adorabloodthirsty-garbage

[spark-river]

Simeon: Solomon, how much did you drink last night?

Solomon: I mistook Diavolo for Lucifer.

Simeon: ...At least you didn't sleep under a bridge?

Solomon: About that-

[ruporas]

lonely

[ID: A limited palette of green and pink, Vashwood comic. The first page serves as a prologue. The first panel shows Vash speaking to someone off screen while Wolfwood is lingering behind him. A black arrow is drawn pointing at him. In the second panel, Vash is buying donuts in the distance while Wolfwood is once again in view, lingering. and the black arrow is drawn pointing at him. In the third panel, Vash is leaving a cubicle and turning towards his right with a slightly peeved expression. He sees Wolfwood, leaning against the cubicle, waiting for him, and with the black arrow drawn, pointing at him, implicating the consistent hovering of Wolfwood’s presence during Vash’s everyday. At the bottom of the page, they’re drawn out of panel with Vash turning to Wolfwood and saying with an irritated expression, “You’re really following me everywhere, huh?” Wolfwood responds, “What, you got a problem?” Vash responds without hesitation, “Yeah, kinda...”

The second page starts with a new day. In the first panel, Vash is seen alone, weighing apples in his hands at a mart, with crowds passing behind him. In the second panel, he turns to his right and starts to say, “Hey, Wolfwood...” In the third panel, he’s startled from seeing a stranger, whom he’d accidentally called out to when he was expecting to see Wolfwood. He says, “Oh, you’re not him. Sorry!” In the fourth panel, the stranger walks off and Vash muses, “Right, he said he had something to do today...”

The third page begins with a close up of Vash's miffed expression, the continuation of Vash's thoughts, "Now that he's not here, this is just like how I used to be, but... It feels lonely somehow. Oh well, I'll see him again tonight, like always." In the second panel, it shows Vash walking through the marketplace crowd, alone. In the third panel, the door panel is a close up of the door opening with a peek of Vash's head. He says, "Wolfwood!" In the fourth panel, Vash is holding a bag of food with a bright smile and says, "Are you hungry? I got you something to eat today!"

The fourth page begins with a shot of the room, two beds being highlighted, one of them being made properly with the blanket draped over the bed and the other with the blanket folded and pillow sitting on top of it. There's no sign of Wolfwood. The second panel shows Vash with a disappointed look as he thinks, "He's still not here?" The third panel shows Vash putting the bag of food on the table. Stapled to the paper bag is the receipt with a written note "For Wolfwood." Vash's thoughts continue "He does like to stay out so, I guess there's no reason to worry..." The fourth panel shows Vash sitting his bed somberly with his thoughts continued, "It's not any of my business anyway..."

The fifth page starts with a close up his blank expression as he looks downwards, thinking, "Even if he left completely... That'd be understandable and better for him. I'll just travel alone again... like before... Huh?" The next panel shows Vash's composure break, tears welling up in his eyes suddenly, as he didn't expect to cry. He starts to sob, putting his hands to his face to quiet himself and wipe at his tears, as he says, "Ugh... Dammit... I miss h..." The last panel shows Vash leaning over into his hands, still crying, and in the back, the door swings wide open with a bam as Wolfwood walks through with the punisher swung behind him. He shouts, "SPIKEY! You in here?!"

The sixth page starts with Wolfwood confused, looking at Vash and Vash looks back, just as confused, with tears in his eyes and snot out of his nose. Wolfwood starts saying, "Ah? You..." No longer in panels, at the bottom of the page, Wolfwood takes the Punisher off of himself and starts to walk towards Vash, continuing with slight concern, "What's wrong with you? Did something happen?" Vash, hurriedly begins to wipe at his tears, denying immediately, "No! No, I'm fine! Nothing happened!"

The seventh page, Vash points towards the table, with a hand still wiping at his tears and he smiles as he says, "I uh got you food. On the table." Wolfwood looks towards to the table and responds, "Oh. I was getting hungry, thanks." He turns his head back to Vash immediately after with an uncertain expression, knowing the other wasn't responding to his concern, and says, "But, I know you're an idiot with this stuff, so I'm reminding you again. Don't brush it off if it's an issue, alright?"

The eight page, Vash's tears have dried and he looks to Wolfwood with a soft smile and responds, "Yeah. It's okay though..." A panel at the center shows a side view of Vash approaching Wolfwood. At the bottom of the page, with no panel, is a close up shot of Vash's hand, holding onto the edge of Wolfwood's jacket sleeve, as he says, "Because you're here now. Wolfwood."

The final page is a back shot of both of them standing next to each other, Wolfwood's head tilted slightly to the left, not fully believing Vash as he says, "That doesn't answer anything, Spikey." Vash responds, "There's no need to talk about it! You should enjoy your food. Let's have a drink too?" Wolfwood responds, "Tsk, tsk. Fine, yeah. I could use one." END ID]

[wonderholegifs]

Rhett & Link's Wonderhole

[akirathedramaqueen]

You know what I love about this show so much?

The kindness. The understanding. The redemption.

And that's in the setting of fucking Hell. The irony.

The characters are deeply flawed. They make a lot of mistakes. They fuck up even trying to fix things.

But they are trying. They have a lot of virtues, too, even though they don't see them themselves. They slowly but surely process their problems. They work around their trauma and the conditions they were raised in, deeply affected by it, hurting but still powering through, learning, and developing.

Although we are far from the end of these characters' journey, the SpindleHorse team does an amazing job of making these characters sympathetic, believable, and real. They give you the information and the opportunity to understand how complicated things are, how both sides of the conflict can be understood and blamed at the same time.

And the main thing? The forgiveness and redemption. You want these characters to do better, to be better, of course. But you also want them to be loved, despite the fact that what they did was obviously wrong.

You, as the viewer, already forgive them, and you just want them to forgive themselves. To allow themselves to be loved.

When I watched the show and saw them making the same mistakes I did, some horrible things I wouldn’t forgive myself for and struggled with for years, I suddenly understood the struggle. I empathized with them. I wanted to give them a hug. I wanted to comfort them and promise that things would get better and encourage them to give it one more try, one more talk. I wanted to scold them for self-loathing because I know all too well the kinds of dark places it can lead you to sometimes.

And then the thought comes to mind, "Can I afford a bit of this empathy for myself too? Just allow myself to live with the fuckup and allow myself to be human?"

It didn't fix me. But it eased my turmoil and taught me to understand it better. It taught me some empathy, too, and I thought I was the one with the emotional ingelligence of a nightstand. Well, I still kinda am, but at least I learned to listen to people sometimes.

I just want to thank the whole team who worked on Helluva Boss for all the self-reflections I experienced with their creation.

Thank you.

[adhdtsukasa]

prosekai au where everything is absolutely the same except niigo, instead of being a music circle, is a fanfiction writing-ish group. kanade is a writer, mafuyu is her beta reader, ena makes fancomics based on kanade's fanworks and mizuki makes trailers for upcoming fics. and basically that's it. niigo lore but everything revolves around them being wattpad ao3 users

[tulipe-rose]

Random ask timeee! :D

As a tribute to the dire state the Hunting Dogs are currently in, which duo/trio of them is your favorite? Which are you gonna be most excited about when they (hopefully) reunite? 👀

AAAA HIHIHI

My favorite duo that I miss dearly, and barely have content of is Jōnō and Tachihara. They're such wasted potential istg. Tachihara is bothered by being supposedly 'not very smart'–which I heavily disagree with–and you know who could make up for that? Jōnō. Jōnō is the brain and Tachihara is the brawn, but their capability isn't limited to just that. Yes, Tetchō and Jōnō fit this description too, but to me, the unexplored battle potential of Tachihara's and Jōnō's combined Abilities is just so much more intriguing. With the very few interactions we got of them in canon, I can't help but imagine them having some brothers bonding time but it's military lab rats style. Also no one can convince me that they're not sent out on undercover missions the most, like they're both incredible actors; they'd fool Mōri, which Tachihara already did. Even Dazai could take a while to realize them. They're my power duo ever though I don't think we'll see them again for a while now. (If ever ಥ⁠‿⁠ಥ)

[enhanced-operatives-division]

Junicrane/Starstruck Ramble

I will not be brief, all under the cut

To clear some things right off the bat:

No corpse, no proof with Juniper. Obligatory this is set in a canon where he's alive and adjacent to the agency in some way.

Reggie & Juniper are just gay to me, but I don't mind any interpretation of their sexuality

The games are set in 1967/68 to me (based on a couple bits in game) which is before it was legal to be gay in America at least (1971), which is relevant to how I interpret canon as being somewhat grounded in reality, despite unrealistic elements.

This is just an insane amount of headcanons/elements of and AU all culminated into one post. I will talk about some headcanons like they're just facts because they are established in my head, and it saves me over explaining literally everything, however I will explain some parts a little bit for clarity.

Alright. Actual beginning of the ramble:

Juniper is a character to me who had gotten so lost in his job as an actor and a social presence that in the end his whole life revolved around that 'role'. Because of this, by the time he's put into the situation where he's around the Agency, he basically knows nothing about himself, though he doesn't realise at first. Furthermore, what little identity he had has changed in so many ways. He's no longer a beloved famous actor in the prominence of public light, he's legally dead and he tarnished his career just before he was supposed to die, with the bonus of that making him lose the majority of his estate. From that, he also has horrific facial scarring from the electrical burns from literally having his face fried. I believe a friend of mine made a post about this a while ago (I also think they were the first to think it up also), but, to me, Juniper has a permanent trimmer in his right arm (aka his dominant hand) from the electrical current and it is messing with his nervous system.

All in all, he's not doing great, but he's too proud to admit that he's not doing great, because if anything, what's left of his ego is all he has as a defense since he's deep in unfamiliar water.

Before ending up around the agency (I have multiple interpretations of this, so I'm just going to bring it up generally), he'd never actually seen Reggie, and his only impression of him is a single voicemail, which was his only reference he had to later impersonate him. Juniper probably has very little feelings other than the ones he projects onto him because of Phoenix and that, at the very least, he's physically attracted to Reggie to some degree (that's like the beginning of how everything else would tumble into place in this sort of interpretation at least).

And on Crane's side? His feelings towards Juniper are probably very intense and muddled. On the one hand, he adores musical theatre, and that's his now ex-favourite actor. The thought of just casually being around him blows the bit of fanboy in him away at first because THAT'S the GUY, plus the inklings of a celebrity crush which still poke at him. And then there's the rational side of him, which knows Juniper has committed absolute atrocities on the side of Zoraxis, and hates him for that. Then there's how much Juniper comes off as an asshole at first because he refuses to cooperate with anything the Agency tried to put in place. He finds Juniper endlessly frustrating, and yet he's stuck working with him since, afterall, he's the one who knows the Agency's history with Juniper the best. I imagine him acting a lot like how he does IEYTD 1 around Juniper.

At this point, I'm just describing the pitch for a romcom.

I think the start of their relationship with one another largely started with Juniper trying to wind Crane up. It was a way of getting his attention, and I don't think Juniper knows why he's so dead set on that at first, because I don't think he realises he has a crush on 'this grump' at first. (I think that's actually the fun part about these two, because it's almost like a role reversal of the celebrity crush dynamic. This ex-big name actor has a TERRIBLE crush on an average joe and it is KILLING HIM.) But of course the Agency keeps them together because Juniper is at least conversing with Crane, so it's a start.

Through one way or another, they actually get talking casually, at least mildly at first. It takes Juniper a long time to fully deconstruct the wall he's built, and the thing is, Crane isn't the one trying to deconstruct it, at least at first, because yeah, Juniper realises if he wants Reggie to actually like him in any way, he can't keep winding him up. So they talk. Small talk at first, something rhythmic and almost easy to keep to a script. And over time that turns into actual conversations. Genuine ones in which Reggie rips out the occasional one of his jokes which Juniper is endlessly endeared about. The way he smiles just before he makes them, like he wants to chuckle at what he's about to say before he says it. That's probably when Juniper realised that he does have some vague crush on him, and that it wasn't going away.

This is what kickstarts John I can't-buy-you-things-to-impress-you-so-acts-of-service-it-is Juniper to do little things for him. It mostly starts off as him trying to make Reggie his tea how he likes it. However, the nerve damage in his arm makes that hard, as the weight of the kettle and trying to pour is hard all of a sudden. And he refuses to accept that, so he tries for a very long while. Long enough that Crane would go to investigate what was going on. And when he does see Juniper leaning over a cup with the kettle as he uneasily tries to pour it, and when Crane asks Juniper responds so matter-of-fact that his intention is nothing but genuine. And it catches Reggie off guard because Juniper hadn't done anything like that up to that point, and his very apparent vulnerability is so clearly on show.

It shifts something between them.

From that point on, conversations are longer, more familiar. Both of their attitudes soften, and Reggie makes more jokes. Juniper learns how to better use his left hand while strengthening his right back to a point where it could be used again. Slowly, they're both spending time with one another not because they have to, but just because they can. Little bits at first, not too far outside what they already were doing, but those little bits turned into long bits to a point where the other person's company was genuinely desirable.

As time passes, Juniper probably realises that he doesn't genuinely know much about himself or what hobbies he's into, because he never really had the time when he got big, and his home life in his youth wasn't bad, but it wasn't picturesque. I think Reggie would pick up on it, and absolutely try to introduce him to some things he's into. Some things stick, other things don't (corn husking very much stays Reggie's passion, and John will go with him sometimes because it's him, but it's not something he strongly cares for). Crane introduces him to a lot of music, and it's something that becomes a staple between them, with tracks they listen to more than others (tragically, I know relatively little about 60s music so I couldn't really say what). Occasionally they dance, never anything intense, think slow dancing, but the closeness is nice.

Through all of it, Juniper is battling the worst crush of his life, and he can't stand it, because I think he struggles to read people since he doesn't have anything like a script or a director to refer back to, so he has no idea if Reggie likes him back or if he's just desperate for that to be true. I think because of that any sort of confession between them would be incredibly raw, not only because of the time they live in making it hard for them to be truthful about how they love, but because it's a complete show of Juniper who's worked to be this better person. I don't exactly know how that would go, mainly because I don't have one set version of their dynamic, this post is just a generalisation of main consistent points.

Reggie does like him back, because he's gotten used to Juniper being just this guy, not a figure in the public eye, not a Zoraxis lackey, and not any sort of Agency operative (despite being under their care to some degree). He's someone he genuinely cares for, because they've given one another the time of day to learn one another, and I think because Reggie was a field agent, he was a lot better at reading Juniper than Juniper was at reading him. Eventually Juniper's company becomes something he could see around him for the rest of his life, and I think he accepts that he likes Juniper a lot more gracefully.

I think any affection directed at Juniper would at first be met with him feeling a little muddled. Reggie was a very physically affectionate person when he could be, and sure the initial flirting with one another came with the occasional little touches, but everything now was so deeply intentional. I also don't think Juniper would almost ever get over the novelty of being able to kiss him, or many other gestures, because it made the fact that they were together so very real, and it was great. I do think it comes easier to Reggie, and it's a big way of showing how much he cares, so it's important for Juniper to try and show it back because he knows how much it means to the other.

I like the idea of them eventually living with one another, too. I think Juniper would have always had a quiet little daydream of sorts where he does just live a domestic quiet life, and he can with Reggie (well, as close as they can get between the Agency and Zoraxis always being at odds), and he loves that, and he loves him, and it's immense.

I think they cook for one another a lot, it helps Juniper work on his dexterity in a controlled environment, which means a lot because it's a huge point of insecurity (that and his scars). He does improve, and Crane is proud of that and shows it and it's great. I also think they'd probably cook together too, because they can deal with being in the kitchen together and they work well with one another. It's probably a good way for them to unwind because over time they can do it in relative silence.

As I said before, I also think music is a staple in their household, and that Reggie listens to things on vinyl almost all of the time because he likes the background noise. Sometimes Juniper will catch him chuntering along to the music which he finds endlessly endearing. I wouldn't put it past his dramatic ass to also join in to fluster Reggie, but I also don't think Reggie would mind that terribly because Juniper has listened to the music enough to know the lyrics, and that's huge to him.

I don't think they are without rough patches, no relationship is, but I think the good part about them is that they're willing to talk about it (... eventually). They're used to long conversations, and while they're often less fun conversations, they're needed and they know that, and it works out.

Alright. I think I'm done for now. I haven't mentioned everything, but this definitely got the worst of it out of my system. If you ever want to hear any specific thoughts my ask box is open but other than that, behold my general dynamic for these two which has been festering in my head for years. I think they're great

[shmorp-mcdurgen]

Figured i'd start actually. slowly reintroducing the new monster au turned oc project by first posting the new character names!

Mark -> Markus Adrianne Addams (Mark/Chris) Cesar -> Martin Garcia Sarah -> Amber Addams (Ace) Thatcher -> Jackson Hyde (Jack) Ruth -> Mabel Palmer Dave -> Barney Holmes Evelin -> Olivia Davis (Liv) Jonah -> Aaron Jones (AJ)

Another thing I wanted to introduce, this universe from now on will be referred to as Whispers of Willows!

[seagreenstardust]

I’m gonna say something that’s probably not going to be well received in certain circles so let me start by saying this: I believe, with only a few rare exceptions, that you should be able to ship whatever speaks to you the most. And just because I don’t ship something doesn’t mean it’s wrong for anyone else to ship it, and the same for things I do ship, no one else has to ship it too. Who you do or don’t ship will never be a reason I pass judgment on you, ever. Live your best life.

That being said, I want to talk about Horikoshi and straight ships.

(And bakudeku.)

Here’s the thing: Hori has written straight ships into MHA and he’s done it so masterfully that it’s made me ship them without even realizing it. I don’t know if we can call them canon because as far as I know no ship is actually canon yet, but what is canon is the care Hori put into building these relationships.

Kirimina. Hori wrote in a backstory that parallels bkdk that I just adore. There is something about Kiri looking up to Mina and being so inspired by her bravery that it shapes the hero he becomes that is such good content. They’ve had multiple mid-battle moments of protecting and helping each other. I ship Kirimina so hard because of the canon Hori gave us.

I am a low key Denki/Hitoshi shipper but season six kinda hit me in the face with whatever we’re calling Kyouka/Denki these days and now I guess I’m a multi-shipper???? That is how hard Hori hit me with the Kyouka/Denki feels. And he did it the same way as Kirimina, because we have years of content of Kyouka teasing Denki mercilessly, plus the cultural festival band, so when they’re separated in Season 6 and Denki has this intense moment of realization that she’s who he needs to be brave for and it actually works??? I’m a goner.

Heck, I ship todomomo too you guys though I can’t blame Hori for that one, that’s just me being me. The point is that I ship it because the characters Hori gave me struck a chord inside.

But there is one straight ship Hori never once made me ship.

Every time izu*cha showed up I just kinda endured it? It just wasn’t for me. I didn’t see two kids with chemistry, I saw two kids who didn’t know who they were or what they wanted fumbling their way through a will they/won’t they without either of them seeming all that invested in it.

In six seasons and nearly 400 chapters and multiple times revisiting the story I have never once felt any inclination to ship izu*cha

Hori can write straight ships. Hori made me ship his secondary straight ships nearly effortlessly. So if izu*cha was meant to be canon why have I never once felt the chemistry?

You know who has the chemistry? Bakudeku. But here’s the thing: I wasn’t thinking about Katsuki as a possible love interest for Izuku the first time I watched the entire story. I honestly wasn’t paying much attention to him at all, he was everything I didn’t like on the surface so I more or less ignored him despite Izuku holding onto him for dear life. Katsuki never once colored my opinion of izu*cha, they did that all on their own.

It wasn’t until after my first watch through, when I was hungry for more and trolling around tumblr, that I realized people shipped Katsuki and Izuku and it was literally like something out of alignment popped into place in my head.

Oh. Duh. That’s the ship.

I went from zero to a million in a handful of seconds because the chemistry was there, the backstory was there, and boy are Izuku and Katsuki loud about how obsessed they are with each other. Just like Kirimina, just like Denki and Kyouka, Hori planted the seeds throughout the entire series so that when it was brought to my attention everything about the narrative and character development supported it.

And I have to take a moment to explain my dislike of Katsuki at first: I honestly fell for the surface-level interpretation of his character and then kinda wrote him off without much more thought. Which is insane to think about because you can’t really understand MHA without Katsuki, he is so integral to the story as a whole that any version of it without him is skewed so far out of alignment that it’s not even the same story anymore. But I just saw angry boy who yells for no reason and put Katsuki in a box and left it at that.

It wasn’t until I was willing to give his character a second look that I started understanding him, and more importantly, his relationship with Izuku. And it helped that when bkdk was presented to me as a ship that my brain understood immediately why it worked. The canon source material supports bkdk at every possible moment.

I really don’t think it does the same for izu*cha.

[schlushiii]

Who would’ve thought that one of two other people sent back to Hisui with you was the same one that caused you and your brother utter chaos on the battle subway!

[fluffs-n-stuffs]

More Pokémon Horizons Episode 25 spoilers under the cut!

As much as I laughed from how this played out like an unintentionally comedic moment---can I mention how much this actually does to separate Amethio from the rest of the Explorers; how he's actually honorable and respects Friede as a rival of sorts?

The rest of the Explorers tend to use underhanded tricks to get what they want (Spinel brainwashing Liko and attempting to wipe her memory, Onyx and Sango trying to overwhelm the others against direct orders whilst causing the destruction of everything else around them), but Amethio has been unique in how he's regarded as 'by the books' (by Friede) and constantly tries to be on equal footing with his opponent- even if it means putting himself at the disadvantage when he has more resources to utilize.

He could've very easily overwhelmed Friede by having both of his mons attack at once (given how Captain Pikachu hadn't arrived yet)---and yet he- doesn't. Which is just so interesting to me as he's meant to have a similar goal as the rest of the Explorers (which is to retrieve the pendant/Terapagos by any means necessary).

So in this case, was it really a matter of defeating Friede so that he could easily confront Liko afterwards,,, or,,,,, was he trying to prove himself somehow? 👀✨✨✨

[changeishard]

Title: Live Together, Die Alone

Rating: Explicit

Relationship: Elliott/Penny/Sam/Sebastian

Summary: [Chaptered; complete]

Every 108 minutes, the button must be pushed. From the moment the alarm sounds, you will have four minutes to enter the code into the microcomputer processor. When the alarm sounds, you or your partner must input the code. […] Congratulations! Until your replacements arrive, the future of the project is in your hands. On the behalf of the DeGroots, Alvar Hanso, and all of us at the DHARMA Initiative; thank you, namaste, and good luck. * Winter, 1998 For eight years, Sam and Sebastian’s lives have been waking up, pushing the button, eating, trying not to have an existential crisis, pushing the button, having sex and pushing the button. Unable to leave their post, the last exciting thing that’s happened to them was four years ago, when Elliott arrived and joined their daily routine. But when they find a woman washed up ashore on a broken boat, they fear what kind of change she could bring into their lives. * Or, a Lost AU where Sam, Sebastian, Elliott and Penny are stuck inside The Swan – pushing a button; saving the world.

Read on Ao3

[sheyshen]

Something I want to build on with vincent at some point is how much the years of being an adventurer has taken a toll on him. he spent so long just being angry at the world but as he gets closer and closer to carteneau he does start recognizing how reckless he's been and the mistakes he's made over the years. friendships (especially with layla and nhea) helping him get a little closer to how he used to be before finally stopping and trying to do better for himself when he loses his leg. and the fact that guilt has really solidified in him to still make him push himself in his healing rather than combat (though sometimes still pushing himself too far) and how the years of treating himself like a weapon have taken a toll on his mind (he has terrible nightmares that only a select few have been able to help him through it)

[w1f1n1ghtm4r3]

have some random wd au doodle pages. mafuyu settling in with the dark knights and grumpy healer mage nene

[longagoitwastuesday]

I keep thinking of that reply in my Odysseus/Agamemnon post about how I regard differently Odysseus' and Agamemnon's actions, while acknowledging that at times Agamemnon is written as a sweet man and Odysseus is always straight up shitty, and how it was taken as some sort of defense for Agamemnon and as a form of pointing out the double standard; and that wasn't at all what the post was about for me, even though I can see where they were coming from. To be honest, given I didn't imagine it would spread anywhere other than my own blog, I didn't explain myself very well (or at all).

The fact is that when I talked about Odysseus not caring about hurting someone else's child to start and end a war I was indeed comparing his actions to Agamemnon's, but my words about supporting Odysseus' wrongs and cheering him in his terrible actions, while in a joking tone, weren't entirely a joke. I do think that Odysseus does some very shitty acts, and some quite terrible ones depending on the sources. That's a fact, that he does is at the core of his characterisation and it's what makes him so much fun; but not even when he is at his most cruel does he harm his family, his own son. Agamemnon, while sweet and loving at times in some texts, at his worst is willing to sacrifice Iphigenia. When readers regard with more sympathy Odysseus over Agamemnon despite both being responsible for children dying, I don't think there's a double standard in this aspect at all considering it's never his own kid Odysseus harms. And that's the key, I think.

Odysseus and Agamemnon have very different priorities, a very different view on loyalty and duty. It could be said that Agamemnon acts out of selfishness, but it could also be read in a kinder light, saying that Agamemnon is ruled by the gods first, and by his role as head of the achaeans; Agamemnon is not entirely himself. In opposition we see Odysseus acting perhaps mainly for himself and his own family and men; yes, he is a king, but he has not the role Agamemnon has. As a consequence, Agamemnon submits his family's wellbeing to the war, to the gods, while Odysseus stops the plow before hurting Telemachus but is (depending on the source) the cause of Iphigenia's sacrifice and Astyanax's death.

Both Odysseus and Agamemnon have reasons to support their actions, and both can be sympathised with; it's fiction after all. When it comes to fiction, at the end of the day which character a reader is drawn to or sympathises with is mainly an issue of personal taste, but I suppose it also implies a certain level of one's own views or preferences on morals, what makes us find certain actions more justifiable, or tasteful (perhaps that's a more accurate word), than others. Agamemnon sacrificing his daughter, no matter how sympathetic or understandable the reason, generally sits worse on people than Odysseus doing the same with someone else's kids, because they're someone else's. This different emotional reaction they provoke has place not just metanarratively, but also inside the very story; it is narratively significant, given it determines how their arrival home plays out, how their wives react to them, and thus their futures. Ultimately it determines whether they live or die.

I think both terrible acts go in line wonderfully with each characterisation, showcasing the role they hold in their world, what they value, what they care for, what they're willing to sacrifice for themselves and the others, how much of their own they're willing to give and bend. While looking at the wider picture it could perhaps be drawn that Agamemnon is the better person out of the two, but Odysseus' selfish actions are perhaps easier to empathise with, especially from a modern viewpoint. Odysseus is treacherous and prone to betrayal, but not against his own; Agamemnon follows the rules of the gods. How fitting in that context that Odysseus doesn't die at the end of his story, that he cheats the death heroes so often are fated to, almost as if cheating the narrative itself, bending the rules of the world he is ascribed to; how fitting in the context of those texts that point towards Sisyphus being his father. But that's another topic, and I've already talked a lot.