#I AM SO SORRY THIS TOOK SO LONG TO ANSWER

[heyheydidjaknow]

Two in a row! We’re back in business! We aren’t going for three in a row but I do want to at least acknowledge that Dazai exists if we’re doing the bsd thing now.

Kindling

You were supposed to be fun.

He remembered the day he met you in that coffee shop. He had an hour to kill before a meeting. The shop was dead— the local schools had not been let out yet— and you stood behind the counter, eyes flickering from the clock on the wall above the door to the textbook in front of you. He had never been there before. He never had much reason to bother around largely residential areas before then. He had never seen you before. But you were nice to look at, so he approached the counter.

He liked the look you gave him. Cold, annoyed, almost indignant, desperate in the overblown way students often are: it took you a moment to remember your manners. You must have been new in town. “How may I help you?��

“One black coffee, please.” He smiled politely.

You straightened yourself up, not bothering to hide the way your gaze flitted between him, your book, the clock. “How much sugar?”

He blinked. “I said—“

“You’re not a black coffee drinker,” you answered dismissively, clearly distracted. “I’ve served three guys today already who asked for black coffee and then asked for cream and sugar and— no offense, guy— I’m so not in the mood to waste more of my time.” You picked a pencil from between the pages of your book, grabbing a notepad from your apron. “So, how much sugar, and how much cream?”

“Do you know who I am?”

You paused at that, giving him a once over. “No,” you said. “Should I?”

He stuck his hands in his pockets, an easy smile crossing his bandaged face. “No,” he replied. “You shouldn’t.”

You tapped your foot against the ground. “Fascinating. So—“

“May I ask you a question?” He nodded at the book. “How come you’re studying so hard at this time of day? It’s not midterm season already, is it?”

You looked down at the floor. “No.” Your brow furrowed. “Why is this your business, exactly?”

“It’s not.” He shrugged. “I’m just curious.”

You swallowed. “Huh.” Regret. “I’m sorry for snapping at you; I’m in a bit of a rush to get this stuff done.”

“What sort of stuff?”

You held the pencil between your forefinger and thumb, rolling it back and forth between them. “I’m helping a friend with a project. I owe him one, and he’s in a different time zone so my part is due in a couple hours.”

He went on his toes, peering over the register to read the textbook’s text. “Forensic pathology,” he noted. “Is your friend a criminologist?”

You shook your head. “A writer,” you explained. “He needs a comprehensive explanation of how corpses rot, and I’m the only one he knows with an understanding of that sort of thing.” You pursed your lips. “What he doesn’t know is that I’m taking this class as an elective and that I also have no idea how a corpse rots. But I can’t tell him that, because then I’d be letting him down, and he’s put so much trust in me and helped me so many times—“

He stopped you. “That’s all?” He held his hands behind his back. “Well, that’s simple enough. Most anyone downtown can tell you that.” His smile brightened. “How about we make a deal? If you pay for my drink and promise that this won’t take…” He looked back at the clock. It was an hour off. He wondered if you knew. “If you promise it won’t take longer than forty-five minutes, I can give you all the grisly details of human decomposition, with added notes accounting for weather, location, and time of day.”

The look of hesitant relief on your face brought him a sense of satisfaction he had not felt in a long time. You took a deep breath. “Sir,” you nodded, “you have yourself a deal.”

“Call me Osamu.”

You were easy. That was what first drew him to you. You had no reason to lie to him, so you did not. You had no reason to respect him, so you treated him like anyone else. The two of you— at least on the slice-of-life flavored stage the two of you played on— were equals, which he appreciated. Not many people offered him that luxury. The ones who did tended to disappear in the night for one reason or another, but you had no reason to, so you did not. Your problems were largely emotional. You stayed out of trouble. You were consistent. You were simple.

More important than your being simple, however, was the fact that you thought of him as a liar.

He remembered the conversation well. It was a Thursday. He had a couple hours before he was scheduled to help his newest apprentice train. The coffee shop was as slow as it always was and you, as always, stood behind it with a casual dismissiveness that would have gotten you beaten were you in different company. You had been in town long enough to know of the mafia— about a month— but had not yet accepted all of the stories you heard as true. You were recounting one of those stories to him, weight leaned against the counter as you described an incident regarding a teenager with phantom black limbs that could, without his so much as lifting a finger, murder a building’s worth of people in an instant.

“It’s bullshit, obviously.” You took a sip from your water. “I don’t get what they’re trying to prove; if they wanted to scare me, they’d come up with a half-decent lie.”

He did not have to smile around you— to you, he was nobody— but he did regardless. You were fun. “I know him,” he said. “I tutor him.”

You scoffed. “Yeah? What do you tutor him in?”

“Martial arts.” He took a sip from his coffee, which was thoroughly diluted with copious amounts of sugar and cream. You were right; it was bitter. “He’s not very good. He keeps trying to think of himself as a hand-to-hand combatant when he’s much more suited for support and has such a large inferiority complex that he loses all sense of strategy in exchange for a slavish need to validate his existence. In other words, he is close to useless.”

And, of course, you groaned tiredly. “Why are you encouraging them?” you asked. “You already know I know it’s bullshit; what kick do you get out of me already knowing?”

“I’m not lying,” he insisted, knowing you would not believe him. “I’ve been with him on hits before; a couple months ago, we killed thirty people in cold blood.”

And you laughed half-heartedly— as you should; to any regular person who did not know about how many bodies they had hidden, these claims were beyond ridiculous— and said, “Well, I knew the man that trained you, and I know he has a small dick, so what do you think of that?”

“I’m just glad to know he isn’t a pedophile.”

“Shut up and drink your coffee.”

He wondered what you thought of him sometimes. For the first week or so, you asked him questions, but you learned quickly that he was never going to give you satisfactory answers. You probably thought he was an ass, but you still talked to him like you would a peer, so he kept showing up. You must have thought he was a dick. He was sure that he was by your standards.

Once, on a Sunday, he had to attend a funeral. He had some time to kill before, so he walked into the coffee shop, clad in clothes nicer than what was typical, and ordered.

You looked him over. “You got a date?”

“No,” he replied, cheerful. “I have a funeral in an hour.”

You set his cup in front of him. “Oh. For someone you know?”

“My boss,” he explained. “He died the other day so we’re doing a service.”

“Oh.” Your brow furrowed, sympathy making way for confusion. “I’m… I’m sorry, but did you like him?”

He shrugged. “He was alright.”

“How long were you under him?”

He considered it. “A couple years?”

“Oh.” You nodded. “So enough time for your nonchalance to be weird. Cool.”

He rolled his eyes. “Well, it’s not as if he were my father.” He leaned back in his seat. “He was bound to get shot eventually; I’m just surprised it took this long.”

“He was what?”

“Shot,” he repeated. “In his sleep.”

You lowered your voice, looking around the cafe like someone would come out to shoot the two of you. “What,” you mumbled, “like an assassination?”

He nodded, looking around courteously. “Exactly. But it’s alright; they won’t stick around too long, I’m sure.”

“How come?”

He leaned his head on his hand. “I don’t imagine whoever did it could get very far out of the city. People are upset that he’s dead; I’m sure someone will lash out.”

You crossed your arms, swallowing thickly. “You know most people don’t speak so casually about people getting shot or whatever.”

“Well,” he shrugged again, “it happens often enough. It’s not like being formal is going to bring him back from the dead; who cares?”

“Don’t you?”

“What do you mean?”

“Aren’t you…?” You searched for the right word. “… I don’t know, shaken? He was a coworker, wasn’t he?”

He took a sip from his coffee. “Yeah.”

“So, isn’t his death a bit shocking?”

“Not really.” He snapped his fingers. “Oh, actually, that’s a lie. It means I’m in line for a promotion, and I thought I’d have to wait for him to die of a heart attack for it, so I’m happy about that.”

You cradled your head in your hands. “I don’t think you get my meaning,” you insisted. “Do you not feel anything for his death?”

He set the mug down, meeting your eyes. “No,” he repeated. “I don’t.”

Your questions were simple. “Why?”

“Because,” he answered, “His death was inevitable and his life’s impact on mine was nearly nonexistent. All he did was give me orders; why would I care if he died?

You stared at him, meeting his cold, bottomless eyes with ones aflame with passion. “You sound like a serial killer,” you said.

His smile was as vacant as the rest of him. “I feel like one.”

You were fun until you were not. If asked to identify when your relationship— acquaintanceship, friendship, whatever you called it— stopped being fun, he would point to an otherwise inconspicuous Monday morning three weeks after the funeral. The two of you were splitting a cinnamon roll. It was your break and you got a discount and you had no desire to eat a whole one. You were talking about something silly— a friend of yours had broken up with your other friend— when you had stopped in the middle of a sentence to look out the window, seemingly distracted by something. Witnessing this development, he turned to look out the window too, only to see that the scene outside— an overcast sky, street populated by people rushing on their way to work— had not, in fact, changed since he last looked out the window. “What are you looking at?” he asked.

Your words were soft, eyes transfixed on the window. “I need to buy a decent camera,” you murmured. “Or write. Or paint.”

“You want to take a picture?” He looked out the window again. The scene was still the same. “Of what?”

“Leave me alone, Osamu.”

“I’m not messing with you,” he said. “I just have no idea what you could possibly be looking at.”

“Sure you aren’t.” You gestured with your fork, not looking in his direction. “You have a reputation. I refuse to indulge you in something you’ll clown on me for.”

He sighed. “You are being so over dramatic.”

You shot him a glare. “I told you my friend’s boyfriend got stabbed last week and you said, and I quote, ‘I wish I could say the same.’”

“Yeah, but that was a joke.”

“Jokes are supposed to be funny.”

He crossed his arms, leaning back in his chair. “It’s not my fault you have a lame sense of humor,” he protested. “Why won’t you tell me?”

You peeled your attention from the window. “You wanna know what I think?” You gave him a cold smile. “I think you’re so neurotically obsessed with knowing everything that whatever joy you’ll get from knowing will be totally outweighed by the amount of pleasure I get at getting to make you squirm for once.” You stuck your tongue out. “You’re the nihilist. Suffer under the weight of your ideals, dipshit.”

He raised his eyebrows at you. “Do you seriously think I can’t get you to tell me? Is this the hill you want to die on?”

“What if it is?” You crossed your arms, mimicking his pose. “What if it was really emotionally impactful to me? What if it was literally nothing and I’m just fucking with you? What, are you going to torture an answer out of me?” Your smile grew. “I get why you do this now; this is fun.”

He huffed. “You’re such a child.”

“No, you’re just easy to read.” You reached for your drink, cradling it to your chest. “Lenin gave himself a heart attack when he came to power, you know; it’s not healthy to obsess like that.”

He crossed his arms. “It was a stroke,” he grumbled. “He died of a stroke.”

“See, like that. You have issues.” You crossed your legs. “ Maybe it’d be good for you not to know.” You covered your mouth as he leaned forward and adopted an all too familiar smile. “And so help me if you try and seduce me into telling you what I saw so help me I will laugh you out of the room.”

His face soured. He stared you down, and you stared back, unphased, because why would you not? The two of you were equals as far as you were concerned; this was how you treated your peers, and despite the fact that the two of you barely knew each other in any meaningful way, you knew him enough to know what the rules of the game he was trying to play were even if you did not know what it was called. “I could kill you,” he said. “I know plenty of ways to do it. I know how to make it hurt, too.”

And you, knowing you had won, replied, “You could, but you won’t. Who would serve you your coffee?”

The two of you stared each other down one last time. Finally– and mercifully, he liked to think– he looked away. “You win.” He tossed his hands up. “That’s all my cards.”

Your smile softened at the edges. “Good.” You sat up. “I’m not going to tell you what I was looking at, but I can tell you how to see it, if you want. That way you get to know but you don’t get to be all smug.”

“Yeah, yeah,” he waved you off. “Because I’m not allowed to win, right?”

“If I knew you weren’t going to try and rule-lawyer me, I would just tell you.”

“I spend too much time here.”

“You said it.” You set the fork and the cup down on the table. “Close your eyes.”

He groaned. “I am so not into meditation.”

“Is that backtalk I hear?”

“No, no,” he relented, closing his eyes. “I’m with it or whatever. Now what?”

Your voice lowered. “Breathe in.”

He inhaled.

“And out.”

He exhaled.

“Now,” you continued, “what do you hear?”

“You talking to me.”

“You’re an idiot.”

“You asked.”

You huffed. “I– look, besides me, what do you hear?”

He paused, considering it. “People outside,” he said. “And the air conditioning unit. And the milk steamer.”

“Good.” He heard you sit back in your seat again. “And physically, what do you feel?”

“Isn’t this a panic attack thing?”

“Answer my question.”

He considered it. “It’s cold in here.”

Your voice was soft. He wondered how exactly this place stayed in business for how quiet it was. “What do you taste?”

“For giving someone who was just talking about flirting–”

“I have a point. What do you taste?”

He meant to say, ‘My mouth.’ What came out was, “Cinnamon and icing.”

He heard you smile. “Good. Open your eyes.”

He did, blinking at the light. You were back to looking out the window; the scene had not changed.

You nodded towards it. “Now, look and tell me what you see.”

He looked between you and the window. “A tree,” he said. “And people.”

“Look at the tree, first.”

The tree itself was, by his estimation, the same sort of tree that could be found just about anywhere in this part of town. There were fewer as the years went on, he knew– there was some government initiative to get rid of the trees on the side streets– but the tree itself was unextraordinary. “It’s dead,” he noted.

Your eyes didn’t leave the window. “It’s overcast.” You sounded a million miles away. “The light from the sun is hitting it from the other side, so the side that we’re on is dull and dark. It’s casting a shadow on the table, on your face.”

He looked down at the table. Sure enough, in the low light, cold shadows laid across the table like faint veins.

“The people,” you continued. “What do you see in them?”

He shifted his attention to the passersby. “People going to work.”

“How are they dressed?”

“Warmly.”

“What color are their clothes?”

“Dark. Are we at the point yet?”

“Almost.” You took a breath of your own. “Now, take all of those things together, and look back out the window again.”

He did.

Nothing had changed. His heart caught in his throat.

“It’s more now, isn’t it?”

He looked back at you.

You witnessed that mundane scene with the seeming awe of an acolyte before their god. It was as though you had never seen a street or a tree or the sun before, as though you would never see it again.

With a horrifying ache in his chest, he realized that he had never seen anything quite so beautiful or enviable as you in that moment. “So,” he asked again, voice tinged with an entirely unbecoming and uncharacteristic reverence, “what are you looking at?”

“I’m not looking at anything,” you replied. “I just remembered how lucky I am to be alive, here, with you.”

He wondered if you would mourn for his indifference like he would.

[lazyjellyfish300]

Hey Jelly! May I request a Drabble for your Fall/Autumn Flufftober event?

It involves Miguel O’Hara and [Reader] [Gender Neutral] experiencing a “haunted house” as part of their date. Miguel would especially be protective of [Reader] throughout the attraction, despite being aware they’re just props and scare actors doing their jobs. While doing so, Miguel is “holding hands” with [Reader] to not lose one another at the house.

SWIFT!! OFC this is such a cute idea 😭😭💕💕 so sorry it took me forever but hey spooky season isn't over til I say so 😁🖤🎃 thank you for requesting 💕

a haunted house with miguel 🏚️🖤🎃

Warnings: xGN!READER , fluff, crack, joking reference to monsterfucking.

Words 1.5k

The shivering bite of October nighttime was starting to get to you, but with Miguel close by, it made the seconds more tolerable as you stood outside the haunted attraction.

Michael Myers' theme music blasted in speakers with green and purple flashing lights, the smoke from the bonfire in front and the chalky smell from the fog machines joined together to make a spooky concoction that filled your nostrils while the distant shrieks from other guests made your stomach twist with the anticipation of what ghoulish tricks awaited you inside.  

"Ready for this?" Your boyfriend, Miguel, asks with his charming lopsided smile, one of his arms around you pulling you into his gray hoodie that blessed you with sandalwood every time he brought you closer. 

You smile at him from where your chin is lightly resting against his chest. "I mean I'm ready, I don't know about you though."

"I'm ready." Miguel answers, raising his eyebrow at a thrift store looking Leatherface targeting a group of 14 year olds with his fake chainsaw. "Seems a little intense." 

"For $80, I sure hope so." You hummed, tsking your teeth, all the while you hoped your phony nonchalantness wasn't betraying you. "They better kill us for that price." 

"Don't say that." Miguel nudges you. "Then I won't know if Melissa was really set up by Teresa and Kim D. or if Teresa was innocent." 

"Oh my God, you're more invested in that freaking show than I am." You fake offense and poke playfully at Miguel's stomach of steel while his hands followed yours, defending against your attacks. "Not even concerned that I'd be dead, just mad your ass can't watch the ending of Real Housewives of New Jersey!"

"Haha, yeahhh cause we'd both be dead, genius." Miguel shakes his head, finally spinning you around and nudging you forward as the line drew closer to the entrance. "They don't have streaming services in heaven." 

"Oh I don't think we're going to heaven, sir." You examine your nails. "I mean, I am, I dunno about you though, it's a lil toasty where you're headed.." 

"Oye, watch your step." Miguel chides as you almost trip over your own feet. 

"Greeeeetings, mortals! Party of two?" The worker dressed as the bride of Frankenstein inquires, fake vampire teeth practically falling out of her mouth. 

"Yeah." Miguel clears his throat as he looks at you sideways. 

The worker goes off on her spiel, 'don't touch the actors and they won't touch you, stay on the designated path, take note of the emergency exits should you need to exit the haunt early but beware there is no reentry upon leaving, most of all be safe, have fun, hope you make it out alive or some sort of painful joke at the end', blah blah blah

Your attention is snapped back to Earth when she gives you and Miguel the green light to go ahead, and the invisible magnets in your hands find and seize one another as you clasped each other's hands in the dark as you sauntered cautiously forward. 

"Having fun already?" Miguel teases. "Your hand is sweaty like you've run a marathon and we're not even two minutes in." 

"Man, shut up, I am not-aaaAAHH!" You jump and cling to Miguel at a loud thump on the wall from one of the actors behind you. 

Miguel chuckles. "This is gonna be a long ride." 

-----

"Oh helllllll nah." 

You start to turn around at the sight of the giant clown sitting in a chair at the end of the dark stuffy hallway holding an axe. 

"Baby, this was your idea." Miguel halted you in your tracks, spinning you around to face the front. 

You gulped as you studied the menace, pinstripes with an eerie grin and all. "That thing is gonna jump, just watch." 

"I'm pretty sure it's stuffed." 

"No, babe, that is a living breathing killer clown from outer space." 

"For the love...just get behind me." Miguel inches down the hallway, his broad back obscuring your view.

"Mig, what's happening? I can't see shit." You turn to your right and at that very moment lock eyes with Chucky, letting out an unholy scream which makes you smack into Miguel which causes him to nearly fall on top of the clown.

The teen underneath the clown mask saw all 15 years of his life flash before his eyes at the 6'9 tank about to crush him, realizing his final thoughts would be that the $7.25 an hour for this gig truly wasn't worth it. 

"Jesus!" Miguel gains his bearings, flustered as he turns to you. "You alright?" 

"Yeah, course I am." You lie. 

Miguel takes your clammy hand again. "Alright this time, don't let go of my hand." 

"Right." 

You two make the rest of your way through the haunted circus, the black light illuminating your clothes with the neon paint splatter on the walls, navigating through the eclectic fun house atmosphere with the unsettling music box tunes blaring overhead. 

Miguel remains stoic for the most part. Although you try to thug it out, every now and then a sudden noise or bang or obnoxious cackle behind you will make you jump. Miguel responds by bringing you closer protectively, cracking a joke to make you feel more at ease. 

"This man thinks he's Pennywise but he's really Krusty the clown." He nods in the direction of another menacing clown with sharp teeth that tries to get all up in your face. You burst out laughing and the guy underneath the mask low-key feels his hopes and dreams get crushed in the same sentence. 

The rest of the haunted house isn't so daunting with your protective boyfriend guiding every step. You get scary dog privilege without even trying, as most of the actors are intimidated by Miguel's large size alone, if not his sarcastic quips everytime they get too close. 

"Welllllllcome to my shop of horrors!" A butcher covered in fake blood with a crazy look in his eyes and a leather apron tries to get you to eat his human brain casserole. 

Miguel looks unimpressed. "I burn water but I can make a lasagna more edible than that." 

You cackle as Miguel leads you away, leaving the butcher equal parts baffled and clutching his invisible pearls. 

---

You come to a part of the haunted house that leads back outdoors, with fog all around you and a werewolf that comes running up to you on all fours, snarling and foaming at the mouth. 

You startle for just a moment then smirk as you turn to Miguel, 

"Hear me out..." 

"Absolutely not." Miguel figures he's gonna have you lay off the dark romance novels for a bit as he drags you away. 

-----

Once you get to the final section with the vampires, your fears have all but disappeared, playing along and smiling when Dracula with his cult of vampire wives waltzes up to you and asks to suck your blood. 

"Just warning you, Vladdy, I'm anemic." You flirt as you take his arm. 

"Alright, that's it." Miguel grumbles as he drags you away yet again. At first you were scared of the monsters, now he has to stop you from banging them. 

"But he's hot, and he has fangs!" You protest, giggling as Dracula dramatically bids you farewell, inviting you back to Transylvania anytime while Miguel carries you to the exit. 

"We have fangs at home." Miguel reminds you with a smirk before flashing his prominent canines at you. You have to stifle a giggle as you lay your head on his chest. 

 ----

"Well that was fun." You cuddle next to Miguel a short time later on the couch in your shared apartment, sighing as you lean forward, using your sweater as heat pads to pick up your mug of hot cocoa while he peruses for a Halloween movie to watch. 

"It was fun." Miguel hums. "But we're not doing it again." 

"Why not?!" 

"I'm not paying nearly a hundred dollars for you to practically leave me for Edward and Jacob from Twilight." 

"Oh my God, you actually got their names right!" 

"In other news, the movie's starting, so..."

"Baby, you're not really jealous are you?" You get closer and plop in his lap, Miguel letting out an overdramatic pained grunt. "Oh, stop it, you." 

Miguel doesn't crack at first, remaining tight-lipped while you shower him with little pecks. "You know I could never leave you, Migs." 

Miguel finally reveals a smile, "Oh, I know, I just like hearing you say it." He pulls the blanket over your shoulders as Coraline begins playing.

"Man, all you had to do was ask!" 

"Ssshhhh....Coraline's on." Miguel winks as he silences you once more. 

"Mhmm, love you too." 

You grin and feel any cold from earlier disappear altogether as Miguel's prescence warms you from the inside out as you watch the movie together, hot chocolate in hand, cookies in the oven, candles lit, all the while the chill of outside remains where it belongs in the October night in Nueva York. 

[storiesbyjes2g]

3.189 Correction

When story time ended, Sophia took Desi to the bathroom and washed away the mess. With a few moments to myself, I went to the real estate website to see our house again and choose which side we'll call home. Both houses have an identical layout, so it really boiled down to which furniture we liked more. The gray house had a more sophisticated vibe, while the blue house was more relaxed and comfortable. Choosing was a lot harder than I imagined because they both were nice, and I couldn't go wrong with either. Ultimately, however, I chose the gray one. I figured since I'm taking on all the risk, it's only right we live in the fancier one. Just as I picked up the phone to call Less and tell her we have a house, someone knocked at the front door. It was Dub! I let him in and told him I was just thinking of him yesterday. Usually he'd take the opportunity to joke about how he has that effect on sims, but he just kinda snorted and said it was funny in the driest of tones. There was nothing funny about that half-hearted laugh and him standing in the foyer staring into the corner. Something was wrong.

"Earth to Dubstep. You coming in or you gonna stand in the foyer all night?"

"Huh? Oh, yeah, I'm good."

He definitely was not good because he didn't even flinch at the mention of the nickname he hates so much. Whatever's got him in a funk is probably why he's here. He always comes to me when he's in crisis. Well, when he perceives he's in crisis, rather. I love the guy, but he's a little high-strung sometimes. I'm glad he has sims in his life like Maia and me who are much calmer and more level-headed to keep him straight.

I didn't want to just dive in and spook him, though, so I started with a little small talk.

"Happy belated," I said.

"Thanks, man," he replied with a tiny grin.

"How did Tami like sharing her day with you?"

He let out a very long sigh, and I knew I had stepped unintentionally right into the middle of what I tried to dance around. I guess we're going all the way in.

"She didn't."

"Oh."

"How do you-" He stopped himself and turned away from me. "Nevermind. You wouldn't understand."

"Understand what?"

He swatted at me, trying to sweep the conversation back under the rug.

"Nothing. You have the perfect child and all this wisdom. You don't understand what it's like for the rest of us."

Was he mocking me? I've had it up to here with everyone assuming I live this perfect life and have all the answers. I'm one of the most down-to-earth sims I know, yet somehow I still end up being out of touch with everyone. Am I too confident? Too strong? I know I've carried things I shouldn't have in the past, and I need to be more open, but how does that equate to me having it all together? I know Dub is upset about something and isn't thinking straight, so I'm gonna try to let it go this time, but not before I give him a little dose of truth because, upset or not, this fairytale everyone thinks I live in ends today.

"Do you really believe that?" I asked.

He shrugged.

"Maybe. I don't know. But I'm sure you're gonna tell me how I'm wrong, so..."

"Damn right I am. You don't know my life like you think you do. And you definitely don't know what goes on in my head. 'All this wisdom?' I got it from all the shit and mental gymnastics I've been through. Now, I'll be the first to say my child is the best, but she has her moments too. And I've had my share of parenting and marriage fails, so don't tell me I don't know what it's like."

He sat silently for a few moments, taking in my reprove. Part of me thinks all he needed was to hear me say he's not alone, but another part thinks he still needs advice on something, so I got down to business.

"What happened, Dub? I don't like seeing you like this."

"I'm sorry. I don't know why I said that."

"Don't worry about it. What's going on?"

"You ever wonder if you're ruining Desi?"

His question caught me off guard, and I laughed. He has no idea how obvious that answer should be.

"Only all the time," I said.

His eyes lit up.

"Really?"

"Of course. Did Tami come with a manual? Because we sure didn't get one. I don't know what I'm doing half the time, man, so yeah...I wonder. Like, her birthday is in two days, but I'm still carrying her around like an infant. She enjoys it, so it's cool, but is it hurting her? Will she want to be up under us all the time when she's older? Am I keeping her from becoming independent? I question every move I make with her, even if it's not necessarily bad."

"I feel that." He sat there, nodding over and over as if to drum up the courage to make his next statement. "Tami has been doing and saying some mean things lately, but I just let it happen because of my own feelings about the sims she's doing it to."

"How do you mean?"

"I told you she kicked my former tenants. You know they deserved that. She also bit my father-in-law. I was so proud of her because someone needs to knock him down a few pegs. But she's older now and using words. She cut up this little girl in the park yesterday and told her she wasn't pretty."

"Seriously?"

"Yeah. But the other girl started it, so she had it coming too."

"I see what you mean now."

"So, what do you think about it?"

Oof. Why does he always put me in this position? I have a lot of feelings about this, but I'm sure none of them are what he wants to hear. But what kind of friend would I be if I said nothing? I'd feel terrible if Tami grew up to be a monster, knowing I had the opportunity to shed some light early on. It won't be comfortable, but I've got to at least try. Here goes nothing.

"I think ... You're my boy, and I'll always tell you the truth, so ... You're her dad, Dub. You should be the one telling her those things are wrong, not encouraging her bad behavior. I know you think all those folks got what they deserved, which is also problematic, but is that the message you want to send Tami? That she can do and say whatever she wants and get away with it because 'they deserved it?' I'm afraid of the path you're putting her on. What kind of a woman will she become if you let her continue on like this? Do you think of her future?"

"Of course I do! What kind of a-"

He paused, succumbing to the realization I was right, even though I wondered if I had gone too far.

"I'm sorry if I'm out of line," I said. "I wouldn't have said anything if I didn't care."

"No. You're right. You always are. I was just thinking about what my parents will say if they find out how she's been acting. There's no way in hell they would have let me get away with the stuff I let slide."

I can't imagine my parents letting us get away with that either, but I honestly don't know what they would have done. Me and Less never really got into trouble, and my parents were both so lenient. I guess I'll never know. Hopefully, I'll never have to talk to Desi about this.

"I'm glad you always keep it 100 with me," he continued. "That's why I trust you so much. Can't lie, though. That hurt, but I know I needed to hear it. Deep down, I knew, but I never saw it like that. I'll do better, though. Believe that."

"I believe it, man. We don't play about our daughters."

"We absolutely do not!"

Not that I don't love these deep conversations with my best friend, but that one got really heavy, and he clearly has a lot to mull over later, so I pulled out my phone and showed him our new home, hoping a lighter topic would do the trick.

[fiivela]

Love the blog!

Did you notice Lila's "don't think about the past" line? I know she's saying it to Five to encourage him to use his powers, but I think it's also insight into her mental state (which I really wish we got more of in the final episode!). A hint from the writers that she's desperately trying not to think of her time with Five as she attempts to recommit herself to Diego and the family.

I definitely think that she is in denial at that time!

I think that what Lila craves is stability. It is something that she had thought that she could get with Mr Knife Man, but ended up not being as stable as she hoped. With Five, however, for the first time in her life she had found someone with similar interests, who was able to love her in the way that she craved, and thinking that there was no way home she fully let herself indulge in that love.

However, going back with Five meant losing any semblance of stability that she had gained with her husband and children. She didn't want her life to be thrown back into chaos, even if she wasn't entirely happy with her marriage and with the way her life had turned out, she wanted to keep up a happy image in her mind as long as she could, whether she was happy or not, because being unhappy but safe was better than being reminded of the instability she had with the Handler.

Anyway I don't know if this is anything, but that is how I took it. Also thank you so much for the ask!! I am so glad you like the blog!

[mossy-paws]

What flavor of phighting brainrot is this

Coca-Cola flavored

[strywoven]

@bitterarcs has requested a story : Considering all the rumours Reno had heard about her, the spark of an idea came instantly . . actually, it arrived after he killed someone. Idea and execution were two entirely different things however. It took a decent amount of money for a cake artist to make cake and chocolate to look like a severed hand. Nails, veins, flesh — it all looked surprisingly genuine except for the blood which was little more than crimson syrup. The hand was wrapped with single thin red bow and placed inside a box. If Verona did not eat people, then the thing would be a delicious treat. However if she actually did enjoy flesh and blood, she would've found it very disappointing. Either way, it was a trick or treat. 🎃

belated oct. 31st things.

Rumors are often founded by some modicum of TRUTH .  To say that Verona is a character who left behind a history of barbarism and bloodshed is no sore hyperbole ; alas , for every hand she shook in diplomacy , there was another she tore and devoured.  As with ShinRa , Verona’s power came in totality from f e a r , from the reaping of the sins and lucrative wretchedness of man.

But the world has changed ( is making to change , at least ) , a new era dawns as the sun sets on such a time ( however glorious it might have once been ) .  Once-enemies are looking inward , doing the i m p o s s i b l e by offering an alliance.  And despite all which has transpired between them – a past fraught with a rightly bloodied bitterness , brutality , and a seemingly endless conflict – the two pillars who cast their thrall of power over the realm now REJOINED AS ONE ENTITY .  Very few , beyond Rufus and Verona themselves who made such a dangerous decision , were content with the choice ( though some might tell you the two even still hesitate to share space & time , as if each other’s company be a bane to endure ) .  Such that it is , there is no sense stoking the ire , is there ?

That has been the general air for m o n t h s ; to give Verona a WIDE BERTH , both from distrust and warranted anxiety.  Although Rufus has given her his blessing , the rest of the Turks were slow to display the same faith.  So surprised is she to find a little … TREAT … Awaiting upon her desk for the 31st ( which also happens to be her birthday ) .  Perplexed , she blinks down at it.  There is no note , though she has a sneaking suspicion of who could have decidedly left her such a gruesome looking confection ( reno , she thinks , trying hard not to laugh , you know nothing of me & yet— ) .  A s m i l e twists the painted seams of her lips , a shake of the head given.

❝ You think you know me so well , don’t you ?  F o o l ! ❞

Hardly spoken with anything more than a playful vitriol as she regards the cake.  Perhaps it might not be a real meal to her – indeed , not exactly the cooked f l e s h she might be inclined towards – but it is very much appreciated just the same ( how sweet of him to consider her today , even if as a joke ) .  It left her a’wondering : Is this gesture of mocking good-will truly a sign of cease-fire , a symptom of faith and friendship gone unspoken ?  One may only hope.

[edwardnigmaisapunkbitch]

JAKEIEWKEKESNSJJSNA hello I am attracted to Eddie the normal amount totally not breathing heavily into my screen I am normal

I feel you, my friend, I am also not totally normal about the Riddler

I'm so sorry it's taken me so long to reply, I didn't get the notification for this ask and I've only today gone onto tumblr browser! I was not ignoring you, and I appreciate you sharing your love for Edward with me!!!!

[sturgeonposting]

Gingerbread sturgeon

HES BEAUTIFUL AND HE MIMICS THE LIFE CYCLE AND GROWTH OF THE GENUS HUSO!!!!!!!!!!!!!

[ask-queen-arti]

(the ask box is open!)

[nkogneatho]

Pasi come here. Who among the Haikyuu captains has the best cock game and why

this question is so...OH MY GOD.

y'all will hate me for this but it's a tie between oikawa tooru and kuroo tetsuro. yeah yeah i know kuroo is a sex god and all but you cannot overlook oikawa's cock game.

oikawa flexes about shit a lot so you assume he was yapping about the shit he can do but when he had you on all fours, he was so determined to find your gspot and then hit it continuously till you came. he is mean too because he knows he is too good. he knows you feel too good. his balls be slapping so loud against your ass. and his mouth??? fuck he is filthy as hell. asking you to tell him how fucking good his cock feels. how you will never find any other man who's gonna ruin your pussy as he does.

kuroo on the other hand already looks like he has a good cock game. but you did not know that he loves to be in your mouth even more than your pussy. he looooves to slap his dick against your cheeks, telling you how good you look. he is patient with you when you suck it. however, when he is too close to his orgasm, he'll force your head down till his balls touch your chin, jerking his hips forward and making sure you enjoy every sip of his cum down your throat. but when he pulls out, a thick strand of your saliva and his semen connecting his dick and your tongue, he runs the tip along your lips, giving it a pretty gloss that dior could never.

[tofixtheshadows]

Hello, op! While I do find your reading of Kabru’s self sacrifice and how little he eats really good, im curious why you consider him the deuteragonist? He is a foil to the protagonist yes, but still a supporting character.

I think its pretty clear Marcille is the second most important character in DM, and her story has much more weight than Kabru’s.

Hello! I've mentioned this on my blog before, but I actually consider Marcille and Kabru to both be deuteragonists to Laios's protagonist. I just wasn't talking about Marcille in that post.

Technically this term is meant to be used in playwriting, and the Greek tradition at that, so I'm playing a little loosey goosey with semantics and my argument would sound different if I were writing an academic paper. But this is tumblr dot edu and I'm trying to get a point across on my little blog, and part of the idea of a deuteragonist is that they support the protagonist. "Secondary main character who has their own importance in the narrative while bolstering the protagonist" works well enough for my purposes.

I think Marcille and Kabru are both playing specific and complementary roles to Laios. Marcille is at his side, facilitating the A plot: namely, "save Falin", which requires Marcille's magic, and then Marcille's method of resurrection ropes Thistle in, so the continuation of "save Falin" necessitates confronting the Dungeon Lord and conquering the dungeon (the B plot).

Kabru only intersects with Laios, but he is tied from the beginning to the B plot- and with dragging basically everyone else into it. Actually, the fact that he brings in this extremely loaded B plot despite only having brief face time with the protagonist should be seen as significant. In a sense, Kabru represents the surface world and all its concerns.

Before I talk about that more, I want to continue with the complementary line of thinking and point out that Kabru and Marcille have very similar background motivations.

Laios wants to save his sister first and foremost, and it's only along the way that he starts to consider what he'd do with the responsibility of Dungeon Lord. Coming to the conclusion that he wants to create a home for disparate peoples to live in harmony has connective tissue to both Kabru and Marcille's desires.

Marcille is the only one in their party who starts out with a greater motivation other than saving Falin (Izutsumi is a special case, but she's ultimately along for the ride), one that she keeps hidden for a long time. Because she is a mage, and because she is driven by a very personal tragedy (my dad died; I am terrified of outliving everyone), she is looking for a miracle to bring the different races closer together.

Kabru comes from a background of personal tragedy as well, but it's also a far greater, more political tragedy than just the death of a parent. It is not a coincidence that Kabru is a brown boy from an exploited region that suffered despite and because of military intervention from a first-world power, nor that he was adopted by a white woman whose coddling/dehumanization of him represents the paternalistic oversight of these world powers.

Thus, Kabru's motivations are both personal and political: if they, the short-lived races, can finally access the secrets of the dungeons, then not only can they have agency in stopping tragedies like Utaya's, but it will also give them a greater power of self-determination.

Marcille and Kabru have both correctly identified and set themselves against a problem that is greater than saving the life of one girl, greater even than sealing this one dungeon.

Despite Marcille's hopes, there is no grand magic solution to this. Only small, slow, backbreaking, ordinary solutions, the kind you labor over in kitchens and bedrooms and throne rooms and meeting houses and hearths and negotiation tables. The kind you run a kingdom with.

There is a reason why Dungeon Meshi ends with Marcille and Kabru on either side of Laios's throne.

Okay: back to Kabru (under the cut).

I've talked about this a little before, but I'll reiterate here: I consider Kabru to be the counterweight to the back half of the story. In a very literal sense too, as he pulls the focus up from the depths to the surface not once, but twice. Dungeon Meshi builds itself on the premise that the traditional "dungeon" must function as an actual ecosystem, and the monsters in it are biological actors in that ecosystem and not merely magical obstacles independent of their environment. The first couple dozen chapters are focused on this. Like regular animals, monsters have needs and instincts and unique behaviors, and they can be killed and consumed as part of a food chain.

And then Kabru comes along and he reminds us that humans are also part of their own special ecosystem, with their own needs and instincts and unique behaviors, and that beyond the biological drive of the literal food chain there are also complex social issues influencing these behaviors (like capitalism). Tansu's visit with the governor introduced us to these ideas, but Kabru is the one who carries them.

The way he and his party break down Laios's party also serves an important function. I think most readers are so busy being shocked that Kabru is "so wrong" about our goofy boy Laios that they don't realize that he isn't actually wrong about anything (he's only missing the context of what drives Laios, which he admits to and is part of the reason why he pursues him). We've gotten only Laios's view of things so far, and Laios is pretty tunnel-visioned. The narrative, through Kabru, is telling the reader this is how our protagonist actually comes across to his community.

We like Laios because we are following his story from his inner circle. We know he's naive and struggles with people but that he has a good heart and is ultimately just a big silly guy who won't harm anybody if he can help it. But we only know that because we're seeing him with his inner circle, in his environment. Outside of the dungeon, Laios is anti-social to the point of rudeness; he misreads situations and misjudges people, he acts in ways that cause friction, and he accidentally aligns himself with people who make his whole enterprise look suspicious: a prominent half-foot community leader, a mysterious foreigner literally surrounded by spies, the disgraced daughter of a criminal who now has to shoulder the burden of her father's reputation, and an elf in a land where there are no elves. And they seem to be very good at what they're doing. Yet this whole time, Laios acts as if he doesn't care about profit or taking the kingdom, the only logical reasons why anyone on the Island would gather up such a party and throw themselves into this death pit day after day.

Yeah of course Kabru finds this suspicious and interesting. Of course people don't know what to make of Laios. This all reiterates the question that Zon the orc already raised: What will you do, Laios, if you defeat the Mad Mage? If you gain control of all of this? Can you be a leader? Laios himself doesn't know yet.

This is all necessary context for our protagonist and the journey he has to go on, and it's fittingly brought up by the most socially adept character, who is so concerned with human ecosystems and the bigger picture of the dungeon. There is a reason why Kabru, as a character, is connected to large webs of people as he moves throughout the narrative: his own party, Toshiro's party, the Canaries, the denizens of the first floor of the dungeon.

Kabru is responsible for bringing Toshiro down to Laios's party. Toshiro is not a big mover and shaker in the story itself, but his confrontation with Laios is a huge part of Laios's character arc. His detour down to the lower levels also allows Izutsumi to escape and join Laios's party later.

We also have this very important moment:

It shows the first inkling- to the audience, to Kabru, and to Laios himself- that Laios is willing to do a painful, necessary thing to protect other people, that he won't just allow them to become collateral for his sister/monsters. That he can listen, and that he can assess a situation beyond his personal feelings. Again, fittingly, big-picture-thinker Kabru is the catalyst for this.

And then, not content to leave him as merely a device for Laios's character growth, the focus slingshots back up to the surface, and we follow Kabru.

The Canaries were going to go into the dungeon soon anyway, and they were always going to stir up the crowd in order to lure Thistle to them. Unless Thistle had given up right then and managed to slip away, the story could have very easily ended here:

Falin, immobilized and surrounded by Canaries, would have certainly been killed, and there would have been no way to ever resurrect her. Thistle would have been neutralized. The dungeon would have been taken by the elves, and anyone they could get their hands on would have been imprisoned at best. And maybe the dungeon would have been managed safely ... or maybe something would have gone wrong, and more lives would have been lost. Remember: the Canaries arrived in Utaya one year before the tragedy.

This is a huge moment that changes Laios's life forever, and he doesn't even know it. Kabru single-handedly keeps the story on course by sabotaging the Canaries, and he does it not just for Laios's sake, but for everyone's sake. For his friends and companions in the dungeon and everyone else outside it. Laios is a part of his motivation, a key player in Kabru's hopes, but Kabru has his own desires, his own agenda. He's trying to change the world. In a way, he succeeds. And while the Canaries might wish it were otherwise, as an entity in the narrative they are always anchored to Kabru's character. The two forces collide because of Kabru. The unsealing of the Winged Lion and Marcille's emergency ascension to Dungeon Lord happen indirectly because of Kabru.

While I have talked so much already that I don't want to give a detailed breakdown of it, I do want to mention Kabru's unique interiority as a character. That is to say: we see the inside of Kabru's head more than anyone else. Every character in the main ensemble gets their own moments of inner monologues or fifteen minutes in the limelight, but for Kabru, it's constant. He's always thinking, talking, narrating. His POV chapters always stand out for how first-person they feel compared to most others.

Notably, the only other character I could compare that to is Marcille, specifically during the dungeon rabbit debacle and her ascension afterward, which is when she really takes center stage as a character.

I hope I've explained my reasoning without becoming too insufferable.

To cap off my thoughts with a nod to my original post, I cannot stress enough how significant it is, thematically, that Kabru's relationship with food is the inverse of Laios's. It isn't just that Laios is the main character in a story about cooking monsters and Kabru happens to be his monster-hating foil. The artistic choice to deny the reader the visual of this character ever enjoying food, and only ever putting it in his mouth in situations where it hurts him, in a manga that gives so much attention to eating and the pleasures of meals, cannot be understated.

[doomedclockworkdotmp3]

heeyyy gaaanggg

the pose and the background of the album version (left) are based on oingo boingos only a lad album art. not cause i think he has anything to do with it but just cause ive been wantin to draw that pose for like. weeks and i didnt know who to put there. so why not my latest bug man.

[attntionwhre]

ugh i just went through your whole blog and now im absolutely soaking wet… i wanna be yr little brother soo so bad…

you being a total loser older brother, never having any luck with girls, just getting high and jerking off all day. but your little brother is the total opposite, dressing like a slut 24/7, going out with a new guy every week, and it pisses you off. then maybe one day you decide to snoop around on my computer (i deserve it anyway, for being such an annoying little shit) and end up finding just ENDLESS amounts of gross incest hentai that ive saved over the years. and ofc this pisses you off even more, cause i’ve been acting like such a slut while *also* being an incest addicted freak and i STILL havent put out for you??

so ofc when i get home (probably from sucking off some random guy) you decide to take matters into your own hands and fuck me until my cunt is gurgling with overflowing seed. if im so happy to let any guy with a cock stir up my pussy, surely i wont mind my older brother raping my womb full of babies <3

(whoops i kind of went overboard. yr blog just really gets me going, lol! ^^)

can‘t believe you would go out and fuck random guys when your older brother is right there! i mean your taste in hentai says it all: you‘re desperate to get fucked by big bro, you should have know nobody else can fill that need!

so when you finally get home and i rape your womb full of babies you realize that this is what you‘ve been craving your whole life. it just feels so right getting violated by your older brother, how stupid of you to think any other guy could satisfy you in that way!

[nkjemisin]

Hey there. I'm writing a story set in New York City and am not American. I have few characters, but most of them are arab or white. I can't help but feel a bit wrong about it, given that America is much more diverse than that, and NYC being an emblem of that. Do you think I should force myself to include more representation or should I just tell my story, and leave that more diverse cast to some other story I could write? I know this is a neverending debate and there are many opinions about it, but I've always agreed with everything you've said in matters of representation in fiction, and so I'd be curious to know your personal answer on it.

I'm a little confused by how you're using "representation," here. It sounds like you think representation = "randomly sticking BIPOC everywhere." I think when most people use that word, it means something more like "create an accurate or at least plausible depiction of a group or place." In actual New York, there are plenty of Middle Easterners and white people who live in relatively homogeneous small communities where they might only see someone of a different ethnicity on the subway. If your story is set in one of those communities -- and you do stick some random BIPOC in that subway scene, because that's plausible -- then it sounds like your characters might be an example of good representation.

(Note: if you're not writing something set in the real world, but it features human beings, it needs to represent humanity as a whole, unless there's a good in-world reason not to. But if it's our world? You can get specific.)

Here's the catch, tho: plausibility is relative. If you've absorbed some biases and haven't done enough research, then you might end up writing something that feels plausible to you, but which isn't actually representative or plausible to anyone else. The way to avoid this is to do the research and check (to the best of your ability) your biases. For example, you aren't American, I assume you've at least visited NYC? If not, you should. You can visit some of the communities I mentioned! You can eat in restaurants, visit mosques, have conversations with actual real people who are living the life you're writing about! If you don't have the time, money, or spoons to do that, there are other ways to do good research -- films and YT/Tiktok videos made by people from the communities in question, for example. But you'd need to watch a lot of them to get a good representative sample.

I recommend this book to all the writing students I've taught at Clarion, and other writer workshops: Writing the Other, by Nisi Shawl and Cynthia Ward. There's a particular part of it that seems relevant here, which is a kind of hierarchy of "appropriate" appropriation, I think first mentioned by Diantha Day Sprouse but included in Writing the Other. Basically it says that if you want to write about a culture that isn't your own, you can learn about that culture in one of several ways: a) You can be an Invader, and just go take whatever intellectual and artistic tidbits from that culture that you want, regardless of how damaging this might be to members of that group. Example: non-Indigenous people who write about actual secret practices, or who encourage the desecration of sacred places. b) You can be a Tourist, in which you're still mooching from that culture, but at least you're figuratively paying someone for it and accepting tidbits that the culture has chosen to sell. Example: getting a sensitivity reader. Or c) you can be an Invited Guest, who brings in as much as they take out, and who has formed relationships that are beneficial to all involved. Example: being part of an exchange program, both as a student and later as a host, and maintaining those friendships outside of the program.

The goal is to be an IG, but that isn't always possible. Tourist is still better than being an Invader. (...I feel like I'm leaving out a category. It's been a while since I read the book; any more recent readers want to check me here?) But the closer you can get to actually participating in that culture, the more your work will be informed by reality instead of biases or misinformation, and the more likely your work will read as plausible not just to you, but to your widest possible audience -- people familiar with the culture and people who aren't.

(I'm a little concerned about your phrasing of "force myself to include more representation," note. Why would that need to be a forced thing? A writer's goal should be to write something that feels lived-in and authentic to [if it's a real place] most people's experience -- not to meet some arbitrary standard, but because that's how you master immersion and characterization. If good immersion and characterization feel forced to you right now, that suggests you need more practice. I recommend writing short stories!)

[heeliopheelia]

Who in your opinion is mtl rough in bed from enha hyung line? 👀

MOST

SUNGHOON now listen i know this might come off as controversial but bear with me babes. i'm an avid believer that this man is simply uncapable of going easy on his s/o. there's nothing else that gets him going as much fucking you dumb until the only thing left on your mind is his name. and there goes my hard dom hoon agenda again – like the shut up you slut and take whatever i give you kinda hard dom. heavy on degrading, spanking, overstimulating you... pls i am so normal about him

HEESEUNG i know that a lot of yall portray him as a sub but i just can't go behind this agenda I'M SORRY I MAY BE BIASED 😔 anyway, i think that hee is an absolute menace once you get him horny (which is not that hard, let's not lie to ourselves). he'd be HEAVILY into degrading too, especially if his s/o is more on the submissive side. loves to recieve oral more than to give one especially when you choke oh so prettily on his cock

JAKE he just loves you sm – he's a service dom imo and he would do absolutely everything and anything that you ask of him. i think that this man is def the kinkiest one out of all the guys in here but he wouldn't just drown you in every new idea he gets, he would rather take it slow, one by one yk? baby just loves to please you and make you feel the best as you possibly can, so not even a year in your relationship and i'm pretty sure he would've tried absoluetely EVERYTHING on you by then <33

JAY oh he's absolutely a dom too, don't get me wrong, i just feel like he literally WORSHIPS you and woud prefer to make love to you rather than to just fuck you like some whore (but if you're into that then he'll do the best he can, take my word on that 😚). i'm not saying he's vanilla, i just think he wouldn't be as rough with you. jay just knows what he's doing and he's confident and secure with his abilites in bed, so he wouldn't have to go all feral on you to make you feel completely satisfied

LEAST

[regular-gnome]

Now you've got me curious gnome. What WAS the relationship between the archivists when they were younger like?

(Also I LOVE your work and look up to you ALOT. Have a nice day/night!)

Their relationships have changed since childhood, running through extremes and attitudes but ultimately focusing on a common goal and set of routines. Adding to it, there isn't exactly anyone else older who could be there for them in the long run, so for better or worse all issues are build on or/and resolved between them. In the end.. it's not like they have anywhere else to go, and they don't exactly want to be alone in the void. They stick together, even if some are gone for periods of time

(But I'm glad you enjoy the things I draw! It always makes me happy to see you pop up in my notes and see your interpretation of the celestial critters:P have a cool daynight too!)

About the colors of the cloaks when they were kids, in some previous comics they shared the same teal cyan hue as an indication of being part of the group. Buuut, they already have affiliation indicated by the shadow face ornament.. and keeping the same colours made it difficult to distinguish them. Soo, this is one instance where I need to backtrack a design choice. Not counting in the more casual clothes besides robes that apear in comics too