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German Architecture News, Buildings Design

German Architecture Design News, Building Projects, Construction, Property Images

German Architecture News

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post updated 20 March 2022

German Architectural News

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German Architecture News 2022

German Building Designs, chronological order:

16 Mar 2022 House B, Hanover

2 Feb 2022 Forsthaus am See, Feldafing, Bayern, southern Germany Design: WSM Architekten image : WSM Architekten Forsthaus am See, Bayern 4-Star Hotel A 4-star senior wellness and conference hotel is to be built on one of the most beautiful spots on Lake Starnberg and in the entire Oberland region, almost directly opposite the Roseninsel, which is famous beyond the region. Forsthaus am See will have additional gastronomy and beer garden areas are also to invite day guests to stay.

24 Jan 2022 Start-up Incubator and Co-working Space, Cottbus, Brandenburg, south-east of Berlin Design: Prof. Bernd Huckriede, Dr. Jens Brinkmann, Ludwig Heimbach photos by United Architektur / Kay Fingerle Fotografie Cottbus Management Building, Brandenburg The building aims to promote innovation and creativity to generate new forms of work in both the city of Cottbus and the surrounding Lausitz region in the wake of the political decision to phase out coal nationwide. Located next to the campus of the Brandenburg Institute of Technology (BTU), it concentrates tech start-up activities in a single center while adding another resourceful community building to the city.

27 Jan 2022 Literaturcafé, Pöcking, Bavaria Design: WSM Architekten photo : Sascha Kletzsch Literaturcafé, Pöcking Bavaria The subject of the Literaturcafé modification was the old Laundry house, which stands in the garden of the “Altes Pfarrhaus”, which was renovated five years ago, and for a long time was used only as a storage room. However, due to its charming size and special location, the Laundry house showed potential for a small café for library visitors or other guests.

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German Architecture News 2021

14 Dec 2021 Castellmühle Krefeld, North Rhine-Westphalia – northwest of Düsseldorf Design: ATP architects engineers photo : Felix Friedmann Castellmühle Krefeld The milling company GoodMills commissioned the Vienna office of ATP ar-chitects engineers to provide integrated design services for Europe’s most modern mill due to its many years of experience of food production. The state-of-the-art plant has an annual milling capacity of 408,000 tons of grain and sets new standards for product safety, hygiene, and energy efficiency that far surpass any statutory requirements.

4 Dec 2021 AC Hotel Würzburg Design: HDVL Designmakers photo courtesy of architects office AC Hotel Würzburg building interior design

23 Nov 2021 Franklin Mitte, Mannheim Design: MVRDV image © MVRDV O Franklin Mitte, Mannheim The 15-storey building mixes 120 apartments with ground level commercial units and a bar and terrace. With its playful shape, the building also functions as a local landmark, and a key contributor to the character of the neighbourhood at large.

4 Oct 2021 Duett Düsseldorf, North Rhine-Westphalia Design: Snøhetta photo © Snøhetta New Opera House, Düsseldorf Building Situated in the heart of Düsseldorf city center, Snøhetta has been commissioned by CENTRUM GROUP to propose a new opera house and cultural hub for the city. Dubbed Duett Düsseldorf, the new opera house creates clear connections to the nearby Hofgarten park, the Rhein river and the popular Königsallee street, aiming to create a publicly accessible space that brings people together.

14 Oct 2021 Sparkasse Bremen headquarters, Bremen, northern Germany Design: Delugan Meissl Associated Architects (DMAA) photo : Piet Niemann, Hamburg Sparkasse Bremen headquarters building The new headquarter for the Sparkasse Bremen integrates discreet and easily into the situation of the crossing Universitätsallee and the motorway approach. As a solitary building it continues the open urban structure of the University environment.

14 Sep 2021 BrainFactory Bochum, Bochum, North Rhine-Westphalia, western Germany Design: HWKN image courtesy of architects BrainFactory Bochum The New York architectural firm HWKN, has partnered with Landmarken, the prominent, Aachen-based developer, to create the next generation of the office. One of their new ‘Spirit’ prototypes BrainFactory Bochum opens in January 2023.

12 August 2021 new headquarters for Kieler Nachrichten, Kiel, northern Germany Design: EFFEKT, Architects, Denmark image courtesy of architects practice Kieler Nachrichten headquarters building This architectural development is the transformation of the decommissioned editorial offices and printing press of reputable regional German newspaper Kieler Nachrichten. For more than 100 years, the Kieler Nachrichten publishing house has been present in the heart of the historic downtown Kiel, occupying an entire city block housing all aspects of newspaper production from newsroom editing to printing and distribution.

5 July 2021 Extension of the municipal day-care center in Vallendar, Vallendar, Mayen-Koblenz, Rhineland-Palatinate, western Germany Design: Herrmanns Architekten photograph : Marcel Kohnen Vallendar Kindergarten Building The order to Herrmanns Architekten was to expand the municipal kindergarten in Vallendar, Germany by around 500 square meters. In addition, the small area of the property made a 3-storey structure necessary. The building was planned in a sustainable and ecological, CO2-neutral wood construction.

5 Jul 2021 Röhrig House, Sinzig, Rhineland-Palatinate Design: Studio Hertweck Röhrig House in Sinzig

17 Jun 2021 NEUmarkt Bielefeld, Bielefeld, Ostwestfalen-Lippe Region, north-east of North Rhine-Westphalia, northwestern Germany Design: Delugan Meissl Associated Architects visualization: Toni Nachev NEUmarkt Bielefeld Department stores, once the „cathedrals of retail“, have become problematic urban zones due to the rapidly increasing volume of online retail. As an alternative to the monoliths that were mostly built in the 60s to 80s of the last century, new concepts with small-scale structures are needed.

7 May 2021 410 Offshore Borkum, Borkum, Reede Design: Delugan Meissl Associated Architects photograph : Piet Niemann, Hamburg 410 Offshore Borkum, Reede As part of the 410 Offshore Borkum urban development of Borkum-Reede a series of compact and architecturally sophisticated residential units are being created in the northern part of the harbour for workers in the offshore sector.

3 Mar 2021 FC Campus, Karlsruhe, Baden-Württemberg, south west Germany Design: 3deluxe photograph : Sascha Jahnke FC Campus Karlsruhe A building is intelligent if it does not just stand there but can respond not only to the requirements of its users but also to external factors. At best, it can make people more comfortable while simultaneously optimizing energy efficiency. The FC Campus building’s intelligent architectural element is a sheet of foil, something normally used in Apple smartphones, integrated into its glass structure. In the context of a building façade, this is a global first.

More contemporary German Architecture News online here soon

German Architecture News 2010 – 2020

3 Dec 2020 Hinang House, Allgäu, Bavaria, southern Germany Design: Carlos Zwick Architekten BDA photography : Tomek Kwiatosz House in Allgäu, Bavaria A person planning a house on a meadow above a subterranean lake from the former glacial period has either nerves of steel or not the faintest idea. This is what happened to the Berlin architect Carlos Zwick when he wanted to construct, Hinang House, a summer residence for his family of 8 in his Allgäu homeland.

25 Nov 2020 This Is Schönau! Diverse, Connected and Communal, Schönau, north of Mannheim Design: BOARD, Rotterdam, NL image courtesy of architecture office This is Schönau! Mannheim The Rotterdam-based architecture office BOARD – known for producing and publishing MONU Magazine on Urbanism – takes diversity and communal living to the next level with their urban design project “This Is Schönau! Diverse, Connected and Communal” that reached the final phase in a competition for a new neighborhood in Schönau, a district in the north of Mannheim, Germany.

2 Oct 2020 Laagberg Memorial and Learning Site, Wolfsburg, central Germany Design: Hoskins Architects picture courtesy of architects Laagberg Memorial and Learning Site, Wolfsburg In September 2020 Hoskins Architects, working with landscape architects guba+sgard and exhibition designers Ralph Appelbaum Associates, won the competition to design the new Laagberg Memorial and Learning Site in Wolfsburg.

23 Sep 2020 T3 Audi Design Center, Ingolstadt, Bavaria, southern Germany Architects: gmp photograph © Benjamin Antony Monn T3 Audi Design Center Building T3 Audi Design Center at the company’s original site at Ingolstadt has now been operational for three years and has been extensively tested in practice by employees.

25 Aug 2020 Cycle And Pedestrian Bridge Heidelberg Design: schlaich bergermann partner, LAVA, and Latz + Partner image © schlaich bergermann partner/LAVA/Latz+Partner Bridge over Neckar River in Heidelberg schlaich bergermann partner, LAVA, and Latz + Partner, have won first prize in an international competition for the design of a new pedestrian and cycle bridge over the Neckar River in Heidelberg.

23 Aug 2020 Adidas Headquarters, Herzogenaurach, Bavaria, Bavaria Architects: COBE photograph : Rasmus Hjortshøj – COAST Adidas Headquarters in Herzogenaurach, Bavaria A new multi-purpose building for the world-famous sports brand Adidas Headquarters in Germany. The building was designed by the Danish architecture firm COBE, headed by Dan Stubbergaard.

26 June 2020 Carmen Würth Forum, Künzelsau, Baden-Württemberg, south central Germany photography © Simon Menges Carmen Würth Forum in Künzelsau A second construction phase completes the Carmen Würth Forum for the Adolf Würth GmbH & Co. KG situated in the town of Künzelsau in southern Germany. The diverse range of functions further establishes the complex’s conceptual idea of a forum and allows the building to be open continuously, in particular due to its use as a museum.

19 June 2020 Ah´ Haus, Schorfheide Home, Brandenburg

24 May 2020 Niederheide Primary School Building, Hohen Neuendorf, Oberhavel district, Brandenburg Design: IBUS Architects and Engineers GbR image courtesy of architects practice Niederheide Primary School, Brandenburg Building The Niederheide Primary School in Hohen Neuendorf is trend-setting in many ways: as the first school in Germany with a plus-energy standard, the building meets the highest requirements in terms of sustainability in both the building and the operation itself. In addition, the architecture of the IBUS Architects and Engineers, Berlin/Bremen effectively demonstrate how it is possible to design a school environment in which pupils and teachers can breathe and feel totally comfortable.

13 Feb 2020 Kirsch Pharma HealthCare Building in Wedemark

German Architecture Offices German Architect Practices – design firm listings on e-architect

Germany Building Updates 2019

5 Dec 2019 The Hyparschale Building Magdeburg, Saxony-Anhalt

19 Jun 2019 Bauhaus Architecture in Celle, Lower Saxony

16 Jun 2019 Ulrichshof Hotel in Rimbach

5 Apr 2019 Hotel Andaz Munich Building

15 Feb 2019 Europahafenkopf, Bremen, north Germany Architects: COBE image : COBE Europahafenkopf Bremen Groundbreaking for a 77,000 sqm project on the harbour front in the German city of Bremen designed by the Danish architectural firm under the leadership of architect Dan Stubbergaard.

12 Feb 2019 Feuerstein Arena, Schierke, Harz district, Saxony-Anhalt Architects: GRAFT photo : Michael Moser Feuerstein Arena Schierke At the foot of the Harz Mountains a historic ice stadium has been renovated. In 2013, GRAFT won the European architecture tendering for the reactivation of the former natural ice stadium and convinced the jury with their unique roof construction.

More Germany Architecture News on e-architect soon

Germany Architectural Updates 2018

17 Dec 2018 James Simon Galerie, Berlin Design: David Chipperfield Architects photo © Ute Zscharnt for David Chipperfield Architects James Simon Galerie

17 Dec 2018 Enchanting Traces – Reflections on b720 Arquitectos’ work, Aedes Architecture Forum, Berlin Enchanting Traces – Architecture Exhibition in Berlin

27 Nov 2018 Planning Dialogue Hafner – Urban Design Competition, Konstanz, southern Germany Design: KCAP Architects&Planners image © KCAP, Ramboll Studio Dreiseitl Planning Dialogue Hafner Konstanz The plan envisages a mix of 45 ha of residential and 15 ha of commercial areas, including 2.600 apartments, set as several quarters into the soft hills of north-western Konstanz, creating a truly green neighbourhood.

16 Nov 2018 BARRY Bar by Rebecca Brodsky, Berlin Design: Architects Kristina Wiese & Franziska Lindholz BARRY Bar

26 Oct 2018 Gasteig Cultural Centre, Munich, southern Germany Gasteig Cultural Centre Building

14 Sep 2018 FOM University, Düsseldorf, north west Germany Design: J. MAYER H., Architects photo : David Franck FOM University Düsseldorf Building – winner at International Architecture Awards 2018

29 Aug 2018 Heilbronn — A City Redesigns Itself, Baden-Württemberg, South West Germany image © Sauerbruch Hutton BUGA Bundesgartenschau Heilbronn 2019 Buildings Federal Garden Show 2019, Education Campus and Experimenta Exhibition: 20 October – 29 November 2018 Location: Aedes Architekturforum, Christinenstr. 18–19, Berlin

21 Jul 2018 Bauhaus Architecture in Celle, Lower Saxony, South East Germany Bauhaus Architecture in Celle, Germany The picturesque Guelph Palace and the modern 24-hour art museum located next to the impressive Bomann Museum in the Old Town are well-known. Less well-known, however, is that Celle is effectively the birthplace of ‘Neues Bauen’ (‘New Objectivity’ – modern functional building design) and with regard to Bauhaus architecture it ranks in the same league as the towns of Weimar and Dessau.

5 Jul 2018 New Train Station Development, Altona, Hamburg Design: C.F. Møller Architects image courtesy of architecture office New Train Station Development in Altona

20 Apr 2018 adidas LACES, Herzogenaurach, Erlangen-Höchstadt, Bavaria, Southern Germany Design: kadawittfeldarchitektur photo : Werner Huthmacher adidas LACES The Research and development building offers a new working environment at the corporation’s headquarters in Herzogenaurach to round about 1,700 adidas designers, developers, scientists and marketing strategists. The new ‘Laces’ as its largest building completes the current masterplan of the adidas-campus ‘World of Sports’.

13 Mar 2018 Cradle to Cradle Project, Dusseldorf, North Rhine-Westphalia, North West Germany Design: HPP, architects image Courtesy architecture office Cradle-to-Cradle in Düsseldorf

9 Feb 2018 Elbtower, Hamburg Design: David Chipperfield Architects image from architecture firm Elbtower Building

6 Feb 2018 FOUR Frankfurt Towers Design: UNStudio & HPP Architects (UNS + HPP) image courtesy of architects FOUR Frankfurt

31 Jan 2018 The Bauhaus Promenade Museum, Dessau, Eastern Germany Design: Matteo Cainer Architects image Courtesy architecture practice The Bauhaus Promenade Museum in Dessau To capture the spirit of the Bauhaus is to recognise the scale and vision of one of the most important movements in 20th century contemporary design.

29 Jan 2018 Sports Youth Hostel Bayreuth, Bavaria, southern Germany Design: LAVA, Architects photos : Häfele, Studio Huber Bayreuth Youth Hostel Germany This building fits in to the new generation of youth hostels – innovative, integrative and international. The fluid structure is integrated into the landscape, with contemporary materials and holistic sustainability – a place for active people of all abilities.

4 Jan 2018 House Rheder, Brakel, Höxter, North Rhine-Westphalia Design: Falkenberg Innenarchitektur image Courtesy architecture office New House in Brakel

4 Dec 2017 Urban nation museum for urban Contemporary art, Berlin Design: GRAFT photo © Benjamin Pritzkuleit Urban Nation Museum in Berlin The Urban Nation Museum is the first German museum for urban art. The building is located in the quarter of Schöneberg. The architectural concept is for the conversion of a former residential building, located where Bülowstrasse and Zietenstrasse intersect.

11 Nov 2017 Hotel & Spa Seezeitlodge, Lake Bostalsee Design: GRAFT photograph : Airteam Hotel & Spa Seezeitlodge, Lake Bostalsee The Hotel occupies an advantageous position in its natural surroundings, overlooking a serene lake from a wooded promontory. GRAFT’s design aims to build on and enrich the character of the location. The building figure is a product of the surrounding topography. The hotel connects the realm of the wood with the expanse of the lake, mediating between the land and the water.

19 Oct 2017 Villas Winterberg, Hochsauerland District, east of North Rhine-Westphalia Architects: Third Skin photograph : Steffi Rost Villas Winterberg in the Hochsauerland District

18 Oct 2017 Historical Museum Exhibits, Frankfurt am Main, Hesse Architects: Kossmann.dejong picture Courtesy architecture office Historical Museum Exhibits Frankfurt

14 Sep 2017 ‘Behaviour Morphe’ light mapping projection, Karlsruhe, Baden-Württemberg, South West Germany Design: Zaha Hadid Architects image Courtesy architecture office ‘Behaviour Morphe’ light mapping projection in Karlsruhe ZHA collaborated with leading digital artists and computer science researchers Andy Lomas and Mubbasir Kapadia, together with musician Max Cooper to create the ‘Behaviour Morphe’ light mapping projection for the 2017 Schlosslichtspiele Festival.

4 Aug 2017 Stadtwerke Heidelberg Energie Park + Building Design: LAVA with A24, White Void, Priedemann and Transsolar images : LAVA, sbp, A24, WHITEvoid ABOUT LAVA was founded in 2007 by directors, Chris Bosse, Tobias Wallisser Stadtwerke Heidelberg Tower LAVA’s design will transform the new water tank, a cylindrical-shaped storage centre, into a dynamic sculpture, a city icon, a knowledge hub on sustainable energy, fully accessible to the public, a strong symbol of the transition towards renewables.

31 Jul 2017 Carmen Würth Forum, Künzelsau, Baden-Württemberg, in south central Germany Architect: David Chipperfield Architects Berlin photograph © Simon Menges Carmen Würth Forum in Künzelsau Surrounded by open fields and at a little distance from the main office complex, David Chipperfield Architects Berlin is building the Carmen Würth Forum, the first stage of which – comprising a large events hall and a smaller hall for chamber music recitals – was completed in July 2017.

31 Jul 2017 Grant for Bauhaus Building, Dessau, Saxony-Anhalt, eastern Germany photo © Bauhaus Dessau Foundation, photo © Yvonne Tenschert Bauhaus Building Dessau The Getty Foundation announced $1.66 million in architectural conservation grants dedicated to twelve significant 20th century buildings. Among this year’s most recognizable projects is the revered Dessau structure designed by architect Walter Gropius, who incorporated design features that would ultimately become synonymous with modern architecture around the world.

3 Jul 2017 Sven Wingquist Test Centre, Schweinfurt, Lower Franconia, Bavaria Design: TCHOBAN VOSS Architekten photograph © Hans Jürgen Landes Sven Wingquist Test Centre in Schweinfurt On the 21st June 2017 the worldwide highest-performance test centre for large scale bearings was inaugurated in Schweinfurt. The new Sven Wingquist Test Centre is located in the south of the city and completes the SKF competence centre as its final element.

12 Jun 2017 New Continental AG Headquarters, Hannover, north Germany Architects: HENN image © HENN New Continental AG Headquarters in Hannover The new company headquarters of Continental consolidates all the facilities formerly spread across the city in one location, simultaneously marking the eastern approach to Hanover, the capital of Lower Saxony.

8 Jun 2017 C.A.R.L. auditorium, RWTH Aachen University, Aachen, North West Germany Design: Schmidt Hammer Lassen Architects photographers : Margot Gottschling and Michael Rasche CARL Auditorium at RWTH Aachen University One of the largest and most modern lecture facilities in Europe: the new 14,000 sqm facility named C.A.R.L. (Central Auditorium for Research and Learning) offers space for over 4,000 students. It comprises 11 lecture halls, 16 seminar rooms, break-out spaces and cafés, as well as housing the University’s physics collection, storage spaces, workspaces and a large bicycle parking basement.

9 Jun 2017 documenta 14 in Kassel + Athens Location: Kassel, northern Hesse, Germany + Athens, Greece photograph : Yiannis Hadjiaslanis documenta 14 in Kassel + Athens The National Council of Culture and Arts Chile is pleased to announce that artist Cecilia Vicuña will participate in documenta 14. Documenta, now in its 14th edition, consists of two venues: Athens, Greece and Kassel, Germany where it originated sixty years ago.

31 Mar 2017 Patrick-Henry-Village in Heidelberg Design: KCAP Architects&Planners picture © KCAP and ORANGE Architects Patrick-Henry-Village in Heidelberg Initiated by the International Architecture Exhibition (IBA) Heidelberg, thematic scenarios for the development and future use of the area have been designed by a group renown urban planning offices in a collaborative process.

4 Apr 2017 University Hospital RWTH Aachen Extension Design: HENN + C.F. Møller Architects images from architects University Hospital RWTH Aachen Extension

27 Mar 2017 Bushaltestelle und Strassenbahnhaltestelle, Kehl, Ortenaukreis, Baden-Württemberg, southwestern Germany Design: J.MAYER.H, Architects image Courtesy architecture office Bus and Tram Infrastructure Kehl As part of the new transnational tram line crossing the Rhine river from Strasbourg, France into Kehl, Germany, J.MAYER.H designed bus and tram stops at the central square in Kehl as sculptural compositions based on organic shaped discs.

1 Feb 2017 Lahnstein Kindergarten Design: Herrmanns Architekten image Courtesy architecture office Lahnstein Kindergarten in Germany The curved building for a new kindergarten is to be erected as a wooden structure with a formwork of vertical wood panels. The intention of the architects is that the new building is self-consciously integrated into the urban environment.

5 Jan 2017 Shoe Shelve Shop, Neumünster, Schleswig-Holstein, North Germany Architects: Urban Agency photo : Thomas Berberich, Urban Agency Shoe Shelve Shop in Neumünster The Shoe Shelf Store is a new flagship store for stüben fuß & schuh in Neumünster, Germany. The transparent two-story building seamlessly integrates display, façade and urban performance.

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juniorformulamotorsport · 6 years ago

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Friday, May 10th – Day 7, Pau

And so finally we were ready for the start of what may very well be the last Grand Prix in Pau, at least in its current format. I’m sure the organisers will find something to replace the Formula Three category, but it really won’t be the same. And for that I don’t think I’ll ever forgive the FIA. For now though, we would be treated one more time to the sight of those who may be the future stars of Formula One thrashing round the narrow twisting streets of the lovely town. It’s sad to think that this may not happen again, and I was in a somewhat melancholy mood for quite a lot of the weekend as a result. It’s particularly vexing given that I think Pau, which is very much the thinking persons Monte Carlo, is one of the sternest challenges these youngsters can face, and it’s good for them to race there for all sorts of reasons! For anyone who is interested, I wrote about some of those reasons three years ago here.

Anyway, putting that behind us, we set out for the day with a stop on the fabulous Boulevard des Pyrenees, the eponymous mountains looking incredibly crisp on a fine, sunny Friday morning. I’m sure I’ve never seen them quite so sharply defined before. We have known people come to Pau and never see them at all, so we were delighted with the views.

After a short while looking down at the cars on the road below (the avenue Leon Say), which runs almost parallel to the promontory of the Boulevard, we moved into the Parc Beaumont, slightly reluctantly on my part as I do rather enjoy taking pictures from up there.

It’s not the sort of view you can often get, and apart from one unfortunate year when someone took the decision to barricade the area off, it’s a great place to watch from – and as it’s outside the circuit it’s also free. The Tour de France related names on the road also add to the fun.

From there we made our way, as we have always been wont to do, to Pont Oscar which is one of the other places around the track that still lends itself to photography when you no longer have a press pass.

There’s an element of scrambling involved, and it’s quite stressful on the ankles, but it’s worth it because you can get shots like this if you don’t mind hanging onto the fence and trying to balance on whatever you can find to stabilise yourself.

It’s actually now one of the two best places to take photos, but it doesn’t tell the whole story, and you need to move round to see who is performing well and who isn’t, who has the courage to attack the place and who doesn’t. We walked past the Palais Beaumont, where the casino is sited and where there is a very pleasant brasserie (and perhaps more importantly indoor toilets, rather than the portaloos that dot the park for this event and that are fine early on in the weekend but that can get very unpleasant as they start to bake in the sun). Here photography is rather more difficult, especially now there are two layers of fencing between you and the track, though it can be done with the right kit.

From here we headed towards Foch and the monument, which these days is where if it’s going to go wrong, it goes badly wrong. It used to be Pont Oscar that bit first, but then the road there was resurfaced and most of the bumps that could so unsettle a racing car were smoothed out. There are still the odd snares for the unwary, but these days it’s the kerbs round the monument that bite.

Sadly there is so much fencing that getting a decent photo as a member of the public is close to impossible. I understand why the fencing is there, but as with so many circuits I wish there was an alternative. The only places I’ve found of late where it’s possible to take good photos pretty much anywhere are Goodwood and Ahvenisto.

Anyway, after the red flag that finished the first session of the morning, we stopped for coffee in the park at one of the many stands that spring up for the event. It’s probably the only race circuit I know where you can get a coffee for €1 so it’s unique in that respect. Actually for an extra €1 you could get a returnable “eco-cup” which made a nice souvenir if you “forgot” to return it (we have a set of 4 now). For the second session we walked round the back of the stands and further into the park where again there is an area that enables you to get some very good shots.

Well, you can if someone who is not a marshal, and who therefore probably shouldn’t be trackside on a live track, isn’t standing on the inside merrily texting her friends for a large part of the session…

Luckily she’d gone by the time this happened:

From there we scrambled down the mini-amphiteathre in the parc and headed towards a corner that may or may not be called Buisson, where again with a bit of manouevring and some decent quality kit on which you can turn the autofocus off, you stand a chance of some reasonable shots coming your way.

There’s a nasty little chicane that tends to focus their minds there.

Towards the end of the session we headed back to the Foch grandstand because it had a handily placed screen where we could see the times at the end, and I caught up with a couple of old friends who were busy watching their drivers intently.

The photography is still rubbish though, even if you can see the whites of their eyes!

Once they’d finished, we decided that we would head for lunch at the Hotel Parc Beaumont, a habit we seem to have got into over the years. Their terrace sort of overlooks the track, or at least it would if they’d just trim the hedge back, and it’s lovely out there on a sunny day with a bunch of tin-tops whizzing past. One of the local ducks seemed to think so too, as it waddled up the terrace and started pecking at the restaurant door. Given that Pau is the land of duck cookery par excellence, this seemed somewhat risky to us!

We settled down in the sun, and the waiter, Fabrice, brought us the menus, the wine list, and a small amuse bouches of rilletes with some lovely toasted baguette slices.

We had a think, and decided that the dish of the day would be good. This turned out to be a very nicely cooked and present piece of stone bass, so no surprises there; both R and I were perfectly content with it, and especially with lovely frothy sauce that soaked into the mashed potatoes so well.

Lynne went for the crab meat salad and green asparagus, which was also pretty impressive, though it has shrunk slightly from the portions of former years.

I was much amused to note that the wine glasses were made in Lausitz, which is another stalwart of the racing world. Stolzle seem to have been around quite a lot longer than motor racing though.

We had considered not having dessert but the offer of a “fraisette” proved irresistible. It looked pretty irresistible too!

After that we had a coffee and then roamed around the park a bit more, heading back towards Buisson again, but stopping off before the amphiteathre again, where the Twin Cup proved more than a little entertaining.

They’re really not suited for a circuit like this, but you try telling the lunatics behind the wheels.

After that we headed towards the paddock to see who we could find, and encountered a variety of people we know, and quite a few we’d almost forgotten, or at least hadn’t seen for a couple of decades. It was a pleasure to see Juan Pablo Montoya again, as I think the last time we’d seen him, he’d been winning at this very same track.

We also found Ferdinand Zvonimir Maria Balthus Keith Michael Otto Antal Bahnam Leonhard von Habsburg, Archduke of Austria, Royal Prince of Hungary, Bohemia and Croatia or as he’s more commonly known – no, not Keith! – just Ferdinand Habsburg. He’s a lot of fun as well as being a much improved driver over the last couple of years.

Once they were all ready to go out for qualifying we headed for the inside of Gare, where the photography was even worse.

And unlike in previous years, we were ready early for dinner so we headed to a bar we know, Au Grain du Raisin, where we offed a couple of glasses of Jurançon molleux, before heading off to dinner down on Rue du Hedas.

This road used to be a grubby, unremarkable part of town, but work by the local government has revitalised the area, and now there are two large playgrounds, a wide car-free road, several restaurants, areas of greenery, and light displays at night. It’s really lovely. As is the restaurant, la Table d’Hote.

Outside it looks as if it’s set in the town wall, but inside is modern, light, airy, with a playful sense of fun in the decor, and serious intent in the cooking.

They were also very patient with the seven of us, and more than able to meet E’s requirement for something interesting but non-alcoholic to drink with her dinner. They scored well on both counts. After we’d all figured out what we wanted, they brought some tiny amuse bouches, with smoked salmon and a creamy cheesy base.

There was some superb bread too, but we all tried to lay off it as much as possible. I started with a lovely (but badly photographed) fricasee of green asparagus, with poached egg and bellota – or if you prefer pata negra – ham from just across the border in Spain. The egg ran into it and brought everything together. These were classic flavours done perfectly.

Lynne’s starter was ricotta and lemon ravioli with a citrus sauce and she said it was refreshing and creamy but wouldn’t let me have any!

The other starters were popular too, and included a tartare of gilthead bream, with crushed avocado, and a piquillo pepper sauce:

There wass also pan-fried escalope of duck foie gras, with apricots marinated in Jurançon:

And a confit of duck foie gras with red wine and spices:

For mains I opted for the crunchy prawns, with creamy risotto and piquillo peppers, because as anyone who knows me will know, I am still on an obsessive hunt for the world’s best risotto. This one got pretty close.

I did share this with Lynne, because I also wanted to try the excellent crispy fried veal sweetbreads, with green asparagus. I love sweetbreads but you see them so rarely in the UK. These were very good indeed.

R went for the pork, a pan-fried pluma (loin end) of French pork, with a reduced rosemary jus and pronounced it tasty. It too was accompanied by piquillos, a common ingredient in these parts.

I couldn’t manage a dessert. Instead I opted to share a portion of Ossau-Iraty cheese, which was very simply served with a portion of black cherry jam. I would get through a lot of this cheese, one of my favourites, during the next few days.

R had a Paris-Brest with single cream and chocolate sauce which looked good, but there was no way…

After that we paid the bill, enjoyed the lights, and wandered back to our apartment where we struggled to sleep because of the racket from the Place Gourmand food festival that had been set up in the Place Georges Clemenceau. It was only by shutting the shutters completely that we were able to get a modicum of silence.

Travel/Food 2018 – French Road Trip, Day 7, Pau Friday, May 10th – Day 7, Pau And so finally we were ready for the start of what may very well be the last Grand Prix in Pau, at least in its current format.

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filmtexts · 4 years ago

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25th Cottbus Film Festival

November 5, 2015

Until Sunday, November 8th, the city of Cottbus is at the center of the (not only) Eastern European film world with the 25th Cottbus Film Festival. The city in southeastern Brandenburg’s Lausitz region, near the German-Polish border and situated in an area populated by the Slavic Sorb minority, is a geographically and culturally ideal location for presenting Eastern European films and facilitating East-West cultural exchange.

Founded in 1991 by film professionals who gained their first cinephile experiences in the GDR film club scene – a forum for discovering more exotic cinematic fare than in state-regulated mainstream cinemas – the festival has essentially told a history of post socialist transformation on film. The festival’s main mission was and is to showcase the excellence and diversity of films from Eastern Europe (by the festival’s own definition all countries and successor countries of the former Warsaw Pact, from the former GDR to Caucasus and Central Asian former Soviet states). By presenting a broad array of works, including national blockbusters, art house highlights and works by newcomers, the film festival aims to playfully tweak at those Western clichés about post 1989 Eastern Europe: booze, brutality and brass music.

Nebojsa Glogovac and Anica Dobra in BELGRAD RADIO TAXI (The Woman With A Broken Nose) by Srdjan Koljevic

This year, the established Competition (short and feature), National Hits and Spectrum sections are augmented by a special focus on “Eastern Europe of Cities”. The fifth and final focus in a series devoted to diversity in Eastern Europe (previous festival editions focused on queerEast, religions, cultures and regions). Curated by festival program director Bernd Buder and scholar-journalist Barbara Wurm, “Eastern Europe of Cities” presents documentaries and two fiction films exploring various aspects of urban development in Warsaw, Simferopol (Crimea), Kjustendil in Bulgaria, Baku, Sarajevo, Kazan, Kyiv, Moscow, Chisinau, Yerewan and Tiflis. Gentrification, seclusion of marginalized ethnic and other groups, armed conflict, but also alternative culture, celebrations of everyday life and satire of modern big city mores are feature in the program. At the “Grand Hotel Prizren” festival sidebar exhibition, music videos showing urban life in various Central and Eastern European cities are screened.

In the video below (in German), Bernd Buder discusses the background and thematic lines of the program:

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The Cottbus Film Festival has a channel on realeyz featuring highlights from past editions. BELGRAD RADIO TAXI is poised to become the urban cult film for the Serbian capital, while KONTROLL is a dark comedy cum thriller set in the Budapest underground train system. And the ever popular SHUTKA BOOK OF RECORDS is a mockumentary about Shutka in Macedonia. The town is purportedly the largest Roma community in the Balkans, its inhabitants have also broken any record known to man. (Sacha Baron Cohen, were you listening?)

For more information about the Cottbus Film Festival, click here.

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benkaden · 4 years ago

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Ansichtskarte

Cottbus Hotel "Lausitz" Cho��ebuz Hotel "Lužica"

VEB BILD UND HEIMAT REICHENBACH i.V., 1973

Foto: BILD UND HEIMAT (Darr)

#Cottbus #Philokartie #DDR Philokartie #Architekturphilokartie #Ostmoderne Philokartie #Strukturfassade #DDR Architektur #GDR Architecture #Ostmoderne #East German Modern #Socialist Modernism #Hotel Lausitz #1970er #BILD UND HEIMAT #deltiology #deltiologia

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madmaxmedia · 5 years ago

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Plakate und Banner sind das ideale Werbemittel für Veranstaltungen (neben Flyern). Für das MR Hotel | lukAs Restaurant und Bar (@mrhotelschwarzheide) haben wir für die neue Livemusikreihe - gestartet mit MarthaKroll (@martha.kroll.music) - nun die Fortsetzung an den Start gebracht. Am 14. Märzsind Rolli & Ralle von Coffeshop zu Gast. Wir verlosen für diese Veranstaltung 2x 2 Tickets. Verratet uns einfach bis 28.02.2020 mit wem Ihr gern ins lukAs zu Coffeshop nach Schwarzheide wollt. #grafikdesign #werbeagentur #druck #planen #banner #plakate #veranstaltung #gewinn #gewinnspiel #gratiskarten #senftenberg #cottbus #schwarzheide #lausitz #werbung #madmaxmedia #lausitz #coffeshop (hier: MadMax Media) https://www.instagram.com/p/B8rL8qSABei/?igshid=ciuxyjnc74ua

#grafikdesign #werbeagentur #druck #planen #banner #plakate #veranstaltung #gewinn #gewinnspiel #gratiskarten #senftenberg #cottbus #schwarzheide #lausitz #werbung #madmaxmedia #coffeshop

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khorazir · 7 years ago

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A cartographic plot

The first part of this was written for Spark. I went a bit over the wordcount while talking about the importance of places in my fanfics, and decided to post the entire thing here on tumblr. The bit published in Spark is above, the rest below the cut.

I started writing BBC Sherlock fanfiction in the back of my parents’ car after a week spent cycling in the French Alps. For years, my father had talked about tackling the Col du Galibier, a pass of Tour de France fame, by bicycle. In the summer of 2012, we finally did it. Ah, but Sherlock and cycling? Where’s the connection? When I began writing the story, scribbling on whatever scrap of paper was available in the car, at first the only connection was that I loved both Sherlock and cycling, and that my recent experiences in the mountains, spending hours in the saddle arduously ascending winding roads, had made a deep impression on me. I was desperate for an outlet for my pent up inspiration.

Eventually, what started out as a cracky premise for a Post-Reichenbach Sherlock story became Over Hill and Under Hill, a fanfic of 75k words and the first finished instalment of my Over/Under series. In the story, the extreme, beautiful landscape of Savoyen serves as a backdrop for the Baker Street boys to deal with the fallout of the Fall (written before Series 3 aired, my version of Sherlock’s reunion with John is different from canon) and their feelings for each other while basically doing what I had just done: climbing Alpine passes on their bicycles. At some point, a case creeps into the story, too, which Sherlock solves from abroad.

Apart from telling my version of the reunion, I wanted to write a story about grandiose nature, the hardship of ascending two thousand metres of altitude on a bicycle, the elation of standing on top of the pass glancing over the mountains, and the rush of adrenaline during the steep descents. I yearned to include some of the strange people we’d met on the way and who return as minor characters in the story, such as the chap cycling all the way in tight black swimming trunks and nothing else. How fortunate for the storyteller that the long ascents give John and Sherlock time to think and to talk, while the descents make their adrenaline junkies’ hearts soar. They have to share a room and a double bed at the hotel, of course, which leads to ... things. The plot itself is structured by the landscape, almost following the roads they cycle on bend for bend and landmark for landmark. Weather conditions such as hot, relentless sun and a sudden thunderstorm add a touch of drama. Stops along the way provide incentives for reflections, conversations and realisations, and for the boys getting to know each other again after their separation.

I was surprised by how well it worked to transfer these very urban characters so closely associated with London into this new setting and unfamiliar activity, keeping their essence (hopefully) while letting the landscape and its particular blend of beauty and danger work its magic, moulding the two men into the couple they hadn’t realised they’d been all along.

Looking back, the way Over Hill and Under Hill came about shouldn’t have surprised me. Of the books and stories I grew up with, and which have left a lasting impression on me, most have a very specific setting and precise sense of place. Be it the stories by Astrid Lindgren, mostly set in the Swedish region of Småland during the time of her childhood in the early 20th century, or Vasapark and the small islands around Stockholm of her adult life, or Otfried Preußler’s masterful descriptions of the Lausitz region in Eastern Germany where his captivating novel Krabat is set. Or be it JRR Tolkien, the master of making the fictional yet reality-grounded landscape of Middle-earth absolutely integral to the plot and structure of his writings. Even if many believe Middle-earth to be found in New Zealand, based on Peter Jackson’s film adaptations, the true inspiration for the Shire are Tolkien’s beloved West Midlands. The hemlock glade where Beren sees Lúthien dance for the first time in The Silmarillion is based on a similar glade near Great Haywood Tolkien watched his wife dance. And the gruesome Dead Marshes on the borders of Mordor Tolkien experienced himself on the war-torn battlefields of the Somme. I think it’s safe to claim that the landscapes that he encountered as a child and young man seeped into his writings, in many cases becoming not just interesting tableaux to add colour to the stories, but important tools to provide characterisation, suspense, and poignant reminders of the preciousness of the natural world.

For me, the spatial setting of a story and its detailed description have always been an important requirement for my enjoyment of a tale. The “willing suspension of disbelief”, to quote Tolkien, works best for me when the setting of a story is as detailed and well observed as possible, grounded in physical laws and restrictions as well as the distinctive laws of the story. Weather, vegetation, distances, languages and the effects they have on the characters have to be realistic – both when existing and imagined places are described –, otherwise I’m quickly pulled out of the narrative and lose interest (by the way, this is one of my major gripes with “The Final Problem”: the way it sets at naught many of the basic “laws” established in previous episodes of Sherlock). Hints at local customs and peculiarities add colour, depth and believability to a setting, providing the characters with material to rub against and to engage with, to test their limits and limitations.

For me as an author (and illustrator), researching locations for fanfics or art is part of the enjoyment of writing, especially when it can be linked with visits to said locations (my excuse for frequent trips to the UK – I’m based in Germany). I’m a stickler for detail born out of a profound interest in the natural world, in botany, eco-systems, geology and geography, but also in the way historic events shape and influence landscape and its inhabitants. All these aspects I need to see reflected in fiction, and rendered faithfully, or else I can’t take a setting seriously, not the characters and their motivations. Most of the fanfics I’ve enjoyed so far have a very strong sense of place, be it London, Edinburgh, New York, Continental Europe, the Near East or the English countryside. In my own stories, I try to emulate this, preferring to write about places I’ve come to know through repeated visits and extensive literary and online research, as well as correspondence with locals.

Researching my WW2/codebreaker AU Enigma constitutes a special challenge in this respect, because it not only requires me to gather information about existing locations like Bletchley Park, Kent or London, but also wartime Britain in general, removed not just by space but by more than seventy intervening years. Although the internet is a brilliant tool for research, while trying to find out more about the history of the Enigma locations, visits have brought the places to life for me, particularly Bletchley Park. The venue has been transformed into a commendable museum that seeks to recreate the atmosphere of it’s hay-day as a secret codebreaker base through reconstructed huts and historical installations, as well as information about important figures such as Alan Turing, and live demonstrations of his inventions. Interestingly, at the museum, I even found factual confirmation of what I had considered an invention for my story. When it came to locating Sherlock’s and John’s billet in Bletchley in 1941, Google Maps was of limited help: most of Bletchley was built after the war – it’s now part of Milton Keynes –, and from the map, it was almost impossible to tell which parts of it would have existed during the war and which were built afterwards. Old maps or arial photographs were scarce. So I used a bit of deductive reasoning and common sense, basically looking at the main roads leading in and out of town and assuming that they would have been built first. On a whim, I chose one of those thoroughfares, Buckingham Road, and placed the billet there. And lo and behold, during a subsequent visit to the Bletchley Park Museum, I found a photograph depicting billets of the park’s staff situated on the very road.

Lucky coincidences aside, nothing beats a visit to a location one wants to write about. However sometimes, due to constraints of time or money, visits aren’t possible and research from afar has to suffice. I worked like that when I started writing The Summer Boy. I’d been toying with the idea of a story partially set in Sherlock’s childhood for a long while. 1980s nostalgia played a part since I was a child during that decade as well, as did the desire to get to know the character better and to speculate what made him the man we encounter in the show, after glimpses of his past shown in Series 3.

However, a fitting setting for my story to unfold long eluded me. I was striving for an atmosphere similar to that of one of my all-time favourite films, “Stand By Me”, a bitter-sweet yet authentic depiction of childhood with a strong sense of spatial setting. I wanted the location to be a rural one, preferably close to London, with a distinctive landscape and somewhat fragile eco-system, the partial destruction of which would feature in the story to symbolise a place Sherlock could not really return to, but that offered him the chance of “growing up“ and finding an alternative retreat through his developing relationship with John.

Given the canonical links Sherlock Holmes has with Sussex, I began looking for potential locations along the Sussex coast and in the South Downs. I didn’t just want to invent a village or landmark, but wanted the story that was going to contain mythical and supernatural elements (based on how it’s interpreted, at least), to be set in a real place. The landscape and particular vegetation of the chalky downlands were going to play an important part in the story. And remember: stickler for detail. The plants, animals and historical sites Sherlock encounters had to be correct. So I researched the South Downs and their particular chalk-based vegetation, read up on South Down sheep, about Bronze and Iron Age settlements and their remains, and about the myths and legends of the area. I found striking similarities to Terry Pratchett’s masterful depiction of the Chalk in his Tiffany Aching series (The Wee Free Men and its four sequels), which is doubtlessly based on the chalky Wiltshire Downs he lived on. The link to Pratchett, his blend of real, meticulously observed, and fantastical elements based on myths and local culture (which are again inspired by the landscapes they originated in) seemed a good foil for my own story, which grew to contain lots of references to his works. I even partly modelled some of the characters on figures from his series of books.

Still, the dilemma remained to find a concrete place, preferably one featuring an ancient site or landmark such as a hill-fort or a barrow that would function as a focal place for young Sherlock to discover and to spend time at with the mysterious friend he encounters there, and who seems to be a personification of the South Downs, and of summer. By chance (and Google Image Search), I stumbled across a place called Chanctonbury Ring, a henge of trees planted in the 18th century on an Iron Age hill-fort. The South Downs Way leads past it, it commands a good view all around. Sheep graze there in summer, and on the grassy and partly wooded slopes surrounding it many rare plants grow. It’s in walking distance of a quaint village (Washington), which I could use as a base for Sherlock to be accommodated at with relatives. And what ultimately made Chanctonbury Ring the perfect location for my story was the fact that during the Great Storm of 1987, the trees of the henge were almost completely destroyed. I had wanted to set the story in that very year, because I imagine BBC Sherlock’s age to be around Benedict’s and my own (we are only seven months apart), which would make Sherlock around nine in the story, pre-pubescent. Perfect. His fake gravestone from TRF even says 1977, so that fit. And we all know what’s said about coincidences and lazy universes ...

So, perfect spatial and temporal setting found, I still faced the sad fact that I hadn’t actually visited Chanctonbury Ring, nor could see any chance of getting there soon. Nevertheless, the story demanded to be written. Consulting Google Maps as well as photographs helped to get an idea of the place. I looked at similar places in my home country across the Channel. Thus equipped, I started writing (the muse wouldn’t suffer any delay and kept pestering me until I relented), in the hope to actually be able to visit Chanctonbury Ring before I had come too far, enabling me to revise potential mistakes.

Eventually, when the story was already half written, and during the wrong season of the year (the story is set in the summer, I went in December), I visited Chanctonbury Ring. I was pleased to find that my descriptions of the landscape were surprisingly accurate based on what research I’d done, although the visit did add a feeling for the place that hopefully enabled me to make the latter chapters more poignant.

Arguably the most important location for writing Sherlock fanfic is London, a place I’ve become very familiar with in recent years due to frequent visits with long walks and a full timetable of museums, exhibitions, galleries and cultural events, lots of reading about the history of the city, a strong interest in current events, and constant curiosity that lets me explore places off the beaten tracks.

London was one of my favourite places even before I my obsession with BBC Sherlock happened. Actually, I’m convinced the way London is portrayed in the series is one of the main reasons Sherlock struck such a chord with me. Apart from the humour, the obvious chemistry of the protagonists, the cleverness of the dialogues and the overall aesthetics, it was the way modern London was depicted and made an integral character that fascinated me so much about the show. Despite large parts of Sherlock being filmed in Cardiff and elsewhere, they nevertheless feel like parts of the British capital just off the main tourist tracks. Sherlock’s London is both familiar and strange, ugly and beautiful, dark and bright, historic and modern. The character’s particular way of focussing on seemingly unimportant details is reflected in the cinematography. The choice of unusual settings and locations such as Speedy’s Café, Battersea Power Station, the streets of Soho, Leinster Garden, a disused Tube station and the banks of the Thames add atmosphere and colour, making London a living, breathing character in the show – as it was in the original Conan Doyle stories. Occasionally, a touch of Victoriana, ever present even in modern London, creeps into the series, linking it back to the stories it’s based on. Sherlock has definitely rekindled my love of London, or rather, has fanned the already existing embers into hot flames. In the sequels to Over Hill and Under Hill, and several of my other Sherlock fanfics, I’ve tried to honour this tradition by including curious locations in, and little-known minutiae about London to make it come to life as an integral part of the narration, and also to create credibility for the setting.

I have plans to dive even deeper into London past and present. For about a year and half I’ve been working on a Sherlock/London graphic novel in which the location becomes centre point. The story is simple: to alleviate boredom, on his birthday, Sherlock is sent on a “treasure hunt” through London, moving from riddle to riddle and clue to clue set, from one little known location to the next, discovering facts and anecdotes about what he visits in the process. The idea for the book was born out of my many walks through London, along the South Bank, through the City on Sunday mornings when it’s like a ghost town, deserted, along the Regent’s Canal to Camden and on to Hampstead Heath, through the East End and the West End, Chinatown, Soho, Bloomsbury, through Chelsea and Kensington, and further out to the Docklands and Greenwich. I’ve discovered real gems through these walks, some of which Sherlock is going to visit as well – as many as I can realistically squeeze into twenty-four hours without completely exhausting the poor man.

The project is going to occupy me for a good while yet. Also planned are two sequels to The Summer Boy. One is based on a painting I did for the Holmestice Exchange and which depicts John and Sherlock in a disused Tube station. There was some clamouring for a story based on the image, so I’m going to oblige. Since the Tube is such an integral part of London and I’ve long been fascinated with its history, I look forward to researching it.

The second sequel is going to be set in the Lake District. Some of the research for this new story has already been done, and another visit to the area has been booked for the autumn. I haven’t really thought of a plot for the story yet, some vague ideas aside, but I’m very sure that the landscape of Cumbria will provide it once I’m there. A cartographic plot, as usual.

#sherlock #fanfic #spark #enigma #summer boy #over hill and under hill #over/under #sherlock graphic novel #tolkien #jrr tolkien

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dresdenliving · 4 years ago

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Auszeichnung „Restart the world“-Champion aus den USA entgegengenommen

BNI Südost. Auszeichnung „Restart the world“-Champion aus den USA entgegengenommen

BNI Deutschland Südost – Regionen 15. April 2021 Unternehmernetzwerk BNI Südost führend in Deutschland Normalerweise treffen sich die Unternehmer des BNI-Netzwerkes einer Region einmal wöchentlich zum gemeinsamen Frühstück. So auch die aktuell 23 vom Dresdner Büro aus betreuten Gruppen von Pirna bis Dessau. Da es aber momentan nicht möglich ist, sich offline zu treffen, finden die…

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quickberater · 5 years ago

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6 Tage Urlaub in Roggosen in der Lausitz im Wald-Hotel Roggosen mit Halbpension https://www.awin1.com/pclick.php?p=23930062861&a=350383&m=14416&utm_source=dlvr.it&utm_medium=tumblr https://www.awin1.com/pclick.php?p=23930062861&a=350383&m=14416&utm_source=dlvr.it&utm_medium=tumblr

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pedroooliveira · 5 years ago

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FUNDAÇÃO E GETÚLIO VARGAS E ALEMANHA ESTUDAM MANEIRAS DE RECUPERAR LOCAIS DEGRADADOS PELA MINERAÇÃO EM MINAS GERAIS

RECUPERAÇÃO DA REGIÃO DE RUHR COM A MINERADORA CONSTRUINDO UM ESTÁDIO

A Fundação Getúlio Vargas e o Consulado Geral da Alemanha no Rio de Janeiro firmaram acordo para desenvolver a iniciativa de cooperação técnica bilateral “Rumo a uma transição justa: uma oportunidade para Minas Gerais“. Com apoio do Ministério das Relações Exteriores da Alemanha, a iniciativa será lançada e discutida em um evento nos próximos dias 18 e 19 de março, em Belo Horizonte. Serão promovidos nesses dois dias uma conferência e um workshop. O evento visa abordar tanto as experiências alemães, quanto as oportunidades e os desafios da implementação de um processo de transição para o desenvolvimento sustentável em Minas Gerais. A iniciativa tem como objetivo propor e apoiar a implantação de um novo modelo de desenvolvimento econômico para as regiões de mineração do Estado de Minas Gerais, baseado no conceito de “transição justa” – transformação de uma economia regional dependente de atividades extrativistas (principalmente minerais) em uma economia mais diversificada, dinâmica e social e ambientalmente sustentável.

A ideia central da iniciativa é trazer para o Brasil as experiências e o conhecimento das antigas regiões carboníferas da Alemanha, que passaram ou estão em processo de “transição justa” e são consideradas boas práticas em nível internacional. Os modelos já trilhados na Alemanha, considerando as especificidades do contexto brasileiro, é preciso adaptar os modelos de planejamento e governança, assim como promover a transferência e absorção de competências e tecnologias, e definir possíveis estruturas

MINA ABANDONADA EM RUHR

Serão estudados dois casos alemães que podem ajudar na implementação do processo de transição justa em Minas Gerais. Um dos casos é o do Vale de Ruhr, uma das maiores regiões de indústria pesada da Europa e um antigo centro de

RECUPERAÇÃO DA PAISAGEM DO VALE DE RHUR

mineração de carvão. Em resposta ao declínio da região, foram executados 117 projetos, entre eles a renovação ecológica do antigo canal de esgoto da região e o estabelecimento de uma estrutura regional de parques chamada Emscher Landscape Park.

O segundo caso é o da região de Lausitz, que por mais de 150 anos foi caracterizada pela mineração e o processamento de linhito, um tipo de carvão mineral. Mais de 20 minas a céu aberto foram fechadas no início dos anos 1990. Com o objetivo de renovar a paisagem nessa região rural após a mineração foram implementadas nove ilhas paisagísticas com mais de 30 projetos de diferentes categorias: patrimônio industrial, paisagens aquáticas, paisagens energéticas, novos territórios, paisagens fronteiriças, paisagens urbanas e paisagens de transição.

Local: Hotel Ouro Minas, Belo Horizonte, MG

Dia 18/03 – CONFERÊNCIA

9h00 – 9h30 Abertura

9h30 – 11h00 Painel I: Modelos de desenvolvimento econômico, planejamento, engajamento dos stakeholders

Panorama da economia baseada na mineração no estado de Minas Gerais e a necessidade de identificar um modelo de desenvolvimento mais sustentável. Apresentação

RECUPERAÇÃO DA REGIÃO DE LAUSITZ

dos casos alemães de “transição justa” do Vale da Ruhr e da região da Lausitz.

11h15 – 12h45 Painel II: Recuperação e valorização do patrimônio ambiental, florestal, cultural e turístico

Apresentação das ferramentas de desenvolvimento sustentável que foram implementadas com sucesso na Alemanha.

14h00 – 15h30 Painel III: Cadeias produtivas: mineração 4.0, siderurgia, logística e energia

Introdução à necessidade de usos inovadores das infraestruturas de transporte e energia existentes nas regiões ligadas prioritariamente à mineração.

15h45 – 17h15 Painel IV: Inovação, financiamento do desenvolvimento

Apresentação da importância do desenvolvimento e da inclusão de centros de competência e inovação locais.

17h15 – 17h30 Encerramento

Dia 19/03 – WORKSHOP

10h00 – 13h00 Sessão da manhã

Apresentação e discussão do potencial dos instrumentos aplicados nos casos de sucesso da Alemanha.

14h00 – 17h00 Sessão da tarde

Identificação de soluções econômicas, tecnológicas e socioambientais; definição de uma agenda de cooperação bilateral de atividades, que podem também envolver a identificação de projetos pilotos no curto prazo (dois a três anos).

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FUNDAÇÃO E GETÚLIO VARGAS E ALEMANHA ESTUDAM MANEIRAS DE RECUPERAR LOCAIS DEGRADADOS PELA MINERAÇÃO EM MINAS GERAIS publicado primeiro em http://petronoticias.com.br

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ruepottblog · 7 years ago

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Midnight Shopping Limbecker Platz jeden ersten Freitag im Monat

Entfernung: Hotel An der Gruga ca. 11 Auto-Min.; 3,5 km. Hotel Maximilians ca. 14 Auto-Min.; 5,0 km.

Der „Limbecker Platz“ in Essen ist eines der größten und modernsten innerstädtischen Einkaufszentren in Deutschland. Dieses Metropolenshopping bietet Einkaufsvielfalt und viele attraktive Events – einmal im Monat abends bis Mitternacht

Shopping und Snacken in der Rotunde Essen – Glück auf

Jeden ersten Freitag im Monat gibt’s im Einkaufszentrum Limbecker Platz das Midnight Shopping von 20-24 Uhr. Supersache für diejenigen, die tagsüber von Job und Familie zu sehr eingespannt sind. Dann mal los!

Für die Entspannung Zuhause gibt’s eine tolle Auswahl von Kusmi Tea

Heute zeige ich einige Impressionen: Die Shop-Vielfalt und das Drumherum mit vielen Gastronomieangeboten und auch Action und Events, die für Abwechslung und Unterhaltung sorgen.

Der adidas Shop bietet heute ebenfalls 20 % Rabatt auf Alles beim Midnight Shopping

Die Anfahrt ist recht entspannt – die Zufahrt zum Parkhaus frei – wir müssen allerdings im Parkhaus ganz nach oben und etwas rumkurven bis wir einen freien Parkplatz ergattern. Kurz nach 20 Uhr ist es schon gut besucht… Im Center ist es zur Weihnachtszeit aber definitiv voller und heute ist es in den Gängen, Shops und an den Kassen überschaubar gefüllt.

Die Rotunden mit ihren Themen Rom, Paris, Amsterdam und Essen sind hübsch gestaltet

70.000 qm Verkaufsfläche und mehr als 200 Shops

Der Limbecker Platz Essen ist mit 70.000 qm Verkaufsfläche und mehr als 200 Shops eines der größten innerstädtischen Einkaufszentren Deutschlands. Umso besser, das ich in Sneakers hier herumstöber’…

Rotunde Essen im Einkaufszentrum Limbecker Platz

Den Innenraum erschließen vier, in einem quadratischen Umlauf angelegte Themen-Malls mit gestalterischen Reminiszenzen an Paris, Rom, Amsterdam und klaro: ESSEN.

Ausschnitt des aufschwingenden „Pailettenkleides“ der Fassade des Einkaufszentrum Limbecker Platz

Die schicke Außenfassade wurde von Stararchitekt Gunter Henn als „Paillettenkleid“ entworfen – inspiriert von Marilyn Monroes hoch wehendem Kleid in dem Filmklassiker „Das verflixte 7. Jahr“.

Die Assindia Cardinals stellen ihre neuen Grüne Hauptstadt Trikots vor und Oberbürgermeister Thomas Kufen probiert es an

Happy Birthday SPORT KARSTADT

Das besondere Highlight heute ist sicher der 40. Geburtstag von Karstadt Sports. Dazu haben sie sich etwas ganz besonderes überlegt: von 20 bis 24 Uhr ist Sports Night! Das heißt 20 % Rabatt auf Alles im Store, coole Beats vom DJ, Gratisdrinks & viele tolle Gewinnspiele. Wer mitmacht, fährt mit etwas Glück als Special Guest zum Red Bull Air Race nach Lausitz. Das neue Jersey der Assindia Cardinals wird bei Sport Karstadt vorgestellt.

Coole Tanzeinlagen gibt es von den Cheerleadern der Assindia Cardinals bei Sport Karstadt – der Etagenwechsel per Rolltreppe sieht glänzend aus

Die ‚Men in Blue‘ der Assindia Cardinals präsentieren sich im Grüne Hauptstadt Europas-Jahr als ‚Men in Green‘. Thomas Kufen, der Oberbürgermeister der Stadt Essen, probiert es mal über. Sieht gut aus!

Inmitten der Steiger Skulptur aus Bronze

Egal ob man nun zielgerichtet seine Einkaufsliste abarbeitet oder lustwandelt, der Branchenmix im Einkaufszentrum „Limbecker Platz“ erfüllt fast jeden Bedarf. Mittlerweile trage ich einen Sack mit viel Beute herum… Juhu!

Modern und stylisch kleiden Mann und Frau sich in ARMANI JEANS

Unter anderem umfasst das Angebot ein Karstadt-Warenhaus, ein SATURN Fachmarkt für Unterhaltungselektronik, Modehäuser Boutiquen, Schuhfachgeschäfte, ein Sporthaus, ein Drogeriemarkt, eine Buchhandlung, ein Lebensmittelmarkt sowie eine „Gourmet Lounge“.

ZARA HOME ist einer von 200 Shops im Einkaufszentrum Limbecker Platz

Die Zeit rauscht nur so vorbei, bei der großen Auswahl an Geschäften, die zum Shoppen einladen – darunter zahlreiche namhafte Marken wie Bench, Diesel, Esprit, Fossil, Jack Wolfskin, Lacoste, Levi’s und viele mehr.

In der Selfie Photobox kann man ein witziges Erinnerungsfoto shooten und sich per Email schicken lassen

Und für den Fall, dass sich vor oder nach dem Einkaufsbummel Hunger einschleicht, ist ebenfalls vorgesorgt: Im Limbecker Platz Essen wird eine besonders große Vielfalt regionaler und internationaler Speisen in zahlreichen Cafés und Restaurants geboten.

Hier genehmige ich mir einen Frische-Kick-Smoothie bei Frooters

Genau der Fall tritt ein und ich genehmige als schnellen Frische-Kick einen Smoothie.

Handgemachtes Eis am Stiel bei FROOTERS

Bis 23 Uhr kann man im UG der Rotunde Essen eine eigene Shopping-Bag designen und damit am Gewinnspiel teilnehmen. Gewinnt der kreierte Jute-Beutel beim Voting durch die Facebook-Community, wird diese Shopping-Bag in einer Auflage von 300 Stück produziert!

Hier seht Ihr nicht die Malecke für Kinder, sondern die Jutebeutel-Design-Aktion. Der Gewinnerbeutel wird in 300er Auflage produziert

Auf dem Rückweg zum Auto komme ich um’s Eis nicht herum… Nur drei Leute vor uns, sonst ist die Schlange dort oftmals viel länger. Also noch schnell eine Kugel Rocher – lecker!

Nur ein kleiner Ausschnitt der Eis-Auswahl bei Tiziano Limbecker Platz

Freut euch auf Shoppen bis Mitternacht mit kostenlosem Parken auf ca. 2400 Parkplätzen, Free WLAN und vielen Aktionen. Übrigens für Öffi-Nutzer die gute Botschaft: die U-Bahn-Haltestelle Berliner Platz ist direkt im Center!

Noch so’n Highlight im Limbecker Platz: das Parken ist beim Midnight Shopping von 20-24 Uhr kostenlos

Meine Stärkung heute: Smoothie Erdbeer, Banane, Orange von Frooters 0,3 l für 3,- Euro Eis von Tiziano, 1 Kugel im Hörnchen für 1,10 Euro Für mehr blieb heute einfach keine Zeit – ansonsten verbinde ich meinen Besuch im Limbecker sehr gern mit einem köstlichen Essen bei cha cha – schaut mal hier in den Blogbeitrag!

MITTERNACHTSSHOPPING jeden 1. Freitag im Monat von 20 bis 24 Uhr Hier die weiteren Termine 2017: 6. Oktober, 3. November, 1. Dezember

Direkt in der City an der Fussgängerzone gelegen:

LIMBECKER PLATZ ESSEN Limbecker Platz 1a 45127 Essen Fon 0201-177 896-0 [email protected]

Mein Besuch war am 5. Mai 2017

Der Beitrag Midnight Shopping Limbecker Platz jeden ersten Freitag im Monat erschien zuerst auf Rüpottblog.

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magicofword · 8 years ago

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So trollen Aktivisten seit Monaten die deutsche Rüstungsindustrie

Ein falscher Friedenspreis im Berliner Hotel InterContinental. Eine erfundene CDU-Kampagne. Eine angebliche Rückrufaktion von Heckler & Koch. Monatelang haben Aktivisten und Schauspieler drei provokante Aktionen vorbereitet, um die Waffenindustrie bloßzustellen. BuzzFeed News war exklusiv dabei und erzählt hier, wie die Aktivisten beinahe gescheitert wären – und jetzt trotzdem ein deutsches Gesetz verändern wollen. Darf man bei einer Veranstaltung der Rüstungsindustrie Hornbrille tragen? Besser wären Kontaktlinsen. Wer welche hat, bringt die bitte mit. Und lange Haare? Lieber nochmal zum Friseur, die Kosten werden übernommen. Für die lila Haare gibt es später noch eine Perücke. Den Anzug kürzen wir mit Gaffer-Tape. Und bitte nicht nur Anzug, sondern auch Krawatte tragen – wenn es irgendwie geht. Noch sind es genau acht Stunden, bis die Falle zuschnappen soll. Es ist 10 Uhr, der letzte Donnerstag im April, wir sind im Hauptquartier des Aktivisten-Kollektivs Peng in der Lausitzer Straße, mitten im linken Berliner Bezirk Kreuzberg. Gleich neben dem Büro von Peng arbeitet die Autorin des Buches "Kommunismus für Kinder", eine Tür weiter die Initiative Schwarze Menschen in Deutschland. An den Wänden hängt Werbung für eine große Party: Keine Sause ohne Lause. Für den Abend hat Peng gemeinsam mit dem Schauspiel Dortmund den 14. Stock im Berliner Hotel InterContinental gemietet. Eine der feinsten Adressen der Stadt. Zwei Tage zuvor haben hier Angela Merkel und Ivanka Trump beim W20-Gipfel über Feminismus geredet. Heute soll hier der 1. Deutsch-Französische Friedenspreis verliehen werden. An die Waffenindustrie. Vor Monaten hätte kaum einer der Beteiligten geglaubt, dass das wirklich klappen könnte, aber jetzt wird das alles auf einmal erstaunlich real. "Bitte, bitte, bitte nicht lachen" Zur Vorbereitung treffen sich die Schauspieler im ersten Stock der Kreuzberger "Lause", am Ende des Ganges. Etwa zwei Dutzend Personen drängen sich in den zu kleinen Raum, einige sitzen auf dem Boden oder an Tische gelehnt. Die Aktivisten von Peng erklären nochmal den Ablauf. Um 18 Uhr wird es losgehen mit einem Steh-Empfang. Eine knappe halbe Stunde müssen die Schauspieler überstehen und die Illusion eines echten Empfanges aufrecht erhalten, bevor der Preis an die Waffenindustrie verliehen werden soll. Damit diejenigen, die nicht wissen, dass der Abend ein Fake ist, nicht gleich wieder gehen. "Egal was passiert, bitte, bitte, bitte nicht lachen." Die Schauspieler sind aufgeregt, nervös, aber gut gelaunt. Peng hat mich zwei Tage vorher eingeweiht. Die Aktivisten definieren sich über ihr Echo in der Öffentlichkeit. Deshalb haben sie mich eingeladen, als Beobachter mit dabei zu sein. Für den Abend muss auch ich in eine Rolle schlüpfen. Offiziell ist die Veranstaltung nicht öffentlich. Deshalb heiße ich heute Daniel Schmidt und arbeite für Rheinmetall Defence. Einer der Peng-Aktivisten hält nochmal eine motivierende Rede. Die Gruppe tritt auch wegen ihrer zuletzt teils sehr provokanten Aktionen öffentlich nur anonym auf. "Unser Gast muss in diese Falle treten, das ist das Ziel des ganzen Abends. Wir wollen ihn auf der Bühne, dann haben wir das Bild auf Kamera und können ihm unangenehme Fragen stellen." Und bitte, heute Abend, bevor es losgeht, nicht zu viel Sekt auf leeren Magen trinken. Alle im Raum spielen eine Rolle Hanna Lippmann / CC BY-SA 3.0 DE Fünf Stunden später, ich bin in Anzug und Krawatte geschlüpft und habe meine Einladungskarte dabei. Mit dem schweren Aufzug fahre ich in den 14. Stock des InterContinental. Zwei Schauspielerinnen empfangen mich, verkleidet als Hostessen. Der Raum ist schon halb gefüllt mit etwa 20 Personen. Ich unterhalte mich mit dem Referenten einer politischen Forschungseinrichtung aus Freiburg, mit der Vertreterin eines französischen Waffenkonzerns und der Vorsitzendes des CDU-Ortsverbandes Schwenke. Und auch Konstantin Hartung begrüßt mich, von der Agentur Silverlinings, die das hier alles organisiert hat. Alle Gespräche sind fake, alle im Raum spielen eine Rolle, alle sind Schauspieler, Aktivisten oder deren Freunde. Hanna Lippmann / CC BY-SA 3.0 DE Es gibt echten Sekt und echten Wein, ein Pianist spielt leichte Musik. Der Blick geht über ganz Berlin, rechts die Gedächtniskirche, links der Zoo. Und überall ganz viel Licht. Der Raum ist wirklich beeindruckend. Wir machen Fotos vor einer extra installierten Wand des Deutsch-Französischen Friedenspreises. Die Fotografin muss mich zum Lächeln ermuntern. Alles ist wie auf einer echten Preisverleihung. Nur dass es diesmal Theater ist. Und dass der Raum langsam nervös wird. Wir alle spielen unsere Rollen für einen einzigen Gast: Christian Stuve, Chef des Berliner Büros von ThyssenKrupp. Für Stuve findet das alles hier statt. Ein verdammt teures Theaterstück für eine Person. Wird Stuve tatsächlich kommen, so wie er es noch wenige Stunden vorher der Agentur Silverlinings bestätigt hatte? Und wenn er kommt, wird er den Preis annehmen, den goldenen Ares, den 1. Deutsch-Französischen Friedenspreis für die Rüstungsindustrie, benannt nach dem griechischen Gott des Krieges? Hanna Lippmann / CC BY-SA 3.0 DE Fünf Monate lang haben die Aktivisten und Schauspieler diesen Abend vorbereitet. Im November fahren die Peng-Mitarbeiter zum ersten Mal von Berlin nach Dortmund, treffen sich dort mit Kollegen des Schauspiel Dortmund. Den ganzen Monat über bleiben sie, denken über mögliche Aktionen gegen die Rüstungsindustrie nach, entwickeln Ideen – und verwerfen sie wieder. Seitdem arbeiten sie an diesem Projekt, in Vollzeit. All das ist nur möglich, weil Peng und das Schauspiel Dortmund von der Kulturstiftung des Bundes über zwei Jahre verteilt mit 150.000 Euro unterstützt werden. Das Geld fließt über das Programm Doppelpass, das schon mehr als 50 solcher Kooperationen zwischen freien Gruppen und festen Theater- und Tanzhäusern gefördert hat. Die größte Trollaktion, die die Waffenindustrie seit langem erlebt hat, wird mit Steuergeld bezahlt. "Es gehört zur Praxis künstlerischer Freiheit, sich mit politischen Standpunkten und Maßnahmen staatlicher Institutionen auseinanderzusetzen", schreibt die Leiterin Kommunikation der Kulturstiftung, Friederike Tappe-Hornbostel, auf Anfrage von BuzzFeed News. Nach Wochen des Gedankenwirbelns legen sich die Aktivisten auf drei Ideen fest. Die erste dieser drei Ideen ist der Deutsch-Französische Friedenspreis. Die Aktion soll zeigen, wie heuchlerisch die Rüstungsindustrie ihr Image aufpolieren will. Wenn sie tatsächlich einen Friedenspreis annehmen würde, wären das die perfekten Bilder für die Aktion der Aktivisten. Die Aktivisten starten mit langem Atem und bauen erst einmal eine Reihe von Webseiten auf. Die IDSAEK, die Initiative für dauerhafte Stabilität im außereuropäischen Kontext. Mit ihrem angeblich steinreichen Vorsitzenden Michael Fischer, der diesen Preis ausgerufen hat – aber eigentlich Schauspieler ist. Die Agentur Silverlinings. Und schließlich der Deutsch-Französische Friedenspreis. Als alles vorbereitet ist, schickt Peng unter dem Namen Konstantin Hartung die erste Anfrage raus. Es ist der 23. Februar 2017. Der angebliche Geschäftsführer der Agentur Silverlinings schreibt an Franz-Josef Jung, den ehemaligen Verteidigungsminister. "Wie telefonisch schon besprochen laden wir Sie hiermit herzlich..." Jung soll eine zehnminütige Keynote halten, sagt aber nach einigen Rückfragen wenige Tage später ab. Anfrage Keynote: Preis für Sicherheit und Frieden in Berlin am 27.04.17 Screeenshot BuzzFeed News In den kommenden Tagen verschickt Hartung Anfragen an Dutzende Firmen, Politiker und Wissenschaftler, von Daimler über Airbus bis hin zu Rolls Royce, häufig mehrfach. Die Aktivsten recherchieren wochenlang, um die Hintergründe der Waffenindustrie, aber auch die Adressen der Geschäftsführer und Abteilungsleiter rauszufinden. Schließlich engagieren sie sogar einen Rechercheur. Trotzdem schreiben sie zum Teil Menschen an, die gar nicht mehr als Geschäftsführer bei diesen Firmen arbeiten – oder schicken E-Mails und Briefe an die falsche Adresse. Bei ThyssenKrupp probieren sie es gleich mit mehreren Briefen. Alle kommen ungeöffnet zurück, außer der Brief an Senior Vice President Christian Stuve. Der beißt an. Der Berliner Büroleiter von ThyssenKrupp will kommen. Die Aktivisten haben ein Hoch. Zwischenzeitlich haben sie auch noch Zusagen von Atlas Elektronik, Hensoldt, Air Robot und Sig Sauer. Mit vielen Gästen aus Politik und Industrie sind die Aktivisten parallel im Gespräch. Doch sie werden übermütig. Als ein Telefonat mit einem Vertreter eines großen Rüstungskonzerns vielversprechend läuft, aber ohne Zusage bleibt, wirbt Peng beim nächsten Telefonat mit dem Namen des Konzerns. Weil die Branche klein ist, fliegt das schnell auf. Mehrere Gäste ziehen ihre Zusage für die Veranstaltung zurück. Eine verschlossene Branche knacken Auch die Politik sagt ab. Fast ein Dutzend Bundespolitiker schreibt Peng an, telefoniert und schreibt mit deren Mitarbeitern – doch am Ende sagen alle ab. "Wir haben versucht, eine sehr verschlossene Branche mit zwei neuen Playern zu infiltrieren, mit der Initiative IDSAEK und der Agentur Silverlinings. Das war natürlich riesiger Aufwand", sagt Peng. In den zehn Tagen vor der Veranstaltung kommen die meisten dieser Absagen. "Wir haben schon befürchtet, dass wir vielleicht am Ende alleine dastehen und niemand kommt. Wir waren sehr nervös", sagt Lia Rea, ebenfalls ein falscher Name, vom Peng-Kollektiv. "An dem Punkt gab es nur noch: durchziehen und beten." Als es am Ende Ernst wird, als die Absagenwelle durch ist, da bleibt Christian Stuve von ThyssenKrupp tatsächlich als einzige Hoffnung auf den großen Knall. Der Vertreter eines Konzerns, der zuletzt zum Beispiel vier U-Boote an Ägyptens Militär verkauft hat und mit dem Rüstungsgeschäft Milliarden umsetzt. Der Gast ist da, das Theater kann beginnen Als der Abend im 14. Stock des InterContinental endlich beginnt, lässt sich Stuve lange nicht blicken. Erst gegen Ende des halbstündigen Empfangs, als die Preisverleihung langsam losgehen soll, kommt Stuve dazu. Tiefblauer, perfekt sitzender Anzug, dazu passendes Einstecktuch. Eine markante, schwarze Brille, dazu ein leicht ergrauter Bart und ein fokussierter Blick. Der Gast ist da, das Theater kann beginnen. Die Schauspieler beginnen mit ein paar einführenden Worten des angeblichen Moderators, danach gibt es eine Rede des angeblichen IDSAEK-Gründers Michael Fischer. Eine angebliche Angestellte der amerikanischen Botschaft sagt ein paar Worte. Der Moderator des Abends (links) und der angebliche ISDAEK-Gründer Michael Fischer. Hanna Lippmann / CC BY-SA 3.0 DE Christian Stuve von ThyssenKrupp sitzt währenddessen die ganze Zeit eher zurückgezogen in einer Ecke des Raumes, meidet die aufgebauten Kameras, beäugt die Veranstaltung mit skeptischem Blick, telefoniert kurz. Es läuft das letzte Lied. Kurz bevor der Preis an ThyssenKrupp überreicht werden soll, steht Stuve auf, greift sich seine Jacke und geht. Das Ganze dauert keine zehn Sekunden. Die Aktivisten und Schauspieler sind zu überrascht, um zu reagieren. Einer läuft ihm noch hinterher, springt mit in den Fahrstuhl, versucht ihn umzustimmen. Doch bei Stuve ist die Stimmung umgeschlagen, er flüchtet geradezu, wie der Aktivist hinterher erzählt, wehrt weitere Fragen ab und verlässt das Intercontinental. Eine weiße Taube fliegt durch den Raum Es dauert ein paar Momente, bis allen klar wird, was hier gerade passiert ist. Den Preis übergibt der Moderator trotzdem, in Abwesenheit. Die Show läuft noch ein paar Minuten weiter, die Schauspieler spielen für sich selbst. Sie lassen noch eine weiße Taube durch den Raum fliegen. Dann bricht die Anspannung zusammen. Hanna Lippmann / CC BY-SA 3.0 DE Die Peng-Aktivisten fallen sich in die Arme, in einer Mischung aus Trotz und Enttäuschung. Sie feiern sich, den Augenblick und ihre Waghalsigkeit – und fragen sich gleichzeitig, was schief gelaufen ist. Stundenlang, bis nach vier Uhr morgens, diskutieren die Aktivisten und Schauspieler in einer Bar über den so knapp verpassten Knall. "Wir haben die Kontrolle über die Situation verloren und waren nicht flexibel genug", sagen Philipp und Lia, zwei der Peng-Aktivisten, am Morgen danach. "Dermaßen viel Geld und Zeit und Risiko in eine Aktion zu stecken, deren Ausgang völlig unsicher ist, das wurde vermutlich noch nie gemacht", sagen die Aktivisten – und sind mit ihrer Aktion doch zufrieden. "Wir haben gesagt: Wir probieren das jetzt und scheiß drauf. Wir haben keinen Ruf zu verlieren und müssen keine Produktionszyklen füllen." Signal an andere Aktivisten: Mehr Mut Ihren aufwändigen und teuren Versuch, die Waffenindustrie ans Licht zu zerren, sehen die Peng-Aktivisten auch als ein Signal an die Friedensbewegung. "Wir wollten nicht nur Blut vor dem Tor von Heckler & Koch verspritzen. Stattdessen haben wir es mit unserer Aktion geschafft, dass sich Aktivismus und Industrie berühren." Wenn die Aktion dazu beigetragen habe, dass sich die Industrie in Zukunft noch seltener traut, auf solchen Veranstaltungen zu erscheinen, wenn wegen dieser Aktion Einladungen zu ähnlichen Veranstaltungen abgesagt werden, "wenn wir dazu beigetragen haben, dass die Industrie jetzt davor zurückschreckt, ihr Verhalten weiter zu normalisieren, dann war das ein Erfolg", sagen die Aktivisten. Zumal die Peng-Aktivsten auf ihren falschen Friedenspreis in den vergangenen Tagen noch zwei weiteren Aktionen draufsetzten. Nur fünf Tage später, am 2. Mai, veröffentlichten die Aktivisten eine gefälschte Kampagne der CDU-Basis gegen Kleinwaffenexporte. Sie erfanden einen CDU-Ortsverband, veröffentlichten eine eigene Webseite und ein trashiges Video, verschickten E-Mails und Facebook-Beiträge. Und sie sammelten mit einer Petition mehr als 1300 Unterschriften gegen Kleinwaffenexporte. (BuzzFeed News berichtete, auch andere Medien wie die Tagesschau, die taz, die Berliner-Zeitung oder das ZDF-Morgenmagazin berichteten im Anschluss.) Screenshot BuzzFeed News / Via cdu-mit-gefuehl.de Einen Tag später, am Mittwoch dieser Woche, war auch noch Heckler & Koch das Ziel der Aktivisten. Peng verschickte einen Brief an Hunderte amerikanische Zwischenhändler von Heckler & Koch – und kündigte eine Rückrufaktion für alle Kleinwaffen in den USA an. "Wegen des Anstieges von Todesfällen durch Kleinwaffen und in Verbindung mit der Gefahr von anhaltenden Unruhen sowie einer extrem wechselhaften Außenpolitik der Regierung von President Donald Trump stuft der deutsche Mutterkonzern die USA nicht länger als sicheres Exportland für Waffen ein." Die Händler sollten zurückmelden, wie viele Waffen sie verkauft haben, damit die Rückrufaktion vorbereitet werden kann. https://www.buzzfeed.com/danieldrepper/aktivisten-peng-schauspiel-dortmund-trollen?utm_term=4ldqpia&utm_source=dlvr.it&utm_medium=tumblr

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