#His character development in the comic is really good too

[kirbybecomesastarwarrior]

Why doesn't Marx want Kirby to forgive him, is it just the guilt thing?

Long story short, this is a combination of "the fear of getting hurt/rejected" & "shame and guilt," which results in self-sabotaging, but the main reason is...

HAMELIN REALLY MESSED UP MARX!

So, like Kirby with Cappytown... Marx was Hamelin's hero, but they betrayed him and thus turned to the dark side.

This all ties into his initial hatred for Kirby... he's very much angry at his former self for being so foolishly naive, and Kirby's good nature is too reminiscent of his former self.

That also makes it the main reason he could never truly hate Kirby... a younger self that he can't help but connect with. Leading to his "fake friend act" to accidentally grow to care for him and actually want him as a friend.

However, Marx knows he deceives Kirby the same way the people of Hamelin did to him... "pretending they cared for him." Using the very same methods, the townsfolk did to him... ("became what he hated")

This is why Marx doesn't have the heart to forgive himself... even though Kirby was always ready to forgive him and welcome him back with open arms. Because he knows he can never forgive the people of Hamelin... Why should Kirby? And, of course, he does!

The restoration of a friendship between Marx & Kirby happens~, But unlike the people of Hamelin, Kirby has this unconditional love for Marx and wants more than anything to have him back in his life.

I'd say these events happened after Planet Robboot... Marx finally makes his return and "saves Kirby?!" (I'm not gonna reveal from what because of spoilers)

With my interpretation of Marx, I wanted to take him into a sympathetic route (to make him stand out from the others). He still has the sass and mischievous charm, but I wanted to give him a proper reason why he is the way he is. It's a more heartfelt version of Marx that Kirby would want to be friends with and him in turn.

Marx represents "self-worth"; if people don't appreciate or treat you the way you deserve, then they don't deserve you. (Minus the piping all the Dark Matter back into the town as revenge...) KNOW YOUR WORTH AS A PERSON PEOPLE!

And he stands as one of the main reasons why Kirby ultimately chooses to become a star warrior. Moved out of the Popstar to travel and pursue his aspirations & dreams.

Please keep reading for spoilers & quick bonus comic~

So Arthur pretty much reveals Marx's backstory to the rest of the Kirby gang... and needless to say, they're speechless!

He still doesn't want to be forgiven, so he stays with Magolor (which I cover here with Magolor's lore), but yeah, of course, Marx opened up to Mags about Hamelin. And that's why Mags is there, while Kirby & Marx are back in his place telling his story to Kirby. (Kirby saw it because of "empathic touch" but didn't know the exact details of it..)

And Dragato, yeah, he was already on his redemption arc (Falspar's already went through his with Fluff, so he's there for moral support, plus it's the reason why Arthur partnered up together).... he already knew he messed up. But now, hearing the full story that he was, not only did he fall for the people of Hamelin's lies, but... MARX WAS THEIR HERO. (I know kinda of shoehorned the crew for the sake of missing the gang, I just missed them I had to...)

There's actually a small bit of tragedy... while the adults sold Marx out, the children who really loved him would've vouched for him... it'll tie back into his character later.

And I know it seems like I'm painting Dragato in such a bad light, but it's part of his character development. And for those of you who don't know... HIS MENTOR WAS DAME MORGAN (LE FAYE)! So yeah, high standards, little affection, never impressed~

Which is why I still need to establish her a bit more! More Morgan coming up soon

I'm trying to get to the old asks I wasn't able to answer before (since I was still developing the lore...) And I just need a little break from the tournament plus, I've been working on some Kirfluff stuff for Oct.: Kirfluff week!

Also, little funny side notes and gags' "Hero to Zero... Hercules" reference and Mag's little side comment. Based on the meme, "you ruined a perfectly good child..."

So, hope you guys enjoyed it!

[hottie0]

okay so am i the only one who wishes umbrella academy incorporated their powers more into the show….

like maybe i’m just a sucker for superhero content but i feel like they should’ve done more with their powers, especially as the show continued. like the first 2 seasons were pretty good for it but then in the last two they only focused on the character development which i know is what most people like but i just wanna see some badass fight scenes.

my favourite scenes in the show are 1. the season 2 intro ofc and 2. the scene in season 1 where they save the bank from being robbed.

like everyone is using their powers in cool ways and they’re a team. it’s like they completely disregarded it later on. i know the family is supposed to be disfunctional but i wish they had more than like 4 scenes where they actually fought using their powers as a team, that’s their whole thing! it’s what the show is literally about!

plus they could do soooo much more with their powers. that’s what i like about marvel is that when a superhero gets a new development in their power they actually use it, but they do not do that in TUA and for what? are the writers just not good at superhero writing? i guess not because they could be doing so much more.

the thing that pisses me off exponentially that i’ve been wishing they would do every season but never did is utilize diego’s breath-holding powers. in the comics he can hold his breath for as long as he wants and they never used it.

and klaus too, he can conjure almost anybody??? and he just doesn’t??? like i know it’s traumatizing and stuff but still. i like that they did a lot with his power in the later seasons, but he can do so much more.

it goes for all of them too, they all have so much untapped potential, instead of wasting their time introducing more and more characters, why wouldn’t they just add more depth to what they’ve already done. i would much prefer that than what they did.

they could even have some really cool spin offs with the characters. like if there was a show about how they were raised, or their powers as a team like animated maybe just like the avengers or dc but edgier. or just their lives without powers, i’m sure lots of people would love that. this franchise has so much promise, i hate to see it being abandoned.

[snekdood]

ok so i watched the new avatar show (yes obviously thats what my post earlier was about, duh,i wanted to watch it before sharing my thoughts) and it was. iight.

[everysongineverykey]

ok alphys was a character ahead of her time and too good for this damn fandom honestly. she isn't some evil gaslighting lying cringey manipulator who only exists as comic relief for the love of god look at her with eyes less poisoned by cynicism and irony. she is a love letter to... well, a lot of things. a love letter to "cringey" people, to video game fans, to people who try to drown their sadness in fiction. she's so achingly relatable to so many of us that it really feels like toby knows his demographic like the back of his hand. we've all met someone like alphys. maybe we are that someone- awkward, nerdy, can't get over their past mistakes, terrible at phone calls, far more eloquent online than in person, only wants to make people like them to distract them from the fact that they don't like themself. normally, this character archetype is the butt of a great deal of jokes- just a gross nerd who needs to touch grass. but alphys is different. she is, as i said, a love letter. she is one of the best-developed and most complex characters in the game. her nerdiness isn't "fixed" or mocked, it's celebrated. her unabashed love for her interests and her 100% attitude is a big reason why undyne loves her. games, especially in 2015 and before, are not often so genuinely kind to characters like alphys! and in deltarune, too- alphys is still a nerd, despite not being nearly as traumatized as her undertale counterpart. her rambling about shows she loves is a constant across all universes, a fundamental and important and good part of who she is.

and i just think that's very kind, and very important.

[miraculouslbcnreactions]

Since you've mentioned Scarlet Lady in one of your posts, what's your opinion on it?

I've mentioned before that I'm a big Scarlet Lady fan, which is the only reason that I'm comfortable answering asks like this one. I don't publicly criticize the content of hobby creators. That's wildly inappropriate! Punch up, not down.

The linked post was a general discussion of the adaptation process and how @zoe-oneesama did a fantastic job, so for this one, I'm just going to do some general gushing because I do actually like praising and enjoying things!

Scarlet Lady's chosen format (comic) allows it to have this wonderful conversation with canon where it can rely on the framework of canon to tell it's own story while also using canon for jokes and meta commentary. This means that Scarlet Lady is about as close as fan content can get to a direct reboot because it's able to have moments like this one from the comic's first post:

[Image description: Adrien standing in his room after transforming into Chat Noir for the first time. He is beaming and his eyes are shining with excitement as he exclaims, "This is gonna be awesome!"]

A single picture that communicates everything we need to know about Adrien getting his miraculous. When I've done this same thing in fanfic, I had to write out the full scene because that's how novels work. You have to give the full picture. With a comic, you can just quickly acknowledge this thing that we all already know and then move on to the new stuff. A picture really is worth a thousand words! (Or, in my case, more like two thousand...)

This allows Zoe to keep the same akumas that we get in canon without her story feeling like a boring rehash because she can focus on what's different in her version. A novelization of the same content would have to show both the stuff that stays the same and the stuff that changes for it to be coherent. That's a lot less fun to read and write. It's why I basically never revisit canon akumas in my own stuff. It's just too derivative for the written word.

This is one of the big reasons that I loved Scarlet Lady. Because it was able to have that more directly conversation with canon, it was able to take canon and say, "hey, why don't we embrace the tone that you established in season one and retell the story with that vibe?" That's something that I desperately wanted to see, but that is totally unsuited to my chosen artistic form. It couldn't be a novel. It had to be a comic.

If you want to know what a true formula show version of Miraculous would look like, Scarlet Lady is it. It does everything that Miraculous should have done:

Sticks to a lighthearted tone where nothing is ever super serious

Keeps Gabriel entirely unsympathetic

Has slow character development and background hints at a bigger plot as the only serial elements, allowing the individual episodes to be their own story while never feeling incomplete or rushed

Allows characters other than Marinette to shine while keeping Marinette as the clear main character

Makes Adrien narratively important

MAKES THE LOVE SQUARE CUTE SO I CAN ACTUALLY SHIP IT

Understands that Lila and Chloe can't coexist as antagonists

Reverses the love square, which is the best way to tell their story. Yes, I will die on my "love diamond" hill. It's a good hill. Come join me. I'll bring cookies.

I could keep going, but you hopefully get my point. While Scarlet Lady is certainly not the only way to do a formula version of canon, it's proof that a formula version does work! You don't have to go the serious route for Miraculous to be successful.

I want to take some time to gush about the ending, but I don't want to spoil it, so I'll put that gushing under a "read more" in case anyone hasn't seen it. I'll finish out this less spoilerish section with this:

I feel like some people are surprised when they learn that I love Scarlet Lady because - as some of you have probably picked up - it is quite different from my ideal version of canon. I'm not sure why that would stop me from enjoying a thing, though. It's important to remember that our personal ideals are not the only way to tell a good story. There are lots of ways to take what canon gave us and make something wonderful! It's part of the reason that I enjoy being in a fandom.

If I only wanted to see my ideal take on canon, then I'd stick to writing/imagining my own stories. But I don't want that! I like seeing alternate takes, too. Scarlet Lady is one of my personal favorites. It's completely different from anything that I'd ever think to write and that's why I'm so glad that it exists! I like being entertained just as much as I like creating my own entertainment and I don't want to only read stories that look like something I'd write. That's boring!

Spoilers below:

I've mentioned before that there are many, many ways to properly handle Chloe's character and Zoe did such a good job with her take on that! Chloe isn't absolved of all the things she did wrong, but she's also treated as a young woman with the ability to change.

While the comic bares the name of Chloe's alter ego, she was the never the main character. She never went on a journey. The story kept her to her shallow season-one self: a petty brat who just wanted attention. It did this because that's who Chloe was in canon and who Chloe needed to be for the comic to work.

The first time we see any complexity from Chloe is in the comic's final few episodes, which was absolutely the right call for Zoe to make! In a recent post, I talked about how the end of a formula show is the only time when you can break the formula in catastrophic ways and that's what Zoe did. She kept Chloe static until it was time to end the story and that's when the formula breaks. That's when Chloe gets depth because, once she has depth, the formula doesn't work.

That depth is not used to redeem Chloe, but to show us that there's hope for Chloe. That this petty brat who we've been dealing with has some serious issues and needs help. Help that she's going to get far away from the people that she's hurt because her issues aren't an excuse for what she's done. They don't erase the harm that she caused. At the same time, understanding her issues makes us hope that she can be better now and Scarlet Lady took a moment to give us that hope. To show us the START of Chloe's true story.

That is the kind of ending that I have wanted to see in so many properties!!! It was so wonderful to finally get one that did this right. A story that understood that full redemption to the team and damnation to death/suffering are extremes on a scale of possibilities. You don't have to go to extremes! You can fall in the middle and the middle is a perfect, natural place for Chloe to land in this kind of story. Fully redeeming or even fully damning Chloe simply doesn't work in lighthearted formula content. It's too big a lift as canon has already demonstrated.

I also loved Zoe's take on Emilie. I've mentioned that I don't like evil Emilie in part because it makes her revival feel like the start of a new story. She's back and she'd bad, so we have to take her down now! But I don't want that. I want the story to end when Gabriel is stopped. Zoe does this by giving us an Emilie that is another perfect middle ground. She matches canon's uncomfortable implications without feeling like a true villain who is a threat to society.

[casscainmainly]

My Top 10 Batgirl (2000) Moments

This is my list of top 10 Batgirl (2000) moments!! There were so many to choose from, but these are my personal favs :)). Counting down from 10 to my absolute favourite.

10. Volving

An absolute classic. Perfectly encapsulates what Cass does throughout the entire run, and more writers should play with Cass' use of language like this!

9. Beat Up Every Mob In Gotham

Perfect encapsulation of the early Barbara-Cass dynamic, and one of the funniest moments in the series. Just love the expressions and the way this shows so much of Cass' character.

8. Choosing to Write

The entirety of issue #2 builds up to this heart-wrenching moment. After delivering a dead man's final message to his wife, Cass sees the wife's reaction to the written message and decides to learn to write. A foundational moment for her character, and a nice motherly Babs scene too.

7. Alpha Redemption

Capping off issues 35 + 36, Batgirl unmasks herself to convince Alpha (an amnesiac villain) that he doesn't have to be defined by his past. Brilliantly displays her core belief that people can change, and the fact that her belief pays off makes this moment extremely moving.

6. For God's Sake

Possibly a controversial pick, but I really like this moment because it underscores some of the fundamental conflict between Babs and Cass. They love each other, but they don't always understand each other, particularly in regards to each other's disabilities. A painful moment that should have been explored more.

5. Fight For Your Life

My favourite Stephanie and Cass moment in this run. You can feel Cass' grief throughout this hallucination, but there's also so much hope and love (for Stephanie and for herself). It's an amazing conclusion to Cass' initial suicidal tendencies: instead of desiring death, she now actively fights to live.

4. Darknight Detectives

This interaction sums up a lot of Bruce and Cass' best moments. Cass' unwavering moral beliefs, Bruce's pride, their instinctive understanding of each other; they just get each other in a way few others do. I picked this one instead of the 'instinct/good answer' moment because it also marks Cass' development in her detective ability. From Moment 8 above to here, the confidence in her mental capacities has grown so much. She really volved!

3. Perfect For A Year

I mean of course this had to be here. These lines literally take up 90% of my brain space, it's an incredibly tense moment that illustrates Cass' desire to be perfect, her need to be useful and good. This issue is also just awesome.

2. You're... Not

Another absolute classic. Illustrates Cass' compassion and her belief that people aren't defined by their lineage, which is particularly personal to her, given her own dad. This struggle between good/bad, parent/child defines many of Cass' best stories.

1. Who Do You Think You Are? + Father's Day

What else would number 1 be?? Issue 33 is my favourite in the entire run, and the entire thing is stacked with moments that could fill up this list. I just love 'who do you think you are' because it's all of Cass' rage spilling out, and yet she still loves David Cain in her own complicated way (and he reciprocates, too). Then we have the ending, which is the BEST Bruce and Cass moment ever. The sparse, meaningful dialogue, the expressions, the reveal of the TITLE: comic book writing at its finest.

Honorary mention to the Shiva/Cass fight, which just narrowly missed out.

[meo-eiru]

*cracks knuckles* here I am again. this time with Micah as my victim

so at first,

you definitely should add some more story to him. so far, if I'm being honest, he feels a bit too plain to me. but oh boy, what a potential I see here!

alright lets begin

omg look at him! such a hypocrite! how smart it is, to put all blame on MC while being just as (actually even more) sinful. and he sure hides well; it's your fault, isn't it? oh you and your sinful mind.

buut despite him not really being my cup of tea, I still do like a good old concept of ugly insides, hidden behind a beautiful shell (if that's the vibe you were going for).

Micah seems so pure, so holy, almost like an angel (you played smart by adding a lot of white in his design) – but behind that pristine facade? he's ugly. and that shell eventually starts to crack, because no matter how pure he may seem, Micah is just as human as we are, and definitely not a good one. and what are we, if not a bunch of cruel, egotistical animals? and deep inside he's exactly that, sickeningly human. with that in mind the very first comic you did abt him is actually pretty hilarious to me. your desires? what about his desires, which are strong enough to ruin your whole life?

I kinda feel like he's also a little pathetic in his own way; if he can't make you fall for him, he will break you. isn't it like a very cowardly move? he wants you badly enough to use whatever method it may require to have you, but will never admit it.

but let's talk about that strange desire to destroy MC's purity. why? to make you just as dirty as he is? cute, but doesn't seem like a full explanation to me. he's a priest, right? and even despite those dark insides of his, I feel like Micah still kept at least some of the priest mindset. I mean, they're raised and taught with a very strict discipline. so I feel like deep down, he feels bad (not ashamed, but in a "how dare they" way) for his attraction to you, and punishes you for that attraction. it's not your fault, of course, but who cares? you managed to destroy his perfect, clean facade, which he was methodically building for his whole life with simply your existence. isn't that unfair? so now you must fall into the depths of hell with him.

I like how we can't justify him. Micah is perfectly aware of what he is doing. and of twisted nature of his feelings too, I think, yet still chooses to indulge in his desires, even if it hurts you, the person he was supposed to love and cherish. he makes me feel an absolute, poetic rage, and I love a character I can hate. (don't get me wrong, it meant to be a praise)

and I absolutely adore his design. also if I was on point with the idea you meant for him, that is wonderful too. if a character makes me feel something, I like that character. but girl, you really should add more details about him. because everything I've written here is, basically, just my own brainstorming and bare theories. Micah needs to have more meat on him for a full character analysis >_>

but anyway, I actually have a question.

what if MC wasn't in any way pure? what if they're a complete opposite of that word? count it on my love for hunchback of notre dame

unlike the nun MC, I suggest a MC who fully embraces their sins. like an evil succubus, they enjoy the joys of being tainted. they know what influence they have on their dear Father Micah, and isn't ashamed of that. I feel like that would make a pretty interesting story

(cough cough draw him blushing and moaning and my life is yours darling)

Another absolutely incredible ask I'll have a field day answering.

I do agree with him being a bit under developed at the moment. Micah was a bit unfortunate as in he was never meant to be an actual character. He was just a momentary creation who existed for me to study color theory. A beautiful man of flowers who didn't have an identity.

Then he joined the cast when I was busy with working on commissions and the 5k celebration comic so I didn't have the time to draw his introduction comic with the things I had planned for him, though I've been trying my best to explore him a bit more thru asks like this one. The fact that I don't want to spoil the stuff I'll draw in his comic is also holding me back a little.

I think Micah is evil, but not completely bad. A man who was born twisted, who was raised into goodness, and even with all the love he received never truly got rid of his inner darkness, but just once, just for one moment, I think he had good in his heart. And that is when he first saw you.

With all his twistedness, all his evilness, all his darkness, I think that love he felt for you was truly pure. Because in his eyes you appeared truly beautiful, like a pure lily.

But Micah isn't a pure man, neither does he want to be. So he prefers to pull you down to his level, so that you two can be sinful together. A truly impure way of feeling that pure and innocent love.

I have gotten asks about him with a more rowdy darling, one who isn't a nun or one who is more sinful. I've been really brainstorming about it but I don't think it would work. Not because I personally can't force the story into being like that but because I think it was just not meant to be like that.

You see I do come up with the characters, but I don't control their actions. If the character is unwilling I can't shape the story to my will. Because that story is their life and they control it. The best I can do is to try to fill the gaps I can.

I might prefer submissive yanderes, I might want Micah to have a more sinful darling instead but it wouldn't be Micah's story anymore. That's one of the reasons why he's so different from the rest of the boys. I'm not super into very dominant guys, I could probably count the ones I have with one hand, it wasn't my intention for Micah to be the way he is, but I don't think he could've been any other way.

Micah was just meant to be manipulative, a gaslighter, a dirty man who'll pull anything to push you below him.

I guess me looking at my stories from an actual novel or manga perspective also contributes to this. Father Micah exists to shine with a darling who he can soil.

Now the darling can maybe go against him in the future, she might rebel or give in to his sinful ways, but that's a different story.

[danandfuckingjonlmao]

something that has bothered me about tua seasons 2-4 is the inconsistency of the relationships between the siblings.

starting with klaus, in season 1 ben and diego were his people. ben and klaus were always shown together in the flashbacks to them as kids and obviously every second of the show because klaus was the only one who could see him. but like… they were CLOSE. SO FUCKING CLOSE. they were the most SIBLINGS of all the siblings.

that continued into season 2. ben was randomly a bit colder towards klaus but they were still so fucking close.

and then ben left, and klaus for the first time was alone without his person. everyone else lost a brother when they were 17, except klaus. so he had to grieve ben for the first time. that didn’t happen, though. there were many nods to them being close, and then of course steve blackman pulled a steve blackman which means weird unnecessary incest implications, but it wasn’t clear just how close klaus and brellie ben were even though it had to be hard to be around someone who looked like ben and was kind of ben but also wasn’t ben.

and with diego, it also seemed like he and klaus were incredibly close. diego older-brothered klaus constantly s1 and they gave off the impression that they ran into each other a lot in the city during the years since leaving the academy.

then they completely disregarded it for the rest of the seasons. in s2 and s3 there a few interactions that could lend credence to this but for the most part it seemed like they threw it out the window.

allison and klaus had no clear relationship in season 1. they had some incredibly minor sibling interactions but nothing that indicated they were anywhere near as close as they imply in season 4. season 2 they were close and then season 3 not a lot of interaction. but s4 makes it seem like they have always been incredibly close which doesn’t make sense!!

five and viktor have a relatively consistent friendship, although s4 doesn’t really give viktor any relationship development with his siblings. same with five, if anything he just gets his relationships destroyed but that’s a different post!!

allison and viktor also are pretty consistently close. the implication is that they weren’t as kids but that they really try to be as adults, and i do like their relationship overall.

luther and allison nasty ew kill it with fire. like i thought we established in s2 that incest is weird actually and that we weren’t doing that and then season 3 came along and whatever whatever shut up.

diego and luther’s relationship is fun. they go from adversaries to himbo besties and it’s relatively consistent.

luther and viktor have similar growth. luther goes from piece of shit basically causing the apocalypse s1 because of how shitty he was to viktor towards really wanting to make things right and being the big brother he always should have been. they didn’t really have a relationship s4 but WHATEVER.

i feel like five and luther were together a lot the first two seasons and that very much changed. i’m not even that upset as i think five having character arcs with each sibling is good since he missed so many years with them (other than him and viktor they were always close and should have remained that way).

i think allison and diego and viktor and diego having relationship development would have been cool. in the comics viktor and diego have a band so we know they’re friends. and in the show allison and diego don’t have too many interactions but the ones they do have are SOOOO SIBLING and i adore that.

ben and viktor have some closeness s3-4 (and the end of s2) but it’s not really something we see, more so we’re just told. and then random flashback to them hanging out as kids before the mission which was confusing.

i think five and klaus were done the dirtiest with the relationship inconsistency. i understand wanting different characters to have arcs with different people, but when you sacrifice the established relationships and basically put your characters on shuffle then you also sacrifice character consistency, development, growth, etc.

i think a big problem is how many characters they brought on last season. there wasn’t time for consistent relationships among the brellies when they had to use a shit ton of time building new characters and relationships (and immediately killing them all off which was A Choice).

anyway just wanted to write out thoughts about this. would love to know other people’s thoughts (or headcanons about the siblings).

[seeminglyseph]

The whole point of Scott Pilgrim is that at the beginning of Scott Pilgrim vs The World he’s like a big freeloading manchild who strings along a teenage girl because he doesn’t have the emotional intelligence to have a real relationship or end one properly and ends up devastating her and causing her serious emotional harm because he’s a deeply selfish individual who takes advantage of his friends and anyone who will let him because he’s an avoidant and whiny loser who hasn’t grown up or learned to how to be decent person.

Throughout the comic series he faces various conflicts and challenges that force him to grow as a person and deal with the consequences of his actions and this makes him have to learn that he is technically a pretty shitty person who has done a lot of really shitty things to people, and as such it kinda makes him grow up and become a better person. He makes amends and is still not *great* but he like… has to get a job, has to realize his behaviour hurts people and has to take responsibility.

The new cartoon makes him face a version of that person who didn’t take those lessons as deeply to heart as he should have and just decided to blame everyone else and run away and lash out and it makes him realize what a deeply unpleasant and unlikeable person he is to be around hopefully helping him to grow too.

Scott is not supposed to be a good person at the beginning of his character arc. He’s pretty reprehensible. Honestly most of the characters in the series don’t like him save for the teenager who is too young to know better and the girl who has just met him and isn’t all that great herself. Because as the new series shows, Ramona has her own issues to work through. She treated her “league of evil exes” like trash and dumped them for some pretty shit reasons.

Part of the reason Ramona and Scott end up working out is that neither of them were particularly great people. She’s flaky and judgemental and hurts people, she’s bad at communication and she plays people against each other if it works out for her sometimes. She doesn’t like it when relationships get hard, and that’s how she can have 7 exes with such hard feelings they formed a league over it.

But judging people at the beginning of their character arc isn’t really fair because like. You don’t take your final exam on the first day of class. They do manage to learn and grow and get better at stuff. They make amends and learn and become better people over time. And that’s part of the human experience.

And that’s something I really like about the new anime because on top of everything all the characters get that chance, I love seeing the Evil Exes getting a chance to grow and get closure and development. Matthew Patel’s character development is maybe my favourite thing to watch. Look at him become a Beautiful Theatre Kid Butterfly. I love him.

[nymphbroadcast]

I had no idea how to go about this, but if it isn’t much to ask, could I request the Diasomnia boys with a Twilight Sparkle! Yuu/Reader headcanons. Romantic or platonic is completely up to you.

(P.S.A. Is it alright to put General Lilia instead of Present Lilia? I just really love Lilia in his General era, you don’t have to do this though.)

Diasomnia x MC! Like Twilight Sparkle

Sinopsis⊹ೃ🐉⋆ The Diasomnia boys with a MC! / Yuu Or S/O like Twilight Sparkle.

⊹Relationship⊹ೃ🐉⋆ Fall in love/ Free of interpretation.

⊹¡FEM! MC/Yuu/Lector ⊹ೃ 🐉

⋆⊹Clarifications: AAAAA I really loved this idea! Thank you anonymous for your request! Twilight is my favorite of the Mane Six and who I identify with sometimes, so I was really excited to imagine an MC! like Twilight with the Diasomnia boys, especially because of the plot that surrounds Twilight during the series, I kept many canon things about Twilight and Yuu from the game and the mangas, enjoy your request! PD: I'll also add Spike, because I love the older sister-little brother or mother-son relationship they both have ;)

⊹Twilight's Context⊹ೃ 🐉⋆

• Twilight is a character with great duality, she is very skilled in magic, she is intelligent and is always willing to acquire new knowledge, but that made her focus too much on just her studies and leave aside her social life, It is reiterated on several occasions that Twilight represents the Element of Magic and Dircord mentions that Twilight is the embodiment of magic, and in the comics Twilight's true magical ability is explored. On the other hand, more familiar, Twilight belongs to a family of high aristocracy, with her parents in noble positions and her brother as captain of the royal guard and she as the private student of Princess Celestia, who would later be her heir... At the beginning Twilight was apathetic to social events and even teamwork, which over time she began to fall aside and accept that friendship was not something like a distraction but rather an instrument to grow, both personally and intellectually. Twilight is a great leader, said on many occasions, she is able to recognize her mistakes and weaknesses, she also knows when to stop and does not put her pride before rationality for the common good, Although that does not mean that she does not have her negative sides, she can also worry too much and her tendency to worry about others often makes her fall into despair and paranoia, as well as when she is given a task of great responsibility and In her anxious process she begins to plan excessively and put all the responsibility on herself. Although as shown in the series, she always learns different lessons from her friends, who also help her constant personal improvement and as a future ruler.

Malleus Draconia

🐉 Oh someone catch this cute dragon boy because he's falling in love!

🐉 You are like a gift that his own magic has brought to him, you are so similar to him but so different from him too...

🐉 Something to sayis that you both are solitary (at least at the beginning) although you did it of your own free will and because of your desire to study, unlike him... Although that no longer matters, now you are his friend! and maybe... something else ;)... Something else that you both also share is your prodigiousness with magic, although since you were little you have the desire to learn more and you are talented and skilled through your own efforts and not just because you were born special.

🐉 Technically you come from a very high society, since being a star student of a famous princess **insert ur fav disney princess** surprises Malleus with your incredible social and magical position.

🐉 As your relationship progresses you introduce him to your little dragon companion, Malleus goes blank when he sees the young dragon even without his wings fully developed (don't even think about introducing him to Lilia, because Malleus's adoptive father will release the baby album Malleus) However, due to your friend's young age, Malleus does not see him as competition or in a jealous way. Over time, he may even come to see him as a son, believe me, he will become fond of him when he sees him being so close to you. and seeing you as a mother or older sister will soften Malleus' heart... Although, when you tell him that technically the little dragon is your son since as proof of the talent of your magic Malleus does not know what to say, since he has not even done something like effecting the birth of a being, he begins to respect you when he sees the magnitude of your knowledge and magic.

🐉 Although, returning to your flaws... Malleus doesn't know exactly what to do when he sees you enter a nervous and almost psychotic state when something happens that upsets you, he has never had to calm someone down before and the fact that that someone is you... Malleus decides to follow his instincts and Lilia's advice, words of comfort and physical touch, he hopes that that and his presence will calm your turbulent mind and to no one's surprise, it works.

🐉 As both have great magical potential, it would be necessary to see who has more knowledge, since Malleus has had some of the best magicians as teachers, but you have a Princess as a teacher and you have mastered countless spells with little effort, even mastering the light and dark magic (The return of the Crystal Empire, Twilight replicates Celestia's spell to open the door, in fact it is King Sombra's magic) and you handle different situations very well, which not only depend on your magic... Although anyway, you and Malleus meet to read and practice magic especially, since the magic that the Draconia possess makes you very curious and Malleus actually loves that instead of fearing his magic, it makes you very thirsty of knowledge.

🐉 Malleus is surprised how in a short time you have managed to learn the history of Twisted Wonderland and many of its nations, in fact you may be one of the few who really don't get bored in Professor Trein's classes, which is already an achievement, but see that you are seriously capable of storing all that data in your memory really amazes Malleus.

🐉 (Only a variant of the 'Cutie Mark' and a small suggestive hint are described here) Due to the type of NRC uniform your body is not exposed enough, but if you both reached 'that' moment, Malleus would quickly notice a cutie mark. a star and others around it on your hip, although he does not ask you directly, he investigates about this brand and discovers that in Twisted Wonderland this brand has been used multiple times to represent absolute magic, which leaves Malleus speechless and with heart pounding... Seeing that you are practically the incarnation of magic, he feels luckier that you are his and promises to take care of you and love you forever.

🐉 You are definitely someone very interesting in their eyes, in fact too much, you are always thirsty for knowledge and surrounded by books of all kinds, however from your side more people can see that you are a born Leader, loving and empathetic but firm and strict in the Maybe, for some reason, he feels that destiny has prepared a future for you as Ruler and he deeply hopes that it will be by his side.

🐉 Assuming that your promotion to princess would be soon, as well as Twilight's, you will have the big dragon boy attached to you for good and shouting to everyone in Twisted Wonderland that you will be his wife, he hugs you and coos at you whispering compliments and loving words of congratulations on your new status: "I always knew you would make it", "You look so beautiful even before you were an official princess" and "Now there is no excuse to hide that I love you, that we love each other, my dear~"

Lilia Vanrouge

(Present and General Lilia!)

🩸 The current Lilia would be fascinated in a good way by you, in his eyes he can really distinguish the pure magic that makes up your being and it amuses him to see how others seem to ignore it, even knowing that although you do not "belong" to Twisted Wonderland you are perfectly capable of using spells the size of Malleus himself.

🩸 While General Lilia would be intimidated and defensive, he is also able to sense your magic due to his proximity to Maleanor, but not knowing you or your intentions, it is normal for him to believe that you want to attack them, since that happens in wars and even more so. in one like that.

🩸 The present Lilia would have a lot of fun watching you deal with the Overblots and challenges that exist in the NRC, especially when you don't know the things like traditions and customs of Twisted Wonderland.

🩸 We already saw how shameless and to some extent cruel General Lilia can be, so don't be surprised when he doesn't believe that you are the student of a powerful princess or that you are equal or superior even in terms of magic to the Draconia.

🩸 The present Lilia would be absolutely delighted when she meets your baby dragon and memories of baby Malleus come like a waterfall, he does not stop fawning over the dragon and telling you anecdotes about when Malleus was a small lizard that barely existed (because don't tell me he didn't , there was nothing in that Malleus baby head) and also praise you because unlike the one who took 200 years to make Malleus born by giving him his own magic, you did it in an instant and without sacrificing your magic.

BABY MALLEUS SREAMER!!!

🩸 Unlike General Lilia, he doesn't know what to say about your little dragon companion, he's obviously not a draconian and although there are other dragons in Twisted Wonderland it's hard for him to associate them with the little one and he's even more stunned when he hears that your own Magic was what caused the birth of the dragon.

🩸 Lilia can see your strengths and vulnerabilities, he sees your constant anxiety and can't help but come to calm you down with words of support and, if necessary, knock you out so that your mind can rest, even for a minute. (In the case of General Lilia, he only use the last option.)

🩸 Although in the end, he ends up liking you for your duality in any way, he feels that somehow you will be someone great in the future and he hopes to be able to see you when that time comes.

🩸 In case you go out with one of his three sponsored children, Lilia would feel proud to see how you are a balance between 'humanity' and 'magic' and how honest you are in your affection towards the boy, and it has just been proclaimed adoptive grandfather of your little dragon.

🩸 On the other hand, if you are his partner, he will promise to take care of you and pamper you, make you feel at home with him and be a good father to your little dragon.

Silver

⚔ For Silver, you're so... Strange... In a good way, we all know he's not very social, so I don't think he's ever met anyone with as much thirst for knowledge as you.

⚔ However, if there is something he admires about you, it is your great capacity for leadership and self-sacrifice. Silver fully trusts you to wake him up if he falls asleep... Eventually.

⚔ In his free time, Silver likes for you to read a book aloud, it helps him relax and sleep better, regardless of the topic, Silver loves to listen to your calm and at the same time very interested voice in the topic of the book. +Bonus points if you let him put his head on your lap!

⚔ At the same time, you are incredible in magic and unlike General Lilia and Sebek, Silver has no problem comparing your magical potential with that of Malleus, for him you are actually admirable, given that you must not be more than 100 years old unlike Malleus. and yet you can cast spells of his Young Lord's level effortlessly.

⚔ Although more than your magical talent or the magic that emanates from you, what attracts Silver to you is how capable you are of facing situations that you possibly never thought you would experience.

⚔ It's not hard for him to believe that you're a student of a famous princess, considering he's seen you deal with Overblots and Dire Crowley's irresponsibility with ease.

⚔ Although it takes a while, he eventually becomes convinced of your magical power when he meets your little dragon companion and learns that you caused his birth and is practically like your son/little brother, Silver loves animals of all kinds as can be seen when he they surround him while he sleeps, so he will eventually become attached to the little dragon.

⚔ Although he won't believe you when you tell him that you used to be extremely asocial before coming to Twisted Wonderland, since he has always seen you accompanied by another first-year student and one of your two (Grimm and Spike) creature companions.

⚔ Although like Lilia and Malleus, Silver also notices the negative side of your personality, you are extremely anxious and prone to panic, not to mention when Crowley puts something important on you because he doesn't want to, although Silver wants to be careful and gentle when dealing with you to calm down, thanks to being educated and raised by Lilia, he ends up being a little... Brusque... With his words, although it surprisingly works. (Imagine Applejack kind of scolding Twilight, more or less)

⚔ Silver may be a lost prince and possess great magic from his dynasty, but even in his 'ignorance' he manages to identify your brand as the representation of the concept of magic itself and that makes him feel luckier to be with you.

⚔ Silver recognizes you as a great Leader, full of unknown potential and an attractive personality, even with flaws, Silver continues to see you as a beautiful balance between Magic and Humanity, something that attracts him more deeply to you, He promise to be the Knight to your future as a Princess, from now on. (And Malleus, of course)

Sebek Zigvolt

🐊 Sebek... Sebek... This is a complicated boy, at first he doesn't see you as anything more than a curious human with inferior, otherworldly magic.

🐊 And I'm sorry to tell you that this would be like this for a long time, until I can see more of your true identity and your magical power and as a person.

🐊 Rather, in Chapter 7, when he sees you fighting with your magic and comforting and helping Silver and Lilia.

🐊 Seeing you like this will make him remember your attitudes and why he suddenly changes his mind about you.

🐊 He understands your almost endless thirst for knowledge, he has seen you a couple of times in classes and admires that about you, no matter the subject you are always attentive, even with your energic friends on top.

🐊 Also remember your anxious side due to your worries and take note to help you (in your own way) with your anxiety attacks when you witness them, trust him, he is skilled with comfort even if it doesn't seem like it.

🐊 He obviously knows your little dragon and to be honest... He likes him much more than Grimm... He, incredibly idolizing Malleus and the Draconias themselves, will be incredibly delighted with your little friend, praising him for his helpfulness to you and his 'worthy' nature... Although he stiffens when you tell him how he was born, he slowly accepts that maybe... Just maybe... You could be much more skilled with your magic than he thought... Even almost like his Young Master.

🐊 Although yes, he is a little suspicious when he sees the symbol that you usually wear, he quickly recognizes it as the representation of magic itself and in reality, Sebek doesn't know what to think so he is patient.

🐊 Don't worry because this guy is slowly maturing and will eventually find you worthy of admiration and affection, without or with magic.

Nymph's Note:

I still don't know how to write to a romantic or loving Sebek, sorry T-T and sorry for take me too long, but I'm back again ♡

I hope you enjoyed!

Remeber to tune in, end of this broadcast!

Diasomnia Dorm x MC! Like Twilight Sparkle Done!

[habken]

Izuku and Katsuki Hospital Comic - Thoughts and Process

I wanted to talk about the process and my thoughts while making this comic! Cause it was A Lot of planning and I feel like talking about how I went about it could maybe be helpful for other people who wanna make comics too ?

Also I just like talking and I've had So Many thoughts about it over the last few months, I just need to get them all out lol

everything is under the cut (it's Very Long) ↓↓↓

Initial Thoughts

I started planning the comic in January, around the time the chapter with the second user's plan to transfer ofa to shigaraki came out. I remember feeling so anxious and sad seeing how devastated Deku was to lose the 'gift' that All Might had passed to him :'((

It made me start thinking about what it would be like to not only go from having all this insane power at your fingertips back to nothing, but also how it would feel to lose the vestiges, which had been his advisers, yapping in his ear and keeping him company for months. How it would feel to go from constantly having people looking over your shoulder back to silence.

Then I thought about what that would mean for his and Bakugou's relationship, which has developed so much over the series. How Bakugou would feel about Deku no longer having ofa, how the two of them would wrestle with old feelings now that Deku would be quirkless again. Bakugou having to face the kid he bullied and Deku going back to a state where the world saw him as "useless" with dreams too big for somebody without a quirk.

I feel like sometimes it's not really taken into account how Deku's past affects him in the present, and that goes for in the actual series as well. Considering he's the main character, it's funny that we never really get too much of a peak inside his mind lol, especially not recently, which is most likely intentional, but I digress.

What I really wanted to do for this comic was circle back to Deku's question to All Might at the start of the series, "can I become a hero without a quirk" because while yes, deku can be a hero, he had to get a quirk to do so. So what happens now that he no longer has it? After all of Bakugou and Deku's development, would Bakugou's opinion on deku pursuing his dreams while quirkless change?

I really didn't want that answer to be no. I didn't want to believe that Deku would have to give up and "be realistic" again, it just didn't feel right for that to be the answer after 400 chapters.

So I wanted to make something that would encapsulate those thoughts! And I felt like the best way to fully get that out was through a scene in the aftermath of the battle, the two of them in the hospital with nothing to do but talk about their feelings.

It was important to me that the doubts they both felt about the future were stomped out, and for there to be reassurance that things between them wouldn't snap back to how it was before UA. That Deku could still reach his dreams even if they did become harder to obtain.

I also felt like narratively it would be a good parallel if Bakugou were to lose something tied to his power too, and with his arm being so bad off in canon, I thought it made sense that there was a chance he could lose it forever.

So it's like they're both coming out of the final battle worse off with huge losses, but no matter what, they're going to fight to achieve their dreams, and they're going to do it side by side :')

At its core, it’s very self indulgent lmao, I didn’t think that we’d get something that sappy and gross in canon (😳) so I wanted to make something for myself :')

Planning

So then I made a first draft!

When I’m making bigger comics, thumbnails are super helpful! They help me see the full picture of what it could look like, and let me change things without putting in too much commitment. So most of the drawings are loose, but occasionally I’ll put in a little extra detail into things that I want to make sure are included in the final work.

There’s three main things I consider when thumbnailing for comics; expression, composition, and dialogue. Each of these things have a huge influence on each other, so keeping them all in mind when roughing out your drawings is important!

How it usually works is I play out the scene in my head like a movie and roughly come up with dialogue, then I draw characters and expressions based on that dialogue and the visions I had. Simultaneously I plan out approximately where those drawings will go/how much space they'll take up and finally, I add in the dialogue and move things around as needed so everything fits nice together.

Having the dialogue there in the draft lets me know around how big the speech bubbles are gonna be which is a massive help when figuring out paneling. It lets me plan around the bubbles and make sure nothing is too squished!

General tips:

Something I learnt from storyboarding is that establishing a setting for your scene at the start is really important! Most of my comics will start with a long shot or include one early on for this reason. It’s good for making sure readers aren’t confused on where everything is taking place!

Having a variety of shots is good for keeping your story engaging! This comic has a lot of closeups, but I tried to add variety where I could and used a lot of different angles to keep things entertaining even if there isn't that much going on

Final thoughts on this draft:

At this stage, the ending was really different from the final version I ended up with. It was a lot more focused on Bakugou's losses too and the vibe was kinda "well we're both nerfed now but that's chill we can still be heroes." I axed most of that cause I thought it was dumb and wasn’t really the conclusion I wanted lol

After the rough draft, I started sketching everything out and adding in panels based on the composition from the og thumbnails. I also changed the dialogue as I went, focusing on making it sound more natural and easy to read.

This is where the nuances in movement and expression became a bit more refined and speech bubbles where better planned out.

At this stage, establishing clarity and imagining how readers are going to move their eye along the page is really important. Comics are generally read left to right, but you can’t just assume people are going to automatically read it in the order you want, which is why panels and speech bubble locations are so important.

Tips:

A general rule is that along with going from left to right, speech bubbles should be in descending order. This can be broken a bit, but it’s important to remember that the rule is there in the first place for clarity's sake. So if you do plan on breaking it, make sure it's not at the sacrifice of legibility. The human eye is lazy and will jump to whatever seems most logical, so planning things out in a confusing manner is going to make your comic hard to read!

This is another thing I picked up from storyboarding, but keeping in mind the 180° rule is good for clarity as well! In the simplest of terms, if you have two characters in a scene, it’s good to keep character A on one side and character B on the other, and not switch those sides willy-nilly, otherwise it can get confusing. This isn't as important in comics as it is in film/television, but I still like keeping it in mind.

Final thoughts:

I hated the original ending but I couldn't exactly figure out how I wanted it to go, and I was too busy at that point to dedicate the time I needed towards it, so it stayed as these four panels for while :’)

During the period I stopped working on it, Deku lost his arms which had me panicking lmao, so much of the comic was devoted to his emotions and body language, specifically in his hands. I just went "am I gonna have to redo everything? Do I give him prosthetics?" and I was fully ready to rework the entire thing but Eri came in clutch for Deku (and me) <3

After Deku started getting hurt, I didn't really like the idea of him being discharged and sitting with a still injured Katsuki, and wanted it to be clear that they were both still in the hospital, so I had to axe poor Deku's "hospital gown" shirt for actual hospital garb </3

At some point during april-ish, I finally added in a new beginning and end, which took the comic from four pages to seven. I felt like the new parts added a lot more levity and humour which were needed, and I think it helped make Izuku and Katsuki feel closer than before.

For these pages, I skipped the thumbnail stage and jumped straight into full page stuff, which felt easier because they were kind of just add-ons.

Something I specifically liked were the first two panels in the last page. Fun fact, but a few days after I sketched those out, horikoshi released that art of to two of them smiling together and I went !! That's the vibe I wanted !! Me and Horikoshi are on the same wavelength! That was a good day lmao.

At this point, though, while new parts added a lot more to the story and brought it closer to the vibe I wanted, they also messed with the tone and overall pacing and it ended up feeling really off. Deku was now doing this weird 180 from being super sad and upset to then immediately joking around and goofing off with no acknowledgement of anything Katsuki was saying, which had been fine enough when it was just 4 panels, but very off-putting once I made the comic longer

...So I decided to add even more panels :')

I went back to my original ideas, and part of what I wanted to get across originally was the doubts about Izuku's future from here on out, and the worry that things would go back to how they were before he got ofa. I realized those initial things which had fueled the comic were no longer really part of it, and I wanted to change that.

When I thought up the idea of visuals surrounding their middle school selves, I felt so smart LMAO. I think it ended up being the thing that brought the entire comic together.

Izuku reverting back to that anxious, unconfident state, spiralling into himself, and mumbling out all his insecurities, including his fears about losing Katsuki's friendship (and yet still somehow more worried about Katsuki's feelings than his own). And in turn, Katsuki remembering and seeing Izuku as that kid again, and his own fears of becoming a bully once more.

It better explored what I wanted to originally get across and delved more into their feelings, so that the jokes and levity at the end felt like they were earned, rather than being a rapid shift in tone.

(The only other thing that changed was the some of the panels in the first page. I changed up the speech bubbles and got rid of a panel so it would be less cramped and easier to read.)

At this point, I was still having trouble figuring out how to tie everything in and segway pages 6-7 into the ending organically, so it sat like this for around a month.

Then chapter 423 released and the battle was over and I realized how little time I actually had to get the comic out. I knew that the next chapter could possibly make my entire comic obsolete, so I hauled ass :D

These were the final plans before I cleaned everything up! I changed around some of the panels to make the story flow better, I figured out how to tie everything in, and I finalized the dialogue!

At this point all the panelling was redone because I wanted more space in between them. Before, it felt really cramped and I think adding in more breathing room made it feel slightly less overwhelming for readers.

The biggest changes from the previous draft:

First, obviously, I finished the middle school stuff and figured out how to get from one part to the next. This was the hardest part of the planning, but I ended up deciding that Deku would spiral, Bakugou would kind of bring him out of that, they'd hug and then Bakugou would reassure him. I also included motifs relating to their childhood to be reminiscent of The Apology, and Katsuki's thoughts going back to them sharing the special All Might cards, them at the lake, etc. As if this was another healing moment for each part of them; their current selves, their MS selves, and their childhood selves too

I then changed some of the panels in the first page. I switched the direction of the diagonal line in the first few panels because I thought it made it more clear which way to start reading and made the comic flow better.

In the fourth page, I added a panel after Deku starts crying, because I felt like it worked better with the dialogue, and brought in more of Katsuki's POV into the story

The sixth page doesn't really look different, but there was a lot of resizing going on panel-wise. The bottom panel doesn't take up as much space and the panels up top are a little bigger

The final big change was the eighth page. I added in an extra panel and changed up a lot of expressions/dialogue so there was more of a natural transition between the heartfelt moments and the two goofing off

I then made some final changes and drawover notes before I started a week of cleanup and colouring!

Cleanup/Colouring Stage

Cleaning up my sketches usually just means duplicating the layer, putting the original layer at 5% opacity and.. cleaning it until it looks nice lol. It's the easiest way for me to work because I hate doing lineart.

This is what my sketch vs final usually looks like. The biggest change was adding in bandages into all the drawings lol.

For speech bubbles, I drew them all by hand, created a flat colour layer underneath in white, duplicated that and filled it in with black and shifted it with the transformation tool to make a drop shadow effect.

It took me two days to colour the whole thing :')

Usually when I colour, I work in a pretty painterly way, but I thought flats/cell shading would be a lot faster for this. I was right but it still took Very Long.

The smartest thing I did was put colour swatches of each colour I was using on a separate layer above everything else so I could easily use the eyedropper and get the right colour without having to reference them from another page. It was a big time saver!

I colour all on a single layer so I don't have progress photos to show, but for each drawing, I roughly added in all the colours in the approximate locations they'd be, and once I did that for every single panel, I went back and cleaned them up one by one.

And that's that! After colouring was done, I added my signature, posted it, and took the nap of the century.

Final, Final Thoughts

I worked... Very Hard to get the comic out before leaks night and even if it was just a few hours, I'm so glad I was able to do it cause when I saw the actual chapter I lost my mindddd

I feel like as the comic progressed, Katsuki's feelings took a backseat and if I was to redo it, I'd probably put a bit more emphasis on that than I did in the final version. I feel like his ~inner turmoil~ didn't fully come through the way I wanted it to. I didn't want it to be an immediate acceptance — I wanted the fact that he was struggling with his past to be evident too — but with the focus being so heavily on Izuku, Katsuki's inner thoughts get a bit lost which is too bad </3 Good thing is Horikoshi had the exact opposite idea as me, so it all worked out :D

I'm really proud of how the comic turned out, and I'm so happy to have gotten such a positive response to it! Thank you for reading if you got this far and thank you for reading my silly self-indulgent hospital comic :)

[grace-williams-xo]

RAMBLING THOUGHTS AFTER FINISHING PART TWO. GONNA ADDRESS MY P1 THOUGHTS FIRST. SPOILER WARNING.

1 & 2: I think Debling could’ve worked in the second half, and I’m kinda sad Cressida didn’t get a happy ending. The Creloise fell of a CLIFF after ep 5 but I think it could still be saved

5: no cishet man has ever loved his wife more than Anthony Bridgerton I’m gonna be ill

6 & 12: kanthony’s absence was felt BAD in the finale, I think their reactions to LW were sorely needed. Also Jonny and Simone have both said they’ll be at every sibling’s wedding and stick around for years but they missed Francesca’s??? Also felt their absence too much then. They’re both booked and busy I think we’ll continue to only get a couple episodes a season from them

8: Francesca did get to thrive happy in pt 2 my baby I love her

9: I think they managed to disconnect the mondrich plot even further like 😭 once again, I don’t mind them their plot just feels very empty

10: Pen and Delacroix CONTINUE to be my fave duo I love them so freaking much and they can never get rid of it

13: Portia’s growth this season continued to be 10/10 I loved her and Penelope’s relationship it really showed what it’s like to be closely related to people you oppose and the process of needing to forgive and understand them for your own peace of mind

14: that was not how I was expecting Colin to find out about Whistledown

15: Marcus felt a little rushed in part two but I think I need to watch the whole season together to fully decide

17: this was indeed the longest 27 days of my life I got Covid day after it dropped lmfao

MY ~NEW~ THOUGHTS:

We finally got character development from Cressida and if they write her out I’ll be inconsolable (as will Jessica Madsen)

I hope they paid Golda Rosheuvel good for her feet exposure. Worth more than titties in this economy

I feel the need to tell everyone that £5000 in 1815 is in the realm of £500,000 today and we cannot brush over the fact Penelope has made herself the equivalent of a literal millionaire

Anthony has two moods ‘I’m obsessed with my wife’ ‘I want to win this game’ like it is comical how drastically different his facial expression is in the game of charades compared to pretty much every other scene

Anthony saying the marriage is perfect and not hard work and Kate being like BOY I will humble you,,,, doing the lord’s work I love her so much

At some points I felt like Francesca was fighting Anthony for ‘Violet’s least favourite child’ award lmao

John saying he’s off to look at the wainscotting was unfairly funny

Cressida in the red dress is even better than I imagined fuck even if she’s not gay then I am

Peneloise back together the universe is healing I love my babies all we need now is creloise lovers and peneloise friendship simultaneously I don’t like it being one or the other sue me

However much Brimsley is getting paid isn’t enough,,,, Hugh Sachs the man that you are

I adored Penelope’s wedding dress so much and as bitter as I am still about no kanthony wedding in s2, it felt kind of right somehow for Polin to be the first wedding we properly see in this show

Most of the costumes and makeup feel like they got worse,,,,, big ‘I hired a 14 year old’ energy. I don’t need historical accuracy but I would like a modicum of care and the costume/hair/makeup dept looking at a single historical reference from before 1850,,,, please

We all got the bi Benedict we’ve been asking for and I appreciate it, and recognise that he needed Tilley to explore that, but I still would’ve preferred if they first main queer experience was not a threesome

If they go straight into benophie in s4 (which idk, I’m so torn bc I feel like F, E and B all could work well next season) then I also feel like bi Benedict was just them throwing a bone for 5 mins but meant nothing

The CONTENTIOUS Michaela Stirling,,,,, I was undecided until I saw it but that was the definition of gay panic from Francesca and it worked so well I am so excited.

As your resident peerage expert, it is much easier for women to inherit titles in Scotland than England so I wonder (not that anyone on this show knows anything) if that was a reason they chose Francesca to be sapphic [general peerage info and female inheritance info if you care]

On the above, if they can canonically end racism with one marriage then they can end homophobia with one marriage as well

We all know Eloise was the easy and obvious choice to be the queer love story but part of me does kind of like them not taking the easy route, and them going something more unexpected, but that doesn’t mean I don’t want Creloise/Sapphic El like they had eight children let’s be honest

Finch’s sneeze and Phillips’s “now Varely! The bugs!” were unfairly funny

Everything Lady Danbury said to Penelope about suspecting her and what not felt very in character and you can fight with the wall idc

Did they tell us the name of Polin’s baby boy???

Hyacinth saying she thinks of Gregory as the family pet,,,,, girl you an icon walking amongst mere mortals

Predictions I got right:

Anthony didn’t kill Colin, but “are you gonna duel your own brother” lmao I was on the right track

I knew Polin would win the Featherington baby race and I love that for them (but why were Prudence and Phillipa pregnant most of the season, barely showing, Kate was showing almost immediately, and then in the epilogue the sisters all had baby’s similar-ish ages???? Give the writers room a calendar please)

I SAID FROM DAY DOT THAT THE FURNITURE THEY BROKE FROM SEX WAS A CHAISE I CANT FIND THE POST BUT I KNEW IT I FUCKING KNEW IT WHERE DO I COLLECT MY PRIZE SOME OF YOUR GUESSES WERE TRULY FUCKING COOKED

Okay that was too long if you made it this far I’ll make you cookie ily

[meemoop]

hi...

i have been loving every single of your comics and i am just enthralled by the way your characters are represented. I have applied for my institute's newsletter as a caricaturist. I have to submit comics depicting my life story for the application. I wanted some tips on how to design characters and make a compelling story. I know how to draw on paper but digital art remains a mystery . I don't have much experience drawing comics either. would love if you have some tips and thoughts .

hope you have a good day !!!

The best of luck to you! I really hope you make it! I am very flattered to get asks and DMs like this—people wondering how it is that I’ve come up with my designs. I get a lot so I think I’ll make an entire post about why I’ve given certain features and so on. The most important thing, I think, is to draw as much as you can. A style develops over time and skill does too: LOOK AT THE WAY I USED TO DRAW and it hasn’t even been a year yet 😭😭 I was also sort of new to digital drawing! Just practice, practice, practice. Watch videos and tutorials!!!!

As for comics, personally, I write them like a script first, and as I’m drawing, it changes along the way. Watching sit-coms and reading books are a good way to get inspiration while also learning how to convey a scene without description. Just art and dialogue. Facial expressions too! In comics, sometimes, dialogue isn’t enough so you have to exaggerate the face to exaggerate the dialogue.

Exaggerate after you get the base features down so they don’t change into an entirely different person. The good thing about digital art is that you can take a face, reduce the opacity, retrace it with a different expression using your original drawing as a reference. It’s soooo helpful!! I’m by no means a pro, but we can learn together! I’m just sharing what I’ve learned as a beginner too 💗💗💗 much love!

[bestanimatedmovie]

Choose your favorite!

Vote in the other polls!

What fans say:

The Lorax:

Spider-Man: Into the Spider-Verse:

It had a very big impact on meme culture. And a really catchy soundtrack. Plus it has the silly sexy green man. What more could you want from a film.*

The Once-ler and the let it die song. This movie is glorious.

It is legit the mother of all great animated movies nowadays. From Mitchells vs the machines to the new mutant mayhem movie! The plot is so good and you can really see character development from almost all of the characters, plus the designs are BANGER.

THE MUSIC?? TOP FUCKING TIER. THE CASUAL DIVERSITY? IT ALSO HAS LITERALLY THE BEST SHOT IN CINEMATIC HISTORY (Miles rising after taking his leap of faith)

BRO THE ANIMATION IS SO SICK. The amount of sheer effort put into this movie is insane. The character growth was so amazing to watch and such a great movie to analyze. Best scenes are obviously the leap of faith. Actually gorgeous. And also the scene where aunt May sees Peter b after her Peter died. Her “you look tired, Peter” is just so heartfelt

Where the hell do I even start. The visuals are incredible and the plot is engaging. Every scene is perfect.

This film has EVERYTHING. Humor, action, inspirational scenes, kickass music, absolutely killer animation, an art style that is an homage to comic books, loveable characters, a talking pig, DR OLIVIA OCTAVIUS, I could go on

This is the best superhero movie ever made, the leap of faith is one of the best movie scenes of ever

The animation style is better than all the others, and makes the movie funnier too! The representation is also good, and the romantic storyline isn't too prevalent in the movie. Probably the best animation Marvel has made. My favorite scene is when the villains show up to Aunt May's house -- its my favorite fight scene!

I’m sure this movie’s been submitted already because it’s arguably the greatest animated film of all time. I have a personal connection to it because I saw it in theaters on opening night with my late father, and we both loved it and I still do. The animation is revolutionary and it’s one of the only 3 movies that make me cry.

gsksvbsvsbsvs I love everything about it, I love the animations, the story, the soundtrack also the style of animation AAAAAA its so beautiful its art it belongs in a museum i get goosebumps everytime I rewatch it

It’s just so good. All the characters are amazing and I love Miles dad. It’s hilarious and sparked my love for spider-man. It’s such a sweet movie about finding yourslef and has such a powerful message. I totally recommend it so I’m not adding spoilers, but like. Ohhhh, it’s so good.

Interesting villains, well-developed character arcs, a fresh take on Spider-Man, unique use of animation, funny, good use of multiverse that adds to the nature of the story being told, complicated character dynamics

It's the best animated movie because A: it takes one of the most well known comic characters of all time, kills him off in the first few minutes, and then shows you every cooler version of him. B: Has a large amount of representation in its main cast, considering that they're all versions of Spiderman, and that requires a white guy by default. C: everything in it is so well done I can't pick a favorite scene, but the most iconic is the jump off the skyscraper window.

The animation is incredible, the movie has so much story and heart, and there’s a perfect balance between humor and seriousness. And the soundtrack slaps

This is probably the best animated film I've ever seen. The animation is definitely the highlight, the way they blend comic book art styles and 3D animation is an absolute joy to look at and is so overwhelmingly creative, every frame of this movie is gorgeous. The impact this had on the industry is undeniable, as we start to see more and more movies getting more creative with their animation styles. It's not just the animation though. All of the characters are entertaining, all of the jokes land and the story is really well done. It leaves me blown away every time I watch it.

This movie kind of changed the western animation industry from the ground up. Apart from being expertly written, funny, and heartfelt, it is also stellarly animated, with a unique visual style that takes direct inspiration from the comic books it adapts and mixes 2d- and 3d-animation in a way and to a degree that hadn't really been seen before in western mainstream. Its critical and monetary success paved the way for mainstream 3d animation to open up to new and excitingly stylised movies that were like a breath of fresh air between the generic Pixar-style animation that had been the largely unchanged norm in the industry since Toy Story circa twenty years earlier**. ITSV divides the screen like panels on a comic page, it uses dots and lines for shading and gradients, doesn't shy away from lowering framerates for stylisation, and makes liberal use of onomatopoeia, both to comedic and dramatic impact. Impact frames and SFX are often hand-drawn and stunningly colourful, and even the simple dialogue scenes astonish with an expressiveness and realism in their depiction of emotions that makes me rewatch a two-second scene of Miles laughing fifteen times in a row. My favourite scene has to be the What's Up Danger scene, the emotional climax of the movie. Set to an absolute banger of a song, it is the moment the entire film has been building up to. I won't spoil anything plot-wise in case you somehow haven't seen this movie, but both from an emotional and a visual standpoint it is Fucking Dope. Conclusion: Spider-Man: Into the Spiderverse is my favourite movie of all time and I could talk about it for hours. If you haven't seen it, go watch it. Thank you.

Have you SEEN the Whats Up Danger/rising and falling scene? it's a work of art that makes me fall in love with storytelling all over again whenever I see it. Also the impact that it's had on animated film is absolutely being felt at current, if incrementally. Incredible film.

It has an amazing art style based on comics and mixed up due to genre differences. It's really fun and the characters are great, even the side ones. The story line is great and I love Miles and his family.

*Mod note: errr, quite a lot more than memes and music actually

**Mod note: amen

[yakichoufd]

AWWWW, the way you draw Evolution Scott is so cute!! I recently watched Evolution and really enjoyed it!! I’m so glad there’s at least one adaptation of Scott that isn’t constantly suffering. He deserves at least some sort of happiness in his life. :,)

What’s your opinion of Evolution? I think you have good takes on anything Scott-related, so I must hear from the source!!

I already shared my opinion on that show several time so I might repeat myself haha! X-men Evolution is one of my all time favorite. I watched it as a kid and it made me fall in love of Scott (and Kurt). He is very mature for his age (but you could understand it if you know his past) and very kind. He struggles with things that fit with his age and highschool (ofc he has other bigger struggles with his mutation and the x-men too) but the show gave a good balance between daily life and being a mutant/x-men. Or at least for the first 2 seasons, after, I started to enjoy it less. I like how his romance is written. Scott isn't too obsessive and he keeps his distance when he thinks his love interest is not receptive. He is still awkward but it is not over done. I think Jean should have been written a bit differently, I don't think they are a super good match here (like Rogue and Scott actually got many bonding time and they are very good friend). I'm really sad that once Jean and Scott are together, he doesn't hang out with Rogue anymore. I think the writers should have give them some scenes together as friends. We lose a bit of Scott's personnality and character development once he is with Jean. which is a pity. But they are still a cute couple, I guess! I loved how they added angst for Scotty. Too bad they never really do anything with the angsty episodes, cause his brother and him deal with a lot. Same when Mistique kidnaps Scott and abandon him in a desert without his visor. He should have end up a bit traumatized for an episode or two...but nope everyone are acting like it was not a big deal.

SO if you like good boy Scott, then X-men Evolution is your show haha! there is a mini comic serie about the show. I read then and they are fun. Scott is a bit more goofy in his writting there but still a good boy that you want to hug!

[novantinuum]

Pink Onyx AU- An Analysis and Theory Post, Part 1

[Part 1- You are here!] | [Part 2] | [Part 3] | [Part 4] | [Part 5]

~

Howdy! Those of you who have followed me for a while have probably been seeing my reblogs of the @pink-onyx-au comic made by @ceephorsshitshow. Well, today I wanna share with you something a little different than my usual SU meta… because today I’m gonna analyze this really cool fan work with the same level of seriousness as I do canon. (Like. Seriously. This first post alone is really, really long. I put most of it under a cut.)

This particular comic is a very special one for me to watch unfold, because it’s evident that a lot of deep care and attention to detail has been poured into its creation. There’s fascinating bits of expanded character development to chew into here, as well as plenty of mysteries and lingering questions for us readers to muse and theorize over. If you follow me for Steven Universe and haven’t read this AU yet I highly recommend you check it out. The most basic pitch is that it explores what a fusion between Steven and Jasper might look like, and does a LOT of deep-diving into the similarities and differences of both of those characters’ psyches.

Here’s the episode masterpost on tumblr.

And you can find it on Tapas, too! 

(Note: For the purposes of these posts, I was given permission by the comic artist to post screenshots of various pages where relevant in this discussion. For each frame used I will list the episode and page number for easy reference. Additionally, this post and all future ones on the topic will contain full spoilers for the comic thus far.)

Now with all that introductory stuff out of the way, here we go!

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So, on the final page of the most recent update, we get one hell of a visual plot bomb for Steven as ol’ Onyx unfuses:

(Episode 9: Page 22)

He’s now visually expressing remnants of his corruption, where before he was not.

And it’s this mysterious plot point in particular that got me wanting to analyze this comic more deeply in the first place. This is completely new for him in this story. Thus far, he’s never expressed any of these remnants when he’s just himself- not in the way Jasper does. So it made me wonder… how might this shift in his appearance play into the ultimate trajectory of the plot? How does Steven suddenly showcasing corruption scars integrate into the larger story that is being spun here about him and Jasper and how they relate to each other?

Well, there’s a lot of comic details and story lore we need to unpack first before I can take my best theorizer’s stab at this. Let’s dig right in.

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Prelude: The analyst’s treasure is in the speech bubbles

Anyone who’s been a fan of this comic for a while has probably noticed these fun visual details already, but I’m going to take a moment to break down what I believe each speech bubble style signifies for folks who may not have context. It’ll make some of my analysis later a bit easier, too, ahah.

So. Speech bubbles. What kinds do we have here? 

(Episode 1: Page 6)

Style number one: Solid with black text

This style is standard for non-fused characters, and is also utilized when a fused character is speaking whilst in a state of internal harmony.

Steven is pink and Jasper is orange, of course. Onyx’s speech bubbles are a distinct darker pink, and the main three Crystal Gems get their own colors as well. More minor characters get white bubbles.

(Episode 1: Page 10)

Style number two: Scribbly pink lettering overlaying black text

Whenever you see this type of speech bubble, it’s a sign that there is some level of internal discord going on within Steven or Onyx that is related to their diamond side. It usually shows up when one of the two is in pink mode, but from what I can tell this is not a solid rule.

(Episode 2: Page 12)

Style number three: Pink/orange mixed bubbles

This is how we see Onyx talking for a good portion of the early comic. Their speech bubbles are a clean mix of Steven’s pink and Jasper’s orange. And most vitally, the color on the top and the tail signifies which of them is “fronting” at that moment.

(Episode 3: Page 11)

Style number four: White bubble with solid pink text

So far, this style has only been used to represent dialogue that is being spoken by Steven’s gem half exclusively. Which makes things very interesting, as in Steven’s own remembrances of shattering Jasper on the very first page of the comic, the line “I have been holding back!” is shown in this specific style, instead of the scribbly pink lettering that signifies internal discord.

There is one additional sub-style here- and this is the one moment where we get Onyx’s mixed bubble but WITH the solid pink text. 

(Episode 3: Page 11)

I believe these two styles pretty much mean the same thing… only, the white/pink text is either viewed within memory or a metaphoric fusion mindscape where we the viewer are actually “seeing” Steven’s instability, and thus can “see” his gem half as a separate entity there. While, in reality, this is an argument Onyx is having with the disparate pieces of themself.

(Episode 4: Page 9)

Style number five: Pink/orange tye-dye mixed bubbles

When you see that darker shade of pink start dappling into the standard mixed bubbles, this indicates that there are small whispers of Onyx’s true personality beginning to surface, instead of them constantly being wrested back and forth between Steven and Jasper’s conscious control.

(Episode 4: Page 16)

Style number six: Pink/orange mixed bubbles, but with a darker pink tail

From this page onwards, Onyx’s speech bubbles always have their darker pink shading the tail no matter who is fronting. Sometimes there are little lines of another color etched out of it, and sometimes the tail is solid dark pink. I like to believe that when it’s solid, it means that Onyx is just a little closer to reaching a fully harmonious state than when it’s not.

(Episode 9: Page 6)

Style number seven: Onyx speech/thought bubbles with a hint of pink/orange underlying

This style seems to signify moments where it’s still Onyx fully in control of themself and their actions/words/thoughts, but they’re taking subtle influence from their components or accessing their memory a bit.

These are all of the distinct styles I have caught so far, but quite honestly, it would not surprise me if I am missing something. All of this to say… pay close attention to the speech bubbles. They can tell you a lot about Onyx’s state of mind throughout the story.

Now with all this established, I’d like to finish off this first post with my first big discussion point.

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Question One: What does Jasper actually know about Steven’s “meltdown,” if anything?

The AU author recently solidified this comic’s placement in the SUF timeline in an ask response, saying that the first episode takes place just a week after Steven’s corruption event.

I’m glad this point was clarified, because it was super vital information which deeply influenced the way I analyzed Steven’s actions and responses in my recent re-read… it means this experience is still super raw for him. This is VERY important and we’ll get back to this in more depth later in future posts. But first, let’s explore what Jasper knows of this event.

The full extent of her knowledge is unclear-

(Episode 1: Page 6)

In Episode 1, Steven briefly alludes to his corruption as seen above… referring to it as “[his] meltdown.” Notably, Jasper does not seem to ask any questions about this stray comment. This COULD suggest that she knows what happened to him a week prior via hearsay, but given the context of the rest of the scene and the fact that she’s as isolated as she is out here I genuinely wonder if she thinks Steven’s so-described “meltdown” is his shattering of her.

This idea would make a good deal of sense, as she doesn’t start to make any commentary on the topic of corruption at all until they’re actually fused- with Steven bringing it up first.

(Episode 2: Page 14)

On this page, Steven takes note of Onyx’s very visible spikes (which are Overtly in the same placement as his own when he was corrupted), and initiates the musing upon his own corruption himself.

With the way Jasper phrases her response, the vibe I get is that she somehow gleans a bit of ambient shared knowledge about what happened to him through their fusion.

(Episode 2: Page 15) 

“That human form you wear must have been hiding your markings.” This quote is SUPER vital. We’ll come back to this later on in this post series, too.

(Episode 2: Page 15)

It’s clear that Jasper doesn’t REALLY understand what he went through or what caused it, since she then outright mistakes the casual woes and body pains of organic life as corruption. (As seen above.) 

(Episode 8: Page 4)

But later on, she outright relates to him over their shared experience of past corruption, so she must at least know enough from mere ambient thought-sharing by this point to recognize it happened.  

It’s obvious that she’s barely scratched the surface on fully understanding her fusion partner, though. Neither of them have. It’s gonna take a lot of fusion, comedic mishaps, and genuine conversation to get there. All in good time, I’m sure.

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Please do join me tomorrow at 7am PST for the next post in this series! This has been a blast to write up and muse upon.