#I LOVE THE ADDED DEPTH

[iceysnow]

"Ahhh, yes, I too dabble in the arts of 𝓯𝓻𝓮𝓪𝓴𝔂"                                                                                     -Freakquest 2025

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[playerkingsley]

[calmbigdipper]

What you mean to me

[possamble]

Ah... the fact that they changed it so that they're closer together, Marcille's mother is comforting her--albeit in a detached way due to her own grief--is just so....

[lazzarella]

And the way Style keeps trying to coax Fadel away from his current life without giving himself away? Why don't you find a new job that lets you love? You don't have to live someone else's life. And so on. The way he tells Kant he's getting kinda attached to Fadel (at least in the subs), but when he's talking to Fadel like this, you know it's more. Because he's trying to steer Fadel to a life where they can be together. No obstacles. No danger.

But he can't say 'please stop killing people because I'm worried about you and I want to be with you' and he can't warn Fadel about the police because, as open as he's being emotionally, now, he's still scared and conflicted

And then, when Fadel tries to reassure him, because he's working toward a life free of danger where they can be together, it doesn't help because Style still knows what Fadel doesn't (again), and I love that play between the one who knows being the one who feels off-kilter, and the one in the dark—though he thinks he isn't—being the one who feels like he's on solid ground

And then it's flipped again at the end! He's so happy to finally see Fadel again, and I don't think he thinks they're home free or anything, but he is happy and he looks relieved. But then Fadel is told Style and Kant are the snitches and now he's one step ahead. He's the one who knows the thing keeping them apart. And it reminds me of that tit for tat they had in their early encounters, where they were always one-upping each other, but now the stakes are higher and the angst is angsting and it's so gooooooood and ugh!!!!

Anyway, this is a mess, and I'm honestly not sure where I intended to go with it, but I'm just really enjoying the writing and the acting and everything in this show

[galaxy-fleur]

Revisited RER recently, and I genuinely love Chris' and Rebecca's relationship so much... Gonna ramble about them for a bit here.

Despite also being totally out of his depths here, Chris is incredibly tactile and comforting with her. He has always cared for those around him, but I can't help but think that he does his best to be calm and reassuring around Becca because she's the youngest and the least experienced of them all. And yet she's stuck in this nightmare, too. The way he puts a hand on her shoulder and encourages her attempts at healing Richard with a simple but meaningful: 'Richard needs you now.'

Those words are merely an acknowledgement of her skills, no iron pressure behind them. I like to think that he expresses his belief in her here, hopefully to help her feel less scared and anxious. It's the least he can do, really. And sometimes all you need is someone to just show that they believe in you so you can keep going with no shaky hands. It also reflects on his trust in reliance on her in future installments, too. I think it's kinda sweet how Chris believed in her and encouraged her from the moment she was this fresh recruit, stuck in an unforseen situation. No wonder they are so close and soft with each other in Vendetta.

Him immediately blaming himself for Richard's death, obviously having no idea how to process it quite yet, and then Rebecca being just as lost on how to answer, because what can you even say in this situation? It really rings home how they are both so out of their element here. They are not seasoned operatives we are used to seeing, they are just two people who are forced to deal with something they've never encountered before and try to process all the loss they are hopeless to stop.

I think it's incredibly telling that Rebecca's initial response is to focus on what she should do next, whereas Chris's is to blame himself. Both are obviously shaken by Richard's death: Chris because he couldn't do anything stop it, and Rebecca because all her efforts on healing him were in vain. But they express it differently in the moment. It's also painful how Chris can't even look at her, until he switches into 'It's my fault' line of thinking. Poor guy has been shouldering this kinds of losses since day 1. I do think it also falls in line with how they respond to loss in future installments, too. Very neat to think about.

And then Rebecca just breaking down in tears after that short attempt at laughing it off, and Chris just putting a hesitant gentle hand on her shoulder as he lets her cry it out with no words being said. While it made super sad, it's also a nice contrast to them not looking at each other in previous instance vs standing face to face this time around.

Funnily enough, I don't think he's being aloof or insensitive here, as I've seen some say—quite the contrary. As I said above, what could you even possibly say in this kind of circumstance that wouldn't be, at most, a flat-out lie? But what he can do is just be there for her. Which is what he does. And that: 'be strong, Rebecca' is simple but genuine nonetheless. They must remain strong, at least until they are safe and out of there. Still, he doesn't try to stop her from crying, he only says this once she quiets down. It's really touching of him, honestly. He lets her express her distress and then encourages her when she's done.

And this lil' pat on her shoulders and 'Just stay with me, kid' is so cute! Not to mention the thumbs up afterwards :3

It's a sort of small but comforting gesture that probably goes a long way to someone in Rebecca's position. I can't help but think if that's Chris' big brother instincts at work, which is ever cuter to think about. He's a great superior to be around.

Also, it's kinda neat how the way he touches her shoulder changes throughout the game. First soft, gentle touches, and then more assured and encouraging pats by the end there. Both are good, but I still love that tiny detail.

As a bonus, the fact that Chris is the only one awake between the three of them during the helicopter ride also strikes me as kind of interesting. Both Jill and Rebecca are resting and allowing themselves to doze off, but he just stays staring off in silence, obviously having a lot on his mind. Whether he stays up to watch over the two or because he can't bring himself to relax, it's sort of a cool detail.

[hollypies]

I legit forgot to post this ???? Lol anyway I drew this with my thumb so it prolly looks weird ! I was downstairs watching our doggy and was to lazy to go get my stylus 👍

Anyway MORE ZONAI LINK MY BABBBBYYYYYYY!!!

[old-skyguy]

Look.

Ace Attorney fandom.

I know why people don't like Turnabout Bigtop. I am among the people who dislike Turnabout Bigtop.

But I GET why people like the case. I'm not going to be one of those annoying people who just blindly dump on it because I hate those mfs too.

Thing about Bigtop isn't that it sucks. Thing isn't the weird grooming stuff (though that is a huge part of it). It's not that it could've been good.

It's that - in my personal OPINION - it could have been *great*.

I think it had the potential to be one of the best third cases in the trilogy. It had everything; a fun and goofy setting fit for a pretty dang goofy lawyer game - where the environment itself had jokes and quips and one-liners and mishaps and tomfoolery written all over it, it had the previous case introducing a very interesting and important plotline that gave background for one of the more well-loved characters while also introducing an equally fucked up and lovable new one who was a child forced into a shit childhood of naivete in a CIRCUS with another character who was very naive and childish - whose interactions could have been funny and cute and reflective of said shit from the previous case (seriously she becomes such an important character in the 4th case, WHY would they not include her in this one for some character development? How did they fuck up letting a CHILD explore a CIRCUS?? That would have made the interactions flow MUCH better).

They had a pretty good, sympathetic killer imo, a morally dubious victim, an asshole of a client (who was pretty flat admittedly in-game, but I like his weird, topsy-turvy reasoning for it in the anime. Also, I think Max being kinda a dick would have bode well for the themes of Farewell since most of his clients up to this point have been like...nice? Not nice, but sympathetic, but him having to defend someone who's innocent but a prick would have shown him that just because someone is an asshole, doesn't mean they deserve to suffer for it and that they have the potential to grow as people, which is almost a complete foil to what Matt was. Ultimately, I would have loved the contrast of them as clients and I think it would have also served as character development for Phoenix, especially with his low-empathy tendencies).

They just didn't think that far ahead. They just didn't execute it well enough. They just decided to make three of the adult characters fight for the hand in marriage of a teenage girl. (Bat's part of the story was actually kinda good if he was just YOUNGER, I think him doing that for Regina would have been a stupid thing someone in the circus would do to impress their crush. Damn you Ace Attorney and your weird treatment of underage girls!!)

It just flopped and that's ok.

Even though it kinda sucked, it can still mean something to me.

Also I'm a Moe Curls apologist. I liked him, shut up.

[cupidle]

zazie

[here-i-am-again-god]

hi would you maybe want to make a post with carlos? hes my fav :- ) i love your posts

[cake-emu]

spent the entire episode worrying that nobody would eat the shakshuka

[pizzagame4000]

NOISETTE THEMED DOODLE DUMP ft. cheesecake and the spouses

copious hazel headcanons under the cut because i can’t help myself

first off: her name is Hazel 👍🏻 ik that’s a common one but it’s literally perfect… canon info to me

her favorite thing to do, besides making experimental food, is actually exercising! she’s an incredibly skilled acrobat and stunt artist, so she needs to be fit for that, but she also just enjoys letting the excess energy out bc she gets really cranky otherwise. she’s toned af and could wipe the floor with you - she doesn’t go around picking fights for no good reason, but if she did… heehee

she has such an unending well of passion for all of her interests that some find her to be too much but she dgaf… she’s unabashedly autistic and does NOT care if you don’t want to hear her infodump about obscure cheeseslime genetics, she will do it anyways

i like to think that, although she is very bubbly, she has an insane morbid streak that catches people off guard. she loves talking about anatomy and gross-out subjects to anyone who can stomach it, and cracks the most fucked up jokes - it’s one of the reasons her and noise get along so well. she is thinking about blood and guts because she thinks it’s interesting!!!! she will give you hyperspecific graphic threats of violence if you make her mad!!! teehee!!

i would put her at like… chaotic neutral but leaning towards good. she has an almost scientific fascination with violence and seeing what kinds of stress a body can take, and doesn’t mind watching shit unfold instead of helping… unless something actually super fucked up is going on (like way past canon typical pizza tower violence), she’s not going to bat for you lol she’s gonna grab a camera and clipboard

her interest in anatomy branches out into a love for biology, medicine and health in general - as much as she loves watching her boyfriend beat the shit out of some chump on live tv, she also loves studying how different creatures work and how to treat injuries. she almost became a doctor! but she didn’t like the rigid schedule and pressure, so she fostered her interest in dance and gymnastics, and went into television as a stunt double instead. that’s actually how she met noise! that’s why they look so much alike - she was told to inquire NTV for a job because of the resemblance. noise thought she was so cool she was asked to be his co-star instead, and they’ve been inseparable ever since.

sometimes she gets tired of the noisette persona, but she does genuinely like theo, so it’s hard. she’s been more busy with this NTV gig (that’s looking more like a full blown career) than she would like, so that’s why she opened her cafe - to do something else for once dammit!! she likes weird shit, food included!!!

i have two shipping scenarios i like, so consider these parallel universes - hazel x vigi, and hazel x vigi x noise

if you don’t like negative takes on the noise relationship i’d recommend skipping to 2 ^_^

1. her relationship with noise deteriorates bc noise can’t accept the fact that hazel doesn’t wanna be noisette all the time! they’re so busy, he barely even makes time for her anymore - he barely even tolerates her! it’s not until vigi comes into the picture that she realizes she doesn’t have to deal w that mess. but it sucks cuz noise isn’t just her bf, but also like!!! a big part of her career!!! and she does genuinely love him but he’s just!!! an uncommunicative ass!!! it culminates in hazel leaving him and crashing at vigi’s farm because fuck it, it’s her life she does what she wants. she will kiss the cheese AND rebuild her tv career, on her own terms this time baybee

2. noise and hazel still have that issue but they actually communicate like adults and fix their relationship problems, so none of that shit happens! happy ending! hazel has her own life and theo actually lets his gf know he loves her! woah! enter vigi, in: “we saw you across the bar and we really dig your vibe…” imagining vigi as a third to hazel and theo, completely out of his depth but too bisexual to care, is SO funny to me lol… like hazel and him are probably the only two together at first but over time he and theo warm up to each other more (gay intent) and it’s perfect

[lucky-clover-gazette]

kings rising highlights & annotations

chapter 7.5

(not a real chapter, i just decided to keep analyzing until i hit some kind of satisfying conclusion)

this is a special episode of "sam reads capri," in which i comment a bit more on chapter 7 so i can hopefully move forward and evaluate chapter 8 without constantly getting stuck on 7 again.

update after making the additional commentary: holy fuck, i think i solved it. to my satisfaction, at least. i'm really glad i did this.

i have noticed that capri chapters are often self-contained in terms of themes. like, the scenes that are stitched together are done so for a reason. in the case of chapter 7, this is especially interesting. we get the laurent slave stuff, the party, and then the intense lamen argument on the field where auguste died. at first i was almost annoyed that these two situations were put next to each other, because the laurent slave stuff bothered me so much. but then i began to wonder WHY they weren't separated into different chapters. what do they have in common, both thematically and in terms of my personal reading experience? to figure it out, i first have to summarize what happens even each individual scene of the chapter. here are my findings:

chapter 7 scene 1

damen and laurent approach marlas with their combined army. have some super awkward and stunted dialogue about staying in separate apartments. damen has an opportunity to reference a snarky joke, but doesn't. there is so much distance and hesitation, especially compared to their previous dynamic in prince's gambit (they shared a tent like every night and spoke very closely) and even captive prince (they hated each other so they just kinda said whatever the fuck). damen is extremely apprehensive about interacting with laurent in any kind of meaningful or personal way, and is very consciously restraining himself, as well as being restrained by his role as king.

chapter 7 scene 2

inside the fort, damen and laurent are immediately jumpscared by a hallway of slaves. like right in front of my salad. damen, who has already been experiencing massive discomfort and disgust with his own nation's customs, of which he briefly was a victim, continues to turn the slaves down. this is seen as disrespectful, but he's the king of akielos, so it's fine. laurent, meanwhile, seems not even to hesitate before stepping forward and choosing a slave like a kid in a pet shop ("i like that one"). the slave, isander, very obviously looks like damen, which damen notices immediately. laurent asks a little more about the customs of slavery, like the first night, and makes eye contact with damen as he says that he never got to command his previous bed slave (damen). then he asks the slave keeper to teach him how. the keeper says the slave doesn't speak veretian, but "to command any act of service is to honor a slave. the more personal the service, the greater the honor." aka: "he wants you to boss him around." laurent says "really?" and has isander come over, has him kiss his boot how damen had once (reluctantly) done, except isander is totally into it. laurent praises isander, isander's happy, and it makes everyone around them pleased, because the veretian prince is engaging with akielon customs. damen meanwhile has a salty thought about these people being stupid for thinking laurent would actually use the slave as intended, or even respect their customs, because there's no way laurent would actually fuck that guy, or any of these slaves. and damen would be better at undressing laurent anyway. laurent then has to get one more dig in, asking if isander can serve him in the baths, famously (between damen and laurent) a place where damen was embarrassingly turned on by his own attraction to laurent and punished for it. and laurent also says he's pleased by the idea of isander serving him at the party, also something damen did in arles. so basically, laurent just chose a slave that looked exactly like damen, gave him all the praise and affection he didn't give past slave damen and certainly not present king damen, promised a rebound speedrun of their greatest hits at arles in front of damen, all with complete composure and the plausible deniability of diplomacy.

chapter 7 scene 3

damen does not feel like this is a homecoming. the slaves make him uncomfortable. he is acutely aware of laurent in the queen's chambers to his king's chambers, and imagines isander tending to him (but not as well as damen could). he specifically imagines isander being asked to the baths, being flushed with pride to be of service, and then damen curls his hands into fists and thinks about politics instead.

damen arrives at the function to see laurent looking cunty as ever with isander beneath him, being affectionate and shameless and vulnerable. laurent calls damen "brother" as he approaches, knowing damn well that damen is not thinking of brotherly things at the moment. damen feels supremely awkward in his seat next to laurent, without his own slaves, and the awareness of everyone in the room that he'd once been the slave at laurent's feet. one of his generals then questions damen's loyalty to akielos and implies that he's doing favors for laurent because of their sexual relationship. damen just goes straight to denial and dismissal, but laurent decides to show off his cuff and own the fact that he tapped that, damen was his slave, even though damen is the guy who killed his brother. so people really should not fuck with laurent, or question their leadership. it seems to work, and earn him the respect of the generals. food comes out, damen awkwardly feeds himself and the arrangement displeases everyone. damen observes that isander, who is feeding laurent by hand, is clearly in love with him. this, we can assume, is not unrelated to the fact that damen started catching feelings for laurent back in book 2 when he fed laurent by hand. laurent asks a slave to play damen's favorite song, which mentions a guy killing another guy to take his city and has the word "brother" in it. laurent somehow knows this is damen's favorite, perhaps informed by the slaves, who have played it many times for damen before. damen doesn't want to hear it now. damen watches jord tells loyse, aimeric's mom, that he's sorry for her loss, which she gives diplomatic "token attention" despite the very personal nature of the situation. this is similar to damen and laurent's earlier strained interactions. damen then summons jord over for a conversation that basically amounts to jord saying "laurent knew who you were the whole time? damn that's crazy. wild that he really trusted you anyway, because he definitely still did. and he didn't trust anyone else before that, so you must have really been special." damen of course chooses this moment to look over at laurent, who is now basically cuddling isander as isander feeds him grapes, playing with isander's not-unlike-damen's curly hair. damen considers isander to be "a prince's new favorite." everyone starts leaving the party have sex with their slaves (i hate it here) and laurent does the same gesture with isander. damen remembers that time torveld told him, laurent's slave, that he (torveld) was jealous, and would trade places in a heartbeat. damen then excuses himself to chase laurent, but only finds a very confused isander, who says that laurent immediately abandoned him to take a ride once the crowd stopped looking. damen knows that laurent has gone to the field where his brother died to clear his troubled head, and follows.

chapter 7 scene 4

damen arrives at the field. laurent is there, more vulnerable than usual in terms of his clothing. laurent is surprised to see damen there for a split second, but then ices over. damen says that he thought laurent might want a friend, and we know that it's because jord unintentionally reminded damen that he's the only person laurent has let himself get close to since auguste's death, even though he's the guy who killed auguste. damen knows this isn't an easy place for laurent to be and wants to support him, even if it's awkward. he knows nobody else can support laurent, the way he can. laurent, meanwhile, says they can fuck if damen wants, and insists that he knows damen does. that it's all he really wants. laurent tries to goad him into admitting it, and damen tries to talk to laurent about his feelings about auguste. laurent deflects again and damen accepts that they're not having the auguste conversation right now. he earnestly admits that he hasn't been able to stop thinking about having sex with laurent. laurent deflects with a taunt/joke, damen is earnest again, although he does say jokingly that laurent fucked like a virgin. laurent deflects with a taunt/joke again, damen is earnest again again, adding that laurent also fucked like "you knew what you were used to." this particular earnest comment hits on laurent's sexual trauma with his uncle, although damen doesn't know it. laurent tells damen that he (laurent) can't take damen's "particular brand of honesty right now." damen earnestly tries to reassure laurent that he really did like sleeping with him, even if he (laurent) was inexperienced. laurent shoots back that damen would oh my god i get it. wait. i understand the chapter. I UNDERSTAND THE CHAPTER.

laurent says "you like it simple." in response to damen admitting that he liked sleeping with laurent, even though he's not that good at sex. "YOU LIKE IT SIMPLE" MEANS SLAVERY. laurent is referring to the things he's learned about akeilon slaves, things we heard him ask about earlier in the chapter: the first night, the fact that simply giving them a command is to honor them, the fact that they know and can play damen's favorite song by heart. laurent is referring to the simplicity of romancing/loving/fucking a person who has been trained to be romanced, loved, and fucked. a slave who "[knows] what [their masters are] used to." a person who isn't a real person at all. laurent has been observing how this system works all night, and this is him fully expressing his disdain in the most personal way possible. his disdain for akielon slavery, for his assumption of damen's preferences, and in a way, for himself. laurent knows that he could never be an simple option for damen, just how damen spent so much of this chapter holding himself back because knows he isn't an simple option for laurent. nothing about them is simple, in the way things are for a master and a slave. they can't be, and they shouldn't be.

but still... damen and laurent, in this scene, both wish things could be different from how they are. they wish things could be simpler, sweeter, so they could truly fit into each other's lives. but laurent has to be a cold bitch, in order to prove himself in his position. he can't very well say that he and damen wear those cuffs because they belong to each other. and honestly, i don't even think laurent believes that damen wants him, beyond him being a good fuck, as evidenced by the way he greets damen in this scene. being around isander probably made laurent feel insecure, knowing that isander is the kind of person damen fucks for recreation. laurent's proposition was basically a characteristically aggressive, control-freak way for laurent to offer his submission, because he thinks that's all damen really wants. i'm quoting sharp objects again: "sometimes when you let someone do something to you, you're really doing it to them." it's a twisted reflection of the "purity" of akielon slavery, much more similar to the dynamic i think we can assume that laurent had with the regent. and that's really all laurent is used to, besides damen.

four words. "you like it simple." and the entire chapter makes sense. the reason why this scene was in this chapter, juxtaposed with the slavery theme, makes sense. laurent's morals make sense, even if he's still functionally a hypocrite. laurent is protective of victims, people he sees as helpless and powerless and wounded. technically, isander is helpless and powerless, and a victim of the akielon slavery system. but laurent doesn't see isander, the individual, as a powerless, helpless, wounded victim. both because he's well-cared for and perfectly happy in his ignorance, incompatible with the image of "victim" laurent sees in his younger self and nicaise, and because deep down, laurent is jealous of isander too.

damen's response to those four words, "you like it simple," originally felt like an overreaction to me. but now i think i better understand what it means. All the breath left his throat. He stood, stripped, unready for it. Will you use even that against me? he wanted to say, and didn’t. Laurent’s breathing was shallow too, holding his ground.”

the "that" is slavery. both the practice in general, and laurent's assumption based on his new knowledge about the practice. damen saw laurent learn about the first night, and the proper method of commanding a bed slave. and damen knows that laurent knows he's been sleeping with slaves since he was a teenager. so logically, damen's reaction is to the realization that laurent thinks that damen fucked him as if he was a slave, and not a person. imagining him as a pretty object, groomed and submissive, noticeably and shamefully falling short where he is inexperienced. just like the regent.

which explains laurent's reaction, too, with the shallow breating. being around the slaves and isander and marlas must have made laurent more upset than he let on—about damen, about his trauma with the regent, about auguste—and he's only letting himself and feel and express it all now.

damen then makes himself change subjects, back to auguste. because talking about laurent's brother who he killed is somehow less complicated than their sex life. damen tries to reassure laurent that it was a fair fight and auguste wasn't in pain. laurent, unsurprisingly, responds with a taunt/joke.

horses pass by. laurent asks if damen sent them, damen says no. they find themselves in the same exact position they'd been in when they had their first night of true familiarity and companionship, in nesson-elroy. this part of the lamen greatest hits speedrun, they do themselves. the first time where damen felt not like a slave, but like laurent's equal partner. after laurent emptily re-enacting all of those kinky arles moments with isander, this is the thing that's too sacred to be done by anyone but the two of them. pressing up against each other in the midst of an adventure, free from the expectations of their true identities, barely able to contain the emotion between them. oh my god am i tearing up? i'm tearing up.

they pull away and damen tells laurent he isn't cold. damen knows he isn't cold. laurent wasn't cold when he tortured damen out of vengeful rage for the brother he loved, and laurent wasn't cold when he made love with his brother's killer. earnest, as ever. correct and they both know it.

laurent says they have to leave because of the riders, and then walks the conversation back to something damen said earlier, about it being a fair fight with auguste: "a fair fight? no fight's ever fair. someone's always stronger." and they leave.

laurent believes that everything is a power struggle, with one person in control and another person submitting. the strong and the weak, simple as that. this belief extends to intimacy and sex, which makes sense given laurent's sexual history and the veretian court. however, throughout the series we constantly see laurent's cynical outlook clashing with damen's earnest determination to act honorably. which makes the fact that laurent is the one against slavery between them, and damen is the one who has historically happily partaken, deeply ironic. and it makes it even clearer to damen that, to laurent, not only did he kill auguste—but he also made auguste look like the weaker man, adding insult to injury.

laurent never wants to be the weaker man, but also believes that people like himself—people who are decidedly not simple or trained into submission, who refuse to make themselves vulnerable because that would make them victims—can never truly be loved. so he'll choose to settle for being fuckable instead, and that choice gives him control. that's... that's probably why he didn't tell damen the truth about what he knew, in prince's gambit. because laurent assumed that if he was his real self, in his true complicated unsweet nature, damen wouldn't have wanted him in the same way, or at all. and just like jord said, damen was the only person laurent could trust.

damen wants to believe that things can be simple; not in the cynical way laurent implied, but in a way that's entirely earnest and vulnerable. he wants to be able to love and be loved without needing to prove himself the stronger man. he doesn't want to hold back, or follow customs, or be with a partner who is trained to get everything right. he wants someone real—the entire person, not just a body to fuck. he wants adventure and inside jokes, to be a not-slave but not-not-a-slave. he wants nesson-elroy, not arles or marlas. he wants to belong to laurent because he chooses to belong to laurent, and he wants laurent to choose him back.

either i totally just nailed this chapter analysis the second time around, or i overthought so hard that i came up with an entire unintended interpretation and made myself tear up about it. either way, good game, chapter 7. now i feel like i can move on.

[leviathiane]

side note, i really like how we've had several scenes now of Kurapika praying to his people and their gods/ancestors. i feel like these little cultural rituals, beyond clothing or his eyes, is what really connects Kurapika to his core past and character to me. He prays before he takes his first kill, and he prays after he buries him. He confronts his anger of his peoples' murder, his grief at their lives taken and the life he has taken, and his fear of what he know he must/will/is become/becoming, and the ritual of spoken prayer soothes that swirling agony into a redemption of purpose:

"The sun upon my face, the grass beneath my feet.

My skin cleansed by the water of a lake.

My spirit soars among the clouds,

my path illuminated by the moon and stars.

I honor my ancestors for bringing me to this place,

and defend my brethen with my dying breath.

I will step forward to humbly share in their joy

and carry the burden of their sorrows.

By my word and deed, their name will live on...

For my scarlet eyes and my blood are one with theirs,

I will take up the mantle, and accept any wrongdoing I commit,

to preserve the Kurta people, until we are redeemed forever.

On the scarlet eyes, I swear this."

(-Episode 58)

[episodes-without-incident]

Has it become enough of a bit to start tracking how long it's been since they mentioned Is It Wrong to Pick Up Girls in a Dungeon?

The main factor for what to track for me is maintaining the spirit of a "days without incident" tracker. In that spirit, I think it's the most fun to track bits with resistance--ones jokingly viewed as "bad" bits. With both Cats and Cascada there's an element of it being an "incident" when it's referenced, because both of them have, sort of, counter-bits to them. I don't think that's fully the case with Is It Wrong to Pick Up Girls in a Dungeon, no matter how funny it is.

It's very meta, and I take it much too seriously for the matter at hand, but taking things too seriously is kind of the whole conceit of this blog.