#His tag is here mainly because of the tags.

[sayyestoheav3nn]

Nights Like This Short: Three Little Words

Roman x black!oc 

Warnings: fluff, suggestive content 

Word count: 1.2k

a/n: going to start working on part six of ‘nights like this’ tonight. but in the meantime, i lowkey had the urge to write a little fluff lol. why do i feel like y’all are lowkey going to hate this man even more now lmaoo 🙃 click here to be added to my tag list 🤍

Roman’s backyard was filled with his family’s laughter and chatter. There was no denying that he enjoyed when they came to visit, however, there was just so fucking many of them it didn’t take much to become a slightly overstimulating event. 

He took a deep breath, letting the warm sun along with the calm ocean breeze relax him. 

As his family mingled, he couldn’t help but to grin at the sight of his two five year old nieces latched on to Zoe as if they’d known her a lifetime. Since the moment she introduced herself to them, the tiny gremlins hadn't left her side. 

Roman’s mom seemingly came out of nowhere and stood beside him, she smiled as her gaze shifted to the scene her son’s eyes were very much glued to.  

Her heart beamed as she watched Zoe play tag with her granddaughters, “She’s a lovely girl, Roman. I’m looking forward to seeing your own little ones running around here one day…” she teased. 

Roman smiled to himself, staying quiet as he took a sip of his beer. Truth be told, it had been a subject in the back of his mind for a while now. There were so many nights he’d lay awake thinking about their future, while Zoe peacefully slept on his chest.

For years one of his biggest fears was getting one of his fuck buddies pregnant. 

This was the reason his rotation consisted mainly of women on the WWE roster, they made it clear the last thing they wanted was to get knocked up at the height of their careers. Which worked out for him perfectly, because the thought of having a kid with someone he felt absolutely nothing for, scared him shitless.

That was until Zoe came into his life.

From the moment he laid eyes on her, he knew she was different. And in getting to know her, seeing her for who she really was, Roman knew there was absolutely nothing in this world he wanted to experience without her.

Roman’s mom studied him, because as good as he thinks he is when it comes to hiding his emotions, she easily sees right through him. “You love her, don’t you son?”

He’d never been more sure of anything in his fucking life, “With all my heart.”

“Then what’s stopping you from telling her?”

Roman looked down, his gaze focused on the grass. “I just…just don’t want her to think it’s too soon.” 

“Sweetie, look at her.” His focus was now redirected back to Zoe, her beautiful smile radiating as she was immersed in a conversation with Naomi, and his sister Mariana. 

“Zoe has been surrounded by so many unfamiliar faces in the span of a day, I’m sure that must be an overwhelming experience for her. Yet, she’s selfless, giving each and every one of us a glimpse of who she is, while still wanting to learn more about our culture and who you are.”

“If that’s not love…I don’t know what is,” she continued.

Roman stayed silent, while giving his mom a hug. He started making his way towards Zoe, but unfortunately didn’t make it very far, due to Jey and Jimmy stopping him to help make a damn bonfire.

They spent over twenty minutes setting it up, the task was slightly more difficult considering it was brand new and Roman had never used it before.

Once he was finally left to himself he made his way back in the house after noticing Zoe was no longer outdoors. Mariana couldn’t help but to laugh seeing her brothers eyes dart around the room trying to find her.

“Look at ‘Mr no strings attached’, finally introducing us to a girl. I honestly never thought I’d see the day.”

Roman rolled his eyes, “Shut up. Where is she?”

“She’s in the office,” Mariana walked in front of him, blocking his path. “I know you aren’t used to actually being emotionally connected with someone, but please don’t fuck this up Ro. Women like her, can’t be replaced,” she muttered.

“I know,” he sighed. Although his sister tends to annoy the hell out of him, he knows she means well. Her words lingered on his mind for a moment, Zoe's past experience with her ex was something he was always mindful of. Hearing what he put her through, was something he never wanted her to go through again.

She stepped aside as he headed for the office. Roman reached for the door, and carefully twisted the doorknob, “Hey, was wondering where you were.”

Zoe looked back at him, a smile tugged the corner of her lips. “Sorry, I wanted to make the girls a cute little bow for their hair.”

“Damn, they already got you wrapped around their little fingers huh,” he smiled.

“Something like that,” she chuckled.

There was a small sense of nervousness gnawing at him, deep down he wondered if telling her would scare her off. He knew this was a big step, and wholeheartedly understood the weight that comes with those three words. 

But there was absolutely no denying what he feels for her, she means absolutely everything to him. And whether she feels the same or not, he needs her to know.

Roman walked behind her as she stood cutting small pieces of fabric. He wrapped his arms tightly around her waist pulling her closely to his chest, his head made his way into the crook of her neck, “I love you, Zoe.”

She paused slowly turning around to face him, tears brimmed in her eyes as she used both her hands to grab his face. There was a brief period of silence, as she looked into his eyes.

“I love you too baby.”

Roman smiled before pressing his lips into hers, Zoe stood on her tiptoes, attempting to slide her arms around his neck. He chuckled and picked her up, hoisting her on his waist. 

Their kiss deepened as Roman slowly began to inch up her dress.

“Roman not now.. your family is here,” she giggled.

“So what?” He sat her down on the table and slid his hands to the warm spot between her legs. Zoe’s mouth instantly parted as Roman’s fingers worked past the fabric of her underwear, teasing her already slick folds. “Let them entertain themselves for a bit, while daddy takes care of you.”

“Fuck...” Roman’s dick was rock hard as he watched her slide down her underwear and slowly spread her legs apart. Roman licked his lips, his mouth practically salivating at just the thought of tasting her sweet pussy. Just as he was about to get in position to feast on the woman he loved, a loud ass knock on the door interrupted them.

“One second,” Zoe scrambled to get off the desk and fix her dress, she was relieved Roman made the choice of locking the door.

“It’s Mariana, sorry the girls wanted me to ask if you wanted to join us for a swim?”

“Of course! I’ll meet you guys in a minute.”

Zoe turned to Roman as she slid her underwear back on. “You coming?”

His jaw clenched as he sighed, “I need a minute.” Zoe glanced down immediately understanding why. Roman’s huge bulge was damn near bursting at the seams.

“Shit, I’m sorry baby,” she kissed his cheek and discreetly stepped out of the room.

There was no doubt they were going to make up for it. 

All fucking night, that was for damn sure.

[ourlittleuluru]

Thanks for the tag @solifloris and @xavissky 🥰🥰 I know I mainly only yap about Xavier 🤣 but imma attempt to try (almost) all of them

Xavier ~ Most definitely because am very home body • Games and sleep, all the sleep! • Comfy wear (esp hoodies) > any other types of wear • Tendency to keep anything and everything that has memories to people we care about or places we've been. Except he's got a nice scrap book and mine's... they're somewhere... in a box kept safe C:

Zayne ~ Def the dry humor 😅 • Abstinence of anything alcoholic. Though while Zayne is just weak, for me, it's just plainly because... even just one sip of alcohol, I will be recieving a whole (one)PUNCH from the heavens right into my head. Not anywhere near tipsy but it gives me massive headaches that even sleep and panadol (paracetamol) can't cure... 😞 • Sweet tooth. Massive sweet tooth :) Tho the only reason I had to go to the dentist was because of other reasons that isn't to do with sweets. Goodness, Zayne. Do something about ur oral health >:( • CATS! 💓• Def not the one to start conversations most of the time, it's super hard for me to open up and also express myself;;; imma just... shy away c': • Workaholics u-u;;; • if i recall Zayne doodled on his textbooks before? Def me... (and definitely on my not-turned-in exam answer sheets) • Oh boy... this long... I think there's more but... I'll leave it at here 😭

Rafayel ~ Organized messes. Look I know it looks messy but it's organized! • Art • No large social or networking events where you have to greet unknown ppl and make small talk please 🥺

Uhmmmm for Sylus and Caleb, I don't think there's any bit of similarities. Not that I can think of atm

Tagging @strawberrydelusions @xayspancakeee apologies for any double tags! ><;; @michikioku 🫵 get your ass in on here

so let's play another game

Tell something you have in common with your favorite (s) LI(s) then tag someone else

Me and Zayne are both lightweight. Y'all I can't drink alchohol to save my lips 🤚💀 without ending up tipsy just a glass of wine is enough to make my head spin .

Me and Rafayel are both dramatic but only with people we care about , I like to get on my friends and family's nerve (that how I show my love 😔)

@jinwoosbabyboo @yourlocalcatscammer @erensfeed

[blubunz]

A DRIVE TO WORK

— older! leon s. kennedy x m! older! reader

Tags: fluff, awkward reader, flirting (mainly just Leon), reader isn't the healthiest man, um- omg happy Leon? Well, he's trying to be optimistic. This is a bit cliché.

A/N: old men yaoi.

Settling back into a normal life is hard for someone like Leon, having his whole life standing before danger to save the innocence. Well, he can't complain, really, he dragged himself into that in the first place the moment he signed up to be a cop, giving up his love life and basically his ability to experience a normal life.

But, all that doesn't matter now, he's okay, the world is okay, well, actually it's not, but they're not his business! There aren't any dangerous virus or disgusting mutant creatures that brainwash or kill people anymore!

Leon settles for a café, heading for the one near his home. It's been there for awhile, but only now could Leon get to have a chance of trying it.

Stepping through the door rings a bell on the top, the waitress greets him automatically as she's trained, he orders a simple black coffee to go, wanting to enjoy the park while sipping the bitter drink.

The coffee place is certainly bustling, usually Leon doesn't pay any mind to it, until he hears someone rushing in and falling on him.

“Oh god, I'm sorry!” You frantically said, adjusting your clothes. Leon's thankful his order isn't ready yet, or else he'd be walking around with a dark stain on his chest.

“It's alright.” Leon reassures and helps you up, he pats and dusts on your shoulder. “Are you okay?”

You nod, mumbling a few more apologies before explaining your situation to a stranger. Hell, you don't even know Leon and yet you're babbling to him.

“Uh, yes, sorry, yes—” You stammer, breathing deep a few times, old age has been catching up to you lately, you can't believe you're breathing so hard like this just from a few minutes of running. “Agh, I forgot to get my drink before heading to work, now I'm gonna be late! But, I can't risk sleeping on the job, so I have to hurry here—”

You're talking quick, and also ordering your drinks when Leon steps aside.

“You walk to work, sir?” He asks, taking his coffee in hand and sipping it, might as well try to ease you off. He wouldn't want to see anyone having a heart attack on his normal day.

“Yes, heard walking is good for your health, so i wiuldnt have to be like a tree when I hit my retirement age.” You quickly explain, foot tapping impatiently.

“Well, I can give you a ride there.” Leon offers, and you gasp in disbelief.

“What? I wouldn't want to bother you, kind sir.” You say, taking your drinks and sipping it.

“Oh, I insist.” He smiles, grabbing your shoulder and leading you out of the café. “I want to help. Besides, it's rare for me to meet a guy as cute as you.” He's flirting lightheartedly, he doesn't want to pursue actually, he's scared you'd be disgusted and he's just saying that in a joking way, he swears!

Leon sees your face flushes and his smile drops, finding your nervousness adorable for once. Maybe he should meet more new people, he's forgotten how humans could be so cute sometimes, not like the ones he used to shoot when he was still on those missions. And, your reaction just proves that he still has charms after all these years! Okay, maybe those girls didn't want him because he's appealed to boys?

“You're too kind.” You say, and finally accept his offer for a ride. You assume it's faster that way too, and you know how the saying goes: "stranger danger", they said. But this stranger is attractive, and he has the best smile.

Leon guides you to his motorcycle, helping you getting to and putting a helmet over you. He doesn't use it himself personally, he likes the breeze rushing through his skin, he puts it on you for safety, however.

“Give me the address, and hold tight, alright?”

You tell him where you work and he starts the engine, the bike roaring to life and you jolt, hugging him tight as he speeds down the streets, basically almost flying off.

“This is— too fa—Aaah!!”

Your heart beats loudly, and you're starring to believe you might die from a heart attack from the way Leon revs the bike, eyes focusing on the street and dodging cars skillfully.

You gasp each time the bike turns, making your body leans to the side and it makes you hug his waist tighter.

Leon gets you to your workplace in no time, just a few minutes left to spare. Your body is shaking and your legs are like jelly, you have to lean on the bike once Leon has set you down.

“Sorry 'bout that.” He laughs, stroking your shoulder soothingly. “I hope I didn't give you any trauma.”

You blink, taking deep breaths and shaking your head slowly. “Um, no, it's uh— it's okay. I quite like it actually.”

Leon isn't sure if you're being nice or genuine.

“I like the thrill, makes me feel young again.” You say, and he smiles.

“Well, glad you like it. Cause I'm looking forward to giving you another ride next time.” He grins, showing his pearly whites that are getting slightly yellow. “If you'd let me, that is.”

“Uh...” You look away. “I need a ride home this afternoon, and well...”

“Say no more, I'll be here. At five?”

You nod. “At five.”

He nods and waves you off, watching you enter the building before he gets back on his bike and drives off, looking forward to seeing you again. You,...

...

Wait, fuck. He didn't even get your name.

[yurislilygarden]

Hello~ Long time no see, ✨️Inspired Anon returns✨️

I said I had ideas for the 3Vees in the Self Aware Au, but kinda forgot that I never sent them. But~ I had an iron clad memory when it comes to these things so if you want them, here they are~

For starters, all the Vees are aware of the Reader, but I'll leave their reactions to finding out that they're in a show to you.

Starting with Valentino. Val both loves and hates Reader, he loves that this little butterfly spends time in his office and 'oversees' some of his filming but hates that he never gets any reaction that he wants and that frustrates him to no end. Val tries to show Reader his films, his scripts, he even tried getting his workers to put on a 'private show' for Reader but Reader only ever seemed interested in following Angel the majority of the time.

Like, Val gets it, Angels nice eye candy, but he has so much more to offer than just his star!

Why does Val want Readers approval so much? Because he's convinced that every time Readers little butterfly appears during him writing a new script or filming his latest movie, it becomes a massive success. If he can find a way to monopolise Readers attention, then maybe he could make them view even more of his work in progresses and they'd become successes too!

It's purely placebo on his part, and the other Vees tell him that and show him the statistics to prove that there is no real difference in profit between work Reader viewed and work they haven't, but he's too deep in this rabbit hole to get back out.

Yes, Val might think he can use Reader as an infinite success glitch.

He's also not opposed to banging their butterfly form and gets major butthurt when they 'turn down his advances'. He'll keep trying because 'they haven't said no'... bitch, of course they hate said no, THEY HAVEN'T SAID ANYTHING! He's trying to figure out the logistics of how it would work and the other Vee mysteriously always have important work to do when he tries to bounce ideas off of them

Velvette is indifferent to Reader. They don't respond to her both on and offline, so they're a bit of a non factor to her. She has tried getting more of their attention when they fluttered around the studio (mainly following Angel), by dropping hint at making clothing inspired by their butterfly form, but stormed off in a huff at the lack of response. So now she is #OverThem.

However, Vel isn't one to be ignored. She likes to keep tabs on Reader, even made it into a little game with the Voxigram tag #ButterflySpotted where people upload candid pics of Reader around town. If they are genuine pics of Reader, she pays the uploader... in exposure.

She also does still have that butterfly themed dress line tucked away, she tweaks the design ever now and then. It will be her most expensive dress line released once Reader finally acknowledges her, but she miiight give Reader something for free if they admit she's their favourite Vee, preferably in front of the other Vees.

Vox is obsessed with Reader, almost to the same extent as his obsession with Alastor but for different reasons. However, he's not as oblivious as the others when it comes to Reader.

Vox recognises that Reader is listening and not replying instead of blatantly ignoring him, which has led to Vox following Reader (off camera) and venting about everything and anything. This might lead to some form of unhealthy attachment to Reader, but at least he isn't trying to get in Readers butterfly's pants like Val... unless...

Vox also openly admits to designing new drones based on them and has definitely told Reader about them, too. Reader didn't reply, but he knows they're listening.

Vox is also aware of the Reader hanging around the Hotel crew. He doesn't like that. He had considered that Reader was originally a spy for them but concluded that that was unlikely, he also considered recruiting Reader as a spy themselves but won't until he figures out a way around their communication issues.

Currently, he's 'content' with Reader having 'friends' inside the hotel because he knows that he's their favourite. But they better stay away from Alastor. They better not be letting him talk at them. He means it! THAT'S YOUR THINGS WITH HIM NOT YOUR THING WITH AL!

omg I thought I answered this back then when I got it I'M SO SORRY ANON😭

Idk how to answer this honestly, it was worded so well ngl. Val would fr have that love-and-hate relationship with reader. He loves that he can sometimes say to the others about how the butterfly stays in his office/part of the building, but then comes the part that he gets little to no attention, which he obviously hates. And yes, no matter what he gets told, the things made with reader around are OBVIOUSLY better and make more money,, obviously bcs how else there's absolutely no difference😒As for the banging ideas... don't let anyone outside of The Vee's know, that's all I will say bcs Val may end up dead once again...

Velvette is the safest to be around ngl, she doesn't do anything crazy after getting no attention like Val, and the gram is so real, she would save all the real pics to her gallery for sure. I just know that while some guys got exposure, some ended up a little differently... she so would get jealous over pics taken from really up close, she doesn't want random idiots that close to reader. And the collection !! Yes!! The price would be so high that even someone with The Vee's paycheck would call it really expensive, after all, she can't let some complete random wear something like that !! If reader told her how something would look better, even a mere suggestion, she WOULD think abt it for long before most likely actually changing it.

"This might lead to some form of unhealthy attachment to Reader." Don't even get me started on that, if they were to meet, he would assume that reader was actually able to hear every single thing he has said, which reader would not as they hear only what's in the actual show, unless we're going into an Au of sorts.I feel like he wouldn't try to get into reader's pants, but he may listen to Val without being forced to do it from time to time... It's not that he dislikes the fact that the lil butterfly hangs out a lot at the hotel, he HATES it, he wants reader at The Vee's building more !!

[darklinaforever]

God help me...

First off, what the hell are you doing in Wyler tag ? What's your fucking problem with pissing off people who didn't ask for anything ?!

But let's see the rest of your bullshit in detail and tear it down as we go along.

But this ship is very much dead. There is hardly any traction towards it because the people who ship it make no sense when they defend it. They sound like they could be mentally ill...

Weird, Wyler is the most popular ship with Wenclair though. And for a dead ship, Netflix still took the trouble to make Wyler the first teaser for the new season...

And how do we make no sense ? It's you who had no interest in repeating things that the show and the show team have themselves contradicted for years now about Tyler's character.

And it's you who comes into Wyler's spaces to piss off and obsessively spill your venom. It seems that you are the one who is mentally ill...

I don't know how crooked you have to be to say that you're crooked to ship a canonical ship. Already, this is not even said for fanon ships, but even less canon. What are you trying to prove here ? You're shooting yourself in the foot by coming in to tag Wyler to insult us and try to seem like the smartest person when you seem like the stupidest.

By the way ; Do you think you're smart to say that kind of thing ?! That we are mentally ill ?!

Wow, for say that you must really hate the fact that Wyler is the first official trailer / teaser of season 2, otherwise you clearly wouldn't be here trying to impose your pseudo dominance...

I guess Emma Myers (Enid actress) is mentally ill then, since she says most of the same things we do about Tyler...

And not to mention Hunter himself who spoke of sexual compatibility between Wyler, that Wednesday had been Tyler's light during the events of season 1 and that if he had to imagine his character ending up with someone it would be her ?

You're really a piss of shit.

And I won't apologize for saying that.

You allow yourself to insult us with enormous condescension that you try to pass off as a form of kindness in the rest of your post ? Well, I will insult you in return, but head-on this time.

You are a big piss of shit. That all.

Tyler almost killed Wednesday and all her friends + he manipulated her like a professional and she felt humiliated because she never even suspected him and put a good person in jail because of him.

She will never forgive herself, let alone him.

Yes... and ? First, Tyler “tries to kill” Eugene essentially under the orders of Laurel, his master to whom he is forced to obey and who tortured him ? Note also that Laurel technically didn't tell Tyler to kill Eugene but to take care of him and that strangely, he's the only victim of Tyler who escaped death ?

Coincidence ? Maybe not !

And if you want an explanation for Enid, it is implied that the Hyde offers a second personality, different from the human version ? So, technically, the Hyde is not Tyler. It's a second personality. Why is everyone forgetting the recording of the psychologist that Donovan listens to ?! Dr Jekyll and Mr Hyde, you know ?!

Literally, these people are being dishonest on purpose.

Also... again, Wednesday doesn't blame Tyler specifically for nearly killing her friends. First, it would be bad faith, because she also did it in the show with Enid, but above all, it's a question of ego. No really justice in her anger towards Tyler.

She is mainly angry at Tyler because, yes, he managed to fool her and her intelligence. And she is deeply hurt in her ego and personal feelings.

But how would his anger on this subject be eternal ? On what fucking basis ?! Tell me !

Once this aspect calms down in her, everything will surely be better and she could potentially look again at the case of the Hydes whose research remains incomplete (which have always deeply interested her on the other hand), and therefore Tyler.

But to return to her friends, Enid and Eugene are fine. Wednesday can recover from what Tyler almost did to them. Especially since Eugene was under Laurel's orders (and strangely, Tyler who could have easily killed Eugene... strangely didn't do it ?), and that Enid explains it by the fact that Tyler was in Hyde mode, his second monstrous personality, that he doesn't seem to really have control over ?

But more than that, Wednesday is a person who generally takes those treated most unfairly under her wing. And Tyler is probably the one who has been in this sad situation the most.

That she hates him forever makes no fucking sense ; since although she is angry for the moment because her ego is hurt, she knows that Tyler had a shitty family life, was groomed by Laurel who woke up his Hyde thus forcing him to become her puppet and imposing a bond that makes Tyler want and love what his mistress wants.

Then again, it wouldn't make sense for Wednesday to be mad at Tyler forever...

Oh and... Just for pleasure : “Of course the first boy I kiss would turn out to be a psychotic serial-killing monster. I guess I have a type.”

Also... Wednesday didn't put Xavier in the cell because Tyler manipulated her into doing so ? Wednesday did this all by herself like a grown-up ! 😂 Because, for the recording, Wednesday is a narrow-minded and toxic person. And believe me, of all the people Wednesday could have upset and blamed herself for this, Xavier is the one she will get over the quickest. Because ultimately she just likes him as a classmate and childhood acquaintance. And again I'm being nice... because most of the time she actually just tolerates him.

Oh and Wednesday finally saved everyone at the end of season 1. Given her ego and her anti-heroine nature, I think she will eventually recover from her own mistakes / forgive herself. 😂

I get that some people are shipping them as some kind of kink ( monster serial killer with Wednesday addams) 😏. But this kind of shipping starts and stays in the dark corners of the internet.

This ship can't be acknowledged by a streaming platform to the general public ( which includes millions of kids).

Just... God, if you think Wyler is an impossible relationship to fix, then you've never read or seen a real enemies to lovers romance !

I literally read one romance where the guy almost killed the heroine forever by stabbing her in the heart ! And if it weren't for the intervention of other characters, she would have died ! And yet at the end of the story, they're happily married !

The enemies to lovers trope isn't as fragile as these morons think it is !

One mistake and the relationship is dead forever ? Wow...

Wyler is also so soft in that category too ! The antis seem like a bunch of fragile people when they talk about Wyler.

Literally every time these people try to put the Wylers down they just make fools of themselves. Because they just bring up arguments that have been contradicted a billion times or are comically weak, or they just say bullshit that is simply not true.

I repeat, enemies to lovers have existed since the dawn of time, it's literally one of the most popular and represented tropes in existence ! Whether in children's fiction or for a general audience !

What cave are you living in to dare to say that Wyler cannot be recognized by a general public ?!

Even in super popular books you have thousand times worse than Wyler ?!

“The general public can't handle Wyler” My god... hello Delena, Klaroline, Clarice & Hannibal, ect ?!

For information, as shocking as it may be The Vampire Diaries was seen by many children / teenagers in addition to adults in time. All my friends at the time and I were kids when this show started and we watched it, like so many others.

Hence children and the general public couldn't handle Wyler ? Wyler is as soft as fucking Reylo ?! Another great ship that the general public and children loved.

This is one of the biggest bad take I've ever seen ! The confidence you need to say this kind of stupidity ?!

Seriously, wtf ?!

Although he was groomed, Tyler was a willing participant in the crimes that he committed and he even told Wednesday that he enjoyed killing innocent people. Millar and gough folded the wyler book forever in that scene.

Tyler can never be trusted enough around outcasts to be released.

It's literally said in the show that the hyde is conditioned to like what its master likes and want what his master wants. It's not even ambiguous. It's said in the fucking text of the show.

And I remember that Tyler makes his fucking confession to Wednesday with tears in his eyes. Yes, what a great villain...

Oh and if you need to talk about the non-canon novelization of the show that most of Wednesday's audience hasn't read and never will read to prove your point about a canon scene and events from the show, we're going to have a problem.

They're the ones who sound like mentally ill repeating over and over again that Tyler absolutely loves killing without any fucking doubt... 🙄

And they go so far as to agree that the Hyde should be excluded ? While the show is literally about the treatment of the marginalized ? The excluded from society ?

And they think it's positive that there is a category of outcast among the outcasts themselves ?!

Clearly not.

The treatment of Hyde is something that needs to change in this show !

And for that, we first need to finish understanding how these creatures really work.

But hey... Not as if we had incomplete research on the subject, that Wednesday is interested in it and that she just happens to have a Hyde on hand to look into the subject... I wonder where this scenario could lead us ?!

But certainly not to a questioning of the treatment of these creatures by the society of this story according to the antis (#irony) ?! Of course, nothing will ever change for the Hydes ! They are too dangerous ! Long live the status quo !

This is driving me crazy !

Yes, what the hell would Wednesday who defends the oppressed and the victims, have to do with Tyler, the outcast of outcasts himself who was groomed by a psycho who triggered the Hyde in him to use him as a puppet and who has the equivalent of a mental illness by being a Hyde. Hyde by which she is fascinated, and who it is implied that she will complete the unfinished research on them ?!

Seriously, the writers racked their brains to write us a character like Tyler, a teenager with multiple problems, including family problems, a victim of abuse and whose hyde (the creature marginalized among the marginalized themselves, knowing that the whole message of the show is to accept the marginalized in reality) seems to be the equivalent of a mental illness, for people to be like “Yes, this guy is a pure villain who cannot have redemption ! He is rotten and the show is right when it says that the Hyde are too dangerous for the world ! Nothing must change and nothing aspires to a change of point of view on these creatures in a show where we are encouraged to accept the marginalized (and whose hyde is the marginald of the marginalized himself) through the only Hyde that we meet in person throughout the story who is only a teenager victim of abuse with the metaphor of mental illness !”

Seriouslly, the “Tyler will never be put back with the other outcasts because he's too dangerous” take it's so fucking stupid for a show about outcasts and injustices...

We present to you the outcast of the outcast, whose case in terms of creature has never been finished studying...

And you think Tyler will forever remain an outcast among his people and locked up for life ?!

WTF ?!

These people are tiring me out...

Because it lacks the "genuine" element: there is no love between Wednesday and Tyler.

I would like to understand how Wyler lacks romantic elements ? They literally have one of the most classic storylines in the world in terms of romance ? What the hell are you talking about ? Developed ? What would be missing ? My god, what bullshit. If you want analysis of the Wyler relationship you have my tumblr or those of @fullofwoe5321 @tylernation @wylerserver18official @ablatheringblatherskite @cosmic-lullaby @broken-everlark

Tyler and Wednesday only have one scene in season 2, according to the leaks we got. So this teaser is very much bait for the fans who still like them together 😏. Netflix is yet again giving false hope to fandoms about something that isn't going to happen.

Saying that Wyler will only have one scene in season 2 according to the leaks...

Are you aware that the leaks are not always true ?

Are you aware that it wouldn't make sense for Wednesday and Tyler to only have one scene together ?

Because a teaser is supposed to give an indication of what the new season will be about overall ?

Oh but am I stupid. In your stupid little shit head you think that Tyler will now always be locked up for life. In that case, why keep the character in the show ?

Fucking idiot...

You really have to be in complete disillusionment to say that this trailer / teaser will be the only scene between them in all of season 2 while a teaser serves to show the viewer what will generally be the center of the new plot.

Oh, and no official romance in season 2 doesn't mean no romance in the rest of the show, FYI. Especially since it is completely logical that Wyler (if these two were to end up together one day) wouldn't they go back into in love mode in season 2 ? They have a fucking relationship to repair first and also work on themselves each as an individual person ? Also, most Wyler fans, without even the announcement of a reduction in the romance being made, certainly did not expect the romance between Wyler to return straight away for season 2, simply because on a narrative level it would not have not been logical... Seriously, go find another hobby other than annoying people.

And even if Wyler doesn't end up together at the end of the show, despite all the logic of this romance, do you think that will stop us fans from shipping Wyler ?!

Obviously, you are clinging to Xavier when it is clear that nothing more will happen (since the character was removed from the show because the actor was accused of sexual assault) ?

Seriously, this person seems obsessed with the character of Xavier (who could have been an interesting character but who in fact remains generally average and a real potential ultimate shit boyfriend)...

But they got a slap in the face 🙂. since the teaser was met with massive backlash about the most unethical thing they did: dropping an innocent man and Convicting him of crimes he never committed...

Except the comments you showed don't show people being outraged that Xavier was sent to prison when he did nothing, just that they will miss Xavier's character.

You're thinking all by yourself, big girl (this is obviously a recurrence among the anti-Wylers).

And then “they did” ? What is she talking about ? Wyler fans ? Was it Wyler's fans who put Xavier in jail ? 😂

I repeat, you can only blame Wednesday for Xavier ending up in prison. Tyler has nothing to do with it, he never tried to accuse anyone to keep suspicion away from him. Wednesday suspected Xavier alone as a grown-up.

I'm so angry that this kind of crap is getting into the Wyler tag. Don't these people have anything better to do ?

I feel like I'm back in Reylo's time ! Because Reylo and Wyler are some of the softest ships in terms of enemies to lovers that I have seen and people act like they are some of the worst things in the world and that these ships are too hardcore for a general audience and calls us mentally ill for our thoughtful argument, which is ridiculous.

It's truly ridiculous and cheeky.

They just repeat the same bullshit over and over again, contradicted by the show itself and the show team !

At this point, we're not the ones who look ridiculous. It was them.

[spark-river]

Simeon: Solomon, how much did you drink last night?

Solomon: I mistook Diavolo for Lucifer.

Simeon: ...At least you didn't sleep under a bridge?

Solomon: About that-

[ruporas]

lonely

[ID: A limited palette of green and pink, Vashwood comic. The first page serves as a prologue. The first panel shows Vash speaking to someone off screen while Wolfwood is lingering behind him. A black arrow is drawn pointing at him. In the second panel, Vash is buying donuts in the distance while Wolfwood is once again in view, lingering. and the black arrow is drawn pointing at him. In the third panel, Vash is leaving a cubicle and turning towards his right with a slightly peeved expression. He sees Wolfwood, leaning against the cubicle, waiting for him, and with the black arrow drawn, pointing at him, implicating the consistent hovering of Wolfwood’s presence during Vash’s everyday. At the bottom of the page, they’re drawn out of panel with Vash turning to Wolfwood and saying with an irritated expression, “You’re really following me everywhere, huh?” Wolfwood responds, “What, you got a problem?” Vash responds without hesitation, “Yeah, kinda...”

The second page starts with a new day. In the first panel, Vash is seen alone, weighing apples in his hands at a mart, with crowds passing behind him. In the second panel, he turns to his right and starts to say, “Hey, Wolfwood...” In the third panel, he’s startled from seeing a stranger, whom he’d accidentally called out to when he was expecting to see Wolfwood. He says, “Oh, you’re not him. Sorry!” In the fourth panel, the stranger walks off and Vash muses, “Right, he said he had something to do today...”

The third page begins with a close up of Vash's miffed expression, the continuation of Vash's thoughts, "Now that he's not here, this is just like how I used to be, but... It feels lonely somehow. Oh well, I'll see him again tonight, like always." In the second panel, it shows Vash walking through the marketplace crowd, alone. In the third panel, the door panel is a close up of the door opening with a peek of Vash's head. He says, "Wolfwood!" In the fourth panel, Vash is holding a bag of food with a bright smile and says, "Are you hungry? I got you something to eat today!"

The fourth page begins with a shot of the room, two beds being highlighted, one of them being made properly with the blanket draped over the bed and the other with the blanket folded and pillow sitting on top of it. There's no sign of Wolfwood. The second panel shows Vash with a disappointed look as he thinks, "He's still not here?" The third panel shows Vash putting the bag of food on the table. Stapled to the paper bag is the receipt with a written note "For Wolfwood." Vash's thoughts continue "He does like to stay out so, I guess there's no reason to worry..." The fourth panel shows Vash sitting his bed somberly with his thoughts continued, "It's not any of my business anyway..."

The fifth page starts with a close up his blank expression as he looks downwards, thinking, "Even if he left completely... That'd be understandable and better for him. I'll just travel alone again... like before... Huh?" The next panel shows Vash's composure break, tears welling up in his eyes suddenly, as he didn't expect to cry. He starts to sob, putting his hands to his face to quiet himself and wipe at his tears, as he says, "Ugh... Dammit... I miss h..." The last panel shows Vash leaning over into his hands, still crying, and in the back, the door swings wide open with a bam as Wolfwood walks through with the punisher swung behind him. He shouts, "SPIKEY! You in here?!"

The sixth page starts with Wolfwood confused, looking at Vash and Vash looks back, just as confused, with tears in his eyes and snot out of his nose. Wolfwood starts saying, "Ah? You..." No longer in panels, at the bottom of the page, Wolfwood takes the Punisher off of himself and starts to walk towards Vash, continuing with slight concern, "What's wrong with you? Did something happen?" Vash, hurriedly begins to wipe at his tears, denying immediately, "No! No, I'm fine! Nothing happened!"

The seventh page, Vash points towards the table, with a hand still wiping at his tears and he smiles as he says, "I uh got you food. On the table." Wolfwood looks towards to the table and responds, "Oh. I was getting hungry, thanks." He turns his head back to Vash immediately after with an uncertain expression, knowing the other wasn't responding to his concern, and says, "But, I know you're an idiot with this stuff, so I'm reminding you again. Don't brush it off if it's an issue, alright?"

The eight page, Vash's tears have dried and he looks to Wolfwood with a soft smile and responds, "Yeah. It's okay though..." A panel at the center shows a side view of Vash approaching Wolfwood. At the bottom of the page, with no panel, is a close up shot of Vash's hand, holding onto the edge of Wolfwood's jacket sleeve, as he says, "Because you're here now. Wolfwood."

The final page is a back shot of both of them standing next to each other, Wolfwood's head tilted slightly to the left, not fully believing Vash as he says, "That doesn't answer anything, Spikey." Vash responds, "There's no need to talk about it! You should enjoy your food. Let's have a drink too?" Wolfwood responds, "Tsk, tsk. Fine, yeah. I could use one." END ID]

[wonderholegifs]

Rhett & Link's Wonderhole

[akirathedramaqueen]

You know what I love about this show so much?

The kindness. The understanding. The redemption.

And that's in the setting of fucking Hell. The irony.

The characters are deeply flawed. They make a lot of mistakes. They fuck up even trying to fix things.

But they are trying. They have a lot of virtues, too, even though they don't see them themselves. They slowly but surely process their problems. They work around their trauma and the conditions they were raised in, deeply affected by it, hurting but still powering through, learning, and developing.

Although we are far from the end of these characters' journey, the SpindleHorse team does an amazing job of making these characters sympathetic, believable, and real. They give you the information and the opportunity to understand how complicated things are, how both sides of the conflict can be understood and blamed at the same time.

And the main thing? The forgiveness and redemption. You want these characters to do better, to be better, of course. But you also want them to be loved, despite the fact that what they did was obviously wrong.

You, as the viewer, already forgive them, and you just want them to forgive themselves. To allow themselves to be loved.

When I watched the show and saw them making the same mistakes I did, some horrible things I wouldn’t forgive myself for and struggled with for years, I suddenly understood the struggle. I empathized with them. I wanted to give them a hug. I wanted to comfort them and promise that things would get better and encourage them to give it one more try, one more talk. I wanted to scold them for self-loathing because I know all too well the kinds of dark places it can lead you to sometimes.

And then the thought comes to mind, "Can I afford a bit of this empathy for myself too? Just allow myself to live with the fuckup and allow myself to be human?"

It didn't fix me. But it eased my turmoil and taught me to understand it better. It taught me some empathy, too, and I thought I was the one with the emotional ingelligence of a nightstand. Well, I still kinda am, but at least I learned to listen to people sometimes.

I just want to thank the whole team who worked on Helluva Boss for all the self-reflections I experienced with their creation.

Thank you.

[adhdtsukasa]

prosekai au where everything is absolutely the same except niigo, instead of being a music circle, is a fanfiction writing-ish group. kanade is a writer, mafuyu is her beta reader, ena makes fancomics based on kanade's fanworks and mizuki makes trailers for upcoming fics. and basically that's it. niigo lore but everything revolves around them being wattpad ao3 users

[tulipe-rose]

Random ask timeee! :D

As a tribute to the dire state the Hunting Dogs are currently in, which duo/trio of them is your favorite? Which are you gonna be most excited about when they (hopefully) reunite? 👀

AAAA HIHIHI

My favorite duo that I miss dearly, and barely have content of is Jōnō and Tachihara. They're such wasted potential istg. Tachihara is bothered by being supposedly 'not very smart'–which I heavily disagree with–and you know who could make up for that? Jōnō. Jōnō is the brain and Tachihara is the brawn, but their capability isn't limited to just that. Yes, Tetchō and Jōnō fit this description too, but to me, the unexplored battle potential of Tachihara's and Jōnō's combined Abilities is just so much more intriguing. With the very few interactions we got of them in canon, I can't help but imagine them having some brothers bonding time but it's military lab rats style. Also no one can convince me that they're not sent out on undercover missions the most, like they're both incredible actors; they'd fool Mōri, which Tachihara already did. Even Dazai could take a while to realize them. They're my power duo ever though I don't think we'll see them again for a while now. (If ever ಥ⁠‿⁠ಥ)

[enhanced-operatives-division]

Junicrane/Starstruck Ramble

I will not be brief, all under the cut

To clear some things right off the bat:

No corpse, no proof with Juniper. Obligatory this is set in a canon where he's alive and adjacent to the agency in some way.

Reggie & Juniper are just gay to me, but I don't mind any interpretation of their sexuality

The games are set in 1967/68 to me (based on a couple bits in game) which is before it was legal to be gay in America at least (1971), which is relevant to how I interpret canon as being somewhat grounded in reality, despite unrealistic elements.

This is just an insane amount of headcanons/elements of and AU all culminated into one post. I will talk about some headcanons like they're just facts because they are established in my head, and it saves me over explaining literally everything, however I will explain some parts a little bit for clarity.

Alright. Actual beginning of the ramble:

Juniper is a character to me who had gotten so lost in his job as an actor and a social presence that in the end his whole life revolved around that 'role'. Because of this, by the time he's put into the situation where he's around the Agency, he basically knows nothing about himself, though he doesn't realise at first. Furthermore, what little identity he had has changed in so many ways. He's no longer a beloved famous actor in the prominence of public light, he's legally dead and he tarnished his career just before he was supposed to die, with the bonus of that making him lose the majority of his estate. From that, he also has horrific facial scarring from the electrical burns from literally having his face fried. I believe a friend of mine made a post about this a while ago (I also think they were the first to think it up also), but, to me, Juniper has a permanent trimmer in his right arm (aka his dominant hand) from the electrical current and it is messing with his nervous system.

All in all, he's not doing great, but he's too proud to admit that he's not doing great, because if anything, what's left of his ego is all he has as a defense since he's deep in unfamiliar water.

Before ending up around the agency (I have multiple interpretations of this, so I'm just going to bring it up generally), he'd never actually seen Reggie, and his only impression of him is a single voicemail, which was his only reference he had to later impersonate him. Juniper probably has very little feelings other than the ones he projects onto him because of Phoenix and that, at the very least, he's physically attracted to Reggie to some degree (that's like the beginning of how everything else would tumble into place in this sort of interpretation at least).

And on Crane's side? His feelings towards Juniper are probably very intense and muddled. On the one hand, he adores musical theatre, and that's his now ex-favourite actor. The thought of just casually being around him blows the bit of fanboy in him away at first because THAT'S the GUY, plus the inklings of a celebrity crush which still poke at him. And then there's the rational side of him, which knows Juniper has committed absolute atrocities on the side of Zoraxis, and hates him for that. Then there's how much Juniper comes off as an asshole at first because he refuses to cooperate with anything the Agency tried to put in place. He finds Juniper endlessly frustrating, and yet he's stuck working with him since, afterall, he's the one who knows the Agency's history with Juniper the best. I imagine him acting a lot like how he does IEYTD 1 around Juniper.

At this point, I'm just describing the pitch for a romcom.

I think the start of their relationship with one another largely started with Juniper trying to wind Crane up. It was a way of getting his attention, and I don't think Juniper knows why he's so dead set on that at first, because I don't think he realises he has a crush on 'this grump' at first. (I think that's actually the fun part about these two, because it's almost like a role reversal of the celebrity crush dynamic. This ex-big name actor has a TERRIBLE crush on an average joe and it is KILLING HIM.) But of course the Agency keeps them together because Juniper is at least conversing with Crane, so it's a start.

Through one way or another, they actually get talking casually, at least mildly at first. It takes Juniper a long time to fully deconstruct the wall he's built, and the thing is, Crane isn't the one trying to deconstruct it, at least at first, because yeah, Juniper realises if he wants Reggie to actually like him in any way, he can't keep winding him up. So they talk. Small talk at first, something rhythmic and almost easy to keep to a script. And over time that turns into actual conversations. Genuine ones in which Reggie rips out the occasional one of his jokes which Juniper is endlessly endeared about. The way he smiles just before he makes them, like he wants to chuckle at what he's about to say before he says it. That's probably when Juniper realised that he does have some vague crush on him, and that it wasn't going away.

This is what kickstarts John I can't-buy-you-things-to-impress-you-so-acts-of-service-it-is Juniper to do little things for him. It mostly starts off as him trying to make Reggie his tea how he likes it. However, the nerve damage in his arm makes that hard, as the weight of the kettle and trying to pour is hard all of a sudden. And he refuses to accept that, so he tries for a very long while. Long enough that Crane would go to investigate what was going on. And when he does see Juniper leaning over a cup with the kettle as he uneasily tries to pour it, and when Crane asks Juniper responds so matter-of-fact that his intention is nothing but genuine. And it catches Reggie off guard because Juniper hadn't done anything like that up to that point, and his very apparent vulnerability is so clearly on show.

It shifts something between them.

From that point on, conversations are longer, more familiar. Both of their attitudes soften, and Reggie makes more jokes. Juniper learns how to better use his left hand while strengthening his right back to a point where it could be used again. Slowly, they're both spending time with one another not because they have to, but just because they can. Little bits at first, not too far outside what they already were doing, but those little bits turned into long bits to a point where the other person's company was genuinely desirable.

As time passes, Juniper probably realises that he doesn't genuinely know much about himself or what hobbies he's into, because he never really had the time when he got big, and his home life in his youth wasn't bad, but it wasn't picturesque. I think Reggie would pick up on it, and absolutely try to introduce him to some things he's into. Some things stick, other things don't (corn husking very much stays Reggie's passion, and John will go with him sometimes because it's him, but it's not something he strongly cares for). Crane introduces him to a lot of music, and it's something that becomes a staple between them, with tracks they listen to more than others (tragically, I know relatively little about 60s music so I couldn't really say what). Occasionally they dance, never anything intense, think slow dancing, but the closeness is nice.

Through all of it, Juniper is battling the worst crush of his life, and he can't stand it, because I think he struggles to read people since he doesn't have anything like a script or a director to refer back to, so he has no idea if Reggie likes him back or if he's just desperate for that to be true. I think because of that any sort of confession between them would be incredibly raw, not only because of the time they live in making it hard for them to be truthful about how they love, but because it's a complete show of Juniper who's worked to be this better person. I don't exactly know how that would go, mainly because I don't have one set version of their dynamic, this post is just a generalisation of main consistent points.

Reggie does like him back, because he's gotten used to Juniper being just this guy, not a figure in the public eye, not a Zoraxis lackey, and not any sort of Agency operative (despite being under their care to some degree). He's someone he genuinely cares for, because they've given one another the time of day to learn one another, and I think because Reggie was a field agent, he was a lot better at reading Juniper than Juniper was at reading him. Eventually Juniper's company becomes something he could see around him for the rest of his life, and I think he accepts that he likes Juniper a lot more gracefully.

I think any affection directed at Juniper would at first be met with him feeling a little muddled. Reggie was a very physically affectionate person when he could be, and sure the initial flirting with one another came with the occasional little touches, but everything now was so deeply intentional. I also don't think Juniper would almost ever get over the novelty of being able to kiss him, or many other gestures, because it made the fact that they were together so very real, and it was great. I do think it comes easier to Reggie, and it's a big way of showing how much he cares, so it's important for Juniper to try and show it back because he knows how much it means to the other.

I like the idea of them eventually living with one another, too. I think Juniper would have always had a quiet little daydream of sorts where he does just live a domestic quiet life, and he can with Reggie (well, as close as they can get between the Agency and Zoraxis always being at odds), and he loves that, and he loves him, and it's immense.

I think they cook for one another a lot, it helps Juniper work on his dexterity in a controlled environment, which means a lot because it's a huge point of insecurity (that and his scars). He does improve, and Crane is proud of that and shows it and it's great. I also think they'd probably cook together too, because they can deal with being in the kitchen together and they work well with one another. It's probably a good way for them to unwind because over time they can do it in relative silence.

As I said before, I also think music is a staple in their household, and that Reggie listens to things on vinyl almost all of the time because he likes the background noise. Sometimes Juniper will catch him chuntering along to the music which he finds endlessly endearing. I wouldn't put it past his dramatic ass to also join in to fluster Reggie, but I also don't think Reggie would mind that terribly because Juniper has listened to the music enough to know the lyrics, and that's huge to him.

I don't think they are without rough patches, no relationship is, but I think the good part about them is that they're willing to talk about it (... eventually). They're used to long conversations, and while they're often less fun conversations, they're needed and they know that, and it works out.

Alright. I think I'm done for now. I haven't mentioned everything, but this definitely got the worst of it out of my system. If you ever want to hear any specific thoughts my ask box is open but other than that, behold my general dynamic for these two which has been festering in my head for years. I think they're great

[shmorp-mcdurgen]

Figured i'd start actually. slowly reintroducing the new monster au turned oc project by first posting the new character names!

Mark -> Markus Adrianne Addams (Mark/Chris) Cesar -> Martin Garcia Sarah -> Amber Addams (Ace) Thatcher -> Jackson Hyde (Jack) Ruth -> Mabel Palmer Dave -> Barney Holmes Evelin -> Olivia Davis (Liv) Jonah -> Aaron Jones (AJ)

Another thing I wanted to introduce, this universe from now on will be referred to as Whispers of Willows!

[the-takosader]

While we're in the prep phase for the Crusader...

...let's go through the Ideas Archive, explore the stuff that's shelved, canned or otherwise not happening right now. This'll be the new pinned post, so I'll use this as a place to put everything I'm currently working on, and what I might do at some point.

Current:

The Crusader, a mix of Burns Double Six, PRS CE24 and Rickenbacker 4001, combined with influences from Hamer, Gibson and Fender. Note: this build is currently in the wood prep phase (stripping pieces of mahogany and sapele door for use in the guitar body and neck) as of 21/11/2024, and will likely take a year at my current progression rate.

Shelved:

Fender Marauder Build (yes, I still want to do this. The Crusader evolved from this, so it's still on the cards)

Casino Humbucker Mod

G6122 Country Gentleman '62 Style

Crest Replica (NEW!)

Telecaster Bass VI (kit body, custom neck)

Lennon Les Paul Jr. Replica (kitbash)

Höfner Violin Bass from scratch

Canned:

Lerxst 355 Replica

Acoustic Rickenbacker 360/12C63

Telecaster-Shaped Red Special (TSRS)

Plausible:

A non-specific doubleneck.

Resonator acoustic (kit build)

Completed:

Fretless Stratocaster

Cherry XII/Tele-Shaped Rickenbacker (TSR)

So, let's review top to bottom.

The Crusader:

I don't need to explain this much, I've already made a long-ass post about this. As said above, it's a mix of a Burns Double Six, PRS CE24 and Rickenbacker 4001 combined with influences from Hamer, Gibson and Fender.

The design is set in stone, aside from the exaggeration of the upper horn. You'd understand if there was a picture around here of the Burns. In the meantime, I'll get on with describing the others.

Fender Marauder Build:

Not the wackiest idea here, not by a long shot. As previously described, the Marauder is the culmination of Fender's offset guitars, featuring the switching of a Jaguar, the lead-rhythm circuit of a Jazzmaster, parts of the trem system of a Mustang, modified to fit with the pickguard and general aesthetics of a Jag. It even gave the Starcaster, the only semi-hollow by my reckoning that Fender still produces, it's headstock, something Fender afficionados call the "running shoe", at least, that's what my aunt calls it. Considering the contour gets filled in by paint, it's not hard to see her point.

The issue with doing this one is that barely anyone does Marauder vibrato plates. And to do this from scratch? Yeah, I need to find someone who would do the specific metal pieces I'd need, that being the Jag-style metal plate for the lead-rhythm circuit, the switch plate for the pickup switches, the extra long control plate, and that Marauder vibrato plate.

Yeah, if I ever find somewhere that does metal parts out of aluminium or something, I'm gonna get them to do the metal parts of this. Next item on the list!

Casino Humbucker Mod:

This one should be self-explanatory - take an Epiphone Casino, stick some P90-sized humbuckers in there. The only caveat is that they have to be hidden and mounted via dogear P90 covers, which isn't too much of an ask; this guy in Manchester does custom pickups, even hand-winds them. Certainly sounds appealing, may go for those. Next one!

G6122 Country Gentleman:

Yeah, uh... this one's shelved with good reason.

For context, the G6122, more commonly known as the Country Gentleman, is one of Gretsch's most famous guitar models, up there with the Duo-Jet, the Tennessean (now Tennessee Rose) and the one that Malcolm Young gutted and modded for his purposes as the rhythm guitarist of AC/DC. Gretsch list it as the "Jet" but I have no clue if that's a different model to the Duo-Jet or it's a variation, or whatever.

My aim with this would be to make as accurate a recreation of the Country Gent as I could with the documentation and information present on the internet. That means making it with 3-ply maple veneer top, back and sides, utilisng the thumbnail inlays on an ebony fingerboard, slotted for 24.6" (24.75" if you measure from the middle of the nut), with the same style of tuner, the little plaque on the headstock, the vinyl/leather pad on the back of the body covering a backplate access hatch, and all around trying to recreate this mad thing.

The only downside is the cost, because I'd need to source TV Jones Filter'Trons (not hard), maple veneer (harder), Grover Imperials or lookalikes (very hard!), and figure out how to make a veneer press, and how to shape the slightly arched top and back in a 3-ply veneer, not to mention the Bigsby, all the spare parts, the flip-up foam mutes that Jimmie Webster came up with (and also patented).

In short, the entire project is shelved. For the foreseeable future, until I can source all this stuff myself. Onto the next one!

Crest Replica:

This is a new one, inspired by an admittedly newfound appreciation for the Gibson Crest.

...oh right, I should explain what that is.

The Gibson Crest, as a name, refers to 2 different models, respectively produced around the late 1950s to early 1960s and between 1969 and 1972, with a one-off model of the latter style produced in 1983 for that year's Winter NAMM show. Said model is in the possession of guitar collector and YouTuber Trogly, who runs the eponymous Trogly's Guitar Show on YouTube. At first, I thought he was a bit of a knob, or at least a bit naïve, but as it turns out, his show's a good way to pass the time, and satiates the GAS (gear acquisition syndrome) that guitarists seem to get pretty damn often (as far as I know).

The former is estimated to have been produced a total of no more than six times, each custom orders put in by Gibson salesman-clinician and budding guitarist, Andy Nelson. Due to the nature of being entirely custom orders, no one knows the exact specs as they would obviously vary between examples as each guitarist would want something unique.

The body shape is assumed to be reminiscent of a similar model that Gibson were producing around this time: the L-5CT, that being a jazz archtop around the thickness of a Gibson Byrdland, but with a Venetian cutaway, a singular humbucker, a toggle switch next to the cutaway on "deluxe" models (models with 2 pickups as stock) and a trapeze tailpiece paired with a "floating" or freely moveable bridge.

One example of the original Crest, however, had a thinline single-cutaway body with a Florentine cutaway, as opposed to the Venetian cutaway of the L-5CT. It featured a carved spruce top, maple back and sides, with a 7-ply bound top, and a 3-ply bound back, as well as a pickguard made not of plastic, but of alternating dark and light plies of maple.

Now, that's interesting, because (and this is a personal side tangent because this guitar is so very unknown because of Google's overuse of SEO and keywords) the only other guitar Gibson produced with a wooden pickguard that I can think of is the Gibson The Les Paul, produced between 1976 and 1980, and that was only because the way Norlin-era Gison constructed these things, everything was either wooden or metal, with plastic being used as little and as sparingly as possible. The switch tip was rosewood, the binding for the body was rosewood, the veneer on the headstock was rosewood as opposed to holly, the knobs were rosewood, the pickup rings were rosewood. About the only thing I can find that wasn't wooden or metal is the inlays, which are actual abalone, and the binding for the headstock, which appears to be plastic, though this might not be the case.

Point is, the guitar was designed with one main principle in mind: "Can it be rosewood? Yes? Make it rosewood." That's why they now go for around £35k and rarely ever sell.

But anyway back to the Nelson Crest. Yes, that's what I'm calling it, it's better than calling it Crest 1 or Crest Custom. The example I'm drawing from here had bound f-holes, was stained cherry red like most of the ES models around the time, and had an HS pickup layout, with the usual number of volume and tone controls, and a toggle switch in the usual mounting place for an ES model guitar, that being near the treble-side f-hole.

According to the source I'm getting all this from (an article on the Gruhn's Guitars website), it also had a Switchmaster tone switch and was wired for stereo output. The floating bridge, as it was an archtop, was mounted on a rosewood "foot" which was inlaid with mother-of-pearl decorations. The bridge itself, meanwhile, was your bog standard late '50s, early '60s Gibson ABR-1 without retaining wire for the saddles, while the tailpiece has the diamond ornamentation seen on a Casino/ES-330 while also incorporating a shield and coat-of-arms motif.

This motif is continued on the absolutely gigantic headstock, which had individual Grover Imperial tuners, and an inlay featuring a coat of arms with three Moorish crescents on the shield. The fretboard is given the top-level treatment of the era, as is to be expected of a custom build, with 3-ply binding all-around, and Super 400 inlays up to the 17th fret, unsurprising for an archtop. The truss rod cover, meanwhile, is a sort of merger between the typical shape for a Gibson, and the art deco movement which was starting up in the early '60s, with it being a trapezoid interpretation of the standard Gibson bell shape.

This is one of the few images I can find of the original style of Crest, in all its resplendent late 1950s glory:

As you can see, it's basically everything I mentioned above, down to the cherry red stain.

So, that's the Nelson Crest, in all of its custom and stupidly insane glory. It'd be an interesting challenge to replicate that thing, but that's not the one I want to replicate, not by a long shot.

The Crest that I do want to replicate, however, is more reminiscent of a short-neck ES-330 or, to be more conforming to normality here, the Epiphone Casino. This has its own subsets, referred to as Crest Gold or Crest Silver, for the style of the hardware, those being either gold or "brushed silver". Assuming I was mad enough to build this, I would have to either source vintage-accurate parts or get someone to make them custom.

As you can probably guess, neither sound appealing! However, ignoring that, let's get down to business. What is the Gibson Crest, in this latter format?

The Gibson Crest, in the 1969-72 styling, is a double-cutaway ES-style guitar, as you can probably guess. Now, a double-cut ES-style isn't surprising, both CMI and Norlin loved making those. The surprise comes from the features, starting with the short neck, with the join at the 15th fret. Now, normally, that's weird for an ES-style, they all have long necks, with a meeting with the body at the 19th fret. Why does this one have such a short neck?

Well, it's because it's a hollow-bodied guitar, like the ES-330 or Casino. Then again, that is no excuse, considering the ES-330 and Casino both had long necks at this time, even if the Casino returned to the short neck, dragging the 330 along with it whether it liked it or not (kinda miffed about that, I like upper fret access, taking it away on an electric guitar like the Casino is just annoying).

But anyway, the Crest has this short neck, and that's where the similarities to most ES models end. The toggle switch is placed where the first iteration of the 347 would place the coil-split switch, that being the lower horn, and that's about it for known similarities, with the other features being more reminiscent of the original Nelson Crest rather than an ES-330 or similar guitar from Gibson/Norlin.

Let's start with the pickups, which are mini-humbuckers, most certainly an interesting choice; apparently, the reason they chose P90s as the pickups for the 330 and Casino is because it was a "budget" model, and not because they were fucking cowards. That last bit's not important, though, so we can come back to it at a different time.

As with the Nelson Crest, the Crest Gold and Silver have a floating bridge akin to an archtop, though I cannot for the life of me remember if they're an ABR-1 like the original, or a pre-compensated bridge. It doesn't much matter either way, because the fact of the matter is that this guitar has some nice details to it. A 7-ply bound top, with a 3-ply bound back separated by a decorative strip, and a large heel cap which has a strap button screwed into it.

The electronics are the interesting thing. As noted above, the toggle switch was placed in the location where an ES-347's coil-split switch went, which may even be where they got the idea for that, but as is also noted above, the thing has 2 mini-humbuckers with individual volume and tone controls, and treble-side adjustment screws that go through the pickguard.

None of this is nearly as impactful as what the thing was made of, though, because I have been keeping that bit entirely shtum for surprise factor. Y'see, the Crest was made almost exclusively out of Brazilian rosewood veneer, which, for a time, was entirely phased out of Gibson as a wood option, before even becoming a protected wood by the Washington Convention. Trade in it is restricted, even now, and that means it is incredibly hard to get hold of it, even in veneer form.

Does this mean I am shit out of luck? Well, if I wanted to recreate the thing using the exact same wood, yes. If, however, I wanted to recreate the guitar with just any species in the family Dalbergia, rather than specifically Dalbergia nigra (note: that's the scientific name for Brazilian rosewood), I am not, in fact, shit out of luck, as most other species of rosewood (any wood in the family Dalbergia) is not restricted, and has not been under restriction for almost 5 years.

Here's a photo from Gary's Classic Guitars in case you were having difficulty visualising this thing:

I'll be including images like these for projects that are either replicas, or I feel need the image in some way or another.

So, the rosewood veneer isn't a problem. Why is it still a shelved project, then? Well, the fact of the matter is that we live in a capitalist society. Things cost money, both for the item itself and the labour required to produce it. In short, wood is expensive, and I don't have the money yet. You may notice that "too expensive" is a running theme, even in cases where half of the expense is the guitar itself.

To avoid getting depressing, let's move on (finally)!

Tele Bass VI:

So, you may be wondering, "why's this one shelved?"

The thing is, it wasn't intentionally shelved. It's just that I can't really do anything with it without finishing the Crusader first. I need fret wire, wood for the neck, a nut, and a truss rod. Not that many things, but it's also what I need for the Crusader, and in the case of that, I at least have the wood for the neck, and a nut, but that still leaves me without a truss rod and fret wire (which I also need for my acoustic because it's got fret sprout, but that's neither here nor there).

I was intending a maple neck for it, anyway, and I need maple for the fretboard of the Crusader. Maybe I'll be able to sort that at some point. Moving on!

Lennon Les Paul Jr.:

This one's hard to call "shelved" seeing as I've done jack shit with it for 3 months at this point. Do I want to do more with it? Yes, absolutely. It's just finding the werewithall to actually go do more with it. Part of it's been the stress of organising my college stuff, but part of it's also been laziness and just not being able to decide if I want to do it or not.

I'm sure you don't want me to bore you with this one, and you saw a photo of a replica on the previous pinned post, so I'll move on.

Höfner 500/1 Violin Bass Replica:

This one is very much a doozy, but it's at least sensible.

Höfner's been going for over 100 years, that's an accepted fact, something that makes sense to everyone. Their "peak" of iconicity, however, came in the form of Sir James Paul McCartney, who has used Höfner's basses since 1961. Now, since then, they've done plenty of reissues of his (two) different basses, the 1961 with its close pickups, and the 1963 with the wide, separated pickups.

So which one would I go for? That is a good question, because it's really not what I should be asking. What I should be asking in its stead is "do I want to learn Actual Violin Lutherie to make this thing", because the whole "Violin Bass" is not just a selling point, it actually is constructed like a violin. It's a chambered hollow body, like the Country Gent, but it's the size of a violin, with the construction to match, including the use of flame maple (or, to use its more apt name, fiddleback maple) for the back and sides. The top, meanwhile, is solid carved spruce.

Don't believe me about the body size? Look at this sub-model Hofner do, based on the one you can see in Get Back:

As you can see, the body is tiny in comparison to the length of the neck, especially when you compare it to an actual violin:

Look at the proportions on this, then look at the 500/1. Doesn't the neck seem so ridiculously long now? Anyway, that's gonna take some going at, and thus it's shelved for when I feel confident enough to actually do it, or at least to take a partial stab at it.

Now then, we've seen the ideas that I might get round to but aren't being done now for one reason or another. Let's look at the ones that won't be done at all, for one reason or another.

Lerxst 355 Replica:

To the average reader, that name's going to look like gibberish. To be honest, I don't blame you, the way it's pronounced feels like you're speaking gibberish as well. "Lurks-st". It sounds better if you try and put on a Canadian accent. Not full tilt Canadian, with all the "eh"-ing and being super polite, just a hint of Toronto.

Anyway, what's Lerxst? Or, more accurately, who is Lerxst? Lerxst is the nickname of Aleksandar Živojinović, a man known professionally as Alex Lifeson. He was the guitarist for Rush for as long as Rush had existed, until their semi-functional retirement after the death of their drummer Neil Peart. The remaining two members, that being Alex and the bassist Geddy, have performed together since, including at the Taylor Hawkins tribute concert and at the 25th anniversary concert for South Park.

Now, Lerxst has used many a guitar over the past 50 years, from that ES-335 he used in the beginning, to the large amount of PRSes he used between 1990 and 2010. His most famous, however, is the one this one is talking about: a 1977 ES-355 built by Norlin-era Gibson. It has T-Top humbuckers (named as such due to the bobbins having a slightly raised part in the shape of a T), 22 frets on a voluted neck, a 7-ply bound top (you saw me refer to this in the Crest section; 7-ply bound top doesn't mean the top is 7 plies of veneer thick, it means the binding is 7 plies thick, and is bound around a 3-ply top of maple-poplar-maple) with a 3-ply bound back, a Maestro vibrola unit, an individual set of volume and tone controls per pickup, a simple 3-way toggle, and the key part - a varitone switch, with accompanying bypass mini-toggle for the "raw" tone unmodified by the varitone.

The output jack's also mounted to the top, but considering it's an ES model, I wouldn't think that too revolutionary. So, what's a Maestro vibrola unit when it's at home? For that, we need to explain vibrato units overall.

The history starts with Clayton "Doc" Kauffman, who devised the first ever patented vibrato system in the 1930s, fittingly named the Kauffman vibrola. This worked quite differently to vibratos that we know now, as the action of changing the pitch was much more subtle, and was done through moving the arm laterally, instead of pressing the arm down to the body. The sound was meant to mimic a slide guitar (as that's where Rickenbacker's guitars originally started), but there was an ever-so tiny but incredibly crucial detail: the tuning stability was terrible. Guitarists such as John Lennon decided to replace the Kauffman units on guitars they were installed on with other models, such as the Bigsby vibrola, the second patented vibrato unit, and the first to see widespread commercial success.

The Bigsby works in a much more conventional way, using the standard we know now: push down to lower pitch, release to return to normal. Supposedly, it has terrible stability in and of itself, but that is from players who ended up being like Floyd D. Rose, who overused the vibrato of the Bigsby, requiring that they retune. The Bigsby wasn't intended for that; instead, it was only intended to provide a slight "warble" effect to playing, what some would term a "shimmering" effect.

This, in effect, is what Gibson's vibratos were meant to provide, starting in 1961 with the Sideways vibrola. I have an opinion on these: they suck, both in function and form. They copy the function of the Kauffman nearly wholesale, and the large folded up arm in direct contact with the nitrocellulose finish(!), well. Yeah, no, not for me. The Maestro, however, looks and behaves so much better. It functions like a Bigsby would, excepting that it doesn't copy the mechanism wholesale like the Sideways does with the Kauffman.

To explain this, let's go on a small side tangent about a Bigsby vs. a Maestro vibrola, because I assure you, this is actually necessary to the guitar.

The Bigsby works by loosening tension using the leverage of the tremolo arm to cause a deepening of pitch. It's kept in place and returned to normal pitch by a spring which is compressed in the action of using the vibrato unit. The Maestro, however, uses direct leverage on a bent piece of metal to cause the same loosening of tension and lowering of pitch.

This means that the Maestro, while more primitive, is easier to work with when restringing due to the fact that the strings are threaded into the tailpiece, which is then bent, changing the angle and distance between the tuners and the ball-end of the string, thus affecting the tension. The metal returning to its standard shape (because the force required to permanently change its shape has not been applied) is what returns the guitar to standard and proper tension (as long as it's been set up correctly).

The Bigsby, meanwhile, has a specific way of threading the string through the unit before sending it down the neck to the tuner and the nut. When restringing a Bigsby, there is a massive rigamarole if you don't have a Vibramate spoiler installed. You have to thread the string down from the bridge, under the tensioning bar, then up over the string bar, around it, and slot the ball-end on the tiny little post on the underside, so it can function correctly when the arm is depressed. I honestly wish I was joking about this. I have restrung a Bigsby once, and once was all the experience I needed. Never again. I heavily advocate for people to damn well use a Vibramate spoiler on their units, even if it's just because of a personal gripe.

Back to the point where we were, about... 8 or 9 paragraphs ago, the 355 generally came stock with a Maestro vibrola in 1977, so it's no surprise that Lerxst got it on his. It's even featured on the reissues from 2008:

These are the same reissues that have a Fucked Up volute on the neck that's approximately halfway between the nut and the first fret, as opposed to in line with the nut. If I were to recreate this, I'd at least fix that.

So, it all seems possible, right? Then why is the build canned? Generally, it's the fact of the varitone, specifically the chokes. How, the literal fuck, do those things work. If I ever figure how they work, then maybe this will move from the can to the shelf. But right now? Canned. Completely and utterly.

Next, please!

Acoustic Rickenbacker 360/12c63:

This requires much less in the way of explaining. The Rickenbacker 360 is a famous guitar by most stretches of the imagination, soldiered on by its incarnations as the 360/12, used by George Harrison, the 370/12 used by Roger McGuinn, and the 330/12, used by innumerable amounts of famous guitarists like Peter Buck, Johnny Marr, Pete Townshend and The Edge.

But y'see, those are electric guitars. They've got magnetic pickups and all sorts of gubbins in there. My idea with this was to see if you could just... get rid of all that, construct a 360/12 in the double-bound style without that central block and all the electronics, and be left with an acoustic Ricky 12, complete with the compacted headstock and a piezo if I felt like it.

Knowing what I do about how Rickenbacker's shit is made, though, that would require making the body in the form of back, then sides, glued with bracing and then the top, with two sound holes. I'd then have to find somewhere to fit a pre-amp, and make sure that it's the usual thickness before then setting the neck in, which itself would be a 5-piece construction of maple with walnut center stripe and headstock wings, adding the truss rod(s) and the fretboard, before finally assembling the metal bits onto it.

Doesn't sound too hard, sure, but if you look at this example of what the Rickenbacker 360/12C63 looks like...

Yes, that is the entire thickness of the body. It's approximately an inch thick and not all that acoustically resonant. It'd be good as an experiment, but considering I'm debating over getting a standard acoustic 12 at some point, it's canned for that reason. Onto the last canned build, and the last build that's overall a hypothetical.

Telecaster-Shaped Red Special (TSRS):

I laid this whole thing out in a Notepad file back in May or June, as we were finishing up the Cherry XII, as a proposal of "maybe this can be the next build," but I scrapped it a month or so later because I fell into a trap I've fallen into so often it might as well be my home: I wanted to recreate a specific thing, without remembering the way that guitar is constructed, and really, what that guitar is built out of.

You see, the Red Special, built between 1963 and 1964 by Brian May and his father Harold, is a very interesting case of guitar design, in that it was designed to feedback in an appealing way. The internal cavities were actually carved out in a very specific way in order to allow for this, and most copies of the thing do the feedback, but struggle to do it exactly like his. He also has his own brand of guitars mainly made up of official replicas fitted with either a standard Strat-style trem system, that being the BMG Special, or the more accurate design mimicking the original's trem arm made of a knitting needle and a bicycle saddlebag holder.

Now, having only a Telecaster body, I couldn't recreate most of this. I mean, where am I going to put all this stuff? And the neck couldn't be slotted for 24" scale length. It just wouldn't have worked. 25", like the Harley Benton copy, maybe, but then I'd have to modify the body to allow for a 25" scale, and then rout out chambers for controls, the cavity, and the trem system's springs.

Looking back on it, I think I had a grand idea, but had bitten way too much off to just go and do it. If I ever do get it in my head to recreate the Red Special, even without a treble boost circuit or a treble boost pedal, I think I'm not going to try and start from a jump-off point, and just go at it from scratch.

Now then, we've gone through those that've been canned, let's look at the ones that aren't shelved or canned, but aren't currently in play. I denoted them as plausible above, but I might go at them at a slower rate than the Shelved builds.

Non-Specific Doubleneck:

When I say "non-specific" doubleneck, I don't mean "bland-name EDS-1275" like a Chibson or a Gear4Music or Harley Benton or anything like that.

For one, the EDS-1275 isn't the only doubleneck out there, nor is it the only doubleneck Gibson ever made. Rickenbacker made a 12/6 doubleneck 360, fittingly named the 362, as well as the 4080 doubleneck which was a bass on top and your option of a 480/6 or 480/12 on the bottom. That latter one was most famously used by Geddy Lee on Xanadu, as well as the former on A Passage to Bangkok (a song about smoking weed, if you didn't know).

Here's him with the former, in a surprising tuxedo (white with black plastics) finish:

And here's him using a Fireglo 4080/12 back in 2015 for the purpose of playing Xanadu:

Anyway, that's a Rickenbacker doubleneck, but they're not the only ones to do this stuff. Fender also make doublenecks. Well, "make" is a strong term. This is the only one I know about:

This is the craziest doubleneck I've ever seen. It's a basic 12/6, but actually No It's Not. You've got an Electric XII on top, which is the only "designed to be 12 string" guitar Fender made pre-CBS, and the Marauder on the bottom, with the vibrato merged into the pickguard, and the 5 pickup switches and the kill switch and everything that makes it the Marauder.

If I ever decide "okay, let's make a doubleneck," and then actually go through with it, I think I'm gonna take some design cues from all of these. I'll probably also chamber it so it's not uncomfortable to play for long periods of time, and just hide the chambering under the pickguards because that's a thing that could work.

Now, the other plausible idea.

Resonator Acoustic (kit build):

You know how I said kit builds were out of the question? Yeah, I didn't believe me either.

Resonators are a really cool relic of the pre-amplification era. Like, they're the step between electric guitars with magnetic pickups, and the acoustic guitars we all know, minus the piezoelectric undersaddle pickup. They work by passing the strings over a bridge mounted to a resonator cone, and when a string is plucked, strummed or otherwise makes a sound, the cone takes the vibrations and amplifies them entirely acoustically. They were originally made by a couple companies before Rickenbacker came along and invented the horseshoe pcikup and, by extension, the electric guitar.

Those companies were National String Instrument Corporation, and Dobro Manufacturing Company. The former was founded in 1927 by George Beauchamp (anyone who knows the history of Rickenbacker will know that name), and John Dopyera, a Slovak immigrant who came to America with his brothers and father in 1908, sensing that war would soon break out in Europe.

Smart move, fellas!

Anyway, Dopyera and his brothers, Rudy and Emil, soon left National to form their own comapny, Dobro. Dobro is a name with double meaning, in this case - while it's an abbreviation of Dopyera Brothers, it's also the word for "good" in a lot of Slavic languages, leading to the slogan "Dobro means good in any language!"

Due to Beauchamp's work with Rickenbacker, though, resonators fell off the radar in terms of popularity. After all, they'd figured out a form of amplification that didn't use lots of metal, so resonators ended up failing as a product. Or at least, they did for a while. Nowadays, you can find many brands producing resonators, usually for the specific tone resonators provide: rich and metallic. They're seen nowadays as bluegrass and country music instruments, but you can see people like Mark Knopfler using them for songs as well.

Now, this isn't referring to a specific kit build. I found one that's kinda an ES-style thing, with 21 frets, so that's probably the one I'd go for, not least because I like upper fret access, but it's all dependent on if I still want to build a resonator acoustic after the current build, or if I'd want to do something else entirely. It's an odd thing, my mind.

So, what now? The completed section? Eh, not exactly.

I would do a small piece on the Fretless and the Cherry XII each, I really would - God alone knows I love rambling about these builds enough, this post is testament to that on its own - but I don't need to. I made a full post about the creation of the Fretless, and made multiple posts in the course of building the Cherry XII, starting back in January and leading up to June.

But other than that? That's all there is to this post. There's nothing more I can really do in terms of explaining my ideas. I may have more ideas in between now and whenever I revisit this concept, I may reshuffle things, shelve one idea or can another. But as for everything else? It's in flux, constantly uncertain unitl we reach and observe it. I can't really say what I'll want to build after the Crusader, because I haven't finished the Crusader. Hell, I've barely started it.

Hope you enjoyed reading this. If something needs explaining further for one reason or another, tell me, and I'll try and explain it to the best of my ability.

[schlushiii]

Who would’ve thought that one of two other people sent back to Hisui with you was the same one that caused you and your brother utter chaos on the battle subway!