#High society tom

[brw]

Thinking about The Vision.

[shivroyisbisexual]

Ngl Tom reminds me of Caroline

Which

Scream

[depravednotdeprived]

[miryum]

A Green and Silver Ring (Mattheo Riddle x Reader)

An arranged marriage between you and Mattheo, one that might lead to something beautiful

Word Count: 10.3k

I know I haven't posted in a long time but I have a plan trust the process. Also, this is me coming out and saying that I love Mattheo Riddle and he's amazing

Warnings: Swearing, bad and manipulative parenting from both Mattheo and reader’s parents, a lot of misogyny (a bit from Mattheo but he gets better by a lot and it’s not that bad), arguments, Tom isn’t Mattheo’s brother and Tom is a creep, arranged marriage, one bed trope, enemies to lovers, greek mythology reference, talk of kids, needing kids to carry on family lines, and kids. Mistress is the feminine term for master (so reader isn’t Mattheo’s side piece when I refer to her as mistress), old timey talk a bit, reader is a bookworm

From the desk of Ginevra

My dearest friend,

My parents have informed me of your engagement. I was ecstatic, yet surprised, when I heard the news. I was of the assumption that your parents were allowing you to choose your husband as your family line is secure in your brother and his wife. Yet, once I learned who your husband-to-be is, I was trepidatious. 

My thoughts are with you, my darling friend, and I pray for you to write to me the moment you get my letter. 

I hate to break the news, but you and your fiancé are the talk of high society. Never before have two such families been intertwined. Even I have had to scold my brothers for their gossip. They seem to forget that our families are close friends. 

I do not ask why your parents have made such a decision. I know they are intelligent adults and surely must have a motive, but I admit that I am blind in that regard. Your engagement seems sudden and unwarranted to me. When questioned, my mother sighed and said I would understand when I grew older. My mother continues to baffle me. I have borne two children and a third on the way! If I am not mature now, I better gain some knowledge quickly. 

Always remember that I am by your side. If you ever need anything, my door is always open to you. I am sure Harry will agree. 

I love you, my friend.

Ginny

From the office of Lorenzo

Miss. L/n,

I believe we’ve never been formally introduced. I’m saddened to say that this letter is as formal as we’ll get - at least until your wedding. I am sure you must be taciturn and mercurial as of now. My father has told me much about you and I believe we’ll make excellent friends and confidants in our hectic world. 

You’re to be my new half-sister, aren’t you? My relatives and friends are petulant to meet you. 

Before any rumours (either about myself or your fiancé) hit your ears, I’ll put a rest to them. Bellatrix, your fiancé’s mother, had an affair with my father. They produced me and in return, I have the privilege of being your fiancé’s half-brother. 

Being a bastard child, I’m no stranger to being ostracised and ridiculed. To be blunt, I’m sure that you will be ostracised alongside me and I believe that is one reason we can connect. 

For rumours of my half-brother, I simply say this: do not fear him. He relishes in the consternation he places in other people, yet when he heard he was to marry you, I saw panic in his eyes like no other. It seems the tables have turned. He is hesitant to be wed, but you are not the problem. He simply doesn’t want to have the responsibility of another’s life on his. Your fiancé is used to belittling people - not supporting them as a husband should.

Any questions you have about your fiancé and my half-brother (whom in case I didn’t make clear, are one and the same), refer to me without any qualms. I am eager to meet you and hopefully make your transition into the Riddle family smoother.

I am well aware you have also lived your life in the upper echelons of society. But, as I’m sure you know, there are multiple circles in our complicated community. The L/ns, the Weasleys, and the Potters, for example, have grown their fortunes truthfully and innocently. They have earned the respect of their people and those whom they employ. The Riddles, Blacks, and Berkshires, on the other hand, have climbed the ranks in unconventional means and by skipping a few rungs on the ladder. They thrive and make their living on the terror and duress they cause those under them.

I’m looking forward to making your acquaintance.

Lorenzo Berkshire

P.S. I hope I haven’t scared you off.

From the office of L/n

Daughter,

You’ll be pleased to hear the engagement has gone through. Your mother and I met your fiancé last night. He seems like a nice man. He will be able to provide for you. His family is influential.

We will return home late tomorrow evening. You will depart for Riddle Estate in a week. Begin packing. 

Your father

From the desk of Ginevra

Y/n,

You worry me with your lack of communication. Usually, you can’t wait to gossip with me. We have such fun at dinners and balls, yet with the most important aspect of yourself, you don’t respond. I’m simply worried, my friend. Are you alright? I can envision you curled in your bed, not letting anyone, even your nursemaid, into your room. Please do not let your impending marriage affect your state of health. It will turn out alright. Everyone I know (even me!) had apprehensions about their marriage. And with everyone I know, it turned out alright. 

Misters Sirius and Remus visited Harry and I the day before last. They came to see James and Albus, but I know there was a hidden reason as well. They know of our friendship and came to ask if the rumours are true. As much as my husband adores them, Sirius in particular can be prone to gossip. The pair tittered and tsked when I told them of your fiancé. Sirius wishes to distance himself from his family, and I know he has pre-existing thoughts of the Black family, and by extension, the Riddles.

Sometimes I take a moment to gaze at the family tree upon my drawing room wall. It is full of interconnected lines and squiggles that sometimes, it makes my head hurt! The web of family ties is complicated and if we’re not somehow related already, I know that we will be once your marriage takes place. It seems the Black family spreads its roots into the Weasley family and the Riddle family- the latter of which you’ll soon be synonymous with.

Give yourself some grace. Your fiancé falls far from the tree; I am sure of it.

Please write to me. I need to make sure my closest friend is doing well. 

Best wishes, 

Ginny

P.S. Hermione wishes to inform you that, from what she’s heard, your Mr. Riddle is quite attractive. I have yet to hear any of the rumours  myself, but at least your husband will be pleasing to the eye. Perhaps it will make the marriage more bearable. 

***

Mattheo strode leisurely through Riddle Manor. It was one of the many estates his family owned, and it was soon to be officially his. Just as soon as he married the L/n girl.

The manor was spacious, which Mattheo couldn’t help but detest. How was he and a wife supposed to fill this void of empty rooms and dark halls? He knew servants and cooks would move in, but they wouldn’t occupy the dozens of upper rooms that were vacated. 

For a brief moment, Mattheo couldn’t help but envision a set of children running around the halls. One of the children would run up to him, shouting, “Papa! Papa!” Mattheo would scoop the child up, grinning, and would carry them to their room. The room would be bright and cheerful, and maybe, just maybe, you would be sitting on a settee, cradling a newborn or helping an older child with their school work.

But for now, the room was dark and uninviting and he had yet to meet his future wife. He had seen a portrait of the L/n family and while they were in lavish, colourful clothing, Mr. and Mrs. L/n seemed cold and stoic - just like his parents. The children, an older son and younger daughter (whom he presumed to be you), seemed kinder and by their body language, Mattheo could tell that the two siblings were close. 

Mattheo slowly made his way down the hall. There were three wings of the manor; two were residential and the other was designed for taking guests. The East Wing - in which he and Miss. L/n would stay - was also fit with an office for him. He was expected to take over half of the family business once he got married. The West Wing would remain empty for now, sans for a large library and the furniture in the bedrooms. 

The boy knew that his bride was to arrive later that day. She would stay at Riddle Estate until the end of the week. Just three short days before they were to be wed in name. Mattheo would move into Riddle Manor tonight, giving servants time to wipe the dust off of tables, shine the silverware, and fluff the pillows. 

Mattheo walked the halls of his new home. His mind was devoid of any thoughts. Perhaps it was simply because he was always numb. Even when he heard of his engagement, Mattheo didn’t make a fuss. He didn’t remember thinking anything. Nothing such as ‘Oh, I can’t wait to meet her!’ or even, ‘I can’t believe mother and father are arranging my marriage! She better be obedient.’ 

No, Mattheo had thought nothing of the sort. He had spent his childhood quietly observing his father and mother, noticing the amount of fear they could inflict on people just by silence. You didn’t have to be loud and dramatic to be powerful. You simply couldn’t be afraid to follow up on your promises - however deadly they were. 

The only question Mattheo had asked when Bellatrix informed him of his engagement was, “and what do we gain from the L/n’s?”

Bellatrix had shot him an callous and apathetic look. “Do not ask questions you needn’t the answers to, boy.” 

Mattheo had glowered, but shut his mouth. 

As he neared the foyer, Mattheo couldn’t help but think how marriage was a component in all aspects of his life. When he got married to the L/n girl, he would inherit a portion of his father’s estates, company, and wealth. Mattheo chucked to himself. Maybe he should’ve gotten married sooner.

***

“Pray tell, why weren’t you here when she arrived?” Bellatrix snarled as she gripped Mattheo’s arm. Her nails dug into his suit as she dragged him towards the drawing room.

“I was busy,” Mattheo replied harshly. Love was not a thing that came instinctively to his family. 

“Doing what? Planning your suidide?” Bellatrix scoffed. “I would march to the Underworld and choke Hades to bring you back.” Mattheo glanced down at his mother, hesitantly surprised. But he knew better than to raise his hopes and dreams. “We need this contract with the L/n’s,” Bellatrix continued and Mattheo’s jaw ticked. Of course. She didn’t love him; she never had. Her son was purely business. He should’ve known better.

“Maybe if you would tell me what the L/n’s provide for us,” Mattheo pulled Bellatrix back before she threw open the door to where you were. “Then I would be more complacent.”

Bellatrix sneered. “You think you’re smart, boy. You think you have everything figured out in that pretty little head of yours. But remember: you’re nothing without the Riddle family name backing you up.” She paused and licked her lips. “But if you must know,” Bellatrix sighed, giving into Mattheo. “The L/n’s just came into some very… lucrative land that we could gain from if you marry Miss. Y/n L/n.”

Mattheo’s eyes flickered to the drawing room door. After a moment, he asked, “is that her name? Y/n?” 

Bellatrix stared at him, aghast. “You didn’t bother to learn her name?!” She scoffed. “With a son like you…” 

She pushed open the drawing room doors and Mattheo trudged after her, muttering, “at least I know her name now.”

You had been waiting for seven minutes and thirty nine seconds in the drawing room of Riddle Estate, the trackage of time dependent on the old grandfather clock standing ominously in the corner. Its pendulum swung back and forth continuously as its second hand ticked by. Mrs. Riddle had left seven minutes and thirty nine seconds ago to fetch her son. 

While the room was perfectly clean, not a speck of dust on even the highest chandelier, it was still a cold and morose room, yet oddly epochal. The wood was the darkest mahogany you had ever seen and the lights cast odd shadows on the dark green wallpaper that had inlays of gold.

Your teacup that you were trying to hold steady was filled with a sad excuse for tea. There was a ring of gold around the mouth of the teacup. On the table beside you, a notch that looked as if someone dug a knife into the surface caught your attention. It was the little things like this that you noticed when you had nothing else to do. Your mind was trying to distract you.

The door then swung open and there stood your fiancé, his stare daring you to oppose him.

“Uh,” you stood, your teacup and saucer still in hand. You quickly placed them on the table, right over the knife nick. “Y/n L/n,” you introduced yourself. You bowed your head in an informal curtsy. 

Mattheo’s eyes flickered over your face. “Mattheo Riddle,” he said coldly. His voice was practically velvet. You didn’t mean to look him up and down, but you couldn’t help it. He was to be your husband, after all.

Mattheo’s hair coiled at the end and his eyes were just as dark as his curls. His nose had a scarred cut on it that looked as if it was just beginning to heal. Your fiancés cheekbones were practically sculpted from marble and for a moment, you believed that the gods had simply breathed life into a statue. Did this make you Pygmalion and Mattheo Galatea?

If it weren’t for their lethal eyes and stern posture, perhaps more would be friendly to the Riddles.

Mattheo spoke, “you’re to be my fiancée.” It wasn’t a question. 

“Yes.” You had the urge to add ‘sir’ at the end, but you bit your tongue. 

Bellatrix hissed something to Mattheo and thrust a small object into his hands. Mattheo rolled his eyes and stalked towards you. “My family ring,” he grumbled. He held out an intricate silver ring with three bands interweaving. A green jewel cut into a thin diamond shape sat steadily in the middle. “It has been in the Riddle family for generations. It’s tradition to pass it down to the wife of the firstborn son. And now that is you…” 

He trailed off and handed the ring to you, it laying flat on his palm. You took it from him, trying to minimise contact with Mattheo. You nodded in thanks and slid it into your ring finger. 

It seemed too concrete to fathom.

Mattheo stared at the ring on your finger. A muscle jumped in his jaw. “My… wife,” he murmured halfheartedly.

***

Three weeks had passed since the wedding and it was as if you had never gotten married in the first place. Yes, it was unsettling to wake up in a bed that wasn’t your own next to a man that you were supposed to call your own. But other than necessary, Mattheo had hardly uttered a word to you.

In the three weeks you had stayed there, you had seen Mattheo a total of twenty eight times, including mornings and nights when you were forced to sleep in the same bed. 

Your mornings, afternoons, and nights were all incredibly boring. You took long meals, pushing your food around. Sometimes you just sat by the window and watched the wind blow bits of grass and dirt past the window. The servants were still extracting the dust between the couch cushions and you tried to stay out of the way, but it only made you feel more isolated.

Mattheo was holed up in his office day in and day out. He had now inherited a large portion of his father’s company and Mattheo was determined to uphold the honour bestowed upon him. He had drafted contracts, sold and bought land, and even hosted a few dinner parties for his associates. 

You detested the dinner parties. Thankfully, Mattheo had yet to invite you to one - hell, he had yet to speak to you about the dinner parties. You had learned of the first dinner party when you had wandered downstairs one late evening because you were thirsty. You had stared at the group of strangers, all dressed in elegance, as they stared back at you in your night clothes. Not saying a word, you had sighed and returned upstairs.

You hadn’t been eager for the marriage, but wouldn't it befit Mattheo to show some affection? Or at least acknowledge your presence?

While you had continuously tried to get your husband to open up to you, his answers had been short and venomous.

It had been a long, monotonous day for you. You had returned to the master bedroom about two hours earlier than you normally would have if you were at home.

With the wealth that you came from, the opulence was sure to be evident, but you had underestimated the Riddle family’s prestige. When Mattheo had first shown you your shared bedroom, you had to allow a flicker of surprise break through your facade. The bedroom was larger than any room in your old home and had a large bed in the middle. The lamps on the bedside table were always dimly lit and the design of the room was the same as the rest of the house - dark and bereft of love and care. 

Your hair had been brushed enough, but you kept brushing simply for something to do while Mattheo finished up in the bathroom. Mattheo walked out of the ensuite with a towel wrapped around his waist. His curls were plastered to his forehead and a bead of water ran down his sternum.

Your eyes flickered to his figure through the mirror, taking in the dips and curves of Mattheo’s muscles as he silently got ready for bed. You tore your gaze away, berating yourself.

You built up your courage and tried to think of a conversation starter. You commented, “my parents wrote to me today.” After no reply from Mattheo, you continued, “they asked me when we would give them grandchildren.” You set your hairbrush down and stared at Mattheo through the mirror, looking for some sort of reaction.

Mattheo hummed noncommittally and put on some sleep pants. He used his towel to begin drying his hair. “It would be behoove us to produce some heirs,” he spoke. His tone was dismissive, as if children were nothing more than an obligation or duty to fulfil.

“Right,” you muttered, knowing that an uninterested reaction was all you were going to get out of him. 

You stood and moved towards the bed. “Goodnight,” you whispered, turning off the bedside lamp and tucking yourself into bed. Mattheo was still putting on his nightclothes and had yet to get into bed.

As you turned off the light and got into bed, Mattheo finished drying himself off and slid into his own pyjamas. He sat down beside you, but didn't bother turning off his own lamp. Instead, he laid against the headboard, reading a book. "Goodnight," he finally mumbled, not even looking at you.

You curled into your blanket. After a moment, you asked quietly, “what book are you reading?”

He looked at you over the top of his book. "None of your business," he replied curtly.

You simply uttered, “okay.” 

Mattheo felt an unwanted and unusual feeling root itself deep in his stomach. He scoffed and said sarcastically, "fine. Go ahead and keep asking questions all night long if it amuses you so." He opened his book again and pretended to read.

A longing and lonely pang resonated in your chest at his harsh words. You didn’t respond and instead turned your face into your pillow. You had known that your marriage was to be loveless, but it still hurt at every unspoken word. Perhaps, if you had been five years younger when you married Mattheo, your spirit would still be alive with the juvenile belief that you could stand up to him.

Mattheo huffed and his gaze turned up to stare at the wall ahead of him. “If you’re so miserable, then why don’t you just leave?” he snapped, not even bothering to hide his bitterness. “I am sure your family would simply love to have you back.” He flipped another page in his book, not even bothering to look at the printed words.

“I never said I was miserable,” you answered quietly, even though Mattheo knew it wasn’t true. Perhaps, though, you believed it to be true. You took a steadying breath, closing your eyes.

Your husband smirked and leaned against the headboard. “What do you call your attitude, then? Why are you so downtrodden and defeated? Surely, you can’t blame me for being frustrated by it.” He knew that he should be taking account of making you feel this way, but he still tried to justify his behaviour. 

“Goodnight,” you reiterated. 

Mattheo sighed dramatically. “Whatever,” he grunted. He closed his book, threw it on the nightstand, and turned off his lamp. The room was encased in darkness except for the dim moonlight coming through the window. He shifted towards the edge of the bed, making sure a noticeable gap was between the two of you. 

He thought back to your conversation. “Why don’t you just leave?” 

It was too late now to apologise.

***

Mattheo let the door swing shut behind him, returning to Riddle Manor after an outing with friends. He glanced around, waiting for a servant to take his coat, but no one answered. An eyebrow cocked, Mattheo slowly walked up the stairs, hearing you instruct the servants on something, every other sentence of yours either containing, ‘please’ or ‘thank you’. Up on the landing, he found you directing a servant who was pulling a rack of your clothing. “What the hell are you doing?” he demanded. “Have you lost your damn mind? Are you trying to send a message or something?” 

“You’ve made it perfectly clear that you have no interest in me, so I’m trying to make this marriage as civilised as possible,” you said diplomatically. “I believe that if I move to the West Wing and leave you in the East Wing, it will benefit our marriage.”

“What exactly do you hope to accomplish with this piteous attempt at attention?” he asked rhetorically. “Do you think it’ll make me want you more?” He stuck his tongue in his cheek, grinning incredulously. “You’re delusional if you think that’s even remotely possible.” He stepped closer to you, towering over you with anger in his eyes. “This is not some game, L/n. This is marriage. You’re stuck with me whether you like it or not.” 

“I’m aware that we’re married, Riddle,” you retorted. “And don’t refer to me by L/n anymore. I am now a Riddle - just like you. However, I am not going to live in a state of constant sorrow and dejection. Having a wing of the mansion to myself may help.” 

Mattheo’s jaw tightened as he stared at you, irritated by your resistance. “Fine,” he growled. “But don’t expect me to come running after you when you decide you want attention. You’re on your own now.” He turned away from you and walked into his now solo bedroom. “Just remember - this is your choice.” 

You felt your anger inflate. “I thought you would like this!” Your voice rose and you tugged a hand through your hair. It was the first time in your marriage that you had fought back. “I have done everything I can to please you, yet nothing is enough for you!” Your voice turned desperate. “What do you want from me?”

He stopped in his tracks, turning around with surprise and disgust on his face. “Dammit, Y/n! Don’t yell at me like that!” His voice thundered, stepping towards you. “I never asked for any of this! I didn’t ask for a wife or for you to try so hard to please me! All of this is ridiculous.” His hand slashed through the air to make a point. “All I want is some space. Space to figure out what the hell I want. But let’s make one thing clear: I don’t care about you.”

“Am I not giving you space?” Your fists clenched at your sides. “I am moving out of the bedroom and out of your way. Yet, you erupt at me and get angry over nothing! You send me mixed messages and I don’t know what to do.”

Mattheo took a breath, trying to regain control over his emotions. “I am not erupting! Lord, you are so sensitive!” he snapped, running a hand over his face. “Can’t you listen for once? I am not sending you mixed signals. I am trying to figure out my place in this unorthodox situation we’re in.”

After a beat of silence, you asked firmly, “did you talk about me?” After seeing a flicker of confusion on his face, you clarified, “when you were out with your friends, did you talk about me? Did you rant about how annoying I was? Did you complain about marriage?”

His lips parted before taking a breath. “Yes, I talked about you,” he admitted begrudgingly. “I complained about how frustrating I find you and how frustrated I am with my parents for arranging this senseless marriage.”

“What did they say?” you insisted. “Did they sympathise? Did they laugh at me? Did they add fuel to your fire by commenting about how… how ‘needy’ and ‘sensitive’ I am?”

Mattheo made a low sound in his chest and rubbed his temples, frustrated by your persistence. “They agreed with me, yes. A few believed that you are too emotionally attached and sentimental. Others chalked it up to the pains of an average marriage.”

Your anger flared up and you said, “Let me tell you this: I never wanted marriage either. But I at least tried. I tried to be a nice and loving wife and a kind human.” You turned on your heel, marching out of the bedroom and towards the West Wing.

Mattheo watched you go, an unwanted feeling of guilt washing over him. He sighed and walked over to the window. “Fuck,” he muttered under his breath. “Why is everything so damn complicated?”

For the next couple of weeks, you stayed true to your word. You avoided Mattheo and his office and stayed in your wing of the mansion. After a week or two, you decided to explore the mansion, stumbling upon a magnificent library. You inhaled in veneration when someone cleared their throat. Mattheo stood behind you, raising an brow. After a silence, you said recalcitrantly, “you never told me that Riddle Manor had a library.”

He smirked at your thinly veiled hatred, amused despite himself. “Well, now you know,” he said dryly. “It’s a perk of living in a Riddle household.” He walked over to a bookshelf and began browsing for a book he required for a contract that was being drafting. He showed no sign of embarrassment or discomfort at your presence. “You may use it whenever you want. But don’t expect me to join a book club or anything juvenile.”

“I would never dream of it,” you said sarcastically. You step further into the library and can’t help but gape at the vastness. You trailed your fingers over the book spines, breathing in the smell of old books. You crouched down to examine a series of poetry titles. “I can read any of these?” you asked hesitantly.

He nodded and leaned against the shelf behind him, crossing his arms over his chest. “Feel free to read whatever you would like. They’re here for the entire household. Well, the servants don’t have time to read books, so in a Riddle household, the parents and children use the library the most.” Your hand faltered over the titles. “If you find something that catches your eye, go ahead and take it. I won’t stop you.” There was a hint of curiosity in his voice, as if he wished to know what topics and books piqued your interest. You hummed quietly, not fully acknowledging his words. You were already picking up a book and leafing through it. Mattheo watched you for a moment, his eyes softening briefly.

Everyday, you returned to the library. It was an escape from the walls of your room and the walls that Mattheo had put up around his heart.

Eventually, the servants recognised your routine and began to start a fire in the fireplace to keep you warm. They moved a loveseat in front of the fire that you gratefully used. You devoured the poetry collection, including Shakespeare and Edgar Allen Poe, and started on the classics. Every once in a while, Mattheo would come into the library, but he wouldn’t talk. He simply took a book and returned to his study. Sometimes, you wondered if he remembered you lived in the mansion with him. 

Mattheo found himself frequenting the library more often, looking for books he had never needed before. A swell of pride filled him whenever he saw you by the fire, knowing that something in his home brought you such comfort. He still refused to speak to you, maintaining distance and ignoring your existence, but he found himself increasingly drawn to your presence. 

One day, on a whim, he decided to take a risk and left a stack of his favourite books on the table next to your chair. That afternoon, you found the stack of books. You smiled despite yourself, though you didn't make any comment to Mattheo. You picked up the first book, sat down in the chair, and began to read.

A week later, Mattheo was hosting a dinner party for his associates. He didn’t say a word about it to you, though you heard the servants preparing for it. You decided not to go, opting to stay in your safe haven of the library. 

After an hour or so of faint music, you heard the door to the library squeak open and your head whipped up. You saw one of Mattheo’s friends, Tom, enter and look around. He spotted you and his lips curled up into a smirk. “So you’re the wife we’ve heard so much about?” 

Your stomach clenched and you replied, “I guess so.”

Tom’s smirk grew wider as he took in your terse response, enjoying your obvious discomfort. He approached you with a lecherous gaze in his eyes before asking, “and how do you find life as Mrs. Riddle? Are you enjoying your… arrangement?” His words dripped with sarcasm, not believing for a moment that you and Mattheo were married for love.

You stared at him. “It has its perks,” you said simply.

Tom laughed derisively at your response, not convinced by your nonchalance. “And what are those perks?” he asked, moving closer to you. “Extravagant gifts? Luxurious vacations? Or simply the privilege of being married to such a powerful man?”

You squared your shoulders. “I am powerful without a man,” you said sharply. “I do not need a man to determine my worth and prowess.”

Tom scoffed. “Really? How exactly did you become powerful on your own?” he asked, challenging you. “I find it hard to believe that you could ever achieve anything significant without the backing of a powerful husband behind you.” He leaned in closer, grinning.

You closed your book with a snap. “The L/n family,” you said, talking of your maiden lineage, “has had control over many estates and affairs for decades. Without Mattheo Riddle, I would’ve inherited half of it, second only to my brother. I would’ve had four auspicious companies at my ready disposal, capable of doing most anything. So, yes, sir, I would have been momentous without him.”

Tom’s smirk faded as he recognised your family name. He remained undeterred, however, stating, “that explains why your husband was so eager to marry you. He must see you as a valuable asset to his business empire.”

As you opened your mouth to retort, the door banged open and Mattheo strode into the library.

Mattheo had noticed Tom’s absence from his party, but when it became too long to be excused as a restroom break, Mattheo had asked his brother, Enzo, if he had seen where he had gone. Enzo had smiled a small smile and whispered, “Tom went to the library. Where your darling wife stays hidden.”

Mattheo saw red. 

He barged into the library, a deadly, lethal, and borderline possessive look deep in his eyes. When he saw Tom flanking you, Mattheo’s expression darkened and his hands clenched into a ready fist. “What the hell are you doing here?” Mattheo demanded, his voice low and dangerous. “This is a private wing of my home - not some place for you to bother my wife.” 

Mattheo moved closer to you, placing himself between you and Tom as if to protect you from further harm. 

Tom quickly stepped back and placed a confident demeanour on his face. “I was simply having a conversation with your lovely wife here,” Tom gritted his teeth.

You scoffed and rolled your eyes, showing clearly that Tom was lying and intruding. You saw Mattheo’s eyes flicker down to you, his eyes softening reassuringly before snapping back to Tom, malice in his gaze. 

“Don’t lie to me,” Mattheo snapped at Tom. “There’s no need for any sort of interaction or conversation with my wife unless I am present.” Mattheo placed a hand on the top of your chair, his fingers gripping it and his bicep flexing slightly to warn Tom.

Tom’s eyes flicked with something you hadn’t seen before: fear. Fear commonly associated with the Riddle name. He adjusted his collar and straightened his posture. “Of course, Mr. Riddle,” he said bitterly.

You raised a brow. “I think it’s time for you to go now,” you said, your face stoic. Tom bowed his head slightly before exiting the library. You didn’t look up to meet Mattheo’s eye. You murmured, “you didn’t have to do that. I had it covered.”

Mattheo watched Tom until he completely left the room before turning to look down on you. His voice was threatening, “you may have been able to handle Tom, but I won’t tolerate anyone disrespecting or harassing you while you’re under my roof. Consider this a warning - if anyone tries to cross you again, they will regret it.” 

“Perhaps you should tell your coworkers that. Not me,” you replied. 

Mattheo’s expression was cold. “Fine. I will,” he growled. “I will not sit idly by and allow anyone to disrespect my wife.” He let go of your chair and adjusted the cuffs of his suit. As if in a business meeting, he said, “And consider this another warning: if you continue to act so stubbornly, I won’t hesitate to remind you of your place in this marriage.”

“My place in this marriage is your wife!” you cried out, finally standing up. “Your equal! Something you seem to forget until it’s convenient for you. Or until another man threatens your… your property! I doubt you see me any differently than this house or your assets.”

Mattheo grabbed onto your arm tightly, pulling you close and leaning down so his face was inches from yours. “Do not ever speak to me like that. You are not my equal - you are my wife and I decide what is best for both of us. If you cannot accept that, then you should reconsider your place in this marriage.” He released your arm and turned away from you, striding towards the door. “I suggest you reflect on your behaviour,” he added icily, leaving the room without looking back.

After he left the library, you let out a scream of frustration. You shoved the pile of books that Mattheo had carefully curated to the floor. They tumbled down, book after book, covers opening and pages bending. Tears pricked at your eyes as you examined the scene. 

You slumped into your chair, the fire in front of your crackling softly, emitting a calming warmth.

Eventually, you fell asleep in the chair, tear stains on your cheeks. In the morning, you woke to the serene morning light filtering into the room - a vast contrast to your mood. The fire had dissolved into crackling embers. Tucked on top of you was a thick blanket and the stack of books that you had pushed over had been re-piled and stood majestically atop the table.

You sighed, knowing you should thank the servants for taking care of you and cleaning up. 

After you walked to the kitchen, your footfalls heavy, you thanked the servants, who were finishing preparing breakfast. They exchanged glances and one piped up, “Ma’am, while we appreciate the sentiment, we didn’t do that. We weren’t aware that you were still in the library. We believed you had retired to bed before the social last night.” They paused and then added, “however, Mr. Riddle didn’t go to bed. He was in his study until morning light.”

“Oh,” was all you could say. You bid them an awkward goodbye before entering the dining hall. 

Mattheo was already seated at the head of the table, his expression exhausted and distant. He didn’t acknowledge you when you approached, focusing instead on the uneaten plate of food in front of him. 

You sat down opposite him and muttered, “the servants informed me that you blanketed me last night and cleaned up the books.” You hesitated and finally said, “thank you.”

Mattheo looked up briefly, his expression unreadable, but he didn’t respond directly. “It was necessary,” he said simply. “You should not be cold and uncomfortable in your own home.” He doesn’t make any effort to engage in conversation beyond that. Something was weighing heavily on his mind and he seemed preoccupied by it.

You hummed in response. Eventually, you stood and whispered to your husband before walking out, “you are not as cold as you want to seem. You needn’t keep the facade up with me.”

Mattheo looked up briefly before returning to his food. His expression relaxed, but he didn’t respond.

***

Later that day, Mattheo sat in his study as he always did. A knock came from the door and he glanced at the clock. It was a bit early for lunch to be delivered, but he announced, “come in.”

The door creaked open and your head peeked into the room. Mattheo’s brows furrowed - not with malice, but with scrutiny. You entered and sat in one of the two seats next to his fireplace. Silently, you cracked open a book you had brought and began to read. 

Mattheo watched you intently, his gaze never wavering as he took in every detail of your face. He tried to find any acrimonious intent behind your actions, but you looked so peaceful. He found himself noticing the details of your face and your beauty as the fire cast warm highlights on your eyes. “What are you doing?” he asked eventually, his voice holding an armour of needed suspicion.

“Reading,” you said simply. 

Mattheo frowned, not convinced by your answer. Why would you read in his study after the way he had been treating you? He leaned back in his chair, his work forgotten. “Isn’t there something more important that you could be occupying your time with?” he challenged.

“Not particularly,” you responded. “You’re in charge of the companies and estates. I have nothing to do. I thought I would accompany you. You must get lonely in a study by yourself.”

Mattheo narrowed his eyes, but ultimately nodded slowly. “Alright,” he agreed after a moment. “But don’t think I will stop working simply because my wife is here.” His posture grew taut as he began looking over documents again. “This is still my office and I expect you to behave accordingly.”

“I’m simply reading,” you murmured, a smile inching its way up your lips.

Henceforth, a routine was established. Every morning, you would knock on Mattheo’s study door, usually an hour or so after he began working. There was rarely conversation, the silence being broken by Mattheo’s scratch of a quill or you turning pages, occasionally being disrupted by the loud crack of a log in the fire.

One day, you had finished your book (it was an excellent book, one from the pile Mattheo had recommended) and stood to go retrieve another one. At the sound of your footsteps leaving his office, Mattheo’s head darted up and he suddenly asked, “where are you going?” 

You paused and turned back to him. “I’m to get a new book. Unfortunately, as wonderful as this one was, it had an ending like all books do.”

Mattheo frowned and a hint of vulnerability broke through his exterior. “Get a servant to do it,” he offered. 

“Well, I don’t know which one I want,” you counted, raising a brow in a smirk.

He huffed and shook his head, returning his eyes to his documents. He grumbled, “I will commission the servants to build you a small bookshelf for my office. You can keep your books there.” You stood, watching him for a moment, admiring him until his gaze snapped up. “Well, go get your book,” he said sharply. “… but hurry back,” he added in a mumble. 

You finally smiled at him before exiting and Mattheo gazed at the place you once stood, trying to memorise how your lips curled up and your eyes crinkled when you smiled.

He rather liked it when you smiled.

***

“Are you alright?”

You sniffed and laughed. “Yes, yes. I’m being foolish.” You wiped some tears from your eyes. “My book is very good.”

Mattheo chuckled lowly. “And what made you cry, hm?”

“A daughter and father interaction,” you replied quietly. 

“Was the father cruel to the daughter?” Mattheo laughed tersely, shaking his head at his documents. “Are your feelings not strong enough to withstand their wrath?”

You frowned at Mattheo, setting the book down. “No,” you corrected slowly. “The father was being kind to his daughter. He was supporting her and loving her; as a father should.” There was a pause as Mattheo looked up at you. “I know that the Riddles are a harsher family - I’ve known ever since I knew I was to marry you. But… but are you alright?” 

You felt absurd asking the question. Yet, when Mattheo couldn’t meet your eye, a wistful sadness blanketing the room, you felt as if you should’ve asked the simple question weeks earlier.

For a moment, he said nothing. Then Mattheo turned in his chair so his back was facing you. "I'm fine," he finally answered, his voice rough and strained. "I am used to dealing with it, I suppose." Despite his insistence that he didn't need anyone's pity or concern, your words seem to have affected him more deeply than he wanted to admit. 

“May I ask a question?” you asked softly.

Mattheo hesitated for a moment before nodding, his eyes never leaving the window as he spoke. "Ask away," he replied, his voice barely above a whisper. He then cleared his throat and said, "but I won’t give a warm and fuzzy answer." 

There was a pregnant pause in the air as you gathered your courage up and suddenly thrust your fears upon your husband. “If we ever have children, which we’re somewhat expected to,” you added hurriedly. “I don’t want them to grow up in a household where they feel as if they have to vie for love or attention. And I don’t want me to be the only one giving them attention.” Mattheo turned his head so his face was angled toward you, but his eyes could still stray to the window if need be. “If we have kids, can you promise that you’ll love them? Even if you don’t love me?” 

Even though your voice was steady, Mattheo knew of the vulnerability deeply rooted within you.

He nodded cautiously, his expression serious. "I promise," he said firmly. "I may not love you, but I will love our children unconditionally. They will never have to compete for my affection or feel neglected. I may not be a fond father, but I will provide for them and protect them as best I can." A protectiveness filled his veins just at the thought of something happening to his future children. 

You nodded once, a sad smile on your face. “Perhaps we’ll have a big family. Enough children to start a sports team.” You smiled at the thought, laughing lightly.

Mattheo smiled, despite himself, imagining a large brood of children running around the manor. It was an oddly appealing idea, even if he wouldn't admit it out loud. "We'll see," he said noncommittally. "I'd rather have lots of sons; they'll carry on the family name and ensure my legacy continues." He turned back around and attempted to focus on his work.

“And daughters too.” You frowned, staring at your husband, even if he wouldn’t spare you a glance. “Daughters can carry on the family name just as well as sons.” A muscle in your jaw ticked.

Mattheo scowled at your defiance, his eyes narrowing slightly. Why hadn’t you just fallen into line? "Fine, daughters too," he reluctantly agrees. "But make no mistake, they will be raised to be strong and capable like their brothers. The Riddle name demands nothing less." 

“And the sons can be soft and caring and sensitive,” you said firmly, crossing your arms. “I thought we agreed that they wouldn’t have to vie for affection. I thought we agreed that they wouldn’t have needless competition in their life. I don’t want them to grow up… like, well… you.” You finally uttered the words that had been hanging off your tongue dangerously. 

Mattheo’s expression hardened as he clenched his fist tightly. "Fine!" he snapped. "They can be whatever the hell you want them to be! But don't expect me to sit back and watch while they become weaklings and failures. We need to teach them to be strong and ruthless like I am." He stood up abruptly, knocking over his chair in the process.

You jump up after him, crossing towards him. You whirled to a stop in front of him, jabbing a finger towards his chest. “Listen here, Riddle. Just because someone is kind and vulnerable doesn’t mean they’re weak!” You growled, “and just because you grew up like that, does not mean that’s the type of household I am going to have.”

Mattheo stepped forward and his hand flew up to grip your wrist. His eyes blazed with anger, but then something changed in his expression and he took a step back, looking surprised at his own reaction. "You're right," he admitted begrudgingly. "I shouldn't have assumed that being vulnerable meant being weak." He ran a hand through his hair, looking embarrassed, yet resolute in his decision. "But don't expect me to be a pushover either. I'll still teach them to be strong and independent."

“Strong and independent are good qualities,” you conceded. “Both for the boys and girls.”

"Agreed," he said. Mattheo straightened his cuffs and cleared his throat. "Our children will be taught to be strong and independent, regardless of gender. They will know that they are loved and valued by both of us, equally." He held out his hand to you, indicating that the argument was over - for now at least. "Deal?" 

“Deal.” You shook his hand defiantly. It was a business deal, but a good deal at least.

Mattheo exhaled and brushed past you. “I’m to a meeting,” he informed you. It was a simple comment , one that was an offhand remark, but to you, Mattheo had just let you into his life. It was something he had never done before. Even if it was just a response to where he was off to, it was a window into his life. A life that now may have enough room to hold you. 

Mattheo paused when he reached the door. “I never knew the way I grew up was wrong until I saw other families. I saw the parents bending down to listen to their children instead of hushing them. I saw parents comforting their children after scraped knees, not pushing them to the kitchen for some rubbing alcohol. I saw parents beaming when their child could plunk out the simplest of tunes on the piano. No one else got berated for being out of rhythm or playing a D instead of an E. I never saw another child get slapped by their parents or scolded as harshly as I was. It was around then I realised that something was wrong. But what was I to do about it?”

Words dried in your throat. You wanted to cry at his words, but you felt dried out. How could someone treat their child like that? It explained so much… 

Your husband was a fragile man, you were just realising. And he was trying to pick up the pieces and present them to you in the only way he knew how. 

"The stars remind me of you,” he said quietly, the change in conversation sudden. “I mean that in the best possible way.” His voice was the softest and most tender as you had ever heard it. You hoped he would keep speaking the melodies that made your heart sing in tune. 

“How so?” you asked, afraid to break the plane of existence that you and Mattheo were carefully standing on.

"They are so beautiful, yet so far away. I may see them, but I can never touch them."

***

The servants didn’t know what to do. The master and mistress, Mr. and Mrs. Riddle, seemed to be at a ceasefire. The cooks lamented at how they had seemed to be doing so well. The maids thought they were destined to doom from the start. The butlers gossiped about Mr. Riddle’s letters to a Mr. Tom, terminating their long-term partnership. The scullery maid still had hope that the husband and wife would come to their senses and live a happy life.

It perplexed the servants when the mistress requested to move her belongings back into the master bedroom and the master looked on, a soft smile on his lips. It confused the servants when the Mr and Mrs began taking meals together and talking in hushed tones late into the night. And it bamboozled the servants when, one summer afternoon, the Lord of the household stood from his desk, cautiously moved to his Lady that was reading by the open window, and asked her to accompany him on a walk. She had accepted. 

There was to be a dinner party, this time hosted at Mr. Draco Malfoy’s manor, that Mr. Riddle was expected to attend. Per usual, the master didn’t invite the mistress, but she was content to stay home. A maid briefly heard the madam whisper to her husband, “hurry home, please? I don’t like it when you’re away.” The maid had scurried away before she could hear the reply.

Mattheo returned home that night, just before the sun was setting. He climbed the steps, unbuttoning his cuffs and loosening his tie. The soft glow of light was still shining under your shared bedroom - something he still hadn’t gotten used to - and Mattheo couldn’t help but smile.

“Why are you still up?” he asked quietly when he entered the room.

“You promised to be home early and I wanted to see you before I go to bed,” you reminded him, a small book in your hands.

“Right, right.” Mattheo chuckled and shook his head, slinging off his tie and jacket.

“How was the dinner?”

Mattheo hummed noncommittally. “Not the worst. A couple of my good friends, Theo and Pansy, were there to help alleviate the pain of socialising. But… I found something odd happening.”

“And what was that, husband?” Mattheo took a moment to relish in the way that word curled off your tongue effortlessly.

“I found myself wishing you were there. Nay,” he quickly corrected himself. “I wished I was here with you.”

“Oh?” Your eyes flickered up towards Mattheo, a slight blush coming to your cheeks. “Why… what do you mean by that?”

Mattheo began to unbutton his shirt and moved towards his closet. “Well,” he admitted, mumbling to himself. “I simply mean that instead of having to socialise with people who are too tightly wound and whose only intent is to take my money,” he chucked his belt into his closet and rolled up his sleeves, “I would rather be at home with my darling wife.”

A smile inched up your lips. “Really? Tell me more about this darling wife of yours.”

Mattheo hummed, stepping towards the bed. He crawled down on the bed, leaning on his forearms to lean up towards you. “My wife… I’ve come to care deeply about her. She is a beautiful, elegant woman, one who has a fiery tongue about her and an intelligent brain that even I cannot rival. She always seems to get her way, even when I try to fight back. It’s as if my wife has a command over me that I have willingly submitted to. And I am not ashamed to say so.” He lightly caressed your arm, sending a trail of goosebumps up your skin. 

“You must be careful, Mattheo,” you uttered. “That sounds an awful lot like love.” 

Mattheo brought his eyes up to meet yours, the sting of tears building up behind them. His voice cracked as he said, “that’s the first time you’ve called me by my name, Y/n.”

Your lips parted in shock. “I- I didn’t realise. I’m sorry-”

“Don’t you dare apologise,” Mattheo demanded before reaching up to pull you into a kiss. 

His lips were soft and meaningful against yours, hungrily trying to gather every ounce of love from you. His kisses were feverish at first, his strong hand coming up to cup your jawline, his fingers just teasing behind your ear, before his lips slowed. Mattheo was a starved man and he wouldn’t let anyone take away his only solace. He shifted so he could be closer to you, gently taking the book from your hands as you surrendered yourself to him. Your hands found his silk shirt, gripping it in your fists. He placed the book on the nightstand and moved so he was hovering over you, never once letting a second go by without feeling your skin against his. 

Mattheo slowly, achingly pulled away from you and his eyes fluttered open to meet yours. “My darling, my love, my life,” he murmured, dragging a knuckle down your cheek. “I apologise for everything I have ever done or said that made you feel inferior. I would be happy to kneel for you in front of my associates and family members - just to show them how much power you have over me.” He took a breath before persisting, “I was foolish. I was incompetent. I didn’t realise how much love I held for you. It is, and always will be, only you. I will promise you this: you will be the only woman I ever touch, the only voice I ever want to hear, the only skin I will ever caress, and the only eyes I ever want to see. I will wake and fall, every morning and night, thinking of you. You are the other half of my heart, for it is you who I love. I will place the galaxies and stars in the night sky for you. If you are ever unhappy, my love, I will not rest until I see you smile again. If you are ever mad, my love, I shall smite whatever upsets you, even if it is I. And I would die a happy man if you could give me only an ounce of what I give you.”

Your breath shook and you swore Mattheo had injected ambrosia into your veins for you were sure your blood was singing with the love that was filling your soul. “I wrote a letter to your mother today,” you offered quietly, as if your mere words could ever compare to the love poem Mattheo had just gifted to you. “And I thanked her.” Mattheo’s eyes flashed with confusion. You continued, “I thanked her for birthing such a wonderful husband and for raising him. I know you u wish to renounce your family, but as of now, I want to thank them with all my heart. Mattheo, I love you.”

“And I you,” Mattheo whispered, bringing his forehead down to rest on yours. His nose bumped against your cheek and he couldn’t contain his grin anymore. “How did I ever get so lucky?” he mumbled.

You laughed lightly. “Luck? Fate?”

Mattheo shook his head and his nose brushed light curves over your skin. “No, my wife. Simply love. Pure, unconditional love.”

***

The house was bright, the curtains pulled as far open as they could be. Some servants scuttled around, holding laundry or preparing for dinner. Meanwhile, Mattheo strode leisurely through the halls, smiling lovingly as his nephews chased each other through the halls. “What do I say, boys?” he called after them.

“Have fun, be safe, and don’t get caught!” they yelled back before running around a corner.

Enzo jogged after them and grumbled to Mattheo, “it’s not your duty to rule them up.”

“As their favourite uncle, yes, it is.”

“Your wife is in Andromeda’s room,” Enzo told his brother before sprinting off after his sons. Enzo wasn’t usually at Riddle Manor, but today was a special day. It was Orion’s birthday.

Mattheo chuckled to himself before Orion raced up the steps, panting. “Papa! Papa!” 

Mattheo grinned widely and scooped Orion up. “Are you alright, hm? What’ve you been up to?”

“Aunt Pansy’s carriage just pulled up!” Orion bounced in Mattheo’s arms, beaming.

“And you’re not even dressed,” Mattheo stared at Orion, pretending to be stunned. “Where’s your mother, Ori?”

“She’s helping Andy get dressed,” Orion announced. Mattheo nodded and carried his son to his daughter’s room. “Mum!” Orion cried out, seeing Y/n standing behind Andromeda, knotting her hair into a braid. 

“Oh, my darling,” Y/n tied Andy’s hair up before crossing to Mattheo and taking Orion from his arms. “Are you excited for your birthday?”

Orion hummed excitedly and wiggled down from Y/n’s arms. He darted to Andromeda and wrapped himself around her in a tight hug. Andromeda grumbled, but allowed him to cling to her as she finished her hair and rouge.

Mattheo took Y/n’s hand and pulled her back toward him, nudging his nose against hers. “Look at that,” he murmured, reaching down to play with the silver and green ring on your finger. “Mine.” He pressed a kiss to your temple. Slowly, as to not arouse suspicion from your children, he backed you up and caged you against the wall in his arms. “Seven years with you and two beautiful children to show for it.”

“Hey, mum? Where’s my- eugh!” Andromeda turned around and reeled back from the scene in front of her. “For the love of Salazar, please get a room!”

“We are in a room.” Mattheo smirked, glancing up from the crook of your neck. 

“Aren’t you two, if I'm doing my calculations correctly, nearing thirty years old?” Andromeda tsked and rolled her eyes. 

“You believe that simply because we’re getting older, I’m going to stop loving your mother?”  Mattheo chuckled before pressing a light kiss to your jawline. 

You shivered and tucked your face into your husband’s chest. “Matty, spare the poor children,” you chastised lightly. “What do you need, darling?” you turned towards Andromeda.

“You used to call me that,” Mattheo whined. He stepped back from you, letting you out of his embrace.

Andromeda sighed and asked, “where is my white shawl? It’ll go well with the dress I’m planning to wear to Orion’s party.”

“Why does it matter what you wear to Orion’s party?” Mattheo asked, puzzled. 

“Because Albus Potter is going to be here,” you said as if it were obvious.

“Harry Potter’s son?” Mattheo asked incredulously. “That scumbag?”

Both you and Andromeda ignored Mattheo and Orion left the room at the sound of Aunt Pansy entering the foyer and shouting out for her favourite nephew.

“Your shawl should be in the library,” you answered. “Ori was using it as a blanket yesterday.”

Andromeda sighed and turned towards the door. “He needs to stop taking my things. Just last week he stole my candelabra so he could read in the dark. Perhaps you should accelerate his schooling. He’s getting bored, you know.”

“We’ll raise our own son, thank you, Andromeda,” Mattheo raised a brow. Andy huffed and and flicked her dress out behind her dramatically, exiting the room. Mattheo turned to you and said, “they get that from you. The love of reading.”

“Yes, but they get their flair for the dramatics from you. And lest us not forget, you keep fuelling our love of literature by buying more books and expanding our library,” you countered.

Mattheo hummed. “‘Tis true. But how could I live without spoiling my wife and children?” He whirled you around in his arms and pressed a long kiss to your lips. “Speaking of children, what would you think of expanding our family?”

You let out a laugh. “You simply like the act of making a bigger family.”

“I love my children too,” Mattheo defended.

You reached up and brushed some of his hair away from his face. “Yes you do,” you smiled up at him. “You love your family very much.”

“Always.”

[graysoncritic]

A (Negative) Analysis of Tom Taylor's Nightwing Run - Introduction

Introduction Who is Dick Grayson? What Went Wrong? Dick's Characterization What Went Wrong? Barbara Gordon What Went Wrong? Bludhaven (Part 1, Part 2) What Went Wrong? Melinda Lin Grayson What Went Wrong? Bea Bennett What Went Wrong? Villains Conclusion Bibliography

I want to start this essay by admitting I’m actually embarrassed by its length. Why did I spend so much time on something I dislike? The truth is, I did not begin this with the intention of creating such an extensive, formal study of the Tom Taylor and Bruno Redondo’s Nightwing run and how it reflects the wider problems with DC’s handling of one of their most iconic characters. I was just trying to organize the thoughts that came up during discussions with other Dick Grayson fans. Before I knew it, I had enough material, enough desire to challenge myself, and enough frustrations to vent to properly create this monstrosity.

I did not begin this Nightwing run determined to hate it. In fact, I was ready to love it. As Taylor promoted the run before the first issue was officially released, I was so excited for it. As I read short interviews where he discussed Heartless, I could not wait to have a new, incredible villain. Foolishly, I believed Taylor when he said he loved Dick Grayson. 

Needless to say, I was disappointed. Then frustrated. Then angry. The beginning of any story is a period where writer and reader form an indirect bond, and as the story progresses, so do the highs and the lows of said relationship. As such, a reader’s tolerance for negative factors will either increase or decrease depending on their experience up until that point.

In other words, if the writer fails to earn the reader’s trust and instead takes their attention for granted, even seemingly insignificant details become irritating in a way they would not be if presented in a better story. In such scenarios, the reader can no longer overlook those minor moments because there’s little good to balance them out with. It is a death by a thousand cuts. 

In the case of Taylor and Redondo’s run, along with those thousand cuts are also broken bones, internal bleeding, head trauma, and severed limbs. A weak plot, simplistic morality that undermines the story’s stated themes, and, most importantly, a careless disregard for Dick Grayson and everything he stands for utterly destroyed my enjoyment of this series. 

It is still too early to tell what sort of impact Taylor’s (as of time of writing, still unfinished) run will have on Dick Grayson’s future portrayals. But just because we cannot predict its long term significance, it does not mean we cannot critique it. Currently, we simply lack the benefit of hindsight. 

If this essay were to have a thesis, then it is this: Tom Taylor and Bruno Redondo’s Nightwing not only fails to tell a compelling Nightwing story, but it also exemplifies a cynical, self-serving, and shallow approach to storytelling that prioritizes creating hollow viral moments to boost the creators’ own online popularity over crafting a good story, honoring the character in their care, and respecting his fans – fans who have, historically, often been women, queer folk, and other individuals who felt othered by a cisheteronormative patriarchal society. Taylor and Redondo’s thoughtless and superficial narrative not only undermine the socially progressive ideals they supposedly care for by propagating a cisheteronormative patriarchal worldview, but they also demonstrate a lack of love and understanding for the character in their care. At best, Taylor and Redondo have no interest in getting to know Dick Grayson, nor any respect for their predecessor and their contributions to this character. At worst, they despise Dick so much that they wish to reinvent him into something completely different, tossing away everything that was special to his fans in order to appeal to a readership that never cared about Dick Grayson. 

I structured this essay so that, hopefully, each part will build on the ones that came prior. Naturally, because all aspects of a story are interlaced, there will be overlaps between each of the sections. As it may have become obvious from this introduction, I’ll be focusing primarily on the writing of this run. That is not to say that I will not address the art, but writing is the field I know most about, and so it feels only fair to focus my critique on that. 

I hope that by the end of this essay, I will have successfully proved that this run’s mishandling of different narrative elements betray a cynical appropriation of progressive ideology and a disregard and disinterest in what makes Dick Grayson so special to so many people. This is an attitude that is present within DC Comics’ current ethos as a whole.

Now, who is this essay for? Honestly, it’s probably not for Tom Taylor fans. I do not believe I’ll be persuading anyone with my writing, and, to be quite honest, neither would I say I wish to do so. Taylor and Redondo’s run has won numerous awards and has many dedicated fans who adore it for what it is. If that is you, then I’m glad. I wish I could be among your numbers. I wish more than anything that I could love this story. But I do not, and I know many others agree with me, and it is to them, I think, that I’m speaking to. As Taylor’s run is praised to heaven and back, I needed a safe space to voice my thoughts. This essay became this safe space. And to others who also feel unseen by the constant praise this run is getting, I think this could speak to you, as well. To be cliche and cringe, this will hopefully let you know that you are not alone. 

Finally, I want to acknowledge some people whose thoughts greatly contributed to the creation of this essay. For around three years now I’ve been having wonderful interactions with other Dick Grayson’s fans, and those discussions were not only incredibly fun and cathartic, but also provided great insight into what needed to be included in this essay. My best friend especially gave me a space to vent when I got frustrated, and my original outline borrowed a lot from the messages I sent her, as well as notes I took for our discussions.  

I’ll also be directly quoting four different Dick Grayson fans (identified as Dick Grayson Fans A, B, and C in order to allow them to keep their anonymity). Their analyses were so critical to the formation of my thesis and for a lot of what will be addressed in this essay that I actually feel like they deserve co-credit in this essay. Dick Grayson Fan B especially deserves a shoutout in helping me track down a couple of pages used as supporting evidence, as I knew what pages I was looking for but was having a hard time remembering in which issue they were located. I’m quoting them with permission, and crediting their ideas and contributions whenever relevant. 

Now, without any further ado, let’s get started. 

[rhcenyra]

Now, everybody, if you want to turn your attention to the right, at them bit green pearly gates, this is 1132 Royal Street, home of the most infamous party ever thrown in New Orleans. This is where two dozen members of high society, they walked in them doors right there. Ain't nobody ever seen them again. Take a picture if you need to. The year is 1940. The man that owned this townhome and that year's King of Raj went by the name Sebastian Melmoth. Now, now, history's going have him go down as a little somethin' different. A Monsieur Lesander Lioncourt. He was a so-called Frenchman. A so-called seller of industrial machinery. But now tell me, tell the Crime Dawg, why would a man, a known hoarder and an infamous recluse be named King of Raj in the first place? Why, Crime Dawg? Sebastian knew a fella by the name of Tom Anderson. He was a former Louisiana State Representative and a full-time Bourbon Street gangster.

[thatscarletflycatcher]

The problem with discussions about Henry Crawford is that there are two different questions being asked at the same time: 1) Can Fanny reform Henry? and 2) Can Henry reform?

Austen answers negatively to the first one, but I'd argue she's very ambivalent in her answer to the second.

Austen is not in the habit of "punishing" her villains; none of them are struck by accidents of fortune or anything the like, but we commonly perceive the downgrade between what they could have had and what they end up having. Edward Ferrars is an infinitely preferrable husband to Robert Ferrars, but Lucy Steele never seems to become aware of that fact. Isabella tries to get Captain Tilney over James Morland. Mr. Elliot is not crying by the corners over the fact that he lost Anne Elliot. Even Willoughby's regret is not about Marianne's actual goodness, but his personal convenience. Austen's "villains" as a rule are morally stupid people.

When Aristotle says that no one can be good who is stupid, he doesn't have in mind things like being good at Math or being well read or quick-witted; he's thinking of a certain intuition, clear-sightedness about what is good, what contributes to human flourishing, and this seems to be a strong component of what Austen calls sense. Sense is almost convertible (if not completely) with prudence, and prudence is a rather intuitive virtue, as it regulates the when, the how, the how much, etc of the other moral virtues. (and there goes my first thesis topic that I never did!).

In that way it is interesting that only 4 characters are said to possess sense in Mansfield Park: Edmund, Fanny, Henry, and Tom (and Tom doesn't even fully count, because his is expressed negatively: instead of having sense, he doesn't lack it). Here are the Henry instances:

"He did not want them to die of love; but with sense and temper which ought to have made him judge and feel better, he allowed himself great latitude on such points." "Henry Crawford had too much sense not to feel the worth of good principles in a wife, though he was too little accustomed to serious reflection to know them by their proper name; but when he talked of her having such a steadiness and regularity of conduct, such a high notion of honour, and such an observance of decorum as might warrant any man in the fullest dependence on her faith and integrity, he expressed what was inspired by the knowledge of her being well principled and religious." "That punishment, the public punishment of disgrace, should in a just measure attend his share of the offence is, we know, not one of the barriers which society gives to virtue. In this world the penalty is less equal than could be wished; but without presuming to look forward to a juster appointment hereafter, we may fairly consider a man of sense, like Henry Crawford, to be providing for himself no small portion of vexation and regret: vexation that must rise sometimes to self-reproach, and regret to wretchedness, in having so requited hospitality, so injured family peace, so forfeited his best, most estimable, and endeared acquaintance, and so lost the woman whom he had rationally as well as passionately loved."

(I'm not counting the one time Edmund calls him a man of sense, and the one time Sir Thomas does the same, for obvious contextual reasons).

It's not only interesting that he is the only rake to be called a man of sense by the narrator (Mrs. Smith calling Mr. Elliot a man of sense in Persuasion is clearly not meant to be taken straight), but that it is always specifically tied to moral perceptiveness; he was morally perceptive enough to know he shouldn't have played the way he did, and he chose to ignore it. He perceives Fanny's moral worth, and it is the core reason why he wants to marry her.* He also perceives William's moral worth as something both good and desirable:

"To Henry Crawford they gave a different feeling. He longed to have been at sea, and seen and done and suffered as much. His heart was warmed, his fancy fired, and he felt the highest respect for a lad who, before he was twenty, had gone through such bodily hardships and given such proofs of mind. The glory of heroism, of usefulness, of exertion, of endurance, made his own habits of selfish indulgence appear in shameful contrast; and he wished he had been a William Price, distinguishing himself and working his way to fortune and consequence with so much self-respect and happy ardour, instead of what he was!"

Both here and at the end of the novel, Henry's moral perceptiveness leads to remorse for his own moral wrongdoings. Compare this to Willoughby's regret over Marianne:

"Willoughby could not hear of her marriage without a pang; and his punishment was soon afterwards complete in the voluntary forgiveness of Mrs. Smith, who, by stating his marriage with a woman of character, as the source of her clemency, gave him reason for believing that had he behaved with honour towards Marianne, he might at once have been happy and rich. That his repentance of misconduct, which thus brought its own punishment, was sincere, need not be doubted;—nor that he long thought of Colonel Brandon with envy, and of Marianne with regret. But that he was for ever inconsolable, that he fled from society, or contracted an habitual gloom of temper, or died of a broken heart, must not be depended on—for he did neither. He lived to exert, and frequently to enjoy himself. His wife was not always out of humour, nor his home always uncomfortable; and in his breed of horses and dogs, and in sporting of every kind, he found no inconsiderable degree of domestic felicity."

This sense/moral perceptiveness of Henry Crawford, and his experiencing remorse for his own wrongdoings sets him apart from the other Austen rakes. He's also not a drinker or a gambler; he does take at least minimal care of Everingham ("Everingham could not do without him in the beginning of September. He went for a fortnight") and did some modifications to it as soon as he got it. The same way Darcy's character is revealed as we see Pemberley, so the inflexion point of Henry's redemption attempt is his trying to become a better master of his estate:

For her approbation, the particular reason of his going into Norfolk at all, at this unusual time of year, was given. It had been real business, relative to the renewal of a lease in which the welfare of a large and—he believed—industrious family was at stake. He had suspected his agent of some underhand dealing; of meaning to bias him against the deserving; and he had determined to go himself, and thoroughly investigate the merits of the case. He had gone, had done even more good than he had foreseen, had been useful to more than his first plan had comprehended, and was now able to congratulate himself upon it, and to feel that in performing a duty, he had secured agreeable recollections for his own mind. He had introduced himself to some tenants whom he had never seen before; he had begun making acquaintance with cottages whose very existence, though on his own estate, had been hitherto unknown to him. This was aimed, and well aimed, at Fanny. It was pleasing to hear him speak so properly; here he had been acting as he ought to do. To be the friend of the poor and the oppressed! Nothing could be more grateful to her; and she was on the point of giving him an approving look, when it was all frightened off by his adding a something too pointed of his hoping soon to have an assistant, a friend, a guide in every plan of utility or charity for Everingham: a somebody that would make Everingham and all about it a dearer object than it had ever been yet. She turned away, and wished he would not say such things. She was willing to allow he might have more good qualities than she had been wont to suppose. She began to feel the possibility of his turning out well at last; but he was and must ever be completely unsuited to her, and ought not to think of her.

I have half an idea of going into Norfolk again soon. I am not satisfied about Maddison. I am sure he still means to impose on me if possible, and get a cousin of his own into a certain mill, which I design for somebody else. I must come to an understanding with him. I must make him know that I will not be tricked on the south side of Everingham, any more than on the north: that I will be master of my own property. I was not explicit enough with him before. The mischief such a man does on an estate, both as to the credit of his employer and the welfare of the poor, is inconceivable. I have a great mind to go back into Norfolk directly, and put everything at once on such a footing as cannot be afterwards swerved from. Maddison is a clever fellow; I do not wish to displace him, provided he does not try to displace me; but it would be simple to be duped by a man who has no right of creditor to dupe me, and worse than simple to let him give me a hard-hearted, griping fellow for a tenant, instead of an honest man, to whom I have given half a promise already. Would it not be worse than simple? Shall I go? Do you advise it?” “I advise! You know very well what is right.” “Yes. When you give me your opinion, I always know what is right. Your judgment is my rule of right.” “Oh, no! do not say so. We have all a better guide in ourselves, if we would attend to it, than any other person can be.

This is even more hammered in by the narrator: "Had he done as he intended, and as he knew he ought, by going down to Everingham after his return from Portsmouth, he might have been deciding his own happy destiny."

All these elements seem to point towards his being redeemable; he almost managed it! If only he'd gone to Everingham instead of London, catastrophic failure would have been averted! And yet at the same time we are told this:

Henry Crawford, ruined by early independence and bad domestic example, indulged in the freaks of a cold-blooded vanity a little too long. Once it had, by an opening undesigned and unmerited, led him into the way of happiness. Could he have been satisfied with the conquest of one amiable woman’s affections, could he have found sufficient exultation in overcoming the reluctance, in working himself into the esteem and tenderness of Fanny Price, there would have been every probability of success and felicity for him. His affection had already done something. Her influence over him had already given him some influence over her. Would he have deserved more, there can be no doubt that more would have been obtained, especially when that marriage had taken place, which would have given him the assistance of her conscience in subduing her first inclination, and brought them very often together. Would he have persevered, and uprightly, Fanny must have been his reward, and a reward very voluntarily bestowed, within a reasonable period from Edmund’s marrying Mary.

Ruined by early independence and bad domestic example. Mansfield Park is in a way a rather pessimist novel: it is a novel about education, and once your education has "set", your character is fixed, and your fate determined. Much of Maria and Julia's disgrace was also directly caused by their upbringing in a household where all importance was given to superficial qualities, and very little effective affection was shared; one can compare the restrained calm of Mansfield as a reflection of Sir Thomas' own unwillingness to see reality and give himself some discomfort in making others comfortable, with the bustle of the Musgrove household, and connect the dots to what makes the relationship between sisters Maria and Julia so different from the one between Louisa and Henrietta in similar situations.

In the end, it's a bit of a Schröedinger's cat situation. Can Henry reform? Yes, says Austen, he has the qualities needed for moral improvement, but no, his upbringing ruined him, and his character is fixed.

While this idea is the strongest in MP, it is present one way or another in all Austen's novels. Characters reforming is usually more about one specific quality or moral tone not being fine tuned than proper metanoia. Darcy was taught to do right, and did right; what he needed was to add proper humility and kindness to his practice. There is an exception, though, the one thing Charlotte Brontë and Jane Austen agree upon: a close brush with death is the best recipe for moral cure in the otherwise incurable.

Maybe the key is to wish Henry a good pneumonia, or a strong horsefall-induced concussion.

_____________

*On a side note, it's interesting that before he proposes, he considers how attached Fanny is to Mansfield, as undeserving as he thinks the Bertrams to be of her affection, and even draws a plan that contemplates giving her pleasure that way too: "I will not take her from Northamptonshire. I shall let Everingham, and rent a place in this neighbourhood; perhaps Stanwix Lodge."

[saintsenara]

Do you think the wizarding world even has a concept of rape? I don't think this was JKR's intent but love potions are considered perfectly legal, Romilda Vane doesn't get in trouble, Dumbledore doesn't seem to think Merope did anything wrong to Tom Riddle Sr., and despite a member of Magical Law Enforcement witnessing lots of sketchy stuff at the Gaunts' no one steps in to help Merope. Plus we know their society is archaic and lacks modern values - ie. quills, slavery, lack of democracy

it's a great question pal.

the answer for which is under the cut, for the obvious reason that it comes with a trigger warning for rape.

when the statute of secrecy was signed in 1689, rape - defined as "the carnal knowledge of a woman forcibly and against her will" - had been illegal under english law since the middle ages.

however, the "against her will" bit is important here. in the seventeenth century, it was a legal requirement for a victim of rape to prove that she had maintained a continuous state of physical resistance during her assault. in cases where a victim could not prove this, her consent was presumed - even if she had been incapacitated in some way. unsurprisingly, consent was always assumed between husbands and wives.

men could not be raped under the letter of seventeenth-century english law - but the rape and sexual assault of men was illegal under buggery [sodomy] laws, and was often taken much more seriously by the state...

and i think we can plausibly say - should we want to - that, on the basis of what we find in canon, the wizarding world might retain this legal requirement for rape to be indisputably resisted, and that this explains why love potions seem to have no repercussions attached to them.

because, of course, love potions essentially function like date rape drugs, even if they leave their victims appearing to be of sound mind [the officiant who married tom and merope wasn't suspicious of anything, for example - and the only reason ron is so badly affected by the love potion he takes is because it was out of date]. they incapacitate a person to the extent that they cannot offer legitimate consent to sexual acts, and they also incapacitate them to the extent that they cannot physically resist their attacker - in their case, by compelling the person dosed with the potion to regard their attacker as someone they want to have near them.

therefore, if wizarding law only considers rape to be something which is accompanied by evidence of resistance... then using a love potion on somebody would not be rape.

the cultural implications of this are fascinating - especially since [no matter what jkr thinks] the wizarding world appears to be restrictive [by the standards of muggle britain in the 1990s and 2000s - although, unfortunately for those of us on our high horses about coming from a superior nation, not by the standards of muggle ireland...] in terms of conventions surrounding sexual behaviour and gendered expectations placed upon women.

the marriage age for women is extremely low [any woman whose wedding date we can pin-point in canon - molly weasley, andromeda tonks, lily potter, fleur delacour - gets married as a teenager]; the age for having children is also much lower than it was in the muggle world - and even than it was in the muggle world of the 1940s-1980s [all four of the women above fall pregnant before they're twenty-one, for example]; unmarried couples don't seem to live together, and there's clearly a social taboo against premarital sex [molly weasley gets a lot of flack from the fandom for making bill and fleur sleep in separate bedrooms, but nobody in the story regards this as prudish or old-fashioned]; divorce doesn't seem to be common [and blaise zabini's mother killing her husbands certainly takes on a new flavour if we assume that divorce is extremely difficult... or even illegal]; and married women - at least in the middle- and upper-classes - don't seem to work.

i also think that it's canonically plausible that arranged marriage, including between cousins, is a common cultural practice [sirius' comment in order of the phoenix about parents "letting" their children marry basically confirms this, i think] - which means we can also imagine, if we'd like, that there's perhaps little legal distinction between arranged and forced marriage.

obviously - obviously - i don't think that any of these are things the doylist text intended. the reason the story says very little about sex - both consensual and otherwise - or law or gender norms is because the harry potter series is a story about a boy-wizard who goes to a cool magic school and fights a good-versus-evil battle to the death which was written for children. i don't begrudge the publishers for not fancying a hundred pages on harry learning how to put on a condom...

[and the low marriage/childbearing ages genuinely seem to be because jkr is functionally innumerate and didn't realise how young she was suggesting everyone was...]

but from a watsonian perspective, they're really interesting - especially for the extremely disturbing paths they can lead us down as authors when we're trying to flesh out the worldbuilding of magical britain.

what - for example - is the wizarding age of consent? and how would this impact how wizards understand sexual maturity, adult-child power relations, and child abuse?

[after all, if the age of consent is unchanged from 1689... it could be as low as ten. which goes some way towards explaining why nobody thinks of tom riddle as grooming ginny...]

does the law consider it possible for a wizard to rape his wife? and if it doesn't, what does it think about him beating her?

what legal rights do sex workers have in the wizarding world?

is abortion legal? is contraception? is homosexuality? does gay sex have a higher age of consent?

is divorce legal? can women initiate a divorce? how are single mothers treated [and, therefore, what was lupin willing to do to tonks by walking out on her]? how are the children of unmarried parents treated? what property and inheritance rights do women have? are marriages performed by muggles - or dissolved by them - recognised by the wizarding state? what position does this put a witch [like eileen snape] who marries a muggle man in? would a wizard who marries a muggle woman and then abandons her be committing bigamy if he married a witch?

would wizards ever be punished for sexual offences against muggle women? does merope get away with attacking tom sr. in the eyes of the wizarding state because of her gender or because he's a muggle or both? could a muggle raped by a wizard even report the crime?

what modesty standards are there in terms of dress and behaviour? what would wizarding feminism look like? what is it like to be muggleborn [especially from the 1960s onwards] and enter this world?

i think i'm inclined to take the grimmest possible view of all of these questions, to be quite honest...

the wizarding world is fucked up.

[zablife]

Can I pick this one for your gif celebration?

Hi Liv! Sorry it's taken me some time to get to this lovely GIF, but I was distracted by the memory of Tommy growling, "My property"🤭 This fic is a continuation of Just a Peek, a few years after you and Tommy are wed. @thomashelbyswife 's enthusiasm for the first blurb encouraged me to pen this spicy addition! I hope you enjoy it!

18+ MDNI

Playing Games

"Where were you all night, Tom? I barely saw you," you pouted, depositing a pair of hefty diamond earrings into your jewelry box with a thud.

"I had business to attend to, Y/n," he sighed, shrugging off his dinner jacket and tossing it over a chair.

"I recall a time you had your nose pressed against the glass, hoping for a glimpse of me. What must I do for a bit of interest now?," you inquired, allowing your dressing gown to fall past your shoulders to reveal freshly powdered skin. You locked eyes with your husband in the mirror and your lips twitched with the hint of a smirk, knowing then that you had his full attention.

Feeling his gaze upon you, you sauntered toward the window and reached for the curtains while secretly untying the bow at your waist. Eliciting a tiny gasp of surprise, you allowed the robe to slip off your shoulders and pool at your feet in a puddle of pink silk. "Oops, I hope no one was watching," you feigned, one hand to your mouth in exaggerated innocence.

You heard Tommy's swift steps behind you before you felt his strong hand clamp down upon your wrist, his hot breath at the back of your neck. "Playing games, Mrs. Shelby?" his low voice rumbled, causing a delicious shiver to run down your spine.

Spinning around in his arms, you raised an eyebrow seductively asking, "Did you have one in mind?" Raking a hand through his hair, you searched his face, but found his gaze had drifted past you, toward the last of your guests spilling out onto the drive. "Come on, Tom, I think I deserve a little attention after being so patient all night," you cooed, running a finger along his chiseled jawline.

Tommy could only clench his back teeth together tightly as he spotted the unmistakable gait of a pompous earl who'd been flirting with you earlier. Pupils darkening with an impending storm of jealousy mixed with lust, Tommy's hands slid to your waist, his grip on you tightening like a vice.

You yelped in delight, returning his passion by dipping into the crook of his neck to leave a love bite.

Tommy hissed, hand capturing your jaw to bring your ravenous eyes back to his. "Whose attention?" he demanded.

"I don't know that game," you teased, brushing your nose against his as you guided his hand to your soaking core. "But I think you know this is all for you."

You felt the tension in his forearm slacken, but the scoff which came next told you he was anything but relaxed. "And you're stood at the window because...?" he asked accusingly.

"Because I want you to show these posh cunts how a real man fucks his wife," you whispered, nibbling softly at his earlobe.

It was a suggestion Tommy found difficult to resist when your skilled hand began stroking him to hardness. He couldn't deny the appeal as he watched your tits bouncing in the reflection of the glass, huffs of breath steaming the window pane. The shocked expressions of society wives being shoved into their waiting cars by their impotent husbands was a high he'd never forget.

Zablife Sleepover

--------------------

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[amandayoungdyke]

succession characters and who they want to win best picture:

logan: top gun: maverick. doesn’t respect tom cruise cause he’s only 5”6 but he liked the plane stuff

shiv: tár. she had like a couple of hours to kill between meetings and it was the only thing showing in the middle of the afternoon on a tuesday. spent most of the movie answering emails on her phone but thinks she got the gist of it (she didn’t.) went out and bought a white shirt with a high starched collar afterwards

tom: also tár. saw it separately from shiv and related to the part where she has to cover up crimes

greg: elvis. enjoyed the bright colours and the doja cat song

connor: avatar: the way of water. fascinated by the inner workings of the fictional na’vi society; thinking of incorporating some of their traditions into his next manifesto.

kendall: banshees of inisherin. it happened to him and stewy in college

roman: hasn’t watched a movie since he was 15

[bestiarium]

Am Fear Liath Mór, or the Big Grey Man of Ben MacDhui [Scottish cryptid]

The high passes of Ben MacDhui – the second largest mountain in Scotland – are haunted by tales of a mysterious creature that supposedly stalks hikers. Usually it is described as an impossibly tall, grey spectre, thereby earning it the name ‘Am Fear Liath Mór’, meaning ‘the big grey man’.

The story starts in 1891 with professor Norman Collie of the Royal Geographic Society, who happened to be a passionate hiker as well. The professor had just climbed the cairn on the summit of Ben MacDhui when he heard something that vaguely sounded like footsteps. I should mention that this area is notoriously misty, so you can imagine how easy it is for a lone hiker to get anxious when hearing strange noises.

The footsteps continued, but they were oddly spaced: for every ‘step’ the professor heard, he himself took three or four. It was as if this mysterious spectre was taking giant leaps or had huge legs. Eventually the professor was overtaken by panic and fled. Much later, in 1925, he recounted his tale and shared it with the newspapers, who were eager to publish and often exaggerate the story of a supposed monster or cryptid living in the Scottish mountains. At the time, the mystery creature was dubbed ‘the Ben MacDhui Ghost’ in the media.

Afterwards, multiple people came forward with claims about the mountain ghost, some of which were believable (hearing unidentified sounds) and some were more fantastic (Richard Frere and Peter Densham claimed to have had a conversation with an invisible, psychic creature).

Richard Frere would later claim that while he was hiking on the top of the Ben MacDhui, he had an unshakeable feeling that someone else was there with him, and he would hear a strange high-pitched noise that seemed to come from the soil beneath his feet.

Frere also gave a physical description of a creature he claimed to have seen (but it is difficult to verify whether this is the oldest actual ‘sighting’ of the supposed ghost): a large, brown creature was seen swaggering down the mountainside. It stood about 20 feet (6m) tall, was covered with short brown fur and had a disproportionally large head supported by a thick, muscular neck. It had broad shoulders but walked upright and did not resemble an ape.

Interestingly, only a single sighting happened on a nearby mountain, rather than on the Ben MacDhui itself: in the 1920’s, Tom Crowley, the president of the local Moray Mountaineering Club, claimed to have seen an apparition while descending from Braeriach to the Glen Eanaich. It was a very tall, misty grey figure with a humanoid shape, albeit with long legs that ended in strange talons (described as resembling fingers more than toes) and a head with pointy ears.

Dr. A. M. Kellas, himself a famed mountaineer, also claimed that a giant grey humanoid creature haunted the mountain. Among the many supposed sightings, I am uncertain which one is actually the oldest description of the ‘Grey Man’ as a tall, grey spectre, but it is certainly the most popular one. The grey apparition had cemented itself as a local cryptid and urban legend and many more supposed sightings followed.

Though it is often claimed that the creature is connected to ancient Scottish or Celtic mythology, this is most likely false. Gray Affleck, the author of ‘The Big Grey Man of Ben MacDhui’, attempted to research this link but could not find a single connection with actual Highland mythology.

In 1958, the June edition of ‘Scots Magazine’ told the story of Alexander Tewnion’s 1943 expedition to the mountain. While he was descending the mountain, a giant grey shape suddenly loomed over him. Having none of this bullshit, Mr. Tewnion immediately pulled out his revolver and fired three bullets at the thing. The mysterious apparition seemed not to notice, however, and kept walking towards him, upon which Tewnion fled.

Sources: Barrie, A., 2005, Sutton Companion to the Folklore, Myths and Customs of Britain, The History Press, 480 pp. Gray, A., 2013, The Big Grey Man of Ben MacDhui, Birlinn, 183 pp. (reviewed edition, first edition published in 1970) (image source 1 : Attila Nagy on Artstation) (image source 2: ManthosLappas on Deviantart, ©Fear Liath)

[novella-november]

Fantasy Discrimination, and The Implications

A post on my dash reminded me to share some more writing advice, so here is a very good article by @mythcreantsblog , about how to make sure you're not dehumanizing a species or culture in your writing, which is a good guide on how to avoid accidentally writing racist or ableist tropes:

In particular, I want to talk about the ever-present racist trope in a lot of fantasy and scifi fiction, and that is the decision a lot of creators make where the villains are not just a single person, a faction, or a kingdom -- *its an entire species* who is not only the villain, but are outright, inherently *evil*.

To start out, here's a political cartoon by Tom Gauld you've probably seen all around tumblr with the name cropped out:

[ID: a political cartoon by Tom Gauld, showing two identical cities and boats mirrored on a river, each with a purple or yellow flag; one side is labled "Our Blessed Homeland, Our Glorious Leader, Our Great Religion, Our Noble Populace, Our Heroic Adventuerers", The other side is labled "Their Barbarous Wastes, Their Wicked Despot, Their Primitive Superstition, Their Backwards Savages, Their Brutish Invaders. End ID]

This political cartoon is a very good tool for testing your writing for the trope of demonizing/glorifying your fantasy/scifi species.

Let's use a classic example: your fantasy setting is made up of the following species: Elves, Dwarves, Humans, and Orcs.

Your Elves are a long-lived, ethereal people who live in secluded, perfect cities, all of them tall, blonde, and blue-eyed, who are extremely wise and making plans that can stretch out over dozens of human generations, and they're the deciders of 90% of politics in your world. Your Dwarves are a short, squat, species who spend their lives working in forges, mines, and laboratories, tirelessly toiling (because they enjoy the hard work, of course!) and selling their products to the Elves who are their largest and wealthiest customer base; Dwarves work hard and studiously for decades at a a time to complete a piece of work in order to fufill the intricate orders from their Elven customers, which is how the majority of them provide for their families, working 16 hour shifts each day for decades per order. Your Humans are far more seperated, and often live on the fringes of what their longer-lived compatriots consider "Civilized Society", often living as Subsistence farmers and hunters, not out of choice, but often due to poor land and lack of resources; the wealthiest of Human cities are usually the capitals where the royals reside and may live in luxury with rich markets and high-quality products and running water, but the vast majority of Humans live in small, poor villages that must rely on traveling merchants to sell what produce and livestock they can spare from their farms in order to buy the supplies they need to live out another year. Your Orcs.... well, they don't really live anywhere, do they? Orcs strongholds can only maintain their grip in hellish wastelands where living is nigh impossible, with all food and water only obtained from outside sources; occasionally, Orcs will attempt to establish base camps in more fertile land, invading neighboring Human, Dwarf, and Elven territory to do so, who quickly unite to expel these vile, dark, brutish invaders lest they steal their daughters, destroy and taint all of the natural resources and steal the few jobs available to the Humans in Dwarven and Elven cities as manual labour and servants.

And Now, take a step back from this world, and take a long, hard look at these species (outside of humans who are just kinda there in the middle and the only ones capable of change because Humans Are Always Special) and societies and what ideas are being reinforced here, especially when the above descriptions are framed as Hard Facts which are both Just and True?

(archived read-more Here)

Elves are morally superior and are always Perfect and Correct,

Dwarves are happy to spend their entire lives toiling in the forges and mines to please their Elven patrons,

and Orcs are Evil Monsters who will rob, murder, and rape any hapless victim who comes their way, so it's better to slaughter them all on sight and kick them out of your cities and towns, and this is the 100% correct morally right choice every single time and the narrative and characters themselves support this?

Did you spot them already, or does the above just seem like a cool, fun fantasy world where Elves are the cool wise good guys and Orcs are the devil's army and can be used as canon fodder any time your main character needs to mow down some enemies for a Badass Scene?

Let's retrace our steps a bit, shall we, and examine this "perfect" world through a critical lens?

When your elves are all portrayed as Perfect Ethereally Beautiful Blonde and Blue-Eyed wise leaders of the civilized world, what idea is being reinforced here? Who does it harm, and what real world ideas is this mirroring and enforcing? Who is going to have their own biases reinforced by this narrative?

When only the longest-lived people are allowed to decide politics, what group biases are being enforced? Is portraying "young people" as "being incapable of making political decisions" as a correct, logical choice in your story something you wish to enforce? Are there any real world issues this trope mirrors?

When your Dwarves are all Happy Workers and Slaves, bound to and reliant on the superior Elves to live, spending the majority of their life purely in service to these Superior Beings while happy to do it, what idea is being reinforced here? Who might see themselves in the plight of the Dwarves and feel alienated and insulted by the Dwarves happily slaving away in the dark? Who might have biased ideas reinforced by seeing the Dwarves treated in such a way?

When your Orcs are portrayed as evil, dark skinned, brutish savages who will kidnap and rape poor helpless women from the "pure" species, when Orcs are incapable of creating anything of their own and can only steal, what racist messages are being enforced and upheld? Who are the real people and cultures being demonized when you perpetuate this? What real world peoples and cultures have faced *decades of propaganda framing them as such*?

If you spotted these harmful messages in the initial indented description, good job!

But if you didn't, it's time to find and read critical reviews and essays written by marginalized communities of works that include these damaging tropes, because if it your Evil Species are Weird Aliens, because when you characterize and describe your Evil Species, you are undoubtedly going to be drawing heavily on your own internal biases of what makes people Other and Wrong.

Are your Evil Species all dark-skinned, physically-strong and animalistic? Congrats, you have just regurgitated centuries-old racism that justifies slavery, segregation, and discrimination *to this day*

Are your Evil Species all nomadic ~cannibals~ who are incapable of creating anything of their own and have to loot and steal from others to have anything of value? Congrats, you are once again regurgitating racist propoganda that has been used against countless cultures and minorities for centuries.

Are your Evil Species reknowned for kidnapping and raping the women of your Good Guys in order to create Evil Twisted Halfbreed Offspring for ....uh, reasons? Congrats, once again, this is literally just racist propaganda being reinforced by your writing.

Anything you come up with to make your Species Inherently Evil is going to most likely be something that is weaponized against real world minorities that you are now reinforcing with your writing, from racism to ableism to queerphobia and all the ways they intersect.

How do you fix this?

It's incredibly simple!

Don't make an entire Species be Inherently Evil.

They need to be just as varied as real living people.

Your Species should not be a Monolith, let alone of *Evil*.

Your Species should not have their only "decent/civilized/kind people" examples come from ""crossbreeds"" [and this term itself should be used only by bigots as a deragatory term] or random orphans who were raised by one of the Good Species(tm)-- this is how your story starts advocating for *eugenics*, which is not something you want to do!

So, instead of having an entire Species be "Inherently biologically" Evil, consider instead:

Making your villain group diverse instead of all one Species.

if your villain group is a Species Supremacist, they're probably still going to have underlings and lower castes who do their dirty work, or have been taken in by the cult ideology.

Making the villains of this Species be a small fraction of a larger whole, who are part of a violent cult, ideology, or political party that not only puts them in conflict with your main characters, but also with the rest of their Species.

Having your main character or their friends be the same Species as your villain group, and they represents the vast majority of the Species, instead of hailing them as "the Paragon of Goodness who emerged somehow pure from of a species forged in hell" or anything similar.

You should also sit down and not only think about the harmful, racist tropes that would come from writing Inherently Evil Species, but also consider:

Why do you want to include an entire species of people who are inherently evil in your novel?

Is your novel gaining anything for including these tropes uncritically?

Does it make it a better, more interesting story to include these tropes uncritically?

What message are you trying to send with your story?

Does including these tropes uncritically in your story *undermine* your intended message?

Another trope in the opposite direction, is talking about "Oppression" and "Fantasy Racism" from the perspective of a character who is part of the oppressed minority, only to spend the entire novel talking about how your Opressed Class are Literally and Factually threats to the population that "discriminate" against them, usually by being rightfully wary in their prescence.

if the Oppressed Minorities in your story in anyway resemble the Orcs in Bright, the Predators in Zootopia, or the Khajiit in the Elderscrolls, where the Racism these peoples face in based on hard proven facts that these people have been and still are threats to most of the population..

... you're less writing a story about how "Racism Against Vulnerable Minorities is Bad"

and sound more like you're saying

"It's bad to be "mean" (afraid of) Nazis who literally want you dead and who can kill you with impunity and no consequences."

If you are writing a story about Fantasy Discrimination, and the basis of your Fantasy Discrimination is based on *cold hard facts that your narrative supports and upholds*, instead of actually basing it on and talking about what leads to discrimination in the real world

(xenophobia and the fear+hatred of The Other, economic gain, mainly),

then you are not making the progressive stance that you think you are, and instead are enforcing the ancient propoganda that racism is based on fact, that racism is "for a good reason", and you need to take care that you are not upholding this idea in your works.

TL;DR:

Instead of making an entire Species of people a trope of Wise Good Guys or Evil Incarnate, consider using *Factions not Races* for your groups, and think long and hard about the implications of your world's politics and how it mirrors our own world, especially in ways *you may not intend it to.* If your story is meant to be progressive and inclusive, but your villains are an entire race of black orcs who slave and rape the good guys species, you need to go back to the drawing board.

[arcane-vagabond]

The Beginning

Stranger Like Me: The Beginning

Pairing: Bradley "Rooster" Bradshaw x Reader

Summary: From a young age, the animal kingdom had fascinated you, and maybe that's why you chose to pursue that passion. You quickly became a force within the field, becoming the leading expert on ape social structures, which is how you found yourself on an expedition into the African jungles searching for a troop of gorillas. What you weren't expecting, however, was to run into the local wild man on one of your excursions... (Tarzan!AU)

Trigger Warnings: Talk of loneliness, Inaccurate scientific descriptions and terminology, Flirty Jake, Allusions to loss of parents, Talk of reintigrating someone into society...I think that's it.

Word Count: 1,263

A/N: Here it is! I hope y'all don't mind me making you wait too long! This blog is 18+ ONLY! As always, reblogs and comments are welcomed and encouraged!! Find me on AO3 under arcane_vagabond where all of my stories and drabbles are posted!

Series Masterlist || Moodboard 1 || Moodboard 2 || Moodboard 3

You had a running theory that there were two types of people in this world: plant people and animal people. You? You were most definitely an animal person. Growing up, you visited the zoo frequently, the employees practically knowing you by name. You did your best to memorize as many facts as you could about the different animals in each exhibit, knowing from an early age that you wanted to work with animals for the rest of your life.

You’d spend hours at the primate exhibits, watching the way the different apes and monkeys interact with each other, and you wished you could fast forward to the moment where you got to study it day in and day out.

So, you worked hard, graduating high school with honors before moving on to study zoology in undergrad, and then skipping straight to your doctorate program after that. It had been a long, grueling road that left little time for much else, but it was your passion, and once you had been greeted with the title of “doctor,” you knew it had all been worth it.

That didn’t stop your bouts of loneliness though. While your friends all went out to party, you were usually found with your nose buried in a book. And it wasn’t like you wanted to go out partying, but it still hurt when your friends stopped asking.

And then there was Jake Seresin, your handsome best friend of several years who knew he looked good and never failed to own it. The two of you had met in the early days of undergrad, having been partnered up in a biology lab, and you had hit it off immediately. Jake wasn’t interested in primates, his focus turned towards botany of all things, but he loved to tease you about your love of great apes.

“A cute girl like you studying monkeys?” He had chuckled with a shake of his head, mossy green eyes glimmering with mischief. “You must have had a wild fascination with Boots the monkey, huh?”

“First of all, peabrain,” you scowled at him, fighting back the smile that threatened to take over your face as his jaw dropped, “I study apes, not monkeys. Second of all, my fascination with Boots is none of your business.”

“Whatever you say, Boots.”

And the nickname had stuck. It followed you through undergrad and all the way through to your now budding career as one of the leading researchers in gorilla social structures. Which is also how you found yourself invited to the North Island Research Camp in the Republic of the Congo.

The camp wasn’t some grand research center, but it was well respected amongst the scientific community for gathering the most up-to-date research and hands-on experiences between researchers and local fauna. The camp was run by Dr. Pete Mitchell and Dr. Tom Kazansky, both legends within the field and rarely opening up their camp to other researchers. You had been thrilled to receive the invitation, and even more thrilled when you found out that Jake had also received an invitation to the camp to continue his research on tropical plants.

The two of you had made plans to fly out of San Diego at the same time, even choosing to stay at his place the night before your flight.

“The early bird gets the worm, Boots!” He chirped, loading up the trunk of the Uber with your luggage. How he was so cheerful at three in the morning was beyond you.

The flight to your destination was uneventful, choosing to catch up on some of your reading as well as sleep for the majority of the flight. The two of you were greeted by a bespectacled man once you departed the plane, his demeanor relaxed but his face shy as he helped you with your bags.

“I’m Bob,” he said, loading the back of his jeep with your belongings. “I’m helping out Pete and Tom with their research. The other researcher is already at the camp. He got here about a month ago.”

“Who is it?” You asked him, hopping into the front seat of the car as Jake clambered into the back.

“Javy Machado,” Bob answered, already making his way through the city and towards the jungle. “He’s doing research into termite colonies.”

“Javy’s gonna be there?” Jake asked, leaning forward with a grin. You rolled your eyes at him. Javy and Jake almost went as far back as you two did, having first met in a chemistry course their junior year of college. While you and Jake had gone to the same university for your doctorate programs, Javy had ventured elsewhere, making a name for himself within the world of entomology. The two together was almost insufferable.

“You two better behave,” you groused, settling into your seat with a glare in his direction.

“Boots,” he gasped, placing a hand over his heart in faux hurt, “I am absolutely shocked that you think we would be anything other than complete professionals.”

“Don’t give me that crap,” you snapped, turning to face Bob who glanced at you two wearily. “Those two are going to be a nightmare, I’m just warning you now.”

“I’m almost afraid to ask,” he chuckled.

The three of you settled into a comfortable conversation as Bob continued to drive towards the camp, the jungle becoming denser the longer he went. Soon, the sun was hidden behind the canopy, and you got the sense that you were truly in the wild.

“Are you sure about this, Mav,” Ice hummed, hands clasped firmly in front of him as he eyed his fellow researcher. Mav spared him a smile, running a hand through his hair as he sat on the bench opposite his companion.

“He’s been on his own for decades, Ice,” Mav grimaced, glancing into the trees. “He deserves to know companionship beyond just us.”

“He has Bob and Javy.”

“He deserves more than just four other people in his life,” he amended, rolling his eyes. “We’re lucky we found him when we did, otherwise I’m not sure he would have survived on his own. Besides, Nick and Carole wouldn’t have wanted this for him. They would have wanted him to see the world, to meet other people.”

Ice hummed at that. Of course, Maverick had a point. They couldn’t keep the boy isolated for forever. He was already butting heads more and more with the troop leader and spending more nights in the observation tower as a result. It also wasn’t like Ice wanted to keep him isolated for selfish reasons. No, quite the opposite in fact. The kid had spent most of his life right there in the jungle, never having contact with another human being until the two men had opened up the research camp once more ten years before.

And that’s what had Ice so apprehensive. The boy had little to no experience with humans, and what he did have was from the time spent with the two older men who weren’t exactly the greatest of company at the best of times. How would he react to a camp full of people his own age? Would it be too much for him?

“Bradley is smart, Ice,” Mav continued, knocking his knuckles against the table. “He’s already been asking questions about the people in the movies and photos he sees. He wants to know about the outside world. Let’s let him have that chance.”

Ice didn’t answer. Instead, he sighed, leaning back in his chair. This would be good for Bradley. It had to be.

[flowersforzoe11]

Alex Rider S1E8 Review

wrapping up season one before my life gets quite busy again (we'll see when the next one of these is posted heh)

-god, Tom is just so *nice.* making him a bigger factor is such a high point in this show

-a thought that just occured to me. Jones is far too normal. where is my off-putting peppermint queen

-crawley is portrayed so perfectly. honestly such an understated character but Ace Bhatti is perfect (also go Kyra telling him to shut up, iconic)

-KYRA YOU SON OF A BITCH STEALING THE CARD FROM CRAWLEY WAS GENIUS (another one of those scenes that really fits the books, vibe-wise)

-omg the washer?? SO CUTE I CANNOT

-kyra do NOT make me cry on main I REPEAT DO NOT

-i love yassen with every cell in my body but what an anticlimactic death scene for greif (society if we got the greif death pun). *however* yassen walking away from the car is ice cold and goes absolutely crazy

-GOD the john rider lore drop this early goes craaaaazy

-OMG THE MOUTHWASH CALLBACK YES SO GOOD

-julius greif is so creepy i'm obsessed

-SPEECHLESS. the clone fight scene and the aftermath?? so cool. like it's so off the book (weird mix of Point Blanc and Scorpia Rising) but i don't even care right now because that was incredible (the devil works hard, but Yassen Gregorovich works harder)

-tom wearing a shirt that says "the book was better" is so fucking funny to me (it's true). biblically accurate alex rider.

------------------------------------------------------------------------------

and with that, i've finished season 1!

just some overarching thoughts:

-biggest strength of this show vs the books is that we get to see things from multiple POVs instead of Alex's limited one

-love love love how Alex has such a good support system in this show

-the tone shift between the books and show is so interesting. the books are way darker imo which is crazy bc they were actually marketed towards children while the show skews older i think. like, we barely get the level of manipulation from Blunt in the show and the Julius Greif death and honestly clone fight were way toned down. just some observations i had throughout (i think by this point in the books, Alex had killed 2 people and set his clone on fire which is crazy)

but anyways! as always, lmk your thughts and i'll see you soon for season 2! :salute:

[moonofthechilcotin]

Because I need to let this hyperfixation go wild before I can move on, here is a few of my Cora Levinson / Crawley Headcanons:

-She never got along with her mother, but she will still defend her and her family to her in-laws

-She was kind of a wild child in disguise. She always had great manners and presented really well, but she got Harold into trouble. Would drink her dad's whiskey and smoke his cigars and NOONE.EVER.KNEW. (Except Harold)

-She never was naive enough to believe Robert loved her. But her prospect wasn't great so she decided to marry someone she knew would treat her well.

-She's always known about Jane. I think she had a moment where she woke up and actually heard them in the next room, but she was feverish and so she probably had feverish images of them sleeping together and until the Bricker situation, was convinced Robert had slept with her. (But they talked it out after home girl's "very well, if you can tell me you've never.. "monologue).

-She is a sharp shooter, better than anyone at Downton but no one except Robert knows (and Thomas)

-she can whistle so loud with her fingers, lost Robert in a crowd once in Italy, could see him panicking, waved and called his name but he couldn't see her. Very unlady-like but Robert was impressed (and turned on)

-I think she writes to Tom's mom regularly, sends pictures and has Sybbie draw things and write things for her grandma. Has offered to have her come but the mom refused. Though she always responds.

-Even though the first few years at Downton were hard, Violet wasn't all that horrible and Cora realized the first time her mother visited after Mary was born that she was less on edge with Violet than she was with Martha. And somehow that hurt her.

-i know in the show she tried so hard not to step on Suzanne's toes. But that changed after the wedding. I want to believe she would have traveled to New York to help Rose with the delivery. They write and phone all the time. Martha checks in on them often too. She cried when Rose told her the child's middle name was Cora ❤️ and considers her her grandchild.

-She loves thunderstorms. It reminds her of the midwest (And Roberts is afraid of them actually, I HC that that's the first time he went to her room early in their marriage not for their marital duties but in case "she was scared" and she let him get away with it)

-She used to love being barefoot in the rain as a child. (Before the money, before her parents aspirations at high society) and she misses it. That's the one thing she wants to do before she dies. Robert promises he ll make it happen for her once her treatment is underway.

[nickstarking]

Introducing a Slytherin boy from Tom Riddle's gang era: Thaddeus Nott

Faceclaim: Hayden Christensen

Height: 6′ (1.83 m)

Eye color: White/Gray

Hair color: Brown

Fun fact: He is the future father of Theodore Nott.

He is blind.

Thaddeus Nott | Personality

- Calm and collected, Thaddeus exudes a quiet confidence, rarely letting his blindness define him or hold him back.

- Has a sharp sense of humor, often using dry wit and sarcasm to disarm anyone who makes assumptions about his disability.

- Remarkably perceptive, he notices small details in conversations and people’s behaviors that others overlook, making him an excellent observer despite his blindness.

- Takes pride in his painting, using magic and touch to create stunning works of art, often surprising others with his talent.

- Deeply loyal to his best friend Alexi Avery, frequently acting as the steady, grounding presence to balance Alexi’s chaotic energy.

- Prefers to stay out of unnecessary conflicts, but when provoked, his sharp tongue and calm demeanor can make his insults sting like a whip.

- Thrives on structure and routine, finding comfort in predictable patterns, but also enjoys occasional chaos when Alexi drags him into trouble.

- Has a knack for strategic thinking, often able to devise clever plans or solutions, even when others underestimate him.

- Finds humor in the misconceptions people have about blindness, sometimes intentionally playing along to mess with them before revealing the truth.

- Beneath his calm exterior, he harbors a quiet ambition to prove his worth, not just to others, but to himself.

- He wears glasses that look like prescription glasses even though he doesn't need them because he thinks it gives him a more intellectual vibe.

- He is addicted to cigarettes.

Thaddeus Nott | Family Dynamics

Father:

- Strict and traditional, with high expectations, he strongly believes in the purity of blood and wants Thaddeus to uphold the Nott family legacy.

- Struggles to accept Thaddeus' blindness, viewing it as a weakness, which creates a tense and expectation-filled relationship.

- Despite his criticism, he shows quiet pride when Thaddeus overcomes challenges or displays his intelligence and talents.

Mother:

- Warmer and more understanding, though submissive to her husband's authority, she tries to support Thaddeus without openly defying the father.

- Encourages Thaddeus in his hobbies, especially painting, even if it's not considered "traditional" for the family.

- Has an almost obsessive concern for Thaddeus' safety, sometimes becoming overprotective.

Family Legacy:

- The Notts are known for their loyalty to pureblood ideals and their ties to other traditional families, such as the Malfoys and Averys.

- Thaddeus' blindness is considered a "blemish" by some within their extended family and society, though he rarely cares about their opinions.

- The family values appearances, which pressures Thaddeus to excel in other areas, such as magical abilities or his artistic talent.

Overall Dynamics:

- Despite the conflicts, Thaddeus feels a strong sense of duty toward the Nott family name, though he expresses it in unconventional ways.

- He maintains a complicated relationship with his parents, trying to prove his blindness doesn’t diminish his worth while resisting being completely shaped by family traditions.

Thaddeus Nott | Friend

- Thaddeus doesn’t make friends easily, preferring a small, tight-knit circle over shallow acquaintances. Once he considers someone a friend, his loyalty is unwavering.

- Often the voice of reason among his friends, he balances out their impulsiveness with his composed and thoughtful demeanor.

- Uses humor and sarcasm to connect with friends, often playfully teasing them or poking fun at their antics, especially Alexi Avery’s clumsiness.

- He doesn’t need others to defend him; he handles teasing or rude comments about his blindness with sharp wit or dismissive humor, earning his friends’ respect.

- Despite his reserved nature, Thaddeus is a supportive friend, quietly pushing his friends to reach their potential and celebrating their victories.

- While he avoids unnecessary conflicts, he won’t hesitate to defend his friends if they’re wronged, using his intellect and sharp tongue as weapons.

- Shares his love for painting and art with friends, sometimes even painting them or inviting them to sit with him while he works.

- Prefers meaningful conversations over small talk, often discussing personal ambitions, family struggles, or philosophical ideas with his closest friends.

Dynamic with Alexi Avery:

- Acts as a grounding force for Alexi’s chaotic energy, often reigning him in or pointing out flaws in his wild plans.

- Secretly enjoys Alexi’s terrible jokes, even if he rolls his eyes and pretends to be annoyed.

- Relies on Alexi to bring spontaneity and excitement to his life, even when it leads to occasional trouble.

Thaddeus Nott | As Part of Tom Riddle’s Group

- Thaddeus uses his sharp mind and perception to contribute strategically to the group, often finding solutions or insights others overlook.

- Though not the loudest or most dominant, his calm demeanor and intelligent observations earn him respect within the group.

- Thaddeus is fiercely loyal to Tom Riddle, believing in his vision.

- Rarely fazed by the darker activities of the group, he maintains a composed exterior, which makes him a reliable and steady presence.

- Deep down, he struggles with some of the group’s more extreme actions but buries his doubts to avoid being seen as weak or disloyal.

- His blindness has sharpened his ability to read tone, emotion, and behavior, making him an expert at detecting lies or hidden motives, which Tom Riddle values.

- Uses his painting as a way to process the moral ambiguity of his involvement, often creating haunting or symbolic pieces that reflect his inner conflict.

- Respects Riddle’s intellect and charisma, feeling a mix of admiration and intimidation.

- Tom sees value in Thaddeus’ insights and unique talents but manipulates his insecurities to keep him loyal.

- Often the mediator when conflicts arise, using his sarcasm and wit to defuse tension.

- Respected for his calm under pressure, but some members may underestimate him due to his blindness, much to their detriment.

- Acts as a stabilizing force for Alexi Avery, ensuring his friend doesn’t make foolish mistakes that could jeopardize their place in the group.

- While he fits seamlessly into the group, he sometimes questions the cost of his allegiance, torn between loyalty to his friends and his own moral boundaries.

Thaddeus Nott | Toxic Traits

- While calm and composed, Thaddeus often struggles to openly express his deeper emotions, leaving his partner or friends feeling neglected or unsure of his true feelings.

- Uses sarcasm to deflect serious conversations or avoid addressing uncomfortable emotions, which can come across as dismissive.

- Prefers to handle his problems alone, often shutting others out or refusing help, even when he truly needs it.

- When upset, Thaddeus may resort to subtle jabs or quiet resentment instead of confronting issues directly, leading to unresolved tensions.

- In arguments, he can become cold and unresponsive, prioritizing logic over emotion, which might make others feel invalidated or unheard.

- While he seems confident, his fear of being seen as weak due to his blindness drives him to overcompensate, sometimes making decisions to prove a point rather than for the right reasons.

- Tends to assume the worst in people or situations, which can dampen the optimism of those around him or strain relationships with overly hopeful individuals.

- While deeply loyal to a small circle, he can be indifferent or dismissive toward those he doesn’t value, creating a perception of arrogance.

- His sharp intellect and dry humor can sometimes be weaponized to subtly manipulate situations or people to his advantage.

- Struggles to let people see his flaws or fears, maintaining an emotional wall that prevents deeper connections.

Thaddeus Nott | Boyfriend

- Thaddeus pays close attention to the little things, surprising his partner with gestures that show he truly listens and understands their needs.

- Offers steady emotional support, being a calm presence in moments of stress or uncertainty, helping his partner see the bigger picture.

- His dry sense of humor and subtle sarcasm make conversations with him engaging and entertaining, often leaving his partner smiling.

- Expresses his affection through his art, painting pieces inspired by his partner or creating symbolic works that hold special meaning for their relationship.

- Never rushes his partner, offering them the time and space to be themselves, and is always willing to adapt to their pace.

- Prefers meaningful discussions over surface-level chatter, often diving into philosophical topics, dreams, or vulnerabilities with his partner.

- While he’s not overtly possessive, he ensures his partner feels safe and supported, standing up for them in his calm but firm way if needed.

- Teases his partner playfully, using his wit to lighten situations or make them laugh, but never crosses a line that might hurt their feelings.

- Values his own space and routines but always makes his partner feel prioritized, balancing independence and togetherness effortlessly.

- While not overly sentimental, he surprises his partner with unique gestures, like sharing a quiet moment in his painting studio or crafting personalized gifts.

- Sensitive to his partner’s emotions and boundaries, he ensures they feel comfortable and valued, never pressuring them into anything.

- Without making it obvious, he keeps a close watch on his partner’s well-being, using his sharp perception to notice when something’s wrong and offering help before being asked.

Thaddeus Nott | Intimacy

- Thaddeus approaches intimacy with care, ensuring his partner feels comfortable and cherished, never rushing the moment.

- Despite his blindness, he has an exceptional ability to sense his partner’s emotions, responding to their needs with sensitivity and attentiveness.

- Takes time to create a meaningful atmosphere, whether through quiet conversation beforehand or subtle gestures to make the experience special.

- Incorporates his dry wit and light teasing to ease nerves, using humor to make the moment feel natural and personal.

- Relies on physical connection to express his emotions, his movements slow and deliberate, as if memorizing every detail of the experience.

- His blindness allows him to be fully present, making his partner feel like the center of his attention without distractions.

- Frequently checks in with his partner, using his calm demeanor and soothing voice to ensure they feel safe and valued throughout.

- Stays close after the moment, offering comforting words, affectionate touches, or even a quiet gesture like sharing a blanket or suggesting they rest together.

- Finds ways to make each experience unique, incorporating his artistic nature into small details that make his partner feel treasured.

- Ensures the experience is mutual and meaningful, respecting boundaries and placing his partner’s comfort above all else.