#I FEEL THIS WAY SO BAD ABOUT A CERTAIN YOUTUBERS SUBTITLERS

[kattahj]

More Asian QL reviews! Mostly Thai boys as usual, but a Japanese GL at the end!

KinnPorsche

What's it about? Kinn is the son of a mafia boss. Porsche is a bartender who happens to help him out once, and is then coerced into becoming his bodyguard.

Genre: Mafia action, possibly comedy?

Watch if you enjoy: Mafia tropes. High heat. Belligerent sexual tension that turns increasingly playful with time. Having a very hard time deciding what is or what is not meant to be funny. (I have a feeling some of the stuff I found funny wasn't meant to be.) Emotionally repressed vs emotionally oversharing teenage side couple, with love songs. Kinky dom/sub human pet sidecouple #2. Flamboyant drama queen with mental health issues who may be the most sensible of the bunch. Plot that is all over the place even when it isn't twisty (which it is quite often).

Gayer version of: your local kink club's Bugsy Malone theme night

Recommended? Hm. Yes for its influence, no for actual quality, but yes again if you just want some fun mafia hijinks without having to think or feel too much. And it never gets QUITE as bad again as the first five minutes. In some ways it's the worst of the QLs I've watched so far, but it's more entertaining and memorable than several of them. And ironically, it's one of the shows I've found myself writing fic for.

Watched on: Dailymotion

Trailer: https://www.youtube.com/watch?v=dZvpNreGVOc

Laws of Attraction

What's it about? Tinn's beloved niece is hit by a car belonging to the son of senator Thatthep. Opportunistic lawyer Chan first works for Thatthep, but soon finds himself asking questions that puts him at odds with the senator. Despite their different outlooks on life, Tinn and Chan may have a common goal.

Genre: lakorn (Thai soap opera), action, drama

Watch if you enjoy: High suspense. Morally grey protagonist. Warm and righteous other protagonist. Changing your mind completely about at least one character. Having your heart broken and then laughing your ass off within a span of ten minutes. Lots of gay side characters, including a pair of badass lesbians. Best grandma currently on TV. Great emotional content. A few laughably bad action scenes and VFX.

Gayer version of: The Pelican Brief

Recommended? Yes! I watched it as it aired and could barely stand waiting for a week between episodes! Just make sure you can cope with dead child, dead dog, dead mom, and parental abuse.

Watched on: bilibili.tv, but it is also up on youtube. (It just didn't add subtitles fast enough for me.)

Trailer: https://www.youtube.com/watch?v=-Wo7IKw9dWY

La Pluie

What's it about? A world in which, during the rain, certain people can hear the voice of their soulmate – and ONLY that. But is the soulmate thing really real, or just a way to explain an inexplicable phenomenon?

Genre: Romcom/drama

Watch if you enjoy: Nice people solving their problems nicely and with very little unnecessary drama. Subversion of both soulmate and BL tropes (though ultimately bending to the foregone conclusion). Loving families. Understanding exes. Sometimes a cat.

Gayer version of: I want to say TiMER (2009), but that film was a whole lot messier. This is sweet.

Recommended? Kind of? I think it's well done for what it is, but that twelve hours of low-stakes relationship drama, where every crisis is averted, was a bit long for me personally. Plus, it turns out that I don't like soulmates even when they're being turned upside down and shaken around. But if the premise seems like something up your alley, I thoroughly recommend it!

Watched on: Dailymotion

Trailer: https://www.youtube.com/watch?v=Tz9HG8MGF8M

To Sir, With Love / Khun Chai

What's it about? It's the 1940s, and Thailand is at war. Mr. Song, the wealthy but elderly leader of the Five Dragons association, has two sons with two different wives. Yang is the cheeky rascal, Tian is the obedient and hardworking one. Tian, as the eldest, is set to take over business, and all would be well if not for one little secret: he is gay. If this becomes publicly known, it could ruin the reputation of the whole family.

Genre: soap opera

Watch if you enjoy: More JamFilm after Laws of Attraction, with Film in a radically different role. Brothers supporting each other. Overcoming homophobic surroundings. Rivalling soap queens who will literally walk over corpses for power – and supposedly for their sons, who want none of it. Magic murder mushrooms and other glittery potions. Obedient business heir vs. taciturn assassin gay romance. Feisty het side romance with a lady love who is so sweet and soft spoken that you underestimate what an absolute MVP she is. Acting that ranges from fantastic to terrible. (Looking at you, Nuan!) Absolutely stunning costumes.

Gayer version of: Dynasty, but also I Claudius (what with all the murder).

Recommended? Ye-es? It's more soap opera than BL, so keep that in mind. And there's a lot of Rich People Bullshit. But if you're okay with that, I do recommend it! It ate my brain for several weeks, after all. And if you liked Laws of Attraction, you absolutely MUST see at least a couple of episodes, to experience the whiplash of the difference between Film's roles in those two shows.

Watched on: YouTube

Trailer: https://www.youtube.com/watch?v=B3goS7DVeto

Gay OK Bangkok (Seasons 1 and 2)

What's it about? A bunch of friends, boyfriends, hookups and acquaintances, and how they handle their relationships and life's other issues.

Genre: slice of life

Watch if you enjoy: People who feel like actual people. Down to earth relationship drama that doesn't necessarily end well for everyone. Compassion towards the characters even if they're sometimes being dicks. Multiple PSAs about HIV prevention. A relatively short run. (Season 1 is 5x30 minutes, season 2 7x45.)

Gayer version of: Oddly enough, I want to say 90s Degrassi. (The fact that Degrassi was the first show I ever saw that handled HIV may have something to do with it.)

Recommended? Yes! Season 1 is absolutely brilliant, and only some technical issues (soundmix, lack of subtitles for written info) kept me from putting it among my absolute favourites. Season 2 has more and longer episodes but less of a red thread, which means that while all the individual scenes are still well written and well acting, the first half in particular feels a little aimless. But it comes back swinging in the last few eps, and I have also seen viewers who preferred season 2 over season 1!

Watched on: YouTube

Trailer (sorry about the double subtitles): https://www.youtube.com/watch?v=M3CJ9PiSSR0

Tsukuritai Onna to Tabetai Onna / She loves to cook, she loves to eat

What's it about? Nomoto's hobby is cooking, but she lives alone and always ends up making too much food. One day, she notices how much food her neighbour Kasuga brings home and gets an idea: maybe Kasuga would like to eat some of what she cooks!

Genre: romcom

Watch if you enjoy: Sweet, understated, tentative romance. Lots and LOTS of cooking/eating scenes. (Don't watch while hungry! Do watch to get kitchen inspiration, if you are so inclined!) Lesbian self-discovery. Lots of serious issues in a fluffy setting: class, misogyny, heteronormativity, fat shaming, family hierarchies, and more.

Gayer version of: Julie and Julia

Recommended? Yes! It's very sympathetic and not very long (10 episodes of 15 minutes). The ending is a little unresolved, but fortunately there's a second season promised for 2024.

Between this and Old Fashion Cupcake, I do wonder if all Japanese QLs double as food porn...

Watched on: Dailymotion

Trailer (no subtitles): https://mubi.com/en/films/she-loves-to-cook-and-she-loves-to-eat/trailer

[animasola86]

Voice Appreciation Post

I’ve always loved certain voices. Mostly male voices of a certain timbre, I cannot explain their sound exactly, but when I hear these voices, it does something to me, not necessarily in a romantic/sexual way, mind you. I just enjoy them, very much. They are soothing and relaxing and I could listen to these voices forever. They could say the dumbest or most mundane things, but I would still listen to the sound of them.

And it doesn’t even matter what language they are speaking. I’m German, so my first “voice crush” (if you want to call it that) was a popular voice actor we have here (you see, most/all of foreign movies and shows and video games are being dubbed here and that in a very high quality kind of way), who voiced the German version of Ezio Auditore from Assassin’s Creed II or Geralt of Rivia in the Witcher games, etc. (making these characters my all-time favorite videogame characters, btw).

I also enjoy listening to Japanese seiju - which makes it hard sometimes to read the subtitles of my favorite anime/drama, as I only listen (without understanding much) and enjoy. I don’t know what it is about Japanese men, but most of them just sound so good to me.

As for my newest (or oldest) love and obsession and why I’m writing this post to begin with: I also have a knack for British guys. It’s the accent (I’m not an expert on British accents so I couldn’t tell you which dialect it is or from where it hails, except maybe the Scottish accent, but that’s a no-brainer and also a favorite of mine). So I’ve had my voice crushes on, let’s say, Giles from Buffy, or Mr. Sheffield from The Nanny. (Or maybe I always liked older men too? Hmm.)

This also explains my deep obsession with Chamber of Secrets’ Tom Riddle played by Christian Coulson, whose voice is just, so, ugh. (Highly recommend any audio books he has narrated!) I can’t explain it. It just does things to me.

And the same happened when I played Hogwarts Legacy. I became totally obsessed by one particular voice and you might have guessed from the tags. Sebastian Sallow is not only the best character of the whole game, because he is so versatile and conflicted and adorable and whatnot, but his voice... the way his voice actor (Alfie Nugent, you are my absolute hero, btw!) says things, how his voice just vibrates through me, so low at times, the perfect timbre, no matter what situation Sebastian finds himself in, cheeky, flirty, worried, sad, it always sounds so mind-bogglingly good to me.

I find myself listening to his voice lines over and over again (thank you YouTube) and it helps me so much in writing my fanfiction. I love his voice, really, truly love his voice, it gives me all the good vibes love would do (in a completely platonic kind of way). And it’s just a voice.

Now, speaking about voices, I have to address the AI issue. Is it an issue? Well, I do feel bad for voice actors whose voices are (ab)used without their consent, but from a fan perspective it is the best thing that ever happened to this world. (That took a turn, eh?) Having all these creative people of the Hogwarts Legacy fandom create their own voice lines for Sebastian (and other charaters for that matter) is truly such a blessing. Every day I find more and they are all so good and authentic and the way an AI program can mimic these perfect voices is just beyond me.

So thank you, lovely people who have perfected ElevenLabs, and thank you to the original voice actors for providing those voices in the first place. I salute you all. I thank your voices for keeping me sane in these troubling times we live in.

[grumpymacaron]

i just saw from your carrd you are learning languages, japanese too! im trying to learn it as well and am wondering, how do you go about it? do you take classes or learn by yourself? are there any specific learning tips that you find helpful?

hey anon!!! i've been learning jpnese on and off for a while both in classes and on my own; i'm definitely still very very bad at it HAHAHA but i can offer u some tips abt my language learning process~

FULL DISCLAIMER: this is not going to be info for how to learn the language quickly; i also will not be giving resources like textbooks and course links here!

the nice thing about learning a popular language like japanese is that there is a lot of free beginner material for foundational things like hiragana and katakana and basic vocabulary; a lot of sites will have this info. if u like duolingo, u will find that duolingo is best used for this purpose~

duolingo really lacks in other things like grammar, colloquial language, and more specific vocabulary, however, and for that i'll let u in on the #1 best method for learning languages:

watching content in the language u wish to learn.

when i say content, i mean literally anything: established media like tv shows have the virtue of subtitling (both in eng and jpn) but recently jpn youtube videos have subtitling too! i find that seeing and hearing the word at the same time really helps with learning it (especially since for japanese, there will be multiple pronunciations for the same kanji). back in the day, i used to watch terrace house, and while i don't recommend watching that now (for many reasons), i learned a shit ton of japanese just from keeping up with the show.

u can also definitely practice by just reading or just listening to japanese media but i find that u need reach a certain level for that to be viable.

to put in some writing practice and make the most out of this learning method, i recommend writing down words and phrases that u happen to catch the meaning of; that way, you have a record of vocab + grammar u have come in contact with and can look back at it to solidify your understanding.

in terms of speaking practice... all i can really say has helped me is talking to myself out loud in the language i'm learning. i'm not good enough at japanese to form sentences on my own, but for korean, i find myself narrating what i see and do whenever i don't feel embarrassed doing so LMFAOOOO. it looks goofy, but it really solidifies the stuff i learn and helps me sound more fluent.

so yeah, that's my tricks of the trade! this applies to any language you want; just cut and paste wherever i wrote "japanese", haha! i hope u find this helpful, anon~ thanks for asking!!!

[ordinaryschmuck]

Starkid Musicals Ranked from Worst to Best

Salutations to you, random people on the internet who most certainly won’t read this. I am an Ordinary Schmuck. I write stories and reviews and draw comics and cartoons.

Welp. I finally did it. I've watched the entire Starkid musical library, and I must say, most of these plays fit my writing style perfectly:

Humor that is cynical yet random

Leaning in with comedy while sprinkling in some well-executed drama

An understanding that any type of story works as long as the cast of varying personalities of characters is dynamic enough to result in some phenomenal chemistry.

This is in almost all of their plays, excelled through fantastic writing and stellar performances driving the overall quality. And it inspired me not only to review each musical, but also ranking them all from worst to best. Or, more accurately, least good to most good. Because even at their "worst," Starkid still provides a funny, enjoyable experience that will keep you laughing with its comedy and your toes tapping with its catchy music. So strap in as I go in-depth into how Starkid proves how they are the masters of humor and melody.

(I'll also provide links to each musical, which is all for free on YouTube, so you can check them out yourselves. Just know that their early work is impossible to enjoy without subtitles, so you might want to have Closed Captions on when watching.)

#12-Holy Musical B@man-Everything about this play makes it seem like it's the weakest to me. The jokes, songs, and characters in Holy Musical B@tman just don't hit as hard as Starkid's other plays. It's still good, but compared to their best, the cracks show a lot more. That is, except for the ending. Not only is there a great speech that shows what makes superheroes so beloved, but "Super Friends" might just be my favorite finale song Starkid has ever put out. Holy Musical B@tman may not be the best, but it's at least worth the time.

#11-Firebringer-This was stupid. Really stupid. Funny as f**k, but still pretty stupid. Although I will give credit to one of the central pairings being LGBTQA+...Even though it makes little to no sense based on the characters' previous interactions. But in fairness, Starkid really sucks at writing good romantic relationships, so at least Firebringer has the benefit of being gay. And as we all know: The gayer, the better. The play is still stupid, though.

#10-Me and My Dick-The world in this musical makes little to no sense. Penises and vaginas are sentient and can communicate with their humans. And yet the penises and vaginas can also talk with each other, form relationships, leave their humans, and reinsert themselves into others--Yeah, it makes no sense...But, DAMN, is it funny! Every joke and innuendo Me and My Dick has about human anatomy works, and I could not stop laughing at each of them. Especially the names that were given to the vaginas, which are just...I mean, I'm laughing just by thinking about them. That should tell you how funny they are. This play might be illogical in every way, but if you turn your brain off and watch it for the humor, you'll definitely be in for something fun.

#9-ANI: A Parody-What's weird about ANI is that its best qualities are also weaknesses. A good chunk of the jokes are hilarious and expertly delivered. The issue is that most of them are about taking potshots at the Star Wars prequels, which might be the laziest jokes to make in a Star Wars parody. Then there's the soundtrack, having several songs that are a bop to listen to. The problem is that ANI suffers from the same issues as Tarzan and Brother Bear: Yes, technically, it is a musical, but it's one where none of the characters sing, and some people in the background do all the singing instead. It's all an odd balancing act of quality content made through questionable choices. ANI is still an entertaining play, but the force isn't as strong with this one.

#8-Black Friday-This might be the least funny play that Starkid has ever put out. Not just because it leans extra hard into drama, which was pretty effective during certain scenes. It's just when there are jokes in Black Friday, they tend to fall flatter more here than they did in other plays. Also, the plot of Black Friday might not be the best one to play straight. The serious moments work best when focusing on the characters and their personal struggles, but through the big bad that's supposed to be threatening? Not so much. Even if it was meant to be funny, well, I wasn't laughing. And believe it or not, I consider that to be the best judge of whether or not something is funny. That being said, while Black Friday isn't the most humorous Starkid musical, it's still pretty good. The characters are excellent, the songs are awesome, and the story is somewhat easy to follow. I would have appreciated a few more laughs, but I can respect these talented people wanting to challenge their strengths.

#7-Starship-This play feels very...Disney. It follows a familiar formula we've seen several times: The main character wants more than what he has in his crappy life, miraculously gets the exact thing he wants, falls in love with a girl in a short amount of time, faces off against a campy/over the top villain, realizes the hand he's been dealt isn't so bad, and in the end, gets what he wants anyway. Starship is still pretty entertaining through its jokes, characters, and songs, but it also feels weird that Starkid leans into these tropes when they would eventually make a much better play by making fun of them. The end result is not bad in the slightest, but it's also nowhere near their best.

#6-A Very Potter Musical-Starkid's first production, and boy, what a start to something wonderful. Every one of their gimmicks and motifs is present in A Very Potter Musical. The use of parody to playfully mock characters and stories they love, making songs that are as funny as they are emotional, and creating characters that work because of their lines and the actors' performances. Oh, and also, it's funny. And it’s not just through a parody angle, like making Cedric be a perfect boy who's always smiling. It's also funny through its jokes that work, even if you ignore the fact that it’s a parody altogether. Case in point, there are these two bits, one involving Voldemort and Beatrix with the other involving Ron and Hermoine, that are written and delivered so well that I was in tears much more than with any other Starkid play. When watching A Very Potter Musical, you'll not only understand how parody works, but you'll also gain an understanding of why Starkid turned out as successful as they did.

#5-The Trail to Oregon-What can I say? I'm a sucker for comedic dysfunctional families. And seeing a family of idiots make their way to Oregon via The Oregon Trail parody? Yeah, that's a win for me. The play may be another family road trip narrative, which some people might get sick of at this point. But because the dynamics and comedic chemistry everyone has with each other are on point, the end result proves that you don't need an original story to tell an entertaining one. Although I will say that out of all of Starkid's productions, The Trail to Oregon has by far the worst ending. Without giving anything away, the play spends way too much time on this one stupid joke that any of the characters could make. Comedy is defined by personalities, as are most things, so making the joke work for anyone is a bad move when this one, in particular, doesn't fit as well for some characters as it would for others. Plus, the finale song "Naked in a Lake" is a really poor choice to cap off this musical. It's catchy, but to me, a finale song should encapsulate everything about the story, characters, and themes. Not paying off a joke that I honestly wouldn't want the payoff for. So while the ending could have used a lot more polish, that doesn't change how The Trail to Oregon is a pretty funny play that I won't mind revisiting when I have the chance.

#4-A Very Potter Sequel-Hey, sometimes a sequel is better than the original. Sure some jokes don't land, and some story beats aren't as impactful as they thought they were (Serious Black's introduction, for example), but there are far more improvements to this play than the last one. The performances are stronger, the jokes are funnier, the music is catchier, and the characters are much more entertaining in this play than in A Very Potter Musical. Especially new additions like Lupin and Lucious Malfoy, who provide great comedy and sublime drama at times. And Umbridge. Sweet Mother of all that is holy, Umbridge. While A Very Potter Sequel never made me laugh to tears as the first play did, twice, Professor Umbridge carries the comedy so well that she surpasses all of that. Plus, on top of it all, this play nails its ending through a bittersweet note that really captures what makes Hogwarts so special to these characters. I always feel like Starkid's plays tend to lose steam during the last few minutes, but A Very Potter Sequel is one of the few instances that it just builds and builds to a perfect ending. A Very Potter Sequel might not always hit the right marks, but the results are just magical when it does get it right.

#3-The Guy Who Didn’t Like Musicals-This one is pretty clever. The Guy Who Didn't Like Musicals is one of those stories that manages to be explicitly hilarious yet implicitly disturbing. For instance, people suddenly bursting into perfectly choreographed musical numbers in a world where songs are exclusively diegetic is pretty funny (especially through the characters' reactions to it). However, knowing what happens to these people and why they sing and dance so expertly helps make the whole situation pretty dire. It's an excellent balancing act that not many stories can accomplish. And while The Guy Who Didn't Like Musicals leans one way or the other at times, it's still all handled really well. Oh, and also, you know how most people say the villain song is the best one in any musical? Well, technically speaking, nearly every song in The Guy Who Didn't Like Musicals is the villain song. Including the finale, which is just too brilliant for me not to give a round of applause. If you're a person who unfortunately doesn't like musicals either, I'd say be more than willing to give this one a chance. It's funny, catchy, and if you think of the implications, pretty damn disturbing.

#2-A Very Potter Senior Year-...You know how Avengers: Endgame is a bit of a mess, yet people still love it for how much of a perfect (sort of) finale it is? It's the same regard with A Very Potter Senior Year in my eyes. It's far from a masterpiece, but the many, many solid scenes that cap off this series help make me willing to overlook the mistakes. The characters, callbacks, and overall message about how things end was done so expertly well that I physically can’t hate this one. I can understand how it's more of an ok play when compared to the rest of Starkid's productions, but sometimes, ok is wonderful.

#1-Twisted: An Untold Story of a Royal Vizier-...It's Twisted. Everyone loves Twisted! And how could they not? Everything about this play just screams Starkid at their best. The comedy is uproarious, added with the fantastic delivery of the actors and the characters' personalities. Everyone feels as though they have one step in reality and the other in insanity. This, to me, seems like the best type of character work when going for the parody angle. Parody is about giving slight yet snide remarks toward the work you're mocking, which I feel works best when characters drop the suspension of disbelief audiences have when enjoying such a story. And Twisted definitely nails its satire in not only poking fun at Aladdin but also making jokes towards Disney as a brand. From their movies to their inside jokes to their formulas to even their corporate dealings with Pixar, nothing about Disney is sacred in Twisted. But on top of being funny, Twisted might just be the most successful Starkid has been with telling some really compelling drama. The jokes allow themselves to take a back seat to let serious moments play out, and even comedy is added, it provides more for the experience rather than taking anything away. You see this not only through the actors giving it their all but even through some really gorgeous and heart wrenching musical numbers. Oh, and also, Twisted has the best Starkid soundtrack, featuring songs that are epic, funny, and, as I said, heartbreaking. You cannot get better than this and, if you want to get a friend interested in Starkid as a whole, this might be the play for them. Scheherazade may have a thousand tales, but his one is a tale I wouldn't mind hearing for a thousand nights.

And that's about how I feel about Starkid and each and every one of their plays. Odds are your ranking would be much different from mine, and I'm all for that differing opinions. Feel free to make your own ranking if you want because I'm honestly curious where fans would place these plays above or below others. I'm relatively new to enjoying their work, so I have no idea what the consensus is. I do know one thing, though: If Starkid can still be incredibly entertaining through over ten years of content, then I am excited to see what they can accomplish next in another ten years.

[kumoriyami-xiuzhen]

Hakuoki SSL Store Bonus Drama CD 《Their Youth~ Student Council Helper Episode～》

....Why are people subscribing to me on youtube? like i get that people subscribe for the otome stuff i translate and subtitle (which i only really do so that i can have a copy of it for myself), but i don’t really think that people should be subscribing if they expect more Gokushufudou content since I don’t have anything else that I can or want to translate for that series....

anyway, this is my translation of the 薄桜鬼SSL -sweet school life- いまじんWEBショップ特典ドラマCD「彼らの青春 ～生徒会助っ人編～」 drama. I was only able to obtain the audio for this from a certain site that doesn’t allow for sharing... so I am unable to put anything else out for this... unless someone shares the audio and an image with the cd and their username or w/e on it (alternatively, if it shows up on bilibili or something then i’ll be able to use that), though I will edit it when i make my own subtitles for this. lol. sorry but not sorry?

anyway, enjoy~  image used is from suruga-ya.

Hakuoki SSL Store Bonus Drama CD 《Their Youth~ Student Council Helper Episode～》

Translation by KumoriYami

Yamzaki: The private school, Hakuo Gakuen. The school we attend, based on the school principal, Kondou-sensei's, intentions, we adhere to his educational policy of "becoming warriors with indomitable spirit", not just while learning and when participating in club activities, but while also working harder for the community, or so it should be.... but there are always exceptions to everything in the world.

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Hakuoki SSL Store Bonus Drama CD 《Their Youth~ Student Council Helper Episode～》

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(knocks)

Yamazaki: Excuse me, is Hijikata-sensei here?

Hijilata: Oh? It's Yamazaki. What is it?

 Yamazaki: Sanan-sensei asked me to bring these materials over to you. 

Hijikata: So it was like that. Thanks. By the way, Yamazaki....... Do you have a moment right now? 

Yamazaki. yes. I'm not doing anything right now.

Hijikata: In that case, sorry...... can you go to the student council to do something? Today Amagiri and Shiranui both happened to take the take the day off today, and there apparently is insufficient manpower on hand. 

Yamazaki: The student council.......is it......?

 Hijikata: Uh, the average person would react like that... I've already asked several people before asking you, and as soon as they heard "student council," they immediately ran away.

Yamazaki: I can sympathize with those students. because I am not really good at dealing with the student council president. 

 Hijikata: When it comes to that guy, I believe that if you searched the entire world, that you wouldn't find many people good at dealing with him. Nothing can be done though, I'll go help this time...

Yamazaki: Wha...!? How can Hijikata-sensei personally attend to this matter! In that case, I'll go help the student council!

Hijikata: Can you? To be frank, this is a chore.

Yamazaki: A gentleman's word is his bond!

 Hijikata: Then I'll leave it to you.... But if something goes wrong, you need to immediately report to me. 

Yamazaki: Yes! I'll be going to the student council room now!

(Yamazaki leaves)

Hijikata; Yamazaki is too straightforward... I hope he doesn't overdo it...

(student council room)

Yamazaki: (knocks on door) Excuse me. I'm the second year, Yamazaki. Hijikata-sensei entrusted me to help you.

Kazama: By Hijikata? Che, he's meddling into other people's business/can't mind his own business. He most likely coaxed you into helping, but whatever the case, if you think you can help, I will provide you this opportunity.

 Yamazaki: (Obviously he's in the position of receiving a favour, but why he so overbearing/arrogant?!)

Kazama: Did you say something? 

Yamazaki: I didn't say anything! Returning to the topic/Anyway, what can I help you with?

Kazama: here, put these clothes on first. 

Yamazaki:...What's with this collar and Japanese-style school uniform?! Our school's official uniform is a suit/Western-style clothes. 

Kazama: This uniform is of the same style as Amagiri's uniform. Although it's only temporary, you'll need it to wear this is you are to complete the student council's work [gave up rewording all of this].

Yamazaki: Even so! Modifying the uniform goes against the school rules... 

 Kazama: Hey! As student council president, I am saying that there are no problems! I am the school rules! 

Yamazaki: (How did such a person become the Student Council president?)

 Kazama: Good, now that you understand, hurry up and change clothes in the dressing room, then get to work.

Yamazaki: ( No other choice but to resign myself.... [tl uses an idiom that can mean "submit to hte will of the heavens," "resign (oneself to fate)," or to "leave it to luck"]) Understood!

(door opens)

Hijikata: Oi, Kazama! you there?

Kazama: It turns out it was Hijikata. What brings you here? If you want to leave please turn right and head straight.

Hijikata: Someone just came in, why are you already trying to chase them away! I was just worried about Yamazaki, so I came to check on him. 

Kazama: Yes. Then if you're done, hurry up and leave.

Hijikata: You bastard.... Anyway, where is Yamazaki?! I don't see him...

(door opens)

Yamazaki: Kazama-senpai, excuse me. I've finished changing clothes...

Hijikata:���…Yamazaki?!

Kazama: Hrm. As expected, people rely on clothes [clothes do make the man? or clothes bring out a person? can't exactly think of an equivalent right now tho]. Such an appearance is barely passable. 

Hijikata: Wait a moment! What's with that strange uniform?!

Kazama: This is a custom-made uniform made for the student council. Since he's helping the student council, isn't it common sense to dress like this?

Hijikata: What common sense! That clearly violates the school rules... 

 Yamzaki: It's fine, Hijikata-sensei... 

Hijikata: Nn?

Yamazaki: I'll think of this as a a work uniform! Anyway, Kazama-senpai, about the content of that work...

Kazama: Che, don't tell me that you aren't able to do unless you receive orders from me? It's such a waste that you are unable to understand your superior's mind, and require someone to explain everything to you so that you can act. 

Yamazaki:...!!

Hijikata: I'm afraid that if you searched the entire world, the only person who would be able to understand your mind, would be Amagiri?!

Kazama: No choice then. I shall mercifully/gracefully provide instructions to those that are stupid. There will be a meeting to pay for club activities/budget meeting for all of the clubs tomorrow. However, only a handful of reports have been submitted, and what has been isn't sufficient to be used as materials/ a reference to approve of the clubs' expenses. In other words, you should go investigate for me to see if all of the club activities are actually being held. 

Yamazaki: Understood! Which clubs [tl is for "department] do I need to investigate?

Kazama: Needless to say, it's all the clubs within Hakuo Gakuen. The deadline is today.

Hijikata: Don't be so forceful [ridiculous!]!! Have you even thought about how many clubs there are at this school?!

Kazama: Amagiri and Shiranui would complete this within an hour, which this trivial matter cannot be considered a problem. If this can't be done, I won't force it. This only proves to me that you do not have a good eye for talent from the help you recommended to me, Hijikata [gave up rewording after 8 times].

Yamazaki:...I understand. I will certainly be able to investigate all of the clubs today!

Kazama: When the moment comes, don't go back on your word. This is a list of all the clubs at Hakuo Gakuen. 

 Yamazaki: The total number of clubs at Hakuo Gakuen is... 108?!

----------

(footsteps)

 HIjikata: Ah... it's been a while since Yamazaki darted out of the student council room... Is he really okay? I hope he didn't get involved in anything strange...

 Yamazaki: L-Let go of me! I, I hate this sort of thing!! 

Hijikata: Nn? 

 Yamazaki: Even if you say that you can't understand the specifics of this club without personally trying it, I don't want to do this...!!! Let go of me!!!

Hijikata; That voice just now.... Yamazaki? (runs over) Oi! Yamazaki!

---------

(bouncing sound [haven't listened to this drama in a while so this might not be accurate, tho the tl does say bouncing])

???: Ah....... Hijikata-sensei......

Hijikata: Oi! What's with this huge stuffed animal?!

Yamazaki: It's me! Yamazaki!

Hijikata: A-ah..... nn, nn.... I, I can hear your voice..... but, but what I hear doesn't sound like the Yamazaki I recognize...! 

Yamazaki: That's because of this [i think?]! I am the genuine Yamazaki! I'm just wearing this costume! Ah... sorry to trouble you, but can you please help me pull the back zipper down?

 Hijikata: Ye-Yeah...

Yamazaki: Hah... finally escaped from that...!

Hijikata: You... why were you dressed like that?! 

Yamazaki: Because.... when I went to the costume club, their members said they just finished these clothes, and that I had to try it on....

Hijikata:....Those animal overalls are part of a costume?

Yamazaki: No matter what happens, I never want to come back to the costume club!! But... normally I wouldn't have such a chance, and after seeing it with my own eyes, I now know that there are many clubs at our school.

Hijikata: That's because when Kondou-san was thinking about club establishment, he said to respect the individuality of the students. As long as the activities' content and purpose are clearly stated, provided that they aren't bad, and if the number of club members reaches a certain level, any club can be established.

Yamazaki: I think, by using the costume club as an example, there are actually quite a lot of informal clubs... 

Hijikata: It seems that it will be necessary to re-examine those clubs in the future.... Anyway, which club are you going to next?

Yamazaki: The mountaineering club. Judging from the club's name, the content of the activities should be straightforward. To be honest, I feel relieved. 

 Hijikata: No, that club... 

Yamazaki: Then, I'll be going there as fast as I can. I'll be taking my leave first! 

(Yamazaki leaves)

Hijikata: Eh... I remember they were supposed to go climbing today.... Going back to their activities, isn't mountaineering difficult [tl for mountaineering can be interpreted as "climbing," "to climb a mountain," and "mountaineering."]?!

------------------

 Yamazaki: (All sorts of problems kept on occurring after that during the inspection. The drama club was infected with an influenza virus [no idea how else to reword that right now], and all of their members were sick so I was unable to investigate their activities in detail; I wasted time at the kendo club because of Okita-kun's pranks; the mime club didn't speak during their activities, which resulted in even the most basic communication not being achievable... Will it really be possible for me to inspect all of the clubs today?)

-------------

(knocking)

 Hijikata: Oi, Kazama! I'm coming in. 

Kazama: Hijikata. It's really rude for someone to enter without being given my permission. 

Hijikata: Didn't I knock and say greetings in advance? It's almost the end of the school day, is Yamazaki back yet?

 Kazama: Not yet. I thought he was a bit capable, but I apparently underestimated him. 

Hijikata: I believe in him. Although he has a tendency to overdo things and often fails to get the key points, once he makes up his mind, he will surely be able to complete any task.

Kazama: Hrm~ that's the same as someone else/you're two peas in a pod. That being the case, let's bet. 

Hijikata: I'm not interested in betting with students. But if we were betting, I'd bet that Yamazaki will be able to accomplish his task. 

Kazama: Then I will bet that he did everything in vain/will be useless. 

HIjikata: I won't feel sorry for you if you lose. 

Kazama: Hmph. Don't steal my words. Look at the time, the school bell will be ringing soon. 

(Running then a door opens)

 Yamazaki: (gasping) Inspections on the club activities... it's all done.... hah....

Hijikata: That's great! Well done, Yamazaki!

Kazama: Che......

 Yamazaki: Hu..... Thank..... you..... (collapses)

 Hijikata: Oi oi!! Are you okay?! 

 Yamazaki: I..... I'm..... fine......

Kazama: Really, I'm blaming you for messing up all of the materials.... Nn?

Hijikata: What are those documents?

Kazama: They seem to be reports on the club activities.

Hijikata: Ha?! Didn't Yamazaki write the reports for that?!

 Kazama: Nn. These are all...

Hijiikata:....Oi! That can't be....!!

Kazama: It looks like Amagiri wrote yesterday. But he actually tossed them into the piles of documents of here, which resulted in no one knowing that he had written such reports. 

Yamazaki: What.....!!

Hijikata: That......!!

Kazama: Hmph. It looks like I won, Hijikata. All his efforts turned out to be worthless.

Yamazaki: Ho-How is that possible...!!

Hijikata: You're not feeling even the slightest bit guilty, are you even even speaking as a human?! This is all your student council's fault!!

 Kazama: Hmph. Go and complain to Amagiri.

Hijikata: You need to take responsibility for the lack of supervision! Besides, what the hell were you doing when Yamazaki was running around everywhere complete that task?! If you were doing a good job, you should have been able to notice this!! 

Kazama: Of course I'm working. My job is to complete the ambitious project called "Writing down all of My Wife's 100's Strengths/Virtues/Good Qualities"! These forms took me a week to complete and it is a magnificent written masterpiece! 

Hijikata: You bastard... you were doing something this stupid while Yamazaki was struggling!

 Kazama: What are you barking about? What's more important than this?

Yamazaki: I tore it up to show you————!! [im guessing this is more "i pushed myself" or "I'm going to tear that up." probably the latter]

Kazama: Nn? What do you think? Do you want to look at it? Although your efforts were futile, I will mercifully/graciously acknowledge your actions. Alright, I'll lett you look. But you have have to treat it carefully.

Yamazaki: I'm blaming this for what happened—!!! (tears up Kazama's documents)

Kazama: Stop that! My week of hard work! Hi-Hijikata! Why are you grabbing me?!

Hijikata: You reap what you sow! Obediently accept reality!! 

Kazama: My priceless masterpiece———!!!

~END~

got ME:LE working last weekend... and omg it’s like a walk down memory lane lol. finished the first game though im going to have to do an insanity playthrough for the achievement later. 

[rubyjcat]

[Behind-the-Scenes] HELIOS Rising Heroes: Animation Showcase

“HELIOS Rising Heroes: Animation Showcase” is an English voice fan project I worked on all by myself (barring voice actors) that took five months to make.

The original plan was to make just one video, but it ended up being eighteen of them!

Link to YouTube playlist:

https://www.youtube.com/playlist?list=PL0UbdFyWSx0n_ewcd-t0iAB0adGe5lghH

In this write-up, I’ll be discussing details about the response to the project, recording all the footage, video editing, voice acting + audio processing, script translations + rewriting, which fonts were used, and even the emulator used. I’ve organized it into sections to make it easier to find certain things. Also, this is directed to English-speaking readers since I’m not gonna bother translating the entire thing to Japanese.

THE DREAM

I wanted to make this fandub ever since the game was released (in Aug 2020). I just knew that English voices would be extremely fitting to the world of HELIOS with a setting inspired by America and characters, places, and terms mostly in English. I was disappointed to hear that the studio behind the game, Cacalia Studio of Happy Elements K.K., had no interest to localize their games outside of Asia, which meant the chances of an English dub, let alone a global release were close to zero.

I was able to understand how to play the game thanks to the fan translators, some of which came from other Cacalia Studio games, and got inspired to continue learning Japanese (there was a previous attempt to translate Japanese lyrics years back).

What I thought was just the silly dream of one overseas player’s became something much more!

THE TIMELINE (BRIEF OVERVIEW)

I played the game for about two months prior to working on the project. Before starting the project, I had to sort out graphical and technical issues on my end first as I was unable to play the game smoothly until November.

November 2020

Finding all the in-game battle lines

Writing transliterations (romaji) of lines by ear

Learning and translating lines to Japanese

Started recording footage

December 2020

Further translation revisions

Held a casting call

Script rewriting and finalizing

January 2021

Completed casting

Started video editing (learning process)

Started audio processing

Recorded more footage

February 2021

Recorded more footage

Japanese script revisions

Finished working with VAs

Finished audio processing

Continued video editing

Published Preview video

March 2021

Recorded the last of the footage

Japanese subtitle revisions

Finished Showcase video

Finished Individual battle clips

Gave recommendations to VAs

The exact start and end dates were Nov 1st, 2020 to March 31st, 2021. Pretty neat.

RESPONSE TO THE PROJECT

I was absolutely shocked with the response to the preview video, which at the time of writing has just hit 10K views and almost 600 likes on Twitter and YouTube combined. Not bad for an unpaid hobby fandub (a joke only I find funny...) of an otherwise “niche” Japanese-only mobile game.

As of Apr 4th, 2021 - Thank you so much. This is more than I could’ve asked for.

The preview video blew up way more than anticipated, setting up for a bit of disappointment when the Showcase video was released.

The amount of views I expected for this project within its prime were a couple hundred views, so I’m content that the Showcase video reached that amount (it had ~500 by the end of March).

The expectations for the battle clips were an average of 100 views and a handful of likes - and each one got roughly that amount (or more) - so I’m also content with that, especially for something that’s just “bonus material”.

I tried my best to promote this project on Twitter with three main tweets. My one regret with promoting the project was making the second tweet after publishing the Showcase because the Japanese I wrote there was pretty terrible (as I was all worn out from editing and was in a haste to tweet about it). I tried to make up for it in a follow-up reply the next day, but it was too late. I was satisfied with how my third and final tweet and thread of battle clips turned out, but it sadly didn’t garner much attention. A reason for this was probably due to bad timing. I knew that the timing of the last tweet was awful as HeliosR did something special for April Fools’ day, plus the Easter event was being hyped around the same time, but I really wanted to finish up the project within March (my timezone, at least. It was already April 1st in Japan).

It was important to also make the videos accessible to the Japanese audience as they were a large portion of the viewers. This proved to be a challenge as my knowledge of Japanese is limited - at least for me, it’s easier to translate grammar-correct Japanese than it is to write my own sentences.

I ultimately decided against posting any of the videos on NicoNico because I wasn’t sure about Japan’s laws regarding copyrighted material. I knew it was already risky enough posting on social media and didn’t want to take any additional risks.

ABOUT THE FOOTAGE (1) – HEROES & ATTACK ORDER

HeliosR uses a gacha system, so to be able to even make something like this, you’d first need access to all 16 ★4 OG Heroes in the game.

I had them spread across five different accounts, four of which were reroll accounts. Asakou from the Cacalia RPG server gave me two of those accounts, and I rerolled myself for Keith and Ren during their Birthday Orders (one free 10-pull per account). Every account is also given a free ★4 selector ticket which I made good use of.

3,000 rubies (in-game currency) were sacrificed to pity the ★4 OG Dino when he was released in December just for the sake of the fandub!

Besides covering all of the Heroes, I also needed to play through each account to unlock certain story chapters, event stages, and evolve the Heroes for their shiny evolved CG art. Some of the Expert event stages (that had the Nighttime backgrounds) proved difficult to clear with a new account.

When using skills, the order of the Heroes were edited such that everyone was able to have the majority of their lines used at least once. All Heroes had two “receiving support” lines, two or three “supporting” lines, and two or three “skills against the enemy” lines. Some of the extra lines didn’t make it into the Showcase, so they were used for the individual clips instead.

I should’ve used Gray instead of Marion for the account that had Billy because you can see Marion’s sprite in Billy’s image. xD

In the Showcase, you may notice that the "Union Attacks" consist of all the ★4 CG images. These were spliced together; I never had all four Heroes of the same sector on the same account. For example, I would have Gray, Asch, and Jay on one account and Billy on another account, recorded their ★4 Bursts separately using the same background (from unlocking the Expert stages on both accounts), and then edited all the footage together.

Jay’s Burst was later re-recorded with a different attacking order so that he wouldn’t link to Billy.

It was also important to keep the same order of Bursts as well as use all four Bursts in the same turn. The ★4 Burst order was usually determined by who didn’t link skill with one another (with the exception of East sector as I was still figuring things out) because I didn’t want the link skill activation getting in the way of the animations.

As a little bonus, I also showed off the exclusive damaging skills of the Chapter 6 and 7 ★4 frames that I was lucky enough to pull from the gacha: Marion’s "Invitation To The Dance“ (roses), Faith’s “Synthetic Vibes” (beats), and Dino’s “Crow Mark Dead End” (claw marks).

ABOUT THE FOOTAGE (2) - BACKGROUNDS

Since I didn’t want to use the same battle music and backgrounds for all of the videos, I decided to use some of the themes from the limited-time events which went as far back as Nov 2020.

Each background has three variants (Daytime, Afternoon, Nighttime) and so I carefully picked them based on the colours. I ended up using mostly Expert stages - or Nighttime backgrounds, since Daytime versions were only used for Normal difficulty stages (which are too easy to clear).

The backgrounds used for the Showcase, all from limited-time events.

I decided to mix up some of the Heroes from other sectors in the individual clips for fun, basing it off of their relationships with each other. Using South sector’s background for Gast’s clip was a purposeful choice because I already used the North sector’s background for the other three North sector Heroes. I made sure to include Akira and Will of the South sector in Gast’s clip so it didn’t feel too random!

The only default background I didn’t use was Chapter 2’s because I already made use of the Casino theme for OG West sector’s individual clips. (...Plus I didn’t really like that background :p)

Here’s a list of all the backgrounds I used:

Escape the Prison (Nov 2020) - used for Showcase [EAST]

Mission of CASINO (Nov 2020) - used for Junior, Faith, & Keith clips

HAPPY NEW YEAR SHOW! (Jan 2021) - used for Showcase [SOUTH]

Help! Cooking Hero! (Jan 2021) - used for Will and Oscar clips

A Sweet Spell Garnished With Chocolate (Feb 2021) - used for Showcase [WEST]

Grandiose Chinoiserie (Mar 2021) - used for Showcase [NORTH]

The Hero Is A Detective!? (Mar 2021) - used for Billy and Jay clips

Default backgrounds: Chapters 1, 3, 4 (shared with 7), 5 (shared with 6) - used for all other clips

The Christmas event was the only event that went unused during the Nov 2020 - Mar 2021 period.

I didn’t record the East sector event (Christmas) in Dec 2020 because I was actually too busy with the casting call! I also didn’t think I would make use of it after already recording the Prison event intended for East sector. The project ended up taking so long that it actually benefited from having a wider selection of events over the months, which also showcased the beauty of the game.

ABOUT THE WORK & VIDEO EDITING

Hardware:

A decent computer.

A pair of no-name earbuds I found while cleaning out some junk.

Software:

All FREE!

*There’s a catch

NoxPlayer* emulator (debloated, read more about in its own section) and Open Broadcast Studio were used to record game footage and sounds.

Davinci Resolve was the main tool I used to edit the videos. A very demanding program that I only recommend using if you have a mid to high end computer.

MediBang was used to edit some of the art like the logos, but I ended up using Resolve for the majority of the graphics, including the thumbnails.

Audacity and Cakewalk were used to edit audio.

Many aspects for this project took longer than I had hoped because there was a learning process with using Resolve for the first time. I’m also a bit of a perfectionist, re-exporting videos tons of times just to fix small mistakes. Lastly, the time it took to make all the fancy effects was longer than I’d estimated. As the project dragged on, there was pressure to not delay the release of the videos any longer than I had to. A lot of this was self-imposed though.

There were days where I just did something else other than work on the project, which helped re-fuel my motivation when I decided to pick it up again.

Pretty much everything in the videos were taken from the game itself. The only graphics that were taken from the official website instead were the Substance symbols (the pictures with HERO at the bottom).

Additional overlay graphics were custom-made. It took two whole days to make the 3-second long sector intros and another two days to create and animate the arrow graphics for the credits. These were made using Resolve’s fusion and colour features. Much of the edit was inspired by the official HeliosR designs.

Left: Official in-game graphics // Right: My fanmade video (sector intros)

Sector intros were inspired by the four Heroes version of Union Attacks in-game.

Left: Official HeliosR video // Right: My fanmade video

The Preview video took after the ★4 Burst mini-previews as part of HeliosR’s promotional campaign, uploaded before the game was released.

Left: Official HeliosR video // Right: My fanmade video

The credits at the end of the Showcase were inspired by a different video, this time being the Half-Anniversary video.

The Showcase - which had a duration of 29:07 - was 11.5GB large in size. It took almost three hours to render (which I re-rendered to fix things) and two DAYS to upload to YouTube because I experienced multiple uploading interruptions. It’s a good thing you can re-upload the same video to continue where you left off without having to restart the entire process.

The individual hero clips didn’t take as long to make (but they took a while anyway as I re-uploaded some of them to fix minor mistakes). The recommendations for the VAs that were given alongside the publishing of each clip also spanned over another five days as I wanted to personalize and think about each one carefully.

A pretty frustrating part of the project was the prevalent lag when recording footage, which may have been due to the emulator and/or some technical things on my end. The Prison event used for the Showcase was the very first one I recorded when I wasn’t as aware about the lag, and so it suffered a bit as a result. The Union Attacks were the worst offender. I re-recorded the same battle scenes several times each just in case, then went through the footage frame-by-frame in Resolve and chose the ones with the least amount of lag. If all of the recorded footage suffered lag at different parts, I would even compare and splice together parts of them that didn’t lag. There was also audio lag (a known issue of NoxPlayer) so I had to move all of the audio forward by 1/3 of a second.

By the end of the project I had over 200 videos of game footage with a total size of over 24GB and a total duration exceeding 9 hours, not even counting all the ones that went unused.

The Heroes weren’t the only ones who evolved. MS Paint not recommended for thumbnails.

Overall, (despite the few mistakes here and there that nobody other than me would notice) I was happy with how everything turned out, down to the gorgeous thumbnails! I am an artist, after all~ :^)

I also have much more respect for video editors. They should be called VIDEO ANIMATORS!

ABOUT THE VOICES & AUDIO PROCESSING

When making a dub, it doesn’t mean we want to replace or best the original language, we just want to give it a new interpretation. In fact, the characters’ voice descriptions and direction provided in the scripts were heavily inspired by the seiyuu (Japanese VAs) and how they performed their lines.

Honestly, this was THE dream cast!! Some of the VAs had comparably similar voices to the Japanese ones which was an amazing coincidence. The ones that may not have sounded as similar had unique interpretations that I felt still suited their characters well. I also chose actors based on their performance, and everyone delivered!

Voice actors were not expected to imitate the Japanese voices and lines. They were provided direction and reference videos to help time their lines, but were otherwise given liberty when it came to their own interpretations.

You shouldn’t hear any jarring differences between the voice actors’ microphones and setups. That’s because I took the time to process the audio. Faith’s audio was submitted to me post-processed so it was used as a guideline for what the audio quality should sound like. Some of the others had comparable quality to Faith’s, so I only added compression to balance their volumes. Most of them benefited from equalization of various levels - this took some experimenting back and forth with the frequency spectrum. Lastly, a couple more benefited from clip fixing, noise gate, de-essing and/or click removal. It was very important for VAs to have at least decent room treatment; while small differences between mic frequencies can always be altered, echoes are difficult if not impossible to remove completely.

I feel that audio engineering is highly underrated and more important than ever as voice actors continue to record from home studios.

And in case it wasn’t already clear, this was purely voluntary work. No VAs or myself were paid to contribute anything for the project. Though, the experience alone was worth more than any amount of money.

ABOUT THE SCRIPT & TRANSLATIONS

HELIOS Rising Heroes「エリオスR」English Translation - Battle Lines

https://docs.google.com/spreadsheets/d/1ImWrAfvS_hgp6qr5qt30vCP63uHEk2o79uqY0h-3wL4/edit?usp=sharing

This spreadsheet consists of the literal translations for all the battle lines I could find in the game (it still isn’t done -yet-, plan to finish it when I get the chance). These are only fanmade and are not guaranteed to be accurate, especially as I wasn’t able to find another translator to help or proofread it.

After translating the lines, I made many additional revisions from the literal meanings such as changing the intention of the line slightly to flow better, having extra words added in to provide more context, or changing them completely. Thus, the lines used in the video are NOT literal TLs!

Another thing of note that may not seem apparent, but is what I feel an important aspect of character writing, is to remain completely unbiased towards all the characters. Personal favourites aside, I ensured that every Hero had their own spotlight as well as lines written in a way that remained faithful to their personality, no matter how unlikeable they were (looking at you, Asch Albright).

Even after giving voice actors their scripts, I made another revision in February after the release of the aforementioned Half-Anniversary video with the transcriptions for the ★4 Bursts, which is when I discovered a couple of mistakes with my transcriptions. This resulted in me having to edit out a part of one of the voice actors’ lines (Billy’s “String Show” line in his ★4 Burst) because of a translation mistake! I’m really glad I was able to double-check the correct lines before releasing the Preview video, or it would’ve looked pretty silly to Japanese viewers.

The last set of revisions were just minor edits to the subtitles (such as using kanji instead of kana) while I was working on subtitling all the videos.

Notable changes included:

WILL SPROUT

During attacking combo

Original line:

tanonda zo... ike! / “Counting on you... Reach!”

Rewritten line:

“I’ll become stronger... For everyone!”

The rewritten line is a condensed version of one of Will’s ★4 Evolved CG lines (“For everyone... I’ll become more and more stronger!”). He had “Reach!” in both his attacking combo and regular Burst, so I gave him an extra unique line.

★4 Burst

Original line:

warui kedo... kore de oshimai da! / “Sorry, but... it ends with this!”

Rewritten line:

“I’m sorry, but... it’s over for you! HAAAH!”

There were a couple of oversights I made with the script, and this was one of them that didn’t fit the animation properly. Props to Ryan for coming up with the extra shout at the end! So yeah, we kinda winged this line.

OSCAR BALE

When using skills against the enemy, during attacking combo, and in the ★4 Burst (repeat line)

Original line:

osoi! / “Slow!”

Rewritten lines:

“Too slow!” / “You’re slow!” / “Over here!”

Rewritten simply because I wanted to minimize repeated lines and change things up.

GAST ADLER

When supporting an ally, and during attacking combo

Original lines:

tetsudau ze / “I’ll help (you).”

itchouagari / “All done.”

Rewritten lines:

“I’ve got your six.”

“Target eliminated.”

I wanted to add in a few military terms to reflect Gast’s background.

FAITH BEAMS

★4 CG line (for the credits)

Original line (literal TL):

“It’s not terrible or evil, right? Surely this isn’t punishing... I guess?”

Rewritten line (with “mistake”):

“I’m not doing anything horrible or evil, alright? This is just business as usual... I suppose?”

Faith’s CG line had a mistake when I first translated and handed it off to his actor. I accidentally wrote “oshigoto” (work/business) instead of “oshioki” (punishment). The original has him pretty much saying the same thing twice anyway, so I would say the intention was still retained.

KEITH MAX

When supporting an ally

Original line:

gambare yo~ / “Do your best~.” or “Hang in there~.”

Rewritten line:

“Stay alive, would ya~?”

I know Keith’s meant to say “serious” things in a sarcastic or snarky way, but I just had to add in this fun line!

DINO ALBANI

Using skills against the enemy

Original lines:

haa! / “Haah!”

hei! / “Hey!”

Rewritten lines:

“I can do this!”

“Leave it to me!”

The Japanese lines for Dino’s offensive skills were rather basic, with the third and unchanged line “Here goes!” being a repeat line Dino also says when attacking. I wanted to give him some more lines - as standard as they are - to show his personality a bit more, along with having an additional fun West sector interaction. The changes fit the animations better too. (I actually had his VA say the "Haah!" line, but ended up using a different take of “Here goes!” in place of it.)

ABOUT THE FONTS

Fonts were taken from various sources and were either FREE for personal use or had an open font license. I didn’t have access to the commercial fonts (such as Futura) used in-game, so these were the following fonts I made use of:

Techna Sans looked similar enough to Futura when capitalized, and still looked decent in lowercase.

Jost* is a font that was derived from Futura. Some of its uppercase letters are sharper than Futura's, but it worked pretty well for the text in the credits.

Gau Font Over Drive was used for the ANIMATION SHOWCASE text.

Gen Jyuu Gothic LP was used for the majority of the Japanese text and its English letters were also used for the battle clip subtitles on Twitter.

Meiryo UI (default font) was used for the Preview videos’ subtitles.

Noto Serif JP (default Google font) was used for the serif Japanese text in the credits.

ABOUT NOXPLAYER ANDROID EMULATOR

ETA: AS OF VERSION 1.1.18 (04/23/21), EMULATORS NO LONGER WORK WITH HELIOSR (AS WELL AS OTHER CACALIA STUDIO GAMES). THE BELOW INFORMATION IS OUTDATED.

If, for whatever reason you’re interested in using NoxPlayer, you should take caution when installing it onto your machine. I don’t advocate for or recommend installing Nox. I had to resort to emulation so that I could record the footage and sounds directly from my computer using OBS. The reason why I used Nox specifically is because Cacalia Studio doesn’t like emulators, blocking most of them from running their games. I found further instructions on how to run the game in Nox from the Cacalia RPG Discord (via Twitter @HeliosR_en).

First, not all Nox versions are safe. It should only be installed from the official website, Bignox. More recent versions (I believe from 6.3.0.6 and up) may contain malware such as Segurazo and Chromium packaged with the installer which can be annoying to remove. The version of Nox I used was 6.3.0.0 (you can install older versions, then just don’t update it), which has Android 7 and doesn’t contain packaged malware (AFAIK).

Second, NoxPlayer may be “free” to use, but it comes with bloatware and profits off of its users’ data by collecting and sending it to many different servers. The below guide is what I used to debloat Nox and minimize communication to these servers. Scroll down the comments for additional domains to add to the hosts file.

Debloating & Optimizing Nox:

https://gist.github.com/Log1x/12d330ef7685d6fbc611d1d57efb5c29

This is another good guide that makes use of command prompt to remove additional bloatware from the emulator.

How to Remove Bloatware on Nox and LDPlayer Emulator:

https://codefaq.org/emulator/how-to-remove-bloatware-on-nox-and-ldplayer-emulator/

ENDING NOTES (TL;DR)

Images of the first and last video for the HeliosR project. We’ve come full circle!

One very tired and average person decided to translate, script, cast, direct, and edit an ambitious project all by herself using only FREE tools, and ended up taking too long to finish it. But at least she finished it, right?

Translators = RESPECT

Voice actors = RESPECT

Video editors = RESPECT

Audio engineers = R E S P E C T (their work is especially behind-the-scenes)

Hell, I even like Asch now.

During my time working on this, there was one question I always had in mind: “What would the fans want?”

I hope this follow-up has given you a bit of insight into the makings of the HeliosR project. Thank you for reading!

~RubyJCat

[logicallyblind]

hello and welcome to my list of Weirdly Specific Things I do because of my untreated &/or undiagnosed mental illnesses:

(disclaimer I have been diagnosed with generalised depression and anxiety disorder but I amn’t medicated and don’t go to therapy)

- have no internal drive to do anything at all despite,,, wanting to? like “i need to wash my face. it’s 11pm my face feels gross i need to wash it” *does nothing* “i want to wash my face i need to get up go wash it.” *still does nothing* “it’s 12am i WANT TO WASH MY FACE ITS BEEN AN HOUR I NEE-“ and i still can’t move to actually do it??

- random bursts of intense productivity that can/will fizzle out half way through the activity that i then abandon and move onto something else

- has a HORRIBLE memory and forgets things constantly including names, dates, directions, things i’ve literally just been told

- DIRECTIONS. I CAN’T DO DIRECTIONS ITS LIKE MY BRAIN HAS A MENTAL BLOCK AGAINST THEM I HAVE NO CONCEPT OF GEOGRAPHY OR HOW TO GET SOMEWHERE EVEN IF I HAVE BEEN THERE A MILLION TIMES ITS EMBARRASSING

- will forget the piece of information i was literally told 12 seconds ago but can recount a conversation i had with someone perfectly from 8 years ago

- can’t do things without music but then it’s like this music doesn’t fit, too loud, too fast, this doesn’t fit, BAD NOISE WRONG NOISE, this one is distracting me wrong, okay now this makes me want to tear my ears off- this is the perfect sound, no wait this one doesn’t fit anymore either fuck-

                                            - more under the cut -

- this happens all the time with music/tv/films like suddenly the sound is Too Much and i can’t handle it so i have to turn it off NOW even if it means abandoning a film half way through or most of the time just watching something with subtitles and no sound

- over talks/ rambles CONSTANTLY in conversations despite knowing that i’m doing it i can’t make myself Stop

- have clenched my jaw hard enough over the years that i have developed tmj and get lockjaw moments at the worst possible times

- flits through topics in conversation seemingly completely at random to other people with no connection to one another/ talks so fast that i start stumbling over my words and it takes a minute for my brain to catch up to my mouth

- will lose track of the conversation i’m currently having half way though and will trail off and zone out or go “...wait what were we saying?”

- ZONES OUT A L L THE TIME ESPECIALLY WHEN I SHOULDNT like when i’m cooking/driving/using knives etc etc

- jumps between being obsessed with a certain hobby for maybe a week before completely abandoning it and moving into the next one

- procrastinates watching a film/tv show for literal months but will watch tiktoks and youtube vídeos for hours

- opens tiktok *watches one* *goes out and goes into instagram* *scrolls for about 30 seconds* *goes back to tiktok* *goes to safari and reads paragraph of fanfic i was reading* *goes into tumblr and reads one post* *back to tiktok again* *remembers a post i saw on instagram 2 weeks ago and tries to refind it* *back to tumblr* and then rinse and repeat.

- jumps from obsession to obsession since i was a child like i don’t remember a time when i didn’t have a slight obsession with at least one type of media that i sold my soul and body to and learned every available scrap of information on it and fixated on it for anything between months to years at a time until my brain latches on to the next thing and then it’s just rewind to the start of the cycle again

- used to be able to inhale books and read like 1000 page books in a single sitting to now being unable to finish reading a single paragraph without losing track of what it’s saying/ losing interest and just giving up

- has to write everything down into lists to try to organise it in my head because everything gets all jumbled up/ messy or i get distracted when it’s just in my brain

- Cannot Do Math To Save My Life i can’t concentrate on the numbers long enough to solve the problem before my brain starts focusing on other things instead or the numbers just?? float away like when i try to do maths in my head it’s like the numbers are made of smoke and i’m trying to keep them in place with my hands and if my concentration slips for even a second they just disappear it’s infuriating

- bites fingernails/plays with hair/taps fingers/ plays with fingers/ twisting earrings or necklace literally for as long as i can remember

- gets weird mood swings where i will randomly go on these like ?? idek highs?? like i’ll get all jittery and hyper and feel like i can Do Anything And No One Can Stop Me LETS CUT ALL MY HAIR OFF AND SET THIS GARDEN ON FIRE RIGHT NOW to like really intense lows where i don’t want to do anything and all my emotions have been like sucked out of me and i’m just .. a person

- randomly has these realisation moments when i’m doing things where i’ll stop and be like “i...am a human being...who is...being alive and breathing right now??? i’m a real person??? i can do things and those things will have consequences?? what the fuck. what the Fuck. what is this..”

- lacking emotional responses? or maybe intelligence i’m not sure really. like i’m not sure if it’s just a repression thing or if i genuinely just don’t have an emotional response to certain things but i just?? don’t feel any different on an emotional level? idk man i’m not sure how explain this one in text

[ace-and-aro-wlw-positivity]

What’s New LGBTQ Inktober x Tumblr Official Hauntober Day 10:

Love x Forest

Halloween is a time to celebrate spooky things, many of which are rooted in tradition and culture. It’s important during the month of October to recognize how we consume our horror media and how different culture’s traditions affect this season.

Growing up in the 2000s meant that I and many of my fellow peers had access to streaming services such as Netflix and Hulu from the early days of our childhood. I remember when Netflix was basically ordering Block Buster right to your door (yes, we actually had to wait for the disks to arrive in the mail), and then when it was all the rage to when you could download the Netflix app on your Nintendo Wii. Looking at the content they provide and produce now opens up a whole new world of content from around the world that we wouldn’t be able to access via heading to our local movie theater.

It was through this streaming service that I was able to view the movie centered around today’s Inktober/Hauntober mashup prompts: The Forest Of Love. If you’re interested to hear my thoughts on media from different cultures, specifically Japan, services of streaming like Netflix and how they open up new doors that traditional movie companies could never, and delving into the white-washing of the True Crime genera, then click on, but readers beware: you’re in for a scare.

When I was in second grade I had to do a report on a famous person and I picked R.L. Stein, and I think that is singlehandedly the reason I’m Like ThisTM.

Growing up, I only had access to novels or I guess “short stories” such as Goosebumps readily available in my library and written in my mother tongue. There was no desire to read anything else because there was no knowledge of anything else. Perhaps I assumed that kids around the world were reading his novels- and maybe they were! But I never took into consideration how easy I had it when such popular and famous books were written in the only language I knew how to read or speak.

I’ve never been to the movies to see any foreign film. Quite frankly, unless it was a new Marvel or Star Wars movie, chances are I didn’t go at all. The only subtitles I read back then were in Captain America: The First Avengers when the bad guys were speaking. I never had an interest in watching anything not in English or produced in country that wasn’t Europeanicized in some way- although now I know better and realize that a lot of non-European countries have been Europeanicized, and very much not in a good way.

My initial impression of Japanese media was probably the same as a lot of people my age at that time: “Isn’t anime just girls with too-big boobs doing school-girl things sexualized for the male gaze?” Obviously I know that’s not the case now, but Japan has different taboo subjects than over here in America, and some of those things are blatant sexualization of women/girls in media. This movie was no different. There is no way that an AMC here would show content like that in theaters here- but Netflix is different. We’ve seen lately how far Netflix can (and sadly will) push the boundaries of what is and isn’t taboo. 

I think that I, along with a lot of other murderinos out there, can credit to the booming trend of true crime media on streaming services like Netflix and Hulu for my new obsession. Through movies and shows like “Making a Murderer”, “The Staircase”, “The Disappearance of Madeleine McCann”, “My Friend Dahmer”, “Mindhunter”, “Extremely Wicked, Shockingly Evil, and Vile”, one thing has always stuck out in my mind: the whiteness of it all. No one wants to hear another story about Dahmer or BTK or Bundy- we want serial killers and true crime cases we’ve never heard of, and a lot of those lie outside of North America, Europe, Canada, and Australia, the four main areas that the podcasts I listen to tend to focus on. So to be honest, learning about a Japanese case was refreshing: it was new, it was interesting. 

There were strange themes reminiscent of Japanese culture sprinkled throughout the film, from actual cultural practices and sterotypes portrayed in the film to the themes of the sexualization of young women. If it was made in America, it would have been a different film.

Personally, knowing nothing about the case or the film before watching it, I can’t say I wasn’t lost. Some parts seemed to make sense in some way, and some parts were standard for building a story, like flashbacks revealing reasons for characters actions and more. There was one part in particular where neither my partner nor I were able to discern how certain character’s attitudes did a 180 from one scene to another, however I do understand that not every scene filmed goes into every movie or show, and there is actually a “deep cut” version of this movie cut up into sections. I am unsure of what that entails and quite frankly I didn’t enjoy the movie enough to pursue more of the fictionalized story. 

The ending was confusing to me, I didn’t really enjoy the movie as said above, and I don’t feel like I really got a feel for the true events it was based on, however I’m sure that my American upbringing has a lot to do with that. On the other hand, it was nice to be able to consume a piece of serial killer media that didn’t feel overdone and overtold simply because the people involved were white or European/American. It’s no secret that true crime is white-washed, but with the times where you no longer have to wait for a disk in the mail to watch a movie comes a time where small, independent creators are more empowered than ever, and with the rise in popularity of podcasts and YouTube videos comes more diverse and targeted entertainers, topics, and audiences.

[qm-vox]

So You Want To Play Hades

I spent six hours coming up with that title because I have problems in my mind which I refuse to either examine or resolve.

So, Hades! The latest work from Supergiant Games, who brought you the interactive soundtracks to Bastion, Transistor, and Pyre, all superb games in their own rights known for their intuitive gameplay, build-your-own-hard-mode difficulty style, incredible atmosphere and characterization, thought-provoking stories, and that sexy, sexy fuckin’ music.

Like, listen to this sometime it’s amazing (all of their soundtracks are available from them on Youtube, by the by, though if you like ‘em you can support the creators by buying the music from them directly too):

https://www.youtube.com/watch?v=uH3Aoj1nw58

You’re likely asking, quite reasonably, why in the infinite and undying fuck I’m writing this post right now, and the long and short of it is I want more people to talk Hades with so now y’all are gonna get hit with the sales pitch and what I hope will be a helpful beginner’s guide if you decide to get into the game. Let’s get into that first part, shall we?

Thou Shalt Subject Your Gods To Market Forces

(Image sourced from Supergiant’s website)

Hades is an action-roguelike/lite that places you in the role of Prince Zagreus, secret son of Hades. Zag is trying to move out of his father’s house and live somewhere else for awhile and, well, Dad’s just being an entire dick about the whole thing. Hades challenges you to face down the endless ranks of the dead one chamber at a time, gathering the resources you need to breach upward through the Greek underworld and open the mighty gates into the living world. You can acquire it on Steam or on the Epic Store.

How do you know if Hades is or isn’t for you? If you like action games with tight controls and widely varied playstyles, we’ve got you covered here (if you’re thinking in terms of previous Supergiant offerings, Bastion has the most bones in). Hades also offers a great character-focused narrative, centering around the relationships Zagreus has and develops with the people around him - from legendary shades like Achilles and Sisyphus, to the gods of Olympus, to the cthonic gods of the underworld like Charon, Nyx, and the Furies - which fully incorporates the conceits of the genre. Unlike many roguelikes which sorta quietly elide failed runs or deaths, Zag’s defeats are part of his journey. After all, he’s already in the underworld. Where the fuck else is he going to go when he dies? Connecticut?

Though I can gush about the characters and narrative all day (and I’ll do it a bit more later), don’t get me wrong: Hades expects you to perform some pretty tight mechanics. Since dying is just the end of this run and not the game, the game feels pretty free to take brutal measures; the environments you move in are full of deadly traps, the seething ranks of the dead outnumber you to vast degrees, and you’ll fight a dizzying mix of opponents who do not hesitate to catch you in cross-fires, push you into lava, or drop bombs when you kill them because fuck you for succeeding you weird godling bastard. If you get easily frustrated or flustered, Hades may be quite stressful for you; before it’s anything else, it’s an action game with a heavy focus on combat, and if you decide to ride this train that’s the price of the ticket. If you relish the challenge and especially if you like the satisfaction of watching your play improve, though, it’s one hell of a ride.

In terms of accessibility features, Hades is a mixed bag. It has subtitles and aim assistance available, as well as a variety of supported languages and control adjustments which can alter how you do things like dash or attack, but it’s missing, for instance, a colorblind mode (and that’s gonna be important here in a minute), and many enemy behaviors & traps have audio cues which are not part of the current subtitle support. A rumble feature for controllers that have it is supported; Hades strongly suggests the use of a controller, but I know several players who choose to use a mouse & keyboard and seem to prefer it. Semi-recently, a God Mode option was added which empowers you when it’s turned on and does so further every time you die; it’s the closest Hades comes to an ‘easy’ mode, and while reception of it from my fellow players has been highly positive I’ve not tried it for myself.

If you’ve liked action games in the past, I’d highly endorse giving Hades a try as long as it’s accessible for you. The current build of the game (just before formal release) is selling at $24.99 USD on Steam right now, and like...I am not a highly skilled Gaming Individual(tm). I lose at games a lot. I play most of my games on Easy or maybe Normal if I’m really feeling like my dick is big - and with that in mind, I loved this one enough to buy it twice. I love the tight feeling of the combat, the way the mechanics feel, its gorgeous environments and its captivating characters. Hell, that’s why I’m out here writing a whole-ass article.

Stealth, Guile, Subtlety, And Other Things You Will Not Need - Getting Started In Hades

(Artwork sourced from the Hades wiki)

So you’ve decided to acquire Hades, you already own it, or the first part of this article was intriguing enough for you to look at the advice portion and see what sort of game you could be dealing with. Hades can be intimidating at first; it throws a lot of stuff at you, very quickly, and while it gives you some strong guidance on what to do with many of the resources you’ll acquire not all of those uses are immediately intuitive. The following is a guide to help your first few runs go a bit more smoothly and work on the fundamentals that will help you through your entire experience.

Let’s start with some General Tips that will help you out with every run and every weapon:

- Relax. No, seriously: relax. You haven’t ‘failed’ a run if you don’t beat the final boss. Hell, you probably haven’t even ‘failed’ a run if you die in Tartarus. If you learned something or got any permanent resource - gemstones, darkness, nectar, keys, blood, diamonds, ambrosia - then that run was a success. Even if the game wasn’t currently early access and thus without a proper ‘end’ at the moment, it’s supposed to be fun. Don’t castigate yourself for dying, just dive screaming back in and rip your vengeance from the spectral chest of your slayer.

- Always Be Moving. You only have so many hit points (you start a save file with a max of 50 and the most you can start a given run with is 200) and healing is limited over the course of a run. If you’re standing still, you’re getting hit. Zag’s quick on his feet - keep him moving and use your dash liberally. Once you’ve dealt some damage, leave and let your enemies swing at empty air, then dash back in and bully them back into their graves. When you start a dash you’re invulnerable until the dash finishes, which can make for some real cheeky dodges once you’ve had time to learn enemy timing.

- Watch And Learn. Early on in the game you’ll be learning about new enemies every chamber, especially when you start transferring to new zones and all of the enemies you’ve been facing just stop being a thing. Take the chance to know your foe! You’re not on a clock: don’t leap into the fight immediately. Dash around and watch how your enemies move and attack. What’s the limitations of their tactics? The reach on their attacks? How fast do they swing and move? If you’d like to watch some of that stuff ahead of time, I’d like to suggest amber_cxc’s Twitch channel: she’s been doing a lot of runs and speedruns of Hades of late, among the other games she plays.

- Manipulate Your Rewards. Certain things in Hades can only be offered a limited number of times per run, and once you’ve hit your quota they stop appearing. You can take advantage of this to get more Boons, Centaur Hearts, and Poms of Power. Specifically, you can only have up to two Daedelus Hammers and up to three Hermes Boons. If you can knock these out early I highly endorse doing so; they’re never bad to have, and even if somehow you want none of what they have to offer getting them off the RNG will help you later. Additionally, you can use Keepsakes (more on these in a minute) to manipulate who you get Boons from, when, by changing in and out of them at each biome. In this way you can control the shape of your build for the run.

- Accept That Your Dick Energy Is Fucking Huge. A lot of games try to keep you humble. Dark Souls is infamous for it, of course, and others in this genre such as Crypt of the Necrodancer and Enter the Gungeon do not reward haste at all. That is not this game. Walk into Hades like you’re the lord god of the Big Dick Dimension even if you know you’re not; take risks and learn from experience how you can mitigate, manipulate, or cancel out those risks. That unearned confidence won’t just help you with tip one (Relax), it’ll help you practice in those high-pressure situations which will occur more and more as your Heat rises.

- A Brief Note On Projectiles. This game has a few kinds of projectiles that you’ll need to learn to identify. Balls and Arrows can be broken - hit them with an Attack and they pop and won’t hurt you. Waves cannot be broken; they travel fast along the ground and have to be dodged or deflected. Lasers can neither be broken nor deflected. Traps can’t be broken, and deflecting them doesn’t always make them safe for you; these include the lava balls in Asphodel, Inferno Bombs, and the shit spit out by Bothers and Pests. Know your foe and always be moving.

In terms of the resources you’re offered, there are broadly two kinds: in-run resources, and out-of-run resources. Let’s talk briefly about in-run ones.

- Boons: Boons are the powerful gifts of your Olympian relatives. They change how you play during your run by augmenting your abilities (like your Attack, Special, or Dash) or by offering passive benefits. In general, look at Aphrodite, Athena, or Dionysus if you want powerful defenses, Ares, Artemis, or Zeus for powerful attacks, and Poseidon and Demeter for a combination of damage and utility. Different gods will be good with different weapons, and we’ll get into that later. Boons have a Rarity and a Level; Rarity determines their starting power and how well they scale if they do scale, and Level is that scaling.

- Centaur Hearts: +25 max and current HP for this run. Do you like not dying?

- Poms of Power: Poms increase the Level of a Boon by 1, which generally makes it better at doing whatever it does. Not all Boons will level up, but the ones that you can attach to your Attack, Special, Cast, Dash, or Call always do. You do eventually hit diminishing returns with these, so you’ll generally want to spread the love around if you keep picking up Poms.

- Obols: DOLLAH DOLLAH BILLS Y’ALL. Obols are the coins preferred by Charon, the Ferryman, who will take them from you for goods and services. Obols can be turned into all other resources - even out-of-run resources. They’re almost always a great choice of investment.

These in-run resources are presented as potential rewards when you’re selecting chambers. I tend to run heavy on Boons and Obols myself, but your own play style is likely to differ! Experiment with the feel of acquiring various rewards and see what you like to invest in. After all, they’re only for the run you’re on; you literally can’t take it with you.

Out-of-run resources are used to permanently advance Zagreus’s power, his relationships, or both. They are as follows:

- Cthonic Keys: Used to unlock new weapons and new parts of the Mirror of Night. Once your weapons and Mirror are wholly unlocked these keys stop being useful more or less instantly, and can be safely traded at the Wretched Broker between runs to acquire Nectar (but see Gemstones, below).

- Gemstones: Early in the game, Gemstones can be traded in at the House Contractor between runs in order to enhance the underworld; in particular, they can be used to install fountain rooms, to open up access to Chaos and Erebus, to give you access to Infernal Troves (and upgrade said troves), and to add in-run resources to Keys, Nectar, and Gemstones. These services are in the first tab of the House Contractor and you should buy them out as soon as possible so that your runs can springboard off of these powerful additions. Once that’s taken care of, Gemstones can be used to renovate the House of Hades, including Zag’s bedroom and the lounge, again at the House Contractor.

- Nectar: The nectar of the gods is in short supply in the underworld, and is a treasured gift that Zagreus can offer to his friends. In most cases, the first time you give a character Nectar they will trade you a powerful Keepsake in return; these are run-altering tools you select at the start of each run and change how you play. Early on, spread the love, but once you’re full up on Keepsakes you can feel free to develop relationships through gift-giving however you see fit.

- Darkness: The power of Night is used to give permanent, powerful passive benefits to Zagreus via the Mirror of Night in his bedroom. I would suggest using Darkness to get your extra Dash and extra hit points before anything else, but once you’ve got those tools kinda fuck around and find out. Eventually a dialogue option with Nyx will unlock the flip side of the Mirror’s talents, which must be developed separately and cost even more Darkness; you’ll want lots of this and you’ll want it for a very long time. Oh, and try to save aside 8,888 Darkness for a rainy day. You’ll need it.

- Titan Blood: Offered by the first and last bosses at each level of Heat (more on Heat later). Titan Blood is used to upgrade your weapons, making them better at doing all of the things they do, as well as to unlock Aspects of those weapons. We’re still shy one Aspect as of the latest patch, so ah, don’t stop collecting this. You’ll always have a use for it.

- Diamonds: Offered by the second boss at each level of Heat. Diamonds are used to buy plot-relevant renovations to the House of Hades, to advance certain relationships, and to acquire the fishing minigame and in-game access to the soundtrack within the House. Like Blood, you’ll have a use for these for a long, long time.

- Ambrosia: Offered by the third boss at each level of Heat. When you reach the point at which you can no longer offer people Nectar, genuine Ambrosia from Olympus becomes the princely gesture by which you can show your gratitude. You may be tempted to trade this for Blood early on. Don’t.

When you’re starting out, Darkness and Gemstones will be the gods of your new world, followed closely by Cthonic Keys You’ll run out of immediate need for Gemstones faster than you will for Darkness, but by that time you’ll either be comfortable with Hades or you’ll have determined it’s not for you. Focus on unlocking access to your new weapons, upgrading the underworld itself, and paying off your talents; at this stage, escaping the underworld isn’t really a priority so much as setting up for your eventual triumph is.

And When You Can No Longer Lay Waste - Infernal Arms And Heat

(Artwork sourced from the Hades Wiki)

The assault rifle with under-slung mortar launcher is definitely my favorite ancient Greek weapon.

So I’ve mentioned unlocking weapons, and I’ve mentioned that Hades offers varied play styles, so I suppose I ought to talk about them. Zagreus’s weapons - his Infernal Arms - form the first layer of your play style choices, which will be augmented by your in-run choices, and the second layer comes in the form of the Pact of Punishment and its Heat. Each weapon has differing values for its attacks and behaves very differently. I’m not gonna give you the specific numbers here - we have a wiki for that - and will instead make some general statements on how they play and what might pair well with them.

- Stygius, the Blade of the Underworld: You start each save file with this bad boy. Stygius is a generalist weapon that leans somewhat towards speed; its Attack is a three-hit combo that ends in a Thrust with knockback, while its Dash Attack (note: these are not the same with ANY weapon) is solely the Thrust, still with knockback. Its Special, slower than the Attack, is a high-damage shockwave that breaks enemy projectiles and knocks them back. You might be asking yourself, Vox, why would I Special when it makes people leave sword range, at which point I will direct you back to Always Be Moving; your Special makes your enemies Go Away, which saves you hit points. Stygius can build into almost anything, though its Attack benefits the least from Zeus and Poseidon, and is notable for having the most wild fucking Hammer options. Some of them do little things like make your Special bigger, but then you get stuff like Hoarding Slash (deal extra damage equal to 5% of your Obols), World Splitter (you do one big swing with a base damage of 80) and motherfucking CURSED SLASH, which is where Stygius rips a line of cocaine off of a mirror, cuts your health by 60%, and then heals you for 2 every time you hit something. My advice for this is whatever you start down, commit. Stygius might build into anything, but it can’t build into everything: once you choose a boon path, pick things to compliment that and go fucking ham.

- Varatha, the Eternal Spear: The forgotten child of Hades’ weapons, Varatha is a versatile weapon that, like Stygius, does a bit of everything - and unlike Stygius, does it all at the same time. Varatha’s base attack is a series of three long-range thrusts with low damage, and its Special throws the spear in a straight line, at which point it hovers in the air until you Special again; it follows a straight line from its position to your current one, damaging anything in that line. Last, but not least, you can perform a powerful Spin Attack by holding down the Attack button and charging up. Spin is one of the strongest single hits in the game, but you do have to stop moving to charge it up. However, you can dash out of the charge - even better, dashing releases the Spin at the end of your dash. This means that once you learn the timings of your charges, you can use Spin to attack and dodge at the same time, in a wide circle around yourself. Unlike Stygius, Varatha benefits to an extent from splitting your build up; its Attack wants big hitters like Aphrodite, Artemis, or Poseidon, whose high multipliers pair amazingly with the spin, while its Special can mount debuffs or stranger forms of damage like those offered by Dionysus and Ares. If you start building into one thing, but then Hammer into an alternate focus, the end result is still going to be pretty cohesive. Like Generic Goodstuff, or want a weapon to use while building up many divine relationships? Varatha does it all.

- Aegis, the Shield of Chaos: Just because this thing has the only block function in the game doesn’t mean it’s a defensive weapon. Aegis is a fast-moving melee weapon whose hits cause native knockback, slamming foes into walls, up against cliffs, and through traps & magma. Since Aegis throws people around it’s great for a highly aggressive style; dash in, hit them, and watch them slide away before they can do damage back to you. Its Special throws the shield Captain America style, where it ricochets off of opponents and obstacles before eventually returning. Use this with care; you can’t attack or block while your Special is out. Holding down the Attack button begins to charge a Bull Rush; while you’re charging, you’re immune to damage in the direction the shield is facing, and then when you release you dash to the end of the indicated line, damaging anything you hit. Despite how sexy that sounds, Bull Rush is honestly kinda slow and can be hard to build for specifically; instead, Bull Rush is best used to get out of bad situations, or to outlast big long boss combos, especially those used by the first and second bosses who are known to spit out absolute STREAMS of projectiles. Aegis hits fast and gets lots of bonus damage against normal enemies by bullying them against walls for that sweet, sweet Wall Slam damage, but it craves big damage multipliers less than some other weapons; consider using Zeus, Dionysus, or Demeter for your Attack, saving big damage choices for if you can get a Dash Attack build going. Special is great for mounting utility like Aphrodite or Poseidon that let you control the engagement further, just remember to think before you hit the yeet button.

- Coronacht, the Heart-Seeking Bow: Meet your first ranged weapon! Coronacht deals damage in a straight line by charging up a shot; when your line flashes, release the shot for a Power Shot that deals extra damage. Its Special is...bad, I’m gonna be real; it’s a wide-sweeping volley of arrows that deal individually low damage and will rarely, if ever, hit the same target. Still, it has its uses. Coronacht benefits from either high damage or battlefield control on its Attack; look into Artemis, Aphrodite, Demeter, and Poseidon. Its Special is harder to build for, but Ares and Zeus both do well on it since they can cause damage out of proportion with the range and/or area of your volley. Play keep-away and use distance to get off those charge shots, and remember that you can break projectiles and hit multiple enemies with each attack. Avoid mounting odd damage (Ares or Dionysus) or utility (Athena) on your Attack; it’s not going to come out fast enough to take meaningful advantage of those tools.

- Malphon, the Twin Fists: Easily the angriest weapon in all of Hades, Malphon is a pair of massive fuck-off gauntlets that are used for fast-moving combos at extremely short range. It is unique in that its Attack has a Dash Attack, and its Special - a massive uppercut - has a dash upper, letting you sweep in and deal big damage in a tight area immediately. Though each of Malphon’s hits are individually small, it throws out so fucking many of them that you can put almost anything on your Attack and it’ll work out. Athena Attack? Why not, you’ll be swinging when the enemy is. Dionysus Attack? Poison stacking has never been easier! Artemis Attack? Sure, you don’t do a lot of base damage, but you swing so often that you’ll crit constantly and take advantage of passives like Support Fire. Your Special has much higher base damage and can easily become the focus of your build, and because it moves slower it wants bigger damage multipliers like Artemis or Aphrodite if it’s your focus. If it’s not your focus, consider Poseidon in its slot (to get enemies to Go Away) or a god that will combo with your Attack (for instance, if you’re doing Demeter Attack, consider Zeus Special so you can potentially pick up the Cold Fusion boon and get 10 seconds of free damage every time you tap the Special button). You pay a price for this ease of use: Malphon’s range is directly inside the enemy’s ass, which means you need to have razor-thin timing to dash out of the way of attacks and keep your combos going, especially if you get swarmed. Since Malphon can mount and build literally fucking anything, it’s the ideal weapon to use if you want to power-level Keepsakes; slap something on at the start of a run and then just never take it off. Sure, you’re letting the Three Fates decide your build, but fuck it, it all just works!

- The Adamant Rail: What if you invaded the underworld with a fucking machine gun. The Adamant Rail has an ammo counter; each Attack takes 1 bullet (and Dash Attack takes and fires 2), and you reload by pressing the right-hand stick in. Its Special is a slow-moving mortar that hits in a wide area. The Rail is a powerful and versatile weapon capable of engaging at great range, which tends to build either Attack or Special. If you’re building Special, look for big hits like Aphrodite, Artemis, or even Poseidon, and any Special upgrade at all from the Hammers. Attack usually wants utility or stacks - stuff like Poseidon, Demeter, Dionysus, or Zeus - but certain Hammer upgrades like Spread Shot might make it more worthwhile to invest in big hits for it if you get them early. However! Just because you’ve decided on a focus doesn’t mean you should neglect the other half of your weapon. For instance, an Attack-focused build might still entertain the Targeting System upgrade so that you can more easily land your hits and avoid the enemy, while a Special-focused one benefits from mounting debuffs like Weak or Chill on its Attack.

For any weapon, once you settle into a play style you enjoy, find ways to be rewarded for what you’re already going to do. If you enjoy, say, the Chiron Aspect for the bow which makes it into a Special-focused weapon, mount benefits like Doom or Weak on its Attack since you still have to use that to make your shit go-go. This applies more broadly too; if you’re saving up Gemstones for something, for instance, use the extra money you get during your run to visit the shops earlier and more often. Let Hades reward you for doing the things you already want to do.

To close this guide out I’m going to briefly touch on Heat, which is how Supergiant Games has manifested their signature build-your-own-hard-mode approach. After you clear the game with any weapon for the first time, you acquire access to the Pact of Punishment. This Pact lets you turn on hostile modifiers to your run, which each have a Heat value; once you clear the game with a weapon at any given level of Heat (0, 1, 2, etc) you can only get Titan’s Blood, Diamonds, and Ambrosia with that weapon by advancing to the next level of Heat. In this way the game gradually gets harder on a weapon-by-weapon basis.

So, what modifiers to turn on? Depends on what you’re good at and bad at, but I would highly, highly suggest that you get used to Extreme Measures, Middle Management, and Benefits Package as soon as possible. Not only are they sources of big Heat by themselves that don’t change too much of the run by themselves, but their primary difficulty is knowledge-based; once you know them, they’re practically free real estate. Since Heat is tracked per-weapon and not in total, you can also always go back to weapons you’re not as good with and use practice with them as an excuse to get more permanent resources that you can pour into the ones you prefer.

Obviously this guide is not comprehensive! I’ve left out a lot of things you might want to know, like boss patterns, enemy types, and a whole lot of stuff about characters. Some of these things I’ve not talked about because I don’t want to give spoilers; others I haven’t talked about because I’m, again, actually pretty bad at games and the Hades community has talented folks whose guides on Steam, on the Reddit, and on the wiki can provide you with thorough breakdowns of the math that makes the game work. Still, it’s my hope that this can ease your entry into the world of Hades and help guide you in those early runs when it can feel like you’re spinning your wheels. I look forward to hearing from you; reblogs and commentary are welcome!

See you all in Hell.

[wr0ngalice]

9:21p 4.17.20

wow i just wrote the most elaborate and elegant and honest thing i think i have conveyed in well years, and it’s gone because tumblr’s interface is absolute crap. i only hope i can remember it all again. i can’t write anything other than in a fucking tumblr text sheet. i really can’t and i haven’t been able to in years and I CANNOT CONVEY HOW ANGRY I AM THAT THIS JUST HAPPENED. 

it’s 2020 and the world is on fire.

i don’t know where to begin, to pick up from sebastian, to talk about my still non-existent sex life, to talk about that it’s 2020, that there is a world wide pandemic and that i am unemployed and about to be homeless and i have no plan. 

as the rain began i stood listening to my neighbors babble. high as a kite i started to not be able to take full breathes having just ingested an entire takeout container of lasagna and mozzerella sticks feeling completely glutinous and disgusting. a panic rushed over me but so did the urge to write and be honest with myself through my weird relays of my stories. i put out my cigarette on the worn out gate and rushed into my house, i could feel the anxiety attack taking over and my breath getting shorter so i specified each step of my way in....grab key....wash hands.....pee.......put my bluetooth back on so i could start music....because this was the kind of high the kind of panic only soothed by masturbating. and so i did, and here i am.  

my name is deanna and i have boys on my brain (i’m laughing). i guess i should start off with the most honest sentiment i’ll ever conjure about my existence: my body image issues have held me back from every feeling like i am worth anything or worthy of anyone’s attention. i view my body as a currency, one that is cheap, of low quality and worthless to most. i have never been able to learn how to love my body or myself, i do not take care of it or feel capable of taking care of it. i spent some time feeling like it’s okay to feel like this and look like this and that someday someone will love it. but most of the time i feel worthless and like i am disgusting and that being fat is stopping me from ever truly feeling happy, being love, feeling accepted, or being truly who i feel like i am. it feels completely impossible and unachievable. and i’ve demonized anyone who ever made me feel like i’m supposed to care, or that i should feel bad for not caring enough what other people think of me. and then the cycle of shame starts, for looking this way shame for feeling this way, shame for feeling like fat people are worth less than anyone else, shame that i am one of them and stay this way. shame. 

i’m sad about a boy. i met him on discord playing a killer queen black. you ever know you are enamored by tone of someone’s voice when they hear yours? feeling a chemistry that awakens your smile too quickly to feel comfortable with. it was those simple things. a shitty emoji. sending me pictures of animals, bad memes and youtube videos. sending me drawings of pokemon, seemingly genuinely interest in every silly thing i send you back. listening to the songs i suggest and the playlists i send all the way through. asking me what i am doing. good morning texts at 1pm and sweet dreams every night. being excited i am in the vc and spitting quick call backs to only conversations we’d know while everyone is listening. being there all day and making me feel like you wanted me there too, like i wasn’t just someone else to talk to. staying up all night drinking wine and watching hunter x hunter to the sunrise or until one of our sedatives takes us out. i send you my real name, and my twitter, and built up the nerve to sent my instagram and thinking there’s no way he keeps talking to me if he doesn’t like what he sees so it is safe to send him the link to my live stream that contains my facebook with my complete honestly. and then for it all to get awkward. and so i know that he feels a different way not but he’s not saying it. because it feels different now, because he’s there still always answering or messaging first, but it’s shorter now and less personal. the call backs are less because the messages are less, and the offer to stay up with me is still there but feels less genuine and more like you kinda feel like you have to. maybe it’s all in my head. maybe it’s not because when something feels weird it usually is weird. so why keep up the half ass? today you didn’t really and i am so sad, but so grateful. get this over quick if it’s happening. cause i can’t deal with being that lone right now. i watched a video about the important of discerning chemistry from compatibility and at the start felt ready to write it off because yin and yang, opposites can complete each other. but by the end i realize that made our chemistry is so bright i am being blinded into thinking we can fill each other’s gaps in compatibility but how hard we make each other laugh. i can discern all the examples of what i call chemistry, but there’s all the actions the show the chemistry is not electric enough to fill the holes in our compatibility. i want every reason to believe this is wrong and i want you to give it to me. i want you to think i am beautiful because of the person you’ve gotten to know every night for months. 

i masturbated to the memories of my dream of kissing levy last night. i tasted his lips as if i had tasted his love before, the familiar warmth of his “hey yourself” feeling like enough of the familiarity and comfort i need to get myself off. the overwhelming loneliness prompting me to call him after all this time. i haven’t really thought about him in a longing way, just a passing thought on the bye, and i admire my ability to stop answering when i knew it was doing too much to me. i’m neither sad or surprised that he didn’t answer me. i think the real question is whether i will feel the need to know his love at the end of our next conversation. i guess it was probably the transition of moving to new york, and the way he seemed to be invested in me figuring out my shit sometimes. it feels so rare that people care about the person i am that when it happens i immediately only know how respond by sexualizing the love i want to give back. he seemed like he wanted to know me and understand why i do the things i did, he listened to the ways i believe the world work and he changed his opinions because of the way i expressed my thoughts. that felt so powerful to me. it felt like he wanted me there, and i liked that he liked the way i spoke about existing and he wanted to be a part of it. like he knew i was connecting my soul to his soul, and like he had been honest about really not being able to give that to another person, like he wanted me to be there but he knew he was hurting me by letting me stay because he wasn’t capable of giving himself away. it feels like this really sad thing that when typed out sounds so dramatic. and i want nothing in the world than for him to know that i think this way, and i want him to tell me that i am crazy and read so much into nothing, or to tell me that i am right, that i understand his soul and that we are connected the way that i felt we were. 

i need this. i cannot understand why writing in a tumblr textbox is the only way to talk about deanna. i spent so long writing to her here, and now that i am with her again, now that i really feel like i am her, i can say here now that it wasn’t about becoming her or working towards finding my way back to her, it was about accepting that i wasn’t all the things i thought i was and that i wasn’t going to be able to achieve all these things that would supposedly make me better. i am deanna all the time and “future deanna” is here with me today. i’m not working towards anything that i am not actively doing right now. 

i wanted to stop here, the rest of this might not be so in touch. maybe it will. i’ve been under quarantine in brooklyn since march 10, 2020. this reminds me i need to talk about killer queen eventually, huh? coronavirus is changing the entire globe. this is that shit that has a major red subtitle in the future history books. i can’t go to the grocery store without wearing a face mask. this isn’t some weird movie that i don’t like, this is real life. i lost my job. i have to move out of my apartment at the end of next month and i have no idea where i am going to go. people are dying at insane rates. nothing in the world feels certain. donald trump is killing people. he’s our fucking president and after all this time i still haven’t accepted that that really happened. the things that are important in my world are so much different now. and their competing forces are compounded by nihilism and salty existentialism. and this makes it hard for me to think about the future. 

i’m gonna figure out a way to keep writing. this feels important. 

[butterflydm]

The Untamed Rewatch (ep 1)

 Series Overview | Index | Next Episode

Oh, yes, I was very correct about this all hitting me a lot harder after I’d seen the whole show. I am also watching it on viki.com this time and the subtitled translations are already a lot better than the ones on the tencent youtube channel. They flow much more naturally as lines of dialogue (there’s a new set of translated videos popping up, too, that I might check out on my… third viewing… that will probably happen after this one… I really like this story y’all).

Things that stood out to me on this viewing (note: I am going to be spoiling the rest of the story as well when talking about things, including the twists):

Okay, so in the drama, when Wei WuXian is brought back to life, it seems like he definitely does look like himself again from the start —he specifically questions Mo XuanYu’s cousin to see if the Mo family would recognize him and learns that they haven’t seen him without mask or heavy makeup since he left home for a while at thirteen. What I infer from the conversations is that their looks were similar enough that when Mo XuanYu called Wei WuXian’s spirit into his body and the magic reshaped it, his general shape didn’t change enough to be noticeable, plus the family didn’t really look at him much in any case. And Wei WuXian worries that the “Lans of Gusu” might know enough about how he looks to recognize him, even if they aren’t “him”. I mean, obviously the doylist/meta reason is that they hired Xiao Zhan for a reason and they’re gonna have him play the part, but yeah, thinking about it is interesting.

Wei WuXian playing wangxian on the piece of grass: fucked me up so much more now. This show does such an excellent job with this entire romance. The whole way they set up Wei WuXian both wanting and not wanting to see Lan WangJi again is a lovely representation of their push-pull dynamic in the drama as a whole.

Which brings me to how much I love that song. The wangxian love theme is absolutely beautiful, enough that even when they play it like ten times in one of the later episodes, I’m still like “aaaah, so pretty! <3”. The first time we hear it is when Wei Ying has the flashback to Lan Zhan in his Gusu robes when he’s talking to Lan SiZhui and it’s so subtle there but it starts building up the mood of their romance, piece by piece. And WWX is so overcome by the memory that he literally sinks down and sits on his heels.

I also really love Lan Zhan’s theme song, as well. Lan Zhan’s introduction is… a lot. I love that we don’t see his face until it’s WWX seeing his face again, too. And he’s just this floating ethereal being and WWX stares for a long while, transfixed… and then makes fun of the way he’s dressed, with a fond smile. There’s such a good job there of putting in a sense of familiarity and history with how Wei Ying reacts to seeing Lan Zhan again.

The set-up of the sixteen years ago, seeing that moment, and then when we come back to it 30+ episodes later as we see both that there was so much we didn’t know but also that the show didn’t at all ‘cheat’ about the emotions of the scene — the backstory information we get complicates the picture of that day that we start with but doesn’t undermine it.

Wei WuXian also comes back in a much better emotional place? Given the way resentful energy is presented in the drama as a corrupting force, I wonder if part of that is attributable to getting a ‘new start’ in Mo XuanYu’s body — his own original body had been put through so much physical trauma in addition to the emotional trauma. The removal of his golden core. Being thrown down into the burial mounds. Then years of resentful energy being held inside his body and built up over time. Even just getting a chance to wipe that out and start again in a body that hasn’t been through that trauma might be helpful. This fey, trickster Wei WuXian is reminiscent of how we meet him in the flashback.

Though, in the drama (as I understand it, his death happens differently in the novel), another element might be that we did see him reach a moment of peace right before he died — he saved Lan Zhan’s life. He was already able to break out of the stranglehold of his grief and pain long enough to do that before he died, so his mind already started the healing process (but then he died, so it was short-circuited — sort of? Wei Ying does make it clear he was aware of being dead and he even knows how long he’s been dead without anyone telling him). I’m not sure how much of that applies to the novel’s version of WWX, but that’s what I got out of the drama’s version.

I really love Wei Ying’s casual displays of power. Snapping his fingers to freeze Mo XuanYu’s cousin in place… it just comes so naturally to him. He just has this very spontaneous-feel to when he uses magic (is it still called cultivation in this context?) that makes it just part of who he is and it’s very charming.

We see the hints of Nie HuaiSang’s hand behind everything — he paid the storyteller to talk about the YiLing Patriarch for three solid days, probably to influence the timing of Mo XuanYu’s ritual. He makes sure he stays there to see the initial results through — which he does again in the final act of the story. I have much genuine love for Nie HuaiSang tbh. He gets his revenge thoroughly but doesn’t go incredibly overboard the way most of the revenge-based characters do in the series (though he is ruthless about it). He knows his own strengths and weaknesses — he’s not a fighter, but he knows where he can find one. He doesn’t have overweening ambition beyond what he can handle. If his big brother had never been murdered, I get the sense he would have happily stayed a decorative baby brother all his life.

The Lan juniors are the cutest lil beans in creation. I love the contrast between them, because we see that Lan SiZhui is much more polite and formal than Lan JingYi, but he’s also incredibly compassionate and his heart is very much present on his face at all times. He’s respectful but openly kind. The moments when his memory is getting tickled by the way Wei Ying is behaving is also… it means so much after having seeing the drama all the way through once. And I love Lan JingYi for many reasons, but also because I think his (tbh kind of straight-up bratty) attitude implies that the Cloud Recesses have calmed the fuck down a bit about their strictness in the past decade-plus. And he finds Wei Ying’s dramatics amusing for the most part, which is cute.

Lan SiZhui recognizing wangxian — I suspect he’s remembering Wei Ying playing it rather than it being a post-death memory of LWJ playing it, since Lan JingYi doesn’t remember it at all. And because if Lan WangJi played it for anyone after Wei Ying died, then I’m not sure he would have been so certain from the start that the person playing it had to be Wei Ying. Meanwhile, Wei Ying isn’t aware of the full emotional importance of the song to Lan Zhan, and he seems to play it a couple of times as a soothing action (self-soothing here, and then to calm down Wen Ning’s corpse in episode 2)? Likely because it reminds him of being cared for by someone (in this case, of course, Lan Zhan). Wei Ying keeps precious hold of things like this and is very sentimental from what we see, and it makes sense that he associates this song with affection in the same way that he associates lotus root and sparerib soup with affection.

I am… honestly not at all surprised that people (even apart from the Lans) are using all the cool shit that Wei WuXian created even while most of the cultivation world still condemns him. That was the way they behaved when he was alive, too. They wanted his cool shit but judged him for making it.

Wei WuXian standing up for Lan SiZhui and the rest of the juniors when Madame Mo is yelling at them: he’s such a natural defender, tbh (which, of course, ends up being a big part of why he and Jiang Cheng end up at odds because WWX doesn’t limit his caretaking nature to his family but extends it to literally anyone who needs it no matter the cost). He’s nurturing in a careless/teasing way at times but he’s also very protective. And that impulse to jump in to help other people is such a big moral thing that he shares with Lan Zhan.

Okay, so, thoughts on grief as presented in the drama: Lan WangJi is well-known and beloved by the young Lan disciples. His reputation is back to being spotless, because it’s been over a decade since he did anything wrong. so, I don’t think he was publicly still grieving, though I will note that the Lan junior disciples seem relatively open to the idea that the YiLing Patriarch was probably not the worst person ever and it wouldn’t suck if he really weren’t dead after all, kind of reminiscent of MianMian’s daughter talking about how the YiLing Patriarch only goes after bad people (Lan JingYi honestly sounds hilariously excited about the idea that the YiLing Patriarch might still be alive, tbh - what have you been telling these children, Lan Zhan? lol).

So while I don’t get the impression LWJ spent most of those years openly pining, I’m sure the subject of WWX has come up, as he’s still a popular monster-in-the-night for a lot of people, and LWJ probably did defend his memory, in his own quiet but solid way. But I also get the impression overall that LWJ put his deep grief for Wei Ying in the same box as his deep grief over his mother, and he did his duty.

Then, he realizes Wei Ying might be alive and everything changes. I love that they both instinctively think of each other by their given names, too. Even when Wei Ying isn’t sure whether or not he wants to see Lan Zhan, that’s still how he thinks of him first — as Lan Zhan. And Lan Zhan just stares at the sword while it’s giving off those black smoke trails, transfixed, and when he first wonders if Wei Ying is alive and there, it’s just... Peak Romance, y’all. Peak Romance.

It does crack me up that the second Wei Ying gets the chance, he dresses himself in his own colors of black & red and doesn’t stick with Mo XuanYu’s colors. The only effort he puts into his ‘undercover’ disguise is the mask. He deserves a “I don’t think you even tried at all” star tbh.

Series Overview | Index | Next Episode

[daily-hundred]

THE 100 GIF/COLORING TIPS

Okay, so I know nobody asked for this lmao but I’ve seen a lot of people complaining about the lighting on The 100 (which is completely understandable since it’s very bad.) And even though I’m not at all a pro, I’ve been giffing this show for awhile and I’ve found out some stuff that might be useful for other The 100 gifmakers out there.

Please reblog/like this if you save anything from this tutorial or if it helps you at all :)

WHAT YOU NEED 

Photoshop (I use CS5).

General knowledge on giffing.

Patience because The 100 is a hard show to color. 

COLORING PREVIEW

WARNING: This is very long. Everything starts under the cut!

GENERAL GIFFING TIPS

Get 1080p/720p downloads. Since The 100 is already a very dark and grainy show, anything lower will ruin the gifs’ quality.

Make sure you have cropped the gifs to the proper Tumblr size. Click here for reference. And get rid of the network logo when you’re cropping it! It always looks better without it.

Sharpen your gifs! I don’t see any reason why you shouldn’t. Sharpening your gifs will make it look more HD and show off your coloring better. My sharpening is a smart sharpen with these settings. You can go here if you want to experiment with other actions/settings, though.

Do not have any skipping frames. Please. Your gif will look sloppy and won’t be as smooth, therefore ruining the quality of it.

Make sure you have the gif timing right. I usually go for 0.05 seconds because personally I think it looks best, but I’ve seen some who went with 0.04s or 0.07s and that also works well. Go for 0.05s! I realized now other time settings doesnt work as well as 0.05s especially with The 100.

Save settings. My usual go-to settings are these. Though sometimes I went for selective instead of adaptive and it looks okay, too! :)

+ extras: subtitle!

The font you use for subtitles on your gif will also affect the way your gif looks. Fonts that are too big or too small will make it look less HQ, but having the right font with the right size (and the right position!) will make it look good. Here are some text settings you can use that I’ve found: [ one / two / three ]

COLORING TIPS

Now that you’ve kind of gotten the general giffing tips, I’ve listed out some coloring tips that I found out specifically for The 100. All PSDs will be linked at the end of this post.

Adjust your brightness before anything else.

The 100 is generally very dark, but even with scenes that are already not too-dark, you’re still gonna want to adjust the brightness so you can work on the colors better. I’ll go detailed with this one. We’ll be working on 3 scenes, bright, neutral, and dark scenes.

1. BRIGHT/YELLOW

For this one, I used a scene of Clarke from Season 5. 

The scene is already very bright, so what we’re gonna do here is to adjust it so it’ll look prettier without being too bright that it hurts our eyes. First let’s do curves. I added two curves layer, the first one is to add just the tiniest bit more brightness to her face, and the second one is to darken the background. and then I’m gonna add brightness and levels for contrast:

Alright, now that I’m already happy with the brightness, I’m gonna go and adjust the color. This is too yellow for me, so I’m gonna add a color balance layer to and pull up the blues/cyans/magentas

That’s good, but it’s too desaturated. I’m gonna go and add selective layer to make the colors pop up. I adjusted the red, yellow, and neutral and I got this:

Now this looks great already! Unfortunately, I’m annoying so I have to add more adjustments lmao. This is the final result after being added with an extra brightness layer and a gradient map on luminousity.

2. NEUTRAL

For this one, I’m gonna use a scene of Lexa (reshop heda you’ll always be missed) from Season 2. It’s not very bright but it’s also not too dark.

Now the tips with scenes with enough clarity (doesn’t have to be super bright, but if you can still see things clearly) like this one, clicking the ‘auto’ button on curves saves a whole lot of time. I did so and this is what I have in result:

The auto curves will usually brighten the gif and balance the color on it. Often times you still have to adjust it again. But still this will save a lot of time. I added some more brightness and levels before adding color balance and selective colors layer, and here’s the final gif:

Keep in mind that this will only work with some scenes. This will work alright with the Clarke gif above, but it definitely won’t with this next gif we’ll be coloring.

3. DARK/BLUE

Okay now this one requires some work. I chose Octavia’s scene from the Season 6 trailer. 

The original sharpened gif (notice that I got rid of the logo! It’s really annoying for me so I always find a way to get rid of it.)

It’s reaally dark. So let’s start with brightening it up a little. I added curves, brightness, levels and more brightness because it was still dark as hell:

Now, you may think it’s already bright enough, but for me personally I can still make it brighter, so I added exposure. With dark scenes exposure works really well. But you have to take it easy with this layer since it affects the gif drastically with very minimal effort. I also added a black and white Gradient Map layer that I always set to luminousity:

Now it’s time to go and adjust the hell out of the color balance to make it less blue! I also added an extra selective colors layer to make the reds pop out and get rid of the pixelated/grainy blacks on her hair. After that I added another brightness layer. Here’s my final result:

The quality on this gif is not as good as the others since it was from the youtube trailer (1080p youtube video are still low compared to web-dl’s) but that’s basically the gist on how I work on The 100′s darker scenes! :)

Color balance and selective colors.

The 100 lighting often makes your gifs not only too dark or too bright, but also too yellow or too blue. Balancing it out using a color balance almost always helps. Selective colors layer will also help when you want to pop up certain parts of your gifs. Here’s some tips on selective colors that I got from msmarvel’s coloring tutorial.

Selective colors and color balance layer usually go in the middle or on top of brightening adjustments for me. But I found out that color balance could also be done after you’ve done your coloring, but you have to put it under the other adjustment layers to have the most effect.

I’m gonna show you how I edit this gif here of Raven and Murphy with what I’ve said above.

Without any coloring:

Yeah, I know. I can’t see anything either.

I brighten up this gif using my method above for dark blue scenes. Curves, brightness, levels, and add more depending on what you need. Here’s what I have now:

We can see both of them properly now, but it’s waay to blue. Also I’m losing some color from Raven’s skin so I’m gonna add color balance under every adjustment and pull up the reds and yellows.

Now it’s better! You can totally leave it here and post your gif like this. but I added an extra selective colors layer to bring out the red, yellows and blacks, and here’s the final result: 

I should mention that when it comes to scenes with POCs, you have to be very careful. With this scene with Raven color balance and selective colors helped bring back her color, but on other scene adjusting too much of the red/neutral/yellow might ruin her skin. You are allowed to adjust the colors on a gif extremely when necessary, but be careful about it :)

Some dark scenes are supposed to stay dark.

I realized that with the 100 (or any other shows tbh) brightening up a gif with a dark scene too much will make it lose so much quality and ruin it. So, what I’ve learned to do is to let it be dark. I’ve seen some people brighten their gifs too much and even though I understand your frustration, it’s gonna be better if you just let it be as it is. But, still, make sure it’s bright enough so you can still see the things happening on the gif. 

Here’s a gif of Bellamy from Season 5. You can see how dark it is without any coloring:

First, let’s brighten this baby up so we can see Bellamy’s face. I added curves and brightness, levels and more brightness:

Now I know it’s still very dark, but instead of brightening it up too much I’m gonna go to color balance and add the tiniest bit of red and yellow, and then I’ll add a photo filter. These two adjustments are done so we can have more color on his face instead of the ugly dark red we had. With those adjustments, what we have now is this:

Next, we’ll move on to selective color. This is what I mean when I say you have to be careful with this adjustment. I want to brighten up Bellamy’s face by putting down the blacks on the red selective color. But by doing so I might erase all the reds from his face and whitewash him. To prevent that, while I put down the blacks, I bring up the reds (lowering the cyan) and yellows. I also pull up a bit of neutral and black selective color so I can get rid of the grain (adjusting the black on both selective colors.)

With a little more last-minute brightness, here’s the final result:

That’s pretty much it! You can add more brightness than what I did here (I was in a rush when I made this but I would definitely add a little more curves or brightness) as long as it doesn’t ruin the colors and won’t make the grain too visible. 

Now as promised, here are the PSDs I made for this tutorial! Please don’t claim them as your own and feel free to tag me (#useraaya) if you make anything with them so I can check it out :)

[ clarke ] [ lexa ] [ octavia ] [ murphy & raven ] [ bellamy ]

I hope this helps! Don’t hesitate to message me on my main blog if you have any questions. <3

[popwasabi]

How some stoners named “Harold & Kumar” made Asian Americans proud

Being Asian American can make you feel invisible at times or worst, the butt of every bad joke.

Sure, lots of Americans love Asian things like sushi, kung fu, anime, and tacky calligraphy tattoos that don’t mean what they say they mean but they don’t particularly care about having the people themselves present or even represented.

And typically when we are represented it tends to look like this.

Or this.

Or this.

(I said what I SAID!)

Now Asian Americans are not by any stretch the most marginalized or even the least represented people in the larger American cultural diaspora, but they’re fairly consistently forgotten or grossly stereotyped in our media regardless and this has larger consequences. Representation is important because it makes a people’s presence known to the larger majority.

Our pop culture has unfortunately played a role in erasing, appropriating, and misrepresenting Asian folk. An action movie may feature a white actor with extreme martial arts skills fighting in Hong Kong but might not have a single prominent Asian voice throughout the plot and those that do are typically gross caricatures. The Cyberpunk genre loves Asian aesthetics from its Tokyo inspired neon lighting, futurist cityscape, and ramen carts abound but boy, is the populace typically dominantly white.

(I love this movie but considering how many Asian things and aesthetic choices there are in it would it have killed Denis Villeneuve to have at least ONE background Asian person??)

It’s not shocking then that 2004’s stoner comedy classic “Harold & Kumar” starts with a pair of white dudes beginning their own adventure by leaving one of the titular heroes in the dust to do their dirty work because “Asians love math” or something. Despite not being a stoner, at the time at least, I related hard to this movie and its characters as the film touched on a number of triggers I had growing up.

2004 was a formative year for me as an Asian American. For the first time ever, my history classes were touching on Asian culture with discussions on Japanese feudalism which awakened a deep sense of pride I didn’t know I had at the time. I was watching NHK samurai dramas about Miyamoto Musashi and later the Shinsengumi which led to me begin training in kendo. Anime had suddenly become more mainstream with the premiere of Shonen Jump and pirated subtitled anime littering all of YouTube. But more importantly, and distressingly, I became more aware of my identity because it was increasingly getting called out as I was getting older.

I’ve been labeled a number of different pejoratives growing up through my teens.

“Nerd.”

“Weirdo.”

“Loser”

But none cut deeper than “Chinese boy.”

I’m not Chinese, of course, in fact I’m half white and half Japanese but try telling the various ignorant lunkheads I knew growing up to respect and differentiate between them all. Hell, better yet tell them I’m just as American as they are too.

Being labeled “Chinese” hit a very personal chord with me. To lots of Americans, unfortunately, we’re all “Chinese” and the various qualities that make each of our cultures unique are inconsequential to them. We AAPI’s all individually take a measure of pride in those unique qualities and to have it all sequestered under a blanket “Chinese” label was beyond insulting.

(And I don’t care what you tell me or how much you hate China’s government, this is a THOUSAND percent a dog whistle.)

For Asian Americans, there have been various ways one reacts to these insults. Some of course, who learned confidence at a younger age, would shrug it off or ignore it, some would outright resent it but for me at least it only made me dig my heels in deeper. Yeah, I’m Asian, so fuck you!

That energy is deep “Harold & Kumar Go To White Castle” as these two Asian American characters not only navigate a crazy night of searching for an open White Castle to satisfy their stoner cravings but also confront various microaggressions from outside and within the Asian community.

Harold, of course, struggles with his confidence. He can’t stand up for himself when the aforementioned two white bros from the start of the film saddle him with extra work. He laments doing the typical Asian thing of being too passive when confronted by authority. He can’t find the will to ask the girl next door out because again he sees himself as an impotent Asian guy unwilling to make the first move. The whole movie he struggles with his inner feelings because he’s been taught and programmed to a certain extent to be timid because that’s the Asian identity.

Meanwhile, Kumar’s character is about resisting conformity to those same stereotypes but in the worst ways. He co-opts black and hip-hop culture as seen in his messy apartment room. He fights his dad who is forcing him to take his doctor's exam, something he doesn’t want. Generational pressure is common in all cultures but it’s an entirely different animal when it comes to the Asian upbringing. Kumar embodies this resist from beginning to the end of the film and though he does decide to take the test, it’s important that he chooses to do it, not his dad, and certainly not because he’s Indian. He decides that choosing to be a great doctor doesn’t mean he is becoming a stereotype because his identity is not just about being Asian.

(Every Asian kid has heard their parent make an unintentional innuendo.)

Harold and Kumar’s differing approaches create a charming pair for the film to bounce off as Kumar’s brashness often lands them in trouble and Harold’s timid demure keeps them down in its own way and the two finally come together when Kumar learns to understand the difference between conformity and choice and Harold learns conformity doesn’t define him.

Both characters confront all kinds of microaggressions against their identity throughout the film. Cops making fun of their names. The extreme sports bros making every racist joke every Asian kid has every heard growing up at them. All Asian Americans have grown up wanting to deliver the perfect comeback or “fuck you” moment against these types of people and when our heroes triumph and put them all in their place there is undeniable catharsis as it happens for everyone who has seen this movie.

(Seriously, there isn’t a more satisfying good triumphing over evil moment in film for me than the conclusion of this particular plot.)

The movie confronts stereotypes in more ways than one though. Throughout the movie Harold and Kumar are confronted by a situation that makes them think it’ll go one direction but ends up (usually comedically) the opposite. Harold and Kumar try to hook up with two beautiful transfer students who turn out to have horrible bowel issues. Harold is reluctant to go to the Asian American club party because even he believes in his own ethnic stereotypes of them but it turns out it’s a banger of a party with plenty of weed to boot. Harold and Kumar are picked up by a lonesome, disfigured tow truck driver and are shocked to find he’s married to a beautiful woman. And the aforementioned extreme sports bros turn out to love cheesy pop music and romantic songs.

Basically, the whole movie is about giving a big middle finger to all our preconceived notions we have about identity and it's brilliant.

(Nothing wrong with cheesy pop music, of course.)

“Harold & Kumar” is great for other reasons too. John Cho and Kal Penn still play greatly off each other. There’s plenty of great one-liners sprinkled between each scene. The entire journey to find White Castle burgers in the middle of the night is a fairly genius premise for a stoner comedy still. And Neil Patrick Harris playing “himself” is still iconic.

Parts of the movie haven’t aged, well of course. There’s some bad gross-out humor, some lazy gay panic jokes and not to mention some sexist quips that don’t land well in 2020. Also, let’s just not talk about the sequels.

(I still find this scene amusing though.)

That said, “Harold & Kumar’s” first film in this munchie saga is not only a grade-A stoner flick but simply one of the best films ever when it comes to bringing that much needed representation of the time to Asian Americans. Watching Harold & Kumar stick it to their annoying white antagonists while delivering a “fuck you” to every racist joke I ever heard growing up is still cathartic as hell and made me feel proud to be Asian American during a turbulent time for myself growing up.

Though it’s not Masterpiece Theater by any stretch, Harold & Kumar will always hold a special place in my heart and remains forever “high” on my list of favorite movies of all-time.

Happy 4/20, y’all!

[nordic-language-love]

hi! i tried to look for an faq to see if you've answered this question before, bcuz im sure im not the first one to ask, but i'm curious as to how you got to the level you are in norwegian? i've been studying it for years and just found that im only A1 in listening, and A2 in everything else. feeling pretty gutted and frustrated, and I remembered seeing in your bio that you're like solid B1. So, yea any tips that have got u where u r would be super helpful! takk :)

Oh I understand that frustration - the first time I took a Norwegian proficiency test I was certain I was at least A2, maybe even verging on B1… came back as A1 for everything. My poor ego took quite a battering that day.

(This got kinda long and I’m really sorry about that :| hope it’s all helpful! Gonna put it under a ‘read more’ so it doesn’t clog up people’s dashes)

I think the most important thing when pushing myself from A2 to B1 was to try and use or expose myself to the language as much as possible. My phone is in Norwegian. I always had a Norwegian CD in my car. I’d listen to audiobooks, podcasts or the radio while I’m doing menial tasks (and when I say ‘listen to’ I mean I’d desperately try and pick out words here and there, never mind whole phrases). I’d try to read at least the headlines on NRK every day, even if I never got as far as reading any articles (sometimes I’d just read the first paragraph of one). I’d talk to my cats in bad, broken Norwegian. I’d sing in the shower. I’d watch a grammar explanation on youtube (Norsklærer Karense is my favourite). I’d write snippets of my thoughts or a bit about my day, even if I ended up just deleting it. Basically, even if I wasn’t sitting down to study properly, I was still doing something - that way I got used to sentence structure and prepositions and other grammar, and the most common vocab got cemented in my head because I was exposed to it so much. I also make sure to ask for clarification when I’m unsure, and when I do post things in Norwegian I always try to use at least one word or sentence structure I’m unsure of and ask for feedback, because if I never push myself and get that feedback I’ll never be able to write in a natural way.

Some things you can do specifically to improve your listening:

1. Listen to Norwegian songs with the lyrics in front of you. This will especially help with learning to recognise words even when they’re spoken in dialect, as a lot of Norwegian sing in their dialect too. When I do this as a learning exercise I usually listen to the song once without lyrics to see what I can pick out, then with the lyrics, then I’ll translate the lyrics (always try to translate them yourself first, then double-check with online translations), listen again a few times with the lyrics in front of me and then I’ll try without the lyrics to see what I recognise and what I’m still missing. Here’s a spotify playlist if you’re stuck for songs!

2. If you use Duolingo - close your eyes or look away from the screen while the sentence is being read and try to understand what’s being said as best you can. Then look at the sentence and replay the audio while reading it. Again, this helps you to match the sounds to the words so you’ll understand better in future.

3. Take advantage of youtube teachers - Torill Høiby offers grammar explanations with text onscreen and Norskkurset by Anne-Beate Stenstøen can be viewed with subtitles. Norsklærer Karense speaks very slowly and clearly, and she often uses written aids. Again, these will help with matching the sounds of the words to their written equivalent.

4. Have the radio, podcasts or audiobooks on in the background while you’re studying or doing housework. This will help you get used to the natural rhythm of the language, even if you don’t pay a lot of attention and can’t understand much. Radio can be found on the NRK website or the app and audiobooks can be found on youtube (just type the Norwegian title + lydbok into the search bar).

5. Watch Norwegian TV shows on NRK with subtitles. Again, you may not understand everything, but you’ll expose yourself to different dialects and you’ll start to pick out more common words (if an unfamiliar word or a phrase that doesn’t quite make sense keeps popping up, look it up then go back and rewatch things again and see if it helps give context to other words).

I also made a post of Norwegian Listening That Doesn’t Feel Impossible - check it out!

@kjaerekrake made a masterpost of Norwegian youtube which you should check out too :)

For your other skills:

A decent textbook is a good investment if you’re looking to improve your level. The Mystery Of Nils is great, and I really like Norwegian Tutor as well (Mystery Of Nils has audio files available online as well as awesome grammar explanations and short vocab lists too; Norwegian Tutor is more grammar-based and comes with a lot of exercises to help push you to the next level. Plus you’ll learn lots of new and more difficult vocab, which is important when you’re looking to reach intermediate level).

Reading articles about things you’re interested in is a good idea too. NRK and Aftenposten are good news sites - try browsing articles related to your interests (I love cooking, so I spent an obscene amount of time reading recipes). Wikipedia’s a good shout too - maybe look up your favourite sport or your favourite animal or a subject you know a lot about.

Write a journal - you don’t have to share it with anyone, but I’ve found keeping a journal reinforces vocab I’ve learnt and has improved my confidence with using the language. You can also look back and spot your own mistakes as you get more advanced, which is kinda cringey because omg did I really write that but also awesome because you realise you’ve improved.

I hope that helps! Learning a language is really difficult, and Norwegian listening in particular is very tricky because of all the different dialects and the fact Norwegians tend not to pronounce half the letters in any given word (I’ve had nowhere near as much trouble with Spanish listening!) But you will pick it up - even if it takes you a bit longer than some people, you’re more than capable. Just don’t give up

[vangoghs-other-ear]

what’s the best way to start learning french? is it through books of french basics? or audibly using videos or podcasts? any suggestions would also be very helpful! thanks!

Yes, all of the above!

Be ‘fluent’ in a language there are 4 skills that you need: reading, writing, listening and speaking.

Reading and Listening are passive skills, they’re better for learning new vocab, and are easier to self study

For reading: Follow french people on twitter, surf french Wikipedia, read recipes, the news, fan fiction, song lyrics etc. In the beginning start with shorter things and focus on vocab. For me when I was at lower levels, I would read song lyrics, write down what I thought it was about with out looking anything up, and then read it again, but this time with the help of a french dictionary. Also If you have netflix and a show has french subtitles, turn those bad boys on. Even if you’re watching it in English (or Italian, or Japanese etc)

For listening: Listen to music, watch you tube, find a real live native french speaker, again, if you have Netflix they have some french shows and movies on there (I haven’t really explored the selection too much, but if I ever do I might post a review on here). It takes some time for your brain to get used to hearing words so everything will sound like just mouth sounds for awhile. Don’t get frustrated just keep listening.

Writing and Speaking are active skills, they’re better for studying grammar, but harder to self study, because, to really study them effectively, you need a friendly native speaker to help you out.

Writing- I do most of my writing study in my french classes, I actually took a french writing class last semester (it was like a basic third grade writing class, but in french). Every time we did a rough draft our professor would go through it and mark our grammar mistakes. I loved it & and I learned so much. For self study I would try to replicate that formula as much as possible, give yourself a writing assignment and have it checked by a native speaker. Even just chatting with a native speaker over text is good practice (although the grammar and vocab used over text & and in a school paper are much different!) If you don’t have any native speakers and can’t take a class, check out the grammar checker bonpatron. It’s not 100% accurate, but its better than nothing.

Speaking- For speaking, you have to get to a certain point before you can have a productive conversation with a native speaker. Think about babies, they babble before they talk. You have to babble.Narrate the events of your life in french in your head. I would walk around when I was at like A1-A2 just going “C’est un écureuil, c’est un arbre, etc.” Talk to your pets in french. I vouvouyer my cat because we use tu in class and I feel like I need more practice being formal. Choose a topic and just ramble to yourself. When you do have a conversation with a native speaker, don’t focus on being afraid to make mistakes. Just do your best to engage in the conversation and if you do make a mistake, or you can’t understand something that was said its okay. You won’t spontaneously combust. Just don’t trip yourself up, and keep moving.

In general, just do your best to incorporate french into your daily life, and find things that you are interested in, because then it will be easier to make yourself study! 

Recommendations:

I don’t have a lot, but here is some of the stuff I enjoy

Music- LEJ , Pomme, umm... does any one know of some good rappers? i’ve just been listening to Fauve, and they’re basically just spoken word poetry. As for musicals , I really like the 3 mousquetaires, robin de bois is fun, Mozart, l’opera rock is great, umm, if you like more traditional musicals check out Notre Dame de Paris and of course Les Mis in french.

YouTube- Seb Le Frite’s ‘Ce Mec’ series is great, check out Ce Mec dans son lit, ARTE documentaries are really high quality

Netflix- La Mante is a really thrilling police drama, but the last twist made me mad

[michelles-garden-of-evil]

Episode 18 Review: Making Biscuits

{ YouTube: 1 | 2 }

{ Synopses/Recaps: Debby Graham | Bryan Gruszka }

{ Screencaps }

Early morning on Maljardin. Exhausted from a day of shock and disbelief at the arrivals of her mother and Reverend Dawson on the island paradise(?) of Maljardin, Holly sleeps on the couch in the château’s great hall. Quietly, a fully dressed Jean Paul descends the grand staircase and stops behind the couch to cover her with a blanket. “Hi, Dad,” she says. “I had a dream. I thought that-”

I know that she’s probably a bit creeped out, but, honestly, I kind of envy Holly in this scene. There are days that I wish that I could wake up to see Jean Paul Desmond at my bedside. I know he has all kinds of issues and personality flaws, but I’d be lying if I said I didn’t find him cute and charming.

She tells him that she was dreaming about waiting for her father at home. “I know the feeling only too well,” he responds. “ Sometimes you know when memories haunt dreams, nightmares can follow.” I know that he is probably referring to nightmares about Erica’s death and/or to that freaky dream sequence with Raxl from the end of Episode 5, but still, I have to wonder if he, like Holly, lost his father at a young age. They reveal a little about Jean Paul’s father in the third and final arc of the show, but I don’t recall them discussing the specifics of his death beyond one thing that would be a spoiler to mention at this point. It would have been interesting to learn a bit about Jean Paul’s father in the Maljardin arc, but, unfortunately, we don’t.

So gallant! <3

We cut to a scene of Dan waiting impatiently for Jean Paul at the French Leave Café while talking to Vangie. Mostly, this scene exists so that Vangie can elaborate on why Maljardin is so hard to get to. “That channel is a cross between a tide and a continual tornado,” she says. “It's full of rocks and shoals. Actually, it’s never even been properly charted.” (Except probably by one of the des Mondes.) This is the only new information we get in any of the scenes between Dan and Vangie in this episode; the rest is nearly all recap, so I’m going to skip over most of it.

We return to Maljardin, where Holly and Jean Paul are sipping coffee from some dainty little cups. Before leaving for the main island, he asks her to attend Erica’s funeral, but she is reluctant because her mother and Reverend Dawson will be there. He advises her essentially to suck it up and go--which, as she points out, sounds like something "the good padre” would say. And then this happens:

I...don’t think that’s the generator.

Holly goes running upstairs and, just after, Jacques reveals that it was indeed he who tampered with the generator:

Love Jacques’ sarcasm in talking about the importance of the Holly portrait and how Tim and Holly may be “finished” before it is. And yes, the good Jacques portrait is back!

Next, we get what has to be the single most painful line of dialogue that the usually witty Jacques gets on the entire show: “Dear me, it does pose a dilemma,” says he about the situation with the Holly portrait that Boring Artist Tim is painting. “Pose, portrait, dilemma. A little play on words.” He snickers, indicating that at least he thinks the line is funny. “But I assure you I'm not playing games.” As Paflad would say, “BADOOM, and indeed, TSHHH!“

After the bad pun storm is over, he tells Jean Paul to bring Dan back with him to Maljardin because “[Jacques wants] to be sure that he doesn’t work against [him].” Cut to the second Dan and Vangie scene, where they recap nearly all the most important events on the show so far. It’s not all recap, however, as we do hear Vangie’s interpretation of the King of Wands, one of the Tarot cards featured last episode:

Vangie: “This way, a man of immense wealth and prestige and power in the world.”

“Reverse him, and he becomes the traditional card of ill-omen, a devil himself. Jean Paul Desmond...or Jacques Eloi des Mondes.”

And now onto the scene featuring the Matt-Holly-Tim love triangle, which feels endless because I can’t stand this subplot. I’m planning on writing a post someday explaining everything that’s wrong with this subplot and exactly why it doesn’t work, but I want to wait until after I’ve reviewed at least three more episodes featuring it. Nothing important happens in this scene, but we do get these lines:

Holly: "I wish my mother was on canvas instead of always on my back."

Be careful what you wish for, Holly. Someday you could have a portrait of Elizabeth Marshall that speaks to you constantly and manipulates you into doing things that make no sense to other characters. (Not a spoiler.)

The best Tim line on the show, and it’s a line flub. Go figure.

After the seemingly endless Tim scene ends, we return to the main island, where Jacques possesses Jean Paul while he is meeting with Dan. (He takes Jacques’ suggestions an awful lot, and I’m not sure if it’s because he actually agrees or because Jacques is manipulating him and he finds it too hard to resist.) We start with this shot of Jacques with ever-so-mildly creepy lighting:

Not scary, but it successfully conveys the message that Jacques has just taken control.

This scene makes up for the mediocrity of the rest of this episode. Jacques is his devilishly charming self, impersonating Jean Paul and making a fool of him by behaving far too cheerfully for a man in mourning. When Dan questions him, he insists that he’s only putting on a brave face and inwardly grieving, but Dan remains suspicious.

I must admit that I found this Jacques line--cheesy as it is--pretty funny.

Jacques, of course, takes advantage of the opportunity to troll him. Why not? For the first eleven episodes, he stuck to aiding Jean Paul and mostly just did things that they both wanted to do, with just a few exceptions like killing Dr. Menkin and giving Alison romantic dreams about him. Since Episode 12, however, he has been regularly screwing with Jean Paul’s life, trying to undermine nearly everything he tries to do in some way unless it also benefits him. By now, Jacques is in control of Jean Paul even when he’s inside the painting and so he probably feels he can get away with anything.

Anyway, remember when Jacques fired Dan in Episode 15? Well, he’s re-hired now and invited to Maljardin. He’s also more confused than ever, particularly because Jacques (who he believes is Jean Paul) keeps making faces like this:

BISSITS FACE!

For those of you who haven’t read my review of Episode 4 or who don’t remember it, Bissits Face™ is the name I gave to the cartoonish faux-innocent face that Jacques likes to make, where he opens his eyes extremely wide and purses his lips in a very cute way. The name comes from its resemblance to the face my cat makes when he makes biscuits, or “bissits” as I call them in baby-talk. I know the name is silly, but it is a silly face and probably not one you’d make in real life if you genuinely wanted to appear innocent--which is further evidence that Jacques thinks that he’s smarter than everyone else (and is probably right).

If his wrists weren’t crossed, he’d look like he was getting ready to make biscuits on that table like a cat.

Meow?

Of course, this isn’t his only bug-eyed expression, and he does keep those gorgeous blue peepers open quite a lot. I think that Colin Fox intended for Jacques to look “crazy,” which would explain all the wide-eyed expressions he has him make. Crazy eyes are, after all, pretty much standard acting technique for playing characters who are mentally disturbed to some degree. There’s an old French actor named Gérard Berner whom I’ve nicknamed “Crazy Eyes,” because, in the two miniseries I’ve seen him in (La dame de Monsoreau (1971) and Le roi qui vient du sud (1979)), he played characters with anger problems and, when said characters got enraged, he opened his eyes so wide that you would swear they were about to fall out of his head. This scene from Monsoreau is a good example, as is the one that follows it (Berner is the man with the longish hair and the silver doublet). Obviously, the intended meaning of Bissits Face™ is “I’m pretending to be innocent” and not “I’m angry,” but it’s still the same technique.

Gérard Berner (right) as François d’Anjou in La dame de Monsoreau (1971), demonstrating the crazy eye technique in a very different context.

Anyway, after Dan leaves to get ready to sail to Maljardin, Jacques and Vangie exchange a few words. By this point, she knows for certain who he is and that he will bring death to the island.

A rare instance of the subtitles getting Vangie’s name right.

I really like this exchange, so, as with many other exchanges that I really like, I’m going to post a full transcription:

Jacques: "Did you hear it all, Vangie?" Vangie: "Enough to make me wonder if I shouldn't contact the newspapers and let them find out the kind of man you really are."

Jacques: "You wouldn't do that, because you're afraid of my...power."   Vangie: "In this world...or the next?" 

Jacques: "Next world?" *laughs* "What are you talking about? You've been playing cards too much. It's dulling your senses."   Vangie: "My father is dead. I am now the Conjure Woman. My senses are greater than ever. There is evil roaming on Maljardin. It must be destroyed."

Getting nervous, Jacques?

Jacques: "Vangie! You and your witchcraft. It will be the death of me yet.” Vangie: "I'm after the Devil."

Yup, definitely nervous.

Jacques: "And he's after you!"

And then we have a marvelous little credits scene where Jacques sits down in the big wicker chair, looking enormously pleased with himself. He puts his feet up on the table in front of him, grins, polishes his ring, all while looking incredibly self-satisfied. I love this comment about it on YouTube: “I can imagine the director telling Colin at the end credits,'Ok Colin-Baby, now just sit there and look smug...that's it...more smug-more smug...annnnd got it!'”

Smug.

Smugger.

Smuggest.

This episode is typical of Wednesday episodes on this show: light on plot and heavy on recap and character interaction that may or may not be filler. The only important things that happen in this one are (1) Jacques brings Dan with him to Maljardin and (2) Vangie reveals to Jacques that she has become the Conjure Woman and therefore a powerful opponent. But neither of these happen until the final scene, so, in all honesty, one could skip over most of this episode without missing much save for Tim’s hilarious line flub.

Coming up next: Reverend Dawson holds Erica’s funeral and Holly discusses an interesting nightmare she had about her mother.

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