#I KNOW they will be okay but I CANNOT take much more of it

[ere-the-sun-rises]

Okay, I'm sorry again Medieval and Biblical Latinists, but this post popped up in my notifs again and the more I look at it, the more revolted I become. Wheelock's love for Republican and legible Latin is possessing me from beyond the grave, so let's go.

"Pro Jupiter, puer, ecce bibendum!" Where the fuck do I even start. The sentence is straight up an incoherent collection of words. The literal translation is "Before Jupiter, boy, lo! about to be drank." What the fuck were you even trying to type??? Were YOU drunk doing this? I thought the Vatican was supposed to be full of monks with nothing better to do. You're shaming your 9th century copyist predecessors.

"Pro" is used wrong. It usually takes an ablative, because "before" is temporal, not spacial - it doesn't usually mean "in front of [object]" so much it means "[in the period of time] before [event]". If you're looking to say something like "by god", then a more natural invocation would in vocative or ablative of agent - "O Jupiter" or ""Ab Jove".

"Ecce" is bizarrely out of place. It should be at the beginning of a sentence because it's not actually a word, it's an exclamation. You wouldn't place "behold!" or "huzzah!" in the middle of a sentence, you heathen.

"Bibendum"? Bibendum??? You can't have a participle in a complete sentence without a normal verb. Participles can't ever stand on their own. If you're using this as a substantive ... why??? Just use the word for whatever this liquid is. Even as a substantive it barely makes sense. It's the equivalent of holding out a cup and saying "liquid" with no further context. Why are you making this so hard and ugly to read???

I don't think the sentence is even salvagable because I cannot figure out what the fuck it was even trying to say. If I had a gun with one bullet in it, I would use it to shoot this sentence. Hang the translator by the nipples unless they're into that.

I can't read most of the second panel, but the last phrase "dubito quin sciat" is clearly meant to stand on its own by the way the punctuation is placed. And that is a damn shame because it's horrific. It reads "I doubt why he would know."

Students, please note that "quin" is an interrogative adverb meaning "why?" The question mark is non-optional. It's literally only a question word - why is it in a passage that does not contain a question???

"Sciat" is weird here. Subjunctives can be used as a clause verb, but scio in particular usually takes an accusative noun to make sense. The word means "to perceive with the senses" but can also be used as shorthand for "to see/to know/to understand".

The sentence would read better as "dubito ut illum sciret" or "I doubt that [he] would see this [thing]."

0/10, broke ass original construction. Lock the translator in a basement with Wheelock's textbook until one or the other breaks.

"Heu, Timothee, mater tua delapsa est ob cutem arienae et P. S. mortua est." Fine, this one isn't technically wrong, but it is brutally literal in a frankly uninspired way.

"Delapsa est"?? Have you no imagination? No creativity? No sense of good Latin prose? Delabor does mean "to fall/to descend" but it also means "to fall to ruin/to be destroyed". A much better (and funnier) word would have been "cado", which means "to fall [down]" too, but crucially also means "to be cut down/to be slaughtered/to die". It would be a way better play on words with the "mortua est" following after.

His name needs to be Romanized. Do you think the Romans had names like Vergilius for fun?? No! It was so the fucking thing could be declined. Fix Timothee's name.

I don't like "ob". It feels wrong, like a skinwalker. It's not meant to be here. It can technically mean "on account of", but it's more prominent meaning is "toward". It should probably be replaced by a dative or ablative of agent/means here instead.

"Cutem" should be cuto, to be dat./abl. of agent/means. An accusative doesn't look right when the sentence's main verbs are passive, since passives are reflexive.

"et P. S. mortua est." Ugly, disfiguring little addendum. Why is it in the same past tense as delapsa? Repetitio is only fashionable in poetry. This is prose - you need variatio. Cicero and I hate it here.

It would read better as "Tua mater, Timotheius, cuto arienae casura est, cepitque morti." - "Your mother, Timothee, fell [by means of] the skin of a banana, and [she] was seized by death."

These panels only get more offensive to the Latin language the longer I look at them. This translator would get roasted alive by any ancient or Medieval scholiast who read this and they would deserve it. Even poets would vomit.

today i found out that if you have library access through ur school, you almost definitely have a copy of the vatican’s latin translation of diary of a wimpy kid and i am currently reading Commentarii de Inepto Puero thank you

[letorip]

aline

“et j'ai crié, crié "aline!" pour qu'elle revienne, et j'ai pleuré, pleuré, oh j'avais trop de peine”

===+++===

pairing: wednesday addams x reader

summary: sometimes you’d talk about dying to wednesday, though it was something an addams couldn’t ever really fear. that was, until the person being lost was you.

warnings: erm you die lol, major character death, wednesday being sad, mentions of blood, self sacrifice, maybe a little contrived way to die but too bad

word count: 1.6k

A/N: i promise im okay but this was truly an interesting plot line to follow, and i couldn’t bear not writing it down. if it made you sad, don’t worry, because i have more fluffy stuff on the way. it was something short i had considered doing for a long time, so even if this flops i'm completely happy with how it came out.

===+++===

===+++===

"Wednesday?" you asked, eyes on the wooden ceiling of her room. From the way her head rests against the warm plane of your chest, she can feel the smooth skin move as you say her name, heart right under her ear. It nearly lulls her to sleep, had it not been a question.

"Yes?" she purrs, lazily propping herself up on her arm. There are heavy weights on her eyelids, but the line of your mouth tells her something is troubling you. You’re too saturnine, much too glum for what you and Wednesday just did, and her eyes soften imperceptibly, her thumb going to your side to quietly stroke itself back and forth there. “What’s plaguing you?”

You can’t help but shudder at the contact of her hand and the goosebumps the pads of her fingers leave in their wake. “Are you... do you...," you attempt, the question falling flat on your tongue. She furrows her eyebrows at your hesitation.

"Say your thoughts,” she says, forehead creased in concern. It's almost funny, how caring and soft she is, now that she's given up on trying to seem aloof and apathetic towards you, her skin warm against your own.

The Addams Curse to love someone with every fibre of their being had taken hold of Wednesday entirely, and she looked at you sometimes like you held her beating heart in your hands, or at least like she'd cut it out for you, if you were to need it. She raises a hand, gently brushing a few hairs from your forehead.

“Are you afraid of dying?”

Her eyebrows furrow even further, scanning your face for any indicators of harm. “Where is this coming from? Has something been done to you?”

But you shrug, finally looking down to look her in the eyes with softness. “I was just wondering… are you?”

She narrows her eyes. “You know I’m an Addams. Death is a friend, not a foe. Fear of that serves no purpose. Only cowardice from facing a fight. Only to make you weak.”

Your eyes flit away. “Hm.” There’s no hiding of disagreement in your tone, and it has an embarrassing amount of power over her, how she itches to know what goes on in that head of yours.

“What?”

“I think… I think my fear is what makes me strong. I’m afraid of losing those I care about. And so I fight with every bit of sweat, blood, and tears that I have. Your loss is my deepest fear, Wednesday. My deepest.”

She stared at you momentarily, then looked out the window to the stars. “How is one to fear death when it is far from the end? Death may take me from your sight, but it cannot take me from your heart. There I live, vibrant and whole. Forever.”

===+++===

You’d never even realised how much blood the human body could actually hold, until you were standing there in the centre of the quad with an arrow straight right below your heart, its steel tip poking from your back. Your own blood coated your hands where you cupped it, dribbling down the splintered wood and splattering in droplets to the cobblestone in thick, dark red splotches.

The blood— your blood— is coming out even more now, and you turn to look at Wednesday, where you had shoved her out of harm’s way. Her eyes are wide in horror, like she's seeing something straight from a nightmare of hers, and you take a clammy step towards her, frigid and burning at the same time.

“Wens—” you stammer, and suddenly your knees are giving out. She rushes forward, trying to catch you in her arms, but you're too heavy, deadweight that tugs on her. You fall onto them, your knees, clutching at the newly opened maw of your chest with a gasp, and before you know it you’re falling forward towards the floor.

Wednesday follows you down, catching you before you can land, and she holds you tight, turning you over onto your back as the arrow sticks straight up from the heart she cherishes so much. The wood is already splintering, nearly falling apart, and her hand goes to your wound as if trying to put your blood back into your body.

It’s uncomfortable, with the metal tip of Xavier’s arrow sticking from the back of your chest and lightly prodding at her front, but she squeezes you tightly against herself, hands frantically travelling the length of your torso and raking over your arms, anywhere she can reach. But there’s nothing she can do. It’s a thought she refuses to confront, but Wednesday specialised in dealing with dead things; she was unfamiliar with how to keep things alive, no matter how much she needed you to stay that way.

Crackstone is cackling from his belly, a toothy sneer spreading itself out onto his leathery face as he looks at the damage he’s done, stomping towards you. “Hey!” Bianca yells from the opposite door, and the pilgrim whips around, as Xavier takes another shot at him. It lands in the pilgrim’s arm but he pulls it out like a twig, snapping it and tossing it to the ground, before he makes his way towards Bianca.

Your white shirt is completely soaking itself in your blood, droplets running down Wednesday’s fingers where she tries to hold the wound and apply pressure. But there was no saving a skewered heart.

"No, no, no," she coos, voice barely above a whisper and tears already pricking at the corners of her eyes. You're crying out in pain as the arrow shifts within you, fingers scrabbling at Wednesday's arms where they hold at you. Your fingernails sink into her skin, and she winces but doesn't pull away.

"Wens," you say again, infinitely weaker than before. "Wednesday…” It’s like your mouth won’t move coherently with your brain, like words mean trudging through ice and slush to come out, even the red-hot ones you need to say. “H—Hurts,” you spit out, and with it comes a small stream of blood from your mouth as you cough and air becomes less and less available.

She nods in a rush, tears beginning to stream down her cheeks. “I’m aware, I know,” she’s completely crying now. “We will get you care, cara mia, just hol— just hold on for a little while.” But you’re shaking your head.

“Don’t have— I don’t have—” you’re coughing up more blood, and she wipes it from your chin with a shaky hand. There’s just too much of it, everywhere. You had once gifted her some as a token of your devotion and it was a prized possession of hers, but now there was so much and she would have given it back in a heartbeat if it gave you any more of those.

She can vaguely hear Bianca and Xavier yelling on the other side of the quad, and various fires rage on in their chaotic yet vibrant corners, tickling against her skin in large crackles, burning in the reflection of your eyes that stare up at the sky. Your head is leaning against her shoulder, and she raises her hand, stroking through your soft hair as you heave in her arms.

“You must live, I promise you,” Wednesday insists fiercely, “I promise you, if you die right now, I will kill you.” But its tears that streak down her face, her jaw clenching and dark eyeliner running down her cheeks. She’s squeezing you right against herself, feeling the pain of the sharp arrow poke at her own skin.

“Vibrant and wh—whole?” you said with a smile, feeling your voice begin to slow down and with it, the beating of your heart. The blood has pooled in a sick puddle around your body.

She’s shaking her head. “Cara mia, we don’t need to do this, we will get you to a doctor. You will be—”

“—Wednesday,” you interrupt. Your voice has reached an eerie calm that sends a shiver down her spine, and it snaps her from any sort of hope. “Vibrant… and whole?”

She looks down at you for a moment, tracing the features of your nose, the planes of your cheeks, the colours of your eyes and the wryness of your smile. Wednesday swallows. “Forever. You know that. You must always know that.”

You nod, letting out a small laugh. It hurts, she can hear you wheeze right after you done it, but you sit in silence for a moment, and she can feel you get slower and slower, and your shirt gets redder and redder. The tears are uncontrollable, now, as she sits there with you. Her friends are losing in the corner, but she's losing something unthinkable, and she's so damn scared the entire time it's happening.

"The stars look beautiful tonight," you whisper so only she can hear it, your voice cracking at the end. In seconds, you're gone. She can feel the life, the glorious life, evaporate from you, your head lulling back against her and your weight becoming a hundred times heavier, but she doesn't move, squeezing you against her.

She's unsure how long she stays like that, but when she can no longer take it, she shifts, laying you down on the ground. You look peaceful, looking up at the stars, and it takes an effort to close your eyes that Wednesday had never felt with the dead before. She gently closes them, shutting the door on the eyes that used to captivate her very heart. It's almost like she could convince herself that you're only resting for a moment, and she leans over you, placing a meaningful kiss upon your forehead, just like she would when she snuck out after a night of sleeping over, and there were no prying eyes there to watch.

"Vibrant and whole," she whispers like a promise, turning back to the fight with a piece of the sword in her shaking fists. "For you, cara mia."

===+++===

well that was sad... anyways more happy stuff coming next time

[dissapointu]

Hey, i love your work and i think that your writing is beautiful

Can i request the ladies of Arcane with a imortal fem s/o? Like, she's about their age and cannot die from things that aren't time itself, their s/o can only die when her time comes, until then, no matter how much anyone tries to kill her, she will simply regenerate

Sorry for the long text and english errors, it's not my native linguage. Also, thank you for reading it :)

Thank you so much for your kind words! Your English is amazing, and I’m honored to bring your idea to life.

Jinx

Jinx would think your immortality is the coolest thing EVER.

• When she finds out, her immediate reaction is pure excitement. “Wait, so you’re, like, INVINCIBLE? That’s AWESOME!”

• She’d probably test your ability at first—nothing too serious, but you’d definitely have to talk her out of throwing you into something reckless. “What? You’d heal, right? No big deal!”

• Over time, though, it would hit her: if you’re immortal, she’s the fragile one in the relationship. It’s a bittersweet realization for her.

• “Promise me something, okay? That you’ll remember me… even when I’m gone.” She’d cope with humor most of the time but get quietly sentimental when she thinks too hard about it.

• Jinx would also LOVE showing off your ability. “This is my girlfriend—she’s totally unkillable. Jealous much?”

Vi

Vi would be lowkey awestruck by your immortality, but she wouldn’t show it at first.

• When she first sees you regenerate from a life-threatening wound, she’d be wide-eyed for a second before shaking it off like, “Okay, that’s a neat trick. Care to explain?”

• Once she understands the full extent of your ability, she’d be deeply relieved. “That’s one less thing I have to worry about… but damn, does it still freak me out.”

• She’d be protective of you, even though you don’t technically need it. “Immortal or not, nobody gets to hurt you on my watch.”

• The thought of growing old while you stay the same might weigh on her sometimes, but she’d push those feelings aside to make the most of the time she has with you.

• “Guess that just means I have to make every day count, huh? You’ll remember me when I’m gone.”

Sevika

Sevika would be skeptical at first but ultimately find your immortality fascinating—and useful.

• When she sees you regenerate after a near-fatal injury, she’d be stunned for a moment before muttering, “Well, that’s one hell of an advantage.”

• She wouldn’t coddle you, knowing you can take care of yourself, but she’d still have your back in fights. “Just because you can’t die doesn’t mean I’m letting anyone get a hit in.”

• Your ability would earn her respect, especially in the rough-and-tumble world of Zaun. “You’re tougher than anyone I know. Guess that’s why we work.”

• She might joke about your immortality, saying stuff like, “Good thing you’re stuck with me—nobody else could keep up with you for that long.”

Caitlyn

Caitlyn would be both amazed and worried about your immortality.

• When you reveal your ability, she’d be quiet for a moment, processing what it means. “So… no matter what happens, you’ll always come back? That’s incredible, but… also terrifying.”

• She’d admire your strength but still feel protective. “Just because you can’t die doesn’t mean I want to see you hurt.”

• Your immortality would make her think deeply about her own mortality, but she’d value the time you spend together even more. “It doesn’t matter how long we have. Every moment with you is worth it.”

• Caitlyn would support you in every way, helping you navigate the emotional weight of your immortality. “You’ve seen so much, but I hope I can give you memories worth holding onto.”

Mel Medarda

Mel would see your immortality as both a gift and a burden.

• When she learns about your ability, she’d be intrigued and ask thoughtful questions. “How long have you carried this? How does it feel, knowing time is your only limit?”

• She’d admire your resilience and strength, seeing you as a kindred spirit in navigating a world that often demands too much.

• Mel would be deeply aware of her own mortality, but she wouldn’t let it hold her back. “If I only have a fraction of your time, I’ll make it unforgettable.”

• She’d also be fascinated by the strategic advantages of your ability, often thinking about how you could use it to shape the world. “With your gift and my vision, we could change everything.”

Ambessa Medarda

Ambessa would be incredibly impressed by your immortality and see it as a rare, invaluable strength.

• When you reveal your ability, she’d smile knowingly. “I had a feeling there was more to you than met the eye.”

• She’d appreciate your ability from a pragmatic perspective, understanding how it could turn the tide in dangerous situations. “Immortality is a weapon. Wield it wisely.”

• Ambessa would admire your determination and experience, often asking for your insights. “Someone who has seen so much must have a wealth of wisdom. Share it with me.”

• She’d be confident in your ability to protect yourself but still fiercely protective of you. “Immortal or not, you’re still mine to protect.”

Maddie Nolen

Maddie would be in awe of your immortality but also concerned for how it affects you emotionally.

• When she finds out, she’d be both amazed and worried. “You can survive anything? That’s incredible… but it must be so hard, too.”

• She’d do her best to support you emotionally, always checking in to make sure you’re okay. “You don’t have to carry this alone. I’m here for as long as I can be.”

• Maddie would focus on creating meaningful, happy memories with you, knowing that her time with you is finite. “Every moment we share is precious to me.”

• She’d admire your ability to keep going despite everything you’ve experienced, often telling you, “You’re stronger than anyone I’ve ever met.”

Lest

Lest would have a unique perspective on your immortality.

• When she finds out, she’d tilt her head curiously and ask, “Does it hurt, coming back? Or is it like waking up from a long nap?”

• She’d be fascinated by your ability and how it shapes your perspective on life, often asking you questions about your experiences.

• Lest would be quietly protective, always by your side even if you don’t technically need her help. “Just because you can’t die doesn’t mean you should face everything alone.”

• She’d enjoy your company immensely, seeing your immortality as an opportunity to build an enduring bond. “If I stay by your side, will you tell me your stories? I want to be part of them.”

TL;DR: Each character would be amazed by your immortality, but their reactions would be shaped by their personalities. Whether it’s Jinx hyping you up, Caitlyn worrying about you, or Mel pondering how to use your gift to shape the world, they’d all admire your strength and resilience while cherishing the time they have with you. You might be immortal, but their love and devotion would still feel infinite.

[threeacttragedy]

Entry 12: The One Where We Start Laying the Yellow Brick Road to Italy

I realized the other day that, even though I like to bounce around from place to place in the Lukola timeline, I probably needed to start tightening things up on the ship if I ever wanted to get to the end of the story. And, yes, dammit, this story better have a finale at some point because there’s nothing more annoying than an open-ended ending, particularly in the romance genre.

Today we’re going to take a quick jaunt over to Italy because –

NO! Not because Luke is allegedly filming there. If you’re into real-time stalking, you’re in the wrong blog. But, I’m sure there’s a Discord for that.

It’s because I’ve had several people ask for my opinion about the change in behavior between Luke and Nicola during their Day 1 interviews there. Wait – people are interested in my thoughts? Wow, that’s actually kind of nice. Thank you! Okay, back to what I was saying –

Was there a change in behavior when Luke and Nicola reached Italy? Yeah, actually, there kind of was.

By May 9, we had been gifted with a slew of material from Luke, Nicola, and the Bridgerton cast and, I must admit, those early interviews are some of the most entertaining of the tour. In the very beginning, Nicola appeared as the utmost professional – charming, intelligent, and witty at the right moments – and Luke played her likeable counterpart to “Book Colin” perfection – bouncing between being awkwardly boyish and wickedly roguish, all while looking at Nicola like she had just served him homemade peanut butter crumble.

The two of them together, playing off each other, in my opinion, was better than Bridgerton Season 3 (you cannot beat the World Tour being 99% Luke and Nicola, with only a few random side characters taking up screentime). There was some major “Electric Love” radiating from those two throughout the tour, but it seemed very much heightened in the beginning (probably because they hadn’t yet answered the same question 67 times). By the way, if you haven’t heard that song by Børns, go have a listen. It will, at the very least – hopefully – put you in an upbeat mood for the day.

Now, where was I? Oh, yes – was there a change in behavior between Luke and Nicola when they reached Italy?

Absolutely.

Do I know why?

Absolutely not.

Perhaps Luke was bent because someone spilled his coffee, or Nicola was upset because her stylist made her to wear that little silver bow in her hair. In my opinion, the most intriguing part of Day 1 of the Italy press junket was that Luke and Nicola struggled with answering the question, “What is love?” I swear they both babbled on like two kids in debate class who hadn’t bothered to read the material given to them before taking their respective podiums. They finally seemed to settle on Luke’s “Maybe it’s, like, connection.” Well, they seemed to be missing the “connection” that day.

Honestly, no one can explain their “don’t stand so close to me” vibe during those first day interviews except Luke and Nicola. But, we can at least have some fun and speculate about it with a bird’s eye view. At this point, you should know that I love spreading the puzzle pieces out and seeing how they might all connect. Most people – when putting a puzzle together – start with the side pieces, right? You’ll get my joke in a moment (I hope).

In March 2024 – I don’t know the specific date because my timeline is rather murky going back that far (I was unaware Lukola even existed!) – Luke traveled to Los Angeles for a photo spread with InStyle magazine. I’ve heard two versions of this story. The first being that Luke traveled to Los Angeles with Antonia alone; the second being that he traveled to Los Angeles with his friend group, which included Antonia. I couldn’t tell you which is true, and it really doesn’t matter because it doesn’t necessarily add or take away from today’s story.

Before I get started, I wanted to give a “hurrah” to The-One-Whose-Group-Chat-Fills-in-Lots-of-Missing-Bits-for-Me-Including-the-Part-Where-Video-Footage-of-Antonia-in-Los-Angeles-Seemed-to-Indicate-a-Celebrity-Was-Not-the-Videographer-and-There-Were-So-Many-British-Accents-in-the-Background-One-Would-Fancy-a-Guess-She-was-Traveling-with-a-Group.

Moving along…

On April 7, 2024, Antonia posted a series of photographs and clips to her Instagram grid indicating she had been in Los Angeles, including one where she was laying on a blanket in front of the Griffith Observatory and one where she was sitting at a table marked with the number “95.” On April 14, she posted a second set of photographs, tagging her location as Beverly Hills, California and using “End of Beginning” as her audio (yes, I side-eyed this choice of music so don’t feel bad if you did as well). The second photo dump included her lounging on a rooftop.

I’m not going to delve into posts made by Luke and Nicola during that timeframe. I mean, I’m sure Nicola’s comment, “’Friends’…sure Jan,” on Luke’s April 11 reshared post about Bridgerton Season 3 was only meant to be applicable to Polin. And, if Luke wanted to use yellow and black hearts to represent the colors Nicola and he were wearing in his April 12 post, that’s cool, too. And, I am definitely not going to speculate on Nicola’s April 15 post (for Big Mood) that Luke liked, and she captioned, “I will bite off anything that dangles.”

By April 21, Luke and Nicola were in Australia at the World Premiere of Bridgerton. I am only going to provide a quick overview of Australia instead of a full-fledged recital because, at some point, I will almost certainly dedicate an entry to this country. Let’s start with Luke pulling off the hottest walk-up in Netflix human history (I mean, have you watched it in slow motion?). Then, we had the hard launch of the handholding business (because why again?). And, we had Luke tripping over his words, “We’re very, like, giving…I’m not talking about those scenes…” Oh, and Nicola telling an interviewer that, “[y]ou can’t keep a good girl down,” and, in response, Luke’s lips curling into a wicked-ass Cheshire cat's. We had them in the garden, with Nicola bending down to hug Luke after she had scratched/hit/petted his head. Perhaps I should not mention the possibility of a man’s shirt being visible on a bed behind Nicola (I said possibility not that it was). And, Nicola telling Luke, “You’re the funnier one,” when he was concerned that perhaps Benedict was funnier than Colin. Then we had the “Nicola-in-the-green-dress” day where, as they were going down the steps, Luke seemed to instinctively reach for Nicola’s hand, but she played it cool and took his arm instead. Oh, and that entire “green dress” day in general (I mean, there was so much shit going on that day). And, best we do not forget Nicola saying, “the best foundation for love is friendship,” which mirrored the bracelet “someone…in Australia” gave Luke that read, “Do you believe the best foundation for love is friendship?” Because that’s not suspicious at all. Alright, let’s get the fuck out of Australia – but not before I mention Nicola commenting on Luke’s April 27 Instagram post with “Ready for the next?” and Luke replying, “Absolutely.” Yeah, yeah, yeah, their shenanigans in Australia expanded the USS Lukola tenfold.

Oh, also, let me throw this in here because, if you are a “ring truther,” this fact plays a significant role in the Lukola timeline. If you do not know what a “ring truther” is, that’s perfectly fine. You can catch up by reading Entry 6 (The One Where I Explained the Claddagh Ring to My Dad) of my blog. I mentioned in Entry 6 that some Lukola sleuths have stated the metadata they pulled from the sketches of the Claddagh ring uploaded by Chupi indicate they were done as early as April 26. In other words, it means the Claddagh was likely commissioned between Australia and Italy. In fact, if we are to believe Chupi when it said it took four weeks to make the ring, then it had to have been commissioned by May 9, 2024, at the latest. Oh, lookie there, that’s Day 1 of the Italy interviews.

But, before we get to May 9, let’s pause on April 29. That was the day Luke’s InStyle spread was published – yes, the one I mentioned earlier. Luke has pictures from this photoshoot still on his Instagram grid – in fact, Nicola commented, “Yess dude!!” on them – but those aren’t the pictures I want to talk about. No, I want to talk about the pictures InStyle posted on its Instagram grid that day. These photographs came directly from Luke, which was confirmed by the InStyle article when it said, “…the actor delighted the InStyle team by delivering the polaroid photos he’d taken for this story tucked oh-so-carefully in a little brown bag for safekeeping.” The pictures Luke provided, among others, included one where he was laying on a blanket in front of the Griffith Observatory in Los Angeles; one where he was sitting at a table marked with the number “95;” and one where he is sitting in a lounge chair on a rooftop. If you want to see the pictures, InStyle still has them available – you just need to go through hundreds of posts to find them. Luke did not like this InStyle post, which was kind of odd because he was tagged in it, and they were reportedly his pictures.

Why did these InStyle polaroids seem so familiar?

Oh, that’s right, because they were.

Remember that April 7 post of Antonia’s I mentioned a bit ago? Yeah, the one where Antonia posted a bunch of random pictures from Los Angeles and – only after InStyle posted Luke’s polaroids – fans realized Antonia had preemptively posted her version of some of Luke’s polaroids.

I am not going to speculate too much about these pictures or their implications in this blog post, but these pictures may resurface in future posts because I find myself side-eyeing the fact they even exist. And, we should probably accept that Luke was aware of them before his pictures came out on April 29 because he threw a like on Antonia’s April 7 post. Could it have been a “blind” like? Sure, I guess, but the logical side of my brain says he probably looked through them at the time she posted. Let’s not worry too much about it right now, though.

After trying to write out my “general” opinion about the pictures several times, I finally decided that the best way I could articulate my thoughts was through the conversation I had with my father. Yes, Dear Dad returns again for another insightful Q&A.

I started by showing Luke and Antonia’s three “matchy” pictures to my dad and then asked him to compare them. To be clear, the pictures were their respective Griffith Observatory, Table 95, and Rooftop Lounging pictures.

Me: “So what do you think?”

Dad: “About what?”

Me: “Ugh! Why did Antonia take those pictures?”

Dad: “Well, to show she’s part of the ‘in’ crowd. The only reason I can see them being taken is if she was going to put them on the Internet.”

Me: “Uhh, as a matter of fact, she did put them on the Internet! Approximately three weeks before Luke’s were published.”

Dad: “See! I’m not as dumb as you think.”

Me: “Whatever. So, you really believe that? She took them to show people that she was, like, there?”

Dad: “Yeah. Why else would she take them? They’re not the kind of photos you’d take normally. What’s she going to do, put them in an album and show her friends in five years and say, ‘Look, I sat in Luke’s chair?’ Who does that? Nobody. Plus, Luke’s pictures look like they were taken with a polaroid camera and Antonia took hers with, I guess, a phone. Why use two different cameras? Again, it doesn’t make sense. Seems to me like she knew what pictures he was taking, and she was trying to copy them so she could put them on the Internet.”

Thanks, Dad.

You do not have to accept my father’s thoughts on the photographs. Everyone is entitled to their own opinion. However, I think we can meet in the middle and opine that, at a minimum, Antonia’s pictures caused the weak Lukolas to jump overboard; at most, they gave some people stalker vibes; and somewhere in between, they introduced Antonia's negative influence over the fandom and what some may consider trolling behavior (even if it wasn’t recognized then).

Now, before we land in Italy on May 9, let’s summarize what has happened during the preceding two months.

First, we had Luke traveling to Los Angeles in March with Antonia, either alone or as part of a friend group. Luke had pictures of himself taken while there.

Second, we had Antonia posting pictures in early April that would be linked directly to Luke’s pictures by the end of the month.

Third, throughout the month of April, we had Luke and Nicola traveling together for the World Tour. We have all seen these interviews, and we have all formed independent opinions about them.

Fourth, based on Chupi’s own words, we know the Claddagh ring must have been commissioned no later than May 9.

Okay, now we’ve reached May 9, Day 1 of the Italy press junket.

Besides the press interviews, what happened on that day?

Well, Antonia reposted Luke singing Coldplay’s “Yellow” to her TikTok account.

Uhh… Huh. Interesting.

I mean, it’s possible that this was just a coincidence and she just liked Luke’s version of it. Or, it’s possible Antonia knew that “Yellow” was the Polin wedding song and she anticipated trolling Nicola and/or the fandom with it. But, if we believe she knew “Yellow” was the Polin wedding song, that means either Luke told her, or someone with that knowledge told her (i.e., someone from Luke’s team or family/friend group). We also know that Luke mentioned this song in the May 16, 2022 Netflix Tudum article when Nicola and he were asked about their song choices for Season 3. Luke stated his frontrunner was “Yellow” by Coldplay “because of Penelope’s dresses.” Regardless of why Antonia posted the song, I find it hard to imagine Netflix, Bridgerton, Shondaland, Nicola, or Luke were too impressed by Antonia resharing it on TikTok. I mean, at this point, Netflix & Co. would surely have been aware that Antonia’s “copycat post” went over with the fandom like a wet blanket in December in Canada. I imagine some questions were being asked and Luke may very well have received a hand slap from Corporate – and maybe even from Nicola.

But, that’s not the only thing that happened on May 9.

Luke posted his Homme magazine spread to his Instagram grid on that day, too. He captioned the post, “Chatting through all things S3 with @hommeplusmag [o]ut next week x.” Nicola commented, “Yessss,” and Luke tagged his post with the location of Hackney, London. That last part – about Luke tagging the location in Hackney – apparently sent the fandom into a deep-dive of…Nicola’s backyard. Why? Because Nicola lives in Hackney (Nicola herself confirmed she lived in Hackney in a March 18, 2024 interview with Derry Now), and rumors started to circulate that Luke’s pictures were taken at her home.

Hmm, I didn’t realize May 9 was such a busy day, did you?

So, which came first – the chicken or the egg? Did Antonia repost “Yellow” to her TikTok before Luke posted his Homme in Hackney images to Instagram, or vice versa? I’m sure someone out there has this information. The answer might help shine some light as to why Luke and Nicola seemed “off” in the early part of their Day 1 Italy interviews. But, then again, does the order really matter? Regardless of who posted first, it would seem to me that “Yellow” was a very possible culprit for the different energy on set that day.

That, or Luke really was peeved over someone spilling his coffee.

[lemon-berri]

A Side That Only You Get to See

Most people know Satoru Gojo as the strongest sorcerer. A formidable force, renowned for his power. Respected by sorcerers and feared by curses and curse users alike. To those who do not know him, he's paramount to a legend. Untouchable. Unreachable.

While the people who work closely with him know another side. The irreverent, goofy sorcerer who fools around on the job and plays pranks on his colleagues. They're all too familiar with his boisterous laugh and unconventional ways. And while his students still respect him, they're comfortable around him like they might be with a friend, or a family member.

That's who he is. A warm personality that lights up a room. Someone who cares deeply for those around him, even if his ways of showing it are unusual. Someone who wants to improve the world around him.

But nobody knows the Gojo you do.

The one who comes home in the early hours of the morning, just to rest in his partners arms. Who's sometimes late to work because he cannot bring himself to let you go. He's enraptured by your touch, lulled into peace by your scent. He's quiet at home, a stark contrast to his usual personality. But he prefers to bask in your presence, to listen to your voice as you tell him about your day, or whatever new interest you've picked up.

The sorcerer who comes home from missions a day early without telling anyone so he can steal some more time with the one he loves. Who plans elaborate surprises, cooks for you and buys you a fresh bouquet every week. He prefers a quiet night at home rather than going out. That way he gets more of your attention.

The Gojo who's easily bored, because he's naturally good at everything, but still takes part in your hobbies and interests. He lets you teach him things he already knows, and sometimes pretends to mess up just so he can see the passion in your eyes as you explain where he went wrong. His cerulean eyes light up whenever you  show him something you've created, and he'll buy you all the supplies you need, if only to see that smile.

Your Satoru, who's love language is physical touch. Who, before meeting you, had kept a barrier between himself and the rest of the world for so long that he'd become afraid to let it down. Who now clings onto you whenever you're home. He gets pouty if you're in sight but not touching him - so make sure to pay extra attention to his facial expressions.

Truly, if anyone else saw him like this he wouldn't care. He's not ashamed to show the world how much he loves you. But a part of him likes the way things are. Its like a secret, between just the two of you. As if your home exists in a world of its own, away from all the curses and higher ups and daily stress. So for now, he'll save his soft side, just for you. A side that only you get to see.

Soooooo I sorta went MIA for a few weeks.. but as we already established I do not have a post schedule so it's okay (right?).

Thank you guys for reading this! As usual it's not proofread and if you point out my spelling mistakes I'll leave and never come back.

Ily all 🩵

[shinjisdone]

So....I am thinking about Alucard (again) but his Vlad version....oh, his Vlad version. hits different, different vibe, really good. Unfortunately, just because he changes his appereance, Alucard himself is still the same we know in the show, no matter what form he takes. Him appearing as his former self wouldn't be much of a difference so...

Vlad!Alucard Who Has Amnesia And Still Thinks He Is The Leader Of Wallachia - But His Obsession With You Still Remains...

HEAVILY based on my other ramblings, the detailed one as well as small headcanons here.

TW: HEAVY MENTIONS OF RELIGION, VLAD BEING INSANE AND USING RELIGION TO COMMIT MURDER, SEEING YOU AS AN ANGEL SENT FROM THE HEAVENS FOR HIM, RACISM(? He hates the Ottomen? He's like...from the old times ya know) MYSOGINY (his boss is a woman???), OBSESSION, MURDER COMMITTED FOR YOU, WORSHIP THAT IS ALSO DEGRADING, HE IS NOT OKAY AND NEITHER WILL YOU BE

None...none of this was supposed to happen.

Seras was just in time to block the finishing blow as Integra stared at this creature...the monster Alucard.

Yet, something was wrong, terribly wrong. The form he took on was that of his old and foolish human self and his eyes were nothing of the bloodlust and glee she remembered.

It was pure anger. Pure and cold rage as he gazed about anything in the room.

The long, tattered cloak, the heavy armor he refused to get off and that sword he clung to as if it was the only thing he had. Where are his guns? Where are the glasses she gave him? Where is that smarmy grin, the snicker, the mocking humor, where was Alucard?

Seras' begs of her master reached deaf ears. He was barely listening to her, as if he wasn't even in the same realm as they were, somewhere else entirely. Spacing out but still getting angry at the young vampire's resistance.

The insistence that Integra was his master seemed to displease him as well. He spoke in a thick accent, spatting out that he only has one master and it is no woman.

This wasn't him, she feared. He returned so fast after consuming Schrödinger, but this never could be her Alucard. The one she freed from her father's shackles.

No...he was shackled to something else now.

Shackled to his curse that was you. Chained to his willfull obsession, to his fantasy, his twisted form of love. Integra should have seen it coming that this Alucard would drop his weapon instantly the moment you entered her chambers. His blood-red eyes widening as his breath was caught in throat. Seemingly he had forgotten everyone else there as she watched the man stumble towards you in awe. His hands shook as he kept himself together from touching your radiance and committing sin. Like a puppet on a stage, he fell to his knees, bowing his head to you, dark locks falling in front of his gentle face.

"...Forgive my intrudence, holy angel. Giveth to me the message of God as I offer my prayers."

Fucking hell. It truly was Alucard.

The Bird Of Hermes Is My Name...

It was laughable how quickly this thing was putty in your hands.

Integra sighed, at the end of her wits, but was relieved that this monster was able to be tamed by you. This was no other than Alucard for sure. It was sickening to see him still cling onto that part of himself when it came to you.

As confused as you and Seras may be, she ordered for you to look after him for now. Do not act surprised. Did you think she wouldn't ask that of you?

Both she and you know how Alucard is. And it pains you, terrifies you - because even as he cannot seem to remember himself as the Nosferatu he is - the Dracula Hellsing took prisoner, the one true vampire walking this earth as an immortal being - he is and always will be your monster.

Now he calls himself Vlad the Impaler. The ruler of Wallachia but you do not have the heart nor patience to explain this time and place to him. That his kingdom is no more.

He speaks differently. Voice the same but heavy with a thick accent and speaking in the most polite but proud way you've seen.

You tell him that this place harbors no enemies. There are no Ottomen, no traitors of Wallachia. He believes without a second thought and kneels once again before you. "I thank thee for the sanctuary, o angel." You can cringe as much as you like but he will not stop.

Additionally, Alucard seemed to have forgotten his powers and immortality or perhaps, has not yet regained them. He thinks himself as human and expects an accomodation for one. You offer him a room and though the modernity and the fact he feels no hunger are a novelty to him, he spares these things no thought.

Again, he bows and thanks you once again. "For what reason haseth God brought me here? What message will thy bring me?"

What a load of bullshit. This could not be the Alucard you know (and fear). He may look like him, sound like him but he would never utter such words. With a frown, you step forward and he immediately straightened his pose. As you observe his form, he stares back in awe at the mere short distance of the two of you. A mere servant in the presence of such goodness, such holiness. "Is it really you?" You mutter and gingerly reach for his face. A shudder runs through him as you cup his face and a sigh escaped him. "The touch of an angel..." For a moment, he closed his eyes to memorize and bask in the feeling before gawking back down to you. "I art Count Vlad, thy humble servant. I shall bring death to all thy enemies and have them be a sacrifice."

Your frown deepened and you retracted your hands. "I am no angel. I am...a human. That is all." Alucard's eyes widened and he immediately but gently shook his head. It was like he was hearing blasphemy. "Thou must be. How else could there be such radiance and grace?" He put a hand to his chest, "How else could my heart feel twisted and touched by thy presence? How else could I be so full of veneration at the sight of thy beauty and holiness? Why else..."

Alucard seemed to struggle for words as his breath got caught and his eyes narrowed. You could feel your heart pounding as well but out of fear.

"...does my very existence stop at what I ought to do and be at the sight of thee? Why else had God sent thee to me? Let me be thy vassal, the one who shall shed blood and keep thy hand clean and pure. Let me know, o angel."

Eating My Own Wings...

He was more terrifying than you thought possible.

You almost wished for the old Alucard to be back. This one is a senile, insane warlord who believes each little lie he tells himself. The lies of his kingdom, his faith, that you are an angel sent to him.

It was revoulting.

In the past he wouldn't keep his eyes off of you and never wiped that stupid grin off his face. But now, he bows his head, not daring to stare at you directly or for too long as if he was worthy of your beautiful sight. He showers you in compliments and even prayers. To him, you are a prayer, a benelovence that blesses him. Each word that leaves your mouth and each touch he so eagerly awaits even as he pretends to be humble, are a blessing. To even be in the same realm as you, as you obviously landed from above to see him, is nothing short of a blessing that must be met with gratitude.

Even as he speaks of gratitude and unworthiness, you can clearly and quickly notice that he seeks you out contanstly. The heavy stomps of his armor are hard to ignore. He stalks you without any intention to hide and his face remains blank but soft. The unruly nature of this form of his makes him look so...wild and unkempt with his disheveled hair and the messy mustache...but this form seemed the most non-hostile.

Although he stalks you, he barely lets out a word - aside from begging for your message from God, thanking you again and again for blessing him and imploring for an order, any order to do good in your name. For you. For you to notice him and validate his actions as a warlord.

He must be doing good. The bloodshed and the battles are his prayers and they must reach you, so please, please, tell him he is doing everything right by striking down his enemies.

No matter how many times you tell him you are no benelovent creature, he refuses to believe you. You must hide your identity for men are greedy and will cut off your wings. No one else can see you for what you really are aside from him, of course. It's a way to stroke his ego. Only he can understand and see you for he is God's most humble, most powerful, most blessed servant. He will be rewarded for all he has done and endured, so of course only he knows you are an angel! Everyone else is a blind fool.

As much as he sings your praises, Alucard is too much in awe to touch you. You are a holy being and he cannot ever have the audacity to simply touch you. But, as hypocritical as it is, he reveres in the willing touches he receives from you. Each a prayer, each a blessing. An angel caressing him and showing him...love. True love he has never known. He was always a monster on the battlefield and the common men were traitors and wrongdoers. Only a holy being could hold the essence of true and unconditional love - only you. Only you can love him.

Alucard has lost the wit, the mockery, the giddiness of battle. The only emotions you can make out on his face are reverance and a gentleness that you dared describe as obsession.

No matter what he could ever go through...he was still your sick monster.

The same monster that hesitates to touch you. The monster that won't leave you alone. The same monster that watches you sleep with bated breath, mesmerized by your peaceful figure and the undying wish to craddle you, to share the same peace you feel just once in his life. But he cannot. The only thing left for him is to adore you from afar with a lovesick expression.

...To Keep Me Tame.

The enemy draws closer and so he draws out his sword. He needs no army to protect you and devote the next sacrifice for you. Before every battle, he kneels and lets out an incantation. Promising you glory and the enemy's head all in your name.

"I shan't have any filth taint thy radiance, o angel. The enemy shall lose their pitiful life for daring to approach thee."

His vow is commandable but the way he eagerly turns around and swings his blade with such rage at the danger to absolutely maul them before they can scream out their regrets and begs for mercy. You can't tell if he simply is enraged at the sight of any enemy of the Count Vlad, for wanting to hurt and mock you, or if there is still this bloodlust hidden deep in his dead heart. You do not know. He doesn't squeal in glee when he strikes them down, does not talk down to them. Alucard is as silent as ever as Vlad but the ferocity is still the same.

He returns, reeking and spilled with blood, as he offers you their head. Fearing he will take it the wrong way if you reject it - after all, all he does is for his faith - you try to gently tell him that it's enough, that he doesn't need to fight any more. It works, for he believes his angel.

Still, the look of anticipation in his eyes make you sick. Perhaps one day, you cannot take it anymore. He does his job as Hellsing's hound well unwittingly but the way he seeks you out and looks at you is more than enough. You tell him you are no angel, may be kind to him, may show him humanity, love, but you are not a holy being. That he shouldn't see you as something you are not!

So...stop with the devotion. The sacrifice. This obsession that isn't love.

A monster cannot love. He should know. He is the one who told you!

"...Then what...am I here for?" He told you one day, defeated and disheartened. The desperation on his face was almost shocking.

"...Why am I here in this world if not to serve thee? Why did any of this happen? Why would I march and fight again and again through this wasteland of my own kingdom if...if I cannot have thee?"

You step back. Alucard genuinely sounded heartbroken.

"Each of these non-believing monsters hunting me...I have to kill them, do I not? None of them have the same strength that I have, the will to pray and serve God the way I have! I have swallowed my own armies, my own land just to keep moving on. I kept moving on into this strange, confusing place...all to reach thee, no? That is why I kept on killing, to meet thee, did I not? Is it not what I am here for?"

Alucard stomps towards you, not bowing his head once. He holds onto your arms first with his metal glove, before placing one gently against your face. His eyes are wide and red.

"No one else marched on as I. No one else could ever imagine thy form. Only I can, only I am worthy enough to see thee, to meet and reach thee. To serve thee. My angel."

[huellitaa]

defining your life (literally) ୭🧷✧˚. ᵎᵎ 🎀

okay so i know you've heard this a billion times before but you are the creator of ur life. and one of the biggest parts of life is language and communication. the words you use and the phrases you say and the way you speak, to others and to urself, can have such a huge impact.

firstly think ab ur philosophies and guiding principles in your life. what do you live by? what do you believe in? what guides you in your everyday decisions? why do you do these things? what do you hope to achieve? before you can change anything about yourself, you first need to figure out what "yourself" IS. you can't change something if there's nothing to be changed, otherwise ur flogging a dead horse.

linking back to what i said previously, words have power. as i've said many times before, our realities and beliefs are unique to us as individuals, which therefore makes them easily malleable because we as humans are easily malleable. we define our realities, and our words are a very important component in that. like a precious relic or prized treasure, they each hold their own meanings and values to each and every one of us. which is why it's so important yet so overlooked to truly take a moment and just think about what ur saying and what it means to you.

──★ ˙ ̟🎀 a few things you need to define before you go seeking:

🧸𓂃 ࣪˖ peace

something many people seek, but not many actually find. you cannot search for something if you do not know what it is that you're searching for. what is peace? is it the short lived silence of an empty house, or feeling truly and utterly content with your life? is it fleeting, like any other emotion, or is it a permanent state of which you can maintain over time? what does it mean?

🧁𓂃 ࣪˖ friends

who are the people you call your friends? who are the people you'd be proud to call your friends? are you proud of your current friends, if any? if none, what would they add to you? what are friends supposed to be like? are they supposed to embarrass you and put you down, or support you and make you smile and hype you up? is it genuine connection you're looking for and / or have, or is it short-lived attention from people who'll only hurt and leave you in the end?

✨𓂃 ࣪˖ happiness

is happiness the thrilling high of an irrational decision, or the long-term effect of maintaining ur health and becoming the person you always wanted to be? is happiness quick validation and dopamine hits, or is it the long lasting outcome of positive decisions and change in ur life? or is it just a feeling that comes and goes like any other? why is this the case? why do you believe this? how would you define happiness to another person?

──★ ˙ ̟🎀 a few things you need to define before you go giving:

💬𓂃 ࣪˖ love

how do u define love? romantic, platonic, familial, whatever u want. is it just a thrilling cycle of hurt, hurt, and more hurt, because that's all you've ever known, or is it learning to open ur heart no matter how scared you are to another person because despite ur fear, you have sincere and genuine trust in them that they care about you and the feeling is mutual? what would you define as love, truly?

🧁𓂃 ࣪˖ energy

is energy the life force that keeps the world going around, or the burst of life you get after a cup of coffee or tea in the morning? does it hold every fibre of your being inside it, a radiance specifically unique to you? does it become drained after hanging out with the wrong people, or is it just a word you've never put much thought into rather than the sugar high after a sweet treat?

⭐𓂃 ࣪˖ kindness

what is kindness? it's such a simple thing, but is it the act of sincere sweetness towards you that you're looking for, or is it short-lived attention from people who aren't gonna be there at your deathbed and only exist to cause obstacles and issues in ur life? is it sacrificing yourself for the world around you, or is it finding a balance between kindness to yourself and kindness to others?

──★ ˙ ̟🎀 a few things you need to define for ur peace of mind:

🧁𓂃 ࣪˖ family

do you believe family is solely a case of biological relation, or is it the emotional connection that's thicker than both blood and water? are the people you hang out with every day and love with your whole heart your family, or are the toxic mother and distant father your family? how do you define this?

🐇𓂃 ࣪˖ health

what is "healthy" to you? how would you define good health and bad health to another person, and for yourself, accustomed to your own personal needs and adjustments? do you want to be healthy? how does and/or would your life look if you were to work towards this?

🩷𓂃 ࣪˖ impossibility

what do you believe are the limits of your capabilities? are there any at all? are you happy with the limits you're placing on your life, or are they simply restraints placed on you by another? what do you believe you can do and why?

🫶🏼𓂃 ࣪˖ balance

a simple word, but one that our whole lives revolve around; or at least in my sense of the definition. how would you define balance? is it important? what in your life revolves around it? what does it mean?

all my love... 💬🎀🫶🏻💗

[candy8448]

I hate how sad this is :(((( poor baby

Like he finally retires, spends a month or two just resting because he thinks he now has the time to rest before figuring out what he wants to do with himself now

But as those two months go by, he can feel himself getting weaker and weaker until he cannot deny what is happening.

Maybe one day he tries to get up but can't, maybe ravio hears a thud and has to go pick him back up and put him back to bed. Maybe legend slowly gets bedridden and weaker by the day.

Or maybe he knows about it in lu, and has been hiding it. Sure there is fighting but recently on their adventure its been really relaxed. He can feel himself weakening but then it starts to become more obvious. Then when he becomes too weak to move much, and they understand what is happening, they do their best to make him as comfortable as he can be, and do the best they can even if he is sleeping on the forest floor in the cold, they all give him their bedrolls and blankets and make sure he gets everything he needs. (Its a situation where they can't do anything, not even give him somewhere comfortable to stay. They are completely helpless)

Time wonders why it must end like this, why legend must go so young, how he didn't deserved this fate after all he has done

I would really want to see a bonding moment between legend and time, between warriors and especially between ravio, and i would want to see how legend himself is thinking, what is going on in his mind, what exactly the pain he is in feels like, if he is okay with this or not or something in between. (I honestly dont think he would be blaming any godesses either. If he does blame something, i think he is wize enough to know that it is the evil in the world's fault)

Eventually a portal appears and takes them to legend and ravio's doorstep. At this point maybe legend is a lot weaker perhaps already bedridden at this point, but he still has quite a bit of time, enough time for ravio to learn what is going on and (barely) come to terms with it. Long enough for the two to spend some time with each other. And like the one i wrote above, both ravio and the chain are forced to watch as their brother suffers until his end. In the end, Ravio is at his side, holding his hand.

I hate myself for thinking and am gonna cry. I am sad now

The most evil thing to do to the poor guy

Fanfic prompt: People often portray Legend as carrying scars from his adventures or having chronic pain

But rather than the usual battlefield death all by himself

It would be beyond cruel to let him simply retire but because of the injuries he has collected over time he ends up dying a short while after retirement

Like he ends up making it surviving anything the world throws at him

Just

To not make it because the cost of everything ended up costing him too much

If he knows about it it gets even more tragic

Honestly a linked universe except Legend is hyper aware that he is dying a slow and miserable death

He hopes he could maybe meet Marin at and apologize for everything when it happens and tell Everyone he still has left that he loves them personally

While the other links don’t know …

And being the idiot he is he hides it from everyone

Just a thought people…

[sometimesthingsgowrongokayy]

oh golly how do you make these things

jayvik tickle hcs because i can

(sparkle sparkle)

separate and then together, a few swears, one tiny suggestive bit on jayce’s

JAYCE

lee!

ohhh boy. jayce my bbaby. okay. so as a decently muscular man, hes gotta be at least a little ticklish.

i think his worst spots are probably the spots you can just latch onto and squeeze- thighs, ribs, knees, even shoulders.

my boy cannot take a massage. he has tried so hard but every single time he’s just a hiccuping snorty mess

speaking of hiccuping snorty mess. i think he has a lot of different laughs. when you get him really going it’s his usual deep belly laughter, loud and proud and so bright you’re gonna need sunglasses

but also i think if you have him for long enough his laugh changes pitch a lot. like it’ll go from low to super high, and he’s all like “hahahAHAHAHHHSGH OHGOD OH GOD OH GOHOHOD” and oough. bbg

if it’s less intense, he’s not really one to giggle, but he definitely hiccups. he scrunches his face all up and jerks around and flinches and snorts and covers his mouth with the back of his hand and.. ghrhrgh.. im going insane guys

i think he’s the kind of guy who doesn’t squirm too much but arches his back a lot. he doesn’t squirm back and forth, but he’s always folding like a lawn chair, forwards and backwards

with his hiccupy/snorty laughter, he’ll go silent for a few seconds, and his shoulders just bounce as his whole body shakes, face absolutely BURNING red

oh yeah and he’s a blusher. bigtime. he gets a little flustered at the fact he can get plucked apart so easily by something as silly as tickling. he doesn’t think its childish, per se, but certainly not something a grown man should be This weak to.

..and yeah, he likes it. he’s embarrassed about it, but won’t necessarily deny it. he kind of has a thing for going all dumb and happy and brainless. just made into a smiley little puddle of jayce

oh and his smile. i know these hcs are already so freaking long but his smilee he is always grinning. even just a poke and he’s already got a big dumb smile. he is literally the sun when being tickled, it’s absurd

i didnt even get into soft tickles yet what

okay so we all know his abs are sensitive. i think he might just die at some gentle fluttery fingers. same with his sides and back

hear me out. behind the knees. oh and biceps. and the underside of his arms in general. and his forearms. none of them are too bad, but he’ll still squirm a little if you just slowly trace your fingers over them

post-season-2(SPOILERS KINDA??) his wrist his mad sensitive from the crystal embedded in there.

all of his scars are sensitive too. i don’t think he has too many, but the ones he does have are Big and also very ticklish <3

all in all i think he’s very sensitive. he’s the type to be flinching and squirming at things that aren’t even supposed to be ticklish, like god this man cannot take a tummy rub. if someone’s hands are on him in a sensual manner he can’t hold back tiny little giggle-huffs.

whenever anyone’s hands are on his bare skin in any soft manner, he’s. he can’t. he is too ticklish to survive on this earth

okay im gonna stop myself there or im gonna be ranting for seven more paragraphs

ler!

this little shit oh my god

okay no i take that back. i feel like he would be a smug cocky little shit, but not always.

im sorry, i have to say it, engineer hands

i have less ler hcs than i do lee hcs for him but i do think he would be absurdly switchy. he’s the type of guy to just poke people at random whenever he’s bored or to prove a point

has a habit of digging. he’ll find a nice meaty spot and just squeeze it lighting fast for about a second and then give you a teensy little break before doing the exact same thing again

he can be a little merciless though. he doesn’t realize just how good he is at tickling, he just thinks everyone who he tickles is mad sensitive

its hilarious though. he’ll be like “How did I never know you were this ticklish?!” and the lee will be like I DIDN’T KNOW EITHER HOW ARE YOU DOING THIS-

his hands are going all over the place, too. if he has a really handsy/squirmy lee, he’ll just keep switching spots every time they go to defend something. arms glue to their sides? okay, he’ll switch to their knees. legs pull up? okay, neck now. shoulders scrunch? ooh, armpits are fun!

he is such a menace and doesn’t even realize it

he’s crazy playful. mostly back in academy days, but if you can get close enough to him as the man of progress, and he has some free time, he’s so freaking playful its wonderful

he thinks its fun, and he likes seeing people’s stress just melt away. he will get a little worried if you tell him to stop, though, and pulls back a little if you do. he doesn’t wanna hurt you or make you uncomfortable.

definitely pokes people a lot but doesn’t actually engage in full attacks all that often. usually he has to be pretty close friends with someone to do that.

he’s very gentle with viktor when he tickles him, sometimes a little too gentle. it’s agony

VIKTOR

lee!

okay im gonna say it now before the thought leaves my brain. ticklish ears

he’s a lot more keen to light tickles as rougher stuff just kinda hurts a lot of the time or gets him really overwhelmed

tbh if you wanna get him bad, tools are probably best bet. rough tickles with hands are a little too much, but get a feather or a pen or a brush and Hoo boy you’ve killed Viktor.

i don’t actually think he’s all that ticklish. like he is but he isn’t? he’s sensitive but not hypersensitive, i guess.

except for his bad spots. i think its more of a thing where he’s not too ticklish in most places but his bad spots get him writhing.

of course i’m obliged to say neck, ears, jaw, back.. the works. i think his stomach has the potential to be sensitive but he’s a little too skin and bones for it to really impact him.

he has a lot of vaguely unusual spots. his wrists and palms are sensitive, i think his scalp is even a little sensitive. he doesn’t like people playing with his hair for that reason

if not for his brace i’d say his back and spine especially would be real bad. without his brace, just tracing a line all the way up his spine has him jerking forward so hard sometimes he falls over. and absolutely spits out any drink he may be drinking. i mean it feels like stars bursting all the way up his back, okay?? so tingly

he’s the type to hold his stomach when laughing really hard, just in general

he’s also a big snorter, but he uhm.. he has a very maniacal laugh. it’s literally just like- a whole villain laugh. absolutely terrifying.

i think he’s a lot less sensitive than jayce in theory, but in practice he’s a lot less used to it and very squirmy

so squirmy. very slippery. i wouldn’t quite say nimble, because of his leg, but- at the very least very good at escaping.

definitely the type to go straight for his ler’s sides to get them off him. he panics and just squeezes. usually it works but sometimes it doesn’t

i think he has the potential to be a giggler. idk though. he wouldn’t have bubbly giggles as much as he would have really breathy, huffy giggles. silent giggles are another big thing

i think he’s very neutral on the whole concept. he has to be in the right mood and it has to be with someone he trusts with his life.

feather-ticklish bastard. trust me on this

ler!

idk about you guys but viktor talking like he’s documenting an experiment while tickling someone? oughhrgrh.

im usually not one for teases but aaugrgghgrgr.

his hands are absurdly nimble, so while he can commonly be overpowered by his lee, he’s still a slippery bastard and somehow manages to slip into all of someone’s worst spots

i’m kinda stealing this hc from someone else, but i think he is very good at predicting/guessing someone’s weak spots. “HOHOW DID YOU KNOW I-“ “oh, i just guessed. not very hard, you know.” gggggraagg

i really can’t explain just how evil he is. those nimble hands of his are all over someone in seconds, spidering and digging into every single spot and switching at lighting speeds.

very good at tickling people, i think. him and jayce are on a pretty even playing field for that

i have such a distinct idea of what ler!viktor would be but for some reason i just cant explain it with words.

TOGETHER

oh these two. these two. i’m.

they are so switchy it’s scary. tickle fights with these two are not tickle fights, they are strategic tickle wars.

viktor tickles jayce out of stress a lot. jayce is definitely the type to get overwhelmed with stress and not tell anyone, literal king of masking, but ofc viktor sees through it in seconds and wrecks him until he admits what’s wrong. and then viktor wrecks him some more so he can forget about it for a little while

they’re always teasing eachother. on energetic days they’re both so playful with eachother, and they’ll be poking eachother around the lab all day until one of them cracks and launches an attack

they wreck eachother just to prove a point sometimes.

jayce has a habit of getting viktor when he’s being too cocky or sassy. viktor has a habit of getting jayce just because he feels like it.

jayce tickles viktor when he’s bored, he’ll pick up a quill and flutter it against the back of viktor’s neck while he’s ranting about something.

they get revenge a lot, but then they get revenge on the revenge, so it’s kind of.. a cycle

they know eachother’s boundaries like the back of their hands, since they’ve known eachother so long they’re very good at knowing exactly when to stop and exactly what to do

they also pick up on eachother’s lee moods.. and ler moods sometimes. let’s just say jayce knows when to run when viktor gets a certain look in his eyes

aftercare with them is sickeningly soft. brushing hair out of faces, gently caressing skin, massaging eachother to get rid of some of the lingering tingles, all of it. they hold hands and press up next to eachother and ghhgh. even if its in a scenario where they aren’t dating, they still do all of this, and if someone questions it they just shrug. just two bros bein dudes, nothing to see here

i feel like these together hcs are so bad im sorry. it’s so early rn and im suffering Hunger. ill probably make more of these in the future if anyone is interested

feel free to shoot me an ask or two about them as well!!

[vroomvroomvroommf]

A lot of people are going to be VERY frustrated with Lando and Oscar for different reasons but the boys drove a great race. I have many thoughts (Mostly about the Mclaren boys):

Lando had a great start and Oscar had a BEAUTIFUL overtake. I can’t blame Oscar for trying to win and I can’t blame Lando for being disappointed with p3.

Unfortunate that they both had to go with a 2 stop and that gave Charles the opportunity to grab that win. There are many more races to come and I’m sure many victories.

I LOVE that Mclaren let them race but today should’ve looked a lot different and Mclaren managed to throw away a 1-2 yet again due to strategy and not being able to make difficult decisions. I know Andrea Stella doesn’t want a number 1 driver and in 90% of cases I agree. But in the context of the WDC there should have been a priority to maximize a points finish for Lando AT LEAST for today especially with how far down rb were. Oscar absolutely drove brilliantly but there is a 0% chance of him winning the WDC this year- there is a (while unlikely) chance Lando could win this year and I can’t help but be disappointed that Mclaren have basically thrown that away today just because they want to seem “fair”. I can’t help but feel there may be some double standards in place at Mclaren.

[sonkitty]

Okay, I read all 8 posts and then I went back to this one first post. I have gone over every cut for this scene. I have made my own images with their own brightness and increased saturation. I have logged notes for my own sake and general curiosity.

This puzzle is one of the most intense ones I've found shared by other fans, and it was incredibly difficult.

You have clearly put a lot of thought, time, and energy into this theory.

But you were the one who was tricked from the start, right here. You were set up. You found a very elaborate red herring, and it was definitely thoroughly set out to trap you or anyone with this line of thinking.

The irony, the joke on you, is that you were the one who was misdirected, and this puzzle even told you that.

I don't blame you in the least because I am very used to being tricked by the games in this story, so I knew to be wary of this idea and why. I also know what to look for and what questions to ask because of how many times I've been tricked.

I will break it down because this puzzle is just way too good to pass up. Solving it is an excellent learning experience on how to solve the really advanced puzzles in this story. This thing is top tier. Bravo, Crowley. I cannot believe it was solvable, but I should know better by now.

That person is definitely not the Metatron. It is almost certainly the same person the whole time, and the story did make sure to give you clues on how to determine that while very much deliberately misleading you to your conclusion, except the chess thing. The story wants you to find and play its own original game, Earthly Objects, not chess.

This puzzle requires checking things cut by cut, not just frame by frame. It is extremely advanced.

Let's start with where you started because the clues are there if one knows what to look for. Here is my version based on the first image you provided:

Here is part of the text you provided: "White hair."

White hair?

Let's check that a bit closer, shall we? Look closely. Really, really closely.

There is a little bit of white hair at the bottom, and as you go up, you can see that the hair is darker on top. That is a darker gray. It is not white.

Here, let's compare this exact cut with my estimation of the exact frame you captured with similar angles for the Metatron:

And just in case we think the lighting is too favorable even in the bookshop, let's darken the Metatron portion:

You know something? I'll try and match the original better. I'll crop them all and brighten the original some. Then for the Metatron versions, I'll lower the scale, cut off the left ear, and try to get a decent match on the darkness of our brightened person in the coffee shop.

If you don't see it, the Metatron's hair does not progressively darken from the bottom up to the top. His white hair is white so it rather follows where the light itself hits the hair. That was a lot of effort to even make the comparison.

The Metatron's hair is also very slightly longer just above the neck, yes, even if his head were bowed slightly. Here, we can find the slightly bowed down look as he and Aziraphale make their way to the pub doors for the elevator:

Oh, now we can also see more clearly that the white collar would have to be much more defined to match the person in the coffee shop.

Let's take a look at the human you refer to as the "slim man" from the initial cut with his phone lit:

In this lighting, his hair does look more white at the bottom and darker at the top.

He doesn't always look like that.

This guy has a blue bag, and because I do play Earthly Objects, I happen to know where to find him shortly before this scene.

In this particular screenshot, he is near the post and obscuring Justine.

Here he is with the screenshot now cropped:

Well, his white hair doesn't look like it darkens either. We're seeing him from the right profile. We just saw from his left profile that in the lighting of the coffee shop scene itself, that's what his hair looks like in that setting.

If you look really hard in episode 5, you can find him without his bag here:

You might still have trouble seeing him, so let me emphasize where he is:

If you watch the whole cut, you'll see that he is in Crowley's and Aziraphale's line of sight. That means it is plausible they know what he actually looks like already.

Now if you zoom in, you can see that while you might be able to find a patch of lighter hair from the back, there is enough of a gradient that it's like what we see in the coffee shop. The hair is lighter at the bottom than at the top in this lighting as well.

Another super subtle difference in the hair is that the Metatron's hair is a little wavy in the back. This human's hair is straight in the back and on the sides, not wavy.

The main reason this coffee shop scene provides this hair clue is so that you don't start making excuses once you figure out the other clues based on his apparel.

Speaking of apparel, here is the next part of the text you provided: "dark overcoat."

You can find that is not a dark overcoat in the image below with the white box I've placed below the credit card stickers and to the left of the OPEN sign:

The Metatron's coat reaches to his knees. The human's jacket reaches below his butt and above his knees. You can tell through that blue inside the coffee shop and near darker colors that the upper clothing is the human's jacket, not the Metatron's overcoat. You are seeing the separation of the jacket from the pants, and it will come up again later.

You also say "rounded shoulders."

I disagree and think overall, he looks slender here, but let's move on because there is still more to be found.

For the blue area near where one can find out that the jacket is a jacket, is that blue then the blue bag? No, it is not. We can actually then find the blue bag because we now know where it is not.

Here is the cut in motion:

Watch the area above the judo sticker.

If you can't see it because it is too dark, here is the a picture shown earlier for the part I want anyone interested to notice:

This time, look at the white box near the judo sticker. That is the blue bag. We have now confirmed that we are indeed seeing the same human we saw before this supposed switch.

It was never the Metatron during this entire cut.

You were most certainly set up to believe so if you didn't check the earthly objects that could be used as clues more closely.

Note the red shoes on his back during this cut.

...

The entire scene is like that. It is constantly testing you every step of the way.

For example, here is more text from the original post: "Well, how come we never see the slim cell phone guy again?" you may wonder.

I see someone already noticed the same thing I'm going to note. If one checks the scene very thoroughly, I don't have to wonder at all. You actually circled it for us even if you didn't realize it.

Again, it helps to watch the clip in motion:

Now here are a few cropped screenshots for me to show you where to find it in the exact same cut you circled it for us:

It is no longer lit, but it is still there. You can find it by its darkness over the shirt of the human with the orange shirt and that darkness extending out from the clothing.

This cut is also the one being referenced with the following text:

"Because he's facing sideways, we can tell that this man is not slender like the man with a cell phone and blue bag. The man we see now, in this photo, wears a long coat that comes straight down in the front. It's not a jacket, it's an overcoat."

Nope. You were tricked. Quite deliberately.

The sticker on the door just below the cell phone we just found is obscuring where the front of the jacket shows its separation from the pants.

Look further down near Nina's elbow, and you can see that the person in the coffee shop is stepping forward, so yes, his pants would meet his jacket behind that sticker.

In the next cut where you can see this person is when this puzzle shows you how you were just tricked.

This cut is for Nina saying, "You and your partner?"

That's why I said it's a cut-by-cut puzzle.

Let's take a closer look at this person:

You still might not see it, so I'll tell you what's happening and that you really do have to look extremely closely yourself, even with enhanced effects to clarify the image.

At the start of the cut, there is a small pocket where the jacket is meeting the pants just above the blue part of the door. As the person we are watching slides over to their left during the cut, this pocket is obscured by Nina's arm and so it ends up looking like an overcoat instead of a jacket. That's to help you know that if something is visually in the way of the jacket meeting the pants, it will look like an overcoat due to the limited lighting available and color of his clothing.

I'll box it from a video frame early in the cut, but I know you might not be able to see it because it's small and difficult to see, but I have checked quite thoroughly that it is there:

That's a jacket, not an overcoat, and the right side of the jacket is still obscured, this time by the door side panel. Crowley is giving us a clue here because we can see Crowley's jacket taking up a lot of space in the screenshot while also showing the red of his collar.

Still yet the next cut of this person in the coffee shop shows it more plainly:

After that, the clues shift to showing a gap between the legs above the knees.

The legs near the shoes are visible enough that you can see that the legs align with that gap.

But there's still more to this trick.

Here is the cut in full motion where you are declaring that is not a jacket, it's an overcoat. It's the part I said the jacket separating the pants was hidden by the sticker. Nina says, "You been together long?"

Did you notice the shoe moving over by Nina's left elbow? That's another clue. The Metatron wears baggy clothing. His pants run down to nearly his heels. This guy wears pants with cuffs rolled up above his shoe. You can't really tell the colors easily, but you can actually figure out that this pant leg over this shoe is a better match to the human than to the Metatron because it's too slender and tight near the ankle to be the Metatron.

Here is an image I made for reference:

I won't go over the rest of the cuts of this person in this setting where this trick is happening, but I hope you get the idea.

To close out the whole thing and even tell you that you were dealing with a red herring, here is part of the last cut of the trick:

That is a red light on one of the passing vehicles in a reflection passing over the red shoes on the door.

I didn't get the whole thing because it's long.

If you watch the whole cut, you'll even see the red of Crowley's collar again, more red lights, and red clothing on nearby humans.

I then checked the entire scene to be sure that such a red light was avoided on that window pane the whole time otherwise. It was indeed. I mean, looking at this post, there is technically a more subtle one than the type that I mean for when the human slides lightly to his left. I did mean something more defined like what is here. That's part of what I mean for how I'm tricked too. The scene waited for an audience player to check the whole thing all the way to the end of the trick to notice this clue.

If you go through the present day scenes where you expect to find humans on the street, you'll only find this human this easily in this episode. He's not one of the more easily findable repeats. He was absolutely set up for this trick into misleading someone that he might be the Metatron shown at this time.

...

But anyway, speaking of misdirection, let me leave you with a joke I found through trying to solve a different puzzle.

How do you trick an elevator? With misdirection.

The Metatron Misdirection: Nina's Magic Trick (A New Final 15 MetaTheory)

Part 1 of 8 in the Chess Moves Theory Set by @wistfulnightingale

**I believe it is new -- I haven't found it anywhere else.

Misdirection is a key element in the most skilled magic tricks. It's more than mere distraction, wiggling one hand while the other hides the ace. Misdirection in Magic means that the magician isn't "hiding" the trick; they are allowing you to think that you are looking at exactly the right moment, while convincingly focusing your attention away from the moment when 90% of the trick actually happened. Magicians Penn and Teller are quoted as saying, "The strongest lie is the lie that the audience tells itself."

This article on What Is Misdirection in Magic tells exactly how it's done. Check out the 7 Types of Misdirection in the article, or in my Chess Moves Theory Master Post. They're used easily and often in the final episodes of Season 2.

I think there might be a major misdirection in Episode 5 that set up the events of the second half of Episode 6, and makes sense of some of the crazy-weird scenes and out-of-character behaviors we see, both in that scene and later. But, it'll seem absolutely bonkers... so please, keep breathing, and hear me out, and please check out all the interconnected 8-Parts that help support my reasoning.

I include photos below, and I admit they're not clear enough to be "proof" on their own. But the idea itself would explain why Azi abruptly left Nina, and why Crowley babbled. Some of the other parts of my overall theory add some additional possibilities as well. (Interestingly, the photos are from videos that used to be available free on YouTube Prime Video, but have been removed from the Good Omens playlists in recent months.

In E5, while we were watching Crowley stammer, and listening to Nina puzzle out relationships, and when our belief in the Ineffable Marriage was shattered by Crowley's answer -- Nina was (without her knowledge) participating in the biggest Misdirection of Season 2.

I suspect The Metatron was already in the Coffee Shop. I know it sounds nuts, but I strongly suspect that Episode 6 was not his first visit. I believe that I can show you reasonable evidence (added up from here and from other parts of my Chess Moves Theory-series) that the Metatron made a "trial run" the day before, during this scene in Episode 5. Crowley and Aziraphale were each shocked to spot him through the window behind Nina. Misdirection made him almost impossible for us to see.

Almost. But I think he's there. At least, there's a guy in a long dark overcoat, who looks like he's talking to another customer. Possibly a coffee-confused celestial gentleman getting help from a good samaritan? Let me explain how I think it was done, and I'll show you what I think is the Metatron.

This screenshot (let's call it Photo #1) is untampered, basically what we see in the episode. Aziraphale was happily chatting with Crowley about the nonexistent pen of his nonexistent aunt's nonexistant gardener... Then Nina emerges, has "things to say" about Neighborhood Christmas lights (that's the moment in this screenshot)... and Aziraphale abruptly hurries away. Within minutes, Crowley is stammering as if he'd never had a moment's thought that he and his Angel could have a committed, romantic relationship.

How...? What...?! Crowley, really, dude, what the...??! (Please refer to An Old Married Couple for my thoughts on this!)

But when we take that same moment, come in closer, brighten and sharpen it, make it more vivid --

Photo #2. There. In the red oval. The white hair, the dark overcoat, rounded shoulders. The Metatron. We didn't expect to see him there. So we didn't.

Hold on! -- I don't expect you to be convinced yet. So I went through moment by moment. There are more photos. (I recommend that you also check the brightness of your own viewing screen -- it helps!)

Nina is used in the scene to perform a concealment and switch, a replacement (magician's call it a Change), and then a distraction -- A Magic Trick. Nina is a huge part of why we're not easily able to spot the Metatron.

Magic Trick Step 1: There's magical sleight of hand going on, even once you know what to look for. We are visually warned. When we first see Nina, as our Ineffables are talking about impossible French, she literally emerges from the shadows (see photo below). Remember, this is significantly Before talking about "Christmas lights" in Photos 1 & 2.

Magic Trick Step 2: If we do happen to look at the customers in the shop as Nina emerges, there's a white-haired man in line who is NOT the Metatron. Note his height compared to the orange-shirt guy. He's taller, and he's fairly slim. We can see his pants or denims, so he's wearing a short jacket, not an overcoat. He's also holding a lit cell phone and carrying a blue bag. I didn't brighten this photo at all. We're supposed to see this particular fellow. He's part of the magic trick, planted there for the switch, just in case we do notice a more significant white-haired man later.

Here's the same photo, brightened. You can more easily see that he's wearing a short jacket -- we see his legs as he steps forward.

(Pay attention to the man in the orange shirt. He's very visible with that bright color. In later shots, he stays near the Metatron, and helps us visually track them both, when both are blurred by distracting window reflections.)

Magic Trick Step 3: Next, Nina steps into the light. As she steps forward, she says, "Bravo! Just enjoying the show." Again, we are given cues that there's a show in play. She bends over to wipe a table, completely blocking our view of the slim white-haired man.

Magic Trick Step 4: The camara cuts to Azi, and that's the last we see of the slim man with the cell phone and bag. Presto-Change-o, Abracadabra! Like a disappearing act with a magician's silk cloth, or like Azi's trick for Nefertiti with the 3 cowry shells, the switch (in magic, called "the Change") has been made! The slim man is gone.

Magic Trick Step 5: When the camera returns to Nina, it's the first photo I showed you, with the Metatron in it. The man in orange isn't at the front of the line anymore. (Was he undecided about his order, and stepped aside?) We can see a sliver of his shirt to the left of the doorframe, just inside the oval, but he's almost entirely hidden. Nina's talking about the Christmas lights. "I have things to say."

It all happens in less than 30 seconds.

"Where, then, was the Metatron?" you may ask in disbelief. There's a big rectangular pillar in the middle of the floor behind Nina, just to the right of the line. There is a mural on it, so it's camouflaged. On the walls behind the pillar are menu boards -- we see them in the "How's your naked man friend" scene in E1. It's likely that the Metatron was behind the pillar, looking at the menu options.

"Well, how come we never see the slim cell phone guy again?" you may wonder. The tables at the far edges of the shop are never seen. If he sat down, especially at our far left, he'd be out of view.

Here's that "I have things to say" photo again --

That's when Aziraphale sees the Metatron. He's suddenly distracted. His response is brief, and odd. Just --- "Yes." We don't often see our Angel speechless. He walks away without another word. That. Is another out of character moment. He's gone from his "I'm having so much fun doing this" smile to the fake, nervous mask he puts on for the Archangels.

His eyes are wide and his expression frozen, until it fades into worry as he walks away. Azi nervously checks behind him for Crowley. Hoping he'll follow, away from danger.

Crowley hasn't spotted the Metatron yet. It's not until he starts to follow Azi, then stops for Nina, that he's at the right angle to see him. When Nina says, "You been together long?" Crowley's completely distracted. He just noticed the Metatron.

"Who?" he ridiculously asks. This made zero sense -- Azi was just here! However, on our far right, over her shoulder, we can see the Metatron, facing sideways towards our right. He and the orange-shirt man are on the far right, positioned as if talking to each other (maybe he's asking how this coffee-selection-thing works?).

Because he's facing sideways, we can tell that this man is not slender like the man with a cell phone and blue bag. The man we see now, in this photo, wears a long coat that comes straight down in the front. It's not a jacket, it's an overcoat.

The Metatron is almost the same height as the orange-shirt man. His dark coat nearly makes him invisible as the reflections in the window break up his outline and blur the orange-shirt man. The two have stepped back from the counter, closer to us. We can see his rounded back, white collar and hair.

Short height, rounded back, long overcoat, white collar. NOT the same as the first man we saw. That's why I believe we're seeing the Metatron. That, and Aziraphale and Crowley's strange behaviors.

When you look closely at Crowley, he's staring intently into the coffee shop window as Nina asks her question. His head is not at the same angle when he returns his focus to her. It's not just the cute little neck scrunch -- he literally turned his head slightly to his right to look at her and answer her question. Crowley is concentrating on what he saw inside, and is mentally scrambling.

After Crowley says, "Who?" the camera returns to Nina. "You and your partner," she clarifies. Meanwhile, the Metatron has turned and is now standing at the end of the coffee line.

You can see three men in line, facing the counter, with the orange-shirt man in the middle. He's the colorful backdrop to frame the padded shoulders of the Metatron's dark coat.

Nina does a lot of "patter" here, a classic magician's Misdirection technique. Lots of rapid, distracting questions. They keep our own minds as occupied as they do Crowley's -- we struggle to keep up, and share our demon's outrage about Azi as "a bit on the side!"

I had to do a lot of reduced videoplay speed, constant pausing the frames, and careful photo brightening and sharpening to make these images somewhat clear. There are also frames where the reflection of vehicles and passersby’s obscure our view. The distractions come and go. It's all designed to split our focus.

So I was astonished when I discovered that, in the moment where the Metatron is standing alone, not clustered with anyone else, Nina is almost looking DIRECTLY AT THE CAMARA. It's only a moment. It's the only shot I had, of Dozens(!) of micro-moments, where the Metatron is in full view, although still difficult to see. This is how it looks in the episode.

Here's the same photo, brightened and sharpened for definition.

There is almost nothing on the right side to reflect or distract in this moment. The lighting effects allowed a much clearer view.

Nina goes back inside, and has to deal with a busy line and a new customer, a posh older gentleman in an overcoat. One who doesn't know about human coffee shops or how to place an order, and who probably consulted orange-shirt guy for coffee-selection advice. He's confused, he's asking odd questions... She doesn't have time for this...! So when he comes back the next day, she warns him not to do it again -- "Order accurately and fast..." (For more thoughts on this, see The Metatron's Second Coming)

Meanwhile, Crowley stands there bewildered as worry sets in. The Metatron is dangerous. Why is he here? This could be very bad for them both, but especially for Aziraphale. Crowley's main concern in the conversation was to SAY NOTHING that gave away their relationship. "Just... an angel... I know."

(**There's interesting implications about the Final Fifteen if Crowley is concerned that the Metatron has the ability to hear him from inside the shop. Azi often gestures as if the Metatron could hear them from outside.)

Crowley leaves in the opposite direction. I wonder if he hung around near the cafe, monitoring where the Metatron was. That's why he's morose and worried when Azi returns to the cafe (see more in my post Ineffables In Check). Crowley is also now worried that Gabriel is actually NOT memory-less. Is he there to spy on them for the Metatron? Crowley aggressively tries to find out.

He'll do Whatever It Takes to protect his Angel.

Please check out the rest of my 8-part Chess Moves Theory Set at @wistfulnightingale to see how I believe all the moments fit together in this Life or Death Chess Game. The 8 Parts support each other -- I broke a massive idea into parts, and you'd need to read all 8 before you can decide for sure if I'm wrong, or totally bonkers! It's a crazy ride, and I'll be happy to have you along for it!

The 8 Chess Moves MetaTheory Set:

1 - The Metatron Misdirection

2 - The Metatron's Second Coming

3 - Ineffables in Check

4 - A Hefty Jigger of Death

5 - Nothing Lasts Forever

6 - The Circle Kiss Theory

7 - The Nightingale DID Sing

8 - Aziraphale's Jubilant Smile (Not the crazy elevator grin)

Also: The Chess Moves Theory Set, Why Chess & Magic?

[that-was-anticlimactic]

i will never understand how or why the httyd movies did the books such an injustice.

the movies aren't even an adaptation - they stole the name of the series, the name of some of the characters and places, and the general idea that there are dragons. honestly, i would be fine with the movies and maybe even like them if they didn't capitalize off of cressida cowell's incredible books that never get any credit.

the books are an amazing story about the cycle of violence and how vengeance and revenge is dangerous. hiccup says that the past is a ghost story, one we need to learn from to better ourselves. the books are about how everyone deserves freedom, how every creature, every being on the earth deserves to be free. we see that in the slavemark, with the dragons.

and like... hiccup is so different. they did him a severe injustice. he's scrawny and intelligent and learned to talk to dragons simply by observing them! he chooses kindness first above all else; instead of yelling at toothless to train him, he is kind. and in the end, that kindness is why toothless chose to save him. bc even toothless himself says that dragons are inherently selfish creatures who care only for their survival. hiccup is brave - his beliefs differ drastically from both the vikings and the world.

hiccup is a child who chose to do the right thing even at the expense of himself. he agreed to free the slaves on nobert's ship, and in return, they gave him the slavemark which is easy to give but cannot be removed. he was like twelve. and having the slavemark means he cannot be with his tribe or his family, it means he isn't considered a human being anymore. and he keeps it a secret for awhile until it's revealed and when it is everyone turns their backs on hiccup. his family, his tribe, his mentor, people he TRUSTED. everyone except fishlegs, and, once she got over the shock, camicazi. he was thirteen. and even when he lost his memories and was really injured, he persisted. he was told to go to tomorrow and to save the dragons and he did bc in his heart he knew it was right even though he didn't know who he was or how he got there.

and fishlegs,,, oh my god FISHLEGS!!! the did him SO DIRTY!!! fishlegs is hiccup's best friend, one of the main motivators for hiccup. he steals norbert's potato for the sake of fishlegs, he gives fishlegs his dragon and goes to retrieve another, he takes the blame for fishlegs. and fishlegs does the same for him. he takes the slavemark with pride. he refuses to turn. he gives hiccup his lobster claw necklace which is his most prized possession. he is brave for hiccup, he believes hiccup is alive. he fights for hiccup harder than anyone else ever has. he does not turn. his is loyal, has allergies, has asthma, has a squint and a limp, has glasses bc he's blind without them... and he's still a hero despite being a runt, despite everyone even the adults telling him he's hopeless, telling hiccup to leave him behind.

and they cut camicazi! i'm sorry, but astr*d is nothing compared to camicazi. camicazi is a tiny, feral child who can easily best hiccup, fishlegs, and pretty much anyone in a sword fight. she can bring a grown man to tears with her rudery and smack talk. she is recklessly brave and craves adventure and follows hiccup blindly bc she trusts him that much. she isn't in love with hiccup - in fact she doesn't care about romance and love. she gives up everything to help hiccup bc she has a strong sense of justice. she is the motivator, the cheerleader, she finds a positive in everything. she never gives up. literally never gives up. and that's one of the most inspiring things about her: she always has hope.

and toothless! god!!! toothless is *thought to be* a common or garden dragon. he is horrifically tiny, he is literally toothless, and is the biggest brat in the world. he will cause problems on purpose. he has a stutter, he's the most selfless selfish dragon around. he and hiccup can talk to each other. he masks his fear with singing and being annoying. his growth is remarkable. he starts off refusing to obey hiccup, doing the opposite of what he says, making life harder for literally everyone around him, and he's still somewhat like that. but he's also braver, more caring, more willing to make sacrifices for the sake of others. he's clever, which he needs to be to make up for his size and aggression. he protects hiccup with everything he has, therefore, he protects what hiccup cares about just as hard. he was the only dragon that didn't abandon the vikings in the first book bc he cared about hiccup.

and snotlout,,, god,,, i will never forgive the movies for butchering snotlout. hiccup's cousin, the bully character, the one who is horrifically jealous that hiccup's dad was born before his. the one who desperately wants to prove himself, to be worthy, to make people proud. and you hate him, you despise him. he betrays everyone many times bc of the nothing promised to him by alvin and his mom. he loses himself, turns his back on himself, all bc he wants to prove himself. all bc he wants to be better than hiccup. and hiccup still forgives him and gives him chances, sometimes out of pity, but also bc snotlout is his cousin. he can't just turn his back on him no matter how miserable snotlout made his life. and in the end, snotlout sacrifices himself for hiccup. he gives up his life for hiccup in one last attempt to set things right. his death and the events preceding it are one of my absolute favorite moments in the book. gives me chills. makes me cry.

that's the thing with the books - they're so realistic. there is no inherently happy ending where everything works out. the first book begins with "there were dragons when i was a boy", implying that they're gone now. the books show there are consequences to our actions. they enslaved the dragons, they fought against them during the dragon rebellion all bc alvin and his mom said to, and now they're gone bc a simple apology doesn't fix hundreds of years of enslavement. and the only way for the world to move forward was for the dragons to leave and heal on their own. and now they have to learn to live without them. and yeah i've heard the third movie ends like that but. it doesn't have the build up. it doesn't have "there were dragons when i was a boy". it doesn't have eleven books of development to back it up, to make it feel meaningful.

i know that the movies are really special to a lot of people. i know that, on their own, they're genuinely good movies. i can acknowledge that the soundtrack is amazing and the animation is beautiful. i just can't see past the way they butchered the world that i love, the world that i grew up with. i can't see past the way people yelled at me for saying i liked the books better, the way that people gave me weird looks when i showed them a picture of the original toothless, when i tell them that nightfuries aren't even a type of dragon. cressida cowell created hundreds of different dragons, and the movies couldn't even pick from that. i can't forgive the way that barely anyone knows there are books bc the movie barely gives credit to them. i cannot forgive the way they capitalized off the books and then shoved them aside. i know cressida thinks they're good movies and i know a lot of httyd book fans also like them. but i just... i cannot get over how much they changed and how they missed so much and ignored the books. also they got rid of camicazi so hiccup could have a love interest and that is unforgivable to me.

if you disagree, that is a-okay. we're all entitled to our own opinions. i just ask that you, perhaps, try the books out. give them a chance. bc they're amazing works of art and also just like. don't yell at people who don't like the movies? whether it's bc they prefer the books or just aren't into that kind of movie. and just remember that dreamworks didn't come up with the story; cressida cowell did.

[heliomanteia]

Organizing & contamination OCD Will Solace 🤝🏼 OCPD Annabeth Chase friendship forever in my head.

[vehemourn]

went to post this on twitter but i didnt wanna get banned . crazy that u can scrape my entire lifes work and i cant even tell u to die over it <3

[bigidiotenergy]

Coming to and fro the Underworld should be no easy feat. They'd gone to the edge of their world in desperate attempts to flee Poseidon's seas and storms— but this remained no place for the Living. Odysseus IS mindful of that. How can he not be? But then how could he be SILENT as the Lord of this land tells him that the Underworld harbors its own dangers? How could a KING be silent when receiving threat, after threat, after threat? Maybe this Land was confusing him. Maybe all this Land does is bring out true nature. It was part of the unknown. A world exposing what the Captain cannot hide. But doesn't he try? Every possible route he can take— isn't it worth the risks so the Underworld cannot CONSUME him?

No. Odysseus does not know how far his luck goes. How easily Hades would be able to SMITE him given he's in his own domain— but he does know how far his opportunities go. If Hades had wanted his soul to join the others in the river, he could have done so already. Should have done so already. The same arrogance that comes from the little King is the same arrogance that had gotten them in this situation in the first place. The very thing that had made Polyphemus lift his club and strike the first six men down. A cockiness that seeps from his lively, mortal pores as he reveals his name to the Cyclops. Relying on a wit that had gotten most of his brothers sent here.

The Fates were not to blame for a King's PRIDE. The Fates are only a reminder that a King still remains MORTAL.

A purpose Hades adopts momentarily as those striking blue eyes bare onto Odysseus's soul. Such a POWERFUL look almost makes him back down completely. Enough to strike intimidation in any reasonable mortal. Until Hades's words echoed around the large cave that was the Underworld, their grasp tearing through his chest to weight his heart down right to his stomach. Eyes unable to hide the horror that resonates deeps within him. They can't even glance at the ship in the distance to make sure they're okay. His eyes refuse to leave the God of the Underworld. The king's heart rate spikes as the God only moves closer. And closer. Yet closer.

Do you miss the sounds of the waves? Captain... Odysseus's body tenses. Those voices... Do you miss the sounds of the seagulls? Captain... No. The Underworld God wasn't asking HIM these questions. Odysseus can feel it. The chill in the air. A damning cold breeze from the river itself. If only your mind hadn't been clouded- CAPTAIN! WHY WOULD YOU LET THE CYCLOPS LIVE WHEN RUTHLESSNESS IS MERCY?

The very presence of so many souls in the illusions this land gives him makes the King take a stumbling step backwards— only for his balance to fail him as he lands right against the rocky ground. Body trembling as tears begin to form in his eyes, no matter how much he does not want them to. Hades's laughter only rings in his head as it mixes with the voices of men he's failed. As it mixes with SCREAMS. The very suggestion of bringing these souls out of the river once more only forces him to scoot back. "No!" He cries, begging the God not to. "Please!" Begging to same souls who died begging him. "Pl-Please, Lord Hades!" Begging so desperately that his pleas interrupt the God of the Underworld. But they don't work. Hades only then PROMISES him to show that the Dead not only have been disturbed, but also livened once more. And it's all because of their Captain.

In the end, that divinity will always get a mortal to kneel. That's what Odysseus does. Head hanging low as he can only stare at the rocks below now. Shifting himself so the skin on his knees and shins rest against the rough surface. Hands adorned in braces spreading in front of him. The last time a God asked him to apologize, 552 men were sent here by that same God. Are apologies even enough for the Gods? "Ep-Epithet Hades, I-" He tries. He tries so hard to stop the trembling in his voice. What could he say? What should he say? "I— I'm sorry, King of the Underworld. I-" He bites his tongue. What will he say that will only end in more bloodshed?

The King of Ithaca quiets himself, head hanging lower. Maintaining that silence for a long time. Aren't you tired? Odysseus's shoulders slump immediately at the question, as if answering it with the gesture itself. His eyes finally trail upwards back to Hades's gaze. Wetness on his cheeks gleaming in the little light the Underworld emits. The tears in his eyes had fallen, soaking into his goatee. "I'm tired of not seeing my son and wife!" He sobs out before he can stop it. Of course he was tired. All he wanted was to rest his heavy eyes, soul, and bruised heart. Still, the king still keeps it in. He keeps it sealed. Hades could admire every dented corner. That consuming darkness.

But could Penelope? Could he even face her, knowing he's changed?

Irony,  once  it  touched  the  corners  of  the  God  of  the  Underworld,  always  was  welcomed  by  that  taste  of  eternal  tragedy  in  which  he  cannot  remove  the  aftertaste  of  his  lips.  So  far,  compared  to  Lelouch  vi  Britannia  who  managed  beautifully  to  screw  himself  up  in  middle  of  the  country  attached  to  his  name  (  which  would  remain  something  eternally  amusing  )  who  endlessly  was  trapped  within  the  same  symphony,  he  thought  he  had  escaped  it  ---  Impact  of  the  Underworld  towards  an  mortal  mind,  as  their  breathing  living  being  was  associated  to  the  heaviness  of  an  future  home,  sadly,  he  didn't  have  lot  of  examples  to  remember.  Deimos  couldn't  hardly  counting  at  one.  The  Underworld,  endlessly  present  at  his  side,  endlessly  supporting  him  and  embracing  him  with  an  protective  manner,  awakening  something  that  would  eventually  exploding  to  the  face  of  the  other  dimensions  ---  The  Underword,  touched  meanwhile  he  was  still  alive,  awakening  dormant  desires  who  always  has  been  here.  The  Underworld  unlocked  the  content  of  an  heart  rarely  showed,  in  same  measure  he  devoted  himself  to  exposing  differently  the  heart  of  an  Golden  Witch,  in  which  manner  another  blood  would  be  confessed  though  the  wounds  of  the  Emperor  of  Britannia.  One  tiny  moment,  remembrances  concerning  decades  had  to  be  remembered,  once  more.  One  tiny  moment,  the  slight  realization  maybe  other  outlines  details  had  changed  from  the  memory  he  could  embrace  in  the  moment  …

Odysseus  could  have  just  assumed  the  circumstances  he  had  decided  to  do.  Wasn't  it  lucky  ?  If  his  mood  hadn't  been  generous  at  the  immediate  moment,  if  his  heart  hadn't  been  opened  to  wishing  having  pleasant  fun  of  circumstances  pulled  by  the  Fates  ---  he  would  have  remained  trapped  within  the  Underworld  for  a  long,  very  long  time.  It  would  have  been  understandable,  right  ?  It  would  have  been  fair,  right  ?  Wasn't  the  most  respecteful  action  to  do,  once  entering  within  the  realm  of  the  Underworld,  to  request  permission,  to  showing  honor  to  the  host  ready  to  close  eyes  upon  one  necessary  digression  ?  Nevertheless,  Fates  weren't  kind,  wasn't  it  ?  Nevertheless,  Fates  always  trapped  him  inside  that  eternal  circle  of  Illusions,  isn't it  ?  A  silent  feeling,  a  dull  emotion,  then  awoke  heavily  in  his  expression  by  the  moment  that  one  sentence,  these  harmless  words  were  exposed  If  the  Underworld  is  like  every  other  isle  ---  bitterness  of  an  unparalleled  disappointment  from  what  he  kindly  called  these  pathetic  humans  as  soon  as  this  feeling  awoke,  betraying  his  features.  Insignificant  seconds  in which  composure remained the same as he  smiled  playfully.

Inside  other  circumstances,  back  when  he  was  having  fun  in  Italy  inside  his  illusionist  play,  that  beloved  Athena  warrior  would  have  pay  for  this  life  for  the  little  assumption,  and  oh,  the  litte  misunderstanding  on  the  matter  ---  wasn't  what  they  could  expecting  for  someone  called  an  foe  for  had  been  remaining  horribly  civil,  maybe  having  an  sharp  mouth  exposing  facts  themselves  didn't  wanted  to  look  at,  but  did  he  have  to  be  blamed  for  the  truth  ?  Old  habits  remained  yet  anchored  deeply  inside  his  prestance,  he  found  himself  forced  to  holding  back  the  exposure  of  an  divine  Cosmo  that  would  have  force  him  to  kneel.  At  the  second,  as  he  would  laughing  at  his  face,  as  he  would  show  him  the  foe  inside  him  ---  However,  no.  Provocations  after  provocations,  unfortunate  word  after  another,  that  had  been  only  consolation  he  had  received  from  Lelouch.  Silent  wound  of  a  heart  that  had  sought  to  be  compassionate,  despite  the  apparent  harshness,  began  to  flow  into  an  inner  blood  whose  pain  was  all  too  familiar.  As  an  reminder  still,  there  was  exposure  of  an  deeply  controlled  aura  as  an  physical  remembrance  towards  which  divinity  he  was  speaking  about,  before  ocean  eyes  losing  themselves  inside  Odysseus  eyes.  Wasn't  an  invisible  warning  that  under  other  circumstances  he  would  have  been  dead  worth  all  the  threats  in  the  world  ?  Athena  requesting  him  to  close  his  heart,  to  keep  his  emotions  unmoved  by  the  events  ?  Poseidon  requested  him  to  not  open  that  precious  lock  imposed  to  his  heart  ?  Oh,  how  naive  ! How unfunny ! How boring !

❝   Do  you  have  so  little  regard  for  your  soul  and  those  of  your  men  ?  ❞  A  mental  echo  resonated  throughout  the  location  he  was  in  the  Underworld,  where  the  sound  of  his  voice  vibrated  in  two  instances.  He  would  resume  his  normal  voice,  but  he  had  this  ability  to  make  his  divinity  heard  in  an  insistence  different  from  the  words  pronounced,  which  was  necessary  for  an  apparent  calm  to  be  maintained.  By  losing  himself  in  his  illusions,  Odysseus  had  offered  him  a  familiar  reflection,  a  reflection  in  the  mirror  needed  to  expand  his  perspective,  to  understand,  and  to  remember  all  the  trials  he  had  been  through.  Did  he  think  he  was  free  from  the  trials  that  other  of  his  protegees  were  experiencing  ?  How  naive.  Maybe,  if  there  was  an  audience,  they  would  have  considering  Odysseus  gesture  as  something  terribly  brave,  nevertheless,  at  the  moment,  he  was  perceiving  an  simple  miserable  human  having  only  words  of  arrogance  to  defend  himself  in  total  helplessness  …  Odysseus  should  be  flattered.  Many  Athena  Saints  had  died  for  this  feat  of  courage,  had  been  magnificently  massacred  in  the  indifference  of  the  Underworld  as  a  result  to  be  hoped  for.  Quietly,  he  moved  closer  towards  that  famous  Greek  hero.  ❝   Do  you  miss  the  sound  of  the  waves  so  much  in  this  vast  environment  where  the  echo  can  extend  across  the  earth  ?  ❞  He  playfully  bounced  back  with  an  large  amused  smile,  reflecting  innocence,  when  the  water  previously  watched  served  as  remembrance  lock  for  awakening  inside  Odysseus  mind  that  familiar  sound  he  heard  during  so  many  time,  pushing  him  to  the  reminder  of  his  men  waiting  him  embraced  by  the  same  sound.  ❝   Do  you  miss  the  distant  sound  of  seagulls  ?  ❞  This  last  sentence  was  expressed  with  a  knowing  gaze  again,  embracing  the  irony  of  the  reflection,  and  of  the  experience  as  a  whole,  also  vibrating  that  sound  through  the  walls,  very  distantly,  very  inaccessiblely,  to  himself  know  that  melody.  ❝   If  only  your  mind  had  been  only  clouded,  Odysseus,  you  wouldn't  have  to  suffer  the  heavy  burden  that  your  unhappy  and  wounded  and  desperate  heart  has  suffered  until  now  ---  ❞ 

Your  Lands  remains  untouched.  The  Dead  have  not  been  disturbed.  These  sentences  generated  then  the  emotion  he  wouldn't  have  expected  another  human  to  ever  see.  A  distortion  of  laughter  in  powerful  emotionality  was  heard  through  the  walls,  in  which  ocean  eyes  imposed  an  condescendance  having  no  consideration  this  time  around  for  degree  of  smallness  he  would  feel  as  a  result.  ❝   Do  you  want  me  to  bring  each  soul  of  your  men  to  your  side,  begging  you  in  every  corner,  asking  your  charitable  soul  to  save  them  from  their  fate  ?  Do  you  want  the  sound  of  five  hundred  and  fifty-eight  men  free  to  lay  out  their  score  of  hope  for  you  ?  Do  you  want  me  to  send  for  them  at  once,  so  that  they  may  show  me  how,  in  no  way,  the  Dead  have  been  awakened,  they  who  see  your  liveliness  as  a  lost  hope  ?  Imagine  all  the  things  you  could  say  to  them,  Odysseus.  Imagine  all  the  things  you  could  remember  to  yourself,  while  seeing  them,  bursting  with  piety,  wanting  only  to  see  you  one  last  time,  wanting  to  stay  by  your  side  on  the  rest  of  your  journey.  ❞  Bitter  taste  of  a  warning  remained  in  some  of  his  words,  studying  each  moment  of  a  reaction,  wanting  to  see  in  the  terror  that  had  been  awakened  and  fragmented  each  time  a  thought  was  offered  to  him.  ❝   You  are  in  my  kingdom,  Odysseus.  My  brother  may  have  been  flattered  by  your  pleas  for  a  warm  journey,  but  an  open  door  can  quickly  close.  Perhaps  your  men  offshore  will  join  you  soon,  carried  away  by  the  waves,  carried  away  by  the  sound  of  the  seagulls,  and  the  hope  you  cling  to  will  slip  away  delicately  like  a  dream  …  ❞  Apologize  or  you'll  never  come  home,  an  echo  resonating  without  lips  moving,  remaining  presented  in  the  atmosphere.

Immediate  denial  who  resonated  afterwards,  by  the  moment  he  exposed  his  single  confirmation  upon  an  fact,  didn't  changed  the  sligth  emotionless  features  upon  his  face.  Not  that  he  admired  such  breakdown  with  an  sentiment  of  appreciation  …  Nevertheless,  no  matter  how  he  could  hide  himself  inside  an  illusion,  no  matter  how  he  could  please  himself  into  an  dream,  Odysseus  wasn't  as  blind  as  Lelouch  ?  The  King  of  Ithaca  wasn't  as  much  emotionless  that  could  be  the  Emperor  of  Britannia  inside  his  manners  to  present  himself  to  the  face  of  the  world  ?  Hey,  there  was  the  shadowing  presence  of  Deimos  all  around  him,  hey  there  was  the  shadowing  fragmented  power  of  Illusions  who  embraced  his  hands  …  dear  King,  you  wouldn't  mind  an  maintained  illusory  vase  breaks  into  a  thousand  pieces  ?  Wasn't  that  the  real  truth  of  your  heart  all  this  time,  trembling  with  fear,  writhing  in  despair,  longing  for  someone  to  tell  it  that  things  would  get  better,  that  hope  was  worth  it  ?  ❝   It's  only  the  truth,  Odysseus,  king  of  Ithaca.  ❞  There  was  another  giggling  escaping  his  lips.  ❝   I  am  not  the  one  to  blame  for  the  trials  you  will  still  have  to  live,  and  it's  unfortunate  that  your  refusal  of  my  hospitality  pushes  me  to  want  to  see  true  nature  composed  by  your  heart.  Aren't  you  tired  ?  Aren't  you  tired  of  lying  to  yourself  ?  Aren't  you  tired  of  keeping  all  these  emotions  inside  you  that  must  remain  sealed  ?  ❞  I  would  break  your  locks,  one  by  one.  I  would  observe  this  bruised  heart  in  every  corner.  I  would  admire  every  dented  corner  of  your  soul.

[statementlou]

Maya went on The Internet Is Dead podcast to be interviewed about her relationship with Liam and it's interesting; I recommend it for people who were curious about untangling the details in her book from real life (they talk about this in a number of different places with some detail), people who think she's making everything up, and anyone else sending hostile asks about her- we know she is following the fandom talk and responding to it but I have to say it's very satisfying to listen to her rattle through the exact arguments anons on here are sending around and answer every one of them.

some detail below the cut:

The experience was kind of grating at times; maybe it's just me but I never find it enjoyable to listen to people outside of fandom or casual 1D fans talk about us, and I cringe and bristle literally every time someone says "these people" or "they think", plus the hosts are not super useful; they refer to her tiktoks and book repeatedly without actually giving context for the discussion, like I could do with the occasional "in the book you say…" rather than just chatting about it and leaving us to figure out what they are talking about (they don't even say the name of the book), but whatever. There's interesting stuff in there so it was worth it for me and if you prefer you can just get my highlights, here ya go-

-Her making the point that the media training all of the 1D guys have done from such a young age not only impacts how they talk to the press but also how they talk to people in their lives, the tools it gives them for communicating with (and in this case, manipulating) people was fascinating to me, I hadn't thought about that but I will be in the future with regard to all of them, it's just very interesting to have in mind

-she says she had the book read by lawyers before publishing because it was about someone real and real events, and provided proof for things they asked about

-she points out that she has nothing to gain from making this up, and that as someone who works in a law office and is planning to go to legal school, that the fact that bringing false accusations against someone is illegal would be a huge deterrent to lying

-she says that one of the reasons she initially soft pedaled in terms of outright saying that the book was about Liam was that podcasts and such she went on didn't want her to say it, didn't want the liability, and that when she did say it that part would not get printed or would be edited out (hey speaking of this what are all these interviews she did about the book why am I just now hearing about it... when you guys see stuff like this let me know! I am interested and will maybe recap for you even!)

-she mentions Liam's silence on the whole thing more than once; "if someone wrote that about me and it wasn't true I would not just say nothing!"

-she says that her and Liam went to see After not knowing it was a 1D fanfic and then, after finding that out, he joked that she should write a book about them, and that it was where the seed of the idea came from