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rqgnarok · 3 months ago

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a house upon the hill - nolan price

love you better now (sequel, original work)- leave a light on (prequel part 1) - this work is prequel part 2 but can be read individually!

fandom: law & order, law & order special victims unit

wc: 8,838

warnings: conversations about ptsd and ptsd episodes, aftermath of a traumatic event. canon presence of injuries, blood, violence, weapons, and hospitals. female reader

summary: after being shot and waking up in the hospital, the relief of your survival is short-lived.

ao3 / masterlist / buy me a coffee!

author's note below!

The relief of your survival is short-lived.

You’re tired and in pain, the doctors slowly wear you off the meds and your answers to how are doing? gets shorter and shorter to anyone who asks. Your grip around Nolan’s hand tightens further every time someone comes and goes, and by the time you’re leaving the hospital the bags under your eyes are prominent, your cheeks sharper than they were when you first got there.

Nolan, the trooper, writes down and listens carefully to all the instructions given to him about your care. He packs your bags with all the things he brought from your appartment and the get-well-soon gifts given by family and friends. He doen’t notice you shifting restlessly as he struggles to manhandle the wheelchair, regarding it with distrust.

“Okay,” he says faux brightly, hands at his hips and looking between you and the wheelchair. “You ready to get out of here?”

Your smile is brittle as you nod. That should be Nolan’s first clue, how you don’t rise to the banter at the first chance of it. “Alright, come here. The nurse will kill me if I let you pop your stitches.”

Your jaw tightens but you go, holding onto Nolan and digging your fingers into his arms when you rise off the bed and your body feels like it’s being lit on fire. You curse under your breath and Nolan catches it, tries to meet your eye while you struggle to conceal how much you’re hurting.

“If you need a second–”

“I’m fine.”

“Honey, you can’t push yourself too hard,” he reminds you as if you don’t know. “This type of thing doesn’t heal overnight. We can take as long as you need.”

“I just want to go home,” you say, and it sounds so much like begging it makes you sick, makes you mad. “Just– can you just help me out here, please?”

“You just gotta–”

Your reply is biting. “I know, Nolan.”

The room is engulfed by silence. His hands tense where they’re holding you but to Nolan’s credit, he doesn’t let go, even if his mouth is now set in an upset, even line.Your guilt rises like waves but your annoyance drowns it out, and there’s no apology made as you finally sit in the wheelchair, exhaling in relief.

Nolan doesn’t let go until you’re settled in nicely, and even then he remains close; gripping the handles of the chair and standing behind you where you can’t see him.

You’re buried under two sweatshirts and a coat, but the lack of touch leaves you cold nevertheless.

Your almost-month long stay at the hospital has left your home rotting in neglect. Your furniture lays under a thin layer of dust and the dishes from your last dinner together are still in the dishwasher. The dirty laundry hamper is about to blow.

Nolan appears sheepish when your eyes inevitably go towards the chaos, expression unreadable. He’s got his arm around your waist and his grip is tight as you make your way through the apartment. “I was hoping for time to clean up a little before you came home, but I’ll take care of it, promise.”

“It’s fine,” you say, monotone. Nolan can’t really read into it, unsure if you mean it or not. Halfway to the bedroom, you dig your nails into his shoulder, pulling him to a stop near the couch. “This. Here. Here is fine.”

Nolan frowns disapprovingly. “You should really lay down.”

“I can lay down here,” you say, stubborn as always but through gritted teeth. “I don’t wanna go to bed, okay, just– here is fine.”

Nolan visibly disagrees but relents, his mind still stuck in the way you’d snapped at him back at the hospital. You unclench slightly when he finally stops touching you, body limp on the couch. Nolan tries not to bristle.

It’s the first of many uncomfortable, tense interactions. You can’t move around the house on your own and stiffen whenever Nolan reaches out to support you. You’re quiet and short when you’re not, trying and failing to keep everything polite.

You drive each other crazy. Nolan works from home as much as he can and you don’t work at all. No matter how much you beg Cragen to send you some files, your day remains sans responsibilities. There are only so many reruns of Seinfeld you can stand before you’re making up a psychological profile for each of the characters just for the hell of it before you realize you’re losing your damn mind.

“What happened?” he asks one afternoon when you don’t come out for dinner. You’re lying face down on the made bed, curtains drawn shut. When you don’t answer, don’t move, Nolan’s voice turns sharp, calling your name. “What is it? What’s wrong?”

“Nothing!” you snap, muffled by the sheets. Your sigh takes over your entire body, pushing yourself up to glare at him. “Nothing. Fucking nothing. Cragen won’t let me back without a therapist’s okay, alright? But other than that, everything’s perfect.”

“Isn’t that standard procedure?” he asks, sitting on the bed with a bowl of pasta on his lap. Your frown deepens like he’s the one who’s keeping you locked inside the house against your will.

“I’m fine,” you say. “Do you know how many people I’ve seen get shot in this job? I don’t see why this is necessary.”

“It doesn’t have to be a bad thing,” he says, quietly.

“You know how department’s shrinks are,” he has never heard you speak about psychological aid with such hatred. “But Stabler used to get a pat on the back and he’d be back to work within the hour. Go figure.”

“And look how that worked out for him,” Nolan says, the wrong thing to add, he can tell, for how you settle back into bed and refuse to face him. He sighs and speaks to your back. “What else did the Captain say?”

“‘You want back on the field, come to my office with discharge papers from Dr. Masters office,” you parrot in a poor imitation of Captain Cragen. “Other than that, he’ll be sending some paperwork my way. As if that’s the fucking point.”

Nolan lets the silence stretch, unsure of how to follow up. He flinches when you turn to scream into the pillow, raw and frustrated. You say, venomous. “Motherfucker.”

He leaves your dinner on the bedside table and leaves without a word like a chastised child, feeling like he’s walking away from something bigger than your wirldwind temper.

—

It gets better before it gets worse. There are days in which you don’t utter a single word and walk through the apartment like you’re haunting it; from bed to the living room to the kitchen, unaware or uncaring of Nolan’s presence. Others, you’re out the door as soon as you’re physically able, disappearing for hours on end, phone off to Nolan’s alarmed dismay.

He calls Liv, Cragen, Munch, anyone who knows you and has the resources to pull a nation wide man hunt until he realizes you always come back and it’s better to welcome you than drive you away by asking questions. Those conversations usually lead to one of you sleeping on the couch and your injuries are still a little too tender for Nolan to let you pass the night on that old thing.

One night he leaves the bedroom for a glass of water and finds you standing in front of the open window in just your pajamas. The air is chilly and your skin is covered in goosebumps, but it’s the look on your face that scares Nolan the most.

“Honey,” Nolan, bleary and confused, comes up behind you. You don’t even flinch. It wakes him up quicker than anything else ever has. Saying your name urgently, he wonders, “What are you doing? It’s freezing.”

“It’s fine,” you say, detached, not even there. You blink, staring dazedly into the night. You don’t snap out of it as he leads you back into your room.

When he asks you about it the following morning you just stare at him, blank-faced, without a single memory of the event.

To no one’s surprise, Dr. Masters gently refuses to sign your discharge papers after two months of leave and therapy sessions. Cragen takes one look at you and caves, albeit hesitantly, to reinstate you to a desk job as long as you follow the mandated breaks to talk about your feelings in an office that smells too much like lavender and vanilla.

You hate it. Absolutely abhor it. Dr. Masters, just like everyone else, wants you to talk about the shooting and nothing else. It doesn’t matter that your memory betrays you, keeping the event locked away in some faraway corner of your mind. According to her, refusing to acknowledge it is refusing to heal from it.

It leaves you short-fused. Home is a few curt words of polite conversation before you begin to snap, annoyed at Nolan’s placid attitude. Even the squad begins to lose their patience, you find yourself in Cragen’s office more often than not, glowering like a kid sent to the principal.

“Talk to me,” is all he says, not we’ve already been too lenient with you or shouldn’t you be over it by now? because he genuinely cares about you, which warms and enrages you all at once.

“What,” you say, purposely dense, arms crossed defensively.

“You’re biting heads off out there like you’re a suspect for a crime,” Cragen replies, no-nonsense. “You’re not in trouble here, I just want to know what’s going on.”

“It’s not on me that no one gets shit done around here,” you lean back against the chair, tense shoulders and sweaty hands. “We wouldn’t be so slammed if you all worried about me a little less. I’m fine.”

“Right,” Cragen says, waiting you out.

“You don’t need to walk on eggshells around me,” you continue, rough. “You can’t hurt me. I’m not gonna break, Cap.”

“Everyone keeps asking what I need– I need everyone to stop looking at me like I’m dead,” you say rushedly. You’ve started now and can’t bring yourself to stop. “I breathe a little funny and they’re on me, wanting to– to make me tea and give me casseroles that won’t fit in my fridge and ask me how I’ve been sleeping, I don’t need that shit–”

Cragen hums knowingly. Then, after a silence:

“How’s Nolan?”

You huff. “Fine. Fine, he’s always fine. Always looking for something to do. He’s cooked more these past few months than in our entire marriage, you know?”

“He’s only trying to help–”

“I know,” you snap. Cragen only stares as you pull yourself together, filled with everloving patience. It’s why he called you in, not to reprimand or punish but to let you breathe without people accusing you of doing it wrong.

“I know,” you say again after several exhales, closing your eyes and tilting your head towards the ceiling, avoiding his eye. “Just because he’s trying doesn’t mean it’s working.”

“Have you thought of telling him that?”

“Sure,” you snort. “‘Hey, honey, can you not ask me how my day went? I zoned out for thirty minutes at my desk and picked at my scar until I snapped myself out of it.’”

“There’s help for that, you know,” Cragen says. “I heard they call it therapy, these days.”

“Name it, I’m on it,” you reply, smiling wryly. “Physical, for anxiety, for PTSD. I should get a goddamned discount.”

The Captain doesn’t laugh. Neither had any of your therapists, for that matter.

“I don’t want to be like this,” you continue after a moment of silence, unsure if you’re allowed, but Cragen only nods. Decades on the job have made him wise beyond his years, sometimes even to his own detriment. “You– I know what you’re all thinking–”

“I’m not sure you do.”

“–but I don’t–” your breath hitches. “If I could be over it already, I would. This isn’t any more fun for me than it is for you.”

“No one thinks badly of you for reacting to something that happened to you,” he tells you, and it’s so close to absolution you could cry right here in front of him with all your coworkers at the other side of the door. You didn’t know it was something you were seeking.

“I can see how they look at me,” you say, quiet. “I know what they want, who they want. I just can’t give it to them.”

“What do you want?” he uses your first name and it disarms something inside of you. It’s an innocent enough question, but it reaches for your lungs and squeezes mercilessly.

“I want it to stop,” the niceties, people explaining your own PTSD to you. The racing thoughts, the breathlessness, the chest pains you haven’t been able to get rid of even if the doctor says there’s nothing wrong with you anymore. Not physically.

You sigh and it comes out shaky. Your eyes burn. “I just want everything to stop.”

Two days later, you mistakenly say this to your therapist, who throws the question back to you with interest. “What do you mean by that? What needs to stop?”

“I don’t know,” you shrug, infinitely more annoyed than when you’d been talking about this with Cragen. “Everything. Nothing. I don’t know.”

“Well, maybe you do know. And that’s what scares you, what has you lashing out over the simplest innocent things. Think about that.”

“Oh, so I’m supposed to do all of the work here? I thought you said this was a partnership.”

Dr. Masters sighs, keeping careful watch over her exasperation. She writes something down, tries again.

You leave the sessions sans any breakthroughs but with enough recommendations to implement at home in hopes of finding normalcy in your marriage once more.

Try doing something together, the suggestion has you shifting uncomfortably in your seat. Have a movie night or breakfast together before work, host dinners with friends. Make your home yours again, is what I mean.

You try. It’s not a relaxing endeavor. God knows your work schedules suck even now that you’re both working half time, tempers gone through the shredder more than once. Still, you mention it to Liv and she suggests a double date kind of thing, and suddenly you’ve got a full dining table while a migraine inside your temples builds and builds and builds and–

“How you holdin’ up?” Brian asks casually, cutting off your racing thoughts like a record scratching. Your hands tighten around your fork and knife as you swallow down the urge to scream that washes over you at the question.

You think about the sleepless nights and the anger that comes out of nowhere, the inexplicable lack of patience directed at Nolan despite loving him more than anything else. You wonder if Brian would understand, having been shot before. If this is a good as any place to let everything out.

The thought fades as soon as it forms.

“Working on it,” you shrug simply. “Everything hurts and therapy’s a bitch. You know what it’s like.”

Brian snorts. “Fuck yeah, I do. Last time I went down I was so restless, Liv was gonna shoot me herself.”

“Hey now,” Liv says, but she’s smiling behind her wine and has a hand on Cassidy’s knee that inches slightly higher as she teases him. “I will say, going to work sounded like a dream just to get out of the house. You’re get better, though.”

“Hey, anything for the time off, I guess,” you say faux-brightly, a cynical twist of your lips that resembles a smile. “Next time I’ll make sure they shoot me somewhere less tedious, though.”

Brian scoffs and Liv shakes her head, but no one laughs. Nolan clears his throat after an awkward pause, obviously upset. He wipes his mouth with his napkin and leaves it gently on the table as he stands, avoiding your eye. “Excuse me.”

He walks away and closes the bedroom door gently behind him, the living room falling into uneasy silence. You pipe up with dark humor, “You think I’d get more time of if I was stabbed?”

The fight after Liv and Brian leave is a massive, unavoidable bloodbath.

There’s relief in the heat of it all, in a fucked up way. All the pent up agression you’ve been harboring finally has an opponent, even if Nolan doesn’t know he’s bringing knives to a gunfight.

“I hate when you say things like that and you know it–”

“It was a joke, Nolan, for Christ's sake–”

“Well, it’s not funny. For none of us, Liv was there with you in the ambulance and I–”

“Oh, please, tell me how I ruined your life by almost dying,” you scoff, goading. “Please, honey, the floor is yours.”

“Stop,” he says, firm, but his voice wobbles, and his eyes fill up with tears. You hate the sight of him like this and you hate to be the one who causes it. Still, the part of you aching for chaos, for emotion, can’t help but to press at the bruise. “I’m not doing this, I’m not having this argument with you.”

“You don’t have any arguments with me!” you exclaim in disbelief. Nolan purses his mouth in discontent and look away. “You tell me how to feel, what to do, what this whole thing has been like but the second I try to have an actual conversation it’s like your eyes glaze over and you’re fucking gone–”

“You don’t know what it was like for me,” Nolan snaps, tear stained cheeks glittering against the warm light of the bedroom. He hasn’t stopped crying ever since you came home. You hear him sometimes when he locks himself in his office or in the bathroom in the middle of the night. “Getting Liv’s call, the hospital, watching you like that–”

“This didn’t happen to you, Nolan!” you scream. The world has taken a sharper edge after the shooting, and all you can do is attack it likewise. “I laid in my own blood hoping someone would notice I was gone. I wasted away in the hospital for weeks, I am living a life where not a damn thing is right!”

“I’m drowning here,” your voice breaks, losing all its volume and vehemence. “And all everyone keeps telling me is how they feel about it, how I’m supposed to be getting better. I’m not. I’m not, Nolan. For the love of God, can we make this about me for half a second?”

“You,” Nolan begins, but it gets caught up in his throat, dissolves into nothing before you can hear what it is. Nolan shakes his head, adamant. “I’m not doing this.” He gathers his things all while you desperately call his name. The door closing behind him echoes through the apartment not unlike a gunshot in your ear.

That same week, Nolan goes to therapy.

He doesn’t tell you about it, just like he hasn’t told you about the past couple of months worth of sessions. He doesn’t tell anyone, actually. It starts when a victim’s husband loses it mid trial and lounges at her killer right in front of God, the judge and a panicking Nolan. He’s sure he conceals his feelings well, yet his boss takes one look at him and stops by his office at the end of the day.

“Someone recommended him to me,” he says while Nolan traces the dark blue letters of the contact card he just handed him. “I haven’t been to him in years, but he’s good. If you don’t think he can help you then I’m sure he’ll find you someone who can.”

“I–” Nolan begins and leaves it at that. It’s such a quietly kind thing to do for him that it renders him speechless.

“It can’t be easy,” he continues when Nolan doesn’t, endlessly patient, oddly personal. “What she went through, what you’re going through. I’m sure you’re both doing the best you can, but if you ever feel like you need more, well. It’s good to have options available.”

Everything that’s been offered the last few months; the casseroles and the rides to work, home, the hospital, a shoulder to cry on– it’s all been about you, for you. Nolan appreciates it but there’s something conditional about the whole thing, like he’s not worthy of help unless it’s somehow related to his wife.

He loves you. By God, he loves you with everything there’s in him to the point of ruin, but this– this is for him. His boss is offering him a lifeguard he so desperately needs, and it has both everything and nothing to do with you. He gets to be selfish about this one thing, and the thrill of it drowns out the guilt he feels about leaving you in the dark.

“Thanks,” he says, choked. Nolan clears his throat, hoping it comes out with at least some of the gratitude he’s feeling. “Thank you, sir. Thank you.”

The older man smiles, already at the door and saying his goodbyes. “See you tomorrow, Nolan.”

So Nolan goes to therapy. His first time on Dr. Rhymes’ couch he begins to weep before he can introduce himself. When he resurfaces from his grief, the man is offering him a box of tissues without a hint of judgement in his gaze.

He gets now why you come back frustrated more times than not after a session. It’s like pulling teeth, no matter how badly he knows he needs it. But it helps more than he hoped it would and the nightmares about your death slowly lose some of its gore. His once rusted instincts coming back to its brilliance in court after a week’s worth of full night’s rest.

He gets better. Starts to, anyways, but not you. In your dreams, you still bleed and bleed and bleed.

No one comes to get you. Liv misses the alleyway and chases after the perp, Nolan doesn’t call to wonder when you’re coming home, your gut pulsates with pain until there’s nothing but numbness, nothing but darkness, nothing left of you.

You wake up and don't know where you are. Your flail is purely instinctive, and despite the sharp pain that pulls at your chest you do so again, eyesight blurry, panic rising sharp and quick. Your entire body’s on fire but it doesn’t matter, it doesn’t matter because you don’t know where you are and the perp is getting away, and Liv is still blocks away and, and, and, and–

Bleeding. You’re bleeding, bleeding out and your radio’s too far away and you can see the perp running but can’t hear his steps, there’s only your heartbeat echoing in your ears and the wet taste of death in your mouth as the world fades to black around you–

Sometimes you wake up from nightmares so quietly that Nolan doesn’t notice. Your eyes are closed and then they’re not and that’s all the movement your body can produce even if your heart is hammering against your ribcage. Other nights– nights like this one– you’re drenched in sweat and sprinting to the bathroom before your stomach returns the dinner you ate mere hours ago.

You hear Nolan fussing in the bedroom and picture him as clear as day in your mind; hair rumpled from sleep and eyes bleary, creased pajamas and worry lines on his features like he was supposed to grow into them. And he’s looking for you. Always, always looking for you.

You hate doing this to him but you hate having to go through it alone more. When you feel a cool, protective hand soothe up and down your back where your shirt sticks to your skin, you sob through your gags.

Nolan only says let it out, honey, I’ve got you, just let it go in different variations until the panic subsides. You focus on the timber of his voice, the roughness of sleep coating his vowels and the tilt of his consonants.

The bathroom tile is rough against your knees and your mouth tastes like acid, arms shaking with the effort of keeping you upright against the toilet seat. When you’re done, you fall back to the floor and Nolan is there next to you, ready to catch you.

He cradles you almost like one would a baby and you nestle against his chest, exhausted.

“I’m sorry,” you croak against his heartbeat. Nolan’s hand finds the sweaty nape of your neck and massages the tension out of it, hairs sticking to his fingers.

His soothing reply is automatic but no less honest. “It’s alright. It’s just a dream.”

“Not for this,” you correct, panting against his cotton grey shirt and reaching to hold it in a tight, shaky fist. “I mean– yes, for this, but for before. Everything. In the hospital and for fighting, for not… For everything. I’m sorry I’m like this.”

“Don’t be,” he defends, awfully vehement for a man who’s been awake for less than 10 minutes and is sitting on his bathroom floor at 4 in the morning. It’s the most emotion he’s shown since your last fight and you could weep with the relief it brings you. “Never be. You’re in pain. I’m allowed to want to help you when you’re in pain.”

“I’m tired of being in pain.”

Nolan’s chest shudders and you unclench your fist to lay your palm against it, the beat of his heart fluttering despite his calm demeanor. He shifts his hand to brush his thumb against your cheek, calming. “I know, honey. I know.”

He doesn’t say it’s okay or it’ll get better because as much as you know Nolan hopes so, it’s not the kind of thing he can promise. You wouldn’t want him to.

The sun rises through the horizon. Nolan holds you, holds you, and holds you.

“It’s stupid,” you say against your hands, hours later in your emergency session with Dr. Masters, wet and high-pitched. “It’s so fucking stupid.”

You don't elaborate. She gently goads. “What is?”

“It’s so simple,” your voice drips with disbelief, muscles coiled tight. “It’s so– it was one bullet. One second, and I’m– I can’t let it go. Why can’t I let it go?”

No answer, but you don’t need it. You’re already on a roll. “I’m okay. I’m alright, I recovered. I have my job and my husband and my life back then why am I like this? Why–”

Your voice breaks, a sign of weakness you’re done trying to hide. “Do I not want it? To get better, do I not want it enough? What am I doing wrong?”

“You have to understand, this isn’t something you did,” she sighs, leaving her notebook and pen to lean in closer. “Are you listening to me? This is something that happened to you, not because of you. Healing isn’t linear, isn’t that what you always say to the victims you encounter at work–”

You sniff, sharply wiping at your nose. “Yes, but–”

“But it’s different,” she finishes for you, leaning back against her seat. “Why? Because it’s you? Because you know better since you’re a cop? Because you’re not allowed any moment of weakness in the face of adversity?”

You’re rendered quiet, almost but not quite pouting after being called out so thoroughly. Masters continues. “You keep punishing yourself for reacting to trauma in an unpredictable way. Even that in itself is predictable. There’s no rulebook for this.”

“I know,” you say like you’ve done so many times since this whole thing started, but this is different. It’s not angry or sarcastic. It feels like a tipping point.

“This happened to you. You didn’t chose it,” your therapist says. Then, carefully, like she too is aware you’re on the cusp of something that you might be, finally, ready to hear. “But what you do with it– that is up to you.”

“You got handed this ugly, terrible thing,” she continues. “It’s yours now. And you can let it take over your life or you can take it in your hands and mold it into something you can live with.”

“That’s awful,” you say; tired, honest, terrified. Why should it be up to you? Why is it your job to fix what someone else broke? Master smiles.

“It is. It’s all work,” you say. “At least at first. And then, piece by piece, you make a life with the fragments from before. You get new ones. It’s not gonna be the same, but it’ll be yours. But work. It’s the only way out.”

It’s all work.

The session hollows you from the inside out and the day at the office is a blur. You get home much, much later, weary and exhausted. The sun is already deep behind the horizon and your head is filled with statistics and suspect heights, ethnicities, possible sightings…

Your eyes hurt and Nolan is already in bed, bent over his book with his glasses perched low on his nose. A lifetime ago he would’ve joked they made him look old, and you would kiss him senseless until they went askew and tell him he looked distinguished. It’s such an old, nice memory, both distant and right there for the taking. You get a little breathless just thinking about it.

He looks up to greet you when he hears you come in, tired but genuine. You think mold it into something you can live with and make a decision.

“Hey,” he welcomes you. “How was work?”

“I…” whatever your apprehension is, you visibly shake it off before focusing on Nolan with a sense of determination he hasn’t seen from you in a very, very long time. “I would like you to come with me. To therapy.”

“You… would?” he hates that he sounds so surprised. He places his book on the bedside table, taking his glasses off.

You look as uncomfortable as he feels, but aren’t backing down. You lessen the chasm between you, sitting on your side of the bed and laying your palm flat on the sheets. Realization hits Nolan like a slap to the face.

Here you are, the strange shape that is his wife after hell and back, reaching.

“I think… there are so many things I want to tell you,” you continue slowly, the way you do when you’ve rehearsed before speaking in court as a witness, presenting the case. “that I don’t know how. And so many things you have to say that I haven’t… wanted to hear.”

“But I’m ready,” you nod, grave. “To put in the work. Or– I want to be. And I’d– I’d like you to be with me, when I am.”

“We can go to Dr. Masters or– or I’m sure there’s some names she can draw up. Couples therapy,” you rush to say when Nolan doesn’t answer, desperate for his support. “Or– I mean, maybe you wouldn’t be comfortable with that, but I was really hoping we could–”

“Okay,” it comes out quiet. His nod, though, is resolute. “Yeah.”

You blink, a little startled and hesitatingly hopeful. “You– Yeah?”

“Yes. Okay. Yes, of course.”

“Okay,” you say, relieved, as if he’d ever say no to you. You laugh a little, deflating, running a hand through your hair. “Jesus, okay. Okay.”

A beat, two. Then you say, fragile as a baby bird, breaking the silence. “I’ve been so unfair to you.”

That finally gets him moving. He says your name, devastated. He opens up his arms, surer than he’s been in months. “Come here.”

You sigh out heavily, shakily. Standing, you move to his side of the bed and fall into his arms, work clothes and all.

“We’re alright,” he says, fingers threading into your hair. “I love you. I’m coming with you. We’re gonna be okay.”

“I’m sorry,” you apologize anyways, crying into his shoulder.

“I’m sorry, too,” his voice breaks and his arms tighten. There’s a kiss pressed to your hair that only makes you cry harder. “I’m so sorry, honey, for so many things. But we’re gonna be okay.”

It’s all, all work.

…Mostly.

“The files are on my desk,” Nick nods dutifully as you rattle off instructions, making sure your hair isn’t messed up by your coat. “Fin knows my notes backwards and forwards, if he tries to convince you he doesn’t it’s because he’s lazy, and I already let Cap know–”

Nick laughs, saying your last name knowingly. “It’s okay. Everything’s set, there’s nothing you’ve forgotten. Go have fun for once, will you?”

“Yeah, let us live vicariously through you,” Rollins pipes up as she passes by, an overflowing evidence box in her arms. “I’d kill for a hot date with a hotter lawyer right now.”

“You’d bite his head off before the appetizers came in,” Amaro smirks at her cockily, and you roll your eyes when Rollins predictably rises to the challenge. Behind them, Fin stares at them like he’s regretting all the life choices that led him to work with these people.

“You know what, Bernardo–” Rollins begins.

“Speaking of the devil,” Much pipes up loudly before Rollins starts humming the notes to the West Side Story score at Nick. You shoot him a grateful look but your attention is soon refocused on Nolan, who looks tall and sharp as he enters the precinct. “Good to see you, kiddo.”

“You too, old man. Hey, everyone,” Nolan smiles as he greets everyone else, though it turns shy when he acknowledges you, suddenly unaware of the rest of the room. “Hi, honey.”

“Hey, handsome,” you can’t help yourself, feeling young and foolish. “You look good.”

“Had to match you, didn’t I?” he gives you a once over, long and interested, and you’re so into it you can’t even hear your coworkers making fun of you. “You ready to go?”

“Born ready,” you wave everyone goodbye and then, as soon as you’re out of ear shot, you admit sheepishly, “I’m actually a little nervous. Is that weird?”

Nolan’s laugh is tender, relieved. “No,” he says, looking more relaxed by the admission with his arm poised while you loop your own around it, keeping him close. “I am, too. I haven’t felt like this since you kissed me for the first time.”

“I’m sorry, I kissed you?” you reply. “I very vividly remember being cut off mid sentence about serious crimes punishable by law because someone couldn’t help himself.”

“Our study sessions always were interesting,” Nolan agrees, grin boyish. “Ivery vividly don’t remember hearing you complain about it.”

“Only that it took you so long to do it,” you quip.

“Well,” he tells you as you go into the empty elevator and the doors close behind you, already drawing you in. “Who am I to keep you waiting now?”

Some other weekend, the day is bright and gorgeous and neither you nor Nolan are able to to stay in. You move your slow weekend routines out of the apartment for once, going out for brunch and bringing reading material that doesn't involve case files or suspects statements for once.

You walk around the city with a wonder rarely available to you lately and hold each other close. Halfway through the afternoon Nolan disappears across the street in search of your favorite coffee cart, telling you to stay put with a loud kiss to your cheek that leaves you giddy long after he’s gone.

“Hey, sorry,” he says breathlessly when he comes back, carefully keeping both coffees from overflowing. “They had to make a fresh pot just now.”

“‘s alright,” you say after a beat, smiling at him with an unusual shape to your mouth. It makes Nolan pause.

He asks, endearingly concerned. “What’s wrong?”

“It’s–” you begin and then cut yourself off. You look around, calculating. You shake your head, hoping to drop it. “No. Sorry. I just thought–”

Your breaths come out short despite your best tries to keep the previous atmosphere going. Nolan places the coffees on the sidewalk and stands back up, already reaching. He tries to keep his tone even. Calm. “Honey. Is it okay if I touch you?”

“You– yeah,” you blink, almost surprised to see him. The words rush out of you with relief, like you weren’t sure you still had it in you to be verbal. “Yes, please. Please.”

“Come here,” it’s a relief to him too, both your answer and permission. He draws you in with a protective hand on your back and you shudder into the touch, breathing in and out slowly like Dr. Masters taught you. “Great, you’re doing great. I got you.”

“Sorry,” you says again after a while, back in your body. “I thought it was the street where…” you admit. You’re embarrassed, Nolan doesn’t have to see your face to know it. “For a second, I. I saw the alley and it’s– it was literally just that but I was sure…”

You don’t finish your sentence, drifting off, but Nolan knows you too well. Understanding dawns in and he holds you tighter, protective. The perfectly harmless landscape of the city suddenly shifts before his eyes and he starts to panic. He can’t get you out of here fast enough, but maybe if he tries… an Uber would probably be quicker than walking home…

“Nolan,” you cut off his racing thoughts, oddly comforted by the fact that you’re not alone in your freak out, even if Nolan has been rendered useless by his own agitation. “It’s okay. I was wrong, it’s not the street. I’m good.”

“We can go,” he offers, terribly disappointed that your day is about to be cut short but willing to do that and more for your wellbeing. This? In the grand scheme of things this is nothing. You were gonna spend today in bed anyways. “Or– is there something you need, do you want to call–”

“I want to stay,” you say, sure, cupping his face. Your touch helps him breathe, unclogs his throat and opens up his lungs. “I want to be here with you. I want to keep living my life even with… this. It doesn’t get to win.”

Nolan’s eyes burn, but his grin is too big for his face. He kisses you, long and deep and careless of who’s watching. It’s New York, its streets have seen far worse things than a man knee deep in love with his wife. “It doesn’t get to win,” he affirms, catching his breath. “You’re unbelievable, you know that?”

You grin, shaky, bright. “You’ve told me so once or twice.”

Hand on hand, you pass by the alley. The day is beautiful.

One night Nolan gets out of the bathroom to find you already in bed, frowning at your book. He passes a towel through his wet hair as he asks, “Is it any good?”

You only keep frowning. “It’s– I mean, yeah, but I. I don’t know.”

“What?”

“Have I read this before?” you ask him, showing him the cover.

Nolan squints, mouthing the words, then his expression clears. “Oh, I know. Did Munch give it to you?”

“Yeah,” you sound surprised. You hadn’t told him about John’s offhand gift, a tattered copy of a book he lent to you the other week. “ How’d you know?”

“He was reading it to you,” Nolan begins, then shrugs and seems to hesitate before he continues. “At the hospital.”

You make a face like you just tasted something sour. “Oh.”

“A part of you must’ve heard,” he continues, softer, searching your face for signs to shut the hell up. Other than the initial realization, he finds only pensiveness. “Must remember.”

“I don’t know,” you say, thinking of days so far away and so present still, sometimes laying between you in bed. “It’d be silly, wouldn’t it? That my brain chose to retain bits of a book I heard while unconscious rather than… you know.”

Nolan breathes in deeply, holds it, and lets it out. He tries feeling comfortable in the silence you’ve built as he thinks his words through. His therapist told him once that if he expected a fight to start out of a conversation then he’d start fighting before he realized what he was doing. He’s trying to be better.

“What do you remember?” he dares to ask. You tilt your head towards your lap, fingers running over the edges of the book to ground yourself in the movements. “About the hospital?”

Your smile is brittle and you don’t look at him when you say, “I didn’t even remember what had happened at first.”

“When I first woke up after– after. I still don’t, mostly,” He watches you, patient and encouraging even when you can’t meet his eye. “Like, you know what happened. I got shot and spent weeks in there, but I don’t– It’s pretty much a blur.”

You sigh deeply. “But I woke up and I was afraid anyways. Like my body caught up to the situation before my mind did and I just– I was in pain, and I needed to get out,” you retell.

There’s barely a memory there; of Nolan’s hand in yours and the sheer relief in his voice, the smell and sounds of a hospital that are too familiar in your line of work.

“Sometimes,” you begin, and that’s where you cut yourself off, turning to him and smiling, fixing the facade back on. Nolan rushes to stop you before you completely hide from him, cupping your face tenderly.

You meet his eye and you look afraid. Nolan can’t blame you, it hasn’t been long since he stopped physically fleeing the room whenever you even hinted at the shooting. But he stays rooted in his spot, even if just to prove you both wrong.

“Sometimes?” he goads, braver than he feels. You look at him intensely for what feels a very long time, then begin to relax against his touch.

“Sometimes,” you say, slowly, like you’re still expecting him to make an excuse and leave you to your feelings. “Sometimes I feel like I’m still there,” you admit, lip wobbling. “Just. Lying there. Waiting for someone to find me. To realize something’s not right.”

Nolan’s throat closes off. You’re not talking about the hospital, he realizes as his stomach drops. You’re talking about the alleyway.

“It’s what I dream about, usually,” you sniff. Talking about the nightmare is better than having it, but it makes you nauseous nevertheless. You breathe in and out, deeply, a couple of times before you find your words again. “I’m lying there and it takes forever for someone to find me. Sometimes no one ever does and I wake up thinking I haven’t left that alley.”

That’s where Nolan’s perspective comes into view. He watches you wake, though only sometimes because there are nights in which you refuse to bother him despite how adamant he’s been about waking him up when you need him. He watches you wake and draws you back from the metaphorical cliff into his arms and your bed.

You’d never told him about the dreams. This is definitely a first.

He does his best to breathe, to keep eye contact. He meant it, the silent vow he made to himself when you came forward and asked him to go to therapy together. He’s through running away from this. If he keeps leaving you every time you feel like this, what makes him any different than the man who left you in that alley, fighting for your life?

He does his best. “I don’t know if I can help,” he admits shamefully, out loud for the first time but for the thousandth time to himself. “But I’m here.”

You shudder with a sniff. Shifting closer to him, Nolan takes your weight effortlessly, like this is what he was meant for. That, he’s never doubted.

“We found you,” he continues, a comfort that works for him as he hopes works for you. “We brought you home. I know exactly where you are.”

You lose the fight and bury your face in his shoulder, shaking in Nolan’s arms for a long, long time. Crying, he can tell, but quietly. He doesn’t tell you to be loud about it if you want to. He’s done telling you how to live through your grief.

“I kept thinking of you,” you admit later, much later, into his shirt. Nolan closes his eyes, wrecked. “Of who would call you, or if you… If you’d have to… to come claim a body.”

You feel him tighten his grip around you.

“You were the first thing I recognized,” you continue, quiet. You’re toying with his shirt, soothing your fingers over the soft, worn fabric. “When I woke up, amidst all that panic, there was you.”

You huff a laugh against him, breath warm. “I don’t know if I’ve thanked you for that lately. Calming me down. You’ve always been good at that.”

“I don’t feel like I’m doing much,” he admits shamefully.

He feels the way you shake your head, unwavering in your truth. “You do everything. You’re everything.”

“Right back at you, honey,” he says, and you hold each other for a very long time.

Halfway through getting your life back, almost nine months after the shooting that shattered your life to the ground, the team finds and collars the perp.

The same gun he used on you shows up in CODIS for another recent crime and you get a warning text from Fin less than ten minutes before he walks in with the suspect. Rollins is stone-faced by his side, both of them holding on to him despite his very obvious lack of struggle.

He barely even looks at you before he’s glancing away, bored. You remain unrecognizable to him but his features spark a flash of awareness deep in your unconscious and you’re excuse yourself to go dry heave in a bathroom while he gets processed.

Your thumb shakes over the screen of your phone, right on top of Nolan’s contact. You should just call him, you know it. You’ve done it before, and your husband would cross the city during rush hour and bend time to his will just to be by your side and hold you through the panic.

You know, but you can’t. You’ve been doing so good lately, finally; after the year from hell your lives are finally getting a glimpse of normalcy, and this– this is a Setback. Capital S setback, and after everything you’ve put him through… God, you can’t keep doing this to him.

You won’t do this to him. You call your therapist instead and hate every single second of it, hate even more that it works; forty minutes on the phone with her and you exit the bathroom with bloodshot eyes but with your chin held high and hands steady.

Amaro is the first to notice you and he catches your stare immediately, but he only nudges a tower of paperwork from his desk to yours and says, “You snooze, you lose, partner.”

“Dick,” you answer, your voice only a bit nasal. You’re so incredibly thankful for him that you could weep again right there and then.

You sit to get back to work, perp nowhere in sight, and bite the inside of your cheek in thought before you pull your phone back out, sending some rapid-fire texts.

Hey

I love you

You sigh and leaf through the papers, looking for where to start. Working through an equally ridiculous amount of files in his office across the city, Nolan’s eyebrows lift in curiosity at your texts.

I love you too

Is everything alright?

The three dots signifying your reply appear and disappear over the course of a few moments. After a while, his phone chimes again.

Rough day. Just wanted the reminder.

But I’m okay, I promise.

I’ll tell you all about it at home tonight.

Nolan sighs out slowly, and trusts you. Because of it, he watches you grow into your own skin again.

Your visits to Dr. Masters get less and less frequent and the damned paper finally gets signed. The nightmares, though not gone, lessen and don’t make you sick to your stomach anymore as you trace Nolan’s features in the dark to soothe yourself back into a slumber. You tell him everything, become more lenient with your resurfacing memories and in return, you hold Nolan as he talks about those days at the hospital and cries until he physically can’t anymore.

It’s so familiar and so, so new. You’re who you’ve always been and yet Nolan finds himself staring at you sometimes, amazed at the differences– a woman reshaped entirely by trauma and victorious over it nevertheless. Victorious because of it.

When you drag him away from the kitchen sink where dirty dishes sit after dinner, he barely puts up a fight. Nolan eagerly follows you to the couch and sinks into your embrace when you tangle your fingers in his hair, shivering against your welcoming touch.

You’re making out like teenagers– like you used to when you were in college– with no specific purpose until Nolan starts to forget himself. His hands are around your waist, squeezing unconsciously while you, on top of him, swallow his sound of elation and run your tongue along his teeth, wet and dirty.

Jesus, Nolan thinks unabashedly, and wants, wants, wants–

He nudges his leg between your thighs, pants uncomfortably tight, when you call his name. You’re pulling away suddenly, bringing him back from a daze, a hand tangled in his hair. Your fingers twitch with restraint as you look him over, pensive.

Nolan sighs, leaning his temple against yours and trying to get his breathing back into a less agitated rhythm. All he gets is a whisk of your perfume and the warmth of your skin, his efforts useless.

“Right,” he murmurs, voice velvet quiet. He’s still trying to preserve the moment even after your new set of boundaries. “Right. I’m sorry.”

You haven’t gone that far since– Since. Nolan can’t recall the details of the last time you were together, one random night the week you were shot. He didn’t think he’d have to, but now he wishes he had committed the night to memory; your skin under his hands, the sounds you made, how you reached bliss together–

“Don’t be,” you say equally as lowly, pupils blown, gaze ardent. “I want…”

You drift off. It’s suddenly urgent, imperative that Nolan knows what you’re asking for, needs to give it to you immediately.

“What?” he murmurs back, thumbing at your bottom lip, bruised and kissed. Your breath is hot against his skin. “What, honey, what do you want? What can I do?”

“Kiss me again,” You say. Then, before he can comply– “Don’t– don’t stop. I don’t want you to stop.”

“You…” Nolan says, shaking his head to pull himself together, attention still hazy around the edges. Your name tastes so sweet when he says it. “You mean…”

“Please,” you whine, and Nolan’s body reacts to the sound all on its own, hips subtly canting up towards you. You press your mouth to his jaw, tongue barely caressing the skin. “Please, Nole, please keep touching me.”

Nolan curses, both at your words and the realization he might not last as long as he’d like if you keep saying these things to him. “Sweetheart. Oh, are you sure?”

Your breath hitches. “God, Nolan, more than anything else.”

“Come on. Come here,” Nolan insists, turning to kiss you so thoroughly he almost forgets the point he’s trying to make. “I’m gonna do this right, okay? We have a perfectly good bed in the other room–”

He scrambles up and takes your hand, taking you with him. You surrender to him and he kisses your hand, the crook of your elbow, your shoulder and neck, in a rush and yet wanting to make this last as long as possible.

You laugh amidst your urgency, rich and lovely, cupping his face and kissing him soundly, rubbing against him. Nolan is a weak, weak man.

“I love you,” you say while he buries himself inside you later in bed, sheets pooled around the both of you, and looking up at him like you can’t believe he’s real. Nolan’s on top of you and he’s got your fingers tangled together; your hands pinned against the sides of your face. They’re points of steadiness as the tension inside him threatens to snap with each thrust, however small. “I love you, Nole, I love you so much–”

He’s not ashamed to say he’s crying when he finally comes, and you cup his face in your hands with a wounded sound when you realize. You kiss him as you finally let yourself go and it tastes like victory. Like work; like blood, sweat and tears. It feels like being yourself, added scars and all, Nolan’s warmth a steady, sure thing against your side.

started this over a year ago and it's finally yours!!! sorry i've been so absent, i've been having the worst writer's block of my life lol but i hope you love this as much as i do! let me know what you think and i hope you see more from me in the next months! thanks for reading <3

#nolan price x reader #leo writes #nolan price #hugh dancy #law & order #law and order #svu #svu x reader #reader insert #olivia benson #nick amaro #amanda rollins #john munch #donald cragen #fin tutuola #svu imagine #one shot #law and order x reader

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lo-diehards · 9 months ago

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2024 TV Season Analysis – Organized Crime Tops the Franchise, Law & Order Better, SVU Needs an Overhaul

The 2023-24 TV season has been a truncated TV season of 13 episodes, due the ongoing WGA/SAG-AFTRA strikes that happened last year. A lot of scripted TV was back burned until the strikes ended. TV writers struck their deal first and were back to work promptly, long before actors/actresses, this should have given time to plan out their already short season. Production crunched for 13 episodes to be shot between late November until this coming week, where SVU and mother ship reboot will be wrapping up shooting their finale episodes.

But where does this season grade in its entirety? I’m going to summarize – as much as I can - my views on where the franchise stands for this season from best to worst. Click below to read.

Organized Crime – The best in the franchise creatively, hands down!

New show runner/executive producer John Shiban (The X-Files) and his writing staff understood their assignment and have definitely delivered. Organized Crime is the most entertaining series in the franchise this season, week-over-week. The storylines are so fleshed out and they don’t drag on as they had since the series started. Shiban has shifted focus to the OC main characters and their backstories as well as expanding on the OC unit in its entirety. We’ve even seen 2 of SVU’s former stars show up (Tamara Tunie, Chief M.E. Melinda Warner / Dann Florek, Donald Cragen) as well as an appearance by Peter Scanavino (ADA Dominick Carisi). We have even been introduced to more of Stabler’s family, his brothers – portrayed by guest stars Dean Norris and Michael Trotter – and while they’ve come in and shook things up for Stabler, one thing I can point out, it’s the first season since OC premiered where I haven’t felt that Elliot Stabler is on a quest for vengeance or retribution of some kind.

The cast has been firing on all cylinders this season, especially with the episode that just aired last week (“Crossroads”), where one of OC’s new team members went missing and was found to be killed, Stabler having the bury his body as he is undercover with the group that found Detective-in-Training Samir Bashir (guest star Abubakr Ali). This story is still playing out so as of now we don’t fully know who killed him but I’m sure we’re about to find out. Stabler’s younger brother, Joe Jr. may have some involvement as the investigation is about to come full circle. Meanwhile, the scene in question in this episode has Christopher Meloni and Danielle Mone Truitt deliver their most powerful scene together yet in the series and they have delivered quite a few, this one stands out though.

Excellent only begins to describe it, and Organized Crime this season. Organized Crime has yet to be renewed for the 2024-25 TV season.

Law & Order (reboot) – It’s improved, but we still have a ways to go.

There is a lot to be said of the mother ship series, both the original and this reboot. But this reboot has seen a lot in its short time on air, in this short season alone the cast has changed twice already. Jeffrey Donovan (Detective Frank Cosgrove) and the series parted ways weeks before production was set to start and veteran Sam Waterston (District Attorney Jack McCoy) chose to depart before mid-season. Sam Waterston is/will greatly be missed and he leaves behind a full legacy on the show, which he joined in 1994! Meanwhile newcomers Reid Scott (Detective Vincent Riley) and Tony Goldwyn (District Attorney Nicholas Baxter) have been welcomed by fans with open arms. The cast of the reboot no matter which season is very solid and they are all very talented, but their talents often seem crippled.

The reboot seems to have an issue fleshing out the characters. Det. Jalen Shaw (Mehcad Brooks) and ADA Sam Maroun (Odelya Halevi) – and add DA Nick Baxter (Goldwyn) to me, week-in and week-out are the unsung heroes as with them we can see depth, we can understand why they make the decisions they make or feel the way they do on certain topics. I’m still on the fence about Riley’s development but he’s definitely has a more solid partnership with Shaw than Cosgrove did, and he certainly is a better character. I think they’ve got a great detective duo here – reminiscent of that of Ed Green (Jesse L. Martin) and Cyrus Lupo (Jeremy Sisto) in season 18. From about the third episode this season on up, there has been an improvement in the writing, I must say in comparison from where the season started. Most of the episodes this season seem to have one singular writer who stands out, Pamela Wechsler, who also serves as executive producer. Girl power!

What can help the reboot:

The writers need to get away from talking points and political affiliation when it comes to the characters and even the weekly storylines - looking at you show runner Rick Eid - it makes the characters come off as caricatures and stereotypes. And maybe not directly rip the episodes from the headlines near verbatim. It takes away from it if we already know how it plays out – where is “the Law & Order twist?” They need to deep dive into Vincent Reilly, Nolan Price (Hugh Dancy) and Kate Dixon (Camryn Manheim); we have talented actors on here, give them something that makes us stand up and clap and relate to these characters and stop making them one-dimensional, especially ADA Price. I must say I’ve been enjoying the legal side a bit more with the addition of Goldwyn’s Baxter, his back-and-forth every week with Price has a feel of the original series run, where we see multiple points of views on cases and it doesn’t feel/sound like rhetoric. And speaking of that run, it wouldn’t hurt for them to find ways to invest those old characters in the reboot. Just because Sam has departed doesn’t mean we still don’t want to see old faces or even faces from the other L&O series show up. Elisabeth Rohm (ADA Serena Southerlyn) and Milena Govich (Det. Nina Cassady) have directed episodes! Raul Esparza and Hugh Dancy both starred in Hannibal, I could see former-ADA now Defense Attorney Rafael Barba sitting at the defense table and likely wiping the floor with Price! Tony Goldwyn even wants Mariska Hargitay to direct an episode. Let’s make the mother ship enjoyable to watch again!

It was renewed for a 24th season (4th for the reboot). The mother ship has a second chance at greatness and to continue its legacy on television, not a lot of shows get that. It would be wise that those in charge on mother ship remember that.

SVU – The 25th milestone season ranks as one of the worst.

I originally had a two-page long document on this season of SVU alone and I’ve had to shorten it down and it’s still not that short. But if I had to describe the 25th record-breaking season of SVU in 1 word, that word would be “bad.” There are calls on social media for show runner/executive producer David Graziano to be fired from the series. I’m not one to openly call for people to lose their jobs, but clearly there is something wrong and the downward spiral of the ratings mixed with bad press for SVU episodes this season is showing that. Nothing about season 25 jumps out as milestone season and there are only a handful of episodes as of now, that I would consider episodes worth going back to watch again: “Tunnel Blind”, “Duty to Report”, “Probability of Doom”, and “Children of Wolves” which was directed by Mariska Hargitay.

It’s the writing and direction of this season, period. There is no other reason or excuse that flies. There is clearly no investment from the management level behind the scenes at SVU in this milestone season being the best it could have been. The Maddie storyline overtook the season and its resolution didn’t exactly hit the mark either. Where is the retrospective? Why haven’t we gone over past cases? Seen former victims/survivors (other than 2 minutes worth of Maria from “911”)? Why did Olivia stop seeing Dr. Lindstrom (Bill Irwin)? Where is the ‘healing?’ The guest stars? We haven’t seen any former stars, other than Kelli Giddish (Detective Amanda Rollins), and that proves to me that it was a mistake to fire her in the first place. “Where is the energy? Where is the spatter? This is life-less dreck. A cheap knock-off…” (diehard SVU fans; if you know, you know). But seriously, nothing about this season overall screams “25 years!”

With the season opener, I was sure David Graziano and the writers turned the page on the mess that was most of the entire 24th season of SVU. Turns out I was wrong to think it. It seems to be doubled down. It’s proof that despite his behavior, he’s just not a good fit for SVU. He doesn’t seem to understand how to write for this show and be the voice of who women/people look up to and the voice that victims and survivors need. I honestly think he would serve better on a Criminal Intent reboot or something since he seems to like that aspect of the crimes more so than investigatory and the legal side – Peter Scanavino’s screen time has greatly decreased and well as legal scenes.

What can help SVU:

A lot of damage is done, but it’s not irreversible. The best call is to replace the person at the top if they aren’t going to change themselves, (sorry but not sorry David). The popular eras of SVU are seasons 3-7 and again 13-17 and for good reason; Neal Baer and Warren Leight remain the two people who have seen SVU at their peaks. Going into a record breaking season 26, someone who can understand the intricacies of SVU needs to take the helm and get this show turned around. Focus needs to be on steadying the storylines and fleshing them out in a meaningful way to where they connect and not have crucial bits just disappear into thin air. We need to get SVU’s focus back on uplifting the voices of victims and survivors and their journeys, as well as to delve deep again into the world of the NYPD SVU squad. It’s not just about “rape case of the week” the actual SVU deals with kidnappings, crimes against the children, the disabled/elderly, working in conjunction with the Hate Crimes unit/federal govt., trafficking and more, let’s get the variety back in the crimes – and let’s stop showing the crime taking place on screen and in graphic manner. The crime scene analysis, forensics, court scenes and legalese needs to be put back into this series, I’ve honestly felt it decrease even before S24 as far back as some S22.

We need to see Carisi navigate through these cases and the back-and-forth with the defense as well as in his own bureau. We’ve yet to see Carisi interact with the district attorney (Jack McCoy, Sam Waterston – now Nick Baxter, Tony Goldwyn) much like his preceding ADAs. Benson’s character needs to go back to therapy and deal with her issues head on (Lindstrom, Bill Irwin), she had done that up until EDMR in season 24 became her new way and it’s not working for her, since the writers seem to use it now as a crutch to say “she’s healing” but then turn around and have her do things to suggest otherwise. Benson also needs to be written as a leader and delegator more so than taking every case away from her “squad” and solving them personally. Actually from a story standpoint it would be great to see Benson face repercussions for continually doing this, in the real world that would have consequences as how can she personally investigate cases and run the unit?

And with the unit, their stories need to be dissected more. Velasco (Octavio Pisano) in particular, he had an edge in season 23 as the new guy that might be a snitch for the Chief of Detectives (McGrath, Terry Serpico) but in season 24 they pushed this character into a corner with liking Detective Grace Muncy (Molly Burnett, who departed last season) and the Chilly storyline last season and can’t seem to get him out of that corner. Velasco comes off as “just there” much in the way Fin (ICE T) is starting to. And where is Phoebe (Jennifer Esposito)? Detective Bruno and Captain (to-Detective or Chief?) Curry (Kevin Kane and Aime Donna Kelly) are pretty much holding down the squad and are actually the more I look to, to solve the cases and they are the only ones peaking my interest.

SVU is heading to record-breaking season 26, if they want to reach their goal of stopping at 30. Dick Wolf, NBC and those behind the scenes need to get serious about it if that is what they really want. Otherwise, you’re about to have long-time viewers and new viewers alike turning away. Despite what people believe about ever-lasting loyalty, it does have an end date.

What do you think? Do you agree or disagree? Feel free to respond!

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