#How to Translate Feedback

[writingwithfolklore]

How to Translate Feedback

              Beta readers are awesome because they see the work strictly from a reader’s perspective. However, this also means that their notes sometimes require a little interpreting to understand how it impacts the craft—translating, one could say.

Every interpretation of a piece is valuable, and often what your readers assume about things, what questions they have, and what they guess comes next is very telling for the messages your piece is delivering and how effective your lines are working together. Let’s get into some common comments you might receive:

“I was confused about this line…”

              Even if the line is explained in the next paragraph, or even the next sentence, don’t disregard this feedback. A confusing line is going to stop up readers, interrupting their mental image of the scene and sometimes concentration on the story. Confusion around a line tends to mean there isn’t enough context to make it feel seamless, or like it fits where it is. You shouldn’t have to be playing catch up with your descriptions.

              Take for example a story I wrote when I was in fourth grade (yes, literally):

Tracy took off her coat as she entered her cabin. She crept across the floor very silently. If she was too loud, she’d wake the howler monkeys and never be able to get to sleep!

              Notice how there’s no context provided for why she’s trying to be quiet, so you kind of get caught up on that line. I would fix it like this:

              Tracy took off her coat as she entered her cabin, eyeing the sleeping monkeys out of her window cautiously. She crept across the floor… etc.

              Now we have context, it reads a lot more seamlessly.

(If they guess something is coming that isn’t)

              This one hurts because I hate feeling like I’m letting down my readers, and an excited “ooh is this foreshadowing??” for something that definitely isn’t coming back up again feels like exactly that. Usually, when a reader guesses at a plot point or character detail that isn’t true or isn’t going to come back up again, it means you drew too much attention to it, making it seem more important than it is.

              I tend to take out the description of the thing, or adjust it so it points less heavily towards one thing and points more towards another. While yes, readers can make incorrect guesses all the time, it’s important to pay attention to where their expectations are being raised—both in the correct places and incorrect ones. Too many disappointments, and your story may leave a sour aftertaste.

“This feels out of character/I don’t understand the motivation”

              When writers get this note, they tend to want to add a paragraph explaining from the character’s POV why they’re doing what they’re doing. Unfortunately, all the explanation in the world isn’t going to fix something that feels out of character or out of the norm. This might mean that you’re trying to force a scene or plot point that doesn’t fit, or that the circumstances aren’t extreme enough to justify your character acting out of sorts.

              Try ramping up the stakes or intensity if a character has to make a tough decision that might seem unlike them—usually a time limit or ticking clock helps here. If you’re only using internal motivation, try adding an external force pushing them towards action (or vice versa).

              If all else fails, consider how you can progress the plot in a different way that’s more in-character.

Shoot me some more common notes you get and maybe we'll do a part 2 :-)

[dykedvonte]

I dislike takes that Danse would be just as conservative in modernized aus when it's clearly shown his staunch views of things come from his time in the Brotherhood and his deep-rooted desire to belong to something with a greater purpose.

Not to mention lines that show much more open-mindedness that get overlooked for his harsher sentiments when you first meet him. Like the oppurtunity to be a part of something is why Danse fell so far into Brotherhood dogma and it doesn't negate the offense things he does but I feel like it's just lazy to be like "hmmm he'd def be racist" just so it aligns to his BoS beliefs.

[lunasilvis]

"Hey Michelle, what have you been up to?" ☝️

[cdroloisms]

Oh I was just haunted by jmah!Dream’s deteriorating mental state

:C my BOYYY

and it's awful, too, because it's not like Dream is in a particularly good state of mind when the prison starts in the first place. and he's in here because he's terrified (and he's in here as punishment) and he's in here because even though Sam hates him--and he's ensured that Sam hates him, and he's planning to do more to make sure of that fact as well (in canon, c!Dream is talking to c!Sam 'all about exile' in those first few days)--Sam will do his job. he trusts him to do his job. he knows Sam, the man that he's worked with for the last month on this project, on making sure this prison is as secure as it can possibly be, one of the final few people to work with him before the events of the green festival, doomsday, staged finale etc. made sure he'd stand alone, just where he was supposed to. this is a Dream that's already been swimming in the lava before Sam travels back in time.

unlike Sam's betrayal in canon, there's nothing slow about what happens in JMAH. there's no ability for him to cope and go yeah, Sam's being kind of serious, but it's no big deal, yeah, this place kind of sucks, but it's survivable, yeah, there's some mistreatment, but I expected that. in an instant, Sam goes from a predictable cog in the machine meant to keep him alive into a stranger hellbent on torturing the fuck out of him, and he has no idea why. Sam is nowhere near as straightforward as Quackity in explaining what the hell he wants out of Dream--he asks for the book, sure, but also for information, also for complete obedience, also for explanations for things he shouldn't know and punishments for things he never did. there is no promise that the revive book will end anything, for this Dream, and no one to give him anything at all but the Warden.

just ,, the lengths to which this Sam is willing to go, the intensity of his obsession, the way he'd be left reeling with no choice other than to endure and wonder why breaks my heart. Dream has no fucking clue to what end this is all for, and i think he struggles a lot with that. worse than just the torture, perhaps, is the familiarity, the sparks of something that is almost fondness, the satisfaction in Sam's voice when he's gotten something and Dream isn't even sure what he's just given away--and maybe it'd be easier to understand if what Sam wanted from him were any more straightforward, if the desire could pan out as something as simple as sadistic pleasure at hurting him or deriving some kind of gratification from making him submit or wanting power or to eliminate a threat or anything, but all that is clear is that Sam wants something from him and will stop at nothing to get it.

c!Dream and identity is already a finicky thing as well as his whole complex about himself and evil--c!Dream thinks he's a person that does evil things to achieve good ends, but he struggles pretty heavily, honestly, with himself-as-evil and being viewed as evil-and-just-evil and actually being the tyrant-villain-monster-snake-that-just-bites, etc, which means that there is a level of vulnerability here when it comes to how he sees himself and builds his identity and the constant, relentless onslaught of . pain and torture combined with Sam justifying it all by Who He Is Innately and monologuing about how he deserves it all, because c!Dream isn't a person that doesn't think that punishment as a concept is wrong and doesn't necessarily disagree that he's evil either. and again. torture self harm box of mental illness. and part of the problem with a Sam that's fresh from Daedalus and then thrust into kind of the worst possible position of reflecting on those conversations by being in a place where he's able to fall hard on old habits to copium his way out of dealing with anything he personally might have done (because obviously he can just Fix It Now) while also having the additional cope of i-am-godsent-to-make-everything-better BY keeping dream in a box, you kind of get a situation where both Dream and Sam are psychologically in pretty vulnerable places and then you're taking a torture machine hammer to those stress points. so it's fun.

i have no clue if that last paragraph made any kind of sense btw.

but ... yeah. even for any character in any kind of state the insane torture contraption of torture efficiency would be. erm. extremely damaging to one's mental health, to say the least. the only good thing for dream i guess is that sam still has his head too far up his own ass to actually git gud at conditioning anyone deliberately and is therefore still largely skating by By Accident, because otherwise his head would've been even more blendered than it already gets.

[bhramarii]

was kind of wondering if anyone wanted to beta read Strings Theory? I've pretty much wrapped it up at around 111k words and just need a foreword and an epilogue which I'm planning to do a bit later. As a refresher it's sort of like a hodge podge of retold fairytales and motifs with a hard focus on specifically bengali fairytales mostly. Lgbt cast, anti-monarchal sentiment, and interesting imagery... Message me if ur interested in helping out

[ts3creatorscave]

Creator Community Good Faith Practices

Here at the Creator’s Cave, our mission is to create a ‘safe space’ for people to learn how to create new content and mods for The Sims 3, and share their knowledge of how to create new content and mods for the Sims 3.

Frequently, new custom content (CC) is generated by making edits to existing CC. As part of the above mission, we feel it is required of us to encourage ‘Good Faith’ practices, and to discourage ‘Bad Faith’ practices when utilizing content from other creators in your CC or mods.

We've made a  list of ‘Good Faith’ and ‘Bad Faith’, and ‘Grey Area’ practices to serve as guidelines for both existing and aspiring creators.

We asked those in the discord to help distill and tweak it, and will continue to make alterations based on feedback from the creator community. These guidelines are primarily enforced by the community itself, and other creators may decline to provide assistance to someone who is using ‘Bad Faith’ practices.

Here’s a link to the doc for any interested: TS3 Creator Good Faith Practices

[skitskatdacat63]

I have to write a relatively long German paper, and man its just so difficult for me. The pro side is that I can pick any topic I want, so of course I picked Charles VI. But I've literally not written any German in months, and I'm almost 100% sure our prof doesn't actually read them. I should just write and submit boy king fic....

[bistaxx]

The qsmp live translation chat bubbles remind me of this everytime I see them

[helianskies]

holy shit i just finished the first draft of my translation for my dissertation that took SO LONG but it was also SO FUN. and i know that when i have to read through, proofread and edit that beast, i am in fact going to be in tears pulling my hair out over it LMAOOOO

[disengaged]

why are jobs always like “expansion of duties without increased depth or adequate compensation” . lol girl ew …. no like seriously EWWW ….

[allylikethecat]

Chapters: 17/25 Fandom: The 1975 (Band) Rating: Not Rated Warnings: Creator Chose Not To Use Archive Warnings Relationships: George Daniel/Matthew Healy Characters: George Daniel, Matthew Healy, Ross MacDonald, Adam Hann, Carly Holt, Jamie Oborne, Charli XCX (Musician) Additional Tags: Equestrian, Enemies to Friends to Lovers, Implied/Referenced Drug Addiction, Past Drug Addiction Summary:

“Why the hell is Matthew Healy riding Carly Hann’s horse?!” George exclaimed, flinging open the door to storm into Jamie’s office, taking care to make sure the door was shut again behind him. He was surprised Jamie was even out so early, sitting in front of the computer with his reading glasses perched on the end of his nose. “He’s bad fucking news, Matthew Healy?!” George said, shaking his head as he ran his fingers through his close cropped, bleached hair.

[the-physicality]

.

[chornayadrakoshig]

+ of organising all the writing projects in notion: I have an aesthetic todo list!

- of organising all the writing projects in notion: a have a fucking todo list and all my 12 unfinished project are staring in my soul

[heart2beom]

the way im literally a beomkai ult and have 0 fics of my other man..

[airenyah]

update on my thesis: i STILL haven't written a single word for it, i'm STILL missing 4k words

buttttttt!!!!!!

i've gone through my literature and analyzed almost all my examples and done almost all the research i still needed and taken notes sooooooo

that means all that's left to do is to turn my notes into actual proper sentences

[novemberthewriter]

girl i'm screaming rn bc i turned in my final story last night, today i'm turning in more assignments and i notice the final story has a comment from prof like '0/200 idk wtf is goin on contact me sis, u sure this ur final draft????' and i was basically like 'i was doin house of leaves' and then she was like 'OH actually i understand perfectly, that technique is above you tho so kudos for trying'