, Dean looked out the window into the backyard. The same backyard that you had just been lounging in the day before, in the bikini you’d bought just to wear for him. “Maybe it’s a sign, Bobby.” He said, letting his emotions show. “Maybe it’s a sign I need to get out of town. What’s next? Werewolves? Vampires? I can’t let her die.” 

“Dean, you’ve been there two years.” Bobby pointed out. “In those two years I’ve heard you happier than I ever have before. You’ve sounded more alive than ever before.” He was clearly trying to talk Dean out of leaving. “That woman loves you! And from what Sam says, she’s perfect for you. Walk away now, and you’ll always wonder what could have been.” 

“What happens if we decide to have a family one day, and then something comes after them? What if I can’t protect them?” 

“Boy, that’s a question every parent has. To this day I wonder the same damn thing! You boys might be hunters, but you’re my boys. At least think about things.” 

Sighing, Dean closed his eyes. “I’m sorry, Bobby. We’re leaving.” 

Waking up, you rolled over to cuddle Dean, but he wasn’t there. “De?” You blinked, slipping out of bed. Usually, if he couldn’t sleep, you could find him in the garage, so that’s where you went. “De?” 

He whipped around, blocking the trunk. “Baby?” He had clearly been crying. 

“What’s going on? What the hell is that in your trunk?” You moved over to look. “Why do you have so many weapons?” Your eyes went to him. “Why were you crying?” 

“Let’s go inside to talk. Sammy, why don’t you go start packing my clothes?” He glanced to Sam, who was off to the side. 

“Why does he need to pack your clothes?” Why weren’t you getting any answers? You pulled your arm from him as he tried to lead you away from Baby. “Talk to me!” 

“My name isn’t Dean Johnson.” He swallowed. “My name is Dean Winchester, and up until I moved to town…Sammy and I traveled the country hunting things.” 

You raised an eyebrow. “Hunting things? Like deer?” 

“I wish.” He let out a humorless chuckle. “Vampires, ghosts, demons, wendigos.” He listed. 

Blinking, you tried to let that sink in. “You’re telling me that’s all real?” You stared at him. “Say I believe you, why leave now? Why try to leave in the middle of the night?” 

“Because Darla was killed by a hellhound. She must have made a crossroads deal and her time was up.” He explained. “It was a wake up call. We can’t escape that life.” 

“You’re leaving me, us, because someone else was killed?” Of course you cared about Darla, but what did she have to do with your relationship with Dean? 

“What if the next thing that comes through targets you?” 

“By that logic- you running away from your girlfriend is running away from protecting her!” You countered. “What if something comes through, and you aren’t here? What then, Dean?!” 

“Us being here is like a beacon. Bad things just follow us.” 

You shook your head. “So, what the hell was the last 2 years? What bad happened then?” You locked your eyes on his. “What ‘bad thing’ followed you over these past 2 years?”

He looked down. “Nothing.” He admitted. “They were the best 2 years of my life. I let myself hope for things that I can’t have.” He managed. 

“Who the hell says you can’t have them? I’m here, aren’t I? I love you, and I think I’m pretty fucking good!” You threw your hands up. 

“Sam got out once. Had the apple pie life. It got his girlfriend killed.” He told you. “I can’t let that happen to you. I love you too much.” 

Clenching your jaw, you stepped closer to him. “So don’t let it.” You said firmly. “Teach me.” 

Dean whipped his head up to stare at you. “What?” He breathed. 

“Teach me. I’m a fast learner.” Your heart was pounding in your chest. “We stay right here while you teach me anything I have to know. I’m sure there’s a way to make this house safe, right?” He nodded a bit. “Then we do that. I’ll quit my job as a chef, and we keep working. All three of us. You teach me until you think I know what I need to know. Then we can leave.” 

“I can’t ask you to do that. You have a life here.” The pain couldn’t be hidden from his eyes. “You don’t want to live motel to motel. Eating shitty food and sleeping on crappy beds.” 

You cupped his cheek and gave him a soft smile. “You know why I want to do this?” 

“Why?” 

“Because I love you too much to let you walk away from me.” You kissed him softly. “I can’t see my life without you. We all have some money put aside, and we can put even more aside between now and when we leave. That’ll get us a couple nicer motel rooms now and then, right?” 

Dean looked in your eyes, wondering how the hell he got so lucky to find you. “You believe me?” 

You took a breath. “Mostly.” You admitted. “It’s a hard thing to wrap my head around, but I’m sure as you tell me more, and as you teach me- I’ll come around.” Your heart told you to trust what he was saying. “Please, let’s go back inside, tell Sam to stop packing, and talk.” 

“You won’t hate me for taking you from the two things you love? Cooking and working on cars?” 

“I’d hate myself for letting you walk away.”